1000		Nathaniel Whittock	The Ruins of Godstow: From a Drawing by T. Melchor, taken in 1784	Lithograph	1829			I 150 x 191 mm	From The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford		Can also be from A Topographical and Historical Description of the University and City of Oxford also by Whittock 	45	£45	mounted	Book	Oxford	General Views						
1002		Nathaniel Whittock after T. Greenshields	Oxford Baths: Entrance from Street	Engraving with hand colouring	1829			I 177 x 227 mm	From The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford		Can also be from A Topographical and Historical Desvription of the University and City of Oxford also by Whittock  	25	£25	mounted	Print	Oxford	General Views						
1003		Nathaniel Whittock	Grand Pont: Usually called Folly Bridge	Lithograph	1829			I 151 x 218 mm	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford		Can also be from A Topographical and Historical Desvription of the University and City of Oxford also by Whittock  	50	£50		Print	Oxford	General Views						
1004		Unknown	[Library - Mansfield College]	Photograph	c. 1880							45	£45	mounted	Print	Oxford	Mansfield College						
1005		Pieter van der Aa after David Loggan	Le Jardin de Medecine a Oxford [Oxford Botanical Gardens]	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge. The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	mounted	Print	Oxford	Botanic Garden						
1007		J. Hill after A. Pugin	University and Queen’s Colleges. High Street	Aquatint with hand colouring	Published London, by J. Harrison and J. C. Leigh for R. Ackermann. 1814.			I 270 x 210	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			280	£280	mounted	Print	Oxford	High Street Views						
1008		Sydney William Carline	[Oxford from Hinskey]	Etching	1913			Image and plate 131 x 174 mm			Signed in pencil Sydney Carline (1888-1929) Born in London. Both his brother, Richard, and his sister Hilda, were also artists, with his sister marrying the artist Stanley Spencer, who was a friend of Richard's. The three siblings were children of the artist, George Carline (1855-1920). They studied at the Slade School and in Paris under Tudor Hart. Sydney was an official war artist with the RAF during World War I. He exhibited with the London Group, becoming a member in 1924. From 1921 to 1929 he was Ruskin Master of Drawing at Oxford. He provided some illustrations for T. E. Lawrence's Revolt in the Desert. 	70	£70	framed	Print	Artists	Sydney William Carline						
1009		T. Bonner after J. P. Neale	Clarendon Printing House and the Theatre. Oxford	Engraving	London, Published by John Harris, Nov. 8th, 1814			I 160 x 110	From the Beauties of England and Wales			40	£40	mounted	Print	Oxford	Broad Street Views						
1010		Hawkins	Friar Bacon’s Study, at Oxford		Published according to Act of Parliment by Alexr Hogg No 16 Paternoster Row c. 1780 			I 131 x 183 mm			From Henry Boswell’s The Antiquities of England and Wales	35	£35	mounted	Print	Oxford	General Views						
1012		Unknown	A View of the remains of Godstow Nunnery in Oxford Shire	Copper engraving	c. 1770							35	£35	mounted	Print	Oxford	General Views						
1013		Kershaw & Son 	County Hall, Oxford	Steel engraving	c. 1841						Top to decorative stationary	30	£30	mounted	Print	Oxford	General Views						
1016		Pieter van der Aa after David Loggan	Vue du Theatre de Sheldon à Oxford du cote du Midi [Oxford Sheldonian Theatre]	Copper engraving	1707			I 130 x 165 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	35	£35	mounted	Print	Oxford	Sheldonian Theatre						
1017		Pieter van der Aa after David Loggan	Vue du Theatre de Sheldon à Oxford du cote du Nord [Oxford Sheldonian Theatre, north view]	Copper engraving	1707			I 130 x 165 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	40	£40	mounted	Print	Oxford	Sheldonian Theatre						
1018			Oxford, Sheldonian Theatre	Photograph	c. 1900			I 145 x 95				25	£25	mounted	Print	Oxford	Sheldonian Theatre						
1020		W.B. Cooke after P. Dewint and G. Hollis	Oxford, Taken near Osney	Copper engraving	London J. Hogarth, 5 Haymarket 			I 142 x 209 mm, Pl 183 x 245 mm			A scarce seperatly published print of Oxford	100	£100		Print	Oxford	General Views						
1022		J. Le Keux after F. Mackenzie	The Theatre	Steel engraving	Published Feby. 1st 1837 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	38	£38	mounted	Print	Oxford	Sheldonian Theatre						
1024		Joseph Skelton	Friar Bacon’s Study & C.	Copper engraving	Published as the Act Directs March 1 1817 by J. Skelton, St. Aldates Oxford			I 163 x 237 mm	Oxonia Antiqua Restaurata by Joseph Skelton		A reduction of the 1780 Almanack.	100	£100		Print	Oxford	General Views						
1025		J. Le Keux after F. Mackenzie	St. Thomas’s Church	Steel engraving	Published Nov. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	15	£15	unmounted	Print	Oxford	Oxford Churches						
1026		Joseph Skelton after J M W. Turner	Hall of Christ Church	Copper engraving	Published at the Act directs, June 1 1822, by J. Skelton, Magdalen Bridge, Oxford			I 165 x 227 mm, Pl 210 x 280 mm			A reduciotn of the Almanck for 1807.	65.00	£65	mounted	Print	Oxford	Christ Church College						
1027		J. Le Keux after F. Mackenzie	St. Clements Church from Magdalen Walk	Steel engraving	Published Feb. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	28	£28	mounted	Print	Oxford	Oxford Churches						
1028		J. Le Keux after F. Mackenzie	St. Aldate’s Church	Steel engraving with hand colouring	Published Sept. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40	mounted	Print	Oxford	Oxford Churches						
1029		J. Le Keux after F. Mackenzie	Holywell Church	Steel engraving	Published Feb. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	20	£20	mounted	Print	Oxford	Oxford Churches						
1030			Wesleyan Chapel	Engraving	c. 1820			I 115 x 85				30	£30	mounted	Print	Oxford	Oxford Churches						
1031		J. Le Keux after F. Mackenzie	St. Ebbe’s Church	Steel engraving with hand colouring	Published Sept. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	45	£45	mounted	Print	Oxford	Oxford Churches						
1032		J. Le Keux after F. Mackenzie	St. Martins Church, Carfax	Steel engraving	Published May. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	32	£32	mounted	Print	Oxford	Oxford Churches						
1033		J. Le Keux after F. Mackenzie	Iffley Church, from the S. W.	Steel engraving with hand colouring	Published April. 1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	45	£45	mounted	Print	Oxford	Oxford Churches						
1034		J. Le Keux after F. Mackenzie	Interior of Iffley Church	Steel engraving	Published April. 1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35	£35	mounted	Print	Oxford	Oxford Churches						
1035		J. Le Keux after F. Mackenzie	Magdalen Church, from St. Giles’s	Steel engraving	Published Sept. 1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	30	£30	mounted	Print	Oxford	Oxford Churches						
1036		Pieter van der Aa after David Loggan	Eglise de S. Marie à Oxford [St. Mary’s Church, Oxford]	Copper engraving	1707			I 130 x 165 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	42	£42	mounted	Print	Oxford	Oxford Churches						
1037			Great St. Mary’s Church at Oxford	Copper engraving	c. 1720			I 105 x 100				25	£25	mounted	Print	Oxford	Oxford Churches						
1040		J.C. Stadler after J. Farington R.A. 	Oxford	Aquatint with hand colouring	Pub. June 1, 1793 by J & J Boydell Shakespeare Gallery Pall Mall & Cheapside			I 220 x  320 mm	A History of the River Thames		John Boydell (1719-1804) was a successful and influential printseller and engraver. Boydell's Shakespeare Gallery is credited with changing the course of English painting by creating a market for historical and literary works. He also encouraged the development of engraving in England with, among other things, his prints illustrating scenes from Shakespearean plays. In 1773, his nephew Josiah Boydell (1752-1817) became his business partner and later his successor, trading as J. & J. Boydell. 	300	£300	framed	Print	Oxford	General Views						
1042		Joseph Skelton	Yew Tree, &c. in Ifley Churchyard (Iffley Church)	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford				Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	mounted	Print	Oxford	Oxford Churches						
1043			Carfax Church	Engraving	c. 1820			I 115 x 85				28	£28	mounted	Print	Oxford	Oxford Churches						
1046		J.H. Le Keux after J. Buckler 	House of Simon Perrot. Oxford taken down 1845	Copper engraving	c. 1845			I 102 x 150 mm				15	£15	unmounted	Print	Oxford	General Views						
1048		J. Roffe	[Oxford]	Etching	c. 1810			I 177 x 274 mm				120	£120	mounted	Print	Oxford	General Views						
1050		Collis	Ifley Church, Oxfordshire, Elevation of the West End (Iffley Church)	Engraving	c. 1810			I 110 x 75				40	£40	mounted	Print	Oxford	Oxford Churches						
1052		W. Mathews	South View of Iffley Church	Steel engraving	Published by W. Mathews, Oxford			I 110 x 75				45	£45	mounted	Print	Oxford	Oxford Churches						
1055		Wise after J.P. Neale	Saint Mary Magdalen’s Church, Oxford	Copper engraving with hand colour	c. 1813			I 160 x 110	Beauties of England and Wales			15	£15	mounted	Print	Oxford	Oxford Churches						
1056		D. Hawell after A. Pugin	Porch of St. Mary’s Church	Aquatint with hand colouring	Published for R. Ackermann. 1814.			I 135 x 210	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			60	£60	mounted	Print	Oxford	Oxford Churches						
1058		Unknown photographer	St. Mary’s Church	Photograph	c. 1900			120 x 160				45	£45	mounted	Print	Oxford	Oxford Churches						
1059			Porch of St. Mary’s Church	Photograph	c. 1900			120 x 160				25	£25	mounted	Print	Oxford	Oxford Churches						
1060			Porch of Iffley Church	Photograph	c. 1900			200 x 240				35	£35	mounted	Print	Oxford	Oxford Churches						
1061		J. Chapman	North East View of St. Giles’s Church	Copper engraving	c. 1840			I 160 x 110				35	£35		Print	Oxford	Oxford Churches						
1064		Unknown	Views in and near Oxford	Aquatint with hand colouring	Pub. by S & J Fuller Temple of Fancy Rathbone Place Wheremay be had  the greatest varity of Fancy  Goods, Borders, Medallions, Fancy Papers &C, &c. & C.			I area 275 x 370 mm				200	£200	mounted	Print	Oxford	General Views						
1065		Spy	Master of Balliol	Chromolithograph	Published in Vanity Fair, April 4, 1895			I 330 x 205				35	£35	mounted	Print	Oxford	Oxford Portraits						
1068		Bretherton after Dunbury	The Xmas Academics. A Combination Game at Whist	Etching	Published 20th Jany. 1773. By J. Bretherton No. 134 New Bond Street. 1772			I 240 x 390				250	£250	mounted	Print	Oxford	Oxford Caricatures						
1069		Unknown	The Bedmaker	Woodcut	c. 1800			I 105 x 145				32	£32	mounted	Print	Oxford	Oxford Caricatures						
1070		W.A. Delamotte after a Lady	Oxford, From Above Ferry Hinskey.	Lithograph	Printed J. Plowman, Oxford c. 1840			I 180 x 300				250.00	£250	mounted	Print	Oxford	General Views						
1071		Unknown	[Oxford]	Etching	c. 1880			I 123 x 203 mm, Pl 104 x 212 mm				55	£55	mounted	Print	Oxford	General Views						
1073		after Westall	Oxford	Copper engraving	Verlag des Bibliographischen Instituts zu Hildburghausen c. 1830			I 97 x 150 mm, Pl 123 x 177			Germany Copy of this Oxford view after Westall	45	£45	mounted	Print	Oxford	General Views						
1074		T. Cook after Hogarth	Humours of Oxford, 1729	Copper engraving	Published Nov. 1st 1807			I 110 x 170				45	£45	mounted	Print	Oxford	Oxford Caricatures						
1075		George Cruikshank after Woodward	Two University figures	Engraving with hand colouring	London. Published by Allen and West, 15 Paternoster Row, January 14 1797			I 180 x 260				90	£90	mounted	Print	Oxford	Oxford Caricatures						
1076		T. Unwins after J. Agar	Proctor	Engraving with hand colouring	London Pub. Feby. 1st 1814 at 101 Strand for R. Ackermann’s History of Oxford			Pl 250 x 310	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			35	£35	mounted	Print	Oxford	Oxford Caricatures						
1078		Unknown	Merton College and Magdalen Tower	Photograph	c. 1880			I 117 x 194 mm				65	£65	mounted	Print	Oxford	General Views						
1082		Unknown	Oxford Sports - Hounds at Fault. Honest John, Too Much for ‘Em	Lithograph	1800s			I 390 x 210				65	£65	mounted	Print	Oxford	Oxford Caricatures						
1083		T. Uwins after J. Agar	Doctor in Divinity	Engraving with hand colouring	London Pub. June 1st 1813 at 101 Strand for R. Ackermann’s History of Oxford			Pl 250 x 310	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			65.00	£65	mounted	Print	Oxford	Academic Dress						
1085		Joseph Skelton	South Front of Friar Bacon’s Study	Copper engraving	Published as the Act directs Sept. 1st 1819 by J. Skelton St. Aldates Oxford			I 270 x 185 mm Pl. 295 x 232 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	28	£28	mounted	Print	Oxford	General Views						
1086		Dighton	A View from Merton College, Oxford (Caricature)	Etching with hand colouring	Published June 1808 by Dighton			I 270 x 220				100	£100	mounted	Print	Oxford	Oxford Caricatures						
1087		Dighton	A View from Trinity College, Oxford (Caricature)	Etching with hand colouring	Published June 1807 by Dighton			I 270 x 220			Henry Kell, Rose p38	100	£100	mounted	Print	Oxford	Oxford Caricatures						
1089		Pieter van der Aa after David Loggan	Le dedans del’Auditoire de Tréolgie dans l’université d’Oxford 	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	40	£40	mounted	Print	Oxford	Brasenose College						
1090		Unknown	The River and Boats, Oxford	Photograph	c. 1880			I 150 x 205 mm			Photo laid onto album page with hand written title in red	55	£55	mounted	Print	Oxford	General Views						
1095		Henry Hudson after Mathew Bronn	Lord Loughborough	Mezzotint	Published May 27th 1791 by Henry Hudson No 38 Great Russel Street Bloomsbury			I 427 x 333 mm, S 495 x 350 mm			Trimmed inside plate, some repaires in margins, but not affecting image.  A very good impression.Lord Loughborough Alexander Wedderburn, 1st Earl of Rosslyn (1733-1809)	200	£200	unmounted	Print	Portraits	Legal						
1097		Moule, Thomas 	Oxfordshire	Copper engraved map with later hand colour	c. 1840			257 x 184 mm			Originally a writer on Heraldry and general antiquities, Moule was born in Marylebone, London. From around 1816 to 1823 he was a Bookseller, his shop was in Grosvenor Square, London. He then became an inspector of letters in the General Post Office, where his responsibilities included trying to 'read' illegible hand writing! His highly decorative series of county maps were first published in separate issues for each county between 1830 and 1832. In 1836 these were brought together in one work, by George Virtue & Co. They continued to appear in Rev. Barclay's Dictionary into the 1840's.	95	£95	mounted	Map	Oxford	Oxfordshire						
1098		Moule, Thomas 	City and University of Oxford	Copper engraved map with later hand colour	c. 1840			257 x 184 mm			Originally a writer on Heraldry and general antiquities, Moule was born in Marylebone, London. From around 1816 to 1823 he was a Bookseller, his shop was in Grosvenor Square, London. He then became an inspector of letters in the General Post Office, where his responsibilities included trying to 'read' illegible hand writing! His highly decorative series of county maps were first published in separate issues for each county between 1830 and 1832. In 1836 these were brought together in one work, by George Virtue & Co. They continued to appear in Rev. Barclay's Dictionary into the 1840's.	120.00	£120	mounted	Map	Oxford	Oxford Maps						
1125		J. Le Keux after F. Mackenzie	St. Ebbe’s Church	Steel engraving with hand colouring	Published Sept. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40	mounted	Print	Oxford	Oxford Churches						
1130		J. Le Keux after F. Mackenzie	St. Peter Le Bailey	Steel engraving	Published May. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 93 x 142 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	25.00	£25		Print	Oxford	Oxford Churches						
1131		J. Le Keux after F. Mackenzie	Tower & Spire of Saint Mary’s Church	Steel engraving	Published June. 1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 142 x 102 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35.00	£35		Print	Oxford	Oxford Churches						
1132		J. Le Keux after F. Mackenzie	Interior of St. Mary’s Church	Steel engraving	Published June 1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 132 x 103 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	25	£25	mounted	Print	Oxford	Oxford Churches						
1136		Seller, John	Oxfordshire	Copper engraved	1694			I 170 x 120 mm				100	£100	mounted	Map	Oxford	Oxfordshire						
1143		Ben Pritchard	Last Seen in Mauritius	Woodcut	2005			440mm x 325mm	 			120	£120		Print	Artists	Ben Pritchard						
1145		Ben Pritchard	That Conversation	Lino cut	2005			205mm x 330mm				115	£115		Print	Artists	Ben Pritchard						
1146		Ben Pritchard	Riding Down the High	Lino cut	2005			405mm x 305mm				130	£130		Print	Artists	Ben Pritchard						
1147		Ben Pritchard	Conversation on the Parrog (Newport)	Lino cut	2005			410mm x 235mm				120	£120		Print	Artists	Ben Pritchard						
1148		Ben Pritchard	Browns	Lino cut	2005			410mm x 295mm				140	£140		Print	Artists	Ben Pritchard						
1151		Ben Pritchard	Abandoned Farm	Lino cut	2005			400mm x 150mm 				120	£120		Print	Artists	Ben Pritchard						
1152		Ben Pritchard	Resevoir Books	Lino cut	2005			520mm x 360mm				160	£160		Print	Artists	Ben Pritchard						
1153		Ben Pritchard	All The Young Dudes	Lino cut	2005			460mm x 350mm				160	£160	framed	Print	Artists	Ben Pritchard						
1154		Ben Pritchard	Swimming With The Carp	Woodcut	2005			475mm x 395mm				150	£150		Print	Artists	Ben Pritchard						
1155		J. Le Keux after F. Mackenzie	The Castle.	Steel engraving	Published January 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 93 x 157 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	30.00	£30	mounted	Print	Oxford	Oxford Castle						
1156		J. Le Keux after F. Mackenzie	Corpus Christi College.	Steel engraving with hand colour	Published June 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 93 x 157 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35	£35	mounted	Print	Oxford	Corpus Christi College						
1157		J. Le Keux after F. Mackenzie	The Ashmolean Museum.	Steel engraving	Published Decr.1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 92 x 131 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	30	£30	mounted	Print	Oxford	Oxford Museums						
1158		Archer, J.	Oxfordshire	Steel engraved with hand colouring	Drawn and Engraved by J. Archer, Pentonville, London. c 1840			190 x 240	Curiosities of Great Britain. England & Wales delineared historical, entertaining & Commercial.  			55	£55	mounted	Map	Oxford	Oxfordshire						
1159		Walker, C. & J.	Oxfordshire	Steel engraving with hand colouring	Drawn and Engraved for Lewis Topographical Dictionary. c. 1836			Pl. 210 x 260	Lewis’ Topographical Dictionary			45	£45	mounted	Map	Oxford	Oxfordshire						
1160		Van Langeren	Oxfordshire [with distance chart]	Copper engraving	Published 1643			I 110 x 110				80	£80	mounted	Map	Oxford	Oxfordshire						
1161		Bowen, Emanuelle	Oxfordshire, Divided into its Hundreds	Copper engraving	Engraved for the General Magazine of Arts and Sciences for W. Owen at Temple Bar 1758			Pl. 190 x 220				80	£80	mounted	Map	Oxford	Oxfordshire						
1162		Migneret, Mme.	Oxford, Berks, Buckingham	Copper engraving with hand colouring	A. M. Perrot 1823			I 65 x 110			Rare.	140	£140	mounted	Map	Oxford	Oxfordshire						
1167		Bowen, Emmanuel	The Road from Bristol to Banbury, A Map of Oxfordshire	Copper engraving	Published 1720			I 120 x 190				90	£90	mounted	Map	Oxford	Oxfordshire						
1168		Hughes, William	Oxfordshire	Lithograph	Published 1868			I 240 x 310				40	£40	mounted	Map	Oxford	Oxfordshire						
1169		Picken	Under Graduates and their Horses, Near Christ Church, Oxford, 1842	Lithograph	Published by Day and Haghe. 1842			I 180 x 110				45	£45	mounted	Print	Oxford	Academic Dress						
1170		Grignion after Huddesford	Artium Magister	Copper engraving	c. 1750			Pl. 85 x 40			Scarce.	45	£45	mounted	Print	Oxford	Academic Dress						
1172		Walker	An Oxford Proctor Requesting a Student to Put on his Gown, instead of Carrying it on His Arm, Which is now a Common Custom in Oxford	Lithograph	Published by Day and Haghe. 1842			I 170 x 110				45	£45	mounted	Print	Oxford	Academic Dress						
1173		Walker	A Student Signing his Name in the Matriculation Book, Before the Vice Chancellor	Lithograph	Published by Day and Haghe. 1842			I 170 x 110				50	£50	mounted	Print	Oxford	Academic Dress						
1174		Pieter van der Aa after David Loggan	Habits ordinaires des personnes qui composent l’Universite d’Oxford	Copper engraving	1707			Image: 350 x 127 mm. Plate: 370 x 140mm	La Delices de la Grande Bretagne et de L’Irlande		Diagram showing 36 different styles of dress. La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	80	£80	mounted	Print	Oxford	Academic Dress						
1175		J. Agar after T. Uwins	Doctor in Physic, Full Dress	Etching with hand colouring	London. Published June 1st 1813, at 101 Strand for R. Ackermann’s History of Oxford			Pl. 255 x 310	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings..			65	£65	mounted	Print	Oxford	Academic Dress						
1176		J. Agar after T. Uwins	Bachelor of Divinity, with Servitor and Collector	Etching with hand colouring	London. Published Aug. 1st 1814, at 101 Strand for R. Ackermann’s History of Oxford			Pl. 300 x 260	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			60	£60	mounted	Print	Oxford	Academic Dress						
1177		J. Agar after T. Uwins	Doctor in Divinity in Convocation	Etching with hand colouring	London. Published Oct. 1st 1813, at 101 Strand for R. Ackermann’s History of Oxford			Pl. 255 x 310	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			30.00	£30	mounted	Print	Oxford	Academic Dress						
1178		J. Le Keux after F. Mackenzie	The Library, Christ Church	Steel engraving	Published Jany. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35.00	£35	mounted	Print	Oxford	Christ Church College						
1179		M. Oliver Rae	Peckwater Quad, Christ Church, Oxford	Etching	c. 1920			I 190 x 285 				65.00	£65	mounted	Print	Oxford	Christ Church College						
1185		G. Huardel-Bly	[Merton]	Etching	c. 1875			Pl & I 137 x 87 mm				40	£40	mounted	Print	Oxford	Merton College						
1188		G. Huardel-Bly	[St. John’s]	Etching	c. 1875			Pl & I 87 x 137 mm				40.00	£40	mounted	Print	Oxford	St. John’s College						
1189		Ben Pritchard	The University Church	Lino Print	2005			215 mm x 214 mm				120	£120		Print	Artists	Ben Pritchard						
1191		Ben Pritchard	Looking Towards Exeter	Lino cut	2005			316 mm x 425 mm				160	£160		Print	Artists	Ben Pritchard						
1200		Le Keux after F. Mackenzie	The Radcliffe Library	Steel engraving	Published March 1 1834 by J. H. Parkers, Oxford, C. Tilt, Fleet St. & J. Le Keus Hammondsworth. v 			141mm x 94mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35	£35	mounted	Print	Oxford	Radcliffe Camera						
1205		J. Le Keux after F. Mackenzie	The Divinity School	Steel engraving	Published Jany. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40.00	£40		Print	Oxford	Bodleian Library						
1207		Pieter van der Aa after David Loggan	La Bibliotheque Bodlienne	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	mounted	Print	Oxford	Bodleian Library						
1210		Pieter van der Aa after David Loggan	Le Frontispice des Auditoires publics de l’Univesite d’Oxford	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	30	£30	mounted	Print	Oxford	Bodleian Library						
1211		J. Le Keux after F. Mackenzie	The University House, from the Infirmary	Steel engraving with hand colouring	Published Nov. 1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 80 x 140 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40	mounted	Print	Oxford	Clarendon Press						
1212		J. Storer	The Schools Tower	Engraving	1817			115mm x 81mm				30	£30	mounted	Print	Oxford	Magdalen College						
1215			Clarendon Printing Office	Aquatint	c. 1850			I 114 x 95				30	£30	mounted	Print	Oxford	Clarendon Press						
1218		J. Jac Haid after Leipold	Gerardus L.B. Van Swieten	Mezzotint	Dec 10, 1695						Crease in right	90.00	£90	unmounted	Print	Portraits	Medical						
1222		Thomas Landseer	“A fool to pleasure..”	Etching	Published 1828 by Moon, Boys & Graves 6 Pall Mall 				Monkeyana, or Men in Minature		Thomas Landseer was the older brother of the famnous Victorian painter Sir Edwin Landseer.  Thomas Landseerengraved the majority of the most famous plates after his brother’s paintings. Thomas Lanseer’s orginal works are seen less frequently than his large scale reproductive engravings.	175.00	£175	unmounted	Print	General Interest	Caricatures						
1223		Thomas Landseer	“-now will canker Sorrow..”	Etching	 Published Decr. 1 1827 by Moon, Boys & Graves 6 Pall Mall a Paris chez Pieri Bernard, Boulevar des Italiens				Monkeyana, or Men in Minature		Thomas Landseer was the older brother of the famnous Victorian painter Sir Edwin Landseer.  Thomas Landseerengraved the majority of the most famous plates after his brother’s paintings. Thomas Lanseer’s orginal works are seen less frequently than his large scale reproductive engravings.	150.00	£150	unmounted	Print	General Interest	Caricatures						
1224		Unknown	Ordre et Marche du Boeuf gras.	Woodcut	Imp. Je F Baudouin, r des Boucheries St. G. 38, c. 1840						Creased through middle	150.00	£150	mounted	Print	Fine Prints	Loose Prints and Curiosities						
1225		Unknown engraver	Meetingers	Woodcut with original handcolour	Published by R. Carr, 9, Cotton-street, Manchester, c. 1840							100.00	£100	mounted	Print	General Interest	Caricatures						
1226		Bowen, Thomas 	A New & Accurate Map of Europe Drawn from the Best Authorities	Copper engraving	1777						Tear in lower centre fold, on in left and on on top right	170.00	£170	unmounted	Map	Europe	Europe						
1227		Bowen, Thomas 	A Correct Map of the Ottoman Empire Including all the countries Possess’d by, or Tributary to the Turks, in Europe, Asia & Africa, with part of the Adjecent Territories, according ti the latest Observations	Copper engraved	Engraved for Bankes’s New System of Geography Published by Royal Authority, 1777			310 x 418 mm				190.00	£190	unmounted	Map	Asia & Middle East							
1228		Vertue after Vandike	The Rt. Hon.ble the Earl of Lyndsey. / The Rt. Hon.ble The Earl of Carnarvon	Copper engraving				I 322 x 212 mm			O’ Donohugh  4 and 9Original FrameEx. Col Chirck Castle	200.00	£200	framed	Print	Portraits	British Nobility						
1299		Sydney William Carline	[Oxford Castle]	Etching	c 1920			Image and plate 175 x 136 mm 			Signed in pencilSydney Carline (1888-1929) He was born in London. Both his brother, Richard, and his sister Hilda, were also artists, with his sister marrying the artist Stanley Spencer, who was a friend of Richard's. The three siblings were children of the artist, George Carline (1855-1920). They studied at the Slade School and in Paris under Tudor Hart. Sydney was an official war artist with the RAF during World War I. He exhibited with the London Group, becoming a member in 1924. From 1921 to 1929 he was Ruskin Master of Drawing at Oxford. He provided some illustrations for T. E. Lawrence's Revolt in the Desert. 	65	£65	framed	Print	Artists	Sydney William Carline						
1305		Vertue after Vandike	The Rt. Hon.ble the Earl of Kingston / The Right Hon.ble the Earl of Litchfield	Copper engraving				I 322 x 212 mm			O’ Donohugh 2  and 4Original FrameEx Col. Chirck Castle	200.00	£200	framed	Print	Portraits	British Nobility						
1307		Vertue after Vandike	The Rt. Hon.ble the Lord Capel / The Right Hon.ble the Lord Viscount Faulkland	Copper engraving				I 322 x 212 mm			O’ Donohugh 3Original FrameEx. Col. Chirk Castle	200.00	£200	framed	Print	Portraits	British Nobility	Royalist					
1351		Petrus Schenk (1660-1711)	Oxfort, een vermaerde Stadt in Engeland, een on vergelyke aenqueeckster van Kunsten ende Sudien [Prospect of the City of Oxford]	Engraving	Published in Amsterdam, 1702			255 x 210 mm	Hecatompolis, sive Totius orbis Terrarum Oppida Nobiliora Centum; exquisite collecta atque eleganter depicta. [100 engraved town views]		Petrus Schenk (1660-1715) was born in Germany but moved to Amsterdam where he studied engraving with Gerard Valck. He had two shops where he sold maps and prints, one in Amsterdam and the other in Leipzig. This plate is from Schenk’s early town atlas which depicted 100 cities on four continents.	300	£300	framed	Print	Oxford	General Views						
1353		Sydney Carline	[New College Lane]	Etching	1912			Image and plate 175 x 105 mm			Signed in pencilSydney Carline (1888-1929) He was born in London. Both his brother, Richard, and his sister Hilda, were also artists, with his sister marrying the artist Stanley Spencer, who was a friend of Richard's. The three siblings were children of the artist, George Carline (1855-1920). They studied at the Slade School and in Paris under Tudor Hart. Sydney was an official war artist with the RAF during World War I. He exhibited with the London Group, becoming a member in 1924. From 1921 to 1929 he was Ruskin Master of Drawing at Oxford. He provided some illustrations for T. E. Lawrence's Revolt in the Desert. 	40	£40	mounted	Print	Artists	Sydney William Carline						
1354		M. Rudge	Tom Tower, Oxford	Etching	c. 1920			142 x 90 mm				65.00	£65	framed	Print	Oxford	Christ Church College						
1356		Ben Pritchard	Taylors	Lino Cut	2005			I 402 x 305 mm				130	£130	unmounted	Print	Artists	Ben Pritchard						
1358		Pieter van der Aa after David Loggan	Le dedans l’Auditoire de Theologie dans l’Universite d’Oxford	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	mounted	Print	Oxford	Bodleian Library						
1359		J. Le Keux 	Interior of the Hall, Christ Church	Steel engraving	Published Jany. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 140 x 165 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40.00	£40	mounted	Print	Oxford	Christ Church College						
1360		J. Le Keux after F. Mackenzie	Staircase to the Hall, Christ Church	Steel engraving	Published Jany. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 130 x 165 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	50.00	£50		Print	Oxford	Christ Church College						
1361		Rock & Co.	Christ Church, Oxford	Steel engraving	Published 1 Nov. 1862			I 115 x 80				25.00	£25	mounted	Print	Oxford	Christ Church College						
1362		J. Buckler	Grammar School at Christ Church Oxford	Copper engraving	1896			I 120 x 150 mm				20.00	£20	mounted	Print	Oxford	Christ Church College						
1363		Rock & Co.	Hall, Christ Church, Oxford	Steel engraving	Published 1 Nov. 1862			I 110 x 80				30.00	£30	mounted	Print	Oxford	Christ Church College						
1365		J. Le Keux after F. Mackenzie	The Chapter House	Steel engraving	Published Jany. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 110 x 160 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	26.00	£26	unmounted	Print	Oxford	Christ Church College						
1367		I.S. Heaviside after P.H. Delamotte	Tom Gate and Tower	Copper engraving	1836			I 120 x 65				28.00	£28		Print	Oxford	Christ Church College						
1368			[Tom Tower]	Photograph	c. 1880			I 90 x 65				40.00	£40		Print	Oxford	Christ Church College						
1370		Nathaniel Whittock	Christ Church Library	Lithograph	1820			I 90 x 140 mm	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford			48.00	£48	mounted	Print	Oxford	Christ Church College						
1371		J. Storer	Part of Peckwater Square	Copper engraving	Published by Cook & Parker, Oxford			I 120 x 160 mm				35.00	£35	mounted	Print	Oxford	Christ Church College						
1372		J. Greig	The Hall Stair-case, Christ Church	Copper engraving	c. 1810			I 135 x 85				25.00	£25	mounted	Print	Oxford	Christ Church College						
1373		F. Harris	The North Prospect of the Cathedral Church of Oxford	Copper engraving with hand colouring	c. 1790			I 155 x 190 mm				45.00	£45		Print	Oxford	Oxford Churches						
1374			University Museum Oxford	Steel engraving	Rock & Co. London. 1862			I 90 x 65				30	£30	mounted	Print	Oxford	Oxford Museums						
1376			The Clarendon Printing House	Aquatint	c. 1830			I 210 x 300				175	£175	mounted	Print	Oxford	Clarendon Press						
1378			[Tom Tower]	Photograph	c. 1880			I 185 x 145				50.00	£50		Print	Oxford	Christ Church College						
1379			New Museum, Oxford	Chromolithograph	c. 1880			I 125 x 75				40	£40	mounted	Print	Oxford	Oxford Museums						
1380			[Tom Tower]	Photograph	c. 1880			I 85 x 65				40.00	£40		Print	Oxford	Christ Church College						
1382			Oxford, Christ Church Cathedral, Nave East	Photograph	c. 1900			I 130 x 80				25.00	£25		Print	Oxford	Christ Church College						
1383		J. C. Stadler after Mackenzie	The Clarendon Printing House, Theatre & Museum	Aquatint with hand colouring	Published 1813			I 270 x 210	From R. Ackerman’s History of Oxford		Abbey 278, plate 90	160	£160	mounted	Print	Oxford	Clarendon Press						
1384			Oxford, Christ Church Cathedral, Nave East	Photograph	c. 1900			I 130 x 80				25.00	£25		Print	Oxford	Christ Church College						
1385			Oxford, Christ Church Cathedral, Nave East	Photograph	c. 1900			I 130 x 80				25.00	£25		Print	Oxford	Christ Church College						
1386			Oxford, Christ Church Cathedral, Nave East	Photograph	c. 1900			I 130 x 80				25.00	£25		Print	Oxford	Christ Church College						
1389			A Perspective View of the Clarendon Printing House, the Theatre, the Museum, the Publick Schools &c.	Copper engraving	Engraved for the Universal Magazine, c. 1770			I 275 x 150				85	£85	mounted	Print	Oxford	Clarendon Press						
1390		Nathaniel Whittock	Clarendon Printing House, and Theatre.	Lithograph	c. 1850			I 215 x 155	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford			30	£30		Print	Oxford	Clarendon Press						
1391			The Oxford Undergraduate, to the Juvenile Mobocracy of Great Britain ...	Etching	c. 1800			Pl. 140 x 180				80	£80	mounted	Print	Oxford	Oxford Caricatures						
1393		Nathaniel Whittock	The New Printing Office, Oxford	Lithograph	c. 1850			I 360 x 190 mm	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford			60	£60	mounted	Print	Oxford	Clarendon Press						
1395		Joseph Skelton	West Front of Christ Church	Copper engraving	1818			I 240 x 160 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	120.00	£120	mounted	Print	Oxford	Christ Church College						
1396		Joseph Skelton	South West View of Christ Church Cathedral	Copper engraving	1818			I 240 x 170 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	75.00	£75	mounted	Print	Oxford	Christ Church College						
1397		Joseph Skelton	Ancient Library of Christ Church	Copper engraving	1818			I 245 x 180 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	80.00	£80	mounted	Print	Oxford	Christ Church College						
1399		D. Havell after A. Pugin	Stair Case of Christ Church	Aquatint	Published for R. Ackermann’s History of Oxford, November 1814			I 135 x 210				90.00	£90	mounted	Print	Oxford	Christ Church College						
1400			[Christ Church]	Photograph				I 185 x 230				45	£45	mounted	Print	Oxford	Christ Church College						
1402			[Broadwalk, Christ Church Meadows]	Photograph	c. 1880			I 260 x 200				50.00	£50	mounted	Print	Oxford	Christ Church College						
1403		Sydney W. Carline	Christ Church College Cathedral Interior	Etching				Image and plate 200 x 175 mm			Signed in pencilSydney Carline (1888-1929) He was born in London. Both his brother, Richard, and his sister Hilda, were also artists, with his sister marrying the artist Stanley Spencer, who was a friend of Richard's. The three siblings were children of the artist, George Carline (1855-1920). They studied at the Slade School and in Paris under Tudor Hart. Sydney was an official war artist with the RAF during World War I. He exhibited with the London Group, becoming a member in 1924. From 1921 to 1929 he was Ruskin Master of Drawing at Oxford. He provided some illustrations for T. E. Lawrence's Revolt in the Desert. 	30	£30	mounted	Print	Artists	Sydney William Carline						
1404		J. Reeves after F. Mackenzie	Gate of Christ Church -- From Pembroke College	Aquatint	London, Published May 1, 1814 at 101 Strand for R. Ackermann’s History of Oxford			I 205 x 275 mm, 295 x 245 mm				250.00	£250	framed	Print	Oxford	Christ Church College						
1405		J. Hill after Mackenzie	The Vestibule of Radcliffe Library	Engraving with hand colouring	Published London, for R. Ackermann. 1813.			I 270 x 200	From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			120	£120	mounted	Print	Oxford	Radcliffe Camera						
1406		J. Lewis after W. Westall	The Statue Gallery	Aquatint	London, Published Sept. 1, 1814 at 101 Strand for R. Ackermann’s History of Oxford			I. 270 x 200				75.00	£75	mounted	Print	Oxford	Christ Church College						
1407		J. Bluck after Mackenzie	Chapter House	Aquatint	London Pub. Nov 1st 1814 at 101 Strand for R. Ackermann’s History of Oxford				A History of the University of Oxford, its Colleges, Halls, and Public Buildings			95.00	£95	mounted	Print	Oxford	Christ Church College						
1408		J. Le Keux after F. Mackenzie	Front of the Schools	Steel engraving	Published Dec. 1st 1836 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40.00	£40		Print	Oxford	Bodleian Library						
1410		Pieter van der Aa after David Loggan	Le College de Glocester-Hall a Oxford 	Copper engraving	1707			166 x 132 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	mounted	Print	Oxford	Worcester College						
1412		Pieter van der Aa after David Loggan	Le College de Glocester-Hall a Oxford 	Copper engraving	1707			166 x 132 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	mounted	Print	Oxford	Worcester College						
1416		J. Greig	Wadham College Chapel	Engraving	1810			113 x 81 mm				35	£35	mounted	Print	Oxford	Wadham College						
1418		J. Skelton	Wadham College from the garden	Copper engraving with hand colouring	c. 1820			230 x 160 mm				85	£85	mounted	Print	Oxford	Wadham College						
1420		Carl Rundt	The Hall of Wadham College	Lithograph	1846			252 x 172 mm	A Walk Round Oxford. 		From a series of sixteen lithographs of Oxford collected in the manner of a short tour around Oxford.	100	£100	mounted	Print	Oxford	Wadham College						
1422		J. Hill after A. Pugin	Wadham College, from the Parks	Aquatint with hand colouring	London: Published Nov. 1st 1813 at 101 Strand for R. Ackermann’s History of Oxford			I 264 x 204 mm	Ackermann (Rudolph) A History of the University of Oxford, its Colleges, Halls and Public Buildings			220	£220	mounted	Print	Oxford	Wadham College						
1423		J. Bluck after F. Mackenzie	Wadham College Chapel	Aquatint with hand colouring	London: Published Jul. 1st 1813 at 101 Strand for R. Ackermann’s History of Oxford			261 x 200 mm	Ackermann (Rudolph) A History of Oxford, its Colleges, Halls and Public Buildings			160	£160	mounted	Print	Oxford	Wadham College						
1428		J. Le Keux after F. Mackenzie	Front of University College	Steel engraving	Published July. 1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			158 x 95 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	50	£50		Print	Oxford	University College						
1434			Trinity College	Photograph	c 1860			I 272 x 200 mm				40	£40	mounted	Print	Oxford	Trinity College						
1436		J. Bluck after A. Pugin	Trinity College Chapel	Aquatint with hand colouring	London Pub. March 1st 1814 101 Strand for R. Ackermann’s History of Oxford			265 x 209 mm	A History of the University of Oxford, its Colleges, Halls, and Public Buildings			90	£90	mounted	Print	Oxford	Trinity College						
1437		Pieter van der Aa after David Loggan	Le College de New-Inn a Oxford	Copper engraving	1707			159 x 122 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	mounted	Print	Oxford	St. Peter’s College						
1439		Nelson & Sons	St. John’s College Oxford	Chromolithograph	1889			122 x 76 mm	The City of Oxford			30	£30	mounted	Print	Oxford	St. John’s College						
1441			St Johns College, Oxford	Photograph	c 1900			133 x 79 mm				30	£30	mounted	Print	Oxford	St. John’s College						
1443		Pieter van der Aa after David Loggan	Partie du College de S. Jean Baptiste 	Copper engraving	1707			166 x 132 mm	La Delices de la Grande Bretagne et de L’Irlande		LLa Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	25	£25	mounted	Print	Oxford	St. John’s College						
1444		Pieter van der Aa after David Loggan	Le College de S. Jean Baptiste 	Copper engraving	1707			166 x 132 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher.  	45	£45	mounted	Print	Oxford	St. John’s College						
1445			St Johns College, Oxford	Photograph	c 1900			125 x 80 mm				30	£30	mounted	Print	Oxford	St. John’s College						
1448		Edward Cherry	[St John’s College]	Etching	c 1920			133 x 90 mm				40	£40	mounted	Print	Oxford	St. John’s College						
1449		Nelson and Sons	St John’s College Oxford	Chromolithograph	1889			I 76 x 122 mm	The City of Oxford			30	£30	mounted	Print	Oxford	St. John’s College						
1455		J. Storer	St. John’s College	Copper engraving	Published by Cook & Parker, Oxford. 1810			I 80 x 115 mm				35.00	£35	mounted	Print	Oxford	St. John’s College						
1457		J. Hill after Mackenzie	St. John’s College, from the Garden	Engraving with hand colouring	London, Pubd. Septr. 1dst, 1813 at 101 Strand, for R. Ackermann;s History of Oxford			I 265 x 200	From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			180	£180	mounted	Print	Oxford	St. John’s College						
1458		J. Hill after Pugin	Quadrangle of St. John’s College	Engraving with hand colouring	Published London, for R. Ackermann. 1813.			I 265 x 200	From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			180	£180	mounted	Print	Oxford	St. John’s College						
1459			St Johns College, Oxford	Photograph	c 1880			I 210 x 150 mm				55	£55	mounted	Print	Oxford	St. John’s College						
1460		Joseph Skelton after Rooker	St. John’s College, from the garden	Engraving with hand colouring	c. 1820			I 240 x 155				95	£95	mounted	Print	Oxford	St. John’s College						
1461			St Johns College, Oxford	Woodcut	c 1880			I 80 x 110 mm				25	£25	mounted	Print	Oxford	St. John’s College						
1462		N. Whittock	St. John’s College, from the garden	Lithograph	Published Oxford, c. 1839			I 210 x 150	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford			70	£70	mounted	Print	Oxford	St. John’s College						
1463		Joseph Skelton	East End of Merton College Chapel	Copper engraving with hand colouring	c. 1820			I 230 x 170 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	95	£95	mounted	Print	Oxford	Merton College						
1464		Albany E. Howarth	St John’s College Oxford	Etching	c 1925			Image and plate 225 x 150 mm			Signed in pencil 	90	£90	mounted	Print	Artists	Albany E Howarth						
1465		W. Gauci after Delamotte	Front of St. John’s College, Oxford	Lithograph	Published c. 1840			I 350 x 250 mm	Original Views of Oxford, its Colleges, Chapels and Gardens from drawings expressly for this work by William Alfred Delamotte. Executed in Lithography by William Gauci, with Historical and Descrpitive notices by Charles Ollier. London: Thomas Boy. 1843. Folio includes 25 tinted Lithographs.			120	£120	mounted	Print	Oxford	St. John’s College						
1469		William Nicholson	Merton College	Lithograph	Published 1905			Image 348 x 266 mm	Oxford		Signed and blinstampedCampell 137Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).	120	£120	mounted	Print	Artists	William Nicholson						
1470			View of Somerville College	Photograph	c. 1894			I 145 x 195 mm				50	£50	mounted	Print	Oxford	Somerville College						
1471		J. Le Keux after F. Mackenzie	The Cathedral from the N.W.	Steel engraving	Published Feb. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 150 x 112 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	28	£28	mounted	Print	Oxford	Christ Church College						
1472		J. Le Keux after F. Mackenzie	St. Giles Church	Steel engraving	Published Feb. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 144 x 94 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40	mounted	Print	Oxford	Oxford Churches						
1473		J. Le Keux after F. Mackenzie	Merton College Chapel from the Quadrangle	Steel engraving	Published Feb. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 133 x 105 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35	£35	mounted	Print	Oxford	Merton College						
1475		J. Le Keux after F. Mackenzie	West Front of All Souls College	Steel engraving	Published Feb. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 146 x 91 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35	£35	mounted	Print	Oxford	All Souls College						
1477		J. Le Keux after F. Mackenzie	The Chapel & All Souls College	Steel engraving	Published Feb. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 134 x 96 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35	£35	mounted	Print	Oxford	All Souls College						
1478		J. Le Keux after F. Mackenzie	The Cloister &c. of All Souls College	Steel engraving	Published Feb. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 134 x 96 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35	£35	mounted	Print	Oxford	All Souls College						
1480		J. Le Keux after F. Mackenzie	The Town Hall	Steel engraving	Published Feb. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 149 x 106 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35	£35	mounted	Print	Oxford	General Views						
1481		Richard Smythson	Nixon’s School, Oxford	Photo-lithograph	Wyman & Sons, Printers Gt Queen St. London, 1880			I 213 x 178 mm	The Builder (Oct 30 1880)			25	£25	mounted	Print	Oxford	General Views						
1483		B. Cole	A View of the Remains of North Osney or Rewley Abby from the South & A View of the Remains of North Osney or Rewley Abby from the North	Copper engraving	1710			I 238 x 169 mm			Taken in the year 1720	50	£50	mounted	Print	Oxford	General Views						
1484			Oxford	Lithograph	c 1825			I 190 x 139 mm				75	£75	mounted	Print	Oxford	General Views						
1486		J. Le Keux after F. Mackenzie	Interior of St. Peter’s Church	Steel engraving	Published May 1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	25	£25	mounted	Print	Oxford	St. Edmund Hall						
1488		J. Le Keux after F. Mackenzie	St. Peter’s Church, from the S. E.	Steel engraving	Published May 1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35	£35	mounted	Print	Oxford	St. Edmund Hall						
1489		Pieter van der Aa after David Loggan	Le College de Edmund Hall a Oxford	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	40	£40	mounted	Print	Oxford	St. Edmund Hall						
1490		J. Fisher	St. Peter’s Church in the East	Engraving	c. 1820			I 60 x 85 mm				22	£22	mounted	Print	Oxford	St. Edmund Hall						
1491		J. Fisher	Old St. Peter’s Church	Engraving	Published by H. Slatter, c. 1850			I 42 x 78 mm				16	£16	mounted	Print	Oxford	St. Edmund Hall						
1492		W. Wallace after J. P. Neale	St. Peters in the East, Oxford	Engraving	Pubilshed c. 1840			I 130 x 100 mm				30	£30	mounted	Print	Oxford	St. Edmund Hall						
1493		R. Reeve after A. Pugin	St Peter’s Church	Aquatint with hand colouring	London Pub. July 1st 1814 at 101 Strand for R. Ackermann’s History of Oxford			I 210 x 270 mm	A History of the University of Oxford, its Colleges, Halls, and Public Buildings			60	£60	mounted	Print	Oxford	St. Edmund Hall						
1494		J. Bluck after F. Nash	Crypt of St Peter’s Church	Aquatint with hand colouring	London Pub. July 1 1813 at 101 Strand for R. Ackermann’s History of Oxford			I 210 x 270 mm	A History of the University of Oxford, its Colleges, Halls, and Public Buildings			45	£45	mounted	Print	Oxford	St. Edmund Hall						
1495		W. Byrne and J. Sparrow after Hearne	View of St. Peter’s, Oxford	Engraving	Published 1796 by W. Byrne, No. 79 Titchfield Street			I 200 x 260 mm				45	£45	mounted	Print	Oxford	St. Edmund Hall						
1496		Joseph Skelton after Neill	St. Peter’s Church in the East	Engraving with hand colouring	Published c. 1820			I 170 x 240 mm				55	£55	mounted	Print	Oxford	St. Edmund Hall						
1497		Pieter van der Aa after David Loggan	Le College de la Reine [Queen’s College]	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	40	£40	mounted	Print	Oxford	Queen’s College						
1498		Unknown photographer	Queen’s College, Oxford	Photograph	c. 1900			90 x 140 mm				35	£35	mounted	Print	Oxford	Queen’s College						
1499		Walter Scott	Queen’s College, Oxford	Photograph	c. 1900			90 x 140 mm				30	£30	mounted	Print	Oxford	Queen’s College						
1500		J. Storer	Queen’s College	Copper engraving	Published by Cook & Parker, Oxford. 1810			I 120 x 90 mm				40	£40	mounted	Print	Oxford	Queen’s College						
1502		G. Scharf after Delamotte	English Agricultural Society’s Dinner in Queen’s College Quadrangle, Oxford,  July 17th 1839	Lithograph	Published by Day and Haghe, c. 1840			I 200 x 305 mm				80	£80	mounted	Print	Oxford	Queen’s College						
1503		Thomas Malton	The Chapel of Queen’s College	Aquatint with hand colouring	Published 1802			I 305 x 230 mm				180	£180	mounted	Print	Oxford	Queen’s College						
1504		J. Stadler after Pugin	Queen’s College Chapel	Aquatint with hand colouring	Published London, for R. Ackermann. 1814.			I 270 x 210	From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			120	£120	mounted	Print	Oxford	Queen’s College						
1505			Arms of Pembroke College, Oxford University	Chromolithograph	c. 1920			I 60 x 70 mm				20	£20	mounted	Print	Oxford	Pembroke College						
1506			Arms of Oriel College, Oxford University	Chromolithograph	c. 1920			I 60 x 70 mm				20	£20	mounted	Print	Oxford	Oriel College						
1507		Pieter van der Aa after David Loggan	Le College de S. Mary-Hall a Oxford	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	30	£30	mounted	Print	Oxford	Oriel College						
1509		J. Le Keux after F. Mackenzie	Saint Mary’s Hall	Engraving with hand colouring	Published Sept. 1st 1836 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40	mounted	Print	Oxford	Oriel College						
1510		J. Le Keux after F. Mackenzie	The Hall & Chapel, Oriel College	Engraving	Published Feb. 1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40		Print	Oxford	Oriel College						
1512		J. Skelton after Rooker	West Front of Oriel College	Engraving with hand colouring	Published c.1820			I 165 x 240 mm				100	£100	mounted	Print	Oxford	Oriel College						
1514		M. Smith	An Ancient Cup Belonging to Oriel College, Oxford	Lithograph	c. 1890			I 190 x 100 mm				60	£60	mounted	Print	Oxford	Oriel College						
1518		Nathaniel Whittock	St. Mary Hall	Lithograph	c. 1830			I 160 x 210 mm	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford			40	£40	mounted	Print	Oxford	Oriel College						
1519			Oriel College	Photograph	c. 1880			I 160 x 210 mm				65	£65	mounted	Print	Oxford	Oriel College						
1520			Oxford, New College, Garden Gateway	Photolithograph	c. 1900			I 135 x 85 mm				25	£25	mounted	Print	Oxford	New College						
1521		Pieter van der Aa after David Loggan	Vue interieure du College Neuf du cote du Nord [New College]	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	mounted	Print	Oxford	Somerville College						
1522		Unknown	New College from the Garden	Woodcut	c. 1866			I 85 x 110				30	£30	mounted	Print	Oxford	New College						
1525		J. Le Keux after F. Mackenzie	Interior of New College Chapel	Steel engraving	Published June 1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40	mounted	Print	Oxford	New College						
1527		J. Le Keux after F. Mackenzie	New College Chapel	Steel engraving	Published May 1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40	mounted	Print	Oxford	New College						
1528		J. Le Keux after F. Mackenzie	The Cloister, New College	Steel engraving with hand colouring	Published May 1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40	mounted	Print	Oxford	New College						
1529			Grammar School at New College Oxford	Copper engraving	c. 1810			I 100 x 150 mm				35	£35	mounted	Print	Oxford	New College						
1538		Albany E. Howarth	New College Oxford	Etching	c 1925			Image and plate 205 x 300 mm			Signed in pencil 	190	£190	framed	Print	Artists	Albany E Howarth						
1541		J. C. Stadler after Mackenzie	Chapel of New College	Aquatint with hand colouring	London, Pub. June 1 1814 at 101 Strand, for R. Ackermann’s History of Oxford.			I 270 x 210	From R. Ackermann’s History of Oxford			150	£150	mounted	Print	Oxford	New College						
1542		A. Haun	New College, from the North	Lithograph	Published 1846			I 160 x 260 mm	Published by Carl Rundt			180	£180	mounted	Print	Oxford	New College						
1543			New College	Photograph	c. 1880			I 210 x 270 mm				45	£45	mounted	Print	Oxford	New College						
1544		J. Le Keux after F. Mackenzie	The North Side of Merton College Chapel	Steel engraving	c. 1835			I 110 x 170 mm				40	£40	mounted	Print	Oxford	Merton College						
1545		J. Le Keux after F. Mackenzie	St. Alban Hall	Steel engraving with hand colouring	Published Oct 1st 1836 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35	£35	mounted	Print	Oxford	Merton College						
1546		J. Le Keux after F. Mackenzie	The Library &c. Merton College	Steel engraving	Published Dec.1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40	mounted	Print	Oxford	Merton College						
1547		J. Le Keux after F. Mackenzie	Merton College, From the Fields	Steel engraving with hand colouring	Published Jan.1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	45	£45	mounted	Print	Oxford	Merton College						
1549		Pieter van der Aa after David Loggan	L’Ecole de S. Alban	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	25	£25	mounted	Print	Oxford	Merton College						
1552		Bartolozzi after R. Walker	Oliver Cromwell	Stipple engraving with hand colour	Published as the Act directs Octr. 11th 1802			I 389 x 340 mm, Pl 496 x 412 mm, S 542 x 455 mm			Proof before lettersO’Donoghue 49	150.00	£150	unmounted	Print	Portraits	British Political						
1554		William Nicholson	Boxing	Lithograph	Popular edition 1897 (post-dated 1898) William Heinemann			I 196 x 198 mm	Almanac of Twelve Sports			150	£150	framed	Print	Artists	William Nicholson						
1566		William Nicholson	T For Trumpeter	Lithograph	1898  [William Heinemann]			I 247 x 197 mm	An Alphabet			150	£150	mounted	Print	Artists	William Nicholson						
1567		William Nicholson	W for Waitress	Lithograph	1898  [William Heinemann]			I 247 x 197 mm	An Alphabet			120	£120	mounted	Print	Artists	William Nicholson						
1573		William Nicholson	X for Xylographer	Lithograph	1898  [William Heinemann]			I 247 x 197 mm	An Alphabet			130	£130	mounted	Print	Artists	William Nicholson						
1578		William Nicholson	S for Sportsman	Lithograph	1898  [William Heinemann]			I 247 x 197 mm	An Alphabet			140	£140	mounted	Print	Artists	William Nicholson						
1579		William Nicholson	B for Beggar	Lithograph	1898  [William Heinemann]			I 247 x 197 mm	An Alphabet			130	£130	mounted	Print	Artists	William Nicholson						
1580		William Nicholson	O for Ostler	Lithograph	1898  [William Heinemann]			I 247 x 197 mm	An Alphabet			140	£140	mounted	Print	Artists	William Nicholson						
1581		William Nicholson	R is for Robber	Lithograph	1898  [William Heinemann]			I 247 x 197 mm	An Alphabet			140	£140	mounted	Print	Artists	William Nicholson						
1582		William Nicholson	E is for Earl	Lithograph	1898  [William Heinemann]			I 247 x 197 mm	An Alphabet			130	£130	mounted	Print	Artists	William Nicholson						
1584		William Nicholson	D is for Dandy	Lithograph	1898  [William Heinemann]			I 247 x 197 mm	An Alphabet			140	£140	mounted	Print	Artists	William Nicholson						
1586		William Nicholson	I for Idiot	Lithograph	1898  [William Heinemann]			I 247 x 197 mm	An Alphabet			150	£150	mounted	Print	Artists	William Nicholson						
1588		William Nicholson	N for Nobleman	Lithograph	1898  [William Heinemann]			I 247 x 197 mm	An Alphabet			130	£130	mounted	Print	Artists	William Nicholson						
1590		William Nicholson	Fishing (May)	Lithograph	Popular edition 1897 (post-dated 1898) William Heinemann			I 196 x 198 mm	Almanac of Twelve Sports			95	£95	mounted	Print	Artists	William Nicholson						
1594		William Nicholson	J for Jockey	Lithograph	1898  [William Heinemann]			I 247 x 197 mm	An Alphabet			150	£150	mounted	Print	Artists	William Nicholson						
1597		William Nicholson	Bluecoat Boy (Newgate Street)	Lithograph	1898  [William Heinemann]			I 255 x 230 mm	London Types			125	£125	mounted	Print	Artists	William Nicholson						
1600		William Nicholson	Sir Henry Hawkins	Lithograph	1899 (William Heinemann)			I 255 x 230 mm	Twelve Portraits 			150	£150		Print	Artists	William Nicholson						
1602		William Nicholson	The Arch Bishop of Canterbury	Lithograph	1899 (William Heinemann)			I 255 x 230 mm	Twelve Portraits 			90	£90		Print	Artists	William Nicholson						
1608		William Nicholson	Hunting (January)	Lithograph	Popular edition 1897 (post-dated 1898) William Heinemann			I 196 x 198 mm	Almanac of Twelve Sports			120	£120	mounted	Print	Artists	William Nicholson						
1609		William Nicholson	Skating (December)	Lithograph	Popular edition 1897 (post-dated 1898) William Heinemann			I 196 x 198 mm	Almanac of Twelve Sports			120	£120	mounted	Print	Artists	William Nicholson						
1610		William Nicholson	Coursing (February) 	Lithograph	Popular edition 1897 (post-dated 1898) William Heinemann			I 196 x 198 mm	Almanac of Twelve Sports			120	£120	mounted	Print	Artists	William Nicholson						
1614		Sydney Pariere	Merton College Chapel	Etching	1922			I 125 x 175 mm				60	£60	mounted	Print	Oxford	Merton College						
1616			Eton College from Sir Henry Savile’s Monument in the Chapel of Merton College, Oxford	Aquatint with hand colouring	c. 1790			I 210 x 220 mm				50	£50	mounted	Print	Oxford	Merton College						
1621		David Roberts	Balbec from the Fountain, May 7th 1839	Lithograph with original hand colour	London: F.G. Moon. 1842-9 						Yesterday and Today: The Holy LandTrimmed as issued	100	£100	mounted	Print	Artists	David Roberts						
1626		Nathaniel Whittock	St. Alban Hall	Lithograph	Published Oxford, c. 1830			I 168 x 215 mm	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford			35	£35	mounted	Print	Oxford	Merton College						
1627		Unknown Artist	Chapel of Merton College 	Lithograph	c. 1830			I 160 x 220 mm				60	£60	mounted	Print	Oxford	Merton College						
1628		Nathaniel Whittock	Merton College 	Lithograph	c. 1830			I 210 x 160 mm	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford			45	£45	mounted	Print	Oxford	Merton College						
1631		J. Hill after A. Pugin	Alban Hall	Aquatint with hand colouring	London Pub. July 1st 1813 at 101 Strand for R. Ackermann’s History of Oxford			I 200 x 260 mm	A History of the University of Oxford, its Colleges, Halls, and Public Buildings		Merton College.	110	£110	mounted	Print	Oxford	Merton College						
1632		J. Bluck after A. Pugin	Magpie Lane	Aquatint with hand colouring	London Pub. Aug 1st 1813 at 101 Strand for R. Ackermann’s History of Oxford			I 265 x 205 mm	A History of the University of Oxford, its Colleges, Halls, and Public Buildings		Merton College.	200	£200	mounted	Print	Oxford	Merton College						
1638		W. Gauci after Delamotte	Front of Merton College, Oxford	Lithograph	Published c. 1840			I 350 x 250 mm	From Original Views of Oxford, its Colleges, Chapels and Gardens from drawings expressly for this work by William Alfred Delamotte. Executed in Lithography by William Gauci, with Historical and Descrpitive notices by Charles Ollier. London: Thomas Boy. 1843			190	£190	mounted	Print	Oxford	Merton College						
1639		After Delamotte	Merton College from the Fields 	Lithograph with hand colouring	Published c. 1840			I 350 x 250 mm				190	£190	mounted	Print	Oxford	Merton College						
1641			Arms of Merton College, Oxford University	Chromolithograph	c. 1920			I 60 x 70 mm				20	£20	mounted	Print	Oxford	Merton College						
1642		J. Greig	Merton College Chapel	Copper engraving	Published by Cook & Parker, Oxford. 1810			I 112 x 80 mm				30	£30	mounted	Print	Oxford	Merton College						
1643		J & H S. Storer	St. Alban Hall	Copper engraving	London Pubd. Sep 1 1821 by Sherwood, Neely & Jones			I 97 x 79 mm	Lascelles’ The University and City of Oxford: Displayed in a Series of Seventy-two Views Drawn and Engraved by J. and H.S. Storer accompanied with a Dialogue, after the manner of Castiglione.			25	£25	mounted	Print	Oxford	Merton College						
1644		Unknown	Merton College	Photograph	c. 1889			I 76 x 102 mm				35	£35	mounted	Print	Oxford	Merton College						
1645		Walter Scott	Magdalen College, Oxford	Photograph	c. 1950			90 x 140 mm				30	£30	mounted	Print	Oxford	Magdalen College						
1646			Magdalen Cloisters, Oxford	Photograph	c. 1900			I 80 x 132 mm				25	£25	mounted	Print	Oxford	Magdalen College						
1648			Magdalen College, Oxford	Photograph	c. 1900			I 82 x 132 mm				30	£30	mounted	Print	Oxford	Magdalen College						
1650			Oxford, Magdalen College Chapel	Photograph	c. 1900			I 82 x 142 mm				25	£25	mounted	Print	Oxford	Magdalen College						
1653			Magdalen College	Photograph	c. 1860			I 200 x 260 mm				50	£50	mounted	Print	Oxford	Magdalen College						
1655		J. Le Keux after F. Mackenzie	Magdalen College, From the Walk	Steel engraving with hand colouring	Published April.1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	45	£45	mounted	Print	Oxford	Magdalen College						
1656		J. Le Keux after F. Mackenzie	The Cloister, Magdalen College	Steel engraving with hand colouring	Published April.1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	45	£45	mounted	Print	Oxford	Magdalen College						
1657		J. Le Keux after F. Mackenzie	Magdalen College from the Bridge	Steel engraving with hand colouring	Published April.1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	50	£50	mounted	Print	Oxford	Magdalen College						
1659		D. Havell after A. Pugin	Magdalen College, Entrance Gate	Aquatint	Published for R. Ackermann’s History of Oxford, November 1814			I 205 x 130				45	£45	mounted	Print	Oxford	Magdalen College						
1662		M. Oliver Rae	Magdalen College	Etching	c. 1920			I 115 x 85				35	£35	mounted	Print	Oxford	Magdalen College						
1664		Lee	Magdalen College and Bridge, Oxford	Woodcut	c 1805			I 95 x 80 mm				40	£40	mounted	Print	Oxford	Magdalen College						
1666		Sydney Pariere	Magdalen College	Aquatint	c. 1922			I 250 x 175 mm				60	£60	mounted	Print	Oxford	Magdalen College						
1667		Alfred Slocombe	Magdalen Cloisters	Etching	c. 1890			I 180 x 130 mm				75	£75	mounted	Print	Oxford	Magdalen College						
1672		J. Storer	The Old Gate, Magdalen College	Copper engraving	Published by Cook & Parker, Oxford. March 1810			I 112 x 82 mm				35.00	£35	mounted	Print	Oxford	Magdalen College						
1673		J & H S. Storer	Ancient Pulpit (Magdalen College)	Steel engraving	London Pubd. Oct 1 1821 by Sherwood, Neely & Jones			I 105 x 90 mm	Lascelles’ The University and City of Oxford: Displayed in a Series of Seventy-two Views Drawn and Engraved by J. and H.S. Storer accompanied with a Dialogue, after the manner of Castiglione.			25	£25	mounted	Print	Oxford	Magdalen College						
1675		J. Bluck after A. Pugin	New College Entrance Gate [Old Gate of Magdalen College]	Aquatint with hand colouring	Published London, by J. Harrison and J. C. Leigh for R. Ackermann. 1814.			I 265 x 200	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			120	£120	mounted	Print	Oxford	Magdalen College						
1683		Joseph Skelton	Founders and Benefactors of Lincoln College, with a birds eye view of the Building	Copper engraving	Published as the Act directs Mar. 2nd 1818 by J. Skelton St. Aldates, Oxford			I 200 x 250 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	45	£45	mounted	Print	Oxford	Lincoln College						
1684			Thomas Rotheram, co-founder with Richd. Flemming of Lincoln College	Engraving with hand colouring	c. 1813			I 160 x 130 mm	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			35	£35	mounted	Print	Oxford	Lincoln College						
1686		G. Lewis after F. Mackenzie	Chapel of Lincoln College from the Ante Chapel	Aquatint with hand colouring	Published London, Jan. 1 1814, at 101 Strand, for R. Ackermann’s History of Oxford.			I 270 x 210	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			160	£160	mounted	Print	Oxford	Lincoln College						
1324		Vertue after Vandike	Sr. George Lisle / Sr. Charles Lucas	Copper engraving				I 322 x 212 mm			O’ Donohugh 2Original FrameEx. Col. Chirk Castle	200	£200	framed	Print	Portraits	British Nobility						
1325		Vertue after Vandike	Sr. Harry Slingsby Bart. / Colonel John Pennruddock	Copper engraving				I 322 x 212 mm			O’ Donohugh 2Original FrameEx. Col. Chirk Castle	200	£200	framed	Print	Portraits	British Nobility						
1689		Walter Scott	The Chapel, Lady Margaret Hall, Oxford	Photograph	c. 1900			90 x 140 mm				20	£20	mounted	Print	Oxford	Lady Margaret Hall						
1690			Arms of Keble College, Oxford University	Chromolithograph	c. 1920			I 60 x 70 mm				20	£20	mounted	Print	Oxford	Keble College						
1691		J. Greig	Jesus College	Engraving	1810			I 113 x 81 mm				35	£35	mounted	Print	Oxford	Jesus College						
1692		J. Le Keux after F. Mackenzie	The Quadrangle of Jesus College	Steel engraving	Published Feb. 1st 1836 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40	mounted	Print	Oxford	Jesus College						
1693		Henry Slatter	Exeter and Jesus Colleges	Aquatint	Published Oxford, Munday and Slatter, c. 1824			I 80 x 108 mm	Views of All the Colleges, Halls and Public Buildings in the University of Oxford		From a volume of views of Oxford which also served as a sophisticated guide book.	32	£32		Print	Oxford	Jesus College						
1694		I. Whesfell	Front of Jesus College	Engraving with hand colouring	Published 1835			I 97 x 140 mm				120	£120	mounted	Print	Oxford	Jesus College						
1695			Arms of Jesus College, Oxford University	Chromolithograph	c. 1920			I 60 x 70 mm				20	£20	mounted	Print	Oxford	Jesus College						
1697		W. Bennett after W. Westall	Jesus College Chapel	Aquatint with hand colouring	London Pubd. Octr. 1 1814 at 101 Strand from Ackermann’s History of Oxford			I 260 x 210	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			80	£80	mounted	Print	Oxford	Jesus College						
1698		Pieter van der Aa after David Loggan	Le College de Magdalen Hall a Oxford	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	mounted	Print	Oxford	Hertford College						
1700		J & H.S Storer	New Magdalen Hall	Copper engraving	London Pubd. Nov 1 1821 by Sherwood, Neely & Jones			I 105 x 70 mm	Lascelles’ The University and City of Oxford: Displayed in a Series of Seventy-two Views Drawn and Engraved by J. and H.S. Storer accompanied with a Dialogue, after the manner of Castiglione.			45	£45	mounted	Print	Oxford	Hertford College						
1701		Rock & Co.	Magdalen Hall, Oxford	Steel engraving	Published Jan. 1863			I 65 x 95				20	£20	mounted	Print	Oxford	Hertford College						
1703		After Mackenzie	Magdalen Hall	Aquatint with hand colouring	Published London, by J. Harrison and J. C. Leigh for R. Ackermann. 1814.			I 200 x 130	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.		 	60	£60	mounted	Print	Oxford	Hertford College						
1704		Nathaniel Whittock	New Magdalen Hall	Lithograph with hand colouring	1829			I 160 x 220 mm	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford		Can also be from A Topographical and Historical Description of the University and City of Oxford also by Whittock 	45	£45	mounted	Print	Oxford	Hertford College						
1707		J. Bluck after F. Mackenzie	Astronomical Observatory [interior]	Aquatint with hand colouring	London, Published Feby. 1 1814 at 101 Strand for R. Ackermann’s History of Oxford			I 260 x 210	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			180	£180	mounted	Print	Oxford	Green College						
1708		J. Le Keux after F. Mackenzie	The Radcliffe Observatory	Steel engraving with hand colouring	Published Decr. 1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	45	£45	mounted	Print	Oxford	Green College						
1709		J. Le Keux after F. Mackenzie	Front of Exeter College	Steel engraving with hand colouring	Published July 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 135 x 95 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40	mounted	Print	Oxford	Exeter College						
1711		J. Storer	Part of Exeter College	Copper engraving	Published by Cook & Parker, Oxford. March 1 1810			I 97 x 79 mm				32	£32	mounted	Print	Oxford	Exeter College						
1715		Nathaniel Whittock	Exeter College	Lithograph	c. 1829			I 150 x 215 mm	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford		Can also be from A Topographical and Historical Description of the University and City of Oxford also by Whittock 	45	£45	mounted	Print	Oxford	Exeter College						
1716		J. Hill after F. Nash	The Public Schools, & Part of Exeter College Library from the Garden	Aquatint with hand colouring	London Pub. Aug. 1 1813 at 101 Strand for R. Ackermann’s History of Oxford			I 210 x 270 mm	A History of the University of Oxford, its Colleges, Halls, and Public Buildings			160	£160	mounted	Print	Oxford	Exeter College						
1718		Joseph Skelton	Old Library of Exeter College	Copper engraving	Published as the Act directs Sept. 1st 1819 by J. Skelton St. Aldates, Oxford			I 175 x 255 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	38	£38	mounted	Print	Oxford	Exeter College						
1719		Rock & Co.	Corpus Christi College, Oxford	Steel engraving	Published 14 April 1863			I 75 x 75				35	£35	mounted	Print	Oxford	Corpus Christi College						
1720		Pieter van der Aa after David Loggan	Le College du Corps de Christ [Corpus Christi College]	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	mounted	Print	Oxford	Corpus Christi College						
1721		Pieter van der Aa after David Loggan	L’Ecole de la Sale du Cerf	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	20	£20	mounted	Print	Oxford	Corpus Christi College						
1724		J. C. Stadler after W. Westall	Corpus Christi College and Christ Church Cathedral	Aquatint with hand colouring	Published London, by J. Harrison and J. C. Leigh for R. Ackermann. 1814.			I 190 x 265, Pl. 255 x 300 mm	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			150	£150	mounted	Print	Oxford	Corpus Christi College						
1725		William Nicholson	Clarendon Building	Lithograph	1905			Image 320 x 260 mm	Oxford 		Signed and blindstampedCampbell 137Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).	150	£150	framed	Print	Artists	William Nicholson						
1729		William Nicholson	Oriel College	Lithograph	1905			Image 360 x 291 mm	Oxford 		Signed, numbered and blindstampedCampbell 137Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).	120	£120	mounted	Print	Artists	William Nicholson						
1732		William Nicholson	Corpus Christi	Lithograph	1905			Image 340 x 281 mm	Oxford 		Signed, numbered and blindstampedCampbell 137Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).	120	£120	mounted	Print	Artists	William Nicholson						
1734		William Nicholson	All Souls	Lithograph	1905			Image 350 x 273 mm	Oxford 		Signed, numbered and blinstampedCampbell 137Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).	90	£90	mounted	Print	Artists	William Nicholson						
1736		Sydney William Carline	[View looking down St. Aldates, Oxford]	Etching	1911			Image and plate 131 x 174 mm			Signed in pencilSydney Carline (1888-1929) He was born in London. Both his brother, Richard, and his sister Hilda, were also artists, with his sister marrying the artist Stanley Spencer, who was a friend of Richard's. The three siblings were children of the artist, George Carline (1855-1920). They studied at the Slade School and in Paris under Tudor Hart. Sydney was an official war artist with the RAF during World War I. He exhibited with the London Group, becoming a member in 1924. From 1921 to 1929 he was Ruskin Master of Drawing at Oxford. He provided some illustrations for T. E. Lawrence's Revolt in the Desert. 	65	£65	framed	Print	Artists	Sydney William Carline						
1739			Corpus Christi College, Oxford	Etching	c. 1920			I 125 x 250 				45	£45	mounted	Print	Oxford	Corpus Christi College						
1740		M. K. Hughes	The Gateway [Corpus Christi]	Etching	Published by W. H. Boyman & Co. Cheltenham c.1913			Image 245 x 170 mm			Myra Kathleen Hughes etcher of landscapes and architectural subjects.  She was the daughter of Sir Frederic Hughes of Rosslare Fort, County Wexford.  Hughes studied at the Westminster School under Mouat Loudan and the Royal College of Art under Frank Short and Constance Pott.  She exhibited at the Royal Academy, Royal Hibernian Academy, Royal Society of Painter-Etchers and Engravers and the Paris Salon.  Hughes worked in London, Dublin, Norway and Palestine.  She lived in Hindhead in Surrey and died on 21st August 1918.	65	£65	mounted	Print	Artists	M.K. Hughes						
1744		William Nicholson	The Library, Christ Church	Lithograph	1905			Image 342 x 257 mm	Oxford 		Signed, numbered and blindstampedCampbell 137 Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).	100	£100	mounted	Print	Artists	William Nicholson						
1746		William Nicholson	Wykeham Tower, New College	Lithograph	1905			Image 342 x 274 mm	Oxford 		BlindstampedNicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).	180	£180	framed	Print	Artists	William Nicholson						
1747		William Nicholson	New College Quadrangle	Lithograph	1905			Image 342 x 274 mm	Oxford 		Campbell 137Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).	110	£110	mounted	Print	Artists	William Nicholson						
1750		M. K. Hughes	Fellows Building [Corpus Christi]	Etching	Published by W. H. Boyman & Co. Cheltenham c.1913			Image 165 x 250 mm			Myra Kathleen Hughes etcher of landscapes and architectural subjects.  She was the daughter of Sir Frederic Hughes of Rosslare Fort, County Wexford.  Hughes studied at the Westminster School under Mouat Loudan and the Royal College of Art under Frank Short and Constance Pott.  She exhibited at the Royal Academy, Royal Hibernian Academy, Royal Society of Painter-Etchers and Engravers and the Paris Salon.  Hughes worked in London, Dublin, Norway and Palestine.  She lived in Hindhead in Surrey and died on 21st August 1918.	80	£80	mounted	Print	Artists	M.K. Hughes						
1753		Albany E. Howarth	Christ Church College	Etching	c.1920			Image and plate 275 x 150 mm			Signed in pencil	200	£200	framed	Print	Artists	Albany E Howarth						
1754		W. Bennett after W. Westall	Part of Christ Church Cathedral	Aquatint with hand colouring	London Pub. June 1st 1814 at 101 Strand for R. Ackermann’s History of Oxford			I 200 x 255	A History of the University of Oxford, its Colleges, Halls, and Public Buildings			75	£75	mounted	Print	Oxford	Christ Church College						
1755		Carl Rundt	The Cathedral at Oxford	Lithograph	1846			252 x 172 mm	A Walk round Oxford. 		From a series of sixteen lithographs of Oxford collected in the manner of a short tour around Oxford.	120	£120	mounted	Print	Oxford	Christ Church College						
1756		William Nicholson	Christ Church College	Lithograph	1905			I 355 x 280 mm	Oxford		Blindstamped signed and numberedCampbell 137Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).	150	£150	framed	Print	Artists	William Nicholson						
1758			Christ Church	Photograph	c. 1900			I 250 x 360				100	£100		Print	Oxford	Christ Church College						
1759		After Delamotte	Corpus College Oxford	Lithograph	Printed by L. M. Lefevre c. 1840			I 350 x 250 mm				200	£200	mounted	Print	Oxford	Christ Church College						
1763		J. Le Keux after F. Mackenzie	Brazen Nose College 	Steel engraving	Published April. 1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 143 x 92mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35	£35	mounted	Print	Oxford	Brasenose College						
1764		J & F. Harwood	Brasenose College, Oxford	Steel engraving	London J & F Harwood, 26 Fenchurch Street, c. 1843			I 155 x 112 mm				45	£45	mounted	Print	Oxford	Brasenose College						
1765		M. Oliver Rae	Brasenose College, Oxford	Etching	c. 1920			I 200 x 140 				45	£45	mounted	Print	Oxford	Brasenose College						
1766		James Alphege Brewer	Christ Church 	Etching	c. 1900			Image 300 x 155 mm			Signed and inscribed in pencil 	135	£135	mounted	Print	Artists	James Alphege Brewer						
1767		Pieter van der Aa after David Loggan	Le College du Nez de Bronze	Copper engraving	1707			I 130 x 165 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	mounted	Print	Oxford	Brasenose College						
1768		Rock & Co.	Brasenose College, Oxford	Steel engraving	Published 14 April 1863			I 75 x 75				35	£35	mounted	Print	Oxford	Brasenose College						
1769		J. Le Keux after F. Mackenzie	Hall, &c. of Balliol College	Steel engraving with hand colouring	Published Aug. 1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40	mounted	Print	Oxford	Balliol College						
1771		Nathaniel Whittock	Brasen Nose College	Lithograph	c. 1829			I 210 x 157 mm	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford		Can also be from A Topographical and Historical Description of the University and City of Oxford also by Whittock 	95	£95	mounted	Print	Oxford	Brasenose College						
1777		W. Gauci after Delamotte	Front of Brasenose College	Lithograph	Published c. 1842			I 335 x 254 mm	Original Views of Oxford, its Colleges, Chapels and Gardens from drawings expressly for this work by William Alfred Delamotte. Executed in Lithography by William Gauci, with Historical and Descrpitive notices by Charles Ollier. London: Thomas Boy. 1843			170	£170	mounted	Print	Oxford	Brasenose College						
1778		Rock & Co.	All Souls College, Oxford	Steel engraving	Published 14 April 1863			I 90 x 70 mm				35	£35	mounted	Print	Oxford	All Souls College						
1779			Arms of Balliol College, Oxford University	Chromolithograph	c.1920			64 x 53 mm	Wills’s Cigarette Cards			20	£20	mounted	Print	Oxford	Balliol College						
1781			Dining Hall, Balliol College, Oxford	Photograph	c.1900			I 130 x 80 mm				25	£25		Print	Oxford	Balliol College						
1783		J. Bluck after F. Mackenzie	Quadrangle of Balliol College	Aquatint with hand colouring	Published London, by J. Harrison and J. C. Leigh for R. Ackermann. 1814.			I 200 x 270	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			95	£95	mounted	Print	Oxford	Balliol College						
1785		Carl Rundt	Balliol College and Garden	Lithograph	1846			252 x 172 mm	A Walk round Oxford. 		From a series of sixteen lithographs of Oxford collected in the manner of a short tour around Oxford.	130	£130	mounted	Print	Oxford	Balliol College						
1787		J. Le Keux after F. Mackenzie	The Chapel &c. All Souls College	Steel engraving	Published Jany. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	30	£30	mounted	Print	Oxford	All Souls College						
1788		J. Le Keux after F. Mackenzie	South Front of All Souls College	Steel engraving with hand colouring	Published Jany. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35	£35	mounted	Print	Oxford	All Souls College						
1789		Joseph Skelton	East Front of All Souls College	Copper engraving	Published by J. Skelton St. Aldates, Oxford 1816			I 160 x 230 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	80	£80	mounted	Print	Oxford	All Souls College						
1792		J. C. Stadler after F. Mackenzie	Chapel of All Souls College	Aquatint with hand colouring	London Pub. Decr. 1st 1814 at 101 Strand for R. Ackermann’s History of Oxford			I 270 x 205	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			35	£35	mounted	Print	Oxford	All Souls College						
1794			Oxford, All Souls College Quadrangle: Twin Towers and Sundial	Photograph	c. 1900			I 85 x 130				25	£25	mounted	Print	Oxford	All Souls College						
1795		M. Oliver Rae	All Souls, Oxford	Etching	c. 1920			I 210 x 140 				45	£45	mounted	Print	Oxford	All Souls College						
1797		Albany E. Howarth	All Souls College	Etching	c 1925			Image and plate 250 x 150 mm			Signed in pencil 	150	£150	framed	Print	Artists	Albany E Howarth						
1799		Thomas Malton	West Front of the Principal Quadrangle of All Souls College	Aquatint	Published 1802			I 215 x 305 mm			With a view of the Radcliffe Camera.	150	£150	mounted	Print	Oxford	All Souls College						
1800		Richard Beer	Brasenose	Etching with Aquatint	c. 1950			I 580 x 425 mm			Large, coloured 20th-century etching. 33/100.	150	£150	mounted	Print	Oxford	Brasenose College						
1802		Joseph Skelton after Mackenzie	Front of Brazen Nose College &c. 	Engraving with hand colouring	1821			I 450 x 345mm			.	280	£280	mounted	Print	Oxford	Brasenose College						
1804		David Loggan	Collegium Aenei Nasi [Brasenose College]	Copper engraving	1675			I 290 x 400	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	400	£400		Print	Oxford	Brasenose College						
1806		Alfred Slocombe	Magdalen, Oxford	Etching	c. 1910			I 120 x 200 mm				50	£50	mounted	Print	Oxford	Magdalen College						
1807		William Nicholson	St Johns	Lithograph	1905			Image 380 x 278 mm	Oxford		Signed and blindstampedCampbell 137Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).	120	£120	mounted	Print	Artists	William Nicholson						
1808		William Nicholson	Doorway, the old Ashmolean	Lithograph	1905			Image 355 x 257 mm	Oxford		Signed, numbered and blindstampedCampbell 137Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).	150	£150	framed	Print	Artists	William Nicholson						
1812		Tomlins	The World, on a Spheric Projection.	Lithograph with handcolour	1842			210 x 272 mm				75.00	£75	mounted	Map	World Maps & Sea Charts							
1816		R. Havell & Son after James Pollard	A Celebrated Fox Hunt Breaking Cover; The Chase; The Death; Returning Home by Moonlight	Aquatint with hand colouring	London, Published July 1, 1817			 I 337 x 460 mm			Set of four	1500.00	£1,500	mounted	Print	General Interest	Sport	Hunting					
1824		O. Jewitt	All Souls College	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			12	£12	mounted	Print	Oxford	All Souls College						
1826		O.Jewitt	Iffley Church and Parish	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 78 x 111 mm	From the book by Ingram (James) and Le Keux (John) 1834 - 1837 Memorials of Oxford. Plan of Oxford, 100 Steel engravings, by John Le Keux after Fredeirck Mackenzie and 212 Wood-engravings in the text			12	£12	mounted	Print	Oxford	Oxford Churches						
1827		O. Jewitt	The Church and Parish of St Giles	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 78 x 111 mm	From the book by Ingram (James) and Le Keux (John) 1834 - 1837 Memorials of Oxford. Plan of Oxford, 100 Steel engravings, by John Le Keux after Fredeirck Mackenzie and 212 Wood-engravings in the text			12	£12	mounted	Print	Oxford	Oxford Churches						
1829		O.Jewitt	Queens College	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 78 x 111 mm	From the book by Ingram (James) and Le Keux (John) 1834 - 1837 Memorials of Oxford. Plan of Oxford, 100 Steel engravings, by John Le Keux after Fredeirck Mackenzie and 212 Wood-engravings in the text			30	£30	framed	Print	Oxford	Queen’s College						
1833		O.Jewitt	New College	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 100 x 77 mm	From the book by Ingram (James) and Le Keux (John) 1834 - 1837 Memorials of Oxford. Plan of Oxford, 100 Steel engravings, by John Le Keux after Fredeirck Mackenzie and 212 Wood-engravings in the text			12	£12	mounted	Print	Oxford	New College						
1834		O.Jewitt	St Peters	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 100 x 77 mm	From the book by Ingram (James) and Le Keux (John) 1834 - 1837 Memorials of Oxford. Plan of Oxford, 100 Steel engravings, by John Le Keux after Fredeirck Mackenzie and 212 Wood-engravings in the text			12	£12	mounted	Print	Oxford	St. Peter’s College						
1835		O.Jewitt	The Mill	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 100 x 77 mm	From the book by Ingram (James) and Le Keux (John) 1834 - 1837 Memorials of Oxford. Plan of Oxford, 100 Steel engravings, by John Le Keux after Fredeirck Mackenzie and 212 Wood-engravings in the text			12	£12	mounted	Print	Oxford	General Views						
1837		O. Jewitt	Lincoln College	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 100 x 77 mm	From the book by Ingram (James) and Le Keux (John) 1834 - 1837 Memorials of Oxford. Plan of Oxford, 100 Steel engravings, by John Le Keux after Fredeirck Mackenzie and 212 Wood-engravings in the text			40	£40	framed	Print	Oxford	Lincoln College						
1838		O.Jewitt	View of the Garden	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 100 x 77 mm	From the book by Ingram (James) and Le Keux (John) 1834 - 1837 Memorials of Oxford. Plan of Oxford, 100 Steel engravings, by John Le Keux after Fredeirck Mackenzie and 212 Wood-engravings in the text			12	£12	mounted	Print	Oxford	General Views						
1839		William Nicholson	The Bodleian Library	Lithograph	1905			Image 355 x 280 mm	Oxford		Signed, blindstamped and numberedCampbell 137Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).	150	£150	framed	Print	Artists	William Nicholson						
1840		G. Huardel-Bly	[Magdalen College]	Etching	c. 1875			Pl & I 137 x 87 mm				40	£40	mounted	Print	Oxford	Magdalen College						
1841		William Nicholson	University College	Lithograph	1905			Image 345 x 257 mm	Oxford		Signed, blindstamped and numberedCampbell 137Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).	150	£150	framed	Print	Artists	William Nicholson						
1842		Wm. Woolnorth	Uffington Church	Copper engraving	London; Published by Vernor, Hood & Sharpe, Poultry, Febr. 1st 1807			I 153 x 100 mm				8	£8	unmounted	Print	British Topography	Berkshire						
1844		David Loggan	Collegii Novi [Prospectus interior ad Borem]	Copper engraving	1675			I 480 x 270 mm	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	250	£250	unmounted	Print	Oxford	New College						
1845		Stow	Globe - Southwarke	Copper engraving	London, Published 8 May, 1812, by Robert Wilkinson, No 58, Cornhill			I 248 x 171 mm				65	£65	unmounted	Print	British Topography	London						
1846		Kitchin, Thomas 	A New Map of Warwickshire Drawn from the best Authorities by Tho.s Kitchin Geog.r Engraver to H.R.H. the Duke of York	Copper engraving	1752			I 248 x 190 mm	 London Magazine 1747 - 1763   			70	£70	unmounted	Map	English Counties	Warwickshire						
1847		Kitchin, Thomas 	Oxfordshire	Copper engraving	1746			I 202 x 168 mm	London Magazine 1747 - 1763			70	£70	unmounted	Map	Oxford	Oxfordshire						
1848		W.B Wallen	The Universitites Boat Race “Are you ready?”	Steel engraving	R Taylor and Co. 1891			I 505 x 330				50	£50	unmounted	Print	General Interest	Sport						
1849			Oxford from the Meadows. Oxfordshire	Copper engraving	Drawn and engraved for Dugdales England & Wales Delineated, 1846			I 108 x 70 mm				40	£40	mounted	Print	Oxford	General Views						
1850			A View of All Souls College in Oxford	Copper engraving	c 1800			I 186 x 115				12	£12	unmounted	Print	Oxford	All Souls College						
1851			The Town Hall at Abingdon	Steel engraving	London Published by Verner & Hood Poultry Lane 1805			I 152 x 104 mm				30	£30	mounted	Print	Oxford	Oxfordshire						
1852		W & J Walker  from an original Drawing by Dayes	Caversham-Park, Oxfordshire	Copper engraving	Published April 1st 1793 by Harrison & Co. No. 18 Paternoster Row, London			I 163 x 105 mm				20	£20	unmounted	Print	Oxford	Oxfordshire						
1853		Elizabeth Byrne	St Peter’s in the East	Copper engraving	London Published by Vernor Hood & Sharpe, Poultry, Oct 1st 1811			I 153 x 102 mm	The Beauties of England and Wales			8	£8	unmounted	Print	Oxford	St. Edmund Hall						
1854		Heath	Rycot, the Seat of the Earl of Abingdon	Copper engraving	c 1800			I 164 x 98 mm				10	£10	unmounted	Print	Oxford	Oxfordshire						
1856		Walker	Whitefield, Oxfordshire	Copper engraving	Published September 1st 1794 by J. Walker  No. 16 Rosomans Street London			I 162 x 104 mm				10	£10	unmounted	Print	Oxford	Oxfordshire						
1857		Godfrey	Chapel at Stanton Harcourt, Oxfordshire	Copper engraving	Pub. 7. March 1785 by S Hooper			I 152 x 110 mm				10	£10	unmounted	Print	Oxford	Oxfordshire						
1858		Woolnoth	Blandford House	Copper engraving	London Published John Harris .St Pauls Church Yard Dec  1 1814			I 150 x 100 mm				10	£10	unmounted	Print	Oxford	Oxfordshire						
1859		Sparrow	Beaumont Palace, Oxfordshire	Copper engraving	Pub. 7. March 1785 by S. Hooper			I 151 x 106 mm				10	£10	unmounted	Print	Oxford	Oxfordshire						
1860		Matthews	Greys Court, Oxfordshire	Copper engraving	London, Published John Harris, St Pauls ChurchYard Oct 1 1813 			I 150 x 102 mm				10	£10	unmounted	Print	Oxford	Oxfordshire						
1861		Owen after Wilson	Nuneham Courtenay	Copper engraving	London Published by Vernor Hood & Sharpe, Poultry 1 Oct. 1811			I 150 x 100 mm				10	£10	mounted	Print	Oxford	Oxfordshire						
1862		C. Davies	Grand Entrance Hall Blenheim	Copper engraving	Pubd by Henry Slatter, Oxford			I 128 x 92 mm				10	£10	unmounted	Print	Oxford	Oxfordshire						
1864			Friar Bacon’s Study, Oxford	Copper engraving	Pub. 7. March by S. Hooper			I 154 x 103 mm				30	£30	unmounted	Print	Oxford	General Views						
1865		Godfrey	Banbury Church	Copper engraving	Pub. 7 March 1785 by S. Hooper			I 153 x 110 mm				10	£10	unmounted	Print	Oxford	Oxfordshire						
1866		Elizabeth Byrne	Christ Church Cathedral	Copper engraving	London Published by Vernor Hood & Sharpe, Poultry, Sept 1 1811			I 152 x 100 mm				10	£10	unmounted	Print	Oxford	Christ Church College						
1867			Wadham College	Copper engraving				I 113 x 81 mm	J & H Storer			20	£20	unmounted	Print	Oxford	Wadham College						
1868			Lincoln College	Copper engraving				I 112 x 80 mm	Storer			10	£10	unmounted	Print	Oxford	Lincoln College						
1869			Front of Brasenose College	Copper engraving				I 132 x 82 mm	Storer			30	£30	unmounted	Print	Oxford	Brasenose College						
1870		J. Greig	Christ Church from Corpus Christi Gardens	Copper engraving	Collingwood and Co. For J. Cooke and J. Parker, Oxford; and Messrs. Longman, Hurst, Rees, and Orme, London 1810			I 130 x 82 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			12	£12	unmounted	Print	Oxford	Christ Church College						
1871		J. Greig	Magdalen College Chapel	Copper engraving	Collingwood and Co. For J. Cooke and J. Parker, Oxford; and Messrs. Longman, Hurst, Rees, and Orme, London 1810			I 113 x 96 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			20	£20	unmounted	Print	Oxford	Magdalen College						
1872		J. P. Neale	Saint Mary Magdalen’s Church	Copper engraving	London Published by John Harris, St Pauls Church Yard Dec. 1 1814			I 156 x 102 mm	Beauties of England and Wales			8	£8	unmounted	Print	Oxford	Oxford Churches						
1873		J. Storer	Merton College Chapel	Copper engraving	London Published by Vernor, Hood & Sharpe, Poultry June1 1808			I 152 x 103 mm	Storer			8	£8	unmounted	Print	Oxford	Merton College						
1874		Woolnoth	Shiplake Church & Parsonage	Copper engraving	London Published by John Harris St Pauls Church Yard Feb 1 1813			I 149 x 105 mm				8	£8	unmounted	Print	Oxford	Oxfordshire						
1875		Eastgate	Stanton Harcourt, Oxfordshire	Copper engraving				I 162 x 100 mm				8	£8	unmounted	Print	Oxford	Oxfordshire						
1876		Stannard & Dixon	Broughton Castle	Lithograph				I 173 x 108 mm				10	£10	unmounted	Print	Oxford	Oxfordshire						
1878		J. Storer	Stowe	Copper engraving	London Published by Vernor & Hood, Poultry July 1st 1801			I 153 x 98 mm				30	£30	unmounted	Print	British Topography	Buckinghamshire						
1879		Hay after J.P. Neal	Henley on Thames	Copper engraving	London Published by John Harris St Pauls Church Yard Sept 1 1812			I 144 x 100 mm	Beauties of England and Wales			35	£35	mounted	Print	Oxford	Oxfordshire						
1885		Woolnoth	Magdalen College	Copper engraving	London Published by John Harris St Pauls Church Yard May 1 1813			I 152 x 100 mm				35	£35	unmounted	Print	Oxford	Magdalen College						
1886		Wise	Nuneham Church & Cross	Copper engraving	London Published by John Harris St Pauls Church Yard Oct 3 1814							30	£30	unmounted	Print	Oxford	Oxfordshire						
1888		J. C. Stadler after F. Mackenzie	Library of Christ Church	Aquatint with hand colouring	London Pub. Decr. 1 1814 at 1010 Strand for R. Ackermann’s History of Oxford			I 205 x 265	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			100	£100	mounted	Print	Oxford	Christ Church College						
1889		William Williams	Collegium Corporis Christi [Corpus Christi College, aerial view]	Copper engraving	c. 1732			I 375 x 550 mm				400	£400	framed	Print	Oxford	Corpus Christi College						
1890		David Loggan	Collegium Baliolense [Balliol College]	Copper engraving	1710			I 290 x 400 mm			Overton edition.	350	£350	framed	Print	Oxford	Balliol College						
1891		David Loggan	Collegium Omnium Animarum [All Souls College]	Copper engraving	1675			I 290 x 400 mm	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	140	£140	framed	Print	Oxford	All Souls College						
1892		Nathaniel Whittock	All Souls College Oxford	Lithograph	c. 1820			I 230 x 340				70	£70	mounted	Print	Oxford	All Souls College						
1894		G. Hollis after J. C. Buckler	The West Front of Christ Church, Oxford	Engraving	Published by James Ryman, High Street, Oxford 1838			I 200 x 285 mm			Scarce.	180	£180	mounted	Print	Oxford	Christ Church College						
1895		William Williams	Collegium Corporis Christi [Corpus Christi College, plan]	Copper engraving	1733			I 450 x 385 mm				100	£100	framed	Print	Oxford	Corpus Christi College						
1898		Walker, C. & J.	Oxfordshire	Steel engraving	Drawn and Engraved for Lewis Topographical Dictionary. c. 1836			I 190 x 240 mm			f 	45	£45	mounted	Map	Oxford	Oxfordshire						
1899		Middiman	Heythorpe, in Oxfordshire, the seat of the Earl of Shrewsbury	Copper engraving	Published as the Act directs, June 1 1787 by Harrison & Co. No. 18 Paternoster Row London			I 169 x 103 mm				12	£12	unmounted	Print	Oxford	Oxfordshire						
1900		B. Howlett	St Marys Church, Iffley	Copper engraving	London, Published by Vernor & Hood Poultry Nov 1 1803			I 162 x 98 mm				12	£12	unmounted	Print	Oxford	Oxfordshire						
1901		Metcalf	Broughton Castle	Copper engraving				I 102 x 92 mm				12	£12	unmounted	Print	Oxford	Oxfordshire						
1902		Birrel	Horden House in Oxfordshire the seat of Mrs Harwood	Copper engraving				I 164 x 103 mm				12	£12	unmounted	Print	Oxford	Oxfordshire						
1904		F. Vivares	Kenilworth Castle	Copper engraving with hand colouring	18th century			I 525 x 360 mm				150	£150	unmounted	Print	British Topography	Warwickshire						
1908		David Loggan	Collegium Corporis Christi [Corpus Christi College]	Copper engraving	1675			I 400 x 292 mm	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	190	£190	unmounted	Print	Oxford	Corpus Christi College						
1910		W. Cooke	Nuneham Courtenay, Earl Harcourt	Copper engraving				I 195 x 114 mm				10	£10	unmounted	Print	Oxford	Oxfordshire						
1912		G. Cooper	Part of All Souls College	Etching				I 172 x 112 mm				20	£20	unmounted	Print	Oxford	All Souls College						
1913			Henley, Oxon	Steel engraving	London Published by Tombleson & Co. 11 Paternoster Row [circa 1830]			I 150 x 105 mm				10	£10	unmounted	Print	Oxford	Oxfordshire						
1914			Ryecot House, Oxfordshire	Copper engraving	Publisjed by J. Sewell Decr. 1 1799			I 148 x 95 mm				10	£10	unmounted	Print	Oxford	Oxfordshire						
1915		G. Hollis	St Bartholomews Hospital, Oxford	Steel engraving	Gent. Mag June 1833 			I 151 x 86 mm				10	£10	unmounted	Print	Oxford	Oxfordshire						
1918			Walking Dress	Etching with hand colouring	July 1, 1822			S 231 x 145 mm	R. Ackermann’s Repository of Arts &c.		These plates are from Rudolph Ackermann's Repository of Arts, a periodical which he published from 1809-1827, and which featured, among many other subjects, costume plates such as these. The costume plates were also issued in yearly collections--sort of a fashion annual. The present plates came from such a gathering, entitled ACKERMANN'S LADIES' FASHION PLATES: 110 Coloured Costumes including Mourning, Walking, Carriage, Evening, Opera, and Ball Dresses--all from the 1822 issues of the Repository of the Arts	30.00	£30	mounted	Print	General Interest	Fashion						
1920		I.C Varrall	Wantage, Berks	Copper engraving	Published for the Proprietors Sept 1 1816 by W Clarke New Bond Street			I 88 x 59 mm				20	£20	unmounted	Print	British Topography	Berkshire						
1922		Angus	North View of Blenheim the Seat of the Duke of Marlborough	Copper engraving	Published as the Act directs by Harrison & Co. Aug 1 1783			I 168 x 90 mm				40	£40	unmounted	Print	Oxford	Oxfordshire						
1923		Owen after Wilson	Blenheim Castle, Oxford the Seat of His Grace the Duke of Marlborough	Copper engraving				I 149 x 101 mm	the Beauties of England and Wales			40	£40	unmounted	Print	Oxford	Oxfordshire						
1925		Heath	EastView of Blenheim the Seat of the Duke of Marlborough	Copper engraving	Published as the Act directs by Harrison & Co Oct. 1 1783			I 161 x 92 mm				15	£15	unmounted	Print	Oxford	Oxfordshire						
1927		Michael Burgers	[Radcliffe Camera]	Copper engraving				I 80 x 49 mm				25	£25	unmounted	Print	Oxford	Sheldonian Theatre						
1928		Nattes	[Radcliffe Camera]	Aquatint				I 214 x 128 mm				35	£35	unmounted	Print	Oxford	Radcliffe Camera						
1930		J. Storer	St Peters’ Church Oxford	Copper engraving	Published for the Proprietors Wm Clark Bond Street Nov 1 1807			I 85 x 67 mm				30	£30	unmounted	Print	Oxford	Oxford Churches						
1931		J. Greig	Trinity College from the Garden	Copper engraving	Published by Cook & Parker, Oxford  - Longman, Hurst, Rees and Orme London March 1 1810			I 112 x 80 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			35	£35	unmounted	Print	Oxford	Trinity College						
1932		T. Nelson & Sons	Barges on the Isis_Oxford	Chromolithograph	1889			I 79 x 122 mm, S 95 x 146 mm	The City of Oxford			35.00	£35	mounted	Print	Oxford	General Views						
1933		J. Greig	Part of University College	Copper engraving	Published by Cook & Parker, Oxford  - Longman, Hurst, Rees and Orme London March 1 1810			I 112 x 80 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			30	£30	unmounted	Print	Oxford	University College						
1935		J. Greig	Radcliffe Library from All Souls	Copper engraving	Published by Cook & Parker, Oxford  - Longman, Hurst, Rees and Orme London March 1 1810			I 112 x 80 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			30	£30	mounted	Print	Oxford	Radcliffe Camera						
1936		Godfrey	Oxford Castle	Copper engraving	Pub 7 March 1785 by S Hooper			I 154 x 102 mm				30	£30	unmounted	Print	Oxford	Oxford Castle						
1937		T Bonnor	Clarendon Printing House and the Theatre	Copper engraving	London Published by John Harris St Pauls Church Yard Nov 1 1814			I 152 x 100 mm				20	£20	unmounted	Print	Oxford	Clarendon Press						
1938		T. Nelson & Sons	Christ Church_Oxford	Chromolithograph	1889			I 79 x 122 mm, S 95 x 146 mm	The City of Oxford			35.00	£35	mounted	Print	Oxford	Christ Church College						
1939		Ahaim Smith	Oxford Castle	Copper engraving				I 232 x 172 mm				35	£35	unmounted	Print	Oxford	Oxford Castle						
1940		T Medland	South East or Garden Front of Stowe House 	Copper engraving	Published July 17 1797 by J Seely Buckingham			I 206 x 137 mm				40	£40	unmounted	Print	Oxford	Oxfordshire						
1941		T. Nelson & Sons	Chapel and Library, Magdalen College_Oxford	Chromolithograph	1889			I 79 x 122 mm, S 95 x 146 mm	The City of Oxford			30.00	£30		Print	Oxford	Magdalen College						
1942		R Roffe	Oxford	Copper engraving	London Published by Vernor & Hood Poultry May 1 1804 			I 143 x 98 mm				50	£50	unmounted	Print	Oxford	General Views						
1943		J. Storer	Merton College Chapel	Copper engraving	London Published by Vernor & Hood & Sharpe Poultry Dec 1st 1806 			I 152 x 103 mm				20	£20	unmounted	Print	Oxford	Merton College						
1944		William Ellis	Hackney	Lithograph	Published 2 May 1791 by W Ellie Gwynne’s Building Islington			I 188 x 127 mm				25	£25	unmounted	Print	British Topography	London						
1945			Perspective View of the City of Oxford	Copper engraving	Engraved for the Complete English Traveller. c.1760			I 276 x 155 mm				180	£180	framed	Print	Oxford	General Views						
1946		T. Nelson & Sons	New College_Oxford	Chromolithograph	1889			I 79 x 122 mm, S 95 x 146 mm	The City of Oxford			30.00	£30		Print	Oxford	New College						
1947		T. Nelson & Sons	Merton College-Oxford	Chromolithograph	1889			I 79 x 122 mm, S 95 x 146 mm	The City of Oxford			35	£35		Print	Oxford	Merton College						
1950		T. Nelson and Sons	St John’s College_Oxford	Chromolithograph	1889			I 79 x 122 mm, S 95 x 146 mm	The City of Oxford		Full colour. 	30	£30	mounted	Print	Oxford	St. John’s College						
1953		T. Nelson and Sons	Magdalen from the Bridge_Oxford	Chromolithograph	1889			I 79 x 122 mm, S 95 x 146 mm	The City of Oxford		Full colour. 	40.00	£40	mounted	Print	Oxford	Magdalen College						
1954		T. Nelson and Sons	Broad Street_Oxford	Chromolithograph	1889			I 79 x 122 mm, S 95 x 146 mm	The City of Oxford		Full colour. 	30	£30	mounted	Print	Oxford	General Views						
1958			View of Oxford, From the South East 	Copper engraving	circa 1840			I 84 x 164 mm, S 119 x 215 mm 			Decorative stationery head.  The only other one of this print Sarah has seen was printed on pink paper	45.00	£45		Print	Oxford	General Views						
1959			Wadham College, Oxford	Copper engraving	Rock & Co, London			I 57 x 93 mm, S 91 x 113 mm			Decorative stationery header. 	30	£30		Print	Oxford	Wadham College						
1960			Christ Church College, Oxford. West Front	Copper engraving	Rock & Co, London, c. 1845			I 57 x 93 mm, S 91 x 113 mm			Decorative stationery header. 	35	£35	mounted	Print	Oxford	Christ Church College						
1963		Joseph Skelton	St Mary’s Church, The Radcliffe Library	Copper engraving	Published as the Acts March 2 1818 by J. Skelton St. Aldates, Oxford			I 240 x 186 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	40	£40	mounted	Print	Oxford	Oxford Churches						
1965		Wyld, James 	Western Hemisphere & Eastern Hemisphere	Steel Engraving	London Published by James Wyld. Geographer to His Majesty No.5 Charing Cross. circa 1838			I 315 x 250 mm				140	£140	unmounted	Map	World Maps & Sea Charts							
1969			Ann Hathaway’s Cottage	Lithograph	Published by F & E Ward			I 270 x 196 mm				50	£50	unmounted	Print	British Topography	Warwickshire						
1971		Wm. Byrne after T Hearne	The North Side of Wallingford Bridge	Copper engraving				I 217 x 152 mm				30	£30	unmounted	Print	Oxford	Oxfordshire						
1973		Eastgate	Stanton Harcourt, Oxfordshire	Copper engraving				I 162 x 95 mm				10	£10	unmounted	Print	Oxford	Oxfordshire						
1975		D. Havell after F. Mackenzie	South Side of King’s College Chapel.	Aquatint with hand colouring	London Pub. Decr. 1 1815 at 101 Strand for Ackermann’s History of Cambridge				for Ackermann’s History of Cambridge			200.00	£200		Print	British Topography	Cambridgeshire						
1978		E. Slocombe	Streatley Hill	Etching	London J.S Virtue & Co. Limited			I 344 x 175 mm				20	£20	unmounted	Print	Oxford	Oxfordshire						
1979		J Fittler A.R.A and J. Skelton	North East View of Broughton Castle, Oxon	Copper engraving	Published as the Act directs, Decr. 1 1825 by J. Skelton, Magdalen Bridge, Oxford			I 275 x 201 mm				16	£16	unmounted	Print	Oxford	Oxfordshire						
1983			Off the Cape in 40 (degrees) South	Lithograph				I 235 x 172 mm				35	£35	unmounted	Print	Foreign Topography	Africa	South Africa					
1988		J. Dadley	View of the Gothic Temple in Stowe Gardens	Copper engraving				I 144 x 88 mm				10	£10	mounted	Print	Oxford	Oxfordshire						
1989		Rooker	Quebec the Capital of Canada from the North East	Copper engraving	Engraved for Payne’s New System of Geography 1791			I 252 x 175 mm				30	£30	mounted	Print	Foreign Topography	North America	Canada					
1990		Bartholomew, John	Oxford	Lithograph	A & C Black Edinburgh, c. 1880			145 x 192 mm				45.00	£45	mounted	Map	Oxford	Oxford Maps						
1992			The Pyramids of Egypt	Copper engraving				I 350 x 138 mm				20	£20	unmounted	Print	Foreign Topography	Africa	Egypt					
1993		J. Schroeder	Moscou (Russie)	Steel engraving	Publie par Dufour, Mulat et Boulanger			I 150 x 103 mm				15	£15	unmounted	Print	Foreign Topography	Russia						
1995		Rapkin, J. 	Egypt and Arabia Petrea	Steel engraving	Tallis			I 335 x 244 mm				60	£60	unmounted	Map	Asia & Middle East							
1996		David Loggan	[Sheldonian Theater, Two Views]	Copper engraving	Sold by Henry Overton at ye White Horse without Newgate London, 1724			 I 370 x 530 mm, Pl 402 x 507 mm each	From Kip’s Nouveau theatre de la Grande Bretagne: ou Description exacte des palais de la reine, et des maisons les plus considerables des seigneurs & des gentilshommes de la Grande Bretagne, etc. 		Another version of Loggan’s views of the Sheldonian Theatre from 1675.  These differ in that they are slighty larger.	1250.00	£1,250	mounted	Print	Oxford	Sheldonian Theatre						
1997		J. Woods	Limehouse Church	Steel engraving				I 146 x 107 mm				10	£10	unmounted	Print	British Topography	London						
1998		Sydney G. Hall	The Choir of Magdalen College, Oxford, welcoming the rising sun with a hymn	Woodcut	c. 1890			I 506 x 303 mm	From the London Illustrated News			150	£150	mounted	Print	Oxford	Magdalen College						
1999		William Williams	Collegium Novum [New College]	Copper engraving	1750			I 560 x 431 mm	Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 1732-33		Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. 	400	£400	mounted	Print	Oxford	New College						
2000		David Loggan	Collegium Novum [New College]	Copper engraving	1675			I 356 x 444	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	400	£400	unmounted	Print	Oxford	New College						
2001		David Loggan	Collegium Novum [New College]	Copper engraving	1675			I 356 x 444	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	400	£400	unmounted	Print	Oxford	New College						
2002		J.H Le Keux	The New Chapel, Balliol College	Steel engraving with hand colouring	Published by J.H Parker, Oxford Nov 1st 1858			I 342 x 250 	Oxford Almanack for the year of our Lord God 1859 Printed at the University Press by James Wright and Published by J.H Parker Oxford and E. B Gardner, Paternoster Row, London		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	100	£100	mounted	Print	Oxford	Balliol College						
2004		J.H Le Keux	New Hall of Pembroke College	Steel engraving	Published by J.H Parker, Oxford Nov 1st 1857			I 349 x 260 mm	Oxford Almanack for the year of our Lord God 1858Printed at the University Press by James Wright and Published by J.H Parker Oxford and E.B Gardner Paternoster Row, London		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853.	200	£200	mounted	Print	Oxford	Pembroke College						
2005		Birkin Haward	St Cross College, Kirby Old School 	Lithograph	Printed at the University Press, Oxford, by Vivian Ridler, Printer to the University and published by the Oxford University Press, Walton Street, Oxford OX2 8DP			I 478 x 314 mm	The Oxford Almanack for the Year of our Lord God 1977			60	£60	unmounted	Print	Oxford	St. Cross College						
2006		Clare Roberts	The Botanic Garden	Lithograph	Printed at the University Press, Oxford, by Eric Buckley Printer to the University and Published by the Oxford University Press, Walton Street, Oxford OX2 6DP			I 403 x 286 mm	The Oxford Almanack for the Year of our God 1979			60	£60	unmounted	Print	Oxford	Botanic Garden						
2009		James Basire after H. O’Neill	Magdalen Tower and Grove from Christchurch Meadow	Copper Engraving	circa 1812			I 450 x 310 mm				60	£60	mounted	Print	Oxford	Magdalen College						
2010		Joseph Skelton after C Wild	Library of All Souls College	Copper engraving	Published circa 1829			I 445 x 317 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	70	£70	mounted	Print	Oxford	All Souls College						
2011		Jonathan Pike	Tom Tower and the Radcliffe Camera	Lithograph from a watercolour				I 449 x 324 mm				30	£30	unmounted	Print	Oxford	Radcliffe Camera						
2018		J. Le Keux after F. Mackenzie	West Front of Oriel College	Steel engraving	Published Feb. 1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	45	£45	mounted	Print	Oxford	Oriel College						
2019		J. Le Keux after F. Mackenzie	The 1st Quadrangle of Queen’s College.	Steel engraving with handcolouring	London Published April 1 1834 by J.H. Parker, Oxford, C Tilt Fleet Street London & J. Le Keux Hamondsworth			I 93 x 139 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	45.00	£45	mounted	Print	Oxford	Queen’s College						
2021		J. Le Keux after F. Mackenzie	West Front of Christ Church	Steel engraving	Published Feb. 1,1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 150 x 112 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	50.00	£50	mounted	Print	Oxford	Christ Church College						
2022		J. Le Keux after F. Mackenzie	Lincoln College.	Steel engraving	Published July 1 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40	mounted	Print	Oxford	Lincoln College						
2025		W. Gauci after Delamotte	St. Johns College Garden Front	Lithograph	Published c. 1840			I 350 x 250 mm	Original Views of Oxford, its Colleges, Chapels and Gardens from drawings expressly for this work by William Alfred Delamotte. Executed in Lithography by William Gauci, with Historical and Descrpitive notices by Charles Ollier. London: Thomas Boy. 1843			120	£120	mounted	Print	Oxford	St. John’s College						
2027		William Williams	Aula Cervina, Collegium Hertfordiense [Hertford College]	Copper engraving	1750			I 444 x 355 mm	Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 1732-33		Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. 	200	£200	mounted	Print	Oxford	Hertford College						
2028		David Loggan	Collegium B Mariae Winton	Copper engraving	1675			I 452 x 400 mm	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	650	£650	mounted	Print	British Topography	Hampshire						
2029		J. Donowell	A View of the Conduit part of Carfax Church ...	Copper engraving with hand colouring	Published according to Act of Parliment Feb. 1755 & Sold by John Finney at the Golden Lion in Fleet Street, London			I 442 x 266 mm				250	£250	mounted	Print	Oxford	General Views						
2030		Joseph Skelton after Mackenzie	Merton College Chapel from the Grove	Copper engraving	1818			I 448 x 317 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	180	£180	mounted	Print	Oxford	Merton College						
2031		Joseph Skelton after Mackenzie	Lincoln College	Copper engraving	1818			I 448 x 317 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	200	£200	mounted	Print	Oxford	Lincoln College						
2033		Joseph Skelton	Ancient Castle Tower & C.	Copper engraving	Published as the Act directs June 1 1818 by J. Skelton St. Aldates Oxford				Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	90.00	£90	mounted	Print	Oxford	General Views						
2034		W. Radclyffe after F. Mackenzie 	St Alban Hall	Copper engraving	Published by J Parker Oxford Nov 1st 1850			I 366 x 223 mm				120	£120	mounted	Print	Oxford	Merton College						
2037		Skelton, Joseph  after Agas	Skelton’s reduced engraving of the Origianl Plan of Oxford taken by Ralph Agas in the Year 1578	Copper engraving 	Published as the Act directs Jany. 1st 1823 by J. Skelton Magdalen Bridge Oxford 			495 x 477 mm				450	£450	mounted	Map	Oxford	Oxford Maps						
2038		Jefferys, Thomas	An Accurate Map of the County of Warwick Divided into Hundreds...	Copper engraving with hand colouring	c. 1750			620 x 495 mm	Large English Atlas		One of  a series of large scale county produced by Emanuel Bowen and Thomas Kitchin, who each did some counties, published by John Hinton, King's Arms, St Paul's Churchyard, London, from 1749 to 1760.  The maps have a distinctive style; a large elaborate title cartouche with scenes and figures, a vignette scene, and historical descriptive text filling blank spaces.	500.00	£500	framed	Map	English Counties	Warwickshire						
2045		I. Donowell	A View of Exeter College back gate the Museum, the Theatre, the Printing House, & in the University of Oxford  	Copper engraving	Published according to Act of Parliment 1759 by John Finney at the Golden Lion in Fleet, London			I 414 x 262 mm				350	£350	framed	Print	Oxford	Exeter College						
2047		J. Le Keux 	The Great Quadrangle, Christ Church	Steel engraving	Published Jany. 1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 100 x 157 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40.00	£40	mounted	Print	Oxford	Christ Church College						
2049		Pieter van der Aa after David Loggan	Le College de Toutes Les Ames	Copper engraving	1707			I 130 x 165 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	40	£40	unmounted	Print	Oxford	All Souls College						
2050		Pieter van der Aa after David Loggan	Eglise Paroissiale d’Ambresdon	Copper engraving	1707			I 130 x 165 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	40	£40	mounted	Print	Oxford	Oxford Churches						
2051		Pieter van der Aa after David Loggan	Rycott in the County of Oxford	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	40	£40	unmounted	Print	Oxford	Oxfordshire						
2052		van der Aa, Pieter after David Loggan	Plan de la Ville d’Oxford	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	unmounted	Map	Oxford	Oxford Maps						
2054		Pieter van der Aa after David Loggan	Le College Neuf	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	unmounted	Print	Oxford	New College						
2055		Van der Aa after David Loggan	Les Auditoires Publics de l’Universite d’Oxford	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	unmounted	Print	Oxford	Bodleian Library						
2056		Pieter van der Aa after David Loggan	Le College de Jesus	Copper engraving	1707			166 x 132 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	mounted	Print	Oxford	Jesus College						
2057		Pieter van der Aa after David Loggan	Le College de Lincoln	Copper engraving	1707			166 x 132 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	mounted	Print	Oxford	Lincoln College						
2059		Pieter van der Aa after David Loggan	Le College de la Trinite	Copper engraving	1707			I 130 x 165 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	unmounted	Print	Oxford	Trinity College						
2060		Pieter van der Aa after David Loggan	La College de S. Jean Baptiste [St. John’s College]	Copper engraving	1707			I 130 x 165 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	unmounted	Print	Oxford	St. John’s College						
2061		Pieter van der Aa after David Loggan	Le College de Wadham	Copper engraving	1707			166 x 132 mm	La Delices de la Grande Bretagne et de L’Irlande		LLa Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	unmounted	Print	Oxford	Wadham College						
2062		Pieter van der Aa after David Loggan	Le College de Pembrok [Pembroke College]	Copper engraving	1707			166 x 132 mm	La Delices de la Grande Bretagne et de L’Irlande		LLa Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	unmounted	Print	Oxford	Pembroke College						
2064		Pieter van der Aa after David Loggan	Le College d’Oriel	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	mounted	Print	Oxford	Oriel College						
2065		Pigot, James	Norfolk.	Steel engraving with hand colouring	Published by Pigot & Co. 59 Fleet Street London & Fountain St. Manchester, 1831 			223 x 358 mm	From Pigot & Co’s British Atlas		Pigot & Son produced a very finely engraved series of oblong county maps for theur various National Commercial Directoris and these were issued  collectively as Pigot & Co’s British Atlas in 1831	75.00	£75	mounted	Map	English Counties	Norfolk						
2066		Pieter van der Aa after David Loggan	Le College d’Edmund-Hall a Oxford	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	mounted	Print	Oxford	St. Edmund Hall						
2067		J. Ryland	The South East View of Oxford	Copper engraving	circa 1765			I 185 x 109 mm				65	£65	framed	Print	Oxford	General Views						
2070		Pigot, James 	Suffolk.	Steel engraving with hand colouring	Published by Pigot & Co. 59 Fleet Street London & 18 Fountain St. Manchester, 1831 			222 x 352 mm 	From Pigot & Co’s British Atlas		Pigot & Son produced a very finely engraved series of oblong county maps for theur various National Commercial Directoris and these were issued  collectively as Pigot & Co’s British Atlas in 1831	70	£70	mounted	Map	English Counties	Suffolk						
2071		Pigot, James	Oxfordshire.	Steel engraving with hand colouring	Published by Pigot & Co. 17 Basing Lane London & 18 Fountain St. Manchester, 1831 			352 x 220 mm 	From Pigot & Co’s British Atlas		Pigot & Son produced a very finely engraved series of oblong county maps for theur various National Commercial Directoris and these were issued  collectively as Pigot & Co’s British Atlas in 1831	90.00	£90	mounted	Map	Oxford	Oxfordshire						
2072		Nelson and Sons	St John’s College Oxford	Chromolithograph	1889			I 76 x 122 mm	The City of Oxford			30	£30	mounted	Print	Oxford	St. John’s College						
2073		Nelson and Sons	Pembroke College	Chromolithograph	circa 1860			I 76 x 122 mm	The City of Oxford			30	£30	mounted	Print	Oxford	Pembroke College						
2074		Nelson and Sons	Magdalen College Oxford	Chromolithograph	circa 1860			I 76 x 122 mm	The City of Oxford			30	£30	unmounted	Print	Oxford	Magdalen College						
2075		Nelson and Sons	St. Johns College, Oxford	Chromolithograph	circa 1860			I 76 x 122 mm	The City of Oxford			30	£30	unmounted	Print	Oxford	St. John’s College						
2076		Nelson and Sons	Oxford	Chromolithograph	circa 1860			I 76 x 122 mm	The City of Oxford			30	£30	unmounted	Print	Oxford	General Views						
2077		Nelson and Sons	Merton College Oxford	Chromolithograph	circa 1860			I 76 x 122 mm	The City of Oxford			30	£30	unmounted	Print	Oxford	Merton College						
2078		Nelson and Sons	Christchurch Oxford	Chromolithograph	circa 1860			I 76 x 122 mm	The City of Oxford			30	£30	mounted	Print	Oxford	Christ Church College						
2079		Nelson and Sons	Martyrs Memorial, Oxford	Chromolithograph	circa 1860			I 76 x 122 mm	The City of Oxford			30	£30	mounted	Print	Oxford	General Views						
2080		Nelson and Sons	New Museum, Oxford [University Museum of Natural History ]	Chromolithograph	circa 1860			I 76 x 122 mm	The City of Oxford			30	£30	unmounted	Print	Oxford	Oxford Museums						
2081		Nelson and Sons	Broad Street, Oxford	Chromolithograph	circa 1860			I 76 x 122 mm	The City of Oxford			30	£30	unmounted	Print	Oxford	Broad Street Views						
2084		Moll, Herman	The Southern Part of Great Britain Divided into its Counties with ye Roads &c.	Copper engraving	c. 1750			173 x 254 mm				120.00	£120	mounted	Map	England & the British Isles							
2085		J.C. Stadler after J. Faringdon	Stanton Harcourt	Aquatint with hand colouring	Pub. June 1 1793 by J & J Boydell Shakespeare Gallery Pall Mall & No. 90 Cheapside				A History of the River Thames		John Boydell (1719-1804) was a successful and influential printseller and engraver. Boydell's Shakespeare Gallery is credited with changing the course of English painting by creating a market for historical and literary works. He also encouraged the development of engraving in England with, among other things, his prints illustrating scenes from Shakespearean plays. In 1773, his nephew Josiah Boydell (1752-1817) became his business partner and later his successor, trading as J. & J. Boydell. 	100.00	£100		Print	Oxford	Oxfordshire						
2086		Rocque, J. 	Northumberland	Copper engraving with hand colouring	1769			193 x 152 mm				48.00	£48	mounted	Map	English Counties	Northumberland						
2089		John Boydell	A South Prospect of the City of Oxford	Copper engraving	Published According to act of parliament by John Boydell engraver at the Unicorn the corner of Queen Street Cheapside London 1751. Price 1 shilling.			I. 244 x 425 mm				750	£750	mounted	Print	Oxford	General Views						
2091		Nathaniel Whittock	Chapel of Merton College	Lithograph	1829			I 211 x 160 mm	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford		Can also be from A Topographical and Historical Description of the University and City of Oxford also by Whittock 	45	£45	mounted	Print	Oxford	Merton College						
2093		Nathaniel Whittock	Jesus College	Lithograph	1829			I 211 x 160 mm	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford		Can also be from A Topographical and Historical Description of the University and City of Oxford also by Whittock 	45	£45	mounted	Print	Oxford	Jesus College						
2094		Nathaniel Whittock	Christchurch Library	Lithograph	1829			I 211 x 160 mm	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford		Can also be from A Topographical and Historical Description of the University and City of Oxford also by Whittock 	45	£45	mounted	Print	Oxford	Christ Church College						
2095		Nathaniel Whittock	All Souls College	Lithograph	1829			I 211 x 160 mm	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford		Can also be from A Topographical and Historical Description of the University and City of Oxford also by Whittock 	45	£45	unmounted	Print	Oxford	All Souls College						
2096		Nathaniel Whittock	New Magdalen Hall	Lithograph	1829			I 211 x 160 mm	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford		Can also be from A Topographical and Historical Description of the University and City of Oxford also by Whittock 	45	£45	mounted	Print	Oxford	Hertford College						
2099		Nathaniel Whittock	Clarendon Printing House and Theatre	Lithograph	1829			I 211 x 160 mm	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford		Can also be from A Topographical and Historical Description of the University and City of Oxford also by Whittock 	45	£45	mounted	Print	Oxford	Clarendon Press						
2102		Nathaniel Whittock	Ashmolean Museum	Lithograph	1829			I 211 x 160 mm	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford		Can also be from A Topographical and Historical Description of the University and City of Oxford also by Whittock 	45	£45	mounted	Print	Oxford	Oxford Museums						
2103		Nathaniel Whittock	St Bartholomew’s Chapel	Lithograph	1829			I 211 x 160 mm	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford		Can also be from A Topographical and Historical Description of the University and City of Oxford also by Whittock 	45	£45	mounted	Print	Oxford	Oxford Churches						
2104		Nathaniel Whittock	St Mary’s Church	Lithograph	1829			I 211 x 160 mm	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford		Can also be from A Topographical and Historical Description of the University and City of Oxford also by Whittock 	45	£45	mounted	Print	Oxford	Oxford Churches						
2107		N. Whittock	Balliol College	Lithograph with hand colouring	Published Oxford, c. 1839			I 200 x 150	From The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford			95	£95	mounted	Print	Oxford	Balliol College						
2108		G. Vertue	Hertford College	Copper engraving	8 September 1740			I 494 x 447 mm	The Oxford Almanack of Our Lord God 1745			250	£250	framed	Print	Oxford	Hertford College						
2110		Joseph Skelton after Mackenzie	South West View of Lincoln College	Copper engraving	Published 1823			I 465 x 340 mm	From the 1823 ‘Oxford Almanack’.		The original sepia drawing is in the Ashmolean Museum, Oxford. The artist, Frederick Mackenzie, was commisioned to show a battlement that was recently added to the front of the building, and the new oriel windows on the south wall, in 1818.	50	£50	mounted	Print	Oxford	Lincoln College						
2113		David Loggan	Theatri Sheldoniani [Sheldonian Theatre]	Copper engraving	1675			I 340 x 440	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	250	£250	mounted	Print	Oxford	Sheldonian Theatre						
2114		David Loggan	The inside of the Divinite Schoole in Oxford begun by the University A.D. 1427 and afterward finished by Humphrey Duke of Glocester [Divinity Schools]	Copper engraving	1675			I 320 x 400	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	160	£160	mounted	Print	Oxford	Bodleian Library						
2115		David Loggan	Hortus Botanicus, The Phisick Garden in Oxon [Botanical Gardens]	Copper engraving	1675			I 405 x 495	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	350	£350	unmounted	Print	Oxford	Botanic Garden						
2116		David Loggan	Hortus Botanicus, The Phisick Garden in Oxon [Botanical Gardens]	Copper engraving	1710			I 405 x 495	Oxonia Illustrata		Overton edition	275	£275	unmounted	Print	Oxford	Botanic Garden						
2117		David Loggan	Aula Beatae Mariae Virginis	Copper engraving	1675			I 210 x 340	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	50	£50	unmounted	Print	Oxford	General Views						
2118		David Loggan	Area Nova Nevellensis Colleg. Trin. Cant. [Trinity College, Cambridge]	Copper engraving	1690			Pl 355 x 580 mm	From Cantabrigia Illustrata. Sive omnium celeberrimæ istius universitatis... Cambridge: Quam proprijs sumptibus typis mandavit & impressit Cantabrigiæ. 		Loggan's 'great work' is the earliest and best collection of Oxford views, here bound with his much rarer Cambridge engravings. The extraordinary amount of accurate detail in both implies considerable time spent on the study of the buildings and on the preparation of the plates. The Oxford views, as the Introduction tells us, had been 'long expected, and begun several years before' [diu expectatum Opus, annis abhinc aliquot susceptum']. Wood refers to the plates as early as 1665, which is the date that Loggan lived at Nuffield in Oxfordshire, and the probable date that he started work on the views. He mentions them again in 1669, when Loggan was able to exhibit many of the plates as finished. Wood clearly expected that the sheets would have been ready in 1674 to be bound with his Historia et Antiquitates, by those that wished it. He both disclaimed responsibility for the captions to the plates in his introduction to the reader, and several times elsewhere referred to them as 'the cuts belonging to my book'. This, and the fact that Loggan's Index refers to Wood, relating the illustration to the place where a history of the building can be found, provides clear evidence of an intention that Wood's history and Loggan's views should appear together. Why they didn't is unclear, because it seems that they were ready. Fell had written, on Jan. 19th, 1674/5, that the plates were 'in a manner quite finished'. It may be that the tensions which had arisen between Fell and Wood over the editing of Historia et Antiquitates hold the key to this puzzle. The plates were not printed at the Sheldonian, but at Leonard Lichfield's house in Holywell, where it is presumed that the rolling press was housed. (Madan.) Loggan's Cambridge views have been much less reviewed by bibliographers. The best piece still, although discursive, is the introduction and the captions to each plate by J.W. Clark in the Macmillan and Bowes reprint of 1905. In the year following the publication of 'Oxonia Illustrata' Loggan was in Cambridge printing Wren's design for the Library of Trinity. This employment may have prompted him to turn his attention to Cambridge. Clark thought it 'not difficult to prove that 'Cantabrigia Illustrata' was definitely begun in 1678 or 1679, if not earlier, and that it could not have been published before 1690'. The former proposition he demonstrates by internal evidence. He shows that it was published by 1690 using entries in the account books of at least two colleges. Wing records an edition of 1688 (Wing L2836), with four UK locations, and one US. We have only been able to check the copies in the Library of King's College, Cambridge, and that at Chatsworth, both of which proved to have undated title-pages identical with the majority of copies. This, allied to the fact that Clark makes no mention of a 1688 edition, leads us to suspect that this particular Wing entry may prove to be a 'ghost'. Naturally we are unable to state this categorically without a reliable report on the remaining three copies. One of these, originally part of the of Norwich City Library, was present in the 1732 catalogue, but not in the Kitton 1883 catalogue, nor in the list of strong room books lost in the recent fire. The library, however, did lose all the local history folios so it may have gone then. To quote a Millenium Library source, 'the fate of this volume may well remain a mystery'. Where Wing picked up a reference to it is also a puzzle. 'The beauty of Loggan's views of the colleges has long been accepted ... Their fidelity can be realised by anyone who will take the trouble to study even a single plate minutely. Would any artist have invented the details which abound in his engravings - the variety, the small differences in the arrangement of doors and windows - the laying out of the courts, the gardens with their flower-beds and summer-houses, the bowling-greens, the tennis-courts - and, in a word, the domestic matters which speak eloquently of the time when a college was the home of its inmates, who found within the precincts all things needful for their daily life, in study, exercise, and diversion?'	650	£650	unmounted	Print	British Topography	Cambridgeshire						
2120		David Loggan	Aula Beatae Mariae Magdalenae	Copper engraving	1710			I 210 x 340	Oxonia Illustrata, Overton Edition			60	£60	unmounted	Print	Oxford	Magdalen College						
2121		David Loggan	Collegium Diui Ioannis Baptiste [St. John’s College, Oxford]	Copper engraving	1675			Pl. 310 x 410	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	360	£360	unmounted	Print	Oxford	St. John’s College						
2126		David Loggan	Aula S. Albani [St. Alban Hall]	Copper engraving	1675			Pl. 350 x 240 mm	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	80	£80	unmounted	Print	Oxford	Merton College						
2127		David Loggan	Collegium Jesu [Jesus College]	Copper engraving	1675			Pl. 405 x 300 mm	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.			mounted	Print	Oxford	Jesus College						
2128		David Loggan	Collegium Orielense [Oriel College]	Copper engraving	1675			Pl. 405 x 300 mm	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	420	£420	mounted	Print	Oxford	Oriel College						
2129		David Loggan	Collegium Reginense [Queen’s College]	Copper engraving	1675			Pl. 400 x 290 mm	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	180	£180	mounted	Print	Oxford	Queen’s College						
2130		David Loggan	Aedificium Cantuariense [St. John’s College Quad]	Copper engraving	1675			Pl. 400 x 290 mm	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	300	£300	unmounted	Print	Oxford	St. John’s College						
2131		David Loggan	Collegium S. Trinitatis [Trinity College]	Copper engraving	1675			Pl. 410 x 320 mm	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	390	£390	unmounted	Print	Oxford	Trinity College						
2132		David Loggan	Aula St. Edmundi [St. Edmund Hall]	Copper engraving	1675			Pl. 410 x 320 mm	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	200	£200	mounted	Print	Oxford	St. Edmund Hall						
2133		David Loggan	Collegium Universitatis [University College]	Copper engraving	1675			I 295 x 395	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	490	£490	mounted	Print	Oxford	University College						
2134		David Loggan	Collegium Pembrochianum [Pembroke College]	Copper engraving	1675			I 270 x 410	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	450	£450	mounted	Print	Oxford	Pembroke College						
2135		David Loggan	Collegium Exoniense [Exeter College]	Copper engraving	1675			I 240 x 410 mm	Oxonia Illustrata 1675 First Edition			250	£250	unmounted	Print	Oxford	Exeter College						
2136		David Loggan	Collegium Wadhamense [Wadham College]	Copper engraving	1675			I 310 x 415	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	425	£425	unmounted	Print	Oxford	Wadham College						
2139			A French Lady on Horseback in the fashionable stile of Riding in the Long Champs & Elisee at Paris.		1807				La Belle Assemblee ot Bell’s Court Fashionable Magazine for March 1807			45.00	£45	framed	Print	General Interest	Fashion						
2140		C. Middleton	[Design for a Monument to Perpetuate the Memory of Admiral Lord Viscount Nelson]	Aquatint with hand colouring	Pub.d as the Act directs June 1806 by Colnagi & Co. Cockspur Street			I 480 x 320 mm, S 490 x 331 mm			This was not the design that was ultimately built. The monument now in trafalger was designed by architect William Railton in 1838. His original 1:22-scale stone model is exhibited at the National Maritime Museum in Greenwich.	350.00	£350	framed	Print	General Interest	Maritime						
2141		B. Cole after E. Hoppus	Architectural Print	Copper engraving	Published : London : Printed for Benjn. Cole engraver the corner of Kings-Head-court, near Fetter-lane, Holbourn, & John Wilcox opposite the New church in the Strand, 1736				From Andrea Palladio's Architecture in four books ... : The whole containing 226 [i.e., 222] folio copper plates / containing a dissertation on the five orders & ye most necessary observations relating to all kinds of building ... ; Carefully revis'd and redelineated by Edwd. Hoppus... and embellished w.th a large variety of chimney pieces collected from the works of Inigo Jones & others. Published : London : Printed for Benjn. Cole engraver the corner of Kings-Head-court, near Fetter-lane, Holbourn, & John Wilcox opposite the New church in the Strand, 1736			10.00	£10	unmounted	Print	General Interest	Architecture						
2146		Unknown engraver	The Arethufa Frigate scudding under Foresail in a STORM, with a View of PLYMOUTH and Maker Church at a distance	Copper engraving with hand colouring	Printed for & Sold by Bowles & Carver Published as the Act directs 19 May 1795 No. 69 in St Pauls Church Yard London			I 258 x 148 mm				100	£100	framed	Print	General Interest	Maritime						
2148		Bowen, Thomas 	A New and Accurate Map of England	Copper engraving	Engraved for the Complete English Traveller 1772			I 317 x 223 mm				90	£90	framed	Map	England & the British Isles	England						
2151		L. Lagrenee	Neuvieme Figure	Stipple	A Paris, chez Bonnet rue St JacquesTire du Cabinet de Monsieur Lagrenee Peintre du Roy, Professeur en son Academie Royale de Pture et Scture circa 1790			I 513 x 396 mm				500	£500	framed	Print	Fine Prints	Stipple						
2152		Saxton, C. & Kip, W. 	Cambridge	Copper engraving with hand colouring	Published 1607			I 315 x 280 mm				350	£350	framed	Map	English Counties	Cambridgeshire						
2157		Thornton	Plan of Oxford Castle	Copper engraving	Published according to Act of Parliment, by Alexr. Hogg No. 16 Paternoster Row, c. 1780			I 197 x 177 mm, S 243 x 199 mm			From Henry Boswell’s The Antiquities of England and Wales	25.00	£25	mounted	Print	Oxford	General Views						
2158		Thornton	Bird’s-Eye View of Oxford Castle, in Oxfordshire	Copper engraving	Published according to Act of Parliment, by Alexr. Hogg No. 16 Paternoster Row, c. 1780			I 197 x 177 mm, S 243 x 199 mm			From Henry Boswell’s The Antiquities of England and Wales	35.00	£35	mounted	Print	Oxford	Oxford Castle						
2159		After Isaac Cruikshank	Son’s of Frienship____ Scene Chandois Street.	Copper engraving with hand colouring	Published 8th Jany. 1801 by Laurie and Whiyyle, 53 Fleet Street London 			I 180 x 232 mm, Pl 200 x 247 mm, S 240 x 302 mm			Not in BM satires	150.00	£150		Print	General Interest	Caricatures						
2162		After Isaac Cruikshank	Little Mouths.___ An Original Tale, by Dr. King	Copper engraving with hand colouring	Published 25th May 1801, by Laurie & Whittle, 53 Fleet Street, London			I 160 x 223 mm, Pl 186 x 244 mm, S 194 x 249 mm				100.00	£100		Print	General Interest	Caricatures						
2165		Ziletti, Giordano 	Tavola Nuova Di Schiavonia	Copper engraving	Venice, 1574 			185 x 245 mm			Dalmatia	80	£80		Map	Europe	Central & Eastern Europe	Dalmatia					
2166		Le Keux	St. John’s College. From the Old Bridge	Copper engraving with hand colouring	c. 1850			I 84 x 134 mm, S 136 x 188 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			30.00	£30	unmounted	Print	British Topography	Cambridgeshire						
2167		Le Keux	Kings Court Trinity College.	Copper engraving with hand colouring	c. 1850			I 86 x 131 mm, S 124 x 187 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			30.00	£30	unmounted	Print	British Topography	Cambridgeshire						
2168		Le Keux after F. Mackenzie	The Quadrangle of Corpus Christi College	Copper engraving with hand colouring	1835			I 92 x 144 mm, S 138 x 199 mm				30.00	£30	mounted	Print	Oxford	Corpus Christi College						
2171		Le Keux after F. Mackenzie	Cloister, St. John’s College	Copper engraving with hand colouring	c. 1850			I 81 x 134 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2172		Le Keux after F. Mackenzie	Second Court St. John’s College West Side	Copper engraving with hand colouring	c. 1850			I 81 x 134 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			30.00	£30	unmounted	Print	British Topography	Cambridgeshire						
2175		Le Keux after Bell	Trinity College	Copper engraving with hand colouring	c. 1850			I 139 x 94 mm, S 202 x 133 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2176		Le Keux after F. Mackenzie	Pembroke College	Copper engraving with hand colouring	c. 1850			I 88 x 134 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2177		Le Keux after F. Mackenzie	The New Public Library	Copper engraving with hand colouring	c. 1850			I 98 x 138 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2178		Le Keux after F. Mackenzie	New Buildings, Emmanuel College	Copper engraving with hand colouring	c. 1850			I 85 x 133 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2179		Le Keux after F. Mackenzie	Trinity Hall, Back Court	Copper engraving with hand colouring	c. 1850			I 130 x 82 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2181		Le Keux after F. Mackenzie	New Buildings St Johns College	Copper engraving with hand colouring	c. 1850			I 126 x 102 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2182		Le Keux after F. Mackenzie	Gate of Honour & Senate House, Caius College	Copper engraving with hand colouring	c. 1850			I 85 x 133 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2183		Le Keux after J.A Bell	Queens College	Copper engraving with hand colouring	c. 1850			I 98 x 132 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2184		Le Keux after J.A Bell	Caius College	Copper engraving with hand colouring	c. 1850			I 137 x 94 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2185		Le Keux after F. Mackenzie	The Pitt Press	Copper engraving with hand colouring	c. 1850			I 108 x 99 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2186		Le Keux 	New Buildings St Johns College	Copper engraving with hand colouring	c. 1850			I 127 x 92 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2188		Le Keux after F. Mackenzie	St Peter’s College	Copper engraving with hand colouring	c. 1850			I 138 x 96 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2189		Le Keux after F. Mackenzie	Sydney Sussex College	Copper engraving with hand colouring	c. 1850			I 138 x 93 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2190		Le Keux after F. Mackenzie	The Entrance Gate of Clare College	Copper engraving with hand colouring	c. 1850			I 83 x 102 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2191		Le Keux after F. Mackenzie	Gisborne Court St Peters Collge	Copper engraving with hand colouring	c. 1850			I 140 x 95 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2192		Le Keux after I.A Bell	The Second Court - St Johns College 	Copper engraving with hand colouring	c. 1850			I 140 x 93 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2193		Le Keux after MacKenzie	The New Fitzwilliam Museum	Copper engraving with hand colouring	c. 1850			I 139 x 94 mm, S 202 x 133 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2194		Le Keux after F. Mackenzie	Clare College and Bridge	Copper engraving with hand colouring	c. 1850			I 129 x 86 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2199		Le Keux after F. Mackenzie	Trinity Hall from the Garden	Copper engraving with hand colouring	c. 1850			I 151 x 99 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2200		Le Keux after F. Mackenzie	Kings College	Copper engraving with hand colouring	c. 1850			I 140 x 95 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2201		Le Keux after F. Mackenzie	Sydney Sussex College	Copper engraving with hand colouring	c. 1850			I 140 x 94 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2202		Le Keux after F. Mackenzie	The Provost’s Lodge King’s College	Copper engraving with hand colouring	c. 1850			I 135 x 84 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2203		Le Keux	Pembroke College.	Copper engraving with hand colouring	c. 1850			I 100 x 143 mm, Pl 138 x 163 mm, S 158 x 208 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			30.00	£30		Print	British Topography	Cambridgeshire						
2204		Le Keux after F. Mackenzie	View of Cambridge	Copper engraving with hand colouring	c. 1850			I 146 x 91 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2205		Le Keux after Mackenzie	St. Michael’s Church	Copper engraving with hand colouring	c. 1850			I 134 x 97 mm, S 196 x 135 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			20.00	£20		Print	British Topography	Cambridgeshire						
2206		Le Keux after F. Mackenzie	Exterior of Kings College Chapel	Copper engraving with hand colouring	c. 1850			I 152 x 87 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2207		Le Keux after F. Mackenzie	The First Court, ChristChurch	Copper engraving with hand colouring	c. 1850			I 136 x 87 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2208		Le Keux after F. Mackenzie	Queens College	Copper engraving with hand colouring	c. 1850			I 146 x 93 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2209		Le Keux after I.A Bell	Christs College	Copper engraving with hand colouring	c. 1850			I 140 x 99 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2210		Le Keux after F. Mackenzie	Tree Court, Christ College	Copper engraving with hand colouring	c. 1850			I 131 x 84 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2213		Le Keux after Mackenzie	Addenbrooke’s Hospital.	Copper engraving with hand colouring	c. 1850			I 84 x 130 mm, S 139 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			20.00	£20		Print	British Topography	Cambridgeshire						
2214		Le Keux after F. Mackenzie	Side View of kings College Chapel	Copper engraving with hand colouring	c. 1850			I 137 x 82 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2216		Le Keux after Mackenzie	Trinity Church	Copper engraving with hand colouring	c. 1850			I 143 x 103 mm, S 196 x 140 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			20.00	£20		Print	British Topography	Cambridgeshire						
2217		Le Keux after F. Mackenzie	Part 	Copper engraving with hand colouring	c. 1850			I 139 x 84 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2218		Le Keux after Mackenzie	The Castle	Copper engraving with hand colouring	c. 1850			I 93 x 139 mm, S 151 x 210 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			20.00	£20		Print	British Topography	Cambridgeshire						
2219		Le Keux after Mackenzie	The Hall, Queens College.	Copper engraving with hand colouring	c. 1850			I 93 x 139 mm, S 151 x 210 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			20.00	£20		Print	British Topography	Cambridgeshire						
2220		Le Keux 	Hall, Trinity College. Extended View	Copper engraving with hand colouring	c. 1850			I 93 x 127 mm, S 143 x 172 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			20.00	£20		Print	British Topography	Cambridgeshire						
2222		Le Keux 	Hall, Sidney Sussex College	Copper engraving with hand colouring	c. 1850			I 90 x 122 mm, S 143 x 182 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			20.00	£20		Print	British Topography	Cambridgeshire						
2223		Le Keux 	Library, Trinity College	Copper engraving with hand colouring	c. 1850			I 113 x 102 mm, S 170 x 148 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25		Print	British Topography	Cambridgeshire						
2224		Le Keux 	Library, Kings College extended view	Copper engraving with hand colouring	c. 1850			I 118 x 102 mm, S 180 x 142 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25		Print	British Topography	Cambridgeshire						
2225		Le Keux after Mackenzie	Trinity Church	Copper engraving with hand colouring	c. 1850			I 138 x 94 mm, S 185 x 122 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			20.00	£20		Print	British Topography	Cambridgeshire						
2226		Le Keux after F. Mackenzie	Part of the New buildings St Johns College	Copper engraving with hand colouring	c. 1850			I 141 x 99 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2227		Le Keux after F. Mackenzie	The Market Place	Copper engraving with hand colouring	c. 1850			I 141 x 98 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2228		Le Keux after Mackenzie	View Showing All Saints Church &c.	Copper engraving with hand colouring	c. 1850			I 145 x 107 mm, S 197 x 132 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			20.00	£20		Print	British Topography	Cambridgeshire						
2229		Le Keux after F. Mackenzie	The Front of Kings College	Copper engraving with hand colouring	c. 1850			I 140 x 99 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2230		Le Keux after Mackenzie	Interior of Kings College Chapel.	Copper engraving with hand colouring	c. 1850			I 140 x 98 mm, S 192 x 147 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			20.00	£20		Print	British Topography	Cambridgeshire						
2232		Le Keux after F. Mackenzie	Fellows Garden, Caius College	Copper engraving with hand colouring	c. 1850			I 129 x 87 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2233		Le Keux after Mackenzie	Great St. Mary’s Church Exterior	Copper engraving with hand colouring	c. 1850			I 100 x 140 mm, S 145 x 173 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			20.00	£20	unmounted	Print	British Topography	Cambridgeshire						
2235		Le Keux after F. Mackenzie	The Second Court, Christs College	Copper engraving with hand colouring	c. 1850			I 140 x 94 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2237		Le Keux after F. Mackenzie	Trinity Hall, Front Court	Copper engraving with hand colouring	c. 1850			I 133 x 81 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2238		Le Keux after I. A Bell	Clare College 	Copper engraving with hand colouring	c. 1850			I 140 x 98 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2239		Le Keux after I. A Bell	Kings Court, Trinity College	Copper engraving with hand colouring	c. 1850			I 111 x 93 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2240		Le Keux after F. Mackenize	Library, Trinity College	Copper engraving with hand colouring	c. 1850			I 111 x 93 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2242		Le Keux after F. Mackenzie	St. Andrew’s Church The Old Church	Copper engraving with hand colouring	c. 1850			I 95 x 140 mm, S 138 x 189 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			20.00	£20	unmounted	Print	British Topography	Cambridgeshire						
2243		Le Keux after F. Mackenize	St Johns College	Copper engraving with hand colouring	c. 1850			I 135 x 83 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2244		Le Keux after F. Mackenize	Bridge Kings College	Copper engraving with hand colouring	c. 1850			I 123 x 92 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2245		Le Keux after F. Mackenize	Christ College	Copper engraving with hand colouring	c. 1850			I 115 x 105 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2246		Le Keux after F. Mackenize	Christ College	Copper engraving with hand colouring	c. 1850			I 115 x 105 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2248		Le Keux after F. Mackenize	View of Cambridge from Castle Hill	Copper engraving with hand colouring	c. 1850			I 146 x 88 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2249		Le Keux after F. Mackenzie	Jesus College	Copper engraving with hand colouring	c. 1850			I 133 x 84 mm, S 148 x 177 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2250		Le Keux after F. Mackenzie	Jesus College	Copper engraving with hand colouring	c. 1850			I 133 x 84 mm, S 148 x 177 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2252		Le Keux after F. Mackenzie	Saint Katherines College	Copper engraving with hand colouring	c. 1850			I 140 x 93 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2253		Le Keux after F. Mackenzie	The Library, Trinity College	Copper engraving with hand colouring	c. 1850			I 145 x 96 mm, S 148 x 177 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2255		Le Keux after F. Mackenzie	Magdalene College	Copper engraving with hand colouring	c. 1850			I 129 x 92 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2256		Le Keux after F. Mackenzie	The Library of Kings College	Copper engraving with hand colouring	c. 1850			I 151 x 93 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2257		Le Keux after F. Mackenzie	Entrance Gateway -St Johns College	Copper engraving with hand colouring	c. 1850			I 99 x 137 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2258		Le Keux after F. Mackenzie	Emmanuel College	Copper engraving with hand colouring	c. 1850			I 138 x 94 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2259		Le Keux after F. Mackenzie	Jesus College	Copper engraving with hand colouring	c. 1850			I 133 x 84 mm, S 148 x 177 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2261		Le Keux after F. Mackenzie	Caius College	Copper engraving with hand colouring	c. 1850			I 137 x 104 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2263		Le Keux after F. Mackenzie	Old Court King’s College	Copper engraving with hand colouring	c. 1850			I 136 x 87 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2264		Le Keux after F. Mackenzie	Old Court, Kings College	Copper engraving with hand colouring	c. 1850			I 130 x 86 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2265		Le Keux after F. Mackenzie	The New Bridge, St Johns College	Copper engraving with hand colouring	c. 1850			I 137 x 97 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2266		Le Keux after F. Mackenzie	The New Quadrangle, Kings College	Copper engraving with hand colouring	c. 1850			I 130 x 77 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2267		Le Keux after F. Mackenzie	The New Quadrangle, Kings College	Copper engraving with hand colouring	c. 1850			I 130 x 77 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2268		Le Keux after Mackenzie	St. Michaels Church	Copper engraving	c. 1850			I 133 x 99 mm, S 212 x 127 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			15.00	£15		Print	British Topography	Cambridgeshire						
2269		Le Keux after Mackenzie	St. Clements Chruch	Copper engraving	c. 1850						From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.	15.00	£15		Print	British Topography	Cambridgeshire						
2270		Le Keux after F. Mackenzie	Great St. Marys Church Exterior	Copper engraving with hand colouring	c. 1850			I 130 x 77 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			15	£15	unmounted	Print	British Topography	Cambridgeshire						
2271		Le Keux after F. Mackenzie	Interior of The Hall, Trinity College	Copper engraving with hand colouring	c. 1850			I 145 x 96 mm, S 148 x 177 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			15.00	£15	unmounted	Print	British Topography	Cambridgeshire						
2272		Le Keux after F. Mackenzie	The Chapel_St. John’s College	Copper engraving with hand colouring	c. 1850			I 136 x 96 mm, S 210 x 125 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			15.00	£15	unmounted	Print	British Topography	Cambridgeshire						
2274		Le Keux after F. Mackenzie	Interior of the Chapel Cius College	Copper engraving with hand colouring	c. 1850			I 145 x 96 mm, S 148 x 177 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			15.00	£15	unmounted	Print	British Topography	Cambridgeshire						
2275		Le Keux after F. Mackenzie	The Chapel, Magdalene College	Copper engraving with hand colouring	c. 1850			I 129 x 92 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			15.00	£15	unmounted	Print	British Topography	Cambridgeshire						
2276		Le Keux after F. Mackenzie	Interior of the Hall, Kings College	Copper engraving with hand colouring	c. 1850			I 140 x 96 mm, S 211 x 126 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			15.00	£15	unmounted	Print	British Topography	Cambridgeshire						
2278		Le Keux after F. Mackenzie	Emanuel College, from the Street	Copper engraving with hand colouring	c. 1850			I 154 x 87 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			20.00	£20	unmounted	Print	British Topography	Cambridgeshire						
2279		Joseph Skelton after Dayes	Theatre Printing House	Copper engraving	c. 1820			I 234 x 165 mm				120	£120	mounted	Print	Oxford	General Views						
2283		W. Gauci after Delamotte	Corpus College Oxford	Lithograph	Published c. 1840			I 350 x 250 mm	Original Views of Oxford, its Colleges, Chapels and Gardens from drawings expressly for this work by William Alfred Delamotte. Executed in Lithography by William Gauci, with Historical and Descrpitive notices by Charles Ollier. London: Thomas Boy. 1843			120	£120	mounted	Print	Oxford	Corpus Christi College						
2285		Nathaniel Buck	The South Prospect of Reading in the County of Berks	Copper engraving with hand colouring	1734			I 780 x 242 mm				445	£445	mounted	Print	British Topography	Berkshire						
2287			At Henley Regatta	Woodcut	19th century			I 315 x 232 mm	The London Graphic Magazine			60	£60	framed	Print	General Interest	Sport	Rowing					
2288			The Universities Boat-Race: Cambridge Winning	Woodcut	19th century			I 342 x 237 mm	The London Graphic Magazine			60	£60	framed	Print	General Interest	Sport						
2289		W. Gauci after Delamotte	Front of Brasenose College	Lithograph with hand colouring	Published c. 1842			I 335 x 254 mm	Original Views of Oxford, its Colleges, Chapels and Gardens from drawings expressly for this work by William Alfred Delamotte. Executed in Lithography by William Gauci, with Historical and Descrpitive notices by Charles Ollier. London: Thomas Boy. 1843			200	£200	mounted	Print	Oxford	Brasenose College						
2291			Bird’s-Eye View of Exter College Oxford University	Woodcut	March 26, 1859			I 238 x  345 mm, 284 x 404 mm				40.00	£40		Print	Oxford	Exeter College						
2292			Buildings on the South side of Jesus College Lane; where the Market is, with a view of Carfax Tower, to the West, and Lincoln Coll: garden wall to the East  	Watercolour				S 221 x 302 mm				30	£30		Print	Oxford	General Views						
2293		J. Hill after A. Pugin	St. Edmund’s Hall.	Aquatint with hand colouring	Pub. for R. Ackermann’s Histy. of Oxford Dec.r 1 1814			I 203 x 133 mm, Pl. 252 x 140 mm	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			180	£180	mounted	Print	Oxford	St. Edmund Hall						
2296		David Loggan	Scholae Publicae Universitatis Oxon [Bodleian Library]	Copper engraving	1675			I 350 x 470 mm	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	150	£150	unmounted	Print	Oxford	Bodleian Library						
2297		David Loggan	Frontispicium Scholarum Publicarum Universitatis Oxoniensis [Bodleian Library]	Copper engraving	1675			I 350 x 470 mm	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	75	£75	mounted	Print	Oxford	Bodleian Library						
2298		David Loggan	Bibliotheca Publica Bodleiana & Scholae sive Auditorium Artium Liberalium ut ad Austrum Spectantur [Aerial view of the Bodleian Library]	Copper engraving	1675			I 300 x 400 mm	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	220	£220	unmounted	Print	Oxford	Bodleian Library						
2300		David Loggan	Ecclesia Beatae Mariae Virginis [St. Mary’s Church]	Copper engraving	1675			I 370 x 410 mm	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	80	£80	unmounted	Print	Oxford	Oxford Churches						
2303		Rock & Co.	St Johns College	Engraving	1851			I 105 x 80 mm				55	£55	framed	Print	Oxford	St. John’s College						
2305		William Edward Frost	The Sea Nymph	Etching				I 88 x 88 mm; Pl 125 x 116 mm				220	£220	framed	Print	Victorian							
2307		I. Miller	The Oxford Almanack For the Year of Our Lord God 1764	Copper engraving	1764			I 478 x 432 mm				275	£275	framed	Print	Oxford	Oxford Curiosities						
2309		David Loggan	Facade of the Sheldonian Theater	Copper engraving	Sold by Henry Overton at ye White Horse without Newgate London, 1724			 I 370 x 530 mm, Pl 402 x 507 mm	From Kip’s Nouveau theatre de la Grande Bretagne: ou Description exacte des palais de la reine, et des maisons les plus considerables des seigneurs & des gentilshommes de la Grande Bretagne, etc. 		Another version of Loggan’s view of the Sheldonian Theatre from 1675.  This differs in that it is slighty larger.	225	£225	unmounted	Print	Oxford	Sheldonian Theatre						
2311			“Hark! hark! to ‘Wellington’ true as the ma, Let the hounds settle down , then follow who can.”	Lithograph with hand colouring	M & N Hanhart			I 162 x 236 mm, S 213 x 268 mm				70.00	£70		Print	General Interest	Sport	Hunting					
2312			“A Cigar my old boy! you are wet to the skin, What matter for that, if we only creep in.”	Lithograph with hand colouring	M & N Hanhart			I 162 x 236 mm, S 213 x 268 mm				70.00	£70		Print	General Interest	Sport	Hunting					
2313			“The Run at an end. ‘Whoohoop’ is the cry! The finish select, a game one must die.”	Lithograph with hand colouring	M & N Hanhart			I 162 x 236 mm, S 213 x 268 mm				70.00	£70		Print	General Interest	Sport	Hunting					
2314			A Camp Holiday	Lithograph with hand colouring	M & N Hanhart			I 200 x 153 mm,  S  265 x 208 mm				70.00	£70		Print	General Interest	Sport						
2315			Smart Grass I Guess, that grows under your feet!	Lithograph with hand colouring	Day & Son Lith to the Queen			I 162 x 236 mm, S 213 x 268 mm				70.00	£70		Print	General Interest	Sport	Hunting					
2316		Skelton after M. Burghers	Remains of Oxford Castle	Copper engraving	Published as the Act Directs Dec.r 1 1820 by J. SWkelton, St. Aldates Oxford				Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	35.00	£35	mounted	Print	Oxford	Oxford Castle						
2317		Rocque, J.	Leicestershire	Copper engraving with hand colouring	1769			I 167 x 150 mm				70	£70	framed	Map	English Counties	Leicestershire						
2320		William Nicholson	[Radcliffe Camera]	Lithograph	1905			I 346 x 312 mm	Oxford		Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed lithographs, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).	180	£180	framed	Print	Oxford	Radcliffe Camera						
2322		Skelton 	Engraved form the Old Plan of the Castle in the Possession of the Very Revd. The Dean & Chapter of Christ Church	Copper engraving	Published as the Act Directs Dec.r 1 1820 by J. SWkelton, St. Aldates Oxford				Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	35.00	£35	mounted	Print	Oxford	Oxford Castle						
2323		Henry Le Keux after P. Dewint	View of Oxford, from the Castle Keep.	Steel engraving	Published by J. Parker Oxford Nov1 1838			I 197x 365 mm	1839 Oxford Almanack			180	£180	framed	Print	Oxford	Oxford Castle						
2327			A Pictorial Plan of the University & City of Oxford	Engraving	Oxford Published by T Shrimpton and Son 23 and 24 Broad Street, 1871			I 347 x 366 mm				150	£150	framed	Map	Oxford	Oxford Maps						
2328		George Pyne (1800 - 1884)	Magdalen Hall	Watercolour				I 340 x 238 mm				1200	£1,200	framed	Print	Oxford	Hertford College						
2333		T. Bonner after J.P Neale	Clarendon Printing House and the Theatre	Copper engraving	London Published by John Harris St. Pauls Church Yard Nov.1 1814 			I 150 x 116 mm				40	£40	mounted	Print	Oxford	Clarendon Press						
2335		Pieter van der Aa after David Loggan	Partie du College de S. Jean Baptiste	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	mounted	Print	Oxford	St. John’s College						
2337		D. Havell after F. Mackenzie	West End of King’s College Chapel.	Aquatint with hand colouring	London Pub. Decr. 1 1815 at 101 Strand for Ackermann’s History of Cambridge				for Ackermann’s History of Cambridge			200.00	£200		Print	British Topography	Cambridgeshire						
1821		David Loggan	Collegium Novum [New College]	Copper engraving	1675			I 322 x 435 mm, Pl 355 x 445 mm, S 436 x 570 mm	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	450	£450	unmounted	Print	Oxford	New College						
2345		Walker, C. & J.	Hertfordshire	Steel engraving with hand colouring	Drawn and Engraved for Lewis Topographical Dictionary. c. 1836			173 x 222 mm	Lewis’ Topographical Dictionary			40.00	£40	mounted	Map	English Counties	Hertfordshire						
2346		Rocque, John 	Northumberland.	Copper engraving with hand colouring	1769			200 x 150 mm	England Displayed					mounted	Map	English Counties	Northumberland						
2350		G. Hollis	The Front of All Souls College, Oxford	Copper engraving	Published 1832 by James Ryman, High St. Oxford			I 290 x 200 mm				130	£130	mounted	Print	Oxford	All Souls College						
2351		M. A. Rocker	Corpus Christi College from the Fields	Copper engraving	Oxford Almanack 1784			I 290 x 450 mm			This is the Fellow’s B	180	£180	mounted	Print	Oxford	Corpus Christi College						
2352		William Williams	Collegium Aedis Christi [Queen’s College]	Copper engraving	1733			I 450 x 385 mm				100	£100	mounted	Print	Oxford	Corpus Christi College						
2357		Radclyffe after Mackenzie	North View of the Martyrs Memorial and Aisle	Engraving	Published by J. H. Parker, Oxford, November 1, 1849			I 235 x 345 mm			From the 1850 edition of the Oxford Almanack.	120	£120	mounted	Print	Oxford	General Views						
2360		Toms, W. H. 	A Map of Northumberland	Copper engraving with hand colouring	Published by the Proprietors T. Badeslade & W. H. Toms, Sept. 29th 1741			I 140 x 145 mm			Rare original colouring.	50	£50		Map	English Counties	Northumberland						
2366		J. Le Keux after F. Mackenzie	Front of Balliol College	Steel engraving	Published Aug. 1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet St. & J. Le Keux, Harmondsworth			I 140 x 95 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	50	£50		Print	Oxford	Balliol College						
2369		J. Le Keux after F. Mackenzie	St John’s College, from the Garden	Steel engraving	Published Dec. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40	mounted	Print	Oxford	St. John’s College						
2372		R Roffe	Oxford. View in the High Street, looking West	Copper engraving	London Published by Vernor & Hood Poultry May 1 1804 			I 143 x 98 mm	For the Beauties of England & Wales			50	£50	mounted	Print	Oxford	High Street Views						
2373		Middiman	Heythorpe, in Oxfordshire, the Seat of the Earl of Shrewsbury	Copper engraving	Published as the Act directs June 1st 1787 by Harrison & Co. No.18 Paternoster Row, London			I 163 x 103 mm				30	£30	mounted	Print	Oxford	Oxfordshire						
2375		Rock & Co.	Wadham College, Oxford	Steel engraving	1863			I 102 x 80 mm				55	£55	framed	Print	Oxford	Wadham College						
2376		Mackenzie after Radclyffe	[University College]	Steel engraving	Published by J. H. Parker, Oxford, November 1, 1859			I 224 x 367 mm				120	£120	mounted	Print	Oxford	University College						
2377		Emery Walker after Edmund Hort New	The Towers of Oxford from the Bell Tower of Magdalen College	Photogravure	Published by Edmund Hort New: 17 Worcester Place, Oxford, November 5th 1908			I 536 x 205 mm			Edmund Hort New, known as E.H. new was born in Evesham in 1871. He was the son of an important lawyer. He attended the Birmingham Municipal School of Art. He began painting landscape and later he devoted himself to illustration.  Early in his career he worked with Ruskin and other associated Arts and Crafts artists.  He latter went on to work for William Morris's Kelmscott Press. The influence of these experiences is evident in his prints - the decorative boarders, armorials, etc.   Over a period of years New did a series of prints of the Oxford Colleges based on the David Loggan's 1675 aerial perspectives.  New took Loggan's format and enriched his prints with many fine details of and abut the colleges and they are valued today by many collectors because of the high level of detail and the fact that they represent the colleges in their present state. These prints were made through a relatively new process at the time - photo engraving.  Like photogravures the print is made by transferring a photo to a copper plate and then printing it.  With the E.H. New prints, a contact print of New's pen and ink drawing was made and the large negative attached to a plate which was then exposed in an acid bath, the acid only biting where the negative was clear; thus, creating and engraved plate of New's drawing.  The prints were available separately at shops in Oxford such as Ryman's in the early part of the 20th century. 	375	£375	framed	Print	Oxford	General Views						
2378		Unknown	Church of S. S. Philip & James, Oxford	Photograph	c.1900			I 277 x 185 mm				25	£25	mounted	Print	Oxford	Oxford Churches						
2380		Moithey	L’Angleterre	Copper engraving with hand colouring	1770			I 390 x 260 mm				200	£200	mounted	Map	England & the British Isles	England						
2382		R. Elstrack	The true portraitcure of Richard Witington [Dick Whittington]	Copper engraving	c. 1700			 S 180 x 115 mm				115	£115	framed	Print	Portraits	British Political						
2383		Franz Haufstauengl after Abbott	Nelson	Photograveur with hand colouring	Published by Franz Haufstauengl, c. 1900			F 980 x 800 mm				600	£600	framed	Print	Portraits	Military						
2384		Speed, John	Oxfordshire	Copper engraving with hand colouring	Bassett & Chiswell, London, 1676			I 502 x 374 mm  	From Speed’s ‘Theatre of the Empire of Great Britaine’		Speed (1552-1629) is the most famous of all English cartographers primarily as a result of The Theatre of the Empire of Great Britaine, the first atlas of the British Isles. The maps from this atlas are the best known and most sought-after of all county maps. The maps were derived mainly from the earlier prototypes of Christopher Saxton and Robert Norden but with notable improvements including parish "Hundreds" and county boundaries, town plans and embellishments such as the coats of arms of local Earls, Dukes, and the Royal Household. The maps are famed for their borders consisting of local inhabitants in national costume and panoramic vignette views of major cities and towns. An added feature is that regular atlas copies have English text printed on the reverse, giving a charming description of life in the early seventeenth century of the region. The overall effect produced very decorative, attractive and informative maps. For the publication of this prestigious atlas Speed turned to the most successful London print-sellers of the day, John Sudbury and George Humble. William Camden introduced the leading Flemish engraver, Jodocus Hondius Sr. to John Speed in 1607 because first choice engraver William Rogers had died a few years earlier. Work commenced with the printed proofs being sent back and forth between London and Amsterdam for correction and was finally sent to London in 1611 for publication. The work was an immediate success and the maps themselves being printed for the next 150 years. Speed was born in 1552 at Farndon, Cheshire. Like his father before him he was a tailor by trade, but around 1582 he moved to London. During his spare time Speed pursued his interests of history and cartography and in 1595 his first map of Canaan was published in the "Biblical Times". This raised his profile and he soon came to the attention of poet and dramatist Sir Fulke Greville a prominent figure in the court of Queen Elizabeth. Greville as Treasurer of the Royal Navy gave Speed an appointment in the Customs Service giving him a steady income and time to pursue cartography.  Through his work he became a member of such learned societies as the Society of Antiquaries and associated with the likes of William Camden Robert Cotton and William Lambarde. He died in 1629 at the age of seventy-seven.	950	£950	framed	Map	Oxford	Oxford Maps						
2385		Colin Hunter	Running Ashore	Etching	Published 1880			I 157 x 276; Pl. 170 x 286 mm				250	£250	framed	Print	Victorian							
2386		Robert Walker Macbeth	Bait Gatherers	Etching	Published 1879			I 115 x 202; Pl. 137 x 225 mm			Walker Macbeth (1848-1910) was the son of the Scottish portrait painter Norman Macbeth. He was an etcher, watercolourist and painter of pastoral landscapes, rustic genre scenes and has a unique etching style, very different from Haden or Whistler. He served on the Council of the Royal Society of Painter-Etchers. 	195	£195	framed	Print	Victorian							
2389			Oxford from Magdalen Tower	Photograph	circa 1900			I 142 x 92 mm				15	£15	mounted	Print	Oxford	General Views						
2393		J. Le Keux after F. Mackenzie	Broad Street	Steel engraving	Published Feb 1st 1837 by J.H Parker OxfordC. Tilt Fleet St London & J Le Keux Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40	mounted	Print	Oxford	Broad Street Views						
2398		James Basire after Turner	View of the Cathedral of Christ Church, and Part of Corpus Christi College	Copper engraving	Published 1811			I 450 x 320 mm	From the 1811 ‘Oxford Almanack’			50	£50	framed	Print	Oxford	Corpus Christi College						
2401		John Lawrence	Lyra’s Oxford	Linocut	Printed in 2003			I 125 x 130 mm				530	£530	framed	Print	Artists	John Lawrence						
2402		John Lawrence	Lyra’s Oxford	Linocut	Printed in 2003			I 55 x 80 mm				710	£710	framed	Print	Artists	John Lawrence						
2425		Michael Burghers	The Oxford Almanack For the Year of Our Lord God 1707	Copper engraving	Published 1707			508 x 463 mm				120	£120	unmounted	Print	Oxford	Oxford Almanacks						
2428		M & N Hanhart	Port Elizabeth	Lithograph	circa 1860			I 284 x 188 mm				90	£90	mounted	Print	Foreign Topography	Africa						
2429		J. Needham after T.W. Bowler	Blinkwater Drift	Lithograph with tint stone	London Pubd Octr 1st 1864 by Day & Son Lithrs to the Queen & H.R.H the Prince of Wales, Gate Str Linc Inn Flds			I 274 x 203 mm				80	£80	mounted	Print	Foreign Topography	Africa						
2430		Rooker	Ruins of Athens, Hadrian’s Aqueduct	Copper engraving	circa 1770			I 233 x 175 mm				40	£40	mounted	Print	Foreign Topography	Greece						
2434		Kitchin, Thomas	Berkshire Drawn from the Belt Authorities and Regulated by Aftron. Obfervations	Copper engraving	1746			I 212 x 168 mm	 London Magazine 1747 - 1763			70	£70	mounted	Map	English Counties	Berkshire						
2435		Fullarton, A. 	Berkshire	Copper engraving	Published by Archd Fullarton & Co. Glasgow			I 250 x 198 mm				60	£60	mounted	Map	English Counties	Berkshire						
2436		Unknown	Wadham College	Copper engraving				I 112 x 81 mm				30	£30	mounted	Print	Oxford	Wadham College						
2437		Unknown	Lincoln College	Copper engraving				I 112 x 80 mm				25	£25	mounted	Print	Oxford	Lincoln College						
2438		Unknown	Radcliffe Camera	Photograph	circa 1900			I 140 x 92 mm				15	£15		Print	Oxford	Radcliffe Camera						
2440		Jo Pennell	[St John’s]	Etching				I 242 x 181 mm				40	£40	unmounted	Print	Oxford	St. John’s College						
2441			[Magdalen]	Copper engraving with hand colouring				I 460 x 316 mm				40	£40	unmounted	Print	Oxford	Magdalen College						
2442		J.C. Stadler after J. Farington R.A. 	View in Broad Street in Oxford	Aquatint with hand colouring	Pub. June 1, 1793 by J & J Boydell Shakespeare Gallery Pall Mall & Cheapside			I 208 x 320 mm, S 408 x 303 mm	A History of the River Thames		John Boydell (1719-1804) was a successful and influential printseller and engraver. Boydell's Shakespeare Gallery is credited with changing the course of English painting by creating a market for historical and literary works. He also encouraged the development of engraving in England with, among other things, his prints illustrating scenes from Shakespearean plays. In 1773, his nephew Josiah Boydell (1752-1817) became his business partner and later his successor, trading as J. & J. Boydell. 	180	£180	mounted	Print	Oxford	Broad Street Views						
2443		Ben Pritchard	Intrigue in the Turl	Lino cut	2005			I 498 x 365 mm 				190	£190	framed	Print	Artists	Ben Pritchard						
2445		I. Donowell	A View of the Printing House, the Theatre, the Museum, part of the Schools, part of All Souls College & St Mary’s Church & in the University of Oxford 	Copper engraving	London Printed for John Ryall at Hogarth’s Head in Fleet Street, Robt. Sayer at the Golden Buck in Fleet Street & John Bowles & Son at the Black Horse in Cornhill. 1818			I 418 x 289 mm				280	£280	mounted	Print	Oxford	Clarendon Press						
2451		Randolph Caldecott	[Childrens Prints]	Chromolithograph	circa 1875			I 200 x 170 mm				20	£20	mounted	Print	General Interest	Childrens Prints						
2452		Unknown	Luogo delle Lezioni pubbliche in Oxford	Copper engraving	circa 1750			I 212 x 179 mm				60	£60	mounted	Print	Oxford	Bodleian Library						
2453		Lizars	Parent of the Modern Coach Dog	Copper engraving with hand colouring	circa 1840			I 152 x 95 mm				30	£30	mounted	Print	General Interest	Cats and Dogs						
2454		Lizars	Isle of Skye Terrier	Copper engraving with hand colouring	circa 1840			I 152 x 97 mm				30	£30	mounted	Print	General Interest	Cats and Dogs						
2459		Lizars	Poodle	Copper engraving with hand colouring	circa 1840			I 150 x 95 mm				30	£30	mounted	Print	General Interest	Cats and Dogs						
2460		Lizars	The Esquimaux Dog	Copper engraving with hand colouring	circa 1840			I 150 x 95 mm				30	£30	mounted	Print	General Interest	Cats and Dogs						
2462		Lizars	[Hound]	Copper engraving with hand colouring	circa 1840			I 150 x 95 mm				35	£35	mounted	Print	General Interest	Cats and Dogs						
2463		Lizars	Scotch Terrier	Copper engraving with hand colouring	circa 1840			I 150 x 95 mm				30	£30	mounted	Print	General Interest	Cats and Dogs						
2466		J. A. Le Campion	Vue de L’Interior des Enfans Trouves	Aquatint with hand colouring	c. 1780			I 125 x 160 mm				180	£180	framed	Print	General Interest	Architecture						
2467		George Edwards	The Pelican	Etching with hand colouring	Published 1746			Pl. 190 x 230 mm				420	£420	framed	Print	General Interest	Birds						
2469		Grignion after Huddesford	Doctor in Theologia	Copper engraving	Published 1790			Pl. 85 x 135 mm			Scarce.	60	£60	framed	Print	Oxford	Academic Dress						
2471		G.V. Cox, M.A.	Recollections of Oxford		London: Macmillan and Co., 1868.						First edition. Half calf, gilt spine  with marble end boards, some rubbing on ends and corners.	100.00	£100		Book	Oxford							
2472		John Henry Parker	A Guide to the Architectural Antiquities in the Neighbourhood of Oxford.		Published by the Oxford Society for Promoting the Study of Gothic Architecture.  Oxford, John Henry Parker: F. abd J. Rivington, St. Paul’s Church Yard and Waterloo-PLace; G. Bell, 186, Fleet Street, London, 1866.						Gilt and blind stamped brown cloth.  1 inch split on spine.  Some light foxing in places. 	100.00	£100		Book	Oxford							
2473		H.M. Vernon, DM and K. Dorothea Vernon	A History of the Oxford Museum		Oxford At the Clarendon Press 1909						Full blue calf with gilt spine.	75	£75		Book	Oxford							
2475		Le Keux after F. Mackenzie	Gisbourne Court, St Peter’s College	Copper engraving with hand colouring	c. 1850			I 131 x 84 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2478		Le Keux after F. Mackenzie	New buildings St Johns College - from the Gardens	Copper engraving with hand colouring	c. 1850			I 141 x 99 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2480			Mr: Des - fadaiser ou L’Apollon-Zéphir Des societés, courant donner le Ton et subjuquer les coeura. ...	Copper engraving with hand colouring	A Paris, Chez Charon, rue St. Jean  de beauvais, No. 26 et chez Martinent Libraire, rue du Coq, No. 15, c. 1810				Caricatures Parisennes			200	£200	mounted	Print	General Interest	Caricatures	BalletMusic					
2481			Mlle. Des -fleurette ou la Terpsichore bourgeois faisantr briller ses pas ses appas et ses graces	Copper engraving with hand colouring	A Paris, Chez Charon, rue St. Jean  de beauvais, No. 26 et chez Martinent Libraire, rue du Coq, No. 15, c. 1810				Caricatures Parisennes			200	£200	mounted	Print	General Interest	Caricatures	Ballet					
2484		 Janssonius, J. / Schenk, P. & Valk, G.	Guinea	Copper engravied with hand colouring				38 x 51 cm			Decorative map of the western coast of Africa from Guinea to Nigeria. Published by Pieter Schenk and Gerard Valk from the plate by Joannes Janssonius ca. 1700 Cartouche with natives and monkeys, sailing ships, compass roses, two boys carrying a tusk (all uncoloured), the map in full contemporary colour. Excellent condition. 	300.00	£300		Map	Africa							
2486		T.G. Dutton	The London Chatam & Dover Railway Company’s Iron Steam Ship “Prince Imperial”, 507 Tons_180 H.P. Captain G.W. Matthews.  Built by Messrs. Jas. Ash & Co. Cubitt Town_Engines By Messrs J. Penn & Sons. Greenwich.	Lithograph with later colour	I 257 x 497 mm			London, Published Decr. 1st . 1864 by Wm. Foster, 18 Billiter Street. E.C.			One small tear in upper right.The London, Chatham & Dover Railway Company started passenger services between Dover and Calais in 1864 when they took over the fleet of Jenkins & Churchward. In 1899 the company amalgamated with the South Eastern & Chatham Railway Company1864 - 1891 renamed Prince, 1899 scrapped.	650.00	£650	mounted	Print	General Interest	Maritime						
2487			The Oxford Almanack For the Year of our Lord God 1756 "Design for new buildings of Trinity College with a portrait of the founder in a medallion"	Copper engraving	1756			493 x 450 mm	Oxford Almanacks			200.00	£200	unmounted	Print	Oxford	Trinity College						
2488		William Williams	Collegium Ste. Trinitatis [Trinity College]	Copper engraving	1722-23			I 387 x 545 mm, Pl. 450 x 560 mm, S 480 x 622 mm				450	£450	unmounted	Print	Oxford	Trinity College						
2490		W. Lacey after Tombleson	Oxford.	Steel engraving with hand colour	London Published by Tombleson & Co. Paternoster Row, 1833-34			I 165 x 200 mm, Pl 175 x 225 mm, S 21 x 27 mm	Tombleson's Views of the Thames and Medway			45.00	£45	mounted	Print	Oxford	General Views						
2492		Kitchin, Thomas	A New Map of Berkshire Drawn from the best Authorities	Copper engraving	1764			193 x 256 mm	Kitchin’s English Atlas... or England illustrated			70.00	£70	mounted	Map	English Counties	Berkshire						
2493		Grignion after J. Gwin	De La passe en quarte du dehors des armes _ Plate 30.	Copper engraving with hand colouring	Published according to Act of Parliment, FEb. 1763			I 240 x 355, Pl. 265 x 370 mm, S 285 x 443 mm			An elegant print from Angelo's renowned fencing manual "L'Ecole des Armes"During the eighteenth-century, fencing was a popular sport among the English royalty and aristocracy, primarily learned on the Continent until the Italian fencing master Domenico Angelo Malevolti Tremamondo established his fencing school in London. A riding instructor by trade, Angelo was born in Leghorn, Italy in 1716 and briefly trained with the celebrated fencer Monsieur Teillagory in Paris. After arriving in England in 1755, he participated in and won several public fencing matches, quickly earning a reputation that helped him secure high-ranking clients such as the Duke of Devonshire and the Earl of Pembroke. He soon capitalized on his popularity by establishing Angelo's School of Arms, where he taught horsemanship as well as fencing to an affluent and fashionable clientele. Angelo also continued to teach privately and in 1758, instructed the Prince of Wales and the Duke of York. Over the years, his school became a venerable British institution, which was run by successive generations of the Angelo family until the early twentieth-century.In 1763, Angelo published L'Ecole des Armes Avec l'explication génèrale des principales attitudes et positions concernant l'Escrime illustrated with forty-seven copper-plates by famous English artists Gwynn and Ryland, Hall, Chamber and Grignion. Angelo himself, as he noted in his letter, posed as one of the combatants in the plates and his friend and patron Henry Herbert, the 10th Earl of Pembroke (1734-1794), often posed as his opponent. The special presentation copy of the original drawings was later acquired by Lord Farnham. In 1961, it was sold at Sotheby's to Paul Mellon, and is now in the Yale Center for British Art. The Royal Library at Windsor has a proof set of Angelo's plates commissioned in 1765 for inclusion in Diderot's encyclopedia. Hand-coloured, mounted and bound in red morocco with a cusped yellow leather border, the plates are prefaced by a manuscript dedication by Angelo to the Prince of Wales. 	250.00	£250	unmounted	Print	General Interest	Sport	Fencing					
2495		Sir Lionel Arthur Lindsay (1874-1961)	Two Chickens in a Farmyard	Woodcut	circa 1937			I 113 x 152 mm			Sir Lionel Lindsay started his career at the age of  15 when he worked as a pupil assistant at the Melbourne Observatory (1889-1892). He then completed his studies at the National Gallery School, Melbourne. From 1903 to 1926, Lindsay was employed as an illustrative artist for the ‘Sydney Evening News’. After that period his art had gained an international reputation and he travelled and worked in such locations as India, North Africa, Spain and England. His original wood engravings and etchings were often commissioned and exhibited by Colnaghi. Lionel  Lindsay’s first etching dates from 1895 but it wasn’t until 1907, however, that he began to devote much of his talents to both etching and wood engraving. During the following decades, Lindsay produced over 300 works of original art in these mediums and it was his wood engravings of Australian animals and birds that set his art at its highest level. Lionel Lindsay received a knighthood for his achievements in art. 	250	£250	mounted	Print	20th Century							
2496		Unknown engraver	 King James the 2nd					I. 182 x 269 S. 217 x 283 mm				90	£90	framed	Print	General Interest	Jacobite						
2497		Kate Clausen	Untitled Aquatint	Aquatint with etching	circa 1945			I 265 x 207 mm			Daughter of Sir George Clausen	120	£120	mounted	Print	20th Century							
2501		I. Smith after N. Largillerre	Serenissima Maria Beatrix D. Angliae Scotiae Franciae et Hiberniae Regina & ct	Mezzotint	Sold by Alex Brown at ye bleur balcony in little Queen Street			I. 235 x 293 mm Pl. 251 x 345 mm S. 259 x 353 mm				200	£200	mounted	Print	General Interest	Jacobite						
2504		John Smith after Sir Godfrey Kneller	The Prince of Great Britian	Mezzotint				I. 213 x 336 mm			ii stateSharp 71, O’D 12 :  SG 26King James III and VIII (1688 - 1766: reigned 1701 - 1766)	40	£40		Print	General Interest	Jacobite						
2510		P.G. Needle	Le Pont D’Avignon	Woodblock	1925			I 230 x 350 mm S 265 x 370 mm	4/40			120	£120	mounted	Print	20th Century							
2511		Edmund Blampied 1886-1966	The Fisherman’s Return	Drypoint	1922			I 170 x 232 mm S 260 x 400 mm			Early Proof signed in Pencil with artist’s noteEx. Col Frank EmmanuelA.47, C.D 70 there were 100 impressions published	450	£450	mounted	Print	20th Century							
2512		Dorothy Marion Rushton	Ashford’s Warehouses, Saxmundham	soft-ground engraving with etching	1916			I 193 x 294 S 240 x 303 mm	Signed and titled in pencil		Ex Col, Emmanuel	150	£150	mounted	Print	20th Century							
2514		Douglas I. Smart (1879-1966)	Arcades	Etching and Drypoint	circa 1908			I 165 x 132 mm S 220 x 180 mm	Trial Proof signed in pencil with title inscribed		Ex. Col Frank EmmanuelPossibly the Place des VosgesEtcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.	120	£120	mounted	Print	20th Century							
2516		Douglas I. Smart (1879-1966)	Thames Barges No.4	Etching	circa 1908			I 150 x 200 mm S 200 x 257 mm	Signed in Pencil with artist’s notes		Ex. Col Frank Emmanuel.Etcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short	120	£120	mounted	Print	20th Century							
2517		John Nicholson (1891-1951)	Horse Grazing	Drypoint	1992			I 150 x 200 mm S 174 x 255 mm			Nicholson was a friend of Edmund Blampied. Both were students at the London County Council Art School where they learned etching and engraving. Blampied shared a house with Nicholson and his wife in South London for some considerable time and during this period the two artists worked closely together. They shared a common enthusiasm for horses and farm animals and they developed similar styles.	200	£200	mounted	Print	20th Century							
2519		August Louis-Lepere 1849-1914	Untitled	Etching				I 120 x 167 mm S 153 x 197 mm				100	£100	mounted	Print	20th Century							
2520		F.G. Wilkinson	A Breton Market Day	Linocut in Colour				I 142 x 185 mm S 170 x 202 mm	Signed and inscribed in Pencil		Ex Col Frank Emmanuel	150	£150	mounted	Print	20th Century							
2521		Martin Jones	Reclining Buddha - Pegu Burma	Etching				I 205 x 123 mm				100	£100	mounted	Print	20th Century							
2522		Frank Short	The Silver Tide	Aquatint	[1912]			I 150 x 227 mm S 227 x 295 mm	Signed and Inscribed in Pencil		Martin Hardie 162 High tide at the head of Bosham harbour	275	£275	mounted	Print	20th Century							
2527		Terence H. Lambert	Portrait of a Man in a Forest	Etching				I 215 x 113 mm S 264 x 150 mm			Ex Col Frank Emmanuel	60	£60	mounted	Print	20th Century							
2533		Solomon Van Abbe (1883-1955)	The Statue	Drypoint				I 265 x 184 mm S 307 x 232 mm			Ex Col Frank Emmanuel	130	£130	mounted	Print	20th Century							
2534		E. Leigh-Pemberton	Landscape					I 190 x 162 mm; S 269 x 197 mm			Ex Col Frank Emmanuel	120	£120	mounted	Print	20th Century							
2537		Felix Bracquemond 1833-1914	La Morte de Matamore	Etching				I 161 x 226 mm S 252 x 335 mm			Ex Col Frank Emmanuel	100	£100	mounted	Print	Victorian							
2538		James Young	Siena	Etching				I 195 x 125 mm				50	£50	mounted	Print	20th Century							
2539		Douglas I. Smart (1879-1966)	Sterling Castle from N.E. 	Etching	August 21, 1912			I 161 x 252 mm S 225 x 289 mm	Signed in Pencil with title inscribed 		Ex. Col Frank EmmanuelEtcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short	150	£150	mounted	Print	20th Century							
2540		Douglas I. Smart (1879-1966)	Toledo Bridge No. 5 	Etching and drypoint	circa 1908			I 169 x 190 mm S 203 x 247 mm	Trial Proof signed in pencil with title inscribed		Ex. Col Frank EmmanuelEtcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.	120	£120	mounted	Print	20th Century							
2541		Douglas I. Smart (1879-1966)	Toledo Bridges No.3	Etching and drypoint				I 147 x 240 mm S 195 x 290 mm			Ex Col Frank EmmanuelEtcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.	170	£170	mounted	Print	20th Century							
2542		John Henry Amshewitz R.B.A 1882-1942	The Farwell	Etching and aquatint				I 240 x 203 mm S 276 x 235 mm	Signed and inscribed in pencil		Portrait painter, mural painte, etcher, illustrator and cartoonist.	180	£180	mounted	Print	20th Century							
2543		Sid Long	Pastoral	Soft-ground etching				I 363 x 249 mm S 433 x 335 mm	Signed in pencil and dedicated to Frank Emmanuel		Plate 172 in Emmanuel’s Etching and Etchings.	150	£150	mounted	Print	20th Century							
2544		Maxwell Lightfoot	[Mother and Child]	Chromolithograph	circa 1905			I 170 x 158 mm			Lightfoot was born in Liverpool and studied at the Chester Art School from 1902 to 1905. He was subsequently apprenticed as a chromolithographer and took evening classes at the Sandon Studios in Liverpool under Gerard Chowne and Merbert MacNair. He then studied at the Slade School from 1907 to 1909 and was a member of the  Camden Town Group but resigned  after their first show. He took his own life in 1911. Some critics thought he had a very promising future as an artist. 	30	£30		Print	20th Century							
2545		J. F. Barry Pittar 1880-1948	The Turn of the Field	Soft-ground etching				I 162 x 250 mm S 235 x 325 mm	Signed and inscribed in pencil 1/10		Painter and etcher of architectural subjects and landscapes. He became the Chief Architectural Artist to Royal Doulton Potters in Lambeth and illustrated for The Graphic and the Illustrated London News.	120	£120	mounted	Print	20th Century							
2547		Douglas I. Smart (1879-1966)	Toledo Bridges No.6	Drypoint	1911			I 200 x 250 mm S 263 x 302 mm			Ex Col Frank EmmanuelEtcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.	150	£150	mounted	Print	20th Century							
2548		Douglas I. Smart (1879-1966)	The Way Farers	Etching				I 217 x 257 mm  S 285 x 328 mm			Ex Col Frank EmmanuelEtcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.	150	£150	mounted	Print	20th Century							
2549		Douglas I. Smart (1879-1966)	Seine Islands: Les Andeleus	Drypoint				I 171 x 250 mm S 205 x 281 mm			Ex Col Frank EmmanuelEtcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.	120	£120	mounted	Print	20th Century							
2551		Douglas I. Smart (1879-1966)	Deoland (Rye)	Etching				I 125 x 244 mm S 212 x 335 mm			Signed in pencil with artist’s notesEx Col Frank EmmanuelEtcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.	150	£150	mounted	Print	20th Century							
2552		Douglas I. Smart (1879-1966)	Albi	Drypoint				I 236 x 357 mm S 303 x 411 mm			Trial Proof, signed in pencil with artist’s notesEtcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.	170	£170	mounted	Print	20th Century							
2553		Douglas I. Smart (1879-1966)	Banks of the Seine	Etching and drypoint				I 150 x 200 mm S 205 x 235 mm			Trial Proof, signed in pencil with artist’s notesEtcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.	100	£100	mounted	Print	20th Century							
2554		Douglas I. Smart (1879-1966)	Early Morning Durham	Etching 				I 175 x 175 mm S 220 x 345 mm			Signed in pencil with title inscribedEtcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.	150	£150	mounted	Print	20th Century							
2555		William Westley Manning R.B.A 1868-1954	The Vega of Granada					I 250 x 360 mm S 350 x 450 mm			Signed and inscribed with artists notesProofNot in Colnaghi list (1929)	150	£150	mounted	Print	20th Century							
2560		Alphonse Legros	Peasant-Women in the Neighbourhood of Boulogne	Etching	Published 1875			I 200 x 152 mm Pl. 227 x 153 mm				180	£180	mounted	Print	Victorian							
2561		William Bell Scott	I. Vignette Title [For Lady Jane] [Title page from “The King’s Quair”]	Etching	1885			I 131 mm diameter; Pl. 315 x 264 mm			Proof before all letters i/iiPrice for the set.Although he contributed to “The Germ”, Scott was never a member of either Etching Club, since he worked and taught in Newcastle and later lived aminly in Ayrshire. His ideals were similar to those of most members of the Etching Club. He was a close friend of Dante Gabriel Rosetti and a great admirer of William Blake. At the time he was probably the most accomplished British artist working outside London.	5200	£5,200	mounted	Print	Victorian							
2562		William Bell Scott	II. Old Windsor- Early Morning 	Etching	1865			I 240 x 202 mm (arched top); Pl. 347 x 269 mm			i/ii, proof before all letters	5200	£5,200	mounted	Print	Victorian							
2563		William Bell Scott	III. Lady Jane listening to the Nightingale	Etching	1885			I 234 x 199 mm (arched top); Pl. 340 x 263 mm			i/ii, proof before all letters	5200	£5,200	mounted	Print	Victorian							
2564		William Bell Scott	IV. The Garden of the Court of Lovers	Etching	1885			I 238 x 202 mm (arched top); Pl. 341 x 265 mm			i/ii, proof before all letters	5200	£5,200	mounted	Print	Victorian							
2565		William Bell Scott	V. Lady Jane Sending off the Dove	Etching	1885			I 228 x 184 mm (arched top); Pl. 342 x 265 mm			i/ii, proof before letters	5200	£5,200	mounted	Print	Victorian							
2566		William Bell Scott	VI. King James receives the Dove	Etching	1885			I 236 x 191 mm (arched top); Pl. 342 x 263 mm			i/ii Proof before all letters	5200	£5,200	mounted	Print	Victorian							
2568		Herbert Dicksee	[Study of a Lion’s Head] [Punch]	Etching				I 177 x 194 mm; Pl. 278 x 197 mm	Published circa 1890		Herwin HD 30225	450	£450	mounted	Print	Victorian							
2570		William Scott	The Tiber	Etching	1883 			I 106 x 192 mm; Pl. 107 x 192 mm	As published in Part 49 of “The Etcher”, London 1883		Ex-collection F. L. EmmanuelWillian Scott (1848-1918) was an architect and etcher in London. 	220	£220	mounted	Print	Victorian							
2571		E. Slocombe after T. Pyne	Streatley Hill	Etching	circa 1870			I 177 x 244 mm; Pl. 228 x 304 mm				50	£50	mounted	Print	Victorian							
2572		John Park	Shields Harbour (Evening)	Etching	circa 1860			I 196 x 300 mm; Pl. 208 x 305 mm	ii/ii		Shields Harbour in NorthumberlandDied 1919.  Park was an etcher and he exhibited at leading London galleries.  Elected A.R.E.in 1898.	120	£120	mounted	Print	Victorian							
2573		J. Le Keux after F. Mackenzie	South Front of Queen’s College.	Steel engraving	London Published April 1 1834 by J.H. Parker, Oxford, C Tilt Fleet Street London & J. Le Keux Hamondsworth			I 93 x 139 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver involved with several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	45	£45	mounted	Print	Oxford	Queen’s College						
2574		Paul Rahjon after George Frederick Watts	Sir Frederick Leighton P.R.A	Etching	Published 1 November 1880 by The British and Foreign Artists’ Association			I 282 x 249 mm; Pl. 428 x 304 mm			PSA index	250	£250	mounted	Print	Victorian							
2575		Charles John Watson	St. Pierre Lisieux	Etching	Published June 1890 by Robert Dunthorne			I 303 x 216 mm; Pl. 303 x 214 mm			Watson Catalogue 80	220	£220	mounted	Print	Victorian							
2578		William Brown	Old Houses in Butter Row	Etching				I 272 x 210 mm Pl. 314 x 251 mm			Impression signed by BrownButter Row, Cirencester	80	£80	mounted	Print	Victorian							
2579		George Bailey	[View of Lichfield]	Etching				I 286 x 175 mm Pl. 330 x 202 mm				120	£120	mounted	Print	Victorian							
2580		Walter Severn	[Deer at Stream]	Etching				I 117 x 168 mm Pl. 144 x 203 mm			Impression signed by SevernSevern (1830-1904), the son of Keat’s friend Joseph Severn, was a landscape painter and member of the JEC rather than the EC. This might have been due to the fact that his father had been expelled from the Etching Club for non-attendance.	70	£70	mounted	Print	Victorian							
2581		B.P. Gibbon after A. Morton	Edw. Scriven	Etching				I 90 x 68 mm Pl. 164 x 129 mm	O’Donoghe 1 i/ii			80	£80	mounted	Print	Victorian							
2582		Henry Heath [?]	[Spooner’s Stationery No.5]	Etching	Published by W. Spooner 1840			I 89 x 142 mm Pl. 89 x 141 mm			Cut impressionMajor Evans, who attributed Spooner’s envelopes to H. Heath, records 14 different envelopes by Spooner in 1840.Heath was a satirical etcher.	100	£100	mounted	Print	Victorian							
2583		John Leech	[Fore’s Comic Envelopes No. 1)	Etching							According to Major Edward B. Evans, in A Description of the Mulready Envelopes[...] from 1891, this is the smaller of Leech’s two satirical copies of Mulready’s engraved postal stationary.Leech (1817-1864) was a satirical draughtsman and illustrator. He worked for “Punch” and illustrated Dicken’s A Christmas Carol.Mulready (1786-1863) was a genre painter and occasional portraitist, and the creator of the original postal envelope.	100	£100	mounted	Print	Victorian							
2584		Robert Walker Macbeth	The Miller’s Daughter	Etching				I 171 x 213 mm; Pl. 252 x 331 mm	i/ii (?)		Walker Macbeth (1848-1910) was the son of the Scottish portrait painter Norman Macbeth. He was an etcher, watercolourist and painter of pastoral landscapes, rustic genre scenes and has a unique etching style, very different from Haden or Whistler. He served on the Council of the Royal Society of Painter-Etchers. 	180	£180	mounted	Print	Victorian							
2585		Richard Redgrave	The Little Truant	Etching				I 158 x 241 mm; Pl. 173 x 249 mm			Ex Collection Redgrave familyRedgrave was well-known in his day as a painter, but is now remembered as the first principal of the Government School of  Design, now the Royal College of Art. He was a founder-member of the Etching Club and was its secretey until 1845. As can be deduced from no. 50 and the dearth of working proofs, he, unlike Cope and Holman Hunt, did not work up his etchings in stages, but rather worked on them without taking proofs. 	400	£400	mounted	Print	Victorian							
2588		Richard Redgrave	Eugene Aram	Etching				I 159 x 241 mm; Pl. 177 x 252 mm			Ex Collection Redgrave familyAn impression of this print was exhibited at the RA in 1866 (no.803). This could have been the actual impression.Eugene Aram (1707-1759), the murderer of Knaresborough. The story of the Scholar murderer fascinated the Victorians. Hood and Lytton both produced novels of his life.	500	£500	mounted	Print	Victorian							
2589		John Henry Robinson after Abraham Cooper	[James Hopwood]	Etching				I 62 x52 mm; Pl. 127 x 84 mm 	i/ii		Before the artists’ names.O’Donoghue1	80	£80	mounted	Print	Victorian							
2590		Unknown engraver	[Clarendon Press and the Sheldonian Theatre]	Copper engraving with hand colouring	c. 1780			S 280 x 420 mm				150	£150	mounted	Print	Oxford	Broad Street Views						
2591		William Williams	The Inside of the Bodleian Library & The Inside of the Divinity School	Copper engraving	1732			S 495 x 375 mm				225	£225	mounted	Print	Oxford	Bodleian Library						
2592		Charles Raymond Booth Barrett	Bisham Abbey	Etching	1889			I 119 x 180 mm; Pl. 135 x 189 mm			Bisham Abbey, 13th Century Abbey, Nr Marlow, Bucks	45	£45	mounted	Print	Victorian							
2593		Richard Redgrave	Poor Barbara’s Song	Etching				I 109 x 90 & 25 x 88 mm; Pl. 301 x 215 mm	i/ii before title and verse		Ex. Collection Redgrave familyWith artist’s notes: “E.C. 12 Dec 1842”	290	£290	mounted	Print	Victorian							
2594		D. Hawell after A. Pugin	St. Mary’s Church taken from the top of the Radcliffe library	Aquatint with hand colouring	Published for R. Ackermann. 1813.			I 135 x 210	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			120	£120	mounted	Print	Oxford	Oxford Churches						
2595		Charles West Cope	Hush	Etching				I 179 x 140 mm; Pl. 252 x 190 mm	ii/vi		Touched impression.Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporaries as the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. 	300	£300	mounted	Print	Victorian							
2596		Charles West Cope	Hush	Etching				I 179 x 140 mm; Pl. 252 x 190 mm	i/vi		Touched impression.Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporaries as the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. 	300	£300	mounted	Print	Victorian							
2597		Charles West Cope	Hush	Etching				I 179 x 140 mm; Pl. 252 x 190 mm	iv/vi		Touched impression.Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporaries as the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. 	300	£300	mounted	Print	Victorian							
2599		Paul Rahjon	L. Alma-Tadema R.A.	Etching	Published 18 July 1883 by The British and Foreign Artists’ Association			I 230 x 220mm; Pl. 411 x 294 mm			Beraldi 175PSA index p.373 iii/iii (?)Impression what PSA stamp	150	£150	mounted	Print	Victorian							
2600		Queen Victoria after Lady Wilhelmina Stanhope	Woman with a shawl over her head	Etching				I 107 x 56 mm; Pl. 164 x 110 mm			Scott-Elliot 19Sheet inscribed in pencil by Queen VictoriaLady Wilhelmina (1819-1901) became Lady Dalmeny and later Duchess of Cleveland. She was mother of Lord Rosebery, the Prime Minister who won the Derby twice	1500	£1,500	mounted	Print	Victorian							
2601		William Bell Scott	William Bell Scott and David Scott	Etching	1875			I 70 x 58 mm; Pl. 96 x 96 mm			Proof before publication. Ex collection. William Bell Scott.Although he contributed to “The Germ”, Scott was never a member of either Etching Club, since he worked and taught in Newcastle and later lived aminly in Ayrshire. His ideals were similar to those of most members of the Etching Club. He was a close friend of Dante Gabriel Rosetti and a great admirer of William Blake. At the time he was probably the most accomplished British artist working outside London	100	£100	mounted	Print	Victorian							
2602		Richard Redgrave	Fairy Revels	Etching				I 74 x 144 mm; Pl. 78 x 152 mm			Ex collection Redgrave familyRedgrave was well-known in his day as a painter, but is now remembered as the first principal of the Government School of  Design, now the Royal College of Art. He was a founder-member of the Etching Club and was its secretey until 1845. As can be deduced from no. 50 and the dearth of working proofs, he, unlike Cope and Holman Hunt, did not work up his etchings in stages, but rather worked on them without taking proofs. 	135	£135	mounted	Print	Victorian							
2604		George Bailey	Corfe Castle	Etching				I 152 x 100mm; Pl. 165 x 109 mm				70	£70	mounted	Print	Victorian							
2605		A. Hugh Fisher	[Queen Victoria’s Jubilee Procession passing St. Clements Dane]	Etching	22 June 1897			I 250 x 142 mm; Pl. 250 x 142 mm			With dedication from Fisher to Frank EmmanuelEx collection F.L. EmmanuelFisher (1867-1945) A.R.E. was an etcher of Topography	400	£400	mounted	Print	Victorian							
2606		Percy Robertson	Godalming	Etching				I 174 x 252 mm; Pl. 244 x 334 mm	Plate VI of Robertson’s “Surrey Landscapes”		Godalming, Surrey	225	£225	mounted	Print	Victorian							
2607		J. C. Robinson	Nine Barrow Down	Etching	Published 1875			I 108 x 257 mm; Pl. 114 x 262 mm	Allhusen/ Hind 12 iii/iii (illustrated)		Robinson (1824-1913) was a painter of flowers and landscapes. After 17 years as Superintendant of the Art Collections at the Victoria and Albert Museum, he became surveyor of the Queen’s Pictures. Towards the end of his life, he took up etching showing a poetic vision of Dorset and elsewhere.A contemporary and close friend of Sir Frances Seymour Haden, Robinson’s work is primarily concerned with the atmospheric effects of weather.  Like Haden Robinson was a wealthy gentleman artist who did not depend on the sale of his work to provide income.  Etchings by Robinson are rare.  During his lifetime only a few of his prints were offered for sale, the majority of his work was distributed by the artist amongst his friends.	160	£160	mounted	Print	Victorian							
2609		Robert Farren	The New Quadrangle, Trinity College	Etching	Published 1888			I 264 x 401 mm; Pl. 302 x 401 mm				120	£120	mounted	Print	Victorian							
2610		F. Bedford	Saint Mary the Virgin, Oxford	Lithograph with hand colouring	Published by Day & Son, c. 1880							25	£25	mounted	Print	Oxford	Oxford Churches						
2611		David Law	Abingdon-Moonlight	Etching	1881			I 233 x 349 mm; Pl. 252 x 353 mm	ii/(?)iii		Impression signed by the Law from the suite of ten views on the Thames, published by Dowdeswell & Dowdeswell as a set at 15 gns. Dowdeswell’s catalogue of the exhibition of the original watercolours of this series, notes that the prints were being published in three editions: (i) Remake proofs signed and numbered, ten impressions of each print at 3 gns. (ii) Proofs signed and numbered 50 sets at 15 gns. a set (iii) Prints 50 sets at 10 gns. a set. The last are described in late catalogues as ‘lettered’. Smaller versions of the print were published in O. Dullea’s The Thames Oxford to London: Twenty Etched Plates by David Law, 1882.	250	£250	mounted	Print	Victorian							
2612		Edward Burrow	Boveney Lock Windsor	Etching	Published by W.H. Benyon & Co. 			I 159 x 251 mm; Pl. 184 x 270 mm			Burrow was a topographical etcher specialising in schools and colleges for Beynon of Cheltenham	150	£150	mounted	Print	Victorian							
2613		David Law	The Swan at Pangbourne	Etching	Pub. 1881			I 197 x 352 mm; Pl. 212 x 354 mm			Pangbourne on Thames, Berkshire.	180	£180	mounted	Print	Victorian							
2614		George Bailey	[Road to Drumlanrig Castle]	Etching				I 157 x 215 mm; Pl. 180 x 241 mm			Bailey (1832-1925) was an antiquary and artist in derby, who worked as head of the design department at Bemrose, the great printers there.	110	£110	mounted	Print	Victorian							
2616		Charles West Cope	Hush	Etching				I 179 x 140 mm; Pl. 252 x 190 mm	iii/vi		Touched ImpressionCharles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporaries as the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. 	300	£300	mounted	Print	Victorian							
2617		Charles West Cope	Hush	Etching				I 179 x 140 mm; Pl. 252 x 190 mm	v/vi		Touched ImpressionCharles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporaries as the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. 	300	£300	mounted	Print	Victorian							
2618		M.W. Ridley	A Collier in Bristol Harbour	Etching	Published c.1865 by The Art Union of London			I 147 x 200 mm; Pl. 177 x 227 mm			Ridley (1837-1888) was a painter and etcher who knew Whistler in Paris and modelled for some of his prints. His early etchings were all shipping scenes. In 1866-67 he was a member of the “Societe des aquafortistes”.The Art Union of London was founded in 1837 to promote a purer taste in Art. For subscription of one guinea, a member received a print and a chance to acquire a picture purchased at a major art exhibition. The Union also gave prizes for industrial design.	200	£200	mounted	Print	Victorian							
2619		John Prescott Knight	Drinking Song [Songs of Shakespeare]	Etching	Published in p.164 in Etching and Etchers, 1868			I 80 x 131 mm; Pl. 299 x 212 mm	i/ii the final state was published in Songs of Shakespeare, 1843		This print illustrates Othello Act 2, Scene, Iago sings, “And let me the canakin clink, clink; And let me the canakin clink a soldier’s a man; A life’s but a span; Why, then, let a soldier drink. Some wine boys!”	150	£150	mounted	Print	Victorian							
2621		Charles West Cope	Love	Etching	1840s			I 174 x 142 mm; Pl. 204 x 148 mm	i/ii		Impression with instructions in pencil with a note to the printer including the numbers to be printed. The final state was published in Etch’d Thought by the Etching Club, 1844 and illustrates a poem from Spenser’s Hymnes, “Thereon his mind affixed wholly is...”.Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. 	450	£450	mounted	Print	Victorian							
2622		Charles West Cope	Love	Etching				I 174 x 142 mm; Pl. 204 x 148 mm	i/ii		Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporaries as the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. 	250	£250	mounted	Print	Victorian							
2623		E. Russell	[Lord Cosmo George Russell]	Etching				I 130 x 183 mm; Pl. 152 x 204 mm	O’Donoghue 4		This charming etching was almost certainly made by a close relation to Lord Cosmo. Likely candidates are Lord Edward, his brother, Elizabeth (nee Russell) Lady Wriothesley Russell, his sister-in-law and Elizabeth (nee Rawdon) Lady George Russell, his half-sister-in-law.	150	£150	mounted	Print	Victorian							
2625		Percy Thomas after Briton Riviere	[Robert Upperton Esq.re]	Etching	1871			I 179 x 139 mm; Pl. 217 x 167 mm	Impression signed by Thomas		Inscribed on verso: “Robert Upperton Esqr. First proof of the second plate. Very few printed as the horseman did not like it - not handsome enough - [signed] Ralph Thomas”.Ex collection Ralph ThomasRiviere (1840-1920) was a painted of history and genre pictures often starring a dog or a lion. Upperton (b.c 1833) was a solicitor and acquaintance of Whistler.	50	£50	mounted	Print	Victorian							
2627		Charles West Cope	Love’s Enemies	Etching				I 94 x 152 mm; Pl. 122 x 198 mm	ii/iii		Impression on India laid paper. The final state published in Etch’d Thoughts by The Etching Club, 1844. This print illustrates a section from Shakespeare’s “Midsummer Nights Dream”, Act I, Scene I, Lysander, “Or, if there were a sympathy in choice, War, death, or sickness, did lay siege to it, making it momentary as a sound”.Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporaries as the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. He was on the council of the Royal Society of Painter Etchers. 	160	£160	mounted	Print	Victorian							
2628		William Holman Hunt	A Day in the Country	Etching	1865			I 139 x 209 mm; Pl. 187 x 249 mm	Only state as published as plate 6 in ‘A Selection of Etchings’ by the Etching Club. 1865			980	£980	framed	Print	Victorian							
2629		Charles West Cope	Life School Royal Academy	Etching	1885			I 155 x 249; Pl. 198 x 284 mm			As published on p.152 in Etching and Etchers, 1868.Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. He was on the council of the Royal Society of Painter Etchers. 	350	£350	mounted	Print	Victorian							
2630		Charles West Cope	[A Feast of Fairies]	Etching	1885			I 155 x 249; Pl. 198 x 284 mm			As published on p.152 in Etching and Etchers, 1868.Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. He was on the council of the Royal Society of Painter Etchers. 	350	£350	mounted	Print	Victorian							
2631		J. C. Stadler after Mackenzie	The Clarendon Print House	Aquatint with hand colouring	London Pub. April 1 1814 at 101 Strand for R. Ackermann’s History of Oxford			I 205 x 270 mm				160	£160	mounted	Print	Oxford	Broad Street Views						
2632		J. C. Stadler after Farington	View from Nuneham towards Oxford	Aquatint	Pub. June 1 1793 by J & J Boydell			I 210 x 320 mm				125	£125	mounted	Print	Oxford	General Views						
2634		L. Hague	The Martyr’s Memorial, Oxford	Lithograph	Published by Day & Son, May 1843			I 450 x 305 mm				60	£60	mounted	Print	Oxford	General Views						
2635		after W. H. Wardlow	Land and Water [University College]	Photolithograph	Published 1899 by Dickinson and Foster, London			I 490 x 360 mm				100	£100	mounted	Print	Oxford	Oxford Portraits						
2636		John Boydell	A West Prospect of the City of Oxford	Copper engraving	Published According to act of parliament by John Boydell engraver at the Unicorn the corner of Queen Street Cheapside London 1751. Price 1 shilling.			I. 244 x 425 mm				750	£750	mounted	Print	Oxford	General Views						
2637		Unknown engraver after Michael Rooker	North West View of Friar Bacon’s Study	Copper engraving	1787			I 300 x 450 mm	Oxford Almanack			100	£100	mounted	Print	Oxford	General Views						
2638		A. W. Moore	Nixon’s Free Grammar School	Lithograph	1878			I 315 x 290 mm				65	£65	mounted	Print	Oxford	General Views						
2640		Edward and Michael Rooker	[Clarendon Building]	Copper engraving with hand colouring	Published 1774			I 305 x 450 mm	Oxford Almanack 1774			200	£200	mounted	Print	Oxford	Clarendon Press						
2642		R. Parr	Mary-Louisa Daughter of King James. II . at  her Toillett died April 18. 1712 aged 20 And Therfore wer’t thou bred rto virtuous Knowledge To bear with accidents, and ev’ry Change... Wisdom early planted in thy soul; of various Life, to Struggle with Adversiy	Engraving				I. 333 x 254 mm S. 395 x 286 mm			Sharp 176	80	£80		Print	General Interest	Jacobite						
2644		Richard Cooper	Charles Edward Stuart	Lithograph	Engraved by R. Cooper from an original drawing made at Florebnce in 1776 by the late Ozias Humphry Esqr R.A. Charles Edward Stuart.			I.165 x 207 mm S.169 x 237 mm				60	£60	mounted	Print	General Interest	Jacobite						
2645		Unknown after Anker Smith	Charles Edward Stuart	Engraving	Chas. Edward Stuart 			I. 77 x 105 mm S. 80 x 127 mm				30	£30		Print	General Interest	Jacobite						
2646		J. C. Armytage after L. Tocque	Charles Edward Stuart	Engraving	Prince Charles Edward Stuart			I. 100 				10	£10		Print	General Interest	Jacobite						
2648		Percy Thomas	[Sunday Morning - A Scene in the South Kensington Exhibition]	Etching	1884			I 258 x 187 mm; Pl. 276 x 199 mm			Impression signed by ThomasEx. Collection of Ralph ThomasA long note on verso signed by Ralph Thomas explains that the print shows temporary buildings removed after the exhibition	80	£80	mounted	Print	Victorian							
2649		Arthur Evershed	At Hampstead	Etching	circa 1879			I 147 x 190 mm; Pl. 167 x 204 mm				85	£85	mounted	Print	Victorian							
2652		Arthur Ditchfield	[River Boat]	Etching	Published 1877			I 97 x 189 mm; Pl. 141 x 224 mm			Delatre impressionArthur Ditchfield (1842-1888) is now almost entirely forgotten, his etchings largely undocumented. One of the things to note about him is his sketching trip with Ruskin and Hercules Brabazon to Amiens in 1880. He was obviously a conscientious craftsman, for he noted on many of his works who had printed them. It is worth comparing impressions by Goulding, Holdgate or Ditchfield himself. He made at least 77 etchings, a set of which were presented to the British Museum by his sister, Mrs J.L. Roget, with a manuscript listing. His training is unknown - his drawings are not of  “The English School”. It was probably Parisian, for the influence of Applan is evident and to a lesser extent that of Lalanne.	80	£80	mounted	Print	Victorian							
2653		Leonard Russell Squirrell	A Bridge at Alnwick	Drypoint	1932			I 128 x 235 mm; S 187 x 288 mm			Signed and inscribed in pencil with a dedication to Frank EmmanuelEx Collection Frank Emmanuel	300	£300	mounted	Print	20th Century							
2654		G. Hollis after Buckler	Front of Corpus-Christi College, Oxford	Copper engraving	Published by G. Hollis, Oxford 1820			I 285 x 200 mm				95	£95	mounted	Print	Oxford	Corpus Christi College						
2656		After Muirhead Bone	Hall of Christ Church from the South	Photolithograph	c. 1910			I 340 x 250 mm			Sir Muirhead Bone (23 March, 1876 - 21 October, 1953) was a Scottish etcher, drypoint and watercolour artist.The son of a printer, Bone was born in Glasgow and trained initially as an architect, later going on to study art at Glasgow School of Art. He began printmaking in 1898, and although his first known print was a lithograph, he is better known for his etchings and drypoints. His subject matter was principally related to landscapes, architecture (which often focussed on urban construction and demolition sites) and industry.In 1901 he moved to London, where he met William Strang, Dugald MacColl and Alphonse Legros, and later became a member of the New English Art Club. After the outbreak of the First World War, Charles Masterman, head of the British War Propaganda Bureau and acting on the advice of William Rothenstein, appointed Bone as Britain's first official war artist in May 1916.Commissioned as an honorary Second Lieutenant, he arrived in France during the Battle of the Somme, serving with the Allied forces on the Western Front and also with the Royal Navy for a time. He produced 150 drawings of the war, returning to England in October of that year. Over the next few months Bone returned to his earlier subject matter, drawing pictures of shipyards and battleships. He visited France again in 1917 where he took particular interest in the ruined towns and villages.After the Armistice, Bone returned to the type of works he produced before the war, and was influential in promoting fellow war artists William Orpen and Wyndham Lewis. He began to undertake extensive foreign travels which increasingly influenced his work. In 1923 he produced three portraits of the novelist Joseph Conrad during an Atlantic crossing. In the inter-war period he exhibited extensively in London and New York, building up a considerable reputation. He received a knighthood in 1937, and served again as official war artist in the Second World War from 1940.Sir Muirhead Bone died in 1953 in Oxford.Text from Wikipedia, http://en.wikipedia.org/wiki/Muirhead_Bone. 05.09.2007	40	£40	mounted	Print	Oxford	Christ Church College						
2657		W. Gauci after Delamotte	Baliol [Balliol] College Garden	Lithograph	Published c. 1842			I 345 x 254 mm	Original Views of Oxford, its Colleges, Chapels and Gardens from drawings expressly for this work by William Alfred Delamotte. Executed in Lithography by William Gauci, with Historical and Descrpitive notices by Charles Ollier. London: Thomas Boy. 1843			90	£90	mounted	Print	Oxford	Balliol College						
2658		John Harris after W. Williams	Christ Church from the North	Copper engraving	1725			I 390 x 440 mm	Oxford Almanack for 1725		In the foreground five allegorical figures examine a geometrical diagram on the ground. 	220	£220	mounted	Print	Oxford	Christ Church College						
2659		G. Virtue	Design for Balliol College seen from the South, with the founder and benefactors in a frame below	Copper engraving	1742			I 480 x 450 mm	Oxford Almanack for 1742			185	£185	mounted	Print	Oxford	Balliol College						
2660		Unknown photographer	Members of Balliol College, Oxford	Photograph	c.1900			440 x 570 mm			With a shield of the college on the original mount. Lightly foxed.	40	£40	mounted	Print	Oxford	Balliol College						
2662		J. Dadley after E. Dayes	Front View of Christ Church	Copper engraving	Published 1796			I 290 x 444 mm	Oxford Almanack 1796			300	£300	framed	Print	Oxford	Christ Church College						
2663		M. A. Rooker	A Perspective View of the New Gate at Christ Church	Copper engraving	Published 1781			I 450 x 295 mm	Oxford Almanack 1781			170	£170	mounted	Print	Oxford	Christ Church College						
2664		Issac Taylor after D. Harris	A western view of All Souls College	Copper engraving	Published 1790			I 285 x 450 mm	Oxford Almanack 1790			100	£100	mounted	Print	Oxford	All Souls College						
2665		Merigot after Naltes	Oxford. West Entrance into Christ Church College taken from Pembroke Lane	Aquatint	Published by Albion Press, c. 1820			I 280 x 370 mm				220	£220	mounted	Print	Oxford	Christ Church College						
2666		Unknown engraver	The North Prospect of the New Quadrangle of Christ Church in Oxford	Copper engraving	c. 1770			I 570 x 450 mm				250	£250	mounted	Print	Oxford	Christ Church College						
2668		R. Groom after I. Shaw	Oxford Cathedral	Lithograph	Published by H. Alden, Oxford c.1830			I 300 x 245 mm				50	£50	mounted	Print	Oxford	Christ Church College						
2669		D. Harris after Taylor	Corpus Christi College, from the back gate of Christ Church	Copper engraving with hand colouring	1823			I 440 x 295 mm	Oxford Almanack 1823			90	£90	mounted	Print	Oxford	Corpus Christi College						
2670		James Basire after H. O’Neill	Gate of All Souls’ College, with St. Mary’s Church	Copper engraving with hand colouring	Published 1814			I 435 x 310 mm	Oxford Almanack 1814			185	£185	mounted	Print	Oxford	All Souls College						
2673			Speeches in Upper School	Lithograph with hand colouring	Published by J. Ryman, High St, Oxford			I 270 x 385 mm				45	£45	mounted	Print	Oxford	Oxford Caricatures						
2674		Unknown photographer	St. Mary-the-Virgin Church, Oxford	Photograph	c. 1900			480 x 380 mm				45	£45	mounted	Print	Oxford	Oxford Churches						
2675		George Cruikshank after Woodward	Love and Learning	Etching	London, Pubd. by Allen & Wesh, January 27 1797			I 225 x 170 mm				45	£45	mounted	Print	Oxford	Oxford Caricatures						
2676		Charles West Cope	[A Feast of Fairies]	Etching	1885			I 67 x 121 mm; Pl. 84 x 137 mm	v/v (?)		Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporaries as the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. He was on the council of the Royal Society of Painter Etchers. 	250	£250	mounted	Print	Victorian							
2677		F. G. Wilkinson	A Ravine in San Remo	Linocut in colour				I 117 x 163 mm; S 138 x 175 mm			Ex. Collection Frank Emmanuel	150	£150	mounted	Print	20th Century							
2678		Charles West Cope	Milton’s Dream of his deceased wife	Etching				I 103 x 96 mm; Pl. 121 x 114 mm	ii/vi		Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. 	750	£750	mounted	Print	Victorian							
2679		Henry James Townsend	Sad Tidings	Etching				I 182 x 137 mm; Pl. 192 x 143 mm				185	£185	mounted	Print	Victorian							
2680		Heywood Sumner	Near Alresford	Etching				I 189 x 132 mm; Pl. 193 x 134 mm			Plate 2 of Sumner’s “The Itchen Valley from Tichborne to Southampton”	100	£100	mounted	Print	Victorian							
2682		Arthur Ditchfield	[Woman Washing]	Etching				I 136 x 93 mm; Pl. 157 x 100 mm	ii/ii (?)		Arthur Ditchfield (1842-1888) is now almost entirely forgotten, his etchings largely undocumented. One of the things to note about him is his sketching trip with Ruskin and Hercules Brabazon to Amiens in 1880. He was obviously a conscientious craftsman, for he noted on many of his works who had printed them. It is worth comparing impressions by Goulding, Holdgate or Ditchfield himself. He made at least 77 etchings, a set of which were presented to the British Museum by his sister, Mrs J.L. Roget, with a manuscript listing. His training is unknown - his drawings are not of  “The English School”. It was probably Parisian, for the influence of Applan is evident and to a lesser extent that of Lalanne.	45	£45	mounted	Print	Victorian							
2684		Edward Davis French	E libris Iuliani Marshall	Etching	circa 1897			I 98 x 62 mm; Pl. 120 x 77 mm				60	£60	mounted	Print	Victorian							
2685		C. Helard	Ex libris Vi & Armis	Etching	1900			I 91 x 68 mm; Pl. 111 x 87 mm				75	£75	mounted	Print	Victorian							
2686		George W. Eve	[Ex libris William Henry Weldon Norroy King of Arms]	Etching				I 73 x 71 mm; Pl. 108 x 102 mm				70	£70	mounted	Print	Victorian							
2687		Douglas I. Smart (1879-1966)	Pont St. Esprit	Etching and drypoint	circa 1908			I 255 x 340 mm; S 315 x 400 mm	Signed and inscribed in pencil		With a note that the male sitter in the picture is Charles Emmanuel. From the collection of Frank Emmanuel, Charles’s brother.Etcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short	250	£250	mounted	Print	20th Century							
2691		David Law	[View of Bray]	Etching				I 119 x 189 mm; Pl. 139 x 202 mm			Bray in Berkshire	50	£50	mounted	Print	Victorian							
2696		Arthur Ditchfield	Shoreham	Etching	1877			I 92 x 172 mm; Pl. 101 x 178 mm	i/ii (?)		Inscribed “ 2.d State”Arthur Ditchfield (1842-1888) is now almost entirely forgotten, his etchings largely undocumented. One of the things to note about him is his sketching trip with Ruskin and Hercules Brabazon to Amiens in 1880. He was obviously a conscientious craftsman, for he noted on many of his works who had printed them. It is worth comparing impressions by Goulding, Holdgate or Ditchfield himself. He made at least 77 etchings, a set of which were presented to the British Museum by his sister, Mrs J.L. Roget, with a manuscript listing. His training is unknown - his drawings are not of  “The English School”. It was probably Parisian, for the influence of Applan is evident and to a lesser extent that of Lalanne.	150	£150	mounted	Print	Victorian							
2698		Arthur Ditchfield	[Overgrown border]	Etching	1867			I 79 x 193 mm; Pl. 87 x 201 mm	i/ii (?)		unfinished. Inscribed “Holgate imp.”Arthur Ditchfield (1842-1888) is now almost entirely forgotten, his etchings largely undocumented. One of the things to note about him is his sketching trip with Ruskin and Hercules Brabazon to Amiens in 1880. He was obviously a conscientious craftsman, for he noted on many of his works who had printed them. It is worth comparing impressions by Goulding, Holdgate or Ditchfield himself. He made at least 77 etchings, a set of which were presented to the British Museum by his sister, Mrs J.L. Roget, with a manuscript listing. His training is unknown - his drawings are not of  “The English School”. It was probably Parisian, for the influence of Applan is evident and to a lesser extent that of Lalanne.	55	£55	mounted	Print	Victorian							
2699		Arthur Ditchfield	Goudhurst	Etching	1871			I 113 x 156 mm ; Pl. 121 x 163 mm			Goudhurst, KentArthur Ditchfield (1842-1888) is now almost entirely forgotten, his etchings largely undocumented. One of the things to note about him is his sketching trip with Ruskin and Hercules Brabazon to Amiens in 1880. He was obviously a conscientious craftsman, for he noted on many of his works who had printed them. It is worth comparing impressions by Goulding, Holdgate or Ditchfield himself. He made at least 77 etchings, a set of which were presented to the British Museum by his sister, Mrs J.L. Roget, with a manuscript listing. His training is unknown - his drawings are not of  “The English School”. It was probably Parisian, for the influence of Applan is evident and to a lesser extent that of Lalanne.	150	£150	mounted	Print	Victorian							
2701		P. G. Hamilton	Laboulaye	Etching				I 76 x 1857 mm; Pl. 82 x 162 mm				150	£150	mounted	Print	Victorian							
2703		Axel Herman Haig	A Corner at Hay	Etching	1879			I 274 x 185 mm; Pl. 284 x 197 mm			Lennox-Boyd 23Axel Haig R.E., a Swede, came to etching from architectural drawing and originally naval architecture. His earliest etchings showed the omission of the inessential, the hallmark of the new etchers but he soon found his feet making etchings suitable to be framed and put on the walls as rivals to paintings. His technique was different: look closely at a Haig Cathedral interior and you see a confused melee of lines, step back and you get the authentic gloom of the Middle Ages. 	95	£95	mounted	Print	Victorian							
2704		Charles West Cope	The Spring Flood	Etching	1858			I 166 x 136 mm; Pl. 214 x 163 mm	ii/vi (?)		Touched ImpressionCharles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. 	300	£300	mounted	Print	Victorian							
2705		Robert Sargent Austin (1875-1973)	Donkeys of Selva	Etching	1928			I 130 x 163 mm; S 186 x 215 mm			Signed and inscribed in pencil with artist’s notesC.D. 78 ii/ii  Proof of final state	300	£300	mounted	Print	20th Century							
2707		James Abbot McNeil Whistler	Nursemaid and Child	Etching				I & Pl. 97 x 132 mm	ii/ii		Kennedy 37	2000	£2,000	mounted	Print	Victorian							
2712		Richard Redgrave	Ministering Angels	Etching				I 94 x 79 mm; Pl. 122 x 105 mm	i/ii		Ex Collection of the Redgrave family.Redgrave was well-known in his day as a painter, but is now remembered as the first principal of the Government School of  Design, now the Royal College of Art. He was a founder-member of the Etching Club and was its secretey until 1845. As can be deduced from no. 50 and the dearth of working proofs, he, unlike Cope and Holman Hunt, did not work up his etchings in stages, but rather worked on them without taking proofs. 	400	£400	mounted	Print	Victorian							
2713		Frederick Albert Slocombe	[Tudor Beauty]	Etching	1871			I 161 x 98 mm; Pl. 197 x 126 mm			(1847-c. 1920) Painter and etcher of landscapes and genre. Exhibited at the Royal Academy from 1886, also at Suffolk Street.  He was also a member of the Royal Society for Painter-Etchers and Engravers 1881-1920.	50	£50	mounted	Print	Victorian							
2714		Edward Davis	[Self-portrait with pen and book]	Etching				I 74 x 44 mm; Pl. 104 x 69 mm				190	£190	mounted	Print	Victorian							
2716		Percy Thomas	[Old Chelsea]	Etching	c. 1880			I 244 x 175 mm; Pl. 277 x 202 mm	ii/ii		Impression signed by ThomasEx Collection Ralph Thomas	65	£65	mounted	Print	Victorian							
2717		Charles West Cope	[Milton’s Dream] [Rejected (?) version]	Etching				I 96 x 86 mm; Pl. 125 x 115 mm			Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. 	300	£300	mounted	Print	Victorian							
2718		Charles West Cope	Milton’s Dream of his deceased wife	Etching				I 103 x 96 mm; Pl. 121 x 114 mm	iii/vi		Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. 	650	£650	mounted	Print	Victorian							
2719		Charles West Cope	Balthazar Song from Much Ado About Nothing [Grieving]	Etching	1857			I 74 x 118 mm; Pl. 90 x 136 mm			Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. 	70	£70	mounted	Print	Victorian							
2720		V. Buzzard	South Park Farm	Etching				I 90 x 122 mm; Pl. 114 x 152 mm				25	£25	mounted	Print	Victorian							
2721		Richard Samuel Chattock	Gouldersdale Crags and Dub	Etching	1880			I 163 x 248 mm; Pl. 177 x 261 mm			Chattock (1825-1906) R.E. was a fine topographical etcher and landscape painter, who was much employed illustrating books	150	£150	mounted	Print	Victorian							
2723		Sir Henry Cole	West Shandon Farm, Gareloch	Etching	October 1860			I 150 x 220 mm; Pl. 154 x 225 mm			Cole (1808-1882) was one of the eminent figures of the 19th century. In 1823, he began to work for the Public Record Office and his complaints about inefficiency led to the reform of the Records Commission. In 1850 , he became organiser of the Great Exhibition of 1851 and Prince Albert’s chief adviser. He was the founder director of the Victorian and Albert Museum and he is probably best known for inventing the Christmas card, designed by J.C. Horsley. Cole’s brother Charles was a schoolmate of Francis Seymour Haden, who became the Cole family doctor.	150	£150	mounted	Print	Victorian							
2724		Sir Henry Cole	[Lake of Geneva]	Etching	1866			I 64 x 201 mm; Pl. 64 x 201 mm			Cole (1808-1882) was one of the eminent figures of the 19th century. In 1823, he began to work for the Public Record Office and his complaints about inefficiency led to the reform of the Records Commission. In 1850 , he became organiser of the Great Exhibition of 1851 and Prince Albert’s chief adviser. He was the founder director of the Victorian and Albert Museum and he is probably best known for inventing the Christmas card, designed by J.C. Horsley. Cole’s brother Charles was a schoolmate of Francis Seymour Haden, who became the Cole family doctor.	90	£90	mounted	Print	Victorian							
2725		Charles West Cope	The Good Old Time	Etching	1840			I 55 x 103 mm; Pl. 92 x 140 mm	i/ii		Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. 	80	£80	mounted	Print	Victorian							
2726		Charles West Cope	Balthazar Song from Much Ado About Nothing [Songs of Shakespeare] [Boarding the Siren]	Etching	1851			I 65 x 95 mm; Pl. 93 x 109 mm	proof before publication		Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. 	50	£50	mounted	Print	Victorian							
2727		Charles West Cope	[While thus the land, adorn’d for pleasure all.]	Etching				I 61 x 95 mm; Pl. 84 x 124 mm	i/ii		Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. 	200	£200	mounted	Print	Victorian							
2729		J. C. Armyatage after L. Tocque	Prince Charles Edward Stuart	Engraving				I. 100 x 128 mm S. 153 x 221 mm				10	£10		Print	General Interest	Jacobite						
2730		G. B. Shaw after L. Tocque	Prince Charles Edward Stuart	Engraving	Published by R. Cardell, Edinburgh 1748			I. 90 x 130 mm S. 165 x 252 mm				30	£30	mounted	Print	General Interest	Jacobite						
2731		Unknown engraver	Chevalier	Engraving				I. 62 x 75 mm Pl. 119 x 191 mm S. 228 x 281 mm				50	£50	mounted	Print	General Interest	Jacobite						
2732		P. Audinet after R. Smirke	Departure of the pretender from Scotland	Engraving				I. 124 x 174 mm S. 216 x 285 mm				20	£20	mounted	Print	General Interest	Jacobite						
2734		F. Basan after L. Tocque	Le Prince Charles Edouardo Stuart. Ne’ a Rome le 31, Decembre 1720	Engraving				I. 97 x 139 mm	iii proof		Sharp 231, O’D 17; Le Blanc, F. Basan 33	80	£80	mounted	Print	General Interest	Jacobite						
2735		T. Cook after R. Corbould	The Young Pretender discovering himself to a Royalist in the Highlands 	Engraving	Published as the Act directs Jany. 9th. 1797 by T. Longman.			I. 97 x 148 mm S.99 x 165 mm				30	£30	mounted	Print	General Interest	Jacobite						
2738		I. Donowell	A View of Exeter College back gate the Museum, the Theatre, the Printing House, & in the University of Oxford  	Copper engraving	London, Printed for Laurie & Whittle, 53 Fleet Street, Bowles & Carver, 69, St. Pauls Church Yard, & Robert Wilkinson, 58 Cornhill			I 415 x 260 mm, Pl. 288 x  430 mm, S 345 x 485 mm			A three in the upper and lower right. A later impression than the one printed for Ryall. 	300	£300	framed	Print	Oxford	Radcliffe Camera						
2741		John Robert Keitley Duff (1862-1938)	Follow my Leader (The Common Road)	Soft-ground etching				I 225 x 150 mm			Signed in pencil and dedicated to Frank EmmanuelPlate 174 in Emmanuel’s Etching and EtchingsEx collection Frank EmmanuelLandscape and genre painter and etcher, specialising in sheep. Studied art under Legros at the Slade School	150	£150	mounted	Print	20th Century							
2742		Sir Francis Seymour Haden	The Towing Path	Etching	1884			I 139 x 212 mm; Pl. 139 x 212 mm	vi/xvii		Impression signed by HadenSchneiderman 72 vi/xvii	1200	£1,200	mounted	Print	Victorian							
2743		F. G. Wilkinson	A Street in Xauen (Morocco)	Linocut				I 190 x 133 mm; S 217 x 160 mm			Signed and inscribed in pencilEx collection Frank Emmanuel	150	£150	mounted	Print	20th Century							
2744		Sir Lionel Arthur Lindsay (1874-1961)	Dancer	Wood engraving				I 152 x 112 mm; Pl. 230 x 185 mm			Signed artist’s proofSir Lionel Lindsay started his career at the age of  15 when he worked as a pupil assistant at the Melbourne Observatory (1889-1892). He then completed his studies at the National Gallery School, Melbourne. From 1903 to 1926, Lindsay was employed as an illustrative artist for the ‘Sydney Evening News’. After that period his art had gained an international reputation and he travelled and worked in such locations as India, North Africa, Spain and England. His original wood engravings and etchings were often commissioned and exhibited by Colnaghi. Lionel  Lindsay’s first etching dates from 1895 but it wasn’t until 1907, however, that he began to devote much of his talents to both etching and wood engraving. During the following decades, Lindsay produced over 300 works of original art in these mediums and it was his wood engravings of Australian animals and birds that set his art at its highest level. Lionel Lindsay received a knighthood for his achievements in art.	280	£280	mounted	Print	20th Century							
2746		Alfred Hugh Fisher (1867-1945)	Christmas Greetings	Woodcut				I 188 x 98 mm			Signed in ink 62/100An English etcher, engraver, illustrator and painter, Alfred Hugh Fisher was educated at the University College Schools, Lambeth School and South Kensington and then concluded his formal studies in Paris, under Laurens and Constant. Concentrating mostly upon original printmaking and illustration, Fisher was appointed as an artist to the Visual Instruction Committee of the Colonial Office, which gave him opportunity to travel extensively throughout the British Empire and elsewhere	150	£150	mounted	Print	20th Century							
2747		Edwin Edwards	Rutland Arms [Newmarket]	Etching				I & Pl. 98 x 194 mm				120	£120	mounted	Print	Victorian							
2749		F. G. Wilkinson	Souvenir de Xauen, Morocco	Linocut				I 185 x 137 mm; S 277 x 170 mm			Signed and Inscribed in pencilEx collection Frank Emmanuel	150	£150	mounted	Print	20th Century							
2750		F. G. Wilkinson	The Old Bridge House Ambleside	Linocut				I 185 x 140 mm; S 215 x 165 mm			Signed and inscribed in pencilEx collection Frank Emmanuel	120	£120	mounted	Print	20th Century							
2751		Thomas Riley	“Old London” 1	Etching				I 162 x 115 mm; Pl. 184 x 134 mm			Impression signed by Riley	100	£100	mounted	Print	Victorian							
2752		William Bell Scott	Title Page [Turret]	Etching				I 79 x 67 mm; Pl. 99 x 87 mm			Proof of publicationEx collection William Bell ScottWilliam Bell Scott (1811-1890) Although he contributed to “The Germ”, Scott was never a member of either Etching Club, since he worked and taught in Newcastle and later lived mainly in Ayrshire. His ideals were similar to those of most members of the Etching club. He was a close friend of Dante Gabriel Rossetti and a great admirer of William Blake. At the time he was probably the most accomplished British artist working outside London. 	5200	£5,200	mounted	Print	Victorian							
2234		Le Keux after F. Mackenzie	The Second Court, Christs College	Copper engraving with hand colouring	c. 1850			I 140 x 94 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25	£25	unmounted	Print	British Topography	Cambridgeshire						
2755		Alphonse Legros	[House and trees]	Etching	circa 1885			I & Pl. 152 x 99 mm			Not found in Mallasis & Thibaudeau	350	£350	mounted	Print	Victorian							
2756		John Prescott Knight	The Peasant and the Forest	Etching				I 157 x 125 mm; Pl 166 x 134 mm				120	£120	mounted	Print	Victorian							
2757		Charles West Cope	The Spring Flood	Etching	1858			I 166 x 136 mm; Pl. 214 x 163 mm	iii/vi (?)		Touched ImpressionCharles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporaries as the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. 	300	£300	mounted	Print	Victorian							
2758		Charles West Cope	The Spring Flood	Etching	1858			I 166 x 136 mm; Pl. 214 x 163 mm	i/vi (?)		Touched ImpressionCharles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporaries as the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. 	300	£300	mounted	Print	Victorian							
2760		Charles West Cope	[A Feast of Fairies]	Etching	1885			I 67 x 121 mm; Pl. 84 x 137 mm	iii/v (?)		Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. He was on the council of the Royal Society of Painter Etchers. 	250	£250	mounted	Print	Victorian							
2761		Charles West Cope	[A Feast of Fairies]	Etching	1885			I 67 x 121 mm; Pl. 84 x 137 mm	i/v (?)		Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. He was on the council of the Royal Society of Painter Etchers. 	250	£250	mounted	Print	Victorian							
2762		John Callcott Horsley	“Auld Grannie & the wee Nan” - Highland Interior	Etching				I 132 x 99 mm; Pl. 167 x 134 mm				150	£150	mounted	Print	Victorian							
2764		William Strang	[A River destroyed by the basest sort of people]	Etching				I & Pl. 150 x 112 mm	v/v		DS 532 (428)	60	£60	mounted	Print	Victorian							
2765		Sir Lionel Arthur Lindsay (1874-1961)	Convent of Sta. Eufemia Antequira Spain	Etching	1929			I 340 x 252 mm			Signed, numbered and inscribed in pencil with a dedication to Frank EmmanuelAppears as plate 118 in Emmanuel’s Etching and EtchingsSir Lionel Lindsay started his career at the age of  15 when he worked as a pupil assistant at the Melbourne Observatory (1889-1892). He then completed his studies at the National Gallery School, Melbourne. From 1903 to 1926, Lindsay was employed as an illustrative artist for the ‘Sydney Evening News’. After that period his art had gained an international reputation and he travelled and worked in such locations as India, North Africa, Spain and England. His original wood engravings and etchings were often commissioned and exhibited by Colnaghi. Lionel  Lindsay’s first etching dates from 1895 but it wasn’t until 1907, however, that he began to devote much of his talents to both etching and wood engraving. During the following decades, Lindsay produced over 300 works of original art in these mediums and it was his wood engravings of Australian animals and birds that set his art at its highest level. Lionel Lindsay received a knighthood for his achievements in art.	350	£350	mounted	Print	20th Century							
2767		Charles Waltner after John Everett Millais	John Everett Millais R. A	Etching	[Published by The British and Foreign Artist’s Association]			I 263 x 200mm; Pl. 318 x 228 mm	iii/iii (?)		PSA index p.239 Charles Albert Waltner was copper plate engraver and etcher born 24/03/1846 in  Paris and died 15/06/01925 Paris.  He was the pupil Gerome Martinet and Henriquel DuPont. In 1868 he was given a scholarship to Rome. He made his debut in the Paris Salon in 1870.  He mainly engraved for the Journal de Beaux Artes and L'Art  and also worked for English and French puplishers.  He specialized in reproduction of Old Masters and Modern Masters.  He was one of the most prolific engravers of his time.	150	£150	mounted	Print	Victorian							
2768		Douglas I. Smart (1879-1966)	Toledo Bridges No.7 St Martins Bridge	Etching 				I 282 x 353; S 337 x 450 mm			Ex Col Frank EmmanuelEtcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.	170	£170	mounted	Print	20th Century							
2769		John Charles Goodchild (1898-1980)	The Pool	Etching				I 213 x 288 mm; S 265 x 352 mm				150	£150	mounted	Print	20th Century							
2770		Sylvia Gosse (1881-1968)	Woman in an Interior	Lithograph				I 293 x 217 mm; S 376 x 286 mm			Ex Collection Frank EmmanuelGosse, the daughter of Sir Edmund Gosse, the essayist, first came in to contact with Walter Sickert in 1910 and remained a close collaborator and supporter for the rest of his life. She printed a larg number of Sickert’s plates and helped to run the art school which he started. Much of what we know about Sickert comed from her memoirs and correspondence with the artist.	275	£275	mounted	Print	20th Century							
2771		John Nicholson (1891-1951)	[Cow Eating]	Drypoint	1992			I 213 x 260 mm; S 232 x 284 mm			Nicholson was a friend of Edmund Blampied. Both were students at the London County Council Art School where they learned etching and engraving. Blampied shared a house with Nicholsonand his wife in south London for some considerable time and during this period the two artists worked closely together. They shared a common enthusiasm for horses and farm animals and they developed similar styles.	190	£190	mounted	Print	20th Century							
2772		Edmund Bouvier-Hoyton	Bosham Harbour	Etching				I 235 x 335; Pl. 249 x 337 mm; S 380 x 480 mm			Signed in pencilEdward Bouverie Hoyton studied at the University of London Goldsmiths College under both Malcolm Osborne and Stanley Anderson. His first etchings were published by the Fine Art Society, London in 1924. Only two years later (1926) Hoyton’s etchings and engravings won for him the coveted Prix de Rome. During the following years he travelled and worked in Wales, Yorkshire, Cornwall, Devon, The Isles of Scilly and Italy. Also a well respected teacher, Edward Bouverie Hoyton became a lecturer at Leeds College, 1934 and held the post of Principal at the Penzance School of Art from 1941 to 1965.	300	£300	mounted	Print	20th Century							
2774		Robert Walker Macbeth	[Three Girls and Donkey]	Etching				I 334 x 642; Pl. 364 x 672 mm			Walker Macbeth (1848-1910) was the son of the Scottish portrait painter Norman Macbeth. He was an etcher, watercolourist and painter of pastoral landscapes, rustic genre scenes and has a unique etching style, very different from Haden or Whistler. He served on the Council of the Royal Society of Painter-Etchers. 	650	£650	mounted	Print	Victorian							
2776		Unknown	Tower Bridge, London	Etching				I 292 x 350 mm; S 405 x 395 mm	Ex Collection Frank Emmanuel			200	£200	mounted	Print	20th Century							
2779		William Ridgway after Holman Hunt	The Light of the World	Engraving	Published 12 May 1863 by Gambart & Co.			I 304 x 152; Pl. 442 x 254 mm	i/ii			700	£700	mounted	Print	Victorian							
2780		Robert Walker Macbeth after Arthur Hacker	The Cloister of the World	Etching	Published 1900 by H. Virtue			I 510 x 391 mm; Pl. 590 x 441 mm			Impression signed by both artistsWalker Macbeth (1848-1910) was the son of the Scottish portrait painter Norman Macbeth. He was an etcher, watercolourist and painter of pastoral landscapes, rustic genre scenes and has a unique etching style, very different from Haden or Whistler. He served on the Council of the Royal Society of Painter-Etchers. 	880	£880	mounted	Print	Victorian							
2781		William Ridgway after Holman Hunt	The Light of the World	Engraving	Published 12 May 1863 by Gambart & Co.			I 304 x 152; Pl. 442 x 254 mm	ii/ii			700	£700	mounted	Print	Victorian							
2782		John Fullwood	The Gipsy Camp	Etching				I 369 x 625 mm; Pl. 466 x 701 mm			Ex collection Lichtenstein	480	£480	mounted	Print	Victorian							
2783		Edwin Edwards	Wells	Etching				I & Pl. 162 x 257 mm				220	£220	mounted	Print	Victorian							
2785		Zepherin Felix Jean Marius Belliard	Marie Taglioni	Lithograph	Lith. Delpech Paris, c. 1820			I 240 x 210 mm, S 460 x 320 mm				380.00	£380	mounted	Print	General Interest	Ballet						
2786		Angelica Kauffman	[Mother and Child]	Engraving	Published as the Act Directs 1776			I 150 x 113 mm, Pl. 160 x 117 mm, S 165 x 123 mm 			Andresen 33 only state	500	£500	framed	Print	Fine Prints	Engravers A-K						
2788		Phillimore	Oriel College Oxford	Etching	Published by Catty & Dobson			I 144 x 212 mm; Pl. 148 x 222 mm				75	£75	mounted	Print	Oxford	Oriel College						
2790		Maxwell Lightfoot	[Mother and Child]	Lithograph	20th Century			I 168 x 162 mm; S 338 x 248 mm			no title	30	£30	mounted	Print	Victorian							
2791		Sir Hubert von Herkomer	Hubert Herkomer A.R.A and his children	Etching				I 197 x 154 mm; Pl. 354 x 202 mm	i/ii		Before all engraved letters and before steel-facing	350	£350	mounted	Print	Victorian							
2792		John Park	Shields Harbour (Evening)	Etching				I 196 x 300 mm; Pl. 208 x 305 mm	i/ii		Shields harbour in NorthumberlandDied 1919.  Park was an etcher and he exhibited at leading London galleries.  Elected A.R.E.in 1898.	175	£175	mounted	Print	Victorian							
2794		William Bell Scott after Dante Gabriel Rossetti	Miss Boyd of Penkill	Etching	20 December 1862			I 90 x 74 mm; Pl. 202 x 138 mm	i/ii Proof before title		Impression with dedication in pencil to Algernon C. Swinburne by William Bell ScottEx Collection William Bell ScottWilliam Bell Scott (1811-1890) Although he contributed to “The Germ”, Scott was never a member of either Etching Club, since he worked and taught in Newcastle and later lived aminly in Ayrshire. His ideals were similar to those of most members of the Etching Club. He was a close friend of Dante Gabriel Rosetti and a great admirer of William Blake. At the time he was probably the most accomplished British artist working outside London 	980	£980		Print	Victorian							
2796		James Basire after E. Dayes	Magdalen Tower & Bridge, &c.	Copper engraving	Published 1797			I 440 x 305 mm	From the 1797 ‘Oxford Almanack’.			180	£180	mounted	Print	Oxford	Magdalen College						
2797		C. Rosenburg after Pugin	Quadrangle of Magdalen College	Aquatint	Published Jan. 1806 by J. Gundee, Albion Press London			I 280 x 385 mm	Thomas Malton, Oxford			200	£200	mounted	Print	Oxford	Magdalen College						
2799		Michael Rooker	The New Building Magdalen College from the Grove	Copper engraving with hand colouring	Published 1787			I 450 x 310 mm	Oxford University Almanack 1787			120	£120	mounted	Print	Oxford	Magdalen College						
2800		H. O’Neill	Part of the Quadrangle of Exeter College	Copper engraving with hand colouring	Published 1813			I 450 x 305 mm	Oxford University Almanack 1813			60	£60	mounted	Print	Oxford	Exeter College						
2801		G. Virtue	The New Building Magdalen College from the Grove	Copper engraving	Published 1730			I 440 x 340 mm	Oxford University Almanack 1730			150	£150	mounted	Print	Oxford	Magdalen College						
2804		William Williams	Ecclesia Omnium Sanctorum in Oxonia	Copper engraving	1750			I 440 x 370 mm	Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 1732-33		Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. 	150	£150	mounted	Print	Oxford	Oxford Churches						
2806		G. Vertue	Merton College with allegorical figures and the founder and benefactors	Copper engraving	Published 1737			I 440 x 350 mm	The Oxford Almanack of Our Lord God 1737		The perspective is taken from Loggan.	285	£285	mounted	Print	Oxford	Merton College						
2807		P. Vedovato after H. Singleton	British Plenty	Stipple	c. 1794			I 365 x 290 mm, Pl. 435 x 330 mm, S 445 x 340 mm				300	£300	framed	Print	Fine Prints	Foreign Copies of English Prints						
2811		J. Donowell	A View of Magdalen College in the University of Oxford	Copper engraving	london Printed for John Bowles, c. 1750			I 260 x 420 mm				300	£300	mounted	Print	Oxford	Magdalen College						
2812		James Basire after E. Dayes	Merton College from the Fields	Copper engraving	Published 1798			I 315 x 445 mm	From the Oxford Almanack 1798			150	£150	mounted	Print	Oxford	Merton College						
2813		F. J. Dela Cour 	Monument erected in 1835 upon Gad’s hill, near Rochester, a spot hallowed by the muse of Shakespeare ...	Lithograph	Day & Haghe Lith.rs to the King 1835			I 270 x 232; S 298 x 253 mm			Full title: This monument was erected in 1835 upon God’s hill, near Rochester, a spot hallowed by the muse of Shakespeare. Upon the column is the following inscription:-The friends of freedom in Kent, Erected this Monument to the Memory of CHARLES LARKIN, As a grateful testimony of his fearless and long-continued advocacy of Civil and Religiousliberty, And his zealous exertions in promoting the great and memorable measure of PARLIAMENTARY REFORM	50	£50	mounted	Print	British Topography	Kent						
2814		J. Cole	Merton College Chapel from the first Quadrangle	Copper engraving	Published Feb. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 450 x 290 mm			Rare proof of the first state.	100	£100	mounted	Print	Oxford	Merton College						
2815		William Williams	Collegium Mertonense [Merton College]	Copper engraving	1750			I 370 x 470 mm	Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 1732-33		Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. 	70	£70	mounted	Print	Oxford	Merton College						
2816		G. Hollis	St Alban Hall	Steel engraving	Published by J. Ryman, High St, Oxford 1836			I 148 x 190 mm				100	£100	mounted	Print	Oxford	Merton College						
2818		Michael Burghers (?)	The Front of Exeter College in Oxford 1700	Copper engraving	c. 1750			I 290 x 460 mm			Rare.	160	£160	mounted	Print	Oxford	Exeter College						
2819		William Williams	Collegium Exoniense [Exeter College]	Copper engraving	1750			I 360 x 460 mm	Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 1732-33		Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. 	180	£180	mounted	Print	Oxford	Exeter College						
2820		Tomas Malton	Merton Church	Aquatint	Published 1802-1804			I 305 x 210 mm	Oxford			200	£200	mounted	Print	Oxford	Merton College						
2821		D. Havell after F. Mackenzie	West Entrance to the Chapel of Magdalen College	Aquatint with hand colouring	Published c. 1815 for Ackermann’s History of Oxford			I 205 x 265 mm	Ackermann, History of Oxford			140	£140	mounted	Print	Oxford	Magdalen College						
2824		Merigot after Pugin	Oxford. Merton Church from the Grove	Aquatint	Published by Albion Press, c. 1810			I 270 x 380 mm				100	£100	mounted	Print	Oxford	Merton College						
2825		I. Faber after A. Ramsay	Sr John Barnard	Mezzotint	Publish’d according to the act of Parliament A.D. 1739			I. 250 x 318 mm Pl. 253 x 354 mm S. 266 x 365 mm				250	£250	mounted	Print	General Interest	Jacobite						
2826		John Faber, Jnr after Thomas Hudson	Alderman Benn	Mezzotint				I. 306 x 250 mm Pl. 352 x 251 mm			Sharp 314, CS 30, O’D 2	300	£300	mounted	Print	General Interest	Jacobite						
2827		William Williams	Aula St. Edmundi [St. Edmund Hall]	Copper engraving	1750			Pl. 440 x 375 mm				150	£150	mounted	Print	Oxford	St. Edmund Hall						
2828		George White after Thomas Murray	Henry St John late Lord Viscount Bolingbroke	Mezzotint				I. 306 x 244 mm Pl. 355 x 247 mm			Sharp 331, CS 7, Russell 7, O’D 1	300	£300	mounted	Print	General Interest	Jacobite						
2829		B. Green	Almanack Commemorating the Completion of the Front Quadrangle of Queen’s College	Copper engraving	8 September 1740			I 494 x 447 mm	The Oxford Almanack 1762		On the left Sir Joseph Williamson and Dr. Lancaster consult about a plan for rebuilding the Queen’s College; beside them are Bishop Barlow and Dr. Halton looking at the elevation of the library. In the background is a view of the College from the south.	300	£300	mounted	Print	Oxford	Queen’s College						
2830		N. Habert after F. C. de la Gange	Le R. P. Armand Iean Boutilier de Range Abbe de la Trappe Age De LXVI ans 1692	Engraving				I. 233 x 321 mm S. 348 x 242 mm				45	£45	mounted	Print	General Interest	Jacobite						
2831			Jenny Cameron	 Etching with Engraving	Sold by Griffin. Map & Printseller next ye Globe Tavern, Fleet Street.			I. 156 x 96 mm			Sharp 362	100	£100	mounted	Print	General Interest	Jacobite						
2832		James Basire after Wm. Turner	A View of the Chapel and Hall of Oriel College, &c.	Copper engraving	Published 1801			I 440 x 320 mm	Oxford Almanack 1801			80	£80	mounted	Print	Oxford	Oriel College						
2833		John Faber, Jnr after Richard Phelps	Bampfylde Moore Caren king of the Beggers. From the Original Picture in the Possession of Thos. Carew Esqr. of Crowcombe in Somersetshire.	Mezzotint				I. 272 x 221 mm Pl. 327 x 227 mm			Sharp 368, CS 56, O’D 1His names are relevant of Devonshire Jacobiteism	350	£350	mounted	Print	General Interest	Jacobite						
2835		William Faithorne after Edmund Lely	Mr. Jeremiah Collier	Mezzotint	Published by Excudit Edward Cooper			I. 219 x 177 mm Pl. 255 x 188 mm			Sharp 377, CS 6,  O’D 1	120	£120	mounted	Print	General Interest	Jacobite						
2836		John Faber, after Henry Pickering, retouched by John Robinson	Isabella Gordon, Countess of Cromarty	Mezzotint	Published by and sold by John Faber, Jnr.			I. 273 x 224 mm Pl. 329 x 226 mm			Sharp 382, CS 95, Russell 95, O’D 1	250	£250	mounted	Print	General Interest	Jacobite						
2837		Unknown engraver	Silhouette of Mrs Delany	Engraving	Published by Longman & Co. London. July, 1820			I. 100 x 77 mm S. 190 x 267 mm				20	£20	mounted	Print	General Interest	Jacobite						
2838		John Faber, Jnr after J. B. Vanloo	The Right Honourable John Lord Gower, Lord Privy Seal, Lord Lieutenant and Costos Rotulorum of the County of Stafford, one of His Majesties most Honourable Privy Council,and one of the Lords of the REGENCY Anno 1743.	Mezzotint	Sold by C. Hitch in Paternoster Row London, and by S. Parsons at Newcastle under tine.			I. 248 x 308 mm Pl. 250 x 353 mm S. 298 x 414 mm			Sharp 407, CS 163, O’D 1	150	£150	mounted	Print	General Interest	Jacobite						
2839		Unknown engraver	Coll. Reg. Oxon. Conspectux Capellae et Refectorii, Ad Austrum [Queen’s College]	Copper engraving	Sold by Joseph Smith, London c. 1750			I 580 x 410 mm				185	£185	mounted	Print	Oxford	Queen’s College						
2841		Plowman	A View of the Grand Agricultural Dinner in Queen’s College Quadrangle, Oxford, July 17th 1839	Lithograph	Published in ‘Jackson’s Oxford Journal’, c. 1840			I 380 x 270mm						mounted	Print	Oxford	Queen’s College						
2842		John Faber, Jnr after Richard Philps	Mrs Mary Anne Granville	Mezzotint	Published, Printed and sold by Thomas Bowles and John Bowles			I. 313 x 244 mm Pl. 349 x 246 mm			CS 167 O’D !	160	£160	mounted	Print	General Interest	Jacobite						
2843		After Peter Tillemans	Thomas Hearne M.A. of Edmund Hall Oxon.	Mezzotint				I. 139 x 111 mm Pl. 150 x112mm			Sharp 414, CS 53, O’D 5	160	£160	mounted	Print	General Interest	Jacobite						
2844		Emery Walker after Edmund Hort New	Oriel College Oxford	Photogravure	Published by Edmund Hort New: 17 Worcester Place Oxford; A.D. 1919			I 400 x 320 mm				375	£375	unmounted	Print	Oxford	Oriel College						
2845		William Williams	Collegium Aedis Christi [Queen’s College]	Copper engraving	1733			I 450 x 385 mm				100	£100	mounted	Print	Oxford	Queen’s College						
2846		William Williams	Collegium Orielense [Oriel College, aerial view]	Copper engraving	1733			I 470 x 540 mm				350	£350	mounted	Print	Oxford	Oriel College						
2847		Engraved by Robert Williams after Sir Godfry Kneller	Theophilus Earl of Huntingdon	Mezzotint				I. 311 x 258 mm Pl. 337 x 258 mm			Sharp 428, CS 26, O’D 1	150	£150	mounted	Print	General Interest	Jacobite						
2848		G. Lewis	Window of New College Chapel	Aquatint with hand colouring	London, Pub. June 1 1814 at 101 Strand, for R. Ackermann’s History of Oxford.			I 195 x 280 mm	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			80	£80	mounted	Print	Oxford	New College						
2851		John Faber, Jnr after John Michael Williams	Guilielmus King LLD.	Mezzotint				I. 313 x 250 mm Pl. 355 x 251 mm			Sharp 473, CS 207, O’D 2	250	£250	mounted	Print	General Interest	Jacobite						
2852		F. Aliamet after W. Hogarth	Simon Lord Lovat	Engraving				I. 123 x 950 mm			Sharp 501	35	£35	mounted	Print	General Interest	Jacobite						
2853		Anonymous after T. Kitchen	Lord Lovat a Spinning	Engraving with Etching	Sold at N 59 Holburn Hill. According to act of  Parlim.t 1746			168 x 221 mm Pl. 183 x 233 mm			Sharp 509	180	£180	framed	Print	General Interest	Jacobite						
2854		John Smith after Sir Godfrey Kneller	John Earl of Mar Lord Erskine Garioch & Alloa, Heritable Governour & Captain of Stirling Castle. One of the lords of Her Majesty’s Privy Council and Exchequer, and Colonel of a Regiment of Foot.	Mezzotint				I. 237 x 274 mm S. 311 x 447 mm			Sharp 529 i, O’D 1, CS 159	450	£450		Print	General Interest	Jacobite						
2856		John Faber, Jnr after Thomas Hudson.	Mrs Flora MacDonald	Mezzotint	Published and Sold by George Strahan			I. 312x 253 mm Pl. 355 x 255 mm 			Sharp 518,  CS 230, O’D 1	200	£200	mounted	Print	General Interest	Jacobite						
2857		After Markham 	Miss Flora McDonald 	Mezzotint	Published according to Act of Parliamt. 6th June 1747 			I. 270 x 228 mm Pl. 323 x 229 mm			Sharp 519, O’D 2; C.S. 64 anon 64	300	£300	mounted	Print	General Interest	Jacobite						
2859		P. Grave s.c.	Ranald McDonald 	Engraving				I. 116 x 95 mm				20	£20	mounted	Print	General Interest	Jacobite						
2860		S. Gribelin after M. Dahl	His Grace James Duke, Marques, & Earl, Ormonde, Earl of Ossory, and Brecknock, Viscount Thurles, Baron of Arkow... Chief of all Her Majesty’s Land Forces.	Engraving	Sold by Phil Overton near St. Dunstans Ch, in Fleet Street			I. 223 x 353 mm S. 261 x 381 mm				280	£280	mounted	Print	General Interest	Jacobite						
2861		 after Benoist	Sr. John Phillips Bart.	Engraving				I. 73 x 70 mm			Sharp 599	2	£2	mounted	Print	General Interest	Jacobite						
2863		William Wynne Ryland after Angelica Kauffman	Patience 	Stipple	Published April 21. 1777. by W.W. Ryland London.			I 310 mm oval; Pl. 377 x 288 mm, S 562 x 420 mm			i/ii Boerner 185, Le Blanc 25, Bleackley 29Provenance: Sledmere£4500 for the set of four	4500.00	£4,500	framed	Print	Fine Prints	Engravers A-K						
2864		William Wynne Ryland after Angelica Kauffman	Duchess of Richmond	Stipple	Published Nov.r the 21st 1775			 310 mm oval; Pl. 370 x 280 mm, S 562 x 420 mm	By the Proprietor No. 159 near Somerset House Strand 		ii/ii O'Donoghue 2 Provenance: SledmerePrice for the set of four	4500	£4,500	framed	Print	Fine Prints	Engravers A-K						
2865		William Wynne Ryland after Angelica Kauffman	Morning: Amusement  	Stipple	Published April 3: 1783 by W.W. Ryland London.			I 310 mm oval; Pl. 390 x  300 mm, S 562 x 415 mm	i/ii		Provenance: SledmereLady Hester StanhopeNot in O'DonoghuePrice for the set of four	4500	£4,500	framed	Print	Fine Prints	Engravers A-K						
2866		William Wynne Ryland after Angelica Kauffman	Eloisa. 	Stipple	Published November 25. 1779 at No. 159 Strand London.			I 310 mm oval; Pl. 395 x  305 mm, S 562 x 420 mm			i/iiBoerner 143Provenance: Sledmere£4500 for the set of four	4500	£4,500	framed	Print	Fine Prints	Engravers A-K						
2867		Thomas Burke after Angelica Kauffman	Cupid and Cephisia	Stipple	Published Feb.y 1st 1789 by T. Burke N 5 Great College Street Westminster			I 364 mm oval, Pl. 474 x 334 mm			£1100 the pair.	1100.00	£1,100	framed	Print	Fine Prints	Engravers A-K						
2868		Unknown engraver	Arthur Pond	Engraving				I. 139 x 185 mm S. 140 x 211 mm			O’D i/ii	200	£200	mounted	Print	General Interest	Jacobite						
2872		Unknown engraver	William Tunstall	Mezzotint				I. 163 x 135 mm Pl. 184 x 136 mm			Sharp 653, CS 112, O’D 1	20	£20	mounted	Print	General Interest	Jacobite						
2873		J. Faber after Thomas Hudson	Sr, Watkin Williams- Wynn Bart (1692 - 1749)	Mezzotint	Price 2 Shills. Sold by Faber at the Golden Head Bloomsbury Square			I. 253 x 309 mm Pl. 253 x 355 mm S. 270 x 370 mm			Sharp 669	350	£350	framed	Print	General Interest	Jacobite						
2875		T. Burke after Angelica Kauffman	Angelica and Sacriponte	Stipple	Published Jany. 2 1792 by J. & J. Boydell			I 350 mm vircular, Pl. 485 x 390 mm			Price for the pair.	1100	£1,100	framed	Print	Fine Prints	Engravers A-K						
2877		T. Burke after Angelica Kauffman	Hanry and Emma	Stipple	Published Jany. 2 1792 by J & J.Boydell			I 350 mm vircular, Pl. 485 x 390 mm			Price for the pair	1100	£1,100	framed	Print	Fine Prints	Engravers A-K						
2878			(Victims of the ‘15)	Engraving				S. 529 x 700 mm			Sharp 694	1500	£1,500	framed	Print	General Interest	Jacobite						
2883		Unknown engraver	A Perspecive View of Tower Hill and the Place of Execution of the Lords Kilmarnock and Balmerino on Monday 18th August 1746	Engraving				I. 403 x 216 mm Pl. 419 x 256 mm 433 x 291 mm				250	£250	mounted	Print	General Interest	Jacobite						
2884		P. C. Canot after G. Budd	A True Representation of TOWER - HILL, as it Appear’d from a rais’d point of Viewon the North side, Augt. ye 18th 1746. when the Earl of Kilmarnock and Lord Balmerino were Beheaded.	Engraving				I. 590 x 346 mm S. 619 x 379			Sharp 702	150	£150	framed	Print	General Interest	Jacobite						
2885		R.Wallis after J.M.W Turner	Hastings. To Charles Sackville Bale Esq. This Engraving  from the Original Drawing  in his Collection, is respectfully dedicated by his obliged humble servants, E. Gambert & Co.	Steel engraving	London published Nov.r 1851 by E. Gambert & Co. 25 Berners Street, Oxford Street, 1851			I 588 x 397 mm; S 640 x 498 mm			Rawlinson 665 iv/iv , but vi/vi	350	£350	mounted	Print	British Topography	Sussex						
2886		J.C. Stadler after J. Laport 	Margate, from Hazardous Row	Aquatint	Published by P. Burgess, Library, Ramsgate, July 1 1809			I 298 x 149 mm; S 387 x 248 mm				120	£120	mounted	Print	British Topography	Kent						
2888		J. Martin after G. Titler	Clovelly - Devon	Lithograph	Published by J. Banfield, Ilfracombe circa 1838			I 304 x 184 mm			Project for monumental statue for King William IVNot in Somers-Cocks	80	£80	mounted	Print	British Topography	Devon						
2890		P.W. Tomkins	Miss Linwood	Stipple printed in colours	London Published as the Act directs April 29, 1806 for the Proprietor by P.W. Tomkins, 49 New Bond St.			I 393 x 315 mm, Pl. 470 x 370 mm, S 532 x 422 mm			Mary Linwood (1755-1845) needwork artist.	450.00	£450	framed	Print	Portraits	Artists Portraits						
2891		W. Spreat	Lynmouth, from the Quay	Lithograph	Printed & Published at W. Spreats Lithographic Establishment, 229, High Street, Exeter. Circa 1850				I 280 x 191 mm; S 382 x 285 mm		S.C. 1614 c. 1850	80	£80	mounted	Print	British Topography	Devon						
2892			New Map of the University and City of Oxford	Copper engraving	Engraved for the Walks in Oxford, published by R. Pearson, High Street, 1817			390 x 430 mm			Based on I. Taylor’s plan of 1789.	400.00	£400	mounted	Map	Oxford	Oxford Maps						
2897		Unknown engraver	A Perspective View of Westminister Hall, with both Houses of Parliament assembled on the Tryal of Simon Lord Lovat.	Engraving				I. 233 x 254 mm S. 285 x 389 mm				280	£280	framed	Print	General Interest	Jacobite						
2898		Unknown engraver	A Representation of the Trial of Lord Lovat in Westminister-Hall	Engraving				I. 188 x 233 mm S. 221 x 287 mm			Sold as a pair with Stock No. 2899	34	£34	mounted	Print	General Interest	Jacobite						
2899		Unknown engraver	A View of Westminister Hall	Engraving				I. 149 x 162 mm S. 214 x 289 mm			Sold as a pair with Stock No. 2898	34	£34	mounted	Print	General Interest	Jacobite						
2900		Unknown engraver	A Representation of the Execution of Lord Lovat	Engraving				I. 170 x 88 mm S. 220 x 140 mm				45	£45	mounted	Print	General Interest	Jacobite						
2902		John Faber, Jnr after Thomas Hudson	A well known Society of Worthy Aldermen from an Original Picture by T,, Hudson in Goldsmiths Hall London or [Benn’s Club]	Mezzotint	Published and Printed for Robert Sayer			I. 248 x 251 mm Pl. 250 x 253 mm			Sharp 711 i/ii CS 32, O’D 2	200	£200	mounted	Print	General Interest	Jacobite						
2903		Thomas Rowlandson	The Vision	Engraving	Published May 15th, 1786 by E. Jackson No. 14 Mary le bone Street Gloden Square			I. 240 x 193 mm Pl. 263 x 252 mm S. 411 x 279 mm			From the Series, Beauties of Boswell, By Thomas Rowlandson. The series consisted of ten depictions satirizing Dr. Samuel Johnson and James Boswell’s visit to the Western Isles of Scotland	170	£170	mounted	Print	General Interest	Jacobite						
2904		Thomas Rowlandson	The Dance on Dun-can	Engraving	Published May 15th, 1786 by E. Jackson No. 14 Mary le bone Street Gloden Square			I. 243 x 189 mm Pl. 275 x 265 mm S. 382 x 291 mm			From the Series, Beauties of Boswell, By Thomas Rowlandson. The series consisted of ten depictions satirizing Dr. Samuel Johnson and James Boswell’s visit to the Western Isles of Scotland	170	£170	mounted	Print	General Interest	Jacobite						
2907		Engraved by Van der Aa	Vue’ de la Ville de Perth	Engraving				I. 157 x 125 mm Pl. 159 x 126 mm 179 x 156 mm				41	£41	mounted	Print	General Interest	Jacobite						
2909		Engraved by G.Vertue	Almanack of 1751, The opening of the Radcliffe Library	Engraving on Silk				I. 433 x 362				250	£250		Print	Oxford	Radcliffe Camera						
2912			Temple Bar. From a scarce print in the possession of the Author	Lithograph	Day & Son Lith.rs to the Queen			I.111 x 155 mm S. 202 x 138 mm				80	£80		Print	General Interest	Jacobite						
2926			Oxford	Lithograph	Wagner & Debes’ Geogl. Estabt. Leipzig, 1930						Scale 1:10.250	15.00	£15		Map	Oxford	Oxford Maps						
2930			Prints of Fruit and Vegatbles	Chromolithograph	Supplement to The Profitable Farm and Garden, c. 1900			S 315 x 215 mm	The Profitable Farm and Garden			30.00	£30		Print	General Interest	Flora						
2932		W. Gauci after Delamotte	Oriel College	Lithograph	Published c. 1843			I 350 x 250 mm	Original Views of Oxford, its Colleges, Chapels and Gardens from drawings expressly for this work by William Alfred Delamotte. Executed in Lithography by William Gauci, with Historical and Descrpitive notices by Charles Ollier. London: Thomas Boy. 1843		Light foxing.	120	£120	mounted	Print	Oxford	Oriel College						
2933		Carl Rundt	New College, from the Garden	Lithograph with tint stone	Berlin c. 1859			I 395 x 285 mm	A Walk round Oxford. 		From a series of sixteen lithographs of Oxford collected in the manner of a short tour around Oxford.	500	£500	mounted	Print	Oxford	New College						
2935		Emery Walker after Edmund Hort New	Wadham College Oxford	Photogravure	Published by Edmund Hort New: 17 Worcester Place Oxford; June 1st 1910			I 410 x 260 mm				350	£350	mounted	Print	Oxford	Wadham College						
2936		William Williams	Colleg. Diui Ioannis Baptistae [St. John’s College]	Copper engraving	1732-33			I 370 x 460 mm	Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 1732-33		Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. 	160	£160	mounted	Print	Oxford	St. John’s College						
2937		William Williams	Collegium Ste. Trinitatis [Trinity College, double prospect]	Copper engraving	1722-23			I 400 x 480 mm				65	£65	mounted	Print	Oxford	Trinity College						
2938		William Williams	Colleg. Diui Ioannis Baptistae [St. John’s College, double prospect]	Copper engraving	1732-33			I 380 x 480 mm	Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 1732-33		Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. 	120	£120	mounted	Print	Oxford	St. John’s College						
2939		William Williams	Collegium Universitatis [University College]	Copper engraving	1750			I 380 x 480 mm	Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 1732-33		Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. 	200	£200	mounted	Print	Oxford	University College						
2940		William Williams	Collegium Wadhamense [Wadham College, aerial view]	Copper engraving	1750			I 400 x 525 mm	Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 1732-33		Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. 	320	£320	mounted	Print	Oxford	Wadham College						
2942		Pigot, James 	Gloucestershire	Steel engraving with hand colouring	Published by Pigot & Co. 17 Basing Land & 18 Fountain St. Manchester, 1831 			350 x 220 mm	From Pigot & Co’s British Atlas		Pigot & Son produced a very finely engraved series of oblong county maps for theur various National Commercial Directoris and these were issued  collectively as Pigot & Co’s British Atlas in 1831	75.00	£75	mounted	Map	English Counties	Gloucestershire						
2943		Stanford, Edward 	Oxfordshire and Berkshire	Lithograph	London: Edward Stanford, Ltd. 12, 13, &14, Long Acre, W.C. 			240 x 180 mm				25	£25		Map	Oxford	Oxfordshire						
2946		William Williams	Collegium Vigorniense [Worcester College]	Copper engraving	1750			I 460 x 375 mm	Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 1732-33		Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. 	300	£300	mounted	Print	Oxford	Worcester College						
2948		Unknown artist	Trinity College Oxford, New Quadrangle,	Photolithograph	Published  in ‘The Building News’1885			I 380 x 280 mm				120	£120	mounted	Print	Oxford	Trinity College						
2951		Michael Rooker	St. John’s College from the Garden	Copper engraving with hand colouring	Published 1783			I 295 x 445 mm	From the Oxford Almanack, 1783			220	£220	mounted	Print	Oxford	St. John’s College						
2952		Albany E. Howarth	Trinity College	Etching	c.1920			Image and plate 230 x 175 mm			Signed in pencil 	150	£150	framed	Print	Artists	Albany E Howarth						
2954		J. Skelton after C. Wild	Wadham College from the Garden	Copper engraving with hand colouring	c. 1820			I 445 x 310 mm				130	£130	mounted	Print	Oxford	Wadham College						
2955		Antonio Zecchin after Singleton	The Absent Father or the Sorrows of War	Stipple engraving printed in colours	Published September 30, 1799, by Antoine Suntach			I 347 x 292 mm, Pl. 441 x 338 mm			the pair	960.00	£960	framed	Print	Fine Prints	Foreign Copies of English Prints						
2956		W. Gauci after Delamotte	Trinity College Chapel, Oxford	Lithograph	Published c. 1840			I 350 x 255 mm	Original Views of Oxford, its Colleges, Chapels and Gardens from drawings expressly for this work by William Alfred Delamotte. Executed in Lithography by William Gauci, with Historical and Descrpitive notices by Charles Ollier. London: Thomas Boy. 1843			80	£80	mounted	Print	Oxford	Trinity College						
2957		After Muirhead Bone	Building Nuffield College, 1950	Photolithograph	Published c. 1950			I 425 x 275 mm	From the Oxford Almanack			50	£50	mounted	Print	Oxford	Nuffield College						
2963		J. Bretherton after J.W Bunbury	CANTAB.	Etching	Publish’d as the Act directs May 2. 1772 By J. Bretherton No. 134, New Bond Street			I 235 x 190 mm				60	£60	mounted	Print	General Interest	Caricatures						
2967		J. C. Stadler after Geo. Wather Esq.r	Ramsgate Town and Harbour, from the East Pier Head	Aquatint	Pub.d by P. Burgess Library Ramsgate July 1. 1809			I 297 x 142 mm; Pl. 342 x 218 mm				120	£120	mounted	Print	British Topography	Kent						
2968			“gentle manners” [Hon Sir Fred North]	Lithograph	Octr. 29 1887			I 315 x 190 mm	Vanity Fair			250.00	£250	framed	Print	Portraits	Vanity Fair	Legal					
2969		J.C Stadler after Geo. Walker Esq.r	Ramsgate Pier, from the Bathing Sands	Aquatint	Pub.d by P. Burgess Library Ram--sgate July 1 1809			I 296 x 147 mm; Pl. 340 x 202 mm				120	£120	unmounted	Print	British Topography	Kent						
2971		Hanslip Fletcher	Littlenose Court	Pen and ink	1931			S 380 x 530 mm			Some silverfish damage 	100.00	£100		Print	Oxford	General Views						
2973		Thomas Hewitt Williams	Clovelly, North Devon	Lithograph	Published by Cole & Co. Exeter 1821.			I 256 x 180 mm			Printed by Rowney & Forster, London[Somers Cocks 369]	50	£50	mounted	Print	British Topography	Devon						
2974		John Buckler	The Tower of Magdalen College	Engraving	1801			I 460 x 342 mm, S 515 x 348 mm			Working proof with penicl inscribded title and artist name and date	100.00	£100		Print	Oxford	Magdalen College						
2976		Whessell, I. and Bartlett, T. 	Oxonia Antiqua Instaurata, Sive Urbis & Academiae Oxoniensis Topographica delineatio olim a Radulpho Agas impressa A.D. 1578 nunc denuo oeri incisa AD MDCCXXVIII. Huic in Margine acceste Cod: MS Bodl: Collegiorum & Scholaram Scenographia anplior & accuratior a Th. Neal STB descripta AD 1566	Copper engraving	Engraved and Published by I . Whessell and T. Bartlett 1831, for Oxford Delinated				for Oxford Delineated			100.00	£100	mounted	Map	Oxford	Oxford Maps						
2978		William Gauci after J Neet.	St. Aubin’s from the road leading to St Peters. Jersey	Lithograph with hand colouring	Pub.d by M Mofs, Guernsey.Printed by C. Hullmandel			I 254 x 175 mm				80	£80	unmounted	Print	British Topography	British Islands						
2979		W. Gauci after N. De Garis Jun.r	Town of St. Helliers. Jersey	Lithograph with hand colouring	Pub.d by M. Moss Guernsey and C. Le Lievere Jersey. W Day Lith.r to the King 17, Gate St.			I 251 x 176 mm				80	£80	unmounted	Print	British Topography	British Islands						
2980		Day & Son. Litho.s to the Queen	Watergate St. Chester. The motto on this old house is said to have been inscribed by the occupier as a grateful memorial, after escaping the plague, which had visited almost every other dwelling in the city. (Vide Chester Guide, page,33)	Lithograph	Published by T. Catherall, Eastgate Row, Chester & Bangor			I 283 x 187 mm				40	£40	mounted	Print	British Topography	Cheshire						
2982		William Gauci after T. Maisey	On the Thames, at Northfleet	Lithograph	Printed by W. Gauci 9 North Cres.t Bedf.d Sq.re			I 405 x 285 mm				90	£90	mounted	Print	British Topography	Kent						
2983		A. Aglio after Rolston	Mr Hyde’s Shop Market Street	Lithograph	Published by D. & P. Jaksons, 1 Spring Gardens, Manchester			I 366 x 264 mm				150	£150	mounted	Print	British Topography	Lancashire						
2984		W. Sims after J.B. Sedgwick	The House in which Richard III slept at Leicester, the night before the battle of Bosworth Field. Then known as the Blue Boar Inn at Leicester	Lithograph	London Marsh & Miller, 137 Oxford Street,1830Printed by Engelmann& Co.			I 232 x 164 mm				50	£50	mounted	Print	British Topography	Leicestershire						
2985		T. Sutherland after Augustus Pugin	Pavillion, Stables Garden Front.	Aquatint	London Published   1824 by John Nash Esqr. & Sold by R. Ackermann, 101 Strand			I 197 x 338 mm, Pl 335 x 390 mm, S 365 x 540 mm	Illustrations of Her Majesty's palace at Brighton; formerly the Pavilion: : executed by the command of King George the Fourth, under the superintendence of John Nash, ... To which is prefixed, a history of the palace, by Edward Wedlake Brayley, 1838 			100.00	£100	mounted	Print	British Topography	Sussex						
2986		T. Sutherland after Augustus Pugin	Pavilion, Centre Part of the Front Towards the Steine, John Nash Esq. Archt. & Invent.	Aquatint	London Published   1824 by John Nash Esqr. & Sold by R. Ackermann, 101 Strand			I 258 x 213 mm, Pl 385 x 330 mm, S 365 x 540 mm	Illustrations of Her Majesty's palace at Brighton; formerly the Pavilion: : executed by the command of King George the Fourth, under the superintendence of John Nash, ... To which is prefixed, a history of the palace, by Edward Wedlake Brayley, 1838 			150.00	£150	mounted	Print	British Topography	Sussex						
2987		T. Sutherland after C. fielding and Augustus Pugin	Pavilion West Front.	Aquatint	London Published   1824 by John Nash Esqr. & Sold by R. Ackermann, 101 Strand			I 210 x 352 mm, Pl 333 x 380 mm, S 365 x 540 mm	Illustrations of Her Majesty's palace at Brighton; formerly the Pavilion: : executed by the command of King George the Fourth, under the superintendence of John Nash, ... To which is prefixed, a history of the palace, by Edward Wedlake Brayley, 1838 			100.00	£100	mounted	Print	British Topography	Sussex						
2988		H. Winkles after Augustus Pugin	Pavilion North & South Galleries, Chamber Floor.	Aquatint	London Published June 2 1823 by John Nash Esqr. & Sold by R. Ackermann, 101 Strand			I 210 x 305 mm, Pl 333 x 380 mm, S 365 x 540 mm	Illustrations of Her Majesty's palace at Brighton; formerly the Pavilion: : executed by the command of King George the Fourth, under the superintendence of John Nash, ... To which is prefixed, a history of the palace, by Edward Wedlake Brayley, 1838 			100.00	£100	mounted	Print	British Topography	Sussex						
2989		W. Gauci after T. C. Dibdin	Torbay, from Tor Abbey Sands	Lithograph	Printed by M & N Hanhart			I 300 x 200 mm			Gaucci/Dibdin/Vivian [Pub. by Cockrem, Elliot & Barrett of Torquay and R. Ackermann, as the 2nd pate of their series. Scenes of Torquay and Babicomb: S.C. 3284]	80	£80	mounted	Print	British Topography	Devon						
2990		G. Tytler	William The Fourth Erected by Voluntary Subscription A.D. MDCCCXXXII	Lithograph				I 273 x 221 mm			never built	50	£50	mounted	Print	British Topography	Dorset						
2992		W. J. Bennett  after Augustus Pugin	Pavilion, Saloon	Aquatint	London Published July1823 by John Nash Esqr. & Sold by R. Ackermann, 101 Strand			I 210 x 305 mm, Pl 333 x 380 mm, S 365 x 540 mm	Illustrations of Her Majesty's palace at Brighton; formerly the Pavilion: : executed by the command of King George the Fourth, under the superintendence of John Nash, ... To which is prefixed, a history of the palace, by Edward Wedlake Brayley, 1838 			100.00	£100	mounted	Print	British Topography	Sussex						
2993		W. J. Bennett  after Augustus Pugin	Pavilion, Gallery, in its present state, looking towards the Music Room	Aquatint	London Published July1823 by John Nash Esqr. & Sold by R. Ackermann, 101 Strand			I 210 x 305 mm, Pl 333 x 380 mm, S 365 x 540 mm	Illustrations of Her Majesty's palace at Brighton; formerly the Pavilion: : executed by the command of King George the Fourth, under the superintendence of John Nash, ... To which is prefixed, a history of the palace, by Edward Wedlake Brayley, 1838 			100.00	£100	mounted	Print	British Topography	Sussex						
2994		after G. Howse	The Race	Chromolithograph	Published by Ryman, Oxford, c. 1855			I 275 x 468 mm, S 342 x 537 mm			Scarce Print	450.00	£450		Print	General Interest	Sport	Rowing					
2995			Rowing, University eight training on the Isis	Lithograph	William MacKenzie, London, Edinburgh & Glasgow, c. 1865			I 143 x 217 mm, S 238 x 307 mm				200.00	£200	mounted	Print	General Interest	Sport	Rowing					
2997		G. Howse	The Procession of the Boats, Oxford.		Published June 1st 1859. By James Ryman 25 & 25 High Street, Oxford.			I 284 x 605 mm				1000.00	£1,000	framed	Print	General Interest	Sport	Rowing					
3000		After Cipriani	Hebe. In the Collection of Chas. Boddam Esq.	Colour printed stipple	Publish’d by A. Klauber			I 111 x 87 mm, Pl. 190 x 147 mm, S 268 x 210 mm			A German copy of a stipple by Bartolozzi	120	£120	mounted	Print	Fine Prints	Foreign Copies of English Prints						
3001		Francesco Bartolozzi after P. Violet	[Astronomy]	Stipple	London Pubd. Jany. 1 1793 by C. Gusan & Sold by I.F. Tomkins No. 49 New Bond Street			I 70 mm oval, PL. 175 x 115 mm, S 202 x 135 mm			de V & C 574 iii/ivThe small boy is Issac Newton aged 7	35.00	£35	mounted	Print	Fine Prints	Stipple						
3002		S. des M....z after La Sigra. Rosabella	La Sigra. Rosabella peinte par elle meme.	Stipple				I  95 mm oval, Pl. 160 x 120 mm, S 210 x 165 mm				100.00	£100	mounted	Print	Fine Prints	Stipple						
3004		Antoine Suntach after Henry William Bunbury	Charlotte	Stipple				Pl. 200 x  170 mm, 255 x 180 mm, S 295 x 233 mm 				200.00	£200	mounted	Print	Fine Prints	Foreign Copies of English Prints						
3005		Jacques Bonnefoy after Angelica Kauffman	Nymphs Sacrificing to Love.	Stipple printed in colours	London Published by Tessari & Co. Pall Mall			I 260 x 345 mm, Pl 330 x 380 mm, S 330 x 395 mm				400.00	£400	mounted	Print	Fine Prints	Engravers A-K						
3006		Aloys Kessler after John Singleton Copley R.A.	The Death of Major Pierson	Copper engraving	Published Nuremberg 1800 by J.F. Frauenholz			I 424 x 580 mm, 494 x 630 mm, S 557 x 697 mm				400.00	£400	mounted	Print	Fine Prints	Foreign Copies of English Prints						
3014		W. M. Craig			Pub. by T. Ostell Nov. 1 1806			Pl. 274 x 410 mm, I 250 x 360 mm, S 287 x 442 mm				175.00	£175	mounted	Print	Fine Prints	Artists Prints						
3015			The Two Comerades before the Battle	Lithograph with hand colouring				I 383 x 227 mm, S 415 x 315 mm			the pair	150	£150	mounted	Print	General Interest	Military						
3016			The Comerades after the Battle	Lithograph with hand colouring				I 383 x 227 mm, S 415 x 315 mm			a pair	150.00	£150	mounted	Print	General Interest	Military						
3017		Martin & Hood	The Bowyer Bible and Cabinet, Value Three Thousand One Hundred Guineas; Measures Eight Feet Six Inches in Length and the Same in Height, The Highest Portion in Mrs Mary Parkes’s Last Grand Club Subscription.	Lithograph	1848			I 320 x 334 mm, S 380 x 340 mm				100.00	£100	mounted	Print	General Interest	Loose Prints and Curiosities						
3018		George Morland 		Mezzotint				I 307 x 248 mm, Pl. 355 x 251 mm, S 412 x 312 mm				150.00	£150	mounted	Print	Fine Prints	Engravers L-R						
3020			The Finishing School or Quite Accomplished.	Aquatint with hand colouring	London, Published Feby. 1 st 1838 by Thomas McLean, 26, Haymarket			Pl. 303 x 385, S 316 x 402 mm				200.00	£200	mounted	Print	General Interest	Caricatures						
3025		John Cardini	General Moreau.	Stipple with hand colour	Published Octr. 26 1813 by John Cardini			I 180 x 280 mm, S 238 x 301 mm				40.00	£40	mounted	Print	Portraits	Military						
3026		A. Maclure	Destruction of the American Emigrant Ship Ocean Monarch, on the 24th August, 1848	Lithograph with tint stone	Published for the Benefit if the Liverpool Sailors Home, By Acker mann & Co. Strand, London; Maclure, Macdonald & Mcgregor. Liverpool, Grundy: Manchester and McClure & So, Glasgow			I 310 x  470 mm, S 383 x 510 mm			The Ocean Monarch, an emigrant ship, left Liverpool for America on 24 August 1848. Six miles off Great Orme's Head, North Wales, a passenger was discovered lighting a fire which quickly got out of control. Many emigrants took refuge in the bows and rigging of the foremast, which snapped hurling them in to the sea. Several nearby vessels assisted in the rescue but of the 322 people on board, 178 were lost.	180	£180	mounted	Print	General Interest	Maritime						
3035		G. Hadfield after Richard Cosway R.A.	His Most Serene Highness Louis Phillip Joseph Duke of Orleans	Stipple	Published as the Act directs 1788 by R. Cosway			I 240 x 140 mm, Pl. 335 x 240 mm, S 392 x 280 mm			D 112	180.00	£180	mounted	Print	Portraits	House of Savoy						
3036		T.G. Dutton	Messrs.Donald Currie & Cos. Royal Mail Steam Ship “Grantully Castle”, 3489 Tons Built by Messrs Barclay Curie & Co, White Incxh Ry, Glasgow	Lithograph with tint stone 	London, Published June 1st 1881 by John B. Day, 5 Blythwood Villas Crouch Hill N.			I 277 x 450 mm				440.00	£440	mounted	Print	General Interest	Maritime						
3037		John Smith after Sir Godfrey Kneller	Johannes Smith	Mezzotint	Published by John Smith 1716			I 302 x 255 mm, Pl. 341 x 257 mm, S 360 x 275			CS 232 ii	600.00	£600	mounted	Print	Portraits	Artists Portraits						
3038		Geo. Rowe	Teignmouth from Torquay Road	Lithograph	Published by Geo. Rowe, 69 Georges Place, Cheltenham			I 150 x 265 mm; S 235 x 340 mm			DEVONb/a/p Geo Rowe Chelt* S.C. 2924, c. 1840	45	£45	mounted	Print	British Topography	Devon						
3039		Freeman after Carlo Amatucoi	His Excellency Sir Wm. Carr Beresford K.B. 	Stipple	Pub & Sold Jany. 26 1814 by Edwd. Ormw, Publisher to his Majesty & H.R.H. the Prince Regent, Bond St. Corner of Brook Street London			I 103 mm oval, Pl. 200 x 134 mm, S 255 x 192 mm				50.00	£50	mounted	Print	Portraits	Military						
3040		Edward Morton after John Constable	Cottage adjoining ...	Lithograph	London, Published J. Dickenson			I 140 x 195 mm; S 210 x 255 mm 	The birthplace of late John Constable Esq. R.A. from a sketch by himself, taken in 1836.			25	£25	mounted	Print	British Topography	Suffolk						
3042		J. Fallowfield Masser after Robert Bownas	Wakefield	Lithograph	Published by J. Fallowfield Masser, 25, Boar Lane Leeds 1865			Pl. 215 x 352 mm;  S 340 x 472 mm				180	£180	mounted	Print	British Topography	Yorkshire						
3043		Frank Short after George Frederick Watts	Tennyson	Mezzotint	London Published Oxtober 3, 1903 by Robert Dunthorne 5, Vigo Street, London W			I 342 x 261, Pl. 410 x 255 mm, S 497 x 377 mm			O’Donoghue 36 Martin Hardie 79 (ii/ii) one of 250 impressionsAlfred Tennyson, 1st Baron Tennyson (1809-1892), Poet Laureate. 	250.00	£250	mounted	Print	Portraits	Literary and Poetic						
3044		C. Philips Jacobs	Gezicht na de Zaag-Moolens Poort te Amsterdam	Copper engraving				I 245 x  345 mm; Pl. 280 x 370 mm; S 335 x 415 mm				80	£80	mounted	Print	Foreign Topography	Low Countries						
3045		Paolo Fumagalli	Vue de Teatre Tragique a Pompei	Aquatint	Dessine d’apres nature en 1821			I 205 x 280 mm; Pl. 280 x 330 mm; S 300 x 405 mm				60	£60	mounted	Print	Foreign Topography	Italy						
3046		Day & Haghe after B. Bury	Breakfast Room at Drakelowe, The Seat of Lady Sophia des Vaux	Lithograph	Published by Day & Haghe c. 1844			I 185 x 370 mm; S 380 x 560 mm				30	£30	mounted	Print	British Topography	Derbyshire						
3047		Day & Haghe after B. Bury	Drakelowe, The Seat of Lady Sophia des Vaux	Lithograph	Published by Day & Haghe c. 1844			I 260 x 365 mm; S 380 x 560 mm			now demolished	50	£50	mounted	Print	British Topography	Derbyshire						
3048		Jonathan Young after John Rising	The Ballad Girl	Mezzotint				I 315 x 250 mm, S 335 x 250 mm			not in CS	600.00	£600	framed	Print	Fine Prints	Engravers S-Z						
3049		Hibbert after C.W. Bampfield	Oakhampton Castle in Devonshire	Aquatint	Pub. As the Act directs 25th March 1791 by W. Hibbert			I 180 x 260 mm; Pl. 240 x 300 mm; S 260 x 320 mm			not in Somers Cocks. c.1790C.W. Bampfield (d.1791) a landagent and Lt. Col of the North Somerset Militia, is best known as a watercolourist: a few topographical etchings and book-illustrations are known.Hibbert/CWB for Hibbert Aq. Not in Somers Cocks. c. 1790. Copelstone Warre Bampfield (d.1791), a land-agent and Lt-Col of the North Somerset Militia, is best known as a watercolourist: a few topographical etchings and book-illustrations are known.	120	£120	mounted	Print	British Topography	Devon						
3050		Jukes & Sarjent after W. Brown	Durham, from the lower end of Framwell Gate	Aquatint	London Published May 3rd 1809, by Jukes & Sargent 57 Upper John Street Fitzroy Square			I 220 x 340 mm; Pl 270 x 365 mm : S 280 x 385 mm				250	£250	mounted	Print	British Topography	Durham						
3052		Axel Herman Haig	Durham Cathedral	Etching	1893			Pl. 626 x 438 mm			Lennox-Boyd 119Axel Haig R.E., a Swede, came to etching from architectural drawing and originally naval architecture. His earliest etchings showed the omission of the inessential, the hallmark of the new etchers but he soon found his feet making etchings suitable to be framed and put on the walls as rivals to paintings. His technique was different: look closely at a Haig Cathedral interior and you see a confused melee of lines, step back and you get the authentic gloom of the Middle Ages. 	950	£950	mounted	Print	Victorian							
3053		Axel Herman Haig	Flemish Lace Workers	Etching				I 191 x 279 mm; Pl. 197 x 286 mm			Impression signed by Haig and inscribed to James Howard InceOne of 100 on Whatman at 1 gn.Lennox-Boyd 22Axel Herman Haig, R.E. a swede, came to etching from architectural drawing and originally naval architecture. His earliest etchings showed  the omission of the inessential, the hall mark of the new etchers, but he soon found his feet making etchings suitable to be framed and put on the walls as rivals to paintings. His technique was different: look closely at a Haig Cathedral interior and you see a confused melee of lines, step back and you get the authentic gloom of the Middle Ages.	300	£300	framed	Print	Victorian							
3055		Axel Herman Haig	The Morning of the Festival	Etching	1883			I 698 x 353 mm; Pl 732 x 380 mm			Impression signed by Haig One of 300 at 3 gns.Lennox-Boyd 41Axel Herman Haig, R.E. a swede, came to etching from architectural drawing and originally naval architecture. His earliest etchings showed  the omission of the inessential, the hall mark of the new etchers, but he soon found his feet making etchings suitable to be framed and put on the walls as rivals to paintings. His technique was different: look closely at a Haig Cathedral interior and you see a confused melee of lines, step back and you get the authentic gloom of the Middle Ages.	650	£650	framed	Print	Victorian							
3057		Robert Walker Macbeth	The Coming Storm	Etching	Published 1 May 1894			I 331 x 553 mm; Pl. 370 x 590 mm			Impression inscribed “F Goulding imp.”Signed by MacbethLaid downRobert Walker Macbeth (1848 - 1910)Walker Macbeth was the son of the Scottish portrait painter Norman Macbeth. he was an etcher, watercolourist and painter of pastoral landscapes, rustic genre scenes and has a unique etching style, very different from Haden or Whistler. He served on the Council of the Royal Society of Painter-Etchers.	700	£700	framed	Print	Victorian							
3059		Henry Robert Robertson (1839-1921)	The plowman homeward plods his weary way.../me	Etching				I 258 x 444 mm; Pl. 317 x 487 mm			Robertson was a landscape painter and “Idyllist”.Inspired by Thomas Gray’s (1716-1771) “Elergy Written in a country Churchyard”. The image refers to line 3 in the poem, “The plowman homeward plods his weary way,” whereas the remark in the inscription space refers to lines 9 and 10 “Save that from yonder ivy-mantled tow’r the moping owl does to the moon complain”. Impression signed by RobertsonIssued by Dunthorne in an edition of 100 at 2 gns eachExhibited at the Chicago World Fair 1890 (no.414)	450	£450	framed	Print	Victorian							
3061		After Matheus Terwesten	[Diana discovering Callisto’s pregnancy] or [Diana and nymphs bathing]	Mezzotint				I 272 x 366 mm, Pl. 272 x 366			Hollstein Jan Verkolje I, 3 Wessely 29 Le Blanc Jan Verkolje I, 30Possibly after the painting mentioned by Matheus Terwesten as in Rome (see C. Hofstede de Groot, A Catalogue raisone of the works of the most eminent Dutch painters..)With dry stamp ‘G’ probably J.B. de Graaf (Lugt 1120)	300.00	£300	mounted	Print	Fine Prints	Decorative						
3063		Johnson after Le Clerc	Miss Jenny Cameron of Lochiel, one of the most numerous Clans in the Highland of Scotland.	Mezzotint				I 228 x 2756 mm, Pl. 325 x 228 mm			CS i/iBlack in stamp on verso E.M.H. in oval - Mrs. E.M. Hamilton, London.			mounted	Print	General Interest	Jacobite						
3064		Richard Houston	Will,m Beckford Esq,r Member of Parliment for the City of London [...] Ja,,s Townsend Esq.r [...] John Sawbridge Esq.r [...]	Mezzotint	Published as the Act directs, Sepr. 29th 1769, by Jn.o Smith  No. 35 in Cheapside; and Robert Sayer No. 53 in Fleet Street			I 392 x 270 xx, Pl. 305 x 393 mm			CS 9 ii/ii, Russell 9, O’ Donoghue Groups 55	500.00	£500	mounted	Print	Portraits	British Political						
3065		William Sharp	Thaddeus Kosciuszko	Copper engraving	1873			I 305 x 377 mm, Pl. 375 x 423 mm, S 447 x 630 mm			(1746 – 1817) was a Polish national hero, general and a leader of that nation's uprising against Russia in 1794. He fought in the American Revolutionary War as a colonel in the Continental Army on the side of Washington. In recognition of his dedicated and faithful service he was brevetted by the Continental Congress to the rank of Brigadier General in 1783.Baker 57 iv/iv	125.00	£125	mounted	Print	Portraits	Foreign Political						
3066		I. Pieterse after I. Loots	Het Laatste Abondmall  [The Last Supper]	Mezzotint				I 261 x 392 mm, Pl. 299 x 391			unrecorded	300.00	£300	mounted	Print	General Interest	After Old Masters						
3068		Jukes after Claude Lorraine Smith	[A Proof Impression of Robt. Charlton using the Norfolk Plough in 1790 at Enderby]	Aquatint and etching				I 352 x 457 mm, S 377 x 457 mm			A touched proof. inscribed in manuscript	300.00	£300	mounted	Print	Fine Prints	Engravers L-R						
3069		J. Dadley after Edward Dayes	A View of Wadham College, from the Garden	Copper engraving	Published 1795			I 450 x 290 mm	From the Oxford Almanack 1795		Slight repair top right corner.	160	£160	mounted	Print	Oxford	Wadham College						
3070		Joseph Skelton after C. Wild	The Radcliffe Library	Copper engraving	Published 1818			I 445 x 315 mm	From the Oxford Almanack 1818			140	£140	mounted	Print	Oxford	Radcliffe Camera						
3071		Buck	The North Prospect of the Cathedral Church of Oxford	Copper engraving with hand colouring	c. 1790			I 570 x 420 mm				150	£150	mounted	Print	Oxford	Oxford Churches						
3072		Unknown engraver	The Choir of the Cathedral Church of Oxford	Aquatint with hand colouring	Published by R. Jennings, 2 Poultry, 1828			I 380 x 275 mm			Enscribed C. Wild on verso.	100	£100	mounted	Print	Oxford	Oxford Churches						
3073		B. Green after S. Wale	The buildings in the Physic Gardens [Botanical Gardens, Oxford]	Copper engraving	Published 1766			I 440 x 330 mm	From the Oxford Almanack 1766		The inscription from the gateway records the founding of the Botanic Garden by Charles I in 1632.	75	£75	mounted	Print	Oxford	Botanic Garden						
3074		D. Havell after A. Pugin	Botanic Garden	Aquatint with hand colouring	Published for R. Ackermann’s History of Oxford, November 1814			I 130 x 195 mm	Ackermann, History of Oxford			70	£70	mounted	Print	Oxford	Botanic Garden						
3075		B. Green after S. Wale	The buildings in the Physic Gardens [Botanical Gardens, Oxford]	Copper engraving	Restrike of the 1766 edition			I 440 x 330 mm			Late impression c. 1860.The inscription from the gateway records the founding of the Botanic Garden by Charles I in 1632.	75	£75	mounted	Print	Oxford	Botanic Garden						
3076		Unknown photographer	Oxford Union Society	Photograph	1911			I 295 x 240 mm			Inscribed with a hand-written, italicised title which reads: The New Writing and Smoking Room.	45	£45	mounted	Print	Oxford	General Views						
3077		J. L Jackson	The Schools, Oxford	Photolithograph	Published in The Building News, Dec. 18, 1855			I 380 x 240 mm				65	£65	mounted	Print	Oxford	Examination School						
3078			The Lovely Lavinia.	Mezzotint with contemporary hand colour	London, Published as the act directs, January 7th 1784, by R. Sayer & J. Bennett, Map Chart & Printsellers & Globe-makers, No. 53 Fleet Street.			I 324 x 245 mm, Pl. 350 x 245 mm				450.00	£450	framed	Print	Fine Prints	Drolls						
3079			[John (Lord) Campbell]	Lithograph	London XYZ			I. 214 x 213 mm S. 299 x 242 mm			The firgure on the left is probably Lord Plunket who Campbell succedded in parcular cirumstances as Lord Chancellor of Ireland in 1846	100	£100	mounted	Print	General Interest	Victorian Caricatures						
3080			Apocrypha Combatants - Neither will come to the scrach	Lithograph	Published at Sinclairs 10 W: Regester 8:Ed			I. 221 x 307 mm S. 262 x 423 mm			The Apocryphya Controversy (1824-1836)This was caused by Rev. Andrew Thomson (1779-1831) minister of St. George’s Edinbrugh leading the Edinburgh Bible Society to break off its apociation with the British and Foreign Bible Society when the latter decided to print Bibles with the Apocrypha bound in: the apocrypha being canonical in Catholic Europe. The Rev. Henry Grey (1778-1859) Minister of St. Mary’s Edinbrugh dissented. The Quarrell was mainly personal, but had Religious and National overtones.Thompson on the left: Grey on the right. The infantry officer is called Major O’Trigger.BM Cat. 15577	140	£140	mounted	Print	General Interest	Victorian Caricatures						
3081			Apocrypha Combatants No. 2 - The Rehersal	Lithograph	Published at Sinclairs 10 West Regester St. Edinbrugh			I. 306 x 215 mm 388 x 246 mm			The Apocryphya Controversy (1824-1836)This was caused by Rev. Andrew Thomson (1779-1831) minister of St. George’s Edinbrugh leading the Edinburgh Bible Society to break off its apociation with the British and Foreign Bible Society when the latter decided to print Bibles with the Apocrypha bound in: the apocrypha being canonical in Catholic Europe. The Rev. Henry Grey (1778-1859) Minister of St. Mary’s Edinbrugh dissented. The Quarrell was mainly personal, but had Religious and National overtones.Mr & Mrs Grey at home, while Mr. Thomson eve drops.  BM Cat. 15575	130	£130	mounted	Print	General Interest	Victorian Caricatures						
3082			Supplement To the “Financial Observer.” “Beall-zebub.”	Lithograph	October 17th 1891			I. 238 x 172 mm S. 329 x 211 mm				40	£40	mounted	Print	General Interest	Victorian Caricatures						
3083			You’ve Nothing More to Say.	Lithograph				I. 139 x 202 mm S. 185 x 253 mm				50	£50	mounted	Print	General Interest	Victorian Caricatures						
3085		After John Leech	A couple of Cochranites	Lithograph	London: Published At The Punch Office			I. 198 x 176 mm S. 344 x 255 mm			c. 1850: Issued from the Punch Office.presumabley issued after rioting put down after the appearance of part of the Household Cavalry.	100	£100	mounted	Print	General Interest	Victorian Caricatures						
3086		Francis Jukes and T. Jenkins after W. Mason	A Country Race Course with Horses Preparing to Start.	Aquatint and engraving	Published May 20 1780 as the Act directs by R. Pollard, Braynes Row, Spa Fileds			I 440 x 640 mm, S 285 x 654 mm			the pair	3000.00	£3,000	framed	Print	General Interest	Sport	Racing					
3087			A great drunkard you are, Tho’ a Pressman you be, There is no man by far, Such a toper as thee. Besides you’re a sponger, And of starve-guts the worst, You’d doom me to hunger; - With you I’ll ne’er be curs’d.	Lithograph				I. 153 x 118 mm S. 239 x 176 mm			A Satirical Valentine of c.1865	80	£80	mounted	Print	General Interest	Victorian Caricatures						
3088		Francis Jukes and J. Jukes after W. Mason	A Country Race Course with Horses Running.	Aquatint and engraving	Published May 20 1780 as rhe Act directs by R. Pollard, Braynes Row, Spa Fileds			I 440 x 640 mm, S 285 x 654 mm			the pair	3000.00	£3,000	framed	Print	General Interest	Sport	Racing					
3089			To A Crack(ed) Cyclist	Lithograph				I. 312 x 184 mm S. 337 x 186 mm				80	£80	unmounted	Print	General Interest	Victorian Caricatures						
3091			To My Soldier	Lithograph				I. 313 x 173 mm S. 191 x 338 mm			Satirical valentines of c.1880	80	£80	mounted	Print	General Interest	Victorian Caricatures						
3092		Rev. E. T. Daniell	Granada in Spain	Etching	1831/1832			I 125 x 163 mm, S 323 x 455 mm			Thistlewaite XVIIRev. Edward Thomas Daniell (1804-1842) artist and traveller.	225.00	£225	mounted	Print	Victorian							
3093		Rev. E. T. Daniell after Edmund Walker Head	Ronda  - Andalusia	Etching and dry point	1831/1832			I 125 x 163 mm, S 323 x 455 mm			Thistlewaite XVI, third stateRev. Edward Thomas Daniell (1804-1842) artist and traveller.Sir Edmund Walker Head Bt (1805-1868), Governor-in-Chief of British North America, travelled extensively 1828-1835.	250.00	£250	mounted	Print	Fine Prints	Artists Prints						
3094			The Printer 	Lithograph				I.  369 x 193 mm S. 571 x 221 mm			Satirical valentines of c.1880	150	£150	mounted	Print	General Interest	Victorian Caricatures						
3095			The Girl He Left Behind Him.	Lithograph				I. 258 x 157 mm S. 337 x 183 mm			Satirical valentines of c. 1880	80	£80	mounted	Print	General Interest	Victorian Caricatures						
3096			To A Cheap Line Youth	Lithograph				I. 388 x 126 mm S. 442 x 143 mm			Satirical valentines of c.1880	80	£80	mounted	Print	General Interest	Victorian Caricatures						
3097			To A Flirting Housemaid	Lithograph				I. 384 x 127 mm S.440 x 141 mm			Satirical valentine of c. 1890	80	£80	mounted	Print	General Interest	Victorian Caricatures						
3098			To A Carpenter And Joiner	Lithograph				I. 308 x 168 mm 336 x 186 mm			Satirical valentines of c.1880	80	£80	mounted	Print	General Interest	Victorian Caricatures						
3099			A Lover of Order	Lithograph	London: Published at the Punch Office			I. 249 x 170 mm S. 372 x 255 mm				100	£100	mounted	Print	General Interest	Victorian Caricatures						
3100			Reflections from my Grandmother’s Spoon. My Wife is not to be Wink’d at.	Lithograph				I. 296 x 200 mm 307 x 223 mm				80	£80	unmounted	Print	General Interest	Victorian Caricatures						
3101		sumner	Liberty - Birmingham	Lithograph	1838			I. 250 x 325 mm S. 315 x 446 mm			A satire on Birmingham & Radicalism, especially on the Church-rate riots near St Martin’s Church.Thomas Attwood, dressed as an extremely prosperous banker, which he was, leads a bear (George Frederick Muntz) holding a pole with a cap of Liberty and a monkey, Whilst Non-conformists attempt to demolish St. Philip’s Church. The foreground contains bags of money and brass buttons for use of currency. Attwood (1783-1859) was a Radical Tory and banker who founded the Political Union to call for Reform. His Proto-keynesian theories on monetary supply were considered highly unorthodox. He was one of the first Two Members of Parliament for Birmingham. Muntz (1794-1857), a fellow Radical Tory who was member from 1841-1857, and a metallurgist who produced a new brass alloy, now best remembered as a plating for wooden-walled ships. Birmingham, as an unincorporated town was a centre for religious dissenters, who found Church rates offensive and at a meeting in March 1838 he and Edmunds demanded an audit of the Vestry’s- the body responsible for the Church rates- books: their conduct lead to a riot and the indictment of Muntz. He was acquited but not awarded his costs of £2,000. George Edmonds was a radical book-seller.St Martin’s, where the riot took place, was the ancient Parish Church of Birmingham, but Thomas Archer’s Baroque Church of St Philip, now the Cathedral, was better-known to the outside world.	200	£200	mounted	Print	General Interest	Victorian Caricatures						
3102			Bill Raven	Lithograph	W. Spooner 259 Regent Street			I. 224 x 183 x 291 x 209 mm						unmounted	Print	General Interest	Caricatures						
3107		Louis Hage after Clarkson Stanfield, R.A.	St. Bernard’s Abbey, near Loughborough.	Lithograph with tint stone	Day & Son lith. to the Queen.			I 260 x 405 mm , S 328 x 455 mm				80.00	£80	unmounted	Print	British Topography	Leicestershire						
3108		Linley Samborne	[Verbosity]...	Lithograph				I. 270 x 381 mm S. 426 x 496 mm			A Satire on Gladstone amnd Roseberry	250	£250	mounted	Print	General Interest	Caricatures						
3109		W. Woodgate	Guy Fawkes at Gravesend on the 5th of November.	Lithograph	Published by W. Woodgate, Gravesend and Mess. Rodwell & Martin. New Bond St., 1823			I 390 x 520 mm, S 454 x 602 mm 			Printed by Hullmandel	400.00	£400	mounted	Print	General Interest	Caricatures						
3110			Meetingers	Lithograph	Published by R. Carr, 9 Cotton Street, Manchester			I. 139 x 171 mm S. 161 x 201 mm			c. 1840 A Satire on methodism and Chartists	50	£50	mounted	Print	General Interest	Caricatures						
3111		G. T. Stubbs	Family Canvas, Or Dress’s Antient and Modern	Lithograph	London Pub.d May 16th 1786 by G. T. Stubbs. Peters Court 8 Martins Lane			I. 197 x 259 mm S. 238 x 276 mm			Reference LBDC 39	300	£300	mounted	Print	General Interest	Caricatures						
3112			Rend, rend Toujours! persevere, aie du courage, a la fin tu rendras tout!!!	Lithograph				I. 156 x 232 mm S. 223 x 327 mm						mounted	Print	General Interest	Caricatures						
3114		P.M. Alix after George Morland	Cheval Effraye par une Lionne.	Aquatint and engraving with hand colour	a Paris chez Bacnce, Md. d’Estampe, rue St. Denis			I 165 x 240 mm, Pl. 204 x 261 mm			actually after Stubbs	450.00	£450	mounted	Print	Fine Prints	Foreign Copies of English Prints						
3115		J.P. Cook	Cries of London: Do you want any Matches?	Aquatint with hand colouring	Published Jan. 1796 by J.P. Cook			I 345 x 273 mm, Pl. 412 x 328 mm				400.00	£400	mounted	Print	General Interest	Trades						
3116		Johann Simon Negges after P. Mercier	Morgen. Le Matin. Tempus.	Mezzotint with hand colour	Published by Johann Simon Negges 			I 310 x 248 mm, Pl. 350 x 250 mm			the set of five	1500.00	£1,500	mounted	Print	Fine Prints	Foreign Copies of English Prints						
3117		Johann Simon Negges after P. Mercier	Mitternacht. Le Minuit. Septentrio.	Mezzotint with hand colour	Published by Johann Simon Negges 			I 308 x 248 mm, Pl. 350 x 250 mm			the set of five	1500.00	£1,500	mounted	Print	Fine Prints	Foreign Copies of English Prints						
3118		Johann Simon Neggs after Philip Mercier	Mittag. Le Midi. Meridies.	Mezzotint with hand colour	Published by Johann Simon Negges			I 305 x 246 mm, Pl. 350 x 250 mm			the set of five	1500.00	£1,500	mounted	Print	Fine Prints	Foreign Copies of English Prints						
3119		Johann Simon Negges after P. Mercier	Abend. Le Soir. Vespertinum.	Mezzotint with hand colour	Published by Johann Simon Negges			I 305 x 246 mm, Pl. 350 x 250 mm			the set of five	1500.00	£1,500	mounted	Print	Fine Prints	Foreign Copies of English Prints						
3120		Johann Simon Neggs after Philippe Mercier		Mezzotint				I 303 x 247 mm, Pl. 347 x 250 mm			the set of five	1500.00	£1,500	mounted	Print	Fine Prints	Early Mezzotints	CLB 55589					
3121		Charles Turner after William Orme	View of Mount Vesuvius.	Mezzotint	Sold & Published Feby.  1, 1799 by Edwd. Orme, New Bond Street, London			I 169 x 204 mm, Pl. 201 x 205 mm			 	750.00	£750	framed	Print	Fine Prints	Transparencies						
3122		After Willaim Orme	A Cavern	Aquatint and etching	Published  & Sold Decr. 1, 1798 by Edwd. Orme, Conduit Street, Hanover Square London_ Where may be had a variety of Transparent Prints & new Publications Wholesale & Retail			I 221 x 273 mm, Pl. 255 x 304 mm			Ex. Spencer Sisters	250.00	£250	mounted	Print	Fine Prints	Transparencies						
3123			A Kiln for Burning Coke near Maidstone Kent	Mezzotint with hand colour	London Pub. 1 Nov. 1799 at Ackermanns Repository of Arts 101 Strand			I 284 x 218 mm, Pl. 324 x 248 mm				500.00	£500	mounted	Print	Fine Prints	Transparencies						
3124		Charles Turner	To the Rt. Hon,,ble William Lord Auckland [...] The Tomb of Juliet	Mezzotint with hand colour	Sold & Published June 1, 1799 by Ewd. Orme, Printseller to the King, corner of George Street & Conduit Street London.			I 459 x 301 mm, Pl. 536 x 331 mm				1200.00	£1,200	framed	Print	Fine Prints	Transparencies						
3125		After William Orme	A Cloister	Aquatint and etching	Published by Edward Orme			I 264 x 230 oval, Pl. > 314 x  >247 mm				350.00	£350	mounted	Print	Fine Prints	Transparencies						
3126			The Mars and the L’Hercule. April 21, 1798	Mezzotint with hand colour	Sold & Published  Feby. 1, 1799 by Edwd. Orme, Conduit Street, London			I 172 x 207 mm, Pl. 203 x 208 mm			Whitman C. Turner p. 286	600.00	£600	mounted	Print	Fine Prints	Transparencies						
3127		Charles Turner	To Sir W,,m Hamiltonm [..] View of the Last Eruption of Mount Vesuvious	Mezzotint	Published by Eward Orme			I 480 x 301 mm, Pl.  > 515 x 330 mm			Whitman - C. Turner p. 286	500.00	£500	mounted	Print	Fine Prints	Transparencies						
3128		Charles Turner after Hon. Mrs. Yates	Smugglers	Mezzotint	Sold & Published Jany.1 1799 by Orme, Conduit Street, the corner of George Street , hanover Square 			I 461 z 308 mm, Pl. 512 x 310 mm			Whitman - C. Turner p 286	700.00	£700	mounted	Print	Fine Prints	Transparencies						
3129		Angelo Zaffonato after Sir Joshua Reynolds	Drunkenness	Stipple				I 235 x 210 mm, Pl. 345 x 240 mm			Emma Lady Hamiltonthe pair	600.00	£600	framed	Print	Fine Prints	Foreign Copies of English Prints						
3130		Angelo Zaffonato after George Romney	Nature	Stipple				I 245 x 200 mm, Pl. 345 x 235 mm			Emma Lady Hamiltonthe pair	600.00	£600	framed	Print	Fine Prints	Foreign Copies of English Prints						
3131		George Cruickshank	No. 1 Dedicated wi’out permission til Political Union of Ay_town	Lithograph	c. 1845			I. 180 x 165 mm S. 296 x 235 mm			Not found in COHN	65	£65	mounted	Print	General Interest	Caricatures						
3132			Chronicles of the Great Election of 1880	Lithograph				I. 330 x 520 mm S.440 x 570 mm				120	£120	mounted	Print	General Interest	Caricatures						
3133		S. J. Cooper	Bradford Borough Election Result of the Poll	Lithograph	R. Moysey & Co. Printers Union Street Bradford, 1869			I. 260 x 434 mm S. 287 x 442 mm	Sold as a set		Samuel J. Cooper is recorded as a ‘Lithographic Artists’ at 37 Albany Buildings [18] Market Street Bradford. Market St. also housed the ‘West Riding Liberal Registration Association’.	1000	£1,000	mounted	Print	General Interest	Caricatures						
3134		S.O.B.	The Political Situation or The Peep Show. No. 1	Lithograph	1869			I. 216 x 359 mm S. 283 x 441 mm	Sold as a set		Thompson - legless and principal-less. Miall standing on the heads of  K[-]l & [Alfred] ll[li]ng[wor]th, who he ahas now dumped. Ripley hiding in obscurity.	1000	£1,000	mounted	Print	General Interest	Caricatures						
3135		“E R”	Time Called. Fight for the St. Stephens Belt.	Lithograph	1867			I. 223 x 293 mm S. 275 x 451 mm 	Sold as a set		Thompson & Miall in the boxing ring with their seconds Miall’s is K[]1: Miall is loosing.	1000	£1,000	mounted	Print	General Interest	Caricatures						
3136		“A.I. & Co.”	R. K_ll He is My_all	Lithograph	1867			I. 255 x 442 mm S. 285 x 442 mm	Sold as a set		K[--]ll presents his new ‘baby’- Miall- to other Bradford Radicals.	1000	£1,000	mounted	Print	General Interest	Caricatures						
3137			That’s an extraordinary looking Dog, My Boy, what do you call him?	Lithograph	Later			I. 177 x 307 mm S. 247 x 372 mm	Sold as a set		M[ial]l examines a dog in a barrister’s wig as a possible successor.	1000	£1,000	mounted	Print	General Interest	Caricatures						
3138			The Coming Man  	Lithograph	1867			I. 236 x 366 mm S. 280 x 448 mm	Sold as a set		Thompson (newly elected a director of the Midland Railwat) hurries home from France where he had been with a sick son to contest the bye-election.	1000	£1,000	mounted	Print	General Interest	Caricatures						
3139		A.I. & Co.	Whiteaker & Co. Conservative Flavour	Lithograph	1867			I. 351 x 215 mm S. 444 x 284 mm	Sold as a set		Thompson’s family controlled the ‘Old Brewery’ in Bradford. In popular imagination the Brewing interest and the Conservative Party were one and the same.	1000	£1,000	mounted	Print	General Interest	Caricatures						
3140			Dear Dear! - And so we’ve missed the Bus! Now what a pity! Which  for myself, I shouldn’t care, if I didn’t feel....	Lithograph	1867			I. 223 x 423 mm S. 282 x 441 mm	Sold as a set		Miall and William K[]1 have missed the bus, but look - another is coming. A general election is due. 	1000	£1,000	mounted	Print	General Interest	Caricatures						
3141			A Bunch of Thompson’s Vot(e)aries. Being a few “Choice Spirits” under the influence of  “Prinie Ale” 	Lithograph				I. 255 x 392 mm S. 286 x 443 mm	Sold as a set			1000	£1,000	mounted	Print	General Interest	Caricatures						
3142		A.I. & Co.	We Have No Work to Do-o-o!	Lithograph	1869			I. 263 x 382 mm S. 284 x 446 mm	Sold as a set		Ripley’s committee, identified by nic-names, parade, like the unemployed, outside Ripley’s locked committee-room.	1000	£1,000	mounted	Print	General Interest	Caricatures						
3143			Mon Caporal j’n’ai pu avoir que ca.	Lithograph				I. 155 x 201 mm 221 x 259 mm						mounted	Print	General Interest	Caricatures						
3144			Shady Retreats for Summer or the Tip of the Ton!! Can such things be! and Overcomeus like  a Summer’s Clouds, without our special Wonder?	Copper engraving with hand colouring	Pub.d. Sep 4 1827 by J. Fairbourn Broadway Ludgale Hill			I. 211 x 330 mm Pl. 256 x 370 mm S. 293 x 416 mm				180	£180	mounted	Print	General Interest	Caricatures						
3145		James J. Spencers	South Leicestershire Steeple Chase The Finish	Engraving				I. 112 x 154 mm S. 159 x 216 mm			The three jockeys competing are:Thomas Tertius PagestWilliam Heygate 1870-80 (peerage)Alfred Pell MP 1868-85 (reminiscences)	100	£100	framed	Print	General Interest	Caricatures						
3146		James J. Spencers	South Leicestershire Steeple Chase Run from Leicestershire to Westminster	Engraving				I. 104 x 146 mm S. 158 x 211 mm			The three jockeys competing are:Thomas Tertius PagestWilliam Heygate 1870-80 (peerage)Alfred Pell MP 1868-85 (reminiscences)	100	£100	framed	Print	General Interest	Caricatures						
3148		Unknown engraver	A Reception of Doctors at Oxford’s University, the 15th of June 1814	Etching with hand colouring	c. 1800			I 390 x 280 mm			Rare.	120	£120	mounted	Print	Oxford	Oxford Caricatures						
3149		After A. Macdonald	Friar Bacon’s Study, From a drawing made by J. B. Malchair in 1772	Autotype	Published 1873			I 220 x 355 mm	From the Oxford Almanack, 1873			75	£75	mounted	Print	Oxford	General Views						
3151		Thomas Bonnor after Malchair	Merton College from the banks of the Cherwell	Copper engraving	Published c. 1768			I 470 x 320 mm	Plate from the Oxford Almanack, 1768			160	£160	mounted	Print	Oxford	Merton College						
3152		F. Bedford after Wickes	Saint Mary the Virgin, Oxford	Lithograph with hand colouring	Published by Day & Son. c. 1840			I 290 x 445 mm				25	£25	mounted	Print	Oxford	Oxford Churches						
3153		Unknown photographer	Saint Mary the Virgin Church, Oxford	Photograph	c. 1900			I 480 x 380 mm				25	£25	mounted	Print	Oxford	Oxford Churches						
3155		W. Radclyffe after P. De Wint	View of Oxford from the West	Steel engraving	Published 1852			I 380 x 225 mm	From the Oxford Almanack, 1852			150	£150	mounted	Print	Oxford	General Views						
3156		L. Hague	The Martyr’s Memorial, Oxford	Lithograph	Published 1840 by J. Wyatt & Son, Oxford			I 440 x 310 mm				150	£150	mounted	Print	Oxford	General Views						
3157		Michael Burghers	Alegorical scene with a distant view of Oxford	Copper engraving	Late imprint c. 1860			I 440 x 350				175	£175	mounted	Print	Oxford	General Views						
3158		Charles Allard after Peter Lely	Madame Ellen Gwin	Mezzotint	Published by Charles Allard			I 347 x 280 mm, PL. 365 x 282 mm			O’Donoghue 15, Harvard cat. 24, Le Blanc 11	650.00	£650	mounted	Print	Portraits	Early Mezzotint Portraits						
3159		Karl Allard after Sir Peter Lely	Madam Davis	Mezzotint	Published by Charles Allard			I 310 x 244 mm, Pl. 324 x 244 mm			This is a reverse copy of the print by R. Thompson	750.00	£750	unmounted	Print	Portraits	Early Mezzotint Portraits						
3160		After David Ogbourne	Mr. Jacob Powell of Stebbing in Essex.  Who died Octr. 6th 1754. Aged 37 years.  He weigh’d near 40 Stone.		Published by Johann Jakob Haid et filius			I 380 x 291, Pl. 407 x 291 mm			O’Donoghue 2 	450.00	£450	mounted	Print	Fine Prints	Foreign Copies of English Prints						
3161		after David Ogbourne	Mr. Jacob Powell of Stebbing in Essex.  Who died Octr. 6th 1754. Aged 37 years.  He weigh’d near 40 Stone.		Published by Johann Jakob Haid et filius			I 385 x 290, Pl. 408 x 287 mm			O’Donoghue 2 	600.00	£600	mounted	Print	Fine Prints	Foreign Copies of English Prints						
3162		After David Ogbourne	Mr. Edn.d Bright late of Malden in Essex Who died November 10. 1750 Aged 29 years. He weigh’d 43 Stone & 1/2 (tt/14 toye Stone) which is 609 pounds	Mezzotint with hand colour	Published by Johann Jacob Haid et fils			I 382 x 290 mm, Pl. 410 x 294 mm			O’Donoghue 2			mounted	Print	Fine Prints	Foreign Copies of English Prints						
3163		Gabriel Bodenehr after Louis Toque	Louis Dauphin de France	Mezzotint	Published by Gabriel Bodenehr			I 399 x 269 mm, Pl. 399 x 269 mm			(1729-1765) Son of Louis XVnot in Le Blanc or Singer Ex Col. The House of Savoy	650.00	£650	mounted	Print	Portraits	House of Savoy						
3164		Henri Merke after a design by Edward Orme	[A Fire Place]	Aquatint with hand colouring	Pub.d as the Act directs June 4th 1806 by Edward Orme			I 194 x 151, Pl. > 226 x > 180 mm			Ex Spencer Sisters	350	£350	mounted	Print	Fine Prints	Transparencies						
3165			[Coloseeum in Moonlight]	Lithograph with hand colour				I 230 x 323 mm			Ex Spencer Sisters	500	£500	mounted	Print	Fine Prints	Transparencies						
3166		By and after Fraz Joseph Manskirch	A View on the Rhine near Bingen	Aquatint with hand colouring	London, Pubs. July 16, 1798 at R. Ackermann’s Gallery, 101 Strand			I 155 x 216 mm, Pl. > 272 x 350 mm				450.00	£450	mounted	Print	Fine Prints	Transparencies						
3168		L. Valperga after Gio. Commandu	Marie Teresa Gioanna Giuseppa		Torino presso le Fratelli Reycend et Ca., 1815			I 190 x 145 mm, Pl. 205 x 157 mm, S 221 x 164 mm			Ex. Col The House of Savoy	30.00	£30	mounted	Print	Portraits	House of Savoy						
3169		George Cruickshank	The Queen and the Union! No Repeal! - No O’ Connell	Woodcut	Sold by David  Bogue, (Late Tilt & Bogue) 86, Fleet Street			I. 208 x 177 mm S. 405 x 265 mm			COHN182			mounted	Print	General Interest	Caricatures						
3171		Edwardo Penrino	Roma , Il 16 FEbb 1878. Esterno Del Pantheon Pei Funerali Di S.M. Vittorio Emanuele II. 	Lithograph	Published by Brambilla Giovanni Battista, Turin 1674			I 355 x 465 mm, S 446 x 593 mm			Ex. Col House of Savoy	250.00	£250	mounted	Print	Portraits	House of Savoy						
3172		Designed & Etched by George Cruikshank	Passing Events of  The Tail of the Comet of 1853	Steel engraving	Published by D. Bogue 86 Fleet Street			I. 175 x 384 mm S. 212 x 419 mm			Not Found in COHN	180	£180	mounted	Print	General Interest	Caricatures						
3173		Francesco Gonin	Vittorio Emanuelle Duca Di Savoia	Lithograph	Trovasi alla Litgraphia Junck, Contrada dell Academia dell Scienze No 2 Torino			I 210 x 200 mm, S 525 x 432 mm			Ex. Col House of Savoy	250.00	£250	mounted	Print	Portraits	House of Savoy						
3174		G. Forino	S.A.R.D. Leopoldo Conte di Siracusa	Lithograph	Published 1828			I 195 x 200 mm, S 485 x 387 mm			Ex. Col House of Savoy	100.00	£100	mounted	Print	Portraits	House of Savoy						
3175		Heinemann	Guerrieri Della Casa di Savoia: S.M. Victtorio Emanuele II Al Garigliano	Lithograph with tint stone	Torino Lit. Flli. Doyen Piazza Carignano 1861			I 455 x 630 mm, S 590 x 839 mm			Ex. Col House of Savoy	400.00	£400	mounted	Print	Portraits	House of Savoy						
3176			Victor Emmanuel Roi de Sardaigne	Lithograph with original hand colour	Paris publiw par A. Condoni, 18, r. Grenier St. Lazare			I 440 x 380 mm, S 545 x 412 mm			Ex. Col House of Savoy	400.00	£400	mounted	Print	Portraits	House of Savoy						
3177		Tazet after Antoine Milanesio	Charles Amedée Albert, Prince de Savoi - Cargnan	Mezzotint				I 430 x  490 mm, Pl.500 x 575 mm			Ex. Col. House of Sacoy	200.00	£200	mounted	Print	Portraits	House of Savoy						
3178		Bolleter after von Aerttinger	Maria Anna Carolina	Lithograph	Gedr Bei Hnfstaengl in Dresden			I 475 x 380 mm, S 710 x 600 mm			(19 Sep 1803, Rome to 27 Feb 1831, Vienna) Maria married Emperor Ferdinand II von Austria, son of Kaiser Franz II von Österreich and Maria Teresa Carolina Giuseppina de Bourbon-Sicilie, on 27 Feb 1831 in Vienna. (Kaiser Ferdinand I von Österreich was born on 19 Apr 1793 in Vienna and died on 29 Jun 1875 in Prague.)Ex. Col House of Savoy	300.00	£300	mounted	Print	Portraits	House of Savoy						
3182		C. Pastor after A. Fiore	Gregorius. XVI. Pont. Max.	Copper engraving				Vignette I 205 x 235 mm, Pl. 306 x 274 mm			Ex. Col. House of Savoy	75.00	£75	mounted	Print	Portraits	House of Savoy						
3183		By and after Raff. D’Angelo	Vera Effigie Del Giovanetto Nunzio Solprizio	Copper engraving	c. 1820			I 195 x 156 oval, Pl. 251 x 178 mm			The Blesses Nunzio Solprizio (1817-1836) was beatified in 1859.  He was a devotee of St. Luigi Gonzaga.Not in Singer Ex. Col House of Savoy	40.00	£40	mounted	Print	Portraits	House of Savoy						
3184			Marie Caroline Antoine de Savoye Duchess de Saxe.	Copper engraving	T.F. Schmidt chez Rasp.			I 197 x 119 mm, S 212 x 135 mm			Archduchess Marie Caroline of Austria (13 August 1752 - 8 September 1814) as Queen Marie Caroline was queen consort and de facto ruler of Naples from 1768  to 1806, and of Sicily to 1812. She was the daughter of the Empress Maria Theresa and sister of Marie AntoinetteRoyal Collection stamp on versoEx. Col House of Savoy	30.00	£30	mounted	Print	Portraits	Foreign Royalty						
3185		Balthazar Mancornet	Jules Cardinal Mazarin	Copper engraving	[n.d. c. 1655]			I 281 x 175 mm, Pl . 260 x 182 mm			Ex. Col House of Savoy	100.00	£100	mounted	Print	Portraits	House of Savoy						
3186		G. Tasniere after F.T. D. Lange	Franciscus Hyacinthus	Copper engraving	Published 1702			I 277 x 220 mm, Pl. 285 x 225 mm			Francis Hyacinth (1632–1638) was the Duke of Savoy from 1637 to 1638 under regency of his mother Christine Marie. He died in childhood and was succeeded by his brother Carlo Emanuele.Royal Collection stamp on versoEx. Col. House of Savoy	80.00	£80	mounted	Print	Portraits	House of Savoy						
3187		Pierre-Adrien Le Beau	Marie Jne. Louise De Savoie, Madam, Mariee a Versailles le 14 mai 1771	Copper engraving	A Paris chez Esnauts et Rapilly, rue St. Jacques a La Ville de Countances, A.P.D.R.						Marie Josephine Louis de Savoie was born in Turin on 2 September 1753 to Victor Amadeus II, King of Sardinia. She married Louis Stanislas Xavier de Bourbon, Comte de Provence (1755-1824), at Versailles on 14 May 1771.She died before her husband became King Louis XVIIINot in I.F.F.Royal Collection Stamp on versoEx Col. House of Savoy	40.00	£40	mounted	Print	Portraits	House of Savoy						
3188		G. Zatta after Verite	Coburg	Stipple 				I 173 x 120 mm, S 205 x 124 mm			Prince Frederick Josias of Sax-Coburg Saalfeld (1737-1813).  Ex. Col House of Savoy	25.00	£25	mounted	Print	Portraits	House of Savoy						
3190		D. Sornique after Robert Nanteuil	Armand Jean Du Plessis Cardinal Duc de Richelieu	Copper engraving	A Paris chez Odieuore Md. D. Estampes Quai de L’Ecole vis à vis la Samarite à la belle Image C.P.R.			I 141 x 110, Pl. 150 x 110 mm. 			Ex. Col House of Savoy	35.00	£35	mounted	Print	Portraits	Religious and Clerical						
3191		S. Llanta	Conde Camilo De Cavour	Lithograph	A. Ronchi			I 185 x 132 mm oval, S 350 x 245 mm			(Turin 10 August 1810 - 6 June 1861) Itlalian PoliticianEx. Col House of Savoy	30.00	£30	mounted	Print	Portraits	House of Savoy						
3192		Charles Turner after F. Huet Villers	Louis Antoine D’Artois	Mezzotint	Published by Messrs Colangi Wednesday 1 January 1812			I 215 x 168, Pl. 376 x 253 mm			later Louis XVIIIWhitman C. Turner 15 i/ii, Singer 76425, Le B 16Finished proof before all lettersEx Col House of Savoy	80.00	£80	mounted	Print	Portraits	House of Savoy						
3193		Johann Vander Bruggen after Pierre Mignard	Isabelle D’Orleans Duchesse De Guise	Mezzotint	A Paris Chez Vander Bruggen rue St. Jacques à la Vielle poste			I 287 x 217 mm, Pl. 301 x 217 mm			Singer 35308, Le Blanc 9Ex. Col House of Savoy	200.00	£200	mounted	Print	Portraits	House of Savoy						
3194			Carlo Alberto [Charles Albert of Savoy]	Lithograph				I 510 x 400 mm, S 700 x 530 mm			Charles Albert (October 2, 1798 – July 28, 1849) was the Duke of Savoy, Piedmont, Aosta and King of Sardinia from 1831 to 1849. He succeeded Charles Felix, and his name is bound with the first Italian statute and the First War of Independence (1848–1849). He abdicated in favour of his son, Victor Emmanuel. after his forces were defeated by the Austrian army at the Battle of Novara (1849).Ex. Col House of Savoy	250.00	£250	mounted	Print	Portraits	House of Savoy						
3195		J. Gironella	Mazzini	Lithograph with hand colouring	Vazquez R. 51			I 215 x 120 mm vignette, S 315 x 227 mm			Giuseppe Mazzini (Genoa, June 22, 1805 – Pisa, March 10, 1872) was an Italian statesman. Mazzini's efforts lead to the unification of Italy.Ex. Col House of Savoy	60.00	£60	mounted	Print	Portraits	House of Savoy						
3196			Elisabetta Filippina Sorella Di Luigi XVI, Nata li 3 Maggio 1764	Copper engraving	In Napoli presso Talani, e Gervasi al Gigante N. 3.e. 7 [n.d. c. 1780]			I 174 x 111 mm, Pl. 200 x 137 mm, S 275 x 211			Madame Elizabeth (1764 - 1794), sister of Luis XVI of France.Ex. Col House of Savoy	50.00	£50	mounted	Print	Portraits	House of Savoy						
3197			Ferinado Guisseppe Arciduca D’Austria Gran Duc Di Toscana	Copper engraving	In Napoli presso Talani, e Gervasi al Gigante N. 3.e. 7 [n.d. c. 1780]			I 177 x 112 mm, PL. 200 x 139 mm, S S 275 x 211			Ferdinand III, Grand Duke of Tuscany, or, more fully, His Imperial and Royal Highness Ferdinando III Giuseppe Giovanni Baptista Grand Duke of Tuscany, Archduke of Austria, Prince of Hungary and Bohemia, (May 6, 1769 – June 18, 1824; born and died in Florence, Italy), was the son of Emperor Leopold II (1747 - 1792) and his wife Maria Luisa of Spain (1745 - 1792).Ex. Col. House of Savoy	45.00	£45	mounted	Print	Portraits	House of Savoy						
3199		Gerard Valk after M.D. Merian	Eugino Francisco Principi Sabaudiae et Pedemonti, Marchioni....	Copper engraving	Published by G. Valk			I 562 x 405 mm, S 570 x 412 mm			Eugène, François, Prince of Savoy  (Oct. 18, 1663, Paris - April 24, 1736, Vienna). Eugene was the youngest son of the Count of Soissons, of the House of Savoy-Carignan, and of Olympia Mancini, a niece of Cardinal Mazarin.He was a celebrated General and defeted the Turks at Zenta in 1679.  He was also Marlborough’s second-in-command at Belenheim, Oudinarde and Malplaquet. He was also one of the greatest print collectors of his day, his holdings eventually to the Albertina.Singer 80315Ex. Col House of SavoyRoyal Collection stamp on verso	500.00	£500	mounted	Print	Portraits	House of Savoy						
3200		Bernard Picart after Jacques van Schuppen	Eugene François, Prince De Savoie et De Piemont.	Copper engraving	Published in 1722			I 460 x 375 mm, Pl. 580 x 395 mm			Eugène, François, Prince of Savoy  (Oct. 18, 1663, Paris - April 24, 1736, Vienna). Eugene was the youngest son of the Count of Soissons, of the House of Savoy-Carignan, and of Olympia Mancini, a niece of Cardinal Mazarin.He was a celebrated General and defeted the Turks at Zenta in 1679.  He was also Marlborough’s second-in-command at Belenheim, Oudinarde and Malplaquet. He was also one of the greatest print collectors of his day, his holdings eventually to the Albertina.Singer 80339/41Ex. Col House of Savoy	750.00	£750	mounted	Print	Portraits	House of Savoy						
3203		A. Zecchin after Singleton	The Parent Restor’d or the Blessing of Peace	Stipple engraving printed in colours	Published September 30, 1799, by Antoine Suntach			I 347 x 292 mm, Pl. 441 x 338 mm			the pair	960.00	£960	framed	Print	Fine Prints	Foreign Copies of English Prints						
3206		William Collins		Etching				I 76 x 67 mm, Pl 80 x 67 mm				90	£90	mounted	Print	Fine Prints	Artists Prints						
3207		William Collins		Etching				I 105 x 70 mm, Pl 125 x 70 mm				90	£90	mounted	Print	Fine Prints	Artists Prints						
3208		Giordana e Salussolia	Carta Nuovo Regno Italiano 1860	Lithograph with hand colouring	Torino, Presso G. Jacquier, Editore, Via Goito, No. 6			440 x 475 mm			With a cartouch of Victor Emmanuel IIEx. Col  House of Savoy	300.00	£300	mounted	Print	Portraits	House of Savoy						
3209		Battistelli after F. bellay	D. Maria Francisca	Lithograph				I 275 x 220 mm			(1800-1834), Princess of Portugal, married in 1816 to Carlos Carlos de Borbón, Prince of Spain, conde de Molina Ex. Col House of Savoy	100.00	£100	mounted	Print	Portraits	House of Savoy						
3211		A. Daniela after Morgari	Vittoria Emanuele II. Re Di Sardegna	Lithograph with tint stone	Torino presso A. Leonardi editore Vis di Po. N. 10, 1859			I 350 x 260 mm, S 512 x 375 mm			Ex. Col. House of Savoy	200.00	£200	mounted	Print	Portraits	House of Savoy						
3212		Pilet & Gougnard after H. Martee 	Victor-Emmanuel	Lithograph	Vaney impr. Editeur, Croix d’or Geneve			I 419 x 315 mm, S 542 x 413			Ex. col House of Savoy	150.00	£150	mounted	Print	Portraits	House of Savoy						
3213		Bayot	Le Roi Victor Emmanuel II. Palesrro 31 Mai 1859	Lithograph with tint stone	Berlin, Verlag von Groupil & Co., Puble par Goupil et Ce. Paris, London, New York, Published by M. Knoedler (c. 1859)			I 375 x 300, Pl. 205 x 340 mm			Ferdinand II King of the Two Sicillies  (January 12, 1810 – May 22, 1859).Ex. Col. House of Savoy 	200.00	£200	mounted	Print	Portraits	House of Savoy						
3214		Forino	S.A.R.D.n Ferdinando Duca di Calabria	Lithograph	Published 1828			I 205 x 195 mm, S 555 x 365				100	£100	mounted	Print	Portraits	House of Savoy						
3215		Giordana e Salusselia after Masuttie	[Victor Emmanuel II]	Lithograph with tint	Torino, presso, L’editore Fco. Bacciarini Provv di. stampe della R. famiglia 			I 250 mm circular			On January 10th 1859 King Victor Emmanuel made Sardinia's position as a champion of "Italy" clear in a speech delived from his throne that included these words:-  "...that he could not remain deaf to the cry of pain that reached him from all parts of Italy..."Ex. Col House of Savoy	200.00	£200	mounted	Print	Portraits	House of Savoy						
3216		Da. Tom. Aloysio-Juvara	Effigie Di Pio IX. P.O.M. All Maestà Di Ferdinando II.	Copper engraving	[368Published  in Naples c. 1849]			I 368 x 315 mm, S 482 x 680 mm			Ex. Col House of Savoy	150.00	£150	mounted	Print	Portraits	House of Savoy						
3217		Francis Jukes after Thomas Anburey	Mahore: A fortress belonging to Nizam Ally	Aquatint	Published according to Act of Parliament Jan 1st. 1799, by Thos. Anburey Bengal and F. Jukes Howland Street			I 350 x 520 mm; Pl. 380 x 530 mm; S 520 x 650 mm			A plate from Anburey’s Hindoostan Scenery of 1799 which is the rarest of the “Home published” sets of large Indian Views.Ex. Col. Mildred Archer	2000	£2,000	mounted	Print	Foreign Topography	India						
3218		Francis Jukes after Thomas Anburey	Northern Entrance to Gundecotta Pass	Aquatint	Pubd. according to Act of Parliament by T. Anburey, Jan. 1 1799 & by F. Jukes N.10 Howland Street, London			I 360 x 525; Pl. 390 x 550 mm; S. 450 x 630 mm			A plate from Anburey’s Hindoostan Scenery of 1799 which is the rarest of the “Home published” sets of large Indian Views.Ex. Col. Mildred Archer	1850	£1,850	mounted	Print	Foreign Topography	India						
3219		Francis Jukes after Thomas Anburey	Neermul a Fortress belonging to Nizam Alley	Aquatint	Pub. according to act of Parliament Jan 1. 1799 Anbury Bengal and by F. Jukes Howland Street, London			I 347 x 517 mm; Pl. 382 x 523 mm; S 528 x 640 mm			A plate from Anburey’s Hindoostan Scenery of 1799 which is the rarest of the “Home published” sets of large Indian Views.Ex. Col. Mildred Archer	1900	£1,900	mounted	Print	Foreign Topography	India						
3220		Francis Jukes after Thomas Anburey	Southern Entrance of Gundecotta Pass	Aquatint	Published according to Act of Parliament by Thos. Anburey Jan 1. 1799 & by F. Jukes Howland Street, London			I 355 x 520 mm; Pl. 390 x 540 mm; S 450 x 625 mm			A plate from Anburey’s Hindoostan Scenery of 1799 which is the rarest of the “Home published” sets of large Indian Views.Ex. Col. Mildred Archer	2100	£2,100	mounted	Print	Foreign Topography	India						
3221		James Moffat	View of a Tomb at Peruspore, Gour	Aquatint				I 333 x 498 mm; Pl. ? x 512 mm; S 417 x 549 mm			Drawn by I. MoffatEx. Col. Mildred Archer	1500	£1,500	mounted	Print	Foreign Topography	India						
3222		Francis Jukes after Thomas Anburey	View of KALPY on the JUMNA	Aquatint	Pub. according to act of Parliament Jan. 1 1799 by T. Anburey, Bengal and by F. Jukes Howland Street, London			I 347 x 519 mm; Pl. 387 x 538 mm; S 463 x 588 mm			A plate from Anburey’s Hindoostan Scenery of 1799 which is the rarest of the “Home published” sets of large Indian Views.Ex Col. Mildred Archer	1800	£1,800	mounted	Print	Foreign Topography	India						
3223		A. Runciman	A Woman Sleeping	Etching	Collected edition, 1826			S 145 x 97 mm			Collected edition, 1826	100	£100	mounted	Print	Fine Prints	Artists Prints						
3224			The Wedding	Aquatint with hand colouring	Published 1st Aug st 1799 by. R. Ackermann 101 Strand for Dr. Jno. Trusser			I 300 x 232 mm, Pl . 440 x > 360 mm				350.00	£350	mounted	Print	Fine Prints	Transparencies						
3225		Johan A. Klein	Two Horses at a Watering Place (Russischer Fuhrman)	Etching	1800s			I 195 x 125 mm				250	£250	mounted	Print	Fine Prints	Artists Prints						
3227		Paul Sandby	[Figure scene]	Etching	c. 1750			I 80 x 104 mm				40	£40	mounted	Print	Fine Prints	Artists Prints						
3228		Johann Adam Klein	A Barge Horse	Etching	1812			I 80 x 90 mm				50	£50	mounted	Print	Fine Prints	Artists Prints						
3231		Paul Sandby	[Figures with well in the background]	Etching	Published by Ryland & Byer 1765			I 170 x 204 mm				135	£135	mounted	Print	Fine Prints	Artists Prints						
3232		Paul Sandby	[Figures in foreground with town in distance]	Etching	Published by Ryland & Byer 1765			I 170 x 230 mm				125	£125	mounted	Print	Fine Prints	Artists Prints						
3234				Lithograph with hand colouring				I 138 x 192 mm				50.00	£50	mounted	Print	Fine Prints	Transparencies						
3235		Thomas Woorlidge	The Last Supper	Etching				I & pl. 275 x 390 				350.00	£350	mounted	Print	Fine Prints	Artists Prints						
3236		After R. Westall	The Dream	Mezzotint	1700s			I 270 x 215 mm				400	£400	mounted	Print	Fine Prints	Artists Prints						
3237		Paul Sandby	[Market scene]	Etching	c. 1760			S 62 x 78 mm				45	£45	mounted	Print	Fine Prints	Artists Prints						
3238			Hie, O, who’s for the Bank	Woodcut				I 247 x 193 mm				40.00	£40	mounted	Print	General Interest	Caricatures						
3239		Angelica Kauffman	10. Winckelmann. Antiq. Pontif et Prof. Graec. L. in Biblioth. Vatic. [Portrait of Johan Winckelmann]	Etching	1764			I 152 x 190 mm			Andresen 3 i /iii, Baumgartel 24 i/iii. This exceptionally rare first state, before the hair was reworked, the aquatint added and an edition published by Boydell. Early evidence suggests that very few such impressions were pulled, and only to be given to friends.	2000.00	£2,000	mounted	Print	Fine Prints	Engravers A-K						
3242		R. Earlom after Castiglione	Orpheus	Mezzotint	J. Boydell Excuidit Publis’d Sept.br 1st 1781			I 365 x 238 mm			Le B 32 , W 90	450	£450	mounted	Print	Fine Prints	Early Mezzotints						
3243		Unknown engraver	Lady Carpenter	Mezzotint	London Printed for R. Sayer & J. Bennett No. 53 Fleet Street as the Act directs, 29 Oct 1782			Pl. 92 x 118 mm				60.00	£60	mounted	Print	Fine Prints	18th Century Mezzotint Portraits						
3244		Unknown engraver	Portrait of a Woman	Mezzotint	c. 1750			I 142 x 112 mm			Trimmed.	20	£20	mounted	Print	Fine Prints	Artists Prints						
3245		J. R. Smith	[...] or, The Two Friends	Mezzotint	Published March 7th 1778, by Wm. Shropshire, New Bond Street			Pl. 198 x 260 mm			Said to be Mrs J R Smith a dn Mrs. Potherd his sisterFr 323 ii/iii title scraped off	210	£210	mounted	Print	Fine Prints	18th Century Mezzotint Portraits						
3246		Unknown engraver	Elizabeth Gunning, Duchess of Argyle	Etching	1700s			Pl. 62 x 101 mm				30	£30	mounted	Print	Fine Prints	Artists Prints						
3247		Unknown engraver	Portrait of a Lady	Etching	Published 1782 by Whitworth & Yates, Birmingham			Pl. 110 x 145 mm				35	£35	mounted	Print	Fine Prints	18th Century Mezzotint Portraits						
3248		F. Jukes after C. Ansell	Agility	Aquatint with engraving	Published March 25th 1785, by C. Ansell			I 155 x 129 mm, S 190 x 151 mm				140	£140	mounted	Print	Fine Prints	Decorative						
3249		Robert Ker Porter	Charge!	Polyautograph	1700s (?)			S 320 x 235 mm			Man 121.	250	£250	mounted	Print	Fine Prints	Polyautographs and early lithographs						
3250		Thomas Stothard	The Lost Apple	Polyautograph	1700s?			S 320 x 235 mm			Man 134.	600	£600	mounted	Print	Fine Prints	Polyautographs and early lithographs						
3251		John Laporte	Landscape	Polyautograph	London, printed frome stone at the polyautographic office, No.9 Buckingham Place, Fitzroy Square, 1700s?			S 305 x 200 mm			Man 118	200	£200	mounted	Print	Fine Prints	Polyautographs and early lithographs						
3253		Samuel Lover (1787-1868)	The Ambush	Lithograph	Printed and Published by M. H. & J. W. Allen, 32 Dame St, Dublin, July 1826			I 280 x 230 mm				50	£50	mounted	Print	Fine Prints	Polyautographs and early lithographs	HuntingShooting					
3254		Samuel Lover (1787-1868)	Italian Banditti	Lithograph	Printed and Published by M. H. & J. W. Allen, 32 Dame St (Dublin) c. 1826			I 310 x 215 mm				100	£100	mounted	Print	Fine Prints	Polyautographs and early lithographs	Shooting					
3257		Axel Herman Haig	The Morning of the Festival	Etching	1880			I 537 x 327 mm; Pl. 553 x 338 mm			Impression signed by Haig with dedication to Dr. HarveyMarketed by Dowdeswell & Dowdeswell 100 artist’s proofs at 5 gns. Plate destroyedThis is considered the greatest print of the Gothic RevivalLennox-Boyd 24Axel Haig R.E., a Swede, came to etching from architectural drawing and originally naval architecture. His earliest etchings showed the omission of the inessential, the hallmark of the new etchers but he soon found his feet making etchings suitable to be framed and put on the walls as rivals to paintings. His technique was different: look closely at a Haig Cathedral interior and you see a confused melee of lines, step back and you get the authentic gloom of the Middle Ages. 	800	£800	framed	Print	Victorian							
3258		De Belly 	Dedicated a S.A.R. il Principe Eugenio Savoja Carignano	Lithograph with hand colouring	Torino, Presso l’Editore Fco. Bacciarini, Provveditore di Stampe della Real Famiglia			I 570 x 405 mm, S 915 x 650 mm			Marie Theresa, Queen of Sardinia, Daughter of Ferdinand III Grand Duke of Tuscany and widow of Charles Albert   Ex.Col. House of Savoy	450.00	£450	mounted	Print	Portraits	House of Savoy						
3259		Axel Herman Haig	A Street in Seville	Etching	1883			I 698 x 353 mm; Pl. 732 x 380 mm			Impression signed by HaigOne of 300 at 3 gns.Lennox-Boyd 41Axel Haig R.E., a Swede, came to etching from architectural drawing and originally naval architecture. His earliest etchings showed the omission of the inessential, the hallmark of the new etchers but he soon found his feet making etchings suitable to be framed and put on the walls as rivals to paintings. His technique was different: look closely at a Haig Cathedral interior and you see a confused melee of lines, step back and you get the authentic gloom of the Middle Ages. 	650	£650	framed	Print	Victorian							
3260		Arthur Ditchfield	Moonlight	Etching	1868			I 158 x 114 mm; Pl. 203 x 149 mm			Goulding ImpressionArthur Ditchfield (1842-1888) is now totally forgotten and his etchings completely unknown. One of the things to note about him is his sketching trip with Ruskin and Hercules Brabazon to Amiens in 1880. He was obviously a conscientious craftsman, for he noted on many of his works who had printed them. It is worth comparing impressions printed by Goulding, Holdgate or Ditchfield himself. He made at least 77 etchings, a set of which were presented to the British Museum by his sister Mrs J.L. Roget with a manuscript listing. His training is unknown  - his drawings are not of “The English School”. It was probably Parisian, for the influence of Applan is evident and to a lesser extent that of Lalanne.	180	£180	framed	Print	Victorian							
3262		Charles Waltner after George Heming Mason	Young Anglers	Etching	Published 1 December 1881 by Agnew & Sons			I 264 x 417 mm; Pl. 362 x 472 mm			Impression signed by Waltner i/iii (?), impression on vellum. There were 50 artist’s proofs on vellum, at 6 gns. and 250 on Japanese paper at 5 gns. The former appear to have been fully subscribed on issue. PSA index p. 426Mason (1818-1872) was a self-trained landscape and genre painter. Unlike the other “Idyllists,” he came from a moneyed background (his uncle created Mason’s “Iron-Stone”), but his vision of the countryside was similar.	450	£450	framed	Print	Victorian							
3264		Herbert Dicksee after John Everett Millais	The Boyhood of Raleigh	Etching on vellum	Published 1901 by the Fine Art Society			I 562 x 664 mm; Pl. 590 x 700 mm			Issued in an edition of 400 at 10 gns. PSA index Vol. 2 i/iiiImpression signed by DickseeAn impression was exhibited at the RA in 1901 (no. 1430)Dicksee (1862-1942) made both original and reproductive prints, specialising in dogs and big cats. He was a pupil of Legros, but this is scarcely evident, either in subject or style.	1500	£1,500	framed	Print	Victorian							
3265		Henry Macbeth-Raeburn after George Mason 	Wind on the Wold	Etching	Published 4 December 1889 by the Fine Art Society			I 288 x 546 mm; Pl. 328 x 576 mm			Proof before all letters, PSA index 418 i/ii, impression signed by Macbeth-Raeburn, with PSA stamp.Exhibited at the Chicago World Fair 1890 (no.810).	650	£650	framed	Print	Victorian							
3267		M. Fanoli after A. De Valentini	Sa Majestè Marie Adèlaide Reine de Sardaigne	Lithograph	Imp. par Lemercier r. de Seine 57, Paris			I 512 x 391 mm, S 781 x 591 mm			Ex. Col House of Savoy	300.00	£300	mounted	Print	Portraits	House of Savoy						
3269		L. Valmon after George Vicat Cole	Abingdon	Etching on vellum	Published 1897 by Arthur Tooth & Sons			I 750 x 470 mm, Frame 990 x 760 mm (I 29.5 x 18 inches, Frame 39 x 30 inches)			In an edition of 250 at 10 gns.PSA index Vol.2 i/iiCole (1833-1893) was primarily a landscape painter	1200	£1,200	framed	Print	Victorian							
3271		Thomas Burke after Angelica Kauffman	Una.	Stipple engraving	London Published Feby 2 1783 by T. Birchall No. 173 Strand			I 320 x 255 mm oval			Boerner 169 ii/iiiThomas Burke (1749-1815) Irish Born engraver	400.00	£400	framed	Print	Fine Prints	Engravers A-K						
3273		Prince Albert	Fiesko and Andrea Doria	Etching	21 September 1840			I 159 x 118 mm; Pl. 204 x 152 mm			Scott-Elliot 68 ii/iiAn illustration to Schiller’s drama Fiesko	400	£400	framed	Print	Victorian							
3274		Axel Herman Haig	Moorish Archway, Toledo	Etching	1885			I 363 x 212 mm; Pl. 384 x 236 mm			Impression signed by HaigLennox-Boyd 48Axel Haig R.E., a Swede, came to etching from architectural drawing and originally naval architecture. His earliest etchings showed the omission of the inessential, the hallmark of the new etchers but he soon found his feet making etchings suitable to be framed and put on the walls as rivals to paintings. His technique was different: look closely at a Haig Cathedral interior and you see a confused melee of lines, step back and you get the authentic gloom of the Middle Ages. 	600	£600	framed	Print	Victorian							
3275		Robert Walker Macbeth	A Sacrifice (Only a Woman’s Hair)	Etching	Published 12 May 1883 by Lefevre			I 337 x 530 mm; Pl. 395 x 572 mm			PSA index 329 ii/iiImpression signed by Walker MacbethWith PSA stampWalker Macbeth was the son of the Scottish portrait painter Norman Macbeth. He was an etcher, watercolourist and painter of pastoral landscapes, rustic genre scenes and has a unique etching style, very different from Haden or Whistler. He served on the Council of the Royal Society of Painter-Etchers.	800	£800	framed	Print	Victorian							
3277		David Law	[Pangbourne Weir]	Etching	Published ca.1881			I 236 x 350 mm; Pl. 253 x 353 mm			Pangbourne on Thames, BerkshirePlate 21, from Law’s Thames Series	180	£180	mounted	Print	Victorian							
3279		James Mason after Thomas Smith	A View in Newstead Park, belonging to the Rr. Hon.ble the Lord Byron; to whom this Plate is inscribed by his Lordship most obed.t Serv.t 	Copper engraving	Published Oct.r 1764			I 533 x 356 mm			Thomas Smith of Derby (c. 1720-1767) was a landscape painter, the father of John Raphael Smith and grandfather of John Rubens Smith.	400	£400	mounted	Print	British Topography	Nottinghamshire						
3280		J. Boydell	A View of Matlock Bath, in Derby Shire	Copper engraving	Published according to Act of Parliament  by J. Boydell Engraver 1749			I 443 x 290 mm; Pl. 456 x 311 mm  				350	£350	mounted	Print	British Topography	Derbyshire						
3281		William Woollett	A View of the Great Room &c. at Hall-Barn near Beckonsfield in Buckinghamshire a Seat of Edmund Waller Esq.rVeue de la grande Sale &c. a Hall-Barn dans la Comte de Bucks, appertanant a Edmund Waller Ecuyer	Copper engraving	Printed for Carington Bowles in St Pauls Church Yard, John Bowles in Cornhil, Henry Parker in Cornhill, John Boydell in Cheapside, and Robert Sayer in Fleet Street, [1760]			I 506 x 330 mm; Pl. 539 x 375 mm			Fagan 37 iii/iv	500	£500	mounted	Print	British Topography	Buckinghamshire						
3282		Paul Sandby after Thomas Sandby	The Great Bridge over the Virginia River	Copper engraving	Published March the 2.d 1772 by John Boydell			I 313 x 564 mm; Pl. 345 x 581; S 562 x 587 mm			Virginia Water, Windsor Great Park	400	£400	mounted	Print	British Topography	Surrey						
3283		Paul Sandby after Thomas Sandby	View from the Northside of the Virginia River, near the Manour Lodge	Copper engraving				I 309 x 562 mm; S 340 x 576 mm				400	£400	mounted	Print	Foreign Topography	North America						
3288			Canada Pacific & Stadium from “London Bridge” Wembley Empire Exhibition London 1924	Engraving with hand colouring				I 157 x 108 mm; Pl. 162 x 112 mm				40	£40	mounted	Print	British Topography	London						
3290		J. Brandard	The Chancel of the Parish Church, Stratford Upon Avon. In which are interred the remains of SHAKESPEARE. Whose monument (next the door) & Tombleson on the steps below are seen in this view. 	Lithograph	Leamington , Published by C. Elston Stationer & Publisher of Local Views, 12 Lower Union Parade			I 268 x 188 mm				35	£35	mounted	Print	British Topography	Warwickshire						
3291		M & N Hanhart after J. Brandard	The Interior of Beauchamp Chapel, St Mary’s Church Warwick containing the Tombs of Richard de Beauchamp, E of Warwick (Founder of the Chapel) Ambrose Dudley E. of Warwick	Lithograph	Leamington Published by C. Elston, 12 Lower Union Parade.			I 285 x 196 mm				35	£35	mounted	Print	British Topography	Warwickshire						
3292		Edward Morton after John Constable	Cottage adjoining. The Birthplace of the late John Constable Esq.R.A. from a Sketch by himself, taken in 1836 On Stone by Edward Morton	Lithograph	London Published by J. Dickenson, 114 New Bond St.  			I 140 x 195 mm; S 210 x 255 mm				25	£25	mounted	Print	British Topography	Suffolk						
3293		R.A. Welcke after John Bachman	Fifth Avenue  From 42nd Street, Looking North	Lithograph	Copyrighted 1904, By Max Williams, New York			I 380 x 505 mm				650.00	£650	mounted	Print	Foreign Topography	North America						
3294		Facius after Benjamin West	The Golden Age.	Stipple	Publish’d Jany. 1st 1778 by John Boydell Engraver in Cheapside, London.			I 270 x 310 mm oval, Pl. 295 x 325 mm				500.00	£500	mounted	Print	Fine Prints	Stipple						
3298		P.W. Tomkins	The Union Song	Stipple	London Publish’d as the Act directs, Jany. 30, 1801, P.W. Tomkins, No. 49 , New Bond Street			I 205 x 210 mm				500.00	£500	framed	Print	Fine Prints	Stipple						
3300		William Scott	Chailey Sussex	Lithograph				I 237 x 320 mm, S 275 x 347 mm				65.00	£65	mounted	Print	Fine Prints	Polyautographs and early lithographs						
3301		Raphael Lamar West		Polyautograph				I 310 x 227 mm, S 320 x 232 mm			Man 161 ii/ii	350	£350	mounted	Print	Fine Prints	Polyautographs and early lithographs						
3302		Henry [Belenden] Ker		Polyautograph	1807			I 230 x 317 mm, S 277 x 390 mm  			Man 107	150	£150	mounted	Print	Fine Prints	Polyautographs and early lithographs						
3303		Henry Bernard Chalon	Wild Horses	Lithograph				I & S 225 x 317 mm			Man 32	250	£250	mounted	Print	Fine Prints	Polyautographs and early lithographs						
3304		John Downman		Polyautograph				I & S 323 x 233 mm			Man 53	300	£300	mounted	Print	Fine Prints	Polyautographs and early lithographs						
3305		Paul Sandby Mann	Mallwyd Bridge	Polyautograph	1813			I 202 x 287 mm, S 240 x 375 mm				50.00	£50		Print	Fine Prints	Polyautographs and early lithographs						
3306		John Thomas Serres		Polyautograph	1803			I 223 x 317 mm, S 261 x 345 mm			Man 130	220	£220	mounted	Print	Fine Prints	Polyautographs and early lithographs						
3307		Richard Cooper		Polyautograph	1802			I & S 233 x  324 mm			Man 33	150	£150		Print	Fine Prints	Polyautographs and early lithographs						
3308		Paul Sandby Mann	St. Oswald’s Well. Durham	Polyautograph	1813			I 184 x 282 mm, S 237 x 375 mm				80.00	£80	mounted	Print	Fine Prints	Polyautographs and early lithographs						
3313			Marie-Josephine, Comtesse De Provence	Copper engraving				I 210 x 140 mm vignette, Pl. 167 x 235 mm 			Ex. Col.  House of Savoy	60	£60	mounted	Print	Portraits	House of Savoy						
3314		Forino	S.A.R.D.n Antonio Conte di Lecce 1828.	Lithograph				I 165 x 170 vignette, S 490 x 390 mm			Ex. Col. House of Savoy	100.00	£100		Print	Portraits	House of Savoy						
3315		F. Perrin	Il Re Vittorio Emmanuel	Lithograph with tint stone				I 440 x 480 mm			Ex. Col House of Savoy	350.00	£350	mounted	Print	Portraits	House of Savoy						
3316		Charles Gottlieb Heüssü after Thomas Fry	Catherine, Countess of Lincoln	Mezzotint	c. 1760s			Pl. 140 x 190 mm				200	£200	mounted	Print	Fine Prints	Foreign Copies of English Prints						
3317		P. V.	Familie Royale de Belgique [Belgian Royal Family]	Woodblock with hand colouring	Imp. Lith. Olivier Pinot Edit. à Epinal.			I 360 x 250 mm				120	£120	mounted	Print	Portraits	House of Savoy						
3318		Richard Lasey after James Abbot McNeil Whistler	Arrangement in Grey and Black: The Artist’s Mother [Whistler’s Mother]	Mezzotint	London, Published July 7th 1879 by Henry Graves and Co. 6 Pall Mall SW			I 350 x 310 mm; Pl. 440 x 440 mm			Signed by Lasey in pencil. Bears the signature and monogram of Whistler in lower left margin. Stamped “FKY Printsellers Association”.Printsellers Association Index 414	2200	£2,200	mounted	Print	Victorian							
3320		Burghers, Michael	To the Right Reverend Father in God John by divine permission Ld. Bishop of OXON The Map of Oxfordshire being his Lordship’s Diocess newley delineated, and after a new manner, with all imaginable Reverence is humbly dedicated by R.P.L.L.D.	Copper engraving with hand colouring							This large copperplate map is from Robert Plot's The Natural History of Oxfordshire…..  Dr. Plot, a Professor of Chemistry at the University of Oxford  and the first keeper of the Ashmolean, planned to produce a series of county histories, but only two materialized - Oxfordshire and Staffordshire.  The map, rarely in perfect condition, was engraved by Michael Burghers, who assisted in the engraving of David Loggan's Oxonia Illustrata.  The Plot map is the most decorative map of the county, with a boarder of 172 coast of arms, including the coats of arms of 148 the county's gentry, each armorial being keyed to a number residence on the map.  The top boarder conatins the coats of arms of the eighteen Oxford colleges, the City, the University, and four county towns.  The map is similar in scale to, but less accurate then Robert Morden's map which it pre-dates by nineteen years.  There are no hundreds illustrated, but rivers, towns, villages, and churches are clearly delinated.  	1500.00	£1,500	framed	Map	Oxford	Oxfordshire						
3323		Jan Jansson	Wiltonia sive comirarus Wiltoniensis. Anglis Wilshire	Copper engraved map with contemporary hand colour	Published Amsterdam c. 1660						Janssons Wiltshire map bound with French text in half calf and cloth. Some wear to spine .	600	£600		Map	English Counties	Wiltshire						
3326		Wells, Edward 	A New Map of the Terraqueous Globe according to the latest Discoveries and most general Divions of it into Contienents and Oceans.	Copper engraved	Published Oxford 1726-38						This decorative and instructional world map was part of a set of 22 maps dedicated to William, Duke of Gloucester, who was then an 11 year old student at Oxford. Wells was a teacher of mathematics and geography at Christ Church College.  The 11 year old William, heir to the throne, began his studies at Christ Church in 1700 at the age of 11 and died a few months after the map was issued (1700). Wells designed his maps for instructional use in the geography courses he taught at Christ Church College at Oxford and his clear and direct cartographic presentation proved popular with the general public as well. Something of a surprise commercial success, the atlas received several printings well into the 1730s.. The wonderfully decorative maps are greatly prized for their charming vignettes including views of Oxford, and provide a fascinating snapshot of British understanding of the world at the outset of the 18th century. Wells maps are known for geographical accuracy and the strength of the engraved images. This map shows California as an Island, an incomplete New Holland attached to N. Guinea, partial New Zealand Coast line and no Southern Continent.Michael Burgers was an engraver and draughtsman from Holland whom move to England and settled in Oxford in 1673.  Whilst in Oxford he worked for David Loggan on Oxford Illustrata, published in 1675, and eventually succeeded Loggan as Engraver to the University.  Burgers engraved the first Oxford Almanack in 1676 and continued to engrave most of them for the next 43 years.  Burgers also illustrated books and produced architectural, botanical and portrait engravings. Shirley World 608	2000	£2,000	framed	Map	World Maps & Sea Charts							
3327		Blome, Richard 	A Mapp of Y County of Buckinghamshire	Copper engraved with hand colour	c. 1715			247 x 175 mm				200.00	£200	framed	Map	English Counties	Buckinghamshire						
3330		Rock & Co	University College, Oxford	Steel engraving	Rock & Co London No. 1663			89 x 62 mm				30	£30	mounted	Print	Oxford	University College						
3333		J. Greig	The Hall Staircase, Christ Church	Copper engraving	Published by Cook & Parker, Oxford - Longman, Hurst Rees and Orme, London, March 1 1810			I 130 x 82 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			25	£25	mounted	Print	Oxford	Christ Church College						
3334		J. Storer	Hall of Christ Church College	Copper engraving	Published by Cook & Parker, Oxford - Longman, Hurst Rees and Orme, London, March 1 1810			I 114 x 81 mm				25	£25	mounted	Print	Oxford	Christ Church College						
3335		Pieter van der Aa after David Loggan	Le College de S. Jean Baptiste 	Copper engraving	1707			166 x 132 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher.  	45	£45	mounted	Print	Oxford	St. John’s College						
3336		Ellis Jewin	The Nelson Column, Trafalgar Square	Steel engraving	circa 1840			I 109 x 85 mm				30	£30	mounted	Print	British Topography	London						
3339		Bowen, Emmanuel 	A New & Accurate Chart of the World	Copper engraving	1747			I 440 x 362 mm			Bowen, Emmanuel (c.1693/1694-1767) One of the leading 18th-century map and printsellers and engravers in London. Appointed Engraver of maps to George II of England and possibly Louis XV of France. His apprentices included Thomas Kitchin and Thomas Jeffreys. Collaborated with other map makers of his tie, including the Bowles family and John Owen.  	750	£750		Map	World Maps & Sea Charts							
3341		Morden, Robert 	Devonshire	Copper engraved with hand colouring	1722			From Camden's Britannia			Robert Morden : d. 1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson's revised edition of 'Camden's Brittannia' engraved by Sutton Nichols. William Camden (1551-1623) was a historian and antiquary whose works were reprinted and published over a period of 200 years. The original Latin text was first translated by Gibson in 1695. Morden was employed to replace the outdated maps by Saxton, engraved by Kip and Hole. He based his maps on manuscript sources plus the surveys of Ogilby and Morgan, seller, Palmer and the coastal charts of Cpt. Greenville Collins. One of his original contributions to cartography was the showing of longitudes measured from the meridian of St. Paul's Cathedral given in the form of time in minutes at the top of the map in Roman numerals and at the bottom in degrees. This was done to clarify local times that were taken from the sun as there was no national standard time. These maps were the first to show the roads based on Ogilby's earlier work of 1675, and included 3 scales to cover the various scales used in different parts of the country. 	200.00	£200	mounted	Map	English Counties	Devon						
3342		Morden, Robert 	Nottinghamshire	Copper engraved with hand colouring	1695			From Camden's Britannia			Robert Morden : d. 1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson's revised edition of 'Camden's Brittannia' engraved by Sutton Nichols. William Camden (1551-1623) was a historian and antiquary whose works were reprinted and published over a period of 200 years. The original Latin text was first translated by Gibson in 1695. Morden was employed to replace the outdated maps by Saxton, engraved by Kip and Hole. He based his maps on manuscript sources plus the surveys of Ogilby and Morgan, seller, Palmer and the coastal charts of Cpt. Greenville Collins. One of his original contributions to cartography was the showing of longitudes measured from the meridian of St. Paul's Cathedral given in the form of time in minutes at the top of the map in Roman numerals and at the bottom in degrees. This was done to clarify local times that were taken from the sun as there was no national standard time. These maps were the first to show the roads based on Ogilby's earlier work of 1675, and included 3 scales to cover the various scales used in different parts of the country. 	75	£75	mounted	Map	English Counties	Nottinghamshire						
3344		Bowen, Emmanuel 	An Accurate Map of the County of Gloucester Divide into Hundreds	Copper engraving with hand colouring	1777			I 491 x 401 mm			Bowen, Emmanuel (c.1693/1694-1767) One of the leading 18th-century map and printsellers and engravers in London. Appointed Engraver of maps to George II of England and possibly Louis XV of France. His apprentices included Thomas Kitchin and Thomas Jeffreys. Collaborated with other map makers of his tie, including the Bowles family and John Owen.  	500	£500	mounted	Map	English Counties	Gloucestershire						
3345		Morden, Robert 	Kent	Copper engraved with hand colouring	1722			I 630 x 342 mm			Robert Morden : d. 1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson's revised edition of 'Camden's Brittannia' engraved by Sutton Nichols. William Camden (1551-1623) was a historian and antiquary whose works were reprinted and published over a period of 200 years. The original Latin text was first translated by Gibson in 1695. Morden was employed to replace the outdated maps by Saxton, engraved by Kip and Hole. He based his maps on manuscript sources plus the surveys of Ogilby and Morgan, seller, Palmer and the coastal charts of Cpt. Greenville Collins. One of his original contributions to cartography was the showing of longitudes measured from the meridian of St. Paul's Cathedral given in the form of time in minutes at the top of the map in Roman numerals and at the bottom in degrees. This was done to clarify local times that were taken from the sun as there was no national standard time. These maps were the first to show the roads based on Ogilby's earlier work of 1675, and included 3 scales to cover the various scales used in different parts of the country. 	280	£280	mounted	Map	English Counties	Kent						
3347		Saxton, Christopher	Worcestershire	Copper engraving	c. 1693			I 492 x 377 mm			Saxton, Christopher (c.1543-1610/1611) b. near Dunningley, West Yorkshire. Estate Surveyor and Draughtsmen, apprenticed to the cleric and cartographer John Rudd. Under his tutelage Saxton developed the skills to become the man now klnown as ‘the father of English cartography’. Saxton carried out an extensive topographical survey of England and Wales, 1573-1578 under the patronage of Thomas Seckford. 34 county maps based on the surveys were engraved between 1574 and 1578 by Remy Hogenberg, Lenaert Terwoort, Cornelis de Hooghe, Augustine Ryther, Francis Scatte, and Nicholas Reynolds, forming the first atlas of England and Wales. The work was the basis for many later maps. The maps were issued by Saxton in untitled volumes from 1579, subsequently resissued as The Shires of England and Wales, William Web 1645, Philip Lea 1693 (with added maps), French edition Atlas Anglois, philip Lea 1693, as the Shires of England and Wales, G. Willdey 1732, T Jefferys 1749, and finally in an untitled version by C. Dicey c. 1770 wall map of England and Wales (20 sheets)	980	£980	mounted	Map	English Counties	Worcestershire						
3348		Blaeu, Johannes	Suffolcia	Copper engraving with hand colouring	circa 1645 - 1648			I 493 x 380 mm			Blaeu, Doctor Johannes (c.1599-1673) Born and died in Amsterdam. Collaborated with his father Willem Janszoon and with his brother Cornelis, and ran the business after the death of Willwm. Appointed official cartographer to the East India Company (VOC) in 1638 in sucession to his father. What was left of the company after the fire of 1672 and the deah of Joan in 1673 passed to his son Joan (III), who sold the globemaking part of the business to J. van Keulen. Worked in partnership with his father on Appendix Theatri Ortelii et Atlantis G. Mercatoris, 1631 and Nouvus Atlas, 1634; Wall maps, 1647-1649; Tooneel der Steden van der Vereenighde Nederlanden (Town books of the Netherlands) 1649-1653 Theatrum Orbis Terrarum, publishing six volumes  up to 1655; Atlas Major (11 volumes, known as the Grand Atlas), 1662-1672 in editions with French, Latin, Dutch and Spanish text (often described as the most magnificent work of its kind ever produced); Town plans of Italy 1663. 	600	£600	mounted	Map	English Counties	Suffolk						
3349		Blaeu, Johannes	Nortfolcia	Copper engraving with hand colouring	circa 1645 - 1648			I 493 x 390 mm			Blaeu, Doctor Johannes (c.1599-1673) Born and died in Amsterdam. Collaborated with his father Willem Janszoon and with his brother Cornelis, and ran the business after the death of Willwm. Appointed official cartographer to the East India Company (VOC) in 1638 in sucession to his father. What was left of the company after the fire of 1672 and the deah of Joan in 1673 passed to his son Joan (III), who sold the globemaking part of the business to J. van Keulen. Worked in partnership with his father on Appendix Theatri Ortelii et Atlantis G. Mercatoris, 1631 and Nouvus Atlas, 1634; Wall maps, 1647-1649; Tooneel der Steden van der Vereenighde Nederlanden (Town books of the Netherlands) 1649-1653 Theatrum Orbis Terrarum, publishing six volumes  up to 1655; Atlas Major (11 volumes, known as the Grand Atlas), 1662-1672 in editions with French, Latin, Dutch and Spanish text (often described as the most magnificent work of its kind ever produced); Town plans of Italy 1663. 	600	£600	mounted	Map	English Counties	Norfolk						
3350		Murray, T. 	Durham	Copper engraving with hand colouring	London, Published May 1st 1830 by T.L. Murray, 19 Adam Street, Adelphi			I 450 x 355 mm			Murray, T. Laurie FRGS. British Publisher and surveyor of 19 ‘Adam Street, Adelphi’, London. Founder member of the Royal Geographical Society, An Atlas of English Counties (44 maps), London, T.L. Murray 1830, 1831 and later editions.	75	£75	mounted	Map	English Counties	Durham						
3351		Awnsham and John Churchill	Cambridgeshire	Copper engraving with hand colouring	c.1708			I 424 x 357 mm			Churchill, Awnsham and John. Booksellers and publishers at the Black Swan, Paternoster Row, London.Churchill, Awnsham (1681-1728) In partnership with his brother John; Member of Parliament Dorsetshire 1705-1710; shop and stock were passed on to William Taylor in 1719, but Churchill retained copyright in Britannia until his death. Brotannia (with revisions by Gibson), was published by Awnsham Churchill, 1722 and sold by Taylor.Churchill, john (fl.1690-1714) Brother and partner of Awnsham from 1690. 	180	£180	mounted	Map	English Counties	Cambridgeshire						
3352		Murray, T. 	Dorsetshire	Copper engraving with hand colouring	London, Published May 1st 1830 by T.L. Murray, 19 Adam Street, Adelphi			I 450 x 355 mm			Murray, T. Laurie FRGS. British Publisher and surveyor of 19 ‘Adam Street, Adelphi’, London. Founder member of the Royal Geographical Society, An Atlas of English Counties (44 maps), London, T.L. Murray 1830, 1831 and later editions.	70	£70	mounted	Map	English Counties	Dorset						
3354		Cary, J.	A New Map of Kent Divided into Lathes	Copper engraving	London, Published by J. Cary Engraver & Map Seller No. 184 Strand July 1st 1806			I 534 x 482 mm				150	£150	mounted	Map	English Counties	Kent						
3355		Smith, C. 	A New Map of the County of Gloucester	Copper engraving with hand colouring	London, Printed for C. Smith No. 172 Strand January 6th, 1804						2nd Edition Corrected to 1808	180	£180	mounted	Map	English Counties	Gloucestershire						
3357		Morden, Robert 	South Wales	Copper engraving with hand colouring	1722			I 420 x 350 mm				110	£110	mounted	Map	Scotland, Ireland & Wales	Wales						
3358		Morden, Robert 	North Wales	Copper engraving with hand colouring	1722			I 420 x 350 mm				40	£40	mounted	Map	Scotland, Ireland & Wales	Wales						
3361		Kitchin, Thomas 	Cheshire Drawn from the best surveys Maps and Charts & and Regulated by Astron.l Observat.ns	Copper engraving	circa 1786			I 220 x 140 mm				50	£50	mounted	Map	English Counties	Cheshire						
3362		Bowen / Owen	A Map of Somersetshire	Copper engraving	1720			I 179 x 103 mm				35	£35	mounted	Map	English Counties	Somersetshire						
3363		Kitchin, Thomas 	Somersetshire	Copper engraving	1786										Map	English Counties	Somersetshire						
3365			Balliol 1894	Photograph	c. 1894			I 240 x 300 mm			see stock number 3364	80	£80	mounted	Print	Oxford	Balliol College						
3368		Fullarton, A.	Cheshire	Copper engraving with hand colouring	c.1830			I 238 x 180 mm				45	£45	mounted	Map	English Counties	Cheshire						
3370		Taylor/Blome	A Mapp of the County of Somerset	Copper engraving	c. 1717			I 242 x 195 mm				70	£70	mounted	Map	English Counties	Somersetshire						
3371		Morden, Robert 	Somersetshire	Copper engraved with original hand colouring	1722			From Camden's Britannia			Robert Morden : d. 1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson's revised edition of 'Camden's Brittannia' engraved by Sutton Nichols. William Camden (1551-1623) was a historian and antiquary whose works were reprinted and published over a period of 200 years. The original Latin text was first translated by Gibson in 1695. Morden was employed to replace the outdated maps by Saxton, engraved by Kip and Hole. He based his maps on manuscript sources plus the surveys of Ogilby and Morgan, seller, Palmer and the coastal charts of Cpt. Greenville Collins. One of his original contributions to cartography was the showing of longitudes measured from the meridian of St. Paul's Cathedral given in the form of time in minutes at the top of the map in Roman numerals and at the bottom in degrees. This was done to clarify local times that were taken from the sun as there was no national standard time. These maps were the first to show the roads based on Ogilby's earlier work of 1675, and included 3 scales to cover the various scales used in different parts of the country. 	180	£180	mounted	Map	English Counties	Somersetshire						
3372		Kelly, Thomas 	France in Departments	Copper engraving	Published by Thomas Kelly No.53, Paternoster Row, London, circa 1780			I 240 x 190 mm				25	£25	mounted	Map	Europe	France						
3373		Kelly, Thomas	France in Departments	Steel engraving	London: Published by Thomas Kelly, 17 Paternoster Row, circa 1840 			I 240 x 190 mm				20	£20	mounted	Map	Europe	France						
3374		Bovinet, Giraldon 	France par Provinces	Copper engraving	Publie par Jules Renouard, Librarie Editeur de la Geographie de Balbi, des ouvrages elementaires de Gaultier, Rue de Tournon No. 6 a Paris			I 380 x 230 mm				40	£40	mounted	Map	Europe	France						
3376			Leicestershire	Copper engraving	c 1780			I 147 x 120 mm				35	£35	mounted	Map	English Counties	Leicestershire						
3377		Cooper	Middlesex	Copper engraving with hand colouring	Published Jan.y 1, 1808, by R Phillips, Bridge Street, Blackfriars London.			I 176 x 100 mm				20	£20	mounted	Map	English Counties	Middlesex						
3381		Sid Hall	Durham	Steel engraving with hand colouring	c. 1860	c. 1860	1860	I 241 x 187 mm				25.00	£25	mounted	Map	English Counties	Durham						
3384		Dawson, R.K 	Reading (from the Ordnance Survey)	Copper engraving with hand colouring	1832			I 220 x 184 mm				35	£35	mounted	Map	English Counties	Berkshire						
3385		Owen/Bowen	Berkshire (the roads from Oxford to Salisbury)	Copper engraving	1720			I 190 x 126 mm				75	£75	mounted	Map	English Counties	Berkshire						
3386		A.M Perrott	Cornouaille	Copper engraving with hand colouring	1823			I 100 x 60 mm				150	£150	mounted	Map	English Counties	Cornwall						
3388		Cary, J. 	Cumberland	Copper engraving with hand colouring	London, Published Jan.y 1st 1793, by J. Cary , Engraver & Map seller Strand			I 259 x 207 mm				60	£60	mounted	Map	English Counties	Cumberland						
3389		Cooper	Bedfordshire	Copper engraving	Published Jan.y 1, 1808 by R. Philips Bridge Street Blackfriars London			I 175 x 101 mm				12	£12	mounted	Map	English Counties	Bedfordshire						
3390		Moule, Thomas	Cornwall	Steel engraved map	circa 1836			I 257 x 196 mm				85	£85	mounted	Map	English Counties	Cornwall						
3392		Fullarton	Buckinghamshire	Copper engraving with hand colouring	Pub.d by ARchd. Fullarton & Co. Glasgow circa 1830			I 236 x 180 mm				40	£40	unmounted	Map	English Counties	Buckinghamshire						
3393		Archer, J. 	Berkshire	Steel engraving	Drawn and engraved by J. Archer Pentonville London, circa 1850			I 230 x 180 mm				20	£20	unmounted	Map	English Counties	Berkshire						
3395		Toms, W. H 	A Map of Berkshire	Copper engraving	Published by the Proprietor J. Badeslade & W.H Toms Sept 29th 1741			I 141 x 139 mm				45	£45	unmounted	Map	English Counties	Berkshire						
3396		Copper	Berkshire	Copper engraving	Published Jan.y 1, 1808 by R. Philips Bridge Street Blackfriars London			I 176 x 101 mm				30	£30	unmounted	Map	English Counties	Berkshire						
3398		Owen/Bowen	A Map of Cornwall (the road from Exeter to Truro)	Copper engraving	circa 1720			I 180 x 115 mm				65	£65	unmounted	Map	English Counties	Cornwall						
3399		Kitchin, Thomas	Cornwall Drawn from an Actual Survey and Regulated by Astron.l. Observations	Copper engraved with hand colouring	1769			I 231 x 194 mm				90	£90	unmounted	Map	English Counties	Cornwall						
3401		Totoya Hokkei (1780-1850)	Pheasant [Kiji]	Woodblock surimono	ca. 1891			200 x 180 mm			This print represents a Meiji ‘A’ reprinting of an earlier Hokkei surimono. At the end of the 19th century, realizing that their aesthetic value, a number of publishers decided to re-carve a selection of Edo period surimono designs. Printed in editions of 50 or 100, they were sold principally to Western tourists in Japan. They were first identified by the foremost ukiyo-e scholar Roger Keyes, in his two volume work The Art of Surimono (London: Sotheby’s, 1985). The copies were issued from re-cut blocks in four different groups, the first by Tsumura Isakichi in the early 1990s from the town of Akashi near Kobe, hence the designation Akashi surimono. Despite this provenance, Akashi prints nevertheless represent extremely fine impressions incorporating the same lavish features of the originals, such as blind printing and the ornate use of rich pigments. The most tangible difference was merely the rigidity of the paper, the 1820s hôsho being softer and more porous.  	130	£130	Mounted	Print	Japanese							
3402		Fullarton	Cornwall	Copper engraving	Published by Arch.d Fullarton & Co. Glasgow			I 231 x 186 mm				45	£45	unmounted	Map	English Counties	Cornwall						
3403		Archer, J. 	Bedfordshire	Copper engraving	Drawn and engraved by J. Archer, Pentonville, London, circa 1846			I 230 x 175 mm				10	£10	unmounted	Map	English Counties	Bedfordshire						
3404		Walker, J & C 	Devonshire	Copper engraving with hand colouring	Engraved for Lewis’ Topographical Dictionary circa 1830			292 x 230 mm				20	£20	unmounted	Map	English Counties	Devon						
3405		Archer, J. 	Bedfordshire	Steel engraving	Drawn and engraved by J. Archer Pentonville, London circa 1846			I 230 x 176 mm				12	£12	unmounted	Map	English Counties	Bedfordshire						
3406		Archer, J. 	Cambridgeshire	Copper engraving	Drawn and engraved by J. Archer Pentonville, London 			I 234 x 179 mm				10	£10	unmounted	Map	English Counties	Cambridgeshire						
3407		Walker, J & C 	Cambridgeshire	Copper engraving	Engraved for Lewis’ Topographical Dictionary c 1846			I 230 x 172 mm				12	£12	unmounted	Map	English Counties	Cambridgeshire						
3408		Owen/Bowen	Buckinghamshire (the road from London to Yarmouth)	Copper engraving	circa 1720			I 181 x 120 mm				60	£60	unmounted	Map	English Counties	Buckinghamshire						
3409		Hakewell, James 	The Neighbourhood of Windsor	Copper engraving with hand colouring	c. 1815			I 270 x 224 mm				100	£100	unmounted	Map	English Counties	Berkshire						
3411		Sid Hall	Cumberland	Copper engraving	Published by S. Leigh, 18 Strand, circa 1800			I 120 x 70 mm				5	£5	unmounted	Map	English Counties	Cumberland						
3413		Cary, John	Cumberland	Copper engraving	c 1760			I 112 x 90 mm				5	£5	unmounted	Map	English Counties	Cumberland						
3416		Rollos, J. 	Berkshire	Copper engraving with hand colouring	circa 1769			I 256 x 184 mm				75	£75	unmounted	Map	English Counties	Berkshire						
3417		Moule, T. 	Berkshire	Steel engraved with hand colouring	circa 1840			I 254 x 195 mm				120.00	£120	mounted	Map	English Counties	Berkshire						
3418		Archer, J. 	Berkshire	Copper engraving with hand colouring	circa 1850			I 235 x 176 mm				15	£15	unmounted	Map	English Counties	Berkshire						
3419		Fullarton	Berkshire	Copper engraving	Published by Arch.d Fullarton & Co. Glasgow, 			I 242 x 186 mm				25	£25	unmounted	Map	English Counties	Berkshire						
3420		Kitchin, T. 	Berkshire	Copper engraving	circa 1786			I 217 x 170 mm				74	£74	unmounted	Map	English Counties	Berkshire						
3421		Taylor/ Blome	Barkshire	Copper engraving	circa  1717			I 235 x 176 mm				110	£110	unmounted	Map	English Counties	Berkshire						
3422		Seller, J. 	Barkshire	Copper engraving				I 144 x 120 mm				88	£88	unmounted	Map	English Counties	Berkshire						
3424		Pigot and Son	Berkshire	Copper engraving with hand colouring	Published Pigot & Co. 17 Basing Lane London & 18 Fountain St Manchester, cirac 1830			I 350 x 220 mm				60	£60	mounted	Map	English Counties	Berkshire						
3425		Seller/Grose	Cambridgeshire	Copper engraving with hand colouring	circa 1700			I 120 x 145 mm				40	£40	unmounted	Map	English Counties	Cambridgeshire						
3426			Cambridgeshire	Steel engraving with hand colouring	circa 1840			I 258 x 194 mm				85	£85	unmounted	Map	English Counties	Cambridgeshire						
3427		J. Cary	Cambridgeshire	Copper engraving with hand colouring	London published Jan .y 1, 1793 by J. Cary. Engraver and map seller Strand			I 258 x 209 mm				65.00	£65	unmounted	Map	English Counties	Cambridgeshire						
3429		Starling, T. 	Cumberland	Steel engraving with hand colouring											Map	English Counties	Cumberland						
3431		Moule	Cambridgeshire	Steel engraved	circa 1845			I 258 x 192 mm				65	£65	unmounted	Map	English Counties	Cambridgeshire						
3432		J. Cary	Cambridgeshire	Copper engraving with hand colouring	London, Published Jan.y 1.1793 by J. Cary Engraver & Map seller Strand			I 260 x 208 mm				50	£50	unmounted	Map	English Counties	Cambridgeshire						
3433		J. Wallis	Cumberland	Copper engraving				I 257 x 172 mm				55	£55	unmounted	Map	English Counties	Cumberland						
3434		Moule	Bedfordshire	Steel engraved	circa 1845			I 270 x 214 mm				50	£50	unmounted	Map	English Counties	Bedfordshire						
3435		J. Wallis	Bedfordshire	Copper engraving	1819			I 257 x 174 mm				50	£50	unmounted	Map	English Counties	Bedfordshire						
3436		R. Creighton	Bedfordshire	Copper engraving	circa 1831			I 226 x 172 mm				18	£18	unmounted	Map	English Counties	Bedfordshire						
3437		J & C Walker	Bedfordshire	Copper engraving	circa 1830			I 244 x 178 mm 				15	£15	unmounted	Map	English Counties	Bedfordshire						
3438		J & C Walker	Bedfordshire	Copper engraving	Circa 1831			I 222 x 175 mm				12	£12	unmounted	Map	English Counties	Bedfordshire						
3439		T. Kitchin	Bedfordshire	Copper engraving	1764			I 251 x 194 mm				50	£50	unmounted	Map	English Counties	Bedfordshire						
3440		J. Archer	Bedfordshire	Steel engraving	circa 1860. Drawn and engraved by J. Archer, Pentonville, London			I 231 x 177 mm				15	£15	unmounted	Map	English Counties	Bedfordshire						
3441		Seller/Grose	Bedfordshire	Copper engraving	circa 1700			I 181 x 120 mm				40	£40	unmounted	Map	English Counties	Bedfordshire						
3442		H. Moll	Bedfordshire	Copper engraving	circa 1724			I 252 x 192 mm				120	£120	unmounted	Map	English Counties	Bedfordshire						
3443		T. Kitchin	Cumberland	Copper engraving	1764			I 251 x 194 mm				60	£60	unmounted	Map	English Counties	Cumberland						
3444		B.R Davies	Buckinghamshire	Copper engraving	Day & Son Lithrs. to the Queen. Weekly  Dispatch Atlas, 139 Fleet Street			I 422 x 300 mm				20	£20	unmounted	Map	English Counties	Buckinghamshire						
3445			Berkshire	Steel engraving	circa 1840			I 260 x 209 mm				80	£80	unmounted	Map	English Counties	Berkshire						
3446		R. Creighton	Cumberland	Copper engraving with hand colouring	Engraved for Lewis’ Topographical Dictioanry, 1837			I 229 x 174 mm				20	£20	unmounted	Map	English Counties	Cumberland						
3450			Oxford, St Mary the Virgin	Photolithograph	circa 1910			I 136 x 87 mm				15	£15	mounted	Print	Oxford	Oxford Churches						
3451		Owen/Bowen	Berkshire (the roads from Oxford to Salisbury)	Copper engraving	1720			I 190 x 126 mm				75	£75	mounted	Map	English Counties	Berkshire						
3452		R. Creighton	Cumberland	Copper engraving with hand colouring	Engraved for Lewis’ Topographical Dictioanry, 1837			I 292 x 230 mm				20	£20	unmounted	Map	English Counties	Cumberland						
3453		Kitchin, Thomas	A New Map of Berkshire	Copper engraving	1764			I 250 x 190 mm				70	£70	unmounted	Map	English Counties	Berkshire						
3454		Wilkes, J.	Berkshire	Copper engraving	London, Published as the Act directs, July 11th 1801, by J. Wilkes			I 234 x 188 mm				30	£30	unmounted	Map	English Counties	Berkshire						
3456		Moule, Thomas 	Cumberland	Steel engraved	c. 1840			257 x 194 mm			Originally a writer on Heraldry and general antiquities, Moule was born in Marylebone, London. From around 1816 to 1823 he was a Bookseller, his shop was in Grosvenor Square, London. He then became an inspector of letters in the General Post Office, where his responsibilities included trying to 'read' illegible hand writing! His highly decorative series of county maps were first published in separate issues for each county between 1830 and 1832. In 1836 these were brought together in one work, by George Virtue & Co. They continued to appear in Rev. Barclay's Dictionary into the 1840's.	40	£40	unmounted	Map	English Counties	Cumberland						
3457		Hall, Sidney	Cornwall	Steel engraved with hand colouring	London, Published by Chapman & Hall. 193 Piccadilly, 1848			236 x 182 mm				18	£18	unmounted	Map	English Counties	Cornwall						
3460		Brayley, E.W	Chester	Copper engraving	London, Published for the Proprietors by Vernor & Hood, Poultry Dec.r 1st 1806			231 x 177 mm	From Cole and Roper			60	£60	unmounted	Map	English Counties	Cheshire						
3461		J. Archer	Bedfordshire	Steel engraving	Drawn and engraved by J. Archer Pentonville, London circa 1846			I 230 x 176 mm				12	£12	unmounted	Map	English Counties	Bedfordshire						
3462		Archer, J.	Cumberland	Copper engraving	Drawn and engraved by J. Archer, Pentonville, London, circa 1846			I 230 x 175 mm				25.00	£25	unmounted	Map	English Counties	Cumberland						
3463		Archer, J.	Cornwall	Copper engraving	Drawn and engraved by J.Archer, Pentonville, London, 1860			231 x 176 mm				60	£60	unmounted	Map	English Counties	Cornwall						
3464		Moule, Thomas 	Cheshire	Steel engraved	c. 1840			257 x 194 mm			Originally a writer on Heraldry and general antiquities, Moule was born in Marylebone, London. From around 1816 to 1823 he was a Bookseller, his shop was in Grosvenor Square, London. He then became an inspector of letters in the General Post Office, where his responsibilities included trying to 'read' illegible hand writing! His highly decorative series of county maps were first published in separate issues for each county between 1830 and 1832. In 1836 these were brought together in one work, by George Virtue & Co. They continued to appear in Rev. Barclay's Dictionary into the 1840's.	75	£75	unmounted	Map	English Counties	Cheshire						
3465		Archer, J.	Cheshire	Steel engraving	Drawn and engraved by J. Archer Pentonville, London circa 1846			I 230 x 176 mm				15	£15	unmounted	Map	English Counties	Berkshire						
3466		Toms, W.H.	A Map of Berkshire	Copper engraving	Published by the Proprietor J. Badeslade & W.H Toms Sept 29th 1741			I 141 x 139 mm				45	£45	unmounted	Map	English Counties	Berkshire						
3467		Moll, Hermann	The County Palatine of Chester	Copper engraving	circa 1724			I 255 x 190 mm				180	£180	unmounted	Map	English Counties	Cheshire						
3468		Moule, Thomas 	Buckinghamshire	Steel engraved	c. 1840			257 x 194 mm			Originally a writer on Heraldry and general antiquities, Moule was born in Marylebone, London. From around 1816 to 1823 he was a Bookseller, his shop was in Grosvenor Square, London. He then became an inspector of letters in the General Post Office, where his responsibilities included trying to 'read' illegible hand writing! His highly decorative series of county maps were first published in separate issues for each county between 1830 and 1832. In 1836 these were brought together in one work, by George Virtue & Co. They continued to appear in Rev. Barclay's Dictionary into the 1840's.	55	£55	unmounted	Map	English Counties	Buckinghamshire						
3469		Seller/Grose	Berkshire	Copper engraving with hand colouring	circa 1700			I 120 x 145 mm				50	£50	unmounted	Map	English Counties	Berkshire						
3470		Seller, John	Berkshire	Copper engraving	1694			145 x 120 mm				75	£75	mounted	Map	English Counties	Berkshire						
3471		Morden, Robert	Northamptonshire	Copper engraving with hand colouring	London, 1695-1722			418 x 362 mm	From Camden’s Britannia		Robert Morden: d.1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson’s revised edition of ‘Camden’s Britannia’ engraved by Sutton Nichols. 	120	£120	mounted	Map	English Counties	Northamptonshire						
3472		Cary, John	A New Map of Sussex	Copper engraving with hand colouring	London, Published by J. Cary Engraver & Map seller No. 181 Strand Sep.r 28. 1801			537 x 477 mm			Cary, John (1755-1835) English cartographer, engraver, globe maker and publisher. Worked with his brother George. Apprenticed to his William Palmer 1770; surveyor of roads to the general post office , 1794. Best known for his english county atlases. Amongst others - Cary’s New and Correct English Atlas  1787-1789; engraved the plates for Robert Gough’s edition of Camden’s Britannia, 1789, 1806.	170	£170	mounted	Map	English Counties	Sussex						
3479		John Boydell	A South Prospect of the City of Oxford	Copper engraving	Published According to act of parliament by John Boydell engraver at the Unicorn the corner of Queen Street Cheapside London 1751. Price 1 shilling.			I. 244 x 425 mm,  Pl.430 x 260 mm				650	£650	framed	Print	Oxford	General Views						
3480		John Boydell	A West Prospect of the City of Oxford	Copper engraving	Published According to act of parliament by John Boydell engraver at the Unicorn the corner of Queen Street Cheapside London 1751. Price 1 shilling.			I. 244 x 415 mm, Pl 255 x 425 mm				650	£650	framed	Print	Oxford	General Views						
3482		R.K. Dawson	Oxford	Copper engraving with hand colouring	circa 1836			I 322 x 195 mm				75	£75	mounted	Map	Oxford	Oxford Maps						
3486		R. Ackermann	Law School	Aquatint	London Pub.d Aug.t 1. 1814 at 101 Strand for R. Ackermann’s History of Cambridge			I 266 x 201 mm				120	£120	mounted	Print	British Topography	Cambridgeshire						
3487		R. Ackermann	Chapel of Magdalen College	Aquatint	London Pub.d Nov.r 1 1815, at 101 Strand, for R. Ackerman’s History of Cambridge			I 251 x 216 mm				120	£120	mounted	Print	British Topography	Cambridgeshire						
3489		Christopher Saxton and William Hole	Derbyshire	Copper engraved with hand colouring	1610			I 311 x 282 mm				320	£320	mounted	Map	English Counties	Derbyshire						
3494		Robert Morden	Oxford Shire	Copper engraved 	1695			From Camden's Britannia			Robert Morden : d. 1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson's revised edition of 'Camden's Brittannia' engraved by Sutton Nichols. William Camden (1551-1623) was a historian and antiquary whose works were reprinted and published over a period of 200 years. The original Latin text was first translated by Gibson in 1695. Morden was employed to replace the outdated maps by Saxton, engraved by Kip and Hole. He based his maps on manuscript sources plus the surveys of Ogilby and Morgan, seller, Palmer and the coastal charts of Cpt. Greenville Collins. One of his original contributions to cartography was the showing of longitudes measured from the meridian of St. Paul's Cathedral given in the form of time in minutes at the top of the map in Roman numerals and at the bottom in degrees. This was done to clarify local times that were taken from the sun as there was no national standard time. These maps were the first to show the roads based on Ogilby's earlier work of 1675, and included 3 scales to cover the various scales used in different parts of the country. 	220	£220	mounted	Map	Oxford	Oxfordshire						
3495		Van den Keere	Glocester-Shire	Copper engraving with hand colouring	1627			I 122 x 83 mm				110	£110	framed	Map	English Counties	Gloucestershire						
3500		Desbuissons	France	Copper engraving	Publie par Jules Renouard, Librarie a Paris circa 1840 			I 250 x 200 mm				12	£12	unmounted	Map	Europe	France						
3502		Blaeu, Johannes	Oxonium Comitatus, Vulgo Oxfordshire	Copper engraved with hand colouring	circa 1645 - 1648			493 x 390 mm			Blaeu, Doctor Johannes (c.1599-1673) Born and died in Amsterdam. Collaborated with his father Willem Janszoon and with his brother Cornelis, and ran the business after the death of Willwm. Appointed official cartographer to the East India Company (VOC) in 1638 in sucession to his father. What was left of the company after the fire of 1672 and the deah of Joan in 1673 passed to his son Joan (III), who sold the globemaking part of the business to J. van Keulen. Worked in partnership with his father on Appendix Theatri Ortelii et Atlantis G. Mercatoris, 1631 and Nouvus Atlas, 1634; Wall maps, 1647-1649; Tooneel der Steden van der Vereenighde Nederlanden (Town books of the Netherlands) 1649-1653 Theatrum Orbis Terrarum, publishing six volumes  up to 1655; Atlas Major (11 volumes, known as the Grand Atlas), 1662-1672 in editions with French, Latin, Dutch and Spanish text (often described as the most magnificent work of its kind ever produced); Town plans of Italy 1663. 	900	£900	framed	Map	Oxford	Oxfordshire						
3504		Donowell	A View of Part of St Mary’s Church, All Saints Church, the Conduit, Carfax Church, & uin the University of Oxford	Copper engraving	London Printed for Robt. Sayer at the Golden Buck in Fleet Street , John Bowles & Son, at the Black Horse in Cornhil & John Ryall at Hogarth’s Head in Fleet Street. Circa  1750			I 419 x 261 mm`				300	£300	mounted	Print	Oxford	High Street Views						
3506			Buxton and Matlock	Copper engraving	c. 1830			I 127 x 76 mm				12	£12	mounted	Map	English Counties	Derbyshire						
3508		Kitchin, Thomas	Dorsetshire	Copper engraving	1786			I 215 x 163 mm				65	£65	unmounted	Map	English Counties	Dorset						
3510		Fullarton, Archibald	Gloucesetershire	Copper engraving with hand colouring	Pub.d by Arch.d Fullarton & Co. Glasgow, 1830			I 241 x 190 mm				45	£45	unmounted	Map	English Counties	Gloucestershire						
3511		Rocque, J	Gloucestershire	Copper engraving	1769			I 195 x 153 mm				65	£65	unmounted	Map	English Counties	Gloucestershire						
3513		Kitchin, Thomas 	Devonshire	Copper engraving	1786			I 207 x 181 mm				80	£80	unmounted	Map	English Counties	Devon						
3515		Kitchin, Thomas	Derbyshire	Copper engraving with hand colouring	Printed for R. Baldwin Jun.r at the Rose in Paternoster Row circa 1752			I 213 x 163 mm				45	£45	unmounted	Map	English Counties	Derbyshire						
3516		Hall, Sidney	Dorsetshire	Steel engraved with hand colouring	London Published by Chapman & Hall, 193 Piccadilly, circa1860			I 240 x 181 mm	Hall’s Travelling Atlas			20	£20	unmounted	Map	English Counties	Dorset						
3517		Roper, J	Glocester	Copper engraving	London Published for the Propritors, by Vernor & Hood, Poultry; April 1st 1805			I 247 x 188 mm				50	£50	unmounted	Map	English Counties	Gloucestershire						
3518		Bowen, Emmanuel	The Road from Salisbury to Campden	Copper engraving	Published 1720			I 114 x 180 mm				65	£65	mounted	Map	English Counties	Gloucestershire						
3519		Bowen, Emmanuel	The Road from Salisbury to Campden	Copper engraving	Published 1720			I 114 x 180 mm				60	£60	mounted	Map	English Counties	Gloucestershire						
3520		 Kitchin, Thomas	Derbyshire Drawn from the best Authorities	Copper engraving	circa 1770			214 x 162 mm	Kitchin’s English Atlas... or England illustrated			25	£25	unmounted	Map	English Counties	Derbyshire						
3521		Speed	Excester	Copper engraving	circa  1611			I 155 x 131 mm			Speed (1552-1629) is the most famous of all English cartographers primarily as a result of The Theatre of the Empire of Great Britaine, the first atlas of the British Isles. The maps from this atlas are the best known and most sought-after of all county maps. The maps were derived mainly from the earlier prototypes of Christopher Saxton and Robert Norden but with notable improvements including parish "Hundreds" and county boundaries, town plans and embellishments such as the coats of arms of local Earls, Dukes, and the Royal Household. The maps are famed for their borders consisting of local inhabitants in national costume and panoramic vignette views of major cities and towns. An added feature is that regular atlas copies have English text printed on the reverse, giving a charming description of life in the early seventeenth century of the region. The overall effect produced very decorative, attractive and informative maps. For the publication of this prestigious atlas Speed turned to the most successful London print-sellers of the day, John Sudbury and George Humble. William Camden introduced the leading Flemish engraver, Jodocus Hondius Sr. to John Speed in 1607 because first choice engraver William Rogers had died a few years earlier. Work commenced with the printed proofs being sent back and forth between London and Amsterdam for correction and was finally sent to London in 1611 for publication. The work was an immediate success and the maps themselves being printed for the next 150 years. Speed was born in 1552 at Farndon, Cheshire. Like his father before him he was a tailor by trade, but around 1582 he moved to London. During his spare time Speed pursued his interests of history and cartography and in 1595 his first map of Canaan was published in the "Biblical Times". This raised his profile and he soon came to the attention of poet and dramatist Sir Fulke Greville a prominent figure in the court of Queen Elizabeth. Greville as Treasurer of the Royal Navy gave Speed an appointment in the Customs Service giving him a steady income and time to pursue cartography.  Through his work he became a member of such learned societies as the Society of Antiquaries and associated with the likes of William Camden Robert Cotton and William Lambarde. He died in 1629 at the age of seventy-seven.	25	£25	unmounted	Map	English Counties	Devon						
3523		Moll, Hermann	Glocestershire	Copper engraving	circa 1724			I 315 x 193 mm				185	£185	unmounted	Map	English Counties	Gloucestershire						
3526		Moll, Hermann	The County Palatine of Durham	Copper engraving	circa 1724			314 x 189 mm				140	£140	unmounted	Map	English Counties	Durham						
3527		Moll, Hermann	The County Palatine of Durham	Copper engraving with hand colouring	circa 1724			314 x 189 mm				120	£120	unmounted	Map	English Counties	Durham						
3528		Archer, J.	Dorsetshire	Copper engraving with hand colouring	Drawn & Engraved by J. Archer, Pentonville, London,  c.1860			233 x 177 mm				12	£12	unmounted	Map	English Counties	Dorset						
3529		Moule, Thomas	Dorsetshire	Copper engraving	1848 			257 x 194 mm				50	£50	unmounted	Map	English Counties	Dorset						
3530		Sid. Hall	Gloucestershire	Steel engraved	London, Published by Chapman & Hall 193 Piccadilly, circa 1860			117 x 67 mm				5	£5	unmounted	Map	English Counties	Gloucestershire						
3531		Sid. Hall	Durham	Steel engraved	London, Published by Chapman & Hall 193 Piccadilly, circa 1860			117 x 67 mm				5	£5	unmounted	Map	English Counties	Durham						
3532		Moule, Thomas	Essex	Copper engraving	circa 1845			264 x 205 mm				60	£60	unmounted	Map	English Counties	Essex						
3533		Rapkin, J	Plymouth, Devonport and Stonehenge	Steel engraving	John Tallis & Company, London & New York,1852			350 x 247 mm				80	£80	unmounted	Map	English Counties	Devon						
3534		Hall, Sidney	Durham	Steel engraved	London Published by Chapman and Hall No. 186 Strand, Nov.r1. 1830	c. 1860	1860	240 x 182 mm				10.00	£10	unmounted	Map	English Counties	Durham						
3535		Fullarton, Archibald	Durham	Copper engraving with hand colouring	Pub.d by Archd. Fullarton & Co. Glasgow circa 1830			235 x 185 mm				30	£30	unmounted	Map	English Counties	Durham						
3537		Walker, J & C	Derbyshire	Copper engraving with hand colouring	Drawn and Engraved for Lewis Topographical Dictionary. c. 1836			227 x 173 mm				20	£20	unmounted	Map	English Counties	Derbyshire						
3538		Cary. J	Durham	Copper engraving with hand colouring	London Published July 1. 1806 by J. Cary Engraver No. 181 Strand			130 x 89 mm				10	£10	unmounted	Map	English Counties	Durham						
3539		Pigot & Son	Devonshire	Copper engraving with hand colouring	Published by Pigot & Co., 59 Fleet Street. London & Fountain St. Manchester. Circa 1830			350 x 224 mm				100	£100	unmounted	Map	English Counties	Devon						
3540		Munster, Sebastian Prof.	Africa	Copper engraving	circa 1580			356 x 307 mm			Professor Sebastian Munster (1488-1552) b. Nieder-Ingelheim, near Mainz 	1000	£1,000	mounted	Map	Africa							
3541		J. Harris after H. de Daubrawa	Lt. General Ho nble. Henry Beauchamp Lygnon	Aquatint with hand colouring				I 370 x 300 mm, Pl. 430 x 335 mm			Title inscribed in pencil in lower right.  Some paper loss in right margin not affecting the image or plate mark./	200.00	£200	unmounted	Print	Portraits	Military						
3543		Richard Houstan after Joshua Reynolds	The Hon.ble Mrs. Barrington [Elizabeth Barrington nee Vassal]	Mezzotint	Sold by R. Houston near Drummaond’s, Charing Cross			I 274 x 225			Russell iii/v, CS 6	180.00	£180	unmounted	Print	Portraits	British Nobility						
3546		J. R. Smith	The Merry Story	Stipple	London Published Augt. 6 1783 by J.R. Smith No. 83 Oxford Street.			I 211 x 172 mm, Pl. 290 x 216 mm, S 394 x 290 mm				180	£180	unmounted	Print	Fine Prints	Stipple						
3547		Johannes Verkolje	Lasciva Venus Blandusque Cupido	Mezzotint	Joh: Verkolje Fecit et Excud: Ao 1682			I 320 x 275 mm, Pl. 350 x 275 mm			Trimmed to the plate on top and right and trimmed just inside the plate on the left. Some creasing in the centre	250.00	£250		Print	Fine Prints	Early Mezzotints						
3553		Hellmuth Weissenborn	‘V’	Woodcut	circa 1950			I 50 x 38 mm			Hellmuth Weissenborn (1898 -1982) was born in Leipzig, Germany, his father was an art teacher. Weissenborn studied at the Academy for Graphic Art and Book Design, Leipzig from 1919 serving in WWI. In 1938 he emigrated to London as a freelance artist. He then went on to work as an illustrator for the Whittington Press and his first solo show was at Archer Gallery. In 1946 he and his wife took over the then defunct Acorn Press. He exhibited at the Victoria and Albert Museum, the London Group and at exhibitions in America and Australia.	30	£30	mounted	Print	Artists	Hellmuth Weissenborn						
3554		Hellmuth Weissenborn	‘O’	Woodcut	circa 1950			I 50 x 38 mm			Hellmuth Weissenborn (1898 -1982) was born in Leipzig, Germany, his father was an art teacher. Weissenborn studied at the Academy for Graphic Art and Book Design, Leipzig from 1919 serving in WWI. In 1938 he emigrated to London as a freelance artist. He then went on to work as an illustrator for the Whittington Press and his first solo show was at Archer Gallery. In 1946 he and his wife took over the then defunct Acorn Press. He exhibited at the Victoria and Albert Museum, the London Group and at exhibitions in America and Australia.	30	£30	mounted	Print	Artists	Hellmuth Weissenborn						
3555		Hellmuth Weissenborn	‘B’	Woodcut	circa 1950			I 50 x 38 mm			Hellmuth Weissenborn (1898 -1982) was born in Leipzig, Germany, his father was an art teacher. Weissenborn studied at the Academy for Graphic Art and Book Design, Leipzig from 1919 serving in WWI. In 1938 he emigrated to London as a freelance artist. He then went on to work as an illustrator for the Whittington Press and his first solo show was at Archer Gallery. In 1946 he and his wife took over the then defunct Acorn Press. He exhibited at the Victoria and Albert Museum, the London Group and at exhibitions in America and Australia.	30	£30	mounted	Print	Artists	Hellmuth Weissenborn						
3558		Hellmuth Weissenborn	‘Y’	Woodcut	circa 1950			I  50 x 38 mm			Hellmuth Weissenborn (1898 -1982) was born in Leipzig, Germany, his father was an art teacher. Weissenborn studied at the Academy for Graphic Art and Book Design, Leipzig from 1919 serving in WWI. In 1938 he emigrated to London as a freelance artist. He then went on to work as an illustrator for the Whittington Press and his first solo show was at Archer Gallery. In 1946 he and his wife took over the then defunct Acorn Press. He exhibited at the Victoria and Albert Museum, the London Group and at exhibitions in America and Australia.	25	£25	mounted	Print	Artists	Hellmuth Weissenborn						
3559		Hellmuth Weissenborn	‘N’	Woodcut	circa 1950			I 50 x 38 mm			Hellmuth Weissenborn (1898 -1982) was born in Leipzig, Germany, his father was an art teacher. Weissenborn studied at the Academy for Graphic Art and Book Design, Leipzig from 1919 serving in WWI. In 1938 he emigrated to London as a freelance artist. He then went on to work as an illustrator for the Whittington Press and his first solo show was at Archer Gallery. In 1946 he and his wife took over the then defunct Acorn Press. He exhibited at the Victoria and Albert Museum, the London Group and at exhibitions in America and Australia.	25	£25	mounted	Print	Artists	Hellmuth Weissenborn						
3562		Herbert Gordon Warlow		Etching				I 240 x 167 mm				60	£60	mounted	Print	20th Century							
3565		Nathaniel Buck	The West Prospect of the City of Exeter	Copper engraving with hand colouring	1734			I 780 x 237 mm				450	£450	mounted	Print	British Topography	Devon						
3567		Bernard Picart	Arion Preserved by a Dolphin	Copper engraving				I 352 x 251 mm			Trimmed just in plate.  A good impression.	250	£250	framed	Print	General Interest	Classical and Mythological						
3568		Bernard Picart	Leander swims over the Hellespont to meet his mistress Hero.	Copper engraving				I 352 x 251 mm			Trimmed just in plate.  A good impression.	250	£250	framed	Print	General Interest	Classical and Mythological						
3570		Walker, J & C 	Africa	Steel engraved	Published by the Society for the Diffusion of Useful Knowledge 15th Sept. 1839			392 x 316 mm 				75	£75	mounted	Map	Africa							
3571		Mannert	Africa - Mauritania	Copper engraving with hand colouring	1806			382 x 225 mm				25	£25	mounted	Map	Africa							
3572		Hondius	Congi Regnu	Copper engraving with hand colouring	circa 1615			172 x 140 mm				200	£200	mounted	Map	Africa							
3573		Mathius Quad	Aphrica	Copper engraving	c. 1600			291 x 208 mm				600	£600	mounted	Map	Africa							
3574		Bonne, M	Royaumes Etats et Pays de la Haute Guinee	Copper engraving	1780			342 x 235 mm				45	£45	unmounted	Map	Africa							
3575		Sanson Abbavillaeo, N	Africa	Copper engraving with hand colouring	1650			551 x 391 mm				420	£420	mounted	Map	Africa							
3576		Rapkin, J	Natal and Kaffraria	Steel engraving with hand colouring	1851			344 x 244 mm				70	£70	unmounted	Map	Africa							
3578		Alex Cumming	Viaduct Across the River Tay at Cargill. (Scottish Midland Junction Railway.) J. Locke abd J.E. Errington Engineers__ John Stephenson & Coy, Contractors. Span of each Arch__100 Feet  Hight above bed of River - 60 Feet.  1847. 	Lithograph with hand colouring	Published circa 1847			I 263 x 556 mm, S 341 x 598 mm			The Scottish Midland Junction Railway was incorporated in 1845 and opened August 2nd 1848 from Perth to Forfar 32 1/2 miles.  Formed into the Scottish North Eastern in 1856 and merged into the Caledonian Railway in 1866.Condition Note: A closed tear in the upper left  abnd a repaired margin in ringht.  Over all grubbiness in inscription area 	250.00	£250	unmounted	Print	General Interest	Railway Prints	Scottish Midland Junction Railway					
3581		J. Skelton after A. Burt	James Benwell Aged 82 of the Physic Gardens. Oxford.	Copper engraving	Published Nov. 1st 1817 by J. Skelton St. Aldates. Oxford. 			I 230 x 215 mm vignette				160.00	£160	unmounted	Print	Oxford	Oxford Portraits						
3582		James Fittler, A.R.A. after W. Skelton	Reverendus Robertus Shippen, S.T. P. Aulae Regia et Collegii Aenei Nasi Principalis AB Anno 1710 mo; Usque ad Annum 1745 tum.	Copper engraving				I 135 x 107 mm, Pl. 250 x 178 mm			Brother of William Shippen the parlimentary Jacobite, he was elected principal of Brasenose in 1710.  He was vice-chancellor of Oxford University 1718-1722 and died in 1745 where is commemorated by an epitaph and a bust	45	£45	unmounted	Print	Oxford	Oxford Portraits						
3587		Utagawa Kunisada [Utagawa Toyokuni III] (1786-1864)	The Festival of the Cherry Blossoms  [Hana no en], Chapter VIII of Genji monogatari [The Tale of Genji]	Nishiki-e woodblock	1847-1850			10 x 15 inches	Sono sugata yukari no utsushi-e		Signature: Toyokuni-ga Nanushi Censor Seals: Mera Ta-ichiro [Mera] and Murata Heiemon Method: Nishiki-e woodblock Format: Ôban yoko-eThe eleventh-century courtly romance Genji monogatari (The Tale of Genji) is considered one of the earliest and most important novels in world history. Written around 1011 by an aristocratic female writer, Murasaki Shikibu, the daughter of a regional governor, it traces, through a series of loosely connected stories, the tangled private life of the son of an emperor, Hikaru Genji, and his progeny. As Lady Murasaki's original holograph of the story is no longer extant, the text accepted as the most complete is the Kamakura-period Aobyôshibon (Blue-covered book) transcribed by Fujiwara no Teika (1162-1241). By Teika's time the novel's present form of 54 titled chapters was set. The tale has been not only the most quoted piece of Japanese literature but has also served as an inexhaustible source of inspiration for pictorial artists from soon after its completion. While the novel ostensibly deals with the tangled round of Genji's life and love affairs at court, its principle underlying theme is the notion of the transience of life and the temporal fragility of the love, pleasure and beauty that informs the protagonist's daily existence. As such, it exemplifies the central Japanese concept of mono no aware, or the "awareness of the sadness of things", a tenet founded in Buddhist philosophy. Interwoven with this melancholy apprehension of evanescence, is the aesthetic miyabi - a concept with no specific English equivalent, but meaning something like beauty and the refinement of one's taste in art and etiquette. The highest value in the court culture of Genji, it not only applies to Genji's glorious physical form (and others in the court), but to everything aspect of a courtier's personality and its expression. More than anything else, miyabi refers to the exquisite pleasure that an aesthetically educated person takes in seemingly insignificant and usually transient instances of beauty, such as fading cherry blossom, falling leaves or the cries of autumn geese. Chapter VIII, or The Festival of the Blossoms, relates the secret interlude between Genji and the sixth daughter of the Minister of the Right, Oborozukiyo (literally, night of the hazy moon). After a dreamlike  encounter before dawn,  they exchange fans:, Genji marking the occasion with the following poem: "Late in the night we enjoy a Misty moon.There is nothing misty about the bond between us." 	290	£290	mounted	Print	Japanese	Genji-e	Moon viewingBlossom viewing					
3588		Fullarton, Archibald	Oxfordshire.	Copper engraving with hand colouring	Pub.d by Archd. Fullarton & Co. Glasgow circa 1830			240 x 187 mm				55.00	£55	mounted	Map	Oxford	Oxfordshire						
3590		I.E. Watson	Coquet Viaduct. York, Newcastle and Berwick Railway. T.E. Harrison Esqre. Engineer. Errected by Mr. James Sanderson. Span of Arches 50 Feet. Height from Water to the Level of Railway 100 feet.	Lithograph with tint stone	c. 1847			I 308 x 496 mm, S 425 x 610 mm			In 1854 it became part of the North Eastern Railway.	300.00	£300	unmounted	Print	General Interest	Railway Prints	York, Newcastle and Berwick Railway					
3591		Van den Keere	Cornwaile	Copper engraving with hand colouring	1627			119 x 83 mm				120	£120	framed	Map	English Counties	Cornwall						
3596		Morden, Robert	Buckinghamshire	Copper engraving with hand colouring	1722			418 x 340 mm			Robert Morden : d. 1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson's revised edition of 'Camden's Brittannia' engraved by Sutton Nichols. William Camden (1551-1623) was a historian and antiquary whose works were reprinted and published over a period of 200 years. The original Latin text was first translated by Gibson in 1695. Morden was employed to replace the outdated maps by Saxton, engraved by Kip and Hole