|Method||Aquatint with hand colouring|
|Artist||Daniel Havell after Augustus Charles Pugin|
|Published||Pub for R. Ackermanns Hist.y of Oxford Nov 1814|
|Dimensions||Image 205 x 130 mm, Plate 250 x 142 mm, Sheet 280 x 170 mm|
A view of the entrance gate at Magdalen College from Rudolph Ackermann's A History of the University of Oxford, its Colleges, Halls and Public Buildings.
Rudolph Ackermann (1764 - 1834) was a lithographer and publisher born in Saxony. He moved to London in 1787 and later established a business as a coachmaker at 7 Little Russell Street, Covent Garden. In 1796, having already published the first of many books of carriage designs, he moved to 96 Strand where he ran a drawing school for ten years. The following year, Ackermann moved to 101 Strand (known, from 1798, as The Repository of Arts) where he sold old master paintings and artists' supplies as well as prints. In 1803, 220 Strand was given as his address in a print published that year. The Microcosm of London (1808-10) and the monthly Repository of Arts (1809-29) established his reputation for fine colour plate books. From 1816, he began to publish lithographs. Ackermann always maintained links with his native Germany, and in the 1820s, he also opened outlets in Mexico, Guatemala, Colombia, Argentina, and Peru. In 1832, he handed the running of the business over to his second son George and his younger brothers, who traded as Ackermann & Co.at 106 The Strand until 1861. Ackermann also established a print business for his eldest son Rudolph at 191 Regent Street.
Augustus Charles Pugin (1762 - 1832) was a topographical draughtsman and etcher. He was the father of the artist and architect Augustus Welby Northmore Pugin.
Daniel Havell (1785 – 1822) was an artist and printmaker most known for his work producing plates for Rudolph Ackermann's History of Cambridge (1815) and Ackermann's history of various Public Schools including Eton, Winchester and Rugby (1816), as well as a celebrated view of St Paul's Cathedral (1818) and various other London landmarks for Ackermann's Repository of Arts.
Condition: Excellent clean impression.