"1002","","Nathaniel Whittock after T. Greenshields","Oxford Baths: Entrance from Street","Engraving with hand colouring","1829","","","I 177 x 227 mm","From The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford","","Can also be from A Topographical and Historical Description of the University and City of Oxford also by Whittock  ","25","£25","mounted","Print","Oxford","General Views","","","","","",""
"1005","","Pieter van der Aa after David Loggan","Le Jardin de Medecine a Oxford [Oxford Botanical Gardens]","Copper engraving","1707","","","I 121 x 157 mm","La Delices de la Grande Bretagne et de L’Irlande","","La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge. The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. ","45","£45","mounted","Print","Oxford","Botanic Garden","","","","","",""
"1008","","Sydney William Carline","[Oxford from Hinskey]","Etching","1913","","","Image and plate 131 x 174 mm","","","Signed in pencil <br/><br/>Sydney Carline (1888-1929) Born in London. Both his brother, Richard, and his sister Hilda, were also artists, with his sister marrying the artist Stanley Spencer, who was a friend of Richard's. The three siblings were children of the artist, George Carline (1855-1920). They studied at the Slade School and in Paris under Tudor Hart. Sydney was an official war artist with the RAF during World War I. He exhibited with the London Group, becoming a member in 1924. From 1921 to 1929 he was Ruskin Master of Drawing at Oxford. He provided some illustrations for T. E. Lawrence's Revolt in the Desert. <br/><br/>","70","£70","framed","Print","20th Century","Sydney William Carline","<br/><br/>","","","","",""
"1009","","T. Bonner after J. P. Neale","Clarendon Printing House and the Theatre. Oxford","Engraving","London, Published by John Harris, Nov. 8th, 1814","","","I 160 x 110","From the Beauties of England and Wales","","","40","£40","mounted","Print","Oxford","Broad Street Views","","","","","",""
"1010","","Hawkins","Friar Bacon’s Study, at Oxford","","Published according to Act of Parliment by Alexr Hogg No 16 Paternoster Row c. 1780 ","","","Image 131 x 183 mm","","","From Henry Boswell’s The Antiquities of England and Wales","35","£35","mounted","Print","Oxford","General Views","","","","","",""
"1013","","Kershaw & Son ","County Hall, Oxford","Steel engraving","c. 1841","","","","","","Top to decorative stationary","30","£30","mounted","Print","Oxford","General Views","","","","","",""
"1014","","J. Lewis after J.P. Neale","Oxford","Copper engraving with hand colouring","c. 1813","","","Image: 85 x 115 mm","","","","40","£40","mounted","Print","Oxford","General Views","","","","","",""
"1016","","Pieter van der Aa after David Loggan","Vue du Theatre de Sheldon à Oxford du cote du Midi [Oxford Sheldonian Theatre]","Copper engraving","1707","","","I 130 x 165 mm","La Delices de la Grande Bretagne et de L’Irlande","","La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. ","40","£40","unmounted","Print","Oxford","Sheldonian Theatre","","","","","",""
"1017","","Pieter van der Aa after David Loggan","Vue du Theatre de Sheldon à Oxford du cote du Nord [Oxford Sheldonian Theatre, north view]","Copper engraving","1707","","","Image 130 x 165 mm","La Delices de la Grande Bretagne et de L’Irlande","","La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. ","40","£40","mounted","Print","Oxford","Sheldonian Theatre","","","","","",""
"1018","","","Oxford, Sheldonian Theatre","Photograph","c. 1900","","","I 145 x 95","","","","25","£25","mounted","Print","Oxford","Sheldonian Theatre","","","","","",""
"1020","","W.B. Cooke after P. Dewint and G. Hollis","Oxford, Taken near Osney","Copper engraving","London J. Hogarth, 5 Haymarket ","","","I 142 x 209 mm, Pl 183 x 245 mm","","","A scarce seperatly published print of Oxford","100","£100","unmounted","Print","Oxford","General Views","","","","","",""
"1022","","J. Le Keux after F. Mackenzie","The Theatre","Steel engraving","Published Feby. 1st 1837 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","Image 92 x 138 mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","40","£40","mounted","Print","Oxford","Sheldonian Theatre","","","","","",""
"1024","","Joseph Skelton","Friar Bacon’s Study & C.","Copper engraving","Published as the Act Directs March 1 1817 by J. Skelton, St. Aldates Oxford","","","I 163 x 237 mm","Oxonia Antiqua Restaurata by Joseph Skelton","","A reduction of the 1780 Almanack.","100","£100","","Print","Oxford","General Views","","","","","",""
"1025","","J. Le Keux after F. Mackenzie","St. Thomas’s Church","Steel engraving","Published Nov. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 95 x 137 mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","15","£15","unmounted","Print","Oxford","Oxford Churches","","","","","",""
"1026","","Joseph Skelton after J M W. Turner","Hall of Christ Church","Copper engraving","Published at the Act directs, June 1 1822, by J. Skelton, Magdalen Bridge, Oxford","","","I 165 x 227 mm, Pl 210 x 280 mm","","","A reduciotn of the Almanck for 1807.","65","£65","mounted","Print","Oxford","Christ Church College","","","","","",""
"1027","","J. Le Keux after F. Mackenzie","St. Clements Church from Magdalen Walk","Steel engraving","Published Feb. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 95 x 137 mm","From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","28","£28","mounted","Print","Oxford","Oxford Churches","","","","","",""
"1029","","J. Le Keux after F. Mackenzie","Holywell Church","Steel engraving with hand colouring","Published Feb. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 95 x 137 mm","From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","20","£20","mounted","Print","Oxford","Oxford Churches","","","","","",""
"1031","","J. Le Keux after F. Mackenzie","St. Ebbe’s Church","Steel engraving with hand colouring","Published Sept. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 95 x 137 mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","45","£45","mounted","Print","Oxford","Oxford Churches","","","","","",""
"1032","","J. Le Keux after F. Mackenzie","St. Martins Church, Carfax","Steel engraving wirth hand colour","Published May. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 95 x 137 mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","30","£30","mounted","Print","Oxford","Oxford Churches","","","","","",""
"1033","","J. Le Keux after F. Mackenzie","Iffley Church, from the S. W.","Steel engraving with hand colouring","Published April. 1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 95 x 137 mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","45","£45","mounted","Print","Oxford","Oxford Churches","","","","","",""
"1034","","J. Le Keux after F. Mackenzie","Interior of Iffley Church","Steel engraving","Published April. 1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 95 x 137 mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","35","£35","mounted","Print","Oxford","Oxford Churches","","","","","",""
"1035","","J. Le Keux after F. Mackenzie","Magdalen Church, from St. Giles’s","Steel engraving with hand colouring","Published Sept. 1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 95 x 137 mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","30","£30","mounted","Print","Oxford","Oxford Churches","","","","","",""
"1036","","Pieter van der Aa after David Loggan","Eglise de S. Marie à Oxford [St. Mary’s Church, Oxford]","Copper engraving","1707","","","I 130 x 165 mm","La Delices de la Grande Bretagne et de L’Irlande","","La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. ","45","£45","mounted","Print","Oxford","Oxford Churches","","","","","",""
"1037","","","Great St. Mary’s Church at Oxford","Copper engraving","c. 1720","","","I 105 x 100","","","","25","£25","mounted","Print","Oxford","Oxford Churches","","","","","",""
"1038","","Joseph Skelton after J. Donowell","View of Carfax Conduit & C.","Copper engraving","Published as the Act Directs March 2nd 1818 by J. Skelton, St. Aldates Oxford","","","Image 180 x 240 mm","Oxonia Antiqua Restaurata by Joseph Skelton","","Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.","120","£120","framed","Print","Oxford","General Views","","","","","",""
"1040","","J.C. Stadler after J. Farington R.A. ","Oxford","Aquatint with hand colouring","Pub. June 1, 1793 by J & J Boydell Shakespeare Gallery Pall Mall & Cheapside","","","I 220 x  320 mm","A History of the River Thames","","John Boydell (1719-1804) was a successful and influential printseller and engraver. Boydell's Shakespeare Gallery is credited with changing the course of English painting by creating a market for historical and literary works. He also encouraged the development of engraving in England with, among other things, his prints illustrating scenes from Shakespearean plays. In 1773, his nephew Josiah Boydell (1752-1817) became his business partner and later his successor, trading as J. & J. Boydell. <br/>","300","£300","framed","Print","Oxford","General Views","","","","","",""
"1043","","","Carfax Church","Engraving","c. 1820","","","I 115 x 85","","","","30","£30","mounted","Print","Oxford","Oxford Churches","","","","","",""
"1046","","J.H. Le Keux after J. Buckler ","House of Simon Perrot. Oxford taken down 1845","Copper engraving","c. 1845","","","I 102 x 150 mm","","","","15","£15","unmounted","Print","Oxford","General Views","","","","","",""
"1048","","J. Roffe","[Oxford]","Etching","c. 1810","","","I 177 x 274 mm","","","","120","£120","mounted","Print","Oxford","General Views","","","","","",""
"1052","","W. Mathews","South View of Iffley Church","Steel engraving","Published by W. Mathews, Oxford","","","I 110 x 75","","","","45","£45","mounted","Print","Oxford","Oxford Churches","","","","","",""
"1056","","D. Hawell after A. Pugin","Porch of St. Mary’s Church","Aquatint with hand colouring","Published for R. Ackermann. 1814.","","","I 135 x 210","Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.","","","60","£60","mounted","Print","Oxford","Oxford Churches","","","","","",""
"1058","","Unknown photographer","St. Mary’s Church","Photograph","c. 1900","","","120 x 160","","","","45","£45","mounted","Print","Oxford","Oxford Churches","","","","","",""
"1059","","","Porch of St. Mary’s Church","Photograph","c. 1900","","","120 x 160","","","","25","£25","mounted","Print","Oxford","Oxford Churches","","","","","",""
"1060","","","Porch of Iffley Church","Photograph","c. 1900","","","200 x 240","","","","35","£35","mounted","Print","Oxford","Oxford Churches","","","","","",""
"1061","","J. Chapman","North East View of St. Giles’s Church","Copper engraving","c. 1840","","","I 160 x 110","","","","35","£35","","Print","Oxford","Oxford Churches","","","","","",""
"1065","","Spy","Master of Balliol","Chromolithograph","Published in Vanity Fair, April 4, 1895","","","I 330 x 205","","","","35","£35","mounted","Print","Oxford","Oxford Portraits","","","","","",""
"1068","","Bretherton after Dunbury","The Xmas Academics. A Combination Game at Whist","Etching","Published 20th Jany. 1773. By J. Bretherton No. 134 New Bond Street. 1772","","","I 240 x 390","","","","250","£250","mounted","Print","Oxford","Oxford Caricatures","","","","","",""
"1069","","Unknown","The Bedmaker","Woodcut","c. 1800","","","I 105 x 145","","","","35","£35","mounted","Print","Oxford","Oxford Caricatures","","","","","",""
"1070","","W.A. Delamotte after a Lady","Oxford, From Above Ferry Hinskey.","Lithograph","Printed J. Plowman, Oxford c. 1840","","","I 180 x 300","","","","250","£250","mounted","Print","Oxford","General Views","","","","","",""
"1073","","after Westall","Oxford","Copper engraving","Verlag des Bibliographischen Instituts zu Hildburghausen c. 1830","","","I 97 x 150 mm, Pl 123 x 177","","","Germany Copy of this Oxford view after Westall","45","£45","mounted","Print","Oxford","General Views","","","","","",""
"1075","","George Cruikshank after Woodward","Two University figures","Engraving with hand colouring","London. Published by Allen and West, 15 Paternoster Row, January 14 1797","","","Image 180 x 260","","","","90","£90","mounted","Print","Oxford","Oxford Caricatures","","","","","",""
"1076","","T. Unwins after J. Agar","Proctor","Engraving with hand colouring","London Pub. Feby. 1st 1814 at 101 Strand for R. Ackermann’s History of Oxford","","","Pl 250 x 310","Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.","","","35","£35","mounted","Print","Oxford","Oxford Caricatures","","","","","",""
"1078","","","Merton College and Magdalen Tower","Albumen Photograph","c. 1880","","","Image 117 x 194 mm","","","","65","£65","mounted","Print","Oxford","General Views","","","","","",""
"1082","","Unknown","Oxford Sports - Hounds at Fault. Honest John, Too Much for ‘Em","Lithograph","1800s","","","I 390 x 210","","","","65","£65","mounted","Print","Oxford","Oxford Caricatures","","","","","",""
"1083","","T. Uwins after J. Agar","Doctor in Divinity","Engraving with hand colouring","London Pub. June 1st 1813 at 101 Strand for R. Ackermann’s History of Oxford","","","Pl 250 x 310","Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.","","","65","£65","mounted","Print","Oxford","Academic Dress","","","","","",""
"1085","","Joseph Skelton","South Front of Friar Bacon’s Study","Copper engraving","Published as the Act directs Sept. 1st 1819 by J. Skelton St. Aldates Oxford","","","I 270 x 185 mm Pl. 295 x 232 mm","Oxonia Antiqua Restaurata by Joseph Skelton","","Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.","","","mounted","Print","Oxford","General Views","","","","","",""
"1095","","Henry Hudson after Mathew Bronn","Lord Loughborough","Mezzotint","Published May 27th 1791 by Henry Hudson No 38 Great Russel Street Bloomsbury","","","I 427 x 333 mm, S 495 x 350 mm","","","Trimmed inside plate, some repaires in margins, but not affecting image.  A very good impression.<br/><br/>Lord Loughborough Alexander Wedderburn, 1st Earl of Rosslyn (1733-1809)","200","£200","unmounted","Print","Portraits","Legal","","","","","",""
"1097","","Moule, Thomas ","Oxfordshire","Steel engraved map with later hand colour","c. 1840","","","257 x 184 mm","","","Originally a writer on Heraldry and general antiquities, Moule was born in Marylebone, London. From around 1816 to 1823 he was a Bookseller, his shop was in Grosvenor Square, London. He then became an inspector of letters in the General Post Office, where his responsibilities included trying to 'read' illegible hand writing! <br/><br/>His highly decorative series of county maps were first published in separate issues for each county between 1830 and 1832. In 1836 these were brought together in one work, by George Virtue & Co. They continued to appear in Rev. Barclay's Dictionary into the 1840's.","95","£95","mounted","Map","English Counties","Oxfordshire","","","","","",""
"1125","","J. Le Keux after F. Mackenzie","St. Ebbe’s Church","Steel engraving with hand colouring","Published Sept. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 95 x 137 mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","40","£40","mounted","Print","Oxford","Oxford Churches","","","","","",""
"1130","","J. Le Keux after F. Mackenzie","St. Peter Le Bailey","Steel engraving","Published May. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 93 x 142 mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","30","£30","mounted","Print","Oxford","Oxford Churches","","","","","",""
"1131","","J. Le Keux after F. Mackenzie","Tower & Spire of Saint Mary’s Church","Steel engraving","Published June. 1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 142 x 102 mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","35","£35","","Print","Oxford","Oxford Churches","","","","","",""
"1132","","J. Le Keux after F. Mackenzie","Interior of St. Mary’s Church","Steel engraving","Published June 1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 132 x 103 mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","25","£25","mounted","Print","Oxford","Oxford Churches","","","","","",""
"1136","","Seller, John","Oxfordshire","Copper engraved","1694","","","I 170 x 120 mm","","","","100","£100","mounted","Map","English Counties","Oxfordshire","","","","","",""
"1139","","Ben Pritchard","The White Horse","Linocut","2006","","","Image 510  x 350 mm","","","Signed and inscribed in pencil<br/>Edition Number: 12/48","180","£180","unmounted","Print","Contemporary Oxford Printmakers","Ben Pritchard","","","","","",""
"1143","","Ben Pritchard","Last Seen in Mauritius (Lost)","Woodcut","2005","","","Image 440 x 325 mm","","","Signed and inscribed in pencil<br/>Edition Number: 15/40","120","£120","unmounted","Print","Contemporary Oxford Printmakers","Ben Pritchard","","","","","",""
"1145","","Ben Pritchard","That Conversation","Linocut","2005","","","205mm x 330mm","","","","125","£125","mounted","Print","Contemporary Oxford Printmakers","Ben Pritchard","","","","","",""
"1146","","Ben Pritchard","Riding Down the High","Linocut","2005","","","405mm x 305mm","","","","130","£130","","Print","Contemporary Oxford Printmakers","Ben Pritchard","","","","","",""
"1147","","Ben Pritchard","Conversation on the Parrog (Newport)","Linocut","2005","","","410mm x 235mm","","","","120","£120","","Print","Contemporary Oxford Printmakers","Ben Pritchard","","","","","",""
"1148","","Ben Pritchard","Browns","Linocut","1998","","","Image 410 x 295 mm","","","Signed and inscribed in pencil<br/>Artist Proof II","160","£160","unmounted","Print","Contemporary Oxford Printmakers","Ben Pritchard","","","","","",""
"1151","","Ben Pritchard","Abandoned Farm","Linocut","2005","","","400mm x 150mm ","","","","120","£120","","Print","Contemporary Oxford Printmakers","Ben Pritchard","","","","","",""
"1154","","Ben Pritchard","Swimming With The Carp","Woodcut","2005","","","475mm x 395mm","","","","150","£150","","Print","Contemporary Oxford Printmakers","Ben Pritchard","","","","","",""
"1155","","J. Le Keux after F. Mackenzie","The Castle.","Steel engraving","Published January 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 93 x 157 mm","From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","30","£30","mounted","Print","Oxford","Oxford Castle","","","","","",""
"1158","","Archer, J.","Oxfordshire","Steel engraved with hand colouring","Drawn and Engraved by J. Archer, Pentonville, London. c 1840","","","190 x 240","Curiosities of Great Britain. England & Wales delineared historical, entertaining & Commercial.  ","","","55","£55","mounted","Map","English Counties","Oxfordshire","","","","","",""
"1159","","Walker, C. & J.","Oxfordshire","Steel engraving with hand colouring","Drawn and Engraved for Lewis Topographical Dictionary. c. 1836","","","Pl. 210 x 260","Lewis’ Topographical Dictionary","","","","","mounted","Map","English Counties","Oxfordshire","","","","","",""
"1160","","Van Langeren","Oxfordshire [with distance chart]","Copper engraving","Published 1643","","","I 110 x 110","","","","80","£80","mounted","Map","English Counties","Oxfordshire","","","","","",""
"1161","","Bowen, Emanuelle","Oxfordshire, Divided into its Hundreds","Copper engraving","Engraved for the General Magazine of Arts and Sciences for W. Owen at Temple Bar 1758","","","Pl. 190 x 220","","","","80","£80","mounted","Map","English Counties","Oxfordshire","","","","","",""
"1162","","Migneret, Mme.","Oxford, Berks, Buckingham","Copper engraving with hand colouring","A. M. Perrot 1823","","","I 65 x 110","","","Rare.","140","£140","mounted","Map","English Counties","Oxfordshire","","","","","",""
"1167","","Bowen, Emmanuel","The Road from Bristol to Banbury, A Map of Oxfordshire","Copper engraved","Published 1720","","","Image 120 x 190","","","","90","£90","mounted","Map","English Counties","Oxfordshire","","","","","",""
"1168","","Hughes, William","Oxfordshire","Lithograph","Published 1868","","","I 240 x 310","","","","40","£40","mounted","Map","English Counties","Oxfordshire","","","","","",""
"1169","","Picken after Buss","Under Graduates and their Horses, Near Christ Church, Oxford, 1842","Lithograph","Published by Day and Haghe. 1842","","","I 180 x 110 mm","","","From “The English Universities from the German of V.A. Huber, An Abridged Translation, edited by Francis Newman.”  London: W. Pickering. Manchester: Simms & Dinham. 1843","45","£45","mounted","Print","Oxford","Academic Dress","","","","","",""
"1170","","Grignion after Huddesford","Artium Magister","Copper engraving","c. 1750","","","Pl. 85 x 40","","","Scarce.","45","£45","mounted","Print","Oxford","Academic Dress","","","","","",""
"1172","","Walker","An Oxford Proctor Requesting a Student to Put on his Gown, instead of Carrying it on His Arm, Which is now a Common Custom in Oxford","Lithograph","Published by Day and Haghe. 1842","","","I 170 x 110","","","","45","£45","mounted","Print","Oxford","Academic Dress","","","","","",""
"1173","","Walker","A Student Signing his Name in the Matriculation Book, Before the Vice Chancellor","Lithograph","Published by Day and Haghe. 1842","","","I 170 x 110","","","","50","£50","mounted","Print","Oxford","Academic Dress","","","","","",""
"1175","","J. Agar after T. Uwins","Doctor in Physic, Full Dress","Etching with hand colouring","London. Published June 1st 1813, at 101 Strand for R. Ackermann’s History of Oxford","","","Pl. 255 x 310","Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings..","","","65","£65","mounted","Print","Oxford","Academic Dress","","","","","",""
"1176","","J. Agar after T. Uwins","Bachelor of Divinity, with Servitor and Collector","Etching with hand colouring","London. Published Aug. 1st 1814, at 101 Strand for R. Ackermann’s History of Oxford","","","Pl. 300 x 260","Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.","","","60","£60","mounted","Print","Oxford","Academic Dress","","","","","",""
"1177","","J. Agar after T. Uwins","Doctor in Divinity in Convocation","Etching with hand colouring","London. Published Oct. 1st 1813, at 101 Strand for R. Ackermann’s History of Oxford","","","Pl. 255 x 310","Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.","","","30","£30","mounted","Print","Oxford","Academic Dress","","","","","",""
"1178","","J. Le Keux after F. Mackenzie","The Library, Christ Church","Steel engraving","Published Jany. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 95 x 137 mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","35","£35","mounted","Print","Oxford","Christ Church College","","","","","",""
"1179","","M. Oliver Rae","Peckwater Quad, Christ Church, Oxford","Etching","c. 1920","","","I 190 x 285 ","","","","65","£65","mounted","Print","Oxford","Christ Church College","","","","","",""
"1182","","G. Huardel-Bly","[Magdalen College and Bridge from the River]","Etching","c. 1875","","","Pl & I. 87 x 137 mm","","","","40","£40","mounted","Print","Oxford","Magdalen College","","","","","",""
"1189","","Ben Pritchard","The University Church","Lino Print","2005","","","215 mm x 214 mm","","","","120","£120","","Print","Contemporary Oxford Printmakers","Ben Pritchard","","","","","",""
"1191","","Ben Pritchard","Looking Towards Exeter","Linocut","2005","","","316 mm x 425 mm","","","","160","£160","","Print","Contemporary Oxford Printmakers","Ben Pritchard","","","","","",""
"1205","","J. Le Keux after F. Mackenzie","The Divinity School","Steel engraving","Published Jany. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 95 x 137 mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","40","£40","mounted","Print","Oxford","Bodleian Library","","","","","",""
"1207","","Pieter van der Aa after David Loggan","La Bibliotheque Bodlienne<br/>","Copper engraving","1707","","","I 121 x 157 mm","La Delices de la Grande Bretagne et de L’Irlande","","La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. ","45","£45","mounted","Print","Oxford","Bodleian Library","","","","","",""
"1210","","Pieter van der Aa after David Loggan","Le Frontispice des Auditoires publics de l’Univesite d’Oxford","Copper engraving","1707","","","Image 121 x 157 mm","La Delices de la Grande Bretagne et de L’Irlande","","La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. ","30","£30","mounted","Print","Oxford","Bodleian Library","","","","","",""
"1211","","J. Le Keux after F. Mackenzie","The University Printing House, from the Infirmary","Steel engraving with hand colouring","Published Nov. 1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 80 x 140 mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","40","£40","mounted","Print","Oxford","Clarendon Press","","","","","",""
"1212","","J. Storer","The Schools Tower","Steel engraving","1817","","","Image 115 x 81 mm","","","","30","£30","mounted","Print","Oxford","Bodleian Library","","","","","",""
"1215","","","Clarendon Printing Office","Aquatint","c. 1850","","","I 114 x 95","","","","30","£30","mounted","Print","Oxford","Clarendon Press","","","","","",""
"1218","","J. Jac Haid after Leipold","Gerardus L.B. Van Swieten","Mezzotint","Dec 10, 1695","","","Image 312 x 196 mm","","","Condition: Crease in right","90","£90","unmounted","Print","Portraits","Medical","","","","","",""
"1222","","Thomas Landseer","“A fool to pleasure..”","Etching","Published 1828 by Moon, Boys & Graves 6 Pall Mall ","","","","Monkeyana, or Men in Minature","","Thomas Landseer was the older brother of the famnous Victorian painter Sir Edwin Landseer.  Thomas Landseerengraved the majority of the most famous plates after his brother’s paintings. Thomas Lanseer’s orginal works are seen less frequently than his large scale reproductive engravings.","175","£175","unmounted","Print","General Interest","Caricatures","","","","","",""
"1223","","Thomas Landseer","“-now will canker Sorrow..”","Etching"," Published Decr. 1 1827 by Moon, Boys & Graves 6 Pall Mall a Paris chez Pieri Bernard, Boulevar des Italiens","","","","Monkeyana, or Men in Minature","","Thomas Landseer was the older brother of the famnous Victorian painter Sir Edwin Landseer.  Thomas Landseerengraved the majority of the most famous plates after his brother’s paintings. Thomas Lanseer’s orginal works are seen less frequently than his large scale reproductive engravings.","150","£150","unmounted","Print","General Interest","Caricatures","","","","","",""
"1224","","Unknown","Ordre et Marche du Boeuf gras.","Woodcut","Imp. Je F Baudouin, r des Boucheries St. G. 38, c. 1840","","","","","","Creased through middle","150","£150","mounted","Print","General Interest","Loose Prints and Curiosities","","","","","",""
"1225","","Unknown engraver","Meetingers","Woodcut with original handcolour","Published by R. Carr, 9, Cotton-street, Manchester, c. 1840","","","","","","","100","£100","mounted","Print","General Interest","Caricatures","","","","","",""
"1226","","Bowen, Thomas ","A New & Accurate Map of Europe Drawn from the Best Authorities","Copper engraving","1777","","","","","","Tear in lower centre fold, on in left and on on top right","170","£170","unmounted","Map","Europe","Europe","","","","","",""
"1227","","Bowen, Thomas ","A Correct Map of the Ottoman Empire Including all the countries Possess’d by, or Tributary to the Turks, in Europe, Asia & Africa, with part of the Adjecent Territories, according ti the latest Observations","Copper engraved","Engraved for Bankes’s New System of Geography Published by Royal Authority, 1777","","","310 x 418 mm","","","","190","£190","unmounted","Map","Asia & Middle East","","","","","","",""
"1228","","Vertue after Vandike","The Rt. Hon.ble the Earl of Lyndsey. / The Rt. Hon.ble The Earl of Carnarvon","Copper engraving","","","","I 322 x 212 mm","","","O’ Donohugh  4 and 9<br/>Original Frame<br/>Ex. Col Chirck Castle","200","£200","framed","Print","Portraits","British Nobility","","","","","",""
"1299","","Sydney William Carline","[Oxford Castle]","Etching","c 1920","","","Image and plate 175 x 136 mm ","","","Signed in pencil<br/><br/>Sydney Carline (1888-1929) He was born in London. Both his brother, Richard, and his sister Hilda, were also artists, with his sister marrying the artist Stanley Spencer, who was a friend of Richard's. The three siblings were children of the artist, George Carline (1855-1920). They studied at the Slade School and in Paris under Tudor Hart. Sydney was an official war artist with the RAF during World War I. He exhibited with the London Group, becoming a member in 1924. >From 1921 to 1929 he was Ruskin Master of Drawing at Oxford. He provided some illustrations for T. E. Lawrence's Revolt in the Desert. ","45","£45","mounted","Print","Oxford","Oxford Castle","","","","","",""
"1305","","Vertue after Vandike","The Rt. Hon.ble the Earl of Kingston / The Right Hon.ble the Earl of Litchfield","Copper engraving","","","","I 322 x 212 mm","","","O’ Donohugh 2  and 4<br/>Original Frame<br/>Ex Col. Chirck Castle","200","£200","framed","Print","Portraits","British Nobility","","","","","",""
"1307","","Vertue after Vandike","The Rt. Hon.ble the Lord Capel / The Right Hon.ble the Lord Viscount Faulkland","Copper engraving","","","","I 322 x 212 mm","","","O’ Donohugh 3<br/>Original Frame<br/>Ex. Col. Chirk Castle","200","£200","framed","Print","Portraits","British Nobility","Royalist<br/><br/>","","","","",""
"1351","","Petrus Schenk (1660-1711)","Oxfort, een vermaerde Stadt in Engeland, een on vergelyke aenqueeckster van Kunsten ende Sudien [Prospect of the City of Oxford]","Engraving","Published in Amsterdam, 1702","","","255 x 210 mm","Hecatompolis, sive Totius orbis Terrarum Oppida Nobiliora Centum; exquisite collecta atque eleganter depicta. [100 engraved town views]","","Petrus Schenk (1660-1715) was born in Germany but moved to Amsterdam where he studied engraving with Gerard Valck. He had two shops where he sold maps and prints, one in Amsterdam and the other in Leipzig. This plate is from Schenk’s early town atlas which depicted 100 cities on four continents.","300","£300","framed","Print","Oxford","General Views","","","","","",""
"1353","","Sydney Carline","[New College Lane]","Etching","1912","","","Image and plate 175 x 105 mm","","","Signed in pencil<br/><br/>Sydney Carline (1888-1929) He was born in London. Both his brother, Richard, and his sister Hilda, were also artists, with his sister marrying the artist Stanley Spencer, who was a friend of Richard's. The three siblings were children of the artist, George Carline (1855-1920). They studied at the Slade School and in Paris under Tudor Hart. Sydney was an official war artist with the RAF during World War I. He exhibited with the London Group, becoming a member in 1924. From 1921 to 1929 he was Ruskin Master of Drawing at Oxford. He provided some illustrations for T. E. Lawrence's Revolt in the Desert. ","40","£40","mounted","Print","20th Century","Sydney William Carline","","","","","",""
"1354","","M. Rudge","Tom Tower, Oxford","Etching","c. 1920","","","142 x 90 mm","","","","65","£65","framed","Print","Oxford","Christ Church College","","","","","",""
"1356","","Ben Pritchard","Taylors","Linocut","2005","","","I 402 x 305 mm","","","","130","£130","unmounted","Print","Contemporary Oxford Printmakers","Ben Pritchard","","","","","",""
"1358","","Pieter van der Aa after David Loggan","Le dedans l’Auditoire de Theologie dans l’Universite d’Oxford<br/>","Copper engraving","1707","","","Image 121 x 157 mm","La Delices de la Grande Bretagne et de L’Irlande","","La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. ","45","£45","mounted","Print","Oxford","Bodleian Library","","","","","",""
"1359","","J. Le Keux ","Interior of the Hall, Christ Church","Steel engraving","Published Jany. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 140 x 165 mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","40","£40","mounted","Print","Oxford","Christ Church College","","","","","",""
"1360","","J. Le Keux after F. Mackenzie","Staircase to the Hall, Christ Church","Steel engraving","Published Jany. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 130 x 165 mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","50","£50","mounted","Print","Oxford","Christ Church College","","","","","",""
"1361","","Rock & Co.","Christ Church, Oxford","Steel engraving","Published 1 Nov. 1862","","","I 115 x 80","","","","25","£25","mounted","Print","Oxford","Christ Church College","","","","","",""
"1362","","J. Buckler","Grammar School at Christ Church Oxford","Copper engraving","1896","","","I 120 x 150 mm","","","","20","£20","mounted","Print","Oxford","Christ Church College","","","","","",""
"1363","","Rock & Co.","Hall, Christ Church, Oxford","Steel engraving","Published 1 Nov. 1862","","","I 110 x 80","","","","30","£30","mounted","Print","Oxford","Christ Church College","","","","","",""
"1365","","J. Le Keux after F. Mackenzie","The Chapter House","Steel engraving","Published Jany. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 110 x 160 mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","26","£26","unmounted","Print","Oxford","Christ Church College","","","","","",""
"1367","","I.S. Heaviside after P.H. Delamotte","Tom Gate and Tower","Copper engraving","1836","","","I 120 x 65","","","","30","£30","","Print","Oxford","Christ Church College","","","","","",""
"1368","","Attributed to Hills & Saunders","[Tom Tower]","Albumen Photograph","c 1880","","","Image 90 x 65 mm","","","","40","£40","mounted","Print","Oxford","Christ Church College","","","","","",""
"1370","","Nathaniel Whittock","Christ Church Library","Lithograph","1820","","","I 90 x 140 mm","The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford","","","48","£48","mounted","Print","Oxford","Christ Church College","","","","","",""
"1371","","J. Storer","Part of Peckwater Square","Copper engraving","Published by Cook & Parker, Oxford","","","I 120 x 160 mm","","","","35","£35","mounted","Print","Oxford","Christ Church College","","","","","",""
"1372","","J. Greig","The Hall Stair-case, Christ Church","Copper engraving","c. 1810","","","I 135 x 85","","","","25","£25","mounted","Print","Oxford","Christ Church College","","","","","",""
"1373","","F. Harris","The North Prospect of the Cathedral Church of Oxford","Copper engraving with hand colouring","c. 1790","","","I 155 x 190 mm","","","","45","£45","","Print","Oxford","Oxford Churches","","","","","",""
"1376","","","The Clarendon Printing House","Aquatint","c. 1830","","","I 210 x 300","","","","175","£175","mounted","Print","Oxford","Clarendon Press","","","","","",""
"1378","","","[Tom Tower]","Albumen Photograph","c.1868","","","Image 185 x 145 mm","","","","50","£50","mounted","Print","Oxford","Christ Church College","","","","","",""
"1379","","","New Museum, Oxford","Chromolithograph","c. 1880","","","I 125 x 75","","","","40","£40","mounted","Print","Oxford","Oxford Museums","","","","","",""
"1380","","Attributed to Hills & Saunders","[Tom Tower]","Albumen Photograph","c.1880","","","Image 90 x 65 mm","","","","40","£40","mounted","Print","Oxford","Christ Church College","","","","","",""
"1382","","","Oxford, Christ Church Cathedral, Nave East","Photograph","c. 1900","","","I 130 x 80","","","","25","£25","","Print","Oxford","Christ Church College","","","","","",""
"1383","","J. C. Stadler after Mackenzie","The Clarendon Printing House, Theatre & Museum","Aquatint with hand colouring","Published 1813","","","I 270 x 210","From R. Ackerman’s History of Oxford","","Abbey 278, plate 90","160","£160","mounted","Print","Oxford","Clarendon Press","","","","","",""
"1385","","","Oxford, Christ Church Cathedral, Nave East","Photograph","c. 1900","","","I 130 x 80","","","","25","£25","","Print","Oxford","Christ Church College","","","","","",""
"1386","","","Oxford, Christ Church Cathedral, Nave East","Photograph","c. 1900","","","I 130 x 80","","","","25","£25","","Print","Oxford","Christ Church College","","","","","",""
"1389","","","A Perspective View of the Clarendon Printing House, the Theatre, the Museum, the Publick Schools &c.","Copper engraving","Engraved for the Universal Magazine, c. 1770","","","Image 275 x 150","","","","85","£85","mounted","Print","Oxford","Clarendon Press","","","","","",""
"1391","","","The Oxford Undergraduate, to the Juvenile Mobocracy of Great Britain ...","Etching","c. 1800","","","Pl. 140 x 180","","","","80","£80","mounted","Print","Oxford","Oxford Caricatures","","","","","",""
"1393","","Nathaniel Whittock","The New Printing Office, Oxford","Lithograph","c. 1850","","","I 360 x 190 mm","The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford","","","60","£60","mounted","Print","Oxford","Clarendon Press","","","","","",""
"1395","","Joseph Skelton","West Front of Christ Church","Copper engraving with hand colouring","Published as the Act directs Augst. 1, 1820 by J. Skelton, St. Aldates, Oxford.","","","I 240 x 160 mm","Oxonia Antiqua Restaurata by Joseph Skelton","","Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.","100","£100","mounted","Print","Oxford","Christ Church College","","","","","",""
"1396","","Joseph Skelton","South West View of Christ Church Cathedral","Copper engraving with hand colouring","1818","","","I 240 x 170 mm","Oxonia Antiqua Restaurata by Joseph Skelton","","","50","£50","mounted","Print","Oxford","Christ Church College","","","","","",""
"1397","","Joseph Skelton","Ancient Library of Christ Church","Copper engraving","1818","","","I 245 x 180 mm","Oxonia Antiqua Restaurata by Joseph Skelton","","Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.","80","£80","mounted","Print","Oxford","Christ Church College","","","","","",""
"1399","","D. Havell after A. Pugin","Stair Case of Christ Church","Aquatint","Published for R. Ackermann’s History of Oxford, November 1814","","","I 135 x 210","","","","90","£90","mounted","Print","Oxford","Christ Church College","","","","","",""
"1400","","","[Christ Church Cathedral]","Albumen Photograph","c. 1880","","","Image 185 x 230 mm","","","","45","£45","mounted","Print","Oxford","Christ Church College","","","","","",""
"1402","","Attributed to Hills & Saunders","[Broad Walk, Christ Church Meadows]","Albumen Photograph","c.1880","","","Image 200 x 260 mm","","","","50","£50","mounted","Print","Oxford","Christ Church College","","","","","",""
"1404","","J. Reeves after F. Mackenzie","Gate of Christ Church -- From Pembroke College","Aquatint","London, Published May 1, 1814 at 101 Strand for R. Ackermann’s History of Oxford","","","I 205 x 275 mm, 295 x 245 mm","","","","250","£250","framed","Print","Oxford","Christ Church College","","","","","",""
"1405","","J. Hill after Mackenzie","The Vestibule of Radcliffe Library","Engraving with hand colouring","Published London, for R. Ackermann. 1813.","","","I 270 x 200","From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.","","","120","£120","mounted","Print","Oxford","Radcliffe Camera","","","","","",""
"1406","","J. Lewis after W. Westall","The Statue Gallery","Aquatint","London, Published Sept. 1, 1814 at 101 Strand for R. Ackermann’s History of Oxford","","","I. 270 x 200","","","","75","£75","mounted","Print","Oxford","Christ Church College","","","","","",""
"1407","","J. Bluck after Mackenzie","Chapter House","Aquatint","London Pub. Nov 1st 1814 at 101 Strand for R. Ackermann’s History of Oxford","","","","A History of the University of Oxford, its Colleges, Halls, and Public Buildings","","","95","£95","mounted","Print","Oxford","Christ Church College","","","","","",""
"1408","","J. Le Keux after F. Mackenzie","Front of the Schools","Steel engraving","Published Dec. 1st 1836 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","Image 137 x 97 mm","From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","40","£40","mounted","Print","Oxford","Bodleian Library","","","","","",""
"1410","","Pieter van der Aa after David Loggan","Le College de Glocester-Hall a Oxford ","Copper engraving","1707","","","166 x 132 mm","La Delices de la Grande Bretagne et de L’Irlande","","La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. ","40","£40","unmounted","Print","Oxford","Worcester College","","","","","",""
"1416","","J. Greig","Wadham College Chapel","Engraving","1810","","","113 x 81 mm","","","","35","£35","mounted","Print","Oxford","Wadham College","","","","","",""
"1422","","J. Hill after A. Pugin","Wadham College, from the Parks","Aquatint with hand colouring","London: Published Nov. 1st 1813 at 101 Strand for R. Ackermann’s History of Oxford","","","I 264 x 204 mm","Ackermann (Rudolph) A History of the University of Oxford, its Colleges, Halls and Public Buildings","","","220","£220","mounted","Print","Oxford","Wadham College","","","","","",""
"1423","","J. Bluck after F. Mackenzie","Wadham College Chapel","Aquatint with hand colouring","London: Published Jul. 1st 1813 at 101 Strand for R. Ackermann’s History of Oxford","","","261 x 200 mm","Ackermann (Rudolph) A History of Oxford, its Colleges, Halls and Public Buildings","","","90","£90","mounted","Print","Oxford","Wadham College","","","","","",""
"1434","","","Trinity College","Photograph","c 1860","","","Image 272 x 200 mm","","","","40","£40","mounted","Print","Oxford","Trinity College","","","","","",""
"1435","","Joseph Skelton","Trinity College Chapel, &C.","Copper engraving","Published as the act directs Dec 1 1821 J.Skelton Magdalen bridge, Oxford.","","","Image 245 x 185 mm","Oxonia Antiqua Restaurata by Joseph Skelton","","","90","£90","unmounted","Print","Oxford","Trinity College","","","","","",""
"1436","","J. Bluck after A. Pugin","Trinity College Chapel","Aquatint with hand colouring","London Pub. March 1st 1814 101 Strand for R. Ackermann’s History of Oxford","","","265 x 209 mm","A History of the University of Oxford, its Colleges, Halls, and Public Buildings","","","90","£90","mounted","Print","Oxford","Trinity College","","","","","",""
"1437","","Pieter van der Aa after David Loggan","Le College de New-Inn a Oxford","Copper engraving","1707","","","159 x 122 mm","La Delices de la Grande Bretagne et de L’Irlande","","La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. ","40","£40","unmounted","Print","Oxford","St. Peter’s College","","","","","",""
"1439","","Nelson & Sons","St. John’s College Oxford","Chromolithograph","1889","","","122 x 76 mm","The City of Oxford","","","30","£30","mounted","Print","Oxford","St. John’s College","","","","","",""
"1441","","","St Johns College, Oxford","Photograph","c 1900","","","133 x 79 mm","","","","30","£30","mounted","Print","Oxford","St. John’s College","","","","","",""
"1443","","Pieter van der Aa after David Loggan","Partie du College de S. Jean Baptiste ","Copper engraving","1707","","","166 x 132 mm","La Delices de la Grande Bretagne et de L’Irlande","","LLa Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. ","25","£25","unmounted","Print","Oxford","St. John’s College","","","","","",""
"1444","","Pieter van der Aa after David Loggan","Le College de S. Jean Baptiste ","Copper engraving","1707","","","166 x 132 mm","La Delices de la Grande Bretagne et de L’Irlande","","La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher.  ","45","£45","mounted","Print","Oxford","St. John’s College","","","","","",""
"1445","","","St Johns College, Oxford","Photograph","c 1900","","","125 x 80 mm","","","","30","£30","mounted","Print","Oxford","St. John’s College","","","","","",""
"1449","","Nelson and Sons","St John’s College Oxford","Chromolithograph","1889","","","I 76 x 122 mm","The City of Oxford","","","30","£30","mounted","Print","Oxford","St. John’s College","","","","","",""
"1455","","J. Storer","St. John’s College","Copper engraving","Published by Cook & Parker, Oxford. 1810","","","Image 80 x 115 mm","","","","35","£35","mounted","Print","Oxford","St. John’s College","","","","","",""
"1457","","J. Hill after Mackenzie","St. John’s College, from the Garden","Engraving with hand colouring","London, Pubd. Septr. 1dst, 1813 at 101 Strand, for R. Ackermann;s History of Oxford","","","I 265 x 200","From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.","","","180","£180","mounted","Print","Oxford","St. John’s College","","","","","",""
"1458","","J. Hill after Pugin","Quadrangle of St. John’s College","Engraving with hand colouring","Published London, for R. Ackermann. 1813.","","","I 265 x 200","From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.","","","180","£180","mounted","Print","Oxford","St. John’s College","","","","","",""
"1461","","","St Johns College, Oxford","Woodcut","c 1880","","","I 80 x 110 mm","","","","25","£25","mounted","Print","Oxford","St. John’s College","","","","","",""
"1463","","Joseph Skelton","East End of Merton College Chapel","Copper engraving with hand colouring","c. 1820","","","I 230 x 170 mm","Oxonia Antiqua Restaurata by Joseph Skelton","","Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.","95","£95","mounted","Print","Oxford","Merton College","","","","","",""
"1464","","Albany E. Howarth","St John’s College Oxford","Etching","c 1925","","","Image and plate 225 x 150 mm","","","Signed in pencil ","90","£90","mounted","Print","Oxford","St. John’s College","","","","","",""
"1465","","W. Gauci after Delamotte","Front of St. John’s College, Oxford","Lithograph","Published c. 1840","","","I 350 x 250 mm","Original Views of Oxford, its Colleges, Chapels and Gardens from drawings expressly for this work by William Alfred Delamotte. Executed in Lithography by William Gauci, with Historical and Descrpitive notices by Charles Ollier. London: Thomas Boy. 1843. Folio includes 25 tinted Lithographs.","","","120","£120","mounted","Print","Oxford","St. John’s College","","","","","",""
"1469","","William Nicholson","Merton College","Lithograph","Published 1905","","","Image 348 x 266 mm","Oxford","","Signed and blinstamped<br/>Campell 137<br/><br/>Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).","120","£120","mounted","Print","Oxford","Merton College","","","","","",""
"1471","","J. Le Keux after F. Mackenzie","The Cathedral from the N.W.","Steel engraving","Published Feb. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 150 x 112 mm","From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","28","£28","mounted","Print","Oxford","Christ Church College","","","","","",""
"1472","","J. Le Keux after F. Mackenzie","St. Giles Church","Steel engraving","Published Feb. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 144 x 94 mm","From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","40","£40","mounted","Print","Oxford","Oxford Churches","","","","","",""
"1473","","J. Le Keux after F. Mackenzie","Merton College Chapel from the Quadrangle","Steel engraving","Published Feb. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 133 x 105 mm","From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","35","£35","mounted","Print","Oxford","Merton College","","","","","",""
"1475","","J. Le Keux after F. Mackenzie","West Front of All Souls College","Steel engraving","Published Feb. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 146 x 91 mm","From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","35","£35","mounted","Print","Oxford","All Souls College","","","","","",""
"1477","","J. Le Keux after F. Mackenzie","The Chapel & All Souls College","Steel engraving","Published Feb. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 134 x 96 mm","From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","35","£35","mounted","Print","Oxford","All Souls College","","","","","",""
"1478","","J. Le Keux after F. Mackenzie","The Cloister &c. of All Souls College","Steel engraving","Published Feb. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 134 x 96 mm","From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","35","£35","mounted","Print","Oxford","All Souls College","","","","","",""
"1480","","J. Le Keux after F. Mackenzie","The Town Hall","Steel engraving","Published Feb. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 149 x 106 mm","From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","35","£35","mounted","Print","Oxford","General Views","","","","","",""
"1481","","Richard Smythson","Nixon’s School, Oxford","Photo-lithograph","Wyman & Sons, Printers Gt Queen St. London, 1880","","","I 213 x 178 mm","The Builder (Oct 30 1880)","","","25","£25","mounted","Print","Oxford","General Views","","","","","",""
"1483","","B. Cole","A View of the Remains of North Osney or Rewley Abby from the South & A View of the Remains of North Osney or Rewley Abby from the North","Copper engraving","1710","","","I 238 x 169 mm","","","Taken in the year 1720","50","£50","mounted","Print","Oxford","General Views","","","","","",""
"1486","","J. Le Keux after F. Mackenzie","Interior of St. Peter’s Church","Steel engraving","Published May 1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 95 x 137 mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","25","£25","mounted","Print","Oxford","St. Edmund Hall","","","","","",""
"1488","","J. Le Keux after F. Mackenzie","St. Peter’s Church, from the S. E.","Steel engraving","Published May 1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 95 x 137 mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","35","£35","mounted","Print","Oxford","St. Edmund Hall","","","","","",""
"1491","","J. Fisher","Old St. Peter’s Church","Engraving","Published by H. Slatter, c. 1850","","","I 42 x 78 mm","","","","20","£20","mounted","Print","Oxford","St. Edmund Hall","","","","","",""
"1492","","W. Wallace after J. P. Neale","St. Peters in the East, Oxford","Engraving","Pubilshed c. 1840","","","I 130 x 100 mm","","","","30","£30","mounted","Print","Oxford","St. Edmund Hall","","","","","",""
"1493","","R. Reeve after A. Pugin","St Peter’s Church","Aquatint with hand colouring","London Pub. July 1st 1814 at 101 Strand for R. Ackermann’s History of Oxford","","","I 210 x 270 mm","A History of the University of Oxford, its Colleges, Halls, and Public Buildings","","","60","£60","mounted","Print","Oxford","St. Edmund Hall","","","","","",""
"1494","","J. Bluck after F. Nash","Crypt of St Peter’s Church","Aquatint with hand colouring","London Pub. July 1 1813 at 101 Strand for R. Ackermann’s History of Oxford","","","I 210 x 270 mm","A History of the University of Oxford, its Colleges, Halls, and Public Buildings","","","45","£45","mounted","Print","Oxford","St. Edmund Hall","","","","","",""
"1496","","Joseph Skelton after Neill","St. Peter’s Church in the East","Engraving with hand colouring","Published c. 1820","","","I 170 x 240 mm","","","","55","£55","mounted","Print","Oxford","St. Edmund Hall","","","","","",""
"1498","","Unknown photographer","Queen’s College, Oxford","Photograph","c. 1900","","","90 x 140 mm","","","","35","£35","mounted","Print","Oxford","Queen’s College","","","","","",""
"1500","","J. Storer","Queen’s College","Copper engraving","Published by Cook & Parker, Oxford. 1810","","","I 120 x 90 mm","","","","40","£40","mounted","Print","Oxford","Queen’s College","","","","","",""
"1502","","G. Scharf after Delamotte","English Agricultural Society’s Dinner in Queen’s College Quadrangle, Oxford,  July 17th 1839","Lithograph","Published by Day and Haghe, c. 1840","","","I 200 x 305 mm","","","","80","£80","mounted","Print","Oxford","Queen’s College","","","","","",""
"1504","","J. Stadler after Pugin","Queen’s College Chapel","Aquatint with hand colouring","Published London, for R. Ackermann. 1814.","","","I 270 x 210","From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.","","","120","£120","mounted","Print","Oxford","Queen’s College","","","","","",""
"1505","","","Arms of Pembroke College, Oxford University","Chromolithograph","c. 1920","","","I 60 x 70 mm","","","","20","£20","mounted","Print","Oxford","Pembroke College","","","","","",""
"1506","","","Arms of Oriel College, Oxford University","Chromolithograph","c. 1920","","","I 60 x 70 mm","","","","20","£20","mounted","Print","Oxford","Oriel College","","","","","",""
"1507","","Pieter van der Aa after David Loggan","Le College de S. Mary-Hall a Oxford","Copper engraving","1707","","","I 121 x 157 mm","La Delices de la Grande Bretagne et de L’Irlande","","La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. ","30","£30","mounted","Print","Oxford","Oriel College","","","","","",""
"1509","","J. Le Keux after F. Mackenzie","Saint Mary’s Hall","Engraving with hand colouring","Published Sept. 1st 1836 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 95 x 137 mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","40","£40","mounted","Print","Oxford","Oriel College","","","","","",""
"1514","","M. Smith","An Ancient Cup Belonging to Oriel College, Oxford","Lithograph","c. 1890","","","I 190 x 100 mm","","","","60","£60","mounted","Print","Oxford","Oriel College","","","","","",""
"1519","","","Oriel College","Albumen Photograph","c. 1860","","","I 160 x 210 mm","","","","65","£65","mounted","Print","Oxford","Oriel College","","","","","",""
"1520","","","Oxford, New College, Garden Gateway","Photolithograph","c. 1900","","","I 135 x 85 mm","","","","25","£25","mounted","Print","Oxford","New College","","","","","",""
"1521","","Pieter van der Aa after David Loggan","Vue interieure du College Neuf du cote du Nord [New College]","Copper engraving","1707","","","Image 123 x 158 mm","La Delices de la Grande Bretagne et de L’Irlande","","La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. ","45","£45","mounted","Print","Oxford","New College","<br/>","","","","",""
"1522","","Unknown","New College from the Garden","Woodcut","c. 1866","","","I 85 x 110","","","","30","£30","mounted","Print","Oxford","New College","","","","","",""
"1525","","J. Le Keux after F. Mackenzie","Interior of New College Chapel","Steel engraving","Published June 1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 95 x 137 mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","40","£40","mounted","Print","Oxford","New College","","","","","",""
"1527","","J. Le Keux after F. Mackenzie","New College Chapel","Steel engraving","Published May 1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 95 x 137 mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","40","£40","mounted","Print","Oxford","New College","","","","","",""
"1528","","J. Le Keux after F. Mackenzie","The Cloister, New College","Steel engraving with hand colouring","Published May 1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 95 x 137 mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","40","£40","mounted","Print","Oxford","New College","","","","","",""
"1538","","Albany E. Howarth","New College Oxford","Etching","c 1925","","","Image and plate 205 x 300 mm","","","Signed in pencil ","190","£190","framed","Print","Oxford","New College","","","","","",""
"1541","","J. C. Stadler after Mackenzie","Chapel of New College","Aquatint with hand colouring","London, Pub. June 1 1814 at 101 Strand, for R. Ackermann’s History of Oxford.","","","Image 270 x 210, Plate ","From R. Ackermann’s History of Oxford","","","150","£150","mounted","Print","Oxford","New College","","","","","",""
"1542","","A. Haun","New College, from the North","Lithograph","Published 1846","","","I 160 x 260 mm","Published by Carl Rundt","","","180","£180","mounted","Print","Oxford","New College","","","","","",""
"1543","","","New College","Photograph","c. 1880","","","I 210 x 270 mm","","","","45","£45","mounted","Print","Oxford","New College","","","","","",""
"1544","","J. Le Keux after F. Mackenzie","The North Side of Merton College Chapel","Steel engraving with hand colouring","c. 1835","","","Image 110 x 170 mm","","","","40","£40","mounted","Print","Oxford","Merton College","","","","","",""
"1545","","J. Le Keux after F. Mackenzie","St. Alban Hall","Steel engraving with hand colouring","Published Oct 1st 1836 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 95 x 137 mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","35","£35","mounted","Print","Oxford","Merton College","","","","","",""
"1546","","J. Le Keux after F. Mackenzie","The Library &c. Merton College","Steel engraving","Published Dec.1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","Image 95 x 137 mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","40","£40","mounted","Print","Oxford","Merton College","","","","","",""
"1548","","Pieter van der Aa after David Loggan","Le College de Merton [Merton College]","Copper engraving","1707","","","I 121 x 157 mm","La Delices de la Grande Bretagne et de L’Irlande","","La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. ","45","£45","mounted","Print","Oxford","Merton College","","","","","",""
"1549","","Pieter van der Aa after David Loggan","L’Ecole de S. Alban","Copper engraving","1707","","","I 121 x 157 mm","La Delices de la Grande Bretagne et de L’Irlande","","La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. ","25","£25","mounted","Print","Oxford","Merton College","","","","","",""
"1566","","William Nicholson","T For Trumpeter","Lithograph","1898  [William Heinemann]","","","I 247 x 197 mm","An Alphabet","","","150","£150","mounted","Print","Artists","William Nicholson","","","","","",""
"1567","","William Nicholson","W for Waitress","Lithograph","1898  [William Heinemann]","","","I 247 x 197 mm","An Alphabet","","","120","£120","mounted","Print","Artists","William Nicholson","","","","","",""
"1588","","William Nicholson","N for Nobleman","Lithograph","1898  [William Heinemann]","","","I 247 x 197 mm","An Alphabet","","","130","£130","mounted","Print","Artists","William Nicholson","","","","","",""
"1590","","William Nicholson","Fishing (May)","Lithograph","Popular edition 1897 (post-dated 1898) William Heinemann","","","Image 196 x 198 mm","Almanac of Twelve Sports","","","95","£95","mounted","Print","Artists","William Nicholson","","","","","",""
"1600","","William Nicholson","Sir Henry Hawkins","Lithograph","1899 (William Heinemann)","","","I 255 x 230 mm","Twelve Portraits ","","","150","£150","","Print","Artists","William Nicholson","","","","","",""
"1602","","William Nicholson","The Arch Bishop of Canterbury","Lithograph","1899 (William Heinemann)","","","I 255 x 230 mm","Twelve Portraits ","","","90","£90","","Print","Artists","William Nicholson","","","","","",""
"1610","","William Nicholson","Coursing (February) ","Lithograph","Popular edition 1897 (post-dated 1898) William Heinemann","","","Image 196 x 198 mm","Almanac of Twelve Sports","","","120","£120","mounted","Print","Artists","William Nicholson","","","","","",""
"1614","","Sydney Pariere","Merton College Chapel","Etching","1922","","","I 125 x 175 mm","","","","60","£60","mounted","Print","Oxford","Merton College","","","","","",""
"1616","","","Eton College from Sir Henry Savile’s Monument in the Chapel of Merton College, Oxford","Aquatint with hand colouring","c. 1790","","","I 210 x 220 mm","","","","50","£50","mounted","Print","Oxford","Merton College","","","","","",""
"1621","","David Roberts","Balbec from the Fountain, May 7th 1839","Lithograph with original hand colour","London: F.G. Moon. 1842-9 ","","","","","","Yesterday and Today: The Holy Land<br/>Trimmed as issued","100","£100","mounted","Print","Foreign Topography","David Roberts","","","","","",""
"1624","","Joseph Skelton after Malchair","Merton College from the banks of the Cherwell","Engraving with hand colouring","c. 1820","","","Image 170 x 240 mm","","","","110","£110","framed","Print","Oxford","Merton College","","","","","",""
"1626","","Nathaniel Whittock","St. Alban Hall","Lithograph","Published Oxford, c. 1830","","","I 168 x 215 mm","The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford","","","35","£35","mounted","Print","Oxford","Merton College","","","","","",""
"1627","","Unknown Artist","Chapel of Merton College ","Lithograph","c. 1830","","","I 160 x 220 mm","","","","60","£60","mounted","Print","Oxford","Merton College","","","","","",""
"1631","","J. Hill after A. Pugin","Alban Hall","Aquatint with hand colouring","London Pub. July 1st 1813 at 101 Strand for R. Ackermann’s History of Oxford","","","I 200 x 260 mm","A History of the University of Oxford, its Colleges, Halls, and Public Buildings","","Merton College.","110","£110","mounted","Print","Oxford","Merton College","","","","","",""
"1638","","W. Gauci after Delamotte","Front of Merton College, Oxford","Lithograph","Published c. 1840","","","I 350 x 250 mm","From Original Views of Oxford, its Colleges, Chapels and Gardens from drawings expressly for this work by William Alfred Delamotte. Executed in Lithography by William Gauci, with Historical and Descrpitive notices by Charles Ollier. London: Thomas Boy. 1843","","","190","£190","mounted","Print","Oxford","Merton College","","","","","",""
"1641","","","Arms of Merton College, Oxford University","Chromolithograph","c. 1920","","","I 60 x 45 mm","","","","20","£20","mounted","Print","Oxford","Merton College","","","","","",""
"1642","","J. Greig","Merton College Chapel","Copper engraving","Published by Cook & Parker, Oxford. 1810","","","I 112 x 80 mm","","","","30","£30","mounted","Print","Oxford","Merton College","","","","","",""
"1643","","J & H S. Storer","St. Alban Hall","Copper engraving","London Pubd. Sep 1 1821 by Sherwood, Neely & Jones","","","I 97 x 79 mm","Lascelles’ The University and City of Oxford: Displayed in a Series of Seventy-two Views Drawn and Engraved by J. and H.S. Storer accompanied with a Dialogue, after the manner of Castiglione.","","","25","£25","mounted","Print","Oxford","Merton College","","","","","",""
"1645","","Walter Scott","Magdalen College, Oxford","Photograph","c. 1950","","","90 x 140 mm","","","","30","£30","mounted","Print","Oxford","Magdalen College","","","","","",""
"1648","","","Magdalen College, Oxford","Photograph","c. 1900","","","I 82 x 132 mm","","","","30","£30","mounted","Print","Oxford","Magdalen College","","","","","",""
"1650","","","Oxford, Magdalen College Chapel","Photograph","c. 1900","","","I 82 x 142 mm","","","","25","£25","mounted","Print","Oxford","Magdalen College","","","","","",""
"1653","","","Magdalen College","Photograph","c. 1860","","","I 200 x 260 mm","","","","50","£50","mounted","Print","Oxford","Magdalen College","","","","","",""
"1655","","J. Le Keux after F. Mackenzie","Magdalen College, From the Walk","Steel engraving with hand colouring","Published April.1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 95 x 137 mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","45","£45","mounted","Print","Oxford","Magdalen College","","","","","",""
"1656","","J. Le Keux after F. Mackenzie","The Cloister, Magdalen College","Steel engraving with hand colouring","Published April.1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 95 x 137 mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","45","£45","mounted","Print","Oxford","Magdalen College","","","","","",""
"1658","","J. Le Keux after F. Mackenzie","Magdalen Church, from St. Giles’s","Steel engraving with hand colouring","Published April.1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 95 x 137 mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","50","£50","mounted","Print","Oxford","General Views","","","","","",""
"1659","","D. Havell after A. Pugin","Magdalen College, Entrance Gate","Aquatint","Published for R. Ackermann’s History of Oxford, November 1814","","","I 205 x 130","","","","45","£45","mounted","Print","Oxford","Magdalen College","","","","","",""
"1662","","M. Oliver Rae","Magdalen College","Etching","c. 1920","","","I 115 x 85","","","","35","£35","mounted","Print","Oxford","Magdalen College","","","","","",""
"1664","","Lee","Magdalen College and Bridge, Oxford","Woodcut","c 1805","","","I 95 x 80 mm","","","","40","£40","mounted","Print","Oxford","Magdalen College","","","","","",""
"1666","","Sydney Pariere","Magdalen College","Aquatint","c. 1922","","","I 250 x 175 mm","","","","60","£60","mounted","Print","Oxford","Magdalen College","","","","","",""
"1667","","Alfred Slocombe","Magdalen Cloisters","Etching","c. 1890","","","I 180 x 130 mm","","","","75","£75","mounted","Print","Oxford","Magdalen College","","","","","",""
"1672","","J. Storer","The Old Gate, Magdalen College","Copper engraving","Published by Cook & Parker, Oxford. March 1810","","","I 112 x 82 mm","","","","35","£35","mounted","Print","Oxford","Magdalen College","","","","","",""
"1673","","J & H S. Storer","Ancient Pulpit (Magdalen College)","Steel engraving","London Pubd. Oct 1 1821 by Sherwood, Neely & Jones","","","I 105 x 90 mm","Lascelles’ The University and City of Oxford: Displayed in a Series of Seventy-two Views Drawn and Engraved by J. and H.S. Storer accompanied with a Dialogue, after the manner of Castiglione.","","","25","£25","mounted","Print","Oxford","Magdalen College","","","","","",""
"1675","","J. Bluck after A. Pugin","New College Entrance Gate [Old Gate of Magdalen College]","Aquatint with hand colouring","Published London, by J. Harrison and J. C. Leigh for R. Ackermann. 1814.","","","I 265 x 200","Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.","","","120","£120","mounted","Print","Oxford","Magdalen College","","","","","",""
"1680","","N. Whittock","Lincoln College","Lithograph with hand colouring","Published Oxford, 1829","","","Image 150x 200 mm","The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford","","","95","£95","mounted","Print","Oxford","Lincoln College","","","","","",""
"1683","","Joseph Skelton","Founders and Benefactors of Lincoln College, with a birds eye view of the Building","Copper engraving","Published as the Act directs Mar. 2nd 1818 by J. Skelton St. Aldates, Oxford","","","I 200 x 250 mm","Oxonia Antiqua Restaurata by Joseph Skelton","","Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.","45","£45","mounted","Print","Oxford","Lincoln College","","","","","",""
"1684","","","Thomas Rotheram, co-founder with Richd. Flemming of Lincoln College","Engraving with hand colouring","c. 1813","","","I 160 x 130 mm","Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.","","","35","£35","mounted","Print","Oxford","Lincoln College","","","","","",""
"1686","","G. Lewis after F. Mackenzie","Chapel of Lincoln College from the Ante Chapel","Aquatint with hand colouring","Published London, Jan. 1 1814, at 101 Strand, for R. Ackermann’s History of Oxford.","","","I 270 x 210","Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.","","","160","£160","mounted","Print","Oxford","Lincoln College","","","","","",""
"1324","","Vertue after Vandike","Sr. George Lisle / Sr. Charles Lucas","Copper engraving","","","","I 322 x 212 mm","","","O’ Donohugh 2<br/>Original Frame<br/>Ex. Col. Chirk Castle","200","£200","framed","Print","Portraits","British Nobility","","","","","",""
"1325","","Vertue after Vandike","Sr. Harry Slingsby Bart. / Colonel John Pennruddock","Copper engraving","","","","I 322 x 212 mm","","","O’ Donohugh 2<br/>Original Frame<br/>Ex. Col. Chirk Castle","200","£200","framed","Print","Portraits","British Nobility","","","","","",""
"1689","","Walter Scott","The Chapel, Lady Margaret Hall, Oxford","Photograph","c. 1900","","","90 x 140 mm","","","","20","£20","mounted","Print","Oxford","Lady Margaret Hall","","","","","",""
"1690","","","Arms of Keble College, Oxford University","Chromolithograph","c. 1920","","","Image 60 x 45 mm","","","","20","£20","mounted","Print","Oxford","Keble College","","","","","",""
"1692","","J. Le Keux after F. Mackenzie","The Quadrangle of Jesus College","Steel engraving","Published Feb. 1st 1836 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 95 x 137 mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","40","£40","mounted","Print","Oxford","Jesus College","","","","","",""
"1693","","Henry Slatter","Exeter and Jesus Colleges","Aquatint","Published Oxford, Munday and Slatter, c. 1824","","","I 80 x 108 mm","Views of All the Colleges, Halls and Public Buildings in the University of Oxford","","From a volume of views of Oxford which also served as a sophisticated guide book.","35","£35","","Print","Oxford","Jesus College","","","","","",""
"1694","","I. Whesfell","Front of Jesus College","Engraving with hand colouring","Published 1835","","","I 97 x 140 mm","","","","120","£120","mounted","Print","Oxford","Jesus College","","","","","",""
"1697","","W. Bennett after W. Westall","Jesus College Chapel","Aquatint with hand colouring","London Pubd. Octr. 1 1814 at 101 Strand from Ackermann’s History of Oxford","","","I 260 x 210","Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.","","","80","£80","mounted","Print","Oxford","Jesus College","","","","","",""
"1698","","Pieter van der Aa after David Loggan","Le College de Magdalen Hall a Oxford","Copper engraving","1707","","","I 121 x 157 mm","La Delices de la Grande Bretagne et de L’Irlande","","La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. ","45","£45","mounted","Print","Oxford","Hertford College","","","","","",""
"1699","","J. Le Keux after F. Mackenzie","Magdalen Hall","Steel engraving","Published Aug. 1st 1836 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 95 x 137 mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","35","£35","mounted","Print","Oxford","Hertford College","","","","","",""
"1700","","J & H.S Storer","New Magdalen Hall","Copper engraving","London Pubd. Nov 1 1821 by Sherwood, Neely & Jones","","","I 105 x 70 mm","Lascelles’ The University and City of Oxford: Displayed in a Series of Seventy-two Views Drawn and Engraved by J. and H.S. Storer accompanied with a Dialogue, after the manner of Castiglione.","","","45","£45","mounted","Print","Oxford","Hertford College","","","","","",""
"1701","","Rock & Co.","Magdalen Hall, Oxford","Steel engraving","Published Jan. 1863","","","I 65 x 95","","","","20","£20","mounted","Print","Oxford","Hertford College","","","","","",""
"1703","","After Mackenzie","Magdalen Hall","Aquatint with hand colouring","Published London, by J. Harrison and J. C. Leigh for R. Ackermann. 1814.","","","I 200 x 130","Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.",""," ","60","£60","mounted","Print","Oxford","Hertford College","","","","","",""
"1704","","Nathaniel Whittock","New Magdalen Hall","Lithograph with hand colouring","1829","","","I 160 x 220 mm","The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford","","Can also be from A Topographical and Historical Description of the University and City of Oxford also by Whittock ","45","£45","mounted","Print","Oxford","Hertford College","","","","","",""
"1705","","J. C. Stadler after W. Westall","Astronomical Observatory","Aquatint with hand colouring","Published London, by J. Harrison and J. C. Leigh for R. Ackermann. 1814.","","","I 190 x 260 mm","Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.","","","200","£200","mounted","Print","Oxford","Green College","","","","","",""
"1709","","J. Le Keux after F. Mackenzie","Front of Exeter College","Steel engraving with hand colouring","Published July 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 135 x 95 mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","40","£40","mounted","Print","Oxford","Exeter College","","","","","",""
"1711","","J. Storer","Part of Exeter College","Copper engraving","Published by Cook & Parker, Oxford. March 1 1810","","","I 97 x 79 mm","","","From Chalmer’s (Alex.) A History of the Colleges, Halls and Public Buildings attached to the University of Oxford including the lives of the Founders","35","£35","mounted","Print","Oxford","Exeter College","","","","","",""
"1716","","J. Hill after F. Nash","The Public Schools, & Part of Exeter College Library from the Garden","Aquatint with hand colouring","London Pub. Aug. 1 1813 at 101 Strand for R. Ackermann’s History of Oxford","","","I 210 x 270 mm","A History of the University of Oxford, its Colleges, Halls, and Public Buildings","","","160","£160","mounted","Print","Oxford","Exeter College","","","","","",""
"1718","","Joseph Skelton","Old Library of Exeter College","Copper engraving","Published as the Act directs Sept. 1st 1819 by J. Skelton St. Aldates, Oxford","","","I 175 x 255 mm","Oxonia Antiqua Restaurata by Joseph Skelton","","Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.","40","£40","mounted","Print","Oxford","Exeter College","","","","","",""
"1719","","Rock & Co.","Corpus Christi College, Oxford","Steel engraving","Published 14 April 1863","","","I 75 x 75","","","","35","£35","mounted","Print","Oxford","Corpus Christi College","","","","","",""
"1720","","Pieter van der Aa after David Loggan","Le College du Corps de Christ [Corpus Christi College]","Copper engraving","1707","","","I 121 x 157 mm","La Delices de la Grande Bretagne et de L’Irlande","","La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. ","45","£45","mounted","Print","Oxford","Corpus Christi College","","","","","",""
"1721","","Pieter van der Aa after David Loggan","L’Ecole de la Sale du Cerf","Copper engraving","1707","","","I 121 x 157 mm","La Delices de la Grande Bretagne et de L’Irlande","","La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. ","20","£20","mounted","Print","Oxford","Corpus Christi College","","","","","",""
"1724","","J. C. Stadler after W. Westall","Corpus Christi College and Christ Church Cathedral","Aquatint with hand colouring","Published London, by J. Harrison and J. C. Leigh for R. Ackermann. 1814.","","","I 190 x 265, Pl. 255 x 300 mm","Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.","","","150","£150","mounted","Print","Oxford","Corpus Christi College","","","","","",""
"1726","","Joseph Skelton","The Fellow’s Building of Corpus Christi College from the Fields","Copper engraving with hand colouring","Published by J. Skelton St. Aldates, Oxford c. 1820","","","Image 160 x 230 mm","Oxonia Antiqua Restaurata by Joseph Skelton","","Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.","65","£65","mounted","Print","Oxford","Corpus Christi College","","","","","",""
"1728","","Joseph Skelton  after I.M.W Turner","Christ Church Cathedral &c.with part of Corpus Christi College","Copper engraving with hand colouring","Published by J. Skelton St. Aldates, Oxford c. 1820","","","Image 165 x 230 mm","Oxonia Antiqua Restaurata by Joseph Skelton","","Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.","120","£120","framed","Print","Oxford","Corpus Christi College","","","","","",""
"1729","","William Nicholson","Oriel College","Lithograph","1905","","","Image 360 x 291 mm","Oxford ","","Signed, numbered and blindstamped<br/>Campbell 137<br/><br/>Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).","120","£120","mounted","Print","Artists","William Nicholson","","","","","",""
"1732","","William Nicholson","Corpus Christi","Lithograph","1905","","","Image 340 x 281 mm","Oxford ","","Signed, numbered and blindstamped<br/>Campbell 137<br/><br/>Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).","120","£120","mounted","Print","Oxford","Corpus Christi College","","","","","",""
"1744","","William Nicholson","The Library, Christ Church","Lithograph","1905","","","Image 342 x 257 mm","Oxford ","","Signed, numbered and blindstamped<br/>Campbell 137 <br/><br/>Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).","100","£100","mounted","Print","Artists","William Nicholson","","","","","",""
"1753","","Albany E. Howarth","Christ Church College","Etching","c.1920","","","Image and plate 275 x 150 mm","","","Signed in pencil<br/><br/>Albany E. Howarth was born in Watford in 1872 where he continued to reside for most of his life.   An early twentieth century English architectural and landscape etcher and water-colourist, Albany Howarth first worked as a drawing apprentice in the office of Armstrong, Whitworth. Beginning around 1905 he emerged as a major etcher and frequently exhibited at such major venues as the Fine Arts Society, the Royal Academy and with the Royal Engravers. Howarth was elected an Associate of the Royal Engravers in 1920.<br/><br/>During his career Albany Howarth etched many great architectural views in England, Italy and France.  His views of the Oxford Colleges combine etching with dry point to achieve strong tonal effects.  Like William Nicholson, Howarth's works are not only concerned with the strong architectural features of his chosen subjects but also the play of light upon them.  <br/><br/>Many of Howarth's etchings produced in the 1920's were published by the Fine Art Trade Guild, London, in editions of 150 signed impressions  Howarth died in Watford in 1936.<br/>","200","£200","framed","Print","Artists","Albany E Howarth","","","","","",""
"1754","","W. Bennett after W. Westall","Part of Christ Church Cathedral","Aquatint with hand colouring","London Pub. June 1st 1814 at 101 Strand for R. Ackermann’s History of Oxford","","","I 200 x 255","A History of the University of Oxford, its Colleges, Halls, and Public Buildings","","","75","£75","mounted","Print","Oxford","Christ Church College","","","","","",""
"1756","","William Nicholson","Christ Church College","Lithograph","1905","","","I 355 x 280 mm","Oxford","","Blindstamped signed and numbered<br/>Campbell 137<br/><br/>Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).","150","£150","framed","Print","Oxford","Christ Church College","","","","","",""
"1758","","","Christ Church","Photograph","c. 1900","","","I 250 x 360","","","","100","£100","","Print","Oxford","Christ Church College","","","","","",""
"1759","","After Delamotte","Corpus College Oxford","Lithograph","Printed by L. M. Lefevre c. 1840","","","I 350 x 250 mm","","","","200","£200","mounted","Print","Oxford","Christ Church College","","","","","",""
"1763","","J. Le Keux after F. Mackenzie","Brazen Nose College ","Steel engraving","Published April. 1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 143 x 92mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","35","£35","mounted","Print","Oxford","Brasenose College","","","","","",""
"1767","","Pieter van der Aa after David Loggan","Le College du Nez de Bronze","Copper engraving","1707","","","Image 130 x 165 mm","La Delices de la Grande Bretagne et de L’Irlande","","La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. ","65","£65","framed","Print","Oxford","Brasenose College","","","","","",""
"1768","","Rock & Co.","Brasenose College, Oxford","Steel engraving","Published 14 April 1863","","","I 75 x 75","","","","35","£35","mounted","Print","Oxford","Brasenose College","","","","","",""
"1769","","J. Le Keux after F. Mackenzie","Hall, &c. of Balliol College","Steel engraving with hand colouring","Published Aug. 1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 95 x 137 mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","40","£40","mounted","Print","Oxford","Balliol College","","","","","",""
"1771","","Nathaniel Whittock","Brasen Nose College","Lithograph","c. 1829","","","I 210 x 157 mm","The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford","","Can also be from A Topographical and Historical Description of the University and City of Oxford also by Whittock ","95","£95","mounted","Print","Oxford","Brasenose College","","","","","",""
"1777","","W. Gauci after Delamotte","Front of Brasenose College","Lithograph","Published c. 1842","","","I 335 x 254 mm","Original Views of Oxford, its Colleges, Chapels and Gardens from drawings expressly for this work by William Alfred Delamotte. Executed in Lithography by William Gauci, with Historical and Descrpitive notices by Charles Ollier. London: Thomas Boy. 1843","","","170","£170","mounted","Print","Oxford","Brasenose College","","","","","",""
"1778","","Rock & Co.","All Souls College, Oxford","Steel engraving","Published 14 April 1863","","","I 90 x 70 mm","","","","35","£35","mounted","Print","Oxford","All Souls College","","","","","",""
"1781","","","Dining Hall, Balliol College, Oxford","Photograph","c.1900","","","I 130 x 80 mm","","","","25","£25","","Print","Oxford","Balliol College","","","","","",""
"1783","","J. Bluck after F. Mackenzie","Quadrangle of Balliol College","Aquatint with hand colouring","Published London, by J. Harrison and J. C. Leigh for R. Ackermann. 1814.","","","I 200 x 270","Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.","","","95","£95","mounted","Print","Oxford","Balliol College","","","","","",""
"1787","","J. Le Keux after F. Mackenzie","The Chapel &c. All Souls College","Steel engraving","Published Jany. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 95 x 137 mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","30","£30","mounted","Print","Oxford","All Souls College","","","","","",""
"1788","","J. Le Keux after F. Mackenzie","South Front of All Souls College","Steel engraving with hand colouring","Published Jany. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 95 x 137 mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","35","£35","mounted","Print","Oxford","All Souls College","","","","","",""
"1789","","Joseph Skelton","East Front of All Souls College","Copper engraving","Published by J. Skelton St. Aldates, Oxford 1816","","","I 160 x 230 mm","Oxonia Antiqua Restaurata by Joseph Skelton","","Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.","80","£80","mounted","Print","Oxford","All Souls College","","","","","",""
"1792","","J. C. Stadler after F. Mackenzie","Chapel of All Souls College","Aquatint with hand colouring","London Pub. Decr. 1st 1814 at 101 Strand for R. Ackermann’s History of Oxford","","","I 270 x 205","Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.","","","35","£35","mounted","Print","Oxford","All Souls College","","","","","",""
"1794","","","Oxford, All Souls College Quadrangle: Twin Towers and Sundial","Photograph","c. 1900","","","I 85 x 130","","","","25","£25","mounted","Print","Oxford","All Souls College","","","","","",""
"1797","","Albany E. Howarth","All Souls College","Etching","c 1925","","","Image and plate 250 x 150 mm","","","Signed in pencil ","150","£150","framed","Print","Oxford","All Souls College","","","","","",""
"1799","","Thomas Malton","West Front of the Principal Quadrangle of All Souls College","Aquatint","Published 1802","","","I 215 x 305 mm","","","With a view of the Radcliffe Camera.","150","£150","mounted","Print","Oxford","All Souls College","","","","","",""
"1802","","Joseph Skelton after Mackenzie","Front of Brazen Nose College &c. ","Engraving with hand colouring","1821","","","I 450 x 345mm","","",".","280","£280","mounted","Print","Oxford","Brasenose College","","","","","",""
"1804","","David Loggan","Collegium Aenei Nasi [Brasenose College]","Copper engraving","1675","","","I 290 x 400","Oxonia Illustrata 1675 First Edition","","The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.","400","£400","","Print","Oxford","Brasenose College","","","","","",""
"1806","","Alfred Slocombe","Magdalen, Oxford","Etching","c. 1910","","","I 120 x 200 mm","","","","50","£50","mounted","Print","Oxford","Magdalen College","","","","","",""
"1807","","William Nicholson","St Johns","Lithograph","1905","","","Image 380 x 278 mm","Oxford","","Signed and blindstamped<br/>Campbell 137<br/><br/>Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).","120","£120","mounted","Print","Oxford","St. John’s College","","","","","",""
"1808","","William Nicholson","Doorway, the old Ashmolean","Lithograph","1905","","","Image 355 x 257 mm","Oxford","","Signed, numbered and blindstamped<br/>Campbell 137<br/><br/>Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).","150","£150","framed","Print","Artists","William Nicholson","","","","","",""
"1816","","R. Havell & Son after James Pollard","A Celebrated Fox Hunt Breaking Cover; The Chase; The Death; Returning Home by Moonlight","Aquatint with hand colouring","London, Published July 1, 1817","",""," I 337 x 460 mm","","","Set of four","1500","£1,500","mounted","Print","Sports","Hunting & Shooting","Hunting<br/>","","","","",""
"1824","","O. Jewitt","All Souls College","Wood engraving","John Parker, H. Slatter and W. Graham. 1834- 1837","","","I 68 x 80 mm","Memorials of Oxford","","","15","£15","mounted","Print","Oxford","All Souls College","","","","","",""
"1826","","O.Jewitt","Iffley Church and Parish","Wood engraving","John Parker, H. Slatter and W. Graham. 1834- 1837","","","I 78 x 111 mm","From the book by Ingram (James) and Le Keux (John) 1834 - 1837 Memorials of Oxford. Plan of Oxford, 100 Steel engravings, by John Le Keux after Fredeirck Mackenzie and 212 Wood-engravings in the text","","","15","£15","mounted","Print","Oxford","Oxford Churches","","","","","",""
"1827","","O. Jewitt","The Church and Parish of St Giles","Wood engraving","John Parker, H. Slatter and W. Graham. 1834- 1837","","","I 78 x 111 mm","From the book by Ingram (James) and Le Keux (John) 1834 - 1837 Memorials of Oxford. Plan of Oxford, 100 Steel engravings, by John Le Keux after Fredeirck Mackenzie and 212 Wood-engravings in the text","","","15","£15","mounted","Print","Oxford","Oxford Churches","","","","","",""
"1829","","O.Jewitt","Queens College","Wood engraving","John Parker, H. Slatter and W. Graham. 1834- 1837","","","I 78 x 111 mm","From the book by Ingram (James) and Le Keux (John) 1834 - 1837 Memorials of Oxford. Plan of Oxford, 100 Steel engravings, by John Le Keux after Fredeirck Mackenzie and 212 Wood-engravings in the text","","","30","£30","framed","Print","Oxford","Queen’s College","","","","","",""
"1833","","O.Jewitt","New College","Wood engraving","John Parker, H. Slatter and W. Graham. 1834- 1837","","","I 100 x 77 mm","From the book by Ingram (James) and Le Keux (John) 1834 - 1837 Memorials of Oxford. Plan of Oxford, 100 Steel engravings, by John Le Keux after Fredeirck Mackenzie and 212 Wood-engravings in the text","","","15","£15","mounted","Print","Oxford","New College","","","","","",""
"1834","","O.Jewitt","St Peters","Wood engraving","John Parker, H. Slatter and W. Graham. 1834- 1837","","","I 100 x 77 mm","From the book by Ingram (James) and Le Keux (John) 1834 - 1837 Memorials of Oxford. Plan of Oxford, 100 Steel engravings, by John Le Keux after Fredeirck Mackenzie and 212 Wood-engravings in the text","","","15","£15","mounted","Print","Oxford","St. Peter’s College","","","","","",""
"1835","","O.Jewitt","The Mill","Wood engraving","John Parker, H. Slatter and W. Graham. 1834- 1837","","","I 100 x 77 mm","From the book by Ingram (James) and Le Keux (John) 1834 - 1837 Memorials of Oxford. Plan of Oxford, 100 Steel engravings, by John Le Keux after Fredeirck Mackenzie and 212 Wood-engravings in the text","","","15","£15","mounted","Print","Oxford","General Views","","","","","",""
"1837","","O. Jewitt","Lincoln College","Wood engraving","John Parker, H. Slatter and W. Graham. 1834- 1837","","","I 100 x 77 mm","From the book by Ingram (James) and Le Keux (John) 1834 - 1837 Memorials of Oxford. Plan of Oxford, 100 Steel engravings, by John Le Keux after Fredeirck Mackenzie and 212 Wood-engravings in the text","","","40","£40","framed","Print","Oxford","Lincoln College","","","","","",""
"1838","","O.Jewitt","View of the Garden","Wood engraving","John Parker, H. Slatter and W. Graham. 1834- 1837","","","Image 65 x 95 mm","From the book by Ingram (James) and Le Keux (John) 1834 - 1837 Memorials of Oxford. Plan of Oxford, 100 Steel engravings, by John Le Keux after Fredeirck Mackenzie and 212 Wood-engravings in the text","","","15","£15","mounted","Print","Oxford","General Views","","","","","",""
"1839","","William Nicholson","The Bodleian Library","Lithograph","1905","","","Image 355 x 280 mm","Oxford","","Signed, blindstamped and numbered<br/>Campbell 137<br/><br/>Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).","150","£150","framed","Print","Artists","William Nicholson","","","","","",""
"1840","","G. Huardel-Bly","[Magdalen College]","Etching","c. 1875","","","Pl & I 137 x 87 mm","","","","40","£40","mounted","Print","Oxford","Magdalen College","","","","","",""
"1841","","William Nicholson","University College","Lithograph","1905","","","Image 345 x 257 mm","Oxford","","Signed, blindstamped and numbered<br/>Campbell 137<br/><br/>Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).","150","£150","framed","Print","Oxford","University College","","","","","",""
"1844","","David Loggan","Collegii Novi [Prospectus interior ad Borem]","Copper engraving","1675","","","I 480 x 270 mm","Oxonia Illustrata 1675 First Edition","","The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.","250","£250","unmounted","Print","Oxford","New College","","","","","",""
"1845","","Stow","Globe - Southwarke","Copper engraving","London, Published 8 May, 1812, by Robert Wilkinson, No 58, Cornhill","","","I 248 x 171 mm","","","","65","£65","unmounted","Print","British Topography","London","","","","","",""
"1846","","Kitchin, Thomas ","A New Map of Warwickshire Drawn from the best Authorities by Tho.s Kitchin Geog.r Engraver to H.R.H. the Duke of York","Copper engraving","1752","","","I 248 x 190 mm"," London Magazine 1747 - 1763   ","","","70","£70","unmounted","Map","English Counties","Warwickshire","","","","","",""
"1847","","Kitchin, Thomas ","Oxfordshire","Copper engraving","1746","","","I 202 x 168 mm","London Magazine 1747 - 1763","","","70","£70","unmounted","Map","English Counties","Oxfordshire","","","","","",""
"1848","","W.B Wallen","The Universitites Boat Race “Are you ready?”","Steel engraving","R Taylor and Co. 1891","","","I 505 x 330","","","","50","£50","unmounted","Print","Sports","Rowing","","","","","",""
"1849","","","Oxford from the Meadows. Oxfordshire","Copper engraving","Drawn and engraved for Dugdales England & Wales Delineated, 1846","","","I 108 x 70 mm","","","","40","£40","mounted","Print","Oxford","General Views","<br/>","","","","",""
"1850","","","A View of All Souls College in Oxford","Copper engraving","c 1800","","","I 186 x 115","","","","15","£15","unmounted","Print","Oxford","All Souls College","","","","","",""
"1851","","","The Town Hall at Abingdon","Steel engraving","London Published by Verner & Hood Poultry Lane 1805","","","I 152 x 104 mm","","","","30","£30","mounted","Print","British Topography","Oxfordshire","","","","","",""
"1853","","Elizabeth Byrne","St Peter’s in the East","Copper engraving","London Published by Vernor Hood & Sharpe, Poultry, Oct 1st 1811","","","I 153 x 102 mm","The Beauties of England and Wales","","","10","£10","unmounted","Print","Oxford","St. Edmund Hall","","","","","",""
"1854","","Heath","Rycot, the Seat of the Earl of Abingdon","Copper engraving","c 1800","","","Image 164 x 98 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1856","","Walker","Whitefield, Oxfordshire","Copper engraving","Published September 1st 1794 by J. Walker  No. 16 Rosomans Street London","","","I 162 x 104 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1857","","Godfrey","Chapel at Stanton Harcourt, Oxfordshire","Copper engraving","Pub. 7. March 1785 by S Hooper","","","I 152 x 110 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1858","","Woolnoth","Blandford House","Copper engraving","London Published John Harris .St Pauls Church Yard Dec  1 1814","","","I 150 x 100 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1859","","Sparrow","Beaumont Palace, Oxfordshire","Copper engraving","Pub. 7. March 1785 by S. Hooper","","","I 151 x 106 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1860","","Matthews","Greys Court, Oxfordshire","Copper engraving","London, Published John Harris, St Pauls ChurchYard Oct 1 1813 ","","","I 150 x 102 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1861","","Owen after Wilson","Nuneham Courtenay","Copper engraving with hand colouring","London Published by Vernor Hood & Sharpe, Poultry 1 Oct. 1811","","","I 150 x 100 mm","","","","25","£25","mounted","Print","British Topography","Oxfordshire","","","","","",""
"1862","","C. Davies","Grand Entrance Hall Blenheim","Copper engraving","Pubd by Henry Slatter, Oxford","","","I 128 x 92 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1864","","","Friar Bacon’s Study, Oxford","Copper engraving","Pub. 7. March by S. Hooper","","","I 154 x 103 mm","","","","30","£30","unmounted","Print","Oxford","General Views","","","","","",""
"1865","","Godfrey","Banbury Church","Copper engraving","Pub. 7 March 1785 by S. Hooper","","","I 153 x 110 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1866","","Elizabeth Byrne","Christ Church Cathedral","Copper engraving","London Published by Vernor Hood & Sharpe, Poultry, Sept 1 1811","","","I 152 x 100 mm","","","","10","£10","unmounted","Print","Oxford","Christ Church College","","","","","",""
"1867","","","Wadham College","Copper engraving","","","","I 113 x 81 mm","J & H Storer","","","20","£20","unmounted","Print","Oxford","Wadham College","","","","","",""
"1870","","J. Greig","Christ Church from Corpus Christi Gardens","Copper engraving","Collingwood and Co. For J. Cooke and J. Parker, Oxford; and Messrs. Longman, Hurst, Rees, and Orme, London 1810","","","I 130 x 82 mm","A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A <br/>Illustrated by a series of engravers","","","15","£15","unmounted","Print","Oxford","Christ Church College","","","","","",""
"1871","","J. Greig","Magdalen College Chapel","Copper engraving","Collingwood and Co. For J. Cooke and J. Parker, Oxford; and Messrs. Longman, Hurst, Rees, and Orme, London 1810","","","I 113 x 96 mm","A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A <br/>Illustrated by a series of engravers","","","30","£30","unmounted","Print","Oxford","Magdalen College","","","","","",""
"1872","","J. P. Neale","Saint Mary Magdalen’s Church","Copper engraving","London Published by John Harris, St Pauls Church Yard Dec. 1 1814","","","I 156 x 102 mm","Beauties of England and Wales","","","10","£10","unmounted","Print","Oxford","Oxford Churches","","","","","",""
"1873","","J. Storer","Merton College Chapel","Copper engraving","London Published by Vernor, Hood & Sharpe, Poultry June1 1808","","","I 152 x 103 mm","Storer","","","10","£10","unmounted","Print","Oxford","Merton College","","","","","",""
"1874","","Woolnoth","Shiplake Church & Parsonage","Copper engraving","London Published by John Harris St Pauls Church Yard Feb 1 1813","","","I 149 x 105 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1875","","Eastgate","Stanton Harcourt, Oxfordshire","Copper engraving","","","","I 162 x 100 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1876","","Stannard & Dixon","Broughton Castle","Lithograph","","","","I 173 x 108 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1878","","J. Storer","Stowe","Copper engraving","London Published by Vernor & Hood, Poultry July 1st 1801","","","I 153 x 98 mm","","","","30","£30","unmounted","Print","British Topography","Buckinghamshire","","","","","",""
"1879","","Hay after J.P. Neal","Henley on Thames","Copper engraving","London Published by John Harris St Pauls Church Yard Sept 1 1812","","","I 144 x 100 mm","Beauties of England and Wales","","","35","£35","mounted","Print","British Topography","Oxfordshire","","","","","",""
"1881","","Hay after J.P.Neale","Henley Bridge ","Copper engraving with hand colouring","London Published by John Harris St Pauls Church Yard August 1st 1813","","","I 145 x 100 mm","","","","30","£30","mounted","Print","British Topography","Oxfordshire","","","","","",""
"1885","","Woolnoth","Magdalen College","Copper engraving","London Published by John Harris St Pauls Church Yard May 1 1813","","","I 152 x 100 mm","","","","35","£35","unmounted","Print","Oxford","Magdalen College","","","","","",""
"1886","","Wise","Nuneham Church & Cross","Copper engraving","London Published by John Harris St Pauls Church Yard Oct 3 1814","","","","","","","30","£30","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1888","","J. C. Stadler after F. Mackenzie","Library of Christ Church","Aquatint with hand colouring","London Pub. Decr. 1 1814 at 1010 Strand for R. Ackermann’s History of Oxford","","","I 205 x 265","Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.","","","100","£100","mounted","Print","Oxford","Christ Church College","","","","","",""
"1889","","William Williams","Collegium Corporis Christi [Corpus Christi College, aerial view]","Copper engraving","c. 1732","","","I 375 x 550 mm","","","","400","£400","framed","Print","Oxford","Corpus Christi College","","","","","",""
"1891","","David Loggan","Collegium Omnium Animarum [All Souls College]","Copper engraving","1675","","","I 290 x 400 mm","Oxonia Illustrata 1675 First Edition","","The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.","140","£140","mounted","Print","Oxford","All Souls College","","","","","",""
"1892","","Nathaniel Whittock","All Souls College Oxford","Lithograph","c. 1820","","","I 230 x 340","","","","70","£70","mounted","Print","Oxford","All Souls College","","","","","",""
"1895","","William Williams","Collegium Corporis Christi [Corpus Christi College, plan]","Copper engraving","1733","","","I 450 x 385 mm","","","","100","£100","framed","Print","Oxford","Corpus Christi College","","","","","",""
"1898","","Walker, C. & J.","Oxfordshire","Steel engraving","Drawn and Engraved for Lewis Topographical Dictionary. c. 1836","","","I 190 x 240 mm","","","f ","45","£45","mounted","Map","English Counties","Oxfordshire","","","","","",""
"1899","","Middiman","Heythorpe, in Oxfordshire, the seat of the Earl of Shrewsbury","Copper engraving","Published as the Act directs, June 1 1787 by Harrison & Co. No. 18 Paternoster Row London","","","I 169 x 103 mm","","","","15","£15","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1900","","B. Howlett","St Marys Church, Iffley","Copper engraving","London, Published by Vernor & Hood Poultry Nov 1 1803","","","I 162 x 98 mm","","","","15","£15","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1901","","Metcalf","Broughton Castle","Copper engraving","","","","I 102 x 92 mm","","","","15","£15","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1902","","Birrel","Horden House in Oxfordshire the seat of Mrs Harwood","Copper engraving","","","","I 164 x 103 mm","","","","15","£15","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1904","","F. Vivares","Kenilworth Castle","Copper engraving with hand colouring","18th century","","","I 525 x 360 mm","","","","150","£150","unmounted","Print","British Topography","Warwickshire","","","","","",""
"1905","","Smith, C","A New Map of the County of Oxford","Copper engraving with hand colouring","Printed for C. Smith No.172 Strand January 6th 1804","","","I 555 x 450 mm","","","","180","£180","mounted","Map","English Counties","Oxfordshire","","","","","",""
"1908","","David Loggan","Collegium Corporis Christi [Corpus Christi College]","Copper engraving","1675","","","I 400 x 292 mm","Oxonia Illustrata 1675 First Edition","","The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.","190","£190","unmounted","Print","Oxford","Corpus Christi College","","","","","",""
"1910","","W. Cooke","Nuneham Courtenay, Earl Harcourt","Copper engraving","","","","I 195 x 114 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1913","","","Henley, Oxon","Steel engraving","London Published by Tombleson & Co. 11 Paternoster Row [circa 1830]","","","I 150 x 105 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1914","","","Ryecot House, Oxfordshire","Copper engraving","Publisjed by J. Sewell Decr. 1 1799","","","I 148 x 95 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1915","","G. Hollis","St Bartholomews Hospital, Oxford","Steel engraving","Gent. Mag June 1833 ","","","I 151 x 86 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1920","","I.C Varrall","Wantage, Berks","Copper engraving","Published for the Proprietors Sept 1 1816 by W Clarke New Bond Street","","","I 88 x 59 mm","","","","20","£20","unmounted","Print","British Topography","Berkshire","","","","","",""
"1922","","Angus","North View of Blenheim the Seat of the Duke of Marlborough","Copper engraving","Published as the Act directs by Harrison & Co. Aug 1 1783","","","I 168 x 90 mm","","","","40","£40","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1927","","Michael Burgers","[Radcliffe Camera]","Copper engraving","","","","I 80 x 49 mm","","","","25","£25","unmounted","Print","Oxford","Sheldonian Theatre","","","","","",""
"1928","","Nattes","[Radcliffe Camera]","Aquatint","","","","I 214 x 128 mm","","","","35","£35","unmounted","Print","Oxford","Radcliffe Camera","","","","","",""
"1930","","J. Storer","St Peters’ Church Oxford","Copper engraving","Published for the Proprietors Wm Clark Bond Street Nov 1 1807","","","I 85 x 67 mm","","","","30","£30","unmounted","Print","Oxford","Oxford Churches","","","","","",""
"1931","","J. Greig","Trinity College from the Garden","Copper engraving","Published by Cook & Parker, Oxford  - Longman, Hurst, Rees and Orme London March 1 1810","","","I 112 x 80 mm","A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A <br/>Illustrated by a series of engravers","","","35","£35","unmounted","Print","Oxford","Trinity College","","","","","",""
"1932","","T. Nelson & Sons","Barges on the Isis_Oxford","Chromolithograph","1889","","","I 79 x 122 mm, S 95 x 146 mm","The City of Oxford","","","35","£35","mounted","Print","Oxford","General Views","","","","","",""
"1933","","J. Greig","Part of University College","Copper engraving","Published by Cook & Parker, Oxford  - Longman, Hurst, Rees and Orme London March 1 1810","","","I 112 x 80 mm","A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A <br/>Illustrated by a series of engravers","","","30","£30","unmounted","Print","Oxford","University College","","","","","",""
"1935","","J. Greig","Radcliffe Library from All Souls","Copper engraving","Published by Cook & Parker, Oxford  - Longman, Hurst, Rees and Orme London March 1 1810","","","Image 112 x 80 mm","A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A <br/>Illustrated by a series of engravers","","","30","£30","mounted","Print","Oxford","Radcliffe Camera","","","","","",""
"1936","","Godfrey","Oxford Castle","Copper engraving","Pub 7 March 1785 by S Hooper","","","I 154 x 102 mm","","","","30","£30","unmounted","Print","Oxford","Oxford Castle","","","","","",""
"1939","","Ahaim Smith","Oxford Castle","Copper engraving","","","","Image 232 x 172 mm","","","Condition: Trimmed within plate at bottom.","35","£35","unmounted","Print","Oxford","Oxford Castle","","","","","",""
"1940","","T Medland","South East or Garden Front of Stowe House ","Copper engraving","Published July 17 1797 by J Seely Buckingham","","","Image 206 x 137 mm","","","","40","£40","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1941","","T. Nelson & Sons","Chapel and Library, Magdalen College_Oxford","Chromolithograph","1889","","","I 79 x 122 mm, S 95 x 146 mm","The City of Oxford","","","30","£30","","Print","Oxford","Magdalen College","","","","","",""
"1942","","R Roffe","Oxford","Copper engraving","London Published by Vernor & Hood Poultry May 1 1804 ","","","I 143 x 98 mm","","","","50","£50","unmounted","Print","Oxford","General Views","","","","","",""
"1943","","J. Storer","Merton College Chapel","Copper engraving","London Published by Vernor & Hood & Sharpe Poultry Dec 1st 1806 ","","","I 152 x 103 mm","","","","20","£20","unmounted","Print","Oxford","Merton College","","","","","",""
"1946","","T. Nelson & Sons","New College_Oxford","Chromolithograph","1889","","","I 79 x 122 mm, S 95 x 146 mm","The City of Oxford","","","30","£30","","Print","Oxford","New College","","","","","",""
"1947","","T. Nelson & Sons","Merton College-Oxford","Chromolithograph","1889","","","I 79 x 122 mm, S 95 x 146 mm","The City of Oxford","","","35","£35","","Print","Oxford","Merton College","","","","","",""
"1950","","T. Nelson and Sons","St John’s College_Oxford","Chromolithograph","1889","","","I 79 x 122 mm, S 95 x 146 mm","The City of Oxford","","Full colour. ","30","£30","mounted","Print","Oxford","St. John’s College","","","","","",""
"1953","","T. Nelson and Sons","Magdalen from the Bridge_Oxford","Chromolithograph","1889","","","I 79 x 122 mm, S 95 x 146 mm","The City of Oxford","","Full colour. ","40","£40","mounted","Print","Oxford","Magdalen College","<br/>","","","","",""
"1958","","","View of Oxford, From the South East ","Copper engraving","circa 1840","","","I 84 x 164 mm, S 119 x 215 mm ","","","","45","£45","","Print","Oxford","General Views","<br/>","","","","",""
"1959","","","Wadham College, Oxford","Copper engraving","Rock & Co, London","","","I 57 x 93 mm, S 91 x 113 mm","","","Decorative stationery header. ","30","£30","","Print","Oxford","Wadham College","","","","","",""
"1963","","Joseph Skelton","St Mary’s Church, The Radcliffe Library","Copper engraving","Published as the Acts March 2 1818 by J. Skelton St. Aldates, Oxford","","","I 240 x 186 mm","Oxonia Antiqua Restaurata by Joseph Skelton","","Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.","40","£40","mounted","Print","Oxford","Oxford Churches","","","","","",""
"1965","","Wyld, James ","Western Hemisphere & Eastern Hemisphere","Steel Engraving","London Published by James Wyld. Geographer to His Majesty No.5 Charing Cross. circa 1838","","","I 315 x 250 mm","","","","140","£140","unmounted","Map","World Maps & Sea Charts","","","","","","",""
"1971","","Wm. Byrne after T Hearne","The North Side of Wallingford Bridge","Copper engraving","","","","I 217 x 152 mm","","","","30","£30","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1973","","Eastgate","Stanton Harcourt, Oxfordshire","Copper engraving","","","","I 162 x 95 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1979","","J Fittler A.R.A and J. Skelton","North East View of Broughton Castle, Oxon","Copper engraving","Published as the Act directs, Decr. 1 1825 by J. Skelton, Magdalen Bridge, Oxford","","","Image 275 x 201 mm","","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1983","","","Off the Cape in 40 (degrees) South","Lithograph","","","","I 235 x 172 mm","","","","35","£35","unmounted","Print","Foreign Topography","Africa","South Africa<br/>","","","","",""
"1989","","Rooker","Quebec the Capital of Canada from the North East","Copper engraving","Engraved for Payne’s New System of Geography 1791","","","I 252 x 175 mm","","","","30","£30","mounted","Print","Foreign Topography","North America","Canada<br/>","","","","",""
"1992","","","The Pyramids of Egypt","Copper engraving","","","","I 350 x 138 mm","","","","20","£20","unmounted","Print","Foreign Topography","Africa","Egypt<br/>","","","","",""
"1993","","J. Schroeder","Moscou (Russie)","Steel engraving","Publie par Dufour, Mulat et Boulanger","","","I 150 x 103 mm","","","","15","£15","unmounted","Print","Foreign Topography","Russia","","","","","",""
"1995","","Rapkin, J. ","Egypt and Arabia Petrea","Steel engraving","Tallis","","","I 335 x 244 mm","","","","60","£60","unmounted","Map","Asia & Middle East","","","","","","",""
"1996","","David Loggan","[Sheldonian Theater, Two Views]","Copper engraving","Sold by Henry Overton at ye White Horse without Newgate London, 1724","",""," I 370 x 530 mm, Pl 402 x 507 mm each","From Kip’s Nouveau theatre de la Grande Bretagne: ou Description exacte des palais de la reine, et des maisons les plus considerables des seigneurs & des gentilshommes de la Grande Bretagne, etc. ","","Another version of Loggan’s views of the Sheldonian Theatre from 1675.  These differ in that they are slighty larger.","1250","£1,250","mounted","Print","Oxford","Sheldonian Theatre","","","","","",""
"1997","","J. Woods","Limehouse Church","Steel engraving","","","","I 146 x 107 mm","","","","10","£10","unmounted","Print","British Topography","London","","","","","",""
"1999","","William Williams","Collegium Novum [New College]","Copper engraving","1750","","","I 560 x 431 mm","Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 1732-33","","Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. ","400","£400","mounted","Print","Oxford","New College","","","","","",""
"2001","","David Loggan","Collegium Novum [New College]","Copper engraving","1675","","","I 356 x 444","Oxonia Illustrata 1675 First Edition","","The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.","400","£400","unmounted","Print","Oxford","New College","","","","","",""
"2002","","J.H Le Keux","The New Chapel, Balliol College","Steel engraving with hand colouring","Published by J.H Parker, Oxford Nov 1st 1858","","","I 342 x 250 ","Oxford Almanack for the year of our Lord God 1859 <br/>Printed at the University Press by James Wright and Published by J.H Parker Oxford and E. B Gardner, Paternoster Row, London","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","100","£100","mounted","Print","Oxford","Balliol College","<br/><br/>","","","","",""
"2004","","J.H Le Keux","New Hall of Pembroke College","Steel engraving","Published by J.H Parker, Oxford Nov 1st 1857","","","I 349 x 260 mm","Oxford Almanack for the year of our Lord God 1858<br/>Printed at the University Press by James Wright and Published by J.H Parker Oxford and E.B Gardner Paternoster Row, London","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853.","150","£150","mounted","Print","Oxford","Pembroke College","<br/><br/>","","","","",""
"2005","","Birkin Haward","St Cross College, Kirby Old School ","Lithograph","Printed at the University Press, Oxford, by Vivian Ridler, Printer to the University and published by the Oxford University Press, Walton Street, Oxford OX2 8DP","","","I 478 x 314 mm","The Oxford Almanack for the Year of our Lord God 1977","","","60","£60","unmounted","Print","Oxford","St. Cross College","","","","","",""
"2006","","Clare Roberts","The Botanic Garden","Lithograph","Printed at the University Press, Oxford, by Eric Buckley Printer to the University and Published by the Oxford University Press, Walton Street, Oxford OX2 6DP","","","I 403 x 286 mm","The Oxford Almanack for the Year of our God 1979","","","60","£60","unmounted","Print","Oxford","Botanic Garden","","","","","",""
"2009","","James Basire after H. O’Neill","Magdalen Tower and Grove from Christchurch Meadow","Copper Engraving","circa 1812","","","I 450 x 310 mm","","","","60","£60","mounted","Print","Oxford","Magdalen College","","","","","",""
"2010","","Joseph Skelton after C Wild","Library of All Souls College","Copper engraving","Published circa 1829","","","I 445 x 317 mm","Oxonia Antiqua Restaurata by Joseph Skelton","","Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.<br/>","70","£70","mounted","Print","Oxford","All Souls College","","","","","",""
"2011","","Jonathan Pike","Tom Tower and the Radcliffe Camera","Lithograph from a watercolour","","","","I 449 x 324 mm","","","","30","£30","unmounted","Print","Oxford","Radcliffe Camera","","","","","",""
"2018","","J. Le Keux after F. Mackenzie","West Front of Oriel College","Steel engraving","Published Feb. 1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 95 x 137 mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","45","£45","mounted","Print","Oxford","Oriel College","","","","","",""
"2021","","J. Le Keux after F. Mackenzie","West Front of Christ Church","Steel engraving","Published Feb. 1,1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 150 x 112 mm","From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","50","£50","mounted","Print","Oxford","Christ Church College","<br/>","","","","",""
"2025","","W. Gauci after Delamotte","St. Johns College Garden Front","Lithograph","Published c. 1840","","","I 350 x 250 mm","Original Views of Oxford, its Colleges, Chapels and Gardens from drawings expressly for this work by William Alfred Delamotte. Executed in Lithography by William Gauci, with Historical and Descrpitive notices by Charles Ollier. London: Thomas Boy. 1843","","","120","£120","mounted","Print","Oxford","St. John’s College","","","","","",""
"2027","","William Williams","Aula Cervina, Collegium Hertfordiense [Hertford College]","Copper engraving","1750","","","I 444 x 355 mm","Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 1732-33","","Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. ","200","£200","mounted","Print","Oxford","Hertford College","","","","","",""
"2028","","David Loggan","Collegium B Mariae Winton","Copper engraving","1675","","","I 452 x 400 mm","Oxonia Illustrata 1675 First Edition","","The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.","650","£650","mounted","Print","British Topography","Hampshire","","","","","",""
"2029","","J. Donowell","A View of the Conduit part of Carfax Church ...","Copper engraving with hand colouring","Published according to Act of Parliment Feb. 1755 & Sold by John Finney at the Golden Lion in Fleet Street, London","","","I 442 x 266 mm","","","","250","£250","mounted","Print","Oxford","General Views","","","","","",""
"2030","","Joseph Skelton after Mackenzie","Merton College Chapel from the Grove","Copper engraving","1818","","","I 448 x 317 mm","Oxonia Antiqua Restaurata by Joseph Skelton","","Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.","180","£180","mounted","Print","Oxford","Merton College","","","","","",""
"2033","","Joseph Skelton","Ancient Castle Tower & C.","Copper engraving with hand colouring","Published as the Act directs June 1 1818 by J. Skelton St. Aldates Oxford","","","","Oxonia Antiqua Restaurata by Joseph Skelton","","Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.","45","£45","mounted","Print","Oxford","General Views","","","","","",""
"2034","","W. Radclyffe after F. Mackenzie ","St Alban Hall","Copper engraving","Published by J Parker Oxford Nov 1st 1850","","","I 366 x 223 mm","","","","120","£120","mounted","Print","Oxford","Merton College","","","","","",""
"2038","","Jefferys, Thomas","An Accurate Map of the County of Warwick Divided into Hundreds...","Copper engraving with hand colouring","c. 1750","","","620 x 495 mm","Large English Atlas","","One of  a series of large scale county produced by Emanuel Bowen and Thomas Kitchin, who each did some counties, published by John Hinton, King's Arms, St Paul's Churchyard, London, from 1749 to 1760.  The maps have a distinctive style; a large elaborate title cartouche with scenes and figures, a vignette scene, and historical descriptive text filling blank spaces.","500","£500","framed","Map","English Counties","Warwickshire","","","","","",""
"2047","","J. Le Keux ","The Great Quadrangle, Christ Church","Steel engraving","Published Jany. 1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 100 x 157 mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","40","£40","mounted","Print","Oxford","Christ Church College","","","","","",""
"2049","","Pieter van der Aa after David Loggan","Le College de Toutes Les Ames","Copper engraving","1707","","","I 130 x 165 mm","La Delices de la Grande Bretagne et de L’Irlande","","La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. ","40","£40","unmounted","Print","Oxford","All Souls College","","","","","",""
"2050","","Pieter van der Aa after David Loggan","Eglise Paroissiale d’Ambresdon","Copper engraving","1707","","","I 130 x 165 mm","La Delices de la Grande Bretagne et de L’Irlande","","La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. ","40","£40","mounted","Print","Oxford","Oxford Churches","","","","","",""
"2051","","Pieter van der Aa after David Loggan","Rycott in the County of Oxford","Copper engraving","1707","","","I 121 x 157 mm","La Delices de la Grande Bretagne et de L’Irlande","","La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. ","40","£40","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"2055","","Van der Aa after David Loggan","Les Auditoires Publics de l’Universite d’Oxford","Copper engraving","1707","","","I 121 x 157 mm","La Delices de la Grande Bretagne et de L’Irlande","","La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. ","45","£45","unmounted","Print","Oxford","Bodleian Library","","","","","",""
"2056","","Pieter van der Aa after David Loggan","Le College de Jesus","Copper engraving","1707","","","166 x 132 mm","La Delices de la Grande Bretagne et de L’Irlande","","La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. ","45","£45","mounted","Print","Oxford","Jesus College","","","","","",""
"2057","","Pieter van der Aa after David Loggan","Le College de Lincoln","Copper engraving","1707","","","166 x 132 mm","La Delices de la Grande Bretagne et de L’Irlande","","La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. ","45","£45","mounted","Print","Oxford","Lincoln College","","","","","",""
"2059","","Pieter van der Aa after David Loggan","Le College de la Trinite","Copper engraving","1707","","","I 130 x 165 mm","La Delices de la Grande Bretagne et de L’Irlande","","La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. ","45","£45","unmounted","Print","Oxford","Trinity College","","","","","",""
"2060","","Pieter van der Aa after David Loggan","La College de S. Jean Baptiste [St. John’s College]","Copper engraving","1707","","","I 130 x 165 mm","La Delices de la Grande Bretagne et de L’Irlande","","La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. ","45","£45","unmounted","Print","Oxford","St. John’s College","","","","","",""
"2061","","Pieter van der Aa after David Loggan","Le College de Wadham","Copper engraving","1707","","","166 x 132 mm","La Delices de la Grande Bretagne et de L’Irlande","","LLa Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. ","45","£45","unmounted","Print","Oxford","Wadham College","","","","","",""
"2064","","Pieter van der Aa after David Loggan","Le College d’Oriel","Copper engraving","1707","","","I 121 x 157 mm","La Delices de la Grande Bretagne et de L’Irlande","","La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. ","45","£45","mounted","Print","Oxford","Oriel College","","","","","",""
"2065","","Pigot, James","Norfolk.","Steel engraving with hand colouring","Published by Pigot & Co. 59 Fleet Street London & Fountain St. Manchester, 1831 ","","","223 x 358 mm","From Pigot & Co’s British Atlas","","Pigot & Son produced a very finely engraved series of oblong county maps for theur various National Commercial Directoris and these were issued  collectively as Pigot & Co’s British Atlas in 1831","75","£75","mounted","Map","English Counties","Norfolk","","","","","",""
"2066","","Pieter van der Aa after David Loggan","Le College d’Edmund-Hall a Oxford","Copper engraving","1707","","","I 121 x 157 mm","La Delices de la Grande Bretagne et de L’Irlande","","La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. ","45","£45","mounted","Print","Oxford","St. Edmund Hall","","","","","",""
"2067","","J. Ryland","The South East View of Oxford","Copper engraving","circa 1765","","","Image 109 x 185 mm","","","","65","£65","framed","Print","Oxford","General Views","","","","","",""
"2070","","Pigot, James ","Suffolk.","Steel engraving with hand colouring","Published by Pigot & Co. 59 Fleet Street London & 18 Fountain St. Manchester, 1831 ","","","222 x 352 mm ","From Pigot & Co’s British Atlas","","Pigot & Son produced a very finely engraved series of oblong county maps for theur various National Commercial Directoris and these were issued  collectively as Pigot & Co’s British Atlas in 1831","70","£70","mounted","Map","English Counties","Suffolk","","","","","",""
"2071","","Pigot, James","Oxfordshire.","Steel engraving with hand colouring","Published by Pigot & Co. 17 Basing Lane London & 18 Fountain St. Manchester, 1831 ","","","352 x 220 mm ","From Pigot & Co’s British Atlas","","Pigot & Son produced a very finely engraved series of oblong county maps for theur various National Commercial Directoris and these were issued  collectively as Pigot & Co’s British Atlas in 1831","90","£90","mounted","Map","English Counties","Oxfordshire","","","","","",""
"2072","","Nelson and Sons","St John’s College Oxford","Chromolithograph","1889","","","I 76 x 122 mm","The City of Oxford","","","30","£30","mounted","Print","Oxford","St. John’s College","","","","","",""
"2073","","Nelson and Sons","Pembroke College","Chromolithograph","circa 1860","","","I 76 x 122 mm","The City of Oxford","","","30","£30","mounted","Print","Oxford","Pembroke College","","","","","",""
"2074","","Nelson and Sons","Magdalen College Oxford","Chromolithograph","circa 1860","","","I 76 x 122 mm","The City of Oxford","","","30","£30","unmounted","Print","Oxford","Magdalen College","","","","","",""
"2075","","Nelson and Sons","St. Johns College, Oxford","Chromolithograph","circa 1860","","","I 76 x 122 mm","The City of Oxford","","","30","£30","unmounted","Print","Oxford","St. John’s College","","","","","",""
"2077","","Nelson and Sons","Merton College Oxford","Chromolithograph","circa 1860","","","I 76 x 122 mm","The City of Oxford","","","30","£30","unmounted","Print","Oxford","Merton College","","","","","",""
"2081","","Nelson and Sons","Broad Street, Oxford","Chromolithograph","circa 1860","","","I 76 x 122 mm","The City of Oxford","","","30","£30","unmounted","Print","Oxford","Broad Street Views","","","","","",""
"2085","","J.C. Stadler after J. Faringdon","Stanton Harcourt","Aquatint with hand colouring","Pub. June 1 1793 by J & J Boydell Shakespeare Gallery Pall Mall & No. 90 Cheapside","","","","A History of the River Thames","","John Boydell (1719-1804) was a successful and influential printseller and engraver. Boydell's Shakespeare Gallery is credited with changing the course of English painting by creating a market for historical and literary works. He also encouraged the development of engraving in England with, among other things, his prints illustrating scenes from Shakespearean plays. In 1773, his nephew Josiah Boydell (1752-1817) became his business partner and later his successor, trading as J. & J. Boydell. ","100","£100","","Print","British Topography","Oxfordshire","","","","","",""
"2086","","Rocque, J. ","Northumberland","Copper engraving with hand colouring","1769","","","193 x 152 mm","","","","48","£48","mounted","Map","English Counties","Northumberland","","","","","",""
"2088","","John Boydell","An East Prospect of the City of Oxford","Copper engraving","Published According to act of parliament by John Boydell engraver at the Unicorn the corner of Queen Street Cheapside London 1751. Price 1 shilling.","","","Image 244 x 425 mm","","","","550","£550","mounted","Print","Oxford","General Views","","","","","",""
"2089","","John Boydell","A South Prospect of the City of Oxford","Copper engraving","Published According to act of parliament by John Boydell engraver at the Unicorn the corner of Queen Street Cheapside London 1751. Price 1 shilling.","","","Image 244 x 425 mm","","","","550","£550","mounted","Print","Oxford","General Views","","","","","",""
"2094","","Nathaniel Whittock","Christchurch Library","Lithograph","1829","","","I 211 x 160 mm","The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford","","Can also be from A Topographical and Historical Description of the University and City of Oxford also by Whittock ","45","£45","mounted","Print","Oxford","Christ Church College","","","","","",""
"2095","","Nathaniel Whittock","All Souls College","Lithograph","1829","","","I 211 x 160 mm","The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford","","Can also be from A Topographical and Historical Description of the University and City of Oxford also by Whittock ","45","£45","unmounted","Print","Oxford","All Souls College","","","","","",""
"2096","","Nathaniel Whittock","New Magdalen Hall","Lithograph","1829","","","I 211 x 160 mm","The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford","","Can also be from A Topographical and Historical Description of the University and City of Oxford also by Whittock ","45","£45","mounted","Print","Oxford","Hertford College","","","","","",""
"2103","","Nathaniel Whittock","St Bartholomew’s Chapel","Lithograph","1829","","","I 211 x 160 mm","The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford","","Can also be from A Topographical and Historical Description of the University and City of Oxford also by Whittock ","45","£45","mounted","Print","Oxford","Oxford Churches","","","","","",""
"2104","","Nathaniel Whittock","St Mary’s Church","Lithograph","1829","","","I 211 x 160 mm","The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford","","Can also be from A Topographical and Historical Description of the University and City of Oxford also by Whittock ","45","£45","mounted","Print","Oxford","Oxford Churches","","","","","",""
"2107","","N. Whittock","Balliol College","Lithograph with hand colouring","Published Oxford, c. 1839","","","I 200 x 150","From The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford","","","95","£95","mounted","Print","Oxford","Balliol College","","","","","",""
"2113","","David Loggan","Theatri Sheldoniani [Sheldonian Theatre]","Copper engraving","1675","","","I 340 x 440","Oxonia Illustrata 1675 First Edition","","The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.","250","£250","mounted","Print","Oxford","Sheldonian Theatre","","","","","",""
"2114","","David Loggan","The inside of the Divinite Schoole in Oxford begun by the University A.D. 1427 and afterward finished by Humphrey Duke of Glocester [Divinity Schools]","Copper engraving","1675","","","Image 320 x 400","Oxonia Illustrata 1675 First Edition","","The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.","150","£150","unmounted","Print","Oxford","Bodleian Library","","","","","",""
"2115","","David Loggan","Hortus Botanicus, The Phisick Garden in Oxon [Botanical Gardens]","Copper engraving","1675","","","Image 405 x 495 mm, Plate 406 x 498 mm, Sheet 430 x 560 mm","Oxonia Illustrata 1675 First Edition","","The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.","350","£350","unmounted","Print","Oxford","Botanic Garden","","","","","",""
"2116","","David Loggan","Hortus Botanicus, The Phisick Garden in Oxon [Botanical Gardens]","Copper engraving","1710","","","I 405 x 495","Oxonia Illustrata","","Overton edition","275","£275","unmounted","Print","Oxford","Botanic Garden","","","","","",""
"2117","","David Loggan","Aula Beatae Mariae Virginis","Copper engraving","1675","","","I 210 x 340","Oxonia Illustrata 1675 First Edition","","The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.","50","£50","unmounted","Print","Oxford","General Views","","","","","",""
"2120","","David Loggan","Aula Beatae Mariae Magdalenae","Copper engraving","1710","","","I 210 x 340","Oxonia Illustrata, Overton Edition","","","60","£60","unmounted","Print","Oxford","Magdalen College","","","","","",""
"2126","","David Loggan","Aula S. Albani [St. Alban Hall]","Copper engraving","1675","","","Pl. 350 x 240 mm","Oxonia Illustrata 1675 First Edition","","The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.","80","£80","unmounted","Print","Oxford","Merton College","","","","","",""
"2127","","David Loggan","Collegium Jesu [Jesus College]","Copper engraving","1675","","","Pl. 405 x 300 mm","Oxonia Illustrata 1675 First Edition","","The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.","320","£320","unmounted","Print","Oxford","Jesus College","","","","","",""
"2128","","David Loggan","Collegium Orielense [Oriel College]","Copper engraving","1675","","","Pl. 405 x 300 mm","Oxonia Illustrata 1675 First Edition","","The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.","420","£420","unmounted","Print","Oxford","Oriel College","","","","","",""
"2129","","David Loggan","Collegium Reginense [Queen’s College]","Copper engraving","1675","","","Pl. 400 x 290 mm","Oxonia Illustrata 1675 First Edition","","The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.","180","£180","mounted","Print","Oxford","Queen’s College","","","","","",""
"2130","","David Loggan","Aedificium Cantuariense [St. John’s College Quad]","Copper engraving","1675","","","Pl. 400 x 290 mm","Oxonia Illustrata 1675 First Edition","","The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.","300","£300","unmounted","Print","Oxford","St. John’s College","","","","","",""
"2131","","David Loggan","Collegium S. Trinitatis [Trinity College]","Copper engraving","1675","","","Pl. 410 x 320 mm","Oxonia Illustrata 1675 First Edition","","The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.","390","£390","unmounted","Print","Oxford","Trinity College","","","","","",""
"2132","","David Loggan","Aula St. Edmundi [St. Edmund Hall]","Copper engraving","1675","","","Pl. 410 x 320 mm","Oxonia Illustrata 1675 First Edition","","The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.","200","£200","mounted","Print","Oxford","St. Edmund Hall","","","","","",""
"2133","","David Loggan","Collegium Universitatis [University College]","Copper engraving","1675","","","I 295 x 395","Oxonia Illustrata 1675 First Edition","","The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.","490","£490","unmounted","Print","Oxford","University College","","","","","",""
"2134","","David Loggan","Collegium Pembrochianum [Pembroke College]","Copper engraving","1675","","","I 270 x 410","Oxonia Illustrata 1675 First Edition","","The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.","450","£450","mounted","Print","Oxford","Pembroke College","","","","","",""
"2138","","","The Oxford and Cambridge Boat Race","Lithograph with hand colouring","Published by S. Lipschitz 84 Brushfield Street Bishopgate London, c. 1871","","","I 445 x 595 mm","","","","1000","£1,000","framed","Print","Sports","Rowing","Rowing<br/>","","","","",""
"2139","","","A French Lady on Horseback in the fashionable stile of Riding in the Long Champs & Elisee at Paris.","","1807","","","","La Belle Assemblee ot Bell’s Court Fashionable Magazine for March 1807","","","45","£45","framed","Print","General Interest","Fashion","","","","","",""
"2141","","B. Cole after E. Hoppus","Architectural Print","Copper engraving","Published : London : Printed for Benjn. Cole engraver the corner of Kings-Head-court, near Fetter-lane, Holbourn, & John Wilcox opposite the New church in the Strand, 1736","","","","From Andrea Palladio's Architecture in four books ... : The whole containing 226 [i.e., 222] folio copper plates / containing a dissertation on the five orders & ye most necessary observations relating to all kinds of building ... ; Carefully revis'd and redelineated by Edwd. Hoppus... and embellished w.th a large variety of chimney pieces collected from the works of Inigo Jones & others. Published : London : Printed for Benjn. Cole engraver the corner of Kings-Head-court, near Fetter-lane, Holbourn, & John Wilcox opposite the New church in the Strand, 1736","","","10","£10","unmounted","Print","General Interest","Architecture","","","","","",""
"2146","","Unknown engraver","The Arethufa Frigate scudding under Foresail in a STORM, with a View of PLYMOUTH and Maker Church at a distance","Copper engraving with hand colouring","Printed for & Sold by Bowles & Carver Published as the Act directs 19 May 1795 No. 69 in St Pauls Church Yard London","","","I 258 x 148 mm","","","","100","£100","framed","Print","General Interest","Maritime","","","","","",""
"2148","","Bowen, Thomas ","A New and Accurate Map of England","Copper engraving","Engraved for the Complete English Traveller 1772","","","I 317 x 223 mm","","","","90","£90","framed","Map","England & the British Isles","England","","","","","",""
"2151","","L. Lagrenee","Neuvieme Figure","Stipple","A Paris, chez Bonnet rue St Jacques<br/>Tire du Cabinet de Monsieur Lagrenee Peintre du Roy, Professeur en son Academie Royale de Pture et Scture circa 1790","","","I 513 x 396 mm","","","","500","£500","framed","Print","Fine Prints","Stipple","","","","","",""
"2152","","Saxton, C. & Kip, W. ","Cambridge","Copper engraving with hand colouring","Published 1607","","","I 315 x 280 mm","","","","280","£280","mounted","Map","English Counties","Cambridgeshire","","","","","",""
"2157","","Thornton","Plan of Oxford Castle","Copper engraving","Published according to Act of Parliment, by Alexr. Hogg No. 16 Paternoster Row, c. 1780","","","I 197 x 177 mm, S 243 x 199 mm","","","From Henry Boswell’s The Antiquities of England and Wales","25","£25","mounted","Print","Oxford","General Views","","","","","",""
"2158","","Thornton","Bird’s-Eye View of Oxford Castle, in Oxfordshire","Copper engraving","Published according to Act of Parliment, by Alexr. Hogg No. 16 Paternoster Row, c. 1780","","","I 197 x 177 mm, S 243 x 199 mm","","","From Henry Boswell’s The Antiquities of England and Wales","35","£35","mounted","Print","Oxford","Oxford Castle","","","","","",""
"2159","","After Isaac Cruikshank","Son’s of Frienship____ Scene Chandois Street.","Copper engraving with hand colouring","Published 8th Jany. 1801 by Laurie and Whiyyle, 53 Fleet Street London ","","","I 180 x 232 mm, Pl 200 x 247 mm, S 240 x 302 mm","","","Not in BM satires","150","£150","","Print","General Interest","Caricatures","","","","","",""
"2162","","After Isaac Cruikshank","Little Mouths.___ An Original Tale, by Dr. King","Copper engraving with hand colouring","Published 25th May 1801, by Laurie & Whittle, 53 Fleet Street, London","","","I 160 x 223 mm, Pl 186 x 244 mm, S 194 x 249 mm","","","","100","£100","","Print","General Interest","Caricatures","","","","","",""
"2165","","Ziletti, Giordano ","Tavola Nuova Di Schiavonia","Copper engraving","Venice, 1574 ","","","185 x 245 mm","","","Dalmatia","80","£80","","Map","Europe","Croatia","Dalmatia<br/>","","","","",""
"2167","","Le Keux","Kings Court Trinity College.","Copper engraving with hand colouring","c. 1850","","","Image 86 x 131 mm, Sheet 126 x 208 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","30","£30","unmounted","Print"," Cambridge","Trinity College Cambridge","","","","","",""
"2168","","Le Keux after F. Mackenzie","The Quadrangle of Corpus Christi College","Copper engraving with hand colouring","1835","","","I 92 x 144 mm, S 138 x 199 mm","","","","30","£30","mounted","Print","Oxford","Corpus Christi College","","","","","",""
"2171","","Le Keux after F. Mackenzie","Cloister, St. John’s College","Copper engraving with hand colouring","c. 1850","","","I 81 x 134 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","St. John’s College Cambridge","","","","","",""
"2172","","Le Keux after F. Mackenzie","Second Court St. John’s College West Side","Copper engraving with hand colouring","c. 1850","","","I 81 x 134 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","30","£30","unmounted","Print"," Cambridge","St. John’s College Cambridge","","","","","",""
"2174","","Le Keux after Bell","The Great Court Trinity College","Copper engraving with hand colouring","c. 1850","","","Image137 x 96 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","Trinity College Cambridge","","","","","",""
"2175","","Le Keux after Bell","Trinity College","Copper engraving with hand colouring","c. 1850","","","I 139 x 94 mm, S 202 x 133 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","Trinity College Cambridge","","","","","",""
"2177","","Le Keux after F. Mackenzie","The New Public Library","Copper engraving with hand colouring","c. 1850","","","I 98 x 138 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","New Public Library","","","","","",""
"2178","","Le Keux after F. Mackenzie","New Buildings, Emmanuel College","Copper engraving with hand colouring","c. 1850","","","I 85 x 133 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","Emmanuel College Cambridge","","","","","",""
"2181","","Le Keux after F. Mackenzie","New Buildings St Johns College","Copper engraving with hand colouring","c. 1850","","","I 126 x 102 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","St. John’s College Cambridge","","","","","",""
"2183","","Le Keux after J.A Bell","Queens College","Copper engraving with hand colouring","c. 1850","","","I 98 x 132 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","Queens’ College Cambridge","","","","","",""
"2185","","Le Keux after F. Mackenzie","The Pitt Press","Copper engraving with hand colouring","c. 1850","","","I 108 x 99 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","The Pitt Press","","","","","",""
"2186","","Le Keux ","New Buildings St Johns College","Copper engraving with hand colouring","c. 1850","","","I 127 x 92 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","St. John’s College Cambridge","","","","","",""
"2188","","Le Keux after F. Mackenzie","St Peter’s College","Copper engraving","c. 1850","","","I 138 x 96 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","Peterhouse","","","","","",""
"2189","","Le Keux after F. Mackenzie","Sydney Sussex College Old Front in Oliver Cromwell’s Time","Copper engraving with hand colouring","c. 1850","","","I 138 x 93 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","Sidney Sussex College Cambridge","","","","","",""
"2191","","Le Keux after F. Mackenzie","Gisborne Court St Peters Collge","Copper engraving with hand colouring","c. 1850","","","I 140 x 95 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","Peterhouse","","","","","",""
"2192","","Le Keux after I.A Bell","The Second Court - St Johns College ","Copper engraving with hand colouring","c. 1850","","","I 140 x 93 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","St. John’s College Cambridge","","","","","",""
"2193","","Le Keux after MacKenzie","The New Fitzwilliam Museum","Copper engraving with hand colouring","c. 1850","","","I 139 x 94 mm, S 202 x 133 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","Fitzwilliam Museum","","","","","",""
"2194","","Le Keux after F. Mackenzie","Clare College and Bridge","Copper engraving with hand colouring","c. 1850","","","I 129 x 86 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","Clare College Cambridge","","","","","",""
"2200","","Le Keux after F. Mackenzie","Kings College","Copper engraving with hand colouring","c. 1850","","","I 140 x 95 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","King’s College Cambridge","","","","","",""
"2201","","Le Keux after F. Mackenzie","Sydney Sussex College","Copper engraving with hand colouring","c. 1850","","","I 140 x 94 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","Sidney Sussex College Cambridge","","","","","",""
"2202","","Le Keux after F. Mackenzie","The Provost’s Lodge King’s College","Copper engraving with hand colouring","c. 1850","","","I 135 x 84 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","King’s College Cambridge","","","","","",""
"2203","","Le Keux","Pembroke College.","Copper engraving with hand colouring","c. 1850","","","I 100 x 143 mm, Pl 138 x 163 mm, S 158 x 208 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","30","£30","","Print"," Cambridge","Pembroke College Cambridge","","","","","",""
"2205","","Le Keux after Mackenzie","St. Michael’s Church","Copper engraving with hand colouring","c. 1850","","","I 134 x 97 mm, S 196 x 135 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","30","£30","","Print","British Topography","Cambridgeshire","","","","","",""
"2206","","Le Keux after F. Mackenzie","Exterior of Kings College Chapel","Copper engraving with hand colouring","c. 1850","","","I 152 x 87 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","King’s College Cambridge","","","","","",""
"2207","","Le Keux after F. Mackenzie","The First Court, ChristChurch","Copper engraving with hand colouring","c. 1850","","","I 136 x 87 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","Christ’s College Cambridge","","","","","",""
"2208","","Le Keux after F. Mackenzie","Queens College","Copper engraving with hand colouring","c. 1850","","","I 146 x 93 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","Queens’ College Cambridge","","","","","",""
"2209","","Le Keux after I.A Bell","Christs College","Copper engraving with hand colouring","c. 1850","","","I 140 x 99 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","Christ’s College Cambridge","","","","","",""
"2210","","Le Keux after F. Mackenzie","Tree Court, Christ College","Copper engraving with hand colouring","c. 1850","","","I 131 x 84 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","Christ’s College Cambridge","","","","","",""
"2214","","Le Keux after F. Mackenzie","Side View of kings College Chapel","Copper engraving with hand colouring","c. 1850","","","I 137 x 82 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","King’s College Cambridge","","","","","",""
"2216","","Le Keux after Mackenzie","Trinity Church","Copper engraving with hand colouring","c. 1850","","","I 143 x 103 mm, S 196 x 140 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","20","£20","","Print","British Topography","Cambridgeshire","","","","","",""
"2217","","Le Keux after F. Mackenzie","Part ","Copper engraving with hand colouring","c. 1850","","","I 139 x 84 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print","British Topography","Cambridgeshire","","","","","",""
"2218","","Le Keux after Mackenzie","The Castle","Copper engraving with hand colouring","c. 1850","","","I 93 x 139 mm, S 151 x 210 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","20","£20","unmounted","Print","British Topography","Cambridgeshire","","","","","",""
"2219","","Le Keux after Mackenzie","The Hall, Queens College.","Copper engraving with hand colouring","c. 1850","","","I 93 x 139 mm, S 151 x 210 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","20","£20","","Print"," Cambridge","Queens’ College Cambridge","","","","","",""
"2220","","Le Keux ","Hall, Trinity College. Extended View","Copper engraving with hand colouring","c. 1850","","","Image 93 x 127 mm, Sheet 130 x 215 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","20","£20","unmounted","Print"," Cambridge","Trinity College Cambridge","","","","","",""
"2223","","Le Keux ","Library, Trinity College","Copper engraving with hand colouring","c. 1850","","","I 113 x 102 mm, S 170 x 148 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","","Print"," Cambridge","Trinity College Cambridge","","","","","",""
"2224","","Le Keux ","Library, Kings College extended view","Copper engraving with hand colouring","c. 1850","","","I 118 x 102 mm, S 180 x 142 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","","Print"," Cambridge","King’s College Cambridge","","","","","",""
"2225","","Le Keux after Mackenzie","Trinity Church","Copper engraving with hand colouring","c. 1850","","","I 138 x 94 mm, S 185 x 122 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","20","£20","","Print"," Cambridge","Trinity College Cambridge","","","","","",""
"2226","","Le Keux after F. Mackenzie","Part of the New buildings St Johns College","Copper engraving with hand colouring","c. 1850","","","I 141 x 99 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","St. John’s College Cambridge","","","","","",""
"2227","","Le Keux after F. Mackenzie","The Market Place","Copper engraving with hand colouring","c. 1850","","","I 141 x 98 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print","British Topography","Cambridgeshire","","","","","",""
"2228","","Le Keux after Mackenzie","View Showing All Saints Church &c.","Copper engraving with hand colouring","c. 1850","","","I 145 x 107 mm, S 197 x 132 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","20","£20","","Print","British Topography","Cambridgeshire","","","","","",""
"2229","","Le Keux after F. Mackenzie","The Front of Kings College","Copper engraving with hand colouring","c. 1850","","","I 140 x 99 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","King’s College Cambridge","","","","","",""
"2230","","Le Keux after Mackenzie","Interior of Kings College Chapel.","Copper engraving with hand colouring","c. 1850","","","I 140 x 98 mm, S 192 x 147 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","20","£20","","Print"," Cambridge","King’s College Cambridge","","","","","",""
"2232","","Le Keux after F. Mackenzie","Fellows Garden, Caius College","Copper engraving with hand colouring","c. 1850","","","I 129 x 87 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","Caius College Cambridge","","","","","",""
"2233","","Le Keux after Mackenzie","Great St. Mary’s Church Exterior","Copper engraving with hand colouring","c. 1850","","","I 100 x 140 mm, S 145 x 173 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","20","£20","unmounted","Print","British Topography","Cambridgeshire","","","","","",""
"2235","","Le Keux after F. Mackenzie","The Second Court, Christs College","Copper engraving with hand colouring","c. 1850","","","I 140 x 94 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","Christ’s College Cambridge","","","","","",""
"2239","","Le Keux after I. A Bell","Kings Court, Trinity College","Copper engraving with hand colouring","c. 1850","","","I 111 x 93 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","Trinity College Cambridge","","","","","",""
"2240","","Le Keux after F. Mackenize","Library, Trinity College","Copper engraving with hand colouring","c. 1850","","","I 111 x 93 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","Trinity College Cambridge","","","","","",""
"2242","","Le Keux after F. Mackenzie","St. Andrew’s Church The Old Church","Copper engraving with hand colouring","c. 1850","","","I 95 x 140 mm, S 138 x 189 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","20","£20","unmounted","Print","British Topography","Cambridgeshire","","","","","",""
"2245","","Le Keux after F. Mackenize","Christ College","Copper engraving with hand colouring","c. 1850","","","I 115 x 105 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","Christ’s College Cambridge","","","","","",""
"2246","","Le Keux after F. Mackenize","Christ College","Copper engraving with hand colouring","c. 1850","","","I 115 x 105 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","Christ’s College Cambridge","","","","","",""
"2248","","Le Keux after F. Mackenize","View of Cambridge from Castle Hill","Copper engraving with hand colouring","c. 1850","","","I 146 x 88 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","Cambridge General Views","","","","","",""
"2250","","Le Keux after F. Mackenzie","Jesus College","Copper engraving with hand colouring","c. 1850","","","I 133 x 84 mm, S 148 x 177 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","Jesus College Cambridge","","","","","",""
"2251","","Le Keux after F. Mackenzie","Clare College, Quadrangle","Copper engraving with hand colouring","c. 1850","","","Image 94 x 140 mm, Sheet 132 x 214 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","Clare College Cambridge","","","","","",""
"2253","","Le Keux after F. Mackenzie","The Library, Trinity College","Copper engraving with hand colouring","c. 1850","","","I 145 x 96 mm, S 148 x 177 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","Trinity College Cambridge","","","","","",""
"2255","","Le Keux after F. Mackenzie","Magdalene College","Copper engraving with hand colouring","c. 1850","","","I 129 x 92 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","Magdalene College Cambridge","","","","","",""
"2256","","Le Keux after F. Mackenzie","The Library of Kings College","Copper engraving with hand colouring","c. 1850","","","I 151 x 93 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","King’s College Cambridge","","","","","",""
"2257","","Le Keux after F. Mackenzie","Entrance Gateway -St Johns College","Copper engraving with hand colouring","c. 1850","","","I 99 x 137 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","St. John’s College Cambridge","","","","","",""
"2259","","Le Keux after F. Mackenzie","Jesus College","Copper engraving with hand colouring","c. 1850","","","I 133 x 84 mm, S 148 x 177 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","Jesus College Cambridge","","","","","",""
"2263","","Le Keux after F. Mackenzie","Old Court King’s College","Copper engraving with hand colouring","c. 1850","","","I 136 x 87 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","King’s College Cambridge","","","","","",""
"2264","","Le Keux after F. Mackenzie","Old Court, Kings College","Copper engraving with hand colouring","c. 1850","","","I 130 x 86 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","King’s College Cambridge","","","","","",""
"2265","","Le Keux after F. Mackenzie","The New Bridge, St Johns College","Copper engraving with hand colouring","c. 1850","","","I 137 x 97 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","St. John’s College Cambridge","","","","","",""
"2266","","Le Keux after F. Mackenzie","The New Quadrangle, Kings College","Copper engraving with hand colouring","c. 1850","","","I 130 x 77 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","King’s College Cambridge","","","","","",""
"2267","","Le Keux after F. Mackenzie","The New Quadrangle, Kings College","Copper engraving with hand colouring","c. 1850","","","I 130 x 77 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","King’s College Cambridge","","","","","",""
"2268","","Le Keux after Mackenzie","St. Michaels Church","Copper engraving","c. 1850","","","I 133 x 99 mm, S 212 x 127 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","15","£15","","Print","British Topography","Cambridgeshire","","","","","",""
"2269","","Le Keux after Mackenzie","St. Clements Church","Copper engraving","c. 1850","","","","","","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","15","£15","","Print","British Topography","Cambridgeshire","","","","","",""
"2270","","Le Keux after F. Mackenzie","Great St. Marys Church Exterior","Copper engraving with hand colouring","c. 1850","","","I 130 x 77 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","15","£15","unmounted","Print","British Topography","Cambridgeshire","","","","","",""
"2271","","Le Keux after F. Mackenzie","Interior of The Hall, Trinity College","Copper engraving with hand colouring","c. 1850","","","I 145 x 96 mm, S 148 x 177 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","15","£15","unmounted","Print"," Cambridge","Trinity College Cambridge","","","","","",""
"2272","","Le Keux after F. Mackenzie","The Chapel_St. John’s College","Copper engraving with hand colouring","c. 1850","","","I 136 x 96 mm, S 210 x 125 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","15","£15","unmounted","Print"," Cambridge","St. John’s College Cambridge","","","","","",""
"2274","","Le Keux after F. Mackenzie","Interior of the Chapel Cius College","Copper engraving with hand colouring","c. 1850","","","I 145 x 96 mm, S 148 x 177 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","15","£15","unmounted","Print"," Cambridge","Caius College Cambridge","","","","","",""
"2275","","Le Keux after F. Mackenzie","The Chapel, Magdalene College","Copper engraving with hand colouring","c. 1850","","","I 129 x 92 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","15","£15","unmounted","Print"," Cambridge","Magdalene College Cambridge","","","","","",""
"2276","","Le Keux after F. Mackenzie","Interior of the Hall, Kings College","Copper engraving with hand colouring","c. 1850","","","I 140 x 96 mm, S 211 x 126 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","15","£15","unmounted","Print"," Cambridge","King’s College Cambridge","","","","","",""
"2278","","Le Keux after F. Mackenzie","Emanuel College, from the Street","Copper engraving with hand colouring","c. 1850","","","I 154 x 87 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","20","£20","unmounted","Print"," Cambridge","Emmanuel College Cambridge","","","","","",""
"2279","","Joseph Skelton after Dayes","Theatre Printing House","Copper engraving","Published as the act directs Aug 1st, 1820, by J. Skelton, St Aldates, Oxford.","","","Image 234 x 165 mm","","","","150","£150","framed","Print","Oxford","General Views","","","","","",""
"2285","","Nathaniel Buck","The South Prospect of Reading in the County of Berks","Copper engraving with hand colouring","1734","","","I 780 x 242 mm","","","","445","£445","mounted","Print","British Topography","Berkshire","","","","","",""
"2288","","","The Universities Boat-Race: Cambridge Winning","Woodcut","19th century","","","I 342 x 237 mm","The London Graphic Magazine","","","60","£60","framed","Print","Sports","Rowing","","","","","",""
"2289","","W. Gauci after Delamotte","Front of Brasenose College","Lithograph with hand colouring","Published c. 1842","","","I 335 x 254 mm","Original Views of Oxford, its Colleges, Chapels and Gardens from drawings expressly for this work by William Alfred Delamotte. Executed in Lithography by William Gauci, with Historical and Descrpitive notices by Charles Ollier. London: Thomas Boy. 1843","","","200","£200","mounted","Print","Oxford","Brasenose College","","","","","",""
"2292","","","Buildings on the South side of Jesus College Lane; where the Market is, with a view of Carfax Tower, to the West, and Lincoln Coll: garden wall to the East  ","Watercolour","","","","S 221 x 302 mm","","","","30","£30","","Print","Oxford","General Views","","","","","",""
"2296","","David Loggan","Scholae Publicae Universitatis Oxon [Bodleian Library]","Copper engraving","1675","","","I 350 x 470 mm","Oxonia Illustrata 1675 First Edition","","The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.","150","£150","unmounted","Print","Oxford","Bodleian Library","","","","","",""
"2297","","David Loggan","Frontispicium Scholarum Publicarum Universitatis Oxoniensis [Bodleian Library]","Copper engraving","1675","","","Image 350 x 470 mm","Oxonia Illustrata 1675 First Edition","","The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.","125","£125","mounted","Print","Oxford","Bodleian Library","","","","","",""
"2300","","David Loggan","Ecclesia Beatae Mariae Virginis [St. Mary’s Church]","Copper engraving","1675","","","I 370 x 410 mm","Oxonia Illustrata 1675 First Edition","","The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.","80","£80","unmounted","Print","Oxford","Oxford Churches","","","","","",""
"2303","","Rock & Co.","St Johns College","Engraving","1851","","","I 105 x 80 mm","","","","55","£55","framed","Print","Oxford","St. John’s College","","","","","",""
"2305","","William Edward Frost","The Sea Nymph","Etching","","","","I 88 x 88 mm; Pl 125 x 116 mm","","","","100","£100","mounted","Print","Victorian","","","","","","",""
"2309","","David Loggan","Facade of the Sheldonian Theater","Copper engraving","Sold by Henry Overton at ye White Horse without Newgate London, 1724","",""," I 370 x 530 mm, Pl 402 x 507 mm","From Kip’s Nouveau theatre de la Grande Bretagne: ou Description exacte des palais de la reine, et des maisons les plus considerables des seigneurs & des gentilshommes de la Grande Bretagne, etc. ","","Another version of Loggan’s view of the Sheldonian Theatre from 1675.  This differs in that it is slighty larger.","250","£250","unmounted","Print","Oxford","Sheldonian Theatre","","","","","",""
"2311","","","“Hark! hark! to ‘Wellington’ true as the ma, Let the hounds settle down , then follow who can.”","Lithograph with hand colouring","M & N Hanhart","","","I 162 x 236 mm, S 213 x 268 mm","","","","70","£70","","Print","Sports","Hunting & Shooting","Hunting<br/>","","","","",""
"2313","","","“The Run at an end. ‘Whoohoop’ is the cry! The finish select, a game one must die.”","Lithograph with hand colouring","M & N Hanhart","","","I 162 x 236 mm, S 213 x 268 mm","","","","70","£70","","Print","Sports","Hunting & Shooting","Hunting<br/>","","","","",""
"2314","","","A Camp Holiday","Lithograph with hand colouring","M & N Hanhart","","","I 200 x 153 mm,  S  265 x 208 mm","","","","70","£70","","Print","Sports","Riding","","","","","",""
"2315","","","Smart Grass I Guess, that grows under your feet!","Lithograph with hand colouring","Day & Son Lith to the Queen","","","I 162 x 236 mm, S 213 x 268 mm","","","","70","£70","","Print","Sports","Hunting & Shooting","Hunting<br/>","","","","",""
"2316","","Skelton after M. Burghers","Remains of Oxford Castle","Copper engraving","Published as the Act Directs Dec.r 1 1820 by J. SWkelton, St. Aldates Oxford","","","","Oxonia Antiqua Restaurata by Joseph Skelton","","Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.","35","£35","mounted","Print","Oxford","Oxford Castle","","","","","",""
"2317","","Rocque, J.","Leicestershire","Copper engraving with hand colouring","1769","","","Image 167 x 150 mm","","","","50","£50","mounted","Map","English Counties","Leicestershire","","","","","",""
"2322","","Skelton ","Engraved form the Old Plan of the Castle in the Possession of the Very Revd. The Dean & Chapter of Christ Church","Copper engraving","Published as the Act Directs Dec.r 1 1820 by J. SWkelton, St. Aldates Oxford","","","","Oxonia Antiqua Restaurata by Joseph Skelton","","Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.","35","£35","mounted","Print","Oxford","Oxford Castle","","","","","",""
"2328","","George Pyne (1800 - 1884)","Magdalen Hall","Watercolour","","","","I 340 x 238 mm","","","","1200","£1,200","framed","Print","Oxford","Hertford College","","","","","",""
"2333","","T. Bonner after J.P Neale","Clarendon Printing House and the Theatre","Copper engraving","London Published by John Harris St. Pauls Church Yard Nov.1 1814 ","","","I 150 x 116 mm","","","","40","£40","mounted","Print","Oxford","Clarendon Press","","","","","",""
"2335","","Pieter van der Aa after David Loggan","Partie du College de S. Jean Baptiste","Copper engraving","1707","","","I 121 x 157 mm","La Delices de la Grande Bretagne et de L’Irlande","","La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. ","45","£45","mounted","Print","Oxford","St. John’s College","","","","","",""
"2337","","D. Havell after F. Mackenzie","West End of King’s College Chapel.","Aquatint with hand colouring","London Pub. Decr. 1 1815 at 101 Strand for Ackermann’s History of Cambridge","","","","for Ackermann’s History of Cambridge","","","200","£200","","Print"," Cambridge","King’s College Cambridge","","","","","",""
"2340","","Fullarton, Archibald  & Co.","Durham","Engraving with hand colouring","Published by Archd. Fullarton & Co. Glasgow, 1833-37","","","185 x 235 mm","","","","45","£45","mounted","Map","English Counties","Durham","","","","","",""
"2345","","Walker, C. & J.","Hertfordshire","Steel engraving with hand colouring","Drawn and Engraved for Lewis Topographical Dictionary. c. 1836","","","173 x 222 mm","Lewis’ Topographical Dictionary","","","40","£40","mounted","Map","English Counties","Hertfordshire","","","","","",""
"2346","","Rocque, John ","Northumberland.","Copper engraving with hand colouring","1769","","","200 x 150 mm","England Displayed","","","","","mounted","Map","English Counties","Northumberland","","","","","",""
"2350","","G. Hollis","The Front of All Souls College, Oxford","Copper engraving","Published 1832 by James Ryman, High St. Oxford","","","I 290 x 200 mm","","","","130","£130","mounted","Print","Oxford","All Souls College","","","","","",""
"2351","","M. A. Rocker","Corpus Christi College from the Fields","Copper engraving","Oxford Almanack 1784","","","I 290 x 450 mm","","","This is the Fellow’s B","180","£180","mounted","Print","Oxford","Corpus Christi College","","","","","",""
"2352","","William Williams","Collegium Aedis Christi [Queen’s College]","Copper engraving","1733","","","I 450 x 385 mm","","","","100","£100","mounted","Print","Oxford","Corpus Christi College","","","","","",""
"2357","","Radclyffe after Mackenzie","North View of the Martyrs Memorial and Aisle","Engraving","Published by J. H. Parker, Oxford, November 1, 1849","","","I 235 x 345 mm","","","From the 1850 edition of the Oxford Almanack.","120","£120","mounted","Print","Oxford","General Views","","","","","",""
"2360","","Toms, W. H. ","A Map of Northumberland","Copper engraved with later hand colouring","Published by the Proprietors T. Badeslade & W. H. Toms, Sept. 29th 1741","","","140 x 145 mm","","","Rare original colouring.","50","£50","mounted","Map","English Counties","Northumberland","","","","","",""
"2364","","J. Le Keux after F. Mackenzie","Peckwater Quadrangle_Christ Church","Steel engraving","Published by J & H Parker, Oxford 1846","","","Image 170 x 95 mm","","","","40","£40","mounted","Print","Oxford","Christ Church College","","","","","",""
"2369","","J. Le Keux after F. Mackenzie","St John’s College, from the Garden","Steel engraving","Published Dec. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 95 x 137 mm","Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux","","John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. ","40","£40","mounted","Print","Oxford","St. John’s College","","","","","",""
"2372","","R Roffe","Oxford. View in the High Street, looking West","Copper engraving","London Published by Vernor & Hood Poultry May 1 1804 ","","","Image 143 x 98 mm","For the Beauties of England & Wales","","","50","£50","mounted","Print","Oxford","High Street Views","","","","","",""
"2373","","Middiman","Heythorpe, in Oxfordshire, the Seat of the Earl of Shrewsbury","Copper engraving","Published as the Act directs June 1st 1787 by Harrison & Co. No.18 Paternoster Row, London","","","I 163 x 103 mm","","","","30","£30","mounted","Print","British Topography","Oxfordshire","","","","","",""
"2375","","Rock & Co.","Wadham College, Oxford","Steel engraving","1863","","","I 102 x 80 mm","","","","55","£55","framed","Print","Oxford","Wadham College","","","","","",""
"2376","","Mackenzie after Radclyffe","[University College]","Steel engraving","Published by J. H. Parker, Oxford, November 1, 1859","","","I 224 x 367 mm","","","","120","£120","mounted","Print","Oxford","University College","","","","","",""
"2378","","George Washington Wilson","Church of S. S. Philip & James, Oxford","Photograph","c. 1870","","","Image 277 x 185 mm","","","George Washington Wilson (7 February 1823 - 9 March 1893) was a pioneering Scottish photographer.<br/><br/>After studying art in Edinburgh and London, Wilson returned to his native city of Aberdeen in 1849 and established a business as a portrait miniaturist catering to the wealthy families of the North East of Scotland. After some years of mediocre success, Wilson ventured into portrait photography in 1852 setting a portrait studio with John Hay in 25 Crown Street in Aberdeen. From there, aided by his well-developed technical and commercial acumen and a contract to photograph the Royal Family while documenting the building of Balmoral Castle in 1854-1855, he established himself as one of Scotland's premier photographers working for Queen Victoria and Prince Albert in 1860.<br/><br/>Pioneering the development of techniques for photography outside of the studio and the mass production of photographic prints, he moved increasingly from portraiture to landscape photography in the 1860s. He also produced stereoscopic pictures which main characteristic was that the exposures were very short. By 1864 he claimed to have sold over half a million prints. At the time of his death in 1893 his business employed 40 staff and was one of the largest publishers of photographic prints in the world, competing with James Valentine, who was also a prolific photographer, with a large company in Dundee.","40","£40","mounted","Print","Oxford","Oxford Churches","","","","","",""
"2379","","Joseph Skelton after G. Vertue","Founders and Benefactors of Pembroke College, with a view of the Buildings","Steel engraving","Published as the Act directs June 1 1818 by J. Skelton St Aldates, Oxford","","","I 317 x 245 mm","Oxonia Antiqua Restaurata by Joseph Skelton","","Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.","50","£50","mounted","Print","Oxford","Pembroke College","","","","","",""
"2382","","Renold or Reginold Elstrack (Elstracke) ","The true portraitcure of Richard Witington [Dick Whittington]","Copper engraving","c. 1700","",""," S 180 x 115 mm","","","","115","£115","framed","Print","Portraits","British Political","","","","","",""
"2383","","Franz Haufstauengl after Abbott","Nelson","Photograveur with hand colouring","Published by Franz Haufstauengl, c. 1900","","","F 980 x 800 mm","","","","600","£600","framed","Print","Portraits","Military and Naval","","","","","",""
"2384","","Speed, John","Oxfordshire","Copper engraving with hand colouring","Bassett & Chiswell, London, 1676","","","I 502 x 374 mm  ","From Speed’s ‘Theatre of the Empire of Great Britaine’","","Speed (1552-1629) is the most famous of all English cartographers primarily as a result of The Theatre of the Empire of Great Britaine, the first atlas of the British Isles. The maps from this atlas are the best known and most sought-after of all county maps. The maps were derived mainly from the earlier prototypes of Christopher Saxton and Robert Norden but with notable improvements including parish ""Hundreds"" and county boundaries, town plans and embellishments such as the coats of arms of local Earls, Dukes, and the Royal Household. The maps are famed for their borders consisting of local inhabitants in national costume and panoramic vignette views of major cities and towns. An added feature is that regular atlas copies have English text printed on the reverse, giving a charming description of life in the early seventeenth century of the region. The overall effect produced very decorative, attractive and informative maps. <br/><br/>For the publication of this prestigious atlas Speed turned to the most successful London print-sellers of the day, John Sudbury and George Humble. William Camden introduced the leading Flemish engraver, Jodocus Hondius Sr. to John Speed in 1607 because first choice engraver William Rogers had died a few years earlier. Work commenced with the printed proofs being sent back and forth between London and Amsterdam for correction and was finally sent to London in 1611 for publication. The work was an immediate success and the maps themselves being printed for the next 150 years. <br/><br/>Speed was born in 1552 at Farndon, Cheshire. Like his father before him he was a tailor by trade, but around 1582 he moved to London. During his spare time Speed pursued his interests of history and cartography and in 1595 his first map of Canaan was published in the ""Biblical Times"". This raised his profile and he soon came to the attention of poet and dramatist Sir Fulke Greville a prominent figure in the court of Queen Elizabeth. Greville as Treasurer of the Royal Navy gave Speed an appointment in the Customs Service giving him a steady income and time to pursue cartography.  Through his work he became a member of such learned societies as the Society of Antiquaries and associated with the likes of William Camden Robert Cotton and William Lambarde. He died in 1629 at the age of seventy-seven.<br/>","950","£950","framed","Map","English Counties","Oxfordshire","","","","","",""
"2385","","Colin Hunter","Running Ashore","Etching","Published 1880","","","I 157 x 276; Pl. 170 x 286 mm","","","","250","£250","framed","Print","Victorian","","","","","","",""
"2386","","Robert Walker Macbeth","Bait Gatherers","Etching","Published 1879","","","I 115 x 202; Pl. 137 x 225 mm","","","Walker Macbeth (1848-1910) was the son of the Scottish portrait painter Norman Macbeth. He was an etcher, watercolourist and painter of pastoral landscapes, rustic genre scenes and has a unique etching style, very different from Haden or Whistler. He served on the Council of the Royal Society of Painter-Etchers. ","195","£195","framed","Print","Victorian","","","","","","",""
"2389","","","Oxford from Magdalen Tower","Photograph","circa 1900","","","I 142 x 92 mm","","","","15","£15","mounted","Print","Oxford","General Views","","","","","",""
"2394","","Wise after J.P. Neale","Ensham Church & Cross, Oxfordshire","Copper engraving with hand colouring","c. 1814","","","I 162 x 120 mm","","","","25","£25","mounted","Print","British Topography","Oxfordshire","","","","","",""
"2415","","J.C. Stadler after J. Farington R.A. ","View of High Street in Oxford","Aquatint with hand colouring","Pub. June 1, 1793 by J & J Boydell Shakespeare Gallery Pall Mall & Cheapside","","","Image 223 x 322 mm, Sheet 315 x 415 mm","A History of the River Thames","","John Boydell (1719-1804) was a successful and influential printseller and engraver. Boydell's Shakespeare Gallery is credited with changing the course of English painting by creating a market for historical and literary works. He also encouraged the development of engraving in England with, among other things, his prints illustrating scenes from Shakespearean plays. In 1773, his nephew Josiah Boydell (1752-1817) became his business partner and later his successor, trading as J. & J. Boydell. <br/>","280","£280","mounted","Print","Oxford","High Street Views","","","","","",""
"2425","","Michael Burghers","The Oxford Almanack For the Year of Our Lord God 1707","Copper engraving","Published 1707","","","508 x 463 mm","","","","120","£120","unmounted","Print","Oxford","Oxford Almanacks","","","","","",""
"2429","","J. Needham after T.W. Bowler","Blinkwater Drift","Lithograph with tint stone","London Pubd Octr 1st 1864 by Day & Son Lithrs to the Queen & H.R.H the Prince of Wales, Gate Str Linc Inn Flds","","","I 274 x 203 mm","","","","80","£80","mounted","Print","Foreign Topography","Africa","","","","","",""
"2430","","Rooker","Ruins of Athens, Hadrian’s Aqueduct","Copper engraving","circa 1770","","","I 233 x 175 mm","","","","40","£40","mounted","Print","Foreign Topography","Greece","","","","","",""
"2434","","Kitchin, Thomas","Berkshire Drawn from the Best Authorities and Regulated by Astron. Observations","Copper engraving","1746","","","I 212 x 168 mm"," London Magazine 1747 - 1763","","","70","£70","mounted","Map","English Counties","Berkshire","","","","","",""
"2435","","Fullarton, A. ","Berkshire","Copper engraving","Published by Archd Fullarton & Co. Glasgow","","","I 250 x 198 mm","","","","60","£60","mounted","Map","English Counties","Berkshire","","","","","",""
"2436","","Unknown","Wadham College","Copper engraving","","","","I 112 x 81 mm","","","","30","£30","mounted","Print","Oxford","Wadham College","","","","","",""
"2437","","Unknown","Lincoln College","Copper engraving","","","","I 112 x 80 mm","","","","25","£25","mounted","Print","Oxford","Lincoln College","","","","","",""
"2438","","Unknown","Radcliffe Camera","Photograph","circa 1900","","","I 140 x 92 mm","","","","15","£15","","Print","Oxford","Radcliffe Camera","","","","","",""
"2440","","Jo Pennell","[St John’s]","Etching","","","","I 242 x 181 mm","","","","40","£40","unmounted","Print","Oxford","St. John’s College","","","","","",""
"2445","","John Donowell","A View of the Printing House, the Theatre, the Museum, part of the Schools, part of All Souls College & St Mary’s Church & in the University of Oxford ","Copper engraving","London Printed for John Ryall at Hogarth’s Head in Fleet Street, Robt. Sayer at the Golden Buck in Fleet Street & John Bowles & Son at the Black Horse in Cornhill. 1818","","","I 418 x 289 mm","","","John Donowell (painter/draughtsman; architect; British; Male; 1753 - 1786; fl.) Architect and topographical draughtsman working in London","280","£280","mounted","Print","Oxford","Clarendon Press","","","","","",""
"2451","","Randolph Caldecott","[Childrens Prints]","Chromolithograph","circa 1875","","","I 200 x 170 mm","","","","15","£15","mounted","Print","General Interest","Childrens Prints","","","","","",""
"2452","","Unknown","Luogo delle Lezioni pubbliche in Oxford","Copper engraving","circa 1750","","","I 212 x 179 mm","","","","60","£60","mounted","Print","Oxford","Bodleian Library","","","","","",""
"2453","","Lizars<br/><br/>","Parent of the Modern Coach Dog","Copper engraving with hand colouring","circa 1840","","","I 152 x 95 mm","","","","30","£30","mounted","Print","General Interest","Cats and Dogs","","","","","",""
"2454","","Lizars","Isle of Skye Terrier","Copper engraving with hand colouring","circa 1840","","","I 152 x 97 mm","","","","30","£30","mounted","Print","General Interest","Cats and Dogs","","","","","",""
"2462","","Lizars","[Hound]","Copper engraving with hand colouring","circa 1840","","","I 150 x 95 mm","","","","35","£35","mounted","Print","General Interest","Cats and Dogs","","","","","",""
"2463","","Lizars","Scotch Terrier","Copper engraving with hand colouring","circa 1840","","","I 150 x 95 mm","","","","30","£30","mounted","Print","General Interest","Cats and Dogs","","","","","",""
"2466","","J. A. Le Campion","Vue de L’Interior des Enfans Trouves","Aquatint with hand colouring","c. 1780","","","I 125 x 160 mm","","","","180","£180","framed","Print","General Interest","Architecture","","","","","",""
"2467","","George Edwards","The Pelican","Etching with hand colouring","Published 1746","","","Pl. 190 x 230 mm","","","","420","£420","framed","Print","General Interest","Birds","","","","","",""
"2469","","Grignion after Huddesford","Doctor in Theologia","Copper engraving","Published 1790","","","Pl. 85 x 135 mm","","","Scarce.","60","£60","framed","Print","Oxford","Academic Dress","","","","","",""
"2471","","G.V. Cox, M.A.","Recollections of Oxford","","London: Macmillan and Co., 1868.","","","","","","First edition. Half calf, gilt spine  with marble end boards, some rubbing on ends and corners.","100","£100","","Book","Oxford","","","","","","",""
"2472","","John Henry Parker","A Guide to the Architectural Antiquities in the Neighbourhood of Oxford.","","Published by the Oxford Society for Promoting the Study of Gothic Architecture.  Oxford, John Henry Parker: F. abd J. Rivington, St. Paul’s Church Yard and Waterloo-PLace; G. Bell, 186, Fleet Street, London, 1866.","","","","","","Gilt and blind stamped brown cloth.  1 inch split on spine.  Some light foxing in places. ","100","£100","","Book","Oxford","","","","","","",""
"2473","","H.M. Vernon, DM and K. Dorothea Vernon","A History of the Oxford Museum","","Oxford At the Clarendon Press 1909","","","","","","Full blue calf with gilt spine.","75","£75","","Book","Oxford","","","","","","",""
"2475","","Le Keux after F. Mackenzie","Gisbourne Court, St Peter’s College","Copper engraving with hand colouring","c. 1850","","","I 131 x 84 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","mounted","Print"," Cambridge","Peterhouse","","","","","",""
"2478","","Le Keux after F. Mackenzie","New buildings St Johns College - from the Gardens","Copper engraving with hand colouring","c. 1850","","","I 141 x 99 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","St. John’s College Cambridge","","","","","",""
"2480","","","Mr: Des - fadaiser ou L’Apollon-Zéphir Des societés, courant donner le Ton et subjuquer les coeura. ...<br/>","Copper engraving with hand colouring","A Paris, Chez Charon, rue St. Jean  de beauvais, No. 26 et chez Martinent Libraire, rue du Coq, No. 15, c. 1810","","","","Caricatures Parisennes","","","200","£200","mounted","Print","General Interest","Caricatures","Ballet<br/>Music","","","","",""
"2481","","","Mlle. Des -fleurette ou la Terpsichore bourgeois faisantr briller ses pas ses appas et ses graces","Copper engraving with hand colouring","A Paris, Chez Charon, rue St. Jean  de beauvais, No. 26 et chez Martinent Libraire, rue du Coq, No. 15, c. 1810","","","","Caricatures Parisennes","","","200","£200","mounted","Print","General Interest","Caricatures","Ballet<br/>","","","","",""
"2484",""," Janssonius, J. / Schenk, P. & Valk, G.","Guinea","Copper engravied with hand colouring","","","","38 x 51 cm","","","Decorative map of the western coast of Africa from Guinea to Nigeria. Published by Pieter Schenk and Gerard Valk from the plate by Joannes Janssonius ca. 1700 Cartouche with natives and monkeys, sailing ships, compass roses, two boys carrying a tusk (all uncoloured), the map in full contemporary colour. Excellent condition. <br/>","300","£300","","Map","Africa","","","","","","",""
"2486","","T.G. Dutton","The London Chatam & Dover Railway Company’s Iron Steam Ship “Prince Imperial”, 507 Tons_180 H.P. Captain G.W. Matthews.  Built by Messrs. Jas. Ash & Co. Cubitt Town_Engines By Messrs J. Penn & Sons. Greenwich.","Lithograph with later colour","I 257 x 497 mm","","","London, Published Decr. 1st . 1864 by Wm. Foster, 18 Billiter Street. E.C.","","","One small tear in upper right.<br/><br/>The London, Chatham & Dover Railway Company started passenger services between Dover and Calais in 1864 when they took over the fleet of Jenkins & Churchward. In 1899 the company amalgamated with the South Eastern & Chatham Railway Company<br/><br/>1864 - 1891 renamed Prince, 1899 scrapped.","650","£650","mounted","Print","General Interest","Maritime","","","","","",""
"2488","","William Williams","Collegium Ste. Trinitatis [Trinity College]","Copper engraving","1722-23","","","I 387 x 545 mm, Pl. 450 x 560 mm, S 480 x 622 mm","","","<br/><br/><br/><br/><br/><br/><br/>","450","£450","unmounted","Print","Oxford","Trinity College","","","","","",""
"2489","","Emery Walker after Edmund Hort New","The College of the Holy & Undivided Trinity in the University of Oxford commonly known as Trinity College founded by Sir Thomas Pope Kt. and the Lady Elizabeth his Wife, in the Year of our Lord 1555, on the site of Durham College","Photogravure","Published by Edmund Hort New, 17 Worcester Place, Oxford with the generous cooperation of E.W. Allfrey Esq, and reproduced in Photogravure by Emery Walker, September 30th 1913","","","I 315 x 400 mm, Pl.350 x 430 mm, S 444 x 570 mm","","","Edmund Hort New, known as E.H. new was born in Evesham in 1871. He was the son of an important lawyer. He attended the Birmingham Municipal School of Art. He began painting landscape and later he devoted himself to illustration.  Early in his career he worked with Ruskin and other associated Arts and Crafts artists.  He latter went on to work for William Morris's Kelmscott Press. The influence of these experiences is evident in his prints - the decorative boarders, armorials, etc.   <br/><br/>Over a period of years New did a series of prints of the Oxford Colleges based on the David Loggan's 1675 aerial perspectives.  New took Loggan's format and enriched his prints with many fine details of and abut the colleges and they are valued today by many collectors because of the high level of detail and the fact that they represent the colleges in their present state. <br/><br/>These prints were made through a relatively new process at the time - photo engraving.  Like photogravures the print is made by transferring a photo to a copper plate and then printing it.  With the E.H. New prints, a contact print of New's pen and ink drawing was made and the large negative attached to a plate which was then exposed in an acid bath, the acid only biting where the negative was clear; thus, creating and engraved plate of New's drawing.  The prints were available separately at shops in Oxford such as Ryman's in the early part of the 20th century. <br/>","300","£300","unmounted","Print","Oxford","Trinity College","","","","","",""
"2490","","W. Lacey after Tombleson","Oxford.","Steel engraving with hand colour","London Published by Tombleson & Co. Paternoster Row, 1833-34","","","I 165 x 200 mm, Pl 175 x 225 mm, S 21 x 27 mm","Tombleson's Views of the Thames and Medway","","","45","£45","mounted","Print","Oxford","General Views","","","","","",""
"2492","","Kitchin, Thomas","A New Map of Berkshire Drawn from the best Authorities","Copper engraving","1764","","","193 x 256 mm","Kitchin’s English Atlas... or England illustrated","","","70","£70","mounted","Map","English Counties","Berkshire","","","","","",""
"2493","","Grignion after J. Gwin","De La passe en quarte du dehors des armes _ Plate 30.","Copper engraving with hand colouring","Published according to Act of Parliment, FEb. 1763","","","I 240 x 355, Pl. 265 x 370 mm, S 285 x 443 mm","","","An elegant print from Angelo's renowned fencing manual ""L'Ecole des Armes""<br/><br/>During the eighteenth-century, fencing was a popular sport among the English royalty and aristocracy, primarily learned on the Continent until the Italian fencing master Domenico Angelo Malevolti Tremamondo established his fencing school in London. A riding instructor by trade, Angelo was born in Leghorn, Italy in 1716 and briefly trained with the celebrated fencer Monsieur Teillagory in Paris. After arriving in England in 1755, he participated in and won several public fencing matches, quickly earning a reputation that helped him secure high-ranking clients such as the Duke of Devonshire and the Earl of Pembroke. He soon capitalized on his popularity by establishing Angelo's School of Arms, where he taught horsemanship as well as fencing to an affluent and fashionable clientele. Angelo also continued to teach privately and in 1758, instructed the Prince of Wales and the Duke of York. Over the years, his school became a venerable British institution, which was run by successive generations of the Angelo family until the early twentieth-century.<br/><br/>In 1763, Angelo published L'Ecole des Armes Avec l'explication génèrale des principales attitudes et positions concernant l'Escrime illustrated with forty-seven copper-plates by famous English artists Gwynn and Ryland, Hall, Chamber and Grignion. Angelo himself, as he noted in his letter, posed as one of the combatants in the plates and his friend and patron Henry Herbert, the 10th Earl of Pembroke (1734-1794), often posed as his opponent. The special presentation copy of the original drawings was later acquired by Lord Farnham. In 1961, it was sold at Sotheby's to Paul Mellon, and is now in the Yale Center for British Art. The Royal Library at Windsor has a proof set of Angelo's plates commissioned in 1765 for inclusion in Diderot's encyclopedia. Hand-coloured, mounted and bound in red morocco with a cusped yellow leather border, the plates are prefaced by a manuscript dedication by Angelo to the Prince of Wales. <br/><br/>","250","£250","unmounted","Print","Sports","Fencing","Fencing","","","","",""
"2495","","Sir Lionel Arthur Lindsay (1874-1961)","Two Chickens in a Farmyard","Woodcut","circa 1937","","","I 113 x 152 mm","","","Sir Lionel Lindsay started his career at the age of  15 when he worked as a pupil assistant at the Melbourne Observatory (1889-1892). He then completed his studies at the National Gallery School, Melbourne. From 1903 to 1926, Lindsay was employed as an illustrative artist for the ‘Sydney Evening News’. After that period his art had gained an international reputation and he travelled and worked in such locations as India, North Africa, Spain and England. His original wood engravings and etchings were often commissioned and exhibited by Colnaghi. Lionel  Lindsay’s first etching dates from 1895 but it wasn’t until 1907, however, that he began to devote much of his talents to both etching and wood engraving. During the following decades, Lindsay produced over 300 works of original art in these mediums and it was his wood engravings of Australian animals and birds that set his art at its highest level. Lionel Lindsay received a knighthood for his achievements in art. ","250","£250","mounted","Print","20th Century","","","","","","",""
"2496","","George Vertue after Sir Godfrey Kneller"," King James the 2nd","Copper engraving","Knapton, c.1688","","","Image 182 x 269 S. 217 x 283 mm","","","From Tindal’s History of England <br/><br/>O’Donoghue 47","90","£90","unmounted","Print","General Interest","Jacobite","","","","","",""
"2501","","I. Smith after N. Largillerre","Serenissima Maria Beatrix D. Angliae Scotiae Franciae et Hiberniae Regina & ct","Mezzotint","Sold by Alex Brown at ye bleur balcony in little Queen Street","","","I. 235 x 293 mm Pl. 251 x 345 mm S. 259 x 353 mm","","","","200","£200","mounted","Print","General Interest","Jacobite","","","","","",""
"2510","","P.G. Needle","Le Pont D’Avignon","Woodblock","1925","","","I 230 x 350 mm S 265 x 370 mm","4/40","","","120","£120","mounted","Print","20th Century","","","","","","",""
"2512","","Dorothy Marion Rushton","Ashford’s Warehouses, Saxmundham","soft-ground engraving with etching","1916","","","I 193 x 294 S 240 x 303 mm","Signed and titled in pencil","","Ex Col, Emmanuel","150","£150","mounted","Print","20th Century","","","","","","",""
"2514","","Douglas I. Smart (1879-1966)","Arcades","Etching and Drypoint","circa 1908","","","I 165 x 132 mm S 220 x 180 mm","Trial Proof signed in pencil with title inscribed","","Ex. Col Frank Emmanuel<br/>Possibly the Place des Vosges<br/>Etcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.","120","£120","mounted","Print","20th Century","","","","","","",""
"2517","","John Nicholson (1891-1951)","Horse Grazing","Drypoint","1992","","","I 150 x 200 mm S 174 x 255 mm","","","Nicholson was a friend of Edmund Blampied. Both were students at the London County Council Art School where they learned etching and engraving. Blampied shared a house with Nicholson and his wife in South London for some considerable time and during this period the two artists worked closely together. They shared a common enthusiasm for horses and farm animals and they developed similar styles.","200","£200","mounted","Print","20th Century","","","","","","",""
"2519","","August Louis-Lepere 1849-1914","Untitled","Etching","","","","I 120 x 167 mm S 153 x 197 mm","","","","100","£100","mounted","Print","20th Century","","","","","","",""
"2520","","F.G. Wilkinson","A Breton Market Day","Linocut in Colour","","","","I 142 x 185 mm S 170 x 202 mm","Signed and inscribed in Pencil","","Ex Col Frank Emmanuel","150","£150","mounted","Print","20th Century","","","","","","",""
"2522","","Frank Short","The Silver Tide","Aquatint","[1912]","","","I 150 x 227 mm S 227 x 295 mm","Signed and Inscribed in Pencil","","Martin Hardie 162 <br/>High tide at the head of Bosham harbour","275","£275","mounted","Print","20th Century","","","","","","",""
"2527","","Terence H. Lambert","Portrait of a Man in a Forest","Etching","","","","I 215 x 113 mm S 264 x 150 mm","","","Ex Col Frank Emmanuel","60","£60","mounted","Print","20th Century","","","","","","",""
"2533","","Solomon Van Abbe (1883-1955)","The Statue","Drypoint","","","","I 265 x 184 mm S 307 x 232 mm","","","Ex Col Frank Emmanuel","130","£130","mounted","Print","20th Century","","","","","","",""
"2534","","E. Leigh-Pemberton","Landscape","","","","","I 190 x 162 mm; S 269 x 197 mm","","","Ex Col Frank Emmanuel","120","£120","mounted","Print","20th Century","","","","","","",""
"2537","","Felix Bracquemond 1833-1914","La Morte de Matamore","Etching","","","","I 161 x 226 mm S 252 x 335 mm","","","Ex Col Frank Emmanuel","100","£100","mounted","Print","Victorian","","","","","","",""
"2539","","Douglas I. Smart (1879-1966)","Sterling Castle from N.E. ","Etching","August 21, 1912","","","I 161 x 252 mm S 225 x 289 mm","Signed in Pencil with title inscribed ","","Ex. Col Frank Emmanuel<br/>Etcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short","150","£150","mounted","Print","20th Century","","","","","","",""
"2540","","Douglas I. Smart (1879-1966)","Toledo Bridge No. 5 ","Etching and drypoint","circa 1908","","","I 169 x 190 mm S 203 x 247 mm","Trial Proof signed in pencil with title inscribed","","Ex. Col Frank Emmanuel<br/>Etcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.","120","£120","mounted","Print","20th Century","","","","","","",""
"2541","","Douglas I. Smart (1879-1966)","Toledo Bridges No.3","Etching and drypoint","","","","I 147 x 240 mm S 195 x 290 mm","","","Ex Col Frank Emmanuel<br/>Etcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.","170","£170","mounted","Print","20th Century","","","","","","",""
"2542","","John Henry Amshewitz R.B.A 1882-1942","The Farwell","Etching and aquatint","","","","I 240 x 203 mm S 276 x 235 mm","Signed and inscribed in pencil","","Portrait painter, mural painte, etcher, illustrator and cartoonist.","180","£180","mounted","Print","20th Century","","","","","","",""
"2544","","Maxwell Lightfoot","[Mother and Child]","Chromolithograph","circa 1905","","","I 170 x 158 mm","","","Lightfoot was born in Liverpool and studied at the Chester Art School from 1902 to 1905. He was subsequently apprenticed as a chromolithographer and took evening classes at the Sandon Studios in Liverpool under Gerard Chowne and Merbert MacNair. He then studied at the Slade School from 1907 to 1909 and was a member of the  Camden Town Group but resigned  after their first show. He took his own life in 1911. Some critics thought he had a very promising future as an artist. ","30","£30","","Print","20th Century","","","","","","",""
"2545","","J. F. Barry Pittar 1880-1948","The Turn of the Field","Soft-ground etching","","","","I 162 x 250 mm S 235 x 325 mm","Signed and inscribed in pencil 1/10","","Painter and etcher of architectural subjects and landscapes. He became the Chief Architectural Artist to Royal Doulton Potters in Lambeth and illustrated for The Graphic and the Illustrated London News.","120","£120","mounted","Print","20th Century","","","","","","",""
"2547","","Douglas I. Smart (1879-1966)","Toledo Bridges No.6","Drypoint","1911","","","I 200 x 250 mm S 263 x 302 mm","","","Ex Col Frank Emmanuel<br/>Etcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.","150","£150","mounted","Print","20th Century","","","","","","",""
"2548","","Douglas I. Smart (1879-1966)","The Way Farers","Etching","","","","I 217 x 257 mm  S 285 x 328 mm","","","Ex Col Frank Emmanuel<br/>Etcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.","150","£150","mounted","Print","20th Century","","","","","","",""
"2549","","Douglas I. Smart (1879-1966)","Seine Islands: Les Andeleus","Drypoint","","","","I 171 x 250 mm S 205 x 281 mm","","","Ex Col Frank Emmanuel<br/>Etcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.","120","£120","mounted","Print","20th Century","","","","","","",""
"2551","","Douglas I. Smart (1879-1966)","Deoland (Rye)","Etching","","","","I 125 x 244 mm S 212 x 335 mm","","","Signed in pencil with artist’s notes<br/>Ex Col Frank Emmanuel<br/>Etcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.","150","£150","mounted","Print","20th Century","","","","","","",""
"2552","","Douglas I. Smart (1879-1966)","Albi","Drypoint","","","","I 236 x 357 mm S 303 x 411 mm","","","Trial Proof, signed in pencil with artist’s notes<br/>Etcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.","170","£170","mounted","Print","20th Century","","","","","","",""
"2553","","Douglas I. Smart (1879-1966)","Banks of the Seine","Etching and drypoint","","","","I 150 x 200 mm S 205 x 235 mm","","","Trial Proof, signed in pencil with artist’s notes<br/>Etcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.","100","£100","mounted","Print","20th Century","","","","","","",""
"2554","","Douglas I. Smart (1879-1966)","Early Morning Durham","Etching ","","","","I 175 x 175 mm S 220 x 345 mm","","","Signed in pencil with title inscribed<br/>Etcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.","150","£150","mounted","Print","20th Century","","","","","","",""
"2561","","William Bell Scott","I. Vignette Title [For Lady Jane] [Title page from “The King’s Quair”]","Etching","1885","","","I 131 mm diameter; Pl. 315 x 264 mm","","","Proof before all letters i/ii<br/>Price for the set.<br/>Although he contributed to “The Germ”, Scott was never a member of either Etching Club, since he worked and taught in Newcastle and later lived aminly in Ayrshire. His ideals were similar to those of most members of the Etching Club. He was a close friend of Dante Gabriel Rosetti and a great admirer of William Blake. At the time he was probably the most accomplished British artist working outside London.","5200","£5,200","mounted","Print","Victorian","William Bell Scott","","","","","",""
"2562","","William Bell Scott","II. Old Windsor- Early Morning ","Etching","1865","","","I 240 x 202 mm (arched top); Pl. 347 x 269 mm","","","i/ii, proof before all letters","5200","£5,200","mounted","Print","Victorian","William Bell Scott","","","","","",""
"2563","","William Bell Scott","III. Lady Jane listening to the Nightingale","Etching","1885","","","I 234 x 199 mm (arched top); Pl. 340 x 263 mm","","","i/ii, proof before all letters","5200","£5,200","mounted","Print","Victorian","William Bell Scott","","","","","",""
"2564","","William Bell Scott","IV. The Garden of the Court of Lovers","Etching","1885","","","I 238 x 202 mm (arched top); Pl. 341 x 265 mm","","","i/ii, proof before all letters","5200","£5,200","mounted","Print","Victorian","William Bell Scott","","","","","",""
"2565","","William Bell Scott","V. Lady Jane Sending off the Dove","Etching","1885","","","I 228 x 184 mm (arched top); Pl. 342 x 265 mm","","","i/ii, proof before letters","5200","£5,200","mounted","Print","Victorian","William Bell Scott","","","","","",""
"2566","","William Bell Scott","VI. King James receives the Dove","Etching","1885","","","I 236 x 191 mm (arched top); Pl. 342 x 263 mm","","","i/ii Proof before all letters","5200","£5,200","mounted","Print","Victorian","William Bell Scott","","","","","",""
"2570","","William Scott","The Tiber","Etching","1883 ","","","I 106 x 192 mm; Pl. 107 x 192 mm","As published in Part 49 of “The Etcher”, London 1883","","Ex-collection F. L. Emmanuel<br/>Willian Scott (1848-1918) was an architect and etcher in London. ","220","£220","mounted","Print","Victorian","","","","","","",""
"2571","","E. Slocombe after T. Pyne","Streatley Hill","Etching","circa 1870","","","I 177 x 244 mm; Pl. 228 x 304 mm","","","","50","£50","mounted","Print","Victorian","","","","","","",""
"2572","","John Park","Shields Harbour (Evening)","Etching","circa 1860","","","I 196 x 300 mm; Pl. 208 x 305 mm","ii/ii","","Shields Harbour in Northumberland<br/>Died 1919.  Park was an etcher and he exhibited at leading London galleries.  Elected A.R.E.in 1898.<br/>","120","£120","mounted","Print","Victorian","","","","","","",""
"2574","","Paul Rahjon after George Frederick Watts","Sir Frederick Leighton P.R.A","Etching","Published 1 November 1880 by The British and Foreign Artists’ Association","","","I 282 x 249 mm; Pl. 428 x 304 mm","","","PSA index","250","£250","mounted","Print","Victorian","","","","","","",""
"2575","","Charles John Watson","St. Pierre Lisieux","Etching","Published June 1890 by Robert Dunthorne","","","I 303 x 216 mm; Pl. 303 x 214 mm","","","Watson Catalogue 80","220","£220","mounted","Print","Victorian","Charles J. Watson","","","","","",""
"2578","","William Brown","Old Houses in Butter Row","Etching","","","","I 272 x 210 mm Pl. 314 x 251 mm","","","Impression signed by Brown<br/>Butter Row, Cirencester","80","£80","mounted","Print","Victorian","","","","","","",""
"2579","","George Bailey","[View of Lichfield]","Etching","","","","I 286 x 175 mm Pl. 330 x 202 mm","","","","120","£120","mounted","Print","Victorian","","","","","","",""
"2580","","Walter Severn","[Deer at Stream]","Etching","","","","I 117 x 168 mm Pl. 144 x 203 mm","","","Impression signed by Severn<br/>Severn (1830-1904), the son of Keat’s friend Joseph Severn, was a landscape painter and member of the JEC rather than the EC. This might have been due to the fact that his father had been expelled from the Etching Club for non-attendance.","70","£70","mounted","Print","Victorian","","","","","","",""
"2581","","B.P. Gibbon after A. Morton","Edw. Scriven","Etching","","","","I 90 x 68 mm Pl. 164 x 129 mm","O’Donoghe 1 i/ii","","","80","£80","mounted","Print","Victorian","","","","","","",""
"2582","","Henry Heath [?]","[Spooner’s Stationery No.5]","Etching","Published by W. Spooner 1840","","","I 89 x 142 mm Pl. 89 x 141 mm","","","Cut impression<br/>Major Evans, who attributed Spooner’s envelopes to H. Heath, records 14 different envelopes by Spooner in 1840.<br/>Heath was a satirical etcher.","100","£100","mounted","Print","Victorian","","","","","","",""
"2583","","John Leech","[Fore’s Comic Envelopes No. 1)","Etching","","","","","","","According to Major Edward B. Evans, in A Description of the Mulready Envelopes[...] from 1891, this is the smaller of Leech’s two satirical copies of Mulready’s engraved postal stationary.<br/>Leech (1817-1864) was a satirical draughtsman and illustrator. He worked for “Punch” and illustrated Dicken’s A Christmas Carol.<br/>Mulready (1786-1863) was a genre painter and occasional portraitist, and the creator of the original postal envelope.","100","£100","mounted","Print","Victorian","","","","","","",""
"2584","","Robert Walker Macbeth","The Miller’s Daughter","Etching","","","","I 171 x 213 mm; Pl. 252 x 331 mm","i/ii (?)","","Walker Macbeth (1848-1910) was the son of the Scottish portrait painter Norman Macbeth. He was an etcher, watercolourist and painter of pastoral landscapes, rustic genre scenes and has a unique etching style, very different from Haden or Whistler. He served on the Council of the Royal Society of Painter-Etchers. ","180","£180","mounted","Print","Victorian","","","","","","",""
"2585","","Richard Redgrave","The Little Truant","Etching","","","","I 158 x 241 mm; Pl. 173 x 249 mm","","","Ex Collection Redgrave family<br/>Redgrave was well-known in his day as a painter, but is now remembered as the first principal of the Government School of  Design, now the Royal College of Art. He was a founder-member of the Etching Club and was its secretey until 1845. As can be deduced from no. 50 and the dearth of working proofs, he, unlike Cope and Holman Hunt, did not work up his etchings in stages, but rather worked on them without taking proofs. ","400","£400","mounted","Print","Victorian","","","","","","",""
"2588","","Richard Redgrave","Eugene Aram","Etching","","","","I 159 x 241 mm; Pl. 177 x 252 mm","","","Ex Collection Redgrave family<br/>An impression of this print was exhibited at the RA in 1866 (no.803). This could have been the actual impression.<br/>Eugene Aram (1707-1759), the murderer of Knaresborough. The story of the Scholar murderer fascinated the Victorians. Hood and Lytton both produced novels of his life.","500","£500","mounted","Print","Victorian","","","","","","",""
"2589","","John Henry Robinson after Abraham Cooper","[James Hopwood]","Etching","","","","I 62 x52 mm; Pl. 127 x 84 mm ","i/ii","","Before the artists’ names.<br/>O’Donoghue1","80","£80","mounted","Print","Victorian","","","","","","",""
"2591","","William Williams","The Inside of the Bodleian Library & The Inside of the Divinity School","Copper engraving","1732","","","S 495 x 375 mm","Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 1732-33","","Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. ","225","£225","unmounted","Print","Oxford","Bodleian Library","","","","","",""
"2592","","Charles Raymond Booth Barrett","Bisham Abbey","Etching","1889","","","I 119 x 180 mm; Pl. 135 x 189 mm","","","Bisham Abbey, 13th Century Abbey, Nr Marlow, Bucks","45","£45","mounted","Print","Victorian","","","","","","",""
"2593","","Richard Redgrave","Poor Barbara’s Song","Etching","","","","I 109 x 90 & 25 x 88 mm; Pl. 301 x 215 mm","i/ii before title and verse","","Ex. Collection Redgrave family<br/>With artist’s notes: “E.C. 12 Dec 1842”","290","£290","mounted","Print","Victorian","","","","","","",""
"2594","","D. Hawell after A. Pugin","St. Mary’s Church taken from the top of the Radcliffe library","Aquatint with hand colouring","Published for R. Ackermann. 1813.","","","I 135 x 210","Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.","","","120","£120","mounted","Print","Oxford","Oxford Churches","","","","","",""
"2595","","Charles West Cope","Hush","Etching","","","","I 179 x 140 mm; Pl. 252 x 190 mm","ii/vi","","Touched impression.<br/>Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporaries as the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. ","300","£300","mounted","Print","Victorian","","","","","","",""
"2596","","Charles West Cope","Hush","Etching","","","","I 179 x 140 mm; Pl. 252 x 190 mm","i/vi","","Touched impression.<br/>Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporaries as the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. ","300","£300","mounted","Print","Victorian","","","","","","",""
"2597","","Charles West Cope","Hush","Etching","","","","I 179 x 140 mm; Pl. 252 x 190 mm","iv/vi","","Touched impression.<br/>Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporaries as the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. ","300","£300","mounted","Print","Victorian","","","","","","",""
"2599","","Paul Rahjon","L. Alma-Tadema R.A.","Etching","Published 18 July 1883 by The British and Foreign Artists’ Association","","","I 230 x 220mm; Pl. 411 x 294 mm","","","Beraldi 175<br/>PSA index p.373 iii/iii (?)<br/>Impression what PSA stamp","150","£150","mounted","Print","Victorian","","","","","","",""
"2600","","Queen Victoria after Lady Wilhelmina Stanhope","Woman with a shawl over her head","Etching","","","","I 107 x 56 mm; Pl. 164 x 110 mm","","","Scott-Elliot 19<br/>Sheet inscribed in pencil by Queen Victoria<br/>Lady Wilhelmina (1819-1901) became Lady Dalmeny and later Duchess of Cleveland. She was mother of Lord Rosebery, the Prime Minister who won the Derby twice","1500","£1,500","mounted","Print","Victorian","","","","","","",""
"2601","","William Bell Scott","William Bell Scott and David Scott","Etching","1875","","","I 70 x 58 mm; Pl. 96 x 96 mm","","","Proof before publication. Ex collection. William Bell Scott.<br/>Although he contributed to “The Germ”, Scott was never a member of either Etching Club, since he worked and taught in Newcastle and later lived aminly in Ayrshire. His ideals were similar to those of most members of the Etching Club. He was a close friend of Dante Gabriel Rosetti and a great admirer of William Blake. At the time he was probably the most accomplished British artist working outside London","100","£100","mounted","Print","Victorian","William Bell Scott","","","","","",""
"2604","","George Bailey","Corfe Castle","Etching","","","","I 152 x 100mm; Pl. 165 x 109 mm","","","","70","£70","mounted","Print","Victorian","","","","","","",""
"2605","","A. Hugh Fisher","[Queen Victoria’s Jubilee Procession passing St. Clements Dane]","Etching","22 June 1897","","","I 250 x 142 mm; Pl. 250 x 142 mm","","","With dedication from Fisher to Frank Emmanuel<br/>Ex collection F.L. Emmanuel<br/>Fisher (1867-1945) A.R.E. was an etcher of Topography","400","£400","mounted","Print","Victorian","","","","","","",""
"2606","","Percy Robertson","Godalming","Etching","","","","I 174 x 252 mm; Pl. 244 x 334 mm","Plate VI of Robertson’s “Surrey Landscapes”","","Godalming, Surrey","225","£225","mounted","Print","Victorian","","","","","","",""
"2607","","J. C. Robinson","Nine Barrow Down","Etching","Published 1875","","","I 108 x 257 mm; Pl. 114 x 262 mm","Allhusen/ Hind 12 iii/iii (illustrated)","","J.C. Robinson (1824-1913) was a painter of flowers and landscapes. After 17 years as Superintendant of the Art Collections at the Victoria and Albert Museum, he became surveyor of the Queen’s Pictures. Towards the end of his life, he took up etching showing a poetic vision of Dorset and elsewhere.<br/><br/>A contemporary and close friend of Sir Frances Seymour Haden, Robinson’s work is primarily concerned with the atmospheric effects of weather.  Like Haden Robinson was a wealthy gentleman artist who did not depend on the sale of his work to provide income.  <br/><br/>Etchings by Robinson are rare.  During his lifetime only a few of his prints were offered for sale, the majority of his work was distributed by the artist amongst his friends.","160","£160","mounted","Print","Victorian","J. C. Robinson","","","","","",""
"2610","","F. Bedford","Saint Mary the Virgin, Oxford","Lithograph with hand colouring","Published by Day & Son, c. 1880","","","","","","","25","£25","mounted","Print","Oxford","Oxford Churches","","","","","",""
"2611","","David Law","Abingdon-Moonlight","Etching","1881","","","I 233 x 349 mm; Pl. 252 x 353 mm","ii/(?)iii","","Impression signed by the Law from the suite of ten views on the Thames, published by Dowdeswell & Dowdeswell as a set at 15 gns. Dowdeswell’s catalogue of the exhibition of the original watercolours of this series, notes that the prints were being published in three editions: (i) Remake proofs signed and numbered, ten impressions of each print at 3 gns. (ii) Proofs signed and numbered 50 sets at 15 gns. a set (iii) Prints 50 sets at 10 gns. a set. The last are described in late catalogues as ‘lettered’. Smaller versions of the print were published in O. Dullea’s The Thames Oxford to London: Twenty Etched Plates by David Law, 1882.","250","£250","mounted","Print","British Topography","Oxfordshire","","","","","",""
"2612","","Edward Burrow","Boveney Lock Windsor","Etching","Published by W.H. Benyon & Co. ","","","I 159 x 251 mm; Pl. 184 x 270 mm","","","Burrow was a topographical etcher specialising in schools and colleges for Beynon of Cheltenham","150","£150","mounted","Print","Victorian","","","","","","",""
"2613","","David Law","The Swan at Pangbourne","Etching","Pub. 1881","","","I 197 x 352 mm; Pl. 212 x 354 mm","","","Pangbourne on Thames, Berkshire.<br/>","180","£180","mounted","Print","British Topography","Oxfordshire","","","","","",""
"2614","","George Bailey","[Road to Drumlanrig Castle]","Etching","","","","I 157 x 215 mm; Pl. 180 x 241 mm","","","Bailey (1832-1925) was an antiquary and artist in derby, who worked as head of the design department at Bemrose, the great printers there.","110","£110","mounted","Print","Victorian","","","","","","",""
"2616","","Charles West Cope","Hush","Etching","","","","I 179 x 140 mm; Pl. 252 x 190 mm","iii/vi","","Touched Impression<br/>Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporaries as the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. ","300","£300","mounted","Print","Victorian","","","","","","",""
"2617","","Charles West Cope","Hush","Etching","","","","I 179 x 140 mm; Pl. 252 x 190 mm","v/vi","","Touched Impression<br/>Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporaries as the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. ","300","£300","mounted","Print","Victorian","","","","","","",""
"2618","","M.W. Ridley","A Collier in Bristol Harbour","Etching","Published c.1865 by The Art Union of London","","","I 147 x 200 mm; Pl. 177 x 227 mm","","","Ridley (1837-1888) was a painter and etcher who knew Whistler in Paris and modelled for some of his prints. His early etchings were all shipping scenes. In 1866-67 he was a member of the “Societe des aquafortistes”.<br/>The Art Union of London was founded in 1837 to promote a purer taste in Art. For subscription of one guinea, a member received a print and a chance to acquire a picture purchased at a major art exhibition. The Union also gave prizes for industrial design.","200","£200","mounted","Print","Victorian","","","","","","",""
"2619","","John Prescott Knight","Drinking Song [Songs of Shakespeare]","Etching","Published in p.164 in Etching and Etchers, 1868","","","I 80 x 131 mm; Pl. 299 x 212 mm","i/ii the final state was published in Songs of Shakespeare, 1843","","This print illustrates Othello Act 2, Scene, Iago sings, “And let me the canakin clink, clink; And let me the canakin clink a soldier’s a man; A life’s but a span; Why, then, let a soldier drink. Some wine boys!”","150","£150","mounted","Print","Victorian","","","","","","",""
"2621","","Charles West Cope","Love","Etching","1840s","","","I 174 x 142 mm; Pl. 204 x 148 mm","i/ii","","Impression with instructions in pencil with a note to the printer including the numbers to be printed. The final state was published in Etch’d Thought by the Etching Club, 1844 and illustrates a poem from Spenser’s Hymnes, “Thereon his mind affixed wholly is...”.<br/>Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. ","450","£450","mounted","Print","Victorian","","","","","","",""
"2622","","Charles West Cope","Love","Etching","","","","I 174 x 142 mm; Pl. 204 x 148 mm","i/ii","","Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporaries as the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. ","250","£250","mounted","Print","Victorian","","","","","","",""
"2623","","E. Russell","[Lord Cosmo George Russell]","Etching","","","","I 130 x 183 mm; Pl. 152 x 204 mm","O’Donoghue 4","","This charming etching was almost certainly made by a close relation to Lord Cosmo. Likely candidates are Lord Edward, his brother, Elizabeth (nee Russell) Lady Wriothesley Russell, his sister-in-law and Elizabeth (nee Rawdon) Lady George Russell, his half-sister-in-law.","150","£150","mounted","Print","Victorian","Edward Russell","","","","","",""
"2625","","Percy Thomas after Briton Riviere","[Robert Upperton Esq.re]","Etching","1871","","","I 179 x 139 mm; Pl. 217 x 167 mm","Impression signed by Thomas","","Inscribed on verso: “Robert Upperton Esqr. First proof of the second plate. Very few printed as the horseman did not like it - not handsome enough - [signed] Ralph Thomas”.<br/>Ex collection Ralph Thomas<br/>Riviere (1840-1920) was a painted of history and genre pictures often starring a dog or a lion. Upperton (b.c 1833) was a solicitor and acquaintance of Whistler.","50","£50","mounted","Print","Victorian","","","","","","",""
"2627","","Charles West Cope","Love’s Enemies","Etching","","","","I 94 x 152 mm; Pl. 122 x 198 mm","ii/iii","","Impression on India laid paper. The final state published in Etch’d Thoughts by The Etching Club, 1844. This print illustrates a section from Shakespeare’s “Midsummer Nights Dream”, Act I, Scene I, Lysander, “Or, if there were a sympathy in choice, War, death, or sickness, did lay siege to it, making it momentary as a sound”.<br/>Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporaries as the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. He was on the council of the Royal Society of Painter Etchers. ","160","£160","mounted","Print","Victorian","","","","","","",""
"2628","","William Holman Hunt","A Day in the Country","Etching","1865","","","I 139 x 209 mm; Pl. 187 x 249 mm","Only state as published as plate 6 in ‘A Selection of Etchings’ by the Etching Club. 1865","","","980","£980","framed","Print","Victorian","","","","","","",""
"2629","","Charles West Cope","Life School Royal Academy","Etching","1885","","","I 155 x 249; Pl. 198 x 284 mm","","","As published on p.152 in Etching and Etchers, 1868.<br/>Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. He was on the council of the Royal Society of Painter Etchers. ","350","£350","mounted","Print","Victorian","Charles West Cope","","","","","",""
"2630","","Charles West Cope","[A Feast of Fairies]","Etching","1885","","","I 155 x 249; Pl. 198 x 284 mm","","","As published on p.152 in Etching and Etchers, 1868.<br/>Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. He was on the council of the Royal Society of Painter Etchers. ","350","£350","mounted","Print","Victorian","","","","","","",""
"2631","","J. C. Stadler after Mackenzie","The Clarendon Print House","Aquatint with hand colouring","London Pub. April 1 1814 at 101 Strand for R. Ackermann’s History of Oxford","","","I 205 x 270 mm","","","","160","£160","mounted","Print","Oxford","Broad Street Views","","","","","",""
"2632","","J. C. Stadler after Farington","View from Nuneham towards Oxford","Aquatint","Pub. June 1 1793 by J & J Boydell","","","I 210 x 320 mm","","","","125","£125","mounted","Print","Oxford","General Views","","","","","",""
"2634","","L. Hague","The Martyr’s Memorial, Oxford","Lithograph","Published by Day & Son, May 1843","","","Image 450 x 305 mm","","","","60","£60","mounted","Print","Oxford","General Views","","","","","",""
"2635","","after W. H. Wardlow","Land and Water [University College]","Photolithograph","Published 1899 by Dickinson and Foster, London","","","I 490 x 360 mm","","","","100","£100","mounted","Print","Oxford","Oxford Portraits","","","","","",""
"2636","","John Boydell","A West Prospect of the City of Oxford","Copper engraving","Published According to act of parliament by John Boydell engraver at the Unicorn the corner of Queen Street Cheapside London 1751. Price 1 shilling.","","","I. 244 x 425 mm","","","","550","£550","mounted","Print","Oxford","General Views","","","","","",""
"2637","","Unknown engraver after Michael Rooker","North West View of Friar Bacon’s Study","Copper engraving","1787","","","I 300 x 450 mm","Oxford Almanack","","","100","£100","mounted","Print","Oxford","General Views","","","","","",""
"2638","","H. W. Moore","Nixon’s Free Grammar School","Lithograph","1878","","","I 315 x 290 mm","","","","65","£65","mounted","Print","Oxford","General Views","","","","","",""
"2640","","Edward and Michael Rooker","[Clarendon Building]","Copper engraving with hand colouring","Published 1774","","","I 305 x 450 mm","Oxford Almanack 1774","","","200","£200","mounted","Print","Oxford","Clarendon Press","","","","","",""
"2642","","R. Parr","Mary-Louisa Daughter of King James. II . at  her Toillett died April 18. 1712 aged 20 And Therfore wer’t thou bred rto virtuous Knowledge To bear with accidents, and ev’ry Change... Wisdom early planted in thy soul; of various Life, to Struggle with Adversiy","Engraving","","","","I. 333 x 254 mm S. 395 x 286 mm","","","Sharp 176","80","£80","","Print","General Interest","Jacobite","","","","","",""
"2645","","Unknown after Anker Smith","Charles Edward Stuart","Engraving","Chas. Edward Stuart ","","","I. 77 x 105 mm S. 80 x 127 mm<br/>","","","","30","£30","","Print","General Interest","Jacobite","","","","","",""
"2646","","J. C. Armytage after L. Tocque<br/>","Charles Edward Stuart","Engraving","Prince Charles Edward Stuart","","","I. 100 ","","","","10","£10","","Print","General Interest","Jacobite","","","","","",""
"2648","","Percy Thomas","[Sunday Morning - A Scene in the South Kensington Exhibition]","Etching","1884","","","I 258 x 187 mm; Pl. 276 x 199 mm","","","Impression signed by Thomas<br/>Ex. Collection of Ralph Thomas<br/>A long note on verso signed by Ralph Thomas explains that the print shows temporary buildings removed after the exhibition","80","£80","mounted","Print","Victorian","","","","","","",""
"2649","","Arthur Evershed","At Hampstead","Etching","circa 1879","","","I 147 x 190 mm; Pl. 167 x 204 mm","","","","85","£85","mounted","Print","Victorian","","","","","","",""
"2652","","Arthur Ditchfield","[River Boat]","Etching","Published 1877","","","I 97 x 189 mm; Pl. 141 x 224 mm","","","Delatre impression<br/>Arthur Ditchfield (1842-1888) is now almost entirely forgotten, his etchings largely undocumented. One of the things to note about him is his sketching trip with Ruskin and Hercules Brabazon to Amiens in 1880. He was obviously a conscientious craftsman, for he noted on many of his works who had printed them. It is worth comparing impressions by Goulding, Holdgate or Ditchfield himself. He made at least 77 etchings, a set of which were presented to the British Museum by his sister, Mrs J.L. Roget, with a manuscript listing. His training is unknown - his drawings are not of  “The English School”. It was probably Parisian, for the influence of Applan is evident and to a lesser extent that of Lalanne.","80","£80","mounted","Print","Victorian","","","","","","",""
"2653","","Leonard Russell Squirrell","A Bridge at Alnwick","Drypoint","1932","","","I 128 x 235 mm; S 187 x 288 mm","","","Signed and inscribed in pencil with a dedication to Frank Emmanuel<br/>Ex Collection Frank Emmanuel","300","£300","mounted","Print","20th Century","","","","","","",""
"2654","","G. Hollis after Buckler","Front of Corpus-Christi College, Oxford","Copper engraving","Published by G. Hollis, Oxford 1820","","","Image 285 x 200 mm","","","","95","£95","mounted","Print","Oxford","Corpus Christi College","","","","","",""
"2656","","After Muirhead Bone","Hall of Christ Church from the South","Photolithograph","c. 1910","","","I 340 x 250 mm","","","Sir Muirhead Bone (23 March, 1876 - 21 October, 1953) was a Scottish etcher, drypoint and watercolour artist.<br/><br/>The son of a printer, Bone was born in Glasgow and trained initially as an architect, later going on to study art at Glasgow School of Art. He began printmaking in 1898, and although his first known print was a lithograph, he is better known for his etchings and drypoints. His subject matter was principally related to landscapes, architecture (which often focussed on urban construction and demolition sites) and industry.<br/><br/>In 1901 he moved to London, where he met William Strang, Dugald MacColl and Alphonse Legros, and later became a member of the New English Art Club. After the outbreak of the First World War, Charles Masterman, head of the British War Propaganda Bureau and acting on the advice of William Rothenstein, appointed Bone as Britain's first official war artist in May 1916.<br/><br/>Commissioned as an honorary Second Lieutenant, he arrived in France during the Battle of the Somme, serving with the Allied forces on the Western Front and also with the Royal Navy for a time. He produced 150 drawings of the war, returning to England in October of that year. Over the next few months Bone returned to his earlier subject matter, drawing pictures of shipyards and battleships. He visited France again in 1917 where he took particular interest in the ruined towns and villages.<br/><br/>After the Armistice, Bone returned to the type of works he produced before the war, and was influential in promoting fellow war artists William Orpen and Wyndham Lewis. He began to undertake extensive foreign travels which increasingly influenced his work. In 1923 he produced three portraits of the novelist Joseph Conrad during an Atlantic crossing. In the inter-war period he exhibited extensively in London and New York, building up a considerable reputation. He received a knighthood in 1937, and served again as official war artist in the Second World War from 1940.<br/><br/>Sir Muirhead Bone died in 1953 in Oxford.<br/><br/>Text from Wikipedia, http://en.wikipedia.org/wiki/Muirhead_Bone. 05.09.2007","40","£40","mounted","Print","Oxford","Christ Church College","","","","","",""
"2657","","W. Gauci after Delamotte","Baliol [Balliol] College Garden","Lithograph","Published c. 1842","","","I 345 x 254 mm","Original Views of Oxford, its Colleges, Chapels and Gardens from drawings expressly for this work by William Alfred Delamotte. Executed in Lithography by William Gauci, with Historical and Descrpitive notices by Charles Ollier. London: Thomas Boy. 1843","","","90","£90","mounted","Print","Oxford","Balliol College","","","","","",""
"2658","","John Harris after W. Williams","Christ Church from the North","Copper engraving","1725","","","I 390 x 440 mm","Oxford Almanack for 1725","","In the foreground five allegorical figures examine a geometrical diagram on the ground. ","220","£220","mounted","Print","Oxford","Christ Church College","","","","","",""
"2660","","","[Members of Balliol College, Oxford]","Albumen Photograph","c.1890","","","Image 440 x 570 mm","","","With a shield of the college on the original mount.  <br/>Condition: foxed.","50","£50","mounted","Print","Oxford","Balliol College","","","","","",""
"2661","","William Williams","Collegium Aedis Christi [Christ Church College]","Copper engraving","c. 1732","","","Pl. 475 x 600 mm","","","","150","£150","mounted","Print","Oxford","Christ Church College","","","","","",""
"2662","","J. Dadley after E. Dayes","Front View of Christ Church","Copper engraving","Published 1796","","","I 290 x 444 mm","Oxford Almanack 1796","","","300","£300","framed","Print","Oxford","Christ Church College","","","","","",""
"2663","","M. A. Rooker","A Perspective View of the New Gate at Christ Church","Copper engraving","Published 1781","","","I 450 x 295 mm","Oxford Almanack 1781","","","170","£170","mounted","Print","Oxford","Christ Church College","","","","","",""
"2664","","Issac Taylor after D. Harris","A western view of All Souls College","Copper engraving","Published 1790","","","I 285 x 450 mm","Oxford Almanack 1790","","","100","£100","mounted","Print","Oxford","All Souls College","","","","","",""
"2665","","Merigot after Naltes","Oxford. West Entrance into Christ Church College taken from Pembroke Lane","Aquatint","Published by Albion Press, c. 1820","","","I 280 x 370 mm","","","","220","£220","mounted","Print","Oxford","Christ Church College","","","","","",""
"2666","","Unknown engraver","The North Prospect of the New Quadrangle of Christ Church in Oxford","Copper engraving","c. 1770","","","I 570 x 450 mm","","","","250","£250","mounted","Print","Oxford","Christ Church College","","","","","",""
"2668","","R. Groom after I. Shaw","Oxford Cathedral","Lithograph","Published by H. Alden, Oxford c.1830","","","I 300 x 245 mm","","","","50","£50","mounted","Print","Oxford","Christ Church College","","","","","",""
"2669","","D. Harris after Taylor","Corpus Christi College, from the back gate of Christ Church","Copper engraving with hand colouring","1823","","","I 440 x 295 mm","Oxford Almanack 1823","","","90","£90","mounted","Print","Oxford","Corpus Christi College","","","","","",""
"2670","","James Basire after H. O’Neill","Gate of All Souls’ College, with St. Mary’s Church","Copper engraving with hand colouring","Published 1814","","","I 435 x 310 mm","Oxford Almanack 1814","","","185","£185","mounted","Print","Oxford","All Souls College","<br/>","","","","",""
"2673","","","Speeches in Upper School","Lithograph with hand colouring","Published by J. Ryman, High St, Oxford","","","I 270 x 385 mm","","","","45","£45","mounted","Print","Oxford","Oxford Caricatures","","","","","",""
"2674","","Unknown photographer","St. Mary-the-Virgin Church, Oxford","Photograph","c. 1900","","","480 x 380 mm","","","","45","£45","mounted","Print","Oxford","Oxford Churches","","","","","",""
"2675","","George Cruikshank after Woodward","Love and Learning","Etching","London, Pubd. by Allen & Wesh, January 27 1797","","","I 225 x 170 mm","","","","45","£45","mounted","Print","Oxford","Oxford Caricatures","","","","","",""
"2676","","Charles West Cope","[A Feast of Fairies]","Etching","1885","","","I 67 x 121 mm; Pl. 84 x 137 mm","v/v (?)","","Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporaries as the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. He was on the council of the Royal Society of Painter Etchers. ","250","£250","mounted","Print","Victorian","","","","","","",""
"2677","","F. G. Wilkinson","A Ravine in San Remo","Linocut in colour","","","","I 117 x 163 mm; S 138 x 175 mm","","","Ex. Collection Frank Emmanuel","150","£150","mounted","Print","20th Century","","","","","","",""
"2678","","Charles West Cope","Milton’s Dream of his deceased wife","Etching","","","","I 103 x 96 mm; Pl. 121 x 114 mm","ii/vi","","Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. ","750","£750","mounted","Print","Victorian","","","","","","",""
"2679","","Henry James Townsend","Sad Tidings","Etching","","","","I 182 x 137 mm; Pl. 192 x 143 mm","","","","185","£185","mounted","Print","Victorian","","","","","","",""
"2680","","Heywood Sumner","Near Alresford","Etching","","","","I 189 x 132 mm; Pl. 193 x 134 mm","","","Plate 2 of Sumner’s “The Itchen Valley from Tichborne to Southampton”","100","£100","mounted","Print","Victorian","","","","","","",""
"2682","","Arthur Ditchfield","[Woman Washing]","Etching","","","","I 136 x 93 mm; Pl. 157 x 100 mm","ii/ii (?)","","Arthur Ditchfield (1842-1888) is now almost entirely forgotten, his etchings largely undocumented. One of the things to note about him is his sketching trip with Ruskin and Hercules Brabazon to Amiens in 1880. He was obviously a conscientious craftsman, for he noted on many of his works who had printed them. It is worth comparing impressions by Goulding, Holdgate or Ditchfield himself. He made at least 77 etchings, a set of which were presented to the British Museum by his sister, Mrs J.L. Roget, with a manuscript listing. His training is unknown - his drawings are not of  “The English School”. It was probably Parisian, for the influence of Applan is evident and to a lesser extent that of Lalanne.","45","£45","mounted","Print","Victorian","","","","","","",""
"2684","","Edward Davis French","E libris Iuliani Marshall","Etching","circa 1897","","","I 98 x 62 mm; Pl. 120 x 77 mm","","","","60","£60","mounted","Print","Victorian","","","","","","",""
"2685","","C. Helard","Ex libris Vi & Armis","Etching","1900","","","I 91 x 68 mm; Pl. 111 x 87 mm","","","","75","£75","mounted","Print","Victorian","","","","","","",""
"2686","","George W. Eve","[Ex libris William Henry Weldon Norroy King of Arms]","Etching","","","","I 73 x 71 mm; Pl. 108 x 102 mm","","","","70","£70","mounted","Print","Victorian","","","","","","",""
"2687","","Douglas I. Smart (1879-1966)","Pont St. Esprit","Etching and drypoint","circa 1908","","","I 255 x 340 mm; S 315 x 400 mm","Signed and inscribed in pencil","","With a note that the male sitter in the picture is Charles Emmanuel. From the collection of Frank Emmanuel, Charles’s brother.<br/>Etcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short","250","£250","mounted","Print","20th Century","","","","","","",""
"2691","","David Law","[View of Bray]","Etching","","","","I 119 x 189 mm; Pl. 139 x 202 mm","","","Bray in Berkshire","50","£50","mounted","Print","Victorian","","","","","","",""
"2696","","Arthur Ditchfield","Shoreham","Etching","1877","","","I 92 x 172 mm; Pl. 101 x 178 mm","i/ii (?)","","Inscribed “ 2.d State”<br/>Arthur Ditchfield (1842-1888) is now almost entirely forgotten, his etchings largely undocumented. One of the things to note about him is his sketching trip with Ruskin and Hercules Brabazon to Amiens in 1880. He was obviously a conscientious craftsman, for he noted on many of his works who had printed them. It is worth comparing impressions by Goulding, Holdgate or Ditchfield himself. He made at least 77 etchings, a set of which were presented to the British Museum by his sister, Mrs J.L. Roget, with a manuscript listing. His training is unknown - his drawings are not of  “The English School”. It was probably Parisian, for the influence of Applan is evident and to a lesser extent that of Lalanne.","150","£150","mounted","Print","Victorian","","","","","","",""
"2699","","Arthur Ditchfield","Goudhurst","Etching","1871","","","I 113 x 156 mm ; Pl. 121 x 163 mm","","","Goudhurst, Kent<br/>Arthur Ditchfield (1842-1888) is now almost entirely forgotten, his etchings largely undocumented. One of the things to note about him is his sketching trip with Ruskin and Hercules Brabazon to Amiens in 1880. He was obviously a conscientious craftsman, for he noted on many of his works who had printed them. It is worth comparing impressions by Goulding, Holdgate or Ditchfield himself. He made at least 77 etchings, a set of which were presented to the British Museum by his sister, Mrs J.L. Roget, with a manuscript listing. His training is unknown - his drawings are not of  “The English School”. It was probably Parisian, for the influence of Applan is evident and to a lesser extent that of Lalanne.","150","£150","mounted","Print","Victorian","","","","","","",""
"2701","","P. G. Hamilton","Laboulaye","Etching","","","","I 76 x 1857 mm; Pl. 82 x 162 mm","","","","150","£150","mounted","Print","Victorian","","","","","","",""
"2703","","Axel Haig","A Corner at Hay","Etching","1879","","","I 274 x 185 mm; Pl. 284 x 197 mm","","","Lennox-Boyd 23<br/><br/>Axel Haig R.E., a Swede, came to etching from architectural drawing and originally naval architecture. His earliest etchings showed the omission of the inessential, the hallmark of the new etchers but he soon found his feet making etchings suitable to be framed and put on the walls as rivals to paintings. His technique was different: look closely at a Haig Cathedral interior and you see a confused melee of lines, step back and you get the authentic gloom of the Middle Ages. ","95","£95","mounted","Print","Victorian","Axel Haig","","","","","",""
"2704","","Charles West Cope","The Spring Flood","Etching","1858","","","I 166 x 136 mm; Pl. 214 x 163 mm","ii/vi (?)","","Touched Impression<br/>Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. ","300","£300","mounted","Print","Victorian","","","","","","",""
"2705","","Robert Sargent Austin (1875-1973)","Donkeys of Selva","Etching","1928","","","I 130 x 163 mm; S 186 x 215 mm","","","Signed and inscribed in pencil with artist’s notes<br/>C.D. 78 ii/ii  <br/>Proof of final state","300","£300","mounted","Print","20th Century","","","","","","",""
"2707","","James Abbot McNeil Whistler","Nursemaid and Child","Etching","","","","I & Pl. 97 x 132 mm","ii/ii","","Kennedy 37","2000","£2,000","mounted","Print","Victorian","","","","","","",""
"2712","","Richard Redgrave","Ministering Angels","Etching","","","","I 94 x 79 mm; Pl. 122 x 105 mm","i/ii","","Ex Collection of the Redgrave family.<br/>Redgrave was well-known in his day as a painter, but is now remembered as the first principal of the Government School of  Design, now the Royal College of Art. He was a founder-member of the Etching Club and was its secretey until 1845. As can be deduced from no. 50 and the dearth of working proofs, he, unlike Cope and Holman Hunt, did not work up his etchings in stages, but rather worked on them without taking proofs. ","400","£400","mounted","Print","Victorian","","","","","","",""
"2713","","Frederick Albert Slocombe","[Tudor Beauty]","Etching","1871","","","I 161 x 98 mm; Pl. 197 x 126 mm","","","(1847-c. 1920) Painter and etcher of landscapes and genre. Exhibited at the Royal Academy from 1886, also at Suffolk Street.  He was also a member of the Royal Society for Painter-Etchers and Engravers 1881-1920.","50","£50","mounted","Print","Victorian","","","","","","",""
"2714","","Edward Davis","[Self-portrait with pen and book]","Etching","","","","I 74 x 44 mm; Pl. 104 x 69 mm","","","","190","£190","mounted","Print","Victorian","","","","","","",""
"2716","","Percy Thomas","[Old Chelsea]","Etching","c. 1880","","","I 244 x 175 mm; Pl. 277 x 202 mm","ii/ii","","Impression signed by Thomas<br/>Ex Collection Ralph Thomas","65","£65","mounted","Print","Victorian","","","","","","",""
"2717","","Charles West Cope","[Milton’s Dream] [Rejected (?) version]","Etching","","","","I 96 x 86 mm; Pl. 125 x 115 mm","","","Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. ","300","£300","mounted","Print","Victorian","","","","","","",""
"2718","","Charles West Cope","Milton’s Dream of his deceased wife","Etching","","","","I 103 x 96 mm; Pl. 121 x 114 mm","iii/vi","","Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. ","650","£650","mounted","Print","Victorian","","","","","","",""
"2719","","Charles West Cope","Balthazar Song from Much Ado About Nothing [Grieving]","Etching","1857","","","I 74 x 118 mm; Pl. 90 x 136 mm","","","Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. ","70","£70","mounted","Print","Victorian","","","","","","",""
"2720","","V. Buzzard","South Park Farm","Etching","","","","I 90 x 122 mm; Pl. 114 x 152 mm","","","","25","£25","mounted","Print","Victorian","","","","","","",""
"2721","","Richard Samuel Chattock","Gouldersdale Crags and Dub","Etching","1880","","","I 163 x 248 mm; Pl. 177 x 261 mm","","","Chattock (1825-1906) R.E. was a fine topographical etcher and landscape painter, who was much employed illustrating books","150","£150","mounted","Print","Victorian","","","","","","",""
"2723","","Sir Henry Cole","West Shandon Farm, Gareloch","Etching","October 1860","","","I 150 x 220 mm; Pl. 154 x 225 mm","","","Cole (1808-1882) was one of the eminent figures of the 19th century. In 1823, he began to work for the Public Record Office and his complaints about inefficiency led to the reform of the Records Commission. In 1850 , he became organiser of the Great Exhibition of 1851 and Prince Albert’s chief adviser. He was the founder director of the Victorian and Albert Museum and he is probably best known for inventing the Christmas card, designed by J.C. Horsley. Cole’s brother Charles was a schoolmate of Francis Seymour Haden, who became the Cole family doctor.","150","£150","mounted","Print","Victorian","","","","","","",""
"2725","","Charles West Cope","The Good Old Time","Etching","1840","","","I 55 x 103 mm; Pl. 92 x 140 mm","i/ii","","Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. ","80","£80","mounted","Print","Victorian","","","","","","",""
"2726","","Charles West Cope","Balthazar Song from Much Ado About Nothing [Songs of Shakespeare] [Boarding the Siren]","Etching","1851","","","I 65 x 95 mm; Pl. 93 x 109 mm","proof before publication","","Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. ","50","£50","mounted","Print","Victorian","","","","","","",""
"2727","","Charles West Cope","[While thus the land, adorn’d for pleasure all.]","Etching","","","","I 61 x 95 mm; Pl. 84 x 124 mm","i/ii","","Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. ","200","£200","mounted","Print","Victorian","","","","","","",""
"2729","","J. C. Armyatage after L. Tocque","Prince Charles Edward Stuart","Engraving","","","","I. 100 x 128 mm S. 153 x 221 mm","","","","10","£10","","Print","General Interest","Jacobite","","","","","",""
"2730","","G. B. Shaw after L. Tocque","Prince Charles Edward Stuart","Engraving","Published by R. Cardell, Edinburgh 1748","","","I. 90 x 130 mm S. 165 x 252 mm","","","","30","£30","mounted","Print","General Interest","Jacobite","","","","","",""
"2731","","Unknown engraver","Chevalier","Engraving","","","","I. 62 x 75 mm Pl. 119 x 191 mm S. 228 x 281 mm","","","","50","£50","mounted","Print","General Interest","Jacobite","","","","","",""
"2732","","P. Audinet after R. Smirke","Departure of the pretender from Scotland","Engraving","","","","I. 124 x 174 mm S. 216 x 285 mm","","","","20","£20","mounted","Print","General Interest","Jacobite","","","","","",""
"2734","","F. Basan after L. Tocque","Le Prince Charles Edouardo Stuart. Ne’ a Rome le 31, Decembre 1720","Engraving","","","","I. 97 x 139 mm","iii proof","","Sharp 231, O’D 17; Le Blanc, F. Basan 33","80","£80","mounted","Print","General Interest","Jacobite","","","","","",""
"2735","","T. Cook after R. Corbould","The Young Pretender discovering himself to a Royalist in the Highlands ","Engraving","Published as the Act directs Jany. 9th. 1797 by T. Longman.<br/>","","","I. 97 x 148 mm S.99 x 165 mm","","","","30","£30","mounted","Print","General Interest","Jacobite","","","","","",""
"2741","","John Robert Keitley Duff (1862-1938)","Follow my Leader (The Common Road)","Soft-ground etching","","","","I 225 x 150 mm","","","Signed in pencil and dedicated to Frank Emmanuel<br/>Plate 174 in Emmanuel’s Etching and Etchings<br/>Ex collection Frank Emmanuel<br/>Landscape and genre painter and etcher, specialising in sheep. Studied art under Legros at the Slade School","150","£150","mounted","Print","20th Century","","","","","","",""
"2742","","Sir Francis Seymour Haden","The Towing Path","Etching","1884","","","I 139 x 212 mm; Pl. 139 x 212 mm","vi/xvii","","Impression signed by Haden<br/>Schneiderman 72 vi/xvii","1200","£1,200","mounted","Print","Victorian","Sir Francis Seymour Haden","","","","","",""
"2743","","F. G. Wilkinson","A Street in Xauen (Morocco)","Linocut","","","","I 190 x 133 mm; S 217 x 160 mm","","","Signed and inscribed in pencil<br/>Ex collection Frank Emmanuel","150","£150","mounted","Print","20th Century","","","","","","",""
"2744","","Sir Lionel Arthur Lindsay (1874-1961)","Dancer","Wood engraving","","","","I 152 x 112 mm; Pl. 230 x 185 mm","","","Signed artist’s proof<br/>Sir Lionel Lindsay started his career at the age of  15 when he worked as a pupil assistant at the Melbourne Observatory (1889-1892). He then completed his studies at the National Gallery School, Melbourne. From 1903 to 1926, Lindsay was employed as an illustrative artist for the ‘Sydney Evening News’. After that period his art had gained an international reputation and he travelled and worked in such locations as India, North Africa, Spain and England. His original wood engravings and etchings were often commissioned and exhibited by Colnaghi. Lionel  Lindsay’s first etching dates from 1895 but it wasn’t until 1907, however, that he began to devote much of his talents to both etching and wood engraving. During the following decades, Lindsay produced over 300 works of original art in these mediums and it was his wood engravings of Australian animals and birds that set his art at its highest level. Lionel Lindsay received a knighthood for his achievements in art.","280","£280","mounted","Print","20th Century","","","","","","",""
"2747","","Edwin Edwards","Rutland Arms [Newmarket]","Etching","","","","I & Pl. 98 x 194 mm","","","","120","£120","mounted","Print","Victorian","","","","","","",""
"2749","","F. G. Wilkinson","Souvenir de Xauen, Morocco","Linocut","","","","I 185 x 137 mm; S 277 x 170 mm","","","Signed and Inscribed in pencil<br/>Ex collection Frank Emmanuel","150","£150","mounted","Print","20th Century","","","","","","",""
"2751","","Thomas Riley","“Old London” 1","Etching","","","","I 162 x 115 mm; Pl. 184 x 134 mm","","","Impression signed by Riley","100","£100","mounted","Print","Victorian","","","","","","",""
"2752","","William Bell Scott","Title Page [Turret]","Etching","","","","I 79 x 67 mm; Pl. 99 x 87 mm","","","Proof of publication<br/>Ex collection William Bell Scott<br/>William Bell Scott (1811-1890) Although he contributed to “The Germ”, Scott was never a member of either Etching Club, since he worked and taught in Newcastle and later lived mainly in Ayrshire. His ideals were similar to those of most members of the Etching club. He was a close friend of Dante Gabriel Rossetti and a great admirer of William Blake. At the time he was probably the most accomplished British artist working outside London. ","5200","£5,200","mounted","Print","Victorian","William Bell Scott","","","","","",""
"2234","","Le Keux after F. Mackenzie","The Second Court, Christs College","Copper engraving with hand colouring","c. 1850","","","I 140 x 94 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.<br/>","","","25","£25","unmounted","Print"," Cambridge","Christ’s College Cambridge","","","","","",""
"2755","","Alphonse Legros","[House and trees]","Etching","circa 1885","","","I & Pl. 152 x 99 mm","","","Not found in Mallasis & Thibaudeau","350","£350","mounted","Print","Victorian","","","","","","",""
"2756","","John Prescott Knight","The Peasant and the Forest","Etching","","","","I 157 x 125 mm; Pl 166 x 134 mm","","","","120","£120","mounted","Print","Victorian","","","","","","",""
"2757","","Charles West Cope","The Spring Flood","Etching","1858","","","I 166 x 136 mm; Pl. 214 x 163 mm","iii/vi (?)","","Touched Impression<br/>Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporaries as the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. ","300","£300","mounted","Print","Victorian","","","","","","",""
"2758","","Charles West Cope","The Spring Flood","Etching","1858","","","I 166 x 136 mm; Pl. 214 x 163 mm","i/vi (?)","","Touched Impression<br/>Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporaries as the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. ","300","£300","mounted","Print","Victorian","","","","","","",""
"2760","","Charles West Cope","[A Feast of Fairies]","Etching","1885","","","I 67 x 121 mm; Pl. 84 x 137 mm","iii/v (?)","","Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. He was on the council of the Royal Society of Painter Etchers. ","250","£250","mounted","Print","Victorian","","","","","","",""
"2761","","Charles West Cope","[A Feast of Fairies]","Etching","1885","","","I 67 x 121 mm; Pl. 84 x 137 mm","i/v (?)","","Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. He was on the council of the Royal Society of Painter Etchers. ","250","£250","mounted","Print","Victorian","","","","","","",""
"2762","","John Callcott Horsley","“Auld Grannie & the wee Nan” - Highland Interior","Etching","","","","I 132 x 99 mm; Pl. 167 x 134 mm","","","","150","£150","mounted","Print","Victorian","","","","","","",""
"2764","","William Strang","[A River destroyed by the basest sort of people]","Etching","","","","I & Pl. 150 x 112 mm","v/v","","DS 532 (428)","60","£60","mounted","Print","Victorian","","","","","","",""
"2765","","Sir Lionel Arthur Lindsay (1874-1961)","Convent of Sta. Eufemia Antequira Spain","Etching","1929","","","I 340 x 252 mm","","","Signed, numbered and inscribed in pencil with a dedication to Frank Emmanuel<br/>Appears as plate 118 in Emmanuel’s Etching and Etchings<br/>Sir Lionel Lindsay started his career at the age of  15 when he worked as a pupil assistant at the Melbourne Observatory (1889-1892). He then completed his studies at the National Gallery School, Melbourne. >From 1903 to 1926, Lindsay was employed as an illustrative artist for the ‘Sydney Evening News’. After that period his art had gained an international reputation and he travelled and worked in such locations as India, North Africa, Spain and England. His original wood engravings and etchings were often commissioned and exhibited by Colnaghi. Lionel  Lindsay’s first etching dates from 1895 but it wasn’t until 1907, however, that he began to devote much of his talents to both etching and wood engraving. During the following decades, Lindsay produced over 300 works of original art in these mediums and it was his wood engravings of Australian animals and birds that set his art at its highest level. Lionel Lindsay received a knighthood for his achievements in art.","350","£350","mounted","Print","20th Century","","","","","","",""
"2767","","Charles Waltner after John Everett Millais","John Everett Millais R. A","Etching","[Published by The British and Foreign Artist’s Association]","","","I 263 x 200mm; Pl. 318 x 228 mm","iii/iii (?)","","PSA index p.239 <br/><br/>Charles Albert Waltner was copper plate engraver and etcher born 24/03/1846 in  Paris and died 15/06/01925 Paris.  He was the pupil Gerome Martinet and Henriquel DuPont. In 1868 he was given a scholarship to Rome. He made his debut in the Paris Salon in 1870.  He mainly engraved for the Journal de Beaux Artes and L'Art  and also worked for English and French puplishers.  He specialized in reproduction of Old Masters and Modern Masters.  He was one of the most prolific engravers of his time.","150","£150","mounted","Print","Victorian","","","","","","",""
"2768","","Douglas I. Smart (1879-1966)","Toledo Bridges No.7 St Martins Bridge","Etching ","","","","I 282 x 353; S 337 x 450 mm","","","Ex Col Frank Emmanuel<br/>Etcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.","170","£170","mounted","Print","20th Century","","","","","","",""
"2769","","John Charles Goodchild (1898-1980)","The Pool","Etching","","","","I 213 x 288 mm; S 265 x 352 mm","","","","150","£150","mounted","Print","20th Century","","","","","","",""
"2771","","John Nicholson (1891-1951)","[Cow Eating]","Drypoint","1992","","","I 213 x 260 mm; S 232 x 284 mm","","","Nicholson was a friend of Edmund Blampied. Both were students at the London County Council Art School where they learned etching and engraving. Blampied shared a house with Nicholsonand his wife in south London for some considerable time and during this period the two artists worked closely together. They shared a common enthusiasm for horses and farm animals and they developed similar styles.","190","£190","mounted","Print","20th Century","","","","","","",""
"2774","","Robert Walker Macbeth","[Three Girls and Donkey]","Etching","","","","I 334 x 642; Pl. 364 x 672 mm","","","Walker Macbeth (1848-1910) was the son of the Scottish portrait painter Norman Macbeth. He was an etcher, watercolourist and painter of pastoral landscapes, rustic genre scenes and has a unique etching style, very different from Haden or Whistler. He served on the Council of the Royal Society of Painter-Etchers. ","650","£650","mounted","Print","Victorian","","","","","","",""
"2776","","Unknown","Tower Bridge, London","Etching","","","","I 292 x 350 mm; S 405 x 395 mm","Ex Collection Frank Emmanuel","","","200","£200","mounted","Print","20th Century","","","","","","",""
"2779","","William Ridgway after Holman Hunt","The Light of the World","Engraving","Published 12 May 1863 by Gambart & Co.","","","I 304 x 152; Pl. 442 x 254 mm","i/ii","","","700","£700","mounted","Print","Victorian","","","","","","",""
"2780","","Robert Walker Macbeth after Arthur Hacker","The Cloister of the World","Etching","Published 1900 by H. Virtue","","","I 510 x 391 mm; Pl. 590 x 441 mm","","","Impression signed by both artists<br/>Walker Macbeth (1848-1910) was the son of the Scottish portrait painter Norman Macbeth. He was an etcher, watercolourist and painter of pastoral landscapes, rustic genre scenes and has a unique etching style, very different from Haden or Whistler. He served on the Council of the Royal Society of Painter-Etchers. ","880","£880","mounted","Print","Victorian","","","","","","",""
"2781","","William Ridgway after Holman Hunt","The Light of the World","Engraving","Published 12 May 1863 by Gambart & Co.","","","I 304 x 152; Pl. 442 x 254 mm","ii/ii","","","700","£700","mounted","Print","Victorian","","","","","","",""
"2782","","John Fullwood","The Gipsy Camp","Etching","","","","I 369 x 625 mm; Pl. 466 x 701 mm","","","Ex collection Lichtenstein","480","£480","mounted","Print","Victorian","","","","","","",""
"2783","","Edwin Edwards","Wells","Etching","","","","I & Pl. 162 x 257 mm","","","","220","£220","mounted","Print","Victorian","","","","","","",""
"2785","","Zepherin Felix Jean Marius Belliard","Marie Taglioni","Lithograph","Lith. Delpech Paris, c. 1820","","","I 240 x 210 mm, S 460 x 320 mm","","","","380","£380","mounted","Print","General Interest","Ballet & Dance","","","","","",""
"2786","","Angelica Kauffman","[Mother and Child]","Engraving","Published as the Act Directs 1776","","","I 150 x 113 mm, Pl. 160 x 117 mm, S 165 x 123 mm ","","","Andresen 33 only state","500","£500","framed","Print","Fine Prints","Engravers A-K","","","","","",""
"2788","","Phillimore","Oriel College Oxford","Etching","Published by Catty & Dobson","","","I 144 x 212 mm; Pl. 148 x 222 mm","","","","75","£75","mounted","Print","Oxford","Oriel College","","","","","",""
"2791","","Sir Hubert von Herkomer","Hubert Herkomer A.R.A and his children","Etching","","","","I 197 x 154 mm; Pl. 354 x 202 mm","i/ii","","Before all engraved letters and before steel-facing<br/>","350","£350","mounted","Print","Victorian","","","","","","",""
"2792","","John Park","Shields Harbour (Evening)","Etching","","","","I 196 x 300 mm; Pl. 208 x 305 mm","i/ii","","Shields harbour in Northumberland<br/>Died 1919.  Park was an etcher and he exhibited at leading London galleries.  Elected A.R.E.in 1898.","175","£175","mounted","Print","Victorian","","","","","","",""
"2794","","William Bell Scott after Dante Gabriel Rossetti","Miss Boyd of Penkill","Etching","20 December 1862","","","I 90 x 74 mm; Pl. 202 x 138 mm","i/ii Proof before title","","Impression with dedication in pencil to Algernon C. Swinburne by William Bell Scott<br/>Ex Collection William Bell Scott<br/>William Bell Scott (1811-1890) Although he contributed to “The Germ”, Scott was never a member of either Etching Club, since he worked and taught in Newcastle and later lived aminly in Ayrshire. His ideals were similar to those of most members of the Etching Club. He was a close friend of Dante Gabriel Rosetti and a great admirer of William Blake. At the time he was probably the most accomplished British artist working outside London <br/>","980","£980","","Print","Victorian","William Bell Scott","","","","","",""
"2797","","C. Rosenburg after Pugin","Quadrangle of Magdalen College","Aquatint","Published Jan. 1806 by J. Gundee, Albion Press London","","","I 280 x 385 mm","Thomas Malton, Oxford","","","120","£120","mounted","Print","Oxford","Magdalen College","","","","","",""
"2799","","Michael Rooker","The New Building Magdalen College from the Grove","Copper engraving with hand colouring","Published 1787","","","I 450 x 310 mm","Oxford University Almanack 1787","","","120","£120","mounted","Print","Oxford","Magdalen College","","","","","",""
"2800","","H. O’Neill","Part of the Quadrangle of Exeter College","Copper engraving with hand colouring","Published 1813","","","I 450 x 305 mm","Oxford University Almanack 1813","","","60","£60","mounted","Print","Oxford","Exeter College","","","","","",""
"2801","","G. Virtue","The New Building Magdalen College from the Grove","Copper engraving","Published 1730","","","I 440 x 340 mm","Oxford University Almanack 1730","","","150","£150","mounted","Print","Oxford","Magdalen College","","","","","",""
"2804","","William Williams","Ecclesia Omnium Sanctorum in Oxonia","Copper engraving","1750","","","Image 440 x 370 mm","Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 1732-33","","Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. ","150","£150","unmounted","Print","Oxford","Lincoln College","","","","","",""
"2806","","G. Vertue","Merton College with allegorical figures and the founder and benefactors","Copper engraving","Published 1737","","","I 440 x 350 mm","The Oxford Almanack of Our Lord God 1737","","The perspective is taken from Loggan.","285","£285","mounted","Print","Oxford","Merton College","","","","","",""
"2807","","P. Vedovato after H. Singleton","British Plenty","Stipple","c. 1794","","","Image 365 x 290 mm, Plate 435 x 330 mm, Sheet 445 x 340 mm","","","This is one of a pair of Singleton prints that contrast British wealth with food shortages in India (the other is entitled ‘Scarcity in India). There had been a particularly bad famine in Bengal in 1769-1770.<br/><br/>The artist Henry Singleton illustrated Shakespeare’s plays and produced sentimental genre scenes with an eye to the print trade. This pair of prints shows sailors on shore leave in pursuit of local girls. They provide particularly clear illustrations of seamen’s dress in the 1790s.<br/><br/>In contrast with ‘Scarcity in India’, which shows two men vying for the attentions of one girl, ‘British Plenty’ shows a single seaman between two girls. They are ostensibly trying to sell him vegetables but their fine dresses indicate that they are prostitutes. One holds a cauliflower and the other a cabbage in her apron. The resemblance between the girls and the vegetables they carry indicates that they themselves are the objects for sale. The right-hand girl is wearing a robe ‘à l’anglaise’ over a muslin skirt and a large mob cap decorated with ribbons. The left-hand girl has a Leghorn straw hat and a silk shawl.<br/><br/>The dress of the seaman is shown particularly clearly. He is in shore-going clothes with baggy wool or cotton trousers cut quite narrowly across the ankles and a blue wool jacket. The white lapels of the jacket are also found on officer’s coats of this period. The sleeves have mariner’s cuffs outlined with white piping. The cut of his waistcoat reflects contemporary civilian fashions. He has a white, checked shirt in cotton or linen, a tarred straw hat and a coloured silk neckerchief, probably imported from India. He holds a bottle of wine. The location of the scene is probably intended to be Portsmouth although the round tower at the entrance to the harbour is not shown accurately. ","280","£280","unmounted","Print","Fine Prints","Stipple","","","","","",""
"2811","","J. Donowell","A View of Magdalen College in the University of Oxford","Copper engraving","london Printed for John Bowles, c. 1750","","","I 260 x 420 mm","","","","300","£300","mounted","Print","Oxford","Magdalen College","","","","","",""
"2812","","James Basire after E. Dayes","Merton College from the Fields","Copper engraving","Published 1798","","","I 315 x 445 mm","From the Oxford Almanack 1798","","","150","£150","mounted","Print","Oxford","Merton College","","","","","",""
"2813","","F. J. Dela Cour ","Monument erected in 1835 upon Gad’s hill, near Rochester, a spot hallowed by the muse of Shakespeare ...","Lithograph","Day & Haghe Lith.rs to the King 1835","","","I 270 x 232; S 298 x 253 mm","","","Full title: <br/>This monument was erected in 1835 upon God’s hill, near Rochester, a spot hallowed by the muse of Shakespeare. Upon the column is the following inscription:-<br/>The friends of freedom in Kent, Erected this Monument to the Memory of CHARLES LARKIN, As a grateful testimony of his fearless and long-continued advocacy of Civil and Religiousliberty, And his zealous exertions in promoting the great and memorable measure of PARLIAMENTARY REFORM","50","£50","mounted","Print","British Topography","Kent","","","","","",""
"2814","","J. Cole","Merton College Chapel from the first Quadrangle","Copper engraving","Published Feb. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth","","","I 450 x 290 mm","","","Rare proof of the first state.","100","£100","mounted","Print","Oxford","Merton College","","","","","",""
"2815","","William Williams","Collegium Mertonense [Merton College]","Copper engraving","1750","","","I 370 x 470 mm","Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 1732-33","","Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. ","70","£70","mounted","Print","Oxford","Merton College","","","","","",""
"2816","","G. Hollis","St Alban Hall","Steel engraving","Published by J. Ryman, High St, Oxford 1836","","","I 148 x 190 mm","","","","100","£100","mounted","Print","Oxford","Merton College","","","","","",""
"2818","","Michael Burghers (?)","The Front of Exeter College in Oxford 1700","Copper engraving","c. 1750","","","I 290 x 460 mm","","","Rare.","160","£160","mounted","Print","Oxford","Exeter College","","","","","",""
"2819","","William Williams","Collegium Exoniense [Exeter College]","Copper engraving","1750","","","I 360 x 460 mm","Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 1732-33","","Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. ","160","£160","unmounted","Print","Oxford","Exeter College","","","","","",""
"2820","","Tomas Malton","Merton Church","Aquatint","Published 1802-1804","","","I 305 x 210 mm","Oxford","","","200","£200","mounted","Print","Oxford","Merton College","","","","","",""
"2821","","D. Havell after F. Mackenzie","West Entrance to the Chapel of Magdalen College","Aquatint with hand colouring","Published c. 1815 for Ackermann’s History of Oxford","","","I 205 x 265 mm","Ackermann, History of Oxford","","","140","£140","mounted","Print","Oxford","Magdalen College","","","","","",""
"2822","","William Williams","Collegium Lincolniense [Lincoln College]","Copper engraving","1750","","","I 360 x 455 mm","Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 1732-33","","Two quadrangle views showing Lincoln College and courtyard. Some discoloration and crease in centerfold.Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. ","160","£160","unmounted","Print","Oxford","Lincoln College","","","","","",""
"2824","","Merigot after Pugin","Oxford. Merton Church from the Grove","Aquatint","Published by Albion Press, c. 1810","","","I 270 x 380 mm","","","","100","£100","mounted","Print","Oxford","Merton College","","","","","",""
"2825","","I. Faber after A. Ramsay","Sr John Barnard","Mezzotint","Publish’d according to the act of Parliament A.D. 1739","","","I. 250 x 318 mm Pl. 253 x 354 mm S. 266 x 365 mm","","","","250","£250","mounted","Print","General Interest","Jacobite","","","","","",""
"2826","","John Faber, Jnr after Thomas Hudson","Alderman Benn","Mezzotint","","","","I. 306 x 250 mm Pl. 352 x 251 mm","","","Sharp 314, CS 30, O’D 2","300","£300","mounted","Print","General Interest","Jacobite","","","","","",""
"2827","","William Williams","Aula St. Edmundi [St. Edmund Hall]","Copper engraving","1750","","","Pl. 440 x 375 mm","Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 1732-33","","Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. ","150","£150","unmounted","Print","Oxford","St. Edmund Hall","","","","","",""
"2828","","George White after Thomas Murray","Henry St John late Lord Viscount Bolingbroke","Mezzotint","","","","I. 306 x 244 mm Pl. 355 x 247 mm","","","Sharp 331, CS 7, Russell 7, O’D 1","300","£300","mounted","Print","General Interest","Jacobite","","","","","",""
"2829","","B. Green","Almanack Commemorating the Completion of the Front Quadrangle of Queen’s College","Copper engraving","1762","","","I 494 x 447 mm","The Oxford Almanack 1762","","On the left Sir Joseph Williamson and Dr. Lancaster consult about a plan for rebuilding the Queen’s College; beside them are Bishop Barlow and Dr. Halton looking at the elevation of the library. In the background is a view of the College from the south.","300","£300","mounted","Print","Oxford","Queen’s College","","","","","",""
"2830","","N. Habert after F. C. de la Gange","Le R. P. Armand Iean Boutilier de Range Abbe de la Trappe Age De LXVI ans 1692","Engraving","","","","I. 233 x 321 mm S. 348 x 242 mm","","","","45","£45","mounted","Print","General Interest","Jacobite","","","","","",""
"2833","","John Faber, Jnr after Richard Phelps","Bampfylde Moore Caren king of the Beggers. From the Original Picture in the Possession of Thos. Carew Esqr. of Crowcombe in Somersetshire.","Mezzotint","","","","I. 272 x 221 mm Pl. 327 x 227 mm","","","Sharp 368, CS 56, O’D 1<br/>His names are relevant of Devonshire Jacobiteism","350","£350","mounted","Print","General Interest","Jacobite","","","","","",""
"2835","","William Faithorne after Edmund Lely","Mr. Jeremiah Collier","Mezzotint","Published by Excudit Edward Cooper","","","I. 219 x 177 mm Pl. 255 x 188 mm","","","Sharp 377, CS 6,  O’D 1","120","£120","mounted","Print","General Interest","Jacobite","","","","","",""
"2839","","Unknown engraver","Coll. Reg. Oxon. Conspectux Capellae et Refectorii, Ad Austrum [Queen’s College]","Copper engraving","Sold by Joseph Smith, London c. 1750","","","I 580 x 410 mm","","","","185","£185","unmounted","Print","Oxford","Queen’s College","","","","","",""
"2841","","Plowman","A View of the Grand Agricultural Dinner in Queen’s College Quadrangle, Oxford, July 17th 1839","Lithograph","Published in ‘Jackson’s Oxford Journal’, c. 1840","","","I 380 x 270mm","","","","","","mounted","Print","Oxford","Queen’s College","","","","","",""
"2842","","John Faber, Jnr after Richard Philps","Mrs Mary Anne Granville","Mezzotint","Published, Printed and sold by Thomas Bowles and John Bowles","","","I. 313 x 244 mm Pl. 349 x 246 mm","","","CS 167 O’D 1","160","£160","mounted","Print","General Interest","Jacobite","","","","","",""
"2843","","After Peter Tillemans","Thomas Hearne M.A. of Edmund Hall Oxon.","Mezzotint","","","","I. 139 x 111 mm Pl. 150 x112mm","","","Sharp 414, CS 53, O’D 5","160","£160","mounted","Print","General Interest","Jacobite","","","","","",""
"2844","","Emery Walker after Edmund Hort New","Oriel College Oxford","Photogravure","Published by Edmund Hort New: 17 Worcester Place Oxford; A.D. 1919","","","I 400 x 320 mm","","","Edmund Hort New, known as E.H. new was born in Evesham in 1871. He was the son of an important lawyer. He attended the Birmingham Municipal School of Art. He began painting landscape and later he devoted himself to illustration.  Early in his career he worked with Ruskin and other associated Arts and Crafts artists.  He later went on to work for William Morris's Kelmscott Press. The influence of these experiences is evident in his prints - the decorative boarders, armorials, etc.   <br/><br/>Over a period of years New did a series of prints of the Oxford Colleges based on the David Loggan's 1675 aerial perspectives.  New took Loggan's format and enriched his prints with many fine details of and abut the colleges and they are valued today by many collectors because of the high level of detail and the fact that they represent the colleges in their present state. <br/><br/>These prints were made through a relatively new process at the time - photo engraving.  Like photogravures the print is made by transferring a photo to a copper plate and then printing it.  With the E.H. New prints, a contact print of New's pen and ink drawing was made and the large negative attached to a plate which was then exposed in an acid bath, the acid only biting where the negative was clear; thus, creating and engraved plate of New's drawing.  The prints were available separately at shops in Oxford such as Ryman's in the early part of the 20th century. <br/>","375","£375","unmounted","Print","Oxford","Oriel College","","","","","",""
"2846","","William Williams","Collegium Orielense [Oriel College, aerial view]","Copper engraving","1733","","","I 470 x 540 mm","","","Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. ","350","£350","mounted","Print","Oxford","Oriel College","","","","","",""
"2848","","G. Lewis","Window of New College Chapel","Aquatint with hand colouring","London, Pub. June 1 1814 at 101 Strand, for R. Ackermann’s History of Oxford.","","","I 195 x 280 mm","Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.","","","80","£80","mounted","Print","Oxford","New College","","","","","",""
"2851","","John Faber, Jnr after John Michael Williams","Guilielmus King LLD.","Mezzotint","","","","I. 313 x 250 mm Pl. 355 x 251 mm","","","Sharp 473, CS 207, O’D 2","250","£250","mounted","Print","General Interest","Jacobite","","","","","",""
"2852","","F. Aliamet after W. Hogarth","Simon Lord Lovat","Engraving","","","","I. 123 x 950 mm","","","Sharp 501","35","£35","mounted","Print","General Interest","Jacobite","","","","","",""
"2854","","John Smith after Sir Godfrey Kneller","John Earl of Mar Lord Erskine Garioch & Alloa, Heritable Governour & Captain of Stirling Castle. One of the lords of Her Majesty’s Privy Council and Exchequer, and Colonel of a Regiment of Foot.","Mezzotint","","","","I. 237 x 274 mm S. 311 x 447 mm","","","Sharp 529 i, O’D 1, CS 159","450","£450","","Print","General Interest","Jacobite","","","","","",""
"2863","","William Wynne Ryland after Angelica Kauffman","Patience ","Stipple","Published April 21. 1777. by W.W. Ryland London.","","","I 310 mm oval; Pl. 377 x 288 mm, S 562 x 420 mm","","","i/ii Boerner 185, Le Blanc 25, Bleackley 29<br/>Provenance: Sledmere<br/>£4500 for the set of four","4500","£4,500","framed","Print","Fine Prints","Engravers A-K","","","","","",""
"2864","","William Wynne Ryland after Angelica Kauffman","Duchess of Richmond","Stipple","Published Nov.r the 21st 1775","",""," 310 mm oval; Pl. 370 x 280 mm, S 562 x 420 mm","By the Proprietor No. 159 near Somerset House Strand ","","ii/ii O'Donoghue 2 <br/>Provenance: Sledmere<br/>Price for the set of four","4500","£4,500","framed","Print","Fine Prints","Engravers A-K","","","","","",""
"2865","","William Wynne Ryland after Angelica Kauffman","Morning: Amusement  ","Stipple","Published April 3: 1783 by W.W. Ryland London.","","","I 310 mm oval; Pl. 390 x  300 mm, S 562 x 415 mm","i/ii","","Provenance: Sledmere<br/>Lady Hester Stanhope<br/>Not in O'Donoghue<br/>Price for the set of four","4500","£4,500","framed","Print","Fine Prints","Engravers A-K","","","","","",""
"2866","","William Wynne Ryland after Angelica Kauffman","Eloisa. ","Stipple","Published November 25. 1779 at No. 159 Strand London.","","","I 310 mm oval; Pl. 395 x  305 mm, S 562 x 420 mm","","","i/ii<br/>Boerner 143<br/>Provenance: Sledmere<br/>£4500 for the set of four","4500","£4,500","framed","Print","Fine Prints","Engravers A-K","","","","","",""
"2867","","Thomas Burke after Angelica Kauffman","Cupid and Cephisia","Stipple","Published Feb.y 1st 1789 by T. Burke N 5 Great College Street Westminster","","","I 364 mm oval, Pl. 474 x 334 mm","","","£1100 the pair.","1100","£1,100","framed","Print","Fine Prints","Engravers A-K","","","","","",""
"2872","","Unknown engraver","William Tunstall","Mezzotint","","","","I. 163 x 135 mm Pl. 184 x 136 mm","","","Sharp 653, CS 112, O’D 1","20","£20","mounted","Print","General Interest","Jacobite","","","","","",""
"2873","","J. Faber after Thomas Hudson","Sr, Watkin Williams- Wynn Bart (1692 - 1749)","Mezzotint","Price 2 Shills. Sold by Faber at the Golden Head Bloomsbury Square","","","I. 253 x 309 mm Pl. 253 x 355 mm S. 270 x 370 mm","","","Sharp 669","350","£350","framed","Print","General Interest","Jacobite","","","","","",""
"2875","","T. Burke after Angelica Kauffman","Angelica and Sacriponte","Stipple","Published Jany. 2 1792 by J. & J. Boydell","","","I 350 mm vircular, Pl. 485 x 390 mm","","","Price for the pair.","1100","£1,100","framed","Print","Fine Prints","Engravers A-K","","","","","",""
"2877","","T. Burke after Angelica Kauffman","Hanry and Emma","Stipple","Published Jany. 2 1792 by J & J.Boydell","","","I 350 mm vircular, Pl. 485 x 390 mm","","","Price for the pair","1100","£1,100","framed","Print","Fine Prints","Engravers A-K","","","","","",""
"2878","","","(Victims of the ‘15)","Engraving","","","","S. 529 x 700 mm","","","Sharp 694","1500","£1,500","framed","Print","General Interest","Jacobite","","","","","",""
"2884","","P. C. Canot after G. Budd","A True Representation of TOWER - HILL, as it Appear’d from a rais’d point of Viewon the North side, Augt. ye 18th 1746. when the Earl of Kilmarnock and Lord Balmerino were Beheaded.","Engraving","","","","I. 590 x 346 mm S. 619 x 379","","","Sharp 702","950","£950","framed","Print","General Interest","Jacobite","","","","","",""
"2885","","R.Wallis after J.M.W Turner","Hastings. To Charles Sackville Bale Esq. This Engraving  from the Original Drawing  in his Collection, is respectfully dedicated by his obliged humble servants, E. Gambert & Co.","Steel engraving","London published Nov.r 1851 by E. Gambert & Co. 25 Berners Street, Oxford Street, 1851","","","I 588 x 397 mm; S 640 x 498 mm","","","Rawlinson 665 iv/iv , but vi/vi","350","£350","mounted","Print","British Topography","Sussex","","","","","",""
"2886","","J.C. Stadler after J. Laport ","Margate, from Hazardous Row","Aquatint","Published by P. Burgess, Library, Ramsgate, July 1 1809","","","I 298 x 149 mm; S 387 x 248 mm","","","","120","£120","mounted","Print","British Topography","Kent","","","","","",""
"2888","","J. Martin after G. Titler","Clovelly - Devon","Lithograph","Published by J. Banfield, Ilfracombe circa 1838","","","I 304 x 184 mm","","","Project for monumental statue for King William IV<br/>Not in Somers-Cocks","80","£80","mounted","Print","British Topography","Devon","","","","","",""
"2890","","P.W. Tomkins","Miss Linwood","Stipple printed in colours","London Published as the Act directs April 29, 1806 for the Proprietor by P.W. Tomkins, 49 New Bond St.","","","I 393 x 315 mm, Pl. 470 x 370 mm, S 532 x 422 mm","","","Mary Linwood (1755-1845) needwork artist.","450","£450","framed","Print","Portraits","Artists Portraits","","","","","",""
"2891","","W. Spreat","Lynmouth, from the Quay","Lithograph","Printed & Published at W. Spreats Lithographic Establishment, 229, High Street, Exeter. Circa 1850","","","","I 280 x 191 mm; S 382 x 285 mm","","S.C. 1614 c. 1850","80","£80","mounted","Print","British Topography","Devon","","","","","",""
"2898","","Unknown engraver","A Representation of the Trial of Lord Lovat in Westminister-Hall","Engraving","","","","I. 188 x 233 mm S. 221 x 287 mm","","","Sold as a pair with Stock No. 2899","35","£35","mounted","Print","General Interest","Jacobite","","","","","",""
"2899","","Unknown engraver","A View of Westminister Hall","Engraving","","","","I. 149 x 162 mm S. 214 x 289 mm<br/>","","","Sold as a pair with Stock No. 2898","35","£35","mounted","Print","General Interest","Jacobite","","","","","",""
"2900","","Unknown engraver","A Representation of the Execution of Lord Lovat","Engraving","","","","I. 170 x 88 mm S. 220 x 140 mm","","","","45","£45","mounted","Print","General Interest","Jacobite","","","","","",""
"2903","","Thomas Rowlandson","The Vision","Engraving","Published May 15th, 1786 by E. Jackson No. 14 Mary le bone Street Gloden Square","","","I. 240 x 193 mm Pl. 263 x 252 mm S. 411 x 279 mm","","","From the Series, Beauties of Boswell, By Thomas Rowlandson. The series consisted of ten depictions satirizing Dr. Samuel Johnson and James Boswell’s visit to the Western Isles of Scotland","170","£170","mounted","Print","General Interest","Jacobite","","","","","",""
"2907","","Engraved by Van der Aa","Vue’ de la Ville de Perth","Engraving","","","","I. 157 x 125 mm Pl. 159 x 126 mm 179 x 156 mm","","","","45","£45","mounted","Print","General Interest","Jacobite","","","","","",""
"2909","","Engraved by G.Vertue","Almanack of 1751, The opening of the Radcliffe Library","Engraving on Silk","","","","I. 433 x 362","","","","250","£250","","Print","Oxford","Radcliffe Camera","","","","","",""
"2926","","","Oxford","Lithograph","Wagner & Debes’ Geogl. Estabt. Leipzig, 1930","","","","","","Scale 1:10.250","15","£15","","Map","Oxford","Oxford Maps","","","","","",""
"2930","","","Prints of Fruit and Vegatbles","Chromolithograph","Supplement to The Profitable Farm and Garden, c. 1900","","","S 315 x 215 mm","The Profitable Farm and Garden","","","30","£30","","Print","General Interest","Flora","","","","","",""
"2932","","W. Gauci after Delamotte","Oriel College","Lithograph","Published c. 1843","","","I 350 x 250 mm","Original Views of Oxford, its Colleges, Chapels and Gardens from drawings expressly for this work by William Alfred Delamotte. Executed in Lithography by William Gauci, with Historical and Descrpitive notices by Charles Ollier. London: Thomas Boy. 1843","","Light foxing.","120","£120","mounted","Print","Oxford","Oriel College","","","","","",""
"2933","","Carl Rundt","New College, from the Garden","Lithograph with tint stone","Berlin: D. von C.G. Brandis. n.d. [c1846]","","","Image 395 x 285 mm","A Walk round Oxford. ","","From Carl Rundt’s Views of the most picturesque Colleges in the University of Oxford. Published in Berlin in two parts with five lithographed plates and four pages of discriptive text in English and German to each part and with a note recommending Ingram’s Memorials of Oxford.  A blind stamp of the intials CR with an arrow surrounded by a wreath appears on each sheet.  The fact that these prints were published in Berline contributes to the these prints scarcity and they are rarely seen.","480","£480","mounted","Print","Oxford","New College","<br/>","","","","",""
"2935","","Emery Walker after Edmund Hort New","Wadham College Oxford","Photogravure","Published by Edmund Hort New: 17 Worcester Place Oxford; June 1st 1910","","","I 410 x 260 mm","","","","350","£350","mounted","Print","Oxford","Wadham College","","","","","",""
"2936","","William Williams","Colleg. Diui Ioannis Baptistae [St. John’s College]","Copper engraving","1732-33","","","I 370 x 460 mm","Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 1732-33","","Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. ","160","£160","mounted","Print","Oxford","St. John’s College","","","","","",""
"2937","","William Williams","Collegium Ste. Trinitatis [Trinity College, double prospect]","Copper engraving","1722-23","","","I 400 x 480 mm","","","<br/><br/>","65","£65","mounted","Print","Oxford","Trinity College","","","","","",""
"2938","","William Williams","Colleg. Diui Ioannis Baptistae [St. John’s College, double prospect]","Copper engraving","1732-33","","","I 380 x 480 mm","Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 1732-33","","Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. ","120","£120","mounted","Print","Oxford","St. John’s College","","","","","",""
"2940","","William Williams","Collegium Wadhamense [Wadham College, aerial view]","Copper engraving","1750","","","I 400 x 525 mm","Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 1732-33","","Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. ","320","£320","mounted","Print","Oxford","Wadham College","","","","","",""
"2942","","Pigot, James ","Gloucestershire","Steel engraving with hand colouring","Published by Pigot & Co. 17 Basing Land & 18 Fountain St. Manchester, 1831 ","","","350 x 220 mm","From Pigot & Co’s British Atlas","","Pigot & Son produced a very finely engraved series of oblong county maps for theur various National Commercial Directoris and these were issued  collectively as Pigot & Co’s British Atlas in 1831","75","£75","mounted","Map","English Counties","Gloucestershire","","","","","",""
"2943","","Stanford, Edward ","Oxfordshire and Berkshire","Lithograph","London: Edward Stanford, Ltd. 12, 13, &14, Long Acre, W.C. ","","","240 x 180 mm","","","","25","£25","","Map","English Counties","Oxfordshire","","","","","",""
"2946","","William Williams","Collegium Vigorniense [Worcester College]","Copper engraving","1750","","","I 460 x 375 mm","Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 1732-33","","Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. ","300","£300","mounted","Print","Oxford","Worcester College","","","","","",""
"2947","","William Williams","Colleg. Diui Ioannis Baptistae [St. John’s College, aerial view]","Copper engraving","1732-33","","","Image 420 x 560 mm","Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 1732-33","","Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. ","400","£400","mounted","Print","Oxford","St. John’s College","","","","","",""
"2948","","Unknown artist","Trinity College Oxford, New Quadrangle,","Photolithograph","Published  in ‘The Building News’1885","","","I 380 x 280 mm","","","","120","£120","mounted","Print","Oxford","Trinity College","","","","","",""
"2951","","Michael Rooker","St. John’s College from the Garden","Copper engraving with hand colouring","Published 1783","","","I 295 x 445 mm","From the Oxford Almanack, 1783","","","220","£220","mounted","Print","Oxford","St. John’s College","","","","","",""
"2952","","Albany E. Howarth","Trinity College","Etching","c.1920","","","Image and plate 230 x 175 mm","","","Signed in pencil ","150","£150","framed","Print","Artists","Albany E Howarth","","","","","",""
"2954","","J. Skelton after C. Wild","Wadham College from the Garden","Copper engraving with hand colouring","c. 1820","","","I 445 x 310 mm","","","","130","£130","mounted","Print","Oxford","Wadham College","","","","","",""
"2955","","Antonio Zecchin after Singleton","The Absent Father or the Sorrows of War","Stipple engraving printed in colours","Published September 30, 1799, by Antoine Suntach","","","I 347 x 292 mm, Pl. 441 x 338 mm","","","the pair<br/>","960","£960","framed","Print","Fine Prints","Foreign Copies of English Prints","","","","","",""
"2956","","W. Gauci after Delamotte","Trinity College Chapel, Oxford","Lithograph","Published c. 1840","","","I 350 x 255 mm","Original Views of Oxford, its Colleges, Chapels and Gardens from drawings expressly for this work by William Alfred Delamotte. Executed in Lithography by William Gauci, with Historical and Descrpitive notices by Charles Ollier. London: Thomas Boy. 1843","","","80","£80","mounted","Print","Oxford","Trinity College","","","","","",""
"2957","","After Muirhead Bone","Building Nuffield College, 1950","Photolithograph","Published c. 1950","","","I 425 x 275 mm","From the Oxford Almanack","","","50","£50","mounted","Print","Oxford","Nuffield College","","","","","",""
"2963","","J. Bretherton after J.W Bunbury","CANTAB.","Etching","Publish’d as the Act directs May 2. 1772 By J. Bretherton No. 134, New Bond Street","","","I 235 x 190 mm","","","","60","£60","mounted","Print","General Interest","Caricatures","","","","","",""
"2967","","J. C. Stadler after Geo. Wather Esq.r","Ramsgate Town and Harbour, from the East Pier Head","Aquatint","Pub.d by P. Burgess Library Ramsgate July 1. 1809","","","I 297 x 142 mm; Pl. 342 x 218 mm","","","","120","£120","mounted","Print","British Topography","Kent","","","","","",""
"2969","","J.C Stadler after Geo. Walker Esq.r","Ramsgate Pier, from the Bathing Sands","Aquatint with hand colouring","Pub.d by P. Burgess Library Ram--sgate July 1 1809","","","I 296 x 147 mm; Pl. 340 x 202 mm","","","","120","£120","unmounted","Print","British Topography","Kent","","","","","",""
"2971","","Hanslip Fletcher","Littlenose Court","Pen and ink","1931","","","S 380 x 530 mm","","","Some silverfish damage ","100","£100","","Print","Oxford","General Views","","","","","",""
"2973","","Thomas Hewitt Williams","Clovelly, North Devon","Lithograph","Published by Cole & Co. Exeter 1821.","","","I 256 x 180 mm","","","Printed by Rowney & Forster, London<br/>[Somers Cocks 369]","50","£50","mounted","Print","British Topography","Devon","","","","","",""
"2976","","Whessell, J. and Bartlett, T. ","Oxonia Antiqua Instaurata, Sive Urbis & Academiae Oxoniensis Topographica delineatio olim a Radulpho Agas impressa A.D. 1578 nunc denuo oeri incisa AD MDCCXXVIII. Huic in Margine acceste Cod: MS Bodl: Collegiorum & Scholaram Scenographia anplior & accuratior a Th. Neal STB descripta AD 1566","Copper engraving with hand colouring","Engraved and Published by J . Whessell and T. Bartlett 1831, for Oxford Delinated","","","","for Oxford Delineated","","","100","£100","mounted","Map","Oxford","Oxford Maps","","","","","",""
"2978","","William Gauci after J Neet.","St. Aubin’s from the road leading to St Peters. Jersey","Lithograph with hand colouring","Pub.d by M Mofs, Guernsey.<br/>Printed by C. Hullmandel","","","I 254 x 175 mm","","","","80","£80","unmounted","Print","British Topography","British Islands","","","","","",""
"2979","","W. Gauci after N. De Garis Jun.r","Town of St. Helliers. Jersey","Lithograph with hand colouring","Pub.d by M. Moss Guernsey and C. Le Lievere Jersey. W Day Lith.r to the King 17, Gate St.","","","I 251 x 176 mm","","","","80","£80","unmounted","Print","British Topography","British Islands","","","","","",""
"2980","","Day & Son. Litho.s to the Queen","Watergate St. Chester. <br/>The motto on this old house is said to have been inscribed by the occupier as a grateful memorial, after escaping the plague, which had visited almost every other dwelling in the city. (Vide Chester Guide, page,33)","Lithograph","Published by T. Catherall, Eastgate Row, Chester & Bangor","","","I 283 x 187 mm","","","","40","£40","mounted","Print","British Topography","Cheshire","","","","","",""
"2982","","William Gauci after T. Maisey","On the Thames, at Northfleet","Lithograph","Printed by W. Gauci 9 North Cres.t Bedf.d Sq.re","","","I 405 x 285 mm","","","","90","£90","mounted","Print","British Topography","Kent","","","","","",""
"2983","","A. Aglio after Rolston","Mr Hyde’s Shop Market Street","Lithograph","Published by D. & P. Jaksons, 1 Spring Gardens, Manchester","","","I 366 x 264 mm","","","","150","£150","mounted","Print","British Topography","Lancashire","","","","","",""
"2984","","W. Sims after J.B. Sedgwick","The House in which Richard III slept at Leicester, the night before the battle of Bosworth Field. Then known as the Blue Boar Inn at Leicester","Lithograph","London Marsh & Miller, 137 Oxford Street,1830<br/>Printed by Engelmann& Co.","","","I 232 x 164 mm","","","","50","£50","mounted","Print","British Topography","Leicestershire","","","","","",""
"2986","","T. Sutherland after Augustus Pugin","Pavilion, Centre Part of the Front Towards the Steine, John Nash Esq. Archt. & Invent.","Aquatint","London Published   1824 by John Nash Esqr. & Sold by R. Ackermann, 101 Strand","","","I 258 x 213 mm, Pl 385 x 330 mm, S 365 x 540 mm","Illustrations of Her Majesty's palace at Brighton; formerly the Pavilion: : executed by the command of King George the Fourth, under the superintendence of John Nash, ... To which is prefixed, a history of the palace, by Edward Wedlake Brayley, 1838 ","","","150","£150","mounted","Print","British Topography","Sussex","","","","","",""
"2988","","H. Winkles after Augustus Pugin","Pavilion North & South Galleries, Chamber Floor.","Aquatint","London Published June 2 1823 by John Nash Esqr. & Sold by R. Ackermann, 101 Strand","","","I 210 x 305 mm, Pl 333 x 380 mm, S 365 x 540 mm","Illustrations of Her Majesty's palace at Brighton; formerly the Pavilion: : executed by the command of King George the Fourth, under the superintendence of John Nash, ... To which is prefixed, a history of the palace, by Edward Wedlake Brayley, 1838 ","","","100","£100","mounted","Print","British Topography","Sussex","","","","","",""
"2989","","W. Gauci after T. C. Dibdin","Torbay, from Tor Abbey Sands","Lithograph","Printed by M & N Hanhart","","","I 300 x 200 mm","","","Gaucci/Dibdin/Vivian [Pub. by Cockrem, Elliot & Barrett of Torquay and R. Ackermann, as the 2nd pate of their series. Scenes of Torquay and Babicomb: S.C. 3284]","80","£80","mounted","Print","British Topography","Devon","","","","","",""
"2990","","G. Tytler","William The Fourth Erected by Voluntary Subscription A.D. MDCCCXXXII","Lithograph","","","","I 273 x 221 mm","","","never built","50","£50","mounted","Print","British Topography","Dorset","","","","","",""
"2992","","W. J. Bennett  after Augustus Pugin","Pavilion, Saloon","Aquatint","London Published July1823 by John Nash Esqr. & Sold by R. Ackermann, 101 Strand","","","I 210 x 305 mm, Pl 333 x 380 mm, S 365 x 540 mm","Illustrations of Her Majesty's palace at Brighton; formerly the Pavilion: : executed by the command of King George the Fourth, under the superintendence of John Nash, ... To which is prefixed, a history of the palace, by Edward Wedlake Brayley, 1838 ","","","100","£100","mounted","Print","British Topography","Sussex","","","","","",""
"2993","","W. J. Bennett  after Augustus Pugin","Pavilion, Gallery, in its present state, looking towards the Music Room","Aquatint","London Published July1823 by John Nash Esqr. & Sold by R. Ackermann, 101 Strand","","","I 210 x 305 mm, Pl 333 x 380 mm, S 365 x 540 mm","Illustrations of Her Majesty's palace at Brighton; formerly the Pavilion: : executed by the command of King George the Fourth, under the superintendence of John Nash, ... To which is prefixed, a history of the palace, by Edward Wedlake Brayley, 1838 ","","","100","£100","mounted","Print","British Topography","Sussex","","","","","",""
"2994","","after G. Howse","The Race","Chromolithograph","Published by Ryman, Oxford, c. 1855","","","I 275 x 468 mm, S 342 x 537 mm","","","Scarce Print","450","£450","mounted","Print","Sports","Rowing","Rowing","","","","",""
"2995","","","Rowing, University eight training on the Isis","Lithograph","William MacKenzie, London, Edinburgh & Glasgow, c. 1865","","","I 143 x 217 mm, S 238 x 307 mm","","","","200","£200","mounted","Print","Sports","Rowing","Rowing","","","","",""
"3000","","After Cipriani","Hebe. In the Collection of Chas. Boddam Esq.","Colour printed stipple","Publish’d by A. Klauber","","","I 111 x 87 mm, Pl. 190 x 147 mm, S 268 x 210 mm","","","A German copy of a stipple by Bartolozzi","120","£120","mounted","Print","Fine Prints","Foreign Copies of English Prints","","","","","",""
"3001","","Francesco Bartolozzi after P. Violet","[Astronomy]","Stipple","London Pubd. Jany. 1 1793 by C. Gusan & Sold by I.F. Tomkins No. 49 New Bond Street","","","I 70 mm oval, PL. 175 x 115 mm, S 202 x 135 mm","","","de V & C 574 iii/iv<br/>The small boy is Issac Newton aged 7<br/><br/>","35","£35","mounted","Print","Fine Prints","Stipple","","","","","",""
"3002","","S. des M....z after La Sigra. Rosabella","La Sigra. Rosabella peinte par elle meme.","Stipple","","","","I  95 mm oval, Pl. 160 x 120 mm, S 210 x 165 mm","","","","100","£100","mounted","Print","Fine Prints","Stipple","","","","","",""
"3004","","Antoine Suntach after Henry William Bunbury","Charlotte","Stipple","","","","Pl. 200 x  170 mm, 255 x 180 mm, S 295 x 233 mm ","","","","200","£200","mounted","Print","Fine Prints","Foreign Copies of English Prints","","","","","",""
"3005","","Jacques Bonnefoy after Angelica Kauffman","Nymphs Sacrificing to Love.","Stipple printed in colours","London Published by Tessari & Co. Pall Mall","","","I 260 x 345 mm, Pl 330 x 380 mm, S 330 x 395 mm","","","","400","£400","mounted","Print","Fine Prints","Engravers A-K","","","","","",""
"3014","","W. M. Craig","","","Pub. by T. Ostell Nov. 1 1806","","","Pl. 274 x 410 mm, I 250 x 360 mm, S 287 x 442 mm","","","","175","£175","mounted","Print","Fine Prints","Artists Prints","","","","","",""
"3015","","","The Two Comerades before the Battle","Lithograph with hand colouring","","","","I 383 x 227 mm, S 415 x 315 mm","","","the pair","150","£150","mounted","Print","General Interest","Military","","","","","",""
"3017","","Martin & Hood","The Bowyer Bible and Cabinet, Value Three Thousand One Hundred Guineas; Measures Eight Feet Six Inches in Length and the Same in Height, The Highest Portion in Mrs Mary Parkes’s Last Grand Club Subscription.","Lithograph","1848","","","I 320 x 334 mm, S 380 x 340 mm","","","","100","£100","mounted","Print","General Interest","Loose Prints and Curiosities","","","","","",""
"3018","","George Morland ","","Mezzotint","","","","I 307 x 248 mm, Pl. 355 x 251 mm, S 412 x 312 mm","","","","150","£150","mounted","Print","Fine Prints","Engravers L-R","","","","","",""
"3020","","","The Finishing School or Quite Accomplished.","Aquatint with hand colouring","London, Published Feby. 1 st 1838 by Thomas McLean, 26, Haymarket","","","Pl. 303 x 385, S 316 x 402 mm","","","","200","£200","mounted","Print","General Interest","Caricatures","","","","","",""
"3026","","A. Maclure","Destruction of the American Emigrant Ship Ocean Monarch, on the 24th August, 1848","Lithograph with tint stone","Published for the Benefit if the Liverpool Sailors Home, By Acker mann & Co. Strand, London; Maclure, Macdonald & Mcgregor. Liverpool, Grundy: Manchester and McClure & So, Glasgow","","","I 310 x  470 mm, S 383 x 510 mm","","","The Ocean Monarch, an emigrant ship, left Liverpool for America on 24 August 1848. Six miles off Great Orme's Head, North Wales, a passenger was discovered lighting a fire which quickly got out of control. Many emigrants took refuge in the bows and rigging of the foremast, which snapped hurling them in to the sea. Several nearby vessels assisted in the rescue but of the 322 people on board, 178 were lost.<br/><br/>","180","£180","mounted","Print","General Interest","Maritime","","","","","",""
"3035","","G. Hadfield after Richard Cosway R.A.","His Most Serene Highness Louis Phillip Joseph Duke of Orleans","Stipple","Published as the Act directs 1788 by R. Cosway","","","I 240 x 140 mm, Pl. 335 x 240 mm, S 392 x 280 mm","","","D 112","180","£180","mounted","Print","Portraits","House of Savoy","","","","","",""
"3036","","T.G. Dutton","Messrs.Donald Currie & Cos. Royal Mail Steam Ship “Grantully Castle”, 3489 Tons Built by Messrs Barclay Curie & Co, White Incxh Ry, Glasgow","Lithograph with tint stone ","London, Published June 1st 1881 by John B. Day, 5 Blythwood Villas Crouch Hill N.","","","I 277 x 450 mm","","","","440","£440","mounted","Print","General Interest","Maritime","","","","","",""
"3037","","John Smith after Sir Godfrey Kneller","Johannes Smith","Mezzotint","Published by John Smith 1716","","","I 302 x 255 mm, Pl. 341 x 257 mm, S 360 x 275","","","CS 232 ii","600","£600","mounted","Print","Portraits","Artists Portraits","","","","","",""
"3038","","Geo. Rowe","Teignmouth from Torquay Road","Lithograph","Published by Geo. Rowe, 69 Georges Place, Cheltenham","","","I 150 x 265 mm; S 235 x 340 mm","","","DEVON<br/>b/a/p Geo Rowe Chelt* S.C. 2924, c. 1840","45","£45","mounted","Print","British Topography","Devon","","","","","",""
"3039","","Freeman after Carlo Amatucoi","His Excellency Sir Wm. Carr Beresford K.B. ","Stipple","Pub & Sold Jany. 26 1814 by Edwd. Ormw, Publisher to his Majesty & H.R.H. the Prince Regent, Bond St. Corner of Brook Street London","","","I 103 mm oval, Pl. 200 x 134 mm, S 255 x 192 mm","","","","50","£50","mounted","Print","Portraits","Military and Naval","","","","","",""
"3040","","Edward Morton after John Constable","Cottage adjoining ...","Lithograph","London, Published J. Dickenson","","","I 140 x 195 mm; S 210 x 255 mm ","The birthplace of late John Constable Esq. R.A. from a sketch by himself, taken in 1836.","","","25","£25","mounted","Print","British Topography","Suffolk","","","","","",""
"3042","","J. Fallowfield Masser after Robert Bownas","Wakefield","Lithograph","Published by J. Fallowfield Masser, 25, Boar Lane Leeds 1865","","","Pl. 215 x 352 mm;  S 340 x 472 mm","","","","180","£180","mounted","Print","British Topography","Yorkshire","","","","","",""
"3044","","C. Philips Jacobs","Gezicht na de Zaag-Moolens Poort te Amsterdam","Copper engraving","","","","I 245 x  345 mm; Pl. 280 x 370 mm; S 335 x 415 mm","","","","80","£80","mounted","Print","Foreign Topography","Low Countries","","","","","",""
"3045","","Paolo Fumagalli","Vue de Teatre Tragique a Pompei","Aquatint","Dessine d’apres nature en 1821","","","I 205 x 280 mm; Pl. 280 x 330 mm; S 300 x 405 mm","","","","60","£60","mounted","Print","Foreign Topography","Italy","","","","","",""
"3046","","Day & Haghe after B. Bury","Breakfast Room at Drakelowe, The Seat of Lady Sophia des Vaux","Lithograph","Published by Day & Haghe c. 1844","","","I 185 x 370 mm; S 380 x 560 mm","","","","30","£30","mounted","Print","British Topography","Derbyshire","","","","","",""
"3047","","Day & Haghe after B. Bury","Drakelowe, The Seat of Lady Sophia des Vaux","Lithograph","Published by Day & Haghe c. 1844","","","I 260 x 365 mm; S 380 x 560 mm","","","now demolished","50","£50","mounted","Print","British Topography","Derbyshire","","","","","",""
"3048","","Jonathan Young after John Rising","The Ballad Girl","Mezzotint","","","","I 315 x 250 mm, S 335 x 250 mm","","","not in CS","600","£600","framed","Print","Fine Prints","Engravers S-Z","","","","","",""
"3049","","Hibbert after C.W. Bampfield","Oakhampton Castle in Devonshire","Aquatint","Pub. As the Act directs 25th March 1791 by W. Hibbert","","","I 180 x 260 mm; Pl. 240 x 300 mm; S 260 x 320 mm","","","not in Somers Cocks. c.1790<br/>C.W. Bampfield (d.1791) a landagent and Lt. Col of the North Somerset Militia, is best known as a watercolourist: a few topographical etchings and book-illustrations are known.<br/>Hibbert/CWB for Hibbert Aq. Not in Somers Cocks. c. 1790. Copelstone Warre Bampfield (d.1791), a land-agent and Lt-Col of the North Somerset Militia, is best known as a watercolourist: a few topographical etchings and book-illustrations are known.","120","£120","mounted","Print","British Topography","Devon","","","","","",""
"3050","","Jukes & Sarjent after W. Brown","Durham, from the lower end of Framwell Gate","Aquatint","London Published May 3rd 1809, by Jukes & Sargent 57 Upper John Street Fitzroy Square","","","I 220 x 340 mm; Pl 270 x 365 mm : S 280 x 385 mm","","","","250","£250","mounted","Print","British Topography","Durham","","","","","",""
"3052","","Axel Haig","Durham Cathedral","Etching","1893","","","Pl. 626 x 438 mm","","","Lennox-Boyd 119<br/><br/>Axel Haig R.E., a Swede, came to etching from architectural drawing and originally naval architecture. His earliest etchings showed the omission of the inessential, the hallmark of the new etchers but he soon found his feet making etchings suitable to be framed and put on the walls as rivals to paintings. His technique was different: look closely at a Haig Cathedral interior and you see a confused melee of lines, step back and you get the authentic gloom of the Middle Ages. ","950","£950","mounted","Print","Victorian","Axel Haig","","","","","",""
"3053","","Axel Haig","Flemish Lace Workers","Etching","","","","I 191 x 279 mm; Pl. 197 x 286 mm","","","Impression signed by Haig and inscribed to James Howard Ince<br/>One of 100 on Whatman at 1 gn.<br/>Lennox-Boyd 22<br/>Axel Herman Haig, R.E. a swede, came to etching from architectural drawing and originally naval architecture. His earliest etchings showed  the omission of the inessential, the hall mark of the new etchers, but he soon found his feet making etchings suitable to be framed and put on the walls as rivals to paintings. His technique was different: look closely at a Haig Cathedral interior and you see a confused melee of lines, step back and you get the authentic gloom of the Middle Ages.","300","£300","framed","Print","Victorian","Axel Haig","","","","","",""
"3057","","Robert Walker Macbeth","The Coming Storm","Etching","Published 1 May 1894","","","I 331 x 553 mm; Pl. 370 x 590 mm","","","Impression inscribed “F Goulding imp.”<br/>Signed by Macbeth<br/>Laid down<br/>Robert Walker Macbeth (1848 - 1910)<br/>Walker Macbeth was the son of the Scottish portrait painter Norman Macbeth. he was an etcher, watercolourist and painter of pastoral landscapes, rustic genre scenes and has a unique etching style, very different from Haden or Whistler. He served on the Council of the Royal Society of Painter-Etchers.","700","£700","framed","Print","Victorian","","","","","","",""
"3059","","Henry Robert Robertson (1839-1921)","The plowman homeward plods his weary way.../me","Etching","","","","I 258 x 444 mm; Pl. 317 x 487 mm","","","Robertson was a landscape painter and “Idyllist”.<br/>Inspired by Thomas Gray’s (1716-1771) “Elergy Written in a country Churchyard”. The image refers to line 3 in the poem, “The plowman homeward plods his weary way,” whereas the remark in the inscription space refers to lines 9 and 10 “Save that from yonder ivy-mantled tow’r the moping owl does to the moon complain”. <br/>Impression signed by Robertson<br/>Issued by Dunthorne in an edition of 100 at 2 gns each<br/>Exhibited at the Chicago World Fair 1890 (no.414)<br/><br/>","450","£450","framed","Print","Victorian","","","","","","",""
"3061","","After Matheus Terwesten","[Diana discovering Callisto’s pregnancy] or [Diana and nymphs bathing]","Mezzotint","","","","I 272 x 366 mm, Pl. 272 x 366","","","Hollstein Jan Verkolje I, 3 Wessely 29 Le Blanc Jan Verkolje I, 30<br/>Possibly after the painting mentioned by Matheus Terwesten as in Rome (see C. Hofstede de Groot, A Catalogue raisone of the works of the most eminent Dutch painters..)<br/><br/>With dry stamp ‘G’ probably J.B. de Graaf (Lugt 1120)","300","£300","mounted","Print","Fine Prints","Decorative","","","","","",""
"3064","","Richard Houston","Will,m Beckford Esq,r Member of Parliment for the City of London [...] Ja,,s Townsend Esq.r [...] John Sawbridge Esq.r [...]","Mezzotint","Published as the Act directs, Sepr. 29th 1769, by Jn.o Smith  No. 35 in Cheapside; and Robert Sayer No. 53 in Fleet Street","","","I 392 x 270 xx, Pl. 305 x 393 mm","","","CS 9 ii/ii, Russell 9, O’ Donoghue Groups 55","500","£500","mounted","Print","Portraits","British Political","","","","","",""
"3065","","William Sharp","Thaddeus Kosciuszko","Copper engraving","1873","","","I 305 x 377 mm, Pl. 375 x 423 mm, S 447 x 630 mm","","","(1746 – 1817) was a Polish national hero, general and a leader of that nation's uprising against Russia in 1794. He fought in the American Revolutionary War as a colonel in the Continental Army on the side of Washington. In recognition of his dedicated and faithful service he was brevetted by the Continental Congress to the rank of Brigadier General in 1783.<br/><br/>Baker 57 iv/iv","125","£125","mounted","Print","Portraits","Foreign Political","","","","","",""
"3066","","I. Pieterse after I. Loots","Het Laatste Abondmall  [The Last Supper]","Mezzotint","","","","I 261 x 392 mm, Pl. 299 x 391","","","unrecorded","300","£300","mounted","Print","General Interest","After Old Masters","","","","","",""
"3068","","Jukes after Claude Lorraine Smith","[A Proof Impression of Robt. Charlton using the Norfolk Plough in 1790 at Enderby]","Aquatint and etching","","","","I 352 x 457 mm, S 377 x 457 mm","","","A touched proof. inscribed in manuscript","300","£300","mounted","Print","Fine Prints","Engravers L-R","","","","","",""
"3069","","J. Dadley after Edward Dayes","A View of Wadham College, from the Garden","Copper engraving","Published 1795","","","I 450 x 290 mm","From the Oxford Almanack 1795","","Slight repair top right corner.","160","£160","mounted","Print","Oxford","Wadham College","","","","","",""
"3070","","Joseph Skelton after C. Wild","The Radcliffe Library","Copper engraving","Published 1818","","","I 445 x 315 mm","From the Oxford Almanack 1818","","","140","£140","mounted","Print","Oxford","Radcliffe Camera","","","","","",""
"3071","","Buck","The North Prospect of the Cathedral Church of Oxford","Copper engraving with hand colouring","c. 1790","","","I 570 x 420 mm","","","","150","£150","mounted","Print","Oxford","Oxford Churches","","","","","",""
"3072","","Unknown engraver","The Choir of the Cathedral Church of Oxford","Aquatint with hand colouring","Published by R. Jennings, 2 Poultry, 1828","","","I 380 x 275 mm","","","Enscribed C. Wild on verso.","100","£100","mounted","Print","Oxford","Oxford Churches","","","","","",""
"3073","","B. Green after S. Wale","The buildings in the Physic Gardens [Botanical Gardens, Oxford]","Copper engraving","Published 1766","","","I 440 x 330 mm","From the Oxford Almanack 1766","","The inscription from the gateway records the founding of the Botanic Garden by Charles I in 1632.","75","£75","mounted","Print","Oxford","Botanic Garden","","","","","",""
"3074","","D. Havell after A. Pugin","Botanic Garden","Aquatint with hand colouring","Published for R. Ackermann’s History of Oxford, November 1814","","","I 130 x 195 mm","Ackermann, History of Oxford","","","70","£70","mounted","Print","Oxford","Botanic Garden","","","","","",""
"3075","","B. Green after S. Wale","The buildings in the Physic Gardens [Botanical Gardens, Oxford]","Copper engraving","Restrike of the 1766 edition","","","I 440 x 330 mm","","","Late impression c. 1860.<br/>The inscription from the gateway records the founding of the Botanic Garden by Charles I in 1632.","75","£75","mounted","Print","Oxford","Botanic Garden","","","","","",""
"3077","","J. L Jackson","The Schools, Oxford","Photolithograph","Published in The Building News, Dec. 18, 1855","","","Image 380 x 240 mm","","","","65","£65","mounted","Print","Oxford","Examination School","","","","","",""
"3078","","","The Lovely Lavinia.","Mezzotint with contemporary hand colour","London, Published as the act directs, January 7th 1784, by R. Sayer & J. Bennett, Map Chart & Printsellers & Globe-makers, No. 53 Fleet Street.","","","I 324 x 245 mm, Pl. 350 x 245 mm","","","","450","£450","framed","Print","Fine Prints","Drolls","","","","","",""
"3079","","","[John (Lord) Campbell]","Lithograph","London XYZ","","","I. 214 x 213 mm S. 299 x 242 mm","","","The firgure on the left is probably Lord Plunket who Campbell succedded in parcular cirumstances as Lord Chancellor of Ireland in 1846","100","£100","mounted","Print","General Interest","Victorian Caricatures","","","","","",""
"3080","","","Apocrypha Combatants - Neither will come to the scrach","Lithograph","Published at Sinclairs 10 W: Regester 8:Ed","","","I. 221 x 307 mm S. 262 x 423 mm","","","The Apocryphya Controversy (1824-1836)<br/>This was caused by Rev. Andrew Thomson (1779-1831) minister of St. George’s Edinbrugh leading the Edinburgh Bible Society to break off its apociation with the British and Foreign Bible Society when the latter decided to print Bibles with the Apocrypha bound in: the apocrypha being canonical in Catholic Europe. The Rev. Henry Grey (1778-1859) Minister of St. Mary’s Edinbrugh dissented. <br/>The Quarrell was mainly personal, but had Religious and National overtones.<br/><br/>Thompson on the left: Grey on the right. The infantry officer is called Major O’Trigger.<br/>BM Cat. 15577","140","£140","mounted","Print","General Interest","Victorian Caricatures","","","","","",""
"3081","","","Apocrypha Combatants No. 2 - The Rehersal","Lithograph","Published at Sinclairs 10 West Regester St. Edinbrugh","","","I. 306 x 215 mm 388 x 246 mm","","","The Apocryphya Controversy (1824-1836)<br/>This was caused by Rev. Andrew Thomson (1779-1831) minister of St. George’s Edinbrugh leading the Edinburgh Bible Society to break off its apociation with the British and Foreign Bible Society when the latter decided to print Bibles with the Apocrypha bound in: the apocrypha being canonical in Catholic Europe. The Rev. Henry Grey (1778-1859) Minister of St. Mary’s Edinbrugh dissented. <br/>The Quarrell was mainly personal, but had Religious and National overtones.<br/><br/>Mr & Mrs Grey at home, while Mr. Thomson eve drops.<br/>  <br/>BM Cat. 15575","130","£130","mounted","Print","General Interest","Victorian Caricatures","","","","","",""
"3082","","","Supplement To the “Financial Observer.” “Beall-zebub.”","Lithograph","October 17th 1891","","","I. 238 x 172 mm S. 329 x 211 mm","","","","40","£40","mounted","Print","General Interest","Victorian Caricatures","","","","","",""
"3083","","","You’ve Nothing More to Say.","Lithograph","","","","I. 139 x 202 mm S. 185 x 253 mm","","","","50","£50","mounted","Print","General Interest","Victorian Caricatures","","","","","",""
"3085","","After John Leech","A couple of Cochranites","Lithograph","London: Published At The Punch Office","","","I. 198 x 176 mm S. 344 x 255 mm","","","c. 1850: Issued from the Punch Office.<br/>presumabley issued after rioting put down after the appearance of part of the Household Cavalry.","100","£100","mounted","Print","General Interest","Victorian Caricatures","","","","","",""
"3086","","Francis Jukes and T. Jenkins after W. Mason","A Country Race Course with Horses Preparing to Start.","Aquatint and engraving","Published May 20 1780 as the Act directs by R. Pollard, Braynes Row, Spa Fileds","","","I 440 x 640 mm, S 285 x 654 mm","","","the pair","3000","£3,000","framed","Print","Sports","Horse Racing","Racing","","","","",""
"3088","","Francis Jukes and J. Jukes after W. Mason","A Country Race Course with Horses Running.","Aquatint and engraving","Published May 20 1780 as rhe Act directs by R. Pollard, Braynes Row, Spa Fileds","","","I 440 x 640 mm, S 285 x 654 mm","","","the pair","3000","£3,000","framed","Print","Sports","Horse Racing","Racing","","","","",""
"3089","","","To A Crack(ed) Cyclist","Lithograph","","","","I. 312 x 184 mm S. 337 x 186 mm","","","","80","£80","unmounted","Print","General Interest","Victorian Caricatures","","","","","",""
"3091","","","To My Soldier","Lithograph","","","","I. 313 x 173 mm S. 191 x 338 mm","","","Satirical valentines of c.1880","80","£80","mounted","Print","General Interest","Victorian Caricatures","","","","","",""
"3092","","Rev. E. T. Daniell","Granada in Spain","Etching","1831/1832","","","I 125 x 163 mm, S 323 x 455 mm","","","Thistlewaite XVII<br/><br/>Rev. Edward Thomas Daniell (1804-1842) artist and traveller.","225","£225","mounted","Print","Victorian","Rev. E. T. Daniell","","","","","",""
"3093","","Rev. E. T. Daniell after Edmund Walker Head","Ronda  - Andalusia","Etching and dry point","1831/1832","","","I 125 x 163 mm, S 323 x 455 mm","","","Thistlewaite XVI, third state<br/><br/>Rev. Edward Thomas Daniell (1804-1842) artist and traveller.<br/>Sir Edmund Walker Head Bt (1805-1868), Governor-in-Chief of British North America, travelled extensively 1828-1835.","250","£250","mounted","Print","Fine Prints","Artists Prints","","","","","",""
"3094","","","The Printer ","Lithograph","","","","I.  369 x 193 mm S. 571 x 221 mm","","","Satirical valentines of c.1880","150","£150","mounted","Print","General Interest","Victorian Caricatures","","","","","",""
"3095","","","The Girl He Left Behind Him.","Lithograph","","","","I. 258 x 157 mm S. 337 x 183 mm","","","Satirical valentines of c. 1880","80","£80","mounted","Print","General Interest","Victorian Caricatures","","","","","",""
"3096","","","To A Cheap Line Youth","Lithograph","","","","I. 388 x 126 mm S. 442 x 143 mm","","","Satirical valentines of c.1880","80","£80","mounted","Print","General Interest","Victorian Caricatures","","","","","",""
"3097","","","To A Flirting Housemaid","Lithograph","","","","I. 384 x 127 mm S.440 x 141 mm","","","Satirical valentine of c. 1890","80","£80","mounted","Print","General Interest","Victorian Caricatures","","","","","",""
"3098","","","To A Carpenter And Joiner","Lithograph","","","","I. 308 x 168 mm 336 x 186 mm","","","Satirical valentines of c.1880","80","£80","mounted","Print","General Interest","Victorian Caricatures","","","","","",""
"3099","","","A Lover of Order","Lithograph","London: Published at the Punch Office","","","I. 249 x 170 mm S. 372 x 255 mm","","","","100","£100","mounted","Print","General Interest","Victorian Caricatures","","","","","",""
"3100","","","Reflections from my Grandmother’s Spoon. My Wife is not to be Wink’d at.","Lithograph","","","","I. 296 x 200 mm 307 x 223 mm","","","","80","£80","unmounted","Print","General Interest","Victorian Caricatures","","","","","",""
"3101","","sumner<br/>","Liberty - Birmingham","Lithograph","1838","","","I. 250 x 325 mm S. 315 x 446 mm","","","A satire on Birmingham & Radicalism, especially on the Church-rate riots near St Martin’s Church.<br/>Thomas Attwood, dressed as an extremely prosperous banker, which he was, leads a bear (George Frederick Muntz) holding a pole with a cap of Liberty and a monkey, Whilst Non-conformists attempt to demolish St. Philip’s Church. The foreground contains bags of money and brass buttons for use of currency. <br/>Attwood (1783-1859) was a Radical Tory and banker who founded the Political Union to call for Reform. His Proto-keynesian theories on monetary supply were considered highly unorthodox. He was one of the first Two Members of Parliament for Birmingham. Muntz (1794-1857), a fellow Radical Tory who was member from 1841-1857, and a metallurgist who produced a new brass alloy, now best remembered as a plating for wooden-walled ships. Birmingham, as an unincorporated town was a centre for religious dissenters, who found Church rates offensive and at a meeting in March 1838 he and Edmunds demanded an audit of the Vestry’s- the body responsible for the Church rates- books: their conduct lead to a riot and the indictment of Muntz. He was acquited but not awarded his costs of £2,000. George Edmonds was a radical book-seller.<br/>St Martin’s, where the riot took place, was the ancient Parish Church of Birmingham, but Thomas Archer’s Baroque Church of St Philip, now the Cathedral, was better-known to the outside world.","200","£200","mounted","Print","General Interest","Victorian Caricatures","","","","","",""
"3102","","","Bill Raven","Lithograph","W. Spooner 259 Regent Street","","","I. 224 x 183 x 291 x 209 mm","","","","","","unmounted","Print","General Interest","Caricatures","","","","","",""
"3108","","Linley Samborne","[Verbosity]...","Lithograph","","","","I. 270 x 381 mm S. 426 x 496 mm","","","A Satire on Gladstone amnd Roseberry","250","£250","mounted","Print","General Interest","Caricatures","","","","","",""
"3109","","W. Woodgate","Guy Fawkes at Gravesend on the 5th of November.","Lithograph","Published by W. Woodgate, Gravesend and Mess. Rodwell & Martin. New Bond St., 1823","","","I 390 x 520 mm, S 454 x 602 mm ","","","Printed by Hullmandel","400","£400","mounted","Print","General Interest","Caricatures","","","","","",""
"3110","","","Meetingers","Lithograph","Published by R. Carr, 9 Cotton Street, Manchester","","","I. 139 x 171 mm S. 161 x 201 mm","","","c. 1840 A Satire on methodism and Chartists","50","£50","mounted","Print","General Interest","Caricatures","","","","","",""
"3111","","G. T. Stubbs","Family Canvas, Or Dress’s Antient and Modern","Lithograph","London Pub.d May 16th 1786 by G. T. Stubbs. Peters Court 8 Martins Lane","","","I. 197 x 259 mm S. 238 x 276 mm","","","Reference LBDC 39","300","£300","mounted","Print","General Interest","Caricatures","","","","","",""
"3112","","","Rend, rend Toujours! persevere, aie du courage, a la fin tu rendras tout!!!","Lithograph","","","","I. 156 x 232 mm S. 223 x 327 mm","","","","","","mounted","Print","General Interest","Caricatures","","","","","",""
"3114","","P.M. Alix after George Morland","Cheval Effraye par une Lionne.","Aquatint and engraving with hand colour","a Paris chez Bacnce, Md. d’Estampe, rue St. Denis","","","I 165 x 240 mm, Pl. 204 x 261 mm","","","actually after Stubbs","450","£450","mounted","Print","Fine Prints","Foreign Copies of English Prints","","","","","",""
"3115","","J.P. Cook","Cries of London: Do you want any Matches?","Aquatint with hand colouring","Published Jan. 1796 by J.P. Cook","","","I 345 x 273 mm, Pl. 412 x 328 mm","","","","400","£400","mounted","Print","General Interest","Trades","","","","","",""
"3116","","Johann Simon Negges after P. Mercier","Morgen. Le Matin. Tempus.","Mezzotint with hand colour","Published by Johann Simon Negges ","","","I 310 x 248 mm, Pl. 350 x 250 mm","","","the set of five","1500","£1,500","mounted","Print","Fine Prints","Foreign Copies of English Prints","","","","","",""
"3117","","Johann Simon Negges after P. Mercier","Mitternacht. Le Minuit. Septentrio.","Mezzotint with hand colour","Published by Johann Simon Negges ","","","I 308 x 248 mm, Pl. 350 x 250 mm","","","the set of five","1500","£1,500","mounted","Print","Fine Prints","Foreign Copies of English Prints","","","","","",""
"3118","","Johann Simon Neggs after Philip Mercier","Mittag. Le Midi. Meridies.","Mezzotint with hand colour","Published by Johann Simon Negges","","","I 305 x 246 mm, Pl. 350 x 250 mm","","","the set of five","1500","£1,500","mounted","Print","Fine Prints","Foreign Copies of English Prints","","","","","",""
"3119","","Johann Simon Negges after P. Mercier","Abend. Le Soir. Vespertinum.","Mezzotint with hand colour","Published by Johann Simon Negges","","","I 305 x 246 mm, Pl. 350 x 250 mm","","","the set of five","1500","£1,500","mounted","Print","Fine Prints","Foreign Copies of English Prints","","","","","",""
"3120","","Johann Simon Neggs after Philippe Mercier","","Mezzotint","","","","I 303 x 247 mm, Pl. 347 x 250 mm","","","the set of five","1500","£1,500","mounted","Print","Fine Prints","Early Mezzotints","CLB 55589","","","","",""
"3121","","Charles Turner after William Orme","View of Mount Vesuvius.","Mezzotint","Sold & Published Feby.  1, 1799 by Edwd. Orme, New Bond Street, London","","","I 169 x 204 mm, Pl. 201 x 205 mm","",""," ","750","£750","framed","Print","Fine Prints","Transparencies","","","","","",""
"3122","","After Willaim Orme","A Cavern","Aquatint and etching","Published  & Sold Decr. 1, 1798 by Edwd. Orme, Conduit Street, Hanover Square London_ Where may be had a variety of Transparent Prints & new Publications Wholesale & Retail","","","I 221 x 273 mm, Pl. 255 x 304 mm","","","Ex. Spencer Sisters","250","£250","mounted","Print","Fine Prints","Transparencies","","","","","",""
"3123","","","A Kiln for Burning Coke near Maidstone Kent","Mezzotint with hand colour","London Pub. 1 Nov. 1799 at Ackermanns Repository of Arts 101 Strand","","","I 284 x 218 mm, Pl. 324 x 248 mm","","","","500","£500","mounted","Print","Fine Prints","Transparencies","","","","","",""
"3124","","Charles Turner","To the Rt. Hon,,ble William Lord Auckland [...] The Tomb of Juliet","Mezzotint with hand colour","Sold & Published June 1, 1799 by Ewd. Orme, Printseller to the King, corner of George Street & Conduit Street London.","","","I 459 x 301 mm, Pl. 536 x 331 mm","","","","1200","£1,200","framed","Print","Fine Prints","Transparencies","","","","","",""
"3126","","","The Mars and the L’Hercule. April 21, 1798","Mezzotint with hand colour","Sold & Published  Feby. 1, 1799 by Edwd. Orme, Conduit Street, London","","","I 172 x 207 mm, Pl. 203 x 208 mm","","","Whitman C. Turner p. 286","600","£600","mounted","Print","Fine Prints","Transparencies","","","","","",""
"3127","","Charles Turner","To Sir W,,m Hamiltonm [..] View of the Last Eruption of Mount Vesuvious","Mezzotint","Published by Eward Orme","","","I 480 x 301 mm, Pl.  > 515 x 330 mm","","","Whitman - C. Turner p. 286","500","£500","mounted","Print","Fine Prints","Transparencies","","","","","",""
"3128","","Charles Turner after Hon. Mrs. Yates","Smugglers","Mezzotint","Sold & Published Jany.1 1799 by Orme, Conduit Street, the corner of George Street , hanover Square ","","","I 461 z 308 mm, Pl. 512 x 310 mm","","","Whitman - C. Turner p 286","700","£700","mounted","Print","Fine Prints","Transparencies","","","","","",""
"3129","","Angelo Zaffonato after Sir Joshua Reynolds","Drunkenness","Stipple","","","","I 235 x 210 mm, Pl. 345 x 240 mm","","","Emma Lady Hamilton<br/>the pair","600","£600","framed","Print","Fine Prints","Foreign Copies of English Prints","","","","","",""
"3130","","Angelo Zaffonato after George Romney","Nature","Stipple","","","","I 245 x 200 mm, Pl. 345 x 235 mm","","","Emma Lady Hamilton<br/>the pair","600","£600","framed","Print","Fine Prints","Foreign Copies of English Prints","","","","","",""
"3131","","George Cruickshank","No. 1 Dedicated wi’out permission til Political Union of Ay_town","Lithograph","c. 1845","","","I. 180 x 165 mm S. 296 x 235 mm","","","Not found in COHN","65","£65","mounted","Print","General Interest","Caricatures","","","","","",""
"3132","","","Chronicles of the Great Election of 1880","Lithograph","","","","I. 330 x 520 mm S.440 x 570 mm","","","","120","£120","mounted","Print","General Interest","Caricatures","","","","","",""
"3133","","S. J. Cooper","Bradford Borough Election Result of the Poll","Lithograph","R. Moysey & Co. Printers Union Street Bradford, 1869","","","I. 260 x 434 mm S. 287 x 442 mm","Sold as a set","","Samuel J. Cooper is recorded as a ‘Lithographic Artists’ at 37 Albany Buildings [18] Market Street Bradford. Market St. also housed the ‘West Riding Liberal Registration Association’.","1000","£1,000","mounted","Print","General Interest","Caricatures","","","","","",""
"3134","","S.O.B.","The Political Situation or The Peep Show. No. 1","Lithograph","1869","","","I. 216 x 359 mm S. 283 x 441 mm","Sold as a set","","Thompson - legless and principal-less. Miall standing on the heads of  K[-]l & [Alfred] ll[li]ng[wor]th, who he ahas now dumped. Ripley hiding in obscurity.","1000","£1,000","mounted","Print","General Interest","Caricatures","","","","","",""
"3135","","“E R”","Time Called. Fight for the St. Stephens Belt.","Lithograph","1867","","","I. 223 x 293 mm S. 275 x 451 mm ","Sold as a set","","Thompson & Miall in the boxing ring with their seconds Miall’s is K[]1: Miall is loosing.","1000","£1,000","mounted","Print","General Interest","Caricatures","","","","","",""
"3136","","“A.I. & Co.”","R. K_ll He is My_all","Lithograph","1867","","","I. 255 x 442 mm S. 285 x 442 mm","Sold as a set","","K[--]ll presents his new ‘baby’- Miall- to other Bradford Radicals.","1000","£1,000","mounted","Print","General Interest","Caricatures","","","","","",""
"3137","","","That’s an extraordinary looking Dog, My Boy, what do you call him?<br/>","Lithograph","Later","","","I. 177 x 307 mm S. 247 x 372 mm","Sold as a set","","M[ial]l examines a dog in a barrister’s wig as a possible successor.","1000","£1,000","mounted","Print","General Interest","Caricatures","","","","","",""
"3138","","","The Coming Man  ","Lithograph","1867","","","I. 236 x 366 mm S. 280 x 448 mm","Sold as a set","","Thompson (newly elected a director of the Midland Railwat) hurries home from France where he had been with a sick son to contest the bye-election.","1000","£1,000","mounted","Print","General Interest","Caricatures","","","","","",""
"3139","","A.I. & Co.","Whiteaker & Co. Conservative Flavour","Lithograph","1867","","","I. 351 x 215 mm S. 444 x 284 mm","Sold as a set","","Thompson’s family controlled the ‘Old Brewery’ in Bradford. In popular imagination the Brewing interest and the Conservative Party were one and the same.","1000","£1,000","mounted","Print","General Interest","Caricatures","","","","","",""
"3140","","","Dear Dear! - And so we’ve missed the Bus! Now what a pity! Which  for myself, I shouldn’t care, if I didn’t feel....","Lithograph","1867","","","I. 223 x 423 mm S. 282 x 441 mm","Sold as a set","","Miall and William K[]1 have missed the bus, but look - another is coming. A general election is due. ","1000","£1,000","mounted","Print","General Interest","Caricatures","","","","","",""
"3141","","","A Bunch of Thompson’s Vot(e)aries. Being a few “Choice Spirits” under the influence of  “Prinie Ale” ","Lithograph","","","","I. 255 x 392 mm S. 286 x 443 mm","Sold as a set","","","1000","£1,000","mounted","Print","General Interest","Caricatures","","","","","",""
"3142","","A.I. & Co.","We Have No Work to Do-o-o!","Lithograph","1869","","","I. 263 x 382 mm S. 284 x 446 mm","Sold as a set","","Ripley’s committee, identified by nic-names, parade, like the unemployed, outside Ripley’s locked committee-room.","1000","£1,000","mounted","Print","General Interest","Caricatures","","","","","",""
"3143","","","Mon Caporal j’n’ai pu avoir que ca.","Lithograph","","","","I. 155 x 201 mm 221 x 259 mm","","","","","","mounted","Print","General Interest","Caricatures","","","","","",""
"3144","","","Shady Retreats for Summer or the Tip of the Ton!! Can such things be! and Overcomeus like  a Summer’s Clouds, without our special Wonder?","Copper engraving with hand colouring","Pub.d. Sep 4 1827 by J. Fairbourn Broadway Ludgale Hill","","","I. 211 x 330 mm Pl. 256 x 370 mm S. 293 x 416 mm","","","","180","£180","mounted","Print","General Interest","Caricatures","","","","","",""
"3145","","James J. Spencers","South Leicestershire Steeple Chase The Finish","Engraving","","","","I. 112 x 154 mm S. 159 x 216 mm","","","The three jockeys competing are:<br/>Thomas Tertius Pagest<br/>William Heygate 1870-80 (peerage)<br/>Alfred Pell MP 1868-85 (reminiscences)","100","£100","framed","Print","General Interest","Caricatures","","","","","",""
"3146","","James J. Spencers","South Leicestershire Steeple Chase Run from Leicestershire to Westminster","Engraving","","","","I. 104 x 146 mm S. 158 x 211 mm","","","The three jockeys competing are:<br/>Thomas Tertius Pagest<br/>William Heygate 1870-80 (peerage)<br/>Alfred Pell MP 1868-85 (reminiscences)","100","£100","framed","Print","General Interest","Caricatures","","","","","",""
"3148","","Unknown engraver","A Reception of Doctors at Oxford’s University, the 15th of June 1814","Etching with hand colouring","c. 1800","","","I 390 x 280 mm","","","Rare.","120","£120","mounted","Print","Oxford","Oxford Caricatures","","","","","",""
"3149","","After A. Macdonald","Friar Bacon’s Study, From a drawing made by J. B. Malchair in 1772","Autotype","Published 1873","","","I 220 x 355 mm","From the Oxford Almanack, 1873","","","75","£75","mounted","Print","Oxford","General Views","","","","","",""
"3151","","Thomas Bonnor after Malchair","Merton College from the banks of the Cherwell","Copper engraving","Published c. 1768","","","I 470 x 320 mm","Plate from the Oxford Almanack, 1768","","","160","£160","mounted","Print","Oxford","Merton College","","","","","",""
"3152","","F. Bedford after Wickes","Saint Mary the Virgin, Oxford","Lithograph with hand colouring","Published by Day & Son. c. 1840","","","I 290 x 445 mm","","","","25","£25","mounted","Print","Oxford","Oxford Churches","","","","","",""
"3155","","W. Radclyffe after P. De Wint","View of Oxford from the West","Steel engraving","Published 1852","","","I 380 x 225 mm","From the Oxford Almanack, 1852","","","150","£150","mounted","Print","Oxford","General Views","","","","","",""
"3156","","L. Hague","The Martyr’s Memorial, Oxford","Lithograph","Published 1840 by J. Wyatt & Son, Oxford","","","I 440 x 310 mm","","","","150","£150","mounted","Print","Oxford","General Views","","","","","",""
"3157","","Michael Burghers","Alegorical scene with a distant view of Oxford","Copper engraving","Late imprint c. 1860","","","I 440 x 350","","","","175","£175","mounted","Print","Oxford","General Views","","","","","",""
"3158","","Charles Allard after Peter Lely","Madame Ellen Gwinn","Mezzotint","Published by Charles Allard","","","Image 347 x 280 mm, PLate. 365 x 282 mm","","","Eleanor ""Nell"" Gwyn (or Gwynn or Gwynne) (1650-1652 - 14 November 1687), was one of the earliest English actresses to receive prominent recognition, and a long-time mistress of King Charles II.<br/><br/>O’Donoghue 15, Harvard cat. 24, Le Blanc 11","500","£500","mounted","Print","Portraits","Mistresses, Courtiers and Socialites","","","","","",""
"3160","","After David Ogbourne","Mr. Jacob Powell of Stebbing in Essex.  Who died Octr. 6th 1754. Aged 37 years.  He weigh’d near 40 Stone.","","Published by Johann Jakob Haid et filius","","","I 380 x 291, Pl. 407 x 291 mm","","","O’Donoghue 2 ","450","£450","mounted","Print","Fine Prints","Foreign Copies of English Prints","","","","","",""
"3162","","After David Ogbourne","Mr. Edn.d Bright late of Malden in Essex Who died November 10. 1750 Aged 29 years. He weigh’d 43 Stone & 1/2 (tt/14 toye Stone) which is 609 pounds","Mezzotint with hand colour","Published by Johann Jacob Haid et fils","","","I 382 x 290 mm, Pl. 410 x 294 mm","","","O’Donoghue 2","","","mounted","Print","Fine Prints","Foreign Copies of English Prints","","","","","",""
"3164","","Henri Merke after a design by Edward Orme","[A Fire Place]","Aquatint with hand colouring","Pub.d as the Act directs June 4th 1806 by Edward Orme","","","I 194 x 151, Pl. > 226 x > 180 mm","","","Ex Spencer Sisters","350","£350","mounted","Print","Fine Prints","Transparencies","","","","","",""
"3165","","","[Coloseeum in Moonlight]","Lithograph with hand colour","","","","I 230 x 323 mm","","","Ex Spencer Sisters","500","£500","mounted","Print","Fine Prints","Transparencies","","","","","",""
"3166","","By and after Fraz Joseph Manskirch","A View on the Rhine near Bingen","Aquatint with hand colouring","London, Pubs. July 16, 1798 at R. Ackermann’s Gallery, 101 Strand","","","I 155 x 216 mm, Pl. > 272 x 350 mm","","","","450","£450","mounted","Print","Fine Prints","Transparencies","","","","","",""
"3168","","L. Valperga after Gio. Commandu","Marie Teresa Gioanna Giuseppa","","Torino presso le Fratelli Reycend et Ca., 1815","","","I 190 x 145 mm, Pl. 205 x 157 mm, S 221 x 164 mm","","","Ex. Col The House of Savoy","30","£30","mounted","Print","Portraits","House of Savoy","","","","","",""
"3169","","George Cruickshank","The Queen and the Union! No Repeal! - No O’ Connell","Woodcut","Sold by David  Bogue, (Late Tilt & Bogue) 86, Fleet Street","","","I. 208 x 177 mm S. 405 x 265 mm","","","COHN182","","","mounted","Print","General Interest","Caricatures","","","","","",""
"3171","","Edwardo Penrino","Roma , Il 16 FEbb 1878. Esterno Del Pantheon Pei Funerali Di S.M. Vittorio Emanuele II. ","Lithograph","Published by Brambilla Giovanni Battista, Turin 1674","","","I 355 x 465 mm, S 446 x 593 mm","","","Ex. Col House of Savoy","250","£250","mounted","Print","Portraits","House of Savoy","","","","","",""
"3172","","Designed & Etched by George Cruikshank","Passing Events of  The Tail of the Comet of 1853","Steel engraving","Published by D. Bogue 86 Fleet Street","","","I. 175 x 384 mm S. 212 x 419 mm","","","Not Found in COHN","180","£180","mounted","Print","General Interest","Caricatures","","","","","",""
"3173","","Francesco Gonin","Vittorio Emanuelle Duca Di Savoia","Lithograph","Trovasi alla Litgraphia Junck, Contrada dell Academia dell Scienze No 2 Torino","","","I 210 x 200 mm, S 525 x 432 mm","","","Ex. Col House of Savoy","250","£250","mounted","Print","Portraits","House of Savoy","","","","","",""
"3174","","G. Forino","S.A.R.D. Leopoldo Conte di Siracusa","Lithograph","Published 1828","","","I 195 x 200 mm, S 485 x 387 mm","","","Ex. Col House of Savoy","100","£100","mounted","Print","Portraits","House of Savoy","","","","","",""
"3175","","Heinemann","Guerrieri Della Casa di Savoia: S.M. Victtorio Emanuele II Al Garigliano","Lithograph with tint stone","Torino Lit. Flli. Doyen Piazza Carignano 1861","","","I 455 x 630 mm, S 590 x 839 mm","","","Ex. Col House of Savoy","400","£400","mounted","Print","Portraits","House of Savoy","","","","","",""
"3176","","","Victor Emmanuel Roi de Sardaigne","Lithograph with original hand colour","Paris publiw par A. Condoni, 18, r. Grenier St. Lazare","","","I 440 x 380 mm, S 545 x 412 mm","","","Ex. Col House of Savoy","400","£400","mounted","Print","Portraits","House of Savoy","","","","","",""
"3177","","Tazet after Antoine Milanesio","Charles Amedée Albert, Prince de Savoi - Cargnan","Mezzotint","","","","I 430 x  490 mm, Pl.500 x 575 mm","","","Ex. Col. House of Sacoy","200","£200","mounted","Print","Portraits","House of Savoy","","","","","",""
"3178","","Bolleter after von Aerttinger","Maria Anna Carolina","Lithograph","Gedr Bei Hnfstaengl in Dresden","","","I 475 x 380 mm, S 710 x 600 mm","","","(19 Sep 1803, Rome to 27 Feb 1831, Vienna) Maria married Emperor Ferdinand II von Austria, son of Kaiser Franz II von Österreich and Maria Teresa Carolina Giuseppina de Bourbon-Sicilie, on 27 Feb 1831 in Vienna. (Kaiser Ferdinand I von Österreich was born on 19 Apr 1793 in Vienna and died on 29 Jun 1875 in Prague.)<br/><br/>Ex. Col House of Savoy","300","£300","mounted","Print","Portraits","House of Savoy","","","","","",""
"3182","","C. Pastor after A. Fiore","Gregorius. XVI. Pont. Max.","Copper engraving","","","","Vignette I 205 x 235 mm, Pl. 306 x 274 mm","","","Ex. Col. House of Savoy","75","£75","mounted","Print","Portraits","House of Savoy","","","","","",""
"3183","","By and after Raff. D’Angelo","Vera Effigie Del Giovanetto Nunzio Solprizio","Copper engraving","c. 1820","","","I 195 x 156 oval, Pl. 251 x 178 mm","","","The Blesses Nunzio Solprizio (1817-1836) was beatified in 1859.  He was a devotee of St. Luigi Gonzaga.<br/><br/>Not in Singer <br/>Ex. Col House of Savoy","40","£40","mounted","Print","Portraits","House of Savoy","","","","","",""
"3184","","","Marie Caroline Antoine de Savoye Duchess de Saxe.","Copper engraving","T.F. Schmidt chez Rasp.","","","I 197 x 119 mm, S 212 x 135 mm","","","Archduchess Marie Caroline of Austria (13 August 1752 - 8 September 1814) as Queen Marie Caroline was queen consort and de facto ruler of Naples from 1768  to 1806, and of Sicily to 1812. She was the daughter of the Empress Maria Theresa and sister of Marie Antoinette<br/><br/>Royal Collection stamp on verso<br/>Ex. Col House of Savoy","30","£30","mounted","Print","Portraits","Foreign Royalty","","","","","",""
"3185","","Balthazar Mancornet","Jules Cardinal Mazarin","Copper engraving","[n.d. c. 1655]","","","I 281 x 175 mm, Pl . 260 x 182 mm","","","Ex. Col House of Savoy","100","£100","mounted","Print","Portraits","House of Savoy","","","","","",""
"3186","","G. Tasniere after F.T. D. Lange","Franciscus Hyacinthus","Copper engraving","Published 1702","","","I 277 x 220 mm, Pl. 285 x 225 mm","","","Francis Hyacinth (1632–1638) was the Duke of Savoy from 1637 to 1638 under regency of his mother Christine Marie. He died in childhood and was succeeded by his brother Carlo Emanuele.<br/><br/>Royal Collection stamp on verso<br/>Ex. Col. House of Savoy","80","£80","mounted","Print","Portraits","House of Savoy","","","","","",""
"3187","","Pierre-Adrien Le Beau","Marie Jne. Louise De Savoie, Madam, Mariee a Versailles le 14 mai 1771","Copper engraving","A Paris chez Esnauts et Rapilly, rue St. Jacques a La Ville de Countances, A.P.D.R.","","","","","","Marie Josephine Louis de Savoie was born in Turin on 2 September 1753 to Victor Amadeus II, King of Sardinia. She married Louis Stanislas Xavier de Bourbon, Comte de Provence (1755-1824), at Versailles on 14 May 1771.<br/>She died before her husband became King Louis XVIII<br/>Not in I.F.F.<br/>Royal Collection Stamp on verso<br/>Ex Col. House of Savoy","40","£40","mounted","Print","Portraits","House of Savoy","","","","","",""
"3188","","G. Zatta after Verite","Coburg","Stipple ","","","","I 173 x 120 mm, S 205 x 124 mm","","","Prince Frederick Josias of Sax-Coburg Saalfeld (1737-1813).  <br/>Ex. Col House of Savoy","25","£25","mounted","Print","Portraits","House of Savoy","","","","","",""
"3190","","D. Sornique after Robert Nanteuil","Armand Jean Du Plessis Cardinal Duc de Richelieu","Copper engraving","A Paris chez Odieuore Md. D. Estampes Quai de L’Ecole vis à vis la Samarite à la belle Image C.P.R.","","","I 141 x 110, Pl. 150 x 110 mm. ","","","Ex. Col House of Savoy","35","£35","mounted","Print","Portraits","Religious and Clerical","","","","","",""
"3191","","S. Llanta","Conde Camilo De Cavour","Lithograph","A. Ronchi","","","I 185 x 132 mm oval, S 350 x 245 mm","","","(Turin 10 August 1810 - 6 June 1861) Itlalian Politician<br/>Ex. Col House of Savoy","30","£30","mounted","Print","Portraits","Foreign Political","","","","","",""
"3192","","Charles Turner after F. Huet Villers","Louis Antoine D’Artois","Mezzotint","Published by Messrs Colangi Wednesday 1 January 1812","","","I 215 x 168, Pl. 376 x 253 mm","","","later Louis XVIII<br/>Whitman C. Turner 15 i/ii, Singer 76425, Le B 16<br/>Finished proof before all letters<br/>Ex Col House of Savoy","80","£80","mounted","Print","Portraits","House of Savoy","","","","","",""
"3194","","","Carlo Alberto [Charles Albert of Savoy]","Lithograph","","","","I 510 x 400 mm, S 700 x 530 mm","","","Charles Albert (October 2, 1798 – July 28, 1849) was the Duke of Savoy, Piedmont, Aosta and King of Sardinia from 1831 to 1849. He succeeded Charles Felix, and his name is bound with the first Italian statute and the First War of Independence (1848–1849). He abdicated in favour of his son, Victor Emmanuel. after his forces were defeated by the Austrian army at the Battle of Novara (1849).<br/><br/>Ex. Col House of Savoy","250","£250","mounted","Print","Portraits","House of Savoy","","","","","",""
"3195","","J. Gironella","Mazzini","Lithograph with hand colouring","Vazquez R. 51","","","I 215 x 120 mm vignette, S 315 x 227 mm","","","Giuseppe Mazzini (Genoa, June 22, 1805 – Pisa, March 10, 1872) was an Italian statesman. Mazzini's efforts lead to the unification of Italy.<br/><br/>Ex. Col House of Savoy","60","£60","mounted","Print","Portraits","House of Savoy","","","","","",""
"3196","","","Elisabetta Filippina Sorella Di Luigi XVI, Nata li 3 Maggio 1764","Copper engraving","In Napoli presso Talani, e Gervasi al Gigante N. 3.e. 7 [n.d. c. 1780]","","","I 174 x 111 mm, Pl. 200 x 137 mm, S 275 x 211","","","Madame Elizabeth (1764 - 1794), sister of Luis XVI of France.<br/>Ex. Col House of Savoy","50","£50","mounted","Print","Portraits","House of Savoy","","","","","",""
"3199","","Gerard Valk after M.D. Merian","Eugino Francisco Principi Sabaudiae et Pedemonti, Marchioni....","Copper engraving","Published by G. Valk","","","I 562 x 405 mm, S 570 x 412 mm","","","Eugène, François, Prince of Savoy  (Oct. 18, 1663, Paris - April 24, 1736, Vienna). Eugene was the youngest son of the Count of Soissons, of the House of Savoy-Carignan, and of Olympia Mancini, a niece of Cardinal Mazarin.<br/>He was a celebrated General and defeted the Turks at Zenta in 1679.  He was also Marlborough’s second-in-command at Belenheim, Oudinarde and Malplaquet. He was also one of the greatest print collectors of his day, his holdings eventually to the Albertina.<br/><br/>Singer 80315<br/>Ex. Col House of Savoy<br/>Royal Collection stamp on verso<br/><br/>","500","£500","mounted","Print","Portraits","Foreign Royalty","","","","","",""
"3200","","Bernard Picart after Jacques van Schuppen","Eugene François, Prince De Savoie et De Piemont.","Copper engraving","Published in 1722","","","I 460 x 375 mm, Pl. 580 x 395 mm","","","Eugène, François, Prince of Savoy  (Oct. 18, 1663, Paris - April 24, 1736, Vienna). Eugene was the youngest son of the Count of Soissons, of the House of Savoy-Carignan, and of Olympia Mancini, a niece of Cardinal Mazarin.<br/>He was a celebrated General and defeted the Turks at Zenta in 1679.  He was also Marlborough’s second-in-command at Belenheim, Oudinarde and Malplaquet. He was also one of the greatest print collectors of his day, his holdings eventually to the Albertina.<br/><br/>Singer 80339/41<br/>Ex. Col House of Savoy","750","£750","mounted","Print","Portraits","House of Savoy","","","","","",""
"3203","","A. Zecchin after Singleton","The Parent Restor’d or the Blessing of Peace","Stipple engraving printed in colours","Published September 30, 1799, by Antoine Suntach","","","I 347 x 292 mm, Pl. 441 x 338 mm","","","the pair<br/>","960","£960","framed","Print","Fine Prints","Foreign Copies of English Prints","","","","","",""
"3206","","William Collins","","Etching","","","","I 76 x 67 mm, Pl 80 x 67 mm","","","","90","£90","mounted","Print","Fine Prints","Artists Prints","","","","","",""
"3207","","William Collins","","Etching","","","","I 105 x 70 mm, Pl 125 x 70 mm","","","","90","£90","mounted","Print","Fine Prints","Artists Prints","","","","","",""
"3208","","Giordana e Salussolia","Carta Nuovo Regno Italiano 1860","Lithograph with hand colouring","Torino, Presso G. Jacquier, Editore, Via Goito, No. 6","","","440 x 475 mm","","","With a cartouch of Victor Emmanuel II<br/>Ex. Col  House of Savoy","300","£300","mounted","Print","Portraits","House of Savoy","","","","","",""
"3209","","Battistelli after F. bellay","D. Maria Francisca","Lithograph","","","","I 275 x 220 mm","","","(1800-1834), Princess of Portugal, married in 1816 to Carlos Carlos de Borbón, Prince of Spain, conde de Molina <br/>Ex. Col House of Savoy","100","£100","mounted","Print","Portraits","House of Savoy","","","","","",""
"3211","","A. Daniela after Morgari","Vittoria Emanuele II. Re Di Sardegna","Lithograph with tint stone","Torino presso A. Leonardi editore Vis di Po. N. 10, 1859","","","I 350 x 260 mm, S 512 x 375 mm","","","Ex. Col. House of Savoy","200","£200","mounted","Print","Portraits","House of Savoy","","","","","",""
"3212","","Pilet & Gougnard after H. Martee ","Victor-Emmanuel","Lithograph","Vaney impr. Editeur, Croix d’or Geneve","","","I 419 x 315 mm, S 542 x 413","","","Ex. col House of Savoy","150","£150","mounted","Print","Portraits","House of Savoy","","","","","",""
"3213","","Bayot","Le Roi Victor Emmanuel II. Palesrro 31 Mai 1859","Lithograph with tint stone","Berlin, Verlag von Groupil & Co., Puble par Goupil et Ce. Paris, London, New York, Published by M. Knoedler (c. 1859)","","","I 375 x 300, Pl. 205 x 340 mm","","","Ferdinand II King of the Two Sicillies  (January 12, 1810 – May 22, 1859).<br/>Ex. Col. House of Savoy<br/> ","200","£200","mounted","Print","Portraits","House of Savoy","","","","","",""
"3214","","Forino","S.A.R.D.n Ferdinando Duca di Calabria","Lithograph","Published 1828","","","I 205 x 195 mm, S 555 x 365","","","","100","£100","mounted","Print","Portraits","House of Savoy","","","","","",""
"3215","","Giordana e Salusselia after Masuttie","[Victor Emmanuel II]","Lithograph with tint","Torino, presso, L’editore Fco. Bacciarini Provv di. stampe della R. famiglia ","","","I 250 mm circular","","","On January 10th 1859 King Victor Emmanuel made Sardinia's position as a champion of ""Italy"" clear in a speech delived from his throne that included these words:-<br/><br/>  ""...that he could not remain deaf to the cry of pain that reached him from all parts of Italy...""<br/><br/>Ex. Col House of Savoy<br/>","200","£200","mounted","Print","Portraits","House of Savoy","","","","","",""
"3216","","Da. Tom. Aloysio-Juvara","Effigie Di Pio IX. P.O.M. All Maestà Di Ferdinando II.","Copper engraving","[368Published  in Naples c. 1849]","","","I 368 x 315 mm, S 482 x 680 mm","","","Ex. Col House of Savoy","150","£150","mounted","Print","Portraits","House of Savoy","","","","","",""
"3217","","Francis Jukes after Thomas Anburey","Mahore: A fortress belonging to Nizam Ally","Aquatint","Published according to Act of Parliament Jan 1st. 1799, by Thos. Anburey Bengal and F. Jukes Howland Street","","","I 350 x 520 mm; Pl. 380 x 530 mm; S 520 x 650 mm","","","A plate from Anburey’s Hindoostan Scenery of 1799 which is the rarest of the “Home published” sets of large Indian Views.<br/>Ex. Col. Mildred Archer","2000","£2,000","mounted","Print","Foreign Topography","India","","","","","",""
"3218","","Francis Jukes after Thomas Anburey","Northern Entrance to Gundecotta Pass","Aquatint","Pubd. according to Act of Parliament by T. Anburey, Jan. 1 1799 & by F. Jukes N.10 Howland Street, London","","","I 360 x 525; Pl. 390 x 550 mm; S. 450 x 630 mm","","","A plate from Anburey’s Hindoostan Scenery of 1799 which is the rarest of the “Home published” sets of large Indian Views.<br/>Ex. Col. Mildred Archer","1850","£1,850","mounted","Print","Foreign Topography","India","","","","","",""
"3219","","Francis Jukes after Thomas Anburey","Neermul a Fortress belonging to Nizam Alley","Aquatint","Pub. according to act of Parliament Jan 1. 1799 Anbury Bengal and by F. Jukes Howland Street, London","","","I 347 x 517 mm; Pl. 382 x 523 mm; S 528 x 640 mm","","","A plate from Anburey’s Hindoostan Scenery of 1799 which is the rarest of the “Home published” sets of large Indian Views.<br/>Ex. Col. Mildred Archer","1900","£1,900","mounted","Print","Foreign Topography","India","","","","","",""
"3220","","Francis Jukes after Thomas Anburey","Southern Entrance of Gundecotta Pass","Aquatint","Published according to Act of Parliament by Thos. Anburey Jan 1. 1799 & by F. Jukes Howland Street, London","","","I 355 x 520 mm; Pl. 390 x 540 mm; S 450 x 625 mm","","","A plate from Anburey’s Hindoostan Scenery of 1799 which is the rarest of the “Home published” sets of large Indian Views.<br/>Ex. Col. Mildred Archer","2100","£2,100","mounted","Print","Foreign Topography","India","","","","","",""
"3221","","James Moffat","View of a Tomb at Peruspore, Gour","Aquatint","","","","I 333 x 498 mm; Pl. ? x 512 mm; S 417 x 549 mm","","","Ex. Col. Mildred Archer<br/><br/>James Moffat (1775-1815) was a professional artist and engraver from Scotland practising in Calcutta.  He made engravings after his own drawings and one after other artists’ drawings.<br/><br/>Moffat arrived in Calcutta in 1789 and trained there as an engraver.  The Calcutta Gazette of 2 December 1797 announced that he was accepting commissions for sketching scenes within a few miles of the city and engraving them, if desired, at modest prices. In the same journal the following year an advert stated that his views of Hooghly were almost finished.  In 1805, the Calcutta Gazette announced the publication of a set of his coloured views of Calcutta, Berhampur, Bernares and Monghyr.  Moffat had already published several engravings before this date and continued to do so until 1810.<br/><br/>The India Office Library has engravings of Chinsura dated 1803, Nadia 1808, Murshidabad c. 1809, and Maldah and Churruk-puja on the Ganges.  The British Library has six of his engravings of views of Barrackpore House, Vizagapatam, Cannore, Tellicherry, Surat and Bombay.  As well as Indian views, Moffat produced three known views of Sumatra.  Moffat died in Calcutta on 3 September 1815, aged 40.","1500","£1,500","mounted","Print","Foreign Topography","India","","","","","",""
"3222","","Francis Jukes after Thomas Anburey","View of KALPY on the JUMNA","Aquatint","Pub. according to act of Parliament Jan. 1 1799 by T. Anburey, Bengal and by F. Jukes Howland Street, London","","","I 347 x 519 mm; Pl. 387 x 538 mm; S 463 x 588 mm","","","A plate from Anburey’s Hindoostan Scenery of 1799 which is the rarest of the “Home published” sets of large Indian Views.<br/>Ex Col. Mildred Archer","1800","£1,800","mounted","Print","Foreign Topography","India","","","","","",""
"3223","","A. Runciman","A Woman Sleeping","Etching","Collected edition, 1826","","","S 145 x 97 mm<br/>","","","Collected edition, 1826","100","£100","mounted","Print","Fine Prints","Artists Prints","","","","","",""
"3224","","","The Wedding","Aquatint with hand colouring","Published 1st Aug st 1799 by. R. Ackermann 101 Strand for Dr. Jno. Trusser","","","I 300 x 232 mm, Pl . 440 x > 360 mm","","","","350","£350","mounted","Print","Fine Prints","Transparencies","","","","","",""
"3225","","Johan A. Klein","Two Horses at a Watering Place (Russischer Fuhrman)","Etching","1800s","","","I 195 x 125 mm","","","","250","£250","mounted","Print","Fine Prints","Artists Prints","","","","","",""
"3228","","Johann Adam Klein","A Barge Horse","Etching","1812","","","I 80 x 90 mm","","","","50","£50","mounted","Print","Fine Prints","Artists Prints","","","","","",""
"3231","","Paul Sandby","[Figures with well in the background]","Etching","Published by Ryland & Byer 1765","","","I 170 x 204 mm","","","","135","£135","mounted","Print","Fine Prints","Artists Prints","","","","","",""
"3232","","Paul Sandby","[Figures in foreground with town in distance]","Etching","Published by Ryland & Byer 1765","","","I 170 x 230 mm","","","","125","£125","mounted","Print","Fine Prints","Artists Prints","","","","","",""
"3234","","","","Lithograph with hand colouring","","","","I 138 x 192 mm","","","","50","£50","mounted","Print","Fine Prints","Transparencies","","","","","",""
"3235","","Thomas Woorlidge","The Last Supper","Etching","","","","I & pl. 275 x 390 ","","","","350","£350","mounted","Print","Fine Prints","Artists Prints","","","","","",""
"3236","","After R. Westall","The Dream","Mezzotint","1700s","","","I 270 x 215 mm","","","","400","£400","mounted","Print","Fine Prints","Artists Prints","","","","","",""
"3237","","Paul Sandby","[Market scene]","Etching","c. 1760","","","S 62 x 78 mm","","","","45","£45","mounted","Print","Fine Prints","Artists Prints","","","","","",""
"3238","","","Hie, O, who’s for the Bank","Woodcut","","","","I 247 x 193 mm","","","","40","£40","mounted","Print","General Interest","Caricatures","<br/>","","","","",""
"3239","","Angelica Kauffman","10. Winckelmann. Antiq. Pontif et Prof. Graec. L. in Biblioth. Vatic. [Portrait of Johan Winckelmann]","Etching","1764","","","I 152 x 190 mm","","","Andresen 3 i /iii, Baumgartel 24 i/iii. This exceptionally rare first state, before the hair was reworked, the aquatint added and an edition published by Boydell. Early evidence suggests that very few such impressions were pulled, and only to be given to friends.","2000","£2,000","mounted","Print","Fine Prints","Engravers A-K","","","","","",""
"3242","","R. Earlom after Castiglione","Orpheus","Mezzotint","J. Boydell Excuidit Publis’d Sept.br 1st 1781","","","I 365 x 238 mm","","","Le B 32 , W 90<br/>","450","£450","mounted","Print","Fine Prints","Early Mezzotints","","","","","",""
"3244","","Unknown engraver","Portrait of a Woman","Mezzotint","c. 1750","","","I 142 x 112 mm","","","Trimmed.","20","£20","mounted","Print","Fine Prints","Artists Prints","","","","","",""
"3245","","J. R. Smith","[...] or, The Two Friends","Mezzotint","Published March 7th 1778, by Wm. Shropshire, New Bond Street","","","Pl. 198 x 260 mm","","","Said to be Mrs J R Smith a dn Mrs. Potherd his sister<br/>Fr 323 ii/iii title scraped off","210","£210","mounted","Print","Fine Prints","18th Century Mezzotint Portraits","","","","","",""
"3246","","Unknown engraver","Elizabeth Gunning, Duchess of Argyle","Etching","1700s","","","Pl. 62 x 101 mm","","","","30","£30","mounted","Print","Fine Prints","Artists Prints","","","","","",""
"3247","","Unknown engraver","Portrait of a Lady","Etching","Published 1782 by Whitworth & Yates, Birmingham","","","Pl. 110 x 145 mm","","","","35","£35","mounted","Print","Fine Prints","18th Century Mezzotint Portraits","","","","","",""
"3248","","F. Jukes after C. Ansell","Agility","Aquatint with engraving","Published March 25th 1785, by C. Ansell","","","Image 155 x 129 mm, Sheet 190 x 151 mm","","","","140","£140","mounted","Print","Fine Prints","Decorative","","","","","",""
"3249","","Robert Ker Porter","Charge!","Polyautograph","1700s (?)","","","S 320 x 235 mm","","","Man 121.","250","£250","mounted","Print","Fine Prints","Polyautographs and early lithographs","","","","","",""
"3250","","Thomas Stothard","The Lost Apple","Polyautograph","1700s?","","","S 320 x 235 mm","","","Man 134.","600","£600","mounted","Print","Fine Prints","Polyautographs and early lithographs","","","","","",""
"3251","","John Laporte","Landscape","Polyautograph","London, printed frome stone at the polyautographic office, No.9 Buckingham Place, Fitzroy Square, 1700s?","","","S 305 x 200 mm","","","Man 118","200","£200","mounted","Print","Fine Prints","Polyautographs and early lithographs","","","","","",""
"3253","","Samuel Lover (1787-1868)","The Ambush","Lithograph","Printed and Published by M. H. & J. W. Allen, 32 Dame St, Dublin, July 1826","","","I 280 x 230 mm","","","","50","£50","mounted","Print","Fine Prints","Polyautographs and early lithographs","Hunting<br/>Shooting","","","","",""
"3254","","Samuel Lover (1787-1868)","Italian Banditti","Lithograph","Printed and Published by M. H. & J. W. Allen, 32 Dame St (Dublin) c. 1826","","","I 310 x 215 mm","","","","100","£100","mounted","Print","Fine Prints","Polyautographs and early lithographs","Shooting","","","","",""
"3257","","Axel Haig","The Morning of the Festival","Etching","1880","","","I 537 x 327 mm; Pl. 553 x 338 mm","","","Impression signed by Haig with dedication to Dr. Harvey<br/>Marketed by Dowdeswell & Dowdeswell 100 artist’s proofs at 5 gns. Plate destroyed<br/>This is considered the greatest print of the Gothic Revival<br/>Lennox-Boyd 24<br/>Axel Haig R.E., a Swede, came to etching from architectural drawing and originally naval architecture. His earliest etchings showed the omission of the inessential, the hallmark of the new etchers but he soon found his feet making etchings suitable to be framed and put on the walls as rivals to paintings. His technique was different: look closely at a Haig Cathedral interior and you see a confused melee of lines, step back and you get the authentic gloom of the Middle Ages. ","800","£800","framed","Print","Victorian","Axel Haig","","","","","",""
"3258","","De Belly ","Dedicated a S.A.R. il Principe Eugenio Savoja Carignano","Lithograph with hand colouring","Torino, Presso l’Editore Fco. Bacciarini, Provveditore di Stampe della Real Famiglia","","","I 570 x 405 mm, S 915 x 650 mm","","","Marie Theresa, Queen of Sardinia, Daughter of Ferdinand III Grand Duke of Tuscany and widow of Charles Albert   <br/>Ex.Col. House of Savoy","450","£450","mounted","Print","Portraits","House of Savoy","","","","","",""
"3259","","Axel Haig","A Street in Seville","Etching","1883","","","I 698 x 353 mm; Pl. 732 x 380 mm","","","Impression signed by Haig<br/>One of 300 at 3 gns.<br/>Lennox-Boyd 41<br/><br/>Axel Haig R.E., a Swede, came to etching from architectural drawing and originally naval architecture. His earliest etchings showed the omission of the inessential, the hallmark of the new etchers but he soon found his feet making etchings suitable to be framed and put on the walls as rivals to paintings. His technique was different: look closely at a Haig Cathedral interior and you see a confused melee of lines, step back and you get the authentic gloom of the Middle Ages. ","650","£650","framed","Print","Victorian","Axel Haig","","","","","",""
"3260","","Arthur Ditchfield","Moonlight","Etching","1868","","","Image 158 x 114 mm; Plate 203 x 149 mm","","","Goulding Impression<br/>Arthur Ditchfield (1842-1888) is now totally forgotten and his etchings completely unknown. One of the things to note about him is his sketching trip with Ruskin and Hercules Brabazon to Amiens in 1880. He was obviously a conscientious craftsman, for he noted on many of his works who had printed them. It is worth comparing impressions printed by Goulding, Holdgate or Ditchfield himself. He made at least 77 etchings, a set of which were presented to the British Museum by his sister Mrs J.L. Roget with a manuscript listing. His training is unknown  - his drawings are not of “The English School”. It was probably Parisian, for the influence of Applan is evident and to a lesser extent that of Lalanne.","120","£120","mounted","Print","Victorian","Arthur Ditchfield","","","","","",""
"3262","","Charles Waltner after George Heming Mason","Young Anglers","Etching","Published 1 December 1881 by Agnew & Sons","","","I 264 x 417 mm; Pl. 362 x 472 mm","","","Impression signed by Waltner i/iii (?), impression on vellum. There were 50 artist’s proofs on vellum, at 6 gns. and 250 on Japanese paper at 5 gns. The former appear to have been fully subscribed on issue. PSA index p. 426<br/>Mason (1818-1872) was a self-trained landscape and genre painter. Unlike the other “Idyllists,” he came from a moneyed background (his uncle created Mason’s “Iron-Stone”), but his vision of the countryside was similar.","450","£450","framed","Print","Victorian","","","","","","",""
"3264","","Herbert Dicksee after John Everett Millais","The Boyhood of Raleigh","Etching on vellum","Published 1901 by the Fine Art Society","","","I 562 x 664 mm; Pl. 590 x 700 mm","","","Issued in an edition of 400 at 10 gns. PSA index Vol. 2 i/iii<br/>Impression signed by Dicksee<br/>An impression was exhibited at the RA in 1901 (no. 1430)<br/>Dicksee (1862-1942) made both original and reproductive prints, specialising in dogs and big cats. He was a pupil of Legros, but this is scarcely evident, either in subject or style.","1500","£1,500","framed","Print","Victorian","Herbert Dicksee","","","","","",""
"3265","","Henry Macbeth-Raeburn after George Mason ","Wind on the Wold","Etching","Published 4 December 1889 by the Fine Art Society","","","I 288 x 546 mm; Pl. 328 x 576 mm","","","Proof before all letters, PSA index 418 i/ii, impression signed by Macbeth-Raeburn, with PSA stamp.<br/>Exhibited at the Chicago World Fair 1890 (no.810).","650","£650","framed","Print","Victorian","","","","","","",""
"3267","","M. Fanoli after A. De Valentini","Sa Majestè Marie Adèlaide Reine de Sardaigne","Lithograph","Imp. par Lemercier r. de Seine 57, Paris","","","I 512 x 391 mm, S 781 x 591 mm","","","Ex. Col House of Savoy","300","£300","mounted","Print","Portraits","House of Savoy","","","","","",""
"3269","","L. Valmon after George Vicat Cole","Abingdon","Etching on vellum","Published 1897 by Arthur Tooth & Sons","","","I 750 x 470 mm, Frame 990 x 760 mm (I 29.5 x 18 inches, Frame 39 x 30 inches)","","","In an edition of 250 at 10 gns.<br/>PSA index Vol.2 i/ii<br/>Cole (1833-1893) was primarily a landscape painter","1200","£1,200","framed","Print","Victorian","","","","","","",""
"3271","","Thomas Burke after Angelica Kauffman","Una.","Stipple engraving","London Published Feby 2 1783 by T. Birchall No. 173 Strand","","","I 320 x 255 mm oval","","","Boerner 169 ii/iii<br/><br/>Thomas Burke (1749-1815) Irish Born engraver","400","£400","framed","Print","Fine Prints","Engravers A-K","","","","","",""
"3273","","Prince Albert","Fiesko and Andrea Doria","Etching","21 September 1840","","","I 159 x 118 mm; Pl. 204 x 152 mm","","","Scott-Elliot 68 ii/ii<br/>An illustration to Schiller’s drama Fiesko","400","£400","framed","Print","Victorian","","","","","","",""
"3274","","Axel Haig","Moorish Archway, Toledo","Etching","1885","","","I 363 x 212 mm; Pl. 384 x 236 mm","","","Impression signed by Haig<br/>Lennox-Boyd 48<br/>Axel Haig R.E., a Swede, came to etching from architectural drawing and originally naval architecture. His earliest etchings showed the omission of the inessential, the hallmark of the new etchers but he soon found his feet making etchings suitable to be framed and put on the walls as rivals to paintings. His technique was different: look closely at a Haig Cathedral interior and you see a confused melee of lines, step back and you get the authentic gloom of the Middle Ages. ","600","£600","framed","Print","Victorian","Axel Haig","","","","","",""
"3275","","Robert Walker Macbeth","A Sacrifice (Only a Woman’s Hair)","Etching","Published 12 May 1883 by Lefevre","","","I 337 x 530 mm; Pl. 395 x 572 mm","","","PSA index 329 ii/ii<br/>Impression signed by Walker Macbeth<br/>With PSA stamp<br/>Walker Macbeth was the son of the Scottish portrait painter Norman Macbeth. He was an etcher, watercolourist and painter of pastoral landscapes, rustic genre scenes and has a unique etching style, very different from Haden or Whistler. He served on the Council of the Royal Society of Painter-Etchers.","800","£800","framed","Print","Victorian","","","","","","",""
"3277","","David Law","[Pangbourne Weir]","Etching","Published ca.1881","","","I 236 x 350 mm; Pl. 253 x 353 mm","","","Pangbourne on Thames, Berkshire<br/>Plate 21, from Law’s Thames Series","180","£180","mounted","Print","British Topography","Oxfordshire","","","","","",""
"3279","","James Mason after Thomas Smith","A View in Newstead Park, belonging to the Rr. Hon.ble the Lord Byron; to whom this Plate is inscribed by his Lordship most obed.t Serv.t ","Copper engraving","Published Oct.r 1764","","","I 533 x 356 mm","","","Thomas Smith of Derby (c. 1720-1767) was a landscape painter, the father of John Raphael Smith and grandfather of John Rubens Smith.","400","£400","mounted","Print","British Topography","Nottinghamshire","","","","","",""
"3280","","J. Boydell","A View of Matlock Bath, in Derby Shire","Copper engraving","Published according to Act of Parliament  by J. Boydell Engraver 1749","","","I 443 x 290 mm; Pl. 456 x 311 mm  ","","","","350","£350","mounted","Print","British Topography","Derbyshire","","","","","",""
"3281","","William Woollett","A View of the Great Room &c. at Hall-Barn near Beckonsfield in Buckinghamshire a Seat of Edmund Waller Esq.r<br/>Veue de la grande Sale &c. a Hall-Barn dans la Comte de Bucks, appertanant a Edmund Waller Ecuyer","Copper engraving","Printed for Carington Bowles in St Pauls Church Yard, John Bowles in Cornhil, Henry Parker in Cornhill, John Boydell in Cheapside, and Robert Sayer in Fleet Street, [1760]","","","I 506 x 330 mm; Pl. 539 x 375 mm","","","Fagan 37 iii/iv","500","£500","mounted","Print","British Topography","Buckinghamshire","","","","","",""
"3282","","Paul Sandby after Thomas Sandby","The Great Bridge over the Virginia River","Copper engraving","Published March the 2.d 1772 by John Boydell","","","I 313 x 564 mm; Pl. 345 x 581; S 562 x 587 mm","","","Virginia Water, Windsor Great Park","400","£400","mounted","Print","British Topography","Surrey","","","","","",""
"3283","","Paul Sandby after Thomas Sandby","View from the Northside of the Virginia River, near the Manour Lodge","Copper engraving","","","","I 309 x 562 mm; S 340 x 576 mm","","","","400","£400","mounted","Print","British Topography","London","","","","","",""
"3290","","J. Brandard","The Chancel of the Parish Church, Stratford Upon Avon. In which are interred the remains of SHAKESPEARE. Whose monument (next the door) & Tombleson on the steps below are seen in this view. ","Lithograph","Leamington , Published by C. Elston Stationer & Publisher of Local Views, 12 Lower Union Parade","","","I 268 x 188 mm","","","","35","£35","mounted","Print","British Topography","Warwickshire","","","","","",""
"3291","","M & N Hanhart after J. Brandard","The Interior of Beauchamp Chapel, St Mary’s Church Warwick containing the Tombs of Richard de Beauchamp, E of Warwick (Founder of the Chapel) Ambrose Dudley E. of Warwick","Lithograph","Leamington Published by C. Elston, 12 Lower Union Parade.","","","I 285 x 196 mm","","","","35","£35","mounted","Print","British Topography","Warwickshire","","","","","",""
"3292","","Edward Morton after John Constable","Cottage adjoining. The Birthplace of the late John Constable Esq.R.A. from a Sketch by himself, taken in 1836 On Stone by Edward Morton","Lithograph","London Published by J. Dickenson, 114 New Bond St.  ","","","I 140 x 195 mm; S 210 x 255 mm","","","","25","£25","mounted","Print","British Topography","Suffolk","","","","","",""
"3294","","Facius after Benjamin West","The Golden Age.","Stipple","Publish’d Jany. 1st 1778 by John Boydell Engraver in Cheapside, London.","","","I 270 x 310 mm oval, Pl. 295 x 325 mm","","","","500","£500","mounted","Print","Fine Prints","Stipple","","","","","",""
"3298","","P.W. Tomkins","The Union Song","Stipple","London Publish’d as the Act directs, Jany. 30, 1801, P.W. Tomkins, No. 49 , New Bond Street","","","I 205 x 210 mm","","","","500","£500","framed","Print","Fine Prints","Stipple","","","","","",""
"3301","","Raphael Lamar West","","Polyautograph","","","","I 310 x 227 mm, S 320 x 232 mm","","","Man 161 ii/ii","350","£350","mounted","Print","Fine Prints","Polyautographs and early lithographs","","","","","",""
"3302","","Henry [Belenden] Ker","","Polyautograph","1807","","","I 230 x 317 mm, S 277 x 390 mm  ","","","Man 107","150","£150","mounted","Print","Fine Prints","Polyautographs and early lithographs","","","","","",""
"3303","","Henry Bernard Chalon","Wild Horses","Lithograph","","","","I & S 225 x 317 mm","","","Man 32","250","£250","mounted","Print","Fine Prints","Polyautographs and early lithographs","","","","","",""
"3304","","John Downman","","Polyautograph","","","","I & S 323 x 233 mm","","","Man 53","300","£300","mounted","Print","Fine Prints","Polyautographs and early lithographs","","","","","",""
"3305","","Paul Sandby Mann","Mallwyd Bridge","Polyautograph","1813","","","I 202 x 287 mm, S 240 x 375 mm","","","","50","£50","","Print","Fine Prints","Polyautographs and early lithographs","","","","","",""
"3306","","John Thomas Serres","","Polyautograph","1803","","","I 223 x 317 mm, S 261 x 345 mm","","","Man 130","220","£220","mounted","Print","Fine Prints","Polyautographs and early lithographs","","","","","",""
"3307","","Richard Cooper","","Polyautograph","1802","","","I & S 233 x  324 mm","","","Man 33","150","£150","","Print","Fine Prints","Polyautographs and early lithographs","","","","","",""
"3308","","Paul Sandby Mann","St. Oswald’s Well. Durham","Polyautograph","1813","","","I 184 x 282 mm, S 237 x 375 mm","","","","80","£80","mounted","Print","Fine Prints","Polyautographs and early lithographs","","","","","",""
"3313","","","Marie-Josephine, Comtesse De Provence","Copper engraving","","","","I 210 x 140 mm vignette, Pl. 167 x 235 mm ","","","Ex. Col.  House of Savoy","60","£60","mounted","Print","Portraits","House of Savoy","","","","","",""
"3314","","Forino","S.A.R.D.n Antonio Conte di Lecce 1828.","Lithograph","","","","I 165 x 170 vignette, S 490 x 390 mm","","","Ex. Col. House of Savoy","100","£100","","Print","Portraits","House of Savoy","","","","","",""
"3315","","F. Perrin","Il Re Vittorio Emmanuel","Lithograph with tint stone","","","","I 440 x 480 mm","","","Ex. Col House of Savoy","350","£350","mounted","Print","Portraits","House of Savoy","","","","","",""
"3316","","Charles Gottlieb Heüssü after Thomas Fry","Catherine, Countess of Lincoln","Mezzotint","c. 1760s","","","Pl. 140 x 190 mm","","","","200","£200","mounted","Print","Fine Prints","Foreign Copies of English Prints","","","","","",""
"3317","","P. V.","Familie Royale de Belgique [Belgian Royal Family]","Woodblock with hand colouring","Imp. Lith. Olivier Pinot Edit. à Epinal.","","","I 360 x 250 mm","","","","120","£120","mounted","Print","Portraits","House of Savoy","","","","","",""
"3318","","Richard Lasey after James Abbot McNeil Whistler","Arrangement in Grey and Black: The Artist’s Mother [Whistler’s Mother]","Mezzotint","London, Published July 7th 1879 by Henry Graves and Co. 6 Pall Mall SW","","","I 350 x 310 mm; Pl. 440 x 440 mm","","","Signed by Lasey in pencil. Bears the signature and monogram of Whistler in lower left margin. Stamped “FKY Printsellers Association”.<br/><br/>Printsellers Association Index 414","2200","£2,200","mounted","Print","Victorian","","","","","","",""
"3319","","Henry G. Walker","Tom Tower Christchurch, College, Oxford.","Etching","Gloucester Galleries, Bristol, c. 1910","","","I & Pl. 245 x 145 mm","","","Limited to 300 signed copies","90","£90","framed","Print","Oxford","Christ Church College","","","","","",""
"3320","","Burghers, Michael","To the Right Reverend Father in God John by divine permission Ld. Bishop of OXON The Map of Oxfordshire being his Lordship’s Diocess newley delineated, and after a new manner, with all imaginable Reverence is humbly dedicated by R.P.L.L.D.","Copper engraving with hand colouring","1677","","","","","","This large copperplate map is from Robert Plot's The Natural History of Oxfordshire…..  Dr. Plot, a Professor of Chemistry at the University of Oxford  and the first keeper of the Ashmolean, planned to produce a series of county histories, but only two materialized - Oxfordshire and Staffordshire.  The map, rarely in perfect condition, was engraved by Michael Burghers, who assisted in the engraving of David Loggan's Oxonia Illustrata.  The Plot map is the most decorative map of the county, with a boarder of 172 coast of arms, including the coats of arms of 148 the county's gentry, each armorial being keyed to a number residence on the map.  The top boarder conatins the coats of arms of the eighteen Oxford colleges, the City, the University, and four county towns.  The map is similar in scale to, but less accurate then Robert Morden's map which it pre-dates by nineteen years.  There are no hundreds illustrated, but rivers, towns, villages, and churches are clearly delinated.  ","1500","£1,500","framed","Map","English Counties","Oxfordshire","","","","","",""
"3323","","Jan Jansson","Wiltonia sive comirarus Wiltoniensis. Anglis Wilshire","Copper engraved map with contemporary hand colour","Published Amsterdam c. 1660","","","","","","Janssons Wiltshire map bound with French text in half calf and cloth. Some wear to spine .","600","£600","","Map","English Counties","Wiltshire","","","","","",""
"3326","","Wells, Edward ","A New Map of the Terraqueous Globe according to the latest Discoveries and most general Divions of it into Contienents and Oceans.","Copper engraved with hand colour","Published Oxford 1726-38","","","","","","This decorative and instructional world map was part of a set of 22 maps dedicated to William, Duke of Gloucester, who was then an 11 year old student at Oxford. Wells was a teacher of mathematics and geography at Christ Church College.  The 11 year old William, heir to the throne, began his studies at Christ Church in 1700 at the age of 11 and died a few months after the map was issued (1700). Wells designed his maps for instructional use in the geography courses he taught at Christ Church College at Oxford and his clear and direct cartographic presentation proved popular with the general public as well. Something of a surprise commercial success, the atlas received several printings well into the 1730s.. The wonderfully decorative maps are greatly prized for their charming vignettes including views of Oxford, and provide a fascinating snapshot of British understanding of the world at the outset of the 18th century. Wells maps are known for geographical accuracy and the strength of the engraved images. This map shows California as an Island, an incomplete New Holland attached to N. Guinea, partial New Zealand Coast line and no Southern Continent.<br/><br/>Michael Burgers was an engraver and draughtsman from Holland whom move to England and settled in Oxford in 1673.  Whilst in Oxford he worked for David Loggan on Oxford Illustrata, published in 1675, and eventually succeeded Loggan as Engraver to the University.  Burgers engraved the first Oxford Almanack in 1676 and continued to engrave most of them for the next 43 years.  Burgers also illustrated books and produced architectural, botanical and portrait engravings. <br/><br/>Shirley World 608<br/>","2200","£2,200","framed","Map","World Maps & Sea Charts","","","","","","",""
"3327","","Blome, Richard ","A Mapp of Y County of Buckinghamshire","Copper engraved with hand colour","c. 1715","","","247 x 175 mm","","","","200","£200","framed","Map","English Counties","Buckinghamshire","","","","","",""
"3333","","J. Greig","The Hall Staircase, Christ Church","Copper engraving","Published by Cook & Parker, Oxford - Longman, Hurst Rees and Orme, London, March 1 1810","","","Image 113 x 82 mm","A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A <br/>Illustrated by a series of engravers","","","25","£25","mounted","Print","Oxford","Christ Church College","","","","","",""
"3334","","J. Storer","Hall of Christ Church College","Copper engraving","Published by Cook & Parker, Oxford - Longman, Hurst Rees and Orme, London, March 1 1810","","","Image 114 x 81 mm","From Chalmer’s (Alex.) A History of the Colleges, Halls and Public Buildings attached to the University of Oxford including the lives of the Founders","","","25","£25","mounted","Print","Oxford","Christ Church College","","","","","",""
"3335","","Pieter van der Aa after David Loggan","Le College de S. Jean Baptiste ","Copper engraving","1707","","","Image 166 x 132 mm","La Delices de la Grande Bretagne et de L’Irlande","","La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher.  ","65","£65","framed","Print","Oxford","St. John’s College","","","","","",""
"3341","","Morden, Robert ","Devonshire","Copper engraved with hand colouring","1722","","","From Camden's Britannia","","","Robert Morden : d. 1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson's revised edition of 'Camden's Brittannia' engraved by Sutton Nichols. William Camden (1551-1623) was a historian and antiquary whose works were reprinted and published over a period of 200 years. The original Latin text was first translated by Gibson in 1695. Morden was employed to replace the outdated maps by Saxton, engraved by Kip and Hole. He based his maps on manuscript sources plus the surveys of Ogilby and Morgan, seller, Palmer and the coastal charts of Cpt. Greenville Collins. One of his original contributions to cartography was the showing of longitudes measured from the meridian of St. Paul's Cathedral given in the form of time in minutes at the top of the map in Roman numerals and at the bottom in degrees. This was done to clarify local times that were taken from the sun as there was no national standard time. These maps were the first to show the roads based on Ogilby's earlier work of 1675, and included 3 scales to cover the various scales used in different parts of the country. ","200","£200","mounted","Map","English Counties","Devon","","","","","",""
"3342","","Morden, Robert ","Nottinghamshire","Copper engraved with hand colouring","1695","","","From Camden's Britannia","","","Robert Morden : d. 1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson's revised edition of 'Camden's Brittannia' engraved by Sutton Nichols. William Camden (1551-1623) was a historian and antiquary whose works were reprinted and published over a period of 200 years. The original Latin text was first translated by Gibson in 1695. Morden was employed to replace the outdated maps by Saxton, engraved by Kip and Hole. He based his maps on manuscript sources plus the surveys of Ogilby and Morgan, seller, Palmer and the coastal charts of Cpt. Greenville Collins. One of his original contributions to cartography was the showing of longitudes measured from the meridian of St. Paul's Cathedral given in the form of time in minutes at the top of the map in Roman numerals and at the bottom in degrees. This was done to clarify local times that were taken from the sun as there was no national standard time. These maps were the first to show the roads based on Ogilby's earlier work of 1675, and included 3 scales to cover the various scales used in different parts of the country. ","75","£75","mounted","Map","English Counties","Nottinghamshire","","","","","",""
"3345","","Morden, Robert ","Kent","Copper engraved with hand colouring","1722","","","I 630 x 342 mm","","","Robert Morden : d. 1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson's revised edition of 'Camden's Brittannia' engraved by Sutton Nichols. William Camden (1551-1623) was a historian and antiquary whose works were reprinted and published over a period of 200 years. The original Latin text was first translated by Gibson in 1695. Morden was employed to replace the outdated maps by Saxton, engraved by Kip and Hole. He based his maps on manuscript sources plus the surveys of Ogilby and Morgan, seller, Palmer and the coastal charts of Cpt. Greenville Collins. One of his original contributions to cartography was the showing of longitudes measured from the meridian of St. Paul's Cathedral given in the form of time in minutes at the top of the map in Roman numerals and at the bottom in degrees. This was done to clarify local times that were taken from the sun as there was no national standard time. These maps were the first to show the roads based on Ogilby's earlier work of 1675, and included 3 scales to cover the various scales used in different parts of the country. ","280","£280","mounted","Map","English Counties","Kent","","","","","",""
"3348","","Blaeu, Johannes","Suffolcia","Copper engraving with hand colouring","circa 1645 - 1648","","","I 493 x 380 mm","","","Blaeu, Doctor Johannes (c.1599-1673) Born and died in Amsterdam. Collaborated with his father Willem Janszoon and with his brother Cornelis, and ran the business after the death of Willwm. Appointed official cartographer to the East India Company (VOC) in 1638 in sucession to his father. What was left of the company after the fire of 1672 and the deah of Joan in 1673 passed to his son Joan (III), who sold the globemaking part of the business to J. van Keulen. <br/>Worked in partnership with his father on Appendix Theatri Ortelii et Atlantis G. Mercatoris, 1631 and Nouvus Atlas, 1634; Wall maps, 1647-1649; Tooneel der Steden van der Vereenighde Nederlanden (Town books of the Netherlands) 1649-1653 Theatrum Orbis Terrarum, publishing six volumes  up to 1655; Atlas Major (11 volumes, known as the Grand Atlas), 1662-1672 in editions with French, Latin, Dutch and Spanish text (often described as the most magnificent work of its kind ever produced); Town plans of Italy 1663. ","600","£600","mounted","Map","English Counties","Suffolk","","","","","",""
"3349","","Blaeu, Johannes","Nortfolcia","Copper engraving with hand colouring","circa 1645 - 1648","","","I 493 x 390 mm","","","Blaeu, Doctor Johannes (c.1599-1673) Born and died in Amsterdam. Collaborated with his father Willem Janszoon and with his brother Cornelis, and ran the business after the death of Willwm. Appointed official cartographer to the East India Company (VOC) in 1638 in sucession to his father. What was left of the company after the fire of 1672 and the deah of Joan in 1673 passed to his son Joan (III), who sold the globemaking part of the business to J. van Keulen. <br/>Worked in partnership with his father on Appendix Theatri Ortelii et Atlantis G. Mercatoris, 1631 and Nouvus Atlas, 1634; Wall maps, 1647-1649; Tooneel der Steden van der Vereenighde Nederlanden (Town books of the Netherlands) 1649-1653 Theatrum Orbis Terrarum, publishing six volumes  up to 1655; Atlas Major (11 volumes, known as the Grand Atlas), 1662-1672 in editions with French, Latin, Dutch and Spanish text (often described as the most magnificent work of its kind ever produced); Town plans of Italy 1663. ","600","£600","mounted","Map","English Counties","Norfolk","","","","","",""
"3350","","Murray, T. ","Durham","Copper engraving with hand colouring","London, Published May 1st 1830 by T.L. Murray, 19 Adam Street, Adelphi","","","I 450 x 355 mm","","","Murray, T. Laurie FRGS. British Publisher and surveyor of 19 ‘Adam Street, Adelphi’, London. Founder member of the Royal Geographical Society, An Atlas of English Counties (44 maps), London, T.L. Murray 1830, 1831 and later editions.","75","£75","mounted","Map","English Counties","Durham","","","","","",""
"3351","","Awnsham and John Churchill","Cambridgeshire","Copper engraving with hand colouring","c.1708","","","I 424 x 357 mm","","","Churchill, Awnsham and John. Booksellers and publishers at the Black Swan, Paternoster Row, London.<br/>Churchill, Awnsham (1681-1728) In partnership with his brother John; Member of Parliament Dorsetshire 1705-1710; shop and stock were passed on to William Taylor in 1719, but Churchill retained copyright in Britannia until his death. Brotannia (with revisions by Gibson), was published by Awnsham Churchill, 1722 and sold by Taylor.<br/>Churchill, john (fl.1690-1714) Brother and partner of Awnsham from 1690. ","180","£180","mounted","Map","English Counties","Cambridgeshire","","","","","",""
"3352","","Murray, T. ","Dorsetshire","Copper engraving with hand colouring","London, Published May 1st 1830 by T.L. Murray, 19 Adam Street, Adelphi","","","I 450 x 355 mm","","","Murray, T. Laurie FRGS. British Publisher and surveyor of 19 ‘Adam Street, Adelphi’, London. Founder member of the Royal Geographical Society, An Atlas of English Counties (44 maps), London, T.L. Murray 1830, 1831 and later editions.","70","£70","mounted","Map","English Counties","Dorset","","","","","",""
"3358","","Morden, Robert ","North Wales","Copper engraving with hand colouring","1722","","","I 420 x 350 mm","","","","40","£40","mounted","Map","Scotland, Ireland & Wales","Wales","","","","","",""
"3361","","Kitchin, Thomas ","Cheshire Drawn from the best surveys Maps and Charts & and Regulated by Astron.l Observat.ns","Copper engraving","circa 1786","","","I 220 x 140 mm","","","","50","£50","mounted","Map","English Counties","Cheshire","","","","","",""
"3362","","Owen & Bowen","A Map of Somersetshire","Copper engraving","1720","","","I 179 x 103 mm","","","","35","£35","mounted","Map","English Counties","Somersetshire","","","","","",""
"3365","","","Balliol 1894","Photograph","c. 1894","","","I 240 x 300 mm","","","see stock number 3364","80","£80","mounted","Print","Oxford","Balliol College","","","","","",""
"3368","","Fullarton, A.","Cheshire","Copper engraved with later hand colouring","c.1830","","","238 x 180 mm","","","","45","£45","mounted","Map","English Counties","Cheshire","","","","","",""
"3373","","Kelly, Thomas","France in Departments","Steel engraving","London: Published by Thomas Kelly, 17 Paternoster Row, circa 1840 ","","","I 240 x 190 mm","","","","20","£20","mounted","Map","Europe","France","","","","","",""
"3374","","Bovinet, Giraldon ","France par Provinces","Copper engraving","Publie par Jules Renouard, Librarie Editeur de la Geographie de Balbi, des ouvrages elementaires de Gaultier, Rue de Tournon No. 6 a Paris","","","I 380 x 230 mm","","","","40","£40","mounted","Map","Europe","France","","","","","",""
"3376","","","Leicestershire","Copper engraving","c 1780","","","I 147 x 120 mm","","","","35","£35","mounted","Map","English Counties","Leicestershire","","","","","",""
"3381","","Sid Hall","Durham","Steel engraving with hand colouring","c. 1860","c. 1860","1860","I 241 x 187 mm","","","","25","£25","mounted","Map","English Counties","Durham","","","","","",""
"3385","","Owen & Bowen","Berkshire (the roads from Oxford to Salisbury)","Copper engraving","1720","","","I 190 x 126 mm","","","","75","£75","mounted","Map","English Counties","Berkshire","","","","","",""
"3386","","A.M Perrott","Cornouaille","Copper engraving with hand colouring","1823","","","I 100 x 60 mm","","","","150","£150","mounted","Map","English Counties","Cornwall","","","","","",""
"3388","","Cary, John","Cumberland","Copper engraving with hand colouring","London, Published Jan.y 1st 1793, by J. Cary , Engraver & Map seller Strand","","","259 x 207 mm","","","Cary, John (1755-1835) English cartographer, engraver, globe maker and publisher. Worked with his brother George. Apprenticed to his William Palmer 1770; surveyor of roads to the general post office , 1794. Best known for his english county atlases. Amongst others - Cary’s New and Correct English Atlas  1787-1789; engraved the plates for Robert Gough’s edition of Camden’s Britannia, 1789, 1806.","60","£60","mounted","Map","English Counties","Cumberland","","","","","",""
"3389","","Cooper","Bedfordshire","Copper engraving","Published Jan.y 1, 1808 by R. Philips Bridge Street Blackfriars London","","","I 175 x 101 mm","","","","15","£15","mounted","Map","English Counties","Bedfordshire","","","","","",""
"3392","","Fullarton","Buckinghamshire","Copper engraving with hand colouring","Pub.d by ARchd. Fullarton & Co. Glasgow circa 1830","","","I 236 x 180 mm","","","","40","£40","unmounted","Map","English Counties","Buckinghamshire","","","","","",""
"3395","","Toms, W. H ","A Map of Berkshire","Copper engraving","Published by the Proprietor J. Badeslade & W.H Toms Sept 29th 1741","","","I 141 x 139 mm","","","","45","£45","unmounted","Map","English Counties","Berkshire","","","","","",""
"3396","","Copper","Berkshire","Copper engraving","Published Jan.y 1, 1808 by R. Philips Bridge Street Blackfriars London","","","I 176 x 101 mm","","","","30","£30","unmounted","Map","English Counties","Berkshire","","","","","",""
"3398","","Owen & Bowen","A Map of Cornwall (the road from Exeter to Truro)","Copper engraving","circa 1720","","","I 180 x 115 mm","","","","65","£65","unmounted","Map","English Counties","Cornwall","","","","","",""
"3399","","Kitchin, Thomas","Cornwall Drawn from an Actual Survey and Regulated by Astron.l. Observations","Copper engraved with hand colouring","1769","","","I 231 x 194 mm","","","","90","£90","unmounted","Map","English Counties","Cornwall","","","","","",""
"3402","","Fullarton","Cornwall","Copper engraving","Published by Arch.d Fullarton & Co. Glasgow","","","I 231 x 186 mm","","","","45","£45","unmounted","Map","English Counties","Cornwall","","","","","",""
"3403","","Archer, J. ","Bedfordshire","Copper engraving","Drawn and engraved by J. Archer, Pentonville, London, circa 1846","","","I 230 x 175 mm","","","","10","£10","unmounted","Map","English Counties","Bedfordshire","","","","","",""
"3404","","Walker, J & C ","Devonshire","Copper engraving with hand colouring","Engraved for Lewis’ Topographical Dictionary circa 1830","","","292 x 230 mm","","","","20","£20","unmounted","Map","English Counties","Devon","","","","","",""
"3405","","Archer, J. ","Bedfordshire","Steel engraving","Drawn and engraved by J. Archer Pentonville, London circa 1846","","","I 230 x 176 mm","","","","15","£15","unmounted","Map","English Counties","Bedfordshire","","","","","",""
"3406","","Archer, J. ","Cambridgeshire","Copper engraving","Drawn and engraved by J. Archer Pentonville, London ","","","I 234 x 179 mm","","","","10","£10","unmounted","Map","English Counties","Cambridgeshire","","","","","",""
"3407","","Walker, J & C ","Cambridgeshire","Copper engraving","Engraved for Lewis’ Topographical Dictionary c 1846","","","230 x 172 mm","","","","15","£15","unmounted","Map","English Counties","Cambridgeshire","","","","","",""
"3408","","Owen & Bowen","Buckinghamshire (the road from London to Yarmouth)","Copper engraving","circa 1720","","","I 181 x 120 mm","","","","60","£60","unmounted","Map","English Counties","Buckinghamshire","","","","","",""
"3409","","Hakewell, James ","The Neighbourhood of Windsor","Copper engraving with hand colouring","c. 1815","","","I 270 x 224 mm","","","","100","£100","unmounted","Map","English Counties","Berkshire","","","","","",""
"3411","","Sid Hall","Cumberland","Copper engraving","Published by S. Leigh, 18 Strand, circa 1800","","","I 120 x 70 mm","","","","5","£5","unmounted","Map","English Counties","Cumberland","","","","","",""
"3413","","Cary, John","Cumberland","Copper engraving","c 1760","","","I 112 x 90 mm","","","Cary, John (1755-1835) English cartographer, engraver, globe maker and publisher. Worked with his brother George. Apprenticed to his William Palmer 1770; surveyor of roads to the general post office , 1794. Best known for his english county atlases. Amongst others - Cary’s New and Correct English Atlas  1787-1789; engraved the plates for Robert Gough’s edition of Camden’s Britannia, 1789, 1806.","5","£5","unmounted","Map","English Counties","Cumberland","","","","","",""
"3415","","J. Roper","Berkshire","Copper engraving with hand colouring","London; Published for the Proprietors , by Vernor Hood, Poultry, Dec.r 1st  1804","","","174 x 220 mm","","","to accompany the Beauties of England and Wales<br/>from a Drawing by G.Cole","40","£40","unmounted","Map","English Counties","Berkshire","","","","","",""
"3416","","Rollos, J. ","Berkshire","Copper engraving with hand colouring","circa 1769","","","I 256 x 184 mm","","","","75","£75","unmounted","Map","English Counties","Berkshire","","","","","",""
"3417","","Moule, T. ","Berkshire","Steel engraved with hand colouring","circa 1840","","","Image 254 x 195 mm","","","Originally a writer on Heraldry and general antiquities, Moule was born in Marylebone, London. From around 1816 to 1823 he was a Bookseller, his shop was in Grosvenor Square, London. He then became an inspector of letters in the General Post Office, where his responsibilities included trying to 'read' illegible hand writing! <br/><br/>His highly decorative series of county maps were first published in separate issues for each county between 1830 and 1832. In 1836 these were brought together in one work, by George Virtue & Co. They continued to appear in Rev. Barclay's Dictionary into the 1840's.","120","£120","mounted","Map","English Counties","Berkshire","","","","","",""
"3418","","Archer, J. ","Berkshire","Copper engraving with hand colouring","circa 1850","","","I 235 x 176 mm","","","","15","£15","unmounted","Map","English Counties","Berkshire","","","","","",""
"3419","","Fullarton, A","Berkshire","Copper engraving","Published by Arch.d Fullarton & Co. Glasgow, ","","","I 242 x 186 mm","","","","25","£25","unmounted","Map","English Counties","Berkshire","","","","","",""
"3420","","Kitchin, T. ","Berkshire","Copper engraving","circa 1786","","","I 217 x 170 mm","","","","75","£75","unmounted","Map","English Counties","Berkshire","","","","","",""
"3421","","Taylor/ Blome","Barkshire","Copper engraving","circa  1717","","","I 235 x 176 mm","","","","110","£110","unmounted","Map","English Counties","Berkshire","","","","","",""
"3422","","Seller, J. ","Barkshire","Copper engraving","","","","I 144 x 120 mm","","","","90","£90","unmounted","Map","English Counties","Berkshire","","","","","",""
"3424","","Pigot and Son","Berkshire","Copper engraving with hand colouring","Published Pigot & Co. 17 Basing Lane London & 18 Fountain St Manchester, cirac 1830","","","I 350 x 220 mm","","","","60","£60","mounted","Map","English Counties","Berkshire","","","","","",""
"3425","","Seller/Grose","Cambridgeshire","Copper engraving with hand colouring","circa 1700","","","I 120 x 145 mm","","","","40","£40","unmounted","Map","English Counties","Cambridgeshire","","","","","",""
"3426","","","Cambridgeshire","Steel engraving with hand colouring","circa 1840","","","I 258 x 194 mm","","","","85","£85","unmounted","Map","English Counties","Cambridgeshire","","","","","",""
"3427","","J. Cary","Cambridgeshire","Copper engraving with hand colouring","London published Jan .y 1, 1793 by J. Cary. Engraver and map seller Strand","","","I 258 x 209 mm","","","Cary, John (1755-1835) English cartographer, engraver, globe maker and publisher. Worked with his brother George. Apprenticed to his William Palmer 1770; surveyor of roads to the general post office , 1794. Best known for his english county atlases. Amongst others - Cary’s New and Correct English Atlas  1787-1789; engraved the plates for Robert Gough’s edition of Camden’s Britannia, 1789, 1806.","65","£65","unmounted","Map","English Counties","Cambridgeshire","","","","","",""
"3429","","Starling, T. ","Cumberland","Steel engraving with hand colouring","","","","","","","","","","","Map","English Counties","Cumberland","","","","","",""
"3431","","Moule","Cambridgeshire","Steel engraved","circa 1845","","","I 258 x 192 mm","","","","65","£65","unmounted","Map","English Counties","Cambridgeshire","","","","","",""
"3432","","J. Cary","Cambridgeshire","Copper engraving with hand colouring","London, Published Jan.y 1.1793 by J. Cary Engraver & Map seller Strand","","","I 260 x 208 mm","","","Cary, John (1755-1835) English cartographer, engraver, globe maker and publisher. Worked with his brother George. Apprenticed to his William Palmer 1770; surveyor of roads to the general post office , 1794. Best known for his english county atlases. Amongst others - Cary’s New and Correct English Atlas  1787-1789; engraved the plates for Robert Gough’s edition of Camden’s Britannia, 1789, 1806.","50","£50","unmounted","Map","English Counties","Cambridgeshire","","","","","",""
"3434","","Moule","Bedfordshire","Steel engraved","circa 1845","","","I 270 x 214 mm","","","","50","£50","unmounted","Map","English Counties","Bedfordshire","","","","","",""
"3435","","Wallis,J","Bedfordshire","Copper engraving","1819","","","I 257 x 174 mm","","","","50","£50","unmounted","Map","English Counties","Bedfordshire","","","","","",""
"3436","","R. Creighton","Bedfordshire","Steel engraving with hand colouring","c 1831","","","226 x 172 mm","","","","20","£20","unmounted","Map","English Counties","Bedfordshire","","","","","",""
"3437","","J & C Walker","Bedfordshire","Copper engraving","circa 1830","","","I 244 x 178 mm ","","","","15","£15","unmounted","Map","English Counties","Bedfordshire","","","","","",""
"3438","","J & C Walker","Bedfordshire","Copper engraving","Circa 1831","","","I 222 x 175 mm","","","","15","£15","unmounted","Map","English Counties","Bedfordshire","","","","","",""
"3439","","T. Kitchin","Bedfordshire","Copper engraving","1764","","","I 251 x 194 mm","","","","50","£50","unmounted","Map","English Counties","Bedfordshire","","","","","",""
"3440","","J. Archer","Bedfordshire","Steel engraving","circa 1860. Drawn and engraved by J. Archer, Pentonville, London","","","I 231 x 177 mm","","","","15","£15","unmounted","Map","English Counties","Bedfordshire","","","","","",""
"3441","","Seller/Grose","Bedfordshire","Copper engraving","circa 1700","","","I 181 x 120 mm","","","","40","£40","unmounted","Map","English Counties","Bedfordshire","","","","","",""
"3442","","H. Moll","Bedfordshire","Copper engraving","circa 1724","","","I 252 x 192 mm","","","","120","£120","unmounted","Map","English Counties","Bedfordshire","","","","","",""
"3443","","T. Kitchin","Cumberland","Copper engraving","1764","","","I 251 x 194 mm","","","","60","£60","unmounted","Map","English Counties","Cumberland","","","","","",""
"3445","","","Berkshire","Steel engraving","circa 1840","","","I 260 x 209 mm","","","","80","£80","unmounted","Map","English Counties","Berkshire","","","","","",""
"3451","","Owen & Bowen","Berkshire (the roads from Oxford to Salisbury)","Copper engraving","1720","","","I 190 x 126 mm","","","","75","£75","mounted","Map","English Counties","Berkshire","","","","","",""
"3452","","R. Creighton","Cumberland","Copper engraving with hand colouring","Engraved for Lewis’ Topographical Dictioanry, 1837","","","I 292 x 230 mm","","","","20","£20","unmounted","Map","English Counties","Cumberland","","","","","",""
"3453","","Kitchin, Thomas","A New Map of Berkshire","Copper engraving","1764","","","I 250 x 190 mm","","","","70","£70","unmounted","Map","English Counties","Berkshire","","","","","",""
"3454","","Wilkes, J.","Berkshire","Copper engraving","London, Published as the Act directs, July 11th 1801, by J. Wilkes","","","I 234 x 188 mm","","","","30","£30","unmounted","Map","English Counties","Berkshire","","","","","",""
"3456","","Moule, Thomas ","Cumberland","Steel engraved","c. 1840","","","257 x 194 mm","","","Originally a writer on Heraldry and general antiquities, Moule was born in Marylebone, London. From around 1816 to 1823 he was a Bookseller, his shop was in Grosvenor Square, London. He then became an inspector of letters in the General Post Office, where his responsibilities included trying to 'read' illegible hand writing! <br/><br/>His highly decorative series of county maps were first published in separate issues for each county between 1830 and 1832. In 1836 these were brought together in one work, by George Virtue & Co. They continued to appear in Rev. Barclay's Dictionary into the 1840's.","40","£40","unmounted","Map","English Counties","Cumberland","","","","","",""
"3457","","Hall, Sidney","Cornwall","Steel engraved with hand colouring","London, Published by Chapman & Hall. 193 Piccadilly, 1848","","","236 x 182 mm","","","","20","£20","unmounted","Map","English Counties","Cornwall","","","","","",""
"3460","","Brayley, E.W","Chester","Copper engraving","London, Published for the Proprietors by Vernor & Hood, Poultry Dec.r 1st 1806","","","231 x 177 mm","From Cole and Roper","","","60","£60","unmounted","Map","English Counties","Cheshire","","","","","",""
"3461","","J. Archer","Bedfordshire","Steel engraving","Drawn and engraved by J. Archer Pentonville, London circa 1846","","","I 230 x 176 mm","","","","15","£15","unmounted","Map","English Counties","Bedfordshire","","","","","",""
"3462","","Archer, J.","Cumberland","Copper engraving","Drawn and engraved by J. Archer, Pentonville, London, circa 1846","","","I 230 x 175 mm","","","","25","£25","unmounted","Map","English Counties","Cumberland","","","","","",""
"3463","","Archer, J.","Cornwall","Copper engraving","Drawn and engraved by J.Archer, Pentonville, London, 1860","","","231 x 176 mm","","","","60","£60","unmounted","Map","English Counties","Cornwall","","","","","",""
"3464","","Moule, Thomas ","Cheshire","Steel engraved","c. 1840","","","257 x 194 mm","","","Originally a writer on Heraldry and general antiquities, Moule was born in Marylebone, London. From around 1816 to 1823 he was a Bookseller, his shop was in Grosvenor Square, London. He then became an inspector of letters in the General Post Office, where his responsibilities included trying to 'read' illegible hand writing! <br/><br/>His highly decorative series of county maps were first published in separate issues for each county between 1830 and 1832. In 1836 these were brought together in one work, by George Virtue & Co. They continued to appear in Rev. Barclay's Dictionary into the 1840's.","75","£75","unmounted","Map","English Counties","Cheshire","","","","","",""
"3465","","Archer, J.","Cheshire","Steel engraving","Drawn and engraved by J. Archer Pentonville, London circa 1846","","","I 230 x 176 mm","","","","15","£15","unmounted","Map","English Counties","Berkshire","","","","","",""
"3466","","Toms, W.H.","A Map of Berkshire","Copper engraving","Published by the Proprietor J. Badeslade & W.H Toms Sept 29th 1741","","","I 141 x 139 mm","","","","45","£45","unmounted","Map","English Counties","Berkshire","","","","","",""
"3467","","Moll, Hermann","The County Palatine of Chester","Copper engraved ","circa 1724","",""," 255 x 190 mm","","","Herman Moll was born in Germany and came to England in the 1670s.  He worked as an independant cartographer and geographer and traded as a map publisher and seller for two years and then worked for other publishers.  Moll established his own business and eventually dominated the early eighteenth century map trade.  He produced many maps and atlases of England, Wales,  Scotland and Ireland.  His county maps were all boldly engraved in a heavy style. ","120","£120","unmounted","Map","English Counties","Cheshire","","","","","",""
"3469","","Seller/Grose","Berkshire","Copper engraving with hand colouring","circa 1700","","","I 120 x 145 mm","","","","50","£50","unmounted","Map","English Counties","Berkshire","","","","","",""
"3470","","Seller, John","Berkshire","Copper engraving","1694","","","145 x 120 mm","","","","75","£75","mounted","Map","English Counties","Berkshire","","","","","",""
"3471","","Morden, Robert","Northamptonshire","Copper engraving with hand colouring","London, 1695-1722","","","418 x 362 mm","From Camden’s Britannia","","Robert Morden: d.1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson’s revised edition of ‘Camden’s Britannia’ engraved by Sutton Nichols. ","120","£120","mounted","Map","English Counties","Northamptonshire","","","","","",""
"3472","","Cary, John","A New Map of Sussex","Copper engraving with hand colouring","London, Published by J. Cary Engraver & Map seller No. 181 Strand Sep.r 28. 1801","","","537 x 477 mm","","","Cary, John (1755-1835) English cartographer, engraver, globe maker and publisher. Worked with his brother George. Apprenticed to his William Palmer 1770; surveyor of roads to the general post office , 1794. Best known for his english county atlases. Amongst others - Cary’s New and Correct English Atlas  1787-1789; engraved the plates for Robert Gough’s edition of Camden’s Britannia, 1789, 1806.","170","£170","mounted","Map","English Counties","Sussex","","","","","",""
"3479","","John Boydell","A South Prospect of the City of Oxford","Copper engraving","Published According to act of parliament by John Boydell engraver at the Unicorn the corner of Queen Street Cheapside London 1751. Price 1 shilling.","","","I. 244 x 425 mm,  Pl.430 x 260 mm","","","","650","£650","framed","Print","Oxford","General Views","","","","","",""
"3486","","R. Ackermann","Law School","Aquatint","London Pub.d Aug.t 1. 1814 at 101 Strand for R. Ackermann’s History of Cambridge","","","I 266 x 201 mm","","","","120","£120","mounted","Print"," Cambridge","Law School","","","","","",""
"3487","","R. Ackermann","Chapel of Magdalen College","Aquatint","London Pub.d Nov.r 1 1815, at 101 Strand, for R. Ackerman’s History of Cambridge","","","I 251 x 216 mm","","","","120","£120","mounted","Print"," Cambridge","Magdalene College Cambridge","","","","","",""
"3494","","Robert Morden","Oxford Shire","Copper engraved ","1695","","","From Camden's Britannia","","","Robert Morden : d. 1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson's revised edition of 'Camden's Brittannia' engraved by Sutton Nichols. William Camden (1551-1623) was a historian and antiquary whose works were reprinted and published over a period of 200 years. The original Latin text was first translated by Gibson in 1695. Morden was employed to replace the outdated maps by Saxton, engraved by Kip and Hole. He based his maps on manuscript sources plus the surveys of Ogilby and Morgan, seller, Palmer and the coastal charts of Cpt. Greenville Collins. One of his original contributions to cartography was the showing of longitudes measured from the meridian of St. Paul's Cathedral given in the form of time in minutes at the top of the map in Roman numerals and at the bottom in degrees. This was done to clarify local times that were taken from the sun as there was no national standard time. These maps were the first to show the roads based on Ogilby's earlier work of 1675, and included 3 scales to cover the various scales used in different parts of the country. ","220","£220","mounted","Map","English Counties","Oxfordshire","","","","","",""
"3495","","Van den Keere","Glocester-Shire","Copper engraving with hand colouring","1627","","","I 122 x 83 mm","","","","110","£110","framed","Map","English Counties","Gloucestershire","","","","","",""
"3500","","Desbuissons","France","Copper engraving","Publie par Jules Renouard, Librarie a Paris circa 1840 ","","","I 250 x 200 mm","","","","15","£15","unmounted","Map","Europe","France","","","","","",""
"3502","","Blaeu, Johannes","Oxonium Comitatus, Vulgo Oxfordshire","Copper engraved with hand colouring","circa 1645 - 1648","","","493 x 390 mm","","","Blaeu, Doctor Johannes (c.1599-1673) Born and died in Amsterdam. Collaborated with his father Willem Janszoon and with his brother Cornelis, and ran the business after the death of Willwm. Appointed official cartographer to the East India Company (VOC) in 1638 in sucession to his father. What was left of the company after the fire of 1672 and the deah of Joan in 1673 passed to his son Joan (III), who sold the globemaking part of the business to J. van Keulen. <br/>Worked in partnership with his father on Appendix Theatri Ortelii et Atlantis G. Mercatoris, 1631 and Nouvus Atlas, 1634; Wall maps, 1647-1649; Tooneel der Steden van der Vereenighde Nederlanden (Town books of the Netherlands) 1649-1653 Theatrum Orbis Terrarum, publishing six volumes  up to 1655; Atlas Major (11 volumes, known as the Grand Atlas), 1662-1672 in editions with French, Latin, Dutch and Spanish text (often described as the most magnificent work of its kind ever produced); Town plans of Italy 1663. ","900","£900","framed","Map","English Counties","Oxfordshire","","","","","",""
"3504","","Donowell","A View of Part of St Mary’s Church, All Saints Church, the Conduit, Carfax Church, & uin the University of Oxford","Copper engraving","London Printed for Robt. Sayer at the Golden Buck in Fleet Street , John Bowles & Son, at the Black Horse in Cornhil & John Ryall at Hogarth’s Head in Fleet Street. Circa  1750","","","Image 419 x 261 mm`","","","","300","£300","mounted","Print","Oxford","High Street Views","","","","","",""
"3505","","Toms, W.H.","Essex N.E from London","Copper engraved","Published by the Proprietor J. Badeslade & W.H Toms Sept 29th 1741","","","I 146 x 143 mm","","","","55","£55","mounted","Map","English Counties","Essex","","","","","",""
"3506","","","Buxton and Matlock","Copper engraving","c. 1830","","","I 127 x 76 mm","","","","15","£15","mounted","Map","English Counties","Derbyshire","","","","","",""
"3508","","Kitchin, Thomas","Dorsetshire","Copper engraving","1786","","","I 215 x 163 mm","","","","65","£65","unmounted","Map","English Counties","Dorset","","","","","",""
"3510","","Fullarton, Archibald","Gloucesetershire","Copper engraving with hand colouring","Pub.d by Arch.d Fullarton & Co. Glasgow, 1830","","","I 241 x 190 mm","","","","45","£45","unmounted","Map","English Counties","Gloucestershire","","","","","",""
"3511","","Rocque, J","Gloucestershire","Copper engraving","1769","","","I 195 x 153 mm","","","","65","£65","unmounted","Map","English Counties","Gloucestershire","","","","","",""
"3513","","Kitchin, Thomas ","Devonshire","Copper engraving","1786","","","I 207 x 181 mm","","","","80","£80","unmounted","Map","English Counties","Devon","","","","","",""
"3515","","Kitchin, Thomas","Derbyshire","Copper engraving with hand colouring","Printed for R. Baldwin Jun.r at the Rose in Paternoster Row circa 1752","","","I 213 x 163 mm","","","","45","£45","unmounted","Map","English Counties","Derbyshire","","","","","",""
"3516","","Hall, Sidney","Dorsetshire","Steel engraved with hand colouring","London Published by Chapman & Hall, 193 Piccadilly, circa1860","","","I 240 x 181 mm","Hall’s Travelling Atlas","","","20","£20","unmounted","Map","English Counties","Dorset","","","","","",""
"3517","","Roper, J","Glocester","Copper engraving","London Published for the Propritors, by Vernor & Hood, Poultry; April 1st 1805","","","I 247 x 188 mm","","","","50","£50","unmounted","Map","English Counties","Gloucestershire","","","","","",""
"3518","","Bowen, Emmanuel","The Road from Salisbury to Campden","Copper engraving","Published 1720","","","I 114 x 180 mm","","","","65","£65","mounted","Map","English Counties","Gloucestershire","","","","","",""
"3519","","Bowen, Emmanuel","The Road from Salisbury to Campden","Copper engraving","Published 1720","","","I 114 x 180 mm","","","","60","£60","mounted","Map","English Counties","Gloucestershire","","","","","",""
"3520",""," Kitchin, Thomas","Derbyshire Drawn from the best Authorities","Copper engraving","circa 1770","","","214 x 162 mm","Kitchin’s English Atlas... or England illustrated","","","25","£25","unmounted","Map","English Counties","Derbyshire","","","","","",""
"3521","","Speed","Excester","Copper engraving","circa  1611","","","I 155 x 131 mm","","","Speed (1552-1629) is the most famous of all English cartographers primarily as a result of The Theatre of the Empire of Great Britaine, the first atlas of the British Isles. The maps from this atlas are the best known and most sought-after of all county maps. The maps were derived mainly from the earlier prototypes of Christopher Saxton and Robert Norden but with notable improvements including parish ""Hundreds"" and county boundaries, town plans and embellishments such as the coats of arms of local Earls, Dukes, and the Royal Household. The maps are famed for their borders consisting of local inhabitants in national costume and panoramic vignette views of major cities and towns. An added feature is that regular atlas copies have English text printed on the reverse, giving a charming description of life in the early seventeenth century of the region. The overall effect produced very decorative, attractive and informative maps. <br/><br/>For the publication of this prestigious atlas Speed turned to the most successful London print-sellers of the day, John Sudbury and George Humble. William Camden introduced the leading Flemish engraver, Jodocus Hondius Sr. to John Speed in 1607 because first choice engraver William Rogers had died a few years earlier. Work commenced with the printed proofs being sent back and forth between London and Amsterdam for correction and was finally sent to London in 1611 for publication. The work was an immediate success and the maps themselves being printed for the next 150 years. <br/><br/>Speed was born in 1552 at Farndon, Cheshire. Like his father before him he was a tailor by trade, but around 1582 he moved to London. During his spare time Speed pursued his interests of history and cartography and in 1595 his first map of Canaan was published in the ""Biblical Times"". This raised his profile and he soon came to the attention of poet and dramatist Sir Fulke Greville a prominent figure in the court of Queen Elizabeth. Greville as Treasurer of the Royal Navy gave Speed an appointment in the Customs Service giving him a steady income and time to pursue cartography.  Through his work he became a member of such learned societies as the Society of Antiquaries and associated with the likes of William Camden Robert Cotton and William Lambarde. He died in 1629 at the age of seventy-seven.<br/>","25","£25","unmounted","Map","English Counties","Devon","","","","","",""
"3526","","Moll, Hermann","The County Palatine of Durham","Copper engraving","circa 1724","","","314 x 189 mm","","","Herman Moll was born in Germany and came to England in the 1670s.  He worked as an independant cartographer and geographer and traded as a map publisher and seller for two years and then worked for other publishers.  Moll established his own business and eventually dominated the early eighteenth century map trade.  He produced many maps and atlases of England, Wales,  Scotland and Ireland.  His county maps were all boldly engraved in a heavy style. ","140","£140","unmounted","Map","English Counties","Durham","","","","","",""
"3527","","Moll, Hermann","The County Palatine of Durham","Copper engraving with hand colouring","circa 1724","","","314 x 189 mm","","","Herman Moll was born in Germany and came to England in the 1670s.  He worked as an independant cartographer and geographer and traded as a map publisher and seller for two years and then worked for other publishers.  Moll established his own business and eventually dominated the early eighteenth century map trade.  He produced many maps and atlases of England, Wales,  Scotland and Ireland.  His county maps were all boldly engraved in a heavy style. ","120","£120","unmounted","Map","English Counties","Durham","","","","","",""
"3528","","Archer, J.","Dorsetshire","Copper engraving with hand colouring","Drawn & Engraved by J. Archer, Pentonville, London,  c.1860","","","233 x 177 mm","","","","15","£15","unmounted","Map","English Counties","Dorset","","","","","",""
"3529","","Moule, Thomas","Dorsetshire","Copper engraving","1848 ","","","257 x 194 mm","","","","50","£50","unmounted","Map","English Counties","Dorset","","","","","",""
"3530","","Sid. Hall","Gloucestershire","Steel engraved","London, Published by Chapman & Hall 193 Piccadilly, circa 1860","","","117 x 67 mm","","","","5","£5","unmounted","Map","English Counties","Gloucestershire","","","","","",""
"3531","","Sid. Hall","Durham","Steel engraved","London, Published by Chapman & Hall 193 Piccadilly, circa 1860","","","117 x 67 mm","","","","5","£5","unmounted","Map","English Counties","Durham","","","","","",""
"3532","","Moule, Thomas","Essex","Copper engraving","circa 1845","","","264 x 205 mm","","","","60","£60","unmounted","Map","English Counties","Essex","","","","","",""
"3533","","Rapkin, J","Plymouth, Devonport and Stonehouse","Steel engraving","John Tallis & Company, London & New York,1852","","","350 x 247 mm","","","","80","£80","unmounted","Map","English Counties","Devon","","","","","",""
"3534","","Hall, Sidney","Durham","Steel engraved","London Published by Chapman and Hall No. 186 Strand, Nov.r1. 1830","c. 1860","1860","240 x 182 mm","","","","10","£10","unmounted","Map","English Counties","Durham","","","","","",""
"3535","","Fullarton, Archibald","Durham","Copper engraving with hand colouring","Pub.d by Archd. Fullarton & Co. Glasgow circa 1830","","","235 x 185 mm","","","","30","£30","unmounted","Map","English Counties","Durham","","","","","",""
"3538","","Cary. J","Durham","Copper engraving with hand colouring","London Published July 1. 1806 by J. Cary Engraver No. 181 Strand","","","130 x 89 mm","","","Cary, John (1755-1835) English cartographer, engraver, globe maker and publisher. Worked with his brother George. Apprenticed to his William Palmer 1770; surveyor of roads to the general post office , 1794. Best known for his english county atlases. Amongst others - Cary’s New and Correct English Atlas  1787-1789; engraved the plates for Robert Gough’s edition of Camden’s Britannia, 1789, 1806.","10","£10","unmounted","Map","English Counties","Durham","","","","","",""
"3539","","Pigot & Son","Devonshire","Copper engraving with hand colouring","Published by Pigot & Co., 59 Fleet Street. London & Fountain St. Manchester. Circa 1830","","","350 x 224 mm","","","","100","£100","unmounted","Map","English Counties","Devon","","","","","",""
"3540","","Munster, Sebastian Prof.","Africa","Copper engraving","circa 1580","","","356 x 307 mm","","","Professor Sebastian Munster (14881552) b. Nieder-Ingelheim, near Mainz -","1000","£1,000","mounted","Map","Africa","","","","","","",""
"3541","","J. Harris after H. de Daubrawa","Lt. General Ho nble. Henry Beauchamp Lygnon","Aquatint with hand colouring","","","","I 370 x 300 mm, Pl. 430 x 335 mm","","","Title inscribed in pencil in lower right.  Some paper loss in right margin not affecting the image or plate mark./","200","£200","unmounted","Print","Portraits","Military and Naval","","","","","",""
"3543","","Richard Houstan after Joshua Reynolds","The Hon.ble Mrs. Barrington ","Mezzotint","Sold by R. Houston near Drummaond’s, Charing Cross","","","Image 274 x 225 mm, Pl. 326 x 225 mm","","","Elizabeth Barrington (née Vassal) (died 1764), Wife of John Barrington<br/><br/>CS 6, Russell iii/v","180","£180","unmounted","Print","British Nobility Portraits","British Nobility Portraits A-C","","","","","",""
"3546","","J. R. Smith","The Merry Story","Stipple","London Published Augt. 6 1783 by J.R. Smith No. 83 Oxford Street.","","","I 211 x 172 mm, Pl. 290 x 216 mm, S 394 x 290 mm","","","O’Dench 226","180","£180","unmounted","Print","Fine Prints","Stipple","","","","","",""
"3554","","Hellmuth Weissenborn","‘O’","Woodcut","circa 1950","","","I 50 x 38 mm","","","Hellmuth Weissenborn (1898 -1982) was born in Leipzig, Germany, his father was an art teacher. Weissenborn studied at the Academy for Graphic Art and Book Design, Leipzig from 1919 serving in WWI. In 1938 he emigrated to London as a freelance artist. He then went on to work as an illustrator for the Whittington Press and his first solo show was at Archer Gallery. In 1946 he and his wife took over the then defunct Acorn Press. He exhibited at the Victoria and Albert Museum, the London Group and at exhibitions in America and Australia.","30","£30","mounted","Print","Artists","Hellmuth Weissenborn","","","","","",""
"3558","","Hellmuth Weissenborn","‘Y’","Woodcut","circa 1950","","","I  50 x 38 mm","","","Hellmuth Weissenborn (1898 -1982) was born in Leipzig, Germany, his father was an art teacher. Weissenborn studied at the Academy for Graphic Art and Book Design, Leipzig from 1919 serving in WWI. In 1938 he emigrated to London as a freelance artist. He then went on to work as an illustrator for the Whittington Press and his first solo show was at Archer Gallery. In 1946 he and his wife took over the then defunct Acorn Press. He exhibited at the Victoria and Albert Museum, the London Group and at exhibitions in America and Australia.","25","£25","mounted","Print","Artists","Hellmuth Weissenborn","","","","","",""
"3562","","Herbert Gordon Warlow","","Etching","","","","I 240 x 167 mm","","","","60","£60","mounted","Print","20th Century","","","","","","",""
"3565","","Nathaniel Buck","The West Prospect of the City of Exeter","Copper engraving with hand colouring","1734","","","I 780 x 237 mm","","","","450","£450","mounted","Print","British Topography","Devon","","","","","",""
"3567","","Bernard Picart","Arion Preserved by a Dolphin","Copper engraving","c. 1754","","","Image 352 x 251 mm","","","Trimmed just in plate.  A good impression.","100","£100","unmounted","Print","General Interest","Classical and Mythological","","","","","",""
"3568","","Bernard Picart","Leander swims over the Hellespont to meet his mistress Hero.","Copper engraving","","","","I 352 x 251 mm","","","Trimmed just in plate.  A good impression.","250","£250","framed","Print","General Interest","Classical and Mythological","","","","","",""
"3570","","Walker, J & C ","Africa","Steel engraved","Published by the Society for the Diffusion of Useful Knowledge 15th Sept. 1839","","","392 x 316 mm ","","","","75","£75","mounted","Map","Africa","","","","","","",""
"3571","","Mannert","Africa - Mauritania","Copper engraving with hand colouring","1806","","","382 x 225 mm","","","","25","£25","mounted","Map","Africa","","","","","","",""
"3572","","Hondius","Congi Regnu","Copper engraving with hand colouring","circa 1615","","","172 x 140 mm","","","","200","£200","mounted","Map","Africa","","","","","","",""
"3573","","Mathius Quad","Aphrica","Copper engraving","c. 1600","","","291 x 208 mm","","","","600","£600","mounted","Map","Africa","Africa","","","","","",""
"3574","","Bonne, M","Royaumes Etats et Pays de la Haute Guinee","Copper engraving","1780","","","342 x 235 mm","","","","45","£45","unmounted","Map","Africa","","","","","","",""
"3575","","Sanson Abbavillaeo, N","Africa","Copper engraving with hand colouring","1650","","","551 x 391 mm","","","","420","£420","mounted","Map","Africa","","","","","","",""
"3576","","Rapkin, J","Natal and Kaffraria","Steel engraving with hand colouring","1851","","","344 x 244 mm","","","","70","£70","unmounted","Map","Africa","","","","","","",""
"3578","","Alex Cumming","Viaduct Across the River Tay at Cargill. (Scottish Midland Junction Railway.) J. Locke abd J.E. Errington Engineers__ John Stephenson & Coy, Contractors. Span of each Arch__100 Feet  Hight above bed of River - 60 Feet.  1847. ","Lithograph with hand colouring","Published circa 1847","","","I 263 x 556 mm, S 341 x 598 mm","","","The Scottish Midland Junction Railway was incorporated in 1845 and opened August 2nd 1848 from Perth to Forfar 32 1/2 miles.  Formed into the Scottish North Eastern in 1856 and merged into the Caledonian Railway in 1866.<br/><br/>Condition Note: A closed tear in the upper left  abnd a repaired margin in ringht.  Over all grubbiness in inscription area ","250","£250","unmounted","Print","General Interest","Railway Prints","Scottish Midland Junction Railway","","","","",""
"3580","","Samuel Ireland","Magdalen College & Bridge Oxford","Aquatint ","Pub. for S. Ireland May 1 1799","","","I 110 x 165 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","55","£55","mounted","Print","Oxford","Magdalen College","","","","","",""
"3581","","J. Skelton after A. Burt","James Benwell Aged 82 of the Physic Gardens. Oxford.","Copper engraving","Published Nov. 1st 1817 by J. Skelton St. Aldates. Oxford. ","","","I 230 x 215 mm vignette","","","","160","£160","unmounted","Print","Oxford","Oxford Portraits","","","","","",""
"3582","","James Fittler, A.R.A. after W. Skelton","Reverendus Robertus Shippen, S.T. P. Aulae Regia et Collegii Aenei Nasi Principalis AB Anno 1710 mo; Usque ad Annum 1745 tum.","Copper engraving","","","","I 135 x 107 mm, Pl. 250 x 178 mm","","","Brother of William Shippen the parlimentary Jacobite, he was elected principal of Brasenose in 1710.  He was vice-chancellor of Oxford University 1718-1722 and died in 1745 where is commemorated by an epitaph and a bust","45","£45","unmounted","Print","Oxford","Oxford Portraits","","","","","",""
"3588","","Fullarton, Archibald","Oxfordshire.","Copper engraving with hand colouring","Pub.d by Archd. Fullarton & Co. Glasgow circa 1830","","","240 x 187 mm","","","","55","£55","mounted","Map","English Counties","Oxfordshire","","","","","",""
"3590","","I.E. Watson","Coquet Viaduct. York, Newcastle and Berwick Railway. T.E. Harrison Esqre. Engineer. Errected by Mr. James Sanderson. Span of Arches 50 Feet. Height from Water to the Level of Railway 100 feet.","Lithograph with tint stone","c. 1847","","","I 308 x 496 mm, S 425 x 610 mm","","","In 1854 it became part of the North Eastern Railway.","300","£300","unmounted","Print","General Interest","Railway Prints","York, Newcastle and Berwick Railway","","","","",""
"3596","","Morden, Robert","Buckinghamshire","Copper engraving with hand colouring","1722","","","418 x 340 mm","","","Robert Morden : d. 1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson's revised edition of 'Camden's Brittannia' engraved by Sutton Nichols. William Camden (1551-1623) was a historian and antiquary whose works were reprinted and published over a period of 200 years. The original Latin text was first translated by Gibson in 1695. Morden was employed to replace the outdated maps by Saxton, engraved by Kip and Hole. He based his maps on manuscript sources plus the surveys of Ogilby and Morgan, seller, Palmer and the coastal charts of Cpt. Greenville Collins. One of his original contributions to cartography was the showing of longitudes measured from the meridian of St. Paul's Cathedral given in the form of time in minutes at the top of the map in Roman numerals and at the bottom in degrees. This was done to clarify local times that were taken from the sun as there was no national standard time. These maps were the first to show the roads based on Ogilby's earlier work of 1675, and included 3 scales to cover the various scales used in different parts of the country. <br/><br/>","150","£150","mounted","Map","English Counties","Buckinghamshire","","","","","",""
"3597","","Morden, Robert","Barkshire","Copper engraving with hand colouring","1722","","","413 x 355 mm","","","Robert Morden : d. 1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson's revised edition of 'Camden's Brittannia' engraved by Sutton Nichols. William Camden (1551-1623) was a historian and antiquary whose works were reprinted and published over a period of 200 years. The original Latin text was first translated by Gibson in 1695. Morden was employed to replace the outdated maps by Saxton, engraved by Kip and Hole. He based his maps on manuscript sources plus the surveys of Ogilby and Morgan, seller, Palmer and the coastal charts of Cpt. Greenville Collins. One of his original contributions to cartography was the showing of longitudes measured from the meridian of St. Paul's Cathedral given in the form of time in minutes at the top of the map in Roman numerals and at the bottom in degrees. This was done to clarify local times that were taken from the sun as there was no national standard time. These maps were the first to show the roads based on Ogilby's earlier work of 1675, and included 3 scales to cover the various scales used in different parts of the country. <br/><br/>On the 1695 edition of this map the village of Forrest Hill is spelt Forris Hill  and is then corrected to Forrest Hill in 1722, but you can still vaguely see the dot of the erased i.","200","£200","framed","Map","English Counties","Berkshire","","","","","",""
"3601","","de Vaugondy, Robert","L’Ecosse divisée en Shires ou Comtés","Copper engraved with hand colouring","Paris, 1751","","","480 x 563 mm","Pub Reference: Phillips, 619 (1757/1758); Pedley. Belle et utile, p. 227; Fordham, Studies in Cartobibligraphy p. 165. <br/>","","Scale 1: 960,000 <br/><br/>From Atlas Universel, Par M. Robert Geographe ordinaire du Roy, et Par M. Robert De Vaugondy son fils Geographe ord. du Roy, et de S. M. Polonoise, Duc de Lorraine et de Bar, et Associe de L'Academie Royale des Sciences et belles Lettres de Nancy, Avec Privilege Du Roy, 1757. A Paris, Chez Les Auteurs ,Quay de l'Horloge du Palais, Boudet Libraire Imprimeur du Roi, rue St. Jacques. Grave par Ch. Baquoy. J. Oger Scripsit... <br/>Pub Reference: Phillips, 619 (1757/1758); Pedley. Belle et utile, p. 227; Fordham, Studies in <br/>","250","£250","unmounted","Map","Scotland, Ireland & Wales","Scotland","","","","","",""
"3605","","J. Bluck after A. Pugin","Library of All Souls College","Aquatint with hand colouring","London Pubd. 1 June 1814 at 101 Strand for R. Ackermann’s History of Oxford","","","I 202 x 262 mm, Pl. 250 x 297 mm","From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.","","","120","£120","mounted","Print","Oxford","All Souls College","","","","","",""
"3607","","T. Uwins after J. Agar","Doctor in Music","Engraving with hand colouring","London Pub. Augt. 1st 1813 at 101 Strand for R. Ackermann’s History of Oxford","","","Pl 250 x 310","Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.","","","75","£75","mounted","Print","Oxford","Academic Dress","","","","","",""
"3610","","J. Agar after T. Unwins","Master of Arts","Engraving with hand colouring","London Pubd. May 1, 1814 at 101 Strand for R. Ackermann’s History of Oxford","","","I 205 x 180 vignette, Pl. 297 x 250 mm","From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.","","","55","£55","mounted","Print","Oxford","Academic Dress","","","","","",""
"3613","","J. Agar after T. Unwins","Commoner.","Engraving with hand colouring","London Pubd. July. 1, 1814 at 101 Strand for R. Ackermann’s History of Oxford","","","I 212 x 180 vignette, Pl. 297 x 250 mm","From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.","","","65","£65","mounted","Print","Oxford","Academic Dress","","","","","",""
"3614","","George Philip & Son","Oxfordshire","Steel engraving","George Philip & Son, London & Liverpool. Circa 1885","","","414 x 336 mm","","","","45","£45","unmounted","Map","English Counties","Oxfordshire","","","","","",""
"3615","","Owen & Bowen","A Map of Oxfordshire (The Road from Bristol to Banbury)","Copper engraving","1720","","","79 x 115 mm","","","","90","£90","mounted","Map","English Counties","Oxfordshire","","","","","",""
"3619","","Sudlow","A Map of Oxfordshire Engraved from ab Actual Survey with Impro","Copper engraving ","Engraved for John Harrison No.115, Newgate Street, as the act directs Nov.r 23. 1787","","","435 x 329 mm","","","With the arms of the University.","125","£125","mounted","Map","English Counties","Oxfordshire","","","","","",""
"3621","","J. Agar after T. Unwins","Proctor.","Engraving with hand colouring","London Pubd. Feby. 1, 1814 at 101 Strand for R. Ackermann’s History of Oxford","","","I 212 x 180 vignette, Pl. 297 x 250 mm","From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.","","","45","£45","mounted","Print","Oxford","Academic Dress","","","","","",""
"3622","","J. Agar after T. Unwins","Nobleman","Engraving with hand colouring","London Pubd. Novr. 1, 1814 at 101 Strand for R. Ackermann’s History of Oxford","","","I 212 x 180 vignette, Pl. 297 x 250 mm","From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.","","","55","£55","mounted","Print","Oxford","Academic Dress","","","","","",""
"3623","","J. Agar after T. Unwins","Doctor in Physic","Engraving with hand colouring","London Pub. June 1st 1813, at 101 Strand for R. Ackermann’s History of Oxford","","","I 220 x 120 mm vignette, Pl. 300 x 250 mm","From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.","","","65","£65","unmounted","Print","Oxford","Academic Dress","","","","","",""
"3625","","T. Uwins after J. Agar","Gentleman Commoner","Engraving with hand colouring","London Pub. March 1st 1813 at 101 Strand for R. Ackermann’s History of Oxford","","","Pl 250 x 310","Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.","","","65","£65","mounted","Print","Oxford","Academic Dress