1002		Nathaniel Whittock after T. Greenshields	Oxford Baths: Entrance from Street	Engraving with hand colouring	1829			I 177 x 227 mm	From The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford		Can also be from A Topographical and Historical Description of the University and City of Oxford also by Whittock  	25	£25	mounted	Print	Oxford	General Views						
1003		Nathaniel Whittock	Grand Pont: Usually called Folly Bridge	Lithograph	1829			I 151 x 218 mm	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford		Can also be from A Topographical and Historical Desvription of the University and City of Oxford also by Whittock  	50	£50		Print	Oxford	General Views						
1005		Pieter van der Aa after David Loggan	Le Jardin de Medecine a Oxford [Oxford Botanical Gardens]	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge. The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	mounted	Print	Oxford	Botanic Garden						
1007		J. Hill after A. Pugin	University and Queen’s Colleges. High Street	Aquatint with hand colouring	Published London, by J. Harrison and J. C. Leigh for R. Ackermann. 1814.			I 270 x 210	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			280	£280	mounted	Print	Oxford	High Street Views						
1008		Sydney William Carline	[Oxford from Hinskey]	Etching	1913			Image and plate 131 x 174 mm			Signed in pencil Sydney Carline (1888-1929) Born in London. Both his brother, Richard, and his sister Hilda, were also artists, with his sister marrying the artist Stanley Spencer, who was a friend of Richard's. The three siblings were children of the artist, George Carline (1855-1920). They studied at the Slade School and in Paris under Tudor Hart. Sydney was an official war artist with the RAF during World War I. He exhibited with the London Group, becoming a member in 1924. From 1921 to 1929 he was Ruskin Master of Drawing at Oxford. He provided some illustrations for T. E. Lawrence's Revolt in the Desert. 	70	£70	framed	Print	Artists	Sydney William Carline						
1009		T. Bonner after J. P. Neale	Clarendon Printing House and the Theatre. Oxford	Engraving	London, Published by John Harris, Nov. 8th, 1814			I 160 x 110	From the Beauties of England and Wales			40	£40	mounted	Print	Oxford	Broad Street Views						
1010		Hawkins	Friar Bacon’s Study, at Oxford		Published according to Act of Parliment by Alexr Hogg No 16 Paternoster Row c. 1780 			I 131 x 183 mm			From Henry Boswell’s The Antiquities of England and Wales	35	£35	mounted	Print	Oxford	General Views						
1012		Unknown	A View of the remains of Godstow Nunnery in Oxford Shire	Copper engraving	c. 1770							35	£35	mounted	Print	Oxford	General Views						
1013		Kershaw & Son 	County Hall, Oxford	Steel engraving	c. 1841						Top to decorative stationary	30	£30	mounted	Print	Oxford	General Views						
1014		J. Lewis after J.P. Neale	Oxford	Copper engraving with hand colouring	c. 1813			Image: 85 x 115 mm				40	£40	mounted	Print	Oxford	General Views						
1016		Pieter van der Aa after David Loggan	Vue du Theatre de Sheldon à Oxford du cote du Midi [Oxford Sheldonian Theatre]	Copper engraving	1707			I 130 x 165 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	40.00	£40	mounted	Print	Oxford	Sheldonian Theatre						
1017		Pieter van der Aa after David Loggan	Vue du Theatre de Sheldon à Oxford du cote du Nord [Oxford Sheldonian Theatre, north view]	Copper engraving	1707			I 130 x 165 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	40	£40	mounted	Print	Oxford	Sheldonian Theatre						
1018			Oxford, Sheldonian Theatre	Photograph	c. 1900			I 145 x 95				25	£25	mounted	Print	Oxford	Sheldonian Theatre						
1020		W.B. Cooke after P. Dewint and G. Hollis	Oxford, Taken near Osney	Copper engraving	London J. Hogarth, 5 Haymarket 			I 142 x 209 mm, Pl 183 x 245 mm			A scarce seperatly published print of Oxford	100	£100		Print	Oxford	General Views						
1021		O. Jewitt	No. 3, North Front of the Theatre	Woodcut	Published 1834			I 55 x 85 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux			25	£25	mounted	Print	Oxford	Sheldonian Theatre						
1022		J. Le Keux after F. Mackenzie	The Theatre	Steel engraving	Published Feby. 1st 1837 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	38	£38	mounted	Print	Oxford	Sheldonian Theatre						
1024		Joseph Skelton	Friar Bacon’s Study & C.	Copper engraving	Published as the Act Directs March 1 1817 by J. Skelton, St. Aldates Oxford			I 163 x 237 mm	Oxonia Antiqua Restaurata by Joseph Skelton		A reduction of the 1780 Almanack.	100	£100		Print	Oxford	General Views						
1025		J. Le Keux after F. Mackenzie	St. Thomas’s Church	Steel engraving	Published Nov. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	15	£15	unmounted	Print	Oxford	Oxford Churches						
1026		Joseph Skelton after J M W. Turner	Hall of Christ Church	Copper engraving	Published at the Act directs, June 1 1822, by J. Skelton, Magdalen Bridge, Oxford			I 165 x 227 mm, Pl 210 x 280 mm			A reduciotn of the Almanck for 1807.	65.00	£65	mounted	Print	Oxford	Christ Church College						
1027		J. Le Keux after F. Mackenzie	St. Clements Church from Magdalen Walk	Steel engraving	Published Feb. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	28	£28	mounted	Print	Oxford	Oxford Churches						
1029		J. Le Keux after F. Mackenzie	Holywell Church	Steel engraving with hand colouring	Published Feb. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	20	£20	mounted	Print	Oxford	Oxford Churches						
1030			Wesleyan Chapel	Engraving	c. 1820			I 115 x 85				30	£30	mounted	Print	Oxford	Oxford Churches						
1031		J. Le Keux after F. Mackenzie	St. Ebbe’s Church	Steel engraving with hand colouring	Published Sept. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	45	£45	mounted	Print	Oxford	Oxford Churches						
1032		J. Le Keux after F. Mackenzie	St. Martins Church, Carfax	Steel engraving	Published May. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	32	£32	mounted	Print	Oxford	Oxford Churches						
1033		J. Le Keux after F. Mackenzie	Iffley Church, from the S. W.	Steel engraving with hand colouring	Published April. 1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	45	£45	mounted	Print	Oxford	Oxford Churches						
1034		J. Le Keux after F. Mackenzie	Interior of Iffley Church	Steel engraving	Published April. 1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35	£35	mounted	Print	Oxford	Oxford Churches						
1035		J. Le Keux after F. Mackenzie	Magdalen Church, from St. Giles’s	Steel engraving with hand colouring	Published Sept. 1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	30	£30	mounted	Print	Oxford	Oxford Churches						
1036		Pieter van der Aa after David Loggan	Eglise de S. Marie à Oxford [St. Mary’s Church, Oxford]	Copper engraving	1707			I 130 x 165 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	42	£42	mounted	Print	Oxford	Oxford Churches						
1037			Great St. Mary’s Church at Oxford	Copper engraving	c. 1720			I 105 x 100				25	£25	mounted	Print	Oxford	Oxford Churches						
1040		J.C. Stadler after J. Farington R.A. 	Oxford	Aquatint with hand colouring	Pub. June 1, 1793 by J & J Boydell Shakespeare Gallery Pall Mall & Cheapside			I 220 x  320 mm	A History of the River Thames		John Boydell (1719-1804) was a successful and influential printseller and engraver. Boydell's Shakespeare Gallery is credited with changing the course of English painting by creating a market for historical and literary works. He also encouraged the development of engraving in England with, among other things, his prints illustrating scenes from Shakespearean plays. In 1773, his nephew Josiah Boydell (1752-1817) became his business partner and later his successor, trading as J. & J. Boydell. 	300	£300	framed	Print	Oxford	General Views						
1042		Joseph Skelton	Yew Tree, &c. in Ifley Churchyard (Iffley Church)	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford				Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	mounted	Print	Oxford	Oxford Churches						
1043			Carfax Church	Engraving	c. 1820			I 115 x 85				28	£28	mounted	Print	Oxford	Oxford Churches						
1046		J.H. Le Keux after J. Buckler 	House of Simon Perrot. Oxford taken down 1845	Copper engraving	c. 1845			I 102 x 150 mm				15	£15	unmounted	Print	Oxford	General Views						
1048		J. Roffe	[Oxford]	Etching	c. 1810			I 177 x 274 mm				120	£120	mounted	Print	Oxford	General Views						
1050		Collis	Ifley Church, Oxfordshire, Elevation of the West End (Iffley Church)	Engraving	c. 1810			I 110 x 75				40	£40	mounted	Print	Oxford	Oxford Churches						
1052		W. Mathews	South View of Iffley Church	Steel engraving	Published by W. Mathews, Oxford			I 110 x 75				45	£45	mounted	Print	Oxford	Oxford Churches						
1054		Joseph Skelton after Mackenzie	Carfax, or St. Martin’s Church	Engraving with hand colouring	Publsihed as the Act directs, Dec 1st 1820 by J.Skelton, St Aldates, Oxford			Image: 190 x 260 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	50.00	£50	mounted	Print	Oxford	Oxford Churches						
1055		Wise after J.P. Neale	Saint Mary Magdalen’s Church, Oxford	Copper engraving with hand colour	c. 1813			I 160 x 110	Beauties of England and Wales			15	£15	mounted	Print	Oxford	Oxford Churches						
1056		D. Hawell after A. Pugin	Porch of St. Mary’s Church	Aquatint with hand colouring	Published for R. Ackermann. 1814.			I 135 x 210	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			60	£60	mounted	Print	Oxford	Oxford Churches						
1058		Unknown photographer	St. Mary’s Church	Photograph	c. 1900			120 x 160				45	£45	mounted	Print	Oxford	Oxford Churches						
1059			Porch of St. Mary’s Church	Photograph	c. 1900			120 x 160				25	£25	mounted	Print	Oxford	Oxford Churches						
1060			Porch of Iffley Church	Photograph	c. 1900			200 x 240				35	£35	mounted	Print	Oxford	Oxford Churches						
1061		J. Chapman	North East View of St. Giles’s Church	Copper engraving	c. 1840			I 160 x 110				35	£35		Print	Oxford	Oxford Churches						
1064		Unknown	Views in and near Oxford	Aquatint with hand colouring	Pub. by S & J Fuller Temple of Fancy Rathbone Place Wheremay be had  the greatest varity of Fancy  Goods, Borders, Medallions, Fancy Papers &C, &c. & C.			I area 275 x 370 mm				200	£200	mounted	Print	Oxford	General Views						
1065		Spy	Master of Balliol	Chromolithograph	Published in Vanity Fair, April 4, 1895			I 330 x 205				35	£35	mounted	Print	Oxford	Oxford Portraits						
1068		Bretherton after Dunbury	The Xmas Academics. A Combination Game at Whist	Etching	Published 20th Jany. 1773. By J. Bretherton No. 134 New Bond Street. 1772			I 240 x 390				250	£250	mounted	Print	Oxford	Oxford Caricatures						
1069		Unknown	The Bedmaker	Woodcut	c. 1800			I 105 x 145				32	£32	mounted	Print	Oxford	Oxford Caricatures						
1070		W.A. Delamotte after a Lady	Oxford, From Above Ferry Hinskey.	Lithograph	Printed J. Plowman, Oxford c. 1840			I 180 x 300				250.00	£250	mounted	Print	Oxford	General Views						
1071		Unknown	[Oxford]	Etching	c. 1880			I 123 x 203 mm, Pl 104 x 212 mm				55	£55	mounted	Print	Oxford	General Views						
1073		after Westall	Oxford	Copper engraving	Verlag des Bibliographischen Instituts zu Hildburghausen c. 1830			I 97 x 150 mm, Pl 123 x 177			Germany Copy of this Oxford view after Westall	45	£45	mounted	Print	Oxford	General Views						
1074		T. Cook after Hogarth	Humours of Oxford, 1729	Copper engraving	Published Nov. 1st 1807			Image 110 x 170				45	£45	mounted	Print	Oxford	Oxford Caricatures						
1075		George Cruikshank after Woodward	Two University figures	Engraving with hand colouring	London. Published by Allen and West, 15 Paternoster Row, January 14 1797			Image 180 x 260				90	£90	mounted	Print	Oxford	Oxford Caricatures						
1076		T. Unwins after J. Agar	Proctor	Engraving with hand colouring	London Pub. Feby. 1st 1814 at 101 Strand for R. Ackermann’s History of Oxford			Pl 250 x 310	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			35	£35	mounted	Print	Oxford	Oxford Caricatures						
1078		Unknown	Merton College and Magdalen Tower	Photograph	c. 1880			I 117 x 194 mm				65	£65	mounted	Print	Oxford	General Views						
1082		Unknown	Oxford Sports - Hounds at Fault. Honest John, Too Much for ‘Em	Lithograph	1800s			I 390 x 210				65	£65	mounted	Print	Oxford	Oxford Caricatures						
1083		T. Uwins after J. Agar	Doctor in Divinity	Engraving with hand colouring	London Pub. June 1st 1813 at 101 Strand for R. Ackermann’s History of Oxford			Pl 250 x 310	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			65	£65	mounted	Print	Oxford	Academic Dress						
1085		Joseph Skelton	South Front of Friar Bacon’s Study	Copper engraving	Published as the Act directs Sept. 1st 1819 by J. Skelton St. Aldates Oxford			I 270 x 185 mm Pl. 295 x 232 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	28	£28	mounted	Print	Oxford	General Views						
1086		Dighton	A View from Merton College, Oxford (Caricature)	Etching with hand colouring	Published June 1808 by Dighton			I 270 x 220				100	£100	mounted	Print	Oxford	Oxford Caricatures						
1089		Pieter van der Aa after David Loggan	Le dedans del’Auditoire de Tréolgie dans l’université d’Oxford 	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	40	£40	mounted	Print	Oxford	Brasenose College						
1090		Unknown	The River and Boats, Oxford	Photograph	c. 1880			I 150 x 205 mm			Photo laid onto album page with hand written title in red	55	£55	mounted	Print	Oxford	General Views						
1095		Henry Hudson after Mathew Bronn	Lord Loughborough	Mezzotint	Published May 27th 1791 by Henry Hudson No 38 Great Russel Street Bloomsbury			I 427 x 333 mm, S 495 x 350 mm			Trimmed inside plate, some repaires in margins, but not affecting image.  A very good impression.Lord Loughborough Alexander Wedderburn, 1st Earl of Rosslyn (1733-1809)	200	£200	unmounted	Print	Portraits	Legal						
1097		Moule, Thomas 	Oxfordshire	Steel engraved map with later hand colour	c. 1840			257 x 184 mm			Originally a writer on Heraldry and general antiquities, Moule was born in Marylebone, London. From around 1816 to 1823 he was a Bookseller, his shop was in Grosvenor Square, London. He then became an inspector of letters in the General Post Office, where his responsibilities included trying to 'read' illegible hand writing! His highly decorative series of county maps were first published in separate issues for each county between 1830 and 1832. In 1836 these were brought together in one work, by George Virtue & Co. They continued to appear in Rev. Barclay's Dictionary into the 1840's.	95	£95	mounted	Map	English Counties	Oxfordshire						
1125		J. Le Keux after F. Mackenzie	St. Ebbe’s Church	Steel engraving with hand colouring	Published Sept. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40	mounted	Print	Oxford	Oxford Churches						
1130		J. Le Keux after F. Mackenzie	St. Peter Le Bailey	Steel engraving	Published May. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 93 x 142 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	30.00	£30		Print	Oxford	Oxford Churches						
1131		J. Le Keux after F. Mackenzie	Tower & Spire of Saint Mary’s Church	Steel engraving	Published June. 1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 142 x 102 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35.00	£35		Print	Oxford	Oxford Churches						
1132		J. Le Keux after F. Mackenzie	Interior of St. Mary’s Church	Steel engraving	Published June 1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 132 x 103 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	25	£25	mounted	Print	Oxford	Oxford Churches						
1136		Seller, John	Oxfordshire	Copper engraved	1694			I 170 x 120 mm				100	£100	mounted	Map	English Counties	Oxfordshire						
1145		Ben Pritchard	That Conversation	Lino cut	2005			205mm x 330mm				125.00	£125	mounted	Print	Contemporary Oxford Printmakers	Ben Pritchard						
1146		Ben Pritchard	Riding Down the High	Lino cut	2005			405mm x 305mm				130	£130		Print	Contemporary Oxford Printmakers	Ben Pritchard						
1147		Ben Pritchard	Conversation on the Parrog (Newport)	Lino cut	2005			410mm x 235mm				120	£120		Print	Contemporary Oxford Printmakers	Ben Pritchard						
1149		Ben Pritchard	Looking Across St.Giles	Lino cut	2005			415mm x 295mm				130	£130	unmounted	Print	Contemporary Oxford Printmakers	Ben Pritchard						
1151		Ben Pritchard	Abandoned Farm	Lino cut	2005			400mm x 150mm 				120	£120		Print	Contemporary Oxford Printmakers	Ben Pritchard						
1154		Ben Pritchard	Swimming With The Carp	Woodcut	2005			475mm x 395mm				150	£150		Print	Contemporary Oxford Printmakers	Ben Pritchard						
1155		J. Le Keux after F. Mackenzie	The Castle.	Steel engraving	Published January 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 93 x 157 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	30.00	£30	mounted	Print	Oxford	Oxford Castle						
1156		J. Le Keux after F. Mackenzie	Corpus Christi College.	Steel engraving with hand colour	Published June 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 93 x 157 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35	£35	mounted	Print	Oxford	Corpus Christi College						
1158		Archer, J.	Oxfordshire	Steel engraved with hand colouring	Drawn and Engraved by J. Archer, Pentonville, London. c 1840			190 x 240	Curiosities of Great Britain. England & Wales delineared historical, entertaining & Commercial.  			55	£55	mounted	Map	English Counties	Oxfordshire						
1159		Walker, C. & J.	Oxfordshire	Steel engraving with hand colouring	Drawn and Engraved for Lewis Topographical Dictionary. c. 1836			Pl. 210 x 260	Lewis’ Topographical Dictionary			45	£45	mounted	Map	English Counties	Oxfordshire						
1160		Van Langeren	Oxfordshire [with distance chart]	Copper engraving	Published 1643			I 110 x 110				80	£80	mounted	Map	English Counties	Oxfordshire						
1161		Bowen, Emanuelle	Oxfordshire, Divided into its Hundreds	Copper engraving	Engraved for the General Magazine of Arts and Sciences for W. Owen at Temple Bar 1758			Pl. 190 x 220				80	£80	mounted	Map	English Counties	Oxfordshire						
1162		Migneret, Mme.	Oxford, Berks, Buckingham	Copper engraving with hand colouring	A. M. Perrot 1823			I 65 x 110			Rare.	140	£140	mounted	Map	English Counties	Oxfordshire						
1167		Bowen, Emmanuel	The Road from Bristol to Banbury, A Map of Oxfordshire	Copper engraving	Published 1720			I 120 x 190				90	£90	mounted	Map	English Counties	Oxfordshire						
1168		Hughes, William	Oxfordshire	Lithograph	Published 1868			I 240 x 310				40	£40	mounted	Map	English Counties	Oxfordshire						
1169		Picken	Under Graduates and their Horses, Near Christ Church, Oxford, 1842	Lithograph	Published by Day and Haghe. 1842			I 180 x 110				45	£45	mounted	Print	Oxford	Academic Dress						
1170		Grignion after Huddesford	Artium Magister	Copper engraving	c. 1750			Pl. 85 x 40			Scarce.	45	£45	mounted	Print	Oxford	Academic Dress						
1172		Walker	An Oxford Proctor Requesting a Student to Put on his Gown, instead of Carrying it on His Arm, Which is now a Common Custom in Oxford	Lithograph	Published by Day and Haghe. 1842			I 170 x 110				45	£45	mounted	Print	Oxford	Academic Dress						
1173		Walker	A Student Signing his Name in the Matriculation Book, Before the Vice Chancellor	Lithograph	Published by Day and Haghe. 1842			I 170 x 110				50	£50	mounted	Print	Oxford	Academic Dress						
1174		Pieter van der Aa after David Loggan	Habits ordinaires des personnes qui composent l’Universite d’Oxford	Copper engraving	1707			Image 350 x 127 mm. Plate 370 x 140mm	La Delices de la Grande Bretagne et de L’Irlande		Diagram showing 36 different styles of dress. La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	80	£80	mounted	Print	Oxford	Academic Dress						
1175		J. Agar after T. Uwins	Doctor in Physic, Full Dress	Etching with hand colouring	London. Published June 1st 1813, at 101 Strand for R. Ackermann’s History of Oxford			Pl. 255 x 310	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings..			65	£65	mounted	Print	Oxford	Academic Dress						
1176		J. Agar after T. Uwins	Bachelor of Divinity, with Servitor and Collector	Etching with hand colouring	London. Published Aug. 1st 1814, at 101 Strand for R. Ackermann’s History of Oxford			Pl. 300 x 260	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			60	£60	mounted	Print	Oxford	Academic Dress						
1177		J. Agar after T. Uwins	Doctor in Divinity in Convocation	Etching with hand colouring	London. Published Oct. 1st 1813, at 101 Strand for R. Ackermann’s History of Oxford			Pl. 255 x 310	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			30.00	£30	mounted	Print	Oxford	Academic Dress						
1178		J. Le Keux after F. Mackenzie	The Library, Christ Church	Steel engraving	Published Jany. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35.00	£35	mounted	Print	Oxford	Christ Church College						
1179		M. Oliver Rae	Peckwater Quad, Christ Church, Oxford	Etching	c. 1920			I 190 x 285 				65.00	£65	mounted	Print	Oxford	Christ Church College						
1182		G. Huardel-Bly	[Magdalen College and Bridge from the River]	Etching	c. 1875			Pl & I. 87 x 137 mm				40.00	£40	mounted	Print	Oxford	Magdalen College						
1185		G. Huardel-Bly	[Merton]	Etching	c. 1875			Pl & I 137 x 87 mm				40	£40	mounted	Print	Oxford	Merton College						
1188		G. Huardel-Bly	[St. John’s]	Etching	c. 1875			Pl & I 87 x 137 mm				40.00	£40	mounted	Print	Oxford	St. John’s College						
1189		Ben Pritchard	The University Church	Lino Print	2005			215 mm x 214 mm				120	£120		Print	Contemporary Oxford Printmakers	Ben Pritchard						
1191		Ben Pritchard	Looking Towards Exeter	Lino cut	2005			316 mm x 425 mm				160	£160		Print	Contemporary Oxford Printmakers	Ben Pritchard						
1200		Le Keux after F. Mackenzie	The Radcliffe Library	Steel engraving	Published March 1 1834 by J. H. Parkers, Oxford, C. Tilt, Fleet St. & J. Le Keus Hammondsworth. v 			141mm x 94mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35	£35	mounted	Print	Oxford	Radcliffe Camera						
1205		J. Le Keux after F. Mackenzie	The Divinity School	Steel engraving	Published Jany. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40.00	£40	mounted	Print	Oxford	Bodleian Library						
1207		Pieter van der Aa after David Loggan	La Bibliotheque Bodlienne	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	mounted	Print	Oxford	Bodleian Library						
1210		Pieter van der Aa after David Loggan	Le Frontispice des Auditoires publics de l’Univesite d’Oxford	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	30	£30	mounted	Print	Oxford	Bodleian Library						
1211		J. Le Keux after F. Mackenzie	The University Printing House, from the Infirmary	Steel engraving with hand colouring	Published Nov. 1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 80 x 140 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40	mounted	Print	Oxford	Clarendon Press						
1212		J. Storer	The Schools Tower	Engraving	1817			115mm x 81mm				30	£30	mounted	Print	Oxford	Bodleian Library						
1215			Clarendon Printing Office	Aquatint	c. 1850			I 114 x 95				30	£30	mounted	Print	Oxford	Clarendon Press						
1218		J. Jac Haid after Leipold	Gerardus L.B. Van Swieten	Mezzotint	Dec 10, 1695						Crease in right	90.00	£90	unmounted	Print	Portraits	Medical						
1222		Thomas Landseer	“A fool to pleasure..”	Etching	Published 1828 by Moon, Boys & Graves 6 Pall Mall 				Monkeyana, or Men in Minature		Thomas Landseer was the older brother of the famnous Victorian painter Sir Edwin Landseer.  Thomas Landseerengraved the majority of the most famous plates after his brother’s paintings. Thomas Lanseer’s orginal works are seen less frequently than his large scale reproductive engravings.	175.00	£175	unmounted	Print	General Interest	Caricatures						
1223		Thomas Landseer	“-now will canker Sorrow..”	Etching	 Published Decr. 1 1827 by Moon, Boys & Graves 6 Pall Mall a Paris chez Pieri Bernard, Boulevar des Italiens				Monkeyana, or Men in Minature		Thomas Landseer was the older brother of the famnous Victorian painter Sir Edwin Landseer.  Thomas Landseerengraved the majority of the most famous plates after his brother’s paintings. Thomas Lanseer’s orginal works are seen less frequently than his large scale reproductive engravings.	150.00	£150	unmounted	Print	General Interest	Caricatures						
1224		Unknown	Ordre et Marche du Boeuf gras.	Woodcut	Imp. Je F Baudouin, r des Boucheries St. G. 38, c. 1840						Creased through middle	150.00	£150	mounted	Print	Fine Prints	Loose Prints and Curiosities						
1225		Unknown engraver	Meetingers	Woodcut with original handcolour	Published by R. Carr, 9, Cotton-street, Manchester, c. 1840							100.00	£100	mounted	Print	General Interest	Caricatures						
1226		Bowen, Thomas 	A New & Accurate Map of Europe Drawn from the Best Authorities	Copper engraving	1777						Tear in lower centre fold, on in left and on on top right	170.00	£170	unmounted	Map	Europe	Europe						
1227		Bowen, Thomas 	A Correct Map of the Ottoman Empire Including all the countries Possess’d by, or Tributary to the Turks, in Europe, Asia & Africa, with part of the Adjecent Territories, according ti the latest Observations	Copper engraved	Engraved for Bankes’s New System of Geography Published by Royal Authority, 1777			310 x 418 mm				190.00	£190	unmounted	Map	Asia & Middle East							
1228		Vertue after Vandike	The Rt. Hon.ble the Earl of Lyndsey. / The Rt. Hon.ble The Earl of Carnarvon	Copper engraving				I 322 x 212 mm			O’ Donohugh  4 and 9Original FrameEx. Col Chirck Castle	200.00	£200	framed	Print	Portraits	British Nobility						
1299		Sydney William Carline	[Oxford Castle]	Etching	c 1920			Image and plate 175 x 136 mm 			Signed in pencilSydney Carline (1888-1929) He was born in London. Both his brother, Richard, and his sister Hilda, were also artists, with his sister marrying the artist Stanley Spencer, who was a friend of Richard's. The three siblings were children of the artist, George Carline (1855-1920). They studied at the Slade School and in Paris under Tudor Hart. Sydney was an official war artist with the RAF during World War I. He exhibited with the London Group, becoming a member in 1924. From 1921 to 1929 he was Ruskin Master of Drawing at Oxford. He provided some illustrations for T. E. Lawrence's Revolt in the Desert. 	65	£65	framed	Print	Oxford	Oxford Castle						
1305		Vertue after Vandike	The Rt. Hon.ble the Earl of Kingston / The Right Hon.ble the Earl of Litchfield	Copper engraving				I 322 x 212 mm			O’ Donohugh 2  and 4Original FrameEx Col. Chirck Castle	200.00	£200	framed	Print	Portraits	British Nobility						
1307		Vertue after Vandike	The Rt. Hon.ble the Lord Capel / The Right Hon.ble the Lord Viscount Faulkland	Copper engraving				I 322 x 212 mm			O’ Donohugh 3Original FrameEx. Col. Chirk Castle	200.00	£200	framed	Print	Portraits	British Nobility	Royalist					
1351		Petrus Schenk (1660-1711)	Oxfort, een vermaerde Stadt in Engeland, een on vergelyke aenqueeckster van Kunsten ende Sudien [Prospect of the City of Oxford]	Engraving	Published in Amsterdam, 1702			255 x 210 mm	Hecatompolis, sive Totius orbis Terrarum Oppida Nobiliora Centum; exquisite collecta atque eleganter depicta. [100 engraved town views]		Petrus Schenk (1660-1715) was born in Germany but moved to Amsterdam where he studied engraving with Gerard Valck. He had two shops where he sold maps and prints, one in Amsterdam and the other in Leipzig. This plate is from Schenk’s early town atlas which depicted 100 cities on four continents.	300	£300	framed	Print	Oxford	General Views						
1353		Sydney Carline	[New College Lane]	Etching	1912			Image and plate 175 x 105 mm			Signed in pencilSydney Carline (1888-1929) He was born in London. Both his brother, Richard, and his sister Hilda, were also artists, with his sister marrying the artist Stanley Spencer, who was a friend of Richard's. The three siblings were children of the artist, George Carline (1855-1920). They studied at the Slade School and in Paris under Tudor Hart. Sydney was an official war artist with the RAF during World War I. He exhibited with the London Group, becoming a member in 1924. From 1921 to 1929 he was Ruskin Master of Drawing at Oxford. He provided some illustrations for T. E. Lawrence's Revolt in the Desert. 	40	£40	mounted	Print	Artists	Sydney William Carline						
1354		M. Rudge	Tom Tower, Oxford	Etching	c. 1920			142 x 90 mm				65.00	£65	framed	Print	Oxford	Christ Church College						
1356		Ben Pritchard	Taylors	Lino Cut	2005			I 402 x 305 mm				130	£130	unmounted	Print	Contemporary Oxford Printmakers	Ben Pritchard						
1358		Pieter van der Aa after David Loggan	Le dedans l’Auditoire de Theologie dans l’Universite d’Oxford	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	mounted	Print	Oxford	Bodleian Library						
1359		J. Le Keux 	Interior of the Hall, Christ Church	Steel engraving	Published Jany. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 140 x 165 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40.00	£40	mounted	Print	Oxford	Christ Church College						
1360		J. Le Keux after F. Mackenzie	Staircase to the Hall, Christ Church	Steel engraving	Published Jany. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 130 x 165 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	50.00	£50		Print	Oxford	Christ Church College						
1361		Rock & Co.	Christ Church, Oxford	Steel engraving	Published 1 Nov. 1862			I 115 x 80				25.00	£25	mounted	Print	Oxford	Christ Church College						
1362		J. Buckler	Grammar School at Christ Church Oxford	Copper engraving	1896			I 120 x 150 mm				20.00	£20	mounted	Print	Oxford	Christ Church College						
1363		Rock & Co.	Hall, Christ Church, Oxford	Steel engraving	Published 1 Nov. 1862			I 110 x 80				30.00	£30	mounted	Print	Oxford	Christ Church College						
1365		J. Le Keux after F. Mackenzie	The Chapter House	Steel engraving	Published Jany. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 110 x 160 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	26.00	£26	unmounted	Print	Oxford	Christ Church College						
1367		I.S. Heaviside after P.H. Delamotte	Tom Gate and Tower	Copper engraving	1836			I 120 x 65				28.00	£28		Print	Oxford	Christ Church College						
1368			[Tom Tower]	Photograph	c. 1880			I 90 x 65				40.00	£40		Print	Oxford	Christ Church College						
1370		Nathaniel Whittock	Christ Church Library	Lithograph	1820			I 90 x 140 mm	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford			48.00	£48	mounted	Print	Oxford	Christ Church College						
1371		J. Storer	Part of Peckwater Square	Copper engraving	Published by Cook & Parker, Oxford			I 120 x 160 mm				35.00	£35	mounted	Print	Oxford	Christ Church College						
1372		J. Greig	The Hall Stair-case, Christ Church	Copper engraving	c. 1810			I 135 x 85				25.00	£25	mounted	Print	Oxford	Christ Church College						
1373		F. Harris	The North Prospect of the Cathedral Church of Oxford	Copper engraving with hand colouring	c. 1790			I 155 x 190 mm				45.00	£45		Print	Oxford	Oxford Churches						
1376			The Clarendon Printing House	Aquatint	c. 1830			I 210 x 300				175	£175	mounted	Print	Oxford	Clarendon Press						
1378			[Tom Tower]	Photograph	c. 1880			I 185 x 145				50.00	£50		Print	Oxford	Christ Church College						
1379			New Museum, Oxford	Chromolithograph	c. 1880			I 125 x 75				40	£40	mounted	Print	Oxford	Oxford Museums						
1380			[Tom Tower]	Photograph	c. 1880			I 85 x 65				40.00	£40		Print	Oxford	Christ Church College						
1382			Oxford, Christ Church Cathedral, Nave East	Photograph	c. 1900			I 130 x 80				25.00	£25		Print	Oxford	Christ Church College						
1383		J. C. Stadler after Mackenzie	The Clarendon Printing House, Theatre & Museum	Aquatint with hand colouring	Published 1813			I 270 x 210	From R. Ackerman’s History of Oxford		Abbey 278, plate 90	160	£160	mounted	Print	Oxford	Clarendon Press						
1385			Oxford, Christ Church Cathedral, Nave East	Photograph	c. 1900			I 130 x 80				25.00	£25		Print	Oxford	Christ Church College						
1386			Oxford, Christ Church Cathedral, Nave East	Photograph	c. 1900			I 130 x 80				25.00	£25		Print	Oxford	Christ Church College						
1389			A Perspective View of the Clarendon Printing House, the Theatre, the Museum, the Publick Schools &c.	Copper engraving	Engraved for the Universal Magazine, c. 1770			I 275 x 150				85	£85	mounted	Print	Oxford	Clarendon Press						
1390		Nathaniel Whittock	Clarendon Printing House, and Theatre.	Lithograph	c. 1850			I 215 x 155	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford			30	£30		Print	Oxford	Clarendon Press						
1391			The Oxford Undergraduate, to the Juvenile Mobocracy of Great Britain ...	Etching	c. 1800			Pl. 140 x 180				80	£80	mounted	Print	Oxford	Oxford Caricatures						
1393		Nathaniel Whittock	The New Printing Office, Oxford	Lithograph	c. 1850			I 360 x 190 mm	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford			60	£60	mounted	Print	Oxford	Clarendon Press						
1395		Joseph Skelton	West Front of Christ Church	Copper engraving with hand colouring	Published as the Act directs Augst. 1, 1820 by J. Skelton, St. Aldates, Oxford.			I 240 x 160 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	100	£100	mounted	Print	Oxford	Christ Church College						
1396		Joseph Skelton	South West View of Christ Church Cathedral	Copper engraving with hand colouring	1818			I 240 x 170 mm	Oxonia Antiqua Restaurata by Joseph Skelton			50.00	£50	mounted	Print	Oxford	Christ Church College						
1397		Joseph Skelton	Ancient Library of Christ Church	Copper engraving	1818			I 245 x 180 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	80.00	£80	mounted	Print	Oxford	Christ Church College						
1399		D. Havell after A. Pugin	Stair Case of Christ Church	Aquatint	Published for R. Ackermann’s History of Oxford, November 1814			I 135 x 210				90.00	£90	mounted	Print	Oxford	Christ Church College						
1400			[Christ Church]	Photograph				I 185 x 230				45	£45	mounted	Print	Oxford	Christ Church College						
1402			[Broadwalk, Christ Church Meadows]	Photograph	c. 1880			I 260 x 200				50.00	£50	mounted	Print	Oxford	Christ Church College						
1403		Sydney W. Carline	Christ Church College Cathedral Interior	Etching				Image and plate 200 x 175 mm			Signed in pencilSydney Carline (1888-1929) He was born in London. Both his brother, Richard, and his sister Hilda, were also artists, with his sister marrying the artist Stanley Spencer, who was a friend of Richard's. The three siblings were children of the artist, George Carline (1855-1920). They studied at the Slade School and in Paris under Tudor Hart. Sydney was an official war artist with the RAF during World War I. He exhibited with the London Group, becoming a member in 1924. From 1921 to 1929 he was Ruskin Master of Drawing at Oxford. He provided some illustrations for T. E. Lawrence's Revolt in the Desert. 	30	£30	mounted	Print	Oxford	Christ Church College						
1404		J. Reeves after F. Mackenzie	Gate of Christ Church -- From Pembroke College	Aquatint	London, Published May 1, 1814 at 101 Strand for R. Ackermann’s History of Oxford			I 205 x 275 mm, 295 x 245 mm				250.00	£250	framed	Print	Oxford	Christ Church College						
1405		J. Hill after Mackenzie	The Vestibule of Radcliffe Library	Engraving with hand colouring	Published London, for R. Ackermann. 1813.			I 270 x 200	From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			120	£120	mounted	Print	Oxford	Radcliffe Camera						
1406		J. Lewis after W. Westall	The Statue Gallery	Aquatint	London, Published Sept. 1, 1814 at 101 Strand for R. Ackermann’s History of Oxford			I. 270 x 200				75.00	£75	mounted	Print	Oxford	Christ Church College						
1407		J. Bluck after Mackenzie	Chapter House	Aquatint	London Pub. Nov 1st 1814 at 101 Strand for R. Ackermann’s History of Oxford				A History of the University of Oxford, its Colleges, Halls, and Public Buildings			95.00	£95	mounted	Print	Oxford	Christ Church College						
1408		J. Le Keux after F. Mackenzie	Front of the Schools	Steel engraving	Published Dec. 1st 1836 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40.00	£40		Print	Oxford	Bodleian Library						
1410		Pieter van der Aa after David Loggan	Le College de Glocester-Hall a Oxford 	Copper engraving	1707			166 x 132 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	mounted	Print	Oxford	Worcester College						
1412		Pieter van der Aa after David Loggan	Le College de Glocester-Hall a Oxford 	Copper engraving	1707			166 x 132 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	mounted	Print	Oxford	Worcester College						
1416		J. Greig	Wadham College Chapel	Engraving	1810			113 x 81 mm				35	£35	mounted	Print	Oxford	Wadham College						
1418		Joseph Skelton	Wadham College from the Garden	Copper engraving with hand colouring	Published as the Act directs Decr. 1, 1817 J. Skelton, St. Aldates, Oxford			Image 230 x 160 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	85	£85	mounted	Print	Oxford	Wadham College						
1420		Carl Rundt	The Hall of Wadham College	Lithograph	1846			252 x 172 mm	A Walk Round Oxford. 		From a series of sixteen lithographs of Oxford collected in the manner of a short tour around Oxford.	100	£100	mounted	Print	Oxford	Wadham College						
1422		J. Hill after A. Pugin	Wadham College, from the Parks	Aquatint with hand colouring	London: Published Nov. 1st 1813 at 101 Strand for R. Ackermann’s History of Oxford			I 264 x 204 mm	Ackermann (Rudolph) A History of the University of Oxford, its Colleges, Halls and Public Buildings			220	£220	mounted	Print	Oxford	Wadham College						
1423		J. Bluck after F. Mackenzie	Wadham College Chapel	Aquatint with hand colouring	London: Published Jul. 1st 1813 at 101 Strand for R. Ackermann’s History of Oxford			261 x 200 mm	Ackermann (Rudolph) A History of Oxford, its Colleges, Halls and Public Buildings			90	£90	mounted	Print	Oxford	Wadham College						
1434			Trinity College	Photograph	c 1860			I 272 x 200 mm				40	£40	mounted	Print	Oxford	Trinity College						
1436		J. Bluck after A. Pugin	Trinity College Chapel	Aquatint with hand colouring	London Pub. March 1st 1814 101 Strand for R. Ackermann’s History of Oxford			265 x 209 mm	A History of the University of Oxford, its Colleges, Halls, and Public Buildings			90	£90	mounted	Print	Oxford	Trinity College						
1437		Pieter van der Aa after David Loggan	Le College de New-Inn a Oxford	Copper engraving	1707			159 x 122 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	mounted	Print	Oxford	St. Peter’s College						
1439		Nelson & Sons	St. John’s College Oxford	Chromolithograph	1889			122 x 76 mm	The City of Oxford			30	£30	mounted	Print	Oxford	St. John’s College						
1441			St Johns College, Oxford	Photograph	c 1900			133 x 79 mm				30	£30	mounted	Print	Oxford	St. John’s College						
1443		Pieter van der Aa after David Loggan	Partie du College de S. Jean Baptiste 	Copper engraving	1707			166 x 132 mm	La Delices de la Grande Bretagne et de L’Irlande		LLa Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	25	£25	mounted	Print	Oxford	St. John’s College						
1444		Pieter van der Aa after David Loggan	Le College de S. Jean Baptiste 	Copper engraving	1707			166 x 132 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher.  	45	£45	mounted	Print	Oxford	St. John’s College						
1445			St Johns College, Oxford	Photograph	c 1900			125 x 80 mm				30	£30	mounted	Print	Oxford	St. John’s College						
1448		Edward Cherry	[St John’s College]	Etching	c 1920			133 x 90 mm				40	£40	mounted	Print	Oxford	St. John’s College						
1449		Nelson and Sons	St John’s College Oxford	Chromolithograph	1889			I 76 x 122 mm	The City of Oxford			30	£30	mounted	Print	Oxford	St. John’s College						
1455		J. Storer	St. John’s College	Copper engraving	Published by Cook & Parker, Oxford. 1810			I 80 x 115 mm				35.00	£35	mounted	Print	Oxford	St. John’s College						
1457		J. Hill after Mackenzie	St. John’s College, from the Garden	Engraving with hand colouring	London, Pubd. Septr. 1dst, 1813 at 101 Strand, for R. Ackermann;s History of Oxford			I 265 x 200	From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			180	£180	mounted	Print	Oxford	St. John’s College						
1458		J. Hill after Pugin	Quadrangle of St. John’s College	Engraving with hand colouring	Published London, for R. Ackermann. 1813.			I 265 x 200	From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			180	£180	mounted	Print	Oxford	St. John’s College						
1460		Joseph Skelton after Rooker	St. John’s College, from the Garden.	Engraving with hand colouring	Published as the Act directs, June 1, 1820 by J. Skelton, St. Aldates, Oxford.			I 240 x 155	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed	95	£95	mounted	Print	Oxford	St. John’s College						
1461			St Johns College, Oxford	Woodcut	c 1880			I 80 x 110 mm				25	£25	mounted	Print	Oxford	St. John’s College						
1462		N. Whittock	St. John’s College, from the garden	Lithograph	Published Oxford, c. 1839			I 210 x 150	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford			70	£70	mounted	Print	Oxford	St. John’s College						
1463		Joseph Skelton	East End of Merton College Chapel	Copper engraving with hand colouring	c. 1820			I 230 x 170 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	95	£95	mounted	Print	Oxford	Merton College						
1464		Albany E. Howarth	St John’s College Oxford	Etching	c 1925			Image and plate 225 x 150 mm			Signed in pencil 	90	£90	mounted	Print	Oxford	St. John’s College						
1465		W. Gauci after Delamotte	Front of St. John’s College, Oxford	Lithograph	Published c. 1840			I 350 x 250 mm	Original Views of Oxford, its Colleges, Chapels and Gardens from drawings expressly for this work by William Alfred Delamotte. Executed in Lithography by William Gauci, with Historical and Descrpitive notices by Charles Ollier. London: Thomas Boy. 1843. Folio includes 25 tinted Lithographs.			120	£120	mounted	Print	Oxford	St. John’s College						
1469		William Nicholson	Merton College	Lithograph	Published 1905			Image 348 x 266 mm	Oxford		Signed and blinstampedCampell 137Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).	120	£120	mounted	Print	Oxford	Merton College						
1470			View of Somerville College	Photograph	c. 1894			I 145 x 195 mm				50	£50	mounted	Print	Oxford	Somerville College						
1471		J. Le Keux after F. Mackenzie	The Cathedral from the N.W.	Steel engraving	Published Feb. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 150 x 112 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	28	£28	mounted	Print	Oxford	Christ Church College						
1472		J. Le Keux after F. Mackenzie	St. Giles Church	Steel engraving	Published Feb. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 144 x 94 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40	mounted	Print	Oxford	Oxford Churches						
1473		J. Le Keux after F. Mackenzie	Merton College Chapel from the Quadrangle	Steel engraving	Published Feb. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 133 x 105 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35	£35	mounted	Print	Oxford	Merton College						
1475		J. Le Keux after F. Mackenzie	West Front of All Souls College	Steel engraving	Published Feb. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 146 x 91 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35	£35	mounted	Print	Oxford	All Souls College						
1477		J. Le Keux after F. Mackenzie	The Chapel & All Souls College	Steel engraving	Published Feb. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 134 x 96 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35	£35	mounted	Print	Oxford	All Souls College						
1478		J. Le Keux after F. Mackenzie	The Cloister &c. of All Souls College	Steel engraving	Published Feb. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 134 x 96 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35	£35	mounted	Print	Oxford	All Souls College						
1480		J. Le Keux after F. Mackenzie	The Town Hall	Steel engraving	Published Feb. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 149 x 106 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35	£35	mounted	Print	Oxford	General Views						
1481		Richard Smythson	Nixon’s School, Oxford	Photo-lithograph	Wyman & Sons, Printers Gt Queen St. London, 1880			I 213 x 178 mm	The Builder (Oct 30 1880)			25	£25	mounted	Print	Oxford	General Views						
1483		B. Cole	A View of the Remains of North Osney or Rewley Abby from the South & A View of the Remains of North Osney or Rewley Abby from the North	Copper engraving	1710			I 238 x 169 mm			Taken in the year 1720	50	£50	mounted	Print	Oxford	General Views						
1484			Oxford	Lithograph	c 1825			I 190 x 139 mm				75	£75	mounted	Print	Oxford	General Views						
1486		J. Le Keux after F. Mackenzie	Interior of St. Peter’s Church	Steel engraving	Published May 1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	25	£25	mounted	Print	Oxford	St. Edmund Hall						
1488		J. Le Keux after F. Mackenzie	St. Peter’s Church, from the S. E.	Steel engraving	Published May 1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35	£35	mounted	Print	Oxford	St. Edmund Hall						
1489		Pieter van der Aa after David Loggan	Le College de Edmund Hall a Oxford	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	40	£40	mounted	Print	Oxford	St. Edmund Hall						
1491		J. Fisher	Old St. Peter’s Church	Engraving	Published by H. Slatter, c. 1850			I 42 x 78 mm				16	£16	mounted	Print	Oxford	St. Edmund Hall						
1492		W. Wallace after J. P. Neale	St. Peters in the East, Oxford	Engraving	Pubilshed c. 1840			I 130 x 100 mm				30	£30	mounted	Print	Oxford	St. Edmund Hall						
1493		R. Reeve after A. Pugin	St Peter’s Church	Aquatint with hand colouring	London Pub. July 1st 1814 at 101 Strand for R. Ackermann’s History of Oxford			I 210 x 270 mm	A History of the University of Oxford, its Colleges, Halls, and Public Buildings			60	£60	mounted	Print	Oxford	St. Edmund Hall						
1494		J. Bluck after F. Nash	Crypt of St Peter’s Church	Aquatint with hand colouring	London Pub. July 1 1813 at 101 Strand for R. Ackermann’s History of Oxford			I 210 x 270 mm	A History of the University of Oxford, its Colleges, Halls, and Public Buildings			45	£45	mounted	Print	Oxford	St. Edmund Hall						
1496		Joseph Skelton after Neill	St. Peter’s Church in the East	Engraving with hand colouring	Published c. 1820			I 170 x 240 mm				55	£55	mounted	Print	Oxford	St. Edmund Hall						
1497		Pieter van der Aa after David Loggan	Le College de la Reine [Queen’s College]	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	40	£40	mounted	Print	Oxford	Queen’s College						
1498		Unknown photographer	Queen’s College, Oxford	Photograph	c. 1900			90 x 140 mm				35	£35	mounted	Print	Oxford	Queen’s College						
1500		J. Storer	Queen’s College	Copper engraving	Published by Cook & Parker, Oxford. 1810			I 120 x 90 mm				40	£40	mounted	Print	Oxford	Queen’s College						
1502		G. Scharf after Delamotte	English Agricultural Society’s Dinner in Queen’s College Quadrangle, Oxford,  July 17th 1839	Lithograph	Published by Day and Haghe, c. 1840			I 200 x 305 mm				80	£80	mounted	Print	Oxford	Queen’s College						
1504		J. Stadler after Pugin	Queen’s College Chapel	Aquatint with hand colouring	Published London, for R. Ackermann. 1814.			I 270 x 210	From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			120	£120	mounted	Print	Oxford	Queen’s College						
1505			Arms of Pembroke College, Oxford University	Chromolithograph	c. 1920			I 60 x 70 mm				20	£20	mounted	Print	Oxford	Pembroke College						
1506			Arms of Oriel College, Oxford University	Chromolithograph	c. 1920			I 60 x 70 mm				20	£20	mounted	Print	Oxford	Oriel College						
1507		Pieter van der Aa after David Loggan	Le College de S. Mary-Hall a Oxford	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	30	£30	mounted	Print	Oxford	Oriel College						
1509		J. Le Keux after F. Mackenzie	Saint Mary’s Hall	Engraving with hand colouring	Published Sept. 1st 1836 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40	mounted	Print	Oxford	Oriel College						
1514		M. Smith	An Ancient Cup Belonging to Oriel College, Oxford	Lithograph	c. 1890			I 190 x 100 mm				60	£60	mounted	Print	Oxford	Oriel College						
1519			Oriel College	Albumen Photograph	c. 1860			I 160 x 210 mm				65	£65	mounted	Print	Oxford	Oriel College						
1520			Oxford, New College, Garden Gateway	Photolithograph	c. 1900			I 135 x 85 mm				25	£25	mounted	Print	Oxford	New College						
1521		Pieter van der Aa after David Loggan	Vue interieure du College Neuf du cote du Nord [New College]	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	mounted	Print	Oxford	Somerville College						
1522		Unknown	New College from the Garden	Woodcut	c. 1866			I 85 x 110				30	£30	mounted	Print	Oxford	New College						
1525		J. Le Keux after F. Mackenzie	Interior of New College Chapel	Steel engraving	Published June 1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40	mounted	Print	Oxford	New College						
1527		J. Le Keux after F. Mackenzie	New College Chapel	Steel engraving	Published May 1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40	mounted	Print	Oxford	New College						
1528		J. Le Keux after F. Mackenzie	The Cloister, New College	Steel engraving with hand colouring	Published May 1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40	mounted	Print	Oxford	New College						
1531		M. Oliver Rae	New College Gateway, Oxford	Etching	c. 1920			Image 120 x 85				30	£30	mounted	Print	Oxford	New College						
1538		Albany E. Howarth	New College Oxford	Etching	c 1925			Image and plate 205 x 300 mm			Signed in pencil 	190	£190	framed	Print	Oxford	New College						
1541		J. C. Stadler after Mackenzie	Chapel of New College	Aquatint with hand colouring	London, Pub. June 1 1814 at 101 Strand, for R. Ackermann’s History of Oxford.			I 270 x 210	From R. Ackermann’s History of Oxford			150	£150	mounted	Print	Oxford	New College						
1542		A. Haun	New College, from the North	Lithograph	Published 1846			I 160 x 260 mm	Published by Carl Rundt			180	£180	mounted	Print	Oxford	New College						
1543			New College	Photograph	c. 1880			I 210 x 270 mm				45	£45	mounted	Print	Oxford	New College						
1544		J. Le Keux after F. Mackenzie	The North Side of Merton College Chapel	Steel engraving	c. 1835			I 110 x 170 mm				40	£40	mounted	Print	Oxford	Merton College						
1545		J. Le Keux after F. Mackenzie	St. Alban Hall	Steel engraving with hand colouring	Published Oct 1st 1836 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35	£35	mounted	Print	Oxford	Merton College						
1546		J. Le Keux after F. Mackenzie	The Library &c. Merton College	Steel engraving	Published Dec.1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40	mounted	Print	Oxford	Merton College						
1548		Pieter van der Aa after David Loggan	Le College de Merton [Merton College]	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	mounted	Print	Oxford	Merton College						
1549		Pieter van der Aa after David Loggan	L’Ecole de S. Alban	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	25	£25	mounted	Print	Oxford	Merton College						
1566		William Nicholson	T For Trumpeter	Lithograph	1898  [William Heinemann]			I 247 x 197 mm	An Alphabet			150	£150	mounted	Print	Artists	William Nicholson						
1567		William Nicholson	W for Waitress	Lithograph	1898  [William Heinemann]			I 247 x 197 mm	An Alphabet			120	£120	mounted	Print	Artists	William Nicholson						
1571		William Nicholson	K for Keeper	Lithograph	1898  [William Heinemann]			I 247 x 197 mm	An Alphabet			140	£140	mounted	Print	Artists	William Nicholson						
1579		William Nicholson	B for Beggar	Lithograph	1898  [William Heinemann]			I 247 x 197 mm	An Alphabet			130	£130	mounted	Print	Artists	William Nicholson						
1580		William Nicholson	O for Ostler	Lithograph	1898  [William Heinemann]			I 247 x 197 mm	An Alphabet			140	£140	mounted	Print	Artists	William Nicholson						
1581		William Nicholson	R is for Robber	Lithograph	1898  [William Heinemann]			I 247 x 197 mm	An Alphabet			140	£140	mounted	Print	Artists	William Nicholson						
1584		William Nicholson	D is for Dandy	Lithograph	1898  [William Heinemann]			I 247 x 197 mm	An Alphabet			140	£140	mounted	Print	Artists	William Nicholson						
1586		William Nicholson	I for Idiot	Lithograph	1898  [William Heinemann]			I 247 x 197 mm	An Alphabet			150	£150	mounted	Print	Artists	William Nicholson						
1588		William Nicholson	N for Nobleman	Lithograph	1898  [William Heinemann]			I 247 x 197 mm	An Alphabet			130	£130	mounted	Print	Artists	William Nicholson						
1590		William Nicholson	Fishing (May)	Lithograph	Popular edition 1897 (post-dated 1898) William Heinemann			I 196 x 198 mm	Almanac of Twelve Sports			95	£95	mounted	Print	Artists	William Nicholson						
1600		William Nicholson	Sir Henry Hawkins	Lithograph	1899 (William Heinemann)			I 255 x 230 mm	Twelve Portraits 			150	£150		Print	Artists	William Nicholson						
1602		William Nicholson	The Arch Bishop of Canterbury	Lithograph	1899 (William Heinemann)			I 255 x 230 mm	Twelve Portraits 			90	£90		Print	Artists	William Nicholson						
1608		William Nicholson	Hunting (January)	Lithograph	Popular edition 1897 (post-dated 1898) William Heinemann			I 196 x 198 mm	Almanac of Twelve Sports			120	£120	mounted	Print	Artists	William Nicholson						
1610		William Nicholson	Coursing (February) 	Lithograph	Popular edition 1897 (post-dated 1898) William Heinemann			Image 196 x 198 mm	Almanac of Twelve Sports			120	£120	mounted	Print	Artists	William Nicholson						
1614		Sydney Pariere	Merton College Chapel	Etching	1922			I 125 x 175 mm				60	£60	mounted	Print	Oxford	Merton College						
1616			Eton College from Sir Henry Savile’s Monument in the Chapel of Merton College, Oxford	Aquatint with hand colouring	c. 1790			I 210 x 220 mm				50	£50	mounted	Print	Oxford	Merton College						
1621		David Roberts	Balbec from the Fountain, May 7th 1839	Lithograph with original hand colour	London: F.G. Moon. 1842-9 						Yesterday and Today: The Holy LandTrimmed as issued	100	£100	mounted	Print	Artists	David Roberts						
1626		Nathaniel Whittock	St. Alban Hall	Lithograph	Published Oxford, c. 1830			I 168 x 215 mm	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford			35	£35	mounted	Print	Oxford	Merton College						
1627		Unknown Artist	Chapel of Merton College 	Lithograph	c. 1830			I 160 x 220 mm				60	£60	mounted	Print	Oxford	Merton College						
1631		J. Hill after A. Pugin	Alban Hall	Aquatint with hand colouring	London Pub. July 1st 1813 at 101 Strand for R. Ackermann’s History of Oxford			I 200 x 260 mm	A History of the University of Oxford, its Colleges, Halls, and Public Buildings		Merton College.	110	£110	mounted	Print	Oxford	Merton College						
1638		W. Gauci after Delamotte	Front of Merton College, Oxford	Lithograph	Published c. 1840			I 350 x 250 mm	From Original Views of Oxford, its Colleges, Chapels and Gardens from drawings expressly for this work by William Alfred Delamotte. Executed in Lithography by William Gauci, with Historical and Descrpitive notices by Charles Ollier. London: Thomas Boy. 1843			190	£190	mounted	Print	Oxford	Merton College						
1639		After Delamotte	Merton College from the Fields 	Lithograph with hand colouring	Published c. 1840			I 350 x 250 mm				190	£190	mounted	Print	Oxford	Merton College						
1641			Arms of Merton College, Oxford University	Chromolithograph	c. 1920			I 60 x 70 mm				20	£20	mounted	Print	Oxford	Merton College						
1642		J. Greig	Merton College Chapel	Copper engraving	Published by Cook & Parker, Oxford. 1810			I 112 x 80 mm				30	£30	mounted	Print	Oxford	Merton College						
1643		J & H S. Storer	St. Alban Hall	Copper engraving	London Pubd. Sep 1 1821 by Sherwood, Neely & Jones			I 97 x 79 mm	Lascelles’ The University and City of Oxford: Displayed in a Series of Seventy-two Views Drawn and Engraved by J. and H.S. Storer accompanied with a Dialogue, after the manner of Castiglione.			25	£25	mounted	Print	Oxford	Merton College						
1645		Walter Scott	Magdalen College, Oxford	Photograph	c. 1950			90 x 140 mm				30	£30	mounted	Print	Oxford	Magdalen College						
1648			Magdalen College, Oxford	Photograph	c. 1900			I 82 x 132 mm				30	£30	mounted	Print	Oxford	Magdalen College						
1650			Oxford, Magdalen College Chapel	Photograph	c. 1900			I 82 x 142 mm				25	£25	mounted	Print	Oxford	Magdalen College						
1653			Magdalen College	Photograph	c. 1860			I 200 x 260 mm				50	£50	mounted	Print	Oxford	Magdalen College						
1655		J. Le Keux after F. Mackenzie	Magdalen College, From the Walk	Steel engraving with hand colouring	Published April.1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	45	£45	mounted	Print	Oxford	Magdalen College						
1656		J. Le Keux after F. Mackenzie	The Cloister, Magdalen College	Steel engraving with hand colouring	Published April.1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	45	£45	mounted	Print	Oxford	Magdalen College						
1658		J. Le Keux after F. Mackenzie	Magdalen Church, from St. Giles’s	Steel engraving with hand colouring	Published April.1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	50	£50	mounted	Print	Oxford	General Views						
1659		D. Havell after A. Pugin	Magdalen College, Entrance Gate	Aquatint	Published for R. Ackermann’s History of Oxford, November 1814			I 205 x 130				45	£45	mounted	Print	Oxford	Magdalen College						
1662		M. Oliver Rae	Magdalen College	Etching	c. 1920			I 115 x 85				35	£35	mounted	Print	Oxford	Magdalen College						
1664		Lee	Magdalen College and Bridge, Oxford	Woodcut	c 1805			I 95 x 80 mm				40	£40	mounted	Print	Oxford	Magdalen College						
1666		Sydney Pariere	Magdalen College	Aquatint	c. 1922			I 250 x 175 mm				60	£60	mounted	Print	Oxford	Magdalen College						
1667		Alfred Slocombe	Magdalen Cloisters	Etching	c. 1890			I 180 x 130 mm				75	£75	mounted	Print	Oxford	Magdalen College						
1672		J. Storer	The Old Gate, Magdalen College	Copper engraving	Published by Cook & Parker, Oxford. March 1810			I 112 x 82 mm				35.00	£35	mounted	Print	Oxford	Magdalen College						
1673		J & H S. Storer	Ancient Pulpit (Magdalen College)	Steel engraving	London Pubd. Oct 1 1821 by Sherwood, Neely & Jones			I 105 x 90 mm	Lascelles’ The University and City of Oxford: Displayed in a Series of Seventy-two Views Drawn and Engraved by J. and H.S. Storer accompanied with a Dialogue, after the manner of Castiglione.			25	£25	mounted	Print	Oxford	Magdalen College						
1675		J. Bluck after A. Pugin	New College Entrance Gate [Old Gate of Magdalen College]	Aquatint with hand colouring	Published London, by J. Harrison and J. C. Leigh for R. Ackermann. 1814.			I 265 x 200	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			120	£120	mounted	Print	Oxford	Magdalen College						
1683		Joseph Skelton	Founders and Benefactors of Lincoln College, with a birds eye view of the Building	Copper engraving	Published as the Act directs Mar. 2nd 1818 by J. Skelton St. Aldates, Oxford			I 200 x 250 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	45	£45	mounted	Print	Oxford	Lincoln College						
1684			Thomas Rotheram, co-founder with Richd. Flemming of Lincoln College	Engraving with hand colouring	c. 1813			I 160 x 130 mm	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			35	£35	mounted	Print	Oxford	Lincoln College						
1686		G. Lewis after F. Mackenzie	Chapel of Lincoln College from the Ante Chapel	Aquatint with hand colouring	Published London, Jan. 1 1814, at 101 Strand, for R. Ackermann’s History of Oxford.			I 270 x 210	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			160	£160	mounted	Print	Oxford	Lincoln College						
1324		Vertue after Vandike	Sr. George Lisle / Sr. Charles Lucas	Copper engraving				I 322 x 212 mm			O’ Donohugh 2Original FrameEx. Col. Chirk Castle	200	£200	framed	Print	Portraits	British Nobility						
1325		Vertue after Vandike	Sr. Harry Slingsby Bart. / Colonel John Pennruddock	Copper engraving				I 322 x 212 mm			O’ Donohugh 2Original FrameEx. Col. Chirk Castle	200	£200	framed	Print	Portraits	British Nobility						
1689		Walter Scott	The Chapel, Lady Margaret Hall, Oxford	Photograph	c. 1900			90 x 140 mm				20	£20	mounted	Print	Oxford	Lady Margaret Hall						
1692		J. Le Keux after F. Mackenzie	The Quadrangle of Jesus College	Steel engraving	Published Feb. 1st 1836 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40	mounted	Print	Oxford	Jesus College						
1693		Henry Slatter	Exeter and Jesus Colleges	Aquatint	Published Oxford, Munday and Slatter, c. 1824			I 80 x 108 mm	Views of All the Colleges, Halls and Public Buildings in the University of Oxford		From a volume of views of Oxford which also served as a sophisticated guide book.	32	£32		Print	Oxford	Jesus College						
1694		I. Whesfell	Front of Jesus College	Engraving with hand colouring	Published 1835			I 97 x 140 mm				120	£120	mounted	Print	Oxford	Jesus College						
1695			Arms of Jesus College, Oxford University	Chromolithograph	c. 1920			I 60 x 70 mm				20	£20	mounted	Print	Oxford	Jesus College						
1697		W. Bennett after W. Westall	Jesus College Chapel	Aquatint with hand colouring	London Pubd. Octr. 1 1814 at 101 Strand from Ackermann’s History of Oxford			I 260 x 210	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			80	£80	mounted	Print	Oxford	Jesus College						
1698		Pieter van der Aa after David Loggan	Le College de Magdalen Hall a Oxford	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	mounted	Print	Oxford	Hertford College						
1699		J. Le Keux after F. Mackenzie	Magdalen Hall	Steel engraving	Published Aug. 1st 1836 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35	£35	mounted	Print	Oxford	Hertford College						
1700		J & H.S Storer	New Magdalen Hall	Copper engraving	London Pubd. Nov 1 1821 by Sherwood, Neely & Jones			I 105 x 70 mm	Lascelles’ The University and City of Oxford: Displayed in a Series of Seventy-two Views Drawn and Engraved by J. and H.S. Storer accompanied with a Dialogue, after the manner of Castiglione.			45	£45	mounted	Print	Oxford	Hertford College						
1701		Rock & Co.	Magdalen Hall, Oxford	Steel engraving	Published Jan. 1863			I 65 x 95				20	£20	mounted	Print	Oxford	Hertford College						
1703		After Mackenzie	Magdalen Hall	Aquatint with hand colouring	Published London, by J. Harrison and J. C. Leigh for R. Ackermann. 1814.			I 200 x 130	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.		 	60	£60	mounted	Print	Oxford	Hertford College						
1704		Nathaniel Whittock	New Magdalen Hall	Lithograph with hand colouring	1829			I 160 x 220 mm	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford		Can also be from A Topographical and Historical Description of the University and City of Oxford also by Whittock 	45	£45	mounted	Print	Oxford	Hertford College						
1705		J. C. Stadler after W. Westall	Astronomical Observatory	Aquatint with hand colouring	Published London, by J. Harrison and J. C. Leigh for R. Ackermann. 1814.			I 190 x 260 mm	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			200	£200	mounted	Print	Oxford	Green College						
1707		J. Bluck after F. Mackenzie	Astronomical Observatory [interior]	Aquatint with hand colouring	London, Published Feby. 1 1814 at 101 Strand for R. Ackermann’s History of Oxford			I 260 x 210	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			180	£180	mounted	Print	Oxford	Green College						
1708		J. Le Keux after F. Mackenzie	The Radcliffe Observatory	Steel engraving with hand colouring	Published Decr. 1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	45	£45	mounted	Print	Oxford	Green College						
1709		J. Le Keux after F. Mackenzie	Front of Exeter College	Steel engraving with hand colouring	Published July 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 135 x 95 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40	mounted	Print	Oxford	Exeter College						
1711		J. Storer	Part of Exeter College	Copper engraving	Published by Cook & Parker, Oxford. March 1 1810			I 97 x 79 mm				32	£32	mounted	Print	Oxford	Exeter College						
1715		Nathaniel Whittock	Exeter College	Lithograph	c. 1829			I 150 x 215 mm	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford		Can also be from A Topographical and Historical Description of the University and City of Oxford also by Whittock 	45	£45	mounted	Print	Oxford	Exeter College						
1716		J. Hill after F. Nash	The Public Schools, & Part of Exeter College Library from the Garden	Aquatint with hand colouring	London Pub. Aug. 1 1813 at 101 Strand for R. Ackermann’s History of Oxford			I 210 x 270 mm	A History of the University of Oxford, its Colleges, Halls, and Public Buildings			160	£160	mounted	Print	Oxford	Exeter College						
1718		Joseph Skelton	Old Library of Exeter College	Copper engraving	Published as the Act directs Sept. 1st 1819 by J. Skelton St. Aldates, Oxford			I 175 x 255 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	38	£38	mounted	Print	Oxford	Exeter College						
1719		Rock & Co.	Corpus Christi College, Oxford	Steel engraving	Published 14 April 1863			I 75 x 75				35	£35	mounted	Print	Oxford	Corpus Christi College						
1720		Pieter van der Aa after David Loggan	Le College du Corps de Christ [Corpus Christi College]	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	mounted	Print	Oxford	Corpus Christi College						
1721		Pieter van der Aa after David Loggan	L’Ecole de la Sale du Cerf	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	20	£20	mounted	Print	Oxford	Corpus Christi College						
1724		J. C. Stadler after W. Westall	Corpus Christi College and Christ Church Cathedral	Aquatint with hand colouring	Published London, by J. Harrison and J. C. Leigh for R. Ackermann. 1814.			I 190 x 265, Pl. 255 x 300 mm	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			150	£150	mounted	Print	Oxford	Corpus Christi College						
1729		William Nicholson	Oriel College	Lithograph	1905			Image 360 x 291 mm	Oxford 		Signed, numbered and blindstampedCampbell 137Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).	120	£120	mounted	Print	Artists	William Nicholson						
1732		William Nicholson	Corpus Christi	Lithograph	1905			Image 340 x 281 mm	Oxford 		Signed, numbered and blindstampedCampbell 137Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).	120	£120	mounted	Print	Oxford	Corpus Christi College						
1736		Sydney William Carline	[View looking down St. Aldates, Oxford]	Etching	1911			Image and plate 131 x 174 mm			Signed in pencilSydney Carline (1888-1929) He was born in London. Both his brother, Richard, and his sister Hilda, were also artists, with his sister marrying the artist Stanley Spencer, who was a friend of Richard's. The three siblings were children of the artist, George Carline (1855-1920). They studied at the Slade School and in Paris under Tudor Hart. Sydney was an official war artist with the RAF during World War I. He exhibited with the London Group, becoming a member in 1924. From 1921 to 1929 he was Ruskin Master of Drawing at Oxford. He provided some illustrations for T. E. Lawrence's Revolt in the Desert. 	65	£65	framed	Print	Artists	Sydney William Carline						
1738		M. Oliver Rae	Corpus Christi, Oxford	Etching	c. 1920			I 200 x 140 				45	£45	mounted	Print	Oxford	Corpus Christi College						
1740		M. K. Hughes	The Gateway [Corpus Christi]	Etching	Published by W. H. Boyman & Co. Cheltenham c.1913			Image 245 x 170 mm			Myra Kathleen Hughes etcher of landscapes and architectural subjects.  She was the daughter of Sir Frederic Hughes of Rosslare Fort, County Wexford.  Hughes studied at the Westminster School under Mouat Loudan and the Royal College of Art under Frank Short and Constance Pott.  She exhibited at the Royal Academy, Royal Hibernian Academy, Royal Society of Painter-Etchers and Engravers and the Paris Salon.  Hughes worked in London, Dublin, Norway and Palestine.  She lived in Hindhead in Surrey and died on 21st August 1918.	65	£65	mounted	Print	Artists	M.K. Hughes						
1744		William Nicholson	The Library, Christ Church	Lithograph	1905			Image 342 x 257 mm	Oxford 		Signed, numbered and blindstampedCampbell 137 Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).	100	£100	mounted	Print	Artists	William Nicholson						
1746		William Nicholson	Wykeham Tower, New College	Lithograph	1905			Image 342 x 274 mm	Oxford 		BlindstampedNicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).	180	£180	framed	Print	Oxford	New College						
1750		M. K. Hughes	Fellows Building [Corpus Christi]	Etching	Published by W. H. Boyman & Co. Cheltenham c.1913			Image 165 x 250 mm			Myra Kathleen Hughes etcher of landscapes and architectural subjects.  She was the daughter of Sir Frederic Hughes of Rosslare Fort, County Wexford.  Hughes studied at the Westminster School under Mouat Loudan and the Royal College of Art under Frank Short and Constance Pott.  She exhibited at the Royal Academy, Royal Hibernian Academy, Royal Society of Painter-Etchers and Engravers and the Paris Salon.  Hughes worked in London, Dublin, Norway and Palestine.  She lived in Hindhead in Surrey and died on 21st August 1918.	80	£80	mounted	Print	Oxford	Corpus Christi College						
1753		Albany E. Howarth	Christ Church College	Etching	c.1920			Image and plate 275 x 150 mm			Signed in pencilAlbany E. Howarth was born in Watford in 1872 where he continued to reside for most of his life.   An early twentieth century English architectural and landscape etcher and water-colourist, Albany Howarth first worked as a drawing apprentice in the office of Armstrong, Whitworth. Beginning around 1905 he emerged as a major etcher and frequently exhibited at such major venues as the Fine Arts Society, the Royal Academy and with the Royal Engravers. Howarth was elected an Associate of the Royal Engravers in 1920.During his career Albany Howarth etched many great architectural views in England, Italy and France.  His views of the Oxford Colleges combine etching with dry point to achieve strong tonal effects.  Like William Nicholson, Howarth's works are not only concerned with the strong architectural features of his chosen subjects but also the play of light upon them.  Many of Howarth's etchings produced in the 1920's were published by the Fine Art Trade Guild, London, in editions of 150 signed impressions  Howarth died in Watford in 1936.	200	£200	framed	Print	Artists	Albany E Howarth						
1754		W. Bennett after W. Westall	Part of Christ Church Cathedral	Aquatint with hand colouring	London Pub. June 1st 1814 at 101 Strand for R. Ackermann’s History of Oxford			I 200 x 255	A History of the University of Oxford, its Colleges, Halls, and Public Buildings			75	£75	mounted	Print	Oxford	Christ Church College						
1755		Carl Rundt	The Cathedral at Oxford	Lithograph	1846			252 x 172 mm	A Walk round Oxford. 		From a series of sixteen lithographs of Oxford collected in the manner of a short tour around Oxford.	120	£120	mounted	Print	Oxford	Christ Church College						
1756		William Nicholson	Christ Church College	Lithograph	1905			I 355 x 280 mm	Oxford		Blindstamped signed and numberedCampbell 137Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).	150	£150	framed	Print	Oxford	Christ Church College						
1758			Christ Church	Photograph	c. 1900			I 250 x 360				100	£100		Print	Oxford	Christ Church College						
1759		After Delamotte	Corpus College Oxford	Lithograph	Printed by L. M. Lefevre c. 1840			I 350 x 250 mm				200	£200	mounted	Print	Oxford	Christ Church College						
1763		J. Le Keux after F. Mackenzie	Brazen Nose College 	Steel engraving	Published April. 1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 143 x 92mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35	£35	mounted	Print	Oxford	Brasenose College						
1764		J & F. Harwood	Brasenose College, Oxford	Steel engraving	London J & F Harwood, 26 Fenchurch Street, c. 1843			I 155 x 112 mm				45	£45	mounted	Print	Oxford	Brasenose College						
1767		Pieter van der Aa after David Loggan	Le College du Nez de Bronze	Copper engraving	1707			I 130 x 165 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	mounted	Print	Oxford	Brasenose College						
1768		Rock & Co.	Brasenose College, Oxford	Steel engraving	Published 14 April 1863			I 75 x 75				35	£35	mounted	Print	Oxford	Brasenose College						
1769		J. Le Keux after F. Mackenzie	Hall, &c. of Balliol College	Steel engraving with hand colouring	Published Aug. 1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40	mounted	Print	Oxford	Balliol College						
1771		Nathaniel Whittock	Brasen Nose College	Lithograph	c. 1829			I 210 x 157 mm	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford		Can also be from A Topographical and Historical Description of the University and City of Oxford also by Whittock 	95	£95	mounted	Print	Oxford	Brasenose College						
1777		W. Gauci after Delamotte	Front of Brasenose College	Lithograph	Published c. 1842			I 335 x 254 mm	Original Views of Oxford, its Colleges, Chapels and Gardens from drawings expressly for this work by William Alfred Delamotte. Executed in Lithography by William Gauci, with Historical and Descrpitive notices by Charles Ollier. London: Thomas Boy. 1843			170	£170	mounted	Print	Oxford	Brasenose College						
1778		Rock & Co.	All Souls College, Oxford	Steel engraving	Published 14 April 1863			I 90 x 70 mm				35	£35	mounted	Print	Oxford	All Souls College						
1781			Dining Hall, Balliol College, Oxford	Photograph	c.1900			I 130 x 80 mm				25	£25		Print	Oxford	Balliol College						
1783		J. Bluck after F. Mackenzie	Quadrangle of Balliol College	Aquatint with hand colouring	Published London, by J. Harrison and J. C. Leigh for R. Ackermann. 1814.			I 200 x 270	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			95	£95	mounted	Print	Oxford	Balliol College						
1785		Carl Rundt	Balliol College and Garden	Lithograph	1846			252 x 172 mm	A Walk round Oxford. 		From a series of sixteen lithographs of Oxford collected in the manner of a short tour around Oxford.	130	£130	mounted	Print	Oxford	Balliol College						
1787		J. Le Keux after F. Mackenzie	The Chapel &c. All Souls College	Steel engraving	Published Jany. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	30	£30	mounted	Print	Oxford	All Souls College						
1788		J. Le Keux after F. Mackenzie	South Front of All Souls College	Steel engraving with hand colouring	Published Jany. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35	£35	mounted	Print	Oxford	All Souls College						
1789		Joseph Skelton	East Front of All Souls College	Copper engraving	Published by J. Skelton St. Aldates, Oxford 1816			I 160 x 230 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	80	£80	mounted	Print	Oxford	All Souls College						
1792		J. C. Stadler after F. Mackenzie	Chapel of All Souls College	Aquatint with hand colouring	London Pub. Decr. 1st 1814 at 101 Strand for R. Ackermann’s History of Oxford			I 270 x 205	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			35	£35	mounted	Print	Oxford	All Souls College						
1794			Oxford, All Souls College Quadrangle: Twin Towers and Sundial	Photograph	c. 1900			I 85 x 130				25	£25	mounted	Print	Oxford	All Souls College						
1797		Albany E. Howarth	All Souls College	Etching	c 1925			Image and plate 250 x 150 mm			Signed in pencil 	150	£150	framed	Print	Oxford	All Souls College						
1799		Thomas Malton	West Front of the Principal Quadrangle of All Souls College	Aquatint	Published 1802			I 215 x 305 mm			With a view of the Radcliffe Camera.	150	£150	mounted	Print	Oxford	All Souls College						
1802		Joseph Skelton after Mackenzie	Front of Brazen Nose College &c. 	Engraving with hand colouring	1821			I 450 x 345mm			.	280	£280	mounted	Print	Oxford	Brasenose College						
1804		David Loggan	Collegium Aenei Nasi [Brasenose College]	Copper engraving	1675			I 290 x 400	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	400	£400		Print	Oxford	Brasenose College						
1806		Alfred Slocombe	Magdalen, Oxford	Etching	c. 1910			I 120 x 200 mm				50	£50	mounted	Print	Oxford	Magdalen College						
1807		William Nicholson	St Johns	Lithograph	1905			Image 380 x 278 mm	Oxford		Signed and blindstampedCampbell 137Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).	120	£120	mounted	Print	Oxford	St. John’s College						
1808		William Nicholson	Doorway, the old Ashmolean	Lithograph	1905			Image 355 x 257 mm	Oxford		Signed, numbered and blindstampedCampbell 137Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).	150	£150	framed	Print	Artists	William Nicholson						
1816		R. Havell & Son after James Pollard	A Celebrated Fox Hunt Breaking Cover; The Chase; The Death; Returning Home by Moonlight	Aquatint with hand colouring	London, Published July 1, 1817			 I 337 x 460 mm			Set of four	1500.00	£1,500	mounted	Print	Sports	Hunting & Shooting	Hunting					
1824		O. Jewitt	All Souls College	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			12	£12	mounted	Print	Oxford	All Souls College						
1826		O.Jewitt	Iffley Church and Parish	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 78 x 111 mm	From the book by Ingram (James) and Le Keux (John) 1834 - 1837 Memorials of Oxford. Plan of Oxford, 100 Steel engravings, by John Le Keux after Fredeirck Mackenzie and 212 Wood-engravings in the text			12	£12	mounted	Print	Oxford	Oxford Churches						
1827		O. Jewitt	The Church and Parish of St Giles	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 78 x 111 mm	From the book by Ingram (James) and Le Keux (John) 1834 - 1837 Memorials of Oxford. Plan of Oxford, 100 Steel engravings, by John Le Keux after Fredeirck Mackenzie and 212 Wood-engravings in the text			12	£12	mounted	Print	Oxford	Oxford Churches						
1829		O.Jewitt	Queens College	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 78 x 111 mm	From the book by Ingram (James) and Le Keux (John) 1834 - 1837 Memorials of Oxford. Plan of Oxford, 100 Steel engravings, by John Le Keux after Fredeirck Mackenzie and 212 Wood-engravings in the text			30	£30	framed	Print	Oxford	Queen’s College						
1833		O.Jewitt	New College	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 100 x 77 mm	From the book by Ingram (James) and Le Keux (John) 1834 - 1837 Memorials of Oxford. Plan of Oxford, 100 Steel engravings, by John Le Keux after Fredeirck Mackenzie and 212 Wood-engravings in the text			12	£12	mounted	Print	Oxford	New College						
1834		O.Jewitt	St Peters	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 100 x 77 mm	From the book by Ingram (James) and Le Keux (John) 1834 - 1837 Memorials of Oxford. Plan of Oxford, 100 Steel engravings, by John Le Keux after Fredeirck Mackenzie and 212 Wood-engravings in the text			12	£12	mounted	Print	Oxford	St. Peter’s College						
1835		O.Jewitt	The Mill	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 100 x 77 mm	From the book by Ingram (James) and Le Keux (John) 1834 - 1837 Memorials of Oxford. Plan of Oxford, 100 Steel engravings, by John Le Keux after Fredeirck Mackenzie and 212 Wood-engravings in the text			12	£12	mounted	Print	Oxford	General Views						
1837		O. Jewitt	Lincoln College	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 100 x 77 mm	From the book by Ingram (James) and Le Keux (John) 1834 - 1837 Memorials of Oxford. Plan of Oxford, 100 Steel engravings, by John Le Keux after Fredeirck Mackenzie and 212 Wood-engravings in the text			40	£40	framed	Print	Oxford	Lincoln College						
1838		O.Jewitt	View of the Garden	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			Image 65 x 95 mm	From the book by Ingram (James) and Le Keux (John) 1834 - 1837 Memorials of Oxford. Plan of Oxford, 100 Steel engravings, by John Le Keux after Fredeirck Mackenzie and 212 Wood-engravings in the text			12	£12	mounted	Print	Oxford	General Views						
1839		William Nicholson	The Bodleian Library	Lithograph	1905			Image 355 x 280 mm	Oxford		Signed, blindstamped and numberedCampbell 137Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).	150	£150	framed	Print	Artists	William Nicholson						
1840		G. Huardel-Bly	[Magdalen College]	Etching	c. 1875			Pl & I 137 x 87 mm				40	£40	mounted	Print	Oxford	Magdalen College						
1841		William Nicholson	University College	Lithograph	1905			Image 345 x 257 mm	Oxford		Signed, blindstamped and numberedCampbell 137Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).	150	£150	framed	Print	Oxford	University College						
1844		David Loggan	Collegii Novi [Prospectus interior ad Borem]	Copper engraving	1675			I 480 x 270 mm	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	250	£250	unmounted	Print	Oxford	New College						
1845		Stow	Globe - Southwarke	Copper engraving	London, Published 8 May, 1812, by Robert Wilkinson, No 58, Cornhill			I 248 x 171 mm				65	£65	unmounted	Print	British Topography	London						
1846		Kitchin, Thomas 	A New Map of Warwickshire Drawn from the best Authorities by Tho.s Kitchin Geog.r Engraver to H.R.H. the Duke of York	Copper engraving	1752			I 248 x 190 mm	 London Magazine 1747 - 1763   			70	£70	unmounted	Map	English Counties	Warwickshire						
1847		Kitchin, Thomas 	Oxfordshire	Copper engraving	1746			I 202 x 168 mm	London Magazine 1747 - 1763			70	£70	unmounted	Map	English Counties	Oxfordshire						
1848		W.B Wallen	The Universitites Boat Race “Are you ready?”	Steel engraving	R Taylor and Co. 1891			I 505 x 330				50	£50	unmounted	Print	Sports	Rowing						
1849			Oxford from the Meadows. Oxfordshire	Copper engraving	Drawn and engraved for Dugdales England & Wales Delineated, 1846			I 108 x 70 mm				40	£40	mounted	Print	Oxford	General Views						
1850			A View of All Souls College in Oxford	Copper engraving	c 1800			I 186 x 115				12	£12	unmounted	Print	Oxford	All Souls College						
1851			The Town Hall at Abingdon	Steel engraving	London Published by Verner & Hood Poultry Lane 1805			I 152 x 104 mm				30	£30	mounted	Print	British Topography	Oxfordshire						
1853		Elizabeth Byrne	St Peter’s in the East	Copper engraving	London Published by Vernor Hood & Sharpe, Poultry, Oct 1st 1811			I 153 x 102 mm	The Beauties of England and Wales			8	£8	unmounted	Print	Oxford	St. Edmund Hall						
1854		Heath	Rycot, the Seat of the Earl of Abingdon	Copper engraving	c 1800			Image 164 x 98 mm				10	£10	unmounted	Print	British Topography	Oxfordshire						
1856		Walker	Whitefield, Oxfordshire	Copper engraving	Published September 1st 1794 by J. Walker  No. 16 Rosomans Street London			I 162 x 104 mm				10	£10	unmounted	Print	British Topography	Oxfordshire						
1857		Godfrey	Chapel at Stanton Harcourt, Oxfordshire	Copper engraving	Pub. 7. March 1785 by S Hooper			I 152 x 110 mm				10	£10	unmounted	Print	British Topography	Oxfordshire						
1858		Woolnoth	Blandford House	Copper engraving	London Published John Harris .St Pauls Church Yard Dec  1 1814			I 150 x 100 mm				10	£10	unmounted	Print	British Topography	Oxfordshire						
1859		Sparrow	Beaumont Palace, Oxfordshire	Copper engraving	Pub. 7. March 1785 by S. Hooper			I 151 x 106 mm				10	£10	unmounted	Print	British Topography	Oxfordshire						
1860		Matthews	Greys Court, Oxfordshire	Copper engraving	London, Published John Harris, St Pauls ChurchYard Oct 1 1813 			I 150 x 102 mm				10	£10	unmounted	Print	British Topography	Oxfordshire						
1861		Owen after Wilson	Nuneham Courtenay	Copper engraving with hand colouring	London Published by Vernor Hood & Sharpe, Poultry 1 Oct. 1811			I 150 x 100 mm				25	£25	mounted	Print	British Topography	Oxfordshire						
1862		C. Davies	Grand Entrance Hall Blenheim	Copper engraving	Pubd by Henry Slatter, Oxford			I 128 x 92 mm				10	£10	unmounted	Print	British Topography	Oxfordshire						
1864			Friar Bacon’s Study, Oxford	Copper engraving	Pub. 7. March by S. Hooper			I 154 x 103 mm				30	£30	unmounted	Print	Oxford	General Views						
1865		Godfrey	Banbury Church	Copper engraving	Pub. 7 March 1785 by S. Hooper			I 153 x 110 mm				10	£10	unmounted	Print	British Topography	Oxfordshire						
1866		Elizabeth Byrne	Christ Church Cathedral	Copper engraving	London Published by Vernor Hood & Sharpe, Poultry, Sept 1 1811			I 152 x 100 mm				10	£10	unmounted	Print	Oxford	Christ Church College						
1867			Wadham College	Copper engraving				I 113 x 81 mm	J & H Storer			20	£20	unmounted	Print	Oxford	Wadham College						
1869			Front of Brasenose College	Copper engraving				I 132 x 82 mm	Storer			30	£30	unmounted	Print	Oxford	Brasenose College						
1870		J. Greig	Christ Church from Corpus Christi Gardens	Copper engraving	Collingwood and Co. For J. Cooke and J. Parker, Oxford; and Messrs. Longman, Hurst, Rees, and Orme, London 1810			I 130 x 82 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			12	£12	unmounted	Print	Oxford	Christ Church College						
1871		J. Greig	Magdalen College Chapel	Copper engraving	Collingwood and Co. For J. Cooke and J. Parker, Oxford; and Messrs. Longman, Hurst, Rees, and Orme, London 1810			I 113 x 96 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			20	£20	unmounted	Print	Oxford	Magdalen College						
1872		J. P. Neale	Saint Mary Magdalen’s Church	Copper engraving	London Published by John Harris, St Pauls Church Yard Dec. 1 1814			I 156 x 102 mm	Beauties of England and Wales			8	£8	unmounted	Print	Oxford	Oxford Churches						
1873		J. Storer	Merton College Chapel	Copper engraving	London Published by Vernor, Hood & Sharpe, Poultry June1 1808			I 152 x 103 mm	Storer			8	£8	unmounted	Print	Oxford	Merton College						
1874		Woolnoth	Shiplake Church & Parsonage	Copper engraving	London Published by John Harris St Pauls Church Yard Feb 1 1813			I 149 x 105 mm				8	£8	unmounted	Print	British Topography	Oxfordshire						
1875		Eastgate	Stanton Harcourt, Oxfordshire	Copper engraving				I 162 x 100 mm				8	£8	unmounted	Print	British Topography	Oxfordshire						
1876		Stannard & Dixon	Broughton Castle	Lithograph				I 173 x 108 mm				10	£10	unmounted	Print	British Topography	Oxfordshire						
1878		J. Storer	Stowe	Copper engraving	London Published by Vernor & Hood, Poultry July 1st 1801			I 153 x 98 mm				30	£30	unmounted	Print	British Topography	Buckinghamshire						
1879		Hay after J.P. Neal	Henley on Thames	Copper engraving	London Published by John Harris St Pauls Church Yard Sept 1 1812			I 144 x 100 mm	Beauties of England and Wales			35	£35	mounted	Print	British Topography	Oxfordshire						
1881		Hay after J.P.Neale	Henley Bridge 	Copper engraving with hand colouring	London Published by John Harris St Pauls Church Yard August 1st 1813			I 145 x 100 mm				30	£30	mounted	Print	British Topography	Oxfordshire						
1885		Woolnoth	Magdalen College	Copper engraving	London Published by John Harris St Pauls Church Yard May 1 1813			I 152 x 100 mm				35	£35	unmounted	Print	Oxford	Magdalen College						
1886		Wise	Nuneham Church & Cross	Copper engraving	London Published by John Harris St Pauls Church Yard Oct 3 1814							30	£30	unmounted	Print	British Topography	Oxfordshire						
1888		J. C. Stadler after F. Mackenzie	Library of Christ Church	Aquatint with hand colouring	London Pub. Decr. 1 1814 at 1010 Strand for R. Ackermann’s History of Oxford			I 205 x 265	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			100	£100	mounted	Print	Oxford	Christ Church College						
1889		William Williams	Collegium Corporis Christi [Corpus Christi College, aerial view]	Copper engraving	c. 1732			I 375 x 550 mm				400	£400	framed	Print	Oxford	Corpus Christi College						
1890		David Loggan	Collegium Baliolense [Balliol College]	Copper engraving	1710			I 290 x 400 mm			Overton edition.	350	£350	framed	Print	Oxford	Balliol College						
1891		David Loggan	Collegium Omnium Animarum [All Souls College]	Copper engraving	1675			I 290 x 400 mm	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	140	£140	framed	Print	Oxford	All Souls College						
1892		Nathaniel Whittock	All Souls College Oxford	Lithograph	c. 1820			I 230 x 340				70	£70	mounted	Print	Oxford	All Souls College						
1895		William Williams	Collegium Corporis Christi [Corpus Christi College, plan]	Copper engraving	1733			I 450 x 385 mm				100	£100	framed	Print	Oxford	Corpus Christi College						
1898		Walker, C. & J.	Oxfordshire	Steel engraving	Drawn and Engraved for Lewis Topographical Dictionary. c. 1836			I 190 x 240 mm			f 	45	£45	mounted	Map	English Counties	Oxfordshire						
1899		Middiman	Heythorpe, in Oxfordshire, the seat of the Earl of Shrewsbury	Copper engraving	Published as the Act directs, June 1 1787 by Harrison & Co. No. 18 Paternoster Row London			I 169 x 103 mm				12	£12	unmounted	Print	British Topography	Oxfordshire						
1900		B. Howlett	St Marys Church, Iffley	Copper engraving	London, Published by Vernor & Hood Poultry Nov 1 1803			I 162 x 98 mm				12	£12	unmounted	Print	British Topography	Oxfordshire						
1901		Metcalf	Broughton Castle	Copper engraving				I 102 x 92 mm				12	£12	unmounted	Print	British Topography	Oxfordshire						
1902		Birrel	Horden House in Oxfordshire the seat of Mrs Harwood	Copper engraving				I 164 x 103 mm				12	£12	unmounted	Print	British Topography	Oxfordshire						
1904		F. Vivares	Kenilworth Castle	Copper engraving with hand colouring	18th century			I 525 x 360 mm				150	£150	unmounted	Print	British Topography	Warwickshire						
1908		David Loggan	Collegium Corporis Christi [Corpus Christi College]	Copper engraving	1675			I 400 x 292 mm	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	190	£190	unmounted	Print	Oxford	Corpus Christi College						
1910		W. Cooke	Nuneham Courtenay, Earl Harcourt	Copper engraving				I 195 x 114 mm				10	£10	unmounted	Print	British Topography	Oxfordshire						
1912		G. Cooper	Part of All Souls College	Etching				I 172 x 112 mm				20	£20	unmounted	Print	Oxford	All Souls College						
1913			Henley, Oxon	Steel engraving	London Published by Tombleson & Co. 11 Paternoster Row [circa 1830]			I 150 x 105 mm				10	£10	unmounted	Print	British Topography	Oxfordshire						
1914			Ryecot House, Oxfordshire	Copper engraving	Publisjed by J. Sewell Decr. 1 1799			I 148 x 95 mm				10	£10	unmounted	Print	British Topography	Oxfordshire						
1915		G. Hollis	St Bartholomews Hospital, Oxford	Steel engraving	Gent. Mag June 1833 			I 151 x 86 mm				10	£10	unmounted	Print	British Topography	Oxfordshire						
1920		I.C Varrall	Wantage, Berks	Copper engraving	Published for the Proprietors Sept 1 1816 by W Clarke New Bond Street			I 88 x 59 mm				20	£20	unmounted	Print	British Topography	Berkshire						
1922		Angus	North View of Blenheim the Seat of the Duke of Marlborough	Copper engraving	Published as the Act directs by Harrison & Co. Aug 1 1783			I 168 x 90 mm				40	£40	unmounted	Print	British Topography	Oxfordshire						
1923		Owen after Wilson	Blenheim Castle, Oxford the Seat of His Grace the Duke of Marlborough	Copper engraving				I 149 x 101 mm	the Beauties of England and Wales			40	£40	mounted	Print	British Topography	Oxfordshire						
1927		Michael Burgers	[Radcliffe Camera]	Copper engraving				I 80 x 49 mm				25	£25	unmounted	Print	Oxford	Sheldonian Theatre						
1928		Nattes	[Radcliffe Camera]	Aquatint				I 214 x 128 mm				35	£35	unmounted	Print	Oxford	Radcliffe Camera						
1930		J. Storer	St Peters’ Church Oxford	Copper engraving	Published for the Proprietors Wm Clark Bond Street Nov 1 1807			I 85 x 67 mm				30	£30	unmounted	Print	Oxford	Oxford Churches						
1931		J. Greig	Trinity College from the Garden	Copper engraving	Published by Cook & Parker, Oxford  - Longman, Hurst, Rees and Orme London March 1 1810			I 112 x 80 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			35	£35	unmounted	Print	Oxford	Trinity College						
1932		T. Nelson & Sons	Barges on the Isis_Oxford	Chromolithograph	1889			I 79 x 122 mm, S 95 x 146 mm	The City of Oxford			35.00	£35	mounted	Print	Oxford	General Views						
1933		J. Greig	Part of University College	Copper engraving	Published by Cook & Parker, Oxford  - Longman, Hurst, Rees and Orme London March 1 1810			I 112 x 80 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			30	£30	unmounted	Print	Oxford	University College						
1935		J. Greig	Radcliffe Library from All Souls	Copper engraving	Published by Cook & Parker, Oxford  - Longman, Hurst, Rees and Orme London March 1 1810			I 112 x 80 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			30	£30	mounted	Print	Oxford	Radcliffe Camera						
1936		Godfrey	Oxford Castle	Copper engraving	Pub 7 March 1785 by S Hooper			I 154 x 102 mm				30	£30	unmounted	Print	Oxford	Oxford Castle						
1937		T Bonnor	Clarendon Printing House and the Theatre	Copper engraving with hand colouring	London Published by John Harris St Pauls Church Yard Nov 1 1814			I 152 x 100 mm				25	£25	mounted	Print	Oxford	Clarendon Press						
1939		Ahaim Smith	Oxford Castle	Copper engraving				I 232 x 172 mm				35	£35	unmounted	Print	Oxford	Oxford Castle						
1940		T Medland	South East or Garden Front of Stowe House 	Copper engraving	Published July 17 1797 by J Seely Buckingham			I 206 x 137 mm				40	£40	unmounted	Print	British Topography	Oxfordshire						
1941		T. Nelson & Sons	Chapel and Library, Magdalen College_Oxford	Chromolithograph	1889			I 79 x 122 mm, S 95 x 146 mm	The City of Oxford			30.00	£30		Print	Oxford	Magdalen College						
1942		R Roffe	Oxford	Copper engraving	London Published by Vernor & Hood Poultry May 1 1804 			I 143 x 98 mm				50	£50	unmounted	Print	Oxford	General Views						
1943		J. Storer	Merton College Chapel	Copper engraving	London Published by Vernor & Hood & Sharpe Poultry Dec 1st 1806 			I 152 x 103 mm				20	£20	unmounted	Print	Oxford	Merton College						
1945			Perspective View of the City of Oxford	Copper engraving	Engraved for the Complete English Traveller. c.1760			I 276 x 155 mm				180	£180	framed	Print	Oxford	General Views						
1946		T. Nelson & Sons	New College_Oxford	Chromolithograph	1889			I 79 x 122 mm, S 95 x 146 mm	The City of Oxford			30.00	£30		Print	Oxford	New College						
1947		T. Nelson & Sons	Merton College-Oxford	Chromolithograph	1889			I 79 x 122 mm, S 95 x 146 mm	The City of Oxford			35	£35		Print	Oxford	Merton College						
1950		T. Nelson and Sons	St John’s College_Oxford	Chromolithograph	1889			I 79 x 122 mm, S 95 x 146 mm	The City of Oxford		Full colour. 	30	£30	mounted	Print	Oxford	St. John’s College						
1953		T. Nelson and Sons	Magdalen from the Bridge_Oxford	Chromolithograph	1889			I 79 x 122 mm, S 95 x 146 mm	The City of Oxford		Full colour. 	40.00	£40	mounted	Print	Oxford	Magdalen College						
1958			View of Oxford, From the South East 	Copper engraving	circa 1840			I 84 x 164 mm, S 119 x 215 mm 			Decorative stationery head.  The only other one of this print Sarah has seen was printed on pink paper	45.00	£45		Print	Oxford	General Views						
1959			Wadham College, Oxford	Copper engraving	Rock & Co, London			I 57 x 93 mm, S 91 x 113 mm			Decorative stationery header. 	30	£30		Print	Oxford	Wadham College						
1963		Joseph Skelton	St Mary’s Church, The Radcliffe Library	Copper engraving	Published as the Acts March 2 1818 by J. Skelton St. Aldates, Oxford			I 240 x 186 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	40	£40	mounted	Print	Oxford	Oxford Churches						
1965		Wyld, James 	Western Hemisphere & Eastern Hemisphere	Steel Engraving	London Published by James Wyld. Geographer to His Majesty No.5 Charing Cross. circa 1838			I 315 x 250 mm				140	£140	unmounted	Map	World Maps & Sea Charts							
1971		Wm. Byrne after T Hearne	The North Side of Wallingford Bridge	Copper engraving				I 217 x 152 mm				30	£30	unmounted	Print	British Topography	Oxfordshire						
1973		Eastgate	Stanton Harcourt, Oxfordshire	Copper engraving				I 162 x 95 mm				10	£10	unmounted	Print	British Topography	Oxfordshire						
1975		D. Havell after F. Mackenzie	South Side of King’s College Chapel.	Aquatint with hand colouring	London Pub. Decr. 1 1815 at 101 Strand for Ackermann’s History of Cambridge				for Ackermann’s History of Cambridge			200.00	£200		Print	 Cambridge	King’s College Cambridge						
1979		J Fittler A.R.A and J. Skelton	North East View of Broughton Castle, Oxon	Copper engraving	Published as the Act directs, Decr. 1 1825 by J. Skelton, Magdalen Bridge, Oxford			Image 275 x 201 mm				25	£25	unmounted	Print	British Topography	Oxfordshire						
1983			Off the Cape in 40 (degrees) South	Lithograph				I 235 x 172 mm				35	£35	unmounted	Print	Foreign Topography	Africa	South Africa					
1989		Rooker	Quebec the Capital of Canada from the North East	Copper engraving	Engraved for Payne’s New System of Geography 1791			I 252 x 175 mm				30	£30	mounted	Print	Foreign Topography	North America	Canada					
1992			The Pyramids of Egypt	Copper engraving				I 350 x 138 mm				20	£20	unmounted	Print	Foreign Topography	Africa	Egypt					
1993		J. Schroeder	Moscou (Russie)	Steel engraving	Publie par Dufour, Mulat et Boulanger			I 150 x 103 mm				15	£15	unmounted	Print	Foreign Topography	Russia						
1995		Rapkin, J. 	Egypt and Arabia Petrea	Steel engraving	Tallis			I 335 x 244 mm				60	£60	unmounted	Map	Asia & Middle East							
1996		David Loggan	[Sheldonian Theater, Two Views]	Copper engraving	Sold by Henry Overton at ye White Horse without Newgate London, 1724			 I 370 x 530 mm, Pl 402 x 507 mm each	From Kip’s Nouveau theatre de la Grande Bretagne: ou Description exacte des palais de la reine, et des maisons les plus considerables des seigneurs & des gentilshommes de la Grande Bretagne, etc. 		Another version of Loggan’s views of the Sheldonian Theatre from 1675.  These differ in that they are slighty larger.	1250.00	£1,250	mounted	Print	Oxford	Sheldonian Theatre						
1997		J. Woods	Limehouse Church	Steel engraving				I 146 x 107 mm				10	£10	unmounted	Print	British Topography	London						
1998		Sydney G. Hall	The Choir of Magdalen College, Oxford, welcoming the rising sun with a hymn	Woodcut	c. 1890			I 506 x 303 mm	From the London Illustrated News			150	£150	mounted	Print	Oxford	Magdalen College						
1999		William Williams	Collegium Novum [New College]	Copper engraving	1750			I 560 x 431 mm	Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 1732-33		Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. 	400	£400	mounted	Print	Oxford	New College						
2001		David Loggan	Collegium Novum [New College]	Copper engraving	1675			I 356 x 444	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	400	£400	unmounted	Print	Oxford	New College						
2002		J.H Le Keux	The New Chapel, Balliol College	Steel engraving with hand colouring	Published by J.H Parker, Oxford Nov 1st 1858			I 342 x 250 	Oxford Almanack for the year of our Lord God 1859 Printed at the University Press by James Wright and Published by J.H Parker Oxford and E. B Gardner, Paternoster Row, London		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	100	£100	mounted	Print	Oxford	Balliol College						
2004		J.H Le Keux	New Hall of Pembroke College	Steel engraving	Published by J.H Parker, Oxford Nov 1st 1857			I 349 x 260 mm	Oxford Almanack for the year of our Lord God 1858Printed at the University Press by James Wright and Published by J.H Parker Oxford and E.B Gardner Paternoster Row, London		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853.	200	£200	mounted	Print	Oxford	Pembroke College						
2005		Birkin Haward	St Cross College, Kirby Old School 	Lithograph	Printed at the University Press, Oxford, by Vivian Ridler, Printer to the University and published by the Oxford University Press, Walton Street, Oxford OX2 8DP			I 478 x 314 mm	The Oxford Almanack for the Year of our Lord God 1977			60	£60	unmounted	Print	Oxford	St. Cross College						
2006		Clare Roberts	The Botanic Garden	Lithograph	Printed at the University Press, Oxford, by Eric Buckley Printer to the University and Published by the Oxford University Press, Walton Street, Oxford OX2 6DP			I 403 x 286 mm	The Oxford Almanack for the Year of our God 1979			60	£60	unmounted	Print	Oxford	Botanic Garden						
2009		James Basire after H. O’Neill	Magdalen Tower and Grove from Christchurch Meadow	Copper Engraving	circa 1812			I 450 x 310 mm				60	£60	mounted	Print	Oxford	Magdalen College						
2010		Joseph Skelton after C Wild	Library of All Souls College	Copper engraving	Published circa 1829			I 445 x 317 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	70	£70	mounted	Print	Oxford	All Souls College						
2011		Jonathan Pike	Tom Tower and the Radcliffe Camera	Lithograph from a watercolour				I 449 x 324 mm				30	£30	unmounted	Print	Oxford	Radcliffe Camera						
2018		J. Le Keux after F. Mackenzie	West Front of Oriel College	Steel engraving	Published Feb. 1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	45	£45	mounted	Print	Oxford	Oriel College						
2019		J. Le Keux after F. Mackenzie	The 1st Quadrangle of Queen’s College.	Steel engraving with handcolouring	London Published April 1 1834 by J.H. Parker, Oxford, C Tilt Fleet Street London & J. Le Keux Hamondsworth			I 93 x 139 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	45.00	£45	mounted	Print	Oxford	Queen’s College						
2021		J. Le Keux after F. Mackenzie	West Front of Christ Church	Steel engraving	Published Feb. 1,1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 150 x 112 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	50.00	£50	mounted	Print	Oxford	Christ Church College						
2025		W. Gauci after Delamotte	St. Johns College Garden Front	Lithograph	Published c. 1840			I 350 x 250 mm	Original Views of Oxford, its Colleges, Chapels and Gardens from drawings expressly for this work by William Alfred Delamotte. Executed in Lithography by William Gauci, with Historical and Descrpitive notices by Charles Ollier. London: Thomas Boy. 1843			120	£120	mounted	Print	Oxford	St. John’s College						
2027		William Williams	Aula Cervina, Collegium Hertfordiense [Hertford College]	Copper engraving	1750			I 444 x 355 mm	Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 1732-33		Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. 	200	£200	mounted	Print	Oxford	Hertford College						
2028		David Loggan	Collegium B Mariae Winton	Copper engraving	1675			I 452 x 400 mm	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	650	£650	mounted	Print	British Topography	Hampshire						
2029		J. Donowell	A View of the Conduit part of Carfax Church ...	Copper engraving with hand colouring	Published according to Act of Parliment Feb. 1755 & Sold by John Finney at the Golden Lion in Fleet Street, London			I 442 x 266 mm				250	£250	mounted	Print	Oxford	General Views						
2030		Joseph Skelton after Mackenzie	Merton College Chapel from the Grove	Copper engraving	1818			I 448 x 317 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	180	£180	mounted	Print	Oxford	Merton College						
2031		Joseph Skelton after Mackenzie	Lincoln College	Copper engraving	1818			I 448 x 317 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	200	£200	mounted	Print	Oxford	Lincoln College						
2033		Joseph Skelton	Ancient Castle Tower & C.	Copper engraving with hand colouring	Published as the Act directs June 1 1818 by J. Skelton St. Aldates Oxford				Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	45.00	£45	mounted	Print	Oxford	General Views						
2034		W. Radclyffe after F. Mackenzie 	St Alban Hall	Copper engraving	Published by J Parker Oxford Nov 1st 1850			I 366 x 223 mm				120	£120	mounted	Print	Oxford	Merton College						
2038		Jefferys, Thomas	An Accurate Map of the County of Warwick Divided into Hundreds...	Copper engraving with hand colouring	c. 1750			620 x 495 mm	Large English Atlas		One of  a series of large scale county produced by Emanuel Bowen and Thomas Kitchin, who each did some counties, published by John Hinton, King's Arms, St Paul's Churchyard, London, from 1749 to 1760.  The maps have a distinctive style; a large elaborate title cartouche with scenes and figures, a vignette scene, and historical descriptive text filling blank spaces.	500.00	£500	framed	Map	English Counties	Warwickshire						
2045		I. Donowell	A View of Exeter College back gate the Museum, the Theatre, the Printing House, & in the University of Oxford  	Copper engraving	Published according to Act of Parliment 1759 by John Finney at the Golden Lion in Fleet, London			I 414 x 262 mm				350	£350	framed	Print	Oxford	Exeter College						
2047		J. Le Keux 	The Great Quadrangle, Christ Church	Steel engraving	Published Jany. 1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 100 x 157 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40.00	£40	mounted	Print	Oxford	Christ Church College						
2049		Pieter van der Aa after David Loggan	Le College de Toutes Les Ames	Copper engraving	1707			I 130 x 165 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	40	£40	unmounted	Print	Oxford	All Souls College						
2050		Pieter van der Aa after David Loggan	Eglise Paroissiale d’Ambresdon	Copper engraving	1707			I 130 x 165 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	40	£40	mounted	Print	Oxford	Oxford Churches						
2051		Pieter van der Aa after David Loggan	Rycott in the County of Oxford	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	40	£40	unmounted	Print	British Topography	Oxfordshire						
2052		van der Aa, Pieter after David Loggan	Plan de la Ville d’Oxford	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	unmounted	Map	Oxford	Oxford Maps						
2054		Pieter van der Aa after David Loggan	Le College Neuf	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	unmounted	Print	Oxford	New College						
2055		Van der Aa after David Loggan	Les Auditoires Publics de l’Universite d’Oxford	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	unmounted	Print	Oxford	Bodleian Library						
2056		Pieter van der Aa after David Loggan	Le College de Jesus	Copper engraving	1707			166 x 132 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	mounted	Print	Oxford	Jesus College						
2057		Pieter van der Aa after David Loggan	Le College de Lincoln	Copper engraving	1707			166 x 132 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	mounted	Print	Oxford	Lincoln College						
2059		Pieter van der Aa after David Loggan	Le College de la Trinite	Copper engraving	1707			I 130 x 165 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	unmounted	Print	Oxford	Trinity College						
2060		Pieter van der Aa after David Loggan	La College de S. Jean Baptiste [St. John’s College]	Copper engraving	1707			I 130 x 165 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	unmounted	Print	Oxford	St. John’s College						
2061		Pieter van der Aa after David Loggan	Le College de Wadham	Copper engraving	1707			166 x 132 mm	La Delices de la Grande Bretagne et de L’Irlande		LLa Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	unmounted	Print	Oxford	Wadham College						
2064		Pieter van der Aa after David Loggan	Le College d’Oriel	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	mounted	Print	Oxford	Oriel College						
2065		Pigot, James	Norfolk.	Steel engraving with hand colouring	Published by Pigot & Co. 59 Fleet Street London & Fountain St. Manchester, 1831 			223 x 358 mm	From Pigot & Co’s British Atlas		Pigot & Son produced a very finely engraved series of oblong county maps for theur various National Commercial Directoris and these were issued  collectively as Pigot & Co’s British Atlas in 1831	75.00	£75	mounted	Map	English Counties	Norfolk						
2066		Pieter van der Aa after David Loggan	Le College d’Edmund-Hall a Oxford	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	mounted	Print	Oxford	St. Edmund Hall						
2067		J. Ryland	The South East View of Oxford	Copper engraving	circa 1765			Image 109 x 185 mm				65	£65	framed	Print	Oxford	General Views						
2070		Pigot, James 	Suffolk.	Steel engraving with hand colouring	Published by Pigot & Co. 59 Fleet Street London & 18 Fountain St. Manchester, 1831 			222 x 352 mm 	From Pigot & Co’s British Atlas		Pigot & Son produced a very finely engraved series of oblong county maps for theur various National Commercial Directoris and these were issued  collectively as Pigot & Co’s British Atlas in 1831	70	£70	mounted	Map	English Counties	Suffolk						
2071		Pigot, James	Oxfordshire.	Steel engraving with hand colouring	Published by Pigot & Co. 17 Basing Lane London & 18 Fountain St. Manchester, 1831 			352 x 220 mm 	From Pigot & Co’s British Atlas		Pigot & Son produced a very finely engraved series of oblong county maps for theur various National Commercial Directoris and these were issued  collectively as Pigot & Co’s British Atlas in 1831	90.00	£90	mounted	Map	English Counties	Oxfordshire						
2072		Nelson and Sons	St John’s College Oxford	Chromolithograph	1889			I 76 x 122 mm	The City of Oxford			30	£30	mounted	Print	Oxford	St. John’s College						
2073		Nelson and Sons	Pembroke College	Chromolithograph	circa 1860			I 76 x 122 mm	The City of Oxford			30	£30	mounted	Print	Oxford	Pembroke College						
2074		Nelson and Sons	Magdalen College Oxford	Chromolithograph	circa 1860			I 76 x 122 mm	The City of Oxford			30	£30	unmounted	Print	Oxford	Magdalen College						
2075		Nelson and Sons	St. Johns College, Oxford	Chromolithograph	circa 1860			I 76 x 122 mm	The City of Oxford			30	£30	unmounted	Print	Oxford	St. John’s College						
2077		Nelson and Sons	Merton College Oxford	Chromolithograph	circa 1860			I 76 x 122 mm	The City of Oxford			30	£30	unmounted	Print	Oxford	Merton College						
2079		Nelson and Sons	Martyrs Memorial, Oxford	Chromolithograph	circa 1860			I 76 x 122 mm	The City of Oxford			30	£30	mounted	Print	Oxford	General Views						
2081		Nelson and Sons	Broad Street, Oxford	Chromolithograph	circa 1860			I 76 x 122 mm	The City of Oxford			30	£30	unmounted	Print	Oxford	Broad Street Views						
2085		J.C. Stadler after J. Faringdon	Stanton Harcourt	Aquatint with hand colouring	Pub. June 1 1793 by J & J Boydell Shakespeare Gallery Pall Mall & No. 90 Cheapside				A History of the River Thames		John Boydell (1719-1804) was a successful and influential printseller and engraver. Boydell's Shakespeare Gallery is credited with changing the course of English painting by creating a market for historical and literary works. He also encouraged the development of engraving in England with, among other things, his prints illustrating scenes from Shakespearean plays. In 1773, his nephew Josiah Boydell (1752-1817) became his business partner and later his successor, trading as J. & J. Boydell. 	100.00	£100		Print	British Topography	Oxfordshire						
2086		Rocque, J. 	Northumberland	Copper engraving with hand colouring	1769			193 x 152 mm				48.00	£48	mounted	Map	English Counties	Northumberland						
2088		John Boydell	An East Prospect of the City of Oxford	Copper engraving	Published According to act of parliament by John Boydell engraver at the Unicorn the corner of Queen Street Cheapside London 1751. Price 1 shilling.			Image 244 x 425 mm				550	£550	mounted	Print	Oxford	General Views						
2089		John Boydell	A South Prospect of the City of Oxford	Copper engraving	Published According to act of parliament by John Boydell engraver at the Unicorn the corner of Queen Street Cheapside London 1751. Price 1 shilling.			Image 244 x 425 mm				550	£550	mounted	Print	Oxford	General Views						
2091		Nathaniel Whittock	Chapel of Merton College	Lithograph	1829			I 211 x 160 mm	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford		Can also be from A Topographical and Historical Description of the University and City of Oxford also by Whittock 	45	£45	mounted	Print	Oxford	Merton College						
2094		Nathaniel Whittock	Christchurch Library	Lithograph	1829			I 211 x 160 mm	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford		Can also be from A Topographical and Historical Description of the University and City of Oxford also by Whittock 	45	£45	mounted	Print	Oxford	Christ Church College						
2095		Nathaniel Whittock	All Souls College	Lithograph	1829			I 211 x 160 mm	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford		Can also be from A Topographical and Historical Description of the University and City of Oxford also by Whittock 	45	£45	unmounted	Print	Oxford	All Souls College						
2096		Nathaniel Whittock	New Magdalen Hall	Lithograph	1829			I 211 x 160 mm	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford		Can also be from A Topographical and Historical Description of the University and City of Oxford also by Whittock 	45	£45	mounted	Print	Oxford	Hertford College						
2099		Nathaniel Whittock	Clarendon Printing House and Theatre	Lithograph	1829			I 211 x 160 mm	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford		Can also be from A Topographical and Historical Description of the University and City of Oxford also by Whittock 	45	£45	mounted	Print	Oxford	Clarendon Press						
2102		Nathaniel Whittock	Ashmolean Museum	Lithograph	1829			I 211 x 160 mm	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford		Can also be from A Topographical and Historical Description of the University and City of Oxford also by Whittock 	45	£45	mounted	Print	Oxford	Oxford Museums						
2103		Nathaniel Whittock	St Bartholomew’s Chapel	Lithograph	1829			I 211 x 160 mm	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford		Can also be from A Topographical and Historical Description of the University and City of Oxford also by Whittock 	45	£45	mounted	Print	Oxford	Oxford Churches						
2104		Nathaniel Whittock	St Mary’s Church	Lithograph	1829			I 211 x 160 mm	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford		Can also be from A Topographical and Historical Description of the University and City of Oxford also by Whittock 	45	£45	mounted	Print	Oxford	Oxford Churches						
2107		N. Whittock	Balliol College	Lithograph with hand colouring	Published Oxford, c. 1839			I 200 x 150	From The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford			95	£95	mounted	Print	Oxford	Balliol College						
2113		David Loggan	Theatri Sheldoniani [Sheldonian Theatre]	Copper engraving	1675			I 340 x 440	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	250	£250	mounted	Print	Oxford	Sheldonian Theatre						
2114		David Loggan	The inside of the Divinite Schoole in Oxford begun by the University A.D. 1427 and afterward finished by Humphrey Duke of Glocester [Divinity Schools]	Copper engraving	1675			I 320 x 400	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	140	£140	unmounted	Print	Oxford	Bodleian Library						
2115		David Loggan	Hortus Botanicus, The Phisick Garden in Oxon [Botanical Gardens]	Copper engraving	1675			I 405 x 495	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	350	£350	unmounted	Print	Oxford	Botanic Garden						
2116		David Loggan	Hortus Botanicus, The Phisick Garden in Oxon [Botanical Gardens]	Copper engraving	1710			I 405 x 495	Oxonia Illustrata		Overton edition	275	£275	unmounted	Print	Oxford	Botanic Garden						
2117		David Loggan	Aula Beatae Mariae Virginis	Copper engraving	1675			I 210 x 340	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	50	£50	unmounted	Print	Oxford	General Views						
2120		David Loggan	Aula Beatae Mariae Magdalenae	Copper engraving	1710			I 210 x 340	Oxonia Illustrata, Overton Edition			60	£60	unmounted	Print	Oxford	Magdalen College						
2126		David Loggan	Aula S. Albani [St. Alban Hall]	Copper engraving	1675			Pl. 350 x 240 mm	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	80	£80	unmounted	Print	Oxford	Merton College						
2127		David Loggan	Collegium Jesu [Jesus College]	Copper engraving	1675			Pl. 405 x 300 mm	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	320	£320	unmounted	Print	Oxford	Jesus College						
2128		David Loggan	Collegium Orielense [Oriel College]	Copper engraving	1675			Pl. 405 x 300 mm	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	420	£420	mounted	Print	Oxford	Oriel College						
2129		David Loggan	Collegium Reginense [Queen’s College]	Copper engraving	1675			Pl. 400 x 290 mm	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	180	£180	mounted	Print	Oxford	Queen’s College						
2130		David Loggan	Aedificium Cantuariense [St. John’s College Quad]	Copper engraving	1675			Pl. 400 x 290 mm	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	300	£300	unmounted	Print	Oxford	St. John’s College						
2131		David Loggan	Collegium S. Trinitatis [Trinity College]	Copper engraving	1675			Pl. 410 x 320 mm	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	390	£390	unmounted	Print	Oxford	Trinity College						
2132		David Loggan	Aula St. Edmundi [St. Edmund Hall]	Copper engraving	1675			Pl. 410 x 320 mm	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	200	£200	mounted	Print	Oxford	St. Edmund Hall						
2133		David Loggan	Collegium Universitatis [University College]	Copper engraving	1675			I 295 x 395	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	490	£490	unmounted	Print	Oxford	University College						
2134		David Loggan	Collegium Pembrochianum [Pembroke College]	Copper engraving	1675			I 270 x 410	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	450	£450	mounted	Print	Oxford	Pembroke College						
2136		David Loggan	Collegium Wadhamense [Wadham College]	Copper engraving	1675			I 310 x 415	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	425	£425	unmounted	Print	Oxford	Wadham College						
2139			A French Lady on Horseback in the fashionable stile of Riding in the Long Champs & Elisee at Paris.		1807				La Belle Assemblee ot Bell’s Court Fashionable Magazine for March 1807			45.00	£45	framed	Print	General Interest	Fashion						
2140		C. Middleton	[Design for a Monument to Perpetuate the Memory of Admiral Lord Viscount Nelson]	Aquatint with hand colouring	Pub.d as the Act directs June 1806 by Colnagi & Co. Cockspur Street			I 480 x 320 mm, S 490 x 331 mm			This was not the design that was ultimately built. The monument now in trafalger was designed by architect William Railton in 1838. His original 1:22-scale stone model is exhibited at the National Maritime Museum in Greenwich.	350.00	£350	framed	Print	General Interest	Maritime						
2141		B. Cole after E. Hoppus	Architectural Print	Copper engraving	Published : London : Printed for Benjn. Cole engraver the corner of Kings-Head-court, near Fetter-lane, Holbourn, & John Wilcox opposite the New church in the Strand, 1736				From Andrea Palladio's Architecture in four books ... : The whole containing 226 [i.e., 222] folio copper plates / containing a dissertation on the five orders & ye most necessary observations relating to all kinds of building ... ; Carefully revis'd and redelineated by Edwd. Hoppus... and embellished w.th a large variety of chimney pieces collected from the works of Inigo Jones & others. Published : London : Printed for Benjn. Cole engraver the corner of Kings-Head-court, near Fetter-lane, Holbourn, & John Wilcox opposite the New church in the Strand, 1736			10.00	£10	unmounted	Print	General Interest	Architecture						
2146		Unknown engraver	The Arethufa Frigate scudding under Foresail in a STORM, with a View of PLYMOUTH and Maker Church at a distance	Copper engraving with hand colouring	Printed for & Sold by Bowles & Carver Published as the Act directs 19 May 1795 No. 69 in St Pauls Church Yard London			I 258 x 148 mm				100	£100	framed	Print	General Interest	Maritime						
2148		Bowen, Thomas 	A New and Accurate Map of England	Copper engraving	Engraved for the Complete English Traveller 1772			I 317 x 223 mm				90	£90	framed	Map	England & the British Isles	England						
2151		L. Lagrenee	Neuvieme Figure	Stipple	A Paris, chez Bonnet rue St JacquesTire du Cabinet de Monsieur Lagrenee Peintre du Roy, Professeur en son Academie Royale de Pture et Scture circa 1790			I 513 x 396 mm				500	£500	framed	Print	Fine Prints	Stipple						
2152		Saxton, C. & Kip, W. 	Cambridge	Copper engraving with hand colouring	Published 1607			I 315 x 280 mm				280	£280	mounted	Map	English Counties	Cambridgeshire						
2157		Thornton	Plan of Oxford Castle	Copper engraving	Published according to Act of Parliment, by Alexr. Hogg No. 16 Paternoster Row, c. 1780			I 197 x 177 mm, S 243 x 199 mm			From Henry Boswell’s The Antiquities of England and Wales	25.00	£25	mounted	Print	Oxford	General Views						
2158		Thornton	Bird’s-Eye View of Oxford Castle, in Oxfordshire	Copper engraving	Published according to Act of Parliment, by Alexr. Hogg No. 16 Paternoster Row, c. 1780			I 197 x 177 mm, S 243 x 199 mm			From Henry Boswell’s The Antiquities of England and Wales	35.00	£35	mounted	Print	Oxford	Oxford Castle						
2159		After Isaac Cruikshank	Son’s of Frienship____ Scene Chandois Street.	Copper engraving with hand colouring	Published 8th Jany. 1801 by Laurie and Whiyyle, 53 Fleet Street London 			I 180 x 232 mm, Pl 200 x 247 mm, S 240 x 302 mm			Not in BM satires	150.00	£150		Print	General Interest	Caricatures						
2162		After Isaac Cruikshank	Little Mouths.___ An Original Tale, by Dr. King	Copper engraving with hand colouring	Published 25th May 1801, by Laurie & Whittle, 53 Fleet Street, London			I 160 x 223 mm, Pl 186 x 244 mm, S 194 x 249 mm				100.00	£100		Print	General Interest	Caricatures						
2165		Ziletti, Giordano 	Tavola Nuova Di Schiavonia	Copper engraving	Venice, 1574 			185 x 245 mm			Dalmatia	80	£80		Map	Europe	Central & Eastern Europe	Dalmatia					
2166		Le Keux	St. John’s College. From the Old Bridge	Copper engraving with hand colouring	c. 1850			I 84 x 134 mm, S 136 x 188 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			30.00	£30	unmounted	Print	 Cambridge	St. John’s College Cambridge						
2167		Le Keux	Kings Court Trinity College.	Copper engraving with hand colouring	c. 1850			Image 86 x 131 mm, Sheet 126 x 208 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			30.00	£30	unmounted	Print	 Cambridge	Trinity College Cambridge						
2168		Le Keux after F. Mackenzie	The Quadrangle of Corpus Christi College	Copper engraving with hand colouring	1835			I 92 x 144 mm, S 138 x 199 mm				30.00	£30	mounted	Print	Oxford	Corpus Christi College						
2171		Le Keux after F. Mackenzie	Cloister, St. John’s College	Copper engraving with hand colouring	c. 1850			I 81 x 134 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	St. John’s College Cambridge						
2172		Le Keux after F. Mackenzie	Second Court St. John’s College West Side	Copper engraving with hand colouring	c. 1850			I 81 x 134 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			30.00	£30	unmounted	Print	 Cambridge	St. John’s College Cambridge						
2174		Le Keux after Bell	The Great Court Trinity College	Copper engraving with hand colouring	c. 1850			Image137 x 96 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	Trinity College Cambridge						
2175		Le Keux after Bell	Trinity College	Copper engraving with hand colouring	c. 1850			I 139 x 94 mm, S 202 x 133 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	Trinity College Cambridge						
2177		Le Keux after F. Mackenzie	The New Public Library	Copper engraving with hand colouring	c. 1850			I 98 x 138 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	New Public Library						
2178		Le Keux after F. Mackenzie	New Buildings, Emmanuel College	Copper engraving with hand colouring	c. 1850			I 85 x 133 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	Emmanuel College Cambridge						
2179		Le Keux after F. Mackenzie	Trinity Hall, Back Court	Copper engraving with hand colouring	c. 1850			I 130 x 82 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	Trinity College Cambridge						
2181		Le Keux after F. Mackenzie	New Buildings St Johns College	Copper engraving with hand colouring	c. 1850			I 126 x 102 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	St. John’s College Cambridge						
2182		Le Keux after F. Mackenzie	Gate of Honour & Senate House, Caius College	Copper engraving with hand colouring	c. 1850			I 85 x 133 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	Caius College Cambridge						
2183		Le Keux after J.A Bell	Queens College	Copper engraving with hand colouring	c. 1850			I 98 x 132 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	Queens’ College Cambridge						
2184		Le Keux after J.A Bell	Caius College	Copper engraving with hand colouring	c. 1850			I 137 x 94 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	Caius College Cambridge						
2185		Le Keux after F. Mackenzie	The Pitt Press	Copper engraving with hand colouring	c. 1850			I 108 x 99 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	The Pitt Press						
2186		Le Keux 	New Buildings St Johns College	Copper engraving with hand colouring	c. 1850			I 127 x 92 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	St. John’s College Cambridge						
2188		Le Keux after F. Mackenzie	St Peter’s College	Copper engraving	c. 1850			I 138 x 96 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	Peterhouse						
2189		Le Keux after F. Mackenzie	Sydney Sussex College	Copper engraving with hand colouring	c. 1850			I 138 x 93 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	Sydney Sussex College Cambridge						
2191		Le Keux after F. Mackenzie	Gisborne Court St Peters Collge	Copper engraving with hand colouring	c. 1850			I 140 x 95 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	Peterhouse						
2192		Le Keux after I.A Bell	The Second Court - St Johns College 	Copper engraving with hand colouring	c. 1850			I 140 x 93 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	St. John’s College Cambridge						
2193		Le Keux after MacKenzie	The New Fitzwilliam Museum	Copper engraving with hand colouring	c. 1850			I 139 x 94 mm, S 202 x 133 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	Fitzwilliam Museum						
2194		Le Keux after F. Mackenzie	Clare College and Bridge	Copper engraving with hand colouring	c. 1850			I 129 x 86 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	Clare College Cambridge						
2199		Le Keux after F. Mackenzie	Trinity Hall from the Garden	Copper engraving with hand colouring	c. 1850			I 151 x 99 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	Trinity College Cambridge						
2200		Le Keux after F. Mackenzie	Kings College	Copper engraving with hand colouring	c. 1850			I 140 x 95 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	King’s College Cambridge						
2201		Le Keux after F. Mackenzie	Sydney Sussex College	Copper engraving with hand colouring	c. 1850			I 140 x 94 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	Sydney Sussex College Cambridge						
2202		Le Keux after F. Mackenzie	The Provost’s Lodge King’s College	Copper engraving with hand colouring	c. 1850			I 135 x 84 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	King’s College Cambridge						
2203		Le Keux	Pembroke College.	Copper engraving with hand colouring	c. 1850			I 100 x 143 mm, Pl 138 x 163 mm, S 158 x 208 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			30.00	£30		Print	 Cambridge	Pembroke College Cambridge						
2204		Le Keux after F. Mackenzie	View of Cambridge	Copper engraving with hand colouring	c. 1850			Image 92 x 145 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			35	£35	mounted	Print	 Cambridge	Cambridge General Views						
2205		Le Keux after Mackenzie	St. Michael’s Church	Copper engraving with hand colouring	c. 1850			I 134 x 97 mm, S 196 x 135 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			30.00	£30		Print	British Topography	Cambridgeshire						
2206		Le Keux after F. Mackenzie	Exterior of Kings College Chapel	Copper engraving with hand colouring	c. 1850			I 152 x 87 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	King’s College Cambridge						
2207		Le Keux after F. Mackenzie	The First Court, ChristChurch	Copper engraving with hand colouring	c. 1850			I 136 x 87 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	Christ’s College Cambridge						
2208		Le Keux after F. Mackenzie	Queens College	Copper engraving with hand colouring	c. 1850			I 146 x 93 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	Queens’ College Cambridge						
2209		Le Keux after I.A Bell	Christs College	Copper engraving with hand colouring	c. 1850			I 140 x 99 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	Christ’s College Cambridge						
2210		Le Keux after F. Mackenzie	Tree Court, Christ College	Copper engraving with hand colouring	c. 1850			I 131 x 84 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	Christ’s College Cambridge						
2213		Le Keux after Mackenzie	Addenbrooke’s Hospital.	Copper engraving with hand colouring	c. 1850			I 84 x 130 mm, S 139 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			20.00	£20		Print	British Topography	Cambridgeshire						
2214		Le Keux after F. Mackenzie	Side View of kings College Chapel	Copper engraving with hand colouring	c. 1850			I 137 x 82 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	King’s College Cambridge						
2216		Le Keux after Mackenzie	Trinity Church	Copper engraving with hand colouring	c. 1850			I 143 x 103 mm, S 196 x 140 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			20.00	£20		Print	British Topography	Cambridgeshire						
2217		Le Keux after F. Mackenzie	Part 	Copper engraving with hand colouring	c. 1850			I 139 x 84 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2218		Le Keux after Mackenzie	The Castle	Copper engraving with hand colouring	c. 1850			I 93 x 139 mm, S 151 x 210 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			20	£20	unmounted	Print	British Topography	Cambridgeshire						
2219		Le Keux after Mackenzie	The Hall, Queens College.	Copper engraving with hand colouring	c. 1850			I 93 x 139 mm, S 151 x 210 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			20.00	£20		Print	 Cambridge	Queens’ College Cambridge						
2220		Le Keux 	Hall, Trinity College. Extended View	Copper engraving with hand colouring	c. 1850			Image 93 x 127 mm, Sheet 130 x 215 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			20.00	£20	unmounted	Print	 Cambridge	Trinity College Cambridge						
2223		Le Keux 	Library, Trinity College	Copper engraving with hand colouring	c. 1850			I 113 x 102 mm, S 170 x 148 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25		Print	 Cambridge	Trinity College Cambridge						
2224		Le Keux 	Library, Kings College extended view	Copper engraving with hand colouring	c. 1850			I 118 x 102 mm, S 180 x 142 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25		Print	 Cambridge	King’s College Cambridge						
2225		Le Keux after Mackenzie	Trinity Church	Copper engraving with hand colouring	c. 1850			I 138 x 94 mm, S 185 x 122 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			20.00	£20		Print	 Cambridge	Trinity College Cambridge						
2226		Le Keux after F. Mackenzie	Part of the New buildings St Johns College	Copper engraving with hand colouring	c. 1850			I 141 x 99 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	St. John’s College Cambridge						
2227		Le Keux after F. Mackenzie	The Market Place	Copper engraving with hand colouring	c. 1850			I 141 x 98 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	British Topography	Cambridgeshire						
2228		Le Keux after Mackenzie	View Showing All Saints Church &c.	Copper engraving with hand colouring	c. 1850			I 145 x 107 mm, S 197 x 132 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			20.00	£20		Print	British Topography	Cambridgeshire						
2229		Le Keux after F. Mackenzie	The Front of Kings College	Copper engraving with hand colouring	c. 1850			I 140 x 99 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	King’s College Cambridge						
2230		Le Keux after Mackenzie	Interior of Kings College Chapel.	Copper engraving with hand colouring	c. 1850			I 140 x 98 mm, S 192 x 147 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			20.00	£20		Print	 Cambridge	King’s College Cambridge						
2232		Le Keux after F. Mackenzie	Fellows Garden, Caius College	Copper engraving with hand colouring	c. 1850			I 129 x 87 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	Caius College Cambridge						
2233		Le Keux after Mackenzie	Great St. Mary’s Church Exterior	Copper engraving with hand colouring	c. 1850			I 100 x 140 mm, S 145 x 173 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			20.00	£20	unmounted	Print	British Topography	Cambridgeshire						
2235		Le Keux after F. Mackenzie	The Second Court, Christs College	Copper engraving with hand colouring	c. 1850			I 140 x 94 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	Christ’s College Cambridge						
2237		Le Keux after F. Mackenzie	Trinity Hall, Front Court	Copper engraving with hand colouring	c. 1850			I 133 x 81 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	Trinity College Cambridge						
2238		Le Keux after I. A Bell	Clare College 	Copper engraving with hand colouring	c. 1850			I 140 x 98 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	Clare College Cambridge						
2239		Le Keux after I. A Bell	Kings Court, Trinity College	Copper engraving with hand colouring	c. 1850			I 111 x 93 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	Trinity College Cambridge						
2240		Le Keux after F. Mackenize	Library, Trinity College	Copper engraving with hand colouring	c. 1850			I 111 x 93 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	Trinity College Cambridge						
2242		Le Keux after F. Mackenzie	St. Andrew’s Church The Old Church	Copper engraving with hand colouring	c. 1850			I 95 x 140 mm, S 138 x 189 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			20.00	£20	unmounted	Print	British Topography	Cambridgeshire						
2244		Le Keux after F. Mackenize	Bridge Kings College	Copper engraving with hand colouring	c. 1850			I 123 x 92 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	King’s College Cambridge						
2245		Le Keux after F. Mackenize	Christ College	Copper engraving with hand colouring	c. 1850			I 115 x 105 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	Christ’s College Cambridge						
2246		Le Keux after F. Mackenize	Christ College	Copper engraving with hand colouring	c. 1850			I 115 x 105 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	Christ’s College Cambridge						
2248		Le Keux after F. Mackenize	View of Cambridge from Castle Hill	Copper engraving with hand colouring	c. 1850			I 146 x 88 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	Cambridge General Views						
2249		Le Keux after F. Mackenzie	Jesus College	Copper engraving with hand colouring	c. 1850			I 133 x 84 mm, S 148 x 177 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	Jesus College Cambridge						
2250		Le Keux after F. Mackenzie	Jesus College	Copper engraving with hand colouring	c. 1850			I 133 x 84 mm, S 148 x 177 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	Jesus College Cambridge						
2251		Le Keux after F. Mackenzie	Clare College, Quadrangle	Copper engraving with hand colouring	c. 1850			Image 94 x 140 mm, Sheet 132 x 214 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	Clare College Cambridge						
2252		Le Keux after F. Mackenzie	Saint Katherines College	Copper engraving with hand colouring	c. 1850			I 140 x 93 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	St. Katherines College Cambridge						
2253		Le Keux after F. Mackenzie	The Library, Trinity College	Copper engraving with hand colouring	c. 1850			I 145 x 96 mm, S 148 x 177 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	Trinity College Cambridge						
2255		Le Keux after F. Mackenzie	Magdalene College	Copper engraving with hand colouring	c. 1850			I 129 x 92 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	Magdalen College Cambridge						
2256		Le Keux after F. Mackenzie	The Library of Kings College	Copper engraving with hand colouring	c. 1850			I 151 x 93 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	King’s College Cambridge						
2257		Le Keux after F. Mackenzie	Entrance Gateway -St Johns College	Copper engraving with hand colouring	c. 1850			I 99 x 137 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	St. John’s College Cambridge						
2259		Le Keux after F. Mackenzie	Jesus College	Copper engraving with hand colouring	c. 1850			I 133 x 84 mm, S 148 x 177 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	Jesus College Cambridge						
2260		Le Keux after F. Mackenzie	Corpus Christi College	Copper engraving with hand colouring	c. 1850			I 93 x 138 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			35	£35	mounted	Print	 Cambridge	Corpus Christi College Cambridge						
2261		Le Keux after F. Mackenzie	Caius College	Copper engraving with hand colouring	c. 1850			I 137 x 104 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	Caius College Cambridge						
2263		Le Keux after F. Mackenzie	Old Court King’s College	Copper engraving with hand colouring	c. 1850			I 136 x 87 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	King’s College Cambridge						
2264		Le Keux after F. Mackenzie	Old Court, Kings College	Copper engraving with hand colouring	c. 1850			I 130 x 86 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	King’s College Cambridge						
2265		Le Keux after F. Mackenzie	The New Bridge, St Johns College	Copper engraving with hand colouring	c. 1850			I 137 x 97 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	St. John’s College Cambridge						
2266		Le Keux after F. Mackenzie	The New Quadrangle, Kings College	Copper engraving with hand colouring	c. 1850			I 130 x 77 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	King’s College Cambridge						
2267		Le Keux after F. Mackenzie	The New Quadrangle, Kings College	Copper engraving with hand colouring	c. 1850			I 130 x 77 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	King’s College Cambridge						
2268		Le Keux after Mackenzie	St. Michaels Church	Copper engraving	c. 1850			I 133 x 99 mm, S 212 x 127 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			15.00	£15		Print	British Topography	Cambridgeshire						
2269		Le Keux after Mackenzie	St. Clements Church	Copper engraving	c. 1850						From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.	15.00	£15		Print	British Topography	Cambridgeshire						
2270		Le Keux after F. Mackenzie	Great St. Marys Church Exterior	Copper engraving with hand colouring	c. 1850			I 130 x 77 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			15	£15	unmounted	Print	British Topography	Cambridgeshire						
2271		Le Keux after F. Mackenzie	Interior of The Hall, Trinity College	Copper engraving with hand colouring	c. 1850			I 145 x 96 mm, S 148 x 177 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			15.00	£15	unmounted	Print	 Cambridge	Trinity College Cambridge						
2272		Le Keux after F. Mackenzie	The Chapel_St. John’s College	Copper engraving with hand colouring	c. 1850			I 136 x 96 mm, S 210 x 125 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			15.00	£15	unmounted	Print	 Cambridge	St. John’s College Cambridge						
2274		Le Keux after F. Mackenzie	Interior of the Chapel Cius College	Copper engraving with hand colouring	c. 1850			I 145 x 96 mm, S 148 x 177 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			15.00	£15	unmounted	Print	 Cambridge	Caius College Cambridge						
2275		Le Keux after F. Mackenzie	The Chapel, Magdalene College	Copper engraving with hand colouring	c. 1850			I 129 x 92 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			15.00	£15	unmounted	Print	 Cambridge	Magdalen College Cambridge						
2276		Le Keux after F. Mackenzie	Interior of the Hall, Kings College	Copper engraving with hand colouring	c. 1850			I 140 x 96 mm, S 211 x 126 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			15.00	£15	unmounted	Print	 Cambridge	King’s College Cambridge						
2278		Le Keux after F. Mackenzie	Emanuel College, from the Street	Copper engraving with hand colouring	c. 1850			I 154 x 87 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			20.00	£20	unmounted	Print	 Cambridge	Emmanuel College Cambridge						
2283		W. Gauci after Delamotte	Corpus College Oxford	Lithograph	Published c. 1840			I 350 x 250 mm	Original Views of Oxford, its Colleges, Chapels and Gardens from drawings expressly for this work by William Alfred Delamotte. Executed in Lithography by William Gauci, with Historical and Descrpitive notices by Charles Ollier. London: Thomas Boy. 1843			120	£120	mounted	Print	Oxford	Corpus Christi College						
2285		Nathaniel Buck	The South Prospect of Reading in the County of Berks	Copper engraving with hand colouring	1734			I 780 x 242 mm				445	£445	mounted	Print	British Topography	Berkshire						
2287			At Henley Regatta	Woodcut	19th century			I 315 x 232 mm	The London Graphic Magazine			60	£60	framed	Print	Sports	Rowing	Rowing					
2288			The Universities Boat-Race: Cambridge Winning	Woodcut	19th century			I 342 x 237 mm	The London Graphic Magazine			60	£60	framed	Print	Sports	Rowing						
2289		W. Gauci after Delamotte	Front of Brasenose College	Lithograph with hand colouring	Published c. 1842			I 335 x 254 mm	Original Views of Oxford, its Colleges, Chapels and Gardens from drawings expressly for this work by William Alfred Delamotte. Executed in Lithography by William Gauci, with Historical and Descrpitive notices by Charles Ollier. London: Thomas Boy. 1843			200	£200	mounted	Print	Oxford	Brasenose College						
2292			Buildings on the South side of Jesus College Lane; where the Market is, with a view of Carfax Tower, to the West, and Lincoln Coll: garden wall to the East  	Watercolour				S 221 x 302 mm				30	£30		Print	Oxford	General Views						
2293		J. Hill after A. Pugin	St. Edmund’s Hall.	Aquatint with hand colouring	Pub. for R. Ackermann’s Histy. of Oxford Dec.r 1 1814			I 203 x 133 mm, Pl. 252 x 140 mm	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			180	£180	mounted	Print	Oxford	St. Edmund Hall						
2296		David Loggan	Scholae Publicae Universitatis Oxon [Bodleian Library]	Copper engraving	1675			I 350 x 470 mm	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	150	£150	unmounted	Print	Oxford	Bodleian Library						
2297		David Loggan	Frontispicium Scholarum Publicarum Universitatis Oxoniensis [Bodleian Library]	Copper engraving	1675			I 350 x 470 mm	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	75	£75	mounted	Print	Oxford	Bodleian Library						
2300		David Loggan	Ecclesia Beatae Mariae Virginis [St. Mary’s Church]	Copper engraving	1675			I 370 x 410 mm	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	80	£80	unmounted	Print	Oxford	Oxford Churches						
2303		Rock & Co.	St Johns College	Engraving	1851			I 105 x 80 mm				55	£55	framed	Print	Oxford	St. John’s College						
2305		William Edward Frost	The Sea Nymph	Etching				I 88 x 88 mm; Pl 125 x 116 mm				100	£100	mounted	Print	Victorian							
2307		I. Miller	The Oxford Almanack For the Year of Our Lord God 1764	Copper engraving	1764			I 478 x 432 mm				275	£275	framed	Print	Oxford	Almanack						
2309		David Loggan	Facade of the Sheldonian Theater	Copper engraving	Sold by Henry Overton at ye White Horse without Newgate London, 1724			 I 370 x 530 mm, Pl 402 x 507 mm	From Kip’s Nouveau theatre de la Grande Bretagne: ou Description exacte des palais de la reine, et des maisons les plus considerables des seigneurs & des gentilshommes de la Grande Bretagne, etc. 		Another version of Loggan’s view of the Sheldonian Theatre from 1675.  This differs in that it is slighty larger.	225	£225	unmounted	Print	Oxford	Sheldonian Theatre						
2311			“Hark! hark! to ‘Wellington’ true as the ma, Let the hounds settle down , then follow who can.”	Lithograph with hand colouring	M & N Hanhart			I 162 x 236 mm, S 213 x 268 mm				70.00	£70		Print	Sports	Hunting & Shooting	Hunting					
2313			“The Run at an end. ‘Whoohoop’ is the cry! The finish select, a game one must die.”	Lithograph with hand colouring	M & N Hanhart			I 162 x 236 mm, S 213 x 268 mm				70.00	£70		Print	Sports	Hunting & Shooting	Hunting					
2314			A Camp Holiday	Lithograph with hand colouring	M & N Hanhart			I 200 x 153 mm,  S  265 x 208 mm				70.00	£70		Print	Sports	Riding						
2315			Smart Grass I Guess, that grows under your feet!	Lithograph with hand colouring	Day & Son Lith to the Queen			I 162 x 236 mm, S 213 x 268 mm				70.00	£70		Print	Sports	Hunting & Shooting	Hunting					
2316		Skelton after M. Burghers	Remains of Oxford Castle	Copper engraving	Published as the Act Directs Dec.r 1 1820 by J. SWkelton, St. Aldates Oxford				Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	35.00	£35	mounted	Print	Oxford	Oxford Castle						
2317		Rocque, J.	Leicestershire	Copper engraving with hand colouring	1769			I 167 x 150 mm				70	£70	framed	Map	English Counties	Leicestershire						
2320		William Nicholson	[Radcliffe Camera]	Lithograph	1905			I 346 x 312 mm	Oxford		Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed lithographs, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).	180	£180	framed	Print	Oxford	Radcliffe Camera						
2322		Skelton 	Engraved form the Old Plan of the Castle in the Possession of the Very Revd. The Dean & Chapter of Christ Church	Copper engraving	Published as the Act Directs Dec.r 1 1820 by J. SWkelton, St. Aldates Oxford				Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	35.00	£35	mounted	Print	Oxford	Oxford Castle						
2323		Henry Le Keux after P. Dewint	View of Oxford, from the Castle Keep.	Steel engraving	Published by J. Parker Oxford Nov1 1838			I 197x 365 mm	1839 Oxford Almanack			180	£180	framed	Print	Oxford	Oxford Castle						
2327			A Pictorial Plan of the University & City of Oxford	Engraving	Oxford Published by T Shrimpton and Son 23 and 24 Broad Street, 1871			I 347 x 366 mm				150	£150	framed	Map	Oxford	Oxford Maps						
2328		George Pyne (1800 - 1884)	Magdalen Hall	Watercolour				I 340 x 238 mm				1200	£1,200	framed	Print	Oxford	Hertford College						
2333		T. Bonner after J.P Neale	Clarendon Printing House and the Theatre	Copper engraving	London Published by John Harris St. Pauls Church Yard Nov.1 1814 			I 150 x 116 mm				40	£40	mounted	Print	Oxford	Clarendon Press						
2335		Pieter van der Aa after David Loggan	Partie du College de S. Jean Baptiste	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	mounted	Print	Oxford	St. John’s College						
2337		D. Havell after F. Mackenzie	West End of King’s College Chapel.	Aquatint with hand colouring	London Pub. Decr. 1 1815 at 101 Strand for Ackermann’s History of Cambridge				for Ackermann’s History of Cambridge			200.00	£200		Print	 Cambridge	King’s College Cambridge						
2340		Fullarton, Archibald  & Co.	Durham	Engraving with hand colouring	Published by Archd. Fullarton & Co. Glasgow, 1833-37			185 x 235 mm				45.00	£45	mounted	Map	English Counties	Durham						
2345		Walker, C. & J.	Hertfordshire	Steel engraving with hand colouring	Drawn and Engraved for Lewis Topographical Dictionary. c. 1836			173 x 222 mm	Lewis’ Topographical Dictionary			40.00	£40	mounted	Map	English Counties	Hertfordshire						
2346		Rocque, John 	Northumberland.	Copper engraving with hand colouring	1769			200 x 150 mm	England Displayed					mounted	Map	English Counties	Northumberland						
2347		M. A. Rooker	The Cathedral at Christ Church, from the Dean’s Garden	Copper engraving	1782			Image 309 x 452 mm				60	£60	unmounted	Print	Oxford	Christ Church College						
2350		G. Hollis	The Front of All Souls College, Oxford	Copper engraving	Published 1832 by James Ryman, High St. Oxford			I 290 x 200 mm				130	£130	mounted	Print	Oxford	All Souls College						
2351		M. A. Rocker	Corpus Christi College from the Fields	Copper engraving	Oxford Almanack 1784			I 290 x 450 mm			This is the Fellow’s B	180	£180	mounted	Print	Oxford	Corpus Christi College						
2352		William Williams	Collegium Aedis Christi [Queen’s College]	Copper engraving	1733			I 450 x 385 mm				100	£100	mounted	Print	Oxford	Corpus Christi College						
2357		Radclyffe after Mackenzie	North View of the Martyrs Memorial and Aisle	Engraving	Published by J. H. Parker, Oxford, November 1, 1849			I 235 x 345 mm			From the 1850 edition of the Oxford Almanack.	120	£120	mounted	Print	Oxford	General Views						
2360		Toms, W. H. 	A Map of Northumberland	Copper engraved with later hand colouring	Published by the Proprietors T. Badeslade & W. H. Toms, Sept. 29th 1741			140 x 145 mm			Rare original colouring.	50	£50	mounted	Map	English Counties	Northumberland						
2366		J. Le Keux after F. Mackenzie	Front of Balliol College	Steel engraving	Published Aug. 1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet St. & J. Le Keux, Harmondsworth			I 140 x 95 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	50	£50		Print	Oxford	Balliol College						
2369		J. Le Keux after F. Mackenzie	St John’s College, from the Garden	Steel engraving	Published Dec. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40	mounted	Print	Oxford	St. John’s College						
2372		R Roffe	Oxford. View in the High Street, looking West	Copper engraving	London Published by Vernor & Hood Poultry May 1 1804 			I 143 x 98 mm	For the Beauties of England & Wales			50	£50	mounted	Print	Oxford	High Street Views						
2373		Middiman	Heythorpe, in Oxfordshire, the Seat of the Earl of Shrewsbury	Copper engraving	Published as the Act directs June 1st 1787 by Harrison & Co. No.18 Paternoster Row, London			I 163 x 103 mm				30	£30	mounted	Print	British Topography	Oxfordshire						
2375		Rock & Co.	Wadham College, Oxford	Steel engraving	1863			I 102 x 80 mm				55	£55	framed	Print	Oxford	Wadham College						
2376		Mackenzie after Radclyffe	[University College]	Steel engraving	Published by J. H. Parker, Oxford, November 1, 1859			I 224 x 367 mm				120	£120	mounted	Print	Oxford	University College						
2377		Emery Walker after Edmund Hort New	The Towers of Oxford from the Bell Tower of Magdalen College	Photogravure	Published by Edmund Hort New: 17 Worcester Place, Oxford, November 5th 1908			I 536 x 205 mm			Edmund Hort New, known as E.H. new was born in Evesham in 1871. He was the son of an important lawyer. He attended the Birmingham Municipal School of Art. He began painting landscape and later he devoted himself to illustration.  Early in his career he worked with Ruskin and other associated Arts and Crafts artists.  He latter went on to work for William Morris's Kelmscott Press. The influence of these experiences is evident in his prints - the decorative boarders, armorials, etc.   Over a period of years New did a series of prints of the Oxford Colleges based on the David Loggan's 1675 aerial perspectives.  New took Loggan's format and enriched his prints with many fine details of and abut the colleges and they are valued today by many collectors because of the high level of detail and the fact that they represent the colleges in their present state. These prints were made through a relatively new process at the time - photo engraving.  Like photogravures the print is made by transferring a photo to a copper plate and then printing it.  With the E.H. New prints, a contact print of New's pen and ink drawing was made and the large negative attached to a plate which was then exposed in an acid bath, the acid only biting where the negative was clear; thus, creating and engraved plate of New's drawing.  The prints were available separately at shops in Oxford such as Ryman's in the early part of the 20th century. 	375	£375	framed	Print	Oxford	General Views						
2378		Unknown	Church of S. S. Philip & James, Oxford	Photograph	c.1900			I 277 x 185 mm				25	£25	mounted	Print	Oxford	Oxford Churches						
2382		R. Elstrack	The true portraitcure of Richard Witington [Dick Whittington]	Copper engraving	c. 1700			 S 180 x 115 mm				115	£115	framed	Print	Portraits	British Political						
2383		Franz Haufstauengl after Abbott	Nelson	Photograveur with hand colouring	Published by Franz Haufstauengl, c. 1900			F 980 x 800 mm				600	£600	framed	Print	Portraits	Military						
2384		Speed, John	Oxfordshire	Copper engraving with hand colouring	Bassett & Chiswell, London, 1676			I 502 x 374 mm  	From Speed’s ‘Theatre of the Empire of Great Britaine’		Speed (1552-1629) is the most famous of all English cartographers primarily as a result of The Theatre of the Empire of Great Britaine, the first atlas of the British Isles. The maps from this atlas are the best known and most sought-after of all county maps. The maps were derived mainly from the earlier prototypes of Christopher Saxton and Robert Norden but with notable improvements including parish "Hundreds" and county boundaries, town plans and embellishments such as the coats of arms of local Earls, Dukes, and the Royal Household. The maps are famed for their borders consisting of local inhabitants in national costume and panoramic vignette views of major cities and towns. An added feature is that regular atlas copies have English text printed on the reverse, giving a charming description of life in the early seventeenth century of the region. The overall effect produced very decorative, attractive and informative maps. For the publication of this prestigious atlas Speed turned to the most successful London print-sellers of the day, John Sudbury and George Humble. William Camden introduced the leading Flemish engraver, Jodocus Hondius Sr. to John Speed in 1607 because first choice engraver William Rogers had died a few years earlier. Work commenced with the printed proofs being sent back and forth between London and Amsterdam for correction and was finally sent to London in 1611 for publication. The work was an immediate success and the maps themselves being printed for the next 150 years. Speed was born in 1552 at Farndon, Cheshire. Like his father before him he was a tailor by trade, but around 1582 he moved to London. During his spare time Speed pursued his interests of history and cartography and in 1595 his first map of Canaan was published in the "Biblical Times". This raised his profile and he soon came to the attention of poet and dramatist Sir Fulke Greville a prominent figure in the court of Queen Elizabeth. Greville as Treasurer of the Royal Navy gave Speed an appointment in the Customs Service giving him a steady income and time to pursue cartography.  Through his work he became a member of such learned societies as the Society of Antiquaries and associated with the likes of William Camden Robert Cotton and William Lambarde. He died in 1629 at the age of seventy-seven.	950	£950	framed	Map	Oxford	Oxford Maps						
2385		Colin Hunter	Running Ashore	Etching	Published 1880			I 157 x 276; Pl. 170 x 286 mm				250	£250	framed	Print	Victorian							
2386		Robert Walker Macbeth	Bait Gatherers	Etching	Published 1879			I 115 x 202; Pl. 137 x 225 mm			Walker Macbeth (1848-1910) was the son of the Scottish portrait painter Norman Macbeth. He was an etcher, watercolourist and painter of pastoral landscapes, rustic genre scenes and has a unique etching style, very different from Haden or Whistler. He served on the Council of the Royal Society of Painter-Etchers. 	195	£195	framed	Print	Victorian							
2389			Oxford from Magdalen Tower	Photograph	circa 1900			I 142 x 92 mm				15	£15	mounted	Print	Oxford	General Views						
2393		J. Le Keux after F. Mackenzie	Broad Street	Steel engraving	Published Feb 1st 1837 by J.H Parker OxfordC. Tilt Fleet St London & J Le Keux Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40	mounted	Print	Oxford	Broad Street Views						
2394		Wise after J.P. Neale	Ensham Church & Cross, Oxfordshire	Copper engraving with hand colouring	c. 1814			I 162 x 120 mm				25	£25	mounted	Print	British Topography	Oxfordshire						
2425		Michael Burghers	The Oxford Almanack For the Year of Our Lord God 1707	Copper engraving	Published 1707			508 x 463 mm				120	£120	unmounted	Print	Oxford	Oxford Almanacks						
2428		M & N Hanhart	Port Elizabeth	Lithograph	circa 1860			I 284 x 188 mm				90	£90	mounted	Print	Foreign Topography	Africa						
2429		J. Needham after T.W. Bowler	Blinkwater Drift	Lithograph with tint stone	London Pubd Octr 1st 1864 by Day & Son Lithrs to the Queen & H.R.H the Prince of Wales, Gate Str Linc Inn Flds			I 274 x 203 mm				80	£80	mounted	Print	Foreign Topography	Africa						
2430		Rooker	Ruins of Athens, Hadrian’s Aqueduct	Copper engraving	circa 1770			I 233 x 175 mm				40	£40	mounted	Print	Foreign Topography	Greece						
2434		Kitchin, Thomas	Berkshire Drawn from the Best Authorities and Regulated by Astron. Observations	Copper engraving	1746			I 212 x 168 mm	 London Magazine 1747 - 1763			70	£70	mounted	Map	English Counties	Berkshire						
2435		Fullarton, A. 	Berkshire	Copper engraving	Published by Archd Fullarton & Co. Glasgow			I 250 x 198 mm				60	£60	mounted	Map	English Counties	Berkshire						
2436		Unknown	Wadham College	Copper engraving				I 112 x 81 mm				30	£30	mounted	Print	Oxford	Wadham College						
2437		Unknown	Lincoln College	Copper engraving				I 112 x 80 mm				25	£25	mounted	Print	Oxford	Lincoln College						
2438		Unknown	Radcliffe Camera	Photograph	circa 1900			I 140 x 92 mm				15	£15		Print	Oxford	Radcliffe Camera						
2440		Jo Pennell	[St John’s]	Etching				I 242 x 181 mm				40	£40	unmounted	Print	Oxford	St. John’s College						
2442		J.C. Stadler after J. Farington R.A. 	View in Broad Street in Oxford	Aquatint with hand colouring	Pub. June 1, 1793 by J & J Boydell Shakespeare Gallery Pall Mall & Cheapside			I 208 x 320 mm, S 408 x 303 mm	A History of the River Thames		John Boydell (1719-1804) was a successful and influential printseller and engraver. Boydell's Shakespeare Gallery is credited with changing the course of English painting by creating a market for historical and literary works. He also encouraged the development of engraving in England with, among other things, his prints illustrating scenes from Shakespearean plays. In 1773, his nephew Josiah Boydell (1752-1817) became his business partner and later his successor, trading as J. & J. Boydell. 	180	£180	mounted	Print	Oxford	Broad Street Views						
2445		I. Donowell	A View of the Printing House, the Theatre, the Museum, part of the Schools, part of All Souls College & St Mary’s Church & in the University of Oxford 	Copper engraving	London Printed for John Ryall at Hogarth’s Head in Fleet Street, Robt. Sayer at the Golden Buck in Fleet Street & John Bowles & Son at the Black Horse in Cornhill. 1818			I 418 x 289 mm				280	£280	mounted	Print	Oxford	Clarendon Press						
2451		Randolph Caldecott	[Childrens Prints]	Chromolithograph	circa 1875			I 200 x 170 mm				15.00	£15	mounted	Print	General Interest	Childrens Prints						
2452		Unknown	Luogo delle Lezioni pubbliche in Oxford	Copper engraving	circa 1750			I 212 x 179 mm				60	£60	mounted	Print	Oxford	Bodleian Library						
2453		Lizars	Parent of the Modern Coach Dog	Copper engraving with hand colouring	circa 1840			I 152 x 95 mm				30	£30	mounted	Print	General Interest	Cats and Dogs						
2454		Lizars	Isle of Skye Terrier	Copper engraving with hand colouring	circa 1840			I 152 x 97 mm				30	£30	mounted	Print	General Interest	Cats and Dogs						
2462		Lizars	[Hound]	Copper engraving with hand colouring	circa 1840			I 150 x 95 mm				35	£35	mounted	Print	General Interest	Cats and Dogs						
2463		Lizars	Scotch Terrier	Copper engraving with hand colouring	circa 1840			I 150 x 95 mm				30	£30	mounted	Print	General Interest	Cats and Dogs						
2466		J. A. Le Campion	Vue de L’Interior des Enfans Trouves	Aquatint with hand colouring	c. 1780			I 125 x 160 mm				180	£180	framed	Print	General Interest	Architecture						
2467		George Edwards	The Pelican	Etching with hand colouring	Published 1746			Pl. 190 x 230 mm				420	£420	framed	Print	General Interest	Birds						
2469		Grignion after Huddesford	Doctor in Theologia	Copper engraving	Published 1790			Pl. 85 x 135 mm			Scarce.	60	£60	framed	Print	Oxford	Academic Dress						
2471		G.V. Cox, M.A.	Recollections of Oxford		London: Macmillan and Co., 1868.						First edition. Half calf, gilt spine  with marble end boards, some rubbing on ends and corners.	100.00	£100		Book	Oxford							
2472		John Henry Parker	A Guide to the Architectural Antiquities in the Neighbourhood of Oxford.		Published by the Oxford Society for Promoting the Study of Gothic Architecture.  Oxford, John Henry Parker: F. abd J. Rivington, St. Paul’s Church Yard and Waterloo-PLace; G. Bell, 186, Fleet Street, London, 1866.						Gilt and blind stamped brown cloth.  1 inch split on spine.  Some light foxing in places. 	100.00	£100		Book	Oxford							
2473		H.M. Vernon, DM and K. Dorothea Vernon	A History of the Oxford Museum		Oxford At the Clarendon Press 1909						Full blue calf with gilt spine.	75	£75		Book	Oxford							
2475		Le Keux after F. Mackenzie	Gisbourne Court, St Peter’s College	Copper engraving with hand colouring	c. 1850			I 131 x 84 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	mounted	Print	 Cambridge	Peterhouse						
2478		Le Keux after F. Mackenzie	New buildings St Johns College - from the Gardens	Copper engraving with hand colouring	c. 1850			I 141 x 99 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25.00	£25	unmounted	Print	 Cambridge	St. John’s College Cambridge						
2480			Mr: Des - fadaiser ou L’Apollon-Zéphir Des societés, courant donner le Ton et subjuquer les coeura. ...	Copper engraving with hand colouring	A Paris, Chez Charon, rue St. Jean  de beauvais, No. 26 et chez Martinent Libraire, rue du Coq, No. 15, c. 1810				Caricatures Parisennes			200	£200	mounted	Print	General Interest	Caricatures	BalletMusic					
2481			Mlle. Des -fleurette ou la Terpsichore bourgeois faisantr briller ses pas ses appas et ses graces	Copper engraving with hand colouring	A Paris, Chez Charon, rue St. Jean  de beauvais, No. 26 et chez Martinent Libraire, rue du Coq, No. 15, c. 1810				Caricatures Parisennes			200	£200	mounted	Print	General Interest	Caricatures	Ballet					
2484		 Janssonius, J. / Schenk, P. & Valk, G.	Guinea	Copper engravied with hand colouring				38 x 51 cm			Decorative map of the western coast of Africa from Guinea to Nigeria. Published by Pieter Schenk and Gerard Valk from the plate by Joannes Janssonius ca. 1700 Cartouche with natives and monkeys, sailing ships, compass roses, two boys carrying a tusk (all uncoloured), the map in full contemporary colour. Excellent condition. 	300.00	£300		Map	Africa							
2486		T.G. Dutton	The London Chatam & Dover Railway Company’s Iron Steam Ship “Prince Imperial”, 507 Tons_180 H.P. Captain G.W. Matthews.  Built by Messrs. Jas. Ash & Co. Cubitt Town_Engines By Messrs J. Penn & Sons. Greenwich.	Lithograph with later colour	I 257 x 497 mm			London, Published Decr. 1st . 1864 by Wm. Foster, 18 Billiter Street. E.C.			One small tear in upper right.The London, Chatham & Dover Railway Company started passenger services between Dover and Calais in 1864 when they took over the fleet of Jenkins & Churchward. In 1899 the company amalgamated with the South Eastern & Chatham Railway Company1864 - 1891 renamed Prince, 1899 scrapped.	650.00	£650	mounted	Print	General Interest	Maritime						
2487			The Oxford Almanack For the Year of our Lord God 1756 "Design for new buildings of Trinity College with a portrait of the founder in a medallion"	Copper engraving	1756			493 x 450 mm	Oxford Almanacks			200.00	£200	unmounted	Print	Oxford	Trinity College						
2488		William Williams	Collegium Ste. Trinitatis [Trinity College]	Copper engraving	1722-23			I 387 x 545 mm, Pl. 450 x 560 mm, S 480 x 622 mm				450	£450	unmounted	Print	Oxford	Trinity College						
2490		W. Lacey after Tombleson	Oxford.	Steel engraving with hand colour	London Published by Tombleson & Co. Paternoster Row, 1833-34			I 165 x 200 mm, Pl 175 x 225 mm, S 21 x 27 mm	Tombleson's Views of the Thames and Medway			45.00	£45	mounted	Print	Oxford	General Views						
2492		Kitchin, Thomas	A New Map of Berkshire Drawn from the best Authorities	Copper engraving	1764			193 x 256 mm	Kitchin’s English Atlas... or England illustrated			70.00	£70	mounted	Map	English Counties	Berkshire						
2493		Grignion after J. Gwin	De La passe en quarte du dehors des armes _ Plate 30.	Copper engraving with hand colouring	Published according to Act of Parliment, FEb. 1763			I 240 x 355, Pl. 265 x 370 mm, S 285 x 443 mm			An elegant print from Angelo's renowned fencing manual "L'Ecole des Armes"During the eighteenth-century, fencing was a popular sport among the English royalty and aristocracy, primarily learned on the Continent until the Italian fencing master Domenico Angelo Malevolti Tremamondo established his fencing school in London. A riding instructor by trade, Angelo was born in Leghorn, Italy in 1716 and briefly trained with the celebrated fencer Monsieur Teillagory in Paris. After arriving in England in 1755, he participated in and won several public fencing matches, quickly earning a reputation that helped him secure high-ranking clients such as the Duke of Devonshire and the Earl of Pembroke. He soon capitalized on his popularity by establishing Angelo's School of Arms, where he taught horsemanship as well as fencing to an affluent and fashionable clientele. Angelo also continued to teach privately and in 1758, instructed the Prince of Wales and the Duke of York. Over the years, his school became a venerable British institution, which was run by successive generations of the Angelo family until the early twentieth-century.In 1763, Angelo published L'Ecole des Armes Avec l'explication génèrale des principales attitudes et positions concernant l'Escrime illustrated with forty-seven copper-plates by famous English artists Gwynn and Ryland, Hall, Chamber and Grignion. Angelo himself, as he noted in his letter, posed as one of the combatants in the plates and his friend and patron Henry Herbert, the 10th Earl of Pembroke (1734-1794), often posed as his opponent. The special presentation copy of the original drawings was later acquired by Lord Farnham. In 1961, it was sold at Sotheby's to Paul Mellon, and is now in the Yale Center for British Art. The Royal Library at Windsor has a proof set of Angelo's plates commissioned in 1765 for inclusion in Diderot's encyclopedia. Hand-coloured, mounted and bound in red morocco with a cusped yellow leather border, the plates are prefaced by a manuscript dedication by Angelo to the Prince of Wales. 	250.00	£250	unmounted	Print	Sports	Fencing	Fencing					
2495		Sir Lionel Arthur Lindsay (1874-1961)	Two Chickens in a Farmyard	Woodcut	circa 1937			I 113 x 152 mm			Sir Lionel Lindsay started his career at the age of  15 when he worked as a pupil assistant at the Melbourne Observatory (1889-1892). He then completed his studies at the National Gallery School, Melbourne. From 1903 to 1926, Lindsay was employed as an illustrative artist for the ‘Sydney Evening News’. After that period his art had gained an international reputation and he travelled and worked in such locations as India, North Africa, Spain and England. His original wood engravings and etchings were often commissioned and exhibited by Colnaghi. Lionel  Lindsay’s first etching dates from 1895 but it wasn’t until 1907, however, that he began to devote much of his talents to both etching and wood engraving. During the following decades, Lindsay produced over 300 works of original art in these mediums and it was his wood engravings of Australian animals and birds that set his art at its highest level. Lionel Lindsay received a knighthood for his achievements in art. 	250	£250	mounted	Print	20th Century							
2496		Unknown engraver	 King James the 2nd					I. 182 x 269 S. 217 x 283 mm				90	£90	framed	Print	General Interest	Jacobite						
2501		I. Smith after N. Largillerre	Serenissima Maria Beatrix D. Angliae Scotiae Franciae et Hiberniae Regina & ct	Mezzotint	Sold by Alex Brown at ye bleur balcony in little Queen Street			I. 235 x 293 mm Pl. 251 x 345 mm S. 259 x 353 mm				200	£200	mounted	Print	General Interest	Jacobite						
2504		John Smith after Sir Godfrey Kneller	The Prince of Great Britian	Mezzotint				I. 213 x 336 mm			ii stateSharp 71, O’D 12 :  SG 26King James III and VIII (1688 - 1766: reigned 1701 - 1766)	40	£40		Print	General Interest	Jacobite						
2510		P.G. Needle	Le Pont D’Avignon	Woodblock	1925			I 230 x 350 mm S 265 x 370 mm	4/40			120	£120	mounted	Print	20th Century							
2511		Edmund Blampied 1886-1966	The Fisherman’s Return	Drypoint	1922			I 170 x 232 mm S 260 x 400 mm			Early Proof signed in Pencil with artist’s noteEx. Col Frank EmmanuelA.47, C.D 70 there were 100 impressions published	450	£450	mounted	Print	20th Century							
2512		Dorothy Marion Rushton	Ashford’s Warehouses, Saxmundham	soft-ground engraving with etching	1916			I 193 x 294 S 240 x 303 mm	Signed and titled in pencil		Ex Col, Emmanuel	150	£150	mounted	Print	20th Century							
2514		Douglas I. Smart (1879-1966)	Arcades	Etching and Drypoint	circa 1908			I 165 x 132 mm S 220 x 180 mm	Trial Proof signed in pencil with title inscribed		Ex. Col Frank EmmanuelPossibly the Place des VosgesEtcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.	120	£120	mounted	Print	20th Century							
2517		John Nicholson (1891-1951)	Horse Grazing	Drypoint	1992			I 150 x 200 mm S 174 x 255 mm			Nicholson was a friend of Edmund Blampied. Both were students at the London County Council Art School where they learned etching and engraving. Blampied shared a house with Nicholson and his wife in South London for some considerable time and during this period the two artists worked closely together. They shared a common enthusiasm for horses and farm animals and they developed similar styles.	200	£200	mounted	Print	20th Century							
2519		August Louis-Lepere 1849-1914	Untitled	Etching				I 120 x 167 mm S 153 x 197 mm				100	£100	mounted	Print	20th Century							
2520		F.G. Wilkinson	A Breton Market Day	Linocut in Colour				I 142 x 185 mm S 170 x 202 mm	Signed and inscribed in Pencil		Ex Col Frank Emmanuel	150	£150	mounted	Print	20th Century							
2521		Martin Jones	Reclining Buddha - Pegu Burma	Etching				I 205 x 123 mm				100	£100	mounted	Print	20th Century							
2522		Frank Short	The Silver Tide	Aquatint	[1912]			I 150 x 227 mm S 227 x 295 mm	Signed and Inscribed in Pencil		Martin Hardie 162 High tide at the head of Bosham harbour	275	£275	mounted	Print	20th Century							
2527		Terence H. Lambert	Portrait of a Man in a Forest	Etching				I 215 x 113 mm S 264 x 150 mm			Ex Col Frank Emmanuel	60	£60	mounted	Print	20th Century							
2533		Solomon Van Abbe (1883-1955)	The Statue	Drypoint				I 265 x 184 mm S 307 x 232 mm			Ex Col Frank Emmanuel	130	£130	mounted	Print	20th Century							
2534		E. Leigh-Pemberton	Landscape					I 190 x 162 mm; S 269 x 197 mm			Ex Col Frank Emmanuel	120	£120	mounted	Print	20th Century							
2537		Felix Bracquemond 1833-1914	La Morte de Matamore	Etching				I 161 x 226 mm S 252 x 335 mm			Ex Col Frank Emmanuel	100	£100	mounted	Print	Victorian							
2539		Douglas I. Smart (1879-1966)	Sterling Castle from N.E. 	Etching	August 21, 1912			I 161 x 252 mm S 225 x 289 mm	Signed in Pencil with title inscribed 		Ex. Col Frank EmmanuelEtcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short	150	£150	mounted	Print	20th Century							
2540		Douglas I. Smart (1879-1966)	Toledo Bridge No. 5 	Etching and drypoint	circa 1908			I 169 x 190 mm S 203 x 247 mm	Trial Proof signed in pencil with title inscribed		Ex. Col Frank EmmanuelEtcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.	120	£120	mounted	Print	20th Century							
2541		Douglas I. Smart (1879-1966)	Toledo Bridges No.3	Etching and drypoint				I 147 x 240 mm S 195 x 290 mm			Ex Col Frank EmmanuelEtcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.	170	£170	mounted	Print	20th Century							
2542		John Henry Amshewitz R.B.A 1882-1942	The Farwell	Etching and aquatint				I 240 x 203 mm S 276 x 235 mm	Signed and inscribed in pencil		Portrait painter, mural painte, etcher, illustrator and cartoonist.	180	£180	mounted	Print	20th Century							
2543		Sid Long	Pastoral	Soft-ground etching				I 363 x 249 mm S 433 x 335 mm	Signed in pencil and dedicated to Frank Emmanuel		Plate 172 in Emmanuel’s Etching and Etchings.	150	£150	mounted	Print	20th Century							
2544		Maxwell Lightfoot	[Mother and Child]	Chromolithograph	circa 1905			I 170 x 158 mm			Lightfoot was born in Liverpool and studied at the Chester Art School from 1902 to 1905. He was subsequently apprenticed as a chromolithographer and took evening classes at the Sandon Studios in Liverpool under Gerard Chowne and Merbert MacNair. He then studied at the Slade School from 1907 to 1909 and was a member of the  Camden Town Group but resigned  after their first show. He took his own life in 1911. Some critics thought he had a very promising future as an artist. 	30	£30		Print	20th Century							
2545		J. F. Barry Pittar 1880-1948	The Turn of the Field	Soft-ground etching				I 162 x 250 mm S 235 x 325 mm	Signed and inscribed in pencil 1/10		Painter and etcher of architectural subjects and landscapes. He became the Chief Architectural Artist to Royal Doulton Potters in Lambeth and illustrated for The Graphic and the Illustrated London News.	120	£120	mounted	Print	20th Century							
2547		Douglas I. Smart (1879-1966)	Toledo Bridges No.6	Drypoint	1911			I 200 x 250 mm S 263 x 302 mm			Ex Col Frank EmmanuelEtcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.	150	£150	mounted	Print	20th Century							
2548		Douglas I. Smart (1879-1966)	The Way Farers	Etching				I 217 x 257 mm  S 285 x 328 mm			Ex Col Frank EmmanuelEtcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.	150	£150	mounted	Print	20th Century							
2549		Douglas I. Smart (1879-1966)	Seine Islands: Les Andeleus	Drypoint				I 171 x 250 mm S 205 x 281 mm			Ex Col Frank EmmanuelEtcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.	120	£120	mounted	Print	20th Century							
2551		Douglas I. Smart (1879-1966)	Deoland (Rye)	Etching				I 125 x 244 mm S 212 x 335 mm			Signed in pencil with artist’s notesEx Col Frank EmmanuelEtcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.	150	£150	mounted	Print	20th Century							
2552		Douglas I. Smart (1879-1966)	Albi	Drypoint				I 236 x 357 mm S 303 x 411 mm			Trial Proof, signed in pencil with artist’s notesEtcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.	170	£170	mounted	Print	20th Century							
2553		Douglas I. Smart (1879-1966)	Banks of the Seine	Etching and drypoint				I 150 x 200 mm S 205 x 235 mm			Trial Proof, signed in pencil with artist’s notesEtcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.	100	£100	mounted	Print	20th Century							
2554		Douglas I. Smart (1879-1966)	Early Morning Durham	Etching 				I 175 x 175 mm S 220 x 345 mm			Signed in pencil with title inscribedEtcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.	150	£150	mounted	Print	20th Century							
2560		Alphonse Legros	Peasant-Women in the Neighbourhood of Boulogne	Etching	Published 1875			I 200 x 152 mm Pl. 227 x 153 mm				180	£180	mounted	Print	Victorian							
2561		William Bell Scott	I. Vignette Title [For Lady Jane] [Title page from “The King’s Quair”]	Etching	1885			I 131 mm diameter; Pl. 315 x 264 mm			Proof before all letters i/iiPrice for the set.Although he contributed to “The Germ”, Scott was never a member of either Etching Club, since he worked and taught in Newcastle and later lived aminly in Ayrshire. His ideals were similar to those of most members of the Etching Club. He was a close friend of Dante Gabriel Rosetti and a great admirer of William Blake. At the time he was probably the most accomplished British artist working outside London.	5200	£5,200	mounted	Print	Victorian	William Bell Scott						
2562		William Bell Scott	II. Old Windsor- Early Morning 	Etching	1865			I 240 x 202 mm (arched top); Pl. 347 x 269 mm			i/ii, proof before all letters	5200	£5,200	mounted	Print	Victorian	William Bell Scott						
2563		William Bell Scott	III. Lady Jane listening to the Nightingale	Etching	1885			I 234 x 199 mm (arched top); Pl. 340 x 263 mm			i/ii, proof before all letters	5200	£5,200	mounted	Print	Victorian	William Bell Scott						
2564		William Bell Scott	IV. The Garden of the Court of Lovers	Etching	1885			I 238 x 202 mm (arched top); Pl. 341 x 265 mm			i/ii, proof before all letters	5200	£5,200	mounted	Print	Victorian	William Bell Scott						
2565		William Bell Scott	V. Lady Jane Sending off the Dove	Etching	1885			I 228 x 184 mm (arched top); Pl. 342 x 265 mm			i/ii, proof before letters	5200	£5,200	mounted	Print	Victorian	William Bell Scott						
2566		William Bell Scott	VI. King James receives the Dove	Etching	1885			I 236 x 191 mm (arched top); Pl. 342 x 263 mm			i/ii Proof before all letters	5200	£5,200	mounted	Print	Victorian	William Bell Scott						
2570		William Scott	The Tiber	Etching	1883 			I 106 x 192 mm; Pl. 107 x 192 mm	As published in Part 49 of “The Etcher”, London 1883		Ex-collection F. L. EmmanuelWillian Scott (1848-1918) was an architect and etcher in London. 	220	£220	mounted	Print	Victorian							
2571		E. Slocombe after T. Pyne	Streatley Hill	Etching	circa 1870			I 177 x 244 mm; Pl. 228 x 304 mm				50	£50	mounted	Print	Victorian							
2572		John Park	Shields Harbour (Evening)	Etching	circa 1860			I 196 x 300 mm; Pl. 208 x 305 mm	ii/ii		Shields Harbour in NorthumberlandDied 1919.  Park was an etcher and he exhibited at leading London galleries.  Elected A.R.E.in 1898.	120	£120	mounted	Print	Victorian							
2573		J. Le Keux after F. Mackenzie	South Front of Queen’s College.	Steel engraving	London Published April 1 1834 by J.H. Parker, Oxford, C Tilt Fleet Street London & J. Le Keux Hamondsworth			I 93 x 139 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver involved with several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	45	£45	mounted	Print	Oxford	Queen’s College						
2574		Paul Rahjon after George Frederick Watts	Sir Frederick Leighton P.R.A	Etching	Published 1 November 1880 by The British and Foreign Artists’ Association			I 282 x 249 mm; Pl. 428 x 304 mm			PSA index	250	£250	mounted	Print	Victorian							
2575		Charles John Watson	St. Pierre Lisieux	Etching	Published June 1890 by Robert Dunthorne			I 303 x 216 mm; Pl. 303 x 214 mm			Watson Catalogue 80	220	£220	mounted	Print	Victorian	Charles J. Watson						
2578		William Brown	Old Houses in Butter Row	Etching				I 272 x 210 mm Pl. 314 x 251 mm			Impression signed by BrownButter Row, Cirencester	80	£80	mounted	Print	Victorian							
2579		George Bailey	[View of Lichfield]	Etching				I 286 x 175 mm Pl. 330 x 202 mm				120	£120	mounted	Print	Victorian							
2580		Walter Severn	[Deer at Stream]	Etching				I 117 x 168 mm Pl. 144 x 203 mm			Impression signed by SevernSevern (1830-1904), the son of Keat’s friend Joseph Severn, was a landscape painter and member of the JEC rather than the EC. This might have been due to the fact that his father had been expelled from the Etching Club for non-attendance.	70	£70	mounted	Print	Victorian							
2581		B.P. Gibbon after A. Morton	Edw. Scriven	Etching				I 90 x 68 mm Pl. 164 x 129 mm	O’Donoghe 1 i/ii			80	£80	mounted	Print	Victorian							
2582		Henry Heath [?]	[Spooner’s Stationery No.5]	Etching	Published by W. Spooner 1840			I 89 x 142 mm Pl. 89 x 141 mm			Cut impressionMajor Evans, who attributed Spooner’s envelopes to H. Heath, records 14 different envelopes by Spooner in 1840.Heath was a satirical etcher.	100	£100	mounted	Print	Victorian							
2583		John Leech	[Fore’s Comic Envelopes No. 1)	Etching							According to Major Edward B. Evans, in A Description of the Mulready Envelopes[...] from 1891, this is the smaller of Leech’s two satirical copies of Mulready’s engraved postal stationary.Leech (1817-1864) was a satirical draughtsman and illustrator. He worked for “Punch” and illustrated Dicken’s A Christmas Carol.Mulready (1786-1863) was a genre painter and occasional portraitist, and the creator of the original postal envelope.	100	£100	mounted	Print	Victorian							
2584		Robert Walker Macbeth	The Miller’s Daughter	Etching				I 171 x 213 mm; Pl. 252 x 331 mm	i/ii (?)		Walker Macbeth (1848-1910) was the son of the Scottish portrait painter Norman Macbeth. He was an etcher, watercolourist and painter of pastoral landscapes, rustic genre scenes and has a unique etching style, very different from Haden or Whistler. He served on the Council of the Royal Society of Painter-Etchers. 	180	£180	mounted	Print	Victorian							
2585		Richard Redgrave	The Little Truant	Etching				I 158 x 241 mm; Pl. 173 x 249 mm			Ex Collection Redgrave familyRedgrave was well-known in his day as a painter, but is now remembered as the first principal of the Government School of  Design, now the Royal College of Art. He was a founder-member of the Etching Club and was its secretey until 1845. As can be deduced from no. 50 and the dearth of working proofs, he, unlike Cope and Holman Hunt, did not work up his etchings in stages, but rather worked on them without taking proofs. 	400	£400	mounted	Print	Victorian							
2588		Richard Redgrave	Eugene Aram	Etching				I 159 x 241 mm; Pl. 177 x 252 mm			Ex Collection Redgrave familyAn impression of this print was exhibited at the RA in 1866 (no.803). This could have been the actual impression.Eugene Aram (1707-1759), the murderer of Knaresborough. The story of the Scholar murderer fascinated the Victorians. Hood and Lytton both produced novels of his life.	500	£500	mounted	Print	Victorian							
2589		John Henry Robinson after Abraham Cooper	[James Hopwood]	Etching				I 62 x52 mm; Pl. 127 x 84 mm 	i/ii		Before the artists’ names.O’Donoghue1	80	£80	mounted	Print	Victorian							
2592		Charles Raymond Booth Barrett	Bisham Abbey	Etching	1889			I 119 x 180 mm; Pl. 135 x 189 mm			Bisham Abbey, 13th Century Abbey, Nr Marlow, Bucks	45	£45	mounted	Print	Victorian							
2593		Richard Redgrave	Poor Barbara’s Song	Etching				I 109 x 90 & 25 x 88 mm; Pl. 301 x 215 mm	i/ii before title and verse		Ex. Collection Redgrave familyWith artist’s notes: “E.C. 12 Dec 1842”	290	£290	mounted	Print	Victorian							
2594		D. Hawell after A. Pugin	St. Mary’s Church taken from the top of the Radcliffe library	Aquatint with hand colouring	Published for R. Ackermann. 1813.			I 135 x 210	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			120	£120	mounted	Print	Oxford	Oxford Churches						
2595		Charles West Cope	Hush	Etching				I 179 x 140 mm; Pl. 252 x 190 mm	ii/vi		Touched impression.Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporaries as the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. 	300	£300	mounted	Print	Victorian							
2596		Charles West Cope	Hush	Etching				I 179 x 140 mm; Pl. 252 x 190 mm	i/vi		Touched impression.Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporaries as the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. 	300	£300	mounted	Print	Victorian							
2597		Charles West Cope	Hush	Etching				I 179 x 140 mm; Pl. 252 x 190 mm	iv/vi		Touched impression.Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporaries as the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. 	300	£300	mounted	Print	Victorian							
2599		Paul Rahjon	L. Alma-Tadema R.A.	Etching	Published 18 July 1883 by The British and Foreign Artists’ Association			I 230 x 220mm; Pl. 411 x 294 mm			Beraldi 175PSA index p.373 iii/iii (?)Impression what PSA stamp	150	£150	mounted	Print	Victorian							
2600		Queen Victoria after Lady Wilhelmina Stanhope	Woman with a shawl over her head	Etching				I 107 x 56 mm; Pl. 164 x 110 mm			Scott-Elliot 19Sheet inscribed in pencil by Queen VictoriaLady Wilhelmina (1819-1901) became Lady Dalmeny and later Duchess of Cleveland. She was mother of Lord Rosebery, the Prime Minister who won the Derby twice	1500	£1,500	mounted	Print	Victorian							
2601		William Bell Scott	William Bell Scott and David Scott	Etching	1875			I 70 x 58 mm; Pl. 96 x 96 mm			Proof before publication. Ex collection. William Bell Scott.Although he contributed to “The Germ”, Scott was never a member of either Etching Club, since he worked and taught in Newcastle and later lived aminly in Ayrshire. His ideals were similar to those of most members of the Etching Club. He was a close friend of Dante Gabriel Rosetti and a great admirer of William Blake. At the time he was probably the most accomplished British artist working outside London	100	£100	mounted	Print	Victorian	William Bell Scott						
2602		Richard Redgrave	Fairy Revels	Etching				I 74 x 144 mm; Pl. 78 x 152 mm			Ex collection Redgrave familyRedgrave was well-known in his day as a painter, but is now remembered as the first principal of the Government School of  Design, now the Royal College of Art. He was a founder-member of the Etching Club and was its secretey until 1845. As can be deduced from no. 50 and the dearth of working proofs, he, unlike Cope and Holman Hunt, did not work up his etchings in stages, but rather worked on them without taking proofs. 	135	£135	mounted	Print	Victorian	Richard Redgrave						
2604		George Bailey	Corfe Castle	Etching				I 152 x 100mm; Pl. 165 x 109 mm				70	£70	mounted	Print	Victorian							
2605		A. Hugh Fisher	[Queen Victoria’s Jubilee Procession passing St. Clements Dane]	Etching	22 June 1897			I 250 x 142 mm; Pl. 250 x 142 mm			With dedication from Fisher to Frank EmmanuelEx collection F.L. EmmanuelFisher (1867-1945) A.R.E. was an etcher of Topography	400	£400	mounted	Print	Victorian							
2606		Percy Robertson	Godalming	Etching				I 174 x 252 mm; Pl. 244 x 334 mm	Plate VI of Robertson’s “Surrey Landscapes”		Godalming, Surrey	225	£225	mounted	Print	Victorian							
2607		J. C. Robinson	Nine Barrow Down	Etching	Published 1875			I 108 x 257 mm; Pl. 114 x 262 mm	Allhusen/ Hind 12 iii/iii (illustrated)		J.C. Robinson (1824-1913) was a painter of flowers and landscapes. After 17 years as Superintendant of the Art Collections at the Victoria and Albert Museum, he became surveyor of the Queen’s Pictures. Towards the end of his life, he took up etching showing a poetic vision of Dorset and elsewhere.A contemporary and close friend of Sir Frances Seymour Haden, Robinson’s work is primarily concerned with the atmospheric effects of weather.  Like Haden Robinson was a wealthy gentleman artist who did not depend on the sale of his work to provide income.  Etchings by Robinson are rare.  During his lifetime only a few of his prints were offered for sale, the majority of his work was distributed by the artist amongst his friends.	160	£160	mounted	Print	Victorian	J. C. Robinson						
2609		Robert Farren	The New Quadrangle, Trinity College	Etching	Published 1888			I 264 x 401 mm; Pl. 302 x 401 mm				120	£120	mounted	Print	Victorian							
2610		F. Bedford	Saint Mary the Virgin, Oxford	Lithograph with hand colouring	Published by Day & Son, c. 1880							25	£25	mounted	Print	Oxford	Oxford Churches						
2611		David Law	Abingdon-Moonlight	Etching	1881			I 233 x 349 mm; Pl. 252 x 353 mm	ii/(?)iii		Impression signed by the Law from the suite of ten views on the Thames, published by Dowdeswell & Dowdeswell as a set at 15 gns. Dowdeswell’s catalogue of the exhibition of the original watercolours of this series, notes that the prints were being published in three editions: (i) Remake proofs signed and numbered, ten impressions of each print at 3 gns. (ii) Proofs signed and numbered 50 sets at 15 gns. a set (iii) Prints 50 sets at 10 gns. a set. The last are described in late catalogues as ‘lettered’. Smaller versions of the print were published in O. Dullea’s The Thames Oxford to London: Twenty Etched Plates by David Law, 1882.	250	£250	mounted	Print	Victorian							
2612		Edward Burrow	Boveney Lock Windsor	Etching	Published by W.H. Benyon & Co. 			I 159 x 251 mm; Pl. 184 x 270 mm			Burrow was a topographical etcher specialising in schools and colleges for Beynon of Cheltenham	150	£150	mounted	Print	Victorian							
2613		David Law	The Swan at Pangbourne	Etching	Pub. 1881			I 197 x 352 mm; Pl. 212 x 354 mm			Pangbourne on Thames, Berkshire.	180	£180	mounted	Print	Victorian							
2614		George Bailey	[Road to Drumlanrig Castle]	Etching				I 157 x 215 mm; Pl. 180 x 241 mm			Bailey (1832-1925) was an antiquary and artist in derby, who worked as head of the design department at Bemrose, the great printers there.	110	£110	mounted	Print	Victorian							
2616		Charles West Cope	Hush	Etching				I 179 x 140 mm; Pl. 252 x 190 mm	iii/vi		Touched ImpressionCharles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporaries as the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. 	300	£300	mounted	Print	Victorian							
2617		Charles West Cope	Hush	Etching				I 179 x 140 mm; Pl. 252 x 190 mm	v/vi		Touched ImpressionCharles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporaries as the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. 	300	£300	mounted	Print	Victorian							
2618		M.W. Ridley	A Collier in Bristol Harbour	Etching	Published c.1865 by The Art Union of London			I 147 x 200 mm; Pl. 177 x 227 mm			Ridley (1837-1888) was a painter and etcher who knew Whistler in Paris and modelled for some of his prints. His early etchings were all shipping scenes. In 1866-67 he was a member of the “Societe des aquafortistes”.The Art Union of London was founded in 1837 to promote a purer taste in Art. For subscription of one guinea, a member received a print and a chance to acquire a picture purchased at a major art exhibition. The Union also gave prizes for industrial design.	200	£200	mounted	Print	Victorian							
2619		John Prescott Knight	Drinking Song [Songs of Shakespeare]	Etching	Published in p.164 in Etching and Etchers, 1868			I 80 x 131 mm; Pl. 299 x 212 mm	i/ii the final state was published in Songs of Shakespeare, 1843		This print illustrates Othello Act 2, Scene, Iago sings, “And let me the canakin clink, clink; And let me the canakin clink a soldier’s a man; A life’s but a span; Why, then, let a soldier drink. Some wine boys!”	150	£150	mounted	Print	Victorian							
2621		Charles West Cope	Love	Etching	1840s			I 174 x 142 mm; Pl. 204 x 148 mm	i/ii		Impression with instructions in pencil with a note to the printer including the numbers to be printed. The final state was published in Etch’d Thought by the Etching Club, 1844 and illustrates a poem from Spenser’s Hymnes, “Thereon his mind affixed wholly is...”.Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. 	450	£450	mounted	Print	Victorian							
2622		Charles West Cope	Love	Etching				I 174 x 142 mm; Pl. 204 x 148 mm	i/ii		Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporaries as the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. 	250	£250	mounted	Print	Victorian							
2623		E. Russell	[Lord Cosmo George Russell]	Etching				I 130 x 183 mm; Pl. 152 x 204 mm	O’Donoghue 4		This charming etching was almost certainly made by a close relation to Lord Cosmo. Likely candidates are Lord Edward, his brother, Elizabeth (nee Russell) Lady Wriothesley Russell, his sister-in-law and Elizabeth (nee Rawdon) Lady George Russell, his half-sister-in-law.	150	£150	mounted	Print	Victorian							
2625		Percy Thomas after Briton Riviere	[Robert Upperton Esq.re]	Etching	1871			I 179 x 139 mm; Pl. 217 x 167 mm	Impression signed by Thomas		Inscribed on verso: “Robert Upperton Esqr. First proof of the second plate. Very few printed as the horseman did not like it - not handsome enough - [signed] Ralph Thomas”.Ex collection Ralph ThomasRiviere (1840-1920) was a painted of history and genre pictures often starring a dog or a lion. Upperton (b.c 1833) was a solicitor and acquaintance of Whistler.	50	£50	mounted	Print	Victorian							
2627		Charles West Cope	Love’s Enemies	Etching				I 94 x 152 mm; Pl. 122 x 198 mm	ii/iii		Impression on India laid paper. The final state published in Etch’d Thoughts by The Etching Club, 1844. This print illustrates a section from Shakespeare’s “Midsummer Nights Dream”, Act I, Scene I, Lysander, “Or, if there were a sympathy in choice, War, death, or sickness, did lay siege to it, making it momentary as a sound”.Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporaries as the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. He was on the council of the Royal Society of Painter Etchers. 	160	£160	mounted	Print	Victorian							
2628		William Holman Hunt	A Day in the Country	Etching	1865			I 139 x 209 mm; Pl. 187 x 249 mm	Only state as published as plate 6 in ‘A Selection of Etchings’ by the Etching Club. 1865			980	£980	framed	Print	Victorian							
2629		Charles West Cope	Life School Royal Academy	Etching	1885			I 155 x 249; Pl. 198 x 284 mm			As published on p.152 in Etching and Etchers, 1868.Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. He was on the council of the Royal Society of Painter Etchers. 	350	£350	mounted	Print	Victorian	Charles West Cope						
2630		Charles West Cope	[A Feast of Fairies]	Etching	1885			I 155 x 249; Pl. 198 x 284 mm			As published on p.152 in Etching and Etchers, 1868.Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. He was on the council of the Royal Society of Painter Etchers. 	350	£350	mounted	Print	Victorian							
2631		J. C. Stadler after Mackenzie	The Clarendon Print House	Aquatint with hand colouring	London Pub. April 1 1814 at 101 Strand for R. Ackermann’s History of Oxford			I 205 x 270 mm				160	£160	mounted	Print	Oxford	Broad Street Views						
2632		J. C. Stadler after Farington	View from Nuneham towards Oxford	Aquatint	Pub. June 1 1793 by J & J Boydell			I 210 x 320 mm				125	£125	mounted	Print	Oxford	General Views						
2634		L. Hague	The Martyr’s Memorial, Oxford	Lithograph	Published by Day & Son, May 1843			I 450 x 305 mm				60	£60	mounted	Print	Oxford	General Views						
2635		after W. H. Wardlow	Land and Water [University College]	Photolithograph	Published 1899 by Dickinson and Foster, London			I 490 x 360 mm				100	£100	mounted	Print	Oxford	Oxford Portraits						
2636		John Boydell	A West Prospect of the City of Oxford	Copper engraving	Published According to act of parliament by John Boydell engraver at the Unicorn the corner of Queen Street Cheapside London 1751. Price 1 shilling.			I. 244 x 425 mm				550	£550	mounted	Print	Oxford	General Views						
2637		Unknown engraver after Michael Rooker	North West View of Friar Bacon’s Study	Copper engraving	1787			I 300 x 450 mm	Oxford Almanack			100	£100	mounted	Print	Oxford	General Views						
2638		H. W. Moore	Nixon’s Free Grammar School	Lithograph	1878			I 315 x 290 mm				65	£65	mounted	Print	Oxford	General Views						
2640		Edward and Michael Rooker	[Clarendon Building]	Copper engraving with hand colouring	Published 1774			I 305 x 450 mm	Oxford Almanack 1774			200	£200	mounted	Print	Oxford	Clarendon Press						
2642		R. Parr	Mary-Louisa Daughter of King James. II . at  her Toillett died April 18. 1712 aged 20 And Therfore wer’t thou bred rto virtuous Knowledge To bear with accidents, and ev’ry Change... Wisdom early planted in thy soul; of various Life, to Struggle with Adversiy	Engraving				I. 333 x 254 mm S. 395 x 286 mm			Sharp 176	80	£80		Print	General Interest	Jacobite						
2645		Unknown after Anker Smith	Charles Edward Stuart	Engraving	Chas. Edward Stuart 			I. 77 x 105 mm S. 80 x 127 mm				30	£30		Print	General Interest	Jacobite						
2646		J. C. Armytage after L. Tocque	Charles Edward Stuart	Engraving	Prince Charles Edward Stuart			I. 100 				10	£10		Print	General Interest	Jacobite						
2648		Percy Thomas	[Sunday Morning - A Scene in the South Kensington Exhibition]	Etching	1884			I 258 x 187 mm; Pl. 276 x 199 mm			Impression signed by ThomasEx. Collection of Ralph ThomasA long note on verso signed by Ralph Thomas explains that the print shows temporary buildings removed after the exhibition	80	£80	mounted	Print	Victorian							
2649		Arthur Evershed	At Hampstead	Etching	circa 1879			I 147 x 190 mm; Pl. 167 x 204 mm				85	£85	mounted	Print	Victorian							
2652		Arthur Ditchfield	[River Boat]	Etching	Published 1877			I 97 x 189 mm; Pl. 141 x 224 mm			Delatre impressionArthur Ditchfield (1842-1888) is now almost entirely forgotten, his etchings largely undocumented. One of the things to note about him is his sketching trip with Ruskin and Hercules Brabazon to Amiens in 1880. He was obviously a conscientious craftsman, for he noted on many of his works who had printed them. It is worth comparing impressions by Goulding, Holdgate or Ditchfield himself. He made at least 77 etchings, a set of which were presented to the British Museum by his sister, Mrs J.L. Roget, with a manuscript listing. His training is unknown - his drawings are not of  “The English School”. It was probably Parisian, for the influence of Applan is evident and to a lesser extent that of Lalanne.	80	£80	mounted	Print	Victorian							
2653		Leonard Russell Squirrell	A Bridge at Alnwick	Drypoint	1932			I 128 x 235 mm; S 187 x 288 mm			Signed and inscribed in pencil with a dedication to Frank EmmanuelEx Collection Frank Emmanuel	300	£300	mounted	Print	20th Century							
2654		G. Hollis after Buckler	Front of Corpus-Christi College, Oxford	Copper engraving	Published by G. Hollis, Oxford 1820			I 285 x 200 mm				95	£95	mounted	Print	Oxford	Corpus Christi College						
2656		After Muirhead Bone	Hall of Christ Church from the South	Photolithograph	c. 1910			I 340 x 250 mm			Sir Muirhead Bone (23 March, 1876 - 21 October, 1953) was a Scottish etcher, drypoint and watercolour artist.The son of a printer, Bone was born in Glasgow and trained initially as an architect, later going on to study art at Glasgow School of Art. He began printmaking in 1898, and although his first known print was a lithograph, he is better known for his etchings and drypoints. His subject matter was principally related to landscapes, architecture (which often focussed on urban construction and demolition sites) and industry.In 1901 he moved to London, where he met William Strang, Dugald MacColl and Alphonse Legros, and later became a member of the New English Art Club. After the outbreak of the First World War, Charles Masterman, head of the British War Propaganda Bureau and acting on the advice of William Rothenstein, appointed Bone as Britain's first official war artist in May 1916.Commissioned as an honorary Second Lieutenant, he arrived in France during the Battle of the Somme, serving with the Allied forces on the Western Front and also with the Royal Navy for a time. He produced 150 drawings of the war, returning to England in October of that year. Over the next few months Bone returned to his earlier subject matter, drawing pictures of shipyards and battleships. He visited France again in 1917 where he took particular interest in the ruined towns and villages.After the Armistice, Bone returned to the type of works he produced before the war, and was influential in promoting fellow war artists William Orpen and Wyndham Lewis. He began to undertake extensive foreign travels which increasingly influenced his work. In 1923 he produced three portraits of the novelist Joseph Conrad during an Atlantic crossing. In the inter-war period he exhibited extensively in London and New York, building up a considerable reputation. He received a knighthood in 1937, and served again as official war artist in the Second World War from 1940.Sir Muirhead Bone died in 1953 in Oxford.Text from Wikipedia, http://en.wikipedia.org/wiki/Muirhead_Bone. 05.09.2007	40	£40	mounted	Print	Oxford	Christ Church College						
2657		W. Gauci after Delamotte	Baliol [Balliol] College Garden	Lithograph	Published c. 1842			I 345 x 254 mm	Original Views of Oxford, its Colleges, Chapels and Gardens from drawings expressly for this work by William Alfred Delamotte. Executed in Lithography by William Gauci, with Historical and Descrpitive notices by Charles Ollier. London: Thomas Boy. 1843			90	£90	mounted	Print	Oxford	Balliol College						
2658		John Harris after W. Williams	Christ Church from the North	Copper engraving	1725			I 390 x 440 mm	Oxford Almanack for 1725		In the foreground five allegorical figures examine a geometrical diagram on the ground. 	220	£220	mounted	Print	Oxford	Christ Church College						
2660		Unknown photographer	Members of Balliol College, Oxford	Photograph	c.1900			440 x 570 mm			With a shield of the college on the original mount. Lightly foxed.	40	£40	mounted	Print	Oxford	Balliol College						
2662		J. Dadley after E. Dayes	Front View of Christ Church	Copper engraving	Published 1796			I 290 x 444 mm	Oxford Almanack 1796			300	£300	framed	Print	Oxford	Christ Church College						
2663		M. A. Rooker	A Perspective View of the New Gate at Christ Church	Copper engraving	Published 1781			I 450 x 295 mm	Oxford Almanack 1781			170	£170	mounted	Print	Oxford	Christ Church College						
2664		Issac Taylor after D. Harris	A western view of All Souls College	Copper engraving	Published 1790			I 285 x 450 mm	Oxford Almanack 1790			100	£100	mounted	Print	Oxford	All Souls College						
2665		Merigot after Naltes	Oxford. West Entrance into Christ Church College taken from Pembroke Lane	Aquatint	Published by Albion Press, c. 1820			I 280 x 370 mm				220	£220	mounted	Print	Oxford	Christ Church College						
2666		Unknown engraver	The North Prospect of the New Quadrangle of Christ Church in Oxford	Copper engraving	c. 1770			I 570 x 450 mm				250	£250	mounted	Print	Oxford	Christ Church College						
2668		R. Groom after I. Shaw	Oxford Cathedral	Lithograph	Published by H. Alden, Oxford c.1830			I 300 x 245 mm				50	£50	mounted	Print	Oxford	Christ Church College						
2669		D. Harris after Taylor	Corpus Christi College, from the back gate of Christ Church	Copper engraving with hand colouring	1823			I 440 x 295 mm	Oxford Almanack 1823			90	£90	mounted	Print	Oxford	Corpus Christi College						
2670		James Basire after H. O’Neill	Gate of All Souls’ College, with St. Mary’s Church	Copper engraving with hand colouring	Published 1814			I 435 x 310 mm	Oxford Almanack 1814			185	£185	mounted	Print	Oxford	All Souls College						
2673			Speeches in Upper School	Lithograph with hand colouring	Published by J. Ryman, High St, Oxford			I 270 x 385 mm				45	£45	mounted	Print	Oxford	Oxford Caricatures						
2674		Unknown photographer	St. Mary-the-Virgin Church, Oxford	Photograph	c. 1900			480 x 380 mm				45	£45	mounted	Print	Oxford	Oxford Churches						
2675		George Cruikshank after Woodward	Love and Learning	Etching	London, Pubd. by Allen & Wesh, January 27 1797			I 225 x 170 mm				45	£45	mounted	Print	Oxford	Oxford Caricatures						
2676		Charles West Cope	[A Feast of Fairies]	Etching	1885			I 67 x 121 mm; Pl. 84 x 137 mm	v/v (?)		Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporaries as the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. He was on the council of the Royal Society of Painter Etchers. 	250	£250	mounted	Print	Victorian							
2677		F. G. Wilkinson	A Ravine in San Remo	Linocut in colour				I 117 x 163 mm; S 138 x 175 mm			Ex. Collection Frank Emmanuel	150	£150	mounted	Print	20th Century							
2678		Charles West Cope	Milton’s Dream of his deceased wife	Etching				I 103 x 96 mm; Pl. 121 x 114 mm	ii/vi		Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. 	750	£750	mounted	Print	Victorian							
2679		Henry James Townsend	Sad Tidings	Etching				I 182 x 137 mm; Pl. 192 x 143 mm				185	£185	mounted	Print	Victorian							
2680		Heywood Sumner	Near Alresford	Etching				I 189 x 132 mm; Pl. 193 x 134 mm			Plate 2 of Sumner’s “The Itchen Valley from Tichborne to Southampton”	100	£100	mounted	Print	Victorian							
2682		Arthur Ditchfield	[Woman Washing]	Etching				I 136 x 93 mm; Pl. 157 x 100 mm	ii/ii (?)		Arthur Ditchfield (1842-1888) is now almost entirely forgotten, his etchings largely undocumented. One of the things to note about him is his sketching trip with Ruskin and Hercules Brabazon to Amiens in 1880. He was obviously a conscientious craftsman, for he noted on many of his works who had printed them. It is worth comparing impressions by Goulding, Holdgate or Ditchfield himself. He made at least 77 etchings, a set of which were presented to the British Museum by his sister, Mrs J.L. Roget, with a manuscript listing. His training is unknown - his drawings are not of  “The English School”. It was probably Parisian, for the influence of Applan is evident and to a lesser extent that of Lalanne.	45	£45	mounted	Print	Victorian							
2684		Edward Davis French	E libris Iuliani Marshall	Etching	circa 1897			I 98 x 62 mm; Pl. 120 x 77 mm				60	£60	mounted	Print	Victorian							
2685		C. Helard	Ex libris Vi & Armis	Etching	1900			I 91 x 68 mm; Pl. 111 x 87 mm				75	£75	mounted	Print	Victorian							
2686		George W. Eve	[Ex libris William Henry Weldon Norroy King of Arms]	Etching				I 73 x 71 mm; Pl. 108 x 102 mm				70	£70	mounted	Print	Victorian							
2687		Douglas I. Smart (1879-1966)	Pont St. Esprit	Etching and drypoint	circa 1908			I 255 x 340 mm; S 315 x 400 mm	Signed and inscribed in pencil		With a note that the male sitter in the picture is Charles Emmanuel. From the collection of Frank Emmanuel, Charles’s brother.Etcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short	250	£250	mounted	Print	20th Century							
2691		David Law	[View of Bray]	Etching				I 119 x 189 mm; Pl. 139 x 202 mm			Bray in Berkshire	50	£50	mounted	Print	Victorian							
2696		Arthur Ditchfield	Shoreham	Etching	1877			I 92 x 172 mm; Pl. 101 x 178 mm	i/ii (?)		Inscribed “ 2.d State”Arthur Ditchfield (1842-1888) is now almost entirely forgotten, his etchings largely undocumented. One of the things to note about him is his sketching trip with Ruskin and Hercules Brabazon to Amiens in 1880. He was obviously a conscientious craftsman, for he noted on many of his works who had printed them. It is worth comparing impressions by Goulding, Holdgate or Ditchfield himself. He made at least 77 etchings, a set of which were presented to the British Museum by his sister, Mrs J.L. Roget, with a manuscript listing. His training is unknown - his drawings are not of  “The English School”. It was probably Parisian, for the influence of Applan is evident and to a lesser extent that of Lalanne.	150	£150	mounted	Print	Victorian							
2699		Arthur Ditchfield	Goudhurst	Etching	1871			I 113 x 156 mm ; Pl. 121 x 163 mm			Goudhurst, KentArthur Ditchfield (1842-1888) is now almost entirely forgotten, his etchings largely undocumented. One of the things to note about him is his sketching trip with Ruskin and Hercules Brabazon to Amiens in 1880. He was obviously a conscientious craftsman, for he noted on many of his works who had printed them. It is worth comparing impressions by Goulding, Holdgate or Ditchfield himself. He made at least 77 etchings, a set of which were presented to the British Museum by his sister, Mrs J.L. Roget, with a manuscript listing. His training is unknown - his drawings are not of  “The English School”. It was probably Parisian, for the influence of Applan is evident and to a lesser extent that of Lalanne.	150	£150	mounted	Print	Victorian							
2701		P. G. Hamilton	Laboulaye	Etching				I 76 x 1857 mm; Pl. 82 x 162 mm				150	£150	mounted	Print	Victorian							
2703		Axel Haig	A Corner at Hay	Etching	1879			I 274 x 185 mm; Pl. 284 x 197 mm			Lennox-Boyd 23Axel Haig R.E., a Swede, came to etching from architectural drawing and originally naval architecture. His earliest etchings showed the omission of the inessential, the hallmark of the new etchers but he soon found his feet making etchings suitable to be framed and put on the walls as rivals to paintings. His technique was different: look closely at a Haig Cathedral interior and you see a confused melee of lines, step back and you get the authentic gloom of the Middle Ages. 	95	£95	mounted	Print	Victorian	Axel Haig						
2704		Charles West Cope	The Spring Flood	Etching	1858			I 166 x 136 mm; Pl. 214 x 163 mm	ii/vi (?)		Touched ImpressionCharles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. 	300	£300	mounted	Print	Victorian							
2705		Robert Sargent Austin (1875-1973)	Donkeys of Selva	Etching	1928			I 130 x 163 mm; S 186 x 215 mm			Signed and inscribed in pencil with artist’s notesC.D. 78 ii/ii  Proof of final state	300	£300	mounted	Print	20th Century							
2707		James Abbot McNeil Whistler	Nursemaid and Child	Etching				I & Pl. 97 x 132 mm	ii/ii		Kennedy 37	2000	£2,000	mounted	Print	Victorian							
2712		Richard Redgrave	Ministering Angels	Etching				I 94 x 79 mm; Pl. 122 x 105 mm	i/ii		Ex Collection of the Redgrave family.Redgrave was well-known in his day as a painter, but is now remembered as the first principal of the Government School of  Design, now the Royal College of Art. He was a founder-member of the Etching Club and was its secretey until 1845. As can be deduced from no. 50 and the dearth of working proofs, he, unlike Cope and Holman Hunt, did not work up his etchings in stages, but rather worked on them without taking proofs. 	400	£400	mounted	Print	Victorian							
2713		Frederick Albert Slocombe	[Tudor Beauty]	Etching	1871			I 161 x 98 mm; Pl. 197 x 126 mm			(1847-c. 1920) Painter and etcher of landscapes and genre. Exhibited at the Royal Academy from 1886, also at Suffolk Street.  He was also a member of the Royal Society for Painter-Etchers and Engravers 1881-1920.	50	£50	mounted	Print	Victorian							
2714		Edward Davis	[Self-portrait with pen and book]	Etching				I 74 x 44 mm; Pl. 104 x 69 mm				190	£190	mounted	Print	Victorian							
2716		Percy Thomas	[Old Chelsea]	Etching	c. 1880			I 244 x 175 mm; Pl. 277 x 202 mm	ii/ii		Impression signed by ThomasEx Collection Ralph Thomas	65	£65	mounted	Print	Victorian							
2717		Charles West Cope	[Milton’s Dream] [Rejected (?) version]	Etching				I 96 x 86 mm; Pl. 125 x 115 mm			Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. 	300	£300	mounted	Print	Victorian							
2718		Charles West Cope	Milton’s Dream of his deceased wife	Etching				I 103 x 96 mm; Pl. 121 x 114 mm	iii/vi		Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. 	650	£650	mounted	Print	Victorian							
2719		Charles West Cope	Balthazar Song from Much Ado About Nothing [Grieving]	Etching	1857			I 74 x 118 mm; Pl. 90 x 136 mm			Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. 	70	£70	mounted	Print	Victorian							
2720		V. Buzzard	South Park Farm	Etching				I 90 x 122 mm; Pl. 114 x 152 mm				25	£25	mounted	Print	Victorian							
2721		Richard Samuel Chattock	Gouldersdale Crags and Dub	Etching	1880			I 163 x 248 mm; Pl. 177 x 261 mm			Chattock (1825-1906) R.E. was a fine topographical etcher and landscape painter, who was much employed illustrating books	150	£150	mounted	Print	Victorian							
2723		Sir Henry Cole	West Shandon Farm, Gareloch	Etching	October 1860			I 150 x 220 mm; Pl. 154 x 225 mm			Cole (1808-1882) was one of the eminent figures of the 19th century. In 1823, he began to work for the Public Record Office and his complaints about inefficiency led to the reform of the Records Commission. In 1850 , he became organiser of the Great Exhibition of 1851 and Prince Albert’s chief adviser. He was the founder director of the Victorian and Albert Museum and he is probably best known for inventing the Christmas card, designed by J.C. Horsley. Cole’s brother Charles was a schoolmate of Francis Seymour Haden, who became the Cole family doctor.	150	£150	mounted	Print	Victorian							
2724		Sir Henry Cole	[Lake of Geneva]	Etching	1866			I 64 x 201 mm; Pl. 64 x 201 mm			Cole (1808-1882) was one of the eminent figures of the 19th century. In 1823, he began to work for the Public Record Office and his complaints about inefficiency led to the reform of the Records Commission. In 1850 , he became organiser of the Great Exhibition of 1851 and Prince Albert’s chief adviser. He was the founder director of the Victorian and Albert Museum and he is probably best known for inventing the Christmas card, designed by J.C. Horsley. Cole’s brother Charles was a schoolmate of Francis Seymour Haden, who became the Cole family doctor.	90	£90	mounted	Print	Victorian							
2725		Charles West Cope	The Good Old Time	Etching	1840			I 55 x 103 mm; Pl. 92 x 140 mm	i/ii		Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. 	80	£80	mounted	Print	Victorian							
2726		Charles West Cope	Balthazar Song from Much Ado About Nothing [Songs of Shakespeare] [Boarding the Siren]	Etching	1851			I 65 x 95 mm; Pl. 93 x 109 mm	proof before publication		Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. 	50	£50	mounted	Print	Victorian							
2727		Charles West Cope	[While thus the land, adorn’d for pleasure all.]	Etching				I 61 x 95 mm; Pl. 84 x 124 mm	i/ii		Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. 	200	£200	mounted	Print	Victorian							
2729		J. C. Armyatage after L. Tocque	Prince Charles Edward Stuart	Engraving				I. 100 x 128 mm S. 153 x 221 mm				10	£10		Print	General Interest	Jacobite						
2730		G. B. Shaw after L. Tocque	Prince Charles Edward Stuart	Engraving	Published by R. Cardell, Edinburgh 1748			I. 90 x 130 mm S. 165 x 252 mm				30	£30	mounted	Print	General Interest	Jacobite						
2731		Unknown engraver	Chevalier	Engraving				I. 62 x 75 mm Pl. 119 x 191 mm S. 228 x 281 mm				50	£50	mounted	Print	General Interest	Jacobite						
2732		P. Audinet after R. Smirke	Departure of the pretender from Scotland	Engraving				I. 124 x 174 mm S. 216 x 285 mm				20	£20	mounted	Print	General Interest	Jacobite						
2734		F. Basan after L. Tocque	Le Prince Charles Edouardo Stuart. Ne’ a Rome le 31, Decembre 1720	Engraving				I. 97 x 139 mm	iii proof		Sharp 231, O’D 17; Le Blanc, F. Basan 33	80	£80	mounted	Print	General Interest	Jacobite						
2735		T. Cook after R. Corbould	The Young Pretender discovering himself to a Royalist in the Highlands 	Engraving	Published as the Act directs Jany. 9th. 1797 by T. Longman.			I. 97 x 148 mm S.99 x 165 mm				30	£30	mounted	Print	General Interest	Jacobite						
2738		I. Donowell	A View of Exeter College back gate the Museum, the Theatre, the Printing House, & in the University of Oxford  	Copper engraving	London, Printed for Laurie & Whittle, 53 Fleet Street, Bowles & Carver, 69, St. Pauls Church Yard, & Robert Wilkinson, 58 Cornhill			I 415 x 260 mm, Pl. 288 x  430 mm, S 345 x 485 mm			A three in the upper and lower right. A later impression than the one printed for Ryall. 	300	£300	framed	Print	Oxford	Radcliffe Camera						
2741		John Robert Keitley Duff (1862-1938)	Follow my Leader (The Common Road)	Soft-ground etching				I 225 x 150 mm			Signed in pencil and dedicated to Frank EmmanuelPlate 174 in Emmanuel’s Etching and EtchingsEx collection Frank EmmanuelLandscape and genre painter and etcher, specialising in sheep. Studied art under Legros at the Slade School	150	£150	mounted	Print	20th Century							
2742		Sir Francis Seymour Haden	The Towing Path	Etching	1884			I 139 x 212 mm; Pl. 139 x 212 mm	vi/xvii		Impression signed by HadenSchneiderman 72 vi/xvii	1200	£1,200	mounted	Print	Victorian	Sir Francis Seymour Haden						
2743		F. G. Wilkinson	A Street in Xauen (Morocco)	Linocut				I 190 x 133 mm; S 217 x 160 mm			Signed and inscribed in pencilEx collection Frank Emmanuel	150	£150	mounted	Print	20th Century							
2744		Sir Lionel Arthur Lindsay (1874-1961)	Dancer	Wood engraving				I 152 x 112 mm; Pl. 230 x 185 mm			Signed artist’s proofSir Lionel Lindsay started his career at the age of  15 when he worked as a pupil assistant at the Melbourne Observatory (1889-1892). He then completed his studies at the National Gallery School, Melbourne. From 1903 to 1926, Lindsay was employed as an illustrative artist for the ‘Sydney Evening News’. After that period his art had gained an international reputation and he travelled and worked in such locations as India, North Africa, Spain and England. His original wood engravings and etchings were often commissioned and exhibited by Colnaghi. Lionel  Lindsay’s first etching dates from 1895 but it wasn’t until 1907, however, that he began to devote much of his talents to both etching and wood engraving. During the following decades, Lindsay produced over 300 works of original art in these mediums and it was his wood engravings of Australian animals and birds that set his art at its highest level. Lionel Lindsay received a knighthood for his achievements in art.	280	£280	mounted	Print	20th Century							
2746		Alfred Hugh Fisher (1867-1945)	Christmas Greetings	Woodcut				I 188 x 98 mm			Signed in ink 62/100An English etcher, engraver, illustrator and painter, Alfred Hugh Fisher was educated at the University College Schools, Lambeth School and South Kensington and then concluded his formal studies in Paris, under Laurens and Constant. Concentrating mostly upon original printmaking and illustration, Fisher was appointed as an artist to the Visual Instruction Committee of the Colonial Office, which gave him opportunity to travel extensively throughout the British Empire and elsewhere	150	£150	mounted	Print	20th Century							
2747		Edwin Edwards	Rutland Arms [Newmarket]	Etching				I & Pl. 98 x 194 mm				120	£120	mounted	Print	Victorian							
2749		F. G. Wilkinson	Souvenir de Xauen, Morocco	Linocut				I 185 x 137 mm; S 277 x 170 mm			Signed and Inscribed in pencilEx collection Frank Emmanuel	150	£150	mounted	Print	20th Century							
2751		Thomas Riley	“Old London” 1	Etching				I 162 x 115 mm; Pl. 184 x 134 mm			Impression signed by Riley	100	£100	mounted	Print	Victorian							
2752		William Bell Scott	Title Page [Turret]	Etching				I 79 x 67 mm; Pl. 99 x 87 mm			Proof of publicationEx collection William Bell ScottWilliam Bell Scott (1811-1890) Although he contributed to “The Germ”, Scott was never a member of either Etching Club, since he worked and taught in Newcastle and later lived mainly in Ayrshire. His ideals were similar to those of most members of the Etching club. He was a close friend of Dante Gabriel Rossetti and a great admirer of William Blake. At the time he was probably the most accomplished British artist working outside London. 	5200	£5,200	mounted	Print	Victorian	William Bell Scott						
2234		Le Keux after F. Mackenzie	The Second Court, Christs College	Copper engraving with hand colouring	c. 1850			I 140 x 94 mm, S 138 x 191 mm	From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.			25	£25	unmounted	Print	 Cambridge	Christ’s College Cambridge						
2755		Alphonse Legros	[House and trees]	Etching	circa 1885			I & Pl. 152 x 99 mm			Not found in Mallasis & Thibaudeau	350	£350	mounted	Print	Victorian							
2756		John Prescott Knight	The Peasant and the Forest	Etching				I 157 x 125 mm; Pl 166 x 134 mm				120	£120	mounted	Print	Victorian							
2757		Charles West Cope	The Spring Flood	Etching	1858			I 166 x 136 mm; Pl. 214 x 163 mm	iii/vi (?)		Touched ImpressionCharles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporaries as the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. 	300	£300	mounted	Print	Victorian							
2758		Charles West Cope	The Spring Flood	Etching	1858			I 166 x 136 mm; Pl. 214 x 163 mm	i/vi (?)		Touched ImpressionCharles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporaries as the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. he was on the council of the Royal Society of Painter Etchers. 	300	£300	mounted	Print	Victorian							
2760		Charles West Cope	[A Feast of Fairies]	Etching	1885			I 67 x 121 mm; Pl. 84 x 137 mm	iii/v (?)		Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. He was on the council of the Royal Society of Painter Etchers. 	250	£250	mounted	Print	Victorian							
2761		Charles West Cope	[A Feast of Fairies]	Etching	1885			I 67 x 121 mm; Pl. 84 x 137 mm	i/v (?)		Charles West Cope (1811-1890) was the leader of the Etching Club from its foundation and probably the best etcher among its members. He was conscientious and industrious and worked at improving his plates. Known to his contemporarie sas the Poet-Laureate of the Nursery, his etching served as a contrast to the high-mindedly historical frescoes he painted to decorate the palace of Westminster. He was on the council of the Royal Society of Painter Etchers. 	250	£250	mounted	Print	Victorian							
2762		John Callcott Horsley	“Auld Grannie & the wee Nan” - Highland Interior	Etching				I 132 x 99 mm; Pl. 167 x 134 mm				150	£150	mounted	Print	Victorian							
2764		William Strang	[A River destroyed by the basest sort of people]	Etching				I & Pl. 150 x 112 mm	v/v		DS 532 (428)	60	£60	mounted	Print	Victorian							
2765		Sir Lionel Arthur Lindsay (1874-1961)	Convent of Sta. Eufemia Antequira Spain	Etching	1929			I 340 x 252 mm			Signed, numbered and inscribed in pencil with a dedication to Frank EmmanuelAppears as plate 118 in Emmanuel’s Etching and EtchingsSir Lionel Lindsay started his career at the age of  15 when he worked as a pupil assistant at the Melbourne Observatory (1889-1892). He then completed his studies at the National Gallery School, Melbourne. From 1903 to 1926, Lindsay was employed as an illustrative artist for the ‘Sydney Evening News’. After that period his art had gained an international reputation and he travelled and worked in such locations as India, North Africa, Spain and England. His original wood engravings and etchings were often commissioned and exhibited by Colnaghi. Lionel  Lindsay’s first etching dates from 1895 but it wasn’t until 1907, however, that he began to devote much of his talents to both etching and wood engraving. During the following decades, Lindsay produced over 300 works of original art in these mediums and it was his wood engravings of Australian animals and birds that set his art at its highest level. Lionel Lindsay received a knighthood for his achievements in art.	350	£350	mounted	Print	20th Century							
2767		Charles Waltner after John Everett Millais	John Everett Millais R. A	Etching	[Published by The British and Foreign Artist’s Association]			I 263 x 200mm; Pl. 318 x 228 mm	iii/iii (?)		PSA index p.239 Charles Albert Waltner was copper plate engraver and etcher born 24/03/1846 in  Paris and died 15/06/01925 Paris.  He was the pupil Gerome Martinet and Henriquel DuPont. In 1868 he was given a scholarship to Rome. He made his debut in the Paris Salon in 1870.  He mainly engraved for the Journal de Beaux Artes and L'Art  and also worked for English and French puplishers.  He specialized in reproduction of Old Masters and Modern Masters.  He was one of the most prolific engravers of his time.	150	£150	mounted	Print	Victorian							
2768		Douglas I. Smart (1879-1966)	Toledo Bridges No.7 St Martins Bridge	Etching 				I 282 x 353; S 337 x 450 mm			Ex Col Frank EmmanuelEtcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.	170	£170	mounted	Print	20th Century							
2769		John Charles Goodchild (1898-1980)	The Pool	Etching				I 213 x 288 mm; S 265 x 352 mm				150	£150	mounted	Print	20th Century							
2770		Sylvia Gosse (1881-1968)	Woman in an Interior	Lithograph				I 293 x 217 mm; S 376 x 286 mm			Ex Collection Frank EmmanuelGosse, the daughter of Sir Edmund Gosse, the essayist, first came in to contact with Walter Sickert in 1910 and remained a close collaborator and supporter for the rest of his life. She printed a larg number of Sickert’s plates and helped to run the art school which he started. Much of what we know about Sickert comed from her memoirs and correspondence with the artist.	275	£275	mounted	Print	20th Century							
2771		John Nicholson (1891-1951)	[Cow Eating]	Drypoint	1992			I 213 x 260 mm; S 232 x 284 mm			Nicholson was a friend of Edmund Blampied. Both were students at the London County Council Art School where they learned etching and engraving. Blampied shared a house with Nicholsonand his wife in south London for some considerable time and during this period the two artists worked closely together. They shared a common enthusiasm for horses and farm animals and they developed similar styles.	190	£190	mounted	Print	20th Century							
2774		Robert Walker Macbeth	[Three Girls and Donkey]	Etching				I 334 x 642; Pl. 364 x 672 mm			Walker Macbeth (1848-1910) was the son of the Scottish portrait painter Norman Macbeth. He was an etcher, watercolourist and painter of pastoral landscapes, rustic genre scenes and has a unique etching style, very different from Haden or Whistler. He served on the Council of the Royal Society of Painter-Etchers. 	650	£650	mounted	Print	Victorian							
2776		Unknown	Tower Bridge, London	Etching				I 292 x 350 mm; S 405 x 395 mm	Ex Collection Frank Emmanuel			200	£200	mounted	Print	20th Century							
2779		William Ridgway after Holman Hunt	The Light of the World	Engraving	Published 12 May 1863 by Gambart & Co.			I 304 x 152; Pl. 442 x 254 mm	i/ii			700	£700	mounted	Print	Victorian							
2780		Robert Walker Macbeth after Arthur Hacker	The Cloister of the World	Etching	Published 1900 by H. Virtue			I 510 x 391 mm; Pl. 590 x 441 mm			Impression signed by both artistsWalker Macbeth (1848-1910) was the son of the Scottish portrait painter Norman Macbeth. He was an etcher, watercolourist and painter of pastoral landscapes, rustic genre scenes and has a unique etching style, very different from Haden or Whistler. He served on the Council of the Royal Society of Painter-Etchers. 	880	£880	mounted	Print	Victorian							
2781		William Ridgway after Holman Hunt	The Light of the World	Engraving	Published 12 May 1863 by Gambart & Co.			I 304 x 152; Pl. 442 x 254 mm	ii/ii			700	£700	mounted	Print	Victorian							
2782		John Fullwood	The Gipsy Camp	Etching				I 369 x 625 mm; Pl. 466 x 701 mm			Ex collection Lichtenstein	480	£480	mounted	Print	Victorian							
2783		Edwin Edwards	Wells	Etching				I & Pl. 162 x 257 mm				220	£220	mounted	Print	Victorian							
2785		Zepherin Felix Jean Marius Belliard	Marie Taglioni	Lithograph	Lith. Delpech Paris, c. 1820			I 240 x 210 mm, S 460 x 320 mm				380.00	£380	mounted	Print	General Interest	Ballet						
2786		Angelica Kauffman	[Mother and Child]	Engraving	Published as the Act Directs 1776			I 150 x 113 mm, Pl. 160 x 117 mm, S 165 x 123 mm 			Andresen 33 only state	500	£500	framed	Print	Fine Prints	Engravers A-K						
2788		Phillimore	Oriel College Oxford	Etching	Published by Catty & Dobson			I 144 x 212 mm; Pl. 148 x 222 mm				75	£75	mounted	Print	Oxford	Oriel College						
2790		Maxwell Lightfoot	[Mother and Child]	Lithograph	20th Century			I 168 x 162 mm; S 338 x 248 mm			no title	30	£30	mounted	Print	Victorian							
2791		Sir Hubert von Herkomer	Hubert Herkomer A.R.A and his children	Etching				I 197 x 154 mm; Pl. 354 x 202 mm	i/ii		Before all engraved letters and before steel-facing	350	£350	mounted	Print	Victorian							
2792		John Park	Shields Harbour (Evening)	Etching				I 196 x 300 mm; Pl. 208 x 305 mm	i/ii		Shields harbour in NorthumberlandDied 1919.  Park was an etcher and he exhibited at leading London galleries.  Elected A.R.E.in 1898.	175	£175	mounted	Print	Victorian							
2794		William Bell Scott after Dante Gabriel Rossetti	Miss Boyd of Penkill	Etching	20 December 1862			I 90 x 74 mm; Pl. 202 x 138 mm	i/ii Proof before title		Impression with dedication in pencil to Algernon C. Swinburne by William Bell ScottEx Collection William Bell ScottWilliam Bell Scott (1811-1890) Although he contributed to “The Germ”, Scott was never a member of either Etching Club, since he worked and taught in Newcastle and later lived aminly in Ayrshire. His ideals were similar to those of most members of the Etching Club. He was a close friend of Dante Gabriel Rosetti and a great admirer of William Blake. At the time he was probably the most accomplished British artist working outside London 	980	£980		Print	Victorian	William Bell Scott						
2797		C. Rosenburg after Pugin	Quadrangle of Magdalen College	Aquatint	Published Jan. 1806 by J. Gundee, Albion Press London			I 280 x 385 mm	Thomas Malton, Oxford			200	£200	mounted	Print	Oxford	Magdalen College						
2799		Michael Rooker	The New Building Magdalen College from the Grove	Copper engraving with hand colouring	Published 1787			I 450 x 310 mm	Oxford University Almanack 1787			120	£120	mounted	Print	Oxford	Magdalen College						
2800		H. O’Neill	Part of the Quadrangle of Exeter College	Copper engraving with hand colouring	Published 1813			I 450 x 305 mm	Oxford University Almanack 1813			60	£60	mounted	Print	Oxford	Exeter College						
2801		G. Virtue	The New Building Magdalen College from the Grove	Copper engraving	Published 1730			I 440 x 340 mm	Oxford University Almanack 1730			150	£150	mounted	Print	Oxford	Magdalen College						
2804		William Williams	Ecclesia Omnium Sanctorum in Oxonia	Copper engraving	1750			I 440 x 370 mm	Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 1732-33		Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. 	150	£150	mounted	Print	Oxford	Oxford Churches						
2806		G. Vertue	Merton College with allegorical figures and the founder and benefactors	Copper engraving	Published 1737			I 440 x 350 mm	The Oxford Almanack of Our Lord God 1737		The perspective is taken from Loggan.	285	£285	mounted	Print	Oxford	Merton College						
2807		P. Vedovato after H. Singleton	British Plenty	Stipple	c. 1794			Image 365 x 290 mm, Plate 435 x 330 mm, Sheet 445 x 340 mm			This is one of a pair of Singleton prints that contrast British wealth with food shortages in India (the other is entitled ‘Scarcity in India). There had been a particularly bad famine in Bengal in 1769-1770.The artist Henry Singleton illustrated Shakespeare’s plays and produced sentimental genre scenes with an eye to the print trade. This pair of prints shows sailors on shore leave in pursuit of local girls. They provide particularly clear illustrations of seamen’s dress in the 1790s.In contrast with ‘Scarcity in India’, which shows two men vying for the attentions of one girl, ‘British Plenty’ shows a single seaman between two girls. They are ostensibly trying to sell him vegetables but their fine dresses indicate that they are prostitutes. One holds a cauliflower and the other a cabbage in her apron. The resemblance between the girls and the vegetables they carry indicates that they themselves are the objects for sale. The right-hand girl is wearing a robe ‘à l’anglaise’ over a muslin skirt and a large mob cap decorated with ribbons. The left-hand girl has a Leghorn straw hat and a silk shawl.The dress of the seaman is shown particularly clearly. He is in shore-going clothes with baggy wool or cotton trousers cut quite narrowly across the ankles and a blue wool jacket. The white lapels of the jacket are also found on officer’s coats of this period. The sleeves have mariner’s cuffs outlined with white piping. The cut of his waistcoat reflects contemporary civilian fashions. He has a white, checked shirt in cotton or linen, a tarred straw hat and a coloured silk neckerchief, probably imported from India. He holds a bottle of wine. The location of the scene is probably intended to be Portsmouth although the round tower at the entrance to the harbour is not shown accurately. 	280	£280	unmounted	Print	Fine Prints	Foreign Copies of English Prints						
2811		J. Donowell	A View of Magdalen College in the University of Oxford	Copper engraving	london Printed for John Bowles, c. 1750			I 260 x 420 mm				300	£300	mounted	Print	Oxford	Magdalen College						
2812		James Basire after E. Dayes	Merton College from the Fields	Copper engraving	Published 1798			I 315 x 445 mm	From the Oxford Almanack 1798			150	£150	mounted	Print	Oxford	Merton College						
2813		F. J. Dela Cour 	Monument erected in 1835 upon Gad’s hill, near Rochester, a spot hallowed by the muse of Shakespeare ...	Lithograph	Day & Haghe Lith.rs to the King 1835			I 270 x 232; S 298 x 253 mm			Full title: This monument was erected in 1835 upon God’s hill, near Rochester, a spot hallowed by the muse of Shakespeare. Upon the column is the following inscription:-The friends of freedom in Kent, Erected this Monument to the Memory of CHARLES LARKIN, As a grateful testimony of his fearless and long-continued advocacy of Civil and Religiousliberty, And his zealous exertions in promoting the great and memorable measure of PARLIAMENTARY REFORM	50	£50	mounted	Print	British Topography	Kent						
2814		J. Cole	Merton College Chapel from the first Quadrangle	Copper engraving	Published Feb. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 450 x 290 mm			Rare proof of the first state.	100	£100	mounted	Print	Oxford	Merton College						
2815		William Williams	Collegium Mertonense [Merton College]	Copper engraving	1750			I 370 x 470 mm	Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 1732-33		Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. 	70	£70	mounted	Print	Oxford	Merton College						
2816		G. Hollis	St Alban Hall	Steel engraving	Published by J. Ryman, High St, Oxford 1836			I 148 x 190 mm				100	£100	mounted	Print	Oxford	Merton College						
2818		Michael Burghers (?)	The Front of Exeter College in Oxford 1700	Copper engraving	c. 1750			I 290 x 460 mm			Rare.	160	£160	mounted	Print	Oxford	Exeter College						
2819		William Williams	Collegium Exoniense [Exeter College]	Copper engraving	1750			I 360 x 460 mm	Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 1732-33		Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. 	180	£180	mounted	Print	Oxford	Exeter College						
2820		Tomas Malton	Merton Church	Aquatint	Published 1802-1804			I 305 x 210 mm	Oxford			200	£200	mounted	Print	Oxford	Merton College						
2821		D. Havell after F. Mackenzie	West Entrance to the Chapel of Magdalen College	Aquatint with hand colouring	Published c. 1815 for Ackermann’s History of Oxford			I 205 x 265 mm	Ackermann, History of Oxford			140	£140	mounted	Print	Oxford	Magdalen College						
2824		Merigot after Pugin	Oxford. Merton Church from the Grove	Aquatint	Published by Albion Press, c. 1810			I 270 x 380 mm				100	£100	mounted	Print	Oxford	Merton College						
2825		I. Faber after A. Ramsay	Sr John Barnard	Mezzotint	Publish’d according to the act of Parliament A.D. 1739			I. 250 x 318 mm Pl. 253 x 354 mm S. 266 x 365 mm				250	£250	mounted	Print	General Interest	Jacobite						
2826		John Faber, Jnr after Thomas Hudson	Alderman Benn	Mezzotint				I. 306 x 250 mm Pl. 352 x 251 mm			Sharp 314, CS 30, O’D 2	300	£300	mounted	Print	General Interest	Jacobite						
2827		William Williams	Aula St. Edmundi [St. Edmund Hall]	Copper engraving	1750			Pl. 440 x 375 mm				150	£150	mounted	Print	Oxford	St. Edmund Hall						
2828		George White after Thomas Murray	Henry St John late Lord Viscount Bolingbroke	Mezzotint				I. 306 x 244 mm Pl. 355 x 247 mm			Sharp 331, CS 7, Russell 7, O’D 1	300	£300	mounted	Print	General Interest	Jacobite						
2829		B. Green	Almanack Commemorating the Completion of the Front Quadrangle of Queen’s College	Copper engraving	1762			I 494 x 447 mm	The Oxford Almanack 1762		On the left Sir Joseph Williamson and Dr. Lancaster consult about a plan for rebuilding the Queen’s College; beside them are Bishop Barlow and Dr. Halton looking at the elevation of the library. In the background is a view of the College from the south.	300	£300	mounted	Print	Oxford	Queen’s College						
2830		N. Habert after F. C. de la Gange	Le R. P. Armand Iean Boutilier de Range Abbe de la Trappe Age De LXVI ans 1692	Engraving				I. 233 x 321 mm S. 348 x 242 mm				45	£45	mounted	Print	General Interest	Jacobite						
2833		John Faber, Jnr after Richard Phelps	Bampfylde Moore Caren king of the Beggers. From the Original Picture in the Possession of Thos. Carew Esqr. of Crowcombe in Somersetshire.	Mezzotint				I. 272 x 221 mm Pl. 327 x 227 mm			Sharp 368, CS 56, O’D 1His names are relevant of Devonshire Jacobiteism	350	£350	mounted	Print	General Interest	Jacobite						
2835		William Faithorne after Edmund Lely	Mr. Jeremiah Collier	Mezzotint	Published by Excudit Edward Cooper			I. 219 x 177 mm Pl. 255 x 188 mm			Sharp 377, CS 6,  O’D 1	120	£120	mounted	Print	General Interest	Jacobite						
2837		Unknown engraver	Silhouette of Mrs Delany	Engraving	Published by Longman & Co. London. July, 1820			I. 100 x 77 mm S. 190 x 267 mm				20	£20	mounted	Print	General Interest	Jacobite						
2839		Unknown engraver	Coll. Reg. Oxon. Conspectux Capellae et Refectorii, Ad Austrum [Queen’s College]	Copper engraving	Sold by Joseph Smith, London c. 1750			I 580 x 410 mm				185	£185	mounted	Print	Oxford	Queen’s College						
2841		Plowman	A View of the Grand Agricultural Dinner in Queen’s College Quadrangle, Oxford, July 17th 1839	Lithograph	Published in ‘Jackson’s Oxford Journal’, c. 1840			I 380 x 270mm						mounted	Print	Oxford	Queen’s College						
2842		John Faber, Jnr after Richard Philps	Mrs Mary Anne Granville	Mezzotint	Published, Printed and sold by Thomas Bowles and John Bowles			I. 313 x 244 mm Pl. 349 x 246 mm			CS 167 O’D !	160	£160	mounted	Print	General Interest	Jacobite						
2843		After Peter Tillemans	Thomas Hearne M.A. of Edmund Hall Oxon.	Mezzotint				I. 139 x 111 mm Pl. 150 x112mm			Sharp 414, CS 53, O’D 5	160	£160	mounted	Print	General Interest	Jacobite						
2844		Emery Walker after Edmund Hort New	Oriel College Oxford	Photogravure	Published by Edmund Hort New: 17 Worcester Place Oxford; A.D. 1919			I 400 x 320 mm			Edmund Hort New, known as E.H. new was born in Evesham in 1871. He was the son of an important lawyer. He attended the Birmingham Municipal School of Art. He began painting landscape and later he devoted himself to illustration.  Early in his career he worked with Ruskin and other associated Arts and Crafts artists.  He later went on to work for William Morris's Kelmscott Press. The influence of these experiences is evident in his prints - the decorative boarders, armorials, etc.   Over a period of years New did a series of prints of the Oxford Colleges based on the David Loggan's 1675 aerial perspectives.  New took Loggan's format and enriched his prints with many fine details of and abut the colleges and they are valued today by many collectors because of the high level of detail and the fact that they represent the colleges in their present state. These prints were made through a relatively new process at the time - photo engraving.  Like photogravures the print is made by transferring a photo to a copper plate and then printing it.  With the E.H. New prints, a contact print of New's pen and ink drawing was made and the large negative attached to a plate which was then exposed in an acid bath, the acid only biting where the negative was clear; thus, creating and engraved plate of New's drawing.  The prints were available separately at shops in Oxford such as Ryman's in the early part of the 20th century. 	375	£375	unmounted	Print	Oxford	Oriel College						
2845		William Williams	Collegium Aedis Christi [Queen’s College]	Copper engraving	1733			I 450 x 385 mm				100	£100	mounted	Print	Oxford	Queen’s College						
2846		William Williams	Collegium Orielense [Oriel College, aerial view]	Copper engraving	1733			I 470 x 540 mm				350	£350	mounted	Print	Oxford	Oriel College						
2847		Engraved by Robert Williams after Sir Godfry Kneller	Theophilus Earl of Huntingdon	Mezzotint				I. 311 x 258 mm Pl. 337 x 258 mm			Sharp 428, CS 26, O’D 1	150	£150	mounted	Print	General Interest	Jacobite						
2848		G. Lewis	Window of New College Chapel	Aquatint with hand colouring	London, Pub. June 1 1814 at 101 Strand, for R. Ackermann’s History of Oxford.			I 195 x 280 mm	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			80	£80	mounted	Print	Oxford	New College						
2851		John Faber, Jnr after John Michael Williams	Guilielmus King LLD.	Mezzotint				I. 313 x 250 mm Pl. 355 x 251 mm			Sharp 473, CS 207, O’D 2	250	£250	mounted	Print	General Interest	Jacobite						
2852		F. Aliamet after W. Hogarth	Simon Lord Lovat	Engraving				I. 123 x 950 mm			Sharp 501	35	£35	mounted	Print	General Interest	Jacobite						
2854		John Smith after Sir Godfrey Kneller	John Earl of Mar Lord Erskine Garioch & Alloa, Heritable Governour & Captain of Stirling Castle. One of the lords of Her Majesty’s Privy Council and Exchequer, and Colonel of a Regiment of Foot.	Mezzotint				I. 237 x 274 mm S. 311 x 447 mm			Sharp 529 i, O’D 1, CS 159	450	£450		Print	General Interest	Jacobite						
2859		P. Grave s.c.	Ranald McDonald 	Engraving				I. 116 x 95 mm				20	£20	mounted	Print	General Interest	Jacobite						
2863		William Wynne Ryland after Angelica Kauffman	Patience 	Stipple	Published April 21. 1777. by W.W. Ryland London.			I 310 mm oval; Pl. 377 x 288 mm, S 562 x 420 mm			i/ii Boerner 185, Le Blanc 25, Bleackley 29Provenance: Sledmere£4500 for the set of four	4500.00	£4,500	framed	Print	Fine Prints	Engravers A-K						
2864		William Wynne Ryland after Angelica Kauffman	Duchess of Richmond	Stipple	Published Nov.r the 21st 1775			 310 mm oval; Pl. 370 x 280 mm, S 562 x 420 mm	By the Proprietor No. 159 near Somerset House Strand 		ii/ii O'Donoghue 2 Provenance: SledmerePrice for the set of four	4500	£4,500	framed	Print	Fine Prints	Engravers A-K						
2865		William Wynne Ryland after Angelica Kauffman	Morning: Amusement  	Stipple	Published April 3: 1783 by W.W. Ryland London.			I 310 mm oval; Pl. 390 x  300 mm, S 562 x 415 mm	i/ii		Provenance: SledmereLady Hester StanhopeNot in O'DonoghuePrice for the set of four	4500	£4,500	framed	Print	Fine Prints	Engravers A-K						
2866		William Wynne Ryland after Angelica Kauffman	Eloisa. 	Stipple	Published November 25. 1779 at No. 159 Strand London.			I 310 mm oval; Pl. 395 x  305 mm, S 562 x 420 mm			i/iiBoerner 143Provenance: Sledmere£4500 for the set of four	4500	£4,500	framed	Print	Fine Prints	Engravers A-K						
2867		Thomas Burke after Angelica Kauffman	Cupid and Cephisia	Stipple	Published Feb.y 1st 1789 by T. Burke N 5 Great College Street Westminster			I 364 mm oval, Pl. 474 x 334 mm			£1100 the pair.	1100.00	£1,100	framed	Print	Fine Prints	Engravers A-K						
2872		Unknown engraver	William Tunstall	Mezzotint				I. 163 x 135 mm Pl. 184 x 136 mm			Sharp 653, CS 112, O’D 1	20	£20	mounted	Print	General Interest	Jacobite						
2873		J. Faber after Thomas Hudson	Sr, Watkin Williams- Wynn Bart (1692 - 1749)	Mezzotint	Price 2 Shills. Sold by Faber at the Golden Head Bloomsbury Square			I. 253 x 309 mm Pl. 253 x 355 mm S. 270 x 370 mm			Sharp 669	350	£350	framed	Print	General Interest	Jacobite						
2875		T. Burke after Angelica Kauffman	Angelica and Sacriponte	Stipple	Published Jany. 2 1792 by J. & J. Boydell			I 350 mm vircular, Pl. 485 x 390 mm			Price for the pair.	1100	£1,100	framed	Print	Fine Prints	Engravers A-K						
2877		T. Burke after Angelica Kauffman	Hanry and Emma	Stipple	Published Jany. 2 1792 by J & J.Boydell			I 350 mm vircular, Pl. 485 x 390 mm			Price for the pair	1100	£1,100	framed	Print	Fine Prints	Engravers A-K						
2878			(Victims of the ‘15)	Engraving				S. 529 x 700 mm			Sharp 694	1500	£1,500	framed	Print	General Interest	Jacobite						
2884		P. C. Canot after G. Budd	A True Representation of TOWER - HILL, as it Appear’d from a rais’d point of Viewon the North side, Augt. ye 18th 1746. when the Earl of Kilmarnock and Lord Balmerino were Beheaded.	Engraving				I. 590 x 346 mm S. 619 x 379			Sharp 702	150	£150	framed	Print	General Interest	Jacobite						
2885		R.Wallis after J.M.W Turner	Hastings. To Charles Sackville Bale Esq. This Engraving  from the Original Drawing  in his Collection, is respectfully dedicated by his obliged humble servants, E. Gambert & Co.	Steel engraving	London published Nov.r 1851 by E. Gambert & Co. 25 Berners Street, Oxford Street, 1851			I 588 x 397 mm; S 640 x 498 mm			Rawlinson 665 iv/iv , but vi/vi	350	£350	mounted	Print	British Topography	Sussex						
2886		J.C. Stadler after J. Laport 	Margate, from Hazardous Row	Aquatint	Published by P. Burgess, Library, Ramsgate, July 1 1809			I 298 x 149 mm; S 387 x 248 mm				120	£120	mounted	Print	British Topography	Kent						
2888		J. Martin after G. Titler	Clovelly - Devon	Lithograph	Published by J. Banfield, Ilfracombe circa 1838			I 304 x 184 mm			Project for monumental statue for King William IVNot in Somers-Cocks	80	£80	mounted	Print	British Topography	Devon						
2890		P.W. Tomkins	Miss Linwood	Stipple printed in colours	London Published as the Act directs April 29, 1806 for the Proprietor by P.W. Tomkins, 49 New Bond St.			I 393 x 315 mm, Pl. 470 x 370 mm, S 532 x 422 mm			Mary Linwood (1755-1845) needwork artist.	450.00	£450	framed	Print	Portraits	Artists Portraits						
2891		W. Spreat	Lynmouth, from the Quay	Lithograph	Printed & Published at W. Spreats Lithographic Establishment, 229, High Street, Exeter. Circa 1850				I 280 x 191 mm; S 382 x 285 mm		S.C. 1614 c. 1850	80	£80	mounted	Print	British Topography	Devon						
2892			New Map of the University and City of Oxford	Copper engraving	Engraved for the Walks in Oxford, published by R. Pearson, High Street, 1817			390 x 430 mm			Based on I. Taylor’s plan of 1789.	400.00	£400	mounted	Map	Oxford	Oxford Maps						
2898		Unknown engraver	A Representation of the Trial of Lord Lovat in Westminister-Hall	Engraving				I. 188 x 233 mm S. 221 x 287 mm			Sold as a pair with Stock No. 2899	34	£34	mounted	Print	General Interest	Jacobite						
2899		Unknown engraver	A View of Westminister Hall	Engraving				I. 149 x 162 mm S. 214 x 289 mm			Sold as a pair with Stock No. 2898	34	£34	mounted	Print	General Interest	Jacobite						
2900		Unknown engraver	A Representation of the Execution of Lord Lovat	Engraving				I. 170 x 88 mm S. 220 x 140 mm				45	£45	mounted	Print	General Interest	Jacobite						
2903		Thomas Rowlandson	The Vision	Engraving	Published May 15th, 1786 by E. Jackson No. 14 Mary le bone Street Gloden Square			I. 240 x 193 mm Pl. 263 x 252 mm S. 411 x 279 mm			From the Series, Beauties of Boswell, By Thomas Rowlandson. The series consisted of ten depictions satirizing Dr. Samuel Johnson and James Boswell’s visit to the Western Isles of Scotland	170	£170	mounted	Print	General Interest	Jacobite						
2904		Thomas Rowlandson	The Dance on Dun-can	Engraving	Published May 15th, 1786 by E. Jackson No. 14 Mary le bone Street Gloden Square			I. 243 x 189 mm Pl. 275 x 265 mm S. 382 x 291 mm			From the Series, Beauties of Boswell, By Thomas Rowlandson. The series consisted of ten depictions satirizing Dr. Samuel Johnson and James Boswell’s visit to the Western Isles of Scotland	170	£170	mounted	Print	General Interest	Jacobite						
2907		Engraved by Van der Aa	Vue’ de la Ville de Perth	Engraving				I. 157 x 125 mm Pl. 159 x 126 mm 179 x 156 mm				41	£41	mounted	Print	General Interest	Jacobite						
2909		Engraved by G.Vertue	Almanack of 1751, The opening of the Radcliffe Library	Engraving on Silk				I. 433 x 362				250	£250		Print	Oxford	Radcliffe Camera						
2912			Temple Bar. From a scarce print in the possession of the Author	Lithograph	Day & Son Lith.rs to the Queen			I.111 x 155 mm S. 202 x 138 mm				80	£80		Print	General Interest	Jacobite						
2926			Oxford	Lithograph	Wagner & Debes’ Geogl. Estabt. Leipzig, 1930						Scale 1:10.250	15.00	£15		Map	Oxford	Oxford Maps						
2930			Prints of Fruit and Vegatbles	Chromolithograph	Supplement to The Profitable Farm and Garden, c. 1900			S 315 x 215 mm	The Profitable Farm and Garden			30.00	£30		Print	General Interest	Flora						
2932		W. Gauci after Delamotte	Oriel College	Lithograph	Published c. 1843			I 350 x 250 mm	Original Views of Oxford, its Colleges, Chapels and Gardens from drawings expressly for this work by William Alfred Delamotte. Executed in Lithography by William Gauci, with Historical and Descrpitive notices by Charles Ollier. London: Thomas Boy. 1843		Light foxing.	120	£120	mounted	Print	Oxford	Oriel College						
2933		Carl Rundt	New College, from the Garden	Lithograph with tint stone	Berlin c. 1859			I 395 x 285 mm	A Walk round Oxford. 		From a series of sixteen lithographs of Oxford collected in the manner of a short tour around Oxford.	500	£500	mounted	Print	Oxford	New College						
2935		Emery Walker after Edmund Hort New	Wadham College Oxford	Photogravure	Published by Edmund Hort New: 17 Worcester Place Oxford; June 1st 1910			I 410 x 260 mm				350	£350	mounted	Print	Oxford	Wadham College						
2936		William Williams	Colleg. Diui Ioannis Baptistae [St. John’s College]	Copper engraving	1732-33			I 370 x 460 mm	Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 1732-33		Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. 	160	£160	mounted	Print	Oxford	St. John’s College						
2937		William Williams	Collegium Ste. Trinitatis [Trinity College, double prospect]	Copper engraving	1722-23			I 400 x 480 mm				65	£65	mounted	Print	Oxford	Trinity College						
2938		William Williams	Colleg. Diui Ioannis Baptistae [St. John’s College, double prospect]	Copper engraving	1732-33			I 380 x 480 mm	Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 1732-33		Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. 	120	£120	mounted	Print	Oxford	St. John’s College						
2939		William Williams	Collegium Universitatis [University College]	Copper engraving	1750			I 380 x 480 mm	Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 1732-33		Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. 	200	£200	mounted	Print	Oxford	University College						
2940		William Williams	Collegium Wadhamense [Wadham College, aerial view]	Copper engraving	1750			I 400 x 525 mm	Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 1732-33		Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. 	320	£320	mounted	Print	Oxford	Wadham College						
2942		Pigot, James 	Gloucestershire	Steel engraving with hand colouring	Published by Pigot & Co. 17 Basing Land & 18 Fountain St. Manchester, 1831 			350 x 220 mm	From Pigot & Co’s British Atlas		Pigot & Son produced a very finely engraved series of oblong county maps for theur various National Commercial Directoris and these were issued  collectively as Pigot & Co’s British Atlas in 1831	75.00	£75	mounted	Map	English Counties	Gloucestershire						
2943		Stanford, Edward 	Oxfordshire and Berkshire	Lithograph	London: Edward Stanford, Ltd. 12, 13, &14, Long Acre, W.C. 			240 x 180 mm				25	£25		Map	English Counties	Oxfordshire						
2946		William Williams	Collegium Vigorniense [Worcester College]	Copper engraving	1750			I 460 x 375 mm	Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 1732-33		Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. 	300	£300	mounted	Print	Oxford	Worcester College						
2948		Unknown artist	Trinity College Oxford, New Quadrangle,	Photolithograph	Published  in ‘The Building News’1885			I 380 x 280 mm				120	£120	mounted	Print	Oxford	Trinity College						
2951		Michael Rooker	St. John’s College from the Garden	Copper engraving with hand colouring	Published 1783			I 295 x 445 mm	From the Oxford Almanack, 1783			220	£220	mounted	Print	Oxford	St. John’s College						
2952		Albany E. Howarth	Trinity College	Etching	c.1920			Image and plate 230 x 175 mm			Signed in pencil 	150	£150	framed	Print	Artists	Albany E Howarth						
2954		J. Skelton after C. Wild	Wadham College from the Garden	Copper engraving with hand colouring	c. 1820			I 445 x 310 mm				130	£130	mounted	Print	Oxford	Wadham College						
2955		Antonio Zecchin after Singleton	The Absent Father or the Sorrows of War	Stipple engraving printed in colours	Published September 30, 1799, by Antoine Suntach			I 347 x 292 mm, Pl. 441 x 338 mm			the pair	960.00	£960	framed	Print	Fine Prints	Foreign Copies of English Prints						
2956		W. Gauci after Delamotte	Trinity College Chapel, Oxford	Lithograph	Published c. 1840			I 350 x 255 mm	Original Views of Oxford, its Colleges, Chapels and Gardens from drawings expressly for this work by William Alfred Delamotte. Executed in Lithography by William Gauci, with Historical and Descrpitive notices by Charles Ollier. London: Thomas Boy. 1843			80	£80	mounted	Print	Oxford	Trinity College						
2957		After Muirhead Bone	Building Nuffield College, 1950	Photolithograph	Published c. 1950			I 425 x 275 mm	From the Oxford Almanack			50	£50	mounted	Print	Oxford	Nuffield College						
2963		J. Bretherton after J.W Bunbury	CANTAB.	Etching	Publish’d as the Act directs May 2. 1772 By J. Bretherton No. 134, New Bond Street			I 235 x 190 mm				60	£60	mounted	Print	General Interest	Caricatures						
2967		J. C. Stadler after Geo. Wather Esq.r	Ramsgate Town and Harbour, from the East Pier Head	Aquatint	Pub.d by P. Burgess Library Ramsgate July 1. 1809			I 297 x 142 mm; Pl. 342 x 218 mm				120	£120	mounted	Print	British Topography	Kent						
2969		J.C Stadler after Geo. Walker Esq.r	Ramsgate Pier, from the Bathing Sands	Aquatint	Pub.d by P. Burgess Library Ram--sgate July 1 1809			I 296 x 147 mm; Pl. 340 x 202 mm				120	£120	unmounted	Print	British Topography	Kent						
2971		Hanslip Fletcher	Littlenose Court	Pen and ink	1931			S 380 x 530 mm			Some silverfish damage 	100.00	£100		Print	Oxford	General Views						
2973		Thomas Hewitt Williams	Clovelly, North Devon	Lithograph	Published by Cole & Co. Exeter 1821.			I 256 x 180 mm			Printed by Rowney & Forster, London[Somers Cocks 369]	50	£50	mounted	Print	British Topography	Devon						
2976		Whessell, J. and Bartlett, T. 	Oxonia Antiqua Instaurata, Sive Urbis & Academiae Oxoniensis Topographica delineatio olim a Radulpho Agas impressa A.D. 1578 nunc denuo oeri incisa AD MDCCXXVIII. Huic in Margine acceste Cod: MS Bodl: Collegiorum & Scholaram Scenographia anplior & accuratior a Th. Neal STB descripta AD 1566	Copper engraving with hand colouring	Engraved and Published by J . Whessell and T. Bartlett 1831, for Oxford Delinated				for Oxford Delineated			100.00	£100	mounted	Map	Oxford	Oxford Maps						
2978		William Gauci after J Neet.	St. Aubin’s from the road leading to St Peters. Jersey	Lithograph with hand colouring	Pub.d by M Mofs, Guernsey.Printed by C. Hullmandel			I 254 x 175 mm				80	£80	unmounted	Print	British Topography	British Islands						
2979		W. Gauci after N. De Garis Jun.r	Town of St. Helliers. Jersey	Lithograph with hand colouring	Pub.d by M. Moss Guernsey and C. Le Lievere Jersey. W Day Lith.r to the King 17, Gate St.			I 251 x 176 mm				80	£80	unmounted	Print	British Topography	British Islands						
2980		Day & Son. Litho.s to the Queen	Watergate St. Chester. The motto on this old house is said to have been inscribed by the occupier as a grateful memorial, after escaping the plague, which had visited almost every other dwelling in the city. (Vide Chester Guide, page,33)	Lithograph	Published by T. Catherall, Eastgate Row, Chester & Bangor			I 283 x 187 mm				40	£40	mounted	Print	British Topography	Cheshire						
2982		William Gauci after T. Maisey	On the Thames, at Northfleet	Lithograph	Printed by W. Gauci 9 North Cres.t Bedf.d Sq.re			I 405 x 285 mm				90	£90	mounted	Print	British Topography	Kent						
2983		A. Aglio after Rolston	Mr Hyde’s Shop Market Street	Lithograph	Published by D. & P. Jaksons, 1 Spring Gardens, Manchester			I 366 x 264 mm				150	£150	mounted	Print	British Topography	Lancashire						
2984		W. Sims after J.B. Sedgwick	The House in which Richard III slept at Leicester, the night before the battle of Bosworth Field. Then known as the Blue Boar Inn at Leicester	Lithograph	London Marsh & Miller, 137 Oxford Street,1830Printed by Engelmann& Co.			I 232 x 164 mm				50	£50	mounted	Print	British Topography	Leicestershire						
2985		T. Sutherland after Augustus Pugin	Pavillion, Stables Garden Front.	Aquatint	London Published   1824 by John Nash Esqr. & Sold by R. Ackermann, 101 Strand			I 197 x 338 mm, Pl 335 x 390 mm, S 365 x 540 mm	Illustrations of Her Majesty's palace at Brighton; formerly the Pavilion: : executed by the command of King George the Fourth, under the superintendence of John Nash, ... To which is prefixed, a history of the palace, by Edward Wedlake Brayley, 1838 			100.00	£100	mounted	Print	British Topography	Sussex						
2986		T. Sutherland after Augustus Pugin	Pavilion, Centre Part of the Front Towards the Steine, John Nash Esq. Archt. & Invent.	Aquatint	London Published   1824 by John Nash Esqr. & Sold by R. Ackermann, 101 Strand			I 258 x 213 mm, Pl 385 x 330 mm, S 365 x 540 mm	Illustrations of Her Majesty's palace at Brighton; formerly the Pavilion: : executed by the command of King George the Fourth, under the superintendence of John Nash, ... To which is prefixed, a history of the palace, by Edward Wedlake Brayley, 1838 			150.00	£150	mounted	Print	British Topography	Sussex						
2987		T. Sutherland after C. fielding and Augustus Pugin	Pavilion West Front.	Aquatint	London Published   1824 by John Nash Esqr. & Sold by R. Ackermann, 101 Strand			I 210 x 352 mm, Pl 333 x 380 mm, S 365 x 540 mm	Illustrations of Her Majesty's palace at Brighton; formerly the Pavilion: : executed by the command of King George the Fourth, under the superintendence of John Nash, ... To which is prefixed, a history of the palace, by Edward Wedlake Brayley, 1838 			100.00	£100	mounted	Print	British Topography	Sussex						
2988		H. Winkles after Augustus Pugin	Pavilion North & South Galleries, Chamber Floor.	Aquatint	London Published June 2 1823 by John Nash Esqr. & Sold by R. Ackermann, 101 Strand			I 210 x 305 mm, Pl 333 x 380 mm, S 365 x 540 mm	Illustrations of Her Majesty's palace at Brighton; formerly the Pavilion: : executed by the command of King George the Fourth, under the superintendence of John Nash, ... To which is prefixed, a history of the palace, by Edward Wedlake Brayley, 1838 			100.00	£100	mounted	Print	British Topography	Sussex						
2989		W. Gauci after T. C. Dibdin	Torbay, from Tor Abbey Sands	Lithograph	Printed by M & N Hanhart			I 300 x 200 mm			Gaucci/Dibdin/Vivian [Pub. by Cockrem, Elliot & Barrett of Torquay and R. Ackermann, as the 2nd pate of their series. Scenes of Torquay and Babicomb: S.C. 3284]	80	£80	mounted	Print	British Topography	Devon						
2990		G. Tytler	William The Fourth Erected by Voluntary Subscription A.D. MDCCCXXXII	Lithograph				I 273 x 221 mm			never built	50	£50	mounted	Print	British Topography	Dorset						
2992		W. J. Bennett  after Augustus Pugin	Pavilion, Saloon	Aquatint	London Published July1823 by John Nash Esqr. & Sold by R. Ackermann, 101 Strand			I 210 x 305 mm, Pl 333 x 380 mm, S 365 x 540 mm	Illustrations of Her Majesty's palace at Brighton; formerly the Pavilion: : executed by the command of King George the Fourth, under the superintendence of John Nash, ... To which is prefixed, a history of the palace, by Edward Wedlake Brayley, 1838 			100.00	£100	mounted	Print	British Topography	Sussex						
2993		W. J. Bennett  after Augustus Pugin	Pavilion, Gallery, in its present state, looking towards the Music Room	Aquatint	London Published July1823 by John Nash Esqr. & Sold by R. Ackermann, 101 Strand			I 210 x 305 mm, Pl 333 x 380 mm, S 365 x 540 mm	Illustrations of Her Majesty's palace at Brighton; formerly the Pavilion: : executed by the command of King George the Fourth, under the superintendence of John Nash, ... To which is prefixed, a history of the palace, by Edward Wedlake Brayley, 1838 			100.00	£100	mounted	Print	British Topography	Sussex						
2994		after G. Howse	The Race	Chromolithograph	Published by Ryman, Oxford, c. 1855			I 275 x 468 mm, S 342 x 537 mm			Scarce Print	450.00	£450	mounted	Print	Sports	Rowing	Rowing					
2995			Rowing, University eight training on the Isis	Lithograph	William MacKenzie, London, Edinburgh & Glasgow, c. 1865			I 143 x 217 mm, S 238 x 307 mm				200.00	£200	mounted	Print	Sports	Rowing	Rowing					
2997		G. Howse	The Procession of the Boats, Oxford.		Published June 1st 1859. By James Ryman 25 & 25 High Street, Oxford.			Image 284 x 605 mm				1000.00	£1,000	framed	Print	Sports	Rowing	Rowing					
3000		After Cipriani	Hebe. In the Collection of Chas. Boddam Esq.	Colour printed stipple	Publish’d by A. Klauber			I 111 x 87 mm, Pl. 190 x 147 mm, S 268 x 210 mm			A German copy of a stipple by Bartolozzi	120	£120	mounted	Print	Fine Prints	Foreign Copies of English Prints						
3001		Francesco Bartolozzi after P. Violet	[Astronomy]	Stipple	London Pubd. Jany. 1 1793 by C. Gusan & Sold by I.F. Tomkins No. 49 New Bond Street			I 70 mm oval, PL. 175 x 115 mm, S 202 x 135 mm			de V & C 574 iii/ivThe small boy is Issac Newton aged 7	35.00	£35	mounted	Print	Fine Prints	Stipple						
3002		S. des M....z after La Sigra. Rosabella	La Sigra. Rosabella peinte par elle meme.	Stipple				I  95 mm oval, Pl. 160 x 120 mm, S 210 x 165 mm				100.00	£100	mounted	Print	Fine Prints	Stipple						
3004		Antoine Suntach after Henry William Bunbury	Charlotte	Stipple				Pl. 200 x  170 mm, 255 x 180 mm, S 295 x 233 mm 				200.00	£200	mounted	Print	Fine Prints	Foreign Copies of English Prints						
3005		Jacques Bonnefoy after Angelica Kauffman	Nymphs Sacrificing to Love.	Stipple printed in colours	London Published by Tessari & Co. Pall Mall			I 260 x 345 mm, Pl 330 x 380 mm, S 330 x 395 mm				400.00	£400	mounted	Print	Fine Prints	Engravers A-K						
3006		Aloys Kessler after John Singleton Copley R.A.	The Death of Major Pierson	Copper engraving	Published Nuremberg 1800 by J.F. Frauenholz			I 424 x 580 mm, 494 x 630 mm, S 557 x 697 mm				400.00	£400	mounted	Print	Fine Prints	Foreign Copies of English Prints						
3014		W. M. Craig			Pub. by T. Ostell Nov. 1 1806			Pl. 274 x 410 mm, I 250 x 360 mm, S 287 x 442 mm				175.00	£175	mounted	Print	Fine Prints	Artists Prints						
3015			The Two Comerades before the Battle	Lithograph with hand colouring				I 383 x 227 mm, S 415 x 315 mm			the pair	150	£150	mounted	Print	General Interest	Military						
3016			The Comerades after the Battle	Lithograph with hand colouring				I 383 x 227 mm, S 415 x 315 mm			a pair	150.00	£150	mounted	Print	General Interest	Military						
3017		Martin & Hood	The Bowyer Bible and Cabinet, Value Three Thousand One Hundred Guineas; Measures Eight Feet Six Inches in Length and the Same in Height, The Highest Portion in Mrs Mary Parkes’s Last Grand Club Subscription.	Lithograph	1848			I 320 x 334 mm, S 380 x 340 mm				100.00	£100	mounted	Print	General Interest	Loose Prints and Curiosities						
3018		George Morland 		Mezzotint				I 307 x 248 mm, Pl. 355 x 251 mm, S 412 x 312 mm				150.00	£150	mounted	Print	Fine Prints	Engravers L-R						
3020			The Finishing School or Quite Accomplished.	Aquatint with hand colouring	London, Published Feby. 1 st 1838 by Thomas McLean, 26, Haymarket			Pl. 303 x 385, S 316 x 402 mm				200.00	£200	mounted	Print	General Interest	Caricatures						
3025		John Cardini	General Moreau.	Stipple with hand colour	Published Octr. 26 1813 by John Cardini			I 180 x 280 mm, S 238 x 301 mm				40.00	£40	mounted	Print	Portraits	Military						
3026		A. Maclure	Destruction of the American Emigrant Ship Ocean Monarch, on the 24th August, 1848	Lithograph with tint stone	Published for the Benefit if the Liverpool Sailors Home, By Acker mann & Co. Strand, London; Maclure, Macdonald & Mcgregor. Liverpool, Grundy: Manchester and McClure & So, Glasgow			I 310 x  470 mm, S 383 x 510 mm			The Ocean Monarch, an emigrant ship, left Liverpool for America on 24 August 1848. Six miles off Great Orme's Head, North Wales, a passenger was discovered lighting a fire which quickly got out of control. Many emigrants took refuge in the bows and rigging of the foremast, which snapped hurling them in to the sea. Several nearby vessels assisted in the rescue but of the 322 people on board, 178 were lost.	180	£180	mounted	Print	General Interest	Maritime						
3035		G. Hadfield after Richard Cosway R.A.	His Most Serene Highness Louis Phillip Joseph Duke of Orleans	Stipple	Published as the Act directs 1788 by R. Cosway			I 240 x 140 mm, Pl. 335 x 240 mm, S 392 x 280 mm			D 112	180.00	£180	mounted	Print	Portraits	House of Savoy						
3036		T.G. Dutton	Messrs.Donald Currie & Cos. Royal Mail Steam Ship “Grantully Castle”, 3489 Tons Built by Messrs Barclay Curie & Co, White Incxh Ry, Glasgow	Lithograph with tint stone 	London, Published June 1st 1881 by John B. Day, 5 Blythwood Villas Crouch Hill N.			I 277 x 450 mm				440.00	£440	mounted	Print	General Interest	Maritime						
3037		John Smith after Sir Godfrey Kneller	Johannes Smith	Mezzotint	Published by John Smith 1716			I 302 x 255 mm, Pl. 341 x 257 mm, S 360 x 275			CS 232 ii	600.00	£600	mounted	Print	Portraits	Artists Portraits						
3038		Geo. Rowe	Teignmouth from Torquay Road	Lithograph	Published by Geo. Rowe, 69 Georges Place, Cheltenham			I 150 x 265 mm; S 235 x 340 mm			DEVONb/a/p Geo Rowe Chelt* S.C. 2924, c. 1840	45	£45	mounted	Print	British Topography	Devon						
3039		Freeman after Carlo Amatucoi	His Excellency Sir Wm. Carr Beresford K.B. 	Stipple	Pub & Sold Jany. 26 1814 by Edwd. Ormw, Publisher to his Majesty & H.R.H. the Prince Regent, Bond St. Corner of Brook Street London			I 103 mm oval, Pl. 200 x 134 mm, S 255 x 192 mm				50.00	£50	mounted	Print	Portraits	Military						
3040		Edward Morton after John Constable	Cottage adjoining ...	Lithograph	London, Published J. Dickenson			I 140 x 195 mm; S 210 x 255 mm 	The birthplace of late John Constable Esq. R.A. from a sketch by himself, taken in 1836.			25	£25	mounted	Print	British Topography	Suffolk						
3042		J. Fallowfield Masser after Robert Bownas	Wakefield	Lithograph	Published by J. Fallowfield Masser, 25, Boar Lane Leeds 1865			Pl. 215 x 352 mm;  S 340 x 472 mm				180	£180	mounted	Print	British Topography	Yorkshire						
3043		Frank Short after George Frederick Watts	Tennyson	Mezzotint	London Published Oxtober 3, 1903 by Robert Dunthorne 5, Vigo Street, London W			I 342 x 261, Pl. 410 x 255 mm, S 497 x 377 mm			O’Donoghue 36 Martin Hardie 79 (ii/ii) one of 250 impressionsAlfred Tennyson, 1st Baron Tennyson (1809-1892), Poet Laureate. 	250.00	£250	mounted	Print	Portraits	Literary and Poetic						
3044		C. Philips Jacobs	Gezicht na de Zaag-Moolens Poort te Amsterdam	Copper engraving				I 245 x  345 mm; Pl. 280 x 370 mm; S 335 x 415 mm				80	£80	mounted	Print	Foreign Topography	Low Countries						
3045		Paolo Fumagalli	Vue de Teatre Tragique a Pompei	Aquatint	Dessine d’apres nature en 1821			I 205 x 280 mm; Pl. 280 x 330 mm; S 300 x 405 mm				60	£60	mounted	Print	Foreign Topography	Italy						
3046		Day & Haghe after B. Bury	Breakfast Room at Drakelowe, The Seat of Lady Sophia des Vaux	Lithograph	Published by Day & Haghe c. 1844			I 185 x 370 mm; S 380 x 560 mm				30	£30	mounted	Print	British Topography	Derbyshire						
3047		Day & Haghe after B. Bury	Drakelowe, The Seat of Lady Sophia des Vaux	Lithograph	Published by Day & Haghe c. 1844			I 260 x 365 mm; S 380 x 560 mm			now demolished	50	£50	mounted	Print	British Topography	Derbyshire						
3048		Jonathan Young after John Rising	The Ballad Girl	Mezzotint				I 315 x 250 mm, S 335 x 250 mm			not in CS	600.00	£600	framed	Print	Fine Prints	Engravers S-Z						
3049		Hibbert after C.W. Bampfield	Oakhampton Castle in Devonshire	Aquatint	Pub. As the Act directs 25th March 1791 by W. Hibbert			I 180 x 260 mm; Pl. 240 x 300 mm; S 260 x 320 mm			not in Somers Cocks. c.1790C.W. Bampfield (d.1791) a landagent and Lt. Col of the North Somerset Militia, is best known as a watercolourist: a few topographical etchings and book-illustrations are known.Hibbert/CWB for Hibbert Aq. Not in Somers Cocks. c. 1790. Copelstone Warre Bampfield (d.1791), a land-agent and Lt-Col of the North Somerset Militia, is best known as a watercolourist: a few topographical etchings and book-illustrations are known.	120	£120	mounted	Print	British Topography	Devon						
3050		Jukes & Sarjent after W. Brown	Durham, from the lower end of Framwell Gate	Aquatint	London Published May 3rd 1809, by Jukes & Sargent 57 Upper John Street Fitzroy Square			I 220 x 340 mm; Pl 270 x 365 mm : S 280 x 385 mm				250	£250	mounted	Print	British Topography	Durham						
3052		Axel Haig	Durham Cathedral	Etching	1893			Pl. 626 x 438 mm			Lennox-Boyd 119Axel Haig R.E., a Swede, came to etching from architectural drawing and originally naval architecture. His earliest etchings showed the omission of the inessential, the hallmark of the new etchers but he soon found his feet making etchings suitable to be framed and put on the walls as rivals to paintings. His technique was different: look closely at a Haig Cathedral interior and you see a confused melee of lines, step back and you get the authentic gloom of the Middle Ages. 	950	£950	mounted	Print	Victorian	Axel Haig						
3053		Axel Haig	Flemish Lace Workers	Etching				I 191 x 279 mm; Pl. 197 x 286 mm			Impression signed by Haig and inscribed to James Howard InceOne of 100 on Whatman at 1 gn.Lennox-Boyd 22Axel Herman Haig, R.E. a swede, came to etching from architectural drawing and originally naval architecture. His earliest etchings showed  the omission of the inessential, the hall mark of the new etchers, but he soon found his feet making etchings suitable to be framed and put on the walls as rivals to paintings. His technique was different: look closely at a Haig Cathedral interior and you see a confused melee of lines, step back and you get the authentic gloom of the Middle Ages.	300	£300	framed	Print	Victorian	Axel Haig						
3057		Robert Walker Macbeth	The Coming Storm	Etching	Published 1 May 1894			I 331 x 553 mm; Pl. 370 x 590 mm			Impression inscribed “F Goulding imp.”Signed by MacbethLaid downRobert Walker Macbeth (1848 - 1910)Walker Macbeth was the son of the Scottish portrait painter Norman Macbeth. he was an etcher, watercolourist and painter of pastoral landscapes, rustic genre scenes and has a unique etching style, very different from Haden or Whistler. He served on the Council of the Royal Society of Painter-Etchers.	700	£700	framed	Print	Victorian							
3059		Henry Robert Robertson (1839-1921)	The plowman homeward plods his weary way.../me	Etching				I 258 x 444 mm; Pl. 317 x 487 mm			Robertson was a landscape painter and “Idyllist”.Inspired by Thomas Gray’s (1716-1771) “Elergy Written in a country Churchyard”. The image refers to line 3 in the poem, “The plowman homeward plods his weary way,” whereas the remark in the inscription space refers to lines 9 and 10 “Save that from yonder ivy-mantled tow’r the moping owl does to the moon complain”. Impression signed by RobertsonIssued by Dunthorne in an edition of 100 at 2 gns eachExhibited at the Chicago World Fair 1890 (no.414)	450	£450	framed	Print	Victorian							
3061		After Matheus Terwesten	[Diana discovering Callisto’s pregnancy] or [Diana and nymphs bathing]	Mezzotint				I 272 x 366 mm, Pl. 272 x 366			Hollstein Jan Verkolje I, 3 Wessely 29 Le Blanc Jan Verkolje I, 30Possibly after the painting mentioned by Matheus Terwesten as in Rome (see C. Hofstede de Groot, A Catalogue raisone of the works of the most eminent Dutch painters..)With dry stamp ‘G’ probably J.B. de Graaf (Lugt 1120)	300.00	£300	mounted	Print	Fine Prints	Decorative						
3064		Richard Houston	Will,m Beckford Esq,r Member of Parliment for the City of London [...] Ja,,s Townsend Esq.r [...] John Sawbridge Esq.r [...]	Mezzotint	Published as the Act directs, Sepr. 29th 1769, by Jn.o Smith  No. 35 in Cheapside; and Robert Sayer No. 53 in Fleet Street			I 392 x 270 xx, Pl. 305 x 393 mm			CS 9 ii/ii, Russell 9, O’ Donoghue Groups 55	500.00	£500	mounted	Print	Portraits	British Political						
3065		William Sharp	Thaddeus Kosciuszko	Copper engraving	1873			I 305 x 377 mm, Pl. 375 x 423 mm, S 447 x 630 mm			(1746 – 1817) was a Polish national hero, general and a leader of that nation's uprising against Russia in 1794. He fought in the American Revolutionary War as a colonel in the Continental Army on the side of Washington. In recognition of his dedicated and faithful service he was brevetted by the Continental Congress to the rank of Brigadier General in 1783.Baker 57 iv/iv	125.00	£125	mounted	Print	Portraits	Foreign Political						
3066		I. Pieterse after I. Loots	Het Laatste Abondmall  [The Last Supper]	Mezzotint				I 261 x 392 mm, Pl. 299 x 391			unrecorded	300.00	£300	mounted	Print	General Interest	After Old Masters						
3068		Jukes after Claude Lorraine Smith	[A Proof Impression of Robt. Charlton using the Norfolk Plough in 1790 at Enderby]	Aquatint and etching				I 352 x 457 mm, S 377 x 457 mm			A touched proof. inscribed in manuscript	300.00	£300	mounted	Print	Fine Prints	Engravers L-R						
3069		J. Dadley after Edward Dayes	A View of Wadham College, from the Garden	Copper engraving	Published 1795			I 450 x 290 mm	From the Oxford Almanack 1795		Slight repair top right corner.	160	£160	mounted	Print	Oxford	Wadham College						
3070		Joseph Skelton after C. Wild	The Radcliffe Library	Copper engraving	Published 1818			I 445 x 315 mm	From the Oxford Almanack 1818			140	£140	mounted	Print	Oxford	Radcliffe Camera						
3071		Buck	The North Prospect of the Cathedral Church of Oxford	Copper engraving with hand colouring	c. 1790			I 570 x 420 mm				150	£150	mounted	Print	Oxford	Oxford Churches						
3072		Unknown engraver	The Choir of the Cathedral Church of Oxford	Aquatint with hand colouring	Published by R. Jennings, 2 Poultry, 1828			I 380 x 275 mm			Enscribed C. Wild on verso.	100	£100	mounted	Print	Oxford	Oxford Churches						
3073		B. Green after S. Wale	The buildings in the Physic Gardens [Botanical Gardens, Oxford]	Copper engraving	Published 1766			I 440 x 330 mm	From the Oxford Almanack 1766		The inscription from the gateway records the founding of the Botanic Garden by Charles I in 1632.	75	£75	mounted	Print	Oxford	Botanic Garden						
3074		D. Havell after A. Pugin	Botanic Garden	Aquatint with hand colouring	Published for R. Ackermann’s History of Oxford, November 1814			I 130 x 195 mm	Ackermann, History of Oxford			70	£70	mounted	Print	Oxford	Botanic Garden						
3075		B. Green after S. Wale	The buildings in the Physic Gardens [Botanical Gardens, Oxford]	Copper engraving	Restrike of the 1766 edition			I 440 x 330 mm			Late impression c. 1860.The inscription from the gateway records the founding of the Botanic Garden by Charles I in 1632.	75	£75	mounted	Print	Oxford	Botanic Garden						
3076		Unknown photographer	Oxford Union Society	Photograph	1911			I 295 x 240 mm			Inscribed with a hand-written, italicised title which reads: The New Writing and Smoking Room.	45	£45	mounted	Print	Oxford	General Views						
3077		J. L Jackson	The Schools, Oxford	Photolithograph	Published in The Building News, Dec. 18, 1855			I 380 x 240 mm				65	£65	mounted	Print	Oxford	Examination School						
3078			The Lovely Lavinia.	Mezzotint with contemporary hand colour	London, Published as the act directs, January 7th 1784, by R. Sayer & J. Bennett, Map Chart & Printsellers & Globe-makers, No. 53 Fleet Street.			I 324 x 245 mm, Pl. 350 x 245 mm				450.00	£450	framed	Print	Fine Prints	Drolls						
3079			[John (Lord) Campbell]	Lithograph	London XYZ			I. 214 x 213 mm S. 299 x 242 mm			The firgure on the left is probably Lord Plunket who Campbell succedded in parcular cirumstances as Lord Chancellor of Ireland in 1846	100	£100	mounted	Print	General Interest	Victorian Caricatures						
3080			Apocrypha Combatants - Neither will come to the scrach	Lithograph	Published at Sinclairs 10 W: Regester 8:Ed			I. 221 x 307 mm S. 262 x 423 mm			The Apocryphya Controversy (1824-1836)This was caused by Rev. Andrew Thomson (1779-1831) minister of St. George’s Edinbrugh leading the Edinburgh Bible Society to break off its apociation with the British and Foreign Bible Society when the latter decided to print Bibles with the Apocrypha bound in: the apocrypha being canonical in Catholic Europe. The Rev. Henry Grey (1778-1859) Minister of St. Mary’s Edinbrugh dissented. The Quarrell was mainly personal, but had Religious and National overtones.Thompson on the left: Grey on the right. The infantry officer is called Major O’Trigger.BM Cat. 15577	140	£140	mounted	Print	General Interest	Victorian Caricatures						
3081			Apocrypha Combatants No. 2 - The Rehersal	Lithograph	Published at Sinclairs 10 West Regester St. Edinbrugh			I. 306 x 215 mm 388 x 246 mm			The Apocryphya Controversy (1824-1836)This was caused by Rev. Andrew Thomson (1779-1831) minister of St. George’s Edinbrugh leading the Edinburgh Bible Society to break off its apociation with the British and Foreign Bible Society when the latter decided to print Bibles with the Apocrypha bound in: the apocrypha being canonical in Catholic Europe. The Rev. Henry Grey (1778-1859) Minister of St. Mary’s Edinbrugh dissented. The Quarrell was mainly personal, but had Religious and National overtones.Mr & Mrs Grey at home, while Mr. Thomson eve drops.  BM Cat. 15575	130	£130	mounted	Print	General Interest	Victorian Caricatures						
3082			Supplement To the “Financial Observer.” “Beall-zebub.”	Lithograph	October 17th 1891			I. 238 x 172 mm S. 329 x 211 mm				40	£40	mounted	Print	General Interest	Victorian Caricatures						
3083			You’ve Nothing More to Say.	Lithograph				I. 139 x 202 mm S. 185 x 253 mm				50	£50	mounted	Print	General Interest	Victorian Caricatures						
3085		After John Leech	A couple of Cochranites	Lithograph	London: Published At The Punch Office			I. 198 x 176 mm S. 344 x 255 mm			c. 1850: Issued from the Punch Office.presumabley issued after rioting put down after the appearance of part of the Household Cavalry.	100	£100	mounted	Print	General Interest	Victorian Caricatures						
3086		Francis Jukes and T. Jenkins after W. Mason	A Country Race Course with Horses Preparing to Start.	Aquatint and engraving	Published May 20 1780 as the Act directs by R. Pollard, Braynes Row, Spa Fileds			I 440 x 640 mm, S 285 x 654 mm			the pair	3000.00	£3,000	framed	Print	Sports	Horse Racing	Racing					
3087			A great drunkard you are, Tho’ a Pressman you be, There is no man by far, Such a toper as thee. Besides you’re a sponger, And of starve-guts the worst, You’d doom me to hunger; - With you I’ll ne’er be curs’d.	Lithograph				I. 153 x 118 mm S. 239 x 176 mm			A Satirical Valentine of c.1865	80	£80	mounted	Print	General Interest	Victorian Caricatures						
3088		Francis Jukes and J. Jukes after W. Mason	A Country Race Course with Horses Running.	Aquatint and engraving	Published May 20 1780 as rhe Act directs by R. Pollard, Braynes Row, Spa Fileds			I 440 x 640 mm, S 285 x 654 mm			the pair	3000.00	£3,000	framed	Print	Sports	Horse Racing	Racing					
3089			To A Crack(ed) Cyclist	Lithograph				I. 312 x 184 mm S. 337 x 186 mm				80	£80	unmounted	Print	General Interest	Victorian Caricatures						
3091			To My Soldier	Lithograph				I. 313 x 173 mm S. 191 x 338 mm			Satirical valentines of c.1880	80	£80	mounted	Print	General Interest	Victorian Caricatures						
3092		Rev. E. T. Daniell	Granada in Spain	Etching	1831/1832			I 125 x 163 mm, S 323 x 455 mm			Thistlewaite XVIIRev. Edward Thomas Daniell (1804-1842) artist and traveller.	225.00	£225	mounted	Print	Victorian	Rev. E. T. Daniell						
3093		Rev. E. T. Daniell after Edmund Walker Head	Ronda  - Andalusia	Etching and dry point	1831/1832			I 125 x 163 mm, S 323 x 455 mm			Thistlewaite XVI, third stateRev. Edward Thomas Daniell (1804-1842) artist and traveller.Sir Edmund Walker Head Bt (1805-1868), Governor-in-Chief of British North America, travelled extensively 1828-1835.	250.00	£250	mounted	Print	Fine Prints	Artists Prints						
3094			The Printer 	Lithograph				I.  369 x 193 mm S. 571 x 221 mm			Satirical valentines of c.1880	150	£150	mounted	Print	General Interest	Victorian Caricatures						
3095			The Girl He Left Behind Him.	Lithograph				I. 258 x 157 mm S. 337 x 183 mm			Satirical valentines of c. 1880	80	£80	mounted	Print	General Interest	Victorian Caricatures						
3096			To A Cheap Line Youth	Lithograph				I. 388 x 126 mm S. 442 x 143 mm			Satirical valentines of c.1880	80	£80	mounted	Print	General Interest	Victorian Caricatures						
3097			To A Flirting Housemaid	Lithograph				I. 384 x 127 mm S.440 x 141 mm			Satirical valentine of c. 1890	80	£80	mounted	Print	General Interest	Victorian Caricatures						
3098			To A Carpenter And Joiner	Lithograph				I. 308 x 168 mm 336 x 186 mm			Satirical valentines of c.1880	80	£80	mounted	Print	General Interest	Victorian Caricatures						
3099			A Lover of Order	Lithograph	London: Published at the Punch Office			I. 249 x 170 mm S. 372 x 255 mm				100	£100	mounted	Print	General Interest	Victorian Caricatures						
3100			Reflections from my Grandmother’s Spoon. My Wife is not to be Wink’d at.	Lithograph				I. 296 x 200 mm 307 x 223 mm				80	£80	unmounted	Print	General Interest	Victorian Caricatures						
3101		sumner	Liberty - Birmingham	Lithograph	1838			I. 250 x 325 mm S. 315 x 446 mm			A satire on Birmingham & Radicalism, especially on the Church-rate riots near St Martin’s Church.Thomas Attwood, dressed as an extremely prosperous banker, which he was, leads a bear (George Frederick Muntz) holding a pole with a cap of Liberty and a monkey, Whilst Non-conformists attempt to demolish St. Philip’s Church. The foreground contains bags of money and brass buttons for use of currency. Attwood (1783-1859) was a Radical Tory and banker who founded the Political Union to call for Reform. His Proto-keynesian theories on monetary supply were considered highly unorthodox. He was one of the first Two Members of Parliament for Birmingham. Muntz (1794-1857), a fellow Radical Tory who was member from 1841-1857, and a metallurgist who produced a new brass alloy, now best remembered as a plating for wooden-walled ships. Birmingham, as an unincorporated town was a centre for religious dissenters, who found Church rates offensive and at a meeting in March 1838 he and Edmunds demanded an audit of the Vestry’s- the body responsible for the Church rates- books: their conduct lead to a riot and the indictment of Muntz. He was acquited but not awarded his costs of £2,000. George Edmonds was a radical book-seller.St Martin’s, where the riot took place, was the ancient Parish Church of Birmingham, but Thomas Archer’s Baroque Church of St Philip, now the Cathedral, was better-known to the outside world.	200	£200	mounted	Print	General Interest	Victorian Caricatures						
3102			Bill Raven	Lithograph	W. Spooner 259 Regent Street			I. 224 x 183 x 291 x 209 mm						unmounted	Print	General Interest	Caricatures						
3107		Louis Hage after Clarkson Stanfield, R.A.	St. Bernard’s Abbey, near Loughborough.	Lithograph with tint stone	Day & Son lith. to the Queen.			I 260 x 405 mm , S 328 x 455 mm				80.00	£80	unmounted	Print	British Topography	Leicestershire						
3108		Linley Samborne	[Verbosity]...	Lithograph				I. 270 x 381 mm S. 426 x 496 mm			A Satire on Gladstone amnd Roseberry	250	£250	mounted	Print	General Interest	Caricatures						
3109		W. Woodgate	Guy Fawkes at Gravesend on the 5th of November.	Lithograph	Published by W. Woodgate, Gravesend and Mess. Rodwell & Martin. New Bond St., 1823			I 390 x 520 mm, S 454 x 602 mm 			Printed by Hullmandel	400.00	£400	mounted	Print	General Interest	Caricatures						
3110			Meetingers	Lithograph	Published by R. Carr, 9 Cotton Street, Manchester			I. 139 x 171 mm S. 161 x 201 mm			c. 1840 A Satire on methodism and Chartists	50	£50	mounted	Print	General Interest	Caricatures						
3111		G. T. Stubbs	Family Canvas, Or Dress’s Antient and Modern	Lithograph	London Pub.d May 16th 1786 by G. T. Stubbs. Peters Court 8 Martins Lane			I. 197 x 259 mm S. 238 x 276 mm			Reference LBDC 39	300	£300	mounted	Print	General Interest	Caricatures						
3112			Rend, rend Toujours! persevere, aie du courage, a la fin tu rendras tout!!!	Lithograph				I. 156 x 232 mm S. 223 x 327 mm						mounted	Print	General Interest	Caricatures						
3114		P.M. Alix after George Morland	Cheval Effraye par une Lionne.	Aquatint and engraving with hand colour	a Paris chez Bacnce, Md. d’Estampe, rue St. Denis			I 165 x 240 mm, Pl. 204 x 261 mm			actually after Stubbs	450.00	£450	mounted	Print	Fine Prints	Foreign Copies of English Prints						
3115		J.P. Cook	Cries of London: Do you want any Matches?	Aquatint with hand colouring	Published Jan. 1796 by J.P. Cook			I 345 x 273 mm, Pl. 412 x 328 mm				400.00	£400	mounted	Print	General Interest	Trades						
3116		Johann Simon Negges after P. Mercier	Morgen. Le Matin. Tempus.	Mezzotint with hand colour	Published by Johann Simon Negges 			I 310 x 248 mm, Pl. 350 x 250 mm			the set of five	1500.00	£1,500	mounted	Print	Fine Prints	Foreign Copies of English Prints						
3117		Johann Simon Negges after P. Mercier	Mitternacht. Le Minuit. Septentrio.	Mezzotint with hand colour	Published by Johann Simon Negges 			I 308 x 248 mm, Pl. 350 x 250 mm			the set of five	1500.00	£1,500	mounted	Print	Fine Prints	Foreign Copies of English Prints						
3118		Johann Simon Neggs after Philip Mercier	Mittag. Le Midi. Meridies.	Mezzotint with hand colour	Published by Johann Simon Negges			I 305 x 246 mm, Pl. 350 x 250 mm			the set of five	1500.00	£1,500	mounted	Print	Fine Prints	Foreign Copies of English Prints						
3119		Johann Simon Negges after P. Mercier	Abend. Le Soir. Vespertinum.	Mezzotint with hand colour	Published by Johann Simon Negges			I 305 x 246 mm, Pl. 350 x 250 mm			the set of five	1500.00	£1,500	mounted	Print	Fine Prints	Foreign Copies of English Prints						
3120		Johann Simon Neggs after Philippe Mercier		Mezzotint				I 303 x 247 mm, Pl. 347 x 250 mm			the set of five	1500.00	£1,500	mounted	Print	Fine Prints	Early Mezzotints	CLB 55589					
3121		Charles Turner after William Orme	View of Mount Vesuvius.	Mezzotint	Sold & Published Feby.  1, 1799 by Edwd. Orme, New Bond Street, London			I 169 x 204 mm, Pl. 201 x 205 mm			 	750.00	£750	framed	Print	Fine Prints	Transparencies						
3122		After Willaim Orme	A Cavern	Aquatint and etching	Published  & Sold Decr. 1, 1798 by Edwd. Orme, Conduit Street, Hanover Square London_ Where may be had a variety of Transparent Prints & new Publications Wholesale & Retail			I 221 x 273 mm, Pl. 255 x 304 mm			Ex. Spencer Sisters	250.00	£250	mounted	Print	Fine Prints	Transparencies						
3123			A Kiln for Burning Coke near Maidstone Kent	Mezzotint with hand colour	London Pub. 1 Nov. 1799 at Ackermanns Repository of Arts 101 Strand			I 284 x 218 mm, Pl. 324 x 248 mm				500.00	£500	mounted	Print	Fine Prints	Transparencies						
3124		Charles Turner	To the Rt. Hon,,ble William Lord Auckland [...] The Tomb of Juliet	Mezzotint with hand colour	Sold & Published June 1, 1799 by Ewd. Orme, Printseller to the King, corner of George Street & Conduit Street London.			I 459 x 301 mm, Pl. 536 x 331 mm				1200.00	£1,200	framed	Print	Fine Prints	Transparencies						
3126			The Mars and the L’Hercule. April 21, 1798	Mezzotint with hand colour	Sold & Published  Feby. 1, 1799 by Edwd. Orme, Conduit Street, London			I 172 x 207 mm, Pl. 203 x 208 mm			Whitman C. Turner p. 286	600.00	£600	mounted	Print	Fine Prints	Transparencies						
3127		Charles Turner	To Sir W,,m Hamiltonm [..] View of the Last Eruption of Mount Vesuvious	Mezzotint	Published by Eward Orme			I 480 x 301 mm, Pl.  > 515 x 330 mm			Whitman - C. Turner p. 286	500.00	£500	mounted	Print	Fine Prints	Transparencies						
3128		Charles Turner after Hon. Mrs. Yates	Smugglers	Mezzotint	Sold & Published Jany.1 1799 by Orme, Conduit Street, the corner of George Street , hanover Square 			I 461 z 308 mm, Pl. 512 x 310 mm			Whitman - C. Turner p 286	700.00	£700	mounted	Print	Fine Prints	Transparencies						
3129		Angelo Zaffonato after Sir Joshua Reynolds	Drunkenness	Stipple				I 235 x 210 mm, Pl. 345 x 240 mm			Emma Lady Hamiltonthe pair	600.00	£600	framed	Print	Fine Prints	Foreign Copies of English Prints						
3130		Angelo Zaffonato after George Romney	Nature	Stipple				I 245 x 200 mm, Pl. 345 x 235 mm			Emma Lady Hamiltonthe pair	600.00	£600	framed	Print	Fine Prints	Foreign Copies of English Prints						
3131		George Cruickshank	No. 1 Dedicated wi’out permission til Political Union of Ay_town	Lithograph	c. 1845			I. 180 x 165 mm S. 296 x 235 mm			Not found in COHN	65	£65	mounted	Print	General Interest	Caricatures						
3132			Chronicles of the Great Election of 1880	Lithograph				I. 330 x 520 mm S.440 x 570 mm				120	£120	mounted	Print	General Interest	Caricatures						
3133		S. J. Cooper	Bradford Borough Election Result of the Poll	Lithograph	R. Moysey & Co. Printers Union Street Bradford, 1869			I. 260 x 434 mm S. 287 x 442 mm	Sold as a set		Samuel J. Cooper is recorded as a ‘Lithographic Artists’ at 37 Albany Buildings [18] Market Street Bradford. Market St. also housed the ‘West Riding Liberal Registration Association’.	1000	£1,000	mounted	Print	General Interest	Caricatures						
3134		S.O.B.	The Political Situation or The Peep Show. No. 1	Lithograph	1869			I. 216 x 359 mm S. 283 x 441 mm	Sold as a set		Thompson - legless and principal-less. Miall standing on the heads of  K[-]l & [Alfred] ll[li]ng[wor]th, who he ahas now dumped. Ripley hiding in obscurity.	1000	£1,000	mounted	Print	General Interest	Caricatures						
3135		“E R”	Time Called. Fight for the St. Stephens Belt.	Lithograph	1867			I. 223 x 293 mm S. 275 x 451 mm 	Sold as a set		Thompson & Miall in the boxing ring with their seconds Miall’s is K[]1: Miall is loosing.	1000	£1,000	mounted	Print	General Interest	Caricatures						
3136		“A.I. & Co.”	R. K_ll He is My_all	Lithograph	1867			I. 255 x 442 mm S. 285 x 442 mm	Sold as a set		K[--]ll presents his new ‘baby’- Miall- to other Bradford Radicals.	1000	£1,000	mounted	Print	General Interest	Caricatures						
3137			That’s an extraordinary looking Dog, My Boy, what do you call him?	Lithograph	Later			I. 177 x 307 mm S. 247 x 372 mm	Sold as a set		M[ial]l examines a dog in a barrister’s wig as a possible successor.	1000	£1,000	mounted	Print	General Interest	Caricatures						
3138			The Coming Man  	Lithograph	1867			I. 236 x 366 mm S. 280 x 448 mm	Sold as a set		Thompson (newly elected a director of the Midland Railwat) hurries home from France where he had been with a sick son to contest the bye-election.	1000	£1,000	mounted	Print	General Interest	Caricatures						
3139		A.I. & Co.	Whiteaker & Co. Conservative Flavour	Lithograph	1867			I. 351 x 215 mm S. 444 x 284 mm	Sold as a set		Thompson’s family controlled the ‘Old Brewery’ in Bradford. In popular imagination the Brewing interest and the Conservative Party were one and the same.	1000	£1,000	mounted	Print	General Interest	Caricatures						
3140			Dear Dear! - And so we’ve missed the Bus! Now what a pity! Which  for myself, I shouldn’t care, if I didn’t feel....	Lithograph	1867			I. 223 x 423 mm S. 282 x 441 mm	Sold as a set		Miall and William K[]1 have missed the bus, but look - another is coming. A general election is due. 	1000	£1,000	mounted	Print	General Interest	Caricatures						
3141			A Bunch of Thompson’s Vot(e)aries. Being a few “Choice Spirits” under the influence of  “Prinie Ale” 	Lithograph				I. 255 x 392 mm S. 286 x 443 mm	Sold as a set			1000	£1,000	mounted	Print	General Interest	Caricatures						
3142		A.I. & Co.	We Have No Work to Do-o-o!	Lithograph	1869			I. 263 x 382 mm S. 284 x 446 mm	Sold as a set		Ripley’s committee, identified by nic-names, parade, like the unemployed, outside Ripley’s locked committee-room.	1000	£1,000	mounted	Print	General Interest	Caricatures						
3143			Mon Caporal j’n’ai pu avoir que ca.	Lithograph				I. 155 x 201 mm 221 x 259 mm						mounted	Print	General Interest	Caricatures						
3144			Shady Retreats for Summer or the Tip of the Ton!! Can such things be! and Overcomeus like  a Summer’s Clouds, without our special Wonder?	Copper engraving with hand colouring	Pub.d. Sep 4 1827 by J. Fairbourn Broadway Ludgale Hill			I. 211 x 330 mm Pl. 256 x 370 mm S. 293 x 416 mm				180	£180	mounted	Print	General Interest	Caricatures						
3145		James J. Spencers	South Leicestershire Steeple Chase The Finish	Engraving				I. 112 x 154 mm S. 159 x 216 mm			The three jockeys competing are:Thomas Tertius PagestWilliam Heygate 1870-80 (peerage)Alfred Pell MP 1868-85 (reminiscences)	100	£100	framed	Print	General Interest	Caricatures						
3146		James J. Spencers	South Leicestershire Steeple Chase Run from Leicestershire to Westminster	Engraving				I. 104 x 146 mm S. 158 x 211 mm			The three jockeys competing are:Thomas Tertius PagestWilliam Heygate 1870-80 (peerage)Alfred Pell MP 1868-85 (reminiscences)	100	£100	framed	Print	General Interest	Caricatures						
3148		Unknown engraver	A Reception of Doctors at Oxford’s University, the 15th of June 1814	Etching with hand colouring	c. 1800			I 390 x 280 mm			Rare.	120	£120	mounted	Print	Oxford	Oxford Caricatures						
3149		After A. Macdonald	Friar Bacon’s Study, From a drawing made by J. B. Malchair in 1772	Autotype	Published 1873			I 220 x 355 mm	From the Oxford Almanack, 1873			75	£75	mounted	Print	Oxford	General Views						
3151		Thomas Bonnor after Malchair	Merton College from the banks of the Cherwell	Copper engraving	Published c. 1768			I 470 x 320 mm	Plate from the Oxford Almanack, 1768			160	£160	mounted	Print	Oxford	Merton College						
3152		F. Bedford after Wickes	Saint Mary the Virgin, Oxford	Lithograph with hand colouring	Published by Day & Son. c. 1840			I 290 x 445 mm				25	£25	mounted	Print	Oxford	Oxford Churches						
3153		Unknown photographer	Saint Mary the Virgin Church, Oxford	Photograph	c. 1900			I 480 x 380 mm				25	£25	mounted	Print	Oxford	Oxford Churches						
3155		W. Radclyffe after P. De Wint	View of Oxford from the West	Steel engraving	Published 1852			I 380 x 225 mm	From the Oxford Almanack, 1852			150	£150	mounted	Print	Oxford	General Views						
3156		L. Hague	The Martyr’s Memorial, Oxford	Lithograph	Published 1840 by J. Wyatt & Son, Oxford			I 440 x 310 mm				150	£150	mounted	Print	Oxford	General Views						
3157		Michael Burghers	Alegorical scene with a distant view of Oxford	Copper engraving	Late imprint c. 1860			I 440 x 350				175	£175	mounted	Print	Oxford	General Views						
3158		Charles Allard after Peter Lely	Madame Ellen Gwinn	Mezzotint	Published by Charles Allard			Image 347 x 280 mm, PLate. 365 x 282 mm			Eleanor "Nell" Gwyn (or Gwynn or Gwynne) (1650-1652 - 14 November 1687), was one of the earliest English actresses to receive prominent recognition, and a long-time mistress of King Charles II.O’Donoghue 15, Harvard cat. 24, Le Blanc 11	500	£500	mounted	Print	Portraits	Mistresses, Courtiers and Socialites						
3160		After David Ogbourne	Mr. Jacob Powell of Stebbing in Essex.  Who died Octr. 6th 1754. Aged 37 years.  He weigh’d near 40 Stone.		Published by Johann Jakob Haid et filius			I 380 x 291, Pl. 407 x 291 mm			O’Donoghue 2 	450.00	£450	mounted	Print	Fine Prints	Foreign Copies of English Prints						
3162		After David Ogbourne	Mr. Edn.d Bright late of Malden in Essex Who died November 10. 1750 Aged 29 years. He weigh’d 43 Stone & 1/2 (tt/14 toye Stone) which is 609 pounds	Mezzotint with hand colour	Published by Johann Jacob Haid et fils			I 382 x 290 mm, Pl. 410 x 294 mm			O’Donoghue 2			mounted	Print	Fine Prints	Foreign Copies of English Prints						
3163		Gabriel Bodenehr after Louis Toque	Louis Dauphin de France	Mezzotint	Published by Gabriel Bodenehr			I 399 x 269 mm, Pl. 399 x 269 mm			(1729-1765) Son of Louis XVnot in Le Blanc or Singer Ex Col. The House of Savoy	650.00	£650	mounted	Print	Portraits	House of Savoy						
3164		Henri Merke after a design by Edward Orme	[A Fire Place]	Aquatint with hand colouring	Pub.d as the Act directs June 4th 1806 by Edward Orme			I 194 x 151, Pl. > 226 x > 180 mm			Ex Spencer Sisters	350	£350	mounted	Print	Fine Prints	Transparencies						
3165			[Coloseeum in Moonlight]	Lithograph with hand colour				I 230 x 323 mm			Ex Spencer Sisters	500	£500	mounted	Print	Fine Prints	Transparencies						
3166		By and after Fraz Joseph Manskirch	A View on the Rhine near Bingen	Aquatint with hand colouring	London, Pubs. July 16, 1798 at R. Ackermann’s Gallery, 101 Strand			I 155 x 216 mm, Pl. > 272 x 350 mm				450.00	£450	mounted	Print	Fine Prints	Transparencies						
3168		L. Valperga after Gio. Commandu	Marie Teresa Gioanna Giuseppa		Torino presso le Fratelli Reycend et Ca., 1815			I 190 x 145 mm, Pl. 205 x 157 mm, S 221 x 164 mm			Ex. Col The House of Savoy	30.00	£30	mounted	Print	Portraits	House of Savoy						
3169		George Cruickshank	The Queen and the Union! No Repeal! - No O’ Connell	Woodcut	Sold by David  Bogue, (Late Tilt & Bogue) 86, Fleet Street			I. 208 x 177 mm S. 405 x 265 mm			COHN182			mounted	Print	General Interest	Caricatures						
3171		Edwardo Penrino	Roma , Il 16 FEbb 1878. Esterno Del Pantheon Pei Funerali Di S.M. Vittorio Emanuele II. 	Lithograph	Published by Brambilla Giovanni Battista, Turin 1674			I 355 x 465 mm, S 446 x 593 mm			Ex. Col House of Savoy	250.00	£250	mounted	Print	Portraits	House of Savoy						
3172		Designed & Etched by George Cruikshank	Passing Events of  The Tail of the Comet of 1853	Steel engraving	Published by D. Bogue 86 Fleet Street			I. 175 x 384 mm S. 212 x 419 mm			Not Found in COHN	180	£180	mounted	Print	General Interest	Caricatures						
3173		Francesco Gonin	Vittorio Emanuelle Duca Di Savoia	Lithograph	Trovasi alla Litgraphia Junck, Contrada dell Academia dell Scienze No 2 Torino			I 210 x 200 mm, S 525 x 432 mm			Ex. Col House of Savoy	250.00	£250	mounted	Print	Portraits	House of Savoy						
3174		G. Forino	S.A.R.D. Leopoldo Conte di Siracusa	Lithograph	Published 1828			I 195 x 200 mm, S 485 x 387 mm			Ex. Col House of Savoy	100.00	£100	mounted	Print	Portraits	House of Savoy						
3175		Heinemann	Guerrieri Della Casa di Savoia: S.M. Victtorio Emanuele II Al Garigliano	Lithograph with tint stone	Torino Lit. Flli. Doyen Piazza Carignano 1861			I 455 x 630 mm, S 590 x 839 mm			Ex. Col House of Savoy	400.00	£400	mounted	Print	Portraits	House of Savoy						
3176			Victor Emmanuel Roi de Sardaigne	Lithograph with original hand colour	Paris publiw par A. Condoni, 18, r. Grenier St. Lazare			I 440 x 380 mm, S 545 x 412 mm			Ex. Col House of Savoy	400.00	£400	mounted	Print	Portraits	House of Savoy						
3177		Tazet after Antoine Milanesio	Charles Amedée Albert, Prince de Savoi - Cargnan	Mezzotint				I 430 x  490 mm, Pl.500 x 575 mm			Ex. Col. House of Sacoy	200.00	£200	mounted	Print	Portraits	House of Savoy						
3178		Bolleter after von Aerttinger	Maria Anna Carolina	Lithograph	Gedr Bei Hnfstaengl in Dresden			I 475 x 380 mm, S 710 x 600 mm			(19 Sep 1803, Rome to 27 Feb 1831, Vienna) Maria married Emperor Ferdinand II von Austria, son of Kaiser Franz II von Österreich and Maria Teresa Carolina Giuseppina de Bourbon-Sicilie, on 27 Feb 1831 in Vienna. (Kaiser Ferdinand I von Österreich was born on 19 Apr 1793 in Vienna and died on 29 Jun 1875 in Prague.)Ex. Col House of Savoy	300.00	£300	mounted	Print	Portraits	House of Savoy						
3182		C. Pastor after A. Fiore	Gregorius. XVI. Pont. Max.	Copper engraving				Vignette I 205 x 235 mm, Pl. 306 x 274 mm			Ex. Col. House of Savoy	75.00	£75	mounted	Print	Portraits	House of Savoy						
3183		By and after Raff. D’Angelo	Vera Effigie Del Giovanetto Nunzio Solprizio	Copper engraving	c. 1820			I 195 x 156 oval, Pl. 251 x 178 mm			The Blesses Nunzio Solprizio (1817-1836) was beatified in 1859.  He was a devotee of St. Luigi Gonzaga.Not in Singer Ex. Col House of Savoy	40.00	£40	mounted	Print	Portraits	House of Savoy						
3184			Marie Caroline Antoine de Savoye Duchess de Saxe.	Copper engraving	T.F. Schmidt chez Rasp.			I 197 x 119 mm, S 212 x 135 mm			Archduchess Marie Caroline of Austria (13 August 1752 - 8 September 1814) as Queen Marie Caroline was queen consort and de facto ruler of Naples from 1768  to 1806, and of Sicily to 1812. She was the daughter of the Empress Maria Theresa and sister of Marie AntoinetteRoyal Collection stamp on versoEx. Col House of Savoy	30.00	£30	mounted	Print	Portraits	Foreign Royalty						
3185		Balthazar Mancornet	Jules Cardinal Mazarin	Copper engraving	[n.d. c. 1655]			I 281 x 175 mm, Pl . 260 x 182 mm			Ex. Col House of Savoy	100.00	£100	mounted	Print	Portraits	House of Savoy						
3186		G. Tasniere after F.T. D. Lange	Franciscus Hyacinthus	Copper engraving	Published 1702			I 277 x 220 mm, Pl. 285 x 225 mm			Francis Hyacinth (1632–1638) was the Duke of Savoy from 1637 to 1638 under regency of his mother Christine Marie. He died in childhood and was succeeded by his brother Carlo Emanuele.Royal Collection stamp on versoEx. Col. House of Savoy	80.00	£80	mounted	Print	Portraits	House of Savoy						
3187		Pierre-Adrien Le Beau	Marie Jne. Louise De Savoie, Madam, Mariee a Versailles le 14 mai 1771	Copper engraving	A Paris chez Esnauts et Rapilly, rue St. Jacques a La Ville de Countances, A.P.D.R.						Marie Josephine Louis de Savoie was born in Turin on 2 September 1753 to Victor Amadeus II, King of Sardinia. She married Louis Stanislas Xavier de Bourbon, Comte de Provence (1755-1824), at Versailles on 14 May 1771.She died before her husband became King Louis XVIIINot in I.F.F.Royal Collection Stamp on versoEx Col. House of Savoy	40.00	£40	mounted	Print	Portraits	House of Savoy						
3188		G. Zatta after Verite	Coburg	Stipple 				I 173 x 120 mm, S 205 x 124 mm			Prince Frederick Josias of Sax-Coburg Saalfeld (1737-1813).  Ex. Col House of Savoy	25.00	£25	mounted	Print	Portraits	House of Savoy						
3190		D. Sornique after Robert Nanteuil	Armand Jean Du Plessis Cardinal Duc de Richelieu	Copper engraving	A Paris chez Odieuore Md. D. Estampes Quai de L’Ecole vis à vis la Samarite à la belle Image C.P.R.			I 141 x 110, Pl. 150 x 110 mm. 			Ex. Col House of Savoy	35.00	£35	mounted	Print	Portraits	Religious and Clerical						
3191		S. Llanta	Conde Camilo De Cavour	Lithograph	A. Ronchi			I 185 x 132 mm oval, S 350 x 245 mm			(Turin 10 August 1810 - 6 June 1861) Itlalian PoliticianEx. Col House of Savoy	30.00	£30	mounted	Print	Portraits	House of Savoy						
3192		Charles Turner after F. Huet Villers	Louis Antoine D’Artois	Mezzotint	Published by Messrs Colangi Wednesday 1 January 1812			I 215 x 168, Pl. 376 x 253 mm			later Louis XVIIIWhitman C. Turner 15 i/ii, Singer 76425, Le B 16Finished proof before all lettersEx Col House of Savoy	80.00	£80	mounted	Print	Portraits	House of Savoy						
3193		Johann Vander Bruggen after Pierre Mignard	Isabelle D’Orleans Duchesse De Guise	Mezzotint	A Paris Chez Vander Bruggen rue St. Jacques à la Vielle poste			I 287 x 217 mm, Pl. 301 x 217 mm			Singer 35308, Le Blanc 9Ex. Col House of Savoy	200.00	£200	mounted	Print	Portraits	House of Savoy						
3194			Carlo Alberto [Charles Albert of Savoy]	Lithograph				I 510 x 400 mm, S 700 x 530 mm			Charles Albert (October 2, 1798 – July 28, 1849) was the Duke of Savoy, Piedmont, Aosta and King of Sardinia from 1831 to 1849. He succeeded Charles Felix, and his name is bound with the first Italian statute and the First War of Independence (1848–1849). He abdicated in favour of his son, Victor Emmanuel. after his forces were defeated by the Austrian army at the Battle of Novara (1849).Ex. Col House of Savoy	250.00	£250	mounted	Print	Portraits	House of Savoy						
3195		J. Gironella	Mazzini	Lithograph with hand colouring	Vazquez R. 51			I 215 x 120 mm vignette, S 315 x 227 mm			Giuseppe Mazzini (Genoa, June 22, 1805 – Pisa, March 10, 1872) was an Italian statesman. Mazzini's efforts lead to the unification of Italy.Ex. Col House of Savoy	60.00	£60	mounted	Print	Portraits	House of Savoy						
3196			Elisabetta Filippina Sorella Di Luigi XVI, Nata li 3 Maggio 1764	Copper engraving	In Napoli presso Talani, e Gervasi al Gigante N. 3.e. 7 [n.d. c. 1780]			I 174 x 111 mm, Pl. 200 x 137 mm, S 275 x 211			Madame Elizabeth (1764 - 1794), sister of Luis XVI of France.Ex. Col House of Savoy	50.00	£50	mounted	Print	Portraits	House of Savoy						
3197			Ferinado Guisseppe Arciduca D’Austria Gran Duc Di Toscana	Copper engraving	In Napoli presso Talani, e Gervasi al Gigante N. 3.e. 7 [n.d. c. 1780]			I 177 x 112 mm, PL. 200 x 139 mm, S S 275 x 211			Ferdinand III, Grand Duke of Tuscany, or, more fully, His Imperial and Royal Highness Ferdinando III Giuseppe Giovanni Baptista Grand Duke of Tuscany, Archduke of Austria, Prince of Hungary and Bohemia, (May 6, 1769 – June 18, 1824; born and died in Florence, Italy), was the son of Emperor Leopold II (1747 - 1792) and his wife Maria Luisa of Spain (1745 - 1792).Ex. Col. House of Savoy	45.00	£45	mounted	Print	Portraits	House of Savoy						
3199		Gerard Valk after M.D. Merian	Eugino Francisco Principi Sabaudiae et Pedemonti, Marchioni....	Copper engraving	Published by G. Valk			I 562 x 405 mm, S 570 x 412 mm			Eugène, François, Prince of Savoy  (Oct. 18, 1663, Paris - April 24, 1736, Vienna). Eugene was the youngest son of the Count of Soissons, of the House of Savoy-Carignan, and of Olympia Mancini, a niece of Cardinal Mazarin.He was a celebrated General and defeted the Turks at Zenta in 1679.  He was also Marlborough’s second-in-command at Belenheim, Oudinarde and Malplaquet. He was also one of the greatest print collectors of his day, his holdings eventually to the Albertina.Singer 80315Ex. Col House of SavoyRoyal Collection stamp on verso	500.00	£500	mounted	Print	Portraits	House of Savoy						
3200		Bernard Picart after Jacques van Schuppen	Eugene François, Prince De Savoie et De Piemont.	Copper engraving	Published in 1722			I 460 x 375 mm, Pl. 580 x 395 mm			Eugène, François, Prince of Savoy  (Oct. 18, 1663, Paris - April 24, 1736, Vienna). Eugene was the youngest son of the Count of Soissons, of the House of Savoy-Carignan, and of Olympia Mancini, a niece of Cardinal Mazarin.He was a celebrated General and defeted the Turks at Zenta in 1679.  He was also Marlborough’s second-in-command at Belenheim, Oudinarde and Malplaquet. He was also one of the greatest print collectors of his day, his holdings eventually to the Albertina.Singer 80339/41Ex. Col House of Savoy	750.00	£750	mounted	Print	Portraits	House of Savoy						
3203		A. Zecchin after Singleton	The Parent Restor’d or the Blessing of Peace	Stipple engraving printed in colours	Published September 30, 1799, by Antoine Suntach			I 347 x 292 mm, Pl. 441 x 338 mm			the pair	960.00	£960	framed	Print	Fine Prints	Foreign Copies of English Prints						
3206		William Collins		Etching				I 76 x 67 mm, Pl 80 x 67 mm				90	£90	mounted	Print	Fine Prints	Artists Prints						
3207		William Collins		Etching				I 105 x 70 mm, Pl 125 x 70 mm				90	£90	mounted	Print	Fine Prints	Artists Prints						
3208		Giordana e Salussolia	Carta Nuovo Regno Italiano 1860	Lithograph with hand colouring	Torino, Presso G. Jacquier, Editore, Via Goito, No. 6			440 x 475 mm			With a cartouch of Victor Emmanuel IIEx. Col  House of Savoy	300.00	£300	mounted	Print	Portraits	House of Savoy						
3209		Battistelli after F. bellay	D. Maria Francisca	Lithograph				I 275 x 220 mm			(1800-1834), Princess of Portugal, married in 1816 to Carlos Carlos de Borbón, Prince of Spain, conde de Molina Ex. Col House of Savoy	100.00	£100	mounted	Print	Portraits	House of Savoy						
3211		A. Daniela after Morgari	Vittoria Emanuele II. Re Di Sardegna	Lithograph with tint stone	Torino presso A. Leonardi editore Vis di Po. N. 10, 1859			I 350 x 260 mm, S 512 x 375 mm			Ex. Col. House of Savoy	200.00	£200	mounted	Print	Portraits	House of Savoy						
3212		Pilet & Gougnard after H. Martee 	Victor-Emmanuel	Lithograph	Vaney impr. Editeur, Croix d’or Geneve			I 419 x 315 mm, S 542 x 413			Ex. col House of Savoy	150.00	£150	mounted	Print	Portraits	House of Savoy						
3213		Bayot	Le Roi Victor Emmanuel II. Palesrro 31 Mai 1859	Lithograph with tint stone	Berlin, Verlag von Groupil & Co., Puble par Goupil et Ce. Paris, London, New York, Published by M. Knoedler (c. 1859)			I 375 x 300, Pl. 205 x 340 mm			Ferdinand II King of the Two Sicillies  (January 12, 1810 – May 22, 1859).Ex. Col. House of Savoy 	200.00	£200	mounted	Print	Portraits	House of Savoy						
3214		Forino	S.A.R.D.n Ferdinando Duca di Calabria	Lithograph	Published 1828			I 205 x 195 mm, S 555 x 365				100	£100	mounted	Print	Portraits	House of Savoy						
3215		Giordana e Salusselia after Masuttie	[Victor Emmanuel II]	Lithograph with tint	Torino, presso, L’editore Fco. Bacciarini Provv di. stampe della R. famiglia 			I 250 mm circular			On January 10th 1859 King Victor Emmanuel made Sardinia's position as a champion of "Italy" clear in a speech delived from his throne that included these words:-  "...that he could not remain deaf to the cry of pain that reached him from all parts of Italy..."Ex. Col House of Savoy	200.00	£200	mounted	Print	Portraits	House of Savoy						
3216		Da. Tom. Aloysio-Juvara	Effigie Di Pio IX. P.O.M. All Maestà Di Ferdinando II.	Copper engraving	[368Published  in Naples c. 1849]			I 368 x 315 mm, S 482 x 680 mm			Ex. Col House of Savoy	150.00	£150	mounted	Print	Portraits	House of Savoy						
3217		Francis Jukes after Thomas Anburey	Mahore: A fortress belonging to Nizam Ally	Aquatint	Published according to Act of Parliament Jan 1st. 1799, by Thos. Anburey Bengal and F. Jukes Howland Street			I 350 x 520 mm; Pl. 380 x 530 mm; S 520 x 650 mm			A plate from Anburey’s Hindoostan Scenery of 1799 which is the rarest of the “Home published” sets of large Indian Views.Ex. Col. Mildred Archer	2000	£2,000	mounted	Print	Foreign Topography	India						
3218		Francis Jukes after Thomas Anburey	Northern Entrance to Gundecotta Pass	Aquatint	Pubd. according to Act of Parliament by T. Anburey, Jan. 1 1799 & by F. Jukes N.10 Howland Street, London			I 360 x 525; Pl. 390 x 550 mm; S. 450 x 630 mm			A plate from Anburey’s Hindoostan Scenery of 1799 which is the rarest of the “Home published” sets of large Indian Views.Ex. Col. Mildred Archer	1850	£1,850	mounted	Print	Foreign Topography	India						
3219		Francis Jukes after Thomas Anburey	Neermul a Fortress belonging to Nizam Alley	Aquatint	Pub. according to act of Parliament Jan 1. 1799 Anbury Bengal and by F. Jukes Howland Street, London			I 347 x 517 mm; Pl. 382 x 523 mm; S 528 x 640 mm			A plate from Anburey’s Hindoostan Scenery of 1799 which is the rarest of the “Home published” sets of large Indian Views.Ex. Col. Mildred Archer	1900	£1,900	mounted	Print	Foreign Topography	India						
3220		Francis Jukes after Thomas Anburey	Southern Entrance of Gundecotta Pass	Aquatint	Published according to Act of Parliament by Thos. Anburey Jan 1. 1799 & by F. Jukes Howland Street, London			I 355 x 520 mm; Pl. 390 x 540 mm; S 450 x 625 mm			A plate from Anburey’s Hindoostan Scenery of 1799 which is the rarest of the “Home published” sets of large Indian Views.Ex. Col. Mildred Archer	2100	£2,100	mounted	Print	Foreign Topography	India						
3221		James Moffat	View of a Tomb at Peruspore, Gour	Aquatint				I 333 x 498 mm; Pl. ? x 512 mm; S 417 x 549 mm			Drawn by I. MoffatEx. Col. Mildred Archer	1500	£1,500	mounted	Print	Foreign Topography	India						
3222		Francis Jukes after Thomas Anburey	View of KALPY on the JUMNA	Aquatint	Pub. according to act of Parliament Jan. 1 1799 by T. Anburey, Bengal and by F. Jukes Howland Street, London			I 347 x 519 mm; Pl. 387 x 538 mm; S 463 x 588 mm			A plate from Anburey’s Hindoostan Scenery of 1799 which is the rarest of the “Home published” sets of large Indian Views.Ex Col. Mildred Archer	1800	£1,800	mounted	Print	Foreign Topography	India						
3223		A. Runciman	A Woman Sleeping	Etching	Collected edition, 1826			S 145 x 97 mm			Collected edition, 1826	100	£100	mounted	Print	Fine Prints	Artists Prints						
3224			The Wedding	Aquatint with hand colouring	Published 1st Aug st 1799 by. R. Ackermann 101 Strand for Dr. Jno. Trusser			I 300 x 232 mm, Pl . 440 x > 360 mm				350.00	£350	mounted	Print	Fine Prints	Transparencies						
3225		Johan A. Klein	Two Horses at a Watering Place (Russischer Fuhrman)	Etching	1800s			I 195 x 125 mm				250	£250	mounted	Print	Fine Prints	Artists Prints						
3228		Johann Adam Klein	A Barge Horse	Etching	1812			I 80 x 90 mm				50	£50	mounted	Print	Fine Prints	Artists Prints						
3231		Paul Sandby	[Figures with well in the background]	Etching	Published by Ryland & Byer 1765			I 170 x 204 mm				135	£135	mounted	Print	Fine Prints	Artists Prints						
3232		Paul Sandby	[Figures in foreground with town in distance]	Etching	Published by Ryland & Byer 1765			I 170 x 230 mm				125	£125	mounted	Print	Fine Prints	Artists Prints						
3234				Lithograph with hand colouring				I 138 x 192 mm				50.00	£50	mounted	Print	Fine Prints	Transparencies						
3235		Thomas Woorlidge	The Last Supper	Etching				I & pl. 275 x 390 				350.00	£350	mounted	Print	Fine Prints	Artists Prints						
3236		After R. Westall	The Dream	Mezzotint	1700s			I 270 x 215 mm				400	£400	mounted	Print	Fine Prints	Artists Prints						
3237		Paul Sandby	[Market scene]	Etching	c. 1760			S 62 x 78 mm				45	£45	mounted	Print	Fine Prints	Artists Prints						
3238			Hie, O, who’s for the Bank	Woodcut				I 247 x 193 mm				40.00	£40	mounted	Print	General Interest	Caricatures						
3239		Angelica Kauffman	10. Winckelmann. Antiq. Pontif et Prof. Graec. L. in Biblioth. Vatic. [Portrait of Johan Winckelmann]	Etching	1764			I 152 x 190 mm			Andresen 3 i /iii, Baumgartel 24 i/iii. This exceptionally rare first state, before the hair was reworked, the aquatint added and an edition published by Boydell. Early evidence suggests that very few such impressions were pulled, and only to be given to friends.	2000.00	£2,000	mounted	Print	Fine Prints	Engravers A-K						
3242		R. Earlom after Castiglione	Orpheus	Mezzotint	J. Boydell Excuidit Publis’d Sept.br 1st 1781			I 365 x 238 mm			Le B 32 , W 90	450	£450	mounted	Print	Fine Prints	Early Mezzotints						
3243		Unknown engraver	Lady Carpenter	Mezzotint	London Printed for R. Sayer & J. Bennett No. 53 Fleet Street as the Act directs, 29 Oct 1782			Pl. 92 x 118 mm				60.00	£60	mounted	Print	Fine Prints	18th Century Mezzotint Portraits						
3244		Unknown engraver	Portrait of a Woman	Mezzotint	c. 1750			I 142 x 112 mm			Trimmed.	20	£20	mounted	Print	Fine Prints	Artists Prints						
3245		J. R. Smith	[...] or, The Two Friends	Mezzotint	Published March 7th 1778, by Wm. Shropshire, New Bond Street			Pl. 198 x 260 mm			Said to be Mrs J R Smith a dn Mrs. Potherd his sisterFr 323 ii/iii title scraped off	210	£210	mounted	Print	Fine Prints	18th Century Mezzotint Portraits						
3246		Unknown engraver	Elizabeth Gunning, Duchess of Argyle	Etching	1700s			Pl. 62 x 101 mm				30	£30	mounted	Print	Fine Prints	Artists Prints						
3247		Unknown engraver	Portrait of a Lady	Etching	Published 1782 by Whitworth & Yates, Birmingham			Pl. 110 x 145 mm				35	£35	mounted	Print	Fine Prints	18th Century Mezzotint Portraits						
3248		F. Jukes after C. Ansell	Agility	Aquatint with engraving	Published March 25th 1785, by C. Ansell			I 155 x 129 mm, S 190 x 151 mm				140	£140	mounted	Print	Fine Prints	Decorative						
3249		Robert Ker Porter	Charge!	Polyautograph	1700s (?)			S 320 x 235 mm			Man 121.	250	£250	mounted	Print	Fine Prints	Polyautographs and early lithographs						
3250		Thomas Stothard	The Lost Apple	Polyautograph	1700s?			S 320 x 235 mm			Man 134.	600	£600	mounted	Print	Fine Prints	Polyautographs and early lithographs						
3251		John Laporte	Landscape	Polyautograph	London, printed frome stone at the polyautographic office, No.9 Buckingham Place, Fitzroy Square, 1700s?			S 305 x 200 mm			Man 118	200	£200	mounted	Print	Fine Prints	Polyautographs and early lithographs						
3253		Samuel Lover (1787-1868)	The Ambush	Lithograph	Printed and Published by M. H. & J. W. Allen, 32 Dame St, Dublin, July 1826			I 280 x 230 mm				50	£50	mounted	Print	Fine Prints	Polyautographs and early lithographs	HuntingShooting					
3254		Samuel Lover (1787-1868)	Italian Banditti	Lithograph	Printed and Published by M. H. & J. W. Allen, 32 Dame St (Dublin) c. 1826			I 310 x 215 mm				100	£100	mounted	Print	Fine Prints	Polyautographs and early lithographs	Shooting					
3257		Axel Haig	The Morning of the Festival	Etching	1880			I 537 x 327 mm; Pl. 553 x 338 mm			Impression signed by Haig with dedication to Dr. HarveyMarketed by Dowdeswell & Dowdeswell 100 artist’s proofs at 5 gns. Plate destroyedThis is considered the greatest print of the Gothic RevivalLennox-Boyd 24Axel Haig R.E., a Swede, came to etching from architectural drawing and originally naval architecture. His earliest etchings showed the omission of the inessential, the hallmark of the new etchers but he soon found his feet making etchings suitable to be framed and put on the walls as rivals to paintings. His technique was different: look closely at a Haig Cathedral interior and you see a confused melee of lines, step back and you get the authentic gloom of the Middle Ages. 	800	£800	framed	Print	Victorian	Axel Haig						
3258		De Belly 	Dedicated a S.A.R. il Principe Eugenio Savoja Carignano	Lithograph with hand colouring	Torino, Presso l’Editore Fco. Bacciarini, Provveditore di Stampe della Real Famiglia			I 570 x 405 mm, S 915 x 650 mm			Marie Theresa, Queen of Sardinia, Daughter of Ferdinand III Grand Duke of Tuscany and widow of Charles Albert   Ex.Col. House of Savoy	450.00	£450	mounted	Print	Portraits	House of Savoy						
3259		Axel Haig	A Street in Seville	Etching	1883			I 698 x 353 mm; Pl. 732 x 380 mm			Impression signed by HaigOne of 300 at 3 gns.Lennox-Boyd 41Axel Haig R.E., a Swede, came to etching from architectural drawing and originally naval architecture. His earliest etchings showed the omission of the inessential, the hallmark of the new etchers but he soon found his feet making etchings suitable to be framed and put on the walls as rivals to paintings. His technique was different: look closely at a Haig Cathedral interior and you see a confused melee of lines, step back and you get the authentic gloom of the Middle Ages. 	650	£650	framed	Print	Victorian	Axel Haig						
3260		Arthur Ditchfield	Moonlight	Etching	1868			I 158 x 114 mm; Pl. 203 x 149 mm			Goulding ImpressionArthur Ditchfield (1842-1888) is now totally forgotten and his etchings completely unknown. One of the things to note about him is his sketching trip with Ruskin and Hercules Brabazon to Amiens in 1880. He was obviously a conscientious craftsman, for he noted on many of his works who had printed them. It is worth comparing impressions printed by Goulding, Holdgate or Ditchfield himself. He made at least 77 etchings, a set of which were presented to the British Museum by his sister Mrs J.L. Roget with a manuscript listing. His training is unknown  - his drawings are not of “The English School”. It was probably Parisian, for the influence of Applan is evident and to a lesser extent that of Lalanne.	180	£180	framed	Print	Victorian							
3262		Charles Waltner after George Heming Mason	Young Anglers	Etching	Published 1 December 1881 by Agnew & Sons			I 264 x 417 mm; Pl. 362 x 472 mm			Impression signed by Waltner i/iii (?), impression on vellum. There were 50 artist’s proofs on vellum, at 6 gns. and 250 on Japanese paper at 5 gns. The former appear to have been fully subscribed on issue. PSA index p. 426Mason (1818-1872) was a self-trained landscape and genre painter. Unlike the other “Idyllists,” he came from a moneyed background (his uncle created Mason’s “Iron-Stone”), but his vision of the countryside was similar.	450	£450	framed	Print	Victorian							
3264		Herbert Dicksee after John Everett Millais	The Boyhood of Raleigh	Etching on vellum	Published 1901 by the Fine Art Society			I 562 x 664 mm; Pl. 590 x 700 mm			Issued in an edition of 400 at 10 gns. PSA index Vol. 2 i/iiiImpression signed by DickseeAn impression was exhibited at the RA in 1901 (no. 1430)Dicksee (1862-1942) made both original and reproductive prints, specialising in dogs and big cats. He was a pupil of Legros, but this is scarcely evident, either in subject or style.	1500	£1,500	framed	Print	Victorian							
3265		Henry Macbeth-Raeburn after George Mason 	Wind on the Wold	Etching	Published 4 December 1889 by the Fine Art Society			I 288 x 546 mm; Pl. 328 x 576 mm			Proof before all letters, PSA index 418 i/ii, impression signed by Macbeth-Raeburn, with PSA stamp.Exhibited at the Chicago World Fair 1890 (no.810).	650	£650	framed	Print	Victorian							
3267		M. Fanoli after A. De Valentini	Sa Majestè Marie Adèlaide Reine de Sardaigne	Lithograph	Imp. par Lemercier r. de Seine 57, Paris			I 512 x 391 mm, S 781 x 591 mm			Ex. Col House of Savoy	300.00	£300	mounted	Print	Portraits	House of Savoy						
3269		L. Valmon after George Vicat Cole	Abingdon	Etching on vellum	Published 1897 by Arthur Tooth & Sons			I 750 x 470 mm, Frame 990 x 760 mm (I 29.5 x 18 inches, Frame 39 x 30 inches)			In an edition of 250 at 10 gns.PSA index Vol.2 i/iiCole (1833-1893) was primarily a landscape painter	1200	£1,200	framed	Print	Victorian							
3271		Thomas Burke after Angelica Kauffman	Una.	Stipple engraving	London Published Feby 2 1783 by T. Birchall No. 173 Strand			I 320 x 255 mm oval			Boerner 169 ii/iiiThomas Burke (1749-1815) Irish Born engraver	400.00	£400	framed	Print	Fine Prints	Engravers A-K						
3273		Prince Albert	Fiesko and Andrea Doria	Etching	21 September 1840			I 159 x 118 mm; Pl. 204 x 152 mm			Scott-Elliot 68 ii/iiAn illustration to Schiller’s drama Fiesko	400	£400	framed	Print	Victorian							
3274		Axel Haig	Moorish Archway, Toledo	Etching	1885			I 363 x 212 mm; Pl. 384 x 236 mm			Impression signed by HaigLennox-Boyd 48Axel Haig R.E., a Swede, came to etching from architectural drawing and originally naval architecture. His earliest etchings showed the omission of the inessential, the hallmark of the new etchers but he soon found his feet making etchings suitable to be framed and put on the walls as rivals to paintings. His technique was different: look closely at a Haig Cathedral interior and you see a confused melee of lines, step back and you get the authentic gloom of the Middle Ages. 	600	£600	framed	Print	Victorian	Axel Haig						
3275		Robert Walker Macbeth	A Sacrifice (Only a Woman’s Hair)	Etching	Published 12 May 1883 by Lefevre			I 337 x 530 mm; Pl. 395 x 572 mm			PSA index 329 ii/iiImpression signed by Walker MacbethWith PSA stampWalker Macbeth was the son of the Scottish portrait painter Norman Macbeth. He was an etcher, watercolourist and painter of pastoral landscapes, rustic genre scenes and has a unique etching style, very different from Haden or Whistler. He served on the Council of the Royal Society of Painter-Etchers.	800	£800	framed	Print	Victorian							
3277		David Law	[Pangbourne Weir]	Etching	Published ca.1881			I 236 x 350 mm; Pl. 253 x 353 mm			Pangbourne on Thames, BerkshirePlate 21, from Law’s Thames Series	180	£180	mounted	Print	Victorian							
3279		James Mason after Thomas Smith	A View in Newstead Park, belonging to the Rr. Hon.ble the Lord Byron; to whom this Plate is inscribed by his Lordship most obed.t Serv.t 	Copper engraving	Published Oct.r 1764			I 533 x 356 mm			Thomas Smith of Derby (c. 1720-1767) was a landscape painter, the father of John Raphael Smith and grandfather of John Rubens Smith.	400	£400	mounted	Print	British Topography	Nottinghamshire						
3280		J. Boydell	A View of Matlock Bath, in Derby Shire	Copper engraving	Published according to Act of Parliament  by J. Boydell Engraver 1749			I 443 x 290 mm; Pl. 456 x 311 mm  				350	£350	mounted	Print	British Topography	Derbyshire						
3281		William Woollett	A View of the Great Room &c. at Hall-Barn near Beckonsfield in Buckinghamshire a Seat of Edmund Waller Esq.rVeue de la grande Sale &c. a Hall-Barn dans la Comte de Bucks, appertanant a Edmund Waller Ecuyer	Copper engraving	Printed for Carington Bowles in St Pauls Church Yard, John Bowles in Cornhil, Henry Parker in Cornhill, John Boydell in Cheapside, and Robert Sayer in Fleet Street, [1760]			I 506 x 330 mm; Pl. 539 x 375 mm			Fagan 37 iii/iv	500	£500	mounted	Print	British Topography	Buckinghamshire						
3282		Paul Sandby after Thomas Sandby	The Great Bridge over the Virginia River	Copper engraving	Published March the 2.d 1772 by John Boydell			I 313 x 564 mm; Pl. 345 x 581; S 562 x 587 mm			Virginia Water, Windsor Great Park	400	£400	mounted	Print	British Topography	Surrey						
3283		Paul Sandby after Thomas Sandby	View from the Northside of the Virginia River, near the Manour Lodge	Copper engraving				I 309 x 562 mm; S 340 x 576 mm				400	£400	mounted	Print	British Topography	London						
3290		J. Brandard	The Chancel of the Parish Church, Stratford Upon Avon. In which are interred the remains of SHAKESPEARE. Whose monument (next the door) & Tombleson on the steps below are seen in this view. 	Lithograph	Leamington , Published by C. Elston Stationer & Publisher of Local Views, 12 Lower Union Parade			I 268 x 188 mm				35	£35	mounted	Print	British Topography	Warwickshire						
3291		M & N Hanhart after J. Brandard	The Interior of Beauchamp Chapel, St Mary’s Church Warwick containing the Tombs of Richard de Beauchamp, E of Warwick (Founder of the Chapel) Ambrose Dudley E. of Warwick	Lithograph	Leamington Published by C. Elston, 12 Lower Union Parade.			I 285 x 196 mm				35	£35	mounted	Print	British Topography	Warwickshire						
3292		Edward Morton after John Constable	Cottage adjoining. The Birthplace of the late John Constable Esq.R.A. from a Sketch by himself, taken in 1836 On Stone by Edward Morton	Lithograph	London Published by J. Dickenson, 114 New Bond St.  			I 140 x 195 mm; S 210 x 255 mm				25	£25	mounted	Print	British Topography	Suffolk						
3294		Facius after Benjamin West	The Golden Age.	Stipple	Publish’d Jany. 1st 1778 by John Boydell Engraver in Cheapside, London.			I 270 x 310 mm oval, Pl. 295 x 325 mm				500.00	£500	mounted	Print	Fine Prints	Stipple						
3298		P.W. Tomkins	The Union Song	Stipple	London Publish’d as the Act directs, Jany. 30, 1801, P.W. Tomkins, No. 49 , New Bond Street			I 205 x 210 mm				500.00	£500	framed	Print	Fine Prints	Stipple						
3300		William Scott	Chailey Sussex	Lithograph				I 237 x 320 mm, S 275 x 347 mm				65.00	£65	mounted	Print	Fine Prints	Polyautographs and early lithographs						
3301		Raphael Lamar West		Polyautograph				I 310 x 227 mm, S 320 x 232 mm			Man 161 ii/ii	350	£350	mounted	Print	Fine Prints	Polyautographs and early lithographs						
3302		Henry [Belenden] Ker		Polyautograph	1807			I 230 x 317 mm, S 277 x 390 mm  			Man 107	150	£150	mounted	Print	Fine Prints	Polyautographs and early lithographs						
3303		Henry Bernard Chalon	Wild Horses	Lithograph				I & S 225 x 317 mm			Man 32	250	£250	mounted	Print	Fine Prints	Polyautographs and early lithographs						
3304		John Downman		Polyautograph				I & S 323 x 233 mm			Man 53	300	£300	mounted	Print	Fine Prints	Polyautographs and early lithographs						
3305		Paul Sandby Mann	Mallwyd Bridge	Polyautograph	1813			I 202 x 287 mm, S 240 x 375 mm				50.00	£50		Print	Fine Prints	Polyautographs and early lithographs						
3306		John Thomas Serres		Polyautograph	1803			I 223 x 317 mm, S 261 x 345 mm			Man 130	220	£220	mounted	Print	Fine Prints	Polyautographs and early lithographs						
3307		Richard Cooper		Polyautograph	1802			I & S 233 x  324 mm			Man 33	150	£150		Print	Fine Prints	Polyautographs and early lithographs						
3308		Paul Sandby Mann	St. Oswald’s Well. Durham	Polyautograph	1813			I 184 x 282 mm, S 237 x 375 mm				80.00	£80	mounted	Print	Fine Prints	Polyautographs and early lithographs						
3313			Marie-Josephine, Comtesse De Provence	Copper engraving				I 210 x 140 mm vignette, Pl. 167 x 235 mm 			Ex. Col.  House of Savoy	60	£60	mounted	Print	Portraits	House of Savoy						
3314		Forino	S.A.R.D.n Antonio Conte di Lecce 1828.	Lithograph				I 165 x 170 vignette, S 490 x 390 mm			Ex. Col. House of Savoy	100.00	£100		Print	Portraits	House of Savoy						
3315		F. Perrin	Il Re Vittorio Emmanuel	Lithograph with tint stone				I 440 x 480 mm			Ex. Col House of Savoy	350.00	£350	mounted	Print	Portraits	House of Savoy						
3316		Charles Gottlieb Heüssü after Thomas Fry	Catherine, Countess of Lincoln	Mezzotint	c. 1760s			Pl. 140 x 190 mm				200	£200	mounted	Print	Fine Prints	Foreign Copies of English Prints						
3317		P. V.	Familie Royale de Belgique [Belgian Royal Family]	Woodblock with hand colouring	Imp. Lith. Olivier Pinot Edit. à Epinal.			I 360 x 250 mm				120	£120	mounted	Print	Portraits	House of Savoy						
3318		Richard Lasey after James Abbot McNeil Whistler	Arrangement in Grey and Black: The Artist’s Mother [Whistler’s Mother]	Mezzotint	London, Published July 7th 1879 by Henry Graves and Co. 6 Pall Mall SW			I 350 x 310 mm; Pl. 440 x 440 mm			Signed by Lasey in pencil. Bears the signature and monogram of Whistler in lower left margin. Stamped “FKY Printsellers Association”.Printsellers Association Index 414	2200	£2,200	mounted	Print	Victorian							
3320		Burghers, Michael	To the Right Reverend Father in God John by divine permission Ld. Bishop of OXON The Map of Oxfordshire being his Lordship’s Diocess newley delineated, and after a new manner, with all imaginable Reverence is humbly dedicated by R.P.L.L.D.	Copper engraving with hand colouring	1677						This large copperplate map is from Robert Plot's The Natural History of Oxfordshire…..  Dr. Plot, a Professor of Chemistry at the University of Oxford  and the first keeper of the Ashmolean, planned to produce a series of county histories, but only two materialized - Oxfordshire and Staffordshire.  The map, rarely in perfect condition, was engraved by Michael Burghers, who assisted in the engraving of David Loggan's Oxonia Illustrata.  The Plot map is the most decorative map of the county, with a boarder of 172 coast of arms, including the coats of arms of 148 the county's gentry, each armorial being keyed to a number residence on the map.  The top boarder conatins the coats of arms of the eighteen Oxford colleges, the City, the University, and four county towns.  The map is similar in scale to, but less accurate then Robert Morden's map which it pre-dates by nineteen years.  There are no hundreds illustrated, but rivers, towns, villages, and churches are clearly delinated.  	1500.00	£1,500	framed	Map	English Counties	Oxfordshire						
3323		Jan Jansson	Wiltonia sive comirarus Wiltoniensis. Anglis Wilshire	Copper engraved map with contemporary hand colour	Published Amsterdam c. 1660						Janssons Wiltshire map bound with French text in half calf and cloth. Some wear to spine .	600	£600		Map	English Counties	Wiltshire						
3326		Wells, Edward 	A New Map of the Terraqueous Globe according to the latest Discoveries and most general Divions of it into Contienents and Oceans.	Copper engraved	Published Oxford 1726-38						This decorative and instructional world map was part of a set of 22 maps dedicated to William, Duke of Gloucester, who was then an 11 year old student at Oxford. Wells was a teacher of mathematics and geography at Christ Church College.  The 11 year old William, heir to the throne, began his studies at Christ Church in 1700 at the age of 11 and died a few months after the map was issued (1700). Wells designed his maps for instructional use in the geography courses he taught at Christ Church College at Oxford and his clear and direct cartographic presentation proved popular with the general public as well. Something of a surprise commercial success, the atlas received several printings well into the 1730s.. The wonderfully decorative maps are greatly prized for their charming vignettes including views of Oxford, and provide a fascinating snapshot of British understanding of the world at the outset of the 18th century. Wells maps are known for geographical accuracy and the strength of the engraved images. This map shows California as an Island, an incomplete New Holland attached to N. Guinea, partial New Zealand Coast line and no Southern Continent.Michael Burgers was an engraver and draughtsman from Holland whom move to England and settled in Oxford in 1673.  Whilst in Oxford he worked for David Loggan on Oxford Illustrata, published in 1675, and eventually succeeded Loggan as Engraver to the University.  Burgers engraved the first Oxford Almanack in 1676 and continued to engrave most of them for the next 43 years.  Burgers also illustrated books and produced architectural, botanical and portrait engravings. Shirley World 608	2000	£2,000	framed	Map	World Maps & Sea Charts							
3327		Blome, Richard 	A Mapp of Y County of Buckinghamshire	Copper engraved with hand colour	c. 1715			247 x 175 mm				200.00	£200	framed	Map	English Counties	Buckinghamshire						
3330		Rock & Co	University College, Oxford	Steel engraving	Rock & Co London No. 1663			89 x 62 mm				30	£30	mounted	Print	Oxford	University College						
3333		J. Greig	The Hall Staircase, Christ Church	Copper engraving	Published by Cook & Parker, Oxford - Longman, Hurst Rees and Orme, London, March 1 1810			I 130 x 82 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			25	£25	mounted	Print	Oxford	Christ Church College						
3334		J. Storer	Hall of Christ Church College	Copper engraving	Published by Cook & Parker, Oxford - Longman, Hurst Rees and Orme, London, March 1 1810			I 114 x 81 mm				25	£25	mounted	Print	Oxford	Christ Church College						
3335		Pieter van der Aa after David Loggan	Le College de S. Jean Baptiste 	Copper engraving	1707			166 x 132 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher.  	45	£45	mounted	Print	Oxford	St. John’s College						
3336		Ellis Jewin	The Nelson Column, Trafalgar Square	Steel engraving	circa 1840			I 109 x 85 mm				30	£30	mounted	Print	British Topography	London						
3341		Morden, Robert 	Devonshire	Copper engraved with hand colouring	1722			From Camden's Britannia			Robert Morden : d. 1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson's revised edition of 'Camden's Brittannia' engraved by Sutton Nichols. William Camden (1551-1623) was a historian and antiquary whose works were reprinted and published over a period of 200 years. The original Latin text was first translated by Gibson in 1695. Morden was employed to replace the outdated maps by Saxton, engraved by Kip and Hole. He based his maps on manuscript sources plus the surveys of Ogilby and Morgan, seller, Palmer and the coastal charts of Cpt. Greenville Collins. One of his original contributions to cartography was the showing of longitudes measured from the meridian of St. Paul's Cathedral given in the form of time in minutes at the top of the map in Roman numerals and at the bottom in degrees. This was done to clarify local times that were taken from the sun as there was no national standard time. These maps were the first to show the roads based on Ogilby's earlier work of 1675, and included 3 scales to cover the various scales used in different parts of the country. 	200.00	£200	mounted	Map	English Counties	Devon						
3342		Morden, Robert 	Nottinghamshire	Copper engraved with hand colouring	1695			From Camden's Britannia			Robert Morden : d. 1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson's revised edition of 'Camden's Brittannia' engraved by Sutton Nichols. William Camden (1551-1623) was a historian and antiquary whose works were reprinted and published over a period of 200 years. The original Latin text was first translated by Gibson in 1695. Morden was employed to replace the outdated maps by Saxton, engraved by Kip and Hole. He based his maps on manuscript sources plus the surveys of Ogilby and Morgan, seller, Palmer and the coastal charts of Cpt. Greenville Collins. One of his original contributions to cartography was the showing of longitudes measured from the meridian of St. Paul's Cathedral given in the form of time in minutes at the top of the map in Roman numerals and at the bottom in degrees. This was done to clarify local times that were taken from the sun as there was no national standard time. These maps were the first to show the roads based on Ogilby's earlier work of 1675, and included 3 scales to cover the various scales used in different parts of the country. 	75	£75	mounted	Map	English Counties	Nottinghamshire						
3345		Morden, Robert 	Kent	Copper engraved with hand colouring	1722			I 630 x 342 mm			Robert Morden : d. 1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson's revised edition of 'Camden's Brittannia' engraved by Sutton Nichols. William Camden (1551-1623) was a historian and antiquary whose works were reprinted and published over a period of 200 years. The original Latin text was first translated by Gibson in 1695. Morden was employed to replace the outdated maps by Saxton, engraved by Kip and Hole. He based his maps on manuscript sources plus the surveys of Ogilby and Morgan, seller, Palmer and the coastal charts of Cpt. Greenville Collins. One of his original contributions to cartography was the showing of longitudes measured from the meridian of St. Paul's Cathedral given in the form of time in minutes at the top of the map in Roman numerals and at the bottom in degrees. This was done to clarify local times that were taken from the sun as there was no national standard time. These maps were the first to show the roads based on Ogilby's earlier work of 1675, and included 3 scales to cover the various scales used in different parts of the country. 	280	£280	mounted	Map	English Counties	Kent						
3348		Blaeu, Johannes	Suffolcia	Copper engraving with hand colouring	circa 1645 - 1648			I 493 x 380 mm			Blaeu, Doctor Johannes (c.1599-1673) Born and died in Amsterdam. Collaborated with his father Willem Janszoon and with his brother Cornelis, and ran the business after the death of Willwm. Appointed official cartographer to the East India Company (VOC) in 1638 in sucession to his father. What was left of the company after the fire of 1672 and the deah of Joan in 1673 passed to his son Joan (III), who sold the globemaking part of the business to J. van Keulen. Worked in partnership with his father on Appendix Theatri Ortelii et Atlantis G. Mercatoris, 1631 and Nouvus Atlas, 1634; Wall maps, 1647-1649; Tooneel der Steden van der Vereenighde Nederlanden (Town books of the Netherlands) 1649-1653 Theatrum Orbis Terrarum, publishing six volumes  up to 1655; Atlas Major (11 volumes, known as the Grand Atlas), 1662-1672 in editions with French, Latin, Dutch and Spanish text (often described as the most magnificent work of its kind ever produced); Town plans of Italy 1663. 	600	£600	mounted	Map	English Counties	Suffolk						
3349		Blaeu, Johannes	Nortfolcia	Copper engraving with hand colouring	circa 1645 - 1648			I 493 x 390 mm			Blaeu, Doctor Johannes (c.1599-1673) Born and died in Amsterdam. Collaborated with his father Willem Janszoon and with his brother Cornelis, and ran the business after the death of Willwm. Appointed official cartographer to the East India Company (VOC) in 1638 in sucession to his father. What was left of the company after the fire of 1672 and the deah of Joan in 1673 passed to his son Joan (III), who sold the globemaking part of the business to J. van Keulen. Worked in partnership with his father on Appendix Theatri Ortelii et Atlantis G. Mercatoris, 1631 and Nouvus Atlas, 1634; Wall maps, 1647-1649; Tooneel der Steden van der Vereenighde Nederlanden (Town books of the Netherlands) 1649-1653 Theatrum Orbis Terrarum, publishing six volumes  up to 1655; Atlas Major (11 volumes, known as the Grand Atlas), 1662-1672 in editions with French, Latin, Dutch and Spanish text (often described as the most magnificent work of its kind ever produced); Town plans of Italy 1663. 	600	£600	mounted	Map	English Counties	Norfolk						
3350		Murray, T. 	Durham	Copper engraving with hand colouring	London, Published May 1st 1830 by T.L. Murray, 19 Adam Street, Adelphi			I 450 x 355 mm			Murray, T. Laurie FRGS. British Publisher and surveyor of 19 ‘Adam Street, Adelphi’, London. Founder member of the Royal Geographical Society, An Atlas of English Counties (44 maps), London, T.L. Murray 1830, 1831 and later editions.	75	£75	mounted	Map	English Counties	Durham						
3351		Awnsham and John Churchill	Cambridgeshire	Copper engraving with hand colouring	c.1708			I 424 x 357 mm			Churchill, Awnsham and John. Booksellers and publishers at the Black Swan, Paternoster Row, London.Churchill, Awnsham (1681-1728) In partnership with his brother John; Member of Parliament Dorsetshire 1705-1710; shop and stock were passed on to William Taylor in 1719, but Churchill retained copyright in Britannia until his death. Brotannia (with revisions by Gibson), was published by Awnsham Churchill, 1722 and sold by Taylor.Churchill, john (fl.1690-1714) Brother and partner of Awnsham from 1690. 	180	£180	mounted	Map	English Counties	Cambridgeshire						
3352		Murray, T. 	Dorsetshire	Copper engraving with hand colouring	London, Published May 1st 1830 by T.L. Murray, 19 Adam Street, Adelphi			I 450 x 355 mm			Murray, T. Laurie FRGS. British Publisher and surveyor of 19 ‘Adam Street, Adelphi’, London. Founder member of the Royal Geographical Society, An Atlas of English Counties (44 maps), London, T.L. Murray 1830, 1831 and later editions.	70	£70	mounted	Map	English Counties	Dorset						
3356		Moule, Thomas 	[Cambridge city plan]	Steel engraved with hand colouring	circa 1840			I 250 x 195 mm			Thomas Moule 1784-1851Thomas Moule was a writer on heraldry and antiquities born in 1784 at St Marylebone in London. He carried on business as a bookseller in Duke Street, Grosvenor Square, from about 1816 until 1823, when he became Inspector of 'blind' letters in the General Post Office, his principal duties being the deciphering of such addresses as were illegible to the ordinary clerks. He also held, for many years, the office of Chamber-keeper in the Lord Chamberlain's Department which entitled him to an official residence in the Stable Yard of St James's Palace, where he died on 14 January 1851.The well-known series of County Maps which are known as 'Moules' were first published in separate sections for each county in 1830-32 and they were then published in collected form in a two-volume work: The English Counties Deleneated: or a Topographical Description of England: Illustrated by a Complete Series of County Maps by Thomas Moule: London: Published by George Virtue 1836. Further editions were brought out by Virtue (some with original hand-colouring of the maps) until about 1839. In 1841 the maps appeared in a publication entitled Barclays Complete and Universal English Dictionari with additions to the original plates showing the railways which had been constructed. Normally maps which come from this work are very close trimmed, often into the printed surface, as the format of the dictionary was slightly smaller than the original publication. They are the last series of decorative county maps to be published and are an elegant addition to any collection of maps.• 1836 The English Counties Delineated (4to) 1836-39from:www.brianseed.com/	120	£120	mounted	Map	English Counties	Cambridgeshire						
3357		Morden, Robert 	South Wales	Copper engraving with hand colouring	1722			I 420 x 350 mm				110	£110	mounted	Map	Scotland, Ireland & Wales	Wales						
3358		Morden, Robert 	North Wales	Copper engraving with hand colouring	1722			I 420 x 350 mm				40	£40	mounted	Map	Scotland, Ireland & Wales	Wales						
3361		Kitchin, Thomas 	Cheshire Drawn from the best surveys Maps and Charts & and Regulated by Astron.l Observat.ns	Copper engraving	circa 1786			I 220 x 140 mm				50	£50	mounted	Map	English Counties	Cheshire						
3362		Bowen / Owen	A Map of Somersetshire	Copper engraving	1720			I 179 x 103 mm				35	£35	mounted	Map	English Counties	Somersetshire						
3365			Balliol 1894	Photograph	c. 1894			I 240 x 300 mm			see stock number 3364	80	£80	mounted	Print	Oxford	Balliol College						
3368		Fullarton, A.	Cheshire	Copper engraved with later hand colouring	c.1830			238 x 180 mm				45	£45	mounted	Map	English Counties	Cheshire						
3371		Morden, Robert 	Somersetshire	Copper engraved with original hand colouring	1722			From Camden's Britannia			Robert Morden : d. 1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson's revised edition of 'Camden's Brittannia' engraved by Sutton Nichols. William Camden (1551-1623) was a historian and antiquary whose works were reprinted and published over a period of 200 years. The original Latin text was first translated by Gibson in 1695. Morden was employed to replace the outdated maps by Saxton, engraved by Kip and Hole. He based his maps on manuscript sources plus the surveys of Ogilby and Morgan, seller, Palmer and the coastal charts of Cpt. Greenville Collins. One of his original contributions to cartography was the showing of longitudes measured from the meridian of St. Paul's Cathedral given in the form of time in minutes at the top of the map in Roman numerals and at the bottom in degrees. This was done to clarify local times that were taken from the sun as there was no national standard time. These maps were the first to show the roads based on Ogilby's earlier work of 1675, and included 3 scales to cover the various scales used in different parts of the country. 	180	£180	mounted	Map	English Counties	Somersetshire						
3373		Kelly, Thomas	France in Departments	Steel engraving	London: Published by Thomas Kelly, 17 Paternoster Row, circa 1840 			I 240 x 190 mm				20	£20	mounted	Map	Europe	France						
3374		Bovinet, Giraldon 	France par Provinces	Copper engraving	Publie par Jules Renouard, Librarie Editeur de la Geographie de Balbi, des ouvrages elementaires de Gaultier, Rue de Tournon No. 6 a Paris			I 380 x 230 mm				40	£40	mounted	Map	Europe	France						
3376			Leicestershire	Copper engraving	c 1780			I 147 x 120 mm				35	£35	mounted	Map	English Counties	Leicestershire						
3377		Cooper	Middlesex	Copper engraving with hand colouring	Published Jan.y 1, 1808, by R Phillips, Bridge Street, Blackfriars London.			I 176 x 100 mm				20	£20	mounted	Map	English Counties	Middlesex						
3381		Sid Hall	Durham	Steel engraving with hand colouring	c. 1860	c. 1860	1860	I 241 x 187 mm				25.00	£25	mounted	Map	English Counties	Durham						
3384		Dawson, R.K 	Reading (from the Ordnance Survey)	Copper engraving with hand colouring	1832			I 220 x 184 mm				35	£35	mounted	Map	English Counties	Berkshire						
3385		Owen/Bowen	Berkshire (the roads from Oxford to Salisbury)	Copper engraving	1720			I 190 x 126 mm				75	£75	mounted	Map	English Counties	Berkshire						
3386		A.M Perrott	Cornouaille	Copper engraving with hand colouring	1823			I 100 x 60 mm				150	£150	mounted	Map	English Counties	Cornwall						
3388		Cary, John	Cumberland	Copper engraving with hand colouring	London, Published Jan.y 1st 1793, by J. Cary , Engraver & Map seller Strand			259 x 207 mm			Cary, John (1755-1835) English cartographer, engraver, globe maker and publisher. Worked with his brother George. Apprenticed to his William Palmer 1770; surveyor of roads to the general post office , 1794. Best known for his english county atlases. Amongst others - Cary’s New and Correct English Atlas  1787-1789; engraved the plates for Robert Gough’s edition of Camden’s Britannia, 1789, 1806.	60	£60	mounted	Map	English Counties	Cumberland						
3389		Cooper	Bedfordshire	Copper engraving	Published Jan.y 1, 1808 by R. Philips Bridge Street Blackfriars London			I 175 x 101 mm				12	£12	mounted	Map	English Counties	Bedfordshire						
3392		Fullarton	Buckinghamshire	Copper engraving with hand colouring	Pub.d by ARchd. Fullarton & Co. Glasgow circa 1830			I 236 x 180 mm				40	£40	unmounted	Map	English Counties	Buckinghamshire						
3393		Archer, J. 	Berkshire	Steel engraving	Drawn and engraved by J. Archer Pentonville London, circa 1850			I 230 x 180 mm				20	£20	unmounted	Map	English Counties	Berkshire						
3395		Toms, W. H 	A Map of Berkshire	Copper engraving	Published by the Proprietor J. Badeslade & W.H Toms Sept 29th 1741			I 141 x 139 mm				45	£45	unmounted	Map	English Counties	Berkshire						
3396		Copper	Berkshire	Copper engraving	Published Jan.y 1, 1808 by R. Philips Bridge Street Blackfriars London			I 176 x 101 mm				30	£30	unmounted	Map	English Counties	Berkshire						
3398		Owen/Bowen	A Map of Cornwall (the road from Exeter to Truro)	Copper engraving	circa 1720			I 180 x 115 mm				65	£65	unmounted	Map	English Counties	Cornwall						
3399		Kitchin, Thomas	Cornwall Drawn from an Actual Survey and Regulated by Astron.l. Observations	Copper engraved with hand colouring	1769			I 231 x 194 mm				90	£90	unmounted	Map	English Counties	Cornwall						
3402		Fullarton	Cornwall	Copper engraving	Published by Arch.d Fullarton & Co. Glasgow			I 231 x 186 mm				45	£45	unmounted	Map	English Counties	Cornwall						
3403		Archer, J. 	Bedfordshire	Copper engraving	Drawn and engraved by J. Archer, Pentonville, London, circa 1846			I 230 x 175 mm				10	£10	unmounted	Map	English Counties	Bedfordshire						
3404		Walker, J & C 	Devonshire	Copper engraving with hand colouring	Engraved for Lewis’ Topographical Dictionary circa 1830			292 x 230 mm				20	£20	unmounted	Map	English Counties	Devon						
3405		Archer, J. 	Bedfordshire	Steel engraving	Drawn and engraved by J. Archer Pentonville, London circa 1846			I 230 x 176 mm				12	£12	unmounted	Map	English Counties	Bedfordshire						
3406		Archer, J. 	Cambridgeshire	Copper engraving	Drawn and engraved by J. Archer Pentonville, London 			I 234 x 179 mm				10	£10	unmounted	Map	English Counties	Cambridgeshire						
3407		Walker, J & C 	Cambridgeshire	Copper engraving	Engraved for Lewis’ Topographical Dictionary c 1846			I 230 x 172 mm				12	£12	unmounted	Map	English Counties	Cambridgeshire						
3408		Owen/Bowen	Buckinghamshire (the road from London to Yarmouth)	Copper engraving	circa 1720			I 181 x 120 mm				60	£60	unmounted	Map	English Counties	Buckinghamshire						
3409		Hakewell, James 	The Neighbourhood of Windsor	Copper engraving with hand colouring	c. 1815			I 270 x 224 mm				100	£100	unmounted	Map	English Counties	Berkshire						
3411		Sid Hall	Cumberland	Copper engraving	Published by S. Leigh, 18 Strand, circa 1800			I 120 x 70 mm				5	£5	unmounted	Map	English Counties	Cumberland						
3413		Cary, John	Cumberland	Copper engraving	c 1760			I 112 x 90 mm			Cary, John (1755-1835) English cartographer, engraver, globe maker and publisher. Worked with his brother George. Apprenticed to his William Palmer 1770; surveyor of roads to the general post office , 1794. Best known for his english county atlases. Amongst others - Cary’s New and Correct English Atlas  1787-1789; engraved the plates for Robert Gough’s edition of Camden’s Britannia, 1789, 1806.	5	£5	unmounted	Map	English Counties	Cumberland						
3415		J. Roper	Berkshire	Copper engraving with hand colouring	London; Published for the Proprietors , by Vernor Hood, Poultry, Dec.r 1st  1804			174 x 220 mm			to accompany the Beauties of England and Walesfrom a Drawing by G.Cole	40	£40	unmounted	Map	English Counties	Berkshire						
3416		Rollos, J. 	Berkshire	Copper engraving with hand colouring	circa 1769			I 256 x 184 mm				75	£75	unmounted	Map	English Counties	Berkshire						
3417		Moule, T. 	Berkshire	Steel engraved with hand colouring	circa 1840			I 254 x 195 mm				120.00	£120	mounted	Map	English Counties	Berkshire						
3418		Archer, J. 	Berkshire	Copper engraving with hand colouring	circa 1850			I 235 x 176 mm				15	£15	unmounted	Map	English Counties	Berkshire						
3419		Fullarton, A	Berkshire	Copper engraving	Published by Arch.d Fullarton & Co. Glasgow, 			I 242 x 186 mm				25	£25	unmounted	Map	English Counties	Berkshire						
3420		Kitchin, T. 	Berkshire	Copper engraving	circa 1786			I 217 x 170 mm				74	£74	unmounted	Map	English Counties	Berkshire						
3421		Taylor/ Blome	Barkshire	Copper engraving	circa  1717			I 235 x 176 mm				110	£110	unmounted	Map	English Counties	Berkshire						
3422		Seller, J. 	Barkshire	Copper engraving				I 144 x 120 mm				88	£88	unmounted	Map	English Counties	Berkshire						
3424		Pigot and Son	Berkshire	Copper engraving with hand colouring	Published Pigot & Co. 17 Basing Lane London & 18 Fountain St Manchester, cirac 1830			I 350 x 220 mm				60	£60	mounted	Map	English Counties	Berkshire						
3425		Seller/Grose	Cambridgeshire	Copper engraving with hand colouring	circa 1700			I 120 x 145 mm				40	£40	unmounted	Map	English Counties	Cambridgeshire						
3426			Cambridgeshire	Steel engraving with hand colouring	circa 1840			I 258 x 194 mm				85	£85	unmounted	Map	English Counties	Cambridgeshire						
3427		J. Cary	Cambridgeshire	Copper engraving with hand colouring	London published Jan .y 1, 1793 by J. Cary. Engraver and map seller Strand			I 258 x 209 mm			Cary, John (1755-1835) English cartographer, engraver, globe maker and publisher. Worked with his brother George. Apprenticed to his William Palmer 1770; surveyor of roads to the general post office , 1794. Best known for his english county atlases. Amongst others - Cary’s New and Correct English Atlas  1787-1789; engraved the plates for Robert Gough’s edition of Camden’s Britannia, 1789, 1806.	65.00	£65	unmounted	Map	English Counties	Cambridgeshire						
3429		Starling, T. 	Cumberland	Steel engraving with hand colouring											Map	English Counties	Cumberland						
3431		Moule	Cambridgeshire	Steel engraved	circa 1845			I 258 x 192 mm				65	£65	unmounted	Map	English Counties	Cambridgeshire						
3432		J. Cary	Cambridgeshire	Copper engraving with hand colouring	London, Published Jan.y 1.1793 by J. Cary Engraver & Map seller Strand			I 260 x 208 mm			Cary, John (1755-1835) English cartographer, engraver, globe maker and publisher. Worked with his brother George. Apprenticed to his William Palmer 1770; surveyor of roads to the general post office , 1794. Best known for his english county atlases. Amongst others - Cary’s New and Correct English Atlas  1787-1789; engraved the plates for Robert Gough’s edition of Camden’s Britannia, 1789, 1806.	50	£50	unmounted	Map	English Counties	Cambridgeshire						
3434		Moule	Bedfordshire	Steel engraved	circa 1845			I 270 x 214 mm				50	£50	unmounted	Map	English Counties	Bedfordshire						
3435		Wallis,J	Bedfordshire	Copper engraving	1819			I 257 x 174 mm				50	£50	unmounted	Map	English Counties	Bedfordshire						
3436		R. Creighton	Bedfordshire	Copper engraving	circa 1831			I 226 x 172 mm				18	£18	unmounted	Map	English Counties	Bedfordshire						
3437		J & C Walker	Bedfordshire	Copper engraving	circa 1830			I 244 x 178 mm 				15	£15	unmounted	Map	English Counties	Bedfordshire						
3438		J & C Walker	Bedfordshire	Copper engraving	Circa 1831			I 222 x 175 mm				12	£12	unmounted	Map	English Counties	Bedfordshire						
3439		T. Kitchin	Bedfordshire	Copper engraving	1764			I 251 x 194 mm				50	£50	unmounted	Map	English Counties	Bedfordshire						
3440		J. Archer	Bedfordshire	Steel engraving	circa 1860. Drawn and engraved by J. Archer, Pentonville, London			I 231 x 177 mm				15	£15	unmounted	Map	English Counties	Bedfordshire						
3441		Seller/Grose	Bedfordshire	Copper engraving	circa 1700			I 181 x 120 mm				40	£40	unmounted	Map	English Counties	Bedfordshire						
3442		H. Moll	Bedfordshire	Copper engraving	circa 1724			I 252 x 192 mm				120	£120	unmounted	Map	English Counties	Bedfordshire						
3443		T. Kitchin	Cumberland	Copper engraving	1764			I 251 x 194 mm				60	£60	unmounted	Map	English Counties	Cumberland						
3445			Berkshire	Steel engraving	circa 1840			I 260 x 209 mm				80	£80	unmounted	Map	English Counties	Berkshire						
3446		R. Creighton	Cumberland	Copper engraving with hand colouring	Engraved for Lewis’ Topographical Dictioanry, 1837			I 229 x 174 mm				20	£20	unmounted	Map	English Counties	Cumberland						
3451		Owen/Bowen	Berkshire (the roads from Oxford to Salisbury)	Copper engraving	1720			I 190 x 126 mm				75	£75	mounted	Map	English Counties	Berkshire						
3452		R. Creighton	Cumberland	Copper engraving with hand colouring	Engraved for Lewis’ Topographical Dictioanry, 1837			I 292 x 230 mm				20	£20	unmounted	Map	English Counties	Cumberland						
3453		Kitchin, Thomas	A New Map of Berkshire	Copper engraving	1764			I 250 x 190 mm				70	£70	unmounted	Map	English Counties	Berkshire						
3454		Wilkes, J.	Berkshire	Copper engraving	London, Published as the Act directs, July 11th 1801, by J. Wilkes			I 234 x 188 mm				30	£30	unmounted	Map	English Counties	Berkshire						
3456		Moule, Thomas 	Cumberland	Steel engraved	c. 1840			257 x 194 mm			Originally a writer on Heraldry and general antiquities, Moule was born in Marylebone, London. From around 1816 to 1823 he was a Bookseller, his shop was in Grosvenor Square, London. He then became an inspector of letters in the General Post Office, where his responsibilities included trying to 'read' illegible hand writing! His highly decorative series of county maps were first published in separate issues for each county between 1830 and 1832. In 1836 these were brought together in one work, by George Virtue & Co. They continued to appear in Rev. Barclay's Dictionary into the 1840's.	40	£40	unmounted	Map	English Counties	Cumberland						
3457		Hall, Sidney	Cornwall	Steel engraved with hand colouring	London, Published by Chapman & Hall. 193 Piccadilly, 1848			236 x 182 mm				18	£18	unmounted	Map	English Counties	Cornwall						
3460		Brayley, E.W	Chester	Copper engraving	London, Published for the Proprietors by Vernor & Hood, Poultry Dec.r 1st 1806			231 x 177 mm	From Cole and Roper			60	£60	unmounted	Map	English Counties	Cheshire						
3461		J. Archer	Bedfordshire	Steel engraving	Drawn and engraved by J. Archer Pentonville, London circa 1846			I 230 x 176 mm				12	£12	unmounted	Map	English Counties	Bedfordshire						
3462		Archer, J.	Cumberland	Copper engraving	Drawn and engraved by J. Archer, Pentonville, London, circa 1846			I 230 x 175 mm				25.00	£25	unmounted	Map	English Counties	Cumberland						
3463		Archer, J.	Cornwall	Copper engraving	Drawn and engraved by J.Archer, Pentonville, London, 1860			231 x 176 mm				60	£60	unmounted	Map	English Counties	Cornwall						
3464		Moule, Thomas 	Cheshire	Steel engraved	c. 1840			257 x 194 mm			Originally a writer on Heraldry and general antiquities, Moule was born in Marylebone, London. From around 1816 to 1823 he was a Bookseller, his shop was in Grosvenor Square, London. He then became an inspector of letters in the General Post Office, where his responsibilities included trying to 'read' illegible hand writing! His highly decorative series of county maps were first published in separate issues for each county between 1830 and 1832. In 1836 these were brought together in one work, by George Virtue & Co. They continued to appear in Rev. Barclay's Dictionary into the 1840's.	75	£75	unmounted	Map	English Counties	Cheshire						
3465		Archer, J.	Cheshire	Steel engraving	Drawn and engraved by J. Archer Pentonville, London circa 1846			I 230 x 176 mm				15	£15	unmounted	Map	English Counties	Berkshire						
3466		Toms, W.H.	A Map of Berkshire	Copper engraving	Published by the Proprietor J. Badeslade & W.H Toms Sept 29th 1741			I 141 x 139 mm				45	£45	unmounted	Map	English Counties	Berkshire						
3467		Moll, Hermann	The County Palatine of Chester	Copper engraved 	circa 1724			 255 x 190 mm			Herman Moll was born in Germany and came to England in the 1670s.  He worked as an independant cartographer and geographer and traded as a map publisher and seller for two years and then worked for other publishers.  Moll established his own business and eventually dominated the early eighteenth century map trade.  He produced many maps and atlases of England, Wales,  Scotland and Ireland.  His county maps were all boldly engraved in a heavy style. 	120	£120	unmounted	Map	English Counties	Cheshire						
3469		Seller/Grose	Berkshire	Copper engraving with hand colouring	circa 1700			I 120 x 145 mm				50	£50	unmounted	Map	English Counties	Berkshire						
3470		Seller, John	Berkshire	Copper engraving	1694			145 x 120 mm				75	£75	mounted	Map	English Counties	Berkshire						
3471		Morden, Robert	Northamptonshire	Copper engraving with hand colouring	London, 1695-1722			418 x 362 mm	From Camden’s Britannia		Robert Morden: d.1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson’s revised edition of ‘Camden’s Britannia’ engraved by Sutton Nichols. 	120	£120	mounted	Map	English Counties	Northamptonshire						
3472		Cary, John	A New Map of Sussex	Copper engraving with hand colouring	London, Published by J. Cary Engraver & Map seller No. 181 Strand Sep.r 28. 1801			537 x 477 mm			Cary, John (1755-1835) English cartographer, engraver, globe maker and publisher. Worked with his brother George. Apprenticed to his William Palmer 1770; surveyor of roads to the general post office , 1794. Best known for his english county atlases. Amongst others - Cary’s New and Correct English Atlas  1787-1789; engraved the plates for Robert Gough’s edition of Camden’s Britannia, 1789, 1806.	170	£170	mounted	Map	English Counties	Sussex						
3479		John Boydell	A South Prospect of the City of Oxford	Copper engraving	Published According to act of parliament by John Boydell engraver at the Unicorn the corner of Queen Street Cheapside London 1751. Price 1 shilling.			I. 244 x 425 mm,  Pl.430 x 260 mm				650	£650	framed	Print	Oxford	General Views						
3482		R.K. Dawson	Oxford	Copper engraving with hand colouring	circa 1836			I 322 x 195 mm				75	£75	mounted	Map	Oxford	Oxford Maps						
3486		R. Ackermann	Law School	Aquatint	London Pub.d Aug.t 1. 1814 at 101 Strand for R. Ackermann’s History of Cambridge			I 266 x 201 mm				120	£120	mounted	Print	British Topography	Cambridgeshire						
3487		R. Ackermann	Chapel of Magdalen College	Aquatint	London Pub.d Nov.r 1 1815, at 101 Strand, for R. Ackerman’s History of Cambridge			I 251 x 216 mm				120	£120	mounted	Print	 Cambridge	Magdalen College Cambridge						
3494		Robert Morden	Oxford Shire	Copper engraved 	1695			From Camden's Britannia			Robert Morden : d. 1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson's revised edition of 'Camden's Brittannia' engraved by Sutton Nichols. William Camden (1551-1623) was a historian and antiquary whose works were reprinted and published over a period of 200 years. The original Latin text was first translated by Gibson in 1695. Morden was employed to replace the outdated maps by Saxton, engraved by Kip and Hole. He based his maps on manuscript sources plus the surveys of Ogilby and Morgan, seller, Palmer and the coastal charts of Cpt. Greenville Collins. One of his original contributions to cartography was the showing of longitudes measured from the meridian of St. Paul's Cathedral given in the form of time in minutes at the top of the map in Roman numerals and at the bottom in degrees. This was done to clarify local times that were taken from the sun as there was no national standard time. These maps were the first to show the roads based on Ogilby's earlier work of 1675, and included 3 scales to cover the various scales used in different parts of the country. 	220	£220	mounted	Map	English Counties	Oxfordshire						
3495		Van den Keere	Glocester-Shire	Copper engraving with hand colouring	1627			I 122 x 83 mm				110	£110	framed	Map	English Counties	Gloucestershire						
3500		Desbuissons	France	Copper engraving	Publie par Jules Renouard, Librarie a Paris circa 1840 			I 250 x 200 mm				12	£12	unmounted	Map	Europe	France						
3502		Blaeu, Johannes	Oxonium Comitatus, Vulgo Oxfordshire	Copper engraved with hand colouring	circa 1645 - 1648			493 x 390 mm			Blaeu, Doctor Johannes (c.1599-1673) Born and died in Amsterdam. Collaborated with his father Willem Janszoon and with his brother Cornelis, and ran the business after the death of Willwm. Appointed official cartographer to the East India Company (VOC) in 1638 in sucession to his father. What was left of the company after the fire of 1672 and the deah of Joan in 1673 passed to his son Joan (III), who sold the globemaking part of the business to J. van Keulen. Worked in partnership with his father on Appendix Theatri Ortelii et Atlantis G. Mercatoris, 1631 and Nouvus Atlas, 1634; Wall maps, 1647-1649; Tooneel der Steden van der Vereenighde Nederlanden (Town books of the Netherlands) 1649-1653 Theatrum Orbis Terrarum, publishing six volumes  up to 1655; Atlas Major (11 volumes, known as the Grand Atlas), 1662-1672 in editions with French, Latin, Dutch and Spanish text (often described as the most magnificent work of its kind ever produced); Town plans of Italy 1663. 	900	£900	framed	Map	English Counties	Oxfordshire						
3504		Donowell	A View of Part of St Mary’s Church, All Saints Church, the Conduit, Carfax Church, & uin the University of Oxford	Copper engraving	London Printed for Robt. Sayer at the Golden Buck in Fleet Street , John Bowles & Son, at the Black Horse in Cornhil & John Ryall at Hogarth’s Head in Fleet Street. Circa  1750			I 419 x 261 mm`				300	£300	mounted	Print	Oxford	High Street Views						
3505		Toms, W.H.	Essex N.E from London	Copper engraved	Published by the Proprietor J. Badeslade & W.H Toms Sept 29th 1741			I 146 x 143 mm				55	£55	mounted	Map	English Counties	Essex						
3506			Buxton and Matlock	Copper engraving	c. 1830			I 127 x 76 mm				12	£12	mounted	Map	English Counties	Derbyshire						
3508		Kitchin, Thomas	Dorsetshire	Copper engraving	1786			I 215 x 163 mm				65	£65	unmounted	Map	English Counties	Dorset						
3510		Fullarton, Archibald	Gloucesetershire	Copper engraving with hand colouring	Pub.d by Arch.d Fullarton & Co. Glasgow, 1830			I 241 x 190 mm				45	£45	unmounted	Map	English Counties	Gloucestershire						
3511		Rocque, J	Gloucestershire	Copper engraving	1769			I 195 x 153 mm				65	£65	unmounted	Map	English Counties	Gloucestershire						
3513		Kitchin, Thomas 	Devonshire	Copper engraving	1786			I 207 x 181 mm				80	£80	unmounted	Map	English Counties	Devon						
3515		Kitchin, Thomas	Derbyshire	Copper engraving with hand colouring	Printed for R. Baldwin Jun.r at the Rose in Paternoster Row circa 1752			I 213 x 163 mm				45	£45	unmounted	Map	English Counties	Derbyshire						
3516		Hall, Sidney	Dorsetshire	Steel engraved with hand colouring	London Published by Chapman & Hall, 193 Piccadilly, circa1860			I 240 x 181 mm	Hall’s Travelling Atlas			20	£20	unmounted	Map	English Counties	Dorset						
3517		Roper, J	Glocester	Copper engraving	London Published for the Propritors, by Vernor & Hood, Poultry; April 1st 1805			I 247 x 188 mm				50	£50	unmounted	Map	English Counties	Gloucestershire						
3518		Bowen, Emmanuel	The Road from Salisbury to Campden	Copper engraving	Published 1720			I 114 x 180 mm				65	£65	mounted	Map	English Counties	Gloucestershire						
3519		Bowen, Emmanuel	The Road from Salisbury to Campden	Copper engraving	Published 1720			I 114 x 180 mm				60	£60	mounted	Map	English Counties	Gloucestershire						
3520		 Kitchin, Thomas	Derbyshire Drawn from the best Authorities	Copper engraving	circa 1770			214 x 162 mm	Kitchin’s English Atlas... or England illustrated			25	£25	unmounted	Map	English Counties	Derbyshire						
3521		Speed	Excester	Copper engraving	circa  1611			I 155 x 131 mm			Speed (1552-1629) is the most famous of all English cartographers primarily as a result of The Theatre of the Empire of Great Britaine, the first atlas of the British Isles. The maps from this atlas are the best known and most sought-after of all county maps. The maps were derived mainly from the earlier prototypes of Christopher Saxton and Robert Norden but with notable improvements including parish "Hundreds" and county boundaries, town plans and embellishments such as the coats of arms of local Earls, Dukes, and the Royal Household. The maps are famed for their borders consisting of local inhabitants in national costume and panoramic vignette views of major cities and towns. An added feature is that regular atlas copies have English text printed on the reverse, giving a charming description of life in the early seventeenth century of the region. The overall effect produced very decorative, attractive and informative maps. For the publication of this prestigious atlas Speed turned to the most successful London print-sellers of the day, John Sudbury and George Humble. William Camden introduced the leading Flemish engraver, Jodocus Hondius Sr. to John Speed in 1607 because first choice engraver William Rogers had died a few years earlier. Work commenced with the printed proofs being sent back and forth between London and Amsterdam for correction and was finally sent to London in 1611 for publication. The work was an immediate success and the maps themselves being printed for the next 150 years. Speed was born in 1552 at Farndon, Cheshire. Like his father before him he was a tailor by trade, but around 1582 he moved to London. During his spare time Speed pursued his interests of history and cartography and in 1595 his first map of Canaan was published in the "Biblical Times". This raised his profile and he soon came to the attention of poet and dramatist Sir Fulke Greville a prominent figure in the court of Queen Elizabeth. Greville as Treasurer of the Royal Navy gave Speed an appointment in the Customs Service giving him a steady income and time to pursue cartography.  Through his work he became a member of such learned societies as the Society of Antiquaries and associated with the likes of William Camden Robert Cotton and William Lambarde. He died in 1629 at the age of seventy-seven.	25	£25	unmounted	Map	English Counties	Devon						
3526		Moll, Hermann	The County Palatine of Durham	Copper engraving	circa 1724			314 x 189 mm			Herman Moll was born in Germany and came to England in the 1670s.  He worked as an independant cartographer and geographer and traded as a map publisher and seller for two years and then worked for other publishers.  Moll established his own business and eventually dominated the early eighteenth century map trade.  He produced many maps and atlases of England, Wales,  Scotland and Ireland.  His county maps were all boldly engraved in a heavy style. 	140	£140	unmounted	Map	English Counties	Durham						
3527		Moll, Hermann	The County Palatine of Durham	Copper engraving with hand colouring	circa 1724			314 x 189 mm			Herman Moll was born in Germany and came to England in the 1670s.  He worked as an independant cartographer and geographer and traded as a map publisher and seller for two years and then worked for other publishers.  Moll established his own business and eventually dominated the early eighteenth century map trade.  He produced many maps and atlases of England, Wales,  Scotland and Ireland.  His county maps were all boldly engraved in a heavy style. 	120	£120	unmounted	Map	English Counties	Durham						
3528		Archer, J.	Dorsetshire	Copper engraving with hand colouring	Drawn & Engraved by J. Archer, Pentonville, London,  c.1860			233 x 177 mm				12	£12	unmounted	Map	English Counties	Dorset						
3529		Moule, Thomas	Dorsetshire	Copper engraving	1848 			257 x 194 mm				50	£50	unmounted	Map	English Counties	Dorset						
3530		Sid. Hall	Gloucestershire	Steel engraved	London, Published by Chapman & Hall 193 Piccadilly, circa 1860			117 x 67 mm				5	£5	unmounted	Map	English Counties	Gloucestershire						
3531		Sid. Hall	Durham	Steel engraved	London, Published by Chapman & Hall 193 Piccadilly, circa 1860			117 x 67 mm				5	£5	unmounted	Map	English Counties	Durham						
3532		Moule, Thomas	Essex	Copper engraving	circa 1845			264 x 205 mm				60	£60	unmounted	Map	English Counties	Essex						
3533		Rapkin, J	Plymouth, Devonport and Stonehenge	Steel engraving	John Tallis & Company, London & New York,1852			350 x 247 mm				80	£80	unmounted	Map	English Counties	Devon						
3534		Hall, Sidney	Durham	Steel engraved	London Published by Chapman and Hall No. 186 Strand, Nov.r1. 1830	c. 1860	1860	240 x 182 mm				10.00	£10	unmounted	Map	English Counties	Durham						
3535		Fullarton, Archibald	Durham	Copper engraving with hand colouring	Pub.d by Archd. Fullarton & Co. Glasgow circa 1830			235 x 185 mm				30	£30	unmounted	Map	English Counties	Durham						
3537		Walker, J & C	Derbyshire	Copper engraving with hand colouring	Drawn and Engraved for Lewis Topographical Dictionary. c. 1836			227 x 173 mm				20	£20	unmounted	Map	English Counties	Derbyshire						
3538		Cary. J	Durham	Copper engraving with hand colouring	London Published July 1. 1806 by J. Cary Engraver No. 181 Strand			130 x 89 mm			Cary, John (1755-1835) English cartographer, engraver, globe maker and publisher. Worked with his brother George. Apprenticed to his William Palmer 1770; surveyor of roads to the general post office , 1794. Best known for his english county atlases. Amongst others - Cary’s New and Correct English Atlas  1787-1789; engraved the plates for Robert Gough’s edition of Camden’s Britannia, 1789, 1806.	10	£10	unmounted	Map	English Counties	Durham						
3539		Pigot & Son	Devonshire	Copper engraving with hand colouring	Published by Pigot & Co., 59 Fleet Street. London & Fountain St. Manchester. Circa 1830			350 x 224 mm				100	£100	unmounted	Map	English Counties	Devon						
3540		Munster, Sebastian Prof.	Africa	Copper engraving	circa 1580			356 x 307 mm			Professor Sebastian Munster (14881552) b. Nieder-Ingelheim, near Mainz -	1000	£1,000	mounted	Map	Africa							
3541		J. Harris after H. de Daubrawa	Lt. General Ho nble. Henry Beauchamp Lygnon	Aquatint with hand colouring				I 370 x 300 mm, Pl. 430 x 335 mm			Title inscribed in pencil in lower right.  Some paper loss in right margin not affecting the image or plate mark./	200.00	£200	unmounted	Print	Portraits	Military						
3543		Richard Houstan after Joshua Reynolds	The Hon.ble Mrs. Barrington [Elizabeth Barrington nee Vassal]	Mezzotint	Sold by R. Houston near Drummaond’s, Charing Cross			I 274 x 225			Russell iii/v, CS 6	180.00	£180	unmounted	Print	Portraits	British Nobility						
3546		J. R. Smith	The Merry Story	Stipple	London Published Augt. 6 1783 by J.R. Smith No. 83 Oxford Street.			I 211 x 172 mm, Pl. 290 x 216 mm, S 394 x 290 mm			O’Dench 226	180	£180	unmounted	Print	Fine Prints	Stipple						
3554		Hellmuth Weissenborn	‘O’	Woodcut	circa 1950			I 50 x 38 mm			Hellmuth Weissenborn (1898 -1982) was born in Leipzig, Germany, his father was an art teacher. Weissenborn studied at the Academy for Graphic Art and Book Design, Leipzig from 1919 serving in WWI. In 1938 he emigrated to London as a freelance artist. He then went on to work as an illustrator for the Whittington Press and his first solo show was at Archer Gallery. In 1946 he and his wife took over the then defunct Acorn Press. He exhibited at the Victoria and Albert Museum, the London Group and at exhibitions in America and Australia.	30	£30	mounted	Print	Artists	Hellmuth Weissenborn						
3555		Hellmuth Weissenborn	‘B’	Woodcut	circa 1950			I 50 x 38 mm			Hellmuth Weissenborn (1898 -1982) was born in Leipzig, Germany, his father was an art teacher. Weissenborn studied at the Academy for Graphic Art and Book Design, Leipzig from 1919 serving in WWI. In 1938 he emigrated to London as a freelance artist. He then went on to work as an illustrator for the Whittington Press and his first solo show was at Archer Gallery. In 1946 he and his wife took over the then defunct Acorn Press. He exhibited at the Victoria and Albert Museum, the London Group and at exhibitions in America and Australia.	30	£30	mounted	Print	Artists	Hellmuth Weissenborn						
3558		Hellmuth Weissenborn	‘Y’	Woodcut	circa 1950			I  50 x 38 mm			Hellmuth Weissenborn (1898 -1982) was born in Leipzig, Germany, his father was an art teacher. Weissenborn studied at the Academy for Graphic Art and Book Design, Leipzig from 1919 serving in WWI. In 1938 he emigrated to London as a freelance artist. He then went on to work as an illustrator for the Whittington Press and his first solo show was at Archer Gallery. In 1946 he and his wife took over the then defunct Acorn Press. He exhibited at the Victoria and Albert Museum, the London Group and at exhibitions in America and Australia.	25	£25	mounted	Print	Artists	Hellmuth Weissenborn						
3562		Herbert Gordon Warlow		Etching				I 240 x 167 mm				60	£60	mounted	Print	20th Century							
3565		Nathaniel Buck	The West Prospect of the City of Exeter	Copper engraving with hand colouring	1734			I 780 x 237 mm				450	£450	mounted	Print	British Topography	Devon						
3567		Bernard Picart	Arion Preserved by a Dolphin	Copper engraving				I 352 x 251 mm			Trimmed just in plate.  A good impression.	250	£250	framed	Print	General Interest	Classical and Mythological						
3568		Bernard Picart	Leander swims over the Hellespont to meet his mistress Hero.	Copper engraving				I 352 x 251 mm			Trimmed just in plate.  A good impression.	250	£250	framed	Print	General Interest	Classical and Mythological						
3570		Walker, J & C 	Africa	Steel engraved	Published by the Society for the Diffusion of Useful Knowledge 15th Sept. 1839			392 x 316 mm 				75	£75	mounted	Map	Africa							
3571		Mannert	Africa - Mauritania	Copper engraving with hand colouring	1806			382 x 225 mm				25	£25	mounted	Map	Africa							
3572		Hondius	Congi Regnu	Copper engraving with hand colouring	circa 1615			172 x 140 mm				200	£200	mounted	Map	Africa							
3573		Mathius Quad	Aphrica	Copper engraving	c. 1600			291 x 208 mm				600	£600	mounted	Map	Africa							
3574		Bonne, M	Royaumes Etats et Pays de la Haute Guinee	Copper engraving	1780			342 x 235 mm				45	£45	unmounted	Map	Africa							
3575		Sanson Abbavillaeo, N	Africa	Copper engraving with hand colouring	1650			551 x 391 mm				420	£420	mounted	Map	Africa							
3576		Rapkin, J	Natal and Kaffraria	Steel engraving with hand colouring	1851			344 x 244 mm				70	£70	unmounted	Map	Africa							
3578		Alex Cumming	Viaduct Across the River Tay at Cargill. (Scottish Midland Junction Railway.) J. Locke abd J.E. Errington Engineers__ John Stephenson & Coy, Contractors. Span of each Arch__100 Feet  Hight above bed of River - 60 Feet.  1847. 	Lithograph with hand colouring	Published circa 1847			I 263 x 556 mm, S 341 x 598 mm			The Scottish Midland Junction Railway was incorporated in 1845 and opened August 2nd 1848 from Perth to Forfar 32 1/2 miles.  Formed into the Scottish North Eastern in 1856 and merged into the Caledonian Railway in 1866.Condition Note: A closed tear in the upper left  abnd a repaired margin in ringht.  Over all grubbiness in inscription area 	250.00	£250	unmounted	Print	General Interest	Railway Prints	Scottish Midland Junction Railway					
3580		Samuel Ireland	Magdalen College & Bridge Oxford	Aquatint 	Pub. for S. Ireland May 1 1799			I 110 x 165 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			55	£55	mounted	Print	Oxford	Magdalen College						
3581		J. Skelton after A. Burt	James Benwell Aged 82 of the Physic Gardens. Oxford.	Copper engraving	Published Nov. 1st 1817 by J. Skelton St. Aldates. Oxford. 			I 230 x 215 mm vignette				160.00	£160	unmounted	Print	Oxford	Oxford Portraits						
3582		James Fittler, A.R.A. after W. Skelton	Reverendus Robertus Shippen, S.T. P. Aulae Regia et Collegii Aenei Nasi Principalis AB Anno 1710 mo; Usque ad Annum 1745 tum.	Copper engraving				I 135 x 107 mm, Pl. 250 x 178 mm			Brother of William Shippen the parlimentary Jacobite, he was elected principal of Brasenose in 1710.  He was vice-chancellor of Oxford University 1718-1722 and died in 1745 where is commemorated by an epitaph and a bust	45	£45	unmounted	Print	Oxford	Oxford Portraits						
3587		Utagawa Kunisada [Utagawa Toyokuni III] (1786-1864)	The Festival of the Cherry Blossoms  [Hana no en], Chapter VIII of Genji monogatari [The Tale of Genji]	Nishiki-e woodblock	1847-1850			10 x 15 inches	Sono sugata yukari no utsushi-e		Signature: Toyokuni-ga Nanushi Censor Seals: Mera Ta-ichiro [Mera] and Murata Heiemon Method: Nishiki-e woodblock Format: Ôban yoko-eThe eleventh-century courtly romance Genji monogatari (The Tale of Genji) is considered one of the earliest and most important novels in world history. Written around 1011 by an aristocratic female writer, Murasaki Shikibu, the daughter of a regional governor, it traces, through a series of loosely connected stories, the tangled private life of the son of an emperor, Hikaru Genji, and his progeny. As Lady Murasaki's original holograph of the story is no longer extant, the text accepted as the most complete is the Kamakura-period Aobyôshibon (Blue-covered book) transcribed by Fujiwara no Teika (1162-1241). By Teika's time the novel's present form of 54 titled chapters was set. The tale has been not only the most quoted piece of Japanese literature but has also served as an inexhaustible source of inspiration for pictorial artists from soon after its completion. While the novel ostensibly deals with the tangled round of Genji's life and love affairs at court, its principle underlying theme is the notion of the transience of life and the temporal fragility of the love, pleasure and beauty that informs the protagonist's daily existence. As such, it exemplifies the central Japanese concept of mono no aware, or the "awareness of the sadness of things", a tenet founded in Buddhist philosophy. Interwoven with this melancholy apprehension of evanescence, is the aesthetic miyabi - a concept with no specific English equivalent, but meaning something like beauty and the refinement of one's taste in art and etiquette. The highest value in the court culture of Genji, it not only applies to Genji's glorious physical form (and others in the court), but to everything aspect of a courtier's personality and its expression. More than anything else, miyabi refers to the exquisite pleasure that an aesthetically educated person takes in seemingly insignificant and usually transient instances of beauty, such as fading cherry blossom, falling leaves or the cries of autumn geese. Chapter VIII, or The Festival of the Blossoms, relates the secret interlude between Genji and the sixth daughter of the Minister of the Right, Oborozukiyo (literally, night of the hazy moon). After a dreamlike  encounter before dawn,  they exchange fans:, Genji marking the occasion with the following poem: "Late in the night we enjoy a Misty moon.There is nothing misty about the bond between us." 	290	£290	mounted	Print	Japanese	Genji-e	Moon viewingBlossom viewing					
3588		Fullarton, Archibald	Oxfordshire.	Copper engraving with hand colouring	Pub.d by Archd. Fullarton & Co. Glasgow circa 1830			240 x 187 mm				55.00	£55	mounted	Map	English Counties	Oxfordshire						
3589		Frederick Charles Lewis after F. Nash	Entrance to Oxford, from the London Road	Aquatint with hand colouring	London Pubd. June 1 1813 , at 101 Strand for R. Ackermann’s History of Oxford			I 202 x 270 mm, Pl. 246 x 298 mm	From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.		One of the most famous views of the city in excellent condtion	350	£350	mounted	Print	Oxford	General Views						
3590		I.E. Watson	Coquet Viaduct. York, Newcastle and Berwick Railway. T.E. Harrison Esqre. Engineer. Errected by Mr. James Sanderson. Span of Arches 50 Feet. Height from Water to the Level of Railway 100 feet.	Lithograph with tint stone	c. 1847			I 308 x 496 mm, S 425 x 610 mm			In 1854 it became part of the North Eastern Railway.	300.00	£300	unmounted	Print	General Interest	Railway Prints	York, Newcastle and Berwick Railway					
3596		Morden, Robert	Buckinghamshire	Copper engraving with hand colouring	1722			418 x 340 mm			Robert Morden : d. 1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson's revised edition of 'Camden's Brittannia' engraved by Sutton Nichols. William Camden (1551-1623) was a historian and antiquary whose works were reprinted and published over a period of 200 years. The original Latin text was first translated by Gibson in 1695. Morden was employed to replace the outdated maps by Saxton, engraved by Kip and Hole. He based his maps on manuscript sources plus the surveys of Ogilby and Morgan, seller, Palmer and the coastal charts of Cpt. Greenville Collins. One of his original contributions to cartography was the showing of longitudes measured from the meridian of St. Paul's Cathedral given in the form of time in minutes at the top of the map in Roman numerals and at the bottom in degrees. This was done to clarify local times that were taken from the sun as there was no national standard time. These maps were the first to show the roads based on Ogilby's earlier work of 1675, and included 3 scales to cover the various scales used in different parts of the country. 	150	£150	mounted	Map	English Counties	Buckinghamshire						
3597		Morden, Robert	Barkshire	Copper engraving with hand colouring	1722			413 x 355 mm			Robert Morden : d. 1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson's revised edition of 'Camden's Brittannia' engraved by Sutton Nichols. William Camden (1551-1623) was a historian and antiquary whose works were reprinted and published over a period of 200 years. The original Latin text was first translated by Gibson in 1695. Morden was employed to replace the outdated maps by Saxton, engraved by Kip and Hole. He based his maps on manuscript sources plus the surveys of Ogilby and Morgan, seller, Palmer and the coastal charts of Cpt. Greenville Collins. One of his original contributions to cartography was the showing of longitudes measured from the meridian of St. Paul's Cathedral given in the form of time in minutes at the top of the map in Roman numerals and at the bottom in degrees. This was done to clarify local times that were taken from the sun as there was no national standard time. These maps were the first to show the roads based on Ogilby's earlier work of 1675, and included 3 scales to cover the various scales used in different parts of the country. On the 1695 edition of this map the village of Forrest Hill is spelt Forris Hill  and is then corrected to Forrest Hill in 1722, but you can still vaguely see the dot of the erased i.	200	£200	framed	Map	English Counties	Berkshire						
3598		Arthur Spencer	(St Mary’s Gateway)	Etching	circa 1920			I 199 x 195 mm				45	£45	mounted	Print	Oxford	Oxford Churches						
3601		de Vaugondy, Robert	L’Ecosse divisée en Shires ou Comtés	Copper engraved with hand colouring	Paris, 1751			480 x 563 mm	Pub Reference: Phillips, 619 (1757/1758); Pedley. Belle et utile, p. 227; Fordham, Studies in Cartobibligraphy p. 165. 		Scale 1: 960,000 From Atlas Universel, Par M. Robert Geographe ordinaire du Roy, et Par M. Robert De Vaugondy son fils Geographe ord. du Roy, et de S. M. Polonoise, Duc de Lorraine et de Bar, et Associe de L'Academie Royale des Sciences et belles Lettres de Nancy, Avec Privilege Du Roy, 1757. A Paris, Chez Les Auteurs ,Quay de l'Horloge du Palais, Boudet Libraire Imprimeur du Roi, rue St. Jacques. Grave par Ch. Baquoy. J. Oger Scripsit... Pub Reference: Phillips, 619 (1757/1758); Pedley. Belle et utile, p. 227; Fordham, Studies in 	250.00	£250	unmounted	Map	Scotland, Ireland & Wales	Scotland						
3605		J. Bluck after A. Pugin	Library of All Souls College	Aquatint with hand colouring	London Pubd. 1 June 1814 at 101 Strand for R. Ackermann’s History of Oxford			I 202 x 262 mm, Pl. 250 x 297 mm	From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			120.00	£120	mounted	Print	Oxford	All Souls College						
3607		T. Uwins after J. Agar	Doctor in Music	Engraving with hand colouring	London Pub. Augt. 1st 1813 at 101 Strand for R. Ackermann’s History of Oxford			Pl 250 x 310	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			75.00	£75	mounted	Print	Oxford	Academic Dress						
3610		J. Agar after T. Unwins	Master of Arts	Engraving with hand colouring	London Pubd. May 1, 1814 at 101 Strand for R. Ackermann’s History of Oxford			I 205 x 180 vignette, Pl. 297 x 250 mm	From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			55	£55	mounted	Print	Oxford	Academic Dress						
3612		J. Agar after T. Unwins	Student in Civil Law.	Engraving with hand colouring	London Pubd. Jany. 1, 1814 at 101 Strand for R. Ackermann’s History of Oxford			I 225 x 115 vignette, Pl. 297 x 250 mm	From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			100.00	£100	unmounted	Print	Oxford	Academic Dress						
3613		J. Agar after T. Unwins	Commoner.	Engraving with hand colouring	London Pubd. July. 1, 1814 at 101 Strand for R. Ackermann’s History of Oxford			I 212 x 180 vignette, Pl. 297 x 250 mm	From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			65.00	£65	mounted	Print	Oxford	Academic Dress						
3614		George Philip & Son	Oxfordshire	Steel engraving	George Philip & Son, London & Liverpool. Circa 1885			414 x 336 mm				45	£45	unmounted	Map	English Counties	Oxfordshire						
3615		Owen & Bowen	A Map of Oxfordshire (The Road from Bristol to Banbury)	Copper engraving	1720			79 x 115 mm				90	£90	mounted	Map	English Counties	Oxfordshire						
3617		Harris, J.	The River of Thames from London to the Buoy of the Noure	Copper engraving with hand colouring	Sold by Richard Mount, London c. 1770s			Pl. 650 x 1020 mm			Large, decorative map showing the route of the Thames from  London to the sea. Cartouche shows an image of a sailing ship and a reclining Sea God. Published in Collins' 'Great Britain's Coasting Pilot', used 1693-1776. The east coast of England from Spurn Head to Dover, with an inset chart of the Thames to Westminster.	600	£600	unmounted	Map	Maps Over More Than One County	Thames Map						
3619		Sudlow	A Map of Oxfordshire Engraved from ab Actual Survey with Impro	Copper engraving 	Engraved for John Harrison No.115, Newgate Street, as the act directs Nov.r 23. 1787			435 x 329 mm			With the arms of the University.	125	£125	mounted	Map	English Counties	Oxfordshire						
3621		J. Agar after T. Unwins	Proctor.	Engraving with hand colouring	London Pubd. Feby. 1, 1814 at 101 Strand for R. Ackermann’s History of Oxford			I 212 x 180 vignette, Pl. 297 x 250 mm	From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			45.00	£45	mounted	Print	Oxford	Academic Dress						
3622		J. Agar after T. Unwins	Nobleman	Engraving with hand colouring	London Pubd. Novr. 1, 1814 at 101 Strand for R. Ackermann’s History of Oxford			I 212 x 180 vignette, Pl. 297 x 250 mm	From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			55.00	£55	mounted	Print	Oxford	Academic Dress						
3623		J. Agar after T. Unwins	Doctor in Physic	Engraving with hand colouring	London Pub. June 1st 1813, at 101 Strand for R. Ackermann’s History of Oxford			I 220 x 120 mm vignette, Pl. 300 x 250 mm	From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			65.00	£65	unmounted	Print	Oxford	Academic Dress						
3625		T. Uwins after J. Agar	Gentleman Commoner	Engraving with hand colouring	London Pub. March 1st 1813 at 101 Strand for R. Ackermann’s History of Oxford			Pl 250 x 310	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			65.00	£65	mounted	Print	Oxford	Academic Dress						
3628		J. Stadler and W. Westall	Worcester College.	Aquatint with hand colouring	London, Pub. Septr. 1 1814 at 101 Strand for R. Ackermann’s History of Oxford			I 185 x 265 mm, Pl. 248 x 300 mm	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			180	£180	mounted	Print	Oxford	Worcester College						
3632		J. Bluck after W. Turner	View of Oxford from the Gallery in the Observatory	Aquatint with hand colouring	London Pubd. July 1st 1814 at 101 Strand for R. Ackermann’s History of Oxford			I 210 x 282 mm, Pl. 253 x 300 mm	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			200.00	£200	mounted	Print	Oxford	General Views						
3635		J. C. Stadler after W. Westall	Astronomical Observatory	Aquatint with hand colouring	London, Published April 1 1814 at 101 Strand for R. Ackermann’s History of Oxford			Image 190 x 260 mm	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			180	£180	mounted	Print	Oxford	Green College						
3638		J. Hill after F. Mackenzie	St. Aldate’s from Carfax	Aquatint with hand colouring	London. Published Nov. 1st 1813, at 101 Strand for R. Ackermann’s History of Oxford			Pl. 255 x 310	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			130.00	£130	mounted	Print	Oxford	General Views						
3643		David Loggan	Collegium Mertonense [Merton College]	Copper engraving	1675			I 398 x 255 mm			The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.The rare second edition of Loggan’s celebrated work on Oxford which was accompanied in due course by a further edition of the companion volume on Cambridge.  The plates in this edition are easily recognised by the addition of a plate number in the bottom right-hand corner of the plate.  Otherwise the plates remained unchanged and the strength of the impression is indicative of the comparatively small number of copies printed in 1675.	550	£550	framed	Print	Oxford	Merton College						
3646		Thomas Worlidge	The Right Hon’ble the Earl of Westmorland, Chancellor to the Right Hon’ble the Earl of Litchfield, High Steward; to the Reverend the Vice Chancellor; all the Doctors, masters, and Scholars of the University of Oxford, this, Plate is humbly dedicated By their most Obedient Servant Tho’s Worlidge 	Etching	Pub.d according to an act of Parliamt. March 28th 1761			I 603 x 431 mm Pl. 616 x 460 mkm			Westmoreland was a Jacobite, as were the majority of the University	880	£880	framed	Print	General Interest	Jacobite						
3647		D. Havell after A. Pugin	Door of the Divinity School	Aquatint with hand colouring	Pub. for R. Ackermann’s History of Oxford Decr. 1 1814			I 206 x 131 mm	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			60.0	£60	mounted	Print	Oxford	Bodleian Library						
3648		F.C. Lewis after F. Mackenzie	Christ Church Library, Peckwater.	Aquatint with hand colouring	London Pubd. May 1, 1813 at 101 Strand for R. Ackermann’s History of Oxford			I 206 x 264 mm, Pl. 245 x 295 mm	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			150.00	£150	unmounted	Print	Oxford	Christ Church College						
3650			The Great Crumlin Viaduct. On the Newport , Abergaveny, and Hereford Railway. Total length of Viaduct, 1800 feet. height to the level of the rails, 200  feet.	Steel engraving with hand colouring	c. 1850			I 50 x 131 mm 				35.00	£35	mounted	Print	General Interest	Railway Prints	Newport , Abergaveny, and Hereford Railway					
3651		Newman & Co.	Entrance to the Tubular Bridge. Menai Straits.	Steel engraving with hand colouring	Eng. & Pub. by Newman & Co. 28 Watling St. London			I 70 x 90 mm vignette				35.00	£35	mounted	Print	General Interest	Railway Prints	Chester & Holyhead Railway					
3653		W. Radclyffe after C. Radclyffe	The Avon Viaduct	Steel engraving with hand colouring	1839			I 97 x 151 mm, Pl. 140 x 225 mm	Thomas Roscoe's "The London and Birmingham Railway" (London 1839). 			50.00	£50	unmounted	Print	General Interest	Railway Prints	London & Birmingham Railway					
3656		W.H. Lizars	Citadel Station-Carlisle	Steel engraving				I 72 x 135 mm vignette				20	£20	unmounted	Print	General Interest	Railway Prints						
3657		Newman & Co.	New Railway Bridge Chepstow, No. 2	Steel engraving	Eng. & Pubd. by Newman & Co. 48 Watling St. London, c. 1852			I 47 x 92 mm			The Chepstow railway bridge was built by Isambard Kingdom Brunel in 1852.	25.00	£25	mounted	Print	General Interest	Railway Prints	South Wales Railway					
3659		A. Ashley after J.F. Burrell	Great Tubular Bridge Across the Menai Strait; Chester & Holy Head Railway.	Steel engraving with hand colouring				I 126 x 195 mm vignette				45	£45	unmounted	Print	General Interest	Railway Prints	Chester & Holyhead Railway					
3660			Christ Church	Photolithograph	circa 1900			I 137 x 86				25	£25	mounted	Print	Oxford	Christ Church College						
3661		G. Hawkins after G. Pickering	The Conway Tubular Bridge and Castle	Lithograph with tint stone and later hand colour	Published by T. Catherall, Eastgate Row. Chester & Bangor. July 6th 1848.			I 183 x 275 mm			The Conway Tubular Bridge, which was built in 1849, was designed by Robert Stephenson (1803-1859) as part of the Chester to Holyhead Railway. The main span of the bridge is 125 metres. 	75	£75	unmounted	Print	General Interest	Railway Prints	Chester & Holyhead Railway					
3662			Magdalen College	Photolithograph	circa 1900			I 137 x 86 mm				25	£25	mounted	Print	Oxford	Magdalen College						
3663			Radcliffe Camera, Oxford	Photolithograph	circa 1900			I 137 x 86 mm				25	£25	mounted	Print	Oxford	Radcliffe Camera						
3664			Magdalen Tower, Oxford	Photolithograph	circa 1900			I 137 x 86 mm				25	£25	mounted	Print	Oxford	Magdalen College						
3667			Tom Tower, Christ Church, Oxford	Photolithograph	circa 1900			I 137 x 86 mm				25	£25	mounted	Print	Oxford	Christ Church College						
3668			Magdalen College, Oxford	Photolithograph	circa 1900			I 137 x 86 mm				25	£25	mounted	Print	Oxford	Magdalen College						
3670			Oxford from Magdalen Tower	Photolithograph	circa 1900			I 137 x 86 mm				25	£25	mounted	Print	Oxford	General Views						
3672			Corpus Christi College, Oxford	Photolithograph	circa 1900			I 137 x 86 mm				25	£25	mounted	Print	Oxford	Corpus Christi College						
3678		Utagawa Kuniteru II (1830-1874)	Shôgatsu [New Year]	Nishiki-e woodblock	Yamaguchi-ya Tôbei, ca. 1865 [Genji 2]			15 x 10 inches. Ôban tate-e. Originally part of a triptych.	Possibly Setsugekka no uchi [Snow, Moon and Flowers]		Zodiacal date seal: Ox 2 [Ushi ni]Nanushi Censor Seals; Fuku [Fukushima Giemon]; Muramatsu [Muramatsu Genroku]	120	£120	mounted	Print	Japanese	Snow Scenes						
3679		Hiroshige II [Shigenobu] (1826-1869) and Utagwawa Kunisada [Toyokuni III] (1786-1864)	Kameido Hatsuumode [Kameido Tenjin Shrine: The Tanabata Festival]	Nishiki-e woodblock print	Hiranoya, 1864 [First Month of Genji] 			15 x 10 inches. Single sheet ôban tate-e 	Edo jiman sanjurokkyo [Thirty-six Views of the Pride of Edo]		Series Number: 3 of 37Signature: Hiroshige-ga/Shichi juku-sai Toyokuni-hitsuCensor Seal: Combined aratame ['examined'] and zodiacal date seal [Rat/ne 1]Condition: Good, slight evidence of block wearNow surrounded by urban sprawl, the Kameido Tenjin Jinja in Edo was renowned both for a famous arched 'drum bridge', depicted to the left, and for its fragrant purple wisteria, overhanging the shrine's fish ponds from wooden trellises. The spacious grounds were dedicated to the Heian-period scholar, poet and politician, Sugawara no Michizane (845-903). Despite rising to the position of Monjo Hakushi, the highest professorial office at Daigaku (the National Academy), Sugawara later fell foul of Machiavellian intrigues at the Imperial Court, and was exiled to the cultural wasteland of Kyûshû, where, his spirit crushed, he subsequently died. Shortly thereafter, a series of plagues, droughts and lightning storms ravaged Kyôto; leading to the generally held notion that the poet's spirit was wreaking revenge. To subdue his wrath, Sugawara was deified as Tenjin-sama, or kami of scholarship, and shrines were consecrated in his honour. The Kameido was erected in 1662; a statue hewn from his favourite plum wood being installed in that year.In the print, a bijin wearing a haori [short outer jacket] decorated with Genji mon (a reference to Sugawara's association with the literary arts), is visiting the shrine on the occasion of the Tanabata festival ['The Star Festival'], which still takes place annually on the seventh day of the seventh month [approximately 7th July]. It based on an old Chinese love story of the heavenly weaver princess Orihime (the star Vega), who descends to earth, and marries an cowherd named Kengyu, (the star Altair). However, she is so deeply in love with him that she neglects her divine task of weaving garments, and is therefore separated from her husband by the Milky Way on the orders of her father, the Tentei [the Lord of Heaven]. Kengyu rides up to heaven on a moon-shaped boat to try to rescue Orihime and, assisted by magpies, a  bridge over the Milky Way is  built for them to meet. Tentei is so impressed by their love, he eventually allows them to come together once a year, on the evening of the festival, at the height of summer.As an auspicious occasion for love and prosperity, the Tanabata celebrations include the writing of poems on slips of paper hung on bamboo branches as offerings to the two star-crossed lovers. It is also common to see other symbolic items such as gourds, ledgers evil-destroying' hameya [arrows], and symbols of the Seven Lucky Gods suspended from poles carried by celebrants [depicted here in the hands of the courtesan's attendant]. Not unsurprisingly, given the romantic nature of the matsuri, it was extremely popular in the Shin Yoshiwara, De Becker writing in 1899 that 'the festival of the weaver was celebrated in the quarter by yûjo tying branches of bamboo (with white fans, on which poems were written, fixed to them) before their doors. Even the inmates of smaller brothels observed this custom. In some houses, the keepers…[made] a display of rare curios and furniture, and consequently the Yoshiwara was thronged with visitors.'Designed with Hiroshige II, Kunisada may have given his name to this late series, several prints from which are included in the exhibition, to secure financial success for the younger artist.	350	£350	mounted	Print	Japanese	Matsuri	Meisho-eEdo					
3684		Hiroshige II [Shigenobu] (1826-1869) and Utagwawa Kunisada [Toyokuni III] (1786-1864)	Shinagawa nori [Toasting Seaweed at Shinagawa]	Nishiki-e woodblock print	Hiranoya 			14 3/4 x 9 3/4 inches. Single sheet ôban tate-e 	 Edo jiman sanjurokkyo [Thirty-six Views of the Pride of Edo]		Series Number: 6 of 37Signature: Hiroshige-ga/Shichi juku-sai Toyokuni-hitsu Censor Seal: Combined aratame ['examined'] and zodiacal date seal [Rat/ne 1]School: UtagawaThe south-western Edo suburb of Shinagawa was the starting point for travellers heading for Kyôto, Nara and Ôsaka on the great Tôkaidô ['Eastern Sea Road']. Although actual distances were customarily measured from the central Nihonbashi ['Bridge of Japan'], it was at the bustling tea houses and inns of Shinagawa, with their scenic views of the ocean and the Gotenyama cherry trees, that farewells and send-off parties took place. As one of the busiest posting stations, it is unsurprising that the town became a flourishing centre of prostitution; at one point, hosting over 1500 yûjo, of which only around 500 were licensed. Indeed, it became so popular as a hanamachi for townsmen that it was often referred to as Minami-Yoshiwara or the Southern Yoshiwara. The print shows a courtesan, attired in an early autumn kimono, toasting a sheet of nori seaweed (Shinagawa was famous for its cultivated sea vegetables), over hot charcoal. A child attendant brings a flask of sake to accompany the meal. In the distance, a flock of wild geese soar over the bay, a figurative device evoking the melancholy of the last days of summer. 	350	£350	mounted	Print	Japanese	Landscape and Famous Places	Meisho-e					
3707			A Plan of the Navigable Canal now making from the City of Chester to Middlewich and of the Branch from A to Nantwich 	Copper engraving	1772			292 x 145 mm				25	£25	mounted	Map	English Counties	Cheshire						
3708		Robert Morden 	Dorsetshire	Copper engraved	1695			416 x 358			Robert Morden : d. 1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson's revised edition of 'Camden's Brittannia' engraved by Sutton Nichols. William Camden (1551-1623) was a historian and antiquary whose works were reprinted and published over a period of 200 years. The original Latin text was first translated by Gibson in 1695. Morden was employed to replace the outdated maps by Saxton, engraved by Kip and Hole. He based his maps on manuscript sources plus the surveys of Ogilby and Morgan, seller, Palmer and the coastal charts of Cpt. Greenville Collins. One of his original contributions to cartography was the showing of longitudes measured from the meridian of St. Paul's Cathedral given in the form of time in minutes at the top of the map in Roman numerals and at the bottom in degrees. This was done to clarify local times that were taken from the sun as there was no national standard time. These maps were the first to show the roads based on Ogilby's earlier work of 1675, and included 3 scales to cover the various scales used in different parts of the country. 	140	£140	mounted	Map	English Counties	Dorset						
3709		Blome/ Richard	A Mapp of Buckinghamshire with its Hundreds	Copper engraving	1683			315 x 260 mm				200	£200	mounted	Map	English Counties	Buckinghamshire						
3710		Cary, John	Leicestershire	Copper engraving with hand colouring	London, Published as the Act directs September 1st 1787 by J. Cary, Engraver Map & Printseller No. 188 the corner of Arundel Street Strand.			264 x 213 mm			Cary, John (1755-1835) English cartographer, engraver, globe maker and publisher. Worked with his brother George. Apprenticed to his William Palmer 1770; surveyor of roads to the general post office , 1794. Best known for his english county atlases. Amongst others - Cary’s New and Correct English Atlas  1787-1789; engraved the plates for Robert Gough’s edition of Camden’s Britannia, 1789, 1806.	45	£45	mounted	Map	English Counties	Leicestershire						
3713		Morden/ Robert	Hertfordshire	Copper engraving	1722				2nd Edition Camden’s Britannia		Robert Morden : d. 1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson's revised edition of 'Camden's Brittannia' engraved by Sutton Nichols. William Camden (1551-1623) was a historian and antiquary whose works were reprinted and published over a period of 200 years. The original Latin text was first translated by Gibson in 1695. Morden was employed to replace the outdated maps by Saxton, engraved by Kip and Hole. He based his maps on manuscript sources plus the surveys of Ogilby and Morgan, seller, Palmer and the coastal charts of Cpt. Greenville Collins. One of his original contributions to cartography was the showing of longitudes measured from the meridian of St. Paul's Cathedral given in the form of time in minutes at the top of the map in Roman numerals and at the bottom in degrees. This was done to clarify local times that were taken from the sun as there was no national standard time. These maps were the first to show the roads based on Ogilby's earlier work of 1675, and included 3 scales to cover the various scales used in different parts of the country	135	£135	unmounted	Map	English Counties	Hertfordshire						
3714		Speed, John	Buckingham Both Shyre and Shire 	Copper engraving with hand colouring	Circa 1666			505 x 377 mm				350	£350	unmounted	Map	English Counties	Buckinghamshire						
3716		Morden/ Robert	Durham	Copper engraved with later hand colour	London 1722			418 x 360 mm				140	£140	unmounted	Map	English Counties	Durham						
3717		Awnsham and John Churchill	Cambridgeshire	Copper engraving with hand colouring	c.1708			I 424 x 357 mm			Churchill, Awnsham and John. Booksellers and publishers at the Black Swan, Paternoster Row, London.Churchill, Awnsham (1681-1728) In partnership with his brother John; Member of Parliament Dorsetshire 1705-1710; shop and stock were passed on to William Taylor in 1719, but Churchill retained copyright in Britannia until his death. Brotannia (with revisions by Gibson), was published by Awnsham Churchill, 1722 and sold by Taylor.Churchill, john (fl.1690-1714) Brother and partner of Awnsham from 1690. 	180	£180	mounted	Map	English Counties	Cambridgeshire						
3718		Morden/ Robert	Hertfordshire	Copper engraving with hand colouring	London 1695			440 x 360 mm			Robert Morden : d. 1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson's revised edition of 'Camden's Brittannia' engraved by Sutton Nichols. William Camden (1551-1623) was a historian and antiquary whose works were reprinted and published over a period of 200 years. The original Latin text was first translated by Gibson in 1695. Morden was employed to replace the outdated maps by Saxton, engraved by Kip and Hole. He based his maps on manuscript sources plus the surveys of Ogilby and Morgan, seller, Palmer and the coastal charts of Cpt. Greenville Collins. One of his original contributions to cartography was the showing of longitudes measured from the meridian of St. Paul's Cathedral given in the form of time in minutes at the top of the map in Roman numerals and at the bottom in degrees. This was done to clarify local times that were taken from the sun as there was no national standard time. These maps were the first to show the roads based on Ogilby's earlier work of 1675, and included 3 scales to cover the various scales used in different parts of the country. 	200	£200	unmounted	Map	English Counties	Hertfordshire						
3719		Morden/ Robert	Midlesex	Copper engraving	1722			422 x 364 mm				95	£95	unmounted	Map	English Counties	Middlesex						
3720		Sudlow	A Map of Derbyshire, Engraved from an actual survey with improvements	Copper engraving	London, Engraved for J. Harrison, 115, Newgate Street, as the act directs, 6th May, 1789			452 x 331 mm				50	£50	unmounted	Map	English Counties	Derbyshire						
3721		Morden, Robert	Darbyshire	Copper engraving	1722			419 x 359 mm			Robert Morden : d. 1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson's revised edition of 'Camden's Brittannia' engraved by Sutton Nichols. William Camden (1551-1623) was a historian and antiquary whose works were reprinted and published over a period of 200 years. The original Latin text was first translated by Gibson in 1695. Morden was employed to replace the outdated maps by Saxton, engraved by Kip and Hole. He based his maps on manuscript sources plus the surveys of Ogilby and Morgan, seller, Palmer and the coastal charts of Cpt. Greenville Collins. One of his original contributions to cartography was the showing of longitudes measured from the meridian of St. Paul's Cathedral given in the form of time in minutes at the top of the map in Roman numerals and at the bottom in degrees. This was done to clarify local times that were taken from the sun as there was no national standard time. These maps were the first to show the roads based on Ogilby's earlier work of 1675, and included 3 scales to cover the various scales used in different parts of the country	140	£140	unmounted	Map	English Counties	Derbyshire						
3722		Awnsham and John Churchill	Barkshire	Copper engraving with hand colouring	c.1708			414 x 354 mm			Churchill, Awnsham and John. Booksellers and publishers at the Black Swan, Paternoster Row, London.Churchill, Awnsham (1681-1728) In partnership with his brother John; Member of Parliament Dorsetshire 1705-1710; shop and stock were passed on to William Taylor in 1719, but Churchill retained copyright in Britannia until his death. Brotannia (with revisions by Gibson), was published by Awnsham Churchill, 1722 and sold by Taylor.Churchill, john (fl.1690-1714) Brother and partner of Awnsham from 1690. 	200	£200	unmounted	Map	English Counties	Berkshire						
3724		Smith/ Charles	A New Map of the County of Durham Divided in to Wards	Copper engraving with hand colouring	London January 6th 1804, 2nd Edition Corrected to 1808			478 x 434 mm			Charles Smith was a published, map and globe seller who worked with his son Guilford Smith in London. He was a rival of John Cary. This map is from their atlas Smith’s New English Atlas a Complete Set of Country Maps... This Atlas contained large colourful detailed and up to date information and were the model for Cary’s later Atlas in 1809. Smith’s ;arge maps have the distinction of being firsty county maps showing longitude based on the meridian at Greenwich.	80	£80	unmounted	Map	English Counties	Durham						
3725		Sudlow	A Map of Berkshire Engraved from an actual survey	Copper engraving with hand colouring	Engraved for John Harrison, No. 115, Newgate Street as the Act directs Dec.r 14 1787			459 x 332 mm				120	£120	unmounted	Map	English Counties	Berkshire						
3727		Cary/ John	A Map of Dorsetshire from the best Authorities	Copper engraving with hand colouring	circa 1805			512 x 370 mm				145	£145	unmounted	Map	English Counties	Dorset						
3728		Morden, Robert	Durham	Copper engraving with hand colouring											Map	English Counties	Durham						
3729		Cary, John	A Map of Buckinghamshire from the best Authorities	Copper engraving	circa 1789			520 x 351 mm			Cary, John (1755-1835) English cartographer, engraver, globe maker and publisher. Worked with his brother George. Apprenticed to his William Palmer 1770; surveyor of roads to the general post office , 1794. Best known for his english county atlases. Amongst others - Cary’s New and Correct English Atlas  1787-1789; engraved the plates for Robert Gough’s edition of Camden’s Britannia, 1789, 1806.	45	£45	unmounted	Map	English Counties	Buckinghamshire						
3730		Pigot, James 	Buckinghamshire	Steel engraving with hand colouring	Published by Pigot & Co. 17 Basing Lane London & 18 Fountain St Manchester			355 x 221 mm	From Pigot & Co’s British Atlas		Pigot & Son produced a very finely engraved series of oblong county maps for theur various National Commercial Directoris and these were issued  collectively as Pigot & Co’s British Atlas in 1831	100	£100	mounted	Map	English Counties	Buckinghamshire						
3731			Buckinghamshire	Steel engraving	circa 1852			412 x 340 mm	The British Gazetteer			60	£60	unmounted	Map	English Counties	Buckinghamshire						
3732		Blaeu, Johannes	Bedfordiensis	Copper engraving	circa 1645 - 1648			415 x 241 mm			Blaeu, Doctor Johannes (c.1599-1673) Born and died in Amsterdam. Collaborated with his father Willem Janszoon and with his brother Cornelis, and ran the business after the death of Willwm. Appointed official cartographer to the East India Company (VOC) in 1638 in sucession to his father. What was left of the company after the fire of 1672 and the deah of Joan in 1673 passed to his son Joan (III), who sold the globemaking part of the business to J. van Keulen. Worked in partnership with his father on Appendix Theatri Ortelii et Atlantis G. Mercatoris, 1631 and Nouvus Atlas, 1634; Wall maps, 1647-1649; Tooneel der Steden van der Vereenighde Nederlanden (Town books of the Netherlands) 1649-1653 Theatrum Orbis Terrarum, publishing six volumes  up to 1655; Atlas Major (11 volumes, known as the Grand Atlas), 1662-1672 in editions with French, Latin, Dutch and Spanish text (often described as the most magnificent work of its kind ever produced); Town plans of Italy 1663. 	250	£250	unmounted	Map	English Counties	Bedfordshire						
3733			Berkshire	Steel engraving	circa 1852			412 x 340 mm	The British Gazetteer			65	£65	unmounted	Map	English Counties	Berkshire						
3734		Morden/ Robert	Gloucestershire	Copper engraving	1722				2nd Edition			165	£165	unmounted	Map	English Counties	Gloucestershire						
3735		I Houbraken	Geoffrey Chaucer	Copper engraving	1742			Pl. 245 x 390 mm				30	£30	unmounted	Print	Portraits	Literary and Poetic						
3816		Lewis after A. Pugin	St. Mary’s Hall	Aquatint with hand colouring	Pub. for R. Ackermann’s History of Oxford			I 128 x 205 mm, Pl. 260 x 137 mm	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			40	£40	mounted	Print	Oxford	Oriel College						
3817		J. Hill after A. Pugin	New College, Entrance Gate.	Aquatint with hand colouring	Pub. for R. Ackermann’s History of Oxford. Novr. 1., 1814			I 128 x 205 mm, Pl. 260 x 137 mm	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			120	£120		Print	Oxford	New College						
3824		A. Ashley after J.F. Burrell	Bristol Terminus, Great Wester Railway	Steel engraving with hand colouring	Published (for the Proprietors) by H.G. Collins, 22, Paternoster Row			I 112 x 190 mm vignette, S 162 x 255 mm	for the British Gazetteer			40	£40	unmounted	Print	General Interest	Railway Prints	Great Western Railway					
3826		A. Ashley after J.F. Burrell	Hanwell Viaduct (Gt. Western Railway)	Steel engraving with hand colouring	Published (for the Proprietors) by H.G. Collins, 22, Paternoster Row			I 120 x 200 mm vignette, S 162 x 255 mm	for the British Gazetteer			40	£40	unmounted	Print	General Interest	Railway Prints	Great Western Railway					
3828		Newman & Co.	Conway Town, Castle, and Tube.	Engraving	Newman & Co. 28 Watling St. London			I 105 x 170 mm vignette, S 130 x 197 mm			The Conway Tubular Bridge, which was built in 1849, was designed by Robert Stephenson (1803-1859) as part of the Chester to Holyhead Railway. The main span of the bridge is 125 metres. 	35	£35		Print	General Interest	Railway Prints	Chester & Holyhead Railway					
3829		G. Hawkins after G. Pickering	Conway Suspension Bridge	Lithograph with tint stone and hand colour	Published by T. Catherall, Eastegate Row, Chester & Bangor June 1st 1850			I 185 x 273 mm, S 284 x 380 mm				130	£130	unmounted	Print	Foreign Topography	Wales						
3830		J. Cleghorn after J.H. Nixon	The Birmingham Railway. The East end of the Tunnel from Primrose Hill taken October, 1837.	Steel engraving				I 78 x 135 mm, S 104 x 184 mm				20	£20	unmounted	Print	General Interest	Railway Prints	London & Birmingham Railway					
3832		J.C. Napper	Crimple Valley Viaduct. York and North Midland Railway : Harrogate - Branch	Lithograph				I 228 x 325,  S 255 x 326 mm			A rare print. Designed by John Birkinshaw, the Crimple Valley viaduct was one of the most impressive in the country. This viaduct measured a total length of 1873 feet, and consisted of 31 arches of fifty feet span, the tallest of which was 120 feet high. Underneath it ran the main line from Leeds to Harrogate. Condition: Trimmed to image, some paper loss in image, overall surface dirt and album backing.	100.00	£100		Print	General Interest	Railway Prints						
3840		After Eiko	Horses at a Drinking Pool	Woodblock	Meiji Period (1868-1912)			Diptych [Each sheet 7 1/2 x 5 inches]			Signature: EikoOriginally from an ehon of prints after famous painting.	40	£40	mounted	Print	Japanese	Animals						
3853		W. Wood	Britannia Tubular Bridge & Menai Suspension Bridge	Engraving	Pubd. by H. Humphreys			I 105 x 160 mm vignette, S 221 x 175 mm			On a sheet of Victorian writing paper. Condition: A crease in the left of the sheet.	35.00	£35	unmounted	Print	General Interest	Railway Prints	Chester & Holyhead Railway					
3855		G. Townsend	Newton_From Knowle Hill	Steel engraving with hand colouring	Pubd. H. Besley, Directory Office, South  St. Exeter 			I 112 x 180 mm vignette, S 166 x 244 mm			A view of the town with the railway in the distance.	35.00	£35	unmounted	Print	General Interest	Railway Prints						
3857		G. Hawkins	The Britannia Tubular, and Menai Suspension Bridges.	Lithograph with tint stone and hand colour	Published by T. Catherall, Chester & Bangor. 1852.			I 185 x 275 mm, S 283 x 380 mm				180.00	£180	unmounted	Print	General Interest	Railway Prints	Chester & Holyhead Railway					
3860		G. Hawkins after S.C. Jones	Interior of the GReat Western Railway Station, Bristol	Lithograph with tint stone and hand colour	Published by George Davey 1 Broad Street, Bristol			I 194 x 301 mm, S 232 x 311 mm			Condtion: trimmed, some overall time staining and creasing in lower corners	100	£100		Print	General Interest	Railway Prints	Great Western Railway					
3864		O. Jewitt	Balliol College	Wood engraving	circa 1830			I 68 x 79 mm				10	£10	mounted	Print	Oxford	Balliol College						
3867		O. Jewitt	[St Alban Hall, Merton]	Wood engraving	circa 1830			I 110 x 80 mm				10	£10	mounted	Print	Oxford	Merton College						
3871		Sarah Van Niekerk	A Frolic	Woodcut				I 102 x 45 mm				120	£120	framed	Print	20th Century							
3873		Lewis F.C after J. Buckler	South East View of Magdalen College Tower &c.	Aquatint	Published December 1811 by J. Buckler, Bermondsey, Surrey 			I 697 x 400 Pl. 645 x 479 mm			 A fine large view of the Tower from the bridge, etched and published by John Buckler and dedicated to Dr. Routh and the Fellows, under whose patronage it was produced.John Buckler was an outstanding architectural draughtsman and Baliff for Magdalen college’s Southwark Estate for sixty years, whose views in Oxford, especially Magdalen college, rank amongst the finest ever produced.	750	£750	framed	Print	Oxford	Magdalen College						
3879		Philips, R.	Oxfordshire	Copper engraving	London, Published Jan.y 1, 1808 by R. Philips, Bridge Street, Blackfriars			179 x 102 mm				45	£45	mounted	Map	English Counties	Oxfordshire						
3881		J. Storer	Part of Exeter College	Copper engraving	Published by Cook & Parker, Oxford. Longman Hurst Rees & Orme, London. March 1 1810			I 120 x 160 mm				35.00	£35	mounted	Print	Oxford	Exeter College						
3885		Samuel Ireland	Goreing, Oxfordshire	Chromolithograph	Pub. for S. Ireland May 1 1799			I 110 x 163 mm, S 227 x 335 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			25	£25	unmounted	Print	British Topography	Oxfordshire						
3887		J & E Harwood	Coventry	Engraving	London, J & E Harwood, 26 Fenchurch St.			I 90 x 145 mm vignette, S 112 x 159 mm				35.00	£35	mounted	Print	General Interest	Railway Prints	London & Birmingham Railway					
3888		Rock & Co.	Knaresborough from the Castle	Engraving	Rock & Co. London			I 59 x 91 mm, S 100 x 123 mm				20.00	£20	mounted	Print	General Interest	Railway Prints	Pilmoor, Boroughbridge and Knaresborough Railway					
3891			Furness Abbey Hotek, Vale of Nightshae	Engraving				I 54 x 111 mm vignette, S 100 x 160 mm				15.00	£15	mounted	Print	General Interest	Railway Prints	Furness Railway					
3893		Newman & Co.	The High Tor, Matlock	Engraving	Pub by Newman & Co. 48 Watling St. London			I 73 x 95 mm vignette, S 180 x 131 mm				20.00	£20	mounted	Print	General Interest	Railway Prints	Midland Railway 					
3896		H. Bond after T. H. Shepherd	London & Birmingham Railway Terminus Euston Square. London.	Steel engraving	c. 1844			I 94 x 155 mm, S 182 x 242 mm				30.00	£30	unmounted	Print	General Interest	Railway Prints	London & Birmingham Railway					
3897		Newman & Co.	The Britannia Tubular Bridge.	Engraving	Pub. by G. Humphreys, Bangor			I 115 x 145 mm, S 133 x 175 mm				30	£30		Print	General Interest	Railway Prints	Chester & Holyhead Railway					
3898		Daniel Wilson after Newton Fielding	The Sherborne Viaduct near Coventry and Bridge over the Holyhead Road	Engraving	London, 1839			I 95 x 146 mm, S 125 x 187 mm	From Thomas Roscoe's "The London and Birmingham Railway" 					unmounted	Print	General Interest	Railway Prints	London & Birmingham Railway					
3903		J. Le Keux after F. McKenzie	New College_From the Garden.	Steel engraving	Published May 1st 1834 by J.H. Parker, Oxford ; C. Tilt, Fleet St. London & J. Le Keux, Hammondsworth			I 90 x 151 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40.00	£40	mounted	Print	Oxford	New College						
3904		J. Le Keux after F. Mackenzie	The Chapel &c. Lincoln College	Steel engraving	Published July. 1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 93 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	45.00	£45	mounted	Print	Oxford	Lincoln College						
3906		Drayton	Somersetshire	Copper engraving	circa 1618 			333 x 250 mm				600	£600	mounted	Map	English Counties	Somersetshire						
3907		Blome, Richard	Warwickshire	Copper engraving with hand colouring	1675			315 x 260 mm				275	£275	mounted	Map	English Counties	Warwickshire						
3908		Morden, Robert	Warwickshire	Copper engraving with hand colouring	1722			362 x 424 mm				150	£150	unmounted	Map	English Counties	Warwickshire						
3910		Morden, Robert	Suffolk	Copper engraved with hand colour	1695			419 x 358 mm	From Camden’s Britannia 1st Edition			150	£150	unmounted	Map	English Counties	Suffolk						
3911		Morden, Robert	Shropshire	Copper engraving	1695			419 x 358 mm				150	£150	unmounted	Map	English Counties	Shropshire						
3912		A. Ashley after J.F. Burrell	Warwickshire	Steel engraving 	Published (for the Proprietors) by H.G. Collins, 22, Paternoster Row			I 112 x 190 mm vignette, S 162 x 255 mm	for the British Gazetteer			45	£45	unmounted	Map	English Counties	Warwickshire						
3913		Morden, Robert	Surrey	Copper engraving with hand colouring	1695			419 x 361 mm			Robert Morden : d. 1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson's revised edition of 'Camden's Brittannia' engraved by Sutton Nichols. William Camden (1551-1623) was a historian and antiquary whose works were reprinted and published over a period of 200 years. The original Latin text was first translated by Gibson in 1695. Morden was employed to replace the outdated maps by Saxton, engraved by Kip and Hole. He based his maps on manuscript sources plus the surveys of Ogilby and Morgan, seller, Palmer and the coastal charts of Cpt. Greenville Collins. One of his original contributions to cartography was the showing of longitudes measured from the meridian of St. Paul's Cathedral given in the form of time in minutes at the top of the map in Roman numerals and at the bottom in degrees. This was done to clarify local times that were taken from the sun as there was no national standard time. These maps were the first to show the roads based on Ogilby's earlier work of 1675, and included 3 scales to cover the various scales used in different parts of the country. 	350	£350	unmounted	Map	English Counties	Surrey						
3916		Badeslade, J. and W.H. Toms	A Map of Buckinghamshire	Copper engraved	Publish’d by the Proprieters T. Badeslade & W.H. Toms Septr. 29th 1741			144 x 147 mm				50.00	£50	mounted	Map	English Counties	Buckinghamshire						
3917		Kitchin, Thomas	Kent Drawn from an Actual Survey and Regulated by Astronomical Observations		1786			145 x 218 mm				95	£95	mounted	Map	English Counties	Kent						
3921		Bryant, Andrew	The County of Oxford From actual survey by A. Bryant. In the Year 1823. 	Copper engraved with hand colouring	London, 1823			I 1520 x 1970 mm (1.5 x 2 metres)			Engraved on four sheets, laid on to line and stretched on to a board.  Scale: 1.5 inches: 1 mile.Andrew Bryant only completed the surveys of thirteen English counties between 1822 and 1835. Bryant’s maps are similar in style to the Greenwood maps but on a much larger scale.  Apart from the usual details found on large scales maps from this period, Bryant included toll bars, fox covers, nursery grounds and gardens, iron railroads and canals.  The road systems are also clearly delineated: turnpike roads are differentiated from mail roads, as are ‘good cross roads or driving roads,’ lanes and bridal ways, and Roman roads.  As with Greenwood’s county map vignette is included in this case of Christ Church College.	800	£800		Map	English Counties	Oxfordshire						
3923		J. Le Keux after F. Mackenzie	Trinity College from the Garden	Steel engraving	Published Augt. 1st 1835 by J.H. Parker, Oxford, C.Tilt Fleet St. London, & J.LeKeux, Harmondsworth			I 87 x 147 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40.00	£40	mounted	Print	Oxford	Trinity College						
3926		Hutchinson	The Presidents Lodge: Trinity College	Etching	Published by W.H. Beynon & Co. Cheltenham, c. 1890			I 237 x 172 mm, Pl. 255 x 185 mm				75.00	£75	mounted	Print	Oxford	Trinity College						
3928		Hutchinson	The Chapel: Trinity College	Etching	Published by W.H. Beynon & Co. Cheltenham, c. 1890			I 237 x 172 mm, Pl. 255 x 185 mm				75.00	£75	mounted	Print	Oxford	Trinity College						
3929		Hutchinson	The Chapel: Trinity College	Etching	Published by W.H. Beynon & Co. Cheltenham, c. 1890			I 237 x 172 mm, Pl. 255 x 185 mm			(Exterior view)	85.00	£85	mounted	Print	Oxford	Trinity College						
3932		Kitchin, Thomas	A New Improved Map of Oxfordshire from the Best Survey and Intelligences Divided into its Hundreds...	Copper engraved with original handcolour	circa 1759			610 x 520 mm	From the Large English Atlas 		Thomas Kitchin was an engraver and publisher at The Star opposite Ely Gate, Holborn, London from 1738 to 1776. He was a prolific producer of maps, plans and charts, and was by appointment Hydrographer to the King - George III. His output included sheet maps, series of maps for the Universal Magazine and the London Magazine, and atlases. He worked with Thomas Jefferys and particularly with Emanuel Bowen.The 1751 large map by Thomas Kitchin, was one of a series of county maps by Emanuel Bowen and Thomas Kitchin each doing some counties, published by John Hinton, King's Arms, St Paul's Churchyard, London, from 1749 to 1760. The Hampshire map was published 1751 (there was a small map of the county by Thomas Kitchin the same year). It was published again by John Tinney, Golden Lion, Fleet street, London, from 1753. The maps have a distinctive style; a large elaborate title cartouche with scenes and figures, a vignette scene, and historical descriptive text filling blank spaces. The atlas size is 17.5x23 inches.	750	£750	framed	Map	English Counties	Oxfordshire						
3933		Hutchinson	Old Quadrangle: Trinity College	Etching	Published by W.H. Beynon & Co. Cheltenham, c. 1890			I 237 x 172 mm, Pl. 255 x 185 mm				75	£75	mounted	Print	Oxford	Trinity College						
3934		Hutchinson	The Entrance Gates: Trinity College	Etching	Published by W.H. Beynon & Co. Cheltenham, c. 1890			I 178 x 242 mm, Pl 195 x 250 mm				100	£100	mounted	Print	Oxford	Trinity College						
3936		J. Reeves after F. Mackenzie	Gate of Christ Church -- From Pembroke College	Aquatint	London, Published May 1, 1814 at 101 Strand for R. Ackermann’s History of Oxford			I 205 x 275 mm, 295 x 245 mm	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			245.00	£245	framed	Print	Oxford	Christ Church College						
3937		W. Bond after H. Edridge	Lieutt. Coll. Sir Henry Sullivan, Bart. M.P. Coldstream Guards; Killed in the Sortie from Bayonne, 14 April 1814, in the 29th Year of his Age	Stipple engraving with hand colour	c. 1814			I 454 x 325 mm			MP for the city of Lincoln			mounted	Print	Portraits	Military						
3938		Joseph Skelton after F. Mackenzie	Front of Brasen Nose College, &c.	Copper engraving 	Oxford, 1821			I 517 x 457 mm	From the Oxford Almanack			220	£220	mounted	Print	Oxford	Brasenose College						
3939		Morden, Robert	Gloucestershire	Copper engraved 	1722			344 x 415 mm	From Camden's Brittannia		Robert Morden : d. 1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson's revised edition of 'Camden's Brittannia' engraved by Sutton Nichols. William Camden (1551-1623) was a historian and antiquary whose works were reprinted and published over a period of 200 years. The original Latin text was first translated by Gibson in 1695. Morden was employed to replace the outdated maps by Saxton, engraved by Kip and Hole. He based his maps on manuscript sources plus the surveys of Ogilby and Morgan, seller, Palmer and the coastal charts of Cpt. Greenville Collins. One of his original contributions to cartography was the showing of longitudes measured from the meridian of St. Paul's Cathedral given in the form of time in minutes at the top of the map in Roman numerals and at the bottom in degrees. This was done to clarify local times that were taken from the sun as there was no national standard time. These maps were the first to show the roads based on Ogilby's earlier work of 1675, and included 3 scales to cover the various scales used in different parts of the country. 	240.00	£240	framed	Map	English Counties	Gloucestershire						
3940		Morden, Robert	Britannia Saxonia	Copper engraved	1695			370 x 297 mm	From Camden’s Britannia		Robert Morden : d. 1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson's revised edition of 'Camden's Brittannia' engraved by Sutton Nichols. William Camden (1551-1623) was a historian and antiquary whose works were reprinted and published over a period of 200 years. The original Latin text was first translated by Gibson in 1695. Morden was employed to replace the outdated maps by Saxton, engraved by Kip and Hole. He based his maps on manuscript sources plus the surveys of Ogilby and Morgan, seller, Palmer and the coastal charts of Cpt. Greenville Collins. One of his original contributions to cartography was the showing of longitudes measured from the meridian of St. Paul's Cathedral given in the form of time in minutes at the top of the map in Roman numerals and at the bottom in degrees. This was done to clarify local times that were taken from the sun as there was no national standard time. These maps were the first to show the roads based on Ogilby's earlier work of 1675, and included 3 scales to cover the various scales used in different parts of the country. 	75.00	£75	mounted	Map	England & the British Isles	British Isles						
3945		Speed, John	Barkshire Described	Copper engraved with hand colouring	1646			382 x 510 mm			Speed (1552-1629) is the most famous of all English cartographers primarily as a result of The Theatre of the Empire of Great Britaine, the first atlas of the British Isles. The maps from this atlas are the best known and most sought-after of all county maps. The maps were derived mainly from the earlier prototypes of Christopher Saxton and Robert Norden but with notable improvements including parish "Hundreds" and county boundaries, town plans and embellishments such as the coats of arms of local Earls, Dukes, and the Royal Household. The maps are famed for their borders consisting of local inhabitants in national costume and panoramic vignette views of major cities and towns. An added feature is that regular atlas copies have English text printed on the reverse, giving a charming description of life in the early seventeenth century of the region. The overall effect produced very decorative, attractive and informative maps. For the publication of this prestigious atlas Speed turned to the most successful London print-sellers of the day, John Sudbury and George Humble. William Camden introduced the leading Flemish engraver, Jodocus Hondius Sr. to John Speed in 1607 because first choice engraver William Rogers had died a few years earlier. Work commenced with the printed proofs being sent back and forth between London and Amsterdam for correction and was finally sent to London in 1611 for publication. The work was an immediate success and the maps themselves being printed for the next 150 years. Speed was born in 1552 at Farndon, Cheshire. Like his father before him he was a tailor by trade, but around 1582 he moved to London. During his spare time Speed pursued his interests of history and cartography and in 1595 his first map of Canaan was published in the "Biblical Times". This raised his profile and he soon came to the attention of poet and dramatist Sir Fulke Greville a prominent figure in the court of Queen Elizabeth. Greville as Treasurer of the Royal Navy gave Speed an appointment in the Customs Service giving him a steady income and time to pursue cartography.  Through his work he became a member of such learned societies as the Society of Antiquaries and associated with the likes of William Camden Robert Cotton and William Lambarde. He died in 1629 at the age of seventy-seven.	1500	£1,500	framed	Map	English Counties	Berkshire						
3946		Scherer, Heinrich	Navigationes Praecipuae Europaeorum Ad Exteras Nationes	Copper engraved	ca. 1710			220 x 345 mm	From Scherer’s Atlas Novus			1375	£1,375	framed	Map	World Maps & Sea Charts							
3947		Blaeu, Joan	Hantonia Sive Southantonwnsis Comitatus vulgo Hant-shire	Copper engraved with hand colouring	Amsterdam,  c. 1650			410 x 500 mm				675	£675	framed	Map	English Counties	Hampshire	41					
3954		Engraved by Hallett	Charles II. King of England, Scotland. France & Ireland. Defender of the Faith &c.	Engraving	From a Picture in Bridenwell Hall, London; the Original painting by Sir Peter Lely.			Image 179 x 278 mm				35	£35	unmounted	Print	Portraits	British Royalty						
3958		Andô Hiroshige (1797-1858)	Suwa Bluff at Nippori [Nippori Suwanodai] 	Nishiki-e woodblock	5/1856.  Publisher's seal: Uoya Eikichi			Ôban tate-e single sheet [24.5 x 36.4 cm]	Meisho Edo Hyakkei [A Hundred Famous Views of Edo]. Series No: 15 of 120 (inc. Title Page and a replacement print by Hiroshige II)		This work depicts the grounds of the Shinto shrine Suwa-myojin, founded in 1205 and expanded in the 15th century, when Ota Dokan (1432-1486), the builder of the original Edo castle, granted it land. Visitors in the Edo period were, to a large extent, drawn to Suwa less on account of their spiritual piety than by the spectacular views to be had from the Suwanodai promontory. It is one of these great vistas that Hiroshige presents here and, in the forground, we see a number of visitors, with tea and refreshments, looking out into the distance across broad rice paddies to where the twin-peaked Mount Tuskuba and Nikko range rise.                                                                                      Signature: Hiroshige ga.                                                                     References: Ukiyo-e Taikei (Tôkyo: Shueisha, 1973), Vol. 16, No. 15; Smith, H.D. II and A. Poster, Hiroshige, One Hundred Famous Views of Edo (New York: Brooklyn Museum, George Braziller, Inc., 1986, No. 15; Uspensky, M., Hiroshige: One Hundred Views of Edo (Parkstone, 1997), p. 48.	250	£250	mounted	Print	Japanese	Landscape and Famous Places						
3960		Callot, Jacques	Rupellae Obsidio Regnante Ludouico XIII. Regnum Administrante Richeleo. Le Seige de la Rochelle Sous le Regne Louis XIII. et Sous le Ministere du Cardinal de Richelieu. (The siége of  La Rochelle under the régne of Louis XIII.et under the ministére of the Cardinal of Richelieu. )	Copper engraving	1625, but a Victorian restrike			on six sheets			Printed on six sheets Callot, produced this view/plan of the Siege of la Rochell at the request of Louise XIII who wanted to celebrate his victory with a graphic representation of it.  This plan of the battle is not wholly accurate as it show events that took place of the 14 months of the seige.	3500	£3,500	unmounted	Print	General Interest	Military						
3966		James Malton 	Great Court Yard Dublin	Aquatint	London, Publish’d according to Act of Parliment July 1792, By Jas. Malton and George Cowen, Grafton Street, Dublin			I 253 x 375 mm, Pl. 310 x 425 mm				350.00	£350	framed	Print	Foreign Topography	Ireland						
3967		M. V. Gucht 	Charles II. Proclaimed King of Great Britain	Copper engraving				Image 162 x 94 mm				5	£5	unmounted	Print	Portraits	British Royalty						
3968		Unknown	Henrietta Maria “Mother Queene” 	Copper engraving				I. 185 x 119 mm			(late)	5	£5	unmounted	Print	Portraits	British Royalty						
3969		I. Friedlein	Carolus Secundus D.G. Angliae, Scotiae, Franciae et Hiberniae Rex 	Copper engraving				171 x 129 mm			trimmed	15	£15	unmounted	Print	Portraits	British Royalty						
3972		Unknown	King Charles II 	Copper engraving	For I. Hinton at the Kings Arms in Newgate Street			Image 98 x 162 mm				5	£5	unmounted	Print	Portraits	British Royalty						
3974		W. Hollar	Henrietta Maria by the Grace of God Queene of England, Scotland, France and Ireland, etc:	Copper engraving	1641			I. 97 x 131 mm				50	£50	unmounted	Print	Portraits	British Royalty						
3976		A. De Blois	Carolus II Dei gratia Anglia Scotia Francia et Hibernia Rex	Copper engraving				I. 181 x 267 mm				40	£40	mounted	Print	Portraits	British Royalty						
3977		Unknown	Queen Henrietta	Copper engraving				I. 124 x 175 mm				10	£10	mounted	Print	Portraits	British Royalty						
3978		Unknown	Carolus de II, Koning van Engelandt, etc.	Copper engraving				I. 113 x 146 mm				20	£20	unmounted	Print	Portraits	British Royalty						
3981			Charles II. King of England, Scotland, France & Ireland. Defender of the Faith & c.	Copper engraving				Image 181 x 278 mm				20	£20	unmounted	Print	Portraits	British Royalty						
3982		R. White	Carlus II D.G. Mag: Brit: Fran: & Hiber: Rex. &. et	Copper engraving				I. 271 x 450 mm				200	£200	unmounted	Print	Portraits	British Royalty						
3983		C.I. Smith after W.H. Bartlett	The Royal Exchange, Dublin.	Copper engraving	Fisher & Son & Co. London, 1829 			I 95 x 153 mm				12	£12	unmounted	Print	Foreign Topography	Ireland						
3984		C.I. Smith after W.H. Bartlett	The Cloth Mart, Home’s Hotel, & Queen’s Bridge, Usher’s Quay, Dublin.	Copper engraving	Fisher & Son & Co. London, 1829 			I 95 x 153 mm				20	£20	unmounted	Print	Foreign Topography	Ireland						
3985		B. Winkles after George Petrie Esqr. R.H.A.	Bank of Ireland, Dublin. (South Portico.)	Copper engraving	c. 1830			I 98 x 157 mm				12	£12	unmounted	Print	Foreign Topography	Ireland						
3986		T. Highman after George Petrie Esqr. R.H.A.	The King’s Bridge, Dublin, (WEst View.)	Copper engraving	c. 1830			I 98 x 157 mm				15	£15	unmounted	Print	Foreign Topography	Ireland						
3987		J.C. Bentley after W.H. Bartlett	Dublin Bay (From Kingstown Quarries)	Steel engraving				I 120 x 183 mm				35	£35	mounted	Print	Foreign Topography	Ireland						
3988		T. Highham after W.H. Bartlett	The Custom House, Dublin	Steel engraving				I 120 x 183 mm				35	£35	mounted	Print	Foreign Topography	Ireland						
3990		Edward Goodall after George Petrie Esq. 	Dublin, From Phoenix Park.	Copper engraving	c. 1829			I 95 x 155 mm				45	£45	mounted	Print	Foreign Topography	Ireland						
3991		W. Woolnoth after George Petrie Esq. 	The College of Surgeons, Dublin	Copper engraving	c. 1829			I 95 x 155 mm				50	£50	mounted	Print	Foreign Topography	Ireland						
3992		B. Winkles after George Petrie Esq. 	College Street	Copper engraving	c. 1829			I 95 x 155 mm				30	£30	mounted	Print	Foreign Topography	Ireland						
3993		Owen after W.H. Bartlett	The Four Courts, Dublin	Copper engraving	c. 1829			I 95 x 155 mm				40.00	£40	mounted	Print	Foreign Topography	Ireland						
3994		Benj. Winkles after George Petrie	Post Office, Dublin	Copper engraving	c. 1829			I 95 x 155 mm				45	£45	mounted	Print	Foreign Topography	Ireland						
3995		Owen after W.H. Bartlett	Lying-In-Hospital & Rotunda, Dublin.	Copper engraving	c. 1829			I 95 x 155 mm				40.00	£40	mounted	Print	Foreign Topography	Ireland						
3996		Hellmuth Weissenborn	Alphabet letter	Wood engraving				I 50 x 75 mm			SignedHellmuth Weissenborn (1898 -1982) was born in Leipzig, Germany, his father was an art teacher. Weissenborn studied at the Academy for Graphic Art and Book Design, Leipzig from 1919 serving in WWI. In 1938 he emigrated to London as a freelance artist. He then went on to work as an illustrator for the Whittington Press and his first solo show was at Archer Gallery. In 1946 he and his wife took over the then defunct Acorn Press. He exhibited at the Victoria and Albert Museum, the London Group and at exhibitions in America and Australia.	150.00	£150	mounted	Print	Artists	Hellmuth Weissenborn						
3998		Tsukimaro Kitagawa (fl. ca. 1800-1830)	Azuma kudari yatsushi no Fuji	Woodblock	1807			Ôban tate-e (15 x 10 inches)			Posing with Mt. Fuji in the background, three bijin in travelling costume perform a mitate of Ariwara no Narihara’s famous journey to the east (Azuma-Kudari) from the Ise monogatari (Tales of Ise)	1000	£1,000	framed	Print	Japanese	Bijin-ga						
3999		C. Le White	Children at Play	Stipple print partially in colour	by C. le White Stafford Row Pimlico			135 mm circular			A pair.	250.00	£250	unmounted	Print	Fine Prints	Stipple						
4003		C. Hullmandel after William Westall	Oxford. From the South West.	Lithograph	London. Published by Rodwell & Martin. 40 Argyll St. & 46 New Bond St. Mar. 20, 1822 			I 187 x 320 mm, S 308 x 417 mm				300.00	£300	mounted	Print	Oxford	General Views						
4008		C. Hullmandel after William Westall	Mill at Ifley	Lithograph	London. Published by Rodwell & Martin. 40 Argyll St. & 46 New Bond St. Mar. 20, 1822 			I 187 x 320 mm, S 308 x 417 mm			Iffley Mill	150.00	£150	mounted	Print	Oxford	General Views						
4020		Stephen Turnbull	Warriors of Medieval Japan		Wellingborough; University Park, IL: Osprey, 2005			Hardcover; 288 pages 			The samurai remain the best known warriors of medieval Japan, but they were by no means the only fighting elite. There were the ashigaru, who were first recruited to swell army numbers but later became a vital part of any samurai force. Trained to protect their monasteries, warrior monks were formidable enemies, mastering a range of martial traditions. Finally, the Ninja catered to an increasing demand for spies, informants and sometimes assassins, developing the arts of armed and unarmed combat and explosives. This book covers the development, training, equipment and beliefs of all of these warriors, drawing from rare Japanese sources, and is illustrated throughout.	20	£20		Print	Japanese	Samurai						
4022		Utagawa Kunisada [Utagawa Toyokuni III] (1786-1864)	Daisanjûnokan. Fujibakama. [Chapter 30: Purple Trousers]	Nishiki-e woodblock print with karazuri	1858 [Second Month of Ansei 5]. Zodiacal Date Seal: uma ni/horse 2Publisher's Seal: Uoya Eikichi			Ôban tate-e diptych. Each sheet 14 x 9 inches	Genji gojûyojô hattan		Carver: Yokogawa Takejiro                                                                             School: Utagawa                                                                                                                                                                                                Condition: Excellent with fine karazuri; pristine colour with the fugitive purple intact.                                                                                                                                                                                                                      Flowers of the Floating World, Exh. Cat. No: 2/IV                                    One of five diptychs from the first-edition luxury printing of the soroimono series Genji gojûyojô hattan, published in Edo [modern Tôkyô] between 1857 and 1861. For this limited edition, Kunisada used the finest-quality pigments, gold dust and decorative papers. The patterned backgrounds consist of extensive karazuri [blind printing or gauffrage] in the repeated motif of the relevant Genji mon.This series was based on the thirty-eight part Nise murasaki inaka genji (A Fake Murasaki and a Rustic Genji, 1829-42), a burlesque of the 11th century Genji monogatari by the samurai-novelist Ryuutei Tanehiko (1783-1842), which is said to have sold over 15,000 copies in a period when an established author would have exceeded his expectations in selling 5,000. The book's mass popularity ignited a 'Genji boom' that swept through all segments of society, traces of which lingered well until the end of the Meiji period (1868-1912). Kunisada's original accompanying illustrations even provoked a new category of prints, Genji-e (Genji pictures), based on Tanehiko's plot rather than the Heian-period original. The reason for this fervent popularity lay in its relocation of the refined and melancholy Genji story-complex into the vibrant, humorous culture of the floating world, without sacrificing the beloved familiarity of the former ~ as Tanehiko put it, his narrative was a hybrid jumble of  'kabuki, puppet play, and tale: all three rolled into one.' In other words, Inaka genji was popular, not because of its connection to Genji, but because it skilfully connected the classical text to contemporaneous settings (sekai), fads and conventions.  In the Tanchiko's version, set in the fifteenth century Japan of Ashikaga Yoshimasa, Genji is recast as the cynical Mitsuuji, an illegitimate son of the shôgun, who sets out to recover his father's three lost treasures. The plot includes numerous love affairs while also adding kabuki-esque elements such as evil villains and comedic rustics.	550	£550	framed	Print	Japanese	Genji-e						
4023		Utagawa Kunisada [Utagawa Toyokuni III] (1786-1864)	Daiichinokan. Kiritsubo. [Chapter 1: The Paulownia Court]	Nishiki-e woodblock print with karazuri	1858 [Second Month of Ansei 5]. Zodiacal Date Seal: uma ni/horse 2Publisher's Seal: Uoya Eikichi			Ôban tate-e diptych. Each sheet 14 x 9 inches	Genji gojûyojô hattan		Carver: Yokogawa Takejiro                                                                             School: Utagawa                                                                                                                                                                                                Condition: Excellent with fine karazuri; pristine colour with the fugitive purple intact.                                                                                                                                                                                                                      Flowers of the Floating World, Exh. Cat. No: 2/I                                       One of five diptychs from the first-edition luxury printing of the soroimono series Genji gojûyojô hattan, published in Edo [modern Tôkyô] between 1857 and 1861. For this limited edition, Kunisada used the finest-quality pigments, gold dust and decorative papers. The patterned backgrounds consist of extensive karazuri [blind printing or gauffrage] in the repeated motif of the relevant Genji mon.This series was based on the thirty-eight part Nise murasaki inaka genji (A Fake Murasaki and a Rustic Genji, 1829-42), a burlesque of the 11th century Genji monogatari by the samurai-novelist Ryuutei Tanehiko (1783-1842), which is said to have sold over 15,000 copies in a period when an established author would have exceeded his expectations in selling 5,000. The book's mass popularity ignited a 'Genji boom' that swept through all segments of society, traces of which lingered well until the end of the Meiji period (1868-1912). Kunisada's original accompanying illustrations even provoked a new category of prints, Genji-e (Genji pictures), based on Tanehiko's plot rather than the Heian-period original. The reason for this fervent popularity lay in its relocation of the refined and melancholy Genji story-complex into the vibrant, humorous culture of the floating world, without sacrificing the beloved familiarity of the former ~ as Tanehiko put it, his narrative was a hybrid jumble of  'kabuki, puppet play, and tale: all three rolled into one.' In other words, Inaka genji was popular, not because of its connection to Genji, but because it skilfully connected the classical text to contemporaneous settings (sekai), fads and conventions.  In the Tanchiko's version, set in the fifteenth century Japan of Ashikaga Yoshimasa, Genji is recast as the cynical Mitsuuji, an illegitimate son of the shôgun, who sets out to recover his father's three lost treasures. The plot includes numerous love affairs while also adding kabuki-esque elements such as evil villains and comedic rustics.	375	£375	framed	Print	Japanese	Genji-e						
4024		Geoffrey Jukes	The Russo-Japanese War, 1904-1905	Paperback; 96 pages	Wellingborough; University Park, IL: Osprey, 2005						The Russo-Japanese war saw the first defeat of a major European imperialist power by an Asian country. When Japanese and Russian expansionist interests collided over Manchuria and Korea, the Tsar assumed Japan would never dare to fight. However, after years of planning, Japan launched a surprise attack on the Russian Port Arthur, on the Liaoyang Peninsula in 1904 and the war that followed saw Japan win major battles against Russia. This book explains the background and outbreak of the war, then follows the course of the fighting at Yalu River, Sha-ho, and finally Mukden, the largest battle anywhere in the world before the First World War.	10	£10		Book	Japanese							
4025		Stephen Turnbull	Samurai: The World of the Warrior		Wellingborough; University Park, IL: Osprey, 2003						Military Illustrated, December 2003'Top 10 Military Books 2003'Synopsis:The world of the samurai - the legendary elite warrior cult of old Japan - has for too long been associated solely with military history and has remained a mystery to the general reader. In this exciting new book, Stephen Turnbull, the world's leading authority on the samurai, goes beyond the battlefield to paint a picture of the samurai as they really were. Familiar topics such as the cult of suicide, ritualised revenge and the lore of the samurai sword are seen in the context of an all-encompassing warrior culture that was expressed through art and poetry as much as through violence. Using themed chapters, the book studies the samurai through their historical development and their relationship to the world around them - relationships that are shown to persist in Japan even today.About the Author: Stephen Turnbull took his first degree at Cambridge University, and received a PhD from Leeds University for his research into Japanese religious history. His work has been recognised by the awarding of the Canon Prize of the British Association for Japanese Studies and a Japan Festival Literary Award, and he is an Honorary Research Fellow at the Department of East Asian Studies at the University of Leeds. Stephen has travelled extensively in Europe and the Far East and runs a well-used picture library in the UK. 	20	£20		Book	Japanese	Samurai						
4029		Utagawa Kuniyoshi (1798-1861)	Nagakubo	Nishiki-e woodblock 	1852 [Kaei era]			Single sheet ôban tate-e. 15 x 9 3/4 inches	Kisôkaidô rokujukyu tsugi no uchi [The Sixty-nine Stations of the Kisôkaidô]. Station Number: 28		Less famous than the Tôkaiô and indeed less used, being more remote and mountainous, the Kisôkaidô was the principal was the principal inland route from Edo to Kyôto.   	450	£450	mounted	Print	Japanese	Landscape and Famous Places						
4031		J. C. Stradler	Pembroke College	Aquatint with hand colouring	Published 1813 for Ackermann’s History of Oxford			I 191 x 126 mm	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			120.00	£120	mounted	Print	Oxford	Pembroke College						
4032			Oxford	Woodcut	c. 1850			I 80 x 132 mm				30	£30	mounted	Print	Oxford	General Views						
4038		Shijo Surimono	Samurai on Horseback	Woodblock							The origins of Shijo are closely linked with haikai (haiku) poetry, particularly with the artist and poet Buson and his disciple Goshun, purported founder of the Shijo style. Like haikai, Shijo attempts to capture an immediate, subjective, phenemonological reaction to a stimulus from the natural world or the minutiae of everyday life. 	60	£60	mounted	Print	Japanese	Samurai						
4041		O. Jewitt	View Looking into New College Lane	Wood engraving	circa 1830			I 110 x 80 mm	Ingrams’ Memorials of Oxford			12	£12	mounted	Print	Oxford	New College						
4042		O. Jewitt	Interior of the Library	Wood engraving	circa 1830			I 110 x 80 mm	Ingrams’ Memorials of Oxford			15	£15	mounted	Print	Oxford	Queen’s College						
4048		O. Jewitt	The Music Room and part of Holywell street	Wood engraving	circa 1836			I 110 x 80 mm	Ingrams’ Memorials of Oxford			15	£15	mounted	Print	Oxford	General Views						
4049		O. Jewitt	[Jesus College]	Wood engraving	circa 1830			I 110 x 80 mm	Ingrams’ Memorials of Oxford			15	£15	mounted	Print	Oxford	Jesus College						
4050		O. Jewitt	[Exeter College]	Wood engraving	circa 1830			I 110 x 80 mm	Ingrams’ Memorials of Oxford			15	£15	mounted	Print	Oxford	Exeter College						
4051		O. Jewitt	[New Inn Hall]	Wood engraving	circa 1830			I 110 x 80 mm	Ingrams’ Memorials of Oxford			10	£10	mounted	Print	Oxford	St. Peter’s College						
4053		O. Jewitt	[Pembroke College]	Wood engraving	circa 1830			I 110 x 80 mm	Ingrams’ Memorials of Oxford			15	£15	mounted	Print	Oxford	Pembroke College						
4054		O. Jewitt	[Clarendon Press]	Wood engraving	circa 1830			I 110 x 80 mm	Ingrams’ Memorials of Oxford			15	£15	mounted	Print	Oxford	Clarendon Press						
4059		Colton, J.H.	Massachusetts and Rhode Island	Steel Engraved with hand colour	Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			398 x 326 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			90	£90	unmounted	Map	North and South America							
4061		Colton, J.H.	Pennsylvania	Steel Engraved with hand colour	Entered according to Act of Congress in the Year 1859 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			400 x 328 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			80	£80	unmounted	Map	North and South America							
4062		Colton, J.H.	South Carolina	Steel Engraved with hand colour	Published by J.H. Colton, 172 William St. New York. Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			400 x 328 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			90	£90	unmounted	Map	North and South America							
4063		Colton, J.H.	Ohio	Steel Engraved with hand colour	Published by J.H. Colton, 172 William St. New York. Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			400 x 328 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			90	£90	unmounted	Map	North and South America							
4064		Colton, J.H.	North Carolina 	Steel Engraved with hand colour	Published by J.H. Colton, 172 William St. New York. Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			400 x 328 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			110	£110	unmounted	Map	North and South America							
4066		Colton, J.H.	Missouri	Steel Engraved with hand colour	Published by J.H. Colton, 172 William St. New York. Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			400 x 328 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			60	£60	unmounted	Map	North and South America							
4068		Colton, J.H.	Lake Superior and the Northern Part of Michigan	Steel Engraved with hand colour	Published by J.H. Colton, 172 William St. New York. Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			400 x 328 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			60	£60	unmounted	Map	North and South America							
4069		Colton, J.H.	Mexico	Steel Engraved with hand colour	Published by J.H. Colton, 172 William St. New York. Entered according to Act of Congress in the Year 1854 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			400 x 328 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			60	£60	unmounted	Map	North and South America							
4070		Colton, J.H.	Louisana	Steel Engraved with hand colour	Published by J.H. Colton, 172 William St. New York. Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			400 x 328 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			90	£90	unmounted	Map	North and South America							
4071		Colton, J.H.	Kentucky and Tennessee	Steel Engraved with hand colour	Published by J.H. Colton, 172 William St. New York. Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			400 x 328 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			70	£70	unmounted	Map	North and South America							
4072		Colton, J.H.	Iowa	Steel Engraved with hand colour	Published by J.H. Colton, 172 William St. New York. Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			400 x 328 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			80	£80	unmounted	Map	North and South America							
4076		Colton, J.H.	Arkansas	Steel Engraved	Published by J.H. Colton, 172 William St. New York. Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			400 x 328 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			100	£100	unmounted	Map	North and South America							
4081		Colton, J.H.	The City of Louisville Kentucy and The City of New Orleans Louisiana	Steel Engraved with hand colour	Published by J.H. Colton, 172 William St. New York. Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			400 x 328 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			50	£50	unmounted	Map	North and South America							
4082		Colton, J.H.	Colton’s Map of Boston and Adjacent Cities	Steel Engraved with hand colour	Published by J.H. Colton, 172 William St. New York. Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			400 x 328 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			90	£90	unmounted	Map	North and South America							
4083		Colton, J.H.	Colton’s City of Baltimore Maryland	Steel Engraved with hand colour	Published by J.H. Colton, 172 William St. New York. Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			400 x 325 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			90	£90	unmounted	Map	North and South America							
4084		Colton, J.H.	Colton’s Wisconsin	Steel Engraved with hand colour	Published by J.H. Colton, 172 William St. New York. Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			400 x 325 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			85	£85	unmounted	Map	North and South America							
4085		Colton, J.H.	Colton’s Vermont	Steel Engraved with hand colour	Published by J.H. Colton, 172 William St. New York. Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			400 x 325 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			75	£75	unmounted	Map	North and South America							
4087		Colton, J.H.	Colton’s New Hampshire	Steel Engraved with hand colour	Published by J.H. Colton, 172 William St. New York. Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			400 x 325 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			75	£75	unmounted	Map	North and South America							
4088		Colton, J.H.	Colton’s Mississippi	Steel Engraved with hand colour	Published by J.H. Colton, 172 William St. New York. Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			400 x 325 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			75	£75	unmounted	Map	North and South America							
4089		Colton, J.H.	Colton’s Michigan	Steel Engraved with hand colour	Published by J.H. Colton, 172 William St. New York. Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			400 x 325 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			85	£85	unmounted	Map	North and South America							
4090		Colton, J.H.	Colton’s Maine	Steel Engraved with hand colour	Published by J.H. Colton, 172 William St. New York. Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			400 x 325 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			85	£85	unmounted	Map	North and South America							
4091		Colton, J.H.	Colton’s Indiana	Steel Engraved with hand colour	Published by J.H. Colton, 172 William St. New York. Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			400 x 325 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			60	£60	unmounted	Map	North and South America							
4092		Colton, J.H.	Colton’s Illinois	Steel Engraved with hand colour	Published by J.H. Colton, 172 William St. New York. Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			400 x 325 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			100	£100	unmounted	Map	North and South America							
4095		Colton, J.H.	Colton’s Alabama	Steel Engraved with hand colour	Published by J.H. Colton, 172 William St. New York. Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			400 x 325 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			100	£100	unmounted	Map	North and South America							
4096		Colton, J.H.	Colton’s Washington and Oregon	Steel Engraved with hand colour	Published by J.H. Colton, 172 William St. New York. Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			325 x 400 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			110	£110	unmounted	Map	North and South America							
4097		Colton, J.H.	Colton’s Virginia	Steel Engraved with hand colour	Published by J.H. Colton, 172 William St. New York. Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			325 x 400 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume		This atlas was the first world atlas produced by Colton, after many years of issuing pocket maps, wall maps, guides, and maps for books. The atlas was one of the finest and most accurate of the period	110	£110	unmounted	Map	North and South America							
4105		Colton, J.H.	Colton’s Africa (Southern Sheet)	Steel Engraved with hand colour	Published by J.H. Colton, 172 William St. New York. Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			325 x 410 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume		This atlas was the first world atlas produced by Colton, after many years of issuing pocket maps, wall maps, guides, and maps for books. The atlas was one of the finest and most accurate of the period	60	£60	unmounted	Map	Africa							
4108		Colton, J.H.	Colton’s Kansas & Nebraska	Steel Engraved with hand colour	Published by J.H. Colton, 172 William St. New York. Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			745 x 425 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume		This atlas was the first world atlas produced by Colton, after many years of issuing pocket maps, wall maps, guides, and maps for books. The atlas was one of the finest and most accurate of the period	120	£120	unmounted	Map	North and South America							
4109		Colton, J.H.	Colton’s New Map of the State of Texas	Steel Engraved with hand colour	Published by J.H. Colton, 172 William St. New York. Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			425 x 745 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume		This atlas was the first world atlas produced by Colton, after many years of issuing pocket maps, wall maps, guides, and maps for books. The atlas was one of the finest and most accurate of the period	300.00	£300	unmounted	Map	North and South America							
4115		O. Jewitt	[University College]	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 84 x 64 mm	From the book by Ingram (James) and Le Keux (John) 1834 - 1837 Memorials of Oxford. Plan of Oxford, 100 Steel engravings, by John Le Keux after Fredeirck Mackenzie and 212 Wood-engravings in the text			40	£40	framed	Print	Oxford	University College						
4116		O. Jewitt	[Sheldonian Theatre]	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 84 x 64 mm	From the book by Ingram (James) and Le Keux (John) 1834 - 1837 Memorials of Oxford. Plan of Oxford, 100 Steel engravings, by John Le Keux after Fredeirck Mackenzie and 212 Wood-engravings in the text			40	£40	framed	Print	Oxford	Sheldonian Theatre						
4117		O. Jewitt	[St Frideswide]	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 78 x 111 mm	From the book by Ingram (James) and Le Keux (John) 1834 - 1837 Memorials of Oxford. Plan of Oxford, 100 Steel engravings, by John Le Keux after Fredeirck Mackenzie and 212 Wood-engravings in the text			40	£40	framed	Print	Oxford	Oxford Churches						
4121		Colton, J.H.	Colton’s Canada West or Lower Canada and New Brunswick.	Steel Engraved with hand colour	Published by J.H. Colton, 172 William St. New York. Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			325 x 400 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume		This atlas was the first world atlas produced by Colton, after many years of issuing pocket maps, wall maps, guides, and maps for books. The atlas was one of the finest and most accurate of the period	30	£30	unmounted	Map	North and South America							
4124		Colton, J.H.	Colton’s Central America	Steel Engraved with hand colour	Published by J.H. Colton, 172 William St. New York. Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			325 x 400 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume		This atlas was the first world atlas produced by Colton, after many years of issuing pocket maps, wall maps, guides, and maps for books. The atlas was one of the finest and most accurate of the period	45	£45	unmounted	Map	North and South America							
4126		Colton, J.H.	Northern Italy	Steel Engraved with hand colour	Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			398 x 326 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			80	£80	unmounted	Map	Europe	Italy						
4127		Colton, J.H.	Holland and Belgium	Steel Engraved with hand colour	Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			398 x 326 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			40	£40	unmounted	Map	Europe	Holland and Belgium						
4129		Colton, J.H.	Germany No.3	Steel Engraved with hand colour	Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			398 x 326 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			65	£65	unmounted	Map	Europe	Germany						
4130		Colton, J.H.	Germany No.2	Steel Engraved with hand colour	Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			398 x 326 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			65	£65	unmounted	Map	Europe	Germany						
4131		Colton, J.H.	Germany No.1	Steel Engraved with hand colour	Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			398 x 326 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			65	£65	unmounted	Map	Europe	Germany						
4134		Colton, J.H.	Denmark	Steel Engraved with hand colour	Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			398 x 326 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			30	£30	unmounted	Map	Europe	Denmark						
4138		Colton, J.H.	Eastern Hemisphere	Steel Engraved with hand colour	Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			348 x 397 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			80	£80	unmounted	Map	World Maps & Sea Charts							
4139		Colton, J.H.	Western Hemisphere	Steel Engraved with hand colour	Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			391 x 355 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			100	£100	unmounted	Map	World Maps & Sea Charts							
4140		Colton, J.H.	The Environs of London	Steel Engraved with hand colour	Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			422 x 322 mm	Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			100	£100	unmounted	Map	English Counties	London						
4141		Colton, J.H.	Map of the World Showing the Geographical Distribution & Range of the Principal Members of the Animal Kingdom / A Map of the World Illustrating the Productive Industry of various countries and exhibiting the principal features of Commerce and Navigation	Steel Engraved with hand colour	Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			422 x 322 mm	Colton's Atlas Of  The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			60	£60	unmounted	Map	World Maps & Sea Charts							
4142		Colton, J.H.	Map of the World Illustrating the Principal Features of Meteorology / Map of the World showing the distribution and limits of cultivation of the Principal Plants useful to mankind	Steel Engraved with hand colour	Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			422 x 322 mm	Colton's Atlas Of  The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			65	£65	unmounted	Map	World Maps & Sea Charts							
4145		Colton, J.H.	Northern Regions	Steel Engraved with hand colour	Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			348 x 397 mm	Colton's Atlas Of  The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			85	£85	unmounted	Map	World Maps & Sea Charts							
4146		Colton, J.H.	Southern Regions	Steel Engraved with hand colour	Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			348 x 397 mm	Colton's Atlas Of  The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			150	£150	unmounted	Map	World Maps & Sea Charts							
4147		Colton, J.H.	Cuba, Jamaica and Porto Rico	Steel Engraved with hand colour	Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			422 x 322 mm	Colton's Atlas Of  The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			150	£150	unmounted	Map	North and South America							
4149		Colton, J.H.	Venezuela, New Granada and Ecuador	Steel Engraved with hand colour	Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			422 x 322 mm	Colton's Atlas Of  The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			40	£40	unmounted	Map	North and South America							
4150		Colton, J.H.	Peru and Bolivia	Steel Engraved with hand colour	Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			422 x 322 mm	Colton's Atlas Of  The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			55	£55	unmounted	Map	North and South America							
4153		Colton, J.H.	Argentine Republic, Chili, Uruguay & Paraguay	Steel Engraved with hand colour	Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			422 x 322 mm	Colton's Atlas Of  The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			50	£50	unmounted	Map	North and South America							
4154		Albet & Howe	Philips’ Picture Map of the Coronation Routes.	Chromolithograph	George Philip & Son Ltd The Geographical Institute							20	£20		Map	English Counties	London						
4155		Port of London Authority 	Port of London Authority A Souvenir of an Excursion on the River Thames from London to Teddington.	Chromolithograph								25	£25		Map	Maps Over More Than One County	Thames Map						
4157		Colton, J.H.	The City of Savannah, Georgia / The City of Charleston, South Carolina 	Steel engraving with hand colouring	Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			397 x 323 mm	Colton's Atlas Of  The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			70	£70	unmounted	Map	North and South America							
4158		Colton, J.H.	Georgetown and the city of Washington the Capital of the United States of America	Steel engraving with hand colouring	Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			397 x 323 mm	Colton's Atlas Of  The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			70	£70	unmounted	Map	North and South America							
4159		Colton, J.H.	The City of St Louis, Missouri / The City of Chicago, Illinois	Steel engraving with hand colouring	Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			397 x 323 mm	Colton's Atlas Of  The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			60	£60	unmounted	Map	North and South America							
4160		Colton, J.H.	The Cities of Pittsburgh and Allegheny, with the parts of Adjacent Boroughs, Pennsylvania / The City of Cincinnati, Ohio	Steel engraving with hand colouring	Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			397 x 323 mm	Colton's Atlas Of  The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			50	£50	unmounted	Map	North and South America							
4163		Colton, J.H.	Russia	Steel engraving with hand colouring	Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			397 x 323 mm	Colton's Atlas Of  The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			65	£65	unmounted	Map	Europe	Russia						
4166		Colton, J.H.	Switzerland	Steel engraving with hand colouring	Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			397 x 323 mm	Colton's Atlas Of  The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			25	£25	unmounted	Map	Europe	Switzerland						
4167		Colton, J.H.	Turkey in Europe	Steel engraving with hand colouring	Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			397 x 323 mm	Colton's Atlas Of  The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			35	£35	unmounted	Map	Asia & Middle East	Turkey						
4169		Colton, J.H.	Africa North Western Sheet	Steel engraving with hand colouring	Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			397 x 323 mm	Colton's Atlas Of  The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			60	£60	unmounted	Map	Africa							
4171		Colton, J.H.	China	Steel engraving with hand colouring	Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			397 x 323 mm				60	£60	unmounted	Map	Asia & Middle East							
4177		Colton, J.H.	Turkey in Asia	Steel engraving with hand colouring	Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			397 x 323 mm	Colton's Atlas Of  The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			65	£65	unmounted	Map	Asia & Middle East							
4179		Martin Engelbrecht	Faiseur de tabac. Ein Tabackmacher	Copper engraving with hand colouring	circa 1730			I 262 x 185 mm				500	£500	mounted	Print	General Interest	Trades						
4180		Martin Engelbrecht	Une Faiseuse de Tabac. Eine Tabackmacherin.	Copper engraving with hand colouring	circa 1730			I 262 x 185 mm				500	£500	mounted	Print	General Interest	Flora						
4181		O. Jewitt	Wadham College	Wood engraving	circa 1830			I 68 x 79 mm				40	£40	framed	Print	Oxford	Wadham College						
4183		Atributed to Sarah Sophia Beale	[High Street and Queen’s College]	Oil on board	c. 1908			250 x 145 mm			Sarah Sophia Beale was born in 1838, she was a genre painter.Her address in 1880 was Long Acre, London W.C., In 1908 her address was in Oxford.Exhibited 3 paintings at the Royal Academy - London, also exhibited at the R.S.A. Birmingham,Dudley Gallery, Walker Art Gallery - Liverpool, Manchester City Art Gallery and many others.	300.00	£300	framed	Print	Oxford	High Street Views						
4184		Wenceslaus Hollar	Torrensis olim Abbatiae in Com Devon: nunc in Ruinis prospectus [Torre Abbey]	Copper engraving	I 217 x 282 mm, 						P 1067 State ii/ii from Monasticon, 1661 	150.00	£150	unmounted	Print	British Topography	Devon						
4185		Meijer, Pieter	Durham	Copper engraved	Amsterdam, 1769			173 x 190 mm	Kliene Atlas		The maps for Meijer’s Kliene Atlas were closely copied from Emmanuel Bowen’s and engraved by Schenk.	100.00	£100	unmounted	Map	English Counties	Durham						
4187		Meijer, Pieter	Leicester en Rutland	Copper engraved	Amsterdam, 1769			174 x 194 mm	Kliene Atlas		The maps for Meijer’s Kliene Atlas were closely copied from Emmanuel Bowen’s and engraved by Schenk.	90	£90	unmounted	Map	English Counties	Leicestershire						
4188		I. Donowell	A View of Baliol College, Trinity College, & c. in the University of Oxford	Copper engraving	London Printed for John Ryall at Hogarth’s Head in Fleet Street, Robt. Sayer at the Golden Buck in Fleet Street & John Bowles & Son at the Black Horse in Cornhill. 1750			I 263 x 418 mm, Pl. 292 x 434 mm				300	£300	mounted	Print	Oxford	Balliol College						
4190			The Great Strike	Engraving				S 87 x 113 mm			A New Years card that reads: No Trains-Line Closed- Cannot ccome to see you. So send this to Wish you a Happy New-Year.	10	£10	unmounted	Print	General Interest	Railway Prints						
4191			Archer & Co: Carriers to all parts of the United Kingdom	Woodcut	c. 1900			S 120 x 182 mm			Advert for an Oxford based shipping company	10	£10	unmounted	Print	General Interest	Railway Prints						
4192		Fred A. Farrell (1882-1935)	[Eaton Eights Rowing] 	Etching	c. 1925			I 227 x 355 mm			Blindstamped with the Fine Art Trade Guild blind stamp and signed in pencilFarrell was the Official Artist with the 51st Highlanders 1914-1918	300.00	£300	mounted	Print	Sports	Rowing	Rowing					
4194		Alick P.F. Ritchie	“G.B.S”	Hentschel-Colourtype	Vanity Fair, August 16th 1911						George Bernard Shaw	160.00	£160	mounted	Print	Portraits	Performing Arts						
4195			Madame Sarah Bernhardt	Colour lithograph	Vanity Fair, March 31st 1910							170	£170	mounted	Print	Portraits	Performing Arts						
4196		Edward Scriven after Honorable Heneage Legge	The Honble. & Revd. George Neville, Master of Magdalene College, Cambridge abd Rector & Ordenary of Hanvarden, Flintshire	Copper engraving				I 235 x 197 mm, Pl. 350 x 250 mm				50.00	£50	unmounted	Print	Portraits	Academics						
4197		Thomas Malton	Views of Oxford		Published 4th June 1810 by White & Co. Fleet Street, & R. Smith, Oxford			320 x 415 mm			2nd Enlarged edition. 24 Aquatints and 6 line engravings. Fine condition throughout with almost no foxing. A hand-written inscription by Anthony Gardner at the back of the book reveals it was restored in July 1968, “half-bound in Japanese hand-made paper and nigerian goatskin”.	2800	£2,800		Book	Oxford							
4198		John Emslie	Phenomena of Volcanoes and Earthquakes	Engraving	c. 1870			275 x 215 mm			Interesting world map showing distribution of volcanic areas accross the globe. ‘Principal volcanic mountains’ illustrated and listed along the lower edge. Scarce. Inset images include ‘The Great Geyser, Iceland’ and ‘Destruction of the city of Lisbon by the Great Earthquake, November 1st 1755’.	70	£70	unmounted	Print	General Interest	Science						
4200		Morden, Robert	The Kingdom of Ireland	Copper engraved	1695			412 x 345 mm	From Camden’s Britannia		Robert Morden : d. 1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson's revised edition of 'Camden's Brittannia' engraved by Sutton Nichols. William Camden (1551-1623) was a historian and antiquary whose works were reprinted and published over a period of 200 years. The original Latin text was first translated by Gibson in 1695. Morden was employed to replace the outdated maps by Saxton, engraved by Kip and Hole. He based his maps on manuscript sources plus the surveys of Ogilby and Morgan, seller, Palmer and the coastal charts of Cpt. Greenville Collins. One of his original contributions to cartography was the showing of longitudes measured from the meridian of St. Paul's Cathedral given in the form of time in minutes at the top of the map in Roman numerals and at the bottom in degrees. This was done to clarify local times that were taken from the sun as there was no national standard time. These maps were the first to show the roads based on Ogilby's earlier work of 1675, and included 3 scales to cover the various scales used in different parts of the country. 	260	£260	framed	Map	Scotland, Ireland & Wales	Ireland						
4202		M. Hanhart	Memorial of Wadham College Oxford	Lithograph	Beynon & Comp. Fine Art Publishers & Engravers Cheltenham 			I. 448 x 635 mm				600	£600	framed	Print	Oxford	Wadham College						
4204		Leborne after de Sainson	Ravins Volcaniques	Lithograph	c. 1840s			I 320 x 230 mm			Shows Acsension Island, South Atlantic.	25	£25	unmounted	Print	General Interest	Science						
4206		Charles Taylor after Angelica Kauffman	Moral Emblems: Life. There is but a Step Me and Death.	Copper engraving	London, Published Feby. 1, 1780 by Charles Taylor No. 10 near Castle Street, Holborn			I 212 x 168 mm. Pl. 305 x 220 mm				100.00	£100	unmounted	Print	Fine Prints	Stipple						
4208		Henry Slatter	Balliol College	Aquatint with hand colouring	c. 1824			I  79 x 107 mm 	Slatter’s Views of All the Colleges, Halls and Public Buildings in the University of Oxford with Descriptions which point out to strangers all the places and curiosities more particularly of their notice			40.00	£40	mounted	Print	Oxford	Balliol College						
4209			Blenheim, Oxfordshire	Copper engraving	Published by J & J Cund, 1814							25	£25	mounted	Print	British Topography	Oxfordshire						
4211			Theater &c Oxford	Copper engraving	Published by J & J Cund, 1814			Image 58 x 87 mm				25	£25	mounted	Print	Oxford	Sheldonian Theatre						
4212			The Camelopardalis or Giraffe of Africa. from Lieutenant Paterson’s Travels.	Copper engraving	Published Jany. 1st 1791, in St. Paul’s Church Yard & C. Stalker, Stationers Court			I 200 x 140 mm vignette, Pl. 290 x 200 mm				45	£45	mounted	Print	General Interest	Mammals						
4213		Freddy Theys	Lady Margaret Hall, Oxford	Copper engraving	20th century			I  & Pl. 200 x 233 mm	from an edition of 70			100	£100	mounted	Print	Oxford	Lady Margaret Hall						
4214		Prisse d'Avennes (1807-1879) after Desmaisons, Emilien (1812-1880)	Young Arab girl returning from the bath 	Lithograph with tint stone and handcolour	Paris and London, Madden & Malcom				Oriental album. Characters, costumes,  and modes of life, in the valley of the Nile. Illustrated from designs taken on the spot, by E. Prisse. With descriptive letter-press, by James Augustus St. John. (published 1851) 		Egypt.	110	£110	mounted	Print	Foreign Topography	Africa	Egypt					
4216		Unknown	To the Right Hon’ble the Earl of Westmorland, Chancellor to the Right Hon’ble the Earl of Litchfield, High Steward; to the Revernd the Vice Chancellor; allthe Doctors, Masters, and Scholars of the University of Oxford, this, Plate is humbly dedicated by their most Obedient Servent Tho’s Worlidge	Etching	Pub.d According to Act of Parliam.t March 28th 1761			I. 603 x 431mm				800	£800	framed	Print	Oxford	Oxford Curiosities						
4220		Henry Slatter	St. Peter’s in the East	Aquatint	Published Oxford, Munday and Slatter, c. 1824			I 80 x 108 mm	Views of All the Colleges, Halls and Public Buildings in the University of Oxford		From a volume of views of Oxford which also served as a sophisticated guide book.	30	£30	mounted	Print	Oxford	St. Edmund Hall						
4221		Henry Slatter	Town Hall	Aquatint	Published Oxford, Munday and Slatter, c. 1824			I 80 x 108 mm	Views of All the Colleges, Halls and Public Buildings in the University of Oxford		From a volume of views of Oxford which also served as a sophisticated guide book.	30	£30	mounted	Print	Oxford	General Views						
4223		Henry Slatter	Radcliffe Infirmary	Aquatint	Published Oxford, Munday and Slatter, c. 1824			I 80 x 108 mm	Views of All the Colleges, Halls and Public Buildings in the University of Oxford		From a volume of views of Oxford which also served as a sophisticated guide book.	40	£40	mounted	Print	Oxford	General Views						
4224		Henry Slatter	All Saints’ Church, & C.	Aquatint	Published Oxford, Munday and Slatter, c. 1824			I 80 x 108 mm	Views of All the Colleges, Halls and Public Buildings in the University of Oxford		From a volume of views of Oxford which also served as a sophisticated guide book.	30	£30	mounted	Print	Oxford	Oxford Churches						
4226		Henry Slatter	The Schools	Aquatint	Published Oxford, Munday and Slatter, c. 1824			I 80 x 108 mm	Views of All the Colleges, Halls and Public Buildings in the University of Oxford		From a volume of views of Oxford which also served as a sophisticated guide book.	35	£35	mounted	Print	Oxford	Bodleian Library						
4227		Henry Slatter	St. Mary’s Church	Aquatint	Published Oxford, Munday and Slatter, c. 1824			I 80 x 108 mm	Views of All the Colleges, Halls and Public Buildings in the University of Oxford		From a volume of views of Oxford which also served as a sophisticated guide book.	30	£30	mounted	Print	Oxford	Oxford Churches						
4229		Le Keux	Worcester College from the Provest’s Garden	Steel engraving	Published by J. Parker. Oxford Nov. 1st 1856			364 x 561 mm			Oxford Almanack.	250	£250	framed	Print	Oxford	Worcester College						
4231		Henry Slatter	Entrance to Botanical Garden	Aquatint	Published Oxford, Munday and Slatter, c. 1824			I 80 x 108 mm	Views of All the Colleges, Halls and Public Buildings in the University of Oxford		From a volume of views of Oxford which also served as a sophisticated guide book.	40	£40	mounted	Print	Oxford	Botanic Garden						
4235		Henry Slatter	All Soul’s College (High Street)	Aquatint	Published Oxford, Munday and Slatter, c. 1824			I 80 x 108 mm	Views of All the Colleges, Halls and Public Buildings in the University of Oxford		From a volume of views of Oxford which also served as a sophisticated guide book.	30	£30	mounted	Print	Oxford	All Souls College						
4236		Henry Slatter	All Soul’s College (Radcliffe Square)	Aquatint	Published Oxford, Munday and Slatter, c. 1824			I 80 x 108 mm	Views of All the Colleges, Halls and Public Buildings in the University of Oxford		From a volume of views of Oxford which also served as a sophisticated guide book.	30	£30	mounted	Print	Oxford	All Souls College						
4238		Henry Slatter	Brasenose College	Aquatint	Published Oxford, Munday and Slatter, c. 1824			I 80 x 108 mm	Views of All the Colleges, Halls and Public Buildings in the University of Oxford		From a volume of views of Oxford which also served as a sophisticated guide book.	45	£45	mounted	Print	Oxford	Brasenose College						
4241		Henry Slatter	Corpus Christi College.	Aquatint	Published Oxford, Munday and Slatter, c. 1824			I 80 x 108 mm	Views of All the Colleges, Halls and Public Buildings in the University of Oxford		From a volume of views of Oxford which also served as a sophisticated guide book.	35	£35	mounted	Print	Oxford	Corpus Christi College						
4244		Henry Slatter	Magdalen College	Aquatint	Published Oxford, Munday and Slatter, c. 1824			I 80 x 108 mm	Views of All the Colleges, Halls and Public Buildings in the University of Oxford		From a volume of views of Oxford which also served as a sophisticated guide book.	40	£40	mounted	Print	Oxford	Magdalen College						
4246		Henry Slatter	Wadham College.	Aquatint	Published Oxford, Munday and Slatter, c. 1824			I 80 x 108 mm	Views of All the Colleges, Halls and Public Buildings in the University of Oxford		From a volume of views of Oxford which also served as a sophisticated guide book.	40	£40	mounted	Print	Oxford	Wadham College						
4247		Henry Slatter	Museum.	Aquatint	Published Oxford, Munday and Slatter, c. 1824			I 80 x 108 mm	Views of All the Colleges, Halls and Public Buildings in the University of Oxford		From a volume of views of Oxford which also served as a sophisticated guide book.	30	£30	mounted	Print	Oxford	Oxford Museums						
4251		Henry Slatter	St. John’s College	Aquatint	Published Oxford, Munday and Slatter, c. 1824			I 80 x 108 mm	Views of All the Colleges, Halls and Public Buildings in the University of Oxford		From a volume of views of Oxford which also served as a sophisticated guide book.	40	£40	mounted	Print	Oxford	St. John’s College						
4254		Henry Slatter	Worcester College	Aquatint	Published Oxford, Munday and Slatter, c. 1824			I 80 x 108 mm	Views of All the Colleges, Halls and Public Buildings in the University of Oxford		From a volume of views of Oxford which also served as a sophisticated guide book.	40	£40	mounted	Print	Oxford	Worcester College						
4255		Henry Slatter	Pembroke College	Aquatint	Published Oxford, Munday and Slatter, c. 1824			I 80 x 108 mm	Views of All the Colleges, Halls and Public Buildings in the University of Oxford		From a volume of views of Oxford which also served as a sophisticated guide book.	40	£40	mounted	Print	Oxford	Pembroke College						
4256		Henry Slatter	Front of Christ Church	Aquatint	Published Oxford, Munday and Slatter, c. 1824			I 80 x 108 mm	Views of All the Colleges, Halls and Public Buildings in the University of Oxford		From a volume of views of Oxford which also served as a sophisticated guide book.	45	£45	mounted	Print	Oxford	Christ Church College						
4257		Henry Slatter	Christ Church Canterbury Gate	Aquatint	Published Oxford, Munday and Slatter, c. 1824			I 80 x 108 mm	Views of All the Colleges, Halls and Public Buildings in the University of Oxford		From a volume of views of Oxford which also served as a sophisticated guide book.	45	£45	mounted	Print	Oxford	Christ Church College						
4259		J & H.S Storer	Rewley Abbey	Copper engraving	London Pubd. Nov 1 1821 by Sherwood, Neely & Jones			I 105 x 70 mm	Lascelles’ The University and City of Oxford: Displayed in a Series of Seventy-two Views Drawn and Engraved by J. and H.S. Storer accompanied with a Dialogue, after the manner of Castiglione.			45	£45	mounted	Print	Oxford	General Views						
4263		J & H.S Storer	Oxford Castle	Copper engraving with hand colouring	London Pubd. Nov 1 1821 by Sherwood, Neely & Jones			I 70 x 100 mm				45	£45	mounted	Print	Oxford	Oxford Castle						
4266		J & H.S Storer	Christ Church Walk	Copper engraving	London Pubd. Nov 1 1821 by Sherwood, Neely & Jones			I 105 x 70 mm	Lascelles’ The University and City of Oxford: Displayed in a Series of Seventy-two Views Drawn and Engraved by J. and H.S. Storer accompanied with a Dialogue, after the manner of Castiglione.			45	£45	mounted	Print	Oxford	Christ Church College						
4267		J & H.S Storer	Balliol College	Copper engraving	London Pubd. Nov 1 1821 by Sherwood, Neely & Jones			I 105 x 70 mm	Lascelles’ The University and City of Oxford: Displayed in a Series of Seventy-two Views Drawn and Engraved by J. and H.S. Storer accompanied with a Dialogue, after the manner of Castiglione.			45	£45	mounted	Print	Oxford	Balliol College						
4268		J & H.S Storer	Wadham College (from Trinity College Garden)	Copper engraving	London Pubd. Nov 1 1821 by Sherwood, Neely & Jones			I 105 x 70 mm	Lascelles’ The University and City of Oxford: Displayed in a Series of Seventy-two Views Drawn and Engraved by J. and H.S. Storer accompanied with a Dialogue, after the manner of Castiglione.			45	£45	mounted	Print	Oxford	Wadham College						
4272		J & H.S Storer	Exeter College	Copper engraving	London Pubd. June 1 1821 by Dherwood, Neely & Jones			I 97 x 79 mm	Lascelles’ The University and City of Oxford: Displayed in a Series of Seventy-two Views Drawn and Engraved by J. and H.S. Storer accompanied with a Dialogue, after the manner of Castiglione.			25	£25	mounted	Print	Oxford	Exeter College						
4275		J & H.S Storer	St Peters Church	Copper engraving	London Pubd. June 1 1821 by Dherwood, Neely & Jones			I 97 x 79 mm	Lascelles’ The University and City of Oxford: Displayed in a Series of Seventy-two Views Drawn and Engraved by J. and H.S. Storer accompanied with a Dialogue, after the manner of Castiglione.			45	£45	mounted	Print	Oxford	St. Edmund Hall						
4276		J & H.S Storer	Methodists Chapel	Copper engraving	London Pubd. June 1 1821 by Dherwood, Neely & Jones			I 97 x 79 mm	Lascelles’ The University and City of Oxford: Displayed in a Series of Seventy-two Views Drawn and Engraved by J. and H.S. Storer accompanied with a Dialogue, after the manner of Castiglione.			45	£45	mounted	Print	Oxford	Oxford Churches						
4277		J & H Storer	New Inn Hall	Copper engraving	London Pubd. June 1 1821 by Dherwood, Neely & Jones			I 97 x 79 mm	Lascelles’ The University and City of Oxford: Displayed in a Series of Seventy-two Views Drawn and Engraved by J. and H.S. Storer accompanied with a Dialogue, after the manner of Castiglione.			45	£45	mounted	Print	Oxford	St. Peter’s College						
4280		J & H Storer	Canterbury Gate	Steel engraving	London Pubd. Oct 1 1821 by Sherwood, Neely & Jones			I 105 x 90 mm	Lascelles’ The University and City of Oxford: Displayed in a Series of Seventy-two Views Drawn and Engraved by J. and H.S. Storer accompanied with a Dialogue, after the manner of Castiglione.			45	£45	mounted	Print	Oxford	Christ Church College						
4281		J & H Storer	Anatomical Scool	Copper engraving	London Pubd. Oct 1 1821 by Sherwood, Neely & Jones			I 105 x 90 mm	Lascelles’ The University and City of Oxford: Displayed in a Series of Seventy-two Views Drawn and Engraved by J. and H.S. Storer accompanied with a Dialogue, after the manner of Castiglione.			25	£25	mounted	Print	Oxford	Christ Church College						
4282		J & H.S Storer	View from Trinity College	Copper engraving	London Pubd. June 1 1821 by Dherwood, Neely & Jones			101 x 70 mm	Lascelles’ The University and City of Oxford: Displayed in a Series of Seventy-two Views Drawn and Engraved by J. and H.S. Storer accompanied with a Dialogue, after the manner of Castiglione.			25	£25	mounted	Print	Oxford	Trinity College						
4284		J & H Storer	Worcester College (from High Bridge)	Copper engraving	London Pubd. June 1 1821 by Dherwood, Neely & Jones			101 x 70 mm	Lascelles’ The University and City of Oxford: Displayed in a Series of Seventy-two Views Drawn and Engraved by J. and H.S. Storer accompanied with a Dialogue, after the manner of Castiglione.			45	£45	mounted	Print	Oxford	Worcester College						
4287		J. Le Keux after F. Mackenzie	Brazen Nose College Chapel	Steel engraving	Published April. 1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 143 x 92mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	30	£30	mounted	Print	Oxford	Brasenose College						
4288		J. Le Keux after F. Mackenzie	Proscholium to the Divinity School	Steel engraving	Published April. 1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 143 x 92mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	30	£30	mounted	Print	Oxford	Bodleian Library						
4289		J. Le Keux after F. Mackenzie	The Quadrangle of Pembroke College	Steel engraving	Published April. 1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 143 x 92mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	30	£30	mounted	Print	Oxford	Pembroke College						
4291		J. Le Keux after F. Mackenzie	St Mary’s Hall	Steel engraving	Published Feby. 1st 1837 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	38	£38	mounted	Print	Oxford	Oriel College						
4294		J. Le Keux after F. Mackenzie	The Divinity School & Part of the Bodleian Library	Steel engraving	Published Jany. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40.00	£40		Print	Oxford	Bodleian Library						
4296		J. Le Keux after F. Mackenzie	Wadham College	Steel engraving with hand colouring	Published July 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 135 x 95 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40	mounted	Print	Oxford	Wadham College						
4298		J. Le Keux	Quadrangle of the Schools	Steel engraving	Published June 1st 1836 by J. H. Parker , Oxford, C. Tilt Fleet St. London & J. Le Keux Hammondsworth			I 90 x 143 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	45.00	£45	unmounted	Print	Oxford	Bodleian Library						
4299		J. Le Keux after F. Mackenzie	St Aldates Church	Steel engraving	Published Sept. 1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet St. & J. Le Keux, Harmondsworth			I 140 x 95 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40		Print	Oxford	Oxford Churches						
4300		J. Le Keux after F. Mackenzie	Hall & Chapel of University College	Steel engraving	Published Aug. 1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet St. & J. Le Keux, Harmondsworth			I 140 x 95 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40		Print	Oxford	University College						
4301		J. Le Keux after F. Mackenzie	The Hall of Exeter College	Steel engraving with hand colouring	Published Octr. 1st 1836 by J.H. Parker, Oxford, C.Tilt Fleet St. London, & J.LeKeux, Harmondsworth			I 91 x 138 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40.00	£40	mounted	Print	Oxford	Exeter College						
4302		J. Le Keux after F. Mackenzie	The West Front of Magdalen College	Steel engraving with hand colouring	Published Octr. 1st 1836 by J.H. Parker, Oxford, C.Tilt Fleet St. London, & J.LeKeux, Harmondsworth			Image 91 x 138 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40.00	£40	mounted	Print	Oxford	Magdalen College						
4305		J & H.S Storer	Chapel (All Souls College)	Copper engraving	London Pubd. Nov 1 1811 by Sherwood, Neely & Jones			I 105 x 70 mm	Lascelles’ The University and City of Oxford: Displayed in a Series of Seventy-two Views Drawn and Engraved by J. and H.S. Storer accompanied with a Dialogue, after the manner of Castiglione.			45	£45	mounted	Print	Oxford	All Souls College						
4306		J & H.S Storer	All Souls College	Copper engraving	London Pubd. Nov 1 1811 by Sherwood, Neely & Jones			I 105 x 70 mm	Lascelles’ The University and City of Oxford: Displayed in a Series of Seventy-two Views Drawn and Engraved by J. and H.S. Storer accompanied with a Dialogue, after the manner of Castiglione.			35	£35	mounted	Print	Oxford	All Souls College						
4310		J & H.S Storer	St Mary’s Church	Copper engraving	London Pubd. Nov 1 1821 by Sherwood, Neely & Jones			I 105 x 70 mm	Lascelles’ The University and City of Oxford: Displayed in a Series of Seventy-two Views Drawn and Engraved by J. and H.S. Storer accompanied with a Dialogue, after the manner of Castiglione.			45	£45	mounted	Print	Oxford	Oxford Churches						
4311		J. Le Keux after F. Mackenzie	The Bodleian Library	Steel engraving	Published Jany. 1st 1836 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40.00	£40		Print	Oxford	Bodleian Library						
4314		J. Le Keux after F. Mackenzie	The Great Quadrangle, Christ Church	Steel engraving with hand colouring	Published Jan.1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	45	£45	mounted	Print	Oxford	Christ Church College						
4316		O. Jewitt	Entrance Gateway, New College	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			Image 110 x 75 mm	Ingrams’ Memorials of Oxford			25	£25	mounted	Print	Oxford	New College						
4317		O. Jewitt	The Chapel and Tower from the Slipe - New College	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			25	£25	mounted	Print	Oxford	New College						
4319		O. Jewitt	The Chapel from the Garden - Wadham College	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Wadham College						
4320		O. Jewitt	The Broad Walk	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			25	£25	mounted	Print	Oxford	Christ Church College						
4321		O. Jewitt	Hall & c; from Exeter Lane - Exeter College	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			Image 75 x 55 mm	Ingrams’ Memorials of Oxford			25	£25	mounted	Print	Oxford	Exeter College						
4322		O. Jewitt	Chapel from the Garden - Balliol College	Wood engraving	circa 1830			I 110 x 80 mm	Ingrams’ Memorials of Oxford			25	£25	mounted	Print	Oxford	Balliol College						
4323		O. Jewitt	Arcade of the Western Wing; Rebuilt after the Fire of 1778 - Queens College	Wood engraving	circa 1830			I 110 x 80 mm	Ingrams’ Memorials of Oxford			25	£25	mounted	Print	Oxford	Queen’s College						
4324		O. Jewitt	The New Library - Exeter College	Wood engraving	circa 1830			I 110 x 80 mm	Ingrams’ Memorials of Oxford			25	£25	mounted	Print	Oxford	Exeter College						
4325		O. Jewitt	Turner’s New Building - Corpus Christi College	Wood engraving	circa 1830			I 110 x 80 mm	Ingrams’ Memorials of Oxford			25	£25	mounted	Print	Oxford	Corpus Christi College						
4326		O. Jewitt	The Bodleian Library from Exeter College Garden	Wood engraving	circa 1830			I 110 x 80 mm	Ingrams’ Memorials of Oxford			25	£25	mounted	Print	Oxford	Bodleian Library						
4327		O. Jewitt	Part of the College from Market Lane - Jesus College	Wood engraving	circa 1830			I 97 x 80 mm	Ingrams’ Memorials of Oxford			15	£15	mounted	Print	Oxford	Jesus College						
4329		O. Jewitt	The Hall & c. from Holywell - Wadham College	Wood engraving	circa 1830			I 110 x 80 mm	Ingrams’ Memorials of Oxford			25	£25	mounted	Print	Oxford	Wadham College						
4336		O. Jewitt	Hall; Tower Gateway - Brasenose College	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Brasenose College						
4338		O. Jewitt	The Library From Exeter College Garden	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Exeter College						
4339			Love and Opportunity	Copper engraving	London, printed for Robert Sayer, Map & Printseller, no. 53 in Fleet Street. Published as the Act directs 1 Sepr 1768.			I 230 x 335 mm, S 243 x 345 mm			British Museum satires 4249	280	£280	mounted	Print	General Interest	Satires						
4340			A Dilly setting out from Kings Place with a Guard	Etching with hand colouring	Published by ___ Oxford Street, Dec. 14 1787			I 225 x 295 mm			Inscription reads: “Takes in passengers at the Coney Inn, Petticoat Lane, and for the convenience of the Citizens of London, takes them up at Labour-in-Vain Hill ...”	500	£500	mounted	Print	General Interest	Satires						
4341		Thomas Rowlandson	Procession to the Hustings after a successful Canvas. No. 14.	Etching	London Published April 30th 1784 by G. Humphrey			I 229 x 334 mm, Pl 237 x 346 mm, S 247 x 358 mm			British Museum satires 6564Shows the Dutchess of Devonshire and other supporters of Charles James Fox.	300	£300	mounted	Print	General Interest	Satires						
4342		Thomas Rowlandson after Woodward	A Mistake at New-Market [Newmarket], or Sport and Piety	Etching with hand colouring	Published by Thomas Tegg, No. 111 Cheapside, October 5 1807			I 320 x 225 mm			Horse racing.	360	£360	mounted	Print	General Interest	Satires						
4343		George Cruickshank	A Peep at the Plenipo - !!!	Etching	London Pub Jan 1794 by J W Fores No. 3 Picadilly			I 370 x 295 mm				285	£285	mounted	Print	General Interest	Satires						
4344			Lofty Riding, or Miss Folly’s Head Exalted	Mezzotint with hand colouring	Printed for & sold by Carrington Bowles at his Map & Print Warehouse, No. 69 in St. Paul’s Church Yard, London. C. 1790			I 250 x 330 mm			British Museum satires no. 3786.	1000	£1,000	mounted	Print	General Interest	Satires						
4345		O. Jewitt	North Front of the Theatre	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			25	£25	mounted	Print	Oxford	Sheldonian Theatre						
4346		O. Jewitt	[River and Punts]	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			25	£25	mounted	Print	Oxford	General Views						
4347		O. Jewitt	Corpus Christi College - Cloister, Chapel, Library	Wood engraving	circa 1830			I 110 x 80 mm	Ingrams’ Memorials of Oxford			15	£15	mounted	Print	Oxford	Corpus Christi College						
4350		O. Jewitt	Hall, Chapel & c. on the Site of Bedell Hall	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 55 x 63 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Oriel College						
4351		O. Jewitt	Worcester College - Front of the College	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Worcester College						
4352		O. Jewitt	View from Magpie Lane - St Mary Hall	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Oriel College						
4353		O. Jewitt	The Danby Gate - The Botanic Garden	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Botanic Garden						
4354		O. Jewitt	The Front and Lodgings before the late alterations - Pembroke College	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Pembroke College						
4355		O. Jewitt	The Warden’s Lodgings - Wadham College	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Wadham College						
4356		O. Jewitt	St John’s College - Interior of the old Quadrangle	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	St. John’s College						
4357		O. Jewitt	Trinity College - the Old Chapel from Loggan 1675	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			12	£12	mounted	Print	Oxford	Trinity College						
4358		O. Jewitt	Trinity College - The President’s Lodgings	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			Image 60 x 74 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Trinity College						
4359		O. Jewitt	The Hall - Trinity College	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Trinity College						
4360		O. Jewitt	Chapel and Library - St Edmund Hall	Wood engraving	circa 1830			I 110 x 80 mm	Ingram’s Memorials of Oxford			15	£15	mounted	Print	Oxford	St. Edmund Hall						
4361		O. Jewitt	View from the Garden - Worcester College	Wood engraving	circa 1830			I 110 x 80 mm	Ingram’s Memorials of Oxford			15	£15	mounted	Print	Oxford	Worcester College						
4364		O. Jewitt	The Hall - Pembroke College	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Pembroke College						
4365		O. Jewitt	Summertown Church	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Oxford Churches						
4366		O. Jewitt	Holywell Mill	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 50 x 70 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	General Views						
4367		O. Jewitt	The New Building	Wood engraving	circa 1830			I 110 x 80 mm	Ingrams’ Memorials of Oxford			25	£25	unmounted	Print	Oxford	Balliol College						
4368		O. Jewitt	Exterior of the Library - Queen’s College	Wood engraving	circa 1830			I 110 x 80 mm	Ingrams’ Memorials of Oxford			25	£25	mounted	Print	Oxford	Queen’s College						
4369		O. Jewitt	North View of Bocardo, 1770 - St Michael’s Church	Wood engraving	circa 1830			I 110 x 80 mm	Ingrams’ Memorials of Oxford			25	£25	mounted	Print	Oxford	Oxford Churches						
4370		O. Jewitt	The Vestibule - The Radcliffe Library 	Wood engraving	circa 1830			I 110 x 80 mm	Ingrams’ Memorials of Oxford			15	£15	mounted	Print	Oxford	Radcliffe Camera						
4371		O. Jewitt	View from the New Road - Oxford Castle	Wood engraving	circa 1830			Image 85 x 50 mm	Ingrams’ Memorials of Oxford			15	£15	mounted	Print	Oxford	General Views						
4374		O. Jewitt	New Church at Littlemore	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Oxford Churches						
4375		O. Jewitt	Music Room	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	From Ingram’s Memorials of Oxford		Holywell Music Room	15	£15	mounted	Print	Oxford	General Views						
4376		J. Parker after Northcote	The Pulse	Stipple	Publish’d Febt. 17th 1786 by John Harris, Sweetings Alle, Cornhill, London.			I 300 mm circular, Pl. 390 x 345 mm			Illustration of a scene from Lawrence Sterne’s Sentimental Journey	250.00	£250	mounted	Print	Fine Prints	Stipple						
4379		O. Jewitt	The Crypt - St Peter’s in the East	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	St. Edmund Hall						
4380		O. Jewitt	Part of the Library from the Garden - Hertford College	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Hertford College						
4381		O. Jewitt	Front of Hertford College; 1819	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Hertford College						
4382		J. Parker after Northcote	Sterne conducting Maria onto Moulines	Stipple	Publish’d Febt. 17th 1786 by John Harris, Sweetings Alle, Cornhill, London.			I 300 mm circular, Pl. 390 x 345 mm			Illustration of a scene from Lawrence Sterne’s Sentimental Journey	250.00	£250	mounted	Print	Fine Prints	Stipple						
4383		J. Le Keux after F. Mackenzie	General View from Merton Fields	Steel engraving with hand colouring	Published Jany. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35	£35	mounted	Print	Oxford	General Views						
4385		J. Le Keux after F. Mackenzie	Magdalen Church, From St. Gile’s 	Steel engraving	Published April. 1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 143 x 92mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	30	£30	mounted	Print	Oxford	Oxford Churches						
4387		Henry Slatter	Wesleyan Chapel	Aquatint	Published Oxford, Munday and Slatter, c. 1824			I 80 x 108 mm	Views of All the Colleges, Halls and Public Buildings in the University of Oxford		From a volume of views of Oxford which also served as a sophisticated guide book.	45	£45	mounted	Print	Oxford	Oxford Churches						
4400		J & H.S Storer	Wadham College 	Copper engraving	London Pubd. Nov 1 1821 by Sherwood, Neely & Jones			I 105 x 70 mm	Lascelles’ The University and City of Oxford: Displayed in a Series of Seventy-two Views Drawn and Engraved by J. and H.S. Storer accompanied with a Dialogue, after the manner of Castiglione.			45	£45	mounted	Print	Oxford	Wadham College						
4401		J & H.S. Storer	Brasenose College.	Copper engraving	London Pubd. Sep. 1 1821			I 43 x 101 mm	Lascelles’ The University and City of Oxford: Displayed in a Series of Seventy-two Views Drawn and Engraved by J. and H.S. Storer accompanied with a Dialogue, after the manner of Castiglione.			40	£40	mounted	Print	Oxford	Brasenose College						
4402		O. Jewitt	Library & c. From New College	Wood engraving	circa 1830			I 110 x 80 mm	Ingrams’ Memorials of Oxford			25	£25	mounted	Print	Oxford	New College						
4404		O. Jewitt	General Plan of the Castle	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Oxford Castle						
4408		O. Jewitt	Radcliffe Camera from Brasenose 	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Radcliffe Camera						
4409		J & H.S Storer	St Gile’s Church	Copper engraving	London Pubd. Nov 1 1821 by Sherwood, Neely & Jones			I 105 x 70 mm	Lascelles’ The University and City of Oxford: Displayed in a Series of Seventy-two Views Drawn and Engraved by J. and H.S. Storer accompanied with a Dialogue, after the manner of Castiglione.			45	£45	mounted	Print	Oxford	Oxford Churches						
4417		O. Jewitt	[Christchurch]	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Christ Church College						
4419		H. Winkles after Tombleson	View from Richmond Hill	Steel engraving	Published by Tombleson & Compy., 11 Paternoster Row, London, c. 1841			I 150 X 190 mm	Tombleson's Views of the Thames and Medway			25	£25	mounted	Print	British Topography	Surrey						
4422		J. Cox after Tombleson	View near Battersea	Steel engraving	Published by Tombleson & Compy., 11 Paternoster Row, London, c. 1841			I 150 X 190 mm	Tombleson's Views of the Thames and Medway			25	£25	mounted	Print	British Topography	London						
4425		H. Winkles after Tombleson	Vauxhall Bridge	Steel engraving	Published by Tombleson & Compy., 11 Paternoster Row, London, c. 1841			I 150 X 190 mm	Tombleson's Views of the Thames and Medway			25	£25	mounted	Print	British Topography	London						
4427		H. Winkles after Tombleson	Eton College 	Steel engraving	Published by Tombleson & Compy., 11 Paternoster Row, London, c. 1841			I 150 X 190 mm	Tombleson's Views of the Thames and Medway			25	£25	mounted	Print	British Topography	Berkshire						
4433		J. Le Keux after F. Mackenzie	New Inn Hall	Steel engraving	Published July. 1st 1836 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	20	£20	mounted	Print	Oxford	St. Peter’s College						
4442		J. Cox after Tombleson	Oxford	Steel engraving	Published by Tombleson & Compy., 11 Paternoster Row, London, c. 1841			I 150 X 190 mm	Tombleson's Views of the Thames and Medway			40	£40	mounted	Print	Oxford	General Views						
4445		Rock & Co.	All Souls College, Oxford (Inner Quadrangle.)	Steel engraving	Rock & Co. London April 20th 1850			I 60 x 88 mm				30	£30	framed	Print	Oxford	All Souls College						
4454		Rock & Co.	High Street, Oxford	Steel engraving	Rock & Co. c. 1851			I 55 x 86 mm				40	£40	mounted	Print	Oxford	High Street Views						
4461		J. Le Keux after Fisher	Plan of the University and City of Oxford	Steel engraving	Published July. 1st 1836 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			188 x 147 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	30	£30	mounted	Map	Oxford	Oxford Maps						
4462		Unknown	1. Dodo 2. Ostrich	Copper engraved	Published by Nullall Fisher & Diran Liverpool b3 67			I. 108 x 188 mm				27	£27	mounted	Print	General Interest	Birds						
4464		T. Milton after Syd Edwards	Ornithology Plate II	Copper engraving	Published as the act directs June 1 1805 by Longman Hurst Rees & Orme Paternose Row			I. 205 x 266 mm				85	£85	unmounted	Print	General Interest	Birds						
4468		Parr after James Seyour	The Portraiture of Old Cartouch the Property of the late Sr. William Morgan Kt. of the Bath	Engraving	Published according to the Act of Parliament 1753			I. 305 x 305 mm				650.00	£650	framed	Print	Sports	Horse Racing						
4469		Fredrick Albert Slocombe	Trout Fishing	Etching	Published 1 March 1889 by the Fine Art Society			I: 367  x 572mm; Pl.: 417 x 607mm				750.00	£750	framed	Print	Sports	Fishing						
4470		D. Havell after Robert Havell	Abingdon Bridge and Church	Aquatint	1812			I: 13 7/8” x 19 1/2”	A Series of Picturesque Views of the River Thames			550.00	£550	framed	Print	British Topography	Oxfordshire						
4473		John Raphael Smith after Richard Cosway	Europa	Mezzotint	Published by John Boydell December 1776			I: 266 x 380mm; Pl: 277 x 382mm			Chaloner Smith (not recorded), Frankau -- J.R. Smith129 i/i, D’Oench 84The painting was exhibited at the RA in 1775	800.00	£800	framed	Print	General Interest	Early Mezzotints						
4475		J. T.	[Tom Tower]	Pen and Ink drawing	Dec 8th 1847			I 265 x 212 mm				140	£140	mounted	Print	Oxford	Christ Church College						
4478		O. Jewitt	Chapel attached to the South Aisle and transept (Christchurch)	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Christ Church College						
4480		Kitchin, Thomas 	Oxfordshire. Drawn from a survey and regulated by Astron.l Observatns	Copper engraved	1769			I 202 x 168 mm				70	£70	mounted	Map	English Counties	Oxfordshire						
4489		John William Edy after Lt. Col. Robert Hyde Colebrooke	East View of Seringapatan	Aquatint	London, Pub.d March 1. 1793 for the Proprietor by Mr Thomson No. 22 Great Marylebone Street			I 410 x 555 mm; Pl. 545 x 570 mm; S. 490 x 665 mm				900	£900	framed	Print	Foreign Topography	India						
4490		Henri Merke after Capt. Thomas Williamson	Killing Game in Boats / Chasse au Gibier en Bateaux	Lithograph with hand colouring	Published and sold September 1st 1806 by Edw.s Orme, Printseller to His Majesty 59, Bond Street, London			I 435 x 329 mm				340	£340	mounted	Print	Foreign Topography	India						
4491		John William Edy after Lt. Col. Robert Hyde Colebrooke	N.W. View of Seringapatam	Aquatint	London Pub.d April 1. 1793, for the Proprietor by Mr Thomson, No. 22, Great Marylebone Street			I 420 x 560 mm; S. 480 x 650 mm				900	£900	framed	Print	Foreign Topography	India						
4501		S. Sparrow after J. Burford	Corpus Christi; or Bene’t College	Copper engraving	1815			S 465 x 325 mm	Cambridge University Almanack			190	£190	unmounted	Print	 Cambridge	Corpus Christi College Cambridge						
4502		S. Sparrow after J. Burford	Magdalene College	Copper engraving	1820			S 465 x 325 mm	Cambridge University Almanack		Repaired tear in lower left margin.	180	£180	unmounted	Print	 Cambridge	Magdalen College Cambridge						
4505		Sparrow after Baldrey	Cambridge University Almanack 1801, Trinity College Library	Copper engraving with hand colouring	1801			I 453 x 308 mm				200	£200	mounted	Print	 Cambridge	Trinity College Cambridge						
4506		J. F. Dessiou, R.N. 	West View of Torquay, Taken from a House near the Bathing House in the Year 1819	Aquatint with engraving	London Published for the Subscribers, by I.F. Dessiou, June 1st 1820			I 298 x 473 mm; Pl. 360 x 525 mm; S. 580 x 413 mm			Somers-Cocks 3204	600	£600	mounted	Print	British Topography	Devon						
4507		J. F. Dessiou, R.N.	East View of Torquay, Taken from Ms Cowells Greenhouse in the Year 1819	Aquatint with engraving	London Published for the subscribers, by  I.F. Dessiou, June 1st 1820 			I 298 x 473 mm; Pl. 360 x 525 mm; S 580 x 413 mm			Somers-Cocks 3255	200	£200	mounted	Print	British Topography	Devon						
4508		Sparrow after Burford	Kings College Old Building. Cambridge	Copper engraving with hand colouring	Published by J. Dighton & Sons, Cambridge circa 1820			I 414 x 279 mm				200	£200	mounted	Print	 Cambridge	King’s College Cambridge						
4509		Tombleson after Bartlett	Gisborne Court, St. Peters College	Copper engraving with hand colouring	circa 1820			I 429 x 278 mm				200	£200	mounted	Print	 Cambridge	Peterhouse						
4510			St John’s College Cambridge	Lithograph	circa 1840			I 339 x 278 mm				65	£65	mounted	Print	 Cambridge	St. John’s College Cambridge						
4511		Edward Challis after G. Dodgson	Cambridge University Almanack , 1841	Steel engraving with hand colouring	1841			I 409 x 281 mm				250	£250	mounted	Print	 Cambridge	Cambridge General Views						
4512			The Cathedral Church of Chester	Copper engraving	circa 1800			I 560 x 415 mm				150	£150	mounted	Print	British Topography	Cheshire						
4513		S. Sparrow after J. Burford	Cambridge University Almanack 1819, St John’s College	Copper engraving with hand colouring	1819			I 432 x 271 mm				200	£200	mounted	Print	 Cambridge	St. John’s College Cambridge						
4514		S. Sparrow after J. Burford	Cambridge University Almanack 1822. Kings College Old Building	Copper engraving	1822			I 417 x 278 mm				150	£150	mounted	Print	 Cambridge	King’s College Cambridge						
4517		M & N Hanhart after Hugh Thompson	Whitfield Church, Glossop	Lithograph with hand colouring	circa 1860			I 416 x 302 mm				200	£200	mounted	Print	British Topography	Derbyshire						
4519		Francis Jukes	Dover. Shakespeare Cliff, Fort Amherst, from the Pier	Aquatint	London, Pub.d, Decr. 1801 by F. Jukes Howland Street			I 380 x 560 mm; Pl. 440 x 575 mm; S 465 x 610 mm				400	£400	mounted	Print	British Topography	Kent						
4520		John Bluck after John William Upham	Wyke and Portland	Aquatint	Published July 1821 by J.W. Upham, Weymouth			I 387 x 277 mm			Abbey Scenery 340, 9	320	£320	mounted	Print	British Topography	Dorset						
4523		Seller, John	Derbyshire	Copper engraving	1777			I. 143 x 203 mm				100	£100	framed	Map	English Counties	Derbyshire						
4525		Seller, John	Gloucestershire	Copper engraving	1777			I. 143 x 203 mm				94	£94	framed	Map	English Counties	Gloucestershire						
4535		M. A. Rooker	Corpus Christi College from the Fields	Copper engraving	Published 1781			I 450 x 295 mm	Oxford Almanack 1781			120	£120	mounted	Print	Oxford	Corpus Christi College						
4536		Clough Bromley	Boulters to London 501/2 Miles to Oxford 61 Miles	Etching	Published May 1, 1881 by Leggatt  Bros. 62, Cheapside London E.C.			I 456 x 305 mm			Near Maidenhead	180	£180	mounted	Print	British Topography	Berkshire						
4539		Jonathan Brett	Azrael’s Gate	Giclee print	2006							125	£125	framed	Print	Contemporary Oxford Printmakers	Jonathan Brett						
4540		Jonathan Brett	Shadows Fall	Giclee print	2006							80	£80	unmounted	Print	Contemporary Oxford Printmakers	Jonathan Brett						
4541		Jonathan Brett	Twilight Beckons	Giclee print	2006							80	£80	unmounted	Print	Contemporary Oxford Printmakers	Jonathan Brett						
4542		Jonathan Brett	Dark Rising	Giclee print	2006							80	£80	unmounted	Print	Contemporary Oxford Printmakers	Jonathan Brett						
4545		William Williams	Collegium Aenei Nasi (Brase Nose)	Copper engraving	1732-33			I 444 x 355 mm	Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 1732-33		Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. 	200	£200	mounted	Print	Oxford	Brasenose College						
4546		John Boydell	A North East View of Blenheim House and Park in the County of Oxford	Copper engraving with hand colouring	Publish’d according to Act of Parliament by John Boydell Engraver at the Unicorn, the corner of Queen Street, in Cheapside, London Price 1, 1750			I 425 x 239 mm				275	£275	mounted	Print	British Topography	Oxfordshire						
4550		Carl Rundt	Tom-Gate and Tower of Christ-Church	Lithograph	1846			I 342 x 288 mm				550	£550	mounted	Print	Oxford	Christ Church College						
4551		David Loggan	[Sheldonian Theater, Two Views]	Copper engraving	Sold by Henry Overton at ye White Horse without Newgate London, 1724			 I 370 x 530 mm, Pl 402 x 507 mm each	From Kip’s Nouveau theatre de la Grande Bretagne: ou Description exacte des palais de la reine, et des maisons les plus considerables des seigneurs & des gentilshommes de la Grande Bretagne, etc. 		Another version of Loggan’s views of the Sheldonian Theatre from 1675.  These differ in that they are slighty larger.	1250.00	£1,250	mounted	Print	Oxford	Sheldonian Theatre						
4552		M. A. Rooker	A View of St Gile’s with part of St John’s College	Copper engraving	Published 1779			I 450 x 295 mm	Oxford Almanack 1781			275	£275	mounted	Print	Oxford	General Views						
4553		Blome, Richard	A Map of Worchestershire with its Hundreds	Copper engraving with hand colouring	London Printed for Ric. Blome, circa 1773			I 318 x 263 mm			Blome was one of the most active map-publishers of his day, working between about 1667 and 1705.  His principal publications are the 'Geographical Description of the World', and two county atlases, the 'Britannia', published in 1673, and 'Speed's Maps Epitomiz'd', published in 1681. Blome first began engraving maps for his Geographical Description Of The Four Parts Of The World in 1667. The completed volume was in small folio, and contained 24 maps (plus one duplicated), engraved by Francis Lamb, Thomas Burnford and Wenceslas HollarBlome has been heavily criticised as a plagiarist, but he lacked the capital to be innovative (as indeed did virtually all his contemporaries), and his output filled an important gap in the market.  The 'Geographical Description' was the first new, and uniformly assembled, folio world atlas to be published in London since 1627, while the next folio world atlases appeared in the decade 1710-1720  	250	£250	framed	Map	English Counties	Worcestershire						
4555		Seller / Grose	Hertfordshire	Copper engraving with hand colouring	circa 1700			I 120 x 145 mm				55	£55	framed	Map	English Counties	Hertfordshire						
4556		Moule, Thomas	Durham	Copper engraving with hand colouring	circa 1845			255 x 191 mm				75	£75	mounted	Map	English Counties	Durham						
4557		Morden, Robert 	Map of Wiltshire	Copper engraving with hand colouring	1722			I 409 x 341 mm				250	£250	framed	Map	English Counties	Wiltshire						
4558		Speed, John	Buckinghamshire	Copper engraving with hand colouring	1646			I 510 x 380 mm  	From Speed’s ‘Theatre of the Empire of Great Britaine’		Speed (1552-1629) is the most famous of all English cartographers primarily as a result of The Theatre of the Empire of Great Britaine, the first atlas of the British Isles. The maps from this atlas are the best known and most sought-after of all county maps. The maps were derived mainly from the earlier prototypes of Christopher Saxton and Robert Norden but with notable improvements including parish "Hundreds" and county boundaries, town plans and embellishments such as the coats of arms of local Earls, Dukes, and the Royal Household. The maps are famed for their borders consisting of local inhabitants in national costume and panoramic vignette views of major cities and towns. An added feature is that regular atlas copies have English text printed on the reverse, giving a charming description of life in the early seventeenth century of the region. The overall effect produced very decorative, attractive and informative maps. For the publication of this prestigious atlas Speed turned to the most successful London print-sellers of the day, John Sudbury and George Humble. William Camden introduced the leading Flemish engraver, Jodocus Hondius Sr. to John Speed in 1607 because first choice engraver William Rogers had died a few years earlier. Work commenced with the printed proofs being sent back and forth between London and Amsterdam for correction and was finally sent to London in 1611 for publication. The work was an immediate success and the maps themselves being printed for the next 150 years. Speed was born in 1552 at Farndon, Cheshire. Like his father before him he was a tailor by trade, but around 1582 he moved to London. During his spare time Speed pursued his interests of history and cartography and in 1595 his first map of Canaan was published in the "Biblical Times". This raised his profile and he soon came to the attention of poet and dramatist Sir Fulke Greville a prominent figure in the court of Queen Elizabeth. Greville as Treasurer of the Royal Navy gave Speed an appointment in the Customs Service giving him a steady income and time to pursue cartography.  Through his work he became a member of such learned societies as the Society of Antiquaries and associated with the likes of William Camden Robert Cotton and William Lambarde. He died in 1629 at the age of seventy-seven.	950	£950	framed	Map	English Counties	Buckinghamshire						
4559		G. Smith	A Map of the counties Adjacent to Carlisle showing the Route of the Rebels with their principal Fords over ye Rr. Eden.	Copper engraving	1748			I.265 x 198 mm				50	£50	unmounted	Print	General Interest	Jacobite						
4560		Giovanni Battista Piranesi	Veduta della Gran Curia Innocenziana	Copper engraving	circa 1750			I 610 x 398 mm				850	£850	unmounted	Print	Artists	Giovanni Battista Piranesi						
4561		Rossini	Veduta della Piramide di C.Cestio	Copper engraving	Roma 1822			I 594 x 418 mm				500	£500	unmounted	Print	Foreign Topography	Italy						
4562		Giovanni Battista Piranesi	Veduta della Villa dell Emo Sig Card Alesandro Albani fuori di Porta Salaria	Copper engraving	circa 1750			I 690 x 435 mm				1500	£1,500	framed	Print	Artists	Giovanni Battista Piranesi						
4564		Rossini	Veduta dell Interno del Tempio di Claudio in aggi S. Stefano Rotondo, sul Monte Celio	Copper engraving	Roma 1822			I 450  x 320 mm				250	£250	unmounted	Print	Foreign Topography	Italy						
4565		Luigi Rossini	Veduta dell’ Avanzo dell’ Anfiteatro Castrense	Copper engraving	Roma 1822			I 594 x 418 mm	From Le antichita romane: ossia raccolta delle piu interessanti vedute di Roma antica			275	£275	unmounted	Print	Foreign Topography	Italy						
4566		Ferd Perrot	Brest	Lithograph	c1830			I 630 x 410 mm				400	£400	mounted	Print	Foreign Topography	France						
4567		Rossini	Veduta del Castello dell’acqua Giulia, secondo lo scavo fatto in quest’anno 1822. nella Via Tiburtina	Copper engraving	Roma 1822			I 445 x 337 mm				200	£200	mounted	Print	Foreign Topography	Italy						
4568		F. Vivares after T. Smith	Kenilworth Castle from the South Situate between Warwick and Coventry belongs to the Rt. Hon. the Earl of Clarendon & Rochester. To Whom this plate is inscribed by his Lordships most hum serv.t T. Smith	Copper engraving	Published 1769 by J. Boydell Engraver in Cheapside No. 90 J. Bowles in Cornhill No.13 & H. Parker No. 82 in Cornhill, London			I 525 x 360 mm; Pl. 542 x 390 mm; S 630 x 470 mm				250	£250	mounted	Print	British Topography	Warwickshire						
4569		Goldar	William Shakespeare: In the Possession of John Nicoll Esqr. 	Copper engraving	Published as the Act directs Septr. 30 1785			I 195 x 165 mm, Pl. 290 x 195 mm				40	£40	unmounted	Print	Portraits	Literary and Poetic						
4571		Rossini	Veduta del Tempio delle Camene, da altri del Dio Ridicolo - fuori di Porta Latina nella Valle della Caffarella	Copper engraving	Roma 1823			I 605 x 444 mm				400	£400	unmounted	Print	Foreign Topography	Italy						
4572		David Loggan	Johannes Wallis S.T.P. Geometriae Prof. Savilianus Oxon. Reg. Mati. A. Sacris. Regalis Societa. Lond. Socalis					I 241 x 180 mm, Pl. 267 x 188 mm			John Wallis (1616-1703) English Divine, mathematician and logicianAn excellent impression.	120	£120	unmounted	Print	Portraits	Historians, Academics & Philiosophers						
4574		J. Harrison	A Map of Buckinghamshire. engraved from an actual survey: with improvements	Copper engraving	London Engraved for J. Harrison, No. 115, Newgate Street, as the act directs, June 27th, 1788			I 460 x 330 mm				125	£125	mounted	Map	English Counties	Buckinghamshire						
4575		Sutton, Nicholls	Cambridgeshire	Copper engraving	1722 Sold by Abel Swale and Awnsham & John Churchill			I 422 x 356 mm				165	£165	unmounted	Map	English Counties	Cambridgeshire						
4577		Janson	Essexiae Descriptio. The Description of Essex	Copper engraving	circa 1636			I 489 x 376 mm				250	£250	unmounted	Map	English Counties	Essex						
4578		Robert Morden	Cumberland	Copper engraving	c.1708			I 420 x 362 mm			Robert Morden : d. 1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson's revised edition of 'Camden's Brittannia' engraved by Sutton Nichols. William Camden (1551-1623) was a historian and antiquary whose works were reprinted and published over a period of 200 years. The original Latin text was first translated by Gibson in 1695. Morden was employed to replace the outdated maps by Saxton, engraved by Kip and Hole. He based his maps on manuscript sources plus the surveys of Ogilby and Morgan, Seller, Palmer and the coastal charts of Cpt. Greenville Collins. One of his original contributions to cartography was the showing of longitudes measured from the meridian of St. Paul's Cathedral given in the form of time in minutes at the top of the map in Roman numerals and at the bottom in degrees. This was done to clarify local times that were taken from the sun as there was no national standard time. These maps were the first to show the roads based on Ogilby's earlier work of 1675, and included 3 scales to cover the various scales used in different parts of the country	100	£100	unmounted	Map	English Counties	Cumberland						
4581		David Loggan	Tho. Barlow SS. Theol. Dr. Coll. Reg: Praepositus, et Pro D. Margareta  SS. Theol. Professor Publicus.Oxon. A 1672	Copper engraving				I 235 x 167 mm, Pl. 243 x 173 mm			O’Donoghue 1Thomas Barlow (1607-1691) was a British bishop of Lincoln often considered one of the candidates for being the Vicar of Bray, a comic character who appears in a traditional English folk song with that title, as well as a stage play.Barlow was the librarian at Oxford University in 1642, then the provost of Queen's College and then professor of divinity. He was a Calvinist who managed to keep his position through "trimming" (i.e. adjusting his public statements as if adjusting his sails to go with the times). When Charles II was king, Barlow wrote and spoke of natural theology and other non-controversial subjects. In 1675, he became bishop of Lincoln, even though he probably never even visited its cathedral. However, when the Popish Plot occurred in 1678, he thundered condemnation of Catholics and Rome. He supported Titus Oates and other plot finders. When the Roman Catholic-leaning James II became king, Barlow claimed to be entirely happy with the new king and entirely loyal. Then, however, when William and Mary came to the throne and demanded a new oath with hostility toward Rome, Barlow cheerfully took the new oath. Barlow's ability to serenely switch sides to keep his position was the subject of ridicule, and the song The Vicar of Bray was used to taunt him.	80	£80	unmounted	Print	Portraits	Religious and Clerical						
4582		P. Maleuvre after A. Pujos	J. D’Alembert Secretaire perpetuel de l’Acedemie Francoise, membre de l’Aca.ie de Sciences &c.&c.&c.	Copper engraving	c. 1775				I 235 x 170 mm		Jean Le Rond d'Alembert (1717 - 1783)D'Alembert was a pioneer in the study of differential equations and pioneered their use of in physics. He studied the equilibrium and motion of fluids. 	100	£100	unmounted	Print	Portraits	Scientific, Industrial & Medical						
4583		Morden, Robert 	Lincolnshire	Copper engraving	1722			I 420 x 350 mm				135	£135	unmounted	Map	English Counties	Lincolnshire						
4585		Blaeu, Johannes	Comitatus Nottinghamiensis	Copper engraving with hand colouring	circa 1646			I 494 x 377 mm 			Blaeu, Doctor Johannes (c.1599-1673) Born and died in Amsterdam. Collaborated with his father Willem Janszoon and with his brother Cornelis, and ran the business after the death of Willwm. Appointed official cartographer to the East India Company (VOC) in 1638 in sucession to his father. What was left of the company after the fire of 1672 and the deah of Joan in 1673 passed to his son Joan (III), who sold the globemaking part of the business to J. van Keulen. Worked in partnership with his father on Appendix Theatri Ortelii et Atlantis G. Mercatoris, 1631 and Nouvus Atlas, 1634; Wall maps, 1647-1649; Tooneel der Steden van der Vereenighde Nederlanden (Town books of the Netherlands) 1649-1653 Theatrum Orbis Terrarum, publishing six volumes  up to 1655; Atlas Major (11 volumes, known as the Grand Atlas), 1662-1672 in editions with French, Latin, Dutch and Spanish text (often described as the most magnificent work of its kind ever produced); Town plans of Italy 1663. 	175	£175	mounted	Map	English Counties	Nottinghamshire						
4588		Morden, Robert 	Herefordshire	Copper engraved with hand colouring	1722			From Camden's Britannia			Robert Morden : d. 1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson's revised edition of 'Camden's Brittannia' engraved by Sutton Nichols. William Camden (1551-1623) was a historian and antiquary whose works were reprinted and published over a period of 200 years. The original Latin text was first translated by Gibson in 1695. Morden was employed to replace the outdated maps by Saxton, engraved by Kip and Hole. He based his maps on manuscript sources plus the surveys of Ogilby and Morgan, seller, Palmer and the coastal charts of Cpt. Greenville Collins. One of his original contributions to cartography was the showing of longitudes measured from the meridian of St. Paul's Cathedral given in the form of time in minutes at the top of the map in Roman numerals and at the bottom in degrees. This was done to clarify local times that were taken from the sun as there was no national standard time. These maps were the first to show the roads based on Ogilby's earlier work of 1675, and included 3 scales to cover the various scales used in different parts of the country. 			mounted	Map	English Counties	Herefordshire						
4590		Morden, Robert	Leicestershire	Copper engraving with hand colouring	1722 Sold by Abel Swale Awnsham & John Churchill			418 x 362 mm	From Camden’s Britannia		Robert Morden: d.1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson’s revised edition of ‘Camden’s Britannia’ engraved by Sutton Nichols. 	150	£150	mounted	Map	English Counties	Leicestershire						
4592			Le Progres Modes de Paris Pour La Gazette Europeenne des Modes [Designs of Men and Women’s Coats]	Lithograph	Lemercia & Co., Paris 1892			I 470 x 350 mm			includes figures ice-skating	60	£60		Print	General Interest	Fashion						
4595		George C. Leighton after A. Blaikley	The Lord Chancellor, The Right Hon. Lord Cranworth, in his Parlimentary Robes	Woodcut with hand colouring	1857			I 320 x 220	The London Illustrated News, Supplement, Feb. 7, 1857			30	£30	unmounted	Print	Portraits	British Political						
4596		George C. Leighton after A. Blaikley	The Speaker of the House of Commons, The Right Hon. Sir Charles Shaw Lefevre	Woodcut with hand colouring	1857			I 320 x 220	The London Illustrated News, Supplement, Feb. 7, 1857			30	£30	unmounted	Print	Portraits	British Political						
4598		Published by the superintendence of the Society for the Diffusion of Useful Knowledge	Australia in 1839	Steel engraved map	Published by the superintendence of the Society for the Diffusion of Useful Knowledge Feb 1st. 1840. 			Image: 396 x322. Sheet: 418 x 358				100	£100	unmounted	Map	Australasia & Pacific							
4599		Vaughan, Robert	The Mapp of Barichway Hundred	Copper engraved	c. 1765				from Dugdale’s The Antiquities of Warwickshire		From the third edition 	45	£45	unmounted	Map	English Counties	Warwickshire						
4600		Vaughan, Robert	The Mapp of Knightlow Hundred	Copper engraved	c. 1765				from Dugdale’s The Antiquities of Warwickshire		From the third edition 	45	£45	unmounted	Map	English Counties	Warwickshire						
4602		Bellin, Jacques Nicolas	Suite de la Carte de L'Inde en deca du Gange II-e Feuille Comprenant La Presqu'Isle De L'Inde. Pour servir a l'Histoire Generale des Voyages	Copper engraving	Paris, c. 1752			218 x 244 mm 				70	£70	unmounted	Map	Asia & Middle East							
4608		S. Sparrow after J. Burford	King’s College, Old Building [Cambridge]	Copper engraving	Published 1822			S 465 x 325 mm	Cambridge University Almanack 1822			180	£180	unmounted	Print	 Cambridge	King’s College Cambridge						
4609		Pieter van der Aa after David Loggan	Le College de l’Eglise de Christ [Christ Church]	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	55	£55	mounted	Print	Oxford	Christ Church College						
4612		S. Sparrow after G. Dodgson	The Interior of the Hall of Trinity College [Cambridge]	Copper engraving	Published 1843 by R. Lloyd			S 465 x 325 mm	Cambridge University Almanack 1843		Trimmed at top of sheet. Engraved title has been removed and fixed to the left margin.	180	£180	unmounted	Print	 Cambridge	Trinity College Cambridge						
4617		A. Falger	Collegium der Christkirche in Oxford [Christ Church college]	Copper engraving				I 105 x 706 mm				25	£25	mounted	Print	Oxford	Christ Church College						
4618		Rock & Co.	St Edmunds Hall & St Peters Church Oxford	Steel engraving	1863			I 102 x 80 mm				55	£55	mounted	Print	Oxford	St. Edmund Hall						
4623		R. Sands after W. Delamotte	Oxford from Ferry Hinksey	Copper engraving	London Published by Vernor & Hood Poultry Nov 1 1804			I 147 x 99 mm	From the Beauties of  England and Wales			45	£45	mounted	Print	Oxford	General Views						
4625		Morden, Robert	Map of Buckinghamshire	Copper engraving	1722			I.343 x 415 mm				275	£275	framed	Map	English Counties	Buckinghamshire						
4628		Chatelain, Henri Abraham	Mapmonde ou  Description Generalei, De Globe Terrestre	Copper engraving	1719			I. 432 x 338 mm				1000	£1,000	framed	Map	World Maps & Sea Charts							
4630		Hughes, W.	Map of the Meets of the Pytchley Hounds	Steel engraved with handcolour	LOndon Published DEcember 1 1841 for the Proprietor of the Sporting Review by I. Mitchell 33, Old Bond Street			150 x 115 mm				15	£15	mounted	Map	English Counties	Northamptonshire						
4631		Coronelli, Vincenzo	Parte Meridionale Del Regno D’Ingilterra	Copper engraved map	Venice, 1689			450 x 610 mm			Attractive and beautifully engraved map of the Southern portion of England, extending North To 53 degrees. 	250	£250	unmounted	Map	England & the British Isles	England						
4635		George Spratt	Crockery.	Lithograph with hand colouring	Printed by G.E. Madley Wellington Street Strand			I 180 x 180 mm, S 277 x 221 mm			A rare composite picture showing a woman made of Staffordshire pottery.George Spratt (b 1784), was a member of the Royal College of Surgeon and active in the Medico-Botanical Society of London.  He was known for his illustrations of botanical books, including a two volumn Flora Medica (1829-1830) and wall charts of poisonous plants.  At least 16 composites in his series were issued in 1830 and 1831, and probably more. No complete set is known, and they are not catalogued together anywhere.  An advertisement showed subjects ranged from greengrocer to an antiquarian and rhw price at 1s. 6d. each	180	£180	unmounted	Print	General Interest	Trades						
4636		I.R. Cruickshank	Mr. John Anderson, Falconer, at Barrowchaw, Refrewshire as he appear’d at the Coronation of His Majesty George the 4th July 19th 1827	Aquatint with handcolour and silk fabric 	Pub. by G. Humphrey 27 St. James’s St, London Aug, 16 1821			I 265 x 205 mm				180.00	£180	unmounted	Print	Sports	Hawking						
4637		A.R. Burt	Mr. James Barber Usher of the Hall Windsor Castle, 1830	Copper engraving	Published by A.R. Burt JUne 6 1830			I 230 x 150 mm			Royal Servant	40	£40	mounted	Print	General Interest	Trades						
4643		O. Jewitt	St Mary Hall	Wood engraving	circa 1830			I 110 x 80 mm	Ingrams’ Memorials of Oxford			10	£10	mounted	Print	Oxford	Oriel College						
4650		J. R. Scott	Emerald	Copper engraving	Published by J. Pittman, Warwich Square, London, January 1, 1827.			I: 130mm x 101mm				40.00	£40	mounted	Print	Sports	Horse Racing						
4654			Coming in at the Death	Copper engraving	Sold at 6 Suffolk Street , Dublin, c. 1840			I: 139mm x 81mm				45.00	£45	mounted	Print	Sports	Hunting & Shooting						
4655		Charles Picart after J. Jackson 	Mr. Macready as Virginius	Stipple	Published June 20th. 1820, for the Proprietors, by Colnaghi & Co. Cockspur Street 			I 195 x 200 mm vignette				160.00	£160	mounted	Print	Portraits	Theatre						
4656		H. Jacopsen	Ludovico Requesentius. Magnus Commend. Castellae. Gubern. General in Belgio. : Don Lowys deo Requesens Groot Comandor van Castilien Governeur der Nederlanden 	Copper Engraving	H. Iacopsen. excud. 			I.210 by 154mm			Portrait of Luis de Zúñiga y Requesens (1528-1576), sucessor as Governor -General of the Spanish Netherlands to the Duke of Alba 	30	£30	unmounted	Print	Portraits	Foreign Political						
4658		J. Frosne	[Charles Emmanuel II, Duke of Savoy] 	Copper engraving	J. Frosne Sculpsit, c.1650s			I.140 by 115mm, Pl. 200 by 133, S.240 by 170			Portrait believed to be of Charles Emmanuel II, Duke of Savoy (1634-1675), with an Italian Pangyeric and inaccurate achievement of arms of the House of Savoy (PPSR Mark) 	60	£60	unmounted	Print	Portraits	House of Savoy						
4659		C. Desrochers 	Victor Amadée Duc de Savoye P.ce de Pied. Roy de Chipre Né en 1666 et Couronné en 1675	Copper engraving	Gravé par C. Desrochers et se vend chez lui a Paris rue St . Jacques au Mecenas (c.1690s)			I. 95 by 80mm, Pl.150 by 105mm, 165 by 120mm			A Portrait of Victor Amadeus II (1666-1732) Duke of Savoy and after 1720, King of Savoy, with a pangyeric beneath which praises the Duke’s valour and the fecundity of the Princesses of his family	50	£50	unmounted	Print	Portraits	House of Savoy						
4660			Carolus Emanuel Dux: Sabaudiae, Princeps Pedmont. 	Copper engraving				I. 65 by 55mm, Pl. 97mm by 60mm			Portrait of Charles Emmanuel I, Duke of Savoy and Prince of Piedmont (1580-1630) (PPSR Mark)	15	£15	unmounted	Print	Portraits	House of Savoy						
4661		Wolf Killian (1581-1662)	Serenissiumus Princpes Carolus Immanuel Dei Gratia Dux Sabaudiae et Princeps Piedmont etc. 	Copper engraving	Wolf. Killian Agu.V. Scalp., 			I.120 by 105 mm, Pl.195 by 130 mm, S.285 by 170 mm			Portrait of Charles Emmanuel I (1580-1630) , Duke of Savoy and Prince of Piedmont with the arms of Savoy and and Latin Motto and Poem beneath (PPSR Mark)	100	£100	unmounted	Print	Portraits	House of Savoy						
4662		Jacobus Laurus Romanus 	Carolus. Emanuel. D.G. Dux. Sabaudiae. Chabliasii. Et. Augustae. Sac. Rom. Imperii. Vicarusq. Perpet. Marchio. In. Italia. Princ. Pedmon. Marc. Salu. etc.	Copper engraving	Superior permissu 1613, Iacobus Laurus Romanus f, Roma Cum Privilegio Summi Ponitificis , c.1613			I.135 by 110 mm, Pl. 200 by 145mm, S.215 by 315mm			Charles Emmanuel I, Duke of Savoy and Prince of Piedmont (1580-1630) with coat of Arms of the House of Savoy and Satirical arms (?) in Upper Right hand (Small PPSR Mark) 	100	£100	unmounted	Print	Portraits	House of Savoy						
4663		J or F.M.B. sc. 	Januarius, Marchese Pallavicini, Kaisjerlicher Vice. Admiral	Copper engraving	c.1740s			I. 100 by 75 mm, Pl. 145 by 90 mm 			Januarius, Marquis Pallavicni, Scion of one of the chief families of  Habsburg Austria and is titled Imperial Vice-Admiral	15	£15	unmounted	Print	Portraits	Forgein Nobility						
4664		v.H. 	Prince Iosias von Coburg 	Lithograph	c.1840s			I.155 by 130 mm, S.385 by 275 mm			Prince Josias of Saxe-Coburg-Saalfeld (1737-1815),  Field-Marshal of the Austrian Army and Victor of Martinestie and Neerwinden (Print bears mark of the British Royal Collection with unidetified monogram in the centre of the garter motif) 	35	£35	unmounted	Print	Portraits	Military						
4665		J.E. Nilson after De Morgens 	Ferdinandus Dux Brunsvico - Guelphyerbytanus exercertiam Borsussicorum Locum tenens General Sumus Magdeburg Gubernator nat:d.12 Jan: 1721 	Copper engraving	De Morgens. efig. pinxit. - J.E. Nilson inv. Sculps et excud. A.V. , c.1770s			I. 185 by 155 mm, S. 225 by  160mm			Portrait of Ferdinand, Duke of Brunswick-Lüneburg (1721-1792), Field Marshal of the Prussian Army, Victor of the battles of Brunswick, Minden, Vellinghausen, Wilhelmsthal and Warburg, killed at the battle of Valmy, here depicted with allegorical figures representing Brunswick, Fame and Victory.  	35	£35	unmounted	Print	Portraits	Military						
4668			Marie Josephe Louise de Savoie, Contesse de Provence, Neé a Turin le 2. Sept.bre 1753	Copper engraving	Gravé d’après le Tableau peint à Turin. A Paris chés Boré, maison de M.Vallade Librarie rue S.Jacques au Griffon d’Or chés Maigret vis-à-vis lar rue de Plâtre, c.1770s			I.80 by 65mm, Pl. 205mm by 145mm, S.275 by 205 mm  			Portrait of Marie Josephine Louise, Countess of Provence (1753-1810), wife of Louis, Count of Provence and later Louis XVIII  (PPSR Mark)	60	£60	unmounted	Print	Portraits	House of Savoy						
4673		Bligny	Victor Amédée Marie de Savoie. Né le 26 Juin 1726, Roi de Sardaigne le 20 Fevrier 1773, Presenté à Versailles à Madame et Madame le Comtesse d’Artois. Par leurs trés humbles et obeissants Serviteurs Bligny Lancier du Roy	Copper engraving	A Paris chez Bligny,  Lancier du Roy Cour du Manege aux Thuilleries , c.1760s			I.130 by 105 mm, Pl. 270 by 190mm, 355 by 260mm 			Portrait of Victor Amadeus III (1726-1796), King of Sardinia and Duke of Savoy 	65	£65	unmounted	Print	Portraits	House of Savoy						
4674		Hubert after Drouais	Marie Je. Louise de Savoye Madame - Marieé à Versailles le 14 Mai 1771	Copper engraving	A Paris chés Esnauts et Rapilly rue S. Jacques à la Ville de Coutances A.P.D.R., c.1770s			I.80 by 65mm., Pl. 180 by 120mm, S. 290 by 210mm			Portrait of Marie Josephine Louise, Countess of Provence (1753-1810), wife of Louis, Count of Provence and later Louis XVIII with the arms of the House of Savoy as Kings of Sardinia joined to the arms of Louis as Count of Provence (PPSR Mark)	60	£60	unmounted	Print	Portraits	House of Savoy						
4675			Carl’ Emmanuele III re di Sardegna morto nel 1773	Lithograph with hand colouring	c.1870			I.132 by 120 mm, Pl.180 by 135 mm, S.215 by 135mm			19th Century Lithograph of Charles Emmanuel III of Savoy (1730-1773)	20	£20	unmounted	Print	Portraits	House of Savoy						
4676		I.D. Leeuw 	Victor Amedeé I. Duc de Sauoye 	Copper engraving	I:D:Leeuw Sculp., c.1750s			I. 85 by 70mm, S. 150 by 90 mm			Portrait of Victor Amadeus I (1630-1637), Duke of Savoy which appears to have come from a book (suggested by the words: Tome.6.Pag.364 in the top right hand corner)	10	£10	unmounted	Print	Portraits	House of Savoy						
4677		Wich and Schöniger after Hugel	[Arcduchess Hildegard of Austria, Duchess of Teschen with Child]	Aquatint with Engraving	J.N. Hugel pinx. Gedruckt bei Wich. Galvonagrafiert von Leo Schöninger, c.1850			I. 220 by 180 mm, Pl. 310 by 230mm, S.550 by 410cm 			A Portrait presumed to be Arcduchess Hildegard of Austria, Duchess of Teschen (1825-64) with Child. Hildegard was the wife of the sucessful austrian Field Marshal, Archduke Albrecht, the victor of the battle of Custozza in 1866. The Child could be one of the three born to the couple; Arduchess Maria Theresia (1845-1927), Archduke Karl (1847-8) and Archduchess Mathilde (1849-1867), who tragically died in her teens when she hid a cigarette in her dress during a family party. Her clothes caught fire and she died of burns in front of her whole family.	50	£50	unmounted	Print	Portraits	Foreign Royalty 						
4678		J.J. de Souza after A. do Carmo 	D. Henrique, (Conde de Portugal) Chegou á Hespanha em 1090, e morreo em Braga em 112, com 77 an de idade. 	Copper engraving	A. do Carmo del. J.J. de Souza sculp c. 1850			I. 90 by 80mm,  Pl. 215 by 140mm, S.300 by 225mm			Portrait of Henry of Burgundy, Count of Portugal (1066-1112), a younger son of Robert I, Duke of Burgundy, he sought his fortune in the Reconquista, assisting Alfonso VI of Castile to conquer Galicia, and was rewarded wtih the the hand of Alfonso’s daughter, Teresa of León, 1093, whose dowry was the County of Portugal. It was his son Afonso Henriques who ended Portugese subjugation to León, and in 1139 declared himself King of Portugal. 	20	£20	unmounted	Print	Portraits	Foreign Royalty						
4679		William Willis	High Street, Oxford	Steel engraving	Published by Henry Slatter. Oxford.			I 116 x 78 mm				25	£25	mounted	Print	Oxford	General Views						
4681		J.J. de Souza after A. do Carmo	D. Joaõ II. (Rei de Portugal) Nasceo em Lisboa em 1455, e morreo em Alvor, Villa do Algarve, em 1495	Copper engraving	A. do Carmo del. J.J. de Souza sculp c. 1850			I. 80 by 75mm., Pl. 215 by 140mm, S.300 by 225mm			Portrait of King John II of Portugal (1455-1495), often mockingly referred to as ‘o Príncipe Perfeito’ (the Perfect Prince), for his Machiavellian style of rule, many of his contemporaries considered him a tyrant for his supression of the House of Braganza and his murder of the Duke of Viseu, but he was also responsible for the continuation of the policies of Atlantic exploration practiced under his uncle Henry the Navigator which greatly enlarged the Portugese colonial Empire.	20	£20	unmounted	Print	Portraits	Foreign Royalty						
4682		J.J. de Souza after A. do Carmo	D. Fillipa, (Reinha de Portugal) Morreo em Sacavem, em Julho de 1415,de 56 an de idade. 	Copper Engraving	A. do Carmo del. J.J. de Souza sculp c. 1850			I.70 by 55mm, Pl. 215 by 140mm, S.300 by 225mm			A Portrait of Philippa of Lancaster (1359-1415), Queen of Portugal and Princess of England, daughter of John of Gaunt and wife of John I, the marriage being the final step in the formation of the Anglo-Portugese Alliance which was to be the longest lasting of England’s diplomatic relationships. She was also the mother of the ‘Ínclita Geração’ or Illustrious generation of the house of Aviz, which included Henry the Navigator, John, Duke of Coimbra and Isabella of Burgundy.  	20	£20		Print	Portraits	Foreign Royalty						
4683		J.J. de Souza after A. do Carmo	D.Joaõ V. (Rei de Portugal) Nasceo em Lisboa em 1689, e morreo em 1750		A. do Carmo del. J.J. de Souza sculp c. 1850			I. 85 by 75mm, Pl. 215 by 140mm, S.300 by 225mm			A Portrait of King John V of Portugal (1689-1750), often called ‘o Magnânimo’ (the Magnanimous) and sometimes ‘o Rei-Sol Português’, the Portugese Sun King. He was the first Portugese sovereign to recieve Papal recognition of Portugal as a lawful and sovereign nation, as well as the title ‘Most Faithful King’, as well as being responsible for a period of absolutist rule without the Cortes that was made possible by the riches coming from Brazil, riches that also paid for the construction of the mini-Versailles, the Palace of Mafra. 	20	£20	unmounted	Print	Portraits	Foreign Royalty						
4684		Walker, J & C after Creighton, R.	A Plan of London and its Environs	Steel engraved	1831			470 x 353 mm				350	£350	framed	Map	English Counties	London						
4686		J.J. de Souza after A. do Carmo	D. Diniz, (Rei de Portugal) Nasceo em Lisboa em 1261, e morreo em Santarem em 1325.	Copper engraving	A. do Carmo del. J.J. de Souza sculp c. 1850			I.90 by 70mm, Pl. 215 by 140mm, S.300 by 225mm			A Portrait of King Dinis of Portugal (1261-1325), often nicknamed ‘o Lavrador’ (the farmer). As his name suggests one of his main concerns, and one which occupied much of his reign, was the redevelopment of rural infrastructure, planting forests such as Pinhal de Leiria to protect agricultural lands from coastal sands and founding markets throughout Portugal. He also laid the foundations of the Portugese navy and founded the Universtiy of Coimbra.	20	£20	unmounted	Print	Portraits	Foreign Royalty						
4688		I.M.L.	Mauritio Principe di Nassau, Gran Croce Dell Ordine di Malta, Maresciallo Generale de Gli Esserciti delle sette Provincie Unite del Paese Basso &c	Copper engraving	I.M.L. erch fec. , c,1670-80s			I.155 by 125mm, Pl. 220 by 160mm, 250 by 180mm			An Italian Portrait of John Maurice, Count, and after 1674, Prince of Nassau-Siegen, Governor of the Dutch Colonies in Brazil and builder of Recife, and later he was the Governor of Kleves, Mark and Ravensburg for the Elector of Brandenburg and in 1652 was made a Prince of the Empire and a member of the Order of St John. His palace, the Mauritshaus, is now one of the most important galleries of Dutch Art. 	40	£40		Print	Portraits	Foreign Royalty						
4690			Frederic Henry, Prince d’Orange, Mort à La Haye, le 14 Mars 1647. agé de 63 ans. 	Copper engraving	AParis chez Odieuvre, Md. d’Estampes, quai de l’Ecole, vis-à-vis la Samarit.e alal belle Image. CPR., c.1740s			I. 65 by 55mm, Pl. 140 by 90mm, 240 by 160mm			A Portrait of Frederick Henry, Prince of Orange (1584-1647), Captain- and Admiral-General of the United Provinces, and Stadtholder of Five Provinces, the period of Frederick Henry is regarded by many historians as being a Golden Age in Dutch History with a massive expansion in Dutch Commerce, the capture of Hulst and Breda from the Spanish and his efforts to secure peace with Spain, which was achieved after his death in 1648.  	35	£35	unmounted	Print	Portraits	Foreign Royalty						
4691		Rooker	The Libraries and Schools, from Exeter College Gardens	Copper engraving with hand colouring	1786			I 450 x 300 mm				100	£100	mounted	Print	Oxford	Exeter College						
4692		Woodyer	Clare- Hall Chapel	Copper engraving	C. 1770			I 130 x 80 mm				40	£40	mounted	Print	 Cambridge	Clare College Cambridge						
4697		After Loggan	The West Front of Kings College New Building	Copper engraving	c. 1720			I 112 x 55mm				38	£38	mounted	Print	 Cambridge	King’s College Cambridge						
4698		Haper? after de Baen 	Joan Maurits, Prins van Nassouw, etc:	Copper engraving	J. de Baen pinxe. C. Haper? Sculp., c. 1650s			I.155 by 140mm, Pl  195 by 155mm, S. 205 by 165mm			A Portrait of John Maurice, Count, and after 1674, Prince of Nassau-Siegen, Governor of the Dutch Colonies in Brazil and builder of Recife, and later he was the Governor of Kleves, Mark and Ravensburg for the Elector of Brandenburg and in 1652 was made a Prince of the Empire and a member of the Order of St John. His palace, the Mauritshaus, is now one of the most important galleries of Dutch Art. 	65	£65	unmounted	Print	Portraits	Foreign Royalty						
4699		Unknown	A View of Kings College New Buildings; Cambridge	Copper engraving	c. 1790			I 182 x 92 mm				40	£40	mounted	Print	 Cambridge	King’s College Cambridge						
4701		After Loggan	St. Peter’s House	Copper engraving	1760			I 115 x 110 mm				40	£40	mounted	Print	 Cambridge	Peterhouse						
4702		Walker, J.C.	Plan of Ancient Rome	Steel engraving	Published by Baldwin & Craddock, 47 Paternoster Row, Oct.r 1, 1830. Published under the Superintendence of the Society for the Diffusion of Useful Knowledge			384 x 301 mm				35	£35	mounted	Map	Europe	Italy						
4705		Davies, B.R.	Constantinople Stambool	Copper engraving	Published by the Society for the Diffusion of Useful Knowledge, 59 Lincolns Inn Fields, Sep.r 1840			391 x 315 mm				55	£55	unmounted	Map	Asia & Middle East							
4706		After Loggan	A Perspective View of the New Building at Cambridge.	Copper engraving	c. 1720			I 115 x 111 mm				35	£35	mounted	Print	British Topography	Cambridgeshire						
4707		R. Farrell	[Person standing in an archway]	Etching	1885			I 77 x 111 mm				40	£40	mounted	Print	British Topography	Cambridgeshire						
4708		Walker	New Market	Copper engraving	1801			I 165 x 109 mm				40	£40	mounted	Print	British Topography	Cambridgeshire						
4709		Rock & co.	The Meeting on the Cam, of the Cambridge Boat Club	Steel engraving	c. 1850			I 145 x 110 mm				45	£45	mounted	Print	 Cambridge	Cambridge General Views						
4710		Thierry fr.s suc.s de Engelmann	Plan de la Ville de Caen. Levepar Etienne graveur a la fin du XVIIIe siecle./ Vue Generale de la Ville de Caen, prise du Moulin an Roi en 1835	Lithograph	Published se ven a Caen chez Mancel librair, editeur d’un grande nombre d’ouvrage relatifs a la Normandie. 1835			550 x 384 mm				400	£400	mounted	Print	Foreign Topography	France						
4712		Unknown	[A Canal in Cambridge]	Engraving	c. 1910			I 163 x 117 mm				25	£25	mounted	Print	 Cambridge	Cambridge General Views						
4713		After Loggan	St. Marys Church at Cambridge	Copper engraving	c. 1720			I 120 x 55 mm				25	£25	mounted	Print	British Topography	Cambridgeshire						
4715		Matthey after P.D.	Martin Harpertz Tromp - Amiral de Hollande Tué dans une Bataille contre les Anglois,  le 10 août 1653.	Copper engraving	AParis chez Odieuvre, Md. d’Estampes, quai de l’Ecole, vis-à-vis la Samarit.e alal belle Image. CPR, c.1740s			I.80 by 60mm, Pl. 150 by 110mm, S.240 by 160mm			Maarten Harpertszoon Tromp (1598-1653), Admiral of the Dutch Navy, victor of the Battles of the Downs, the Gabbard and Schevingen. One of the most sucessful Dutch Naval Commanders of the Seventeenth Century, Tromp is credited with the development of the line of battle tactic. 	40	£40	unmounted	Print	Portraits	Military						
4716			Giovanni de Berneveld hebbe la disgratia...	Copper engraving	c.1690s			I.155 by 120mm, Pl. 230 by 175mm, S.270 by 210mm	Teatro Belgico		A Portrait of  Johan van Oldenbarnevelt (1547-1619), Dutch Statesman, Land’s Advocate of Holland and leader of the Arminianists. 	25	£25	unmounted	Print	Portraits	Foreign Political						
4720		Stadler after Pugin	Chapel of Christ College	Aquatint with hand colouring	Oct. 1 1815 at 101 Strand for R. Ackermann’s History of Cambridge.			I 262 x 205 mm				150	£150	mounted	Print	 Cambridge	Christ’s College Cambridge						
4721		Stadler after Pugin	Front of Emanual College	Aquatint	Oct. 1 1815 at 101 Strand for R. Ackermann’s History of Cambridge.			I 267 x 202 mm				220	£220	mounted	Print	 Cambridge	Emmanuel College Cambridge						
4722		Agar after Uwins	Pensioner of Trinity Hall. Common Dress of the Doctor in Law. & the Doctor in Physic	Copper engraving with hand colouring	July 1 1815 at Stand, for R. Ackermanns History of Cambridge			I 137 x 259 mm				75	£75		Print	 Cambridge	Trinity College Cambridge						
4723		Agar after Uwin	Pensioner of Trinity College. Master of Arts Sizer. Master of Arts of the Regent, or Upper House.	Copper engraving with hand colouring	Oct. 1 1815 at 101 Strand for R. Ackermann’s History of Cambridge.			I 350 x 256 mm				75	£75	mounted	Print	 Cambridge	Trinity College Cambridge						
4724			Henrico Casimiro Prencipe de Nassau, si trova al preferente...	Copper engraving	c.1730s			I. 85 by 75mm, Pl.175 by 130mm, S.275 by 180mm	Teatro Belgico		Portrait of Henry Casimir II (1657-1696), Count of Nassau-Diez, Stadtholder of Friesland and Groenigen.	10	£10	unmounted	Print	Portraits	Forgein Nobility						
4725			Martino Harpertio Tromp che vivea con fama del primo...	Copper engraving	c.1730s			I. 90 by 80mm, Pl. 180 by 125mm, S. 285 by 195mm	Teatro Belgico		Maarten Harpertszoon Tromp (1598-1653), Admiral of the Dutch Navy, victor of the Battles of the Downs, the Gabbard and Schevingen. One of the most sucessful Dutch Naval Commanders of the Seventeenth Century, Tromp is credited with the development of the line of battle tactic. 	10	£10	unmounted	Print	Portraits	Military						
4726		Walker after Harridan	St. Ives	Copper engraving	1802			I 165 x 111 mm				35	£35	mounted	Print	British Topography	Cheshire						
4727			Michele Adriano de Tuiter cosi termino...	Copper engraving	c.1730s			I. 90 by 80mm, Pl. 180 by 125mm, S. 285 by 195mm	Teatro Belgico 		A Portrait of Michiel Adriaenszoon de Ruyter (1607-1676), one of the greatest Dutch Admirals of the Seventeenth Century, victor at the Sound and Four Days Battle. 	10	£10	unmounted	Print	Portraits	Military						
4728		Brandard after Bartlett	The Solway from Harrington Harbour	Aquatint	c. 1840			I 178 x 120 mm				22	£22	mounted	Print	British Topography	Cumberland						
4729		Joh. Lindner	[Grand-Duke Friedrich I of Baden]	Etching	Verlag v. K.F. Glaesser in Stuttgart, Joh. Lindner Rad. Hartmann & Beck Hofkupferdruckerei, Düsseldorf, c.1880s			I.220 by 190mm, Pl.340 by 270mm, 480 by 365mm			A Portrait of Friedrich I, Grand-Duke of Baden (1826-1907). Made Regent after his brother, Grand Duke Ludwig II, began manifesting signs of mental instability, Friedrich was a relatively liberal ruler of Baden, a supporter of consitutional monarchism, as well as introducing civil marriages and direct elections for the lower house of Parliament to Baden. Friedrich was also present at the proclomation of the German Empire at Versailles in 1871.	40	£40	unmounted	Print	Portraits	Foreign Royalty						
4730		After Ryland	A view of the City of Carlisle	Copper engraving	c. 1775			I 164 x 93 mm				35	£35	mounted	Print	British Topography	Cumberland						
4735		Walker after Girtin	Totness	Copper engraving	1798			I 164 x 106 mm				25	£25	unmounted	Print	British Topography	Devon						
4736		Day & Hague	The old Mansion Henbury	Lithograph	c. 1830			I 300 x 220 mm				50	£50	mounted	Print	British Topography	Gloucestershire						
4737		Rowe	St. Mary Church, Cheltenham	Lithograph with hand colouring	c. 1800			I 160 x 160 mm				20	£20	mounted	Print	British Topography	Gloucestershire						
4739		Cousen	Winchester, from St Giles hill	Steel engraving with hand colouring	c. 1850			I 200 x 130 mm				40	£40	mounted	Print	British Topography	Hampshire						
4740		Unknown	Blenheim House, Oxfordshire. The seat pf his Grace the Duke of Marlboro	Copper engraving	1840			I 130 x 820 mm				35	£35	mounted	Print	British Topography	Oxfordshire						
4741		Unknown	Market House, Thame, Oxfordshire	Copper engraving	1850			I 100 x 60 mm				30	£30	mounted	Print	British Topography	Oxfordshire						
4742		Roberts	Waterpery House, in Oxfordshire, the seat of John Barnard Curzon, Efq.	Copper engraving	1787			I 160 x 101 mm				45	£45	mounted	Print	British Topography	Oxfordshire						
4743		Unknown	Blenheim House, Oxfordshire. The Seat of his Grace the Duke of Marlboro	Steel engraving	c.1850			I 131 x 84 mm				35	£35	mounted	Print	British Topography	Oxfordshire						
4745		Samuel Ireland	Earl Harcourts at Nuneham- Courtnay, Oxon	Aquatint	Pub. for S. Ireland May 1 1799			I 165 x 105 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			35	£35	mounted	Print	British Topography	Oxfordshire						
4746			A Map of St. Gile’s Cripple Gate without with Large additions and Corrections	Copper engraving	Publish’d according toAct of Parliament 1755 for Stow’s Survey			355 x 280 mm				36	£36	unmounted	Print	British Topography	London						
4747		Roper, J.	Worcester 	Copper engraving	London, Published for the Proprietor by Vernor Hood  Sharpe, Poultry Feb.y 1st 1808			227 x 185 mm			[City Map]	45	£45	unmounted	Map	English Counties	Worcestershire						
4748		Roper, J	St Alban’s	Copper engraving	London Published for the Proprietors by Vernor Wood & Sharpe, Poultry Jan.y 1st 1810			227 x 173 mm				45	£45	mounted	Map	English Counties	London						
4749			Plan of the Borough of Nottingham, shewing The Commons and Commonable Lands, by which the Enlargement and Improvement of the Town prevented	Copper engraving	circa 1800			593 x 306 mm			city map	200	£200	mounted	Map	English Counties	Nottinghamshire						
4751		W. Tombleson after W. Bartlett	Gisborne Court, St. Peter’s College	Steel engraving	1828			I 428 x 275 mm	Cambridge University Almanack, 1828			200	£200	unmounted	Print	 Cambridge	Peterhouse						
4752		Rapkin, J	Brussels	Steel engraving	John Tallis & Company & New York			330 x 244 mm				65	£65	unmounted	Map	Europe	Belgium						
4754			Christian-Frédéric, Prince Héréditaire de Danemarck, Grand Croix de la Légion d’honneur, Né le 18 Septembre 1786.	Copper engraving	à Paris, chez l’Auteur, rue des Francs-Bourgeois No.6 F9. St. Gernain. 1813 			I.110 by 60mm, Pl. 210 by 145mm, S.235 by 160mm			A Portrait of King Christian VII of Denmark (1786-1848), as Crown Prince (1813) wearing the Légion d’honneur given to him by Napoleon in recongition of Denmark, and particularly King Frederick VI’s unwavering support. Christian was, a year after this engraving was made, elected as King of Norway, a title that he lost following the defeat of Norway’s army by Prince Carl (Marshal Bernadotte of Sweden) and the subsequent Convention of Moss.As King he failed to live up to the liberal beliefs of his younger years and is chiefly remembered for his continued support of astronomy in Denmark.	40	£40	unmounted	Print	Portraits	Foreign Royalty						
4756			Carlo Gulielmo Ferdinando Duca di Brownich, Commandante Generale dell’Armate Unite	Copper engraving with Sepia Colouring	in Napoli presso Talani e Gervasi al Gigante No.37, c.1750-60s			I. 70 by 50mm, Pl. 200 by 135mm, S. 275 by 200mm			Portrait of Ferdinand, Duke of Brunswick-Lüneburg (1721-1792), Field Marshal of the Prussian Army, Victor of the battles of Brunswick, Minden, Vellinghausen, Wilhelmsthal and Warburg, killed at the battle of Valmy. He is here shown during the period when he was commander of the allied armies, from around 1758-60, a period which won him the praise of the Great Frederick who remarked in 1759: “Je n’ai fait que ce qua je dois, mon cher Ferdinand”	50	£50	unmounted	Print	Portraits	Military						
4757		A. Nerozzi	Carlo Gugliem Ferdinando, Duca di Brownich Com~este dell Armate unite contro la Francia 	Copper engraving	Ant. Nerozzi. sc., c.1750-60s			I.65 by 45mm, S.145 by 100mm			Portrait of Ferdinand, Duke of Brunswick-Lüneburg (1721-1792), Field Marshal of the Prussian Army, Victor of the battles of Brunswick, Minden, Vellinghausen, Wilhelmsthal and Warburg, killed at the battle of Valmy. He is here shown during the period when he was commander of the allied armies, from around 1758-60, a period which won him the praise of the Great Frederick who remarked in 1759: “Je n’ai fait que ce qua je dois, mon cher Ferdinand”	25	£25	unmounted	Print	Portraits	Military						
4758			Herzog Wilhelm von Braunschweig-Lueneberg 	Engraving	c.1830s-40s			I. 90 by 75mm, S.170 by 110mm			A Portrait of William VIII (1806-1884), Duke of Brunswick-Lüneburg, and subsequently, Duke of Brunswick. He is here shown in the uniform of a Prussian Major, a rank which he recieved in 1823. He was made regent in 1830 following the deposition of his brother, Charles II, who was authoritarian and corrupt, and made himself Duke in 1831. William left the government to his ministers and lived in his territories outside the Duchy at Oels, remaining unmarried, a position, which lead to a sucession crisis that was not resolved until 1913, 29 years after William’s death. 	10	£10	unmounted	Print	Portraits	Foreign Royalty						
4762		Engelmann	George the Fourth’s Gate	Lithograph with hand colouring	Engelmann Graf, Coindet & Co. 92 Dean Street Soho Oct. 1827			I 255 x 172 mm				65	£65	mounted	Print	British Topography	Berkshire						
4763		Chas Tomkins	Thatcham Church	Aquatint with hand colouring	1794			I 230 x 155 mm				60	£60	mounted	Print	British Topography	Berkshire						
4764		Unknown	The Royal Palace of Windsor, Le Palais Royale de Windsor	Copper engraving with hand colouring	c. 1780			I 262 x 152 mm				70	£70	mounted	Print	British Topography	Berkshire						
4765		W. Lacey	Old Windsor Locks	Copper engraving	Tombleson & co. 11, Paternoster Row			I 143 x 110 mm				42	£42	mounted	Print	British Topography	Berkshire						
4768		Chas Tomkins	Basledon Bershire	Aquatint with hand colouring	c. 1794			I 241 x 172 mm				65	£65	mounted	Print	British Topography	Berkshire						
4770		Samuel Ireland	Henley- bridge Oxon 	Aquatint	Pub. for S. Ireland May 1 1799			I 164 x 110 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			42	£42	mounted	Print	British Topography	Oxfordshire						
4771		Samuel Ireland	Caversham- bridge. Oxfordshire	Aquatint	Pub. for S. Ireland May 1 1799			I 164 x 110 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			38	£38	mounted	Print	British Topography	Oxfordshire						
4772		Wallis after Turner	On the Thames	Steel engraving	c. 1870			I 275 x 165 mm				45	£45		Print	British Topography	Oxfordshire						
4773		L. Neufeld	Richard Wagner	Woodblock	L.Neufeld, c.1840s			I.130 by 105mm., S.305 by 235mm			A Portrait of the Romantic Composer Richard Wagner (1813-1883), dating from the early part of Wagner’s career as a Composer (around the time of  Der fliegende Holländer and Tannhäuser and Rienzi). The print also bears a  handwritten dedication from the engraver: “With compliments to Mrs Oncken from L. Neufeld.” 	200	£200		Print	Portraits	Performing Arts						
4774		Unknown	View of Eaton College, in Buckinghamshire	Copper engraving with hand colouring	c. 1780			I 270 x 149 mm						mounted	Print	British Topography	Berkshire						
4777		Samuel Ireland	New-Bridge, Oxfordshire.	Aquatint	Pub. for S. Ireland May 1 1799			I 165 x 110 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			38	£38	mounted	Print	British Topography	Oxfordshire						
4778		Charles Tomkins	Ambrosden Parsonage Oxfordshire.	Aquatint with hand colouring	c. 1793			I 206 x 132 mm				70	£70	mounted	Print	British Topography	Oxfordshire						
4779		David Law	[A canal boat going through a lock, towards a house]	Engraving	c. 1880			I 151 x 89 mm				45	£45	mounted	Print	Victorian							
4780		Fittler	View of the New Church at Nuneham in Oxfordshire	Copper engraving	G. Kearsly No. 46 Fleet Street. March 1st 1780			I 185 x 132 mm				35	£35	mounted	Print	British Topography	Oxfordshire						
4781		Stadler after Faringdon	View towards Bassilden, from Streatley Hill.	Aquatint with hand colouring	June 1. 1793, by J. E Boydell			I 320 x 209 mm				100	£100	mounted	Print	British Topography	Oxfordshire						
4782		Du Basc after Benoist	The Battle of Blenheim in the Year 1704	Copper engraving with hand colouring	1735			I 202 x 270 mm				75	£75	mounted	Print	British Topography	Oxfordshire						
4784		Freyder &  Mürschel after Aubry 	‘Flos Republica Argentoratensis’ [A Print commemorating the 300th Anniversary of the Declaration of the Republic of Strasbourg]	Copper engraving	P. Aubry Sculpsit. G. Freyder pinxit. I.Mürschel  pinxit. 1633			I. 490 by 330mm, Pl. 495 by 335mm, S.500 by 340mm			This Print is a higly unusual and allegorically complex piece of commemorative art. The ‘Republica Argentoratensis’ of the title refers to the Republic of Strasbourg, founded in 1333 following the revolt of 1332, which lasted until Louis XIV’s annexation of the town in 1697. The anniversary is hinted at at the base of the Lilly emblem that dominates the centre of the image, the ‘CCC’ (the Roman Numerals for 300). The date of the foundation of the town is also foud at the base of the allegorical plant, the left hand leaf turning (a new leaf) at 13 and ending, on the right, with the number 33. The Central Lilly (fleur de lys)  motif imparts much about the meaning of the image. In the right hand flower are displayed the arms of the guilds of Strasbourg, who were integral to the broader based, republican, government adopted after 1333. In the left hand flower John the Baptists points to the Lamb of God, who is also being pointed at by the hands of the twelve apostles. Given Strasbourg’s status as one of the foremost centres of Protestantism in Europe,being the birthplace of the satirist and polemicist Johann Fischart and the Protestant Politician, Jacob Sturm von Sturmeck, as well as the home of Calvin, Erasmus and Bucer, this is hardly suprising. The coronet that unites the three flowers represents the Bishop or leader of the Protestant Congregations of Strasbourg preaching to a group of assembled worthies, a vignette that says much about the Strasburgian conception of the close relationship between God and Civic Politics. The Central flower shows the arms of Strasbourg, supported by heraldic lions, with the mantling helm being replaced with a figure of a sighted justice. Above Justice God the father, and God the Holy Ghost bless the city. This divine blessing is perhaps fortunate given the devestation and the storm clouds that are drawing ever nearer to Strasbourg. Indeed, part of the function of this print is to seek divine intercession (“Serva Urbem Christe Tuam” - Save your City, O Christ, as it says in the medallion on the stem of the Lilly). This intercession is to protect the neutral City (Strasbourg, like its Swiss neighbours, attempted to remain neutral for much of the seventeenth century, especially during the Thirty Years War) from the ravages of foreign, and particularly Catholic and Spanish arms, shown in the foreground. In 1633 the danger to this ‘pure white Flower among the thorns’ as the inscription has it, was far from illusory, with Spanish troops besieging Breisach only 30 miles away. Their weapons are not only the guns and swords shown in the foreground, but subtler tools such as the money chest or the lute, which have been placed strategically next to the Cannons. The hail that has destroyed the trees in the foreground on the left and right shows the dangers and the destruction of war, yet  as the Hercules being toppled from his pillar by Christ in the medallion in the middle of the stem suggests, these militaristic Catholics (equated with Pagans of old) will be driven off with divine aid, their almost idolatory worship of the Virgin Mary (seen on a banner supported by the right hand cannon) being considered a poor substitute for true religious devotion. Yet the citizens of Strasbourg should not be afraid of death, for as the skulls of the momento mori in the right hand corner suggest: ‘Disce Mori’ (Learn how to die). 	250	£250		Print	General Interest	Historical						
4785		Stradler	View from Nuneham toward’s Oxford	Aquatint with hand colouring	1793			I 317 x 210 mm				165	£165	mounted	Print	British Topography	Oxfordshire						
4787		Green after Wale delin	Eaton College	Copper engraving	c. 1790			I 139 x 81 mm				40	£40	mounted	Print	British Topography	Berkshire						
4788		Cousen after Turner	Abingdon. Berkshire	Steel engraving	c. 1860			I 242 x 180 mm				65	£65	mounted	Print	British Topography	Berkshire						
4789		Stadler	Fawley Court & Henley	Aquatint with hand colouring	June 1, 1793, by J&J, Boydell. Shakspeare			I 318 x 211 mm				120	£120	mounted	Print	British Topography	Oxfordshire						
4790		Unknown	Ditchley the Seat of the Earl of Litchfield near Woodstock in Oxfordshire	Copper engraving	c. 1750			I 269 x 163 mm				35	£35	unmounted	Print	British Topography	Oxfordshire						
4791		Stadler after Farington	Court Garden and great Marlow	Aquatint with hand colouring	June 1, 1793, by J&J, Boydell. Shakspeare			I 321 x 209 mm				120	£120	mounted	Print	British Topography	Oxfordshire						
4800		Samuel Ireland	Radcote- bridge, Farringdon- bills. &c.	Aquatint	Pub. for S. Ireland May 1 1799			I 164 x 111 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			38	£38	mounted	Print	British Topography	Oxfordshire						
4801		Samuel Ireland 	Remains of Henry the 2. Palace as it stood in Woodstock park in 1714	Aquatint	Pub. for S. Ireland May 1 1799			I 165 x 111 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			40	£40	mounted	Print	British Topography	Oxfordshire						
4802		Stadler after Farington	View of Abingdon from Nuneham Park	Aquatint	1793			I 299 x 188 mm				150	£150	mounted	Print	British Topography	Oxfordshire						
4803		Cousin after Turner	Abingdon. Berkshire	Steel engraving	c. 1840			I 244 x 180 mm				65	£65	mounted	Print	British Topography	Berkshire						
4804		Chas Tomkins	Pangbourn Church	Aquatint with hand colouring	1794			I 224 x 150 mm				65	£65	mounted	Print	British Topography	Buckinghamshire						
4805		Unknown	View of Eaton - College, in Buckinghamshire	Copper engraving	c. 1780			I 261 x 178 mm				60	£60	mounted	Print	British Topography	Buckinghamshire						
4807		Unknown	View of the Great Room & c. at Hall Barn, near Beconsfield in Buckinghamshire	Copper engraving	c. 1780			I 248 x 163 mm				45	£45	mounted	Print	British Topography	Buckinghamshire						
4808		Unknown	The Parish Church of st.Mary, Ayledbury	Lithograph with hand colouring	c. 1830-40			I 292 x 220 mm				50	£50	mounted	Print	British Topography	Buckinghamshire						
4809			Can you Forbear Laughing?	Mezzotint	R. Sayer & J.Bennett No. 53 Fleet Street, as the Act directs 14 June 1776			I 250 x 325 mm				1500	£1,500	framed	Print	Fine Prints	Drolls						
4812		Unknown	The Cambridge University Eight Training on the Cam	Woodcut	c. 1865			I 240 x 165 mm				65	£65	framed	Print	Sports	Rowing	Rowing					
4813		Unknown	The Oxford and Cambridge Boat-Race: The Cambridge Crew training on Barnes-Common.	Woodcut	1860			I 230 x 160 mm				45	£45	framed	Print	Sports	Rowing	Rowing					
4817		Cary, John	Oxfordshire	Copper engraved with  hand colour	 Published as the Act directs May 1st 1793 by J. Cary, Engraver & Map seller Strand			262 x 210 mm				90	£90	mounted	Map	English Counties	Oxfordshire						
4820		De L’armes 	Maximilein Emanuel Par la Grace de Dieu Duc de Bavierre. &c, Prin Electeur de l’Empire ~....	Copper engraving	De L’armes sui Sculp. AParis Chez N de Larmessin Rue St. Iacques, a la Pomme d’Or, Pres St. Seurin, Auec Priuil du Roy. c.1690s			I. 140 by 100mm, Pl.235 by 165mm, S. 270 by 210mm 			A portrait of Maximilian II Emanuel , Elector of Bavaria (1662-1726). His presence in the collection of the House of Savoy is probably due to the fact that his mother was Marie Adelaide of Savoy, daughter of Victor Amadeus I. He was one of the foremost Catholic Princes of Europe, having assited in the defence of Vienna (1683), taking Belgrade (1688) and claiming the vacant Spanish Throne for his son Joseph Ferdinand, a claim which was directly responsible for the outbreak of the War of the Spanish Sucession, a war in which the Franco Bavarian was famously defeated at Blenheim in 1704. Maximilian was also responsible for the famous rennovations of Nymphenburg and the construction of  the Palace of Schleissheim.	50	£50		Print	Portraits	Foreign Royalty						
4821		Morden, Robert	Oxfordshire	Copper engraved	c. 1700			208 x 155 mm				200	£200	mounted	Map	English Counties	Oxfordshire						
4825		C.D. Melini	Carolus Emmanuel III Victory Amadei Filius Sab Dux XVI Sardinia. Rex	Copper engraving	Ca. Do. Mellini Regis Sardiniæ et Regis Christianissimi Scalptor à Paris Chez l’Auteur Cloitre Saint Benoist vis-a-vis l’Eglise. c.1735			I.310 by 240mm, S. 320 by 245mm			A Portrait of Charles Emmanuel III of Savoy, King of Sardinia and Duke of Savoy. He was a Soldier-King and appears to have been reasonablycompetent, as his small territorial gains would suggest. The wreathed Vignette at the bottom of this print depicts one of his victories in the war of the Polish Sucession, the battle of Guastalla in 1734, when the Franco-Saridinian army beat a combined Austro-Prussian force. The Print also features the full achievement of the house of Savoy as Dukes of Savoy rather than King of Sardinia.			unmounted	Print	Portraits	House of Savoy						
4826		Cathelin after Ducreux	Marie Adelaïde Clotilde Xaviere de France, Princess de Piemont, Née à Versailles le 23. Seprembre 1759 Mariée  à  Chamberi le 6 Septembre 1775 Presenté à Versailles le 24 aoust 1775 par son Son très humble Serviteur Bligny pere Lancier du Roi	Copper Engraving	Peint par Ducreux Peintre de leurs Majestés Impériales. Gravé par L.J. Cathelin Graveur du Roi. AParis chés Bligny Lanicer du Roi Cour du Manege aux Thuileries. c.1780			I. 140 by 85mm, S. 270 by 190mm 			A Portrait of Marie Clotilde, Queen of Sardinia, Princess of Piedmont and Duchess of Savoy (1759-1802), wife of Charles Emmanuel IV of Sardinia. Although a political match, Charles Emmanuel and Marie Clothilde were devoted to each other, the happiness of their marriage marred only by their lack of progeny. Indeed, following Marie-Clothilde’s death, Charles Emmanuel was so moved and distraught that he abdicated and moved to Frascati, where he met Charles Benedict Stuart, Cardinal-Duke of York, whose death in 1807 meant that Charles Emmanuel became the last Jacobite pretender to the the throne of England. 	65	£65	unmounted	Print	Portraits	House of Savoy						
4829		 Streit, F. W. (Friedrich Wilhelm) 	Die OESTLICHE HALBKUGEL der Die oestliche halbkugel der erde in stereographischer acquatorial = projection entworfen/von Friedrich Wilhelm Streit. 	Engraving with hand colouring	Nürnberg bei Friedrich Campe. 1817			 1 map : col. ; 47.7 cm. diam., on sheet 57.5 x 49.5 cm. 			Sold as a pair [4829 & 4830]                                                                                                      1. Map of the Eastern Hemisphere. Relief shown by hachures.                            Lower right-hand corner: Representation of a solar eclipse.                                    Lower left-hand corner: Representation of a lunar eclipse.                                                                           Tooley, 1211.	1000	£1,000	mounted	Map	World Maps & Sea Charts							
4830		Streit, F. W. (Friedrich Wilhelm) 	Die WESTLICHE HALBKUGEL der Die oestliche halbkugel der erde in stereographischer acquatorial = projection entworfen/von Friedrich Wilhelm Streit. 	Engraving with hand colouring	Nürnberg bei Friedrich Campe. 1817			 1 map : col. ; 47.7 cm. diam., on sheet 57.5 x 49.5 cm.			Sold as a pair [4829 & 4830]                                                                                                      2. Map of the Western Hemisphere.  Relief shown by hachures.Lower right-hand corner: Representation of the solar year.                                    Lower left-hand corner: Representation of the planterary system                           Tooley, 1211.	1000	£1,000	mounted	Map	World Maps & Sea Charts							
4832		Nathaniel Whittock	Oxford Castle	Lithograph				I 230 x 146 mm				12	£12	unmounted	Print	Oxford	Oxford Castle						
4834		Henri Adraham Chatelain	Mapmonde ou Description Generale. du Globe Terrestre	Copper engraving	1719			440 x 340 mm				1000	£1,000	framed	Map	World Maps & Sea Charts							
4835		Van Den Keere	Montgomeri ac Merionidh Cornit. delcriptio [montgormerishire]	Copper engraving	1627			125 x 90 mm				45	£45	mounted	Map	Scotland, Ireland & Wales	Wales						
4836		Unknown	Walking Dress	Copper engraving with hand colouring	c. 1840			I 232 x 136 mm				65	£65	framed	Print	General Interest	Fashion						
4838		Grignion after Huddestord	Nobitis Inornatus	Engraving	1770			I 77 x 127 mm				65	£65	framed	Print	Oxford	Academic Dress						
4839		Grignion after Huddestord	Baccalaureus in Musica	Engraving	1770			I 77 x 127 mm				65	£65	framed	Print	Oxford	Academic Dress						
4840		Robert Walker Macbeth after Fred Walker	A Fishmonger’s Shop	Etching	22 September 1886 by Dunthorne			I 363 x 582 mm				1250	£1,250	framed	Print	Victorian							
4841		Thes Silver	A view of the Town and castle of St Augustine, and the english camp	Copper engraving	1740			I 178 x 302 mm			from Gentleman’s magazine.	250	£250	framed	Print	General Interest	Military						
4843		Gerard de Lairesse	King William III	Etching	c. 1670			I 116 x 176 mm				30	£30	unmounted	Print	Portraits	British Royalty						
4844		Unknown	The lady Mary Princess of Orange	Mezzotint	c. 1660			I 91 x 110				5	£5	unmounted	Print	Portraits	British Royalty						
4846		Delisle, William	Graecia Pars Meridionalis: Graecia Antiqua	Copper engraved with hand colour	c. 1775			480 x 645 mmm 				220	£220	unmounted	Map	Europe	Greece						
4850		William Daniell	View of Ilfracombe from Hilsborough	Aquatint	Published by Messrs. Longman & Co. Paternoster Row  & W. Daniell 9 Cleveland St. Fitzroy Square London. May 1st 1814. 			I  165 mm x 235 mm			From what is considered to be the most important 19th century colour plate book on English topography - ‘A Voyage round Great Britain undertaken in the summer of the year 1813, and commencing from the Land's-End, Cornwall, by Richard Atyon. With a series of Views Illustrative of the Character and Prominent Features of the Coast, Drawn and Engraved by William Daniell, A.R.A.’	100	£100	unmounted	Print	British Topography	Devon						
4852		William Daniell	Near Combmartin on the coast of North Devon	Aquatint	Published by Messrs. Longman & Co. Paternoster Row  & W. Daniell 9 Cleveland St. Fitzroy Square London. May 1st 1814			I  165 mm x 235 mm			From what is considered to be the most important 19th century colour plate book on English topography - ‘A Voyage round Great Britain undertaken in the summer of the year 1813, and commencing from the Land's-End, Cornwall, by Richard Atyon. With a series of Views Illustrative of the Character and Prominent Features of the Coast, Drawn and Engraved by William Daniell, A.R.A.’			unmounted	Print	British Topography	Devon						
4855		Robert Cooper	Shakspeare [Shakespeare]	Stipple	c. 1800-1820    							120	£120	mounted	Print	Portraits	Literary and Poetic						
4856		Robert White after Marcus Gheeraerts the Younger	William Camden Clarenceux	Copper engraving	c. 1691			I 287 x 190 mm, Pl. 295 x 200 mm			William Camden (1551-1623), Antiquary and historian.	45	£45	unmounted	Print	Portraits	Printmakers, Collectors and Antiquarians						
4857		Caroline Watson after R.E. Pine	Mrs. Siddons	Stipple	Publish’d May 1st 1784, by John Boydell, Engraver in Cheapside, London			I 456 x 370 mm			A portrait of Sarah Siddons in the Grecian Daughter.Sarah Siddons (1755-1831), a leading tragic actress and celebrity, Siddons dominated the London stage from 1782, when she made her debut at Drury Lane, to her farewell in 1812. Part of a powerful theatrical dynasty, her brothers were the actors Philip and Charles Kemble and her husband was the actor Henry Siddons. She was hailed as the chief interpreter of Shakespeare. Her masterpiece was Lady Macbeth as she excelled in roles that allowed her to combine passionate intelligence with pathos. The critic William Hazlitt proclaimed her 'tragedy personified'.	150	£150	mounted	Print	Portraits	Performing Arts						
4858		William Daniell	The Lighthouse on Point of Air. Flintshire	Aquatint	Published by Messrs. Longman & Co. Paternoster Row  & W. Daniell 9 Cleveland St. Fitzroy Square London. July 7 1815			I: 170 x 242 mm			From what is considered to be the most important 19th century colour plate book on English topography - ‘A Voyage round Great Britain undertaken in the summer of the year 1813, and commencing from the Land's-End, Cornwall, by Richard Atyon. With a series of Views Illustrative of the Character and Prominent Features of the Coast, Drawn and Engraved by William Daniell, A.R.A.’	100	£100	unmounted	Print	Foreign Topography	Wales						
4862		J. Hill after A. Pugin	Door of the Divinity School	Aquatint with hand colouring	Pub. for R. Ackermann’s History of Oxford.De0cr. 1., 1814			I 128 x 205 mm, Pl. 260 x 137 mm	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			120	£120		Print	Oxford	Bodleian Library						
4863		Unknown	Gresham Church, Norfolk	Copper engraving				I 61 x 44 mm				12	£12	mounted	Print	British Topography	Somersetshire						
4864		T Syer	The Abbey Church, Cheap fr & c. from th Orange Grove, Bath.	Steel engraving	c.1840			I 158 x 119 mm				45	£45	mounted	Print	British Topography	Somersetshire						
4865		P Browne	Shrewbury with the English and Coleham Bridges	Steel engraving				I 167 x 127 mm				35	£35	mounted	Print	British Topography	Shropshire						
4866		J Ryland	The South East View of Bath.	Copper engraving				I 171 x 98 mm				40	£40	mounted	Print	British Topography	Somersetshire						
4867		De Wild	The Rt. Hon. The Earl of Barrymore & Capt. Wathen as Scrub & Archer	Stipple engraving printed in colours	Printed for J. Bell British Library London July 1792			I 273 x 235 mm			Barrymore and Captn. Wathen in the comedy the Beaux Stratagem. Richard Barry, 7th Earl of Barrymore, (14 August 1769 – 6 March 1793) was an Irish nobleman.Barry was born 14 August 1769 at Marylebone, London, to Richard Barry, 6th Earl of Barrymore and Amelia Stanhope, daughter of William Stanhope, 2nd Earl of Harrington and the Lady Caroline Fitzroy.He succeeded his father as Earl of Barrymore 1 August 1773 and married Charlotte Goulding 7 June 1792. He died accidentally 6 March 1793 at Folkstone, Kent. His musket discharged while on routing French prisoners to Dover. He was buried 17 May 1793 at Wargrave in Berkshire. Despite fears of bankruptcy, the Earl died in unexpected solvency.	75	£75		Print	Portraits	Performing Arts						
4868		Kalsell after J. Walker	Bath.	Copper engraving	1795			I 167 x 110 mm				45	£45	mounted	Print	British Topography	Somersetshire						
4869		Day & Haghe Lith after G D Tomlinson	Highfield Chapel, Hunddersfield	Aquatint	1772			I 216 x 136 mm				30	£30	mounted	Print	British Topography	Yorkshire						
4870		Utagawa Kunisada [Utagawa Toyokuni III] (1786-1864)	Elegant Pastimes: Calligraphy 	Nishiki-e woodblock	Date [Western]: 1857Date [Japanese]: Fifth Month of Ansei 4Signature: Toyokuni-gaZodiacal Date Seal; Snake 5 [Hebi go]Censor Seal: aratame Publisher: Izumi-ya Ichibei 			Ôban tate-e diptych			Condition: Rubbing; colour registration poor in places	240	£240	mounted	Print	Japanese	Bijin-ga						
4872		Tombleson after Bobson	The City of Lichfield.	Copper engraving	J Britton, Burton Street Aug. 1 1826			I 212 x 137 mm				30	£30	mounted	Print	British Topography	Staffordshire						
4873			The Citizen, Act. 2 Scene.1 as performed at Covent Garden Theater by Mr. Shuter, Mr. Woodward & mr. Dyer	Copper engraving	Publish’d according to Act of Parliment J. Payne Paternoster Row March 31 1767.			I 88 x 137 mm				15	£15	unmounted	Print	Portraits	Performing Arts						
4874			Comdies [Shakespeare]	Steel engraving	The London Printing and Publishing Company			I 210 x 160 mm				25	£25	unmounted	Print	Portraits	Literary and Poetic						
4875			Shakspeare [Shakespeare]	Copper engraving				I 125 x 103 mm				20	£20	unmounted	Print	Portraits	Literary and Poetic						
4876		Heath 	Shakspeare [Shakespeare]	Copper engraving	London Published by Jones & Co. May 4, 1822			I 180 x 125 mm, Pl. 182 x 132 mm			A later strike	35	£35	unmounted	Print	Portraits	Literary and Poetic						
4877		Walker	Wolverhampton	Copper engraving	1796			I 163 x 105 mm				35	£35	mounted	Print	British Topography	Staffordshire						
4878		J Ryland	The South West View of Litchfield	Copper engraving	c.1765			I 173 x 100 mm				30	£30	mounted	Print	British Topography	Staffordshire						
4879		C F Cheffins after Henry Burns	The View of the Church and Schools is respectfully dedicated	Aquatint	T. Simpson, Market Place, Wolverhamton c. 1843			I 257 x 189 mm				50	£50	mounted	Print	British Topography	Staffordshire						
4880		Holl after Droeshout	Shakspeare [Shakespeare]	Steel engraving	William Mackenzie, London, Edinburgh & Glasgow							25	£25		Print	Portraits	Literary and Poetic						
4882		Rock	Paint Leonards on the Sea	Steel engraving	Rock & co. 1860			I 159 x 107 mm				35	£35	mounted	Print	British Topography	Sussex						
4883		William Daniell	The entrance to Amlwch harbour, Anglesea 	Aquatint	Published by Messrs. Longman & Co. Paternoster Row  & W. Daniell 9 Cleveland St. Fitzroy Square London. Feb.y 1, 1815			I: 200 x 240 mm			From what is considered to be the most important 19th century colour plate book on English topography - ‘A Voyage round Great Britain undertaken in the summer of the year 1813, and commencing from the Land's-End, Cornwall, by Richard Atyon. With a series of Views Illustrative of the Character and Prominent Features of the Coast, Drawn and Engraved by William Daniell, A.R.A.’	100	£100	unmounted	Print	Foreign Topography	Wales						
4884			Chertsey Bridge.	Steel engraving				I 232 x 183 mm				36	£36	mounted	Print	British Topography	Surrey						
4885		William Daniell	Gorran haven, Cornwall	Aquatint	Published by W. Daniell, Russell Place, Fitzroy Square, London. May 20, 1825			I: 200 x 240 mm			From what is considered to be the most important 19th century colour plate book on English topography - ‘A Voyage round Great Britain undertaken in the summer of the year 1813, and commencing from the Land's-End, Cornwall, by Richard Atyon. With a series of Views Illustrative of the Character and Prominent Features of the Coast, Drawn and Engraved by William Daniell, A.R.A.’	100	£100	unmounted	Print	British Topography	Cornwall						
4886		William Daniell	Seacombe Ferry, Liverpool	Aquatint	Published by Messrs. Longman & Co. Paternoster Row  & W. Daniell, 9 Cleveland St. Fitzroy Square London. Septr.1, 1815			I: 205 x 280 mm			From what is considered to be the most important 19th century colour plate book on English topography - ‘A Voyage round Great Britain undertaken in the summer of the year 1813, and commencing from the Land's-End, Cornwall, by Richard Atyon. With a series of Views Illustrative of the Character and Prominent Features of the Coast, Drawn and Engraved by William Daniell, A.R.A.’	100	£100	unmounted	Print	British Topography	Lancashire						
4888		Thomas Turner	Fairlight Church.	Lithograph with hand colouring	Harris Brothers’ 5 Queen st Cheapside London			I 260 x 176 mm				40	£40	mounted	Print	British Topography	Sussex						
4889		W Watts	The Seat of Sir Charles Afgill Bar.t near Richomond un Surry.	Copper engraving	1781 W Watts Chelsea			I 182 x 125 mm				40	£40	mounted	Print	British Topography	Surrey						
4891			Grand Parade, East Boundary St. Leonards.	Lithograph with hand colouring	C Graf, 1 Great Castle St. Regent St. London			I 200  x 262 mm				60	£60	mounted	Print	British Topography	Sussex						
4893		J Ryland 	The North East View of Salisbury	Copper engraving				I 173 x 97 mm				35	£35	mounted	Print	British Topography	Sussex						
4895		V. M. Picot after B. Pryce	Fleet House in Dorsetshire, a Seat of George Gould Esq. To whom this Plate id dedicated by The Author.	Copper engraving				I: 230 x 325 mm				35	£35	unmounted	Print	British Topography	Dorset						
4896		W. Woolnoth after J. Buckler	Parnham Dorsetshire. The Seat of Sir William Oglander, Bart. 	Engraving	Published as the Act directs August 18th 1814, by Nichols Son & Bentley, Red Lion Passage, London.			I: 190 x 290 mm				45	£45	unmounted	Print	British Topography	Dorset						
4897		W. Spreat	Torquay, from Park Hill	Lithograph with hand colouring	Published by W. Spreat at No. 283, High Street, Exeter.			I: 220 x 315 mm				120	£120	unmounted	Print	British Topography	Devon						
4902		George Rowe	The Lantern Hill, Ilfracombe	Lithograph with hand colouring	Published by Geo. Rowe, Mount Radford, Exeter 1829. Printed by Engelmann & Co.			I: 122 x180 mm				45	£45	unmounted	Print	British Topography	Devon						
4903		George Rowe	Lynmouth, from the Valley of East Lyn. with the Residence of J. Scott. Esq.re	Lithograph with hand colouring	Drawn and Published by G. Rowe, Exeter. W. Day Lith. to the King, London. 			I: 148 x 215 mm				45	£45	unmounted	Print	British Topography	Devon						
4904		George Rowe	Ilfracombe	Lithograph with hand colouring	Drawn & Published by George Rowe. Exeter			I: 113 x 174mm				45	£45	unmounted	Print	British Topography	Devon						
4905		George Rowe	Entrance to Linton and Lynmouth	Lithograph with hand colouring	Drawn & Published by G. Rowe, Exeter.			I: 113 x 180mm				45	£45	unmounted	Print	British Topography	Devon						
4906		George Rowe	Barnstaple	Lithograph with hand colouring	Drawn from Nature & on Stone by Geo. Rowe.			I: 121 x 183 mm				45	£45	unmounted	Print	British Topography	Devon						
4907		S. W. Reynolds after J. M. W. Turner	Dartmouth on the River Dart	Engraving	London. Published June1 1825 by W. B. Cooke, 9, Soho Square.			I: 152 x 220 mm	Rivers of England. Plate 15. 			200	£200	mounted	Print	British Topography	Devon						
4909		J. Emes after J. Laporte 	Upway House in Dorsetshire. The Seat of George Gould Esq.	Engraving	Published as the Act directs July 1,1794, by J. Nichols, Red Lion Passage, London			I: 178 x 300 mm				40	£40	unmounted	Print	British Topography	Dorset						
4910		W. Byrne & S. Middiman after T. Hearne. The Figures by F. Bartolozzi. 	Lumley Castle	Copper engraving with hand colouring	London Published as ye act directs January 1st 1779 by T. Hearne & W. Byrne			I: 180 x 250 mm				55	£55	unmounted	Print	British Topography	Durham						
4911		George Rowe	Ilfracombe from Capstone Hill	Lithograph with hand colouring	Published by G. Rowe, Exeter. Printed by Engelmann.			I: 122 x 180 mm				40	£40	unmounted	Print	British Topography	Devon						
4912		G. Cooke after J. M. W. Turner 	Watchet	Engraving	D. Appleton & Co. New York			I: 153 x 235 mm				40	£40	unmounted	Print	British Topography	Somersetshire						
4913		Konan Tanagami (fl. ca. 1910-20)	Tulips [Churippu]	Lithograph	1917 [Kyôto]			10 x 15 inches [220 x 330 mm]	Seiyo Soka Zufu [Illustrated Album of Western Plants]		From a five-volume work illustrating Occidental plants from different seasons. 	40	£40	unmounted	Print	Japanese	Kacho-e						
4914		N, de L’Armessin	Richard Talbot	Copper engraving	A Paris Chez N de L’Armessin Rue St. Jacques ala Porne d’or			150 mm x 185 mm				45	£45	unmounted	Print	General Interest	Jacobite						
4921		Unknown	Oxfordshire with some Confining Townes	Copper engraving	circa 1700			I 180 x 149 mm				30	£30	mounted	Print	British Topography	Oxfordshire						
4922		Unknown	Barges on the River Isis Oxford	Photograph	circa 1870			I 163 x 96 mm				45	£45	mounted	Print	Oxford	General Views						
4925		J. Faber after T hundson	Flora Macdonald	Engraving	c.1810			I 110 x 140 mm				60	£60	unmounted	Print	General Interest	Jacobite						
4927			View of Lulworth Castle in the County of Dorset	Engraving	Engraved for England Displayed			135 x 245 mm				30	£30	unmounted	Print	British Topography	Dorset						
4928		W. Watts after Lord Duncannon	Lulworth Castle in Dorsetshire, the Seat of Humphry Weld Esq. 	Engraving 	Published as the Act directs April 1st 1785 by W. Watts, Chelsea			I: 125 x 180 mm				20	£20	unmounted	Print	British Topography	Dorset						
4929			Breakwater & Menstone from Mount Edgecumbe	Lithograph with hand colouring	Published 1865 at Wood’s Fine Art Depot 22 George St. Plymouth			I: 270 x 377mm				120	£120	unmounted	Print	British Topography	Devon						
4932		W. B. Cooke after J. M. W. Turner R. A. 	Weymouth, Dorsetshire	Steel engraving	London: Published by John Murray, Albemarle Street Mar 1 1814			I: 146 x 215 mm				40	£40	unmounted	Print	British Topography	Dorset						
4934		D. Havell after H. Haseler	Ringmoor, on the River Teign 	Lithograph with hand colouring	Published by J. Wallis Marine Library, Sidmouth			I: 90 x 135 mm 				45	£45	unmounted	Print	British Topography	Devon						
4939		D. Havell after H. Haseler	View of Torquay	Lithograph with hand colouring	Published by J. Wallis, Marine Library, Sidmouth			I: 86 x 137 mm				45	£45	unmounted	Print	British Topography	Devon						
4941		Corné-Germon after Tichon 	Baudouin [Count of Flanders]	Lithograph	H. Tichon. 91. Édité par E de Connick Rue Royale, 75, Bruxelles. Lith. Corné-Germon, Bruxelles. (1891)			I.350 by 330mm, S. 455 by 360mm			Portrait of Baudoin, Prince of Belgium (1869-91) in the uniform of the Chasseur Regiment. 	25	£25	unmounted	Print	Portraits	Foreign Royalty						
4942		[After Jansoone]	La famille Royale de Belgique	Lithograph	Publié par E. Allognier, ancien employé au Ministre des Trav. publics. 1850 			I.310 by 280mm, S. 470 by 375mm			A portrait of Leopold I of Belgium (1790-1865) with his wife, Louise-Marie of Orléans (1812-1850) , daughter of King Louis-Philippe of  France, with their children, Leopold, later King Leopold II of the Belgians (1835-1909) as Duke of Brabant in the uniform of the  Regiment Grenadiers-Beveiligingsbataljon der Koninklijke Paleizen. His brother , Philippe Eugène, Count of Flanders (1837-1905) and his sister Marie-Charlotte (1840-1927), later Empress of Mexico. The Print appears to be after the drawing of the family by George Jansoone, although the position of the figures has been radically altered. 	35	£35	unmounted	Print	Portraits	Foreign Royalty						
4943		Terzaghi	Principessa Reale Carlota di Belgio	Lithograph	Lit. de’ Fratli. Terzaghi Milano presso A. Bossi piazza del Duomo 4079  (c.1860s)			I.320 by 200mm, S. 450 by 325mm			A Portrait of Princess Charlotte of Belgium and Saxe-Coburg (1840-1927), wife of Archduke Maximilian of Austria, and later Empress of Mexico. This lithograph, was, as the title suggests, done before her departure for Mexico and, indeed, before her marriage to Maximilian in 1857. 	50	£50	unmounted	Print	Portraits	Foreign Royalty						
4944		[V.R. Hauchet?]	[Albert I, King of the Belgians]	Lithograph	[VR Hauchet] 5 April 1934			I. 335 by 275mm, S. 645 by 495mm			A portrait of King Albert I of the Belgians (1875-1934) done to comemorate his tragic death in a climbing accident at Marche-les-Dames. He is shown in an army uniform, a familiar image of a king who had so famoulsy personally lead his troops during the course of World War I.	45	£45	unmounted	Print	Portraits	Foreign Royalty						
4945		P. Simonau	Leopold Ier Roi des Belges, Né le 16 Décembre 1790, Elu par le Congrès National le 4 Juin et inauguré le 21 Juillet 1831-Louis d’Orléans, Reine des Belges Née à Palermo le 3 Avril 1812. Mariée à Compiègne le 9 août 1832	Lithograph	Chez  Avanzo, Md d’Estampes, à Bruxelles. Lith de P. Simonau  c.1832			I. 280 by 200mm, S. 390 by 335mm			A double Portrait of King Leopold I of  Belgium (1790-1865) with his wife, Louise-Marie of Orléans (1812-1850) , daughter of King Louis-Philippe of  France. It commemorates the marriage of the pair, an idea that is made explicit by the ‘coats of arms’ of France and Belgium (the Cockerel and the Lion) being brought together by the Belgian Lion above the motto “L’Union fait la Force” 	20	£20	unmounted	Print	Portraits	Foreign Royalty						
4948		W Gauci	Ilfracombe harbour	Lithograph with hand colouring	J Banfield, Library Ilfracombe			I 190 x 121 mm				65	£65	unmounted	Print	British Topography	Devon						
4949		G Rowe	Lynmouth from the pier	Lithograph with hand colouring	G. Rowe			I 190 x 120 mm				45	£45	unmounted	Print	British Topography	Devon						
4950		Geo Rowe	Clovelly. Devon	Lithograph with hand colouring	G Rowe, Mount Radford, Exeter			I 180 x 118 mm				45	£45	unmounted	Print	British Topography	Devon						
4952		J Martin	Ilfracombe from Hillsborough	Lithograph with hand colouring	L Banfield, library, Ilfracombe			I 260 x 180 mm				70	£70	unmounted	Print	British Topography	Devon						
4953		W Gauci after H Strong	Ilfracombe from the field above tor Cottages	Lithograph with hand colouring	J Banfield, Library, Ilfracombe			I 270 x 181 mm				75	£75	unmounted	Print	British Topography	Devon						
4954		W Gauci after H Strong	Lynmouth, from near the pier	Lithograph with hand colouring	J Banfield, Library, Ilfracombe			I 262 x 180				70	£70	unmounted	Print	British Topography	Devon						
4955		C Risdon after W Spreat	Ilfracombe, The Capstan Hill Parade	Lithograph with hand colouring	W Spreat at 263, High Street, Exester & Mefs.rs Ackermann & Co, 96 Strand London			I 295 x 187 mm				70	£70	unmounted	Print	British Topography	Devon						
4958		G Rowe	Linton and Lynmouth	Lithograph with hand colouring	G Rowe, Exeter Hall, Grosvenor St, Cheltenham			I 250 x 195 mm				70	£70	unmounted	Print	British Topography	Devon						
4959		Hullmandel & Walton after W Spreat	Teignmouth. The Den	Lithograph with hand colouring	W Spreat at No 263, High Street, Exeter, and Hamilton Adams & co Paternaster Row, London			I 286 x 185 mm				70	£70	unmounted	Print	British Topography	Devon						
4960		G Rowe	Lynmouth, From the Pier	Lithograph with hand colouring	G Rowe, 9 Clarence Str. Chelt.			I 310 x 190 mm				70	£70	unmounted	Print	British Topography	Devon						
4961		W Gauci	Lynmouth from the Torris	Lithograph with hand colouring	J Banfield. Library. Ilfracombe			I 265 x 173 mm				60	£60	unmounted	Print	British Topography	Devon						
4963		William Gauci after Rev J. Bulwer	The Harbour of Ilfracombe	Lithograph with hand colouring	Englemann Graf, Coindet & co 92 Dean St.Sohe, & J Banfield, Library, Ilfracombe 1828			I 269 x 183 mm				70	£70	unmounted	Print	British Topography	Devon						
4964		G Rowe	Linton and Lynmouth. from the Summer House on Lyn Cliff	Lithograph with hand colouring	G. Rowe, Exeter			I 193 x 121 mm				45	£45	unmounted	Print	British Topography	Devon						
4965		G Rowe	Lynmouth, Devon	Lithograph with hand colouring	G Rowe, 9 Clarence St. Cheltenham			I 275 x 185 mm				70	£70	unmounted	Print	British Topography	Devon						
4967		Jones after Bastien	S.M. Albert I Roi des Belges 	Chromolithograph	Des presses de Geo. W. Jones à l’Enseigne du Dauphin. Gough Square. Fleet Street. Londres. Avec l’autorisation de la Majesete le Roi des Belges - Avril 1918			I. 230 by 190mm, Pl .330 by 215mm, S. 405 by 285mm 			A portrait of King Albert I of the Belgians (1875-1934) done to raise money for the hospitals that had been set up for wounded Belgian soldiers. He is shown in an army uniform, a familiar image of a king who had so famoulsy personally lead his troops during the course of World War I.	30	£30	unmounted	Print	Portraits	Foreign Royalty						
4968		J. Salter	Hesketh crescent, Torquay	Lithograph with hand colouring	Day & son. Lithrs to the Queen c.1850			I 385 x 230 mm				100	£100	unmounted	Print	British Topography	Devon						
4969		Donon after Legrand 	Leopoldo Io Reye de los Belgas	Lithograph	C. Legrand dibo. y. lito. Lit. de J. Donon, Madrid, c.1840			I. 165 by 50mm, S.270 by 170mm 			A Spanish Lithograph of Leopold I (1790-1865), King of the Belgians, in what appears to be the grounds of his Palace at Laeken. 	20	£20	unmounted	Print	Portraits	Foreign Royalty						
4970		Schlick	Leopold Georg Friedrich, Prinz von Sachsen-Coburg	Copper engraving	Schlick  (c.1820) 			I. 155 by 110mm, S. 2690 by 200mm			A Portrait of Leopold I of Belgium (1790-1865) when he was Prince of Saxe-Coburg (-Saalfeld, following the territorial swap just after his birth). He is shown with the decorations which he won for his bravery in the Napoleonic wars. He served in the Russian Army against Napoleon and rose to the rank of Lieutenant-General, a rank that is suggested by his military uniform, which could, underneath the medals, could be the uniform of a post-Napoleonic wars period Russian General. 	15	£15	unmounted	Print	Portraits	Foreign Royalty						
4971		Delpech and Courr after Belliari 	Louise Marie d’Orléans, Reine des Belges 	Lithograph	S. Belliari . Courr pinxt. Imp. Lith de Delpech, A Paris. c.1830s			I.255 by 230mm, S. 480 by 310mm			Louise-Marie of Orléans (1812-1850) , Queen of Belgium, daughter of King Louis-Philippe of  France, who married King Leopold I at Compiègne in 1832. 	30	£30		Print	Portraits	Foreign Royalty						
4972		J. Salter	Jorquacy from Park Hill	Lithograph with hand colouring	Day & Son Lith to the Queen			I 370 x 250 mm				100	£100	unmounted	Print	British Topography	Devon						
4973		R Cooper after F Lover	Lady Morgan [nee Owenson]	Stipple and line engraving	June 14 1825 by Henry Colburn 8 New Burlington St. London			I 105 x  140 mm			O’D 4 ii/iiSydney, Lady Morgan (1783?-1859), Painter, Novelist, song-writer. Robert Cooper (floruit 1795-1836). Samuel Lover (1797-1868), Songwriter, novelist and painter. 	60	£60	mounted	Print	Portraits	Literary and Poetic						
4976		J & H Storer	Carfax Church	Copper engraving	London Pubd. June 1 1821 by Dherwood, Neely & Jones			I 97 x 79 mm				25	£25	mounted	Print	Oxford	Oxford Churches						
4981			Dorchester Abbey, Dorset	Etching				I 162 x 99 mm				25	£25	mounted	Print	British Topography	Dorset						
4983		J. Le Keux after F. Mackenzie	The Great Quadrangle Christchurch	Steel engraving	Published Feb. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 133 x 105 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35	£35	mounted	Print	Oxford	Christ Church College						
4987		W. Backshell	“Oxford Wins!” Over the Thames, April 1865	Steel engraving with hand colouring	circa 1870			I 147 x 102 mm				40	£40	mounted	Print	Sports	Rowing						
4989		A. Brunel-Debaines	[Magdalen Tower from Christchurch Meadow]	Etching				I 145 x 200				50	£50	mounted	Print	Oxford	Magdalen College						
4992		Lizars	The Springer	Copper engraving	c. 1840			I: 6 x 4 inches				30.00	£30	mounted	Print	General Interest	Cats and Dogs						
4993		Vincent Brooks	Sheep Dogs	Chromolithograph	Day & Sons 1880			I: 8.5 x 6.5 inches	Cassell’s Illustrated Book of the Dog			50.00	£50	mounted	Print	General Interest	Cats and Dogs						
4994		Vincent Brooks	English Setter “Ranger III”, The Property of the Revd J.C. Macdona	Chromolithograph	Day & Sons, 1881			I: 8.5 x 6.5 inches	Cassell’s Illustrated Book of the Dog			50.00	£50	mounted	Print	General Interest	Cats and Dogs						
4997		Eduard de Wael	Griffons D’Arret Francais	Lithograph	Rue Verte, 116, Bruxelles			I: 10 x 6.75 inches	L’Acclimation Illustree			40.00	£40	mounted	Print	General Interest	Cats and Dogs	2					
5002		J. Scott	Pluto and Juno	Copper engraving	Published May 1, 1902, by Bunney and Gold, 103, Shoe Lane, London 			A: 9.5 x 7.6 inches				70.00	£70	mounted	Print	General Interest	Cats and Dogs						
5003		Vincent Brooks		Chromolithograph	1881			I: 6.1 x 4.75 inches				45.00	£45	mounted	Print	General Interest	Cats and Dogs						
5004		Vincent Brooks	Bloodhound “Don”, The Property of Mrs. Humphries	Chromolithograph	1881			I: 8.6 x 6.5 inches				55.00	£55	mounted	Print	General Interest	Cats and Dogs						
5006		Vincent Brooks	Pomeranian Dog, “Charley”, The Property of Mr James Fawdrey; Maltese “Hugh”, The Property of Lady Giffard		Day & Son, Ltd. 1881			I: 8.6 x 6.5 inches				50.00	£50	mounted	Print	General Interest	Cats and Dogs						
5007		Vincent Brooks	Rough Coated St. Bernards	Chromolithograph	Day & Son, Ltd. 1881			I: 8.6 x 6.5 inches				60	£60	mounted	Print	General Interest	Cats and Dogs						
5008		Vincent Brooks	Foxhound (Archer)	Chromolithograph	Day & Son 1881			I: 8.6 x 6.5 inches				50.00	£50	mounted	Print	General Interest	Cats and Dogs						
5009		Vincent Brooks	English Terriers	Chromolithograph	Day & Son 1881			I: 8.6 x 6.5 inches				60	£60	mounted	Print	General Interest	Cats and Dogs						
5010		Vincent Brooks	Herr Wuster’s Tiger German Mastiff, “Flora”	Chromolithograph	1881			A: 6 x 5.25 inches				40	£40	mounted	Print	General Interest	Cats and Dogs						
5011		Vincent Brooks	St Bernard, “Abbess”	Chromolithograph	Cassell & Company Limited, London 1881			I: 8.6 x 6.5 inches				50.00	£50	mounted	Print	General Interest	Cats and Dogs						
5016		Dean after Ross	Prince Phillipe, Count of Flanders 	Copper engraving	Painted by Sir W. Ross, R.A. Engraved by T.A. Dean , c.1845			S. 70 x 50mm, P. 225 x 150mm,. S. 270 x 190mm			A Portrait of Philippe (1837-1905), Count of Flanders as a child. Philippe is perhaps most known in Belgian history for fathering Albert I, who suceeded Philippe’s brother, Leopold II, in 1909.	15	£15	unmounted	Print	Portraits	Foreign Royalty						
5017		W. Hopwood after E.T. Parris 	The Queen of the Belgians in her Wedding Dress	Copper engraving	Engraved by W. Hopwood, from an Original Drawing by E.T. Parris. Published in the Court Magazine No.4 for Oct. 1832 by Edward Bull, 26 Holles St. Cavendish Square (c.1832)			I.155 x 100mm, S. 240 x 145mm			Louise-Marie of Orléans (1812-1850) , Queen of Belgium, daughter of King Louis-Philippe of  France, who married King Leopold I at Compiègne in 1832. 	8	£8	unmounted	Print	Portraits	Foreign Royalty						
5018			Marie - Louise d’Orléans, Reine des Belges	Copper engraving with hand colouring	[c.1840]			I. 190 by 105mm, S. 240 by 145 			Louise-Marie of Orléans (1812-1850) , Queen of Belgium, daughter of King Louis-Philippe of  France, who married King Leopold I at Compiègne in 1832. 			unmounted	Print	Portraits	Foreign Royalty						
5029		George Pyne (1800 - 1884)	Wadham College, Oxford	Watercolour	circa 1840			210 x 151 mm				1500	£1,500	framed	Print	Oxford	Wadham College						
5031			Boney and his New Wife, or a Quarrell about_Nothing!! Husband, what makes you so sulky this morning, My Dear? Wife, Nothing_ Husband, what is the matter with you? Wife, Nothing__ Husband, you were in very good Humour last Night, pray what have I done to offend you?_ Wife, you have done Nothing _ that’s the reason_	Etching with hand colouring	Published by T. Tegg 111 Cheapside Aug. 16 1810			I 321 x 218 mm			Not in BM Catalogue	250	£250	unmounted	Print	General Interest	Caricatures						
5032		Unknown	Tartans of some of the Scottish Clans	Chromolithograph	1895			I. 575 x 244 mm	Boys own Paper			150	£150	mounted	Print	General Interest	Heraldry						
5039		E. Desvochers	Henriete Adelaide De Savoye Duchesse Electrice De Baviere	Copper engraving				I 145 x 111 mm, Pl. 155 x 120 mm			Henriete Adelaide (d. 1676), daughter of Victor Amadeus I and wife of Ferdinand Maria, Elector of Bavaria Ex. Col Hous eof SavoyRoyal Collection stamp on verso 	35	£35	unmounted	Print	Portraits	Forgein Nobility						
5040		F. Legrand after W.Wach	Elisabeth Ludovica, Prinzessin von Bayren vermählte Kroprinzessin Preussens	Lithograph	Gedrim Konigl. Lith Institiut von Doulle			I 235 x 195 mm, S 462 x 311 mm			Born 1801 in Munich, Died 1873 in Dresden.  Daughter of Maximillian I Joseph King of Bavaria Karoline Friederike Wilhelmine OF BATHING, Ex. Col. House of Savoy	45	£45	unmounted	Print	Portraits	Foreign Royalty						
5041		Ballagny safter A. Besteghi	Arciduchessa Augusta Principessa Toscana	Lithograph				I 270 x 260 mm vignette			Wife of Leopold II Archduke of BavariaEx. Col.  House of Savoy	45	£45	unmounted	Print	Portraits	Foreign Royalty						
5042		Giovanni Eosella after Raff. Bonajuti	Sua. A.I.e R, Augusta Ferdinanda di Toscana Arcid. d’Austria Princ. di Bavaria.	Copper engraving				I 165 x 110 mm, Pl. 310 x  215 mm			Wife of Leopold II Archduke of BavariaEx. Col.  House of Savoy	40	£40	unmounted	Print	Portraits	Foreign Royalty						
5043		F. Spragnoli after F. Calendi	S.A.I, e R. L’ Arciduchessa Augusta Principessa di Toscana	Copper engraving				I 130 x 120 mm, Pl. 265 x 190 mm			Wife of Leopold II Archduke of Bavaria and Archduchess of BavariaEx. Col.  House of Savoy	30	£30	unmounted	Print	Portraits	Foreign Royalty						
5044		v. J. Fertig after Gemalt v. J. Stieler	Ihre Kaiser Hoheit Prinzellin Luitpold von Bayern geborne Erzherzogin von Oesterreich Prinzessin von Toscana.	Lithograph				I 275 x 225 mm, S 430 x 330 mm			Wife of Leopold II Archduke of Bavaria and Archduchess of BavariaEx. Col.  House of Savoy	40	£40		Print	Portraits	House of Savoy						
5045		Ducarme after Waldher	Therese Chartte Luise Königinn von Baÿern	Lithograph	by Tessary & Compe. in Augsburg			I 182 x 147 mm oval, S 335 x 227 mm			Prinzessin von Sachsen-Hildburghausen b. 8 July 1792, d. 26 October 1854	35	£35	unmounted	Print	Portraits	Foreign Royalty						
5046		Charles Williams	Boney Bothered or an Unexpected Meeting	Copper engraving with hand colouring	London Pub.d July 9th 1808 by Tho.s Togg 111 Cheapside			I 307 x 229 mm			BM Satire 10995 	300	£300	unmounted	Print	General Interest	Caricatures						
5048		William Elmes	The Imperial Conquest Cheding its Baneful Influence	Copper engraving with hand colouring	Sept.r 25 1811 Publ.d by Thos. Tegg, 111 Cheapside Price one shilling coloured			I 327 x 215 mm 				320	£320	unmounted	Print	General Interest	Caricatures						
5050		William Elmes	The Oath of Allegiance To the Infant King of Rome	Copper engraving with hand colouring	Pub.d Janu.r 12 1813 by Thos. Tegg No. 111 Cheapside London			I 330 x 216 mm			BM Satires 11998	300	£300	unmounted	Print	General Interest	Caricatures						
5052		William Elmes	The Gallic Magi led by the Imperial Comet	Copper engraving with hand colouring	Pub.d Sept 24 1811 by Thos. Tegg No. 111 Cheapside London			I 328 x 218 mm			BM Satires 11737	400	£400	unmounted	Print	General Interest	Caricatures						
5060		P. Roberts	Russian Amusement or the Corsican footBall	Copper engraving with hand colouring	Pub.d Janry. 1st 1812 by T. Tegg 111 Cheapside, London			I 323 x 233 mm			BM Satires 12175	280	£280	unmounted	Print	General Interest	Caricatures						
5062		G. Hollis after G. Cooper	Christ Church College, The Town Hall &c. from Carfax	Copper engraving	Published by R. Pearson High Street 1817 			I 172 x 90 mm	for the Walks in Oxford 			45	£45	mounted	Print	Oxford	Christ Church College						
5063		J & F. Harwood	Oxford	Steel engraving	London J & F Harwood, 26 Fenchurch Street, c. 1860			I 125 x 96 mm				45	£45	mounted	Print	Oxford	High Street Views						
5065		G. Hollis	Oxford from Ifley	Copper engraving	Published by R. Pearson High Street 1817			I 167 x 90 mm	Walks in Oxford			45	£45	mounted	Print	Oxford	General Views						
5067		Fredrick Slocombe	An Oxford College Walk	Etching	London  J.S. Virtue & Co. Limited 1889			I 259 x 182 mm				70	£70	mounted	Print	Oxford	General Views						
5070		John Fulwood	Henley	Etching	Published 1889 by J.S. Virtue and Co.			I 250 x 176 mm			As published in Fifty Choice Examples of Modern Etchings, 1889 	90	£90	mounted	Print	British Topography	Oxfordshire						
5072			Eton College	Copper engraving	circa 1750			I 190 x 104 mm				35	£35	mounted	Print	British Topography	Public Schools						
5073		Joh. Martin Will	Maria Theresia Imperatrix Rom: Hungariae et Bohemia Regina Arch: Ducissa Aus triaeae. Est magna virtutis, felix Familia Spei Mater, gaudiu que Popili.	Copper engraving				I 280 x 190 mm, Pl. 285 x 195 mm			Ex. Col. House of Savoy	70	£70	unmounted	Print	Portraits	Foreign Royalty						
5076		Corm Galle Junior after Van Dyke	Maria Austruaca Ferd III Uxor I Dei G. Imp Rom. Semp A. Erm. Hung. Boh. Reg. Archiducissa Austr. Ducissa Bhurgun.		Jo. Meyssens published c. 1645 			I. 247 x 187 mm S 270 x 187 mm			Trimmed inside of plate and some damaged in upper corners and backed onto 18th century paperEx. Col House of Savoy	45	£45	unmounted	Print	Portraits	Foreign Royalty						
5077		Pietro Minutolo after Cav. Tom Aloysio Juvara	Maria Amalia Borbone Infanta Di Spagna, Principessa Delle Due Sicilie Nata il di 25 Febbrajo 1818, morta il de 6 Novembre 1857	Lithograph				I 230 x 185 mm				30	£30	unmounted	Print	Portraits	Foreign Royalty						
5079		Pearson	Balliol College	Wood Engraving	circa 1870			I 177 x 127 mm				25	£25	mounted	Print	Oxford	Balliol College						
5080		M. S. Carmona after G. Boltri	Luisa De Borbon Princesa De Asturias	Copper engraving	1774			I 170 x 112 mm, S 210 x 150 mm			Ex. Col. House of Savoy	15	£15	unmounted	Print	Portraits	Foreign Royalty						
5081		F.W. Bollinger after Mde. Schopfer	Elisabeth Kronprinzessin von Preussen	Stipple engraving	Published by J. Waldherr in Munchen del 1823			I 195 x 155 mm oval, pl. 285 x 215 mm			Ex. Col. House of Savoy	25	£25	unmounted	Print	Portraits	Foreign Royalty						
5082		T. Axmann after F Rensch	Amalia Princzessin von Sachsen	Copper engraving				I 102 x 80 mm			Ex. Col. House of Savoy	5	£5	unmounted	Print	Portraits	Foreign Royalty						
5083			Maria Ana Reine de Sajonia	Lithograph with tint stone				I 192 x 132 mm, S 260 x 172 mm			Ex. Col House of Savoy	15	£15	unmounted	Print	Portraits	Foreign Royalty						
5084		C. Nogel	Maria Theresia, Konigin von Sachsen geb Erzherogin von Oestereich	Lithograph	Auf Stein gexeichnet und gedruckt von Louis Zoellner in Atelier von Lemercier. Paris 1829			I 280 x 230 mm, S 545 x 405 mm			Ex. Col House of Savoy	45	£45	unmounted	Print	Portraits	Foreign Royalty						
5086		Raffaelle Morghen after Vincenzo Gozzini	Sua Altezza Imperiale e Reale Maria Ferdininanda Principessa Sassonia Granduchessa di Toscana ec.ec.ec.		1822			I 152 x 124 mm, Pl. 327 x 242 mm				60	£60		Print	Portraits	Foreign Royalty						
5087		Gauliossi	Grande Costume De Mariage de S. Altesse Royale Marie Caroline de Naples Duchess de Berry		A Paris chez Gautier Quai des Augustins No 37, c. 1816			I 270 x 190 mm			Caroline Ferdinande Louise, duchesse de Berry (1798-1890).She was the daughter of Francis I of the Two Sicilies and married Charles Ferdinand, duc de Berry in 1816, thus becoming duchess of Berry. She became an important figure during the Restoration after the assassination of her husband in 1820. Her son, Henri V, was named the "miracle child" because he was born after his father's death and continued the Bourbon line.She unsuccessfully attempted to restore the Bourbon dynasty in the reign of Louis Philippe (1798-1890), known as the July Monarchy. Her failed rebellion in the Vendee in 1832 was followed by her arrest and imprisonment in November 1832. She was released in June 1833 only after giving birth to a child and revealing her secret marriage to an Italian prince.She also attempted to set up her son, Henri V as king of France in 1832. Dumas wrote two stories about her and her plotting.	45	£45	unmounted	Print	Portraits	Foreign Royalty						
5088		Linati	Frederique Louise Wilhelmine, Reine Des P.B.	Lithograph				I 190 x 160 mm				25	£25	unmounted	Print	Portraits	Foreign Royalty						
5089		Emery Walker after Edmund Hort New	The College of St Mary of Winchester or New College, in the University of Oxford founded by William of Wykeham Bishop of Winchester & Chancellor of England AD 1379	Photogravure	Published by Edmund Hort New: 17 Worcester Place Oxford A.D. 1915			I 382 x 345 mm			Edmund Hort New, known as E.H. new was born in Evesham in 1871. He was the son of an important lawyer. He attended the Birmingham Municipal School of Art. He began painting landscape and later he devoted himself to illustration.  Early in his career he worked with Ruskin and other associated Arts and Crafts artists.  He latter went on to work for William Morris's Kelmscott Press. The influence of these experiences is evident in his prints - the decorative boarders, armorials, etc.   Over a period of years New did a series of prints of the Oxford Colleges based on the David Loggan's 1675 aerial perspectives.  New took Loggan's format and enriched his prints with many fine details of and abut the colleges and they are valued today by many collectors because of the high level of detail and the fact that they represent the colleges in their present state. These prints were made through a relatively new process at the time - photo engraving.  Like photogravures the print is made by transferring a photo to a copper plate and then printing it.  With the E.H. New prints, a contact print of New's pen and ink drawing was made and the large negative attached to a plate which was then exposed in an acid bath, the acid only biting where the negative was clear; thus, creating and engraved plate of New's drawing.  The prints were available separately at shops in Oxford such as Ryman's in the early part of the 20th century. 	380	£380	mounted	Print	Oxford	New College						
1681		J. Le Keux after F. Mackenzie	All Saints Church	Steel engraving with hand colouring	Published Sept. 1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 135 x 95 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35	£35	mounted	Print	Oxford	Lincoln College						
5096		Ramble, Reuben	Berkshire	Lithograph	c. 1845			A: 6.25 x 7.75 inches				120.00	£120	mounted	Map	English Counties	Berkshire						
5097		Moll, Hermann	Berkshire	Copper engraving	1724			A: 12.2 x 7.6 inches			Herman Moll was born in Germany and came to England in the 1670s.  He worked as an independant cartographer and geographer and traded as a map publisher and seller for two years and then worked for other publishers.  Moll established his own business and eventually dominated the early eighteenth century map trade.  He produced many maps and atlases of England, Wales,  Scotland and Ireland.  His county maps were all boldly engraved in a heavy style. 	170.00	£170	mounted	Map	English Counties	Berkshire						
5098		R.K. Dawson	Windsor (From the Ordnance Survey)	Lithograph	R. Cartwright, Lithograph Printer, Warwick Place			A: 10 x 10 inches				40.00	£40	mounted	Map	English Counties	Berkshire						
5100		Walker	Berkshire	Copper engraving	Drawn and Engraved for Lewis Topographical Dictionary c. 1830			I: 170 x 234 mm				40.00	£40	mounted	Map	English Counties	Berkshire						
5102		Kip after Saxton	Bedford comitatus olim pars cathifvclanorvm	Copper engraving with hand colouring	c. 1610			I: 270 x 330 mm			Saxton, Christopher (c.1543-1610/1611) b. near Dunningley, West Yorkshire. Estate Surveyor and Draughtsmen, apprenticed to the cleric and cartographer John Rudd. Under his tutelage Saxton developed the skills to become the man now klnown as ‘the father of English cartography’. Saxton carried out an extensive topographical survey of England and Wales, 1573-1578 under the patronage of Thomas Seckford. 34 county maps based on the surveys were engraved between 1574 and 1578 by Remy Hogenberg, Lenaert Terwoort, Cornelis de Hooghe, Augustine Ryther, Francis Scatte, and Nicholas Reynolds, forming the first atlas of England and Wales. The work was the basis for many later maps. The maps were issued by Saxton in untitled volumes from 1579, subsequently resissued as The Shires of England and Wales, William Web 1645, Philip Lea 1693 (with added maps), French edition Atlas Anglois, philip Lea 1693, as the Shires of England and Wales, G. Willdey 1732, T Jefferys 1749, and finally in an untitled version by C. Dicey c. 1770 wall map of England and Wales (20 sheets)	240.00	£240	mounted	Map	English Counties	Bedfordshire						
5103		Hall, Sidney	Bedfordshire	Steel engraved	London Published by Chapman & Hall Arundel Street, the Strand, 1833			I: 245 x 182 mm				30.00	£30	mounted	Map	English Counties	Bedfordshire						
5104		Christopher Saxton and William Hole	Englalond Anglia Anglosaxonvm Heptarchia Terra Armis Animusique Potens 	Copper engraving	1610			I: 272 x 319 mm				250.00	£250	mounted	Map	England & the British Isles	England						
5107		J & C Walker	Jersey	Steel engraving	Drawn and Engraved for Lewis’ Topographical Dictionary			I: 180 x 232 mm				35.00	£35	mounted	Map	England & the British Isles	British Islands						
5111		Moule	Isle of Man	Steel engraving	London, Published by G. Virtue, 26 Ivy Lane, June 1, 1843.			I: 195 x 270 mm				100.00	£100	mounted	Map	England & the British Isles	British Islands						
5127			Carticeya	Copper engraving	ca. 1788			I: 7 1/4 x  5 1/2 in. 			Carticeya or Kartikeya is a virile Hindu war god, formely associated with Alexander the Great. He is the son of either Agni or Shiva.	40	£40	mounted	Print	Foreign Topography	India						
5132			[Exeter College]	Photograph	c. 1900			Image 200 x 260mm				30	£30	mounted	Print	Oxford	Exeter College						
5133			[New College Cloisters]	Photograph	c. 1900			90 x 140 mm				30	£30	mounted	Print	Oxford	New College						
5149		Pigot, James	Oxfordshire.	Steel engraving with hand colouring	Published by Pigot & Co. 17 Basing Lane London & 18 Fountain St. Manchester, 1831 			352 x 220 mm 	From Pigot & Co’s British Atlas		Pigot & Son produced a very finely engraved series of oblong county maps for theur various National Commercial Directoris and these were issued  collectively as Pigot & Co’s British Atlas in 1831	150.00	£150	framed	Print	British Topography	Oxfordshire						
5150		M. Darly	Plan & Elevation of a Bridge at Tho. Brand’s Esq.r of the Floo in Hertfordshire. Plan & Elevation dune Pont de Thos Brand Ecuyer.	Copper engraving	circa 1780			I 379 x 250 mm				50	£50	mounted	Print	General Interest	Architecture						
5152		C. Davies after W.A. Delamotte	West View of Blenheim The Seat of his Grace the Duke of Marlborough	Etching	Pub.d by Henry Slatter, Oxford  circa 1850			I 140 x 84 mm				45	£45	mounted	Print	British Topography	Oxfordshire						
5153		Prattent	Blenheim House. Built at the expence of the Public and Settled on the Duke of Marlborough and his Posterity	Copper engraving	circa 1790			I 166 x 92 mm				55	£55	mounted	Print	British Topography	Oxfordshire						
5155		J.C Stadler after J. Farrington	View at Blenheim	Aquatint	Pub.d June 1 1793 by J & J Boydell Shakspear			Image 219 x 309 mm				150	£150	mounted	Print	British Topography	Oxfordshire						
5156		Prattent	Blenheim House Built at the Expence of the Public and Settled on the Duke of Marlborough & His Posterity	Copper engraving	Engraved for Harrisons Edition of Tindals Continuation of Rapins History of England circa 1800			I 390 x 216 mm				120	£120	mounted	Print	British Topography	Oxfordshire						
5157		I. Clark after H. Alken	Salmon Fishing	Lithograph with hand colouring	London Published by T. McLean Jan.y 1 1820			I 294 x 200 mm				120	£120	mounted	Print	Sports	Fishing						
5158		N. Curriers	Aubers Celebrated Opera. “Le Dieu et la Bayadere”. Respectfully Dedicated to Madlle. Augusta	Lithograph	Published by Hewitt & Jacques 239 Broadway, New York			I 304 x 205 mm				170	£170	mounted	Print	General Interest	Ballet						
5159		Grevedou	Mlle. Noblet de l’Academie Royale de Musique	Lithograph				I 392 x 275 mm				160	£160	mounted	Print	General Interest	Ballet						
5160		Endicotts	The Celebrated Polka Dances, New York	Lithograph	Published by Firth and Hall 4 Franklin Sq. and Firth Hall & Pond 239 Broadway Entered according to Act of Congress in the year 1844 by S.C. Jollie in the Clerks Office of the District Court of the Southern District of N. York			I 305 x 234 mm				160	£160	mounted	Print	General Interest	Ballet						
5161		R. Cooper after F. Waldeck	(Kings Theatre) Mons.r Le Blond, (Haymarket)	Copper engraving	Published by H. Berthoud Jun.r July 19th 1822			I 240 x 160 mm				140	£140	mounted	Print	General Interest	Ballet						
5162		N. Curriers 	Quadrilles from Aubers Celebrated Opera “Le Dieu et la Bayadere”. Respectfully Dedicated to Mad.lle Augusta	Lithograph	N. Curriers Lithography 1836			I 270 x 200 mm			Caroline Augusta Josephine, Therese Fuchs 1806-1901 New york’s 1st Gisele 1846 but greatest success in “La Bayadere”.	170	£170	mounted	Print	General Interest	Ballet						
5163			Bacon’s New Map of the Isle of Wight: An exact reduction of the Six Inch Ordanance Survey. 	Lithograph on fabric and printed in two colours	London: G.W. Bacon  & Co. Ltd 127, Strand			435 x 625 mm			Scale ._ One Inch to the Mile.With inset plans of Ryde, Ventnor and Newport	120.0	£120	unmounted	Map	English Counties	Hampshire						
5165			The Auriol Polka Composed by Charles Matthews and Respectfully Dedicated  by express Permission to Mademoiselle Francesca Auriol	Lithograph	circa 1845			I 315 x 218 mm			Francesca Auriol 1829-62 	140	£140	mounted	Print	General Interest	Ballet						
5166		Xhas. P.W. Tomkmins after J. Kendall	To His Royal Highness George Prince of Wales This View of an Encampment at Fornham near St. Edmunds Bay is by Permission dedicated by His Royal Highness and Faithful Obedient Servant W.J. Kendall	Aquatint with hand colouring	Publish’d according to Act of Parliment Augt. 31st; 1782 by J. Kendall at Bury			I 305 x 595 mm			Condition: Some tears and surface dirt on left.	250	£250	unmounted	Print	General Interest	Military						
5167		Aubert & Cie	Lucile Grahn	Lithograph	Chez Aubert gal Vero-Dedat .Ch. Vogt Juillet 1860			I 188 x 144 mm				180	£180	mounted	Print	General Interest	Ballet						
5168		Haguental & Fagonde	Carlotta Grisi & Perro. Dansau la Polka	Lithograph with hand colouring	Paris Publie Par Aubert & Cie Pl. de la Bourse			I 255 x 210 mm	Gloires de l’Opera			450	£450	mounted	Print	General Interest	Ballet						
5169		Pigrau	Trilla y Serra Barcelona	Lithograph	Plancis 1879			I 265 x 190 mm				70 	£70	mounted	Print	General Interest	Ballet						
5170		Haguental	Fanny Cerrito	Lithograph with hand colouring	Paris Publie par Aubert & Cie Pl. de la Bourse, 29 Imprimerie d’Aubert & Cie circa 1850			I 238 x 193 mm	Gloires de l’Opera		Fanny Cerrito, Ballerina. Dancing the Lituana in London 1840. Fanny Cerrito, born 1821 made her debut at the San Carlo Naples and came to London in 1840. She was married to the dancer and choreographer Saint-Leon. The Lituana, as one can see from the costume and from Cerrito’s attitude, is a Polish dance - a mazurka or smolnska. It is strange that in the background are mosques and minarets!	500	£500	mounted	Print	General Interest	Ballet						
5172		Chartier after Wattier	Melle. Taglioni	Stipple	Galerie Theatrale circa 1860			I 215 x 143 mm	Acadie Rle de Musique. Cote de Zoloe (Dieu et la Bayadere)			250	£250	mounted	Print	General Interest	Ballet						
5173		Ogilby, John	The Road from Oxford to Coventry continued to Darby	Copper engraved with hand colour	London, 1675			345 x 420 mm			An excellent example of the first road atlas.  	190	£190	unmounted	Map	Maps Over More Than One County	Road Maps						
5175			La Couronne de Roses Grande Valse Pour le Piano composee par G. Marcaillhou	Lithograph with hand colouring	a Londres, chez Schott et Cie 89 St James’s Street 			I 304 x 225 mm			Taglioni “Les Sylphide” Propriete des Editeurs Euregistre aux Archives de l’Union. Mayence Anvers et Bruxelles chez les fils de B. Schott. Depot general de notre fonds de Musique a Leipzig  chez C.F. Leede a Vienne Chez H. F. Miller.Paris, chez Chabul 	120	£120	mounted	Print	General Interest	Ballet						
5178			Les Castagnettes	Lithograph	circa 1840			I 276 x 218 mm				55	£55	mounted	Print	General Interest	Ballet						
5179		Mansard	Le Lac Des Ondines a Mademoiselle DameronParoles de Paul de Chazot. Musique de Jean Conte	Lithograph	A Paris et Chlliot Editeur 354 Rue St Honore, 278 pres la Place Vendome circa 1860			I 268 x 215 mm				50	£50	mounted	Print	General Interest	Ballet						
5180		Hall	The Cracovienne Quadrilles, as Performed at the Promenade Concerts, Her Majesty’s State Balls, Almack’s & the Nobilities Alsemblies, arranged for the Piano Forte, by J. Weippert	Lithograph	circa 1850			I 329 x 204 mm				120	£120	mounted	Print	General Interest	Ballet						
5181		Alex Lacauchie	Taglioni	Lithograph	Paris Publie par Marchaun circa 1850			I 225 x 157 mm			Lith de Rigo Freres Pass Saulnier 19	300	£300	mounted	Print	General Interest	Ballet						
5183		J. Gardner & Co. Lithog.rs	Sylphide Quadrilles 	Lithograph	London, A Moss 6 Argyll St 2 Doors From Regent St 			I 338 x 				20	£20		Print	General Interest	Ballet						
5185		J. Brandard	[Carolina Rosati & M Charles in] Les Patineurs. A Set of Waltzes from Le Prophete, Julien.	Lithograph with hand colouring	M & N Hanhart Circa 1860			I 322 x 215 mm				120	£120	mounted	Print	General Interest	Ballet						
5186		J. Brandard	Faust Waltz Upon Subjects from Counod’s Opera by Charles Coote	Lithograph with hand colouring	M & N Hanhard circa 1860			I 340 x 225 mm				30	£30	mounted	Print	General Interest	Ballet						
5187		H.C Maguire	The Valse Composed by Dan Godfrey	Lithograph with hand colouring	London Chappell & Co. 50 New Bond St. W circa 1850			I 335 x 232 mm				30	£30	mounted	Print	General Interest	Ballet						
5188		B. Audean	La Danse Paysane Gravee d’Apres le Tableau originale Peint par Watteau de mesme grandeur. Salatatio Agrestis. Scalpta juxta Exemplar Ejusden magnitude a Wateavo Depictum	Lithograph	a Paris chez F. Chereau graveur du Roy Rue St Jacques aux deux pilliene d’Or avec privilege du Roy Circa 1720			I 369 x 237 mm			du Cabinet de Mr. de Monmerque A restrike	20	£20	mounted	Print	General Interest	Ballet						
5189		J. Cary	Cambridgeshire	Copper engraving with hand colouring	London: Published by J. Cary, Engraver and Map Seller, Strand			I: 263 x 211 mm				60.00	£60	mounted	Map	English Counties	Cambridgeshire						
5193			The Nana Sahib with his Escort Leaving Lucknow to meet Rebel force advancing from Malwa	Steel engraving	The London Printing and Publishing Company Limited circa 1860			I 187 x 124 mm	From The Indian Empire by R. Montgomery Martin			30	£30	unmounted	Print	Foreign Topography	India						
5194		S. Prout	Hurdward, A Place of Hindoo Pilgrimage	Steel engraving	The London Printing and Publishing Company Limited circa 1860			I 188 x 124 mm	From The Indian Empire by R. Montgomery Martin			30	£30	unmounted	Print	Foreign Topography	India						
5195			View of Madras	Steel engraving	The London Printing and Publishing Company Limited circa 1860			I 192 x 132 mm	From The Indian Empire by R. Montgomery Martin			30	£30	unmounted	Print	Foreign Topography	India						
5196			Agra_ View of Principal Street	Steel engraving	The London Printing and Publishing Company Limited circa 1860			I 188 x 135 mm	From The Indian Empire by R. Montgomery Martin			30	£30	unmounted	Print	Foreign Topography	India						
5198			View of Delhi, from the Palace Gate	Steel engraving	The London Printing and Publishing Company Limited circa 1860			I 188 x 130 mm	From The Indian Empire by R. Montgomery Martin			30	£30	unmounted	Print	Foreign Topography	India						
5199			The Fortress of Nahan in the Dominion of Oude	Steel engraving	The London Printing and Publishing Company Limited Circa 1860			I 220 x 135 mm	From The Indian Empire by R. Montgomery Martin			30	£30	unmounted	Print	Foreign Topography	India						
5201			View of Bombay Showing the Fort	Steel engraving	The London Printing and Publishing Company Limited circa 1860			I 187 x 122 mm	From The Indian Empire by R. Montgomery Martin			30	£30	unmounted	Print	Foreign Topography	India						
5203			View of the Palace of Agra, from the River. This palace was built by Emperor Akbar in middle of the Sixteenth Century	Steel engraving	London Printing and Publishing Company Limited circa 1860			I 192 x 142 mm	From The Indian Empire by R. Montgomery Martin			30	£30	unmounted	Print	Foreign Topography	India						
5206			View of Allahabad, Showing the Fort	Steel engraving	London Printing and Publishing Company Limited Circa 1860			I 185 x 122 mm	From The Indian Empire by R. Montgomery Martin			30	£30	unmounted	Print	Foreign Topography	India						
5207		A. Lambert	The Royal Badges and Livery Colours of England [Henry II to Queen Anne]	Chromolithograph	Drawn by A. Lambert for “The Boy’s Own Paper”, c. 1910			S 285 x 210 mm				60	£60	unmounted	Print	General Interest	Heraldry						
5208			Fort of Gwalior	Steel engraving	Published for the Proprietors by A.H Payne Dresden & Leipzig circa 1860			I 185 x 133 mm				30	£30	unmounted	Print	Foreign Topography	India						
5209		William Miller after Captain Robert Melville Grindley	The British Residency at Hyderabad	Steel engraving	Fisher, Son & Co. London 1854			I 181 x 125 mm			Abbey Travel 442, 21	30	£30	unmounted	Print	Foreign Topography	India						
5210			The Hill Fortress of Gwalior	Steel engraving	The London Printing and Publishing Company Limited. Circa 1860			I 182 x 122 mm	From The Indian Empire by R. Montgomery Martin			30	£30	unmounted	Print	Foreign Topography	India						
5211			The Palace at Agra	Steel engraving	The London Printing and Publishing Company circa 1860			I 189 x 136 mm	From The Indian Empire by R. Montgomery Martin			30	£30	unmounted	Print	Foreign Topography	India						
5213		E. Finden after C. Stanfield	Ruins at Ettaia	Steel engraving	A Fullarton & Co. London & Edinburgh circa 1860							30	£30	mounted	Print	Foreign Topography	India						
5219		Isaac Taylor after D Harris	Original Entrance to Cloisters of Magdalen College	Copper engraving	1789			I 450 x 290 mm	Oxford Almanack, 1789		rare	220	£220	unmounted	Print	Oxford	Magdalen College						
5226		Unknown Photographer	No. 39. Japan and German Consulates in Shanghai [recto]. No. 25. Native Woman Carrying Her Baby [verso]. 	Hand-tinted albumen photograph	ca. 1890s			I: 31/ 2  x 5 1/2 inches [92 x 140 mm]			Rare early image of consular Shanghai. 	25	£25	unmounted	Print	Japanese	Landscape and Famous Places						
5231		C. Bentley after Captain Robert MelvilleGrindlay	Scene in Kattiavar. Travellers and Escort. From a Sketch by Captain Grindlay	Aquatint with hand colouring	Published by Smith, Elder & Co. Cornhill, London			I 195 x 280 mm. S 300 x 400 mm	From Captain Robert Melville Grindlay's, Scenery, Costumes and Architecture chiefly on the Western Side of India		Abbey Travel 442, 28	750.00	£750	framed	Print	Foreign Topography	India						
5232		T. Fielding 	The Shaking Minarets at Ahmedabad. Drawn on the spot in 1809, by Capt. Grindlay. 	Aquatint with hand colouring	London. Pub. R. Ackermann Strand. 1826.			I: 210 x 275 mm	From Robert Melville Grindlay's, Scenery, Costumes and Architecture chiefly on the Western Side of India		The Siddi Bashir mosque with its 'shaking' minarets is believed to have been built by a slave of Sultan Siddi Bashir in such a way as to be resistant to earthquakes.  Grindlay wrote of the mosque: "the most remarkable circumstance attached to this building is the vibration which is produced in the minarets, or towers, rising from the centre of the building, by a slight exertion of force at the arch in the upper gallery."Abbey Travel 442, 4 	700	£700	mounted	Print	Foreign Topography	India						
5234		Unknown	Ashmolean	Albumen	circa 1860			I 188 x 180 mm				40	£40	unmounted	Print	Oxford	Oxford Museums						
5235		Unknown	[All Soul’s]	Albumen	circa1860			I 190 x 179 mm				50	£50	unmounted	Print	Oxford	All Souls College						
5236		Unknown	[Entrance to the Botanic Gardens]	Albumen	circa1860			I 190 x 166 mm				60	£60	unmounted	Print	Oxford	Botanic Garden						
5238		Unknown	[Queen’s College]	Albumen	circa1860			I 190 x 179 mm				70	£70	unmounted	Print	Oxford	Queen’s College						
5239		Unknown	[Magdalen College]	Albumen	circa1860			I 190 x 179 mm				60	£60	unmounted	Print	Oxford	Magdalen College						
5240		Unknown	[All Souls]	Albumen	circa1860			I 190 x 179 mm				60	£60	unmounted	Print	Oxford	All Souls College						
5241		Unknown	[University College]	Albumen	circa1860			I 190 x 179 mm				60	£60	unmounted	Print	Oxford	University College						
5242		Unknown	[Madgalen College]	Albumen	circa1860			I 190 x 179 mm				60	£60	unmounted	Print	Oxford	Magdalen College						
5243		Unknown	[University Museum]	Albumen	circa1860			I 190 x 179 mm				60	£60	unmounted	Print	Oxford	Oxford Museums						
5245			A Perspective View of the City of Oxford	Copper engraving	Engraved for the Universal Magazine for J. Hinton at ye Kings Arms, Newgate Street (Circa1760) 			I 260 x 150 mm				60	£60	unmounted	Print	Oxford	General Views						
5247		Henri Merke after S. Howitt	Driving a Tiger out of a Jungle. Chassant un Tigre de sa Taniere	Aquatint with hand colouring	Published & Sold Jan.y 1 1806 by Edw.d Orme. Printseller to His Majesty, 59 Bond Street, London			I 440 x 332 mm	From Oriental Field Sports		Abbey Travel 427, 18	500	£500	mounted	Print	Sports	Hunting & Shooting	Hunting					
5248		Henri Merke after S. Howett	Shooters Coming By Surprise Upon A Tiger. Les Chasseurs Tombant Sur Un Tigre.	Aquatint with hand colouring	Published & Sold Jan.y 1st 1807, by Edw.d Orme. Printseller to His Majesty 59 Bond Street, London			I 431 x 319 mm	From Oriental Field Sports		Abbey Travel 427, 37 	500	£500	framed	Print	Sports	Hunting & Shooting	Hunting					
5251		G. Hunt after J. Wills	Tombs of the Kings of Golconda	Aquatint with hand colouring	Drawn by Capt. Grindlay, 1813			I 290 x 216 mm	From Capt. Robert Melville Grindlay's Scenery, Costumes and Architecture chiefly on the Western Side of India			800	£800	framed	Print	Foreign Topography	India						
5253		R.G.Reeve after D. Roberts	Portico of a Hindoo Temple with other Hindoo and Mahometan Buildings from Sketches by Capt.n Grindlay	Aquatint with hand colouring	Published by Smith, Elder & Co. Cornhill, London c. 1826			I 302 x 220 mm	From Capt. Robert Melville Grindlay's Scenery, Costumes and Architecture chiefly on the Western Side of India		Abbey Travel 442, 38	1000	£1,000	framed	Print	Foreign Topography	India						
5257		Henri Merke after Lieu.t James Hunter	Hyder Ally’s Tomb, Serigapatam	Aquatint with hand colouring	Sold & Published Jan.y 1 1804 by Edw.d Orme His Majesty’s Printseller, 59 New Bond Street, London			I 335 x 272 mm	From Picturesque Scenery in the Kingdom of Mysore by James Hunter		Abbey Travel 442, 27	330	£330	mounted	Print	Foreign Topography	India						
5261		Henri Merke after Lieu.t Hunter	A View on the Road at Strupermador	Aquatint with hand colouring	Sold & Published June 4 1804 by Edw.d Orme His Majesty’s Printseller, 59 New Bond Street, London			I 336 x 279 mm 	From Picturesque Scenery in the Kingdom of Mysore by James Hunter		Abbey Travel 424, 48	200	£200	mounted	Print	Foreign Topography	India						
5262		Harraden after Lieu.t James Hunter	Killader’s Tomb, Ouscottah	Aquatint with hand colouring	Sold & Published June 4. 1804 by Edw.d Orme His Majesty’s Printseller, 59 New Bond Street, London			I 338 x 280 mm	From Picturesque Scenery in the Kingdom of Mysore by James Hunter		Abbey Travel 424, 51	200	£200	mounted	Print	Foreign Topography	India						
5263		Harraden after Lieu.t James Hunter	A View of Ouscottah, from an Eadgah	Aquatint with hand colouring	Sold & Published June 4 1804 by Edw.d Orme, his Majesty’s Printseller, 59 New Bond Street, London			I 335 x 270 mm	From Picturesque Scenery in the Kingdom of Mysore by James Hunter		This aquatint is based on a picture by Hunter depicting a mosque with sepoys and muslims standing in the foreground. During the latter half of the 18th Century, large areas of southern India were controlled by the kings of Mysore, Haider Ali Khan (c.1722 - 1782) and his son, Tipu Sultan (1753 -1799). The bBritish waged four wars aagainst the Rajas of Mysore in the late Eighteenth Century.Abbey Travel 424, 50	200	£200	mounted	Print	Foreign Topography	India						
5265		Harraden after Lieu.t James Hunter	Ourry Durgam, The Head of the pass into the Barrah Mauhl	Aquatint with hand colouring	Published & Sold Jan.y 1 1805 by Edw.d Orme His Majesty’s Printseller, 59 New Bond Street, London			I 335 x 278 mm	From Picturesque Scenery in the Kingdom of Mysore by James Hunter		Abbey Travel 424, 58	220	£220	mounted	Print	Foreign Topography	India						
5266		Henri Merke after Lieu.t James Hunter	A Mosque at Strupermador	Aquatint with hand colouring	Sold & Published June 4 1804 by Edw.d Orme His Majesty’s Printseller 59 New Bond Street, London 			I 335 x 277 mm	From Picturesque Scenery in the Kingdom of Mysore by James Hunter		This place is best known as the birthplace of the Vaishnava philpsopher, Ramanuja.Abbey Travel 424, 47	250	£250	mounted	Print	Foreign Topography	India						
5267		Harraden after Lieu.t James Hunter	North View of Shole Ghurry	Aquatint with hand colouring	Published & Sold Jan.y 1 1805 by Edw.d Orme His Majesty’s Printseller, 59 New Bond Street, London			I 341 x 278 mm	Picturesque Scenery in the Kingdom of Mysore' by James Hunter			230 	£230	mounted	Print	Foreign Topography	India						
5268		Harraden after Lieu.t James Hunter	North View of Shole Ghurry	Aquatint with hand colouring	Published & Sold Jany. 1 1805, by Edw.d Orme His Majesty’s Printseller 59 New Bond Street, London 			I 277 x 342 mm	From Picturesque Scenery in the Kingdom of Mysore by James Hunter		Abbey Travel 424, 56	230	£230	mounted	Print	Foreign Topography	India						
5269		Harraden after Lieu.t James Hunter	Kistnaghurry	Aquatint with hand colouring	Published & Sold Jany. 1 1805, by Edw.d Orme His Majesty’s Printseller 59 New Bond Street, London 			I 277 x 342 mm	Picturesque Scenery in the Kingdom of Mysore by James Hunter			280	£280	mounted	Print	Foreign Topography	India						
5274		Harraden after Lieu.t James Hunter	A View in the Barrah Mauhl	Aquatint with hand colouring	Sold & Published June 4 1804 by Edw.d Orme His majesty’s Printseller, 59 New Bond Street			I 340 x 275 mm	From Picturesque Scenery in the Kingdom of Mysore by James Hunter		This aquatint is based on a picture by Hunter depicting hills north-east of Salem in Tamil Nadu. This area was know by the British as Baramahal, but this name is no longer used. A mosque can be seen cradled into the lower level of the hills.Abbey Travel 424, 59	250	£250	mounted	Print	Foreign Topography	India						
5281		J. Archer	Cumberland	Copper engraving with hand colouring	Drawn and Engraved for Dugdales England & Wales, Delineated 1843			I: 234 x 174 mm				22.00	£22	mounted	Map	English Counties	Cumberland						
5283		Christopher Saxton and William Kip	Cumbria Sive Cumberlandia Quæ olim pars Brigantum	Copper engraving	c. 1610			P: 285 x 320 mm			Saxton, Christopher (c.1543-1610/1611) b. near Dunningley, West Yorkshire. Estate Surveyor and Draughtsmen, apprenticed to the cleric and cartographer John Rudd. Under his tutelage Saxton developed the skills to become the man now klnown as ‘the father of English cartography’. Saxton carried out an extensive topographical survey of England and Wales, 1573-1578 under the patronage of Thomas Seckford. 34 county maps based on the surveys were engraved between 1574 and 1578 by Remy Hogenberg, Lenaert Terwoort, Cornelis de Hooghe, Augustine Ryther, Francis Scatte, and Nicholas Reynolds, forming the first atlas of England and Wales. The work was the basis for many later maps. The maps were issued by Saxton in untitled volumes from 1579, subsequently resissued as The Shires of England and Wales, William Web 1645, Philip Lea 1693 (with added maps), French edition Atlas Anglois, philip Lea 1693, as the Shires of England and Wales, G. Willdey 1732, T Jefferys 1749, and finally in an untitled version by C. Dicey c. 1770 wall map of England and Wales (20 sheets)	100.00	£100	mounted	Map	English Counties	Cumberland						
5285			Durham, in which every Parish & Place is laid down continuing upwards of 40 houses	Copper engraving with hand colouring	Published by G & W. B. Whittaker; 13 Ave Maria Lane, 1824			I: 103 x 178 mm				20.00	£20	mounted	Map	English Counties	Durham						
5287		Henri Merke after Coll. Ward	South East View of the Rock of Tritchinopoly	Aquatint with hand colouring	Published & Sold Septr. 1 1804 by Edward Orme, His Majesty’s Printseller, 59 New Bond Street			I 296 x 410 mm, Pl. 333 x 437 mm	From 24 Views in Hindostan by William Orme		Plate seven from '24 Views in Hindostan by William Orme'. This aquatint is based on a picture by Francis Swaine Ward (1736-1794). Tiruchchirappalli (known to the British as Trichinopoly) is a city situated on the bank of the river Kaveri in Tamil Nadu. Its most famous landmark is the Rock Fort, which towers 273 feet above the rest of the city. The rectangular stone building jutting out of the side of the Rock Fort contains a Shiva temple, and the temple at the rock's summit, where the flag is sailing, is dedicated to Ganesh.Abbey Travel 424, 19	430	£430	mounted	Print	Foreign Topography	India						
5288		Jc. Stradler and William Orme after Thomas Daniell	The Tomb of a Morrish Lady, Bengal	Aquatint with hand colouring	Published & Sold Jany. 1 1803 by Edward Orme, His Majesty’s Printseller, 59 New Bond Street			I 298 x 400 mm, Pl. 360 x 467 mm	From 24 Views in Indostan by William Orme		Plate seven from '24 Views in Indostan by William Orme'. This aquatint is based on a picture by Francis Swaine Ward (1736-1794). Tiruchchirappalli (known to the British as Trichinopoly) is a city situated on the bank of the river Kaveri in Tamil Nadu. Its most famous landmark is the Rock Fort, which towers 273 feet above the rest of the city. The rectangular stone building jutting out of the side of the Rock Fort contains a Shiva temple, and the temple at the rock's summit, where the flag is sailing, is dedicated to Ganesh.Abbey 424, 9	500	£500	mounted	Print	Foreign Topography	India						
5289		William Orme after Thomas Daniell	The Burial Place of A Peer Zada, Anopther	Aquatint with hand colouring	Published & Sold Jany. 1 1803 by Edward Orme, His Majesty’s Printseller, 59 New Bond Street			I 302 x 434 mm, Pl. 360 x 480 mm	From 24 Views in Hindostan by William Orme		A plate from '24 Views in Hindostan by William Orme'. This composition is based on a picture by Francis Swaine Ward (1736-1794) and depicts a the tomb of a Muslim holy man at Anupshahr, Uttar Pradesh. The obelisk to the left would have acted as a lamp stand. Within the walls is a tank for the purpose of bathing before entering the mosque. The trees depicted are tamarind trees.Abbey 424, 7 	400	£400	mounted	Print	Foreign Topography	India						
5290		Fellow and William Orme after Thomas Daniell	Distant View of Mootee Thurna, A Waterfall in the Rahemahl Hills, Bengal	Aquatint with hand colouring	Sold & Published Jany 1. 1802 by Edward Orme, Printseller in Ordinary to the King & Royal Family, No.59 Corner of Brook Street in Bond Street, London			I 302 x 434 mm, Pl. 360 x 480 mm	From 24 Views in Hindostan by William Orme		Plate nineteen from '24 Views in Hindostan by William Orme'. This aquatint is based on a picture by William Orme (fl.1790-1825) and Thomas Daniell (1749-1840). The Motijharna is a waterfall in the Rajmahal Hills of West Bengal. It is visible between the two hills in the distance. The text accompanying this picture says that '[t]his scene is situated about 200 miles from Calcutta, and is well known to travellers. The Rajemahl Hills form a boundary to the river Ganges. Rajemahl was formerly the capital of one of the kings of Bengal, the ruins of whose palace still remain.'Abbey Travel 424, 2	400	£400	mounted	Print	Foreign Topography	India						
5292		J.C. Stadler after Col. Ward	Fort Square, from the South Side of the Parade, Fort St. George.	Aquatint with hand colouring	Published & Sold Jany. 1 1805 by Edward Orme, His Majesty’s Printseller, 59 New Bond Street			I 292 x 420 mm, Pl. 333 x 435 mm	From 24 Views in Hindostan by William Orme		Plate five from '24 Views in Hindostan by William Orme'. This aquatint by Joseph C. Staedler (fl.1790-1815) is based on a picture by Francis Swaine Ward (1736-94). This picture shows how the square inside of Fort Saint George must have looked in the late Eighteenth Century. The fort was established in 1644 by the British East India Company, and is today the name of a city district within Chennai (Madras). In 1711 the inner Fort walls and corner bastions were pulled down and Fort Square was created. The Fort was lost to the French under Labourdonnais in 1746, but was restored to the British under the Treaty of Aix-la-Chapelle of 1748. After this designs for its remodelling were prepared in 1750 by Bartholomew Robins, a mathematician. It was not completed until 1783.Abbey Travel 424, 23	600	£600	mounted	Print	Foreign Topography	India						
5293		Harraden after Thomas Daniell	Felicity Hall, Late Residence if the Hon.ble David Anstruther, Near Moorshedabad, Bengal	Aquatint with hand colouring	Published & Sold Jany. 1 1804 by Edward Orme, His Majesty’s Printseller, 59 New Bond Street, London			I 302 x 434 mm, Pl. 360 x 480 mm	From 24 Views in Hindostan by William Orme		Plate 23 from '24 Views in Hindostan by William Orme'. This aquatint is based on a picture by Thomas Daniell (1749-1840) depicting a colonial mansion near Murshidabad known as Felicity Hall. The accompanying text says that '[t]his house was built by Mr. Anstruther upon a large barren plain, which is now fertilized and cultivated: the edifice gives a correct idea of the style and elegance of the European buildings in India.'Abbey Travel 424, 24	400	£400		Print	Foreign Topography	India						
5294		J.C. Stadler after Thomas Daniell	Dalmow, on the Ganges.	Aquatint	Published & Sold July 30 1804  by Edward Orme, His Majesty’s Printseller, 59 New Bond Street, London			I 300 x 445 mm, Pl. 348 x 479 mm	From 24 Views in Hindostan by William Orme		Plate fifteen from '24 Views in Hindostan by William Orme'. This picture is based on an original by Thomas Daniell (1749-1840). The town of Dalmau is situated on a steep cliff overlooking the River Ganges. The fort at Dalmau contains buildings dating to the the rule of the Mughal Emperors Akbar and Shah Jahan (late16th to mid 17th Century). Abbey Travel 424, 20	400	£400		Print	Foreign Topography	India						
5295		J. C. Stadler after Col. Ward	Anchshur, A Nakeels Castle in Teritory of Bengal	Aquatint with hand colouring	Sold & Published Jany 1. 1802 by Edward Orme, Printseller in Ordinary to the King & Royal Family, No.59 Corner of Brook Street in Bond Street, London			I 302 x 434 mm, Pl. 360 x 480 mm	From 24 Views in Hindostan by William Orme		Plate twelve from '24 Views in Hindostan by William Orme'. This picture is based on an original painted by Francis Swaine Ward (1736-94), and probably depicts the Nawab of Bengal's palace at Anupshahr (U.P.) in the mid to late eighteenth century. Anupshahr became an important town for the British East India Company because it was the northernmost point for shipping traffic on the River Ganges, and the location of an East India Company factory. Abbey Travel 424, 3	430	£430	mounted	Print	Foreign Topography	India						
5302		Walter Scott	St. Edmund Hall and St. Peter-in-the-East Church	Photograph	circa 1950			I 135 x 90 mm				30	£30	mounted	Print	Oxford	St. Edmund Hall	   					
5307			Hertford College Bridge, Oxford	Chromolithograph	circa 1950			I 135 x 90 mm				35	£35	mounted	Print	Oxford	Hertford College	    					
5310			Christ Church, Oxford	Lithograph	circa 1910			I 135 x 90 mm				30	£30	mounted	Print	Oxford	Christ Church College	    					
5312		Rhodes	Charles II	Engraving	Aug. 20th 1818, by Paternosteer Row, London			Image 113 x 190 mm				15	£15	unmounted	Print	Portraits	British Royalty						
5314		Robert White	Carolus II D.G Anglia Sctia Fran et Hiber REX etc.	Engraving	1683			I 106 x 163 mm				20	£20	unmounted	Print	Portraits	British Royalty						
5315		Unknown	King Charles II att the entrance of Cornhill	Engraving	1724			I 250 x 230 mm				12	£12	unmounted	Print	Portraits	British Royalty						
5316		Unknown	Carolus Stuart de II Koninck van England, Scotland en Yrland.	Engraving				I 155 x 198 mm				80	£80	unmounted	Print	Portraits	British Royalty						
5319		G Vertue after P Lety	K. Charles II	Engraving				I 101 x 165 mm				25	£25	unmounted	Print	Portraits	British Royalty						
5320		G. Tomlyn	Carolus Secundus Dei gretia Magna Britania Francue et Hibernia Rex [Charles II]	Engraving				I 155 x 290 mm				65	£65	unmounted	Print	Portraits	British Royalty						
5323			Radcliffe Library	Lithograph	c. 1910			140 x 90 mm				25	£25	mounted	Print	Oxford	Radcliffe Camera						
5331			Christ Church from St. Aldate’s, Oxford	Photograph	c. 1949			90 x 140 mm				25	£25	mounted	Print	Oxford	Christ Church College						
5334			St. Giles Fair, Oxford	Photolithograph	c. 1910			90 x 140 mm			A rare postacrd view of the St. Giles Fair	35	£35	mounted	Print	Oxford	General Views						
5340			West Front Magdalen College Chapel, Oxford	Photograph	c. 1937			90 x 140 mm				30	£30	mounted	Print	Oxford	Magdalen College						
5341			Christ Church, Oxford	Photograph	c. 1950			90 x 140 mm				30	£30	mounted	Print	Oxford	Christ Church College						
5344			Christchurch, Oxford	Photograph	c. 1920			90 x 140 mm				30	£30	mounted	Print	Oxford	Christ Church College						
5346		Js. Green	Exterior of the Radcliffe Library, with Allegorical Figures	Copper engraving	1752			495 x 443 mm	Oxford Almanack 1752		The figures at the top represent Physick, Begnignity, and Fame holding a medal of Dr. Radcliffe. Rare.	210	£210	unmounted	Print	Oxford	Radcliffe Camera						
5348			Oxford, St Aldates	Photograph	c. 1950			90 x 140 mm				30	£30	mounted	Print	Oxford	General Views						
5360			Degree Day 1860	photograph after an original antique print	circa 1930			I 90  x 140 mm				25	£25	mounted	Print	British Topography	Cambridgeshire						
5364			Christ Church, Oxford	Photolithograph	circa 1930			I 90  x 140 mm				25	£25	mounted	Print	Oxford	Christ Church College						
5365			Magdalen College, Oxford 	Photolithograph	circa 1930			I 90  x 140 mm				25	£25	mounted	Print	Oxford	Magdalen College						
5368		Edward and Michael Rooker	The Eastern Side of the North Quadrangle of All Souls College	Copper engraving	1769			453 x 459 mm	Oxford Almanack 1769		.	140	£140	unmounted	Print	Oxford	All Souls College						
5371			Tom Tower, Christchurch, Oxford	Photograph	1908			I 90  x 140 mm				30	£30	mounted	Print	Oxford	Christ Church College						
5373			Old Schools Tower, Oxford	Photograph	1908			I 90  x 140 mm				30	£30	mounted	Print	Oxford	Bodleian Library						
5375			Magdalen College from the Cherwell, Oxford	Photograph	1908			I 90  x 140 mm				30	£30	mounted	Print	Oxford	Magdalen College						
5377			Old Tom from St. Aldates, Oxford	Photograph	1908			I 90  x 140 mm				30	£30	mounted	Print	Oxford	Christ Church College						
5381			Magdalen College from the Cherwell, Oxford	Photograph	1908			I 90  x 140 mm				30	£30	mounted	Print	Oxford	Magdalen College						
5382			The Cherwell, Oxford	Photolithograph	c. 1900			90 x 140				25	£25	mounted	Print	Oxford	General Views						
5383			Christ Church Cathedral, Oxford	Photolithograph	circa 1900			I 90 x 140 mm				25	£25	mounted	Print	Oxford	Christ Church College						
5388			Brasenose, Exeter University College Barges, Oxford	Photolithograph	c. 1900				90 x 140			30	£30	mounted	Print	Oxford	General Views						
5392		William Elmes	The Imperial Comet Sheding its Baneful Influence	Copper engraving with hand colouring	Pub.d Sept 24 1811 by Thos. Tegg No. 111 Cheapside London			I 328 x 218 mm				400	£400	unmounted	Print	General Interest	Caricatures						
5395		George Townly Stubbs	The Terrible Horse Trentham	Mezzotint with hand colour	Published according to Act of Parliment Jany. 1, 1772 and sold by Robert Sayer No . 53 in Fleet Street			I 234 x 348 mm, Pl. 252 x 349 mm 			Lennox-Boyd 29 	750.00	£750	framed	Print	Sports	Horse Racing	Racing					
5396			Balliol College & Martyrs Mem.l Oxford 	Photograph of coloured print	circa 1950			I 90 x 140 mm				30	£30	mounted	Print	Oxford	Balliol College						
5402			Arms of the Public Schools of England	Chromolithograph	circa 1950			I 90 x 140 mm				30	£30	mounted	Print	Oxford	General Views						
5410		F Guimpel	Ein Sipay, indischer Bauer mit einem Regenschirm, ein Mullah, ein Zemindar	Engraving with hand colouring	Augsburg, Germany c.1740			I 220 x 161 mm				140	£140	mounted	Print	Foreign Topography	India						
5411		Edward Orme	[A man holding a staff]	Copper engraved with hand colour	Edward Orme 1804			I 210 x 160 mm				120	£120	mounted	Print	Foreign Topography	India						
5412		Delpech	Meune Princesse du Mogol	Lithograph with hand colouring	c.1830-40			I 191 x 141 mm				120	£120	mounted	Print	Foreign Topography	India						
5413		J Pass	The Indian Guitar, and its scale	Copper engraving with hand colouring	1818			I 268 x 201 mm				200	£200	mounted	Print	Foreign Topography	India						
5414		J Chapman	1. Apuncipal Brahmin or Brahmana. 2, Brahmin of the Vishnu Sect. 3, Brakmin on the Siva Sect. 4, The Julsee Plant, held in high veneiation by all Hindoos. 5, Their Pagoda on Temple.	Copper engraving with hand colouring	J Wilkes 1809			I 173 x 167 mm				150	£150	mounted	Print	Foreign Topography	India						
5415		Cruikshanks	A Proctor without a Wig	Etching with hand colouring	London by Allen & West. 15 Paternoster Row. Jan 14. 1795			I 260 x 205 mm				160.00	£160	mounted	Print	General Interest	Caricatures						
5416		Cruikshanks	[Oxford Scholars]	Etching with hand colouring	London, Pub. by Allen & West, 15, Paternoster Row, January 14, 1797			I 250 x 180 mm				70	£70	mounted	Print	General Interest	Caricatures						
5417		J Chapman	1. Aborigines of Hindoostan on the Coromandel Coast 2. A Piadah or Peon retained in Great Families	Copper engraving with hand colouring	1809 by J Wilkes			I 180 x 165 mm				160	£160	mounted	Print	Foreign Topography	India						
5418		J Chapman 	1. Purana Poori, an Oordhbahu Saniafsy. 2. Purrum Soatuntre Perasanumnd a Ser-seja Saniafsy. 3.A Yogey	Copper engraving with hand colouring	1809 J Wilkes			I 205 x 180 mm				150	£150	mounted	Print	Foreign Topography	India						
5419		J Chapman	The Gods of the Indian Triad	Copper engraving with hand colouring	1809 by J Wilkes			I 213 x 178 mm				150	£150	mounted	Print	Foreign Topography	India						
5423		Unknown	Miss Ellen Terry	Photograph of a print	circa 1860			I 265 x 195 mm				40	£40	mounted	Print	General Interest	Theatre						
5425		Rich.d Dighton	Mr Kean as Lucius Junius, in Brutus	Etching with hand colouring	Pub.d by T. McLean Haymarket 1818			I 295 x 200 mm				50	£50	mounted	Print	General Interest	Theatre						
5427		Unknown	The Royal Exchange (London)	Copper engraving	Herrmann J Meyer 8 North William-Street New York			I 105 x 153 mm				10	£10	unmounted	Print	British Topography	London						
5428		I. Houbraken	Francis Lord Cottington	Copper engraving	Impensis J. & P. Knapton London 1743			I. 222 x 360 mm			In the possession of Francis Cottington Esqr.	38	£38	unmounted	Print	Portraits	British Nobility						
5429		Unknown	A perspective View of the Bank of England	Copper engraving	18th Century			I 340 x 220				50	£50	unmounted	Print	British Topography	London						
5430		F.C. Lewis	Miss O’Neill as Juliet“Thou know’st, the mask of night is on my face;”“Else would a maiden blush bepaint my cheek,”“For that which thou hast heard me speak tonight,”“Fain would I dwell on form, fain, fain deny”“What I have spoke, But farewell compliment.”Act II Scene II	Lithograph with hand colouring	London, Published May 30 1816, by Mr Dawe, 22 Newman Street			I 385 x 330 mm				150	£150	mounted	Print	General Interest	Theatre						
5432		Herdman	Castle Street	Lithograph with hand colouring				I 100 x 160 mm				10	£10	unmounted	Print	British Topography	Lancashire						
5433		Unknown	Liverpool Castle	Lithograph with hand colouring				I 160 x 100mm				10	£10	unmounted	Print	British Topography	Lancashire						
5435		Havell after Mackenzie	South Side of King’s College Chapel	Lithograph with hand colouring	1815 for R Ackermaann’s History of Cambridge			I 190 x 178 mm				150	£150	unmounted	Print	 Cambridge	King’s College Cambridge						
5438			Mr William Gillette in “Sherlock Holmes”	Photograph of a print	circa 1900			I 290 x 215 mm				100	£100	mounted	Print	General Interest	Theatre						
5439		Dixon after Jenkinson	View of the town and Hourbour of Liverpool	Copper engraving	1816			I 225 x 388 mm				120	£120	unmounted	Print	British Topography	Lancashire						
5440		I. Houbraken after G. Kneller	William Lord Russel	Copper engraving	Impensis J. & P. Knapton Londini 1739			I. 226 x 358 mm			In the Collection of his grace the Duke of Bedford.	25	£25	unmounted	Print	Portraits	British Nobility						
5441		 	City of London Theatre, Norton Folgate. Licensed by the Lord Chamberlain. Lesses, Messrs. Johnson and Nelson Lee, Albert Street, Penton Place, newington and Nelson’s Cottage, Shrubland Road, Dalston	Copper	Printed by W. Nowell’s (late peel’s) Steam Machine, 74, New Cut Lambeth and at Brixton 1862			I 495 x 230 mm				100	£100	mounted	Print	General Interest	Theatre						
5442		Unknown	Cast Iron Bridge of a Single Arch	Copper engraving	1800			I 212 x 520 mm				100	£100	unmounted	Print	General Interest	Architecture						
5444		W Gauci	Ilfracombe	Lithograph	J Banfield, Library, Ilfracombe			I 282 x 425 mm			Paddlesteamer in foreground	120	£120	unmounted	Print	British Topography	Devon						
5445			Theatre Royal, Hay-Market. The New Comic Drama, in Two Acts, called Peter and Paul. Having Excited the deepest interest and elicited reiterated plaudits from crowded audience, it will be repeated Every Evening till further notice.	Copper	W.S Johnson, circa 1842			I 494 x 215 mm				80	£80	mounted	Print	General Interest	Theatre						
5448		Risdon after Spreat	Babbacombe	Lithograph	Spreat & Wallis			I 200 x 282 mm				60	£60	unmounted	Print	British Topography	Devon						
5451		M. Gauci	Mademoiselle Celeste, as Madeline in the popular drama of St. Mary’s Eve!!	Lithograph with hand colouring	London, Published June 1838, by Hodgson & Graves, 6, Pall Mall			I 423 x 290 mm			“There is no one here_ you can go now.” Act First_ Scene Third	250	£250	unmounted	Print	General Interest	Theatre						
5452		I. Houbraken after G. Kneller 	Daniel Earl of Nottingham	Copper engraving				I. 210 x 345 mm			In the possession of the Countess Donager of Nottingham	20	£20	unmounted	Print	Portraits	British Nobility						
5453		B Cole	To the Rt. Honble Slingsby Bethell Esq. Lord Mayor. To the R Worshipful Court of Aldermen & Comon Counci; of y City of London; Thefe Designs for Building a Bridge with Stone to Crofs the River Thames from Balckfryers. London, to Southmark in Surry,...	Copper engraving	1756			I 325 x 400 mm				50	£50	unmounted	Print	British Topography	London						
5455			Mrs Langtry	Lithograph with hand colouring	Judd & Co. Lith Doctors Commons London E.C circa 1880			I 494 x 312 mm				80	£80	mounted	Print	General Interest	Theatre						
5456		I. Houbraken after G. Kneller	Laurence Hyde Earl of  Rochester	Copper engraving	Impensis I. & P. Knapton Londini			I. 224 x 364 mm			In the Collecton of the Right Hon: the Earl of Burlington. 	25	£25	unmounted	Print	Portraits	British Nobility						
5458		Robert Wilkinson	Proscenium of the Opera House, Entrance in the Haymarket	Copper engraving with hand colouring	London Published 11th Oct 1816 			I 305 x 212 mm				60	£60	mounted	Print	General Interest	Theatre						
5459		A. Ducote	Mathew-Orama for 1825 or My Memorandum Book “Make every body comfortable that’s my way”. _	Lithograph	circa 1825			I 224 x 163 mm				25	£25	mounted	Print	General Interest	Theatre						
5461		Fred Watkins	The Criterion Theatre	Woodcut	1884			I 510 x 345 mm				45	£45	mounted	Print	General Interest	Theatre						
5470		J. Newman	Entrance to Oxford by Magdalen Bridge	Steel engraving	Pub by J. Newman London, [c. 1850]			I 55 x 112 mm				35	£35	mounted	Print	Oxford	General Views						
5471		J. Greig	New College Hall & Chapel 	Copper engraving	Published by Cook & Parker Oxford, Logman, Hurst and Orme London, March 1 1810			I 82 x 115 mm				35	£35	mounted	Print	Oxford	New College						
5473		W. Richardson after T. Creswick, ARA	Oxford	Steel engraving				I 85 x 116 mm				40	£40	mounted	Print	Oxford	General Views						
5480		T G Muller after A Graff	F Schiller	Copper engraving	T F Frauenhole eu Nurnberg			I 310 x 233 mm				50	£50	unmounted	Print	Portraits	Literary and Poetic						
5481		Emma Jane, Lady D’Oyly	A Mahratta Lady	Lithograph	Benhar Lithographic Press			I 190 x 175 mm, S 215 x 194 mm	From Behar Amature Lithographic Scrap Book Consisting of every variety of Oriental Subjects, Heads. Figures, Costume &ca &ca  &ca		Abbey Travel 446 16 b	60	£60	mounted	Print	Foreign Topography	India						
5482		Emma Jane, Lady D’Oyly	[Portrait of a Native Lady]	Lithograph	21, July 1828 Behard Lithographic Press				FRom Behar Amature Lithographic Scrap Book Consisting of every variety of Oriental Subjects, Heads. Figures, Costume &ca &ca  &ca		Abbey Travel  446, 29	50	£50	mounted	Print	Foreign Topography	India						
5483		Emma Jane, Lady D’Oyly	[Portrate of an unnamed Indian potentate]	Lithograph	Behar Lithographic Press, 1828			I 235 x 145 mm, S 252 x 174 mm	From Behar Amateur Scrapbook		Abbey Travel 449, 6	45	£45	mounted	Print	Foreign Topography	India						
5484		Emma Jane Lady D’Oyly		Lithograph	Benhar Lithographic Press			I 215 x 200 mm, S 260 x 220 mm				50	£50	mounted	Print	Foreign Topography	India						
5485		Emma Jane, Lady D’Oyly	A Hindostany Lady	Lithograph	Behar Lithographic Press, April 1828			I 100 x 110 mm, S 142 x 150 mm	Behar Amature Lithographic Scrap Book Consisting of every variety of Oriental Subjects, Heads. Figures, Costume &ca &ca  &ca		Abbey Travel  446,16a	40	£40	mounted	Print	Foreign Topography	India						
5492		Le Keux after F Mackenzie	St Ebbe’s Church	Steel engraving	Published Sept. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 94 x 140 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	30	£30	mounted	Print	Oxford	Oxford Churches						
5497		Unknown	The Martyers Memorial- Sir Robert Taylors institution and the University Galleries	Copper engraving	c.1810 Slatter & Rose, High Street, Oxford			I 73 x 126 mm				25	£25	mounted	Print	Oxford	General Views						
5499		Unknown	Balliol College	Woodcut	19thC			I 110 x 146 mm				25	£25	mounted	Print	Oxford	Balliol College						
5501		Unknown	Martyrs’ Memorial	Woodcut	19thC			I 136 x 100 mm				25	£25	mounted	Print	Oxford	General Views						
5503		Roberts	Headington Church and Cross	Woodcut	1800s			I 150 x 98 mm				25	£25	mounted	Print	Oxford	Oxford Churches						
5505		Nathaniel Whittock	The Old Tower of Oxford Castle	Lithograph	c.1830			I 142 x 83 mm				45	£45	mounted	Print	Oxford	Oxford Castle						
5510		Unknown	Scene on the Thames, near Oxford	Copper engraving	c.1800			I 40 x 61 mm				20	£20	mounted	Print	Oxford	General Views						
5517		Christopher Webb Smith	Kohy Hawk and Kurakul Ibis 	Lithograph with original hand-colour	Behar Lithographic Press, April 1828			I 244 x 204 mm	From Oriental Ornithology		Probably handcoloured by Smith who drew the birdsAbbey Travel  453, 12	40	£40	mounted	Print	Foreign Topography	India						
5519		Paterson	Oxford, from Headington Hill.	Woodblock with gauffrage	C.1880			I 141 x 201 mm				25	£25	mounted	Print	Oxford	General Views						
5520		J.H.	The Ladies College, Somerville Hall, Oxford	Woodblock with gauffrage	c.1880			I 202 x 226 mm				50	£50	mounted	Print	Oxford	Somerville College						
5523		Sir Charles D’Oyly, Bart	A Squall on the River Ganges	Lithograph	Behar Lithographic Press, April 1828			I 200 x 150 mm	From Behar Amature Lithographic Scrap Book 		Abbey Travel  448, 4	45	£45	mounted	Print	Foreign Topography	India						
5524		R.S. D’Oyly	Mirta Kulleaun Beg	Lithograph	Behar Lithographic Press, April 1828			I 165 x 164 mm	Behar Amature Lithographic Scrap Book Consisting of every variety of Oriental Subjects, Heads. Figures, Costume &ca &ca  &ca		Abbey Travel 446, 4	50	£50	mounted	Print	Foreign Topography	India						
5526			Taplow Lodge, B ucks_seat of J Frywe Esq	Engraving	late 18thC			I 28 x 60 mm				25	£25	mounted	Print	British Topography	Buckinghamshire						
5527		Sir Charles D’Oyly, Bart	Washing an Elephant	Lithograph	Behar Lithographic Press, April 1828			I 167 x 115 mm	Behar Amature Lithographic Scrap Book Consisting of every variety of Oriental Subjects, Heads. Figures, Costume &ca &ca  &ca		Abbey Travel  448, 5	50	£50	mounted	Print	Foreign Topography	India						
5531		Drawn & Engraved by A. Ashley	The Reading Stations, Drawn & Engraved for the British Gazetter	Lithograph	Published for the Proprietors by H. G. Collins. 22, Paternoser Row			I. 205 x 123 mm				60	£60	unmounted	Print	General Interest	Railway Prints						
5536		Randall Davidson, Archbishop of Canterbury, Baron Davidson of Lambeth (1848 - 1937)	[Oxford]	Watercolour	c1880			I 140 x 270 mm			Signed and inscribed in pencil on reverse. Was an Anglican clergyman who served as Archbishop of Canterbury from 1903 to 1928. He studied at Oxford University and served as chaplain to Queen Victoria, Dean of Windsor, Bishop of Rochester and Bishop of Winchester before becoming Archbishop of Canterbury in 1903. He played a major part in the funeral ceremonies for Queen Victoria in 1901.	50	£50	mounted	Print	Oxford	General Views						
5537		Sir Charles D’Oyley, Bart after Christopher Webb Smith 	This venerable gentlemen is, or was to the best of my recollection a priest at Eyah. A sort of Hindoo Magee	Lithograph	Behar Lithographic Press, April 1828			I 194 x 157 mm	Behar Amature Lithographic Scrap Book Consisting of every variety of Oriental Subjects, Heads. Figures, Costume &ca &ca  &ca		A hand written note under print says, “This venerable gentlemant was to the best of recollection a priest at Gyah - a sort of Hindoo Majus - Daniel Wilson”An impression with ‘C.W. Smith del.t’ is in the British MuseumAbbey Travel  446, 11	60	£60	mounted	Print	Foreign Topography	India						
5539		Sir Charles D’Orly, Bart	Khajee Wullee Mahomud. Soubador Major of the Govenor General’s Body Guard	Lithograph	Behar Lithographic Press, April 1828			I 301 x 185 mm			an Indian Soldier, he was an elite corps	60	£60	mounted	Print	Foreign Topography	India						
5543		Emma Janne, Lady  D’Oyly	A Mogul	Lithograph	Behar Lithographic Press, April 1828			I 158 x 162 mm				40	£40	mounted	Print	Foreign Topography	India						
5544		Emma Jane, Lady D’Oyly	[portrait of man]	Lithograph	Behar Lithographic Press, April 1828			I 115 x 102 mm				40	£40	mounted	Print	Foreign Topography	India						
5545		Emma Jane D’Oyly	[portrait of man]	Lithograph	Behar Lithographic Press, April 1828			I 115 x 102 mm	Behar Amature Lithographic Scrap Book Consisting of every variety of Oriental Subjects, Heads. Figures, Costume &ca &ca  &ca		Abbey Travel 	40	£40	mounted	Print	Foreign Topography	India						
5546		Unknown	Hales Place from the South	Lithograph				I. 267 x 167 mm				85	£85	unmounted	Print	General Interest	Railway Prints						
5547		W. Radclyfffi after T. Creswick	Leighton Bussard	Lithograph				I.126 x 84 mm				40	£40	unmounted	Print	General Interest	Railway Prints						
5548		H. Pyall after T.T. Bury	Coaches &c. employed on the Railway	Aquatint with hand colouring	London Published Feb. 1831 by R. Ackermann 96 Strand			I. 241 x 198 mm			1st State, 1st edition and 1st print railway coaches	495	£495	unmounted	Print	General Interest	Railway Prints						
5549		Unknown 	To John Goodford Esq. of yeovil this first attempt at engraving from an Original Painting of Prince Charles Edward Stuart done by Alexander at Rome and now in the possesion of Dr. Macdonald of Taunton is most humbly Inscribed by his obedient servent Frederick Lake	Engraving				I. 230 x 180 mm				130	£130	unmounted	Print	General Interest	Jacobite						
5551		R. Henman	Comic Scraps No. 12 The Delights of Travelling	Lithograph with hand colouring	Pub. by W. Brittain 14 Paternoster Row London			I. 133 x 165 mm				40	£40	unmounted	Print	General Interest	Railway Prints						
5553		Unknown	Trade & Traffic The Goods Train (Advertisment Card)	lithograph	Early 20th C.			I. 82 x 125 mm				15	£15	unmounted	Print	General Interest	Railway Prints						
5554		Kitchin, Thomas	Essex	Copper engraving with hand colouring	1786			I. 257 x 205 mm				70	£70	unmounted	Map	English Counties	Essex						
5559		Edward Hort New	Christchurch College	Photolithograph	Published by Edmund Hort New, 17 Worcester Place, Oxford AD 1916			I. 635 x 411 mm				850	£850	unmounted	Print	Oxford	Christ Church College						
5560		David Loggan	Collegium Diui Ioannis Baptiste [St. John’s College, Oxford]	Copper engraving	1675			Pl. 310 x 410	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	360	£360	unmounted	Print	Oxford	St. John’s College						
5562		Edward Burrow	Duck’s Bridge Marlboro College	Etching	Published by W.H. Beynon & Co. Chelsea, 1895			I 262 x 187 mm, Pl. 277 x 201 mm			Burrow was a topographical etcher specialising in schools and colleges for Beynon of Cheltenham	50	£50	unmounted	Print	British Topography	Public Schools						
5565		Richard Earlom after Johann Zoffany	The Embassy of Hyderbeck to Calcutta, from the Vizier of Oude, by way of Patna, in the Year 1788, to meet Lord Cornwallis	Mezzotint	Published 12th July 1800, by Robert Laurie & James Whittle, No. 53, Fleet Street, London			I 478 x 658 mm, Pl. 531 x 682 mm			Includes key plateCS 49  i/ii, but proofs with open letters presumable exist, Wessely 98, only state - SCARCE	4000	£4,000	framed	Print	Foreign Topography	India						
5568		Sir Charles D’Oyly, Bart & Christopher Webb Smith	[Ibis birds]	Lithograph	Behar Lithographic Press, April 1828			I 259 x 213 mm				40	£40	mounted	Print	Foreign Topography	India						
5569		Sir Charles D’Oyly, Bart & Christopher Webb Smith	Trout from the Soane	Lithograph	Behar Lithographic Press, April 1828			I 275 x 210 mm				40	£40	mounted	Print	Foreign Topography	India						
5570		Sir Charles D’Oyly, Bart	Near Hadjeah	Lithograph	Behar Lithographic Press, April 1828			I 201 x 185 mm	Behar Amature Scrap Book 		On an album leaf inscribed in a mid-nineteenth century hand: “A Musjid [sic] or Mohammedian  house of prayer. These domes are not often seen in Hindoo buildings and are generally indication of a church though they are sometimes found in private houses.” “Obliged to take to the printer [?] , the cutting system having totally exhausted my patience.” Abbey Travel 449, 2	40	£40	mounted	Print	Foreign Topography	India						
5571		William Say 	His Highness Saadut Aly Khan, Nawob Vizier of Oude. From an original Picture now in the Posession of His Royal Highness the Prince of Wales Printed at Lucknow by Mr Place for P. Treves Jun.r Esq.r	Mezzotint	Published Jan.y 1 1806 by Edwd. Orme Printseller to His Majesty, 59 New Bond Street, London			I 450 x 358 mm				250	£250	mounted	Print	Portraits	Foreign Royalty						
5572		Sir Charles D’Oyly, Bart 	R’HUT JHATTRA	Lithograph	Behar Lithographic Press, April 1828			I 168 x 119 mm			A hand written note next to the print reads, “A Triaennial festival in honor of the Supreme Being”	40	£40	mounted	Print	Foreign Topography	India						
5573		Sir Charles D’Oyly, Bart 	[View in Street]	Lithograph	Behar Lithographic Press, April 1828			I 196 x 154 mm	Behar Amature Scrap Book 		Abbey Travel 449, 4	50	£50	mounted	Print	Foreign Topography	India						
5575		Christopher Webb Smith & Sir Charles D’Oyly, Bart	[Pea Hens]	Lithograph	Behar Lithographic Press, April 1828			I 177 x 111 mm				40	£40	mounted	Print	Foreign Topography	India						
5576		Sir Charles D’Oyly, Bart	View of a Banian Tree at Hadjepore	Lithograph	Behar Lithographic Press, April 1828			I 100 x 79 mm	Behar Amature Scrap Book 		Abbey Travel 449, 12	30	£30	mounted	Print	Foreign Topography	India						
5577		Sir Charles D’Oyly, Bart	Doing a bit of Justice	Lithograph	Behar Lithographic Press, April 1828			I 200 x 146 mm	Behar Amature Scrap Book 		Abbey Travel 449, 3	65	£65	mounted	Print	Foreign Topography	India						
5579		Emma Jane, Lady D’Oyly	[An Oriental]	Lithograph	Behar Lithographic Press, April 1828			I 118 x 90 mm				30	£30	mounted	Print	Foreign Topography	India						
5580		Edward Kirkall after George Lambert and Samuel Scott	To the Honourable Court of Directors of the United-Company of Merchants of England trading to the East-Indies this View of Tellicherry...	Mezzotint with handcolour				I 330 x 419, Pl. >358 x >419			ScarceNot for Sale 			mounted	Print	Foreign Topography	India						
5585		Ingrey & Madeley	Madame Vestris as the Page Victor in the “Epaulette”	Lithograph	1825			I 318 x 216 mm 				60	£60	mounted	Print	General Interest	Theatre						
5586		Wise	North East View of The Surrey Theatre, formerly The Royal Circus, near the Obelisk, Great Surrey Street	Copper engraving with hand colouring	London Published 1st May 1814 by Robert Wilkinson, No.58 Cornhill			I 316 x 250 mm				50	£50	mounted	Print	General Interest	Theatre						
5588		J. Roper	Dorsetshire	Copper engraving with hand colouring	London; Published for Proprietors, by Vernor & Hood, Poultry, August 1st 1805			I: 175 x 250 mm				70.00	£70	mounted	Map	English Counties	Dorset						
5590			Pears’ Soap“For years I have used your soap, and no other”Lilia Langtry	Wood engraving	circa  1897			I 208 x 115 mm				30	£30	mounted	Print	General Interest	Theatre						
5591			Pears’ Soap	Wood engraving	London Illustrated News April 3, 1897			I 182 x 124 mm				25	£25	mounted	Print	General Interest	Theatre						
5594		J. Findlay	New Haymarket Theatre Opened July 4th 1821	Aquatint	circa 1821			I 165 x 102 mm				40	£40	mounted	Print	General Interest	Theatre						
5595		W & D Downey	Cleopatra (Mrs Langtrey)	Photograph	London Virtue & Co. circa 1890			I 235 x 182 mm				50	£50	mounted	Print	General Interest	Theatre						
5604		unknown	Newil’s Court Trinity College	Copper engraving	c. 1750			I 65 x 139 mm, S 88 x 158 mm				15	£15	unmounted	Print	 Cambridge	Trinity College Cambridge						
5605		J. Rogers	Mr Macready as Henry Vth	Lithograph	Engraved for the Dramatic Magazine circa 1860			I 233 x 155 mm				45	£45	mounted	Print	General Interest	Theatre						
5606		unknown	West Front of Emmanuel College	Copper engraving	c. 1750			I 69 x 137 mm, S 81 x 151 mm				15	£15	unmounted	Print	 Cambridge	Emmanuel College Cambridge						
5607		J. Bernard Partridge	Becket (Sir Henry Irving)		London, Virtue and Co. circa 1850			I 228 x 159 mm				35	£35	mounted	Print	General Interest	Theatre						
5608			Shylock (Sir Henry Irving)		London, Virtue and Co. circa 1860			I 230 x 143 mm				35	£35		Print	General Interest	Theatre						
5613		J. Greenwood	The Infant Kean, As Richard III	Copper engraving with hand colouring	circa 1860			I 166 x 119 mm				30	£30	mounted	Print	General Interest	Theatre						
5614			Mr Kean as Count Bertram	Aquatint	circa 1860			I 171 x 103 mm				30	£30	mounted	Print	General Interest	Theatre						
5615		G. Greatbach	Comedies (Frontispiece)	Copper engraving with hand colouring	The London Printing and Publishing Company Limited circa 1840			I 242 x 160 mm				35	£35	mounted	Print	General Interest	Theatre						
5617		R.B	Mrs Langtry in “A Fair Encounter”	Lithograph	Judd & Co. Lith Doctors Commons, London, E.C. The Whitehall Review December 1st 1881			I 304 x 224 mm				40	£40	mounted	Print	General Interest	Theatre						
5618		Rudolph Blind	Mrs Langtry as Kate Hardcastle in “She Stoops to Conquer”. Performed before the Prince and Princess of Wales at the Haymarket Theatre. December 15th 1881	Lithograph	Judd & Co. Lith Doctors Commons, London, E.C. The Whitehall Review December 29th 1881			I 314 x 223 mm				40	£40	mounted	Print	General Interest	Theatre						
5619		T.S	The New Drury Lane Theatre 	Aquatint	Circa 1880			I 199 x 120 mm				25	£25	mounted	Print	General Interest	Theatre						
5623			Marie Lloyd	Lithograph	circa 1890			I 213 x 189 mm				40	£40	mounted	Print	General Interest	Theatre						
5624		C. Hullmandel	Mr Liston, as Maw-Worm. In the Play of the Hypocrite Act 5th Scene Last	Lithograph with hand colouring	Designed Drawn, Engraved & Pub.l by J.W. Gear, 6 Wilson St Gray’s Inn Road 1824			I 244 x 160 mm				40	£40	mounted	Print	General Interest	Theatre						
5626		Sir Charles D’Oyly, Bart	Churruck poojah 	Lithograph	ca. 1828. 			I: 110 x 165 mm. S: 151 x 196 mm 	Issued in a ‘Behar Amatuer Lithographic Scrap Book’. 		On an album leaf inscribed in a mid-nineteenth century hand: “A ceremony observed by the lower orders of Hindoos in Bengal on the day when the sun enters aries for the expiation of their sins.They are suspended by an iron hook passed through the skin of their back to one end of a lever which is raised on the top of a high pole, and whirled around by means of a rope fixed to the other end.” Abbey Travel 448, 7	50	£50	mounted	Print	Foreign Topography	India						
5628		Sir Charles D’Oyly, Bart	Dead Elephant	Uncoloured lithograph on thin paper	4th August 1828			I: 117 x 143 mm	Issued in a ‘Behar Amatuer Lithographic Scrap Book’. 		Abbey Travel 449, 25	45	£45	mounted	Print	Foreign Topography	India						
5630		James Forbes (1749-1819)	Pandanus Podoratissimus,. The Keura tree, sketched from nature in Gujerat	Lithograph with hand colouring	1812			242 x 305 mm			Plate LXXXII of Forbes’ Oriental Memoirs.	80	£80	mounted	Print	General Interest	Flora						
5631		Sir Charles D’Oyly, Bart	The Shunscrit College at Benares	Uncoloured lithograph on thin paper	C D’Oyly ad. natm. delt. Behar Lithographic Press.			I: 215 x 270 mm	Issued in a ‘Behar Amatuer Lithographic Scrap Book’. 		On an album leaf inscribed in a mid-nineteenth century hand: ‘The Superintendent of the College is supposed to be holding a “parlance” with a number of leisured pundits’Abbey Travel 449, 8	70	£70	mounted	Print	Foreign Topography	India						
5632		Sir Charles D’Oyly, Bart & Christopher Webb Smith	The Rose coloured OUSEL	Lithograph				I: 203 x 250 mm				45	£45	mounted	Print	Foreign Topography	India						
5640		Thomas Biggs	Chittuldroog. Temple of Chamondee	Albumen Silver print from a a waxed paper negative	1855-56			275 x 395 mm	Published as plate 84 James Fergusson’s Architecture in Dharwar and Mysore (1866)		An excellent copy of this rare photo.	1600	£1,600	framed	Print	Foreign Topography	India						
5642		Géringer	Paléagar.	Lithograph with hand colouring				I 201 x 273 mm	From Eugune Burnouf’s L’Inde Francais, 1827-25			150	£150	mounted	Print	Foreign Topography	India						
5643		Midy	Tatchen ou Charpentier. [Carpenter]	Lithograph with hand colouring				I 220 x 250 mm vignette	From Eugune Burnouf’s L’Inde Francais, 1827-25		Colas 490	150	£150	mounted	Print	Foreign Topography	India						
5644		Géringer	Vaishya, Marchand	Lithograph with hand colouring				I 162 x 240 mm	From Eugune Burnouf’s L’Inde Francais, 1827-25			150	£150	mounted	Print	Foreign Topography	India						
5645		Ad. Midy	Ennaivâniyen, ou Marchand d’huile.	Lithograph with hand colouring	Paris, 1827-35 			I 200 x 240 mm vignette	From Eugune Burnouf’s L’Inde Francais, 1827-25		Colas 490	150	£150	mounted	Print	Foreign Topography	India						
5653		Shepherd & Bourne	Hill coolies.	Albumen Print	1863			224 x 283 mm			This photo show a group of five porters. The figure on the left holds a folded dandy (a cloth hammock on a pole for carrying passengers), while two others have khiltis or kiltas (wicker baskets carried on the back like rucksacks).	360	£360	framed	Print	Foreign Topography	India						
5656		Sir Charles D’Oyly Bart	A Mussalcher or Torch bearer	Lithograph	Behar Lithographic Press			I 162 x 135 			Plate 9 from D’Oyly’s Costume of India, Colas 888A hand written note on an album page next to the print reads, “One or two of these links always accompanies ... travelers at night.  He is replenishing his torch with oil.”	40	£40	mounted	Print	Foreign Topography	India						
5661		“Boys Own Paper” by Alfred W. Cooper	Our British Volunteers	Lithograph				I. 378 x 242 mm				40	£40		Print	General Interest	Military						
5666			A Plan of Fort St. George and the City of Madras	Copper engraved map	London, c. 1747			92 x 173 mm	From The London Magazine: Or, Gentleman’s Monthly Intelligencer			35	£35	mounted	Map	Asia & Middle East	India						
5668		Rapkin, J.	Ceylon	Steel engraved map with hand colour	New York: J. & F. Tallis							60	£60	mounted	Map	Asia & Middle East	Sri Lanka						
5669		Shepherd & Robertson	Moguls. Delhi	Albumen print	c. 1863			 			Studio portrait of a father with his children at Delhi, taken by Shepherd and Robertson in c. 1863. This photograph is reproduced as illustration no. 197 in volume IV of 'The People of India' (1869). The image was shown at the Vienna Universal Exhibition in 1873 as part of an exhibit entitled 'The People of India' and consisting of 132 photographs from the publication. This photograph was shown in the section entitled 'Mahomedans' who were described as being "divided into four general classes...namely, Syud, Sheikh, Moghul and Pathan...The Moghuls are the descendants of of those immigrants into India who followed the Tartar and Toorky invasions, and who always constituted large proportions of the Imperial armies."	950	£950	mounted	Print	Foreign Topography	India						
5700		Thomas Daniell	Lucnow Taken from the Oppisite Bank of the River Goomty.	Aquatint with hand colouring	Published as the Act Directs by Thos. Daniell R.A. Howland Street. Fitzroy Square London Decr. 1 1802 			I 425 x 600 mm	From Oriental Scenery		Abbey 420, 93	2000	£2,000	mounted	Print	Foreign Topography	India						
5706		Harraden after Lt. James Hunter	A View of Ootra Droog	Aquatint with hand colouring	Published & Sold Jany. 1 1815 by Edward Orme His Majesty’s Printseller, 59 New Bond Street, London.			I 245 x 317 mm	From Picturesque Scenery in the Kingdom of Mysore by James Hunter			220	£220	mounted	Print	Foreign Topography	India						
5707		Spy	“An Indian Statesman” [Nawab Sir Salar Jung]	Lithograph	Vanity Fair, Octr. 14, 1876			I 305 x 181 mm	Vanity Fair		 Indian statesman of Hyderabad, born in 1829, descendant of a family which had held various appointments, first under the Adil Shahi kings of Bijapur, then under the Delhi emperors and lastly under the Nizams.While he was known to the British as Sir Salar Jung, his personal name was Mir Turab Ali, he was styled by native officials of Hyderabad the Mukhtaru 'l-Mulk, and was referred to by the general public as the Nawab Sahib. He succeeded his uncle Suraju 'l-Mulk as prime minister in 1853.The condition of the Hyderabad state was at that time a scandal to the rest of India. Salar Jung began by infusing a measure of discipline into the Arab mercenaries, the more valuable part of the Nizam's army, and employing them against the rapacious nobles and bands of robbers who had annihilated the trade of the country. He then constituted courts of justice at Hyderabad, organized the police force, constructed and repaired irrigation works, and established schools. On the outbreak of the Indian rebellion of 1857 he supported the British, and although unable to hinder an attack on the residency, he warned the British minister that it was in comtemplation. The attack was repulsed; the Hyderabad contingent remained loyal, and their loyalty served to ensure the tranquillity of the Deccan. Salar Jung took advantage of the preoccupation of the British government with the Rebellion to push his reforms more boldly, and when the Calcutta authorities were again at liberty to consider the condition of affairs his work had been carried far towards completion.During the lifetime of the Nizam Afzulu'd-dowla, Salar Jung was considerably hampered by his master's jealous supervision. When Mir Mahbub Ali Khan, however, succeeded his father in 1869, Salar Jung, at the instance of the British government, was associated in the regency with the principal noble of the state, the Shamsu 'l-Umara or Amir Kabir, and enjoyed an increased authority. In 1876 he visited England with the object of obtaining the restoration of Berar. Although he was unsuccessful, his personal merits met with full recognition. He died of cholera at Hyderabad on the 8th of February 1883. He was created G.C.S.I., on the 28th of May 1870, and received the honorary degree of D.C.L. from the University of Oxford on the 21st of June 1876. 	40	£40	mounted	Print	Portraits	Foreign Political						
5708		Coronelli, Vincenso	Impero del Gran Mogol	Copper engraved 	Venice, c. 1690			443 x 601 mm				450	£450	mounted	Map	Asia & Middle East	India						
5713		Stanley Anderson	Place St. Gervaise, Falaise	Etching	1926			285mm x 220mm				200	£200	framed	Print	20th Century							
5714		Charles Purser and Louis Haghe	The Royal William Yard, Plymouth. To His most Gracious Majesty William the Fourth, This print of the Establishment for Victualling, His Majesty’s Navy, is with permission, most humbly dedicated, by Jis Majesty’s dutiful and very faithful servants G. and J. Rennie 	Lithograph with hand colouring	Day & Haghe lithrs to the King Gate St. Linc. Inn Fds.			I 260 x 550 mm, S 335 x 560 mm			Somers-Cocks 2204The Royal William Yard was originally conceived by Samuel Pepys, and eventually designed and built by Sir John Rennie between 1825 and 1835. Serviced by the sea, it was the victualling yard — the food and drink supply centre — for the Royal Navy. It was the largest government project of the decade, occupying 16 acres — of which six were reclaimed from the sea — employing convict labour and using Sir John’s newly designed diving bell.  The yard was closed in 1992 and has now been redeveloped into a mixture of flats, business space and leisure facilities.	600	£600		Print	British Topography	Devon						
5715		Sir John Charles Robinson	Beja in the Alemtejo, Portugal. 	Etching	1872			I: 165 x 246 mm. Pl: 192 x 255 mm.			Hind 10, i/ivSigned J. C. Robinson 1872 in ink.Inscribed top right in the plate: “Yes. Speak English. All right. Fox Pyles.” Inscribed lower left in 19th century handwriting: “The Visconde de Montserrat ~ from the artist ~ in remembrance of their unexpected and unintentional but most delightful excursion to Baja.”Robinson (1824-1913) was a painter of flowers and landscapes. After 17 years as Superintendant of the Art Collections at the Victoria and Albert Museum, he became surveyor of the Queen’s Pictures. Towards the end of his life, he took up etching showing a poetic vision of Dorset and elsewhere.A contemporary and close friend of Sir Frances Seymour Haden, Robinson’s work is primarily concerned with the atmospheric effects of weather.  Like Haden Robinson was a wealthy gentleman artist who did not depend on the sale of his work to provide income.  Etchings by Robinson are rare.  During his lifetime only a few of his prints were offered for sale, the majority of his work was distributed by the artist amongst his friends.	500	£500	mounted	Print	Victorian	Sir John Charles Robinson						
5720		Fred Miller	[New College Cloisters]	Etching	London Published DEcr. 8th 1886 by Sidney Redrup, 175 New Bond Street W.			I 130 x 148 mm, Pl. 178 x 174 mm			Signed in pencil	75	£75	framed	Print	Oxford	New College						
5721		Fred Miller	[Christ Church from the Meadow]	Etching	London Published Decr. 8th 1886 by Sidney Redrup, 175 New Bond Street W.			I 130 x 148 mm, Pl. 178 x 174 mm			Signed in pencil	75	£75	framed	Print	Oxford	Christ Church College						
5733		Sir John Charles Robinson	Space and Light_Sierra de Almaden-Estremadura	Etching	c. 1872			I 175 x 250mm, Pl. 212 x 263 mm			Hind 9 ii/iiRobinson (1824-1913) was a painter of flowers and landscapes. After 17 years as Superintendant of the Art Collections at the Victoria and Albert Museum, he became surveyor of the Queen’s Pictures. Towards the end of his life, he took up etching showing a poetic vision of Dorset and elsewhere.A contemporary and close friend of Sir Frances Seymour Haden, Robinson’s work is primarily concerned with the atmospheric effects of weather.  Like Haden Robinson was a wealthy gentleman artist who did not depend on the sale of his work to provide income.  Etchings by Robinson are rare.  During his lifetime only a few of his prints were offered for sale, the majority of his work was distributed by the artist amongst his friends.	300	£300	mounted	Print	Victorian	Sir John Charles Robinson						
5736		Sir Hubert von Herkomer	[Family Group]	Etching				I 				50	£50		Print	Victorian							
5741		Tristram Ellis	Cyrpus 1879	Etching				I 185 x 151 mm, Pl. 200 x 160 mm			A scarce plate from Ellis’Thirteen Etchings of the  views & places of interest in Cyprus.  London, 1879.Ellis’ work is considered the first work by a famous artist depicting people and places after the 1878 annexation of Cyprus by the British.Ellis, an accomplished artist,  visited Cyprus with the start of the British Administration.   	250	£250	mounted	Print	Victorian	Tristram Ellis						
5742		Hellmuth Weissenborn	‘X’	Woodcut	circa 1950			I 50 x 38 mm			Hellmuth Weissenborn (1898 -1982) was born in Leipzig, Germany, his father was an art teacher. Weissenborn studied at the Academy for Graphic Art and Book Design, Leipzig from 1919 serving in WWI. In 1938 he emigrated to London as a freelance artist. He then went on to work as an illustrator for the Whittington Press and his first solo show was at Archer Gallery. In 1946 he and his wife took over the then defunct Acorn Press. He exhibited at the Victoria and Albert Museum, the London Group and at exhibitions in America and Australia.	25	£25	mounted	Print	Artists	Hellmuth Weissenborn						
5745		Sir Hubert von Herkomer	[Mother and Child]	Lithograph				I 306 x 247 mm				75	£75	mounted	Print	Victorian							
5747		Arthur Evershed	Shelly’s House at Marlow	Etching	1876			I 113 x 91 mm			 called Hallam House	60	£60	mounted	Print	Victorian							
5750		David Law	Goring	Etching	1882			I 149 x 100 mm				45	£45	mounted	Print	Victorian							
5752		Edgar Barclay 	The Old Steps at Capri	Etching	London, Published 1st Sep.br 1886 by Rob.t Dunthorne at the Rembrant Head in Vice Street W.			I 625 x 304 mm				450	£450	mounted	Print	Victorian							
5754		Axel Haig	Westminster Abbey: The Poet’s Corner	Etching	Published 1886 			I 304 x 189 mm Pl. 323 x 210 mm			Lennox-Boyd 59	250	£250	mounted	Print	Victorian	Axel Haig						
5755		Axel Haig	Westminster Abbey: The Cloisters	Etching	Published 1886			I 203 x 247 mm, Pl. 219 x 260 mm			Lennox-Boyd 61	250	£250	mounted	Print	Victorian	Axel Haig						
5756		Axel Haig	Grim Toledo - A Street	Etching with aquatint	Published 1889			I 482 x 309 mm; Pl. 495 x 318 mm			Lennox-Boyd 85	500	£500	mounted	Print	Victorian	Axel Haig						
5757		Axel Haig	Barcelona: Santa Maria del Mar	Etching	Published 1889			I 405 x 269 mm			Lennox-Boyd 87	450	£450	mounted	Print	Victorian	Axel Haig						
5758		Adolphe Lalauze (1838-1906) after Sir Frank Dicksee, PRA (1853-1928)	Love Story	Etching	Published July 1st, 1884 by Thos. Agnew & Sons, London, Liverpool & Manchester & By M. Schaus New York 			I 325 x 470 mm, Pl. 390 x 520 mm			PSA stamp	1200	£1,200	framed	Print	Victorian							
5760		Axel Haig	The Alcazar, Segovia	Etching	1886			I 619 x 406, Pl. 636 x 418 mm			Lennox-Boyd 63	700	£700	mounted	Print	Victorian	Axel Haig						
5761		Axel Haig	Santa Cruz, Coimbra	Etching	Published 1906			I 427 x 288 mm, Pl. 435 x 296 mm			Lennox-Boyd 203	300	£300	mounted	Print	Victorian	Axel Haig						
5762		Axel Haig	Rialto, Venice	Etching	Published 1898			I 389 x 282 mm, Pl. 399 x 289 mm			Lennox-Boyd 157	750	£750	mounted	Print	Victorian	Axel Haig						
5764		Axel Haig	A Street in Cologne	Etching	Published 1891			I 256 x 174 mm; Pl. 337 x 231 mm			Lennox-Boyd 105 	75	£75	unmounted	Print	Victorian	Axel Haig						
5765		Charles West Cope R.A.	[Drawing from the male nude]	Etching	Published on/after 1864 			I 116 x 167 mm; Pl. 126 x 173 mm			Touched, working proof. With steps in the foreground. With Cope’s initials, “1864”	120	£120	mounted	Print	Victorian							
5768		Sir Hubert von Herkomer 	The Poacher’s Fate	Etching	Published London November 1st  by the British and Foreign 1880			I 358 x 262 mm			Painted and Engraved by Hubert Herkomer, A.R.A Imp. Chardon, Paris	150	£150	mounted	Print	Victorian							
5769		Percy Thomas	Woodcock Manor	Etching	Published 1892			I 142 x 164 mm; Pl. 142 x 164 mm			Signed in pencil.(1846-1922) Painter and etcher of landscapes, genre and portraits.  Born in London, he studied at the Royal Academy and under Whistler as his first pupil. He exhibited at the R.A. from 1867 and was elected to the Royal Society of Painter-Etchers and Engravers in 1881. 	100	£100	mounted	Print	Victorian							
5770		Axel Haig	Mont St Michel	Etching	Published 1882			Image 872 x 627 mm; Plate 912 x 652 mm			Lennox-Boyd 35Repaired tear in lower left in margin space and 2 inches into the image.	1200	£1,200	mounted	Print	Victorian	Axel Haig						
5773		A.M. Williams	St Mary’s Overy Church	Etching	Published 1885			I 217 x 192 mm; Pl. 253 x 195 mm 			Now Southwark Cathedral 	100	£100	mounted	Print	Victorian							
5774		Joseph Pennell	Gateway Canterbury Cathedral	Etching	Published 1884			I 223 x 174 mm; Pl. 267 x 211 mm				75	£75	mounted	Print	Victorian							
5777		Joseph Pennell	St Clement Danes	Etching	Circa 1880			I 250 x 173 mm; Pl. 272 x 199 mm				60	£60	mounted	Print	Victorian							
5778		Richard Samuel Chattock	Hardraw-Scarr Force	Etching	Circa 1880			I 132 x 164 mm; Pl. 141 x 178 mm 			p.8 “By far the noblest waterfall in the neighbourhood of Hawes, and indeed in the whole valley, both in itself, and on account of its very remarkable accompaniments, is that which forms the subject of out fifth plate - Hardraw-Scarr Force”.p.9 “It is difficult to imagine a more impressive scene that that which when the stream is in flood, presents itself to the visitor as he stands in this vast chamber of rock, with its high over-hanging roof of limestone and watches the volume of water as it shoots far above over his head, filling the air with spray and lending to the glorious landscape beyond the enchantment of distance”.Wensleydale - Fourteen Etchings with descriptive text by Richard S. Chattock London 1872. 	120	£120	mounted	Print	Victorian							
5781		Sir Hubert von Herkomer	Hubert Herkomer A.R.A and his children	Etching				I 197 x 154 mm; Pl. 354 x 202 mm	Private Proof		Private Proof. Printed by Oneself.To Herbert Johnson With our ..... affection	350	£350	mounted	Print	Victorian							
5783		George Wooliscroft Rhead	The Hermit	Etching	Published Circa 1880			I 243 x 187 mm; Pl. 253 x 197 mm			(1855-1920) Painter and etcher of genre and classical subjects.  Studied art under Legros and Ford Maddox Brown.  Exhibited at the leading London galleries from 1873, mainly at the R.A. R.E., R.B.A. and R.I.  He was elected to the R.E. in 1883. 	120	£120	mounted	Print	Victorian							
5787			Swan Inn Pangbourne	Etching	Published 			I 65 x 106; Pl. 67 x 111 mm				30	£30	mounted	Print	Victorian							
5789		John Postle Heseltine	Long Bridge Salisbury	Etching				I 110 x 163 mm; Pl. 123 x 164 mm			(1843-1929) Heseltine was both an etcher and an important collector. He was a member of the Arts Club from 1868 to 1892.	80	£80	mounted	Print	Victorian							
5790		W.J. Hebblethwaite	At Kings Lynn	Etching	Published 1892			I 107 x 257 mm; Pl. 134 x 264 mm				100	£100	mounted	Print	Victorian							
5791		Henry Macbeth-Raeburn after Norman Macbeth	Fourscore Years 	Etching	Published Circa 1886			I 192 x 157 mm; Pl. 242 x 191 mm			Norman Macbeth was the father of Henry Macbeth-Raeburn and Robert Walker-Macbeth	120	£120	mounted	Print	Victorian							
5792		Percy Thomas	Iroqouis	Etching	Published Circa 			I 185 x 254 mm; Pl. 229 x 301 mm			As appeared in “English Etchings” July 1881(1846-1922) Painter and etcher of landscapes, genre and portraits.  Born in London, he studied at the Royal Academy and under Whistler as his first pupil. He exhibited at the R.A. from 1867 and was elected to the Royal Society of Painter-Etchers and Engravers in 1881. 	250	£250	mounted	Print	Victorian							
5793		Sir John Charles Robinson	[Landscape with trees and sun]	Etching	Published Circa 			I 152 x 231 mm; Pl.155 x 235 mm			Robinson (1824-1913) was a painter of flowers and landscapes. After 17 years as Superintendant of the Art Collections at the Victoria and Albert Museum, he became surveyor of the Queen’s Pictures. Towards the end of his life, he took up etching showing a poetic vision of Dorset and elsewhere.A contemporary and close friend of Sir Frances Seymour Haden, Robinson’s work is primarily concerned with the atmospheric effects of weather.  Like Haden Robinson was a wealthy gentleman artist who did not depend on the sale of his work to provide income.  Etchings by Robinson are rare.  During his lifetime only a few of his prints were offered for sale, the majority of his work was distributed by the artist amongst his friends.	200	£200	mounted	Print	Victorian							
5794		Arthur Ditchfield 	Goudhurst 	Etching	Published Circa			I 113 x 156 mm; Pl. 121 x 163 mm			Arthur Ditchfield (1842-1888) is now almost entirely forgotten, his etchings largely undocumented. One of the things to note about him is his sketching trip with Ruskin and Hercules Brabazon to Amiens in 1880. He was obviously a conscientious craftsman, for he noted on many of his works who had printed them. It is worth comparing impressions by Goulding, Holdgate or Ditchfield himself. He made at least 77 etchings, a set of which were presented to the British Museum by his sister, Mrs J.L. Roget, with a manuscript listing. His training is unknown - his drawings are not of  “The English School”. It was probably Parisian, for the influence of Applan is evident and to a lesser extent that of Lalanne.	100	£100	mounted	Print	Victorian							
5796		Charles West Cope	The Companions [Early lessons]	Etching	Published 1857			I 66 x 106 mm; Pl. 88 x 127 mm				200	£200	mounted	Print	Victorian							
5797		Axel Haig	The Fountain of St George	Etching	Published 1885			I 486 x 319 mm; Pl. 527 x 351 mm 			Lennox-Boyd 54	750	£750	mounted	Print	Victorian	Axel Haig						
5798		Edward Slocombe	[Tintern Abbey]	Etching	London Published 1st July 1886 by Rob.t Dunthorne at the Rembrandt Head in Vigo Street			I 325 x 494 mm; Pl. 382 x 537 mm				250	£250	mounted	Print	Victorian							
5799		Robert Walker Macbeth	[No Hurry]	Etching on silk	London, Published March 2nd 1908 by W.R. Howell & Co. Bedford Row Chambers W.C. Copyright Registered			I 530 x 336 mm			Printed by Goulding	450	£450	mounted	Print	Victorian							
5800		Axel Haig	Salamanca-Cross and Cathedral Beyond	Etching	London Published 4th October 1909 by Robt. Dunthorne, 5 Vigo Street W			I 580 x 369 mm; Pl. 588 x 374 mm			Lennox-Boyd 227	650	£650	mounted	Print	Victorian	Axel Haig						
5801		Axel Haig	Palermo Cathedral	Etching	Published 1913			I 482 x 612 mm; Pl. 491 x 617 mm			Lennox-Boyd 247	700	£700	mounted	Print	Victorian	Axel Haig						
5802		Axel Haig	South Transept, St Mark’s	Etching	London, Published September 16th 1911 by Robt. Dunthorne 5 Vigo St. W			I 440 x 568 mm; Pl. 454 x 582 mm 			Lennox-Boyd 237	600	£600	mounted	Print	Victorian	Axel Haig						
5803		Axel Haig	The Portals of Rheims Cathedral	Etching	Published 			I 628 x 454 mm; Pl. 653 x 477 mm				850	£850	mounted	Print	Victorian	Axel Haig						
5804		Alfred Withers	Folkstone Harbour	Etching	Published Circa 1880			I 152 x 252 mm; Pl. 180 x 277 mm			Signed in pencil	100	£100	mounted	Print	Victorian							
5805		Charles West Cope	[There let Hymen oft appear in Saffron robe with taper clear]	Etching	Published Circa 1860			I 60 x 121 mm; Pl. 89 x 152 mm				120	£120	mounted	Print	Victorian							
5806		Charles West Cope	[There let Hymen oft appear in Saffron robe with taper clear]	Etching	Published Circa 1860			I 60 x 121 mm; Pl. 89 x 152 mm			The veil finished. Further work added throughout. The two men in the doorway behind the bride now finished. Person added kneeling (?) on ground at the far right. With Cope’s name, in etched letters. 	120	£120	mounted	Print	Victorian							
5807		Robert Walker Macbeth	[A telegram arriving]	Etching	Published Circa 1890			I 500 x 326 mm				350	£350	mounted	Print	Victorian							
5809		Axel Haig	Place St. Nicola, Antwerp	Etching	Published 			I 276 x 197 mm; Pl. 286 x 204 mm				350	£350	mounted	Print	Victorian	Axel Haig						
5811		Arthur Ditchfield	[Ferry Boat]	Etching	Published 1877			I 156 x 79 mm			Arthur Ditchfield (1842-1888) is now almost entirely forgotten, his etchings largely undocumented. One of the things to note about him is his sketching trip with Ruskin and Hercules Brabazon to Amiens in 1880. He was obviously a conscientious craftsman, for he noted on many of his works who had printed them. It is worth comparing impressions by Goulding, Holdgate or Ditchfield himself. He made at least 77 etchings, a set of which were presented to the British Museum by his sister, Mrs J.L. Roget, with a manuscript listing. His training is unknown - his drawings are not of  “The English School”. It was probably Parisian, for the influence of Applan is evident and to a lesser extent that of Lalanne.	55	£55	mounted	Print	Victorian							
5812		Arthur Ditchfield	[Waterhole at dusk]	Etching	Published Circa 1875			I 174 x 114 mm			Arthur Ditchfield (1842-1888) is now almost entirely forgotten, his etchings largely undocumented. One of the things to note about him is his sketching trip with Ruskin and Hercules Brabazon to Amiens in 1880. He was obviously a conscientious craftsman, for he noted on many of his works who had printed them. It is worth comparing impressions by Goulding, Holdgate or Ditchfield himself. He made at least 77 etchings, a set of which were presented to the British Museum by his sister, Mrs J.L. Roget, with a manuscript listing. His training is unknown - his drawings are not of  “The English School”. It was probably Parisian, for the influence of Applan is evident and to a lesser extent that of Lalanne.	75	£75	mounted	Print	Victorian							
5815		James Reynolds	The Phases of the Moon	Woodcut	London, published by James Reynolds, 174 Strand	1860	1860	I. 218 x 254 mm			One of a set of teaching cards published by James Reynolds & Sons, London, England around 1860. Titled 'The Phases of the Moon', the chart was drawn and engraved by John Emslie. The astronomical diagram shows how the Moon's appearance changes during its 29.5-day orbits around the Earth. When none of the Moon's reflected sunlight reaches the Earth it becomes invisible and known as a New Moon. The Moon's disc then grows (waxes) to a half phase, known as first quarter, and then to Full after a similar period. The lunar disc then starts to shrink (wane) back to half phase, known as last quarter, and then back to the start of the cycle, another New Moon.	50	£50	unmounted	Print	General Interest	Science						
5817		James Reynolds	Telescopic Appearance of the Moon	Woodcut	London, J Reynolds, 174, Strand, Ackermann & co, Strand, Reeves & Sons, Cheapside.	Circ. 1860	1860	I. 272 x 196 mm			Astronomical diagram drawn and engraved by John Emslie, showing some of the craters and seas of the Moon. Like all the other planetary bodies in the Solar System, the Moon has been subjected to a continuous bombardment from space by meteorites and asteroids of various sizes. The darker areas, known as maria (seas), are basins created by huge impacts, which then flooded with molten lava. They are more recent features than the lighter coloured heavily cratered highlands of the Moon. One of them, the Sea of Tranquility, was chosen by NASA as the landing site for Apollo 11, the first manned mission to land on the Moon. Published by James Reynolds (174 Strand, London).	75	£75	unmounted	Print	General Interest	Science						
5839		Utagawa Kunisada [Utagawa Toyokuni III] (1786-1864)	Chrysanthamum Moon	Nishiki-e woodblock	Publisher: Izumi-ya Ichibei. Date: ca. 1843-6			Ôban triptych, three separate sheets (c. 38 x 25. 5 cm each sheet) 			Signatures: Kochoro Kunisada ga [centre sheet]; Ichiyosai Toyokuni ga [left and right sheets]Muramatsu [Muramatsu Genroku] and Yoshimura [Yoshimura Gentaro] 	475	£475	mounted	Print	Japanese	Bijin-ga						
5840		Philip Gilbert Hamerton 	Recuange I	Etching	Published 1871			I 78 x 114 mm; Pl. 78 x 114 mm	From The Unknown River		P.G. Hammerton (1834-1894) is primarly known as a publisher, who promoted the works of Samuel Palmer, Francis Seymour Haden and Whistler.  	120	£120	mounted	Print	Victorian							
5841		Philip Gilbert Hamerton 	Pre Charmov	Etching	Published 1871			I 76 x 151 mm; Pl.76 x 151 mm	From The Unknown River		P.G. Hammerton (1834-1894) is primarly known as a publisher, who promoted the works of Samuel Palmer, Francis Seymour Haden and Whistler.  	100	£100	mounted	Print	Victorian							
5842		Philip Gilbert Hamerton 	Recuange II	Etching	Published 1871			I 78 x 114 mm; Pl. 78 x 114 mm	From The Unknown River		P.G. Hammerton (1834-1894) is primarly known as a publisher, who promoted the works of Samuel Palmer, Francis Seymour Haden and Whistler.  	120	£120	mounted	Print	Victorian							
5843		Phililp Gilbert Hamerton 	Rock in Midstream	Etching	Published 1871			I 76 x 158 mm; Pl. 76 x 158 mm	From The Unknown River		P.G. Hammerton (1834-1894) is primarly known as a publisher, who promoted the works of Samuel Palmer, Francis Seymour Haden and Whistler.  	100	£100	mounted	Print	Victorian							
5844		Philip Gilbert Hamerton	River Shore Near Digoin	Etching	Published 1871			I 74 x 117 mm; Pl. 74 x 117 mm	From The Unknown River		P.G. Hammerton (1834-1894) is primarly known as a publisher, who promoted the works of Samuel Palmer, Francis Seymour Haden and Whistler.  	120	£120	mounted	Print	Victorian							
5845		Philip Gilbert Hamerton	Castle of Chaseux	Etching	Published 1871			I 74 x 151 mm; Pl. 74 x 151 mm	From The Unknown River		P.G. Hammerton (1834-1894) is primarly known as a publisher, who promoted the works of Samuel Palmer, Francis Seymour Haden and Whistler.  	120	£120	mounted	Print	Victorian							
5846		John Callcott Horsley 	Say “Not at home”	Etching	Published 1857			vignette I 106 x 83 mm; Pl. 111 x 94 mm			Plate 27 in “Etchings for the Art-Union of London by the Etching Club” 1857 (January 29, 1817 - October 18, 1903), English painter, son of William Horsley, the musician, and grand-nephew of Sir Augustus Callcott, was born in London. He studied painting in the Academy schools, and in 1836 exhibited "The Pride of the Village" (Vernon Gallery) at the Royal Academy. Horsley designed the first ever Christmas card, commissioned by Henry Cole. It caused some controversy because it depicted a small child drinking wine. He also designed the Horsley envelope, a pre-paid envelope that was the precursor to the postage stamp.	65	£65	mounted	Print	Victorian							
5847		James Reynolds 	The Sun and Solar Phenomena	Woodcut	London. Published by J. Reynolds, 174 Strand	Circ. 1860	1860	I. 208 x 272 mm			One of a set of teaching cards published by James Reynolds & Sons, London, England around 1860. Titled 'The Sun and Solar Phenomena', the chart was drawn and engraved by John Emslie. The astronomical diagram shows the Sun's appearance if projected through a telescope onto a white card. Other illustrations outline the form of dark areas called sunspots and those lighter ones known as faculae. The inset sketches at the bottom illustrate the appearance of a solar eclipse and other atmospheric phenomena.	40	£40	unmounted	Print	General Interest	Science						
5848		James Reynolds	Panoramic Plan of the Principle Rivers and Lakes	Woodcut		Circ 1860	1860	I. 200 x  268 mm			Geographical diagram showing many of the world’s lakes and waterways. From a selection of 44 scientific teaching diagrams, drawn and engraved by John Emslie on geology, geography, astronomy and natural philosophy. This hand-coloured engraved plate is taken from a series published and probably written by James Reynolds of 174 Strand in London in 1850-1860 in response to the popular demand for information on the developments taking place in science and engineering as a result of the Industrial Revolution. Superbly illustrated images with a related text were presented loose in a portfolio so that they could be passed around a class or lecture room or used as posters.	40	£40	unmounted	Print	General Interest	Science						
5849		John Reynolds	The Earth and its Atmosphere	Woodcut	Published by James Reynolds 174 Strand March 10th 1849	Circ. 1849	1849	I. 243 x 209 mm			An astronomical diagram drawn and engraved by John Emslie showing a cross section of the Earth at the equator and the surrounding atmosphere. Various locations on the Earth’s surface are identified, and the diagram illustrates how the phemonenon of refraction can be caused by the atmosphere. Published by James Reynolds & Sons, 174 Strand, London.	40	£40	unmounted	Print	General Interest	Science						
5853		Charles West Cope R.A. 	The Companions [Early Lessons]	Etching	Published 1857			I 66 x 106 mm; Pl. 88 x 127 mm (arched top)				200	£200	mounted	Print	Victorian							
5854		James Clarke Hook 	“Colin thou ken’st the Southern Shepherd Boy”	Etching	Published 1857			I 98 x 145 mm; Pl. 133 x 177 mm			(1819-1907).  Painter and etcher. As a studnet at the Royal Academy James Clake Hook won the first medals in the life and painting schools in 1842.  	180	£180	framed	Print	Victorian							
5855		Prince Albert	[Male portrait in profile to right]	Etching	Published 28/12/1840			I 140 x 121 mm; Pl. 204 x 154 mm				200	£200	mounted	Print	Victorian							
5856		Paul A. Rajon	Paul J.A. Braudry	Etching	Published Circa			I 162 x 162 mm; Pl. 382 x 258 mm				100	£100	mounted	Print	Victorian							
5857		Robert Walker Macbeth	The Bait Gatherers	Etching	Published 1879			I 155 x 202 mm; Pl. 137 x 225 mm				120	£120	mounted	Print	Victorian							
5859		Henry James Townsend 	The Shepherd	Etching	Published 1857			I 104 x 88 mm; Pl. 123 x 116 mm			(1810-1890) Member of the Etching Club	65	£65	mounted	Print	Victorian							
5860		Wilfrid Ball	Below Hambledon	Etching	Published Circa 			I 56 x 94 mm; Pl. 59 x 97 mm				50	£50	mounted	Print	Victorian							
5871		Wilfrid Ball	[A Riverside Farm]	Etching				I 84 x 175 mm; Pl. 88 x 178 mm				120	£120	mounted	Print	Victorian							
5873		Wilfrid Ball	[A Distant Mountain]	Etching	Published Circa			I 57 x 95 mm; Pl. 102 x 128 mm			possibly Mount SnowdonWilfred Ball (1853-1917) was a landscape etcher specialising in river scenes and on his larger plates he used tone to great affect.	75	£75	mounted	Print	Victorian	Wilfrid Ball						
5879		Robert Walker Macbeth	Bringing-in the Catch	Etching	London Published October 16th 1905 by W.R Howell & Co. Bedford Row Chambers W.C. Copyright registered			I 309 x 505 mm; Pl. 342 x 536 mm				450	£450	mounted	Print	Victorian							
5883		Unknown Photographer	Kinkakuji Garden Kioto [Kinkakuji, Kyôto]	Albumen photograph	ca. 1880s			205 x 260 mm [8 1/16 x 10 1/4 inches]				150	£150	mounted	Print	Japanese	Landscape and Famous Places						
5884		Anonymous Photographer	The Little Girl of Dancing	Silver print	Date [Western]: ca. 1890-1900. Date [Japanese]: Late Meiji period			10 x 7 3/4 inches			In this rare photograph, a maiko, or apprentice geisha (literally a 'dancing child': ‘mai’ meaning 'dance' and ‘ko’ or 'child'), performs a slow Ougi-odori or fan dance. She wears a furisode or 'swinging sleeve' kimono, appropriate to an unmarried girl or unfledged geisha. The maiko's traditional period of study would take over five years, entailing the disciplined study of the classical arts, including music, dance, costume, make-up, posture, etiquette, calligraphy, ikebana and aesthetics. In the Meiji period, a young girl would join an oki-ya ['geisha house'] at the age of ten to twelve, working first as a maid or shikomi, a requisite menial position from which the complexities of the geisha world could be observed and absorbed. If deemed suitable, the shikomi could then become a maiko, guided by an older geisha acting in the key kinship role of onêsan or elder sister. This arrangement is sealed with the Misedashi binding ceremony and the adoption of a new name by the maiko, an element of which will typically be taken from that of her new sister.Although maiko was strictly a Kyôto term, it has become generic as the geisha paradigm has waned and loosened. The Tôkyô equivalent was the hangyoku (from han or  'half' and gyoku, originally gyokudai, the time charge for a full fledged geisha, thus literally 'half charge').	180	£180	framed	Print	Japanese	Bijin-ga						
5885			Tenjintoge and Lake Haruna	Albumen	ca.1880 			205 x 260 mm [8 1/16 x 10 1/4 inches]				100	£100	mounted	Print	Japanese	Landscape and Famous Places						
5889		Kazumasa Ogawa	Daibutsu, Kamakura	Hand-tinted albumen photograph	ca. 1880s						The bronze Daibutsu of Kamakura, representing Amida Buddha, is situated in the grounds of the Kotokuin Temple. With a height of 13.35 meters, it is the second largest Buddha statue in Japan (the largest being located in the Todaiji Temple in Nara).The statue was cast in 1252 and originally located inside a large temple hall. However, the temple buildings were washed away by a tsunami tidal wave in the end of the 15th century, and, since then, the Buddha has remained in the open air. 	80	£80	mounted	Print	Japanese	Landscape and Famous Places						
5890		Unknown Photographer 	Takino-o Nikko	Hand-coloured albumen photograph	ca.1880s			200 x 260 mm				140	£140	mounted	Print	General Interest	Landscape and Famous Places						
5891		Unknown Japanese Photographer 	Buddhist Priest and Followers in front of a Statue of Amida Nyorai	Hand-tinted albumen photograph	ca.1885			190 x 250 mm				130	£130	mounted	Print	Japanese	Customs & Scenes of Everyday Life						
5894		David Loggan	Collegium Wadhamense [Wadham College]	Copper engraving	1710			I 310 x 415	Oxonia Illustrata, Overton Edition			300	£300	unmounted	Print	Oxford	Wadham College						
5895		George Vertue	[Wadham College] The Oxford Almanack For the Year of Our Lord God MDCCXXXVIII 	Copper engraving	1738			I 482 x 430 mm				200	£200	unmounted	Print	Oxford	Wadham College						
5896		George Vertue	[Wadham College] The Oxford Almanack For the Year of Our Lord God MDCCXXXVIII 	Copper engraving	1738			I 482 x 430 mm			Proof	100	£100	unmounted	Print	Oxford	Wadham College						
5897		J. Skelton & H. Winkles	The Wadham Monument in Ilminster Church. Founder of Wadham College, Oxford.  	Copper engraving	Published 2nd April 1831 for J. Skelton Magdalen Bridge Oxford by J. Parker, Broad Street			I 300 x 229 mm				45	£45	unmounted	Print	Oxford	Wadham College						
5900		W. Gauci after Delamotte	[Wadham College]	Lithograph with hand colouring	Published 1841			I 340 x 245 mm	Original Views of Oxford, its Colleges, Chapels and Gardens from drawings expressly for this work by William Alfred Delamotte. Executed in Lithography by William Gauci, with Historical and Descrpitive notices by Charles Ollier. London: Thomas Boy. 1843			100	£100	mounted	Print	Oxford	Wadham College						
5901		J. Skelton	Founders and Benefactors of Wadham College	Copper engraving	Published as the Act directs , June 1. 1822 by J. Skelton Magdalen Bridge, Oxford			I 206 x 187 mm				60	£60	unmounted	Print	Oxford	Wadham College						
5903		O. Jewitt	Arches of the Ante-Chapel. Wadham College	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Wadham College						
5904		O. Jewitt	Windows of the Chapel and Ante-Chapel. Wadham College	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Wadham College						
5906		J. Greig	Wadham College Chapel	Copper engraving	Published by Cook & Parker, Oxford - Longman, Hurst Rees and Orme, London, March 1 1810			I 130 x 82 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			25	£25	mounted	Print	Oxford	Wadham College						
5908		J.J. Stevenson	Cambridge University Library	Photolithograph	The Building News, June 26, 1885			I 277 x 383 mm, S 311 x 422 mm 				35	£35	unmounted	Print	British Topography	Cambridgeshire						
5911		William Williams	Collegium Wadhamense [Front and Quad View]	Copper engraving	1750			I 462 x 353 mm	Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 1732-33		Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. 	150	£150	mounted	Print	Oxford	Wadham College						
5913		J. Agar after T. Unwins	Vice Chancellor. Esquire Beadle. Yeoman Beadle. Verger	Copper engraving with hand colouring	London Pubd. Octr. 1 1814 at 101 Strand for R. Ackermann’s History of Oxford			Pl. 250 x 301 mm	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			35	£35	unmounted	Print	Oxford	Academic Dress						
5914			Veue Septentrionalle de la Maison et du Parc de Blenheim dans le Conte d’Oxford qui est une des Chateaux de plaisance du Duc de Marlborough avec le momument qui fut erige en memore du Defunt Duc.	Copper engraving with hand colouring	A Paris chez Basset rue S. Jacques a Se. Genevieve. [n.d. c. 1750]			I 195 x 395 mm				120	£120	mounted	Print	Oxford	Oxfordshire						
5915		Drawn by McWithers and Eengraved bt Thomas Dick	1. Imperatrice Nectarine: 2 Pitmaston Orange Do 3. Walburton Admirable Peach	Engraving with hand colouring		Circ. 1850	1850	I. 124 x 150 mm				50	£50	mounted	Print	General Interest	Flora						
5916		Unknown	Profitable Roots Early Milan Purple Top and White Turnips	Lithograph	W. H. & L. Collingridge, London	1902	1902	I. 180 x 276 mm				30	£30	mounted	Print	General Interest	Flora						
5917		Unknown	A Profitable Tomato. (The Cropper)	Lithograph	W. H. & L. Collingridge			I. 273 x 168 mm				30	£30	mounted	Print	General Interest	Flora						
5918		William Raclyffe	Entrance to the London & North Western Station, Euston Square, London.	Engraving				I 97 x 150 mm-	The Land We Live In, 1868			20	£20	unmounted	Print	General Interest	Railway Prints						
5921		John Davies after C & G. Pyne	Entrance to the Tunnel of the Liverpool & Manchester Rail-Way, Edge-Hill	Copper engraving	c. 1830			I 96 x 150 mm				30	£30	unmounted	Print	General Interest	Railway Prints						
5922		David Loggan	Jacob Bobart A native German Chosen by ye founder to be keeper of ye Physic Garden at Oxford he died Feb.y 4th 1679 in the 81st Year of his Age	Copper engraving							 a later impression.  The first gardener at the Botanic Gardens	50	£50		Print	Oxford	Oxford Portraits						
5929			[Oxford Botanic Garden Gate]	Albumen Photograph		c. 1860	1860	I: 183 x 162 mm				50.00	£50	mounted	Print	Oxford	Botanic Garden						
5930			[Ashmolean Museum]	Albumen Photograph		c. 1860	1860	I: 180 x 173 mm				50.00	£50	mounted	Print	Oxford	Oxford Museums						
5931			[High Street]	Albumen Photograph		c. 1860	1860	I: 183 x 172 mm				75.00	£75	mounted	Print	Oxford	High Street Views						
5932		Robert Walker Macbeth after George Hemming Mason, ARA	The Harvest Moon	Etching	Pulished by Robert Dunthorne, 1883			I 319 x 855 mm, Pl. 350 x 880 mm			Signed in pencil 	1250	£1,250	framed	Print	Victorian							
5933		George Baxter	The Landing of Her Majexty & H.R.H. Prince Albert in Ireland		George Baxter, London, 1850			I 102 x 150 mm			This print illustrates the Queen’s visit to Ireland in 1849.  The Queen landed with Prince Albert, Prince Alfred, and Princess Alice on August 2, 1849 in Cork Cove.   	100	£100	unmounted	Print	Foreign Topography	Ireland						
5935		Ethelbert White	Morning	wood engraving	1921			I 140 x 175 mm			Signed in pencil, 23/50Ethelbert White (1891-1972) was a landscape painter in watercolour and oil, wood engraver, poster designer and book illustrator.  Born in Isleworth, he went on to study at St. John’s Wood School of Art under Leonard Walker.	300	£300	mounted	Print	20th Century	Ethelbert White						
5936			[Magdalen College]	Photograph		c. 1865	1865	I: 263 x 208 mm				80.00	£80	mounted	Print	Oxford	Magdalen College						
5940		W.T. Russell	Farm Road	Wood engraving	1949			I 152 x 205 mm				150	£150	mounted	Print	20th Century	W.T. Russell						
5943		Charles Waltner 	The Wayfarers	Etching	Published Jan. 31 1881 By Thos. Agnew  & Sons London, Liverpool & Manchester. Entered According to Act of Congressin the Year 1881 by Knoedler & Son.....			I 440 x 625 mm, Pl. 530 x 705 mm			(1846-1925) French engraver PSA stamp	500	£500	framed	Print	Victorian							
5949		Blaeu, Johannes	Essexia Comitatius	Copper engraving with hand colouring	Amsterdam 1662			395 x 510 mm			Latin text of verso.Blaeu, Doctor Johannes (c.1599-1673) Born and died in Amsterdam. Collaborated with his father Willem Janszoon and with his brother Cornelis, and ran the business after the death of Willwm. Appointed official cartographer to the East India Company (VOC) in 1638 in sucession to his father. What was left of the company after the fire of 1672 and the deah of Joan in 1673 passed to his son Joan (III), who sold the globemaking part of the business to J. van Keulen. Worked in partnership with his father on Appendix Theatri Ortelii et Atlantis G. Mercatoris, 1631 and Nouvus Atlas, 1634; Wall maps, 1647-1649; Tooneel der Steden van der Vereenighde Nederlanden (Town books of the Netherlands) 1649-1653 Theatrum Orbis Terrarum, publishing six volumes  up to 1655; Atlas Major (11 volumes, known as the Grand Atlas), 1662-1672 in editions with French, Latin, Dutch and Spanish text (often described as the most magnificent work of its kind ever produced); Town plans of Italy 1663. 	475	£475	mounted	Map	English Counties	Essex						
5950		Blaeu, Johannes	Cestria Comitatus Palantinus	Copper engraving with hand colouring	Amsterdam 1662			395 x 510 mm			Latin text of verso.Blaeu, Doctor Johannes (c.1599-1673) Born and died in Amsterdam. Collaborated with his father Willem Janszoon and with his brother Cornelis, and ran the business after the death of Willwm. Appointed official cartographer to the East India Company (VOC) in 1638 in sucession to his father. What was left of the company after the fire of 1672 and the deah of Joan in 1673 passed to his son Joan (III), who sold the globemaking part of the business to J. van Keulen. Worked in partnership with his father on Appendix Theatri Ortelii et Atlantis G. Mercatoris, 1631 and Nouvus Atlas, 1634; Wall maps, 1647-1649; Tooneel der Steden van der Vereenighde Nederlanden (Town books of the Netherlands) 1649-1653 Theatrum Orbis Terrarum, publishing six volumes  up to 1655; Atlas Major (11 volumes, known as the Grand Atlas), 1662-1672 in editions with French, Latin, Dutch and Spanish text (often described as the most magnificent work of its kind ever produced); Town plans of Italy 1663. 	475	£475	mounted	Map	English Counties	Cheshire						
5951		Walker J & C 	Oxfordshire	Copper engraved	London Published by J & C Walker 9 Castle Street Holborn circa 1835			I 395 x 324 mm				80	£80	mounted	Map	English Counties	Oxfordshire						
5952			Patrick A. Wright -Henderson D.D. Sub-Warden of Wadham College 1881-1903 - Warden 1903-1914, from the Portrait in the College Hall	Autotype	Reproduced by The Autotype Fine Art Company 74 New Bond Street London			I 355 x 252 mm			Signed in pencil by the artist	65	£65	unmounted	Print	Oxford	Oxford Portraits						
5954		William Williams	Collegium Universitatis [University College]	Copper engraving	1750			I 380 x 480 mm	Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 1732-33		Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. 	250	£250	mounted	Print	Oxford	University College						
5959		George Edwards	Great King Fisher	Etching with contemporary hand colour	London, 1743-17634			I 250 x 185, Pl .238 x 185 mm	History of Birds		George Edwards (April 3, 1694 - July 23, 1773) was an English naturalist and ornithologist, known as the "father of British ornithology".Edwards was born at Stratford, Essex. In his early years he travelled extensively through mainland Europe, studying natural history, and gained some reputation for his coloured drawings of animals, especially birds. In 1733, on the recommendation of Sir Hans Sloane, he was appointed librarian to the Royal College of Physicians in London.In 1743 he published the first volume of his History of Birds, the fourth volume of which appeared in 1751, and three supplementary volumes, under the title Gleanings of Natural History, were issued in 1758, 1760 and 1764. The two works contain engravings and descriptions of more than 600 subjects in natural history not before described or delineated. He likewise added a general index in French and English, which was afterwards supplied with Linnaean names by Linnaeus himself, with whom he frequently corresponded.About 1764 he retired to Plaistow, Essex, where he later died.	150	£150	unmounted	Print	General Interest	Birds						
5961		George Edwards	Small Birds from Surinam	Etching with contemporary hand colour	Published according ti Act of Parliment January the first AD 1755			I 250 x 185, Pl .238 x 185 mm	History of Birds		George Edwards (April 3, 1694 - July 23, 1773) was an English naturalist and ornithologist, known as the "father of British ornithology".Edwards was born at Stratford, Essex. In his early years he travelled extensively through mainland Europe, studying natural history, and gained some reputation for his coloured drawings of animals, especially birds. In 1733, on the recommendation of Sir Hans Sloane, he was appointed librarian to the Royal College of Physicians in London.In 1743 he published the first volume of his History of Birds, the fourth volume of which appeared in 1751, and three supplementary volumes, under the title Gleanings of Natural History, were issued in 1758, 1760 and 1764. The two works contain engravings and descriptions of more than 600 subjects in natural history not before described or delineated. He likewise added a general index in French and English, which was afterwards supplied with Linnaean names by Linnaeus himself, with whom he frequently corresponded.About 1764 he retired to Plaistow, Essex, where he later died.	90	£90	unmounted	Print	General Interest	Birds						
5962		F. Bartolozzi R.A. after W. Hamilton	August	Stipple		1789	1789	I. 250 x 300	From a series of 12 stipples depicting the months of the year			350	£350	framed	Print	Fine Prints	Stipple						
5966		F. Bartolozzi R.A. after W. Hamilton	June	Stipple		1789	1789	I. 250 x 300	From a series of 12 stipples depicting the months of the year			350	£350	framed	Print	Fine Prints	Stipple						
5969		F. Bartolozzi R.A. after W. Hamilton	December	Stipple		1789	1789	I. 250 x 300	From a series of 12 stipples depicting the months of the year			350	£350	framed	Print	Fine Prints	Stipple						
5972		By and after C. White	Children at Play, It Often Ends in Sorrow	Stipple	Published January 25th 1782, by C. W. White	1782	1782	I. 132 x 136 mm			Sold as a pair with stock No. 5973	350	£350	framed	Print	Fine Prints	Stipple						
5973		By and after C. White	Children at Play, Believe not in Idle Dreams	Stipple	Published January 25th 1782, by C. W. White	1782	1782	I. 132 x 136 mm			Sold as a pair with stock No. 5972	350	£350	framed	Print	Fine Prints	Stipple						
5980		attributed to Randolf Caldecott	Yoi Over	Pastle with hight lights in white guache				I & S 263 x 365 mm				500	£500	mounted	Print	Sports	Hunting & Shooting	Hunting					
5982		Ikeda Eisen (1790-1848)	Meguro no Shin Fuji [The New Fuji of Meguro]	Woodblock print	Publisher: Wakasa-ya Yoichi. Date: ca.1830. Signature: Keisei Eisen ga. Censor seal: kiwame [‘approved’]			Ôban tate-e. 15 1/4 x 9 7/8 inches [387 x 251 mm]	Fuji no yuki [The Snows of Mt. Fuji]		In the early nineteenth-century, an artificial hill, resembling Mount Fuji, was constructed in Meguro, Edo. It was designated Shin or New Fuji and frequently appears in ukiyo-e of the period, often contrasted against the real Fuji, snow-capped, in the background. Here a beauty of Meguro is shown parading in her winter attire, followed closely by a servant, struggling with his mistress’s yuki-kasa. 	650	£650	mounted	Print	Japanese	Bijin-ga						
5989		I.S.L.L.	[Radcliffe Observatory]	Watercolour	June 1952			510 x 360 mm				150	£150	mounted	Print	Oxford	Green College						
5990		Jacques de Foise	Vue Dune Promenade de Hambourg Hors Du Stein=Thor	Copper engraving with hand colouring	1785			I 277 x 408 mm				120	£120	unmounted	Print	Foreign Topography	Germany						
5991		G. Metzeroth	Brunel	Copper engraving				I 119 x 97 mm				45	£45		Print	Portraits	Scientific, Industrial & Medical	`					
5992		Melville after Gilbert	Buckingham Palace, -The Library	Steel engraving	London, Published for the Proprietors, by J. Mead, 10 Gough Square, Fleet Street			I 135 x 196 mm				20	£20	unmounted	Print	British Topography	London						
5993		H. Melville after L.L. Jewitt	The United Service Club. The Map Room	Steel engraving	London, Published for the Proprietors, by J. Mead, 10 Gough Square, Fleet Street			I 175 x 139 mm				20	£20	unmounted	Print	British Topography	London						
5994		M.A. Hayes	13th (Light) Dragoons. Heavy Marching Order. 1846	Lithograph with hand colouring	London. Pub. Jan 1st 1846. S & J. Puller 34, Raithbone Place			I 306 x 435 mm				150	£150	unmounted	Print	General Interest	Military						
5995		J.K. Sherwin after Antonio Rapheal Mengs	All Souls Alter Piece	Copper engraving	Published as the Act directs 1784, By J.K. Sherwin, No. 28 St. James Street, Engraver to his Majesty and his Royal Higness the Prince of Wales and by Robert Wilkinson, No. 58 Cornhill			I 490 x 360 mm, Pl. 537 x 380 mm				175	£175	unmounted	Print	Oxford	All Souls College						
5997		George Edwards	The Great White Owl.	Etching with hand colouring	Published May 1745			I 210 x 180 mm, Pl. 230 x 185 mm				150	£150	unmounted	Print	General Interest	Birds						
5999		Prince Albert	Scene of Conspirators	Etching				I 145 x 185 mm, Pl. 150 x 200 mm			Signed and entitled in pencil.	250	£250	framed	Print	Victorian							
6000		I.I. Van der Berghe after S. Harding	Miss Lucy Waters	Stipple	Pubd.Octr.1.1793,by E & S.Harding, Pall Mall.			I 130 x 110 mm			Lucy Walter (Walters, Waters) (Mrs Barlow (Barlo)) (1630?-1658), Mistress of Charles II; mother of James, Duke of Monmouth	35	£35	unmounted	Print	Portraits	Mistresses, Courtiers and Socialites						
6002		Dolfino	S.A.R. Le Prince Albert de Saxe-Cobourg	Lithograph				I 200 x 130 mm			Ex. Col House of Savoy	35	£35		Print	Portraits	British Royalty						
6003		Mondelli	Il Servo di Dio Gio. Ant. Penighetto	Copper engraving	1785			I 165 x 120 mm, Pl. 240 x 165 mm			Ex. Col. House of Savoy	40	£40	unmounted	Print	Portraits	Religious and Clerical						
6004		E. Desrochers	Philippe de France, V.me du Nom Roy D’Espagne Second Fils Du Dauphine de Frce.	Copper engraving				I 140 x 96 mm, Pl. 147 x 114 mm			Philip V of Spain (December 19, 1683 – July 9, 1746) or Philippe of Anjou was king of Spain from 1700 to 1746, the first of the Bourbon dynasty in Spain.	40	£40	unmounted	Print	Portraits	Foreign Royalty						
6005		Gamborino	Maria Josepha Amalia Reyna de España.	Stipple	Se halla en Madrid en la liberia de Escribanp Ce. de Carreras.						Maria Josefa Amailia of Saxony 6 Dec 1803 - 17 May 1829 married the King of Spain 20Oct 1819	25	£25	unmounted	Print	Portraits	Foreign Royalty						
6006		From Thomas Roscoe's "The London and Birmingham Railway"	Bridge in the Blisworth Embankment, The Road leading from Towcester to Northhampton	Steel engraving	London	1839	1839	I.145 x 99 mm				40	£40	unmounted	Print	General Interest	Railway Prints						
6007		A. Ashley after J. F. Burrell	Etherow Viaduct, Near Manchester.	Steel engraving	Published for Proprietors by N. G. Collins 22 Paternose Road			I. 203 x 132 mm, vignette	for the British Gazetteer			45	£45	unmounted	Print	General Interest	Railway Prints						
6008		A. Ashley after J. F. Burrell	Primrose Hill Tunnel, London & North Western Railway	Steel engraving	Published for Proprietors by N. G. Collins 22 Paternose Road			I. 200 x 134 mm, vignette	for the British Gazetteer			40	£40	unmounted	Print	General Interest	Railway Prints						
6009		A. Ashley after J. F. Burrell	Rye Swing Bridge, South Eastern Railway.	Steel engraving	Published for Proprietors by N. G. Collins 22 Paternose Road			I. 208 x 128 mm, vignette	for the British Gazetteer			40	£40	unmounted	Print	General Interest	Railway Prints						
6011		A. Ashley after J. F. Burrell	The Conway Tubular Bridge on the Chester & Holyhead Railway	Steel engraving	Published for Proprietors by N. G. Collins 22 Paternose Road			I. 200 x 128 mm, vignette	for the British Gazetteer			40	£40	unmounted	Print	General Interest	Railway Prints						
6012		A. Ashley after J. F. Burrell	Braestones Station, Cumberland	Steel engraving	Published for Proprietors by N. G. Collins 22 Paternose Road			I. 194 x 127 mm, vignette	for the British Gazetteer			40	£40	unmounted	Print	General Interest	Railway Prints						
6013		A. Ashley after J. F. Burrell	The Shakespear Cliff & Tunnel	Steel engraving	Published for Proprietors by N. G. Collins 22 Paternose Road			I. 205 x 129 mm, vignette	for the British Gazetteer			40	£40	unmounted	Print	General Interest	Railway Prints						
6014		A. Ashley after J. F. Burrell	Foord Viaduct, South Eastern Railway. 	Steel engraving	Published for Proprietors by N. G. Collins 22 Paternose Road			I. 200 x 129 mm, vignette	for the British Gazetteer			40	£40	unmounted	Print	General Interest	Railway Prints						
6015		A. Ashley after J. F. Burrell	Hanwell Viaduct (Gt. Western Railway)	Steel engraving	Published for Proprietors by N. G. Collins 22 Paternose Road			I. 202 x 122 mm, vignette	for the British Gazetteer			40	£40	unmounted	Print	General Interest	Railway Prints						
6016		A. Ashley after J. F. Burrell	Peterborough Viaduct	Steel engraving	Published for Proprietors by N. G. Collins 22 Paternose Road, 1852			I. 203 x 109 mm, vignette	for the British Gazetteer			40	£40	unmounted	Print	General Interest	Railway Prints						
6017		A. Ashley after J. F. Burrell	Colesbrook Viaduct, Near Tunbridge Wells	Steel engraving	Published for Proprietors by N. G. Collins 22 Paternose Road			I. 205 x 117 mm, vignette	for the British Gazetteer			40	£40	unmounted	Print	General Interest	Railway Prints						
6018		A. Ashley after J. F. Burrell	Wolverton Viaduct, London & North Western Railway	Steel engraving	Published for Proprietors by N. G. Collins 22 Paternose Road			I. 203 x 115 mm, vignette	for the British Gazetteer			40	£40	unmounted	Print	General Interest	Railway Prints						
6019		A. Ashley after J. F. Burrell	Bristol Terminus, Great Western Railway.	Steel engraving	Published for Proprietors by N. G. Collins 22 Paternose Road			I. 191 x 114 mm, vignette	for the British Gazetteer			45	£45	unmounted	Print	General Interest	Railway Prints						
6020		A. Ashley after J. F. Burrell	Great Tubular Bridge Across the Menai Strait; Chester & Holyhead Railway	Steel engraving	Published for Proprietors by N. G. Collins 22 Paternose Road			I. 194 x 127 mm, vignette	for the British Gazetteer			40	£40	unmounted	Print	General Interest	Railway Prints						
6022		George Edwards	The Indian Green Finch	Etching with contemporary hand colour	London, 1743-17634			I 250 x 185, Pl .238 x 185 mm	History of Birds		George Edwards (April 3, 1694 - July 23, 1773) was an English naturalist and ornithologist, known as the "father of British ornithology".Edwards was born at Stratford, Essex. In his early years he travelled extensively through mainland Europe, studying natural history, and gained some reputation for his coloured drawings of animals, especially birds. In 1733, on the recommendation of Sir Hans Sloane, he was appointed librarian to the Royal College of Physicians in London.In 1743 he published the first volume of his History of Birds, the fourth volume of which appeared in 1751, and three supplementary volumes, under the title Gleanings of Natural History, were issued in 1758, 1760 and 1764. The two works contain engravings and descriptions of more than 600 subjects in natural history not before described or delineated. He likewise added a general index in French and English, which was afterwards supplied with Linnaean names by Linnaeus himself, with whom he frequently corresponded.About 1764 he retired to Plaistow, Essex, where he later died.	150	£150	unmounted	Print	General Interest	Birds						
6024		Toyohara Kunichika  (1835-1900)	Sake-gonomi [The Sake Drinker]	Nishiki-e woodblock	Date: 1878 [Meiji 11]. Publisher:   Kobayashi Tetsujiro. Signature:   Toyohara Kunichika hitsu			Ôban tate-e. 15 x 10 inches [350 x 240 mm]	Kaika Ninjo Kagami [Mirror of Flowering Manners and Customs]. Series No: 3		Excellent condition, with extremely fine detailing. Other works in the series include “Receiving a Guest”, “Playing the Koto”, “The Tea Ceremony”, "Cooling Off on the Boat" and “The Archery Range”. In this image, the bijin has evidently been imbibing  too much sake: her eyes look distinctly glazed and her mouth is inelegantly open.  References: "Kunichika--Time Present and Time Past, Images of a Forgotten Master"	250	£250	unmounted	Print	Japanese	Bijin-ga						
6025		Toyohara Kunichika  (1835-1900)	Chaya [The Tea House]	Nishiki-e woodblock	Date: 1878 [Meiji 11]. Publisher:   Kobayashi Tetsujiro. Signature:   Toyohara Kunichika hitsu			Ôban tate-e. 15 x 10 inches [350 x 240 mm]	Kaika Ninjo Kagami [Mirror of Flowering Manners and Customs]. 		Excellent condition, with fine burnishing and gauffrage. Other works in the series include “Receiving a Guest”, “Playing the Koto”, “The Tea Ceremony”, "Cooling Off on the Boat" and “The Archery Range”.In this print, a teahouse waitress, with fashionable and sexually alluring blackened teeth, helps her customer put on his haori (short coat) decorated with a image of the founder of Zen Buddhism, Daruma [Bodhidharma], often associated with floating world beauties on account of their shared lack of quotidian ties.	250	£250	mounted	Print	Japanese	Bijin-ga						
6032		Robert Walker Macbeth	The Ferry - Five Miles from Anywhere, and no hurry	Etching	Published 1900			I 270 x 384, Pl. 294  x 403 mm				450	£450	framed	Print	Victorian							
6033		Percy Thomas	[Middle Temple Hall]	Etching	Published 			I 192 x 227 mm; Pl. 192 x 227 mm			Trial Proof Percy Thomas (1846-1922) Painter and etcher of landscapes, genre and portraits.  Born in London, he studied at the Royal Academy and under Whistler as his first pupil. He exhibited at the R.A. from 1867 and was elected to the Royal Society of Painter-Etchers and Engravers in 1881. 	150	£150	mounted	Print	Victorian	Percy Thomas						
6035		Richard Samuel Chattock	Surly Hall	Etching	Published 1873			I 100 x 148 mm; Pl. 103 x 151 mm			also appeared on p.48 in “Sketches in Eton”, 1874 with comment “Surly Hall is a well-conducted riverside inn, at which boys who have rowed so far are allowed to refresh”. 	55	£55	mounted	Print	Victorian							
6037		William Strang	Meal time	Etching	Published 1883 			I 161 x 251 mm; Pl. 173 x 252 mm			appeared in Portfolio August 1884	20	£20	mounted	Print	Victorian							
6038		Charles West Cope R.A.	[Drawing from the male nude]	Etching	Published on/after 1864 			I 116 x 167 mm; Pl. 126 x 173 mm			Touched, working proof. Steps and Cope’s initials removed. Man on right now finished.	120	£120	mounted	Print	Victorian							
6039		Charles West Cope R.A.	[Drawing from the male nude]	Etching	Published on/after 1864 			I 116 x 167 mm; Pl. 126 x 173 mm			Touched, working proof. Further work added, especially to model’s face. Unlettered.	120	£120	mounted	Print	Victorian							
6041		Queen Victoria after Prince Albert	Sketches	Etching	Published 1840			I 117 x 144 mm, Pl 125 x 164 mm				150	£150	mounted	Print	Victorian							
6042		W. Westall	Pembroke College	Aquatint with hand colouring	London Pub. Feby. 1st 1814 at 101 Strand for R. Ackermann’s History of Oxford				Ackermann			100	£100	mounted	Print	Oxford	Pembroke College						
6043		William Monk	Christ Church	Etching		1910	1910	I. 301 x 178				150	£150	unmounted	Print	Oxford	Christ Church College						
6045		Axel Haig	Chartres	Etching	Published 1881			I 360 x 560, Pl.370 x 600 mm			Lennox-Boyd 29	600	£600	framed	Print	Victorian	Axel Haig						
6046		I. Harris after W. Williams	Christ Church Collrge Almanack 1725	Copper engraving		1725	1725	I. 433 x 391 mm				220	£220	mounted	Print	Oxford	Christ Church College						
6047		Drawn by E. Dayes Engraved by J. Dadley	Front view of Christ Church 	Copper engraving				I. 448 x 295 mm			Almanack 1796	240	£240	mounted	Print	Oxford	Christ Church College						
6059			Victoria, Hong Kong	Steel engraving	c. 1860			I 96 x 168 mm				70	£70	mounted	Print	Foreign Topography	China						
6060		H. Allard	Bamboo Aqueduct, at Hong Kong	Steel engraving	The London Printing and Publishing Company Limited, c. 1860			I 123 x 188 mm	From The Chinese Empire, Historical and Descriptive			60	£60	mounted	Print	Foreign Topography	China						
6061		A. H. Payne after C. Graham	Macao from the Sea	Steel engraving	The London Printing and Publishing Company Limited, c. 1860			I 108 x 164 mm	From The Chinese Empire, Historical and Descriptive			75	£75	mounted	Print	Foreign Topography	China						
6062		M. J. Starling	Chaple in the great Temple, Macao	Steel engraving	The London Printing and Publishing Company Limited, c. 1860			I 108 x 164 mm	From The Chinese Empire, Historical and Descriptive			70	£70	mounted	Print	Foreign Topography	China						
6063		A. H. Payne after C. Graham	Hong Kong	Steel engraving	The London Printing and Publishing Company Limited, c. 1860			I 108 x 164 mm	From The Chinese Empire, Historical and Descriptive			85	£85	mounted	Print	Foreign Topography	China						
6064		S. Bradshaw after T. Allam	The Grotto of Camoens, Macao	Steel engraving	The London Printing and Publishing Company Limited, c. 1860			I 128 x 184 mm	From The Chinese Empire, Historical and Descriptive			70	£70	mounted	Print	Foreign Topography	China						
6065		S. Bradshaw 	Facade of the Great Temple at Maco	Steel engraving	The London Printing and Publishing Company Limited, c. 1860			I 128 x 186 mm	From The Chinese Empire, Historical and Descriptive			70	£70	mounted	Print	Foreign Topography	China						
6066		W.H. Capone after T. Allom	The Pria Grande , Macao	Steel engraving	The London Printing and Publishing Company Limited, c. 1860			I 124 x 197 mm	From The Chinese Empire, Historical and Descriptive			80	£80	mounted	Print	Foreign Topography	China						
6067		S. Bradshaw 	Harbour of Hong Kong	Steel engraving	The London Printing and Publishing Company Limited, c. 1860			I 124 x 186 mm	From The Chinese Empire, Historical and Descriptive			85	£85	mounted	Print	Foreign Topography	China						
6068		Levasseur, Victor	Amérique Septentrionale	Steel engraved map with orginal outline colour	Paris, 1847			275 x 425 mm	Atlas National Illustré des 86 Départements et des Possessions de La France 			150	£150	unmounted	Map	North and South America							
6069		Levasseur, Victor	Planisphère	Steel engraved map with orginial outline colour	Paris, 1847			275 x 425 mm	Atlas National Illustré des 86 Départements et des Possessions de La France 			250	£250	unmounted	Map	World Maps & Sea Charts							
6071		Levasseur, Victor	Martinique	Steel engraved map with orginial outline colour	Paris, 1847			275 x 425 mm	Atlas National Illustré des 86 Départements et des Possessions de La France 			100	£100	unmounted	Map	North and South America	Martinique						
6073		Levasseur, Victor	Dépt. du Calvados	Steel engraved map with orginial outline colour	Paris, 1847			275 x 425 mm	Atlas National Illustré des 86 Départements et des Possessions de La France 			60	£60	unmounted	Map	Europe	France						
6074		L. Flameng	The Road to Ruin “Ascot”	Etching	Published by the Art Union of London 112 Strand 1878			I 442 x 352 mm				400	£400	mounted	Print	Victorian							
6075			Sir Thomas Gresham	Copper engraving	Published by J. Coxhead, Holywell Street, Strand, January 1st, 1813	1813	1813	I: 130 x 90 mm				5.00	£5	unmounted	Print	Portraits	British Political						
6077				Aquatint	London Publish’d for the Proprietor at No. 14 Leicester Fields Dec.r 6 1784			I 346 x 248 mm				150	£150	mounted	Print	General Interest	Military						
6078		J. Pofselwhite	Marlborough		From the Picture of G. Kneller in the Collection of the Duke of Malborough at Blenheim			I: 130 x 100 mm				12.00	£12	unmounted	Print	Portraits	British Nobility						
6079			Maria, Luisa, Amalia Principessa Di Napoli Gran Duchessa Di Toscana	Copper engraved		late 18th/early 19th century	1819	I: 175 x 110 mm 				40.00	£40	unmounted	Print	Portraits	Foreign Royalty						
6080		F. Vivares	A View of Turkey in Europe, Divided Into All It’s Provinces; with the Adjacent Countries in Europe and Asia: Drawn Chiefly from Maps		Published by Laurie and Whittle, Number 53, Fleet Street	1794	1794	I: 600 x 600 mm				150	£150	unmounted	Map	Europe	Turkey						
6084		W.A. Donald	Merton College	Engraving		c. 1930	1930	I: 225 x 190 mm				25.00	£25	unmounted	Print	Oxford	Merton College						
6085		D’orsay	[John George Lambton, 1st Earl of Durham]	Lithograph		1834	1834	I: 150 x 110 mm			Governor of CanadaBritish Ambassador to Russia 	50.00	£50	unmounted	Print	Portraits	British Political						
6086			[Ptolemaeus XI Auletes]	Copper engraving		19th century	19	I: 185 x 140 mm				10.00	£10	unmounted	Print	Portraits	Foreign Political						
6087		Unknown	His Majesty’s New Stage Coach	Copper engraving	1762			I 448 x 365 mm				150	£150	mounted	Print	General Interest	Transport						
6088		Levasseur, Victor	Dept. de Seine et Oise	Steel engraved map with orginial outline colour	Paris, 1847			275 x 425 mm	Atlas National Illustré des 86 Départements et des Possessions de La France 			60	£60	unmounted	Map	Europe	France						
6089		F. Bartlozzi after Coates	Lord Hawke	Stipple	Published Janry. 1796			I 111 x 91 mm oval, Pl. 195 x 130 mm			Edward Hawke, 1st Baron Hawke, KB (February 21, 1705 – October 16, 1781) was a naval officer of the Royal Navy.	50	£50	unmounted	Print	Portraits	Naval						
6090			Marie Louise Gabriel De Savoye Nèe en 1688 et De Clarèe epouse de Philippe V. Roy d’Espagne	Copper engraving	Grave par E. Desrochers et se vend chez lui a Paris rue S. Jacques au Moecenas			I 140 x 95 mm, Pl. 143 x 100 mm			Ex. Col. House of Savoy	40	£40	unmounted	Print	Portraits	Foreign Royalty						
6091		Guillaume de L’Isle	Carte de la Grece 	Copper engraving with original hand colouring	Par G. de L’Isle de l’Academie Rle. des Scieces et Ier. Geog. du Roy a Paris	1707	1707	I: 455 x 650 mm				140	£140	unmounted	Map	Europe	Greece						
6092		Levasseur, Victor	Dept. de la Charente	Steel engraved map with orginial outline colour	Paris, 1847			275 x 425 mm	Atlas National Illustré des 86 Départements et des Possessions de La France 			45	£45	unmounted	Map	Europe	France						
6093		Levasseur, Victor	Dept. de la Charente Inf.re	Steel engraved map with orginial outline colour	Paris, 1847			275 x 425 mm	Atlas National Illustré des 86 Départements et des Possessions de La France 			45	£45	unmounted	Map	Europe	France						
6094		Levasseur, Victor	Dept. de la Cote D’or	Steel engraved map with orginial outline colour	Paris, 1847			275 x 425 mm	Atlas National Illustré des 86 Départements et des Possessions de La France 			80	£80	unmounted	Map	Europe	France						
6095		Levasseur, Victor	Dept. des Cotes du Nord	Steel engraved map with orginial outline colour	Paris, 1847			275 x 425 mm	Atlas National Illustré des 86 Départements et des Possessions de La France 			40	£40	unmounted	Map	Europe	France						
6096		Levasseur, Victor	Dept. de la Dordogne	Steel engraved map with orginial outline colour	Paris, 1847			275 x 425 mm	Atlas National Illustré des 86 Départements et des Possessions de La France 			70	£70	unmounted	Map	Europe	France						
6097		Levasseur, Victor	Dept. d’Eure et Loir	Steel engraved map with orginial outline colour	Paris, 1847			275 x 425 mm	Atlas National Illustré des 86 Départements et des Possessions de La France 			50	£50	unmounted	Map	Europe	France						
6098		Levasseur, Victor	Dept. du Finistere	Steel engraved map with orginial outline colour	Paris, 1847			275 x 425 mm	Atlas National Illustré des 86 Départements et des Possessions de La France 			40	£40	unmounted	Map	Europe	France						
6099		Levasseur, Victor	Dept. de la Hte. Garonne	Steel engraved map with orginial outline colour	Paris, 1847			275 x 425 mm	Atlas National Illustré des 86 Départements et des Possessions de La France 			50	£50	unmounted	Map	Europe	France						
6100		Levasseur, Victor	Dept. de Lot et Garonne	Steel engraved map with orginial outline colour	Paris, 1847			275 x 425 mm	Atlas National Illustré des 86 Départements et des Possessions de La France 			50	£50	unmounted	Map	Europe	France						
6101		Levasseur, Victor	Dept. du Pas de Calais	Steel engraved map with orginial outline colour	Paris, 1847			275 x 425 mm	Atlas National Illustré des 86 Départements et des Possessions de La France 			40	£40	unmounted	Map	Europe	France						
6102		Levasseur, Victor	Dept. de la Manche	Steel engraved map with orginial outline colour	Paris, 1847			275 x 425 mm	Atlas National Illustré des 86 Départements et des Possessions de La France 			40	£40	unmounted	Map	Europe	France						
6103		Levasseur, Victor	Dept. de Maine et Loire	Steel engraved map with orginial outline colour	Paris, 1847			275 x 425 mm	Atlas National Illustré des 86 Départements et des Possessions de La France 			40	£40	unmounted	Map	Europe	France						
6104			Oxfordshire	Lithograph with tint stone and hand colour	Letts, Son & Co. Limited, London Bridge, E.C.	c. 1870	1870	I: 395 x 330 mm				60.00	£60	mounted	Map	English Counties	Oxfordshire						
6105		Levasseur, Victor	Dept. du Loiret	Steel engraved map with orginial outline colour	Paris, 1847			275 x 425 mm	Atlas National Illustré des 86 Départements et des Possessions de La France 			40	£40	unmounted	Map	Europe	France						
6106		Levasseur, Victor	Dept. des Bes du Rhone	Steel engraved map with orginial outline colour	Paris, 1847			275 x 425 mm	Atlas National Illustré des 86 Départements et des Possessions de La France 			40	£40	unmounted	Map	Europe	France						
6107		Levasseur, Victor	Dept. des Haute Alpes	Steel engraved map with orginial outline colour	Paris, 1847			275 x 425 mm	Atlas National Illustré des 86 Départements et des Possessions de La France 			40	£40	unmounted	Map	Europe	France						
6108		Levasseur, Victor	Dept. des Basses-Alpes	Steel engraved map with orginial outline colour	Paris, 1847			275 x 425 mm	Atlas National Illustré des 86 Départements et des Possessions de La France 			40	£40	unmounted	Map	Europe	France						
6109		Levasseur, Victor	Dept. de la Seine	Steel engraved map with orginial outline colour	Paris, 1847			275 x 425 mm	Atlas National Illustré des 86 Départements et des Possessions de La France 			80	£80	unmounted	Map	Europe	France						
6111		Levasseur, Victor	Dept. de L’Ardeche	Steel engraved map with orginial outline colour	Paris, 1847			275 x 425 mm	Atlas National Illustré des 86 Départements et des Possessions de La France 			80	£80	unmounted	Map	Europe	France						
6113		Levasseur, Victor	Dept. de la Seine Inferieure	Steel engraved map with orginial outline colour	Paris, 1847			275 x 425 mm	Atlas National Illustré des 86 Départements et des Possessions de La France 			45	£45	unmounted	Map	Europe	France						
6114		Levasseur, Victor	Dept. du Haut Rhin	Steel engraved map with orginial outline colour	Paris, 1847			275 x 425 mm	Atlas National Illustré des 86 Départements et des Possessions de La France 			40	£40	unmounted	Map	Europe	France						
6115		Levasseur, Victor	Dept. du Bas Rhin	Steel engraved map with orginial outline colour	Paris, 1847			275 x 425 mm	Atlas National Illustré des 86 Départements et des Possessions de La France 			40	£40	unmounted	Map	Europe	France						
6116			Jean Frederic Struensee	Lithograph		18th century	18	I: 210 x 175 mm				60.00	£60	unmounted	Print	Portraits	Medical						
6117		E. Stodart	The Rt. Hon. F.T. Blackwood, Earl of Dufferin, K.P., G.C.B., G.C.M.G.		William Mackenzie	c. 1870	1870	I: 140 x 110 mm				20.00	£20	mounted	Print	Portraits	British Political						
6120			E.A Knox	Charcoal and Watercolour	Published			I 				100	£100	unmounted	Print	Oxford	Oxford Portraits						
6121		R.P.P.	The Modern Resurrection Man and Forms of Ancient Life	Watercolour	March 1880			450 x 303 mm	Great Guns of Oxford		An orginal drawing and water colour with the inscription below: Professor (soliloquising as he turns & twists the find) - “Ah_mesiatly suncarinate yet a full oval _: mastoids tumid, forehead vertical - glabella prominent. perhaps ohoenozygous - orbits straight - mentum well marked- decidedly macronathous - H’m- a powerful man I should say.” Alas! Poor Yorick.GEORGE ROLLESTON, F.R.S.. (1829-1881). Professor of Anatomy. and Physiology and the first professor of Linacre College.	150	£150		Print	Oxford	Oxford Portraits						
6122		Mich. Rooker	Christ Church from the Meadow, Almanack 1776	Engraving		1776	1776	I. 472 x 446 mm				280	£280	framed	Print	Oxford	Christ Church College						
6123		Van den Keere	Herefordshire	Copper engraving	1627			I: 85 x 124 mm				120.00	£120	mounted	Map	English Counties	Herefordshire						
6126		Owen/Bowen	Dorsetshire 	Copper engraving	circa 1720			I 181 x 120 mm				60	£60	unmounted	Map	English Counties	Dorset						
6127		Owen, John and Thomas Bowen	A Map of Essex. The Roads from Chelmsford to St. EdmundsBury & c.	Copper engraving	1720			I 263 x 212 mm				60	£60	mounted	Map	English Counties	Essex						
6128		Bowen, Emmanuel	Herefordshire	Copper engraving	Engraved for the General Magazine of Arts & Sciences for W. Owen at Temple Bar 1760			I 198 x 180 mm				60	£60	mounted	Map	English Counties	Herefordshire						
6129		Owen & Bowen	A Map of Norfolk. The Road from Kings Lyn to Norwich continued to Yarmouth in Norfolk 	Copper engraving	1720			79 x 115 mm				80	£80	mounted	Map	English Counties	Norfolk						
6131		Rocque, J	Norfolk	Copper engraving	1769			I 195 x 153 mm				65	£65	unmounted	Map	English Counties	Norfolk						
6133		Kitchin, Thomas 	Shropshire	Copper engraving	1786			I 245 x 184 mm				60	£60	mounted	Map	English Counties	Shropshire						
6134		Moule, Thomas	Wiltshire	Copper engraving with hand colouring	circa 1845			I 265 x 202 mm				60	£60	unmounted	Map	English Counties	Wiltshire						
6137		Cole and Roper	England and Wales with the Canals Navigable Rivers, Railroads	Copper engraving with hand colouring	circa 1810			I 248 x 200 mm				20	£20	unmounted	Map	England & the British Isles	England						
6138		J. Bingley	England and Wales	Copper engraving with hand colouring	c. 1836			I 254 x 196 mm				65	£65	unmounted	Map	England & the British Isles	England						
6139		Moll	A New Map of the River & Sea Coasts of England	Copper engraving	circa 1730			I 290 x 295 mm				40	£40	unmounted	Map	England & the British Isles	England						
6143		J. K. Scott after C. Tomson	Fanny Davis	Copper engraving with hand colouring	Published by J. Pittman, Warrick Square, London Sept. 1st 1827			I. 134 x 105 mm				40	£40	mounted	Print	General Interest	Sport						
6146		J.D. Cooper after A. Macdonald	Balliol College from the Steps of the New Hall	Wood engraving	Printed at the Clarendon Press, and published by MacMillan and Co. Publishers to the University of Oxford, 1879			234 x 336 mm	Oxford Almanack for the Year 1879		This almanack was printed from six woodblocks and was the only time woodengrabing was used for an alamanack.	175	£175	framed	Print	Oxford	Balliol College						
6151		J. Shury	Witney Church, Oxfordshire. (South View) 	Copper engraving with hand colouring	c. 1810			I 110 x 151 mm	From The Beauties of England and Wales			25	£25	mounted	Print	British Topography	Oxfordshire						
6156			Race Middlesex	Lithograph with hand colouring	1860			I 105 x 177 mm				55	£55	mounted	Print	General Interest 	Farm Animals						
6159		Cary, John	North Wales	Copper engraving with hand colouring	London Published as the Act directs September 1st, 1787 by J. Cary, Engarver, Map & Print seller corner of Arundel Street Strand.			210 x 265 mm				55	£55	mounted	Map	Scotland, Ireland & Wales	Wales						
6160		J. & F. Harwood	Christchurch College_Oxford	Steel engraving	London, J & F. Harwood, 26 Fenchurch Street, [n.d. c.1841]			I 105 x 155 mm				60	£60	framed	Print	Oxford	Christ Church College						
6162		Thomas G. Jackson	Trinity College, Oxford. New Quadrangle & President’s House	Lithograph	The Building News, July 1, 1887			I 265 x 380 mm				60	£60	mounted	Print	Oxford	Trinity College						
6163		Johnson, A.J.	Russia	Lithograph with original handcolour	Johnson and Ward, New York, 1865.			355 x 290 mm	 From Johnson & Ward's New Illustrated Family Atlas			55	£55	unmounted	Map	Europe	Russia						
6164	[Russia]	Bayly, J. 	A New Map of Russia in Europe	Copper engraved	Published as the Act directs, by Harrison & Co. Oct. 1, 1782			210 x 272 mm				50	£50	unmounted	Map	Europe	Russia						
6167	[Russia]		Russia	Copper engraved map	London, 1752-53				From Thomas Salmon’s The universal traveller: or, a complete description of the several nations of the world. 		some light offsetting	45	£45	unmounted	Map	Europe	Russia						
6168	[Russia]		Russia in Asia	Copper	London: William Darton: at the Repatory of Genius; 58 Holborn Hill, c. 1827			185 x 242 mm				40	£40	unmounted	Map	Europe	Russia						
6172	[Russia]	Ortelius Abraham	Russia	Copper engraved map	Amsterdam c. 1601			75 x 107 mm	Epitome theatri Orteliani by Jan B Vrients			65	£65	unmounted	Map	Europe	Russia						
6173		attributed to Gutherie	Russia In Europe	Copper engraved map with hand colour	c. 1794			385 x 360 mm				80	£80	unmounted	Map	Europe	Russia						
6177		David Loggan	Collegium Regale	Copper engraving	1690			I 310 x 475 mm, Pl. 340 x 480 mm	From Cantabrigia Illustrata. Sive omnium celeberrimæ istius universitatis... Cambridge: Quam proprijs sumptibus typis mandavit & impressit Cantabrigiæ. 		Loggan's 'great work' is the earliest and best collection of Oxford views, here bound with his much rarer Cambridge engravings. The extraordinary amount of accurate detail in both implies considerable time spent on the study of the buildings and on the preparation of the plates. The Oxford views, as the Introduction tells us, had been 'long expected, and begun several years before' [diu expectatum Opus, annis abhinc aliquot susceptum']. Wood refers to the plates as early as 1665, which is the date that Loggan lived at Nuffield in Oxfordshire, and the probable date that he started work on the views. He mentions them again in 1669, when Loggan was able to exhibit many of the plates as finished. Wood clearly expected that the sheets would have been ready in 1674 to be bound with his Historia et Antiquitates, by those that wished it. He both disclaimed responsibility for the captions to the plates in his introduction to the reader, and several times elsewhere referred to them as 'the cuts belonging to my book'. This, and the fact that Loggan's Index refers to Wood, relating the illustration to the place where a history of the building can be found, provides clear evidence of an intention that Wood's history and Loggan's views should appear together. Why they didn't is unclear, because it seems that they were ready. Fell had written, on Jan. 19th, 1674/5, that the plates were 'in a manner quite finished'. It may be that the tensions which had arisen between Fell and Wood over the editing of Historia et Antiquitates hold the key to this puzzle. The plates were not printed at the Sheldonian, but at Leonard Lichfield's house in Holywell, where it is presumed that the rolling press was housed. (Madan.) Loggan's Cambridge views have been much less reviewed by bibliographers. The best piece still, although discursive, is the introduction and the captions to each plate by J.W. Clark in the Macmillan and Bowes reprint of 1905. In the year following the publication of 'Oxonia Illustrata' Loggan was in Cambridge printing Wren's design for the Library of Trinity. This employment may have prompted him to turn his attention to Cambridge. Clark thought it 'not difficult to prove that 'Cantabrigia Illustrata' was definitely begun in 1678 or 1679, if not earlier, and that it could not have been published before 1690'. The former proposition he demonstrates by internal evidence. He shows that it was published by 1690 using entries in the account books of at least two colleges. Wing records an edition of 1688 (Wing L2836), with four UK locations, and one US. We have only been able to check the copies in the Library of King's College, Cambridge, and that at Chatsworth, both of which proved to have undated title-pages identical with the majority of copies. This, allied to the fact that Clark makes no mention of a 1688 edition, leads us to suspect that this particular Wing entry may prove to be a 'ghost'. Naturally we are unable to state this categorically without a reliable report on the remaining three copies. One of these, originally part of the of Norwich City Library, was present in the 1732 catalogue, but not in the Kitton 1883 catalogue, nor in the list of strong room books lost in the recent fire. The library, however, did lose all the local history folios so it may have gone then. To quote a Millenium Library source, 'the fate of this volume may well remain a mystery'. Where Wing picked up a reference to it is also a puzzle. 'The beauty of Loggan's views of the colleges has long been accepted ... Their fidelity can be realised by anyone who will take the trouble to study even a single plate minutely. Would any artist have invented the details which abound in his engravings - the variety, the small differences in the arrangement of doors and windows - the laying out of the courts, the gardens with their flower-beds and summer-houses, the bowling-greens, the tennis-courts - and, in a word, the domestic matters which speak eloquently of the time when a college was the home of its inmates, who found within the precincts all things needful for their daily life, in study, exercise, and diversion?'Condition: Excellent	400	£400	unmounted	Print	 Cambridge	King’s College Cambridge						
6179		David Loggan	Collegium Christi	Copper engraving	1690			I  360 x 465 mm, Pl. 387 x 472 mm	From Cantabrigia Illustrata. Sive omnium celeberrimæ istius universitatis... Cambridge: Quam proprijs sumptibus typis mandavit & impressit Cantabrigiæ. 		Loggan's 'great work' is the earliest and best collection of Oxford views, here bound with his much rarer Cambridge engravings. The extraordinary amount of accurate detail in both implies considerable time spent on the study of the buildings and on the preparation of the plates. The Oxford views, as the Introduction tells us, had been 'long expected, and begun several years before' [diu expectatum Opus, annis abhinc aliquot susceptum']. Wood refers to the plates as early as 1665, which is the date that Loggan lived at Nuffield in Oxfordshire, and the probable date that he started work on the views. He mentions them again in 1669, when Loggan was able to exhibit many of the plates as finished. Wood clearly expected that the sheets would have been ready in 1674 to be bound with his Historia et Antiquitates, by those that wished it. He both disclaimed responsibility for the captions to the plates in his introduction to the reader, and several times elsewhere referred to them as 'the cuts belonging to my book'. This, and the fact that Loggan's Index refers to Wood, relating the illustration to the place where a history of the building can be found, provides clear evidence of an intention that Wood's history and Loggan's views should appear together. Why they didn't is unclear, because it seems that they were ready. Fell had written, on Jan. 19th, 1674/5, that the plates were 'in a manner quite finished'. It may be that the tensions which had arisen between Fell and Wood over the editing of Historia et Antiquitates hold the key to this puzzle. The plates were not printed at the Sheldonian, but at Leonard Lichfield's house in Holywell, where it is presumed that the rolling press was housed. (Madan.) Loggan's Cambridge views have been much less reviewed by bibliographers. The best piece still, although discursive, is the introduction and the captions to each plate by J.W. Clark in the Macmillan and Bowes reprint of 1905. In the year following the publication of 'Oxonia Illustrata' Loggan was in Cambridge printing Wren's design for the Library of Trinity. This employment may have prompted him to turn his attention to Cambridge. Clark thought it 'not difficult to prove that 'Cantabrigia Illustrata' was definitely begun in 1678 or 1679, if not earlier, and that it could not have been published before 1690'. The former proposition he demonstrates by internal evidence. He shows that it was published by 1690 using entries in the account books of at least two colleges. Wing records an edition of 1688 (Wing L2836), with four UK locations, and one US. We have only been able to check the copies in the Library of King's College, Cambridge, and that at Chatsworth, both of which proved to have undated title-pages identical with the majority of copies. This, allied to the fact that Clark makes no mention of a 1688 edition, leads us to suspect that this particular Wing entry may prove to be a 'ghost'. Naturally we are unable to state this categorically without a reliable report on the remaining three copies. One of these, originally part of the of Norwich City Library, was present in the 1732 catalogue, but not in the Kitton 1883 catalogue, nor in the list of strong room books lost in the recent fire. The library, however, did lose all the local history folios so it may have gone then. To quote a Millenium Library source, 'the fate of this volume may well remain a mystery'. Where Wing picked up a reference to it is also a puzzle. 'The beauty of Loggan's views of the colleges has long been accepted ... Their fidelity can be realised by anyone who will take the trouble to study even a single plate minutely. Would any artist have invented the details which abound in his engravings - the variety, the small differences in the arrangement of doors and windows - the laying out of the courts, the gardens with their flower-beds and summer-houses, the bowling-greens, the tennis-courts - and, in a word, the domestic matters which speak eloquently of the time when a college was the home of its inmates, who found within the precincts all things needful for their daily life, in study, exercise, and diversion?'Condition: Excellent	650	£650	unmounted	Print	 Cambridge	Christ’s College Cambridge						
6181		Bowen, Emmanuel	An Accurate Map of Berkshire Divided into its Hundreds Drawn from the Best Authorities assisted by Surveys and most approved Maps....	Copper engraved map with original outline colour	Printed for Carrington Bowles in St. Pauls Church Yard, and R. Sayer at the Golden Buck in Fleet Street, and R. Wilkinson No. 58, Cornhill, London			538 x 700 mm	From The Large English Atlas			550	£550	framed	Map	English Counties	Berkshire						
6183		James Bingley	Berkshire	Copper engraving with hand colouring	Engraved for Moule’s English Counties 1840			I 260 x 206 mm				80	£80	unmounted	Map	English Counties	Berkshire						
6184		J. Roper	Brecknockshire	Copper engraved with hand colour	London, Published for the Proprietors, by Vernor Hood & Sharpe, Poultry Nov.r 1 1808			I 222 x 175 mm				40	£40	mounted	Map	English Counties	Brecknockshire						
6185		Cary, J	Bedfordshire	Copper engraved with hand colouring	London, Published as the Act directs Sep.r 1st 1787 by J. Cary Engraver Map and Print seller No. 188 the corner of Arundel Street, Strand			I 264 x 211 mm				50	£50	mounted	Map	English Counties	Bedfordshire						
6186		Badeslade, J. and W.H. Toms	A Map of Berkshire	Copper engraved	Publish’d by the Proprieters T. Badeslade & W.H. Toms Septr. 29th 1741			144 x 147 mm				50.00	£50	mounted	Map	English Counties	Berkshire						
6187			Bedfordshire	Copper engraving	Lewis Topographical Dictionary of England 1831-1848			I 231 x 168 mm				20	£20	mounted	Map	English Counties	Bedfordshire						
6189		Unknown	River Neva, Island Lake	Lithograph				I. 388 x 114 mm				100	£100	unmounted	Print	Foreign Topography	Russia						
6190	Hot Air Balloon	Unknown	Mgt. le Due de Chartres et M.r. le Due de Fitz James 	Engraving				I. 149 x 196 mm			Engraving of the first Hydrogen Balloon	400	£400	mounted	Print	General Interest 	Transport						
6191	Hot Air Balloon	Unknown	The Engilish Balloon and Appendages in which Mr. Lunardi assended into the Atmosphere fron the Artillery Groungd, Sepr. 15th 1784.	Engraving	Printed for J. Bell, British Library Strand, Oct 4th 1784	1784	1784	I. 136 x 84 mm				260	£260	mounted	Print	General Interest	Transport						
6192		Girol Manteli after Frat. Gerli	Air Ballooning print	Engraving		1790	1790	I. 213 x 115 mm				70	£70	mounted	Print	General Interest	Transport						
6193		Unknown	View of Montpellier Spa, Rotunda, &c. The Museum, St. Mary’s Church & the Royal Nassau Balloon as it appeared when assending from Montpellier Gardens. Cheltenham.			1840	1840	I. 124 x 85 mm				100	£100	mounted	Print	General Interest	Transport						
6195		B.R Davies	Cornwall	Copper engraving	Day & Son Lithrs. to the Queen. Weekly  Dispatch Atlas, 139 Fleet Street			I 422 x 300 mm				30	£30	unmounted	Map	English Counties							
6197		Badeslade, J. and W.H. Toms	Bedfordshire, North from London	Copper engraved	Publish’d by the Proprieters T. Badeslade & W.H. Toms Septr. 29th 1741			144 x 147 mm				40	£40	mounted	Map	English Counties	Bedfordshire						
6198		J. Roper	Bedfordshire	Copper engraved with hand colour	London, Published for the Proprietors, by Vernor Hood & Sharpe, Poultry Oct.r 1st 1804			I 222 x 175 mm				40	£40	mounted	Map	English Counties	Bedfordshire						
6199		J. Roper	Bedford	Copper engraved 	London, Published for the Proprietors, by Vernor Hood & Sharpe, Poultry Apr. 1. 1807			I 222 x 175 mm				40	£40	mounted	Map	English Counties							
6201		Samuel Ireland	Chertsey bridge, & C.	Aquatint	Pub. for S. Ireland May 1 1799			I 110 x 163 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			20	£20	unmounted	Print	British Topography	Surrey						
6203		Samuel Ireland	East View of Staines-bridge	Aquatint	Pub. for S. Ireland May 1 1799			I 110 x 165 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			20	£20	unmounted	Print	British Topography	Surrey						
6205		Samuel Ireland	View at Ifley, near Oxford	Aquatint	Pub. for S. Ireland May 1 1799			I 110 x 165 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			25	£25	unmounted	Print	Oxford	General Views						
6206		Samuel Ireland	Shillingford Bridge, Berks.	Aquatint	Pub. for S. Ireland May 1 1799			I 110 x 165 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			20	£20	unmounted	Print	British Topography	Oxfordshire						
6207		Samuel Ireland	Sunning-bridge & C., Berks	Aquatint	Pub. for S. Ireland May 1 1799			I 110 x 165 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			20	£20	unmounted	Print	British Topography	Berkshire						
6208		Samuel Ireland	Eisey-bridge	Aquatint	Pub. for S. Ireland May 1 1799			I 110 x 165 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			20	£20	unmounted	Print	British Topography	Wiltshire						
6209		Samuel Ireland	Godstow -  bridge & remains of the Nunnery	Aquatint	Pub. for S. Ireland May 1 1799			I 110 x 165 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			20	£20	unmounted	Print	Oxford	General Views						
6214		Samuel Ireland	Eton College	Aquatint	Pub. for S. Ireland May 1 1799			I 110 x 165 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			25	£25	unmounted	Print	British Topography	Berkshire						
6215		Samuel Ireland	Kempsford Church & C. Glocestershire	Aquatint	Pub. for S. Ireland May 1 1799			I 110 x 165 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			20	£20	unmounted	Print	British Topography	Gloucestershire						
6216		Samuel Ireland	Chelsea College & Ranelagh-house	Aquatint	Pub. for S. Ireland May 1 1799			I 110 x 165 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			20	£20	unmounted	Print	British Topography	London						
6217		Samuel Ireland	Hernes Oak, Windsor Park	Aquatint	Pub. for S. Ireland May 1 1799			I 110 x 165 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			20	£20	unmounted	Print	British Topography	Berkshire						
6218		Samuel Ireland	Chelsea	Aquatint	Pub. for S. Ireland May 1 1799			I 110 x 165 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			25	£25	unmounted	Print	British Topography	London						
6219		Samuel Ireland	Hampton Court - bridge &c. 	Aquatint	Pub. for S. Ireland May 1 1799			I 110 x 165 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			20	£20	unmounted	Print	British Topography	Surrey						
6220		Samuel Ireland	Clifton, Oxfordshire	Aquatint	Pub. for S. Ireland May 1 1799			I 110 x 165 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			20	£20	unmounted	Print	British Topography	Oxfordshire						
6222		Samuel Ireland	New Stains Bridge	Aquatint	Pub. for S. Ireland May 1 1799			I 110 x 165 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			20	£20	unmounted	Print	British Topography	Surrey						
6223		Samuel Ireland	Cliefden spring, Bucks	Aquatint	Pub. for S. Ireland May 1 1799			I 110 x 165 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			20	£20	unmounted	Print	British Topography	Buckinghamshire						
6224		Samuel Ireland	Walton - bridgem Surry	Aquatint	Pub. for S. Ireland May 1 1799			I 110 x 165 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			20	£20	unmounted	Print	British Topography	Surrey						
6225		Samuel Ireland	Marlow bridge &c. 	Aquatint	Pub. for S. Ireland May 1 1799			I 110 x 165 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			20	£20	unmounted	Print	British Topography	Buckinghamshire						
6226		Samuel Ireland	Tilbury Fort	Aquatint	Pub. for S. Ireland May 1 1799			I 110 x 165 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			10	£10	unmounted	Print	British Topography	Essex						
6227		Samuel Ireland	Somerset Place	Aquatint	Pub. for S. Ireland May 1 1799			I 110 x 165 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			20	£20	unmounted	Print	British Topography	London						
6228		Samuel Ireland	Westminster - Bridge	Aquatint	Pub. for S. Ireland May 1 1799			I 110 x 165 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			25	£25	unmounted	Print	British Topography	London						
6229		Samuel Ireland	London Bridge &c.	Aquatint	Pub. for S. Ireland May 1 1799			I 110 x 165 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			25	£25	unmounted	Print	British Topography	London						
6230		Samuel Ireland	Lambeth Palace, &c.	Aquatint	Pub. for S. Ireland May 1 1799			I 110 x 165 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			20	£20	unmounted	Print	British Topography	London						
6231		Samuel Ireland	Strawberry Hill	Aquatint	Pub. for S. Ireland May 1 1799			I 110 x 165 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			20	£20	unmounted	Print	British Topography	Surrey						
6233		Samuel Ireland	Design for a bridge near Somerset place by Thos.Sandby Esq,r, RA	Aquatint	Pub. for S. Ireland May 1 1799			I 110 x 165 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			20	£20	unmounted	Print	British Topography	London						
6235		Samuel Ireland	Richmond Bridge	Aquatint	Pub. for S. Ireland May 1 1799			I 110 x 165 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			25	£25	unmounted	Print	British Topography	London						
6236		Samuel Ireland	Greenwich Hospital	Aquatint	Pub. for S. Ireland May 1 1799			I 110 x 165 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			25	£25	unmounted	Print	British Topography	London						
6237		Samuel Ireland	Tower London	Aquatint	Pub. for S. Ireland May 1 1799			I 110 x 165 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			25	£25	unmounted	Print	British Topography	London						
6238		Samuel Ireland	Maidenhead - bridge, Clifden -woods &c. 	Aquatint	Pub. for S. Ireland May 1 1799			I 110 x 165 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			20	£20	unmounted	Print	British Topography	Berkshire						
6241		Samuel Ireland	Culham - bridge neat Abingdon	Aquatint	Pub. for S. Ireland May 1 1799			I 110 x 165 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			20	£20	unmounted	Print	British Topography	Oxfordshire						
6242		Samuel and Nathaniel Buck	The South East View of Berkeley Castle, in the County of Gloucester	Copper engraving	1732			I 145 x 347 mm, Pl. 192 x 372 mm				50	£50	unmounted	Print	British Topography	Gloucestershire						
6243		Edward Rooker	The North West View of Milton Abby the Seat of the Rt. Honble Josh. Earl of Dorchester	Copper engraving				I 199 x 351, Pl. 238 x 378 mm				50	£50	unmounted	Print	British Topography	Dorset						
6244	Hot Air Balloon		M. Dupey De Lomes New Navigating Balloon- The Ascent at Fort Vicennes	Woodcut		1872	1872	I. 223 x 300 mm				15	£15	unmounted	Print	General Interest	Transport						
6245	Hot Air Balloon	Illustrated London News	Departure of a Balloon from Paris at Night (Sketch by Balloon Post)	Woodcut		1870	1870	I. 206 x 292 mm				20	£20	unmounted	Print	General Interest	Transport						
6246		Hector Saunier 	Shishi	Etching	1984			Image: 195 x 245			Hector Saunier (b. 1936) is one of the world's leading artist in the field of modern intaglio colour printmaking. His works reflect his superb technical control and improvisational skill from 40 years experience in the medium of engraving, etching and soft ground.Hector is currently the Director of Contre-Point (Formally known as Atelier in Paris. He was born in Argentina in 1936 and studied architecture in Buenos Aires. Hector came to Europe in 1961. During that year, after seeing a print by S.W. Hayter at the Salon de Mai, he enrolled in a printmaking workshop founded by S.W. Hayter in 1927. He studied printmaking under Hayter fot two years. After Hayter’s death in1988, he took over the administration of the workshop and till today. Hector and his wife Hiroko are still managing it.	250	£250	mounted	Print	20th Century	Hector Saunier 						
6248		Morden, Robert	Sussex	Copper engraving	1722			419 x 358 mm	Camden’s Britannia 2nd Edition0			135	£135	unmounted	Map	English Counties	Sussex						
6249		Morden, Robert	North Riding of Yorkshire	Copper engraving	1722			419 x 358 mm	2nd Edition of Camden’s Britannia			150	£150	unmounted	Map	English Counties	Yorkshire						
6250		Morden, Robert	East Riding of Yorkshire	Copper engraving	1722			419 x 358 mm	2nd Edition of Camden’s Britannia			140	£140	unmounted	Map	English Counties	Yorkshire						
6251		Blaeu, Johannes	Wiltonia Comitatus Wiltoniensis; Anglis Wilshire	Copper engraving with hand colouring	Amsterdam 1662			395 x 510 mm			Latin text of verso.Blaeu, Doctor Johannes (c.1599-1673) Born and died in Amsterdam. Collaborated with his father Willem Janszoon and with his brother Cornelis, and ran the business after the death of Willwm. Appointed official cartographer to the East India Company (VOC) in 1638 in sucession to his father. What was left of the company after the fire of 1672 and the deah of Joan in 1673 passed to his son Joan (III), who sold the globemaking part of the business to J. van Keulen. Worked in partnership with his father on Appendix Theatri Ortelii et Atlantis G. Mercatoris, 1631 and Nouvus Atlas, 1634; Wall maps, 1647-1649; Tooneel der Steden van der Vereenighde Nederlanden (Town books of the Netherlands) 1649-1653 Theatrum Orbis Terrarum, publishing six volumes  up to 1655; Atlas Major (11 volumes, known as the Grand Atlas), 1662-1672 in editions with French, Latin, Dutch and Spanish text (often described as the most magnificent work of its kind ever produced); Town plans of Italy 1663. 	250	£250	unmounted	Map	English Counties	Wiltshire						
6252		Blaeu, Joan	Darbiensis Comitatus Vernacul Darbieshire	Copper engraved with early hand colour	Amsterdam 1648			I 500 x 384 mm				550	£550	unmounted	Map	English Counties	Derbyshire						
6253		Morden, Robert	Suffolk	Copper engraved with hand colour	1722			419 x 358 mm	From Camden’s Britannia 2nd Edition			150	£150	unmounted	Map	English Counties	Suffolk						
6254		Morden, Robert	Staffordshire	Copper engraved with hand colour	1722			419 x 358 mm	From Camden’s Britannia 2nd Edition			150	£150	unmounted	Map	English Counties	Staffordshire						
6255		Blaeu, Joan	Staffordiensis vulgo Staffordshire	Copper engraved with early hand colour	Amsterdam 1647-48			I 500 x 384 mm				500	£500	unmounted	Map	English Counties	Staffordshire						
6256		Morden, Robert	Northumberland	Copper engraved	1722			419 x 358 mm	From Camden’s Britannia 2nd Edition			100	£100	unmounted	Map	English Counties	Northumberland						
6257		Blaeu, Johannes	Ducatus Eboracensis Pars Orientalis The East Riding of Yorkshire	Copper Engraved	Amsterdam, 1662			390 x 505			Blaeu, Doctor Johannes (c.1599-1673) Born and died in Amsterdam. Collaborated with his father Willem Janszoon and with his brother Cornelis, and ran the business after the death of Willwm. Appointed official cartographer to the East India Company (VOC) in 1638 in sucession to his father. What was left of the company after the fire of 1672 and the deah of Joan in 1673 passed to his son Joan (III), who sold the globemaking part of the business to J. van Keulen. Worked in partnership with his father on Appendix Theatri Ortelii et Atlantis G. Mercatoris, 1631 and Nouvus Atlas, 1634; Wall maps, 1647-1649; Tooneel der Steden van der Vereenighde Nederlanden (Town books of the Netherlands) 1649-1653 Theatrum Orbis Terrarum, publishing six volumes  up to 1655; Atlas Major (11 volumes, known as the Grand Atlas), 1662-1672 in editions with French, Latin, Dutch and Spanish text (often described as the most magnificent work of its kind ever produced); Town plans of Italy 1663. 	140	£140	unmounted	Map	English Counties	Yorkshire						
6258		Van Voorst, J	Geological Map of the County of Surrey	Steel Engraving	circa 1860			I 552 x 484 mm				450	£450	unmounted	Map	English Counties	Surrey						
6259		Murray, T	Stafffordshire	Copper engraving with hand colouring	London Published May 1st 1830 by T. Murray 19 Adam Street Adelphi			I 456 x 355 mm				65	£65	unmounted	Map	English Counties	Staffordshire						
6261		Van Voorst, J	Geological Map of the County of Surrey Shewing the Botanical Divisions used in the Flora of the County 	Steel Engraving	Published for the Holmesdale Natural history Club Reigate by J. Van Voorst Paternoster Row, London Circa 1860			I 552 x 484 mm				240	£240	unmounted	Map	English Counties	Surrey						
6262		Duncan, J	New map of the County of Worcestershire; Divided in to Hundreds Containing the District Divisions and other Local Arrangements effected by the Reform Bill	Steel engraving				I 434 x 345 mm				100	£100	unmounted	Map	English Counties	Worcestershire						
6264		Walker J & C 	Northumberland	Copper engraved	Published by J & C Walker, 9 Castle St Holborn, London circa 1835			I 385 x 317 mm				20	£20	unmounted	Map	English Counties	Northumberland						
6265		Smith/ Charles	A New Map of the County of Wilts Divided into Hundreds	Copper engraved with hand colouring	London January 6th 1804, 2nd Edition Corrected to 1808			500 x 445 mm			Charles Smith was a published, map and globe seller who worked with his son Guilford Smith in London. He was a rival of John Cary. This map is from their atlas Smith’s New English Atlas a Complete Set of Country Maps... This Atlas contained large colourful detailed and up to date information and were the model for Cary’s later Atlas in 1809. Smith’s ;arge maps have the distinction of being firsty county maps showing longitude based on the meridian at Greenwich.	120	£120	unmounted	Map	English Counties	Wiltshire						
6266		Speed, John	The Counti of Warwick the Shire Towne and Citie of Coventre described	Copper engraving	1611			I.  506 x 381 mm	1st edition			925	£925	unmounted	Map	English Counties	Warwickshire						
6270		W. Westall	Hertford College	Aquatint with hand colouring	London Pub. Feby. 1st 1814 at 101 Strand for R. Ackermann’s History of Oxford			Image 190 x 125 mm				100	£100	mounted	Print	Oxford	Hertford College	 					
6272		J. C. Stadler	Pembroke College	Aquatint with hand colouring	Published 1813 for Ackermann’s History of Oxford			I 126 x 194 mm				60	£60	mounted	Print	Oxford	Pembroke College						
6274		Day & Son	[Chickens]	Chromolithograph	1880			I 204 x 175 mm				50	£50	mounted	Print	General Interest	Farm Animals						
6275			[Peaches]	Lithograph	19th Century			I 233 x 135 mm				65	£65	mounted	Print	General Interest	Flora						
6276			Amanli’s Butterbirn [Pears]	Lithograph	1882			I 210 x 142 mm				50	£50	mounted	Print	General Interest	Flora						
6277			[Peaches]	Lithograph	19th Century			I 233 x 135 mm				65	£65	mounted	Print	General Interest	Flora						
6280		W. H & L Collingridge	Cauliflower	Lithograph	1901			I 296 x 200 mm				30	£30	mounted	Print	General Interest	Flora						
6282		Day & Son	[Chickens]	Chromolithograph	1880			I 204 x 175 mm				50	£50	mounted	Print	General Interest	Farm Animals						
6288		Unknown	Spanische Glaskirsche (Cherries)	Lithograph	19th Century			I 191 x 127 mm				65	£65	mounted	Print	General Interest	Flora						
6295		W.H.& L Collingridge	A Paying Market Vegetable - Brussel Sprouts	Lithograph with hand colouring	1900			I 302 x 200 mm				35	£35	mounted	Print	General Interest	Flora						
6296		Unknown	Vereins-Dechantsbirn [Pears]	Lithograph	1882			I 210 x 144 mm				50	£50	mounted	Print	General Interest	Flora						
6297		Unknown	Neue-Poiteau [Pears]	Lithograph	1882			I 210 x 144 mm				505	£505	mounted	Print	General Interest	Flora						
6299		W.H & L Collingridge	Prize Somerset and Dorset Horned Sheep - Winner of the first prize and cup at Smithfield Club Show, 1901	Lithograph	1901			I 300 x 197 mm				30	£30	mounted	Print	General Interest	Farm Animals						
6300		Unknown	Grosser Gobet [Cherries]	Lithograph	19th Century			I 163 x 110 mm				65	£65	mounted	Print	General Interest	Flora						
6302		Unknown	Aprikose Von Nancy [Abricots]	Chromolithograph	19th Century			I 266 x 190 mm				45	£45	unmounted	Print	General Interest	Flora						
6304		William Monk	[Eton College]	Etching		c. 1880	1880	I: 175 x 250 mm			Painter and etcher of architectural subjects. Born at Chester. Studied at the Antwerp Academy. Exhibited at the R.A., R.E., I.S., and with the Society of Graver Printers in Colour. Electer A.R.E. 1894, R.E. 1899. Executed subjects in Venice and New York. Lived in London and died on 8th April 1937 aged 73.	75.00	£75	unmounted	Print	British Topography	Berkshire						
6305		William Monk	[Eton College Hall]	Etching		c. 1880	1880	I: 175 x 250 mm			Painter and etcher of architectural subjects. Born at Chester. Studied at the Antwerp Academy. Exhibited at the R.A., R.E., I.S., and with the Society of Graver Printers in Colour. Electer A.R.E. 1894, R.E. 1899. Executed subjects in Venice and New York. Lived in London and died on 8th April 1937 aged 73.	50.00	£50	unmounted	Print	British Topography	Berkshire						
6306		William Monk	[Eton College]	Etching		c. 1880	1880	I: 175 x 250 mm			Painter and etcher of architectural subjects. Born at Chester. Studied at the Antwerp Academy. Exhibited at the R.A., R.E., I.S., and with the Society of Graver Printers in Colour. Electer A.R.E. 1894, R.E. 1899. Executed subjects in Venice and New York. Lived in London and died on 8th April 1937 aged 73.	80.00	£80	unmounted	Print	British Topography	Berkshire						
6307		William Monk	[Eton College]	Etching		c. 1880	1880	I: 175 x 250 mm			Painter and etcher of architectural subjects. Born at Chester. Studied at the Antwerp Academy. Exhibited at the R.A., R.E., I.S., and with the Society of Graver Printers in Colour. Electer A.R.E. 1894, R.E. 1899. Executed subjects in Venice and New York. Lived in London and died on 8th April 1937 aged 73.	75.00	£75	unmounted	Print	British Topography	Berkshire						
6309		E. Finden after H. Warren	Harwich, Essex	Steel engraving		c. 1830	1830	I: 126 x 178 mm				35.00	£35	mounted	Print	British Topography	Essex						
6311		Gerald.M. Burn		Etching	c 1880			Image 100 x 130 mm				40.00	£40	mounted	Print	British Topography	Gloucestershire						
6312		C. Dickens	The Bell Hotel, Tewkesbury	Etching		c 1880	1880	I: 88 x 139 mm				40.00	£40	mounted	Print	British Topography	Gloucestershire						
6313		H. Bartlett after W. Mossman	Gloucester	Steel engraving		c. 1840	1840	I: 118 x 181 mm				35.00	£35	mounted	Print	British Topography	Gloucestershire						
6314		E. Finden after T. Nash	Southampton	Steel engraving		c. 1830	1830	I: 119 x 179 mm				36.00	£36	mounted	Print	British Topography	Hampshire						
6315		J. Walker	Southampton	Copper engraving	Published January 1st, 1795, by Walker, No. 16, Rosomans Street, London.	1795	1795	I: 108 x 168 mm				45.00	£45	mounted	Print	British Topography	Hampshire						
6316		W. Gauci	Newport	Lithograph	Published by T. Gregory for the Shropshire Gazetteer.	c.1840	1840	I: 110 x 178 mm				22.00	£22	mounted	Print	British Topography	Shropshire						
6317		James Ross after George Powle	East View of the City of Hereford, from the Hartford Shut.	Copper engraving	January 1 1778	1778	1778	I: 180 x 290 mm				48.00	£48	mounted	Print	British Topography	Herefordshire						
6318		J. Walker after Dayes	Hereford	Steel engraving	Published July 1st, 1795 by J. Walker, Rosomans Street, London	1795	1795	I: 110 x 165 mm			 Plate 85, Engraved by J. Walker from an Original Drawing by Dayes	45.00	£45	mounted	Print	British Topography	Hertfordshire						
6320		W.H. Bartlett after J.C. Bentley	“The Westminster” and “Claudine,” Ashore Near Margate	Steel engraving		c. 1840	1840	I: 120 x 180 mm				15.00	£15	mounted	Print	British Topography	Kent						
6323		Henry Adlard after Wilhelm Trautschold	[Eliza Cook]	Lithograph				I: 335 x 240 mm	From a series of  literary portraits with facsimiles of the authors’ signatures.		Eliza Cook (24th December 1818 - 23rd September 1889) was  born in Southwark, the daughter of a local tradesman. She attended the local Sunday School and was encouraged by the son of the music master to produce her first volume of poetry. In 1837, she began to offer verse to the radical ‘Weekly Dispatch’, then edited by William Johnston Fox; becoming a staple of its pages for the next ten years. She also offered material to ‘The Literary Gazette’, ‘Metropolitan Magazine’ and ‘New Monthly’. Cook was a proponent of political and sexual freedom for women, and her staunch belief in the ideology of self-improvement through education, what she termed "levelling up,"  made her extremely popular with her working-class and liberal readership.  In 1838, she published ‘Melaia and other Poems’, and from 1849 to 1854 wrote, edited, and published ‘Eliza Cook’s Journal’, a weekly periodical she described as one of "utility and amusement." Cook also published ‘Jottings from my Journal’ (1860), and ‘New Echoes’ (1864); and in 1863 she was given a civil list pension of £100 a year. She died in Wimbledon in 1889.	20	£20	unmounted	Print	Portraits	Literary and Poetic						
6324		Armytage after Lawrence 	[Tennyson]	Lithograph				I: 335 x 220 mm	From a series of  literary portraits with facsimiles of the authors’ signatures.			20	£20	unmounted	Print	Portraits	Literary and Poetic						
6333		W. Holl after C. Sanders	Byron sometimes Biron. Lord Byron. 	Steel engraving	A Fullarton & Co. London & Edinburgh.			I: 200 x 145 mm				50	£50	mounted	Print	Portraits	Literary and Poetic						
6336		Riddle & Couchman	Alfred, Lord Tennyson. Born 1809; Died 1892. 	Colour lithograph	Riddle & Couchman, Lith., London. Masterpiece Library, October, 1895.			I: 280 x 210 mm. S: 380 x 280 mm.	“Our Poets’ Corner.” Plate No.14.			35	£35	mounted	Print	Portraits	Literary and Poetic						
6337		Riddle & Couchman	William Shakespeare. Born 1564; Died 1616. 	Colour lithograph	Riddle & Couchman, Lith., London. Masterpiece Library, August, 1895.			I: 280 x 210 mm. S: 380 x 280 mm.	“Our Poets’ Corner.” Plate No.7. 			35	£35	mounted	Print	Portraits	Literary and Poetic						
6338		Riddle & Couchman	Samuel Taylor Coleridge. Born 1772; Died 1834. 	Colour lithograph	Riddle & Couchman, Lith., London. Masterpiece Library, November, 1895.			I 280 x 210 mm. S 380 x 280 mm.	“Our Poets’ Corner.” Plate No. 19. 			35	£35	mounted	Print	Portraits	Literary and Poetic						
6339		G. Greatbach after T.D. Scott	Tragedies. The Burbage Portrait. 	Engraving with hand colouring	ca. 1858			I 230 x 160 mm			Clockwise from top right, the vignettes depict: Julius Caesar, Hamlet, Anthony and Cleopatra, Romeo and Juliet, King Lear, Macbeth, and Coriolanus. 	30	£30	mounted	Print	Portraits	Literary and Poetic						
6341		Riddle & Couchman	William Wordsworth. Born 1770; Died 1850. 	Colour lithograph	Riddle & Couchman, Lith., London. Masterpiece Library, October, 1895.			I 280 x 210 mm. S 380 x 280 mm.	“Our Poets’ Corner.” Plate No. 15.			35	£35	mounted	Print	Portraits	Literary and Poetic						
6343		Riddle & Couchman	Henry Wadsworth Longfellow. Born 1807; Died 1882. 	Colour lithograph	Riddle & Couchman, Lith., London. Masterpiece Library, August, 1895.			I 280 x 210 mm. S: 380 x 280 mm.	“Our Poets’ Corner.” Plate No. 6. 			35	£35	mounted	Print	Portraits	Literary and Poetic						
6344		I. B. Cipriani. 	John Milton. 	Copper engraving	Drawn and Etched MDCCLX [1760] by I. B. Cipriani a Tuscan from a bust in plaister modelled from the life now in the possession of Thomas Hollis F. R. and A.SS. 			Pl 270 x 180 mm			The inscription is the entirety of ‘Sonnet XXII: To Mr. Cyriack Skinner Upon His Blindness’:Cyriac, this three years' day these eyes, though clear, To outward view, of blemish or of spot, Bereft of light, their seeing have forgot; Nor to their idle orbs doth sight appear Of sun, or moon, or star, throughout the year, Or man, or woman. Yet I argue not Against Heav'n's hand or will, nor bate a jot Of heart or hope; but still bear up and steer Right onward. What supports me, dost thou ask? The conscience, Friend, t' have lost them overplied In liberty's defence, my noble task, Of which all Europe rings from side to side. This thought might lead me through the world's vain mask Content, though blind, had I no better guide.	20	£20	unmounted	Print	Portraits	Literary and Poetic						
6347		H. Toussaint	Market Hill	Etching	1879			I 216 x 154 mm				45	£45	mounted	Print	British Topography	Cambridgeshire						
6348		A. Brunet-Debaines	Corpus Christi	Etching	1879			I 208 x 152 mm				40	£40	mounted	Print	British Topography	Cambridgeshire						
6350		H.Toussaint	Emmanuel - Cambridge	Etching	1880			I 215 x 161 mm				40	£40	mounted	Print	 Cambridge	Emmanuel College Cambridge						
6351		A. Brunet-Debaines	Trinity, Main Court - Cambridge	Etching	c. 1880			I 187 x 132 mm				40	£40	mounted	Print	 Cambridge	Trinity College Cambridge						
6352		J. Pass	Shakespeare	Engraving	Engraved for the Encyclopaedia Londinensis. 1827. 			Pl 173 x 125 mm. S 275 x 220 mm			'Encyclopaedia Londinensis; or, Universal Dictionary of Arts, Sciences, and Literature, Comprehending, Under One General Alphabetical Arrangement, all the Words and Substance of Every Kind of Dictionary Extant in the English Language . In which the Improved Departments of the Mechanical Arts, the Liberal Sciences, the Higher Mathematics, and the Several Branches of Polite Literature, are Selected from the Acts, Memoirs, and Transactions, of the Most Eminent Literary Societies, in Europe, Asia, and America' was compiled by John Wilkes and issued in 24 volumes between about 1810 and 1829. The majority of the engravings were produced by J.Pass and J.Chapman.	24	£24	unmounted	Print	Portraits	Literary and Poetic						
6353		H. Toussaint	Queen’s - Cambridge	Etching	1880			I 196 x 155 mm				45	£45	mounted	Print	 Cambridge	Queens’ College Cambridge						
6354		J. Chapman	A. Pope 	Engraving	Engraved for the Encyclopaedia Londinensis March 1821. 			Pl 165 x 115 mm. 290 x 225 mm. 			'Encyclopaedia Londinensis; or, Universal Dictionary of Arts, Sciences, and Literature, Comprehending, Under One General Alphabetical Arrangement, all the Words and Substance of Every Kind of Dictionary Extant in the English Language . In which the Improved Departments of the Mechanical Arts, the Liberal Sciences, the Higher Mathematics, and the Several Branches of Polite Literature, are Selected from the Acts, Memoirs, and Transactions, of the Most Eminent Literary Societies, in Europe, Asia, and America' was compiled by John Wilkes and issued in 24 volumes between about 1810 and 1829. The majority of the engravings were produced by J.Pass and J.Chapman.	20	£20	unmounted	Print	Portraits	Literary and Poetic						
6355		J. Pass	Swift	Engraving	Engraved for the Encyclopaedia Londinensis March 1828. 			Pl 170 x 140 mm. S 280 x 218 mm. 			'Encyclopaedia Londinensis; or, Universal Dictionary of Arts, Sciences, and Literature, Comprehending, Under One General Alphabetical Arrangement, all the Words and Substance of Every Kind of Dictionary Extant in the English Language . In which the Improved Departments of the Mechanical Arts, the Liberal Sciences, the Higher Mathematics, and the Several Branches of Polite Literature, are Selected from the Acts, Memoirs, and Transactions, of the Most Eminent Literary Societies, in Europe, Asia, and America' was compiled by John Wilkes and issued in 24 volumes between about 1810 and 1829. The majority of the engravings were executed by J.Pass and J.Chapman.	20	£20	unmounted	Print	Portraits	Literary and Poetic						
6356		C. Warren after R. Corbould. 	Dryden’s Poems	Engraving	Printed for C. Cooke. Mar. 31, 1798			 S 130 x 85 mm				7	£7	unmounted	Print	Portraits	Literary and Poetic						
6357		Unknown	[The Cam in Cambridge]	Photograph	by Special Appointment Hills and Saunders. Photographers to Her Majesty Kings Parade, Cambridge and at Oxford, Eton, Harrow and London Circa 1870			I 364 x 266 mm				55	£55	unmounted	Print	British Topography	Cambridgeshire						
6361		Unknown	[Scene in Cambridge]	Photograph	by Special Appointment Hills and Saunders. Photographers to Her Majesty Kings Parade, Cambridge and at Oxford, Eton, Harrow and London Circa 1870			I 358 x 273 mm				50	£50	unmounted	Print	British Topography	Cambridgeshire						
6362		Unknown	[Clare College and Bridge]	Photograph	by Special Appointment Hills and Saunders. Photographers to Her Majesty Kings Parade, Cambridge and at Oxford, Eton, Harrow and London Circa 1870			I 358 x 273 mm				20	£20	unmounted	Print	 Cambridge	Clare College Cambridge						
6363		Unknown	[Scene in Cambridge]	Photograph	by Special Appointment Hills and Saunders. Photographers to Her Majesty Kings Parade, Cambridge and at Oxford, Eton, Harrow and London Circa 1870			I 358 x 273 mm				45	£45	unmounted	Print	British Topography	Cambridgeshire						
6364		Unknown	[The Cam]	Photograph	by Special Appointment Hills and Saunders. Photographers to Her Majesty Kings Parade, Cambridge and at Oxford, Eton, Harrow and London, c. 1870			I 358 x 273 mm				55	£55	unmounted	Print	British Topography	Cambridgeshire						
6365		unknown	The Observatory	Copper engraving	circa 1810			I 127 x 92 mm				15	£15	unmounted	Print	British Topography	Cambridgeshire						
6366		S. Sparrow	St John’s College	Copper engraving	circa 1840			I 430 x 275 mm				150	£150	unmounted	Print	 Cambridge	St. John’s College Cambridge	/					
6368		Unknown	Fitzwilliam Museum	Photograph	Circa 1888/89			I 271 x 194 mm				50	£50	unmounted	Print	British Topography	Cambridgeshire						
6369			James Thomson.	Copper engraving	ca. 1780							5	£5	unmounted	Print	Portraits	Literary and Poetic						
6370		George Vertue 	Mr Abraham Cowley	Copper engraving	From The Heads of Illustrious Personages of Great Britain, published 1747-1756. 			S 158 x 100 mm				5	£5	unmounted	Print	Portraits	Literary and Poetic						
6371		L. Tallis	Lord Byron	Steel engraving	ca. 1840			S 215 X 135 mm				20	£20	unmounted	Print	Portraits	Literary and Poetic						
6373		William Bond	Richard Wilson, Esq R.A Landscape Painter	Copper engraving	London Published Jan 20 1812 by Longman & Co. Paternoster Row J. Taylor High Holborn & W. Bond Newman St.			I 187 x 166 mm				25	£25	unmounted	Print	Portraits	Artists Portraits						
6374		Unknown	Wenceslaus Hollar Born at Prague 1607	Stipple	Watermark 1808			I 141 x 106 mm				35	£35	unmounted	Print	Portraits	Artists Portraits						
6375		T. Chambars	Sir Peter Paul Rubens	Copper engraving	Circa 1800			I 142 x 120 mm				10	£10	unmounted	Print	Portraits	Artists Portraits						
6376		J. Mollison	HogarthFrom the original Picture by Himself in the National Gallery	Copper engraving	London Published by Charles Knight & Co. Ludgate Street circa 1800			I 128 x 102 mm				10	£10	unmounted	Print	Portraits	Artists Portraits						
6377		Maclure, MacDonald & Co. Photograph by Elliot & Fry	John Ruskin M.A. LLD	Photolithograph	Circa 1840			I 220 x 157 mm				20	£20	unmounted	Print	Portraits	Artists Portraits						
6378		Riddle & Couchman Lith. from a Photograph by J.E. Bruton	William Morris Born 1834	Lithograph	Riddle & Couchman Lith. London Circa 1850			I 282 x 205 mm				10	£10	unmounted	Print	Portraits	Artists Portraits						
6379			John Ruskin	Wood Engraving	Supplement to the Graphic July 5 1879			I 329 x 252 mm				8	£8	unmounted	Print	Portraits	Artists Portraits						
6380		H. Robinson	Sir Walter Raleigh	Copper engraving	J & F Tallis, London & New York Circa 1800			I 151 x 101 mm				5	£5	unmounted	Print	Portraits	Naval						
6383		Bert Thomas	“Frankie”	Lithograph	Supplement to the World 			I 274 x 173 mm				20	£20	unmounted	Print	Portraits	Exploration, Military & Naval						
6384		Bert Thomas	Foch	Lithograph				I 270 x 171 mm				35	£35	unmounted	Print	Portraits	Exploration, Military & Naval						
6385		Bert Thomas 	Pershing	Lithograph				I 270 x 182 mm				30	£30	unmounted	Print	Portraits	Exploration, Military & Naval						
6386		Bert Thomas	“Arthur”	Lithograph				I 265 x 178 mm				20	£20	unmounted	Print	Portraits	Exploration, Military & Naval						
6387		Melle Formentin	Le Captaine Cook [Captain Cook]	Lithograph	Imp. Litho de Melle Formentin Rue St Andre des Arts no. 59 Circa 1850			I 171 x 162 mm				80	£80	unmounted	Print	Portraits	Naval						
6389		Tavernier	[Titian]	Copper engraving	circa 1790			I 179 x 150 mm				15	£15	unmounted	Print	Portraits	Artists Portraits						
6391		J.T Wedgwood	Josiah Wedgwoood Esq.r F.R.S. & F.S.A	Steel engraving	London Published June 18th 1841 by J Taylor Wedgwood 67 Connaught Terrace Edgware			I 124 x 106 mm				75	£75	mounted	Print	Portraits	Artists Portraits						
6393		Richard Evan	Lady Sale. As she appeared in the advanced guard of the British Army in the Late Disastrous Retreat from Cabul under heavy fire from the Chilzees During the passage of th Khoord Cabul Pass Jany. 9th 1842	Lithograph	Published by Blackwood & Page No.154 Strand			I 224 x 145 mm 			Florentia Wynch, Lady Sale (1790?-1853), Wife of Sir Robert Henry SaleSitter in 7 portraits 	60	£60	unmounted	Print	Portraits	Military and Naval						
6394		Robert Bryden	Alfred Tennyson Poet	Woodcut	London J.M. Dent & Co. Aldine House 29 & 30 Bedford Street 1899			I 453 x 305 mm	Men of Letters		O’D 18Alfred Tennyson, 1st Baron Tennyson (1809-1892), Poet Laureate. 	120.00	£120	framed	Print	Portraits	Literary and Poetic						
6396		Robert Bryden	Walt Whitman	Woodcut	London J.M. Dent & Co. Aldine House 29 & 30 Bedford Street 1899			I 453 x 305 mm	Men of Letters		Walt Whitman - (May 31 1819 – March 26 1892) was an American poet, essayist, journalist, and humanist. Proclaimed the "greatest of all American poets" by many foreign observers a mere four years after his death, he is viewed as the first urban poet.	130	£130	framed	Print	Portraits	Literary and Poetic						
6400			New Building of Christ Chruch College, Oxford	Woodcut	c. 1863			I 163 x 238 mm				45	£45	mounted	Print	Oxford	Christ Church College						
6407		Sandford’s Geology Establishment	[Oxford]	Lithograph	1871			142 x 198 mm			Scale 2 inches to a mile.With lithographs of Oxford Castle and Friar Bacon’s Study pasted into the corners	45	£45	mounted	Map	Oxford	Oxford Maps						
6413		Hellmuth Weissenborn	‘D’	Woodcut		c. 1950	1950	I: 28 x 28 mm			Hellmuth Weissenborn (1898 -1982) was born in Leipzig, Germany, his father was an art teacher. Weissenborn studied at the Academy for Graphic Art and Book Design, Leipzig from 1919 serving in WWI. In 1938 he emigrated to London as a freelance artist. He then went on to work as an illustrator for the Whittington Press and his first solo show was at Archer Gallery. In 1946 he and his wife took over the then defunct Acorn Press. He exhibited at the Victoria and Albert Museum, the London Group and at exhibitions in America and Australia.	25.00	£25	mounted	Print	Artists	Hellmuth Weissenborn						
6418		Hellmuth Weissenborn	‘Q’	Woodcut		c. 1950	1950	I: 28 x 28 mm			Hellmuth Weissenborn (1898 -1982) was born in Leipzig, Germany, his father was an art teacher. Weissenborn studied at the Academy for Graphic Art and Book Design, Leipzig from 1919 serving in WWI. In 1938 he emigrated to London as a freelance artist. He then went on to work as an illustrator for the Whittington Press and his first solo show was at Archer Gallery. In 1946 he and his wife took over the then defunct Acorn Press. He exhibited at the Victoria and Albert Museum, the London Group and at exhibitions in America and Australia.	25.00	£25	mounted	Print	Artists	Hellmuth Weissenborn						
6419		Hellmuth Weissenborn	‘U’	Woodcut		c. 1950	1950	I: 28 x 28 mm			Hellmuth Weissenborn (1898 -1982) was born in Leipzig, Germany, his father was an art teacher. Weissenborn studied at the Academy for Graphic Art and Book Design, Leipzig from 1919 serving in WWI. In 1938 he emigrated to London as a freelance artist. He then went on to work as an illustrator for the Whittington Press and his first solo show was at Archer Gallery. In 1946 he and his wife took over the then defunct Acorn Press. He exhibited at the Victoria and Albert Museum, the London Group and at exhibitions in America and Australia.	25.00	£25	mounted	Print	Artists	Hellmuth Weissenborn						
6420		Andô Hiroshige (1797-1858)	Saijo in Iyo Province	Nishiki-e woodblock	Publisher: Koshimuraya Heisuke. Date: 1855 [Hare 9]. First edition. 			Ôban tate-e [13 1/4 x 8 7/8 inches]	Rokujuyoshu meisho zue [Pictures of Famous Places in the Sixty Odd Provinces]. No. 57  of  69. 		Carver: Hori Soji.A flock of geese fly high above the rooftops of Saijo,  a bustling castle town founded in 1636 by Hitotsuyanagi Naomori. Situated in Iyo province, Shikoku, now known as Ehime prefecture, the area was dominated by fishermen and sailors who played an important role in defending Japan against pirates and Mongol invasions.In the background is Mount Ishizuchi, one of the seven sacred mountains of Japan. 	1550	£1,550	framed	Print	Japanese	Landscape and Famous Places						
6425		Blaeu, Johannes	Cantabrigiensis Comitatus; Cambridgeshire	Copper engraving with hand colouring				I: 415 x 520 mm				650.00	£650	framed	Map	English Counties	Cambridgeshire						
6427		Cary, John	South Wales	Copper engraved map with orginal outline colour	Lodond: Published as the Act directs September 1st, 1787 by J. Cary 			213 x 264 mm				65	£65	mounted	Map	Scotland, Ireland & Wales	Wales						
6428		Utagawa Kuniyasu (1794-1832)	Cherry Blossom in the Shin Yoshiwara Pleasure District at the Height of its Prosperity [Tôto Yoshiwara Zensei]  	Nishiki-e woodblock	Date [Western]: ca.1830. Date [Japanese]: ca. Tempô 1. Signature: Kuniyasu-ga. Publisher's Seal: Tsuru-ya Kiemon. Censor Seal: Kiwame ['approved']			Ôban tate-e triptych [Each sheet 15 x 10 inches]			Kuniyasu Utagawa was born in Edo and trained as a pupil of Toyokuni I. He is particularly known for his surimono and his bijin-ga.In Kuniyasu's vibrant print, the Shin Yoshiwara's most coveted courtesans, surrounded by admirers, are seen promenading along the famous Naka-no-chô ['Middle Street'] during the annual cherry-blossom festival held in the first week of the third month [roughly, the beginning of April]. At the centre of the composition, surrounded by a bamboo fence, is the quarter's famous cherry tree, depicted in numerous ukiyo-e works and replete with symbolism relating to the transient nature of a courtesan's life. Indeed, the association of the courtesan to the sakura or cherry blossom was such that inscribed on the Ômon ['great gateway'] of the quarter was the following line: "A Dream of Spring-tide when the streets are full of cherry blossom'. An allusion to a Chinese poem immortalizing a womanizing emperor, it recalled the hundreds of verses penned in Edo and Meiji periods comparing the Yoshiwara beauties to blossom: 'Cherries of the night which bloom luxuriantly," praises one, another dramatically describes the 'Dream of Spring, in a town inhabited by beautiful and voluptuous women to whom their lovers cleave as the commingling blossoms of the cherry bond together' [See De Becker, 1899, 1971: pp.19-20].	450	£450	mounted	Print	Japanese	Bijin-ga						
6430		Samuel Cousins after Jane Fortescue, Lady Coleridge	His Eminence Cardinal Newman.	 Mezzotint on india laid paper	London Published 2nd December 1880 By P & D Colnaghi & Co. 13 & 14 Pall Mall East.			I 335 x 257 mm, Pl. 475 x 378			State iv/vWhitman - S. Cousins 119, O’Donoghue 327/1 Printseller Association Index p 258This print is in excellent condition.Ex. Col.  Lady Coleridge and by descent to Lady NortonSothebys Chancers House, Devon Sale	475	£475	unmounted	Print	Portraits	Religious and Clerical						
6438	Hot Air Balloon	J. Jones 	Mr. Lunardi’s Second Grand Air Balloon, which ascended with himself from the Artillery Ground the 13th May, and with Mr. Biggin and Mrs. Sage from St. George’s Fields the 29th of June 1785 amidst the Acclamations of an infinite number of Spectators.	Aquatint	Published June 29th by E. Wyatt, next door to the Pantheon, Oxford Street, London.			I 440 x 315 mm, Pl 510 x 360			Unidentified collectors mark in lower left of plate.  Centrefold crease.  Otherwise an excellent example of this rare print.	1500	£1,500	framed	Print	General Interest	Hot Air Ballooning						
6439		Le Keux	Meadow Front of the Chaplains’ Buildings, at Christ Church.	Steel engraving	Maclmillan & Co Oxford & London, Nov 1st 1863			I 255 x 350 mm				80	£80	unmounted	Print	Oxford	Christ Church College						
6440		Kajita Hanko (1870 - 1917)	June. Eastern Common Kingfisher (Alcido ispida). Jap. Kawasemi. Iris (Iris laevigata). Jap. Hanashobu. 	Woodblock with embossing (gauffrage). Laid down. Some foxing.	Seal: Hanko. ca. 1905			13 x 9 1/2 inches. 	From a set of twelve calendar prints depicting seasonal birds and flowers.		Hanko Kajita belongs to the transitional generation of Meiji woodblock artists who earned their living principally by designing kuchi-e, frontispiece illustrations of popular novels published by newspapers. In the early 1900s,  Kajita established his own private school in Tokyo. He had enormous influence on the younger generation of artists and trained artists like Maeda Seison, Togyo Okumara and Kokei Kobayashi. Hanko Kajita died a premature death at the age of 41 from tuberculosis. 	100	£100	mounted	Print	Japanese	Kacho-e						
6441		A N Prentice	New City Building in St Aldate’s Street	Lithograph	1897			I 240 x 400 mm				60	£60	unmounted	Print	Oxford	General Views						
6442		Anthony Walker	Prior Park, the Seat of Ralph Allen Esq.	Copper engraving with hand colouring	Published 1750 by John Bowles			I 211 x 217, Pl 253 x 428 mm			Ford 386, iii/iiiThe railway that connected Allen’s quarry to his new mansion outside Bath “Drawn from Mr. Allen’s Road in the Year 1750.” An excellent impression in the first state of the first print of a railwayA third state coloured and trimmed past margins with later colour	120	£120	unmounted	Print	General Interest	Railway Prints						
6443		Robert Parkinson	Christ Church from the South-East	Lithograph	1959			I 305 x 430 mm				60	£60	unmounted	Print	Oxford	Christ Church College						
6445		Isaac Shaw	Opening of the Liverpool & Manchester Railway Sep.r 15.th 1830, with the Moorish Arch at Edge Hill	Engraving	Published 01/01/1831 Isaac Shaw			I 157 x 220, Pl 190 x 240 mm				300	£300	mounted	Print	General Interest	Railway Prints						
6447		Henry Pyall after Thomas Talbot Bury	 The Tunnel	Aquatint with hand colouring	Published 01/02/1833 by Ackermann & Co			I 202 x 249, Pl 249 x 308 mm			Second state, dated 1833. Plate one of Bury’s Coloured Views on the Liverpool and Manchester Railway, 2nd Edition, 1833 (Abbey Life 400)	200	£200	unmounted	Print	General Interest	Railway Prints						
6448		Henry Pyall after Thomas Talbot Bury	Entrance of the Railway at Edge-Hill, Liverpool	Aquatint with original hand colour	Published 01/02/1831 by R. Ackermann & Co.			I 201 x 248, Pl 247 x 306 mm			Only state of plate 2 of Bury’s Coloured Views on the Liverpool and Manchester Railway, 1st Edition, 1831. Unknown to Major Abbey, who only owned a second edition of the book, the completion of Edge Hill Station forced Ackermann to abandon plate 2 and get S.G.’Hughes to engrave a new plate	350	£350	unmounted	Print	General Interest	Railway Prints						
6449		Henry Pyall after Thomas Talbot Bury	Rainhill Bridge	Aquatint with original hand colour	Published 1833 by Ackermann & Co			I 209 x 251, Pl 252 x 257 mm			Second state, dated 1833. Plate eight of Bury’s Coloured Views on the Liverpool & Manchester Railway, 2nd Edition, 1833 (Abbey Life 400). Very slightly spotted.	270	£270	unmounted	Print	General Interest	Railway Prints						
6450		S.G. Hughes after Thomas Talbot Bury	Warehouses. & c. at the end of the Tunnel towards Wapping	Aquatint with original hand colour	Published 1833 by Ackermann & Co.			I 206 x 251, Pl 251 x 282 mm			Second state, dated 1833. Plate nine of Bury’s Coloured Views on the Liverpool & Manchester Railway, 2nd Edition, 1833 (Abbey Life 400).	280	£280	unmounted	Print	General Interest	Railway Prints						
6451		Alan Sorrell	Pembroke College, View from the North Quadrangle	Lithograph with hand colouring	1966			Image 330 x 430				40	£40	unmounted	Print	Oxford	Pembroke College						
6452		S.G. Hughes after Thomas Talbot Bury	Moorish Arch, looking from the Tunnel	Aquatint with hand colouring	Published 1832 by Ackerman & Co.			I 203 x 249,  Pl 249 x 284 mm			First state, dated 1832. Plate 10 of Bury’s Coloured Views on the Liverpool & Manchester Railway, 2nd Edition. The arch housed the stationary engines used to haul goods from the docks (Abbey Life 400) 	375	£375		Print	General Interest	Railway Prints	-					
6453		William Radcliffe	Entrance to the London & North Western Station	Engraving	1868			I 96 x 150, Pl > 135 x >180 mm	 The Land we Live in,			20	£20		Print	General Interest	Railway Prints						
6456		John Cooke Bourne	Entrance Portico - Euston Grove Station	Lithograph with tint-stone and excellent later hand colour.	Published 1839 by Ackermann & Co. and John Cooke Bourne.			I 230 x 397, Pl > 260 x 397 mm			Plate two of Bourne's Drawings of the London & Birmingham Railway, London, Bourne et al., 1839 (Abbey Life 401). A Short repaired tear the bottom almost reaches into image.	200	£200		Print	General Interest	Railway Prints	9					
6458		David Garland	Keble College Chapel	Lithograph				I 270 x 450 mm				45	£45	unmounted	Print	Oxford	Keble College						
6460		Kajita Hanko (1870 - 1917)	April. Eastern Chimney Swallow (Hirundo rustica). Jap. Tsubame. Wistaria (Wistaria chinensis). Jap. Fuji. 	Woodblock with embossing (gauffrage). Laid down. 	Seal: Hanko. ca. 1905			13 x 9 1/2 inches. 	From a set of twelve calendar prints depicting seasonal birds and flowers.		Hanko Kajita belongs to the transitional generation of Meiji woodblock artists who earned their living principally by designing kuchi-e, frontispiece illustrations of popular novels published by newspapers. In the early 1900s,  Kajita established his own private school in Tokyo. He had enormous influence on the younger generation of artists and trained artists like Maeda Seison, Togyo Okumara and Kokei Kobayashi. Hanko Kajita died a premature death at the age of 41 from tuberculosis. 	100	£100	framed	Print	Japanese	Kacho-e						
6480		Tavernier	Titian	Copper engraving				I 80 x 150 mm				15	£15	unmounted	Print	Portraits	Artists Portraits						
6481		Robert Marcuard	Francis Bartolozzi Esq.r	Stipple	Pub.d as the Act directs Jan.r 1. 1788 by Colnaghi & Co. No. 132 Pall Mall			I 242 x 203 mm				65	£65	unmounted	Print	Portraits	Artists Portraits						
6482			Magdalen Tower & Bridge	Photograph	circa 1865			I 184 x 110 mm				50	£50	framed	Print	Oxford	Magdalen College						
6484		John Cooke Bourne	Railway Bridge over the Regents Canal	Lithograph with tint-stone	Published Sept. 1838 by Ackerman & Co. and John Cooke Bourne			I 243 x 379, Pl > 270 x 279 mm			Plate seven of Bourne's Drawings of the London & Birmingham Railway, London, Bourne et al., 1839 (Abbey Life 401). This illustration depicts the way building supplies were brought in by the soon to be redundant canal. 	250	£250	unmounted	Print	General Interest	Railway Prints						
6486		David Loggan	Aula Novi Hospitii [New Inn Hall]	Copper engraving	1675				Oxonia Illustrata		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	145	£145	unmounted	Print	Oxford	St. Peter’s College						
6487		William Williams	Aula Novi Hospitii [New Inn Hall]	Copper engraving	1732-33				Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 		Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. 	60	£60	unmounted	Print	Oxford	St. Peter’s College						
6489		Newman & Co.	Malvern from the Link Railway Station	Engraving	Pub. by H. Cross Malvern			I 80 x 100 mm vignette, S 100 x 141 mm				20	£20	unmounted	Print	General Interest	Railway Prints						
6490		Unknown photographer	Wallaroo	Silver printed photograph				I 232 x 285 mm			An offical photograph of the engine No. 394 - Wallaroo made by Hudswell, Clarke & Co., Railway Foundary , Leeds.	50	£50	unmounted	Print	General Interest	Railway Prints						
6492		Jonathan Brett	Wren’s Apocalypse	Chromatech	2006			I 280 x 188 mm				80	£80	unmounted	Print	Contemporary Oxford Printmakers	Jonathan Brett						
6496		John Piper	View from the Upper Common Room, The Queens’s College	Lithograph with hand colouring	c.1980			I 299 x 481 mm	Oxford Almanack			40	£40	unmounted	Print	Oxford	All Souls College						
6497		David Gentleman	Wolfson College	Lithograph with hand colouring	1975			I 328 x 455 mm				45	£45	unmounted	Print	Oxford	Wolfson College						
6498		Micheal Oelman	The River Cherwell	Lithograph with hand colouring	1981			Image 326 x 456 mm				40	£40	unmounted	Print	Oxford	General Views						
6499		Peter Brook	Wytham	Lithograph with hand colouring	1974			I 300 x 456 mm				40	£40	unmounted	Print	British Topography	Oxfordshire						
6507		Charles Knight	The Radcliffe Camera from All Souls	Lithograph	1949			I 444 x 306 mm				30	£30	unmounted	Print	Oxford	Radcliffe Camera						
6508		William Williams	Collegium Wadhamense [Wadham College- Quad View]	Copper engraving	1733			I 400 x 525 mm	Oxonia Depicta sive Collegiorum et Aularum in Ipclyta Academia Oxoniensi Ichnographica & Scenographica. Delineatio LXV Tabulis Encis eypressa A Guilielmo Williams Cui accedit Uniuscujusque Collegij Aulaeque Notitia. Oxford 1732-33		Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. 	150	£150	mounted	Print	Oxford	Wadham College						
6509		Peter Greenham	Oxford From the South East	Lithograph	c1960			I 470 x 305 mm				40	£40	unmounted	Print	Oxford	General Views						
6512		after J.M.W Turner	Christ Church, south west part of the college, about 1794	Lithograph	circa 1800			I 278 x 210 mm				15	£15	unmounted	Print	Oxford	Christ Church College						
6514		W & A.K Johnston	Australia	Steel engraving	circa 1875			I 426 x 350 mm				40	£40	unmounted	Map	Australasia & Pacific							
6515		Bartholomew,  John	Australia	Lithograph	1880			I. 413 x 307 mm				40	£40	unmounted	Map	Australasia & Pacific							
6517			Australia	Lithograph	1880			I. 287 x 234 mm				20	£20	unmounted	Map	Australasia & Pacific							
6519		D.J. Faber	Dorothea Wadham	Mezzotint				I 220 x 196 mm				30	£30	unmounted	Print	Oxford	Wadham College						
6520		D.J. Faber	Nicolaus Wadham Armiger	Mezzotint				I 220 x 196 mm				30	£30	unmounted	Print	Oxford	Wadham College						
6522		John Edwards	Merton College from Christ Church Meadow	Etching	c1950			I 530 x 155 mm				40	£40	unmounted	Print	Oxford	Merton College						
6523			[Viking Boat]	Wood Engraving	Circa 			I 98 x 52 mm				25	£25	mounted	Print	General Interest	Maritime						
6525		Leonard Squirrell	Wolvercote Paper Mill	Lithograph	c1940			I 464 x 303 mm				25	£25	unmounted	Print	Oxford	General Views						
6526		Unknown	College De L’Universite, A Oxfort	Copper engraving	c1840 A Paris Chex Basset. Rue St Jaeques			I 410 x 253 mm				50	£50	unmounted	Print	Oxford	High Street Views						
6528		David Gentleman	The University Press	Lithograph	1978			I 450 x 330 mm				50	£50	unmounted	Print	Oxford	Clarendon Press						
6530		Schwabe	Warwick Square, London, EC 4 August 1942, with Amen House in the middle distance	Lithograph	1942			I 408 x 321 mm				30	£30	unmounted	Print	Oxford	General Views						
6531		William Nicholson	Golf (October)	Lithograph	Popular edition 1897 (post-dated 1898) William Heinemann			Image 196 x 198 mm	Almanac of Twelve Sports			135	£135	mounted	Print	Artists	William Nicholson						
6532			Wadham College	Aquatint				I: 77 x 107 mm				35.00	£35	mounted	Print	Oxford	Wadham College						
6545		Kajita Hanko (1870 - 1917)	November. Goshawk (Accipiter palumbarius). Jap. Taka. Oak (Quercus grandulifera). Jap. Nara.	Woodblock with embossing (gauffrage). Laid down. 	Seal: Hanko. ca. 1905			13 x 9 1/2 inches. 	From a set of twelve calendar prints depicting seasonal birds and flowers.		Hanko Kajita belongs to the transitional generation of Meiji woodblock artists who earned their living principally by designing kuchi-e, frontispiece illustrations of popular novels published by newspapers. In the early 1900s,  Kajita established his own private school in Tokyo. He had enormous influence on the younger generation of artists and trained artists like Maeda Seison, Togyo Okumara and Kokei Kobayashi. Hanko Kajita died a premature death at the age of 41 from tuberculosis. 	100	£100	mounted	Print	Japanese	Kacho-e						
6546		Moule, Thomas	Northumberland	Steel engraved map	c. 1840			257 x 184 mm				40	£40	unmounted	Map	English Counties	Northumberland						
6547		Moule, Thomas	Wiltshire	Steel engraved map 	circa 1845			I 265 x 202 mm				50	£50	unmounted	Map	English Counties	Wiltshire						
6549		Kajita Hanko (1870 - 1917)	August. Little Egret (Ardea garzetta). Jap. Shirasagi. Reed (Phragmites communis). Jap. Yoshi. 	Woodblock with embossing (gauffrage). Laid down. 	Seal: Hanko. ca. 1905			13 x 9 1/2 inches. 	From a set of twelve calendar prints depicting seasonal birds and flowers.		Hanko Kajita belongs to the transitional generation of Meiji woodblock artists who earned their living principally by designing kuchi-e, frontispiece illustrations of popular novels published by newspapers. In the early 1900s,  Kajita established his own private school in Tokyo. He had enormous influence on the younger generation of artists and trained artists like Maeda Seison, Togyo Okumara and Kokei Kobayashi. Hanko Kajita died a premature death at the age of 41 from tuberculosis. 	145	£145	mounted	Print	Japanese	Kacho-e						
6551		Kajita Hanko (1870 - 1917)	June. Eastern Common Kingfisher (Alcido ispida).Iris (Iris laevigata). Jap. Hanashobu.	Woodblock with embossing (gauffrage). Laid down. 	Seal: Hanko. ca. 1905			13 x 9 1/2 inches. 	From a set of twelve calendar prints depicting seasonal birds and flowers.		Hanko Kajita belongs to the transitional generation of Meiji woodblock artists who earned their living principally by designing kuchi-e, frontispiece illustrations of popular novels published by newspapers. In the early 1900s,  Kajita established his own private school in Tokyo. He had enormous influence on the younger generation of artists and trained artists like Maeda Seison, Togyo Okumara and Kokei Kobayashi. Hanko Kajita died a premature death at the age of 41 from tuberculosis. 	135	£135	framed	Print	Japanese	Kacho-e						
6552		Kajita Hanko (1870 - 1917)	April. Eastern Chimney Sparrow (Hirundo rustica). Jap. Tsubame. Wistaria (Wistaria Chinensis). Jap. Fuji. 	Woodblock with embossing (gauffrage). Laid down. 	Seal: Hanko. ca. 1905			13 x 9 1/2 inches. 	From a set of twelve calendar prints depicting seasonal birds and flowers.		Hanko Kajita belongs to the transitional generation of Meiji woodblock artists who earned their living principally by designing kuchi-e, frontispiece illustrations of popular novels published by newspapers. In the early 1900s,  Kajita established his own private school in Tokyo. He had enormous influence on the younger generation of artists and trained artists like Maeda Seison, Togyo Okumara and Kokei Kobayashi. Hanko Kajita died a premature death at the age of 41 from tuberculosis. 	110.00	£110	framed	Print	Japanese	Kacho-e						
6554		John Cooke Bourne	Coln Viaduct near Watford Sep.t 1837	Lithograph with tint-stone	Published Dec.1839 Ackermann & Co. and John Bourne			I 229 x 350, Pl > 256 x 350 mm			Plate 13 of Bourne’s Drawings of the London & Birmingham Railway, London, Bourne et al., 1839 (Abbey Life 401).	250	£250	mounted	Print	General Interest	Railway Prints						
6558		Unknown	Mr Charles Kean as HamletHam. “Tis now the very witching time of night”                                          Act 3 Scene 2	Copper engraving with hand colouring	Circa 			I 224 x 151 mm				30	£30	mounted	Print	General Interest	Theatre						
6560		C.S	Albert Chevalier	Lithograph	Circa 1895			I 204 x 173 mm				45	£45	mounted	Print	General Interest	Theatre						
6561			Ellen Tree	Lithograph	Circa 1840			I 190 x 155 mm				65	£65	mounted	Print	General Interest	Theatre						
6562		Allan Stewart	“Sherlock Holmes,” at the Lyceum Theatre: Scene from Act IV - the Capture of MoriartyJohn Forman (Mr Sydney Herbert) Professor Moriarty (Mr. W.L. Abingdon) Sherlock Holmes (Mr William Gillette)	Aquatint	Circa 1880			I 314 x 231 mm				55	£55	mounted	Print	General Interest	Theatre						
6563		“Nibs”	“His Majesty’s” (Sir Herbert Beerbohm Tree)	Lithograph	Circa 1890			I 330 x 201 mm				55	£55	mounted	Print	General Interest	Theatre						
6565		John Cooke Bourne	Woolverton Viaduct, August 1837	Lithograph with tint stone	Published 1839 Ackerman & Co. and John Cooke Bourne			I 223 x 382, Pl > 259 x 382 mm			Plate 24 of Bourne’s Drawings of the London & Birmingham Railway, London, Bourne et al., 1839 (Abbey Life 401). This print illustrates the construction nearing completion after the spontaneous combustion had burnt out.	230	£230	unmounted	Print	General Interest	Railway Prints						
6566			Bridge in the Blisworth Embankment	Engraving	168			I 97 x 145, Pl. >134 x 180 mm			A half plate from The Land we Live in, 1868. With a passenger train crossing.	35	£35	unmounted	Print	General Interest	Railway Prints						
6567		Frederic Regamey	Melle Sarah Bernhardt (Zaire)	Lithograph	Imp. Lemercier & Cie. Paris  Circa 1860			I 295 x 195 mm				160	£160	mounted	Print	General Interest	Theatre						
6568		John Cooke Bourne	Railway Bridge, Rugby	Lithograph with tint stone and excellent later colour	Published 1839 Ackerman & Co. and John Cooke Bourne			I 180 x 275, Pl 180 x 275 mm			Plate 33 of Bourne’s Drawings of the London & Birmingham Railway, London, Bourne et al., 1839 (Abbey Life 401). 	180	£180	unmounted	Print	General Interest	Railway Prints						
6569		Daniel Wilson after Newton Smith Limbird Fielding	Sherbourne Viaduct near Coventry	Engraving	1868			I 95 x 147, Pl > 132 x > 182 mm			A half plate from The Land we Live in, 1868. Slightly spotted.	15	£15	unmounted	Print	General Interest	Railway Prints						
6570		William Radcliffe (I) after Thomas Creswick R.A.	Coventry	Engraving	1868			Vignette I 120 x 103, Pl > 144 x > 181 mm			A half plate from The Land we Live in, 1868.	20	£20	unmounted	Print	General Interest	Railway Prints						
6571		William Radcliffe (I) after I. Wrightson	Harrow on the Hill	Engraving				I 95 x 147, Pl > 142 x > 179 mm			A half plate from The Land we Live in, 1868.	25	£25	unmounted	Print	General Interest	Railway Prints	 					
6572		William Radcliffe (I) after Thomas Creswick R.A.	Leighton Buzzard	Engraving				Vignette I 90 x 129, Pl > 136 x > 182 mm			A half plate from The Land we Live in, 1868. Slightly spotted.	15	£15		Print	General Interest	Railway Prints						
6574			Mrs Langtrey	Lithograph	London Virtue & Co. circa 1890			I 235 x 182 mm				85	£85	mounted	Print	General Interest	Theatre						
6575		Meuret	Miss Sydney Theatre Royal Covent Garden	Lithograph	Pub.d by Colnaghi Jan. 1 1833			I 352 x 264 mm				85	£85	mounted	Print	General Interest	Theatre	 					
6576		P. Roberts	Mr Sloman, as Jenny and Mr Beverley, as Jerry	Etching with hand colouring	Circa 1860			I 212 x 162 mm				85	£85	mounted	Print	General Interest	Theatre						
6577		B. Howlett	The Kings Theatre, HaymarketThis Theatre destroyed by Fire 17th June 1789, rebuilt by Michael Novosielski Esq.r in 1790-1 Was opened by the Drury Lane Company while their Theatre was rebuilding in March the same year. The present Elevation after a design by John Nash Esq.r was completed in 1819	Copper engraving with hand colouring	London Published 27th September 1820 by Robert Wilkinson No. 125 Fenchurch Street 			I 262 x 191 mm				65	£65	mounted	Print	General Interest	Theatre						
6578		J. Stow	The Proscenium of the English Opera House int he Strand (Late Lyceum) as it appeared on the Evening of the 21st March 1817 with Walker’s Exhibition of the Eidouranian Front Boxes and Gallery	Copper engraving with hand colouring	London Published 11 October 1817 by Robert Wilkinson 125 Fenchurch Street			I 275 x 165 mm				75	£75	mounted	Print	General Interest	Theatre						
6579		H. Cook	Interior of the Olympic Theatre near Drury LaneExterior of the above Theatre	Copper engraving with hand colouring	London Published 11th Oct 1816 by Robert Wilkinson 125 Fenchurch Street			I 280 x 216 mm				65	£65	mounted	Print	General Interest	Theatre						
6580		Robt. Wilkinson 	The Bear Garden	Copper engraving	London Published Oct.r 11th 1810 by Robt. Wilkinson No. 58 Cornhill			I 134 x 189 mm				55	£55	mounted	Print	General Interest	Theatre						
6581		Mr	Mr Warde in the Character of the Prince of Wales. Henry IV Act 3rd Scene 2nd 	Lithograph with hand colouring	Circa 1860			I 310 x 257 mm				60	£60	mounted	Print	General Interest	Theatre						
6583		John Cooke Bourne	Bridge over The Uxbridge Road	Lithograph with tint-stone				I 275 x 403, 302 x 409 mm sheet			Plate five of Bourne’s The History and Description of the Great Western Railway, London, Bourne & D. Bogue, 1846 (Abbey Life 399)A complex structure, near Hanwell.	190	£190	unmounted	Print	General Interest	Railway Prints						
6585		John Cooke Bourne	Basildon Bridge, over the Thames	Lithograph with tint-stone and later hand colour				I 274 x 403, 303 x 519 mm printed			Plate 11 of Bourne’s The History and Description of the Great Western Railway, London, Bourne & D. Bogue, 1846 (Abbey Life 399). Ex Col: Christopher Aspin.	110	£110	unmounted	Print	General Interest	Railway Prints						
6593		Paul Haase	[Horse]	Lithograph	1907			I 156 x 144 mm				45	£45	mounted	Print	General Interest	Animals						
6599		Engaved by J. Chapman	Edward III	Colour Stipple	Published as the act directs Feb. 12th 1803	1803	1803	80 x 134 mm				6	£6	unmounted	Print	Portraits	British Royalty						
6600			Bijin in Garden 	Hand-tinted postcard [e-hagaki]	Early 1900s			140 x 95 mm				10.00	£10	mounted	Print	Japanese	Bijin-ga						
6603		Engaved by J. Chapman	William III	Colour Stipple	Published as the act directs June 11 1804 by J. Wilkes	1803	1803	80 x 134 mm				8	£8	unmounted	Print	Portraits	British Royalty						
6608		Charles Turner after R. R. Reinagle	Francis Noel Clarke Mundy Esqr. and His Grandson William Mundy of Markeaton 	Mezzotint				P: 405 x 430 mm			The manuscript of Mundy’s most lauded poetical series, ‘The Fall of Needwood Forest’ (1786-1808) is prominently positioned in the foreground. Needwood Forest was one of the largest and ancient woodblands in the South of England. The enclosure Act of 1803 allowed for its widely criticised disafforestation, which took until 1811 to complete. Mundy’s first poem on the subject was written before the Act and the second during the process of enclosure.	90	£90	mounted	Print	Portraits	Literary and Poetic						
6609		B. W. Crombie	The Author of Waverley	Lithograph	London: 1831			P: 335 x 260 mm				10	£10	mounted	Print	Portraits	Literary and Poetic						
6610		T. Cook	Sr. Thomas More	Copper engraving	ca. 1776			P: 210 x 160 mm						unmounted	Print	Portraits	Literary and Poetic						
6611		T. Cook	George Buchanan	Copper engraving	Published by G. Kearsly, No. 46, Fleet Street, Dec. 1776. 			P. 205 x 160 mm				15	£15	unmounted	Print	Portraits	Literary and Poetic						
6612		T. Cook	Nicholas Boileau Despreaux	Copper engraving	Published by G. Kearsly, No. 46, Fleet Street, July 1st 1775. 			P. 205 x 160 mm			French poet, critic and academician 	15	£15	unmounted	Print	Portraits	Literary and Poetic						
6613		T. Cook	F. Delamothe	Copper engraving	Published by G. Kearsly, No. 46, Fleet Street.			P. 205 x 160 mm				15	£15	unmounted	Print	Portraits	Literary and Poetic						
6615		Engraved by J. Chapman	Richard II	Stipple 	Published as the act directs April 1 1799	1799	1799	I. 144 x 95 mm				22	£22	unmounted	Print	Portraits	British Royalty						
6616		Engraved by J. Chapman	Edward V	Stipple 	Published as the act directs July 1 1799	1799	1799	I. 143 x 95 mm				15	£15	unmounted	Print	Portraits	British Royalty						
6617		Engraved by J. Chapman	James II	Stipple 	Published as the act directs Feb 1 1800	1800	1800	I. 143 x 93 mm				22	£22	unmounted	Print	Portraits	British Royalty						
6618		Engraved by J. Chapman	Henry V	Stipple 	Published as the act directs Aug 1 1795	1795	1795	I. 132 x 83 mm				20	£20	unmounted	Print	Portraits	British Royalty						
6619		Engraved by J. Chapman	Queen Mary	Stipple 	Published as the act directs Feb 1 1800	1800	1800	I. 142 x 93 mm				12	£12	unmounted	Print	Portraits	British Royalty						
6620		Engraved by J. Chapman	Queen Caroline	Stipple 	Published as the act directs March 1 1800	1800	1800	I. 140 x 93 mm				12	£12	unmounted	Print	Portraits	British Royalty						
6621		Engraved by J. Chapman	William Rufus	Stipple 	Published as the act directs May 1 1798	1799	1799	I. 143 x 92 mm				28	£28	unmounted	Print	Portraits	British Royalty						
6623		Engraved by J. Chapman	Henry III	Stipple 	Published as the act directs Jan 19 1799	1799	1799	I. 143 x 92 mm				22	£22	unmounted	Print	Portraits	British Royalty						
6624		Engraved by J. Chapman	Henry IV	Stipple 	Published as the act directs May 1 1799	1799	1799	I. 143 x 92 mm				22	£22	unmounted	Print	Portraits	British Royalty						
6625		Engraved by J. Chapman	Henry IV	Stipple 	Published as the act directs May 1 1799	1799	1799	I. 143 x 92 mm				22	£22	unmounted	Print	Portraits	British Royalty						
6626		Engraved by J. Chapman	George II	Stipple 	Published as the act directs April 2 1798	1798	1798	I. 143 x 92 mm				32	£32	unmounted	Print	Portraits	British Royalty						
6627		Engraved by J. Chapman	George II	Stipple 	Published as the act directs Oct 1 1799	1798	1798	I. 143 x 92 mm				15	£15	unmounted	Print	Portraits	British Royalty						
6628		Engraved by G. Vertue	King Stephen	Engraving				I. 182 x 280 mm				15	£15	unmounted	Print	Portraits	British Royalty						
6629		J. Chapman	King Stephen	Engraving	Published as the acts directs 1798	1798	1798	I. 146 x 94 mm				25	£25	mounted	Print	Portraits	British Royalty						
6630		Bowen, Emmanuelle	Shropshire Divided into its Hundreds containing the Burough & Market Towns, Rivers, Roads, Distances & c.	Copper engraving	Engraved for the General Magazine of Arts & Sciences for W Owen & Temple Bar 1760			I 184 x 165 mm 						mounted	Map	English Counties	Shropshire						
6631		P. Vanderbanck after E. Lullerell	King Stephen	Engraving				I. 281 x 192 mm				12	£12	unmounted	Print	Portraits	British Royalty						
6632		R. Houston	Edward VI. Anglie, Francice et Hiberniae, Rex & C.	Mezzotint	Painted for H. Parker & C. Bakewell, in Cornhill London	Circ 18th C.	18	I. 230 x 194 mm				20	£20	unmounted	Print	Portraits	British Royalty						
6636		John Sury after John Syer	Bath from Beechen Cliff	Engraving	Published by W. Everitt, Bath c 1850			I 103 x 147, Pl > 118 x 168 mm			Ford, 160 a 2nd State with the new spire of St. Swithen’s ChurchA plate in Everitt’s Views of Bath and its Vicinity, Bath, 3rd edition, 1850. Ex Col Christopher Aspin. Slightly time stained.	45	£45	unmounted	Print	General Interest	Railway Prints						
6637		James Holloway	Green Park Buildings, & c. Bath	Engraving	Published by J. Holloway ca. 1845			I 82 x 151 mm, Pl >111 x 176 mm			Ford 597a 2nd state with a new addressA plate in Holloway’s Bath and its Vicinity Illustrated, Bath, Holloway ca. 1845. Ex Col: Christopher Aspin.	45	£45	unmounted	Print	General Interest	Railway Prints						
6639		(James Holloway)	The Skew Bridge, G.t Western Railway Station, Bath.	Engraving with modern hand colour	Published by J. Holloway ca. 1845			I 68 x 138 mm, Pl > 99 x 182 mm			Ford 859. There are two states with different addresses. This is probably the second, which appears in Holloway’s Bath and Its Vicinity Illustrated, Bath, Holloway, ca. 1845. Artists name and address erased from plate. Ex Col: Christopher Aspin.	45	£45	unmounted	Print	General Interest	Railway Prints						
6640		Leopold Lowenstram	The Great Western Hotel Paddington.	Woodcut (stereo-block?)				Rect. I 194 x 135, Pl 207 x 135 mm			Plate 41 of Cassell’s Old and New London, 1873 or later. From the corner of Praed Street.	15	£15		Print	General Interest	Railway Prints						
6641			Penkridge	Engraving				Vignette I 62 x 105, Pl > 138 x > 179 mm			A half plate from The Land we Live in, 1868.	20	£20	unmounted	Print	General Interest	Railway Prints						
6642		William Radcliffe (I) after David Cox	The Aston Viaduct	Engraving				I 98 x 150, Pl > 139 x > 185 mm			A half plate from The Land we Live in, 1868.	15	£15	unmounted	Print	General Interest	Railway Prints						
6643		William Radcliffe (I) after David Cox	The Aston Hall	Engraving				I 100 x 155, Pl > 137 x > 185 mm			A half plate from The Land we Live in, 1868. The engine passing through the park of one of the Midland’s finest houses; ironically, the former home of James Watt the son of the inventor of the Improved Newcomen Fire [steam] engine.	20	£20	unmounted	Print	General Interest	Railway Prints						
6646		Engraved by E. Harding 	David II Rex Scotorum MCCCXXX	Stipple	Pub 9th Nov 1797 by I. Herbert	1797	1797	I. 138 x 106 mm				15	£15	unmounted	Print	Portraits	British Royalty						
6647			Stafford	Engraving				Vignette I 75 x 107, Pl > 138 x > 177			A half plate from The Land we Live in, 1868. Slightly spotted.	15	£15	unmounted	Print	General Interest	Railway Prints						
6648		Edward Duncan	View of the London and Croydon Railway. / From the deep cutting made through the hill at New Cross looking towards Greenwich Railway.	Lithograph with good early 20th century colour as usual	Published 1/6/1838 by Day & Haghe			I 280 x 489, B 280 x 489, Pl >315 x > 489 mm			During the 1840’s this was partly atmospheric line. In the middle distance is the London and Greenwich, London’s first. It is said that in the 1920s, Walter Spencer acquired a large stock of this print and had them coloured by the late Ms. Grey.	600	£600	mounted	Print	General Interest	Railway Prints						
6649		Edward Duncan	View of the London and Croydon Railway. / From the deep cutting made through the hill at New Cross looking towards Greenwich Railway.	Lithograph with good early 20th century colour as usual	Published 1/6/1838 by Day & Haghe			I 280 x 489, B 280 x 489, Pl >315 x > 489 mm			During the 1840’s this was partly atmospheric line. In the middle distance is the London and Greenwich, London’s first. It is said that in the 1920s, Walter Spencer acquired a large stock of this print and had them coloured by the late Ms. Grey.Another impression, uncoloured, from the Christopher Aspin Collection. Uncoloured copies are exceedingly uncommon.	400	£400	mounted	Print	General Interest	Railway Prints						
6651		B. Holl after G. Vertue	Queen Mary	Engraving	London George Virtue	Circ 19 th C.	19	I. 107 x 89 mm				10	£10	unmounted	Print	Portraits	British Royalty						
6652		Thomas Picken after Robert Kent Thomas	Conway Suspension Bridge	Lithograph with tint-stone				I 186 x 278, Sheet 284 x 380 mm			Although mainly of Telford’s Suspension Bridge of 1826, it shows the Tubular Railway Bridge with a train leaving.	50	£50		Print	General Interest	Railway Prints						
6653		Day & Son	Britannia Tubular Bridge - General View	Lithograph	Published 1/8/1849 for E. Clark			I 299 x 640, Pl 329 x 640 mm			Plate six of Clark (Edwin) The Britannia and Conway Tubular Bridge, London, J. Wheale for the author, 1850.	125	£125	mounted	Print	General Interest	Railway Prints						
6654		Day & Son	Britannia Bridge, Anglesey Entrance	Lithograph	Published 1/8/1849 by J. Wheale			I 318 x 506, Pl 338 x 506 printed			Plate seven of Clark’s (Edwin) The Britannia and Conway Tubular Bridge, London, J. Wheale for the author, 1850.	100	£100	mounted	Print	General Interest	Railway Prints						
6655		Evans & Gresty	Water Tower & Museum, City Walls Chester	Engraving	Published about 1850 by Evans & Gresty			vignette I 79 x 100, Pl > 95 x > 128 mm			A passenger train emerging from a newly made gap in the Roman Walls with the River Dee in the distance. Jointly used with the Chester & Holyhead Railway, which opened later.	25	£25		Print	General Interest	Railway Prints						
6656			The Viaduct, Shrewsbury & Chester Railway	Engraving	Newman & Co. ca. 1850			I 163 x 100, PL > 102 x 113 mm			Henry Robinson’s elegant viaduct of 1846-8 over the Dee in The Vale of Llangollen.	25	£25	unmounted	Print	General Interest	Railway Prints						
6657			Iron Bridge over the Wye on N.A. & H. Railway	Engraving	Newman & Co. c. 1855			I 70 x 96, Pl > 103 x > 118 mm			Hereford Cathedral in the distance.	30	£30	unmounted	Print	General Interest	Railway Prints						
6658			The Tees Viaduct, Barnard Castle	Engraving	Published 31/10/1872 by Rock & Co, (no. 6421)			Vignett I 63 x 93, Pl >185 x 110 mm				20	£20	unmounted	Print	General Interest	Railway Prints						
6661		Maclure, Macdonald & Macgregor after H.J. Cooke	Crumlin Viaduct on the Taff Vale extension...	Lithograph with two tint stones	Published by J. W. Wilson & H.S. Maynard c. 1862			I 307 x 585, 418 x 585 mm printed			“Second impression.” The splendid and unique 550 yard iron viaduct of 1853-7, that seems to leap over the Taff. Could this have been the inspiration for Lewis Carroll’s train, that leapt ditches, in Alice Through the Looking Glass? After all Alice Liddell, the “heroine” and to whom the tale was originally told, was the niece of Charles Liddell, the consultant engineer to the railway. The viaduct was demolished in 1965. A train on the Taff Vale Railway in the foreground. Ex. Col: Christopher Aspin. Repaired tear in the bottom right hand corner.	550	£550	unmounted	Print	General Interest	Railway Prints						
6662		Arthur Ashley after J. F. Burrell	Railway Station, Peterborough	Engraving with later hand colour	Published by H. G. Collings ca. 1849-50 for the British Gazetter.			Vignette I 120 x 200, Pl > 164 x 244 mm			Slightly time stained.	25	£25		Print	General Interest	Railway Prints						
6663		Thomas Abiel Prior after William Harvey & John Jackson	 Newcastle from the South East	Engraving				I 138 x 196, Pl > 182 x 178 mm			The High Level Bridge. John Jackson (1801-1848), a Northumbrian journalist and painter, was presumably the source of the general view, not that of the bridge. A plate from The Land we Live in, 1868.	20	£20	unmounted	Print	General Interest	Railway Prints						
6664		Engraved by J. Chapman	Henry III	Stipple 	Published as the act directs Aug 1 1795	1795	1795	I. 140 x 95 mm				6	£6	unmounted	Print	Portraits	British Royalty						
6665		Day & Sons	Cast Iron Girder Bridge Intended from Crossing the River near Wisbech	Lithograph	Published 1/8/1849 by J. Wheale			I 290 x 497, 334 x 497 printed			Plate 44 of Clark (Edwin): The Britannia and Conway Tubular Bridge, London, J. Wheale for the author, 1850. An open iron bridge smaller that the tubular bridges but just as rigid.	120	£120		Print	General Interest	Railway Prints						
6666			Plan of Additional Lands to be Taken at Inverness, Culloden & Petty, on the Inverness & Aberdeen Junction Railway. 		J. Mitchell & Co. Engineers, 1866			550 x 755 mm overall.			Three lithographic plans on two sheets, extra title, lithographed paper wrappers, with title, quarter cloth.Slight deviations at Petty and near Culloden Station and slightly more at Inverness where the line connects with the Ross-Shire Railway.	100	£100		Map	Scotland, Ireland & Wales							
6667		Engraved by J. Chapman	Henry VII	Stipple 	Published as the act directs Aug 1 1795	1795	1795	I. 140 x 95 mm				6	£6	unmounted	Print	Portraits	British Royalty						
6668		Henry Griffiths after William Henry Bartlett	Columbia Bridge (on the Susquehanna)	Engraving	Published by H.J. Meyer, New York			I 101 x 153, Pl 137 x 185 mm			The train on the bridge is no longer visible, only its steam.	25	£25		Print	General Interest	Railway Prints						
6669		C. Grignion after S. Wade	Richard II	Engraving	Engraved for Mortimer’s History of England			I. 232 x 142 mm				12	£12	unmounted	Print	Portraits	British Royalty						
6670		Henry Griffiths after William Henry Bartlett	Columbia Bridge (on the Susquehanna)	Engraving	Published 1839 by George Virtue			I 123 x 190, Pl > 222 x > 285 mm			Plate 41 in Willis (N. P.): - American Scenery 1840: from a “Subscriber’s Copy” in parts. Spotted in margins.	25	£25		Print	General Interest	Railway Prints						
6671		 after William Henry Bartlett	Viaduct der Baltimore & Washington Eisenbahn	Engraving	Published 1839 by George Virtue			I 122 x 182, Pl > 223 x 285 mm			A plate from the German edition of Willis’s: American Scenery. With a goods train on the viaduct.	15	£15		Print	General Interest	Railway Prints						
6672		after William Henry Bartlett	Cascade Bridge, Erie Railroad	Engraving	Published by Kunstanstalt of the Biblisches_Institut at Hildeburghausen			I 106 x 156, Pl 148 x 203 mm			A plate from Willis’s America in Bildern, 1848.	15	£15	unmounted	Print	General Interest	Railway Prints						
6673		Drawn by F. Harding		Engraving	Pub. Feb 7 1792 by F. Harding Fleet St.	1792	1792	I. 123 x 101 mm				10	£10	unmounted	Print	Portraits	British Royalty						
6674		After William Henry Bartlett	Northumberland am Susquehanna(Verein Staten v. Nodamerica)	Engraving	Published by the Kunstanstalt of the Biblisches-Institut at Hildeburghausen			I 108 x 164, Pl 125 x 184			A plate from N.P. Willis’s America in Bildern, 1848.	15	£15	unmounted	Print	General Interest	Railway Prints						
6676		Varrall after Ludvig Rohbock	Pozsony Pressburg	Engraving	Published ca. 1855			I 111 x 171 mm, B 128 x 188 mm, PL > 157 x 241 mm			The Line from Pest to Poszony opened in 1850 meeting the Kaiser Ferdinands Nordbahn just over the boarder to reach Vienna. With a passenger train from Buda on the viaduct. The line, part of the original Orient Express, reached Bratislava at the end of 1850 on its way to meet Kaiser Ferdinands Nordbahn that connected it to Vienna. Slightly time stained.	40	£40		Print	General Interest	Railway Prints						
6677		Johan Baptiste Isenring after Johan Baptiste Isenring	Schwiezerische-Nordostbahn Die Eisenbahnbruke uber die Limat mit Ansicht von Zurich	Aquatint with original hand colour	Published ca. 1855			I 343 x 497, Pl 448 x 570 mm			A train on the viaduct leading to Winthethur, with another visible beyond on the “Spanische-Brödl-Bahn.” The latter was the first wholly Swiss line of the Schweizerische Nordbahn Gesellschaft that went from Zurich to Baden.	850	£850	framed	Print	General Interest	Railway Prints						
6679		Hopwood after I. Luttwell	Queen Elizabeth I	Stipple	Published by Nuttall Fisher, Liverpool			I. 97 x 74 mm				10	£10	unmounted	Print	Portraits	British Royalty						
6682		William Henry Simmons after Abraham Solomn	 The Departure (Second Class) & The Return (First Class)	Mezzotint	Published 4/4/1857 by E. Gambart & Co.			I 475 x 680, Pl 583 x 750 mm			This pair of prints is often misidentified as Early Australian on account of the advertisements for emigrants, emigrant ships and emigrant goods on the carriage walls (Hilary Guise in Great Victorian Engraving, 1980). A simple examination, however, identifies them as incidents in a young sailor’s life. In the first plate he departs, presumably an orphan, and dressed as a cadet, with his weeping mother and sister in a second class compartment. In the second plate he returnsin the uniform of a midshipman, now an officer and gentleman who is required to travel in first class. Here, he flirts with a young woman, whilst her father, accepting that the youth has a suitable career ahead, looks on contently.Fine impressions with the title engraved in thick and thin. In modern reproduction rosewood frames.	1500	£1,500	framed	Print	General Interest	Railway Prints						
6683		C. Grignion after S. Wade	Edward II	Engraving	Engraved for Mortimer’s History of England			I. 230 x 146 mm				12	£12	unmounted	Print	Portraits	British Royalty						
6685		C. Grignion after S. Wade	Edward I	Engraving	Engraved for Mortimer’s History of England			I. 231 x 146 mm				12	£12	unmounted	Print	Portraits	British Royalty						
6687		C. Grignion after S. Wade	Henry IV	Engraving	Engraved for Mortimer’s History of England			I. 231 x 146 mm				12	£12	unmounted	Print	Portraits	British Royalty						
6688		Taylor after Harris	The New Library at Oriel College	Copper engraving	1791			I 450 x 288 mm				50	£50	unmounted	Print	Oxford	Oriel College						
6689		Unknown	Cath. Parre Queen of Henry VIII	Engraving	Published by W. Richardson at the Antient & Modern Print Warehouse, Strand			I. 123 x 95 mm				8	£8	unmounted	Print	Portraits	British Royalty						
6691		C. Grignion after S. Wade	Edward III	Engraving	Engraved for Mortimer’s History of England			I. 231 x 146 mm				12	£12	unmounted	Print	Portraits	British Royalty						
6692		Rooker	Trinity College from Broad Street	Copper engraving	1785			I 450 x 285 mm			Oxford Almanacks	75	£75	unmounted	Print	Oxford	Trinity College						
6693		Unknown	Mary Queen of Scots	Stipple				I 119 x 135 mm				12	£12	unmounted	Print	Portraits	British Royalty						
6694		N. Parr	James the V King of Scotland	Engraving	To the Right Honrable Charles Lord Baltimore & C. This plate is humbly inscribed by hes Lordship most obedient servant.			I. 120 x 93 mm						unmounted	Print	Portraits	British Royalty						
6695		I. Taylor	Edward Balliol	Engraving				I. 86 x 70 mm				8	£8	unmounted	Print	Portraits	British Royalty						
6696		Bowen, Emmanuel	The Road from Bristol to Weymouth	Copper engraving	Published 1720			I 120 x 190				90	£90	mounted	Map	English Counties	Dorset						
6697		I. Taylor	Robert the Bruce	Engraving				I. 86 x 70 mm				8	£8	unmounted	Print	Portraits	British Royalty						
6699		Unknown	King Henry IV	Engraving		Circ 18th C. 	18	I. 155 x 90 mm				5	£5	unmounted	Print	Portraits	British Royalty						
6700		Unknown 	Edward III	Engraving				I. 73 x 65 mm				3	£3	unmounted	Print	Portraits	British Royalty						
6701		Simpson, S	Cheshire	Copper engraving	1748										Map	English Counties	Cheshire						
6703		Stadler after Rowlandson and Pugin	Great Subscription Room at Bookes’s	Lithograph with hand colouring	London Pub 1st Oct 1808 at R.Ackermann’s Repository of Arts 101 Strand			I 259 x 195 mm				75	£75	unmounted	Print	British Topography	London						
6704		Le Keux after F Mackenzie	The University Printing House, from the Infirmary	Copper engraving	publish by J Paker, Oxford, 1832			I 336 x 201 mm				35	£35	unmounted	Print	Oxford	General Views						
6705		Ian Gardner	View from the Sir Thomas White Building, St. John’s College	Lithograph	1985			I 435 x 322 mm				55	£55	unmounted	Print	Oxford	St. John’s College						
6706		Le Keux	New Meadow Buildings, Christ Church	Copper engraving	1865			I 359 x 259 mm				80	£80	unmounted	Print	Oxford	Christ Church College						
6707		Le Keux	Front of Corpus Christi College, from the Garden	Copper engraving	1867			I 361 x 254 mm	The Oxford Almanack			80	£80	unmounted	Print	Oxford	Corpus Christi College						
6708		G Vertue	All Soul College Almanack	Copper engraving	1728			I 482 x 441				25	£25	unmounted	Print	Oxford	All Souls College						
6709			The Arms of the Colleges and the costumes of the Members of the University of Oxford	Aquatint touched with gold paint and chromolithograph				Sheet: 290 x 405 mm			A very unusual and rare print.  An aquatint of the Duke of Wellington and various other contemporary academics of the time stand in the Divinity School dressed in their full academic dress. The aquatint is laid on to a card that has the arms of the University printed as a boarder.	250	£250	unmounted	Print	Oxford	Academic Dress						
6710		after Thomas Rowlandson 	[All Souls]	Aquatint with hand colouring	Published Octr. 31, 1811 at R. Ackermann’s Repository of Arts, 101 Strand London			I 211 x 295 mm, Pl. 230 x 312 mm			An interestinmg version of the print.  With centrefold as issued.	250	£250	unmounted	Print	Oxford	Oxford Caricatures						
6711			Somerset Maugham	Lithograph	Supplement to The New Statesman and Nation, January 6, 1934 (12). 			P 250 x 170 mm				30	£30	unmounted	Print	Portraits	Literary and Poetic						
6712			John St Loe Strachey [Editor of The Spectator]	Lithograph	Supplement to The New Statesman and Nation, March 13, 1926 (9)			P 250 x 170 mm			Signed Low	10	£10	unmounted	Print	Portraits	Literary and Poetic						
6713			John St Loe Strachey [Editor of The Spectator]	Lithograph	Supplement to The New Statesman and Nation, March 13, 1926 (9)			P 250 x 170 mm			Signed Low	10	£10	unmounted	Print	Portraits	Literary and Poetic						
6714		Ogilby, John	The Road from Bristol co. Glouc: to Banbury co: Oxo	Copper engraved with hand colouring	1698			325 x 440 mm			Sheet 55.  The road from Bristol to Banbury passing through Cirencester and Burford.	180	£180	unmounted	Map	Maps Over More Than One County	Road Maps						
6715			George Bernard Shaw	Lithograph	Supplement to The New Statesman and Nation, February 27, 1926 (7)			P 250 x 170 mm			Signed Low	12	£12	unmounted	Print	Portraits	Literary and Poetic						
6716			Arnold Bennett	Lithograph	Supplement to The New Statesman and Nation, January 30, 1926 (3)			P 250 x 170 mm			Signed LowNovelist, director of the New Statesman, and influential member of the War Propaganda Bureau. 	10	£10	unmounted	Print	Portraits	Literary and Poetic						
6718		“The Spy”	Sir Edmund Gosse	Coloured lithograph	The Bookman Portfolio. Christmas 1927. 			I 335 x 215 mm			 (September 21, 1849 – May 16, 1928) was an English poet, author and critic, the son of Philip Henry Gosse and Emily Bowes. He worked as assistant librarian at the British Museum from 1867, and in 1875 became a translator at the Board of Trade, a post which he held until 1904. In the meantime, he published his first volume of poetry, On Viol and Flute (1873) and a work of criticism, Studies in the Literature of Northern Europe (1879). He became acquainted with the pre-Raphaelites and Algernon Swinburne. He became, in the 1880s, one of the most important art critics dealing with sculpture (writing mainly for the Saturday Review). His interest in sculpture was spurred on by his intimate friendship with the sculptor Hamo Thornycroft. Gosse would eventually write the first history of the renaissance of late-Victorian sculpture in 1894 in a four-part series for the Art Journal, dubbing the movement the New Sculpture.From 1904, Gosse was librarian of the House of Lords, where he exercised considerable influence. He wrote for the Sunday Times, and was an expert on Thomas Gray, William Congreve, John Donne, Jeremy Taylor, and Coventry Patmore. He can also take credit for introducing Ibsen's work to the British public. His most famous book is the autobiographical Father and Son, about his troubled relationship with his father, Philip, which was dramatised for television by Dennis Potter. In later life, he became a formative influence on Siegfried Sassoon, whose mother was a friend of Gosse's wife, Ellen.	10	£10	unmounted	Print	Portraits	Literary and Poetic						
6719			Ben Johnson	Copper engraving	ca.1780			I 135 x 100 mm				5	£5		Print	Portraits	Literary and Poetic						
6720		R. Cooper after Ferd. Jagemann	J. W. Von Goethe	Steel engraving	Published by J. Robins & Co. London, April 1, 1829.			I: 200 x 120 mm.				5	£5	unmounted	Print	Portraits	Literary and Poetic						
6721			Map of the Inland Navigation of England and Wales	Steel engraved map with original colour	c. 1836						On four sheets framed as one map.	120	£120	framed	Map	England & the British Isles	England						
6722		Riddle & Couchman	Alfred, Lord Tennyson. Born 1809; Died 1892. 	Colour lithograph	Riddle & Couchman, Lith., London. Masterpiece Library, October, 1895.			I: 280 x 210 mm. S: 380 x 280 mm.	“Our Poets’ Corner.” Plate No.14.			25	£25	unmounted	Print	Portraits	Literary and Poetic						
6723		Moule, Thomas	Warwickshire	Copper engraving with hand colouring	circa 1836			I 265 x 205 mm				65	£65	unmounted	Map	English Counties	Warwickshire						
6724		Moule, Thomas	Herefordshire	Copper engraving with hand colouring	circa 1836			I 265 x 205 mm				65	£65	unmounted	Map	English Counties							
6725		Moule, Thomas	Monmouthshire	Copper engraving with hand colouring	circa 1836			I 265 x 205 mm				65	£65	unmounted	Map	English Counties							
6726		Moule, Thomas	Northamptonshire	Copper engraving with hand colouring	circa 1836			I 265 x 205 mm				65	£65	unmounted	Map	English Counties							
6727		Moule, Thomas	Leicestershire	Copper engraving with hand colouring	circa 1836			I 265 x 205 mm				65	£65	unmounted	Map	English Counties							
6728		Archer, J	Buckinghamshire	Copper engraving with hand colouring	Drawn and Engraved for Dugdales England & Wales, Delineated 1843			 234 x 174 mm				10.00	£10	mounted	Map	English Counties	Buckinghamshire						
6731			[South West Coast of Scotland]	Copper engraving	Edinburgh Published by A & C Black 27 North Bridge 1st May 184 7			I 240 x 190 mm				25	£25	unmounted	Map	Scotland, Ireland & Wales							
6732		Owen & Bowen	A Map of Staffordshire. The Road from London to Carlisle in Cumberland.	Copper engraving	1720			79 x 115 mm				55	£55	mounted	Map	English Counties							
6734		Moule, Thomas	Environs of Portsmouth 	Copper engraving	Published in James Barclay’s Universal English Dictionary, Enlarged and Improved, c.1850			I  248 x  201 mm				20	£20	unmounted	Map	English Counties	Hampshire						
6735		Hall, S.	Hellas or Greece 	Copper engraving with hand colouring	Published 1854 Bury St. Bloomsbury			I 398 x 284 mm			 	65	£65	unmounted	Map	Europe	Greece						
6737		Stuff	“Rugby Union” Edward Temple Gurdon 	Lithograph	Vincent Brooks Day & Son Lith 1892			I 320 x 188 mm	Vanity Fair			160	£160	mounted	Print	Sports	Rugby						
6738		Wag	Micheal Michailovitch(The Grand Duke Micheal Michailovitch of Russia)	Lithograph	Vincent Brooks Day & Son Lith Jan 4th 1894			I 320 x 187 mm				300	£300	mounted	Print	General Interest	Sport						
6739		W.H. 	“Soccer”Lord Kinnaird - Men of the Day No. 2289	Lithograph	Vincent Brooks Day & Son Ltd. Lith 1912			I 329 x 200 mm				140	£140	mounted	Print	General Interest	Sport						
6740		Spy	“Fogg”	Lithograph	Vincent Brooks, Day & Son, Lith. March 22 1894			I 318 x 188 mm				90	£90	mounted	Print	General Interest	Rowing						
6741		Hay	“Pembroke”Rev Ernest John Smith 1888	Lithograph	Vincent Brooks, Day & Son Lith 1888			I 318 x 190 mm				120	£120	mounted	Print	General Interest	Rowing						
6742		Spy	“Cricket”William Gilbert Grace 	Lithograph	Vincent Brooks, Day & Son Lith 1877			I 316 x 188 mm				450	£450	framed	Print	General Interest	Sport						
6743		Spy	Oxford CricketMr Hylton Philipson 	Lithograph	Vincent Brooks, Day & Son LithJune 29th 1889			I 315 x 188 mm				180	£180	mounted	Print	General Interest	Sport						
6746		Huff	Procession Night - The Boats Saluting the “Head of the River” in front of the Varsity BargeThe Theatre - An Honorary D.C.L. “Placet ne Vobis, Doctores?” “Placet ne Vobis, Magistri?” Oxford Illustratred - Commemoration	Wood Engraving 	June 3 1882			I 309 x 225 mm				25	£25	mounted	Print	General Interest	Sport						
6747		CG	“Hampshire” Captain Edward Wynard 1898	Lithograph	Vincent Brooks, Day & Son Ltd. Lith 1898			I 329 x 185 mm				220	£220	mounted	Print	General Interest	Sport						
6748		Alan Wright/ Vernon Stokes	Cycling	Chromolithograph	1904			I 252 x 194 mm				50	£50	mounted	Print	General Interest	Sport						
6751			Cambridge 1883	Wood engraving	Supplement to the London Illustrated News March 17 1883			I 338 x 239 mm				25	£25	unmounted	Print	General Interest	Sport						
6753			The Railways in Great Britain	Engraved map printed in brown and crimson on linen as a handkerchief,	 c. 1840			440 mm x 613 mm			The map in brown is permanent: the lines, in crimson, are from a separate cylinder and can be added to. The lines are not just those built, but those projected; thus, there are many in East Anglia, slow in construction, and the London and Birmingham branch to Peterborough via Northampton which appear to be misplaced, but no North British or Preston to Lancaster.	250	£250	unmounted	Print	General Interest	Railway Prints						
6754			[Ei-rin-tetsu-zuto] (Plan of the English Railway System)	Woodcut, titled in Kanji and lettered in Katakana	Japan, late 1860s			I 229 x 151 mm			Probably from a Guide Book to England, issued shortly after the Meiji restoration and based on a British map of 1865. Cut to neat line, top, bottom and on cleft: cut inside on right, possibly removing explicatory text.	50	£50	unmounted	Print	General Interest	Railway Prints						
6755			The Inter University Boat Race Oxford 1883	Wood engraving	Illustrated London News March 17 1883			I 338 x 237 mm				25	£25	unmounted	Print	General Interest	Rowing						
6756		J. Brandard	The Express Gallop	Lithograph with two tint-stones	Published ca. 1860			I 293 x 216, Pl 337 x 216 mm			The cover for sheet music by Charles d’Albert with a night express crossing a viaduct. A short tear on the right just entering image. Cut below composers name removing the imprint.	35	£35		Print	General Interest	Railway Prints						
6757			The Muddle-Puddle Porter	Lithograph	Published April 7, 1908 by Ascherberg, Hopwood & Crew Ltd.			446 x 260 mm overall			4pp sheet music, composed by George Grossmith and sung by Lionel Brough.	25	£25	unmounted	Print	General Interest	Railway Prints						
6758			The Cambridge Crew 1877 The Universities Boat Race	Wood engraving	Illustrated London News March 24 1877			I 305 x 233 mm				25	£25	unmounted	Print	General Interest	Rowing						
6759			The Post Horn Polka-Strauss: & la Bella Ange Valse by Marcailou	Lithograph				Three vignettes and three circular scenes on sheet >334 x 230 mm			A cover for sheet music with views of a railway crossing a high gorge, a train passing the pyramids and an exaggerated view of the tunnel under Shakespeare’s Cliff at Dover.	20	£20	unmounted	Print	General Interest	Railway Prints						
6760			The Oxford Crew 1877 The Universities Boat Race	Wood engraving	Illustrated London News March 24 1877			I 305 x 233 mm				25	£25	unmounted	Print	General Interest	Rowing						
6761			Stray Notes at Henley Regatta	Wood engraving	The Graphic July 6 1889			I 307 x 228 mm				25	£25	unmounted	Print	General Interest	Rowing						
6762			The Oxford and Cambridge Boat RaceLight Blues - The Cambridge Crew	Wood Engraving	Supplement to the Illustrated London News March 26 1898			I 328 x 233 mm				25	£25	unmounted	Print	General Interest	Rowing						
6763			The Railway Travel Bag	Lithograph, printed in five colours, printed	by G. Sibermannm Strassburg, c. 1860.						A design for a gross-point, with a steam engine, Expressly designed for the “Englishwoman’s Design Magazine”	25	£25		Print	General Interest	Railway Prints						
6764			Oxford and Cambridge Boat Race March 15 1883 - Cambridge	Wood engravings	The Pictorial World March 17 1883			I 350 x 250 mm				25	£25	unmounted	Print	General Interest	Rowing						
6765			The Inter University Boat Race Cambridge 1883	Wood engraving	Illustrated London News March 17 1883			I 338 x 237 mm				25	£25	unmounted	Print	General Interest	Rowing						
6766			Oxford 1883 The Inter-University Boat Race	Wood engraving	Supplement to the Illustrated London News March 17 1883			I 340 x 239 mm				25	£25	unmounted	Print	General Interest	Sport						
6767			The Oxford Crew 1877 - The Universities Boat-Race	Wood Engraving	The Illustrated London News March 24 1877 			I 307 x 232 mm				25	£25	unmounted	Print	General Interest	Rowing						
6768			The Oxford and Cambridge Boat Race	Wood engraving	The Graphic March 29 1890			I 300 x 227 mm				10	£10	unmounted	Print	General Interest	Rowing						
6769			Cambridge 1888 - The Cambridge Crew	Wood engraving	The Illustrated Sporting and Dramatic News March 24 1888			I 342 x 238 mm				25	£25	unmounted	Print	General Interest	Rowing						
6770			Cambridge 1873 - The Inter University Boat Race	Wood Engraving	Supplement to the London Illustrated News 1873			I 342 x 237 mm				35	£35	unmounted	Print	General Interest	Rowing						
6771		Harry Franciss	Sketches at the Henley Regatta	Wood Engraving	The Illustrated London News July 2 1881			I 311 x 213 mm				25	£25	unmounted	Print	General Interest	Rowing						
6772			Music on the water Henley Regatta	Wood engraving	The Graphic Saturday July 2 1887			I 310 x 225 mm				25	£25	unmounted	Print	General Interest	Rowing						
6773		Robt. Cruikshank	The Promenade at Cowes with Portraits of Noble Commanders & members of the Royal Yacht Club	Aquatint	Published by Sherwood & Co. Aug 1 1826			I 198 x 112 mm				20	£20	unmounted	Print	General Interest	Sport	3					
6774		J.T Willmore	Tourney on the Water (Fete of July)	Steel engraving	London Published for the Proprietor by Longman & Co. Paternoster Row October 2 1843			I 167 x 98 mm				10	£10	unmounted	Print	General Interest	Sport						
6775			At Boulter’s Lock, Maidenhead, on the way to Henley Regatta - Drawn by Lucien Davis	Wood Engraving	The Illustrated London News July 3 1886			I 317 x 213 mm				15	£15	unmounted	Print	General Interest	Sport						
6776			The Last Row of the Season - A Lock on the Thames	Wood engraving	The Graphic October 19 1872			I 300 x 226 mm				15	£15	unmounted	Print	General Interest	Sport						
6777			Starting the Favorite (Oxford - Rowing past the Isis Tavern)	Etching	circa 1900			I 275 x 191 mm				30	£30	unmounted	Print	General Interest	Rowing						
6778			Henley Regatta : Sketches on the RiverThe Toilers and the Spoilers	Wood Engraving	The Illustrated London News Saturday, June 19 1880			I 370 x 214 mm				10	£10	unmounted	Print	General Interest	Sport						
6779			The Inter-University Boat Race - Oxford 1873	Wood Engraving	Supplement to the London Illustrated News1873			I 343 x 238 mm 				35	£35	mounted	Print	General Interest	Rowing	`					
6780			Royal Border Railway Bridge, Berwick on Tweed	Engraving	Published ca. 1850 by J.T. Wood (no 601)			I 162 x 101, Pl >197 x >113 mm			Crossing the Tweed, the bridge extended the North British into England and the York, Newcastle and Berwick into Scotland.	25	£25	unmounted	Print	General Interest	Railway Prints						
6781		F Grenier	Chasseurs Engraves	Lithograph	Circa 			I 176 x 120 mm				10	£10	unmounted	Print	General Interest	Sport						
6782		Henry Pyall after Thomas Talbot Bury	Entrance of the Railway at Edge-Hill, Liverpool	Aquatint with original hand colour	Published 01/02/1831 by R. Ackermann & Co.			I 201 x 248, Pl 247 x 306 mm			Plate 2 of Bury’s Coloured Views on the Liverpool & ManchesterRailways 2nd Edition, 1833 (Abbey Life 400). Major Abbey thought this was the second state of the plate with the only the date altered. In reality, the finished station was so different from that depicted in Pyall’s plate in the first edition that the plate had to altered to show the finished second chimney,balustrading and crenellations. The passengers, however, still walked on the permanent way	350	£350	unmounted	Print	General Interest	Railway Prints						
6783			Henley Regatta	Wood engraving	The Graphic July 4 1874			I 315  x 226 mm				20	£20	unmounted	Print	General Interest	Sport						
6784			The Cambridge Crew - Cambridge 1891	Wood engraving	The Illustrated Sporting and Dramatic News March 21 1891			I 345 x 239 mm				25	£25	unmounted	Print	General Interest	Rowing						
6785			The International Four-Oared Boat Race: the American Crew	Wood engraving	The Illustrated London News June 8 1872			I 338 x 235 mm				25	£25	unmounted	Print	General Interest	Rowing						
6786		Arthur Hopkins	On a houseboat at Henley : A Pleasant Interlude	Lithograph	The Graphic July 14 1894			I 302 x 206 mm				20	£20	unmounted	Print	General Interest	Sport						
6787		Spy	“The Croucher” Gilbert Laird Jessop	Lithograph	Vincent Brooks, Dau & Son Lith 1901			I 346 x 91 mm				300	£300	unmounted	Print	General Interest	Sport						
6788		Henry Pyall after Thomas Talbot Bury	Near Liverpool looking towards Manchester	Aquatint with original hand colour	Published 1833 by Ackermann & Co.			I 204 x 251, B 211 x 258, Pl 252 x 285 mm			Second state, dated 1833. Plate 11 of Bury’s Coloured Views on the Liverpool & Manchester Railway, 2nd Edition, 1833 (Abbey Life 400)	350	£350		Print	General Interest	Railway Prints						
6789		John Cooke Bourne	View from above Kilsby Tunnel	Lithograph with tint stone and excellent later colour	Published 1839 Ackerman & Co. and John Cooke Bourne			I 223 x 335, Pl > 250 x 335 mm			Plate 32 of Bourne’s Drawings of the London & Birmingham Railway, London, Bourne et al., 1839 (Abbey Life 401). Showing a temporary railway ascending the hill to give access to the builders of the ventilation works. The one mile long Kilsby tunnel was the only one on the northern section of the line and was built because the Northamptonshire hills formed a barrier across almost all conceivable routes. 	220	£220		Print	General Interest	Railway Prints						
6791		John Cooke Bourne	Primrose Hill Tunnel	Lithograph with tint-stone and excellent later hand colour	Published 1839 Ackermann & Co. and John Cooke Bourne			I 170 x 259, Pl > 182 x 259			Plate 10 of Bourne’s Drawings of the London & Birmingham Railway, London, Bourne et al., 1839 (Abbey Life 401). The splendid neo-classical entrance. 	250	£250	mounted	Print	General Interest	Railway Prints						
6792			Powderham Castle (S. Devon Railway)	Steel engraving with hand colouring	Published (for the proprietors) by H.G. Collins 22. Paternoster Row			Vignette: 120 x 200 mm	for The British Gazetteer			30	£30	mounted	Print	General Interest	Railway Prints						
6793		C. Cole after J.F. Burrell	Perspective View of the Great Central Railway Station, Derby	Steel engraving with hand colouring	Published (for the proprietors) by H.G. Collins 22. Paternoster Row			Vignette: 140 x 210 mm	for The British Gazetteer					mounted	Print	General Interest	Railway Prints						
6794		A. Ashley after J.F. Burrell	The Grand Entrance to the Metropolitian Station of the North Western Railway	Steel engraving with hand colouring	Published (for the proprietors) by H.G. Collins 22. Paternoster Row			Vignette: 140 x 195 mm	for The British Gazetteer			20	£20	mounted	Print	General Interest	Railway Prints						
6795		A. Ashley 	The Conway Tubular Bridge on the Chester & Holyhead Railway	Steel engraving with hand colouring	Published (for the proprietors) by H.G. Collins 22. Paternoster Row			Vignette: 140 x 210 mm	for The British Gazetteer			20	£20	mounted	Print	General Interest	Railway Prints						
6796		A. Ashley after J.F. Burrell 	Great Tubular Bridge Across the Menai Strait: Chester & Holyhead Railway.	Steel engraving with hand colouring	Published (for the proprietors) by H.G. Collins 22. Paternoster Row			Vignette: 125 x 195 mm	for The British Gazetteer			20	£20	mounted	Print	General Interest	Railway Prints						
6797		John Cooke Bourne	Avon and Railway, Fox’s Wood	Lithograph with tint stone	London, Bourne & D. Bogue, 1846 			I 161 x 296 mm			A half plate from Bourne’s The History and Description of the Great Western Railway, London, Bourne & D. Bogue, 1846 (Abbey Life 399).	60	£60	unmounted	Print	General Interest	Railway Prints						
6799		John Cooke Bourne	Hampstead Road Bridge Septr. 5th 1836	Lithograph with tint stone	London, Published Septr. 1st 1838 by J.C. Bourne 19 Lambs Conduit St. & Ackermann & Co. Strand			I 282 x 415 mm			From Bourne’s Drawings of the London & Birmingham Railway, London, Bourne et al., 1839 (Abbey Life 401). 	180	£180	unmounted	Print	General Interest	Railway Prints						
6802		John Cooke Bourne	Bristol	Lithograph with tint stone				I 257 x 390 mm			A plate from Bourne’s The History and Description of the Great Western Railway, London, Bourne & D. Bogue, 1846 (Abbey Life 399).Ex. Col. Christopher Aspin	250	£250	mounted	Print	General Interest	Railway Prints						
6803		John Cooke Bourne	Bathford Bridge	Lithograph with tint stone	London, Bourne & D. Bogue, 1846 			I 262 x 405 mm			A plate from Bourne’s The History and Description of the Great Western Railway, London, Bourne & D. Bogue, 1846 (Abbey Life 399).Ex. Col. Christopher Aspin	200	£200	unmounted	Print	General Interest	Railway Prints						
6804		John Cooke Bourne	Twerton near Bath	Lithograph with tint stone	London, Bourne & D. Bogue, 1846 			I 275 x 410 mm			A plate from Bourne’s The History and Description of the Great Western Railway, London, Bourne & D. Bogue, 1846 	200	£200	mounted	Print	General Interest	Railway Prints						
6805		John Cooke Bourne	Bath Hampton	Lithograph with tint stone	London, Bourne & D. Bogue, 1846 			I 282 x 407 mm			A plate from Bourne’s The History and Description of the Great Western Railway, London, Bourne & D. Bogue, 1846 (Abbey Life 399).Ex. Col. Christopher Aspin	160	£160	mounted	Print	General Interest	Railway Prints						
6806		John Cooke Bourne	Royal Hotel, _ Slough Station View from the Pleasure	Lithograph with tint stone	London, Bourne & D. Bogue, 1846 			I 280 x 413 mm			A plate from Bourne’s The History and Description of the Great Western Railway, London, Bourne & D. Bogue, 1846 (Abbey Life 399).Ex. Col. Christopher Aspin	160	£160	mounted	Print	General Interest	Railway Prints						
6812		Nicky Cooney	Flying Past the Sun	Lino cut				Image 210 x 225 mm				90	£90	mounted	Print	Contemporary Oxford Printmakers	Nicky Cooney						
6817		Nicky Cooney	Catwalk	Etching				Image 138 x 206 mm			7/20	95	£95	mounted	Print	Contemporary Oxford Printmakers	Nicky Cooney						
6819		Unknown	St John’s College	Copper engraving	1733			I 502 x 439 mm				70	£70	unmounted	Print	Oxford	St. John’s College						
6820		Skelton after Buekler	The Entrance to Trinity College	Copper engraving	1817			I 496 x 465 mm				70	£70	unmounted	Print	Oxford	Trinity College						
6822		G Vertue	The Oxford Almanack for the Year of Our Lord God, MDCCXLVII	Copper engraving	1747			I 450 x 500 mm			Some creases on the edges	60	£60	unmounted	Print	Oxford	University College						
6823			Het Joodsche Laqnd Onder De Twaalfstammen Verdeeld	Copper engraved 	1690-1700			127 x 175 mm			Dutch map of Isreal	75	£75	unmounted	Map	Asia & Middle East	Isreal						
6827			John Roberto Jr. (Billiards)	Lithograph				I 171 x 100 mm				25	£25	unmounted	Print	General Interest	Sport						
6828			Henley Regatta: The Grand Challenge Cup Match, London and Oxford	Wood engraving	Circa 1880			I 233 x 141 mm				5	£5	unmounted	Print	General Interest	Rowing						
6829			“Oxford wins!” “Cambridge wins!” The reward of 3 hours waitingThe University Boat Race - Sketches by the River	wood engraving	The Illustrated Sporting and Dramatic News April 12 1884-96 			I 339 x 239 mm				10	£10	unmounted	Print	General Interest	Rowing						
6830			The Lord Brougham Centenary Fetes at Cannes	Wood engraving	The Graphic May 3 1879			I 327 x 225 mm				8	£8	unmounted	Print	General Interest	Sport						
6831		Le Keux after F. Mackenzie	The Radcliffe Library, from All Souls College	Steel engraving	Published March 1 1834 by J. H. Parkers, Oxford, C. Tilt, Fleet St. & J. Le Keus Hammondsworth. v 			141mm x 94mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35	£35	mounted	Print	Oxford	Radcliffe Camera						
6832			Joseph Bennett [Billiards]	Lithograph				I 170 x 100 mm				25	£25	unmounted	Print	General Interest	Sport						
6833		H.B. Wilson	Yorkshire Men in London. Esher Place, Surrey	Wood engraving	The Illustrated Sporting and Dramatic News July 8 1893			I 346 x 242 mm				20	£20	unmounted	Print	General Interest	Sport						
6834			The International University Boat Race. The Harvard Crew	Wood engraving	The Illustrated London News August 28 1869 			I 353 x 243 mm				25	£25	unmounted	Print	General Interest	Sport						
6836			The Oxford Crew 1877The Universities Boat-Race	Wood engraving	The Illustrated London News, March 24, 1877			I 308 x 230 mm				25	£25	unmounted	Print	General Interest	Rowing						
6837			The Oxford and Cambridge Athletic Sports at Beaufort House	Wood engraving	The Illustrated London News April 20, 1867			I 241 x 166 mm				25	£25	unmounted	Print	General Interest	Sport						
6838			The Prince and Princess of Wales at Henley RegattaJubilee Celebrations at Winchester	Wood engraving	The Graphic July 9, 1887			I 318 x 228 mm				8	£8	unmounted	Print	General Interest	Sport						
6839		R. Taylor	Cambridge Crew 1871The Universities Boat Race	Wood engraving	The Illustrated London News April 8, 1871			I 306 x 211 mm				25	£25	unmounted	Print	General Interest	Rowing						
6841			Cambridge 1882	Wood Engraving	The Illustrated Sporting and Dramatic News April 1 1882			I 338 x 236 mm				25	£25	unmounted	Print	General Interest	Rowing						
6842			Tableaux from the German Athenaeum	Wood engraving	The Illustrated Sporting and Dramatic News March 10 1883			I 370 x 237 mm				15	£15	unmounted	Print	General Interest	Sport						
6843			Oxford 1883The Inter-University Boat Race	Wood engraving	Extra Supplement to the Illustrated London News March 17, 1883			I 340 x 238 mm				25	£25	unmounted	Print	General Interest	Rowing						
6844			Oxford Crew 1871 The Universities Boat Race	Wood engraving	The Illustrated London News April 8 1871			I 340 x 211 mm				25	£25	unmounted	Print	General Interest	Rowing						
6845			The Oxford Crew The International University Boat Race	Wood engraving	The Illustrated London News August 28 1869			I 340 x 241 mm				25	£25	unmounted	Print	General Interest	Rowing						
6846			The International Four-Oared Boat Race: The English Crew	Wood engraving	The Illustrated London News June 8, 1872			I  340 x 211 mm				25	£25	unmounted	Print	General Interest	Rowing						
6847			Uglys and Wide Awakes [Bathing]	Aquatint	circa 1880			I 110 x 75 mm				10	£10	unmounted	Print	Sports	Swiming						
6848			Oxford 1891. The Oxford Crew	Wood engraving	The Illustrated Sporting and Dramatic News March 21 1891			I 340 x 211 mm				25	£25	unmounted	Print	General Interest	Rowing						
6849		Paul Ebbutt	Henley - A Suggestion	Wood engraving	The Illustrated Sporting and Dramatic News July 7, 1894			I 340 x 211 mm				20	£20	unmounted	Print	Sports	Rowing						
6850		FSW	Henley-on-Thames Regatta - Picknicking at the Riverside	Wood engraving	The Graphic June 22, 1872			I 340 x 211 mm				20	£20	unmounted	Print	Sports	Rowing						
6851		Spy	H.W. Stevenson 1905He Might be Champion is there were a Championship	Lithograph	Vincent Brooks Day & Son Ltd Lith  1905			I 315 x 190 mm				200	£200	mounted	Print	Sports	Rowing						
6852			Perrins [Boxing]	Etching				I 168 x 98 mm				30	£30	mounted	Print	General Interest	Sport						
6853		Fleming	Playing at Pall Mall	Wood engraving				I 144 x 105 mm				15	£15	mounted	Print	General Interest	Sport						
6854		Langlume	Le Roi et la Vole [cards]	Lithograph with hand colouring				I 230 x 161 mm				50	£50	mounted	Print	General Interest	Sport						
6855		Cook	Meeting of the Royal Surrey Bowmen on Epsom Downs	Copper engraving				I 151 x 97 mm				25	£25	mounted	Print	General Interest	Sport						
6856		H.Harval 	Golf Match on Blackheath	Wood engraving	The Illustrated London News March 26 1870			I 344 x 237 mm				20	£20	unmounted	Print	General Interest	Sport						
6858		F.W.	The Billiard Tournament at Joseph Bennetts Rooms, 315 Oxford Street 	Wood engraving	February 1875			I 225 x 200 mm				45	£45	unmounted	Print	General Interest	Sport						
6859			Skating in the Grounds of the Crystal Palace, Sydenham	Wood engraving	London Illustrated News 1855			I 235 x 149 mm				15	£15	unmounted	Print	General Interest	Sport						
6862		Jules Despres 	“Au Skating Rink”	Lithograph with hand colouring				I 248 x 170 mm				45	£45	mounted	Print	General Interest	Sport						
6863		Edward Orme	A German Sledge	Copper engraving	Publishd Jany 1 1808 by Edwd Orme Bond Street London  			I 300 x 210 mm				110	£110	mounted	Print	General Interest	Sport						
6864			Perkins Against Time at Lillie Bridge	Wood engraving	The Illustrated Sporting and Dramatic News January 2 1875			I 233 x 171 mm				18	£18	unmounted	Print	General Interest	Sport						
6865		James B. Allen	Amphitheatre at Nismes, France 	Copper engraving	Fisher Son & Co. London & Paris 1845			I 145 x 110 mm				10	£10	unmounted	Print	General Interest	Sport						
6866			Cavalcatura che conduce una bestia bovina da macellare [Bull fighting]	Etching	1830			I 226 x 171 mm				8	£8	unmounted	Print	Sports	Bull Fighting						
6867			“Settling Day” at Tattersall’s Monday May 27 1844	Wood engraving	1844			I 215 x 140 mm				5	£5	unmounted	Print	General Interest	Sport						
6868		Maclure & Macdonald 	Balkeith Palace the day of the Levee	Lithograph	A & C Black Edinburgh John Murray London 			I 256 x 163 mm				25	£25	unmounted	Print	Sports	Rowing						
6869		W. Backshell	“On the Thames”	Copper engraving	London Published by Rogerson & Tuxford 246 Strand 1867			I 148 x 100 mm				20	£20	unmounted	Print	General Interest	Rowing						
6871		C.R	The Finish at the New Winning Post Cambridge AsternSketches at the Oxford and Cambridge Boat Race	Wood engraving	Supplement to the Illustrated London News April 20 1878			I 340 x 211 mm				20	£20	unmounted	Print	Sports	Rowing						
6875		J. Pass after Maria Merian 	Duroia, and Dytiscus: Duroia eriopila and five specias of Water Beetle 	Copper engraving with original hand colouring	1821			I 240 x 170 mm	Encyclopedia Londinensis		John Wilkes’ Encyclopaedia Londinensis, or universal dictionary of arts, sciences and literature was published in London between 1796-1828. The work included many components such as natural history, architecture, maps, etc. Rarely are these prints found with their original colour	75	£75	framed	Print	General Interest	Flora						
6876		J. Pass 	Argemone. The Pricly Poppy	Copper engraving with original hand colouring	1821			I 240 x 170 mm	Encyclopedia Londinensis		John Wilkes’ Encyclopaedia Londinensis, or universal dictionary of arts, sciences and literature was published in London between 1796-1828. The work included many components such as natural history, architecture, maps, etc. Rarely are these prints found with their original colour	95	£95	framed	Print	General Interest	Flora						
6881		Moule, Thomas	Wiltshire	Copper engraving with hand colouring	circa 1845			I 265 x 202 mm				100	£100	framed	Map	English Counties	Wiltshire						
6883		Carl Rundt	Oxford.	Lithograph with hand colouring	Berlin, c. 1846			I 355 x 520	From Views of the most picturesque Colleges in the University of Oxford.			750	£750	framed	Print	Oxford	General Views						
6890			Miss Brunton as Horatia	Stipple	Pubd. Novr. 2 1765 by T. Walker N. 44 Pater Noster Row						Ann Brunton Merry (May 30, 1769, London, Eng. died June 28, 1808, Alexandria, Va., U.S.). née  Ann Brunton   Anglo-American actress, the leading tragedienne of her day. Ann Brunton grew up in London and in Norwich, where her father later managed the Theatre Royal. Under his management she made her stage debut in Bath in The Grecian Daughter (1785)	30	£30	unmounted	Print	Portraits	Performing Arts						
6891		Ortelius, Abraham	Sicilia	Copper engraved	Antwerp 1585			7 x 10 cm			A lovely minature map from Epitome theatri Orteliani by Philip Gallé.	160	£160	mounted	Map	Europe	Italy						
6897		Unknown	[Pompei]	Copper engraving with hand colouring	c 1810			I 193 x 132 mm				60	£60	mounted	Print	Foreign Topography	Italy						
6899		A. Brunet- Debaines	[Oxford Castle]	Etching	c. 1880			I 177 x 133 mm, Pl. 205 x 160 mm				50	£50	mounted	Print	Oxford	Oxford Castle						
6901		George Balthasar Probst	A View of Queen’s College, the University College of Oxford [High St View]	Copper engraving with hand colouring	c. 1780s			I 400 x 290 mm			A vue d’optique of Oxford High Street. Vue d’optiques are hand-colored etchings and engravings intended to be viewed through a convex lens.  The devices, known variously as zograscopes, optiques, optical machines and peepshows, were an optical entertainment of the late 18th and early 19th centuries.  Like the one shown here, vues d’optiques were rendered in high-key color and dramatic linear perspective, which enhanced the illusion of three-dimensionality when viewed through the lens.  According to the Getty Research Institute, which owns other such views by Probst, street performers would set up viewing boxes with a series of prints giving a pictorial tour of famous landmarks, dramatic events and foreign lands.  Some vues d’optique also had parts of the scenes cut out and the openings backed with translucent papers so that when the print was backlit, it appeared as an illuminated night scene.  Vue d’optiques were often separately issued for sale in various countries.  The print offered here is titled in Latin, French, Italian and German, indicating it was intended for sale both within Germany and to the export trade.Georg Balthasar Probst, (1732 - 1801)  was a German artist, engraver and publisher in Augsburg, a major European publishing center in the 17th and 18th centuries.  He produced architectural views of places around the world intended as vues d’optiques, which were published in various places during the last half of the 18th century, including Paris, Augsburg and London.  He was also known for his portraits.	300	£300	mounted	Print	Oxford	High Street Views						
6902		George Balthasar Probst after I. Donowell	A View of part of St. Mary’s Church of Oxford.	Copper engraving	Augsburg, c. 1750 			I 270 x 400 mm, Pl. 320 x 405 mm			A vue d’optique of Oxford High Street. Vue d’optiques are hand-colored etchings and engravings intended to be viewed through a convex lens.  The devices, known variously as zograscopes, optiques, optical machines and peepshows, were an optical entertainment of the late 18th and early 19th centuries.  Like the one shown here, vues d’optiques were rendered in high-key color and dramatic linear perspective, which enhanced the illusion of three-dimensionality when viewed through the lens.  According to the Getty Research Institute, which owns other such views by Probst, street performers would set up viewing boxes with a series of prints giving a pictorial tour of famous landmarks, dramatic events and foreign lands.  Some vues d’optique also had parts of the scenes cut out and the openings backed with translucent papers so that when the print was backlit, it appeared as an illuminated night scene.  Vue d’optiques were often separately issued for sale in various countries.  The print offered here is titled in Latin, French, Italian and German, indicating it was intended for sale both within Germany and to the export trade.Georg Balthasar Probst, (1732 - 1801)  was a German artist, engraver and publisher in Augsburg, a major European publishing center in the 17th and 18th centuries.  He produced architectural views of places around the world intended as vues d’optiques, which were published in various places during the last half of the 18th century, including Paris, Augsburg and London.  He was also known for his portraits.	280	£280	mounted	Print	Oxford	High Street Views						
6903		Ortelius, Abraham	Sardinia	Copper engraved	Antwerp 1585			7 x 10 cm			Latin textA lovely minature map from Epitome theatri Orteliani by Philip Gallé.	140	£140	mounted	Map	Europe	Italy						
6904		Ortelius, Abraham	Melita [Malta]	Copper engraved	Amsterdam c. 1601			7 x 10 cm			Latin textA lovely minature map from Epitome theatri Orteliani by Philip Gallé.	200	£200	mounted	Map	Europe	Malta						
6905		Ortelius, Abraham	Regnum Neapolitanum Verissima Fecundu	Copper engraved	Antwerp 1585			7 x 10 cm			Latin textA lovely minature map from Epitome theatri Orteliani by Philip Gallé.	160	£160	mounted	Map	Europe	Italy						
6907		Francis after W. Westall 	Stone Henge	Copper engraving	Circa 1800			I 142 x 81 mm				45	£45	mounted	Print	British Topography	Wiltshire						
6908			A Prospect of the Ruins of Godstowe, taken in the year 1718	Copper engraving	1718			I 276 x 165 mm				40	£40	mounted	Print	Oxford	General Views						
6909			[Robins]	Copper engraving with hand colouring	Circa 1800			I 220 x 168 mm				40	£40	mounted	Print	General Interest	Birds						
6914		Eward C. Alden	Alden’s Oxford Guide with Key Plan of the University and City and Numerous Engravings		Oxford: Alden & Co. Ltd., 35, Corn-Market Street London: Simpkin, Marshall, Hamilton, Kent  and Co. Ltd. 1904							45	£45		Book	Oxford	Oxford Guides						
6918			Oxford 1873	Woodcut	The London Illustrated News, March 29, 1873			I 340 x 240			Portraits of the Oxford University Boat Race crew for 1873	25	£25	unmounted	Print	Sports	Rowing	Rowing					
6919			Oxford 1873	Woodcut	The London Illustrated News, March 29, 1873			I 340 x 240			Portraits of the Cambridge crew forOxfor and Cambridge Boat Race of 1873	25	£25	unmounted	Print	Sports	Rowing	Rowing					
6920		A. Brunet -Debaines	The Senate House and University Library	Etching	London, 1880			I 213 x 149 mm, Pl. 257 x 180 mm	From Cambridge: Brief Historical & Descriptive Notes by J.E. Clarke, M.A.			40	£40	unmounted	Print	British Topography	Cambridgeshire						
6921		H. Toussaint	The Garden of Christ’s College	Etching	London, 1880			I 213 x 149 mm, Pl. 257 x 180 mm	From Cambridge: Brief Historical & Descriptive Notes by J.E. Clarke, M.A.			35	£35	unmounted	Print	 Cambridge	Christ’s College Cambridge						
6922		A. Brunet -Debaines	The Cam Near Trinity College with the Tower of St. John’s Chapel	Etching	London, 1880			I 213 x 149 mm, Pl. 257 x 180 mm	From Cambridge: Brief Historical & Descriptive Notes by J.E. Clarke, M.A.			40	£40	unmounted	Print	British Topography	Cambridgeshire						
6923		A. Brunet -Debaines	The Great Court of Trinity College	Etching	London, 1880			I 130 x 187 mm, Pl. 165 x 225 mm	From Cambridge: Brief Historical & Descriptive Notes by J.E. Clarke, M.A.			40	£40	unmounted	Print	 Cambridge	Trinity College Cambridge						
6925		A. Brunet -Debaines	Interior of King’s Chapel	Etching	London, 1880			I 240 x 163 mm, Pl. 280 x 200 mm	From Cambridge: Brief Historical & Descriptive Notes by J.E. Clarke, M.A.			40	£40	unmounted	Print	 Cambridge	King’s College Cambridge						
6926		H. Toussaint	King’s College Chapel from the River	Etching	London, 1880			I 175 x 237 mm, Pl. 210 x 265 mm	From Cambridge: Brief Historical & Descriptive Notes by J.E. Clarke, M.A.			35	£35	unmounted	Print	 Cambridge	King’s College Cambridge						
6927		H. Toussaint	St. John’s College	Etching	London, 1880			I 175 x 237 mm, Pl. 210 x 265 mm	From Cambridge: Brief Historical & Descriptive Notes by J.E. Clarke, M.A.			40	£40	unmounted	Print	 Cambridge	St. John’s College Cambridge						
6930			Carvings in Trinity College Library	Etching	London, 1880				From Cambridge: Brief Historical & Descriptive Notes by J.E. Clarke, M.A			20	£20	unmounted	Print	British Topography	Cambridgeshire						
6931		Eyre & Spottiswoods after S.P. Denning	Her Majesty the Queen when Princess Victoria Aged 4 years	Chromolithograph	c. 1900			I 252 x 195 mm				20	£20	unmounted	Print	Portraits	British Royalty						
6932		Eyre & Spottiswoode after Baron Von Angeli	Her Majesty Queen Victoria. 1899.	Chromolithograph	London,1899.			I 222 x 170 mm				30	£30	unmounted	Print	Portraits	British Royalty						
6939		Samuel Cousins, R.A. after Sir Edwin Landseer, R.A. 	Midsummer Nights Dream	Mezzotint	[London, Published Aug. 12, 1856, by Henry Graves & Compy Printsellers to Her Majesty_6 Pall Mall			I 529 x 865			Whitman - S, Cousins 201, Printsellers’ association Index p. 237Condition: Trimmed within the plate, laid on to acid free paper, repaired puncture tear in arm of Titania.  Otherwise a supurb impression.Ex Col. Hon Christopher Lennox-Boyd	900	£900	unmounted	Print	Fine Prints	Victorian Mezzotints						
6973		Unknown	George Robert Fitzgerald Esqr.	Copper engraving	c. 1780			I 144 x 70 mm vignette			(1746? - 1786) known as Fighting Fitzgerald, son of George Fitzgerald and Lady Mary Hervey. Educated at Eton he joined the army.  He became know for his galentry, his recklessness and his dueling.Condition: In good overall condition.  Two small pin holes in margins not affecting image.  Print is tipped into an album page.	35	£35	unmounted	Print	Portraits	Irish						
6974		D. Havell after A. Pugin	Hall of Sidney College.	Aquatint with hand colouring	R. Ackermann, 1814			Image 240 x 305 mm	From Ackermann’s History of the University of Cambridge			150	£150	framed	Print	 Cambridge	Sydney Sussex College Cambridge						
6978		H.W. Brewer	Mediaeval Oxford A.D. XX	Lithograph with tint stone	1891			I 330 x 850 mm			A seperatly published version of the print featured in The Builder in 1891.  A view of Mediaeval Oxford from the West, showing Osney Abbey in the foreground as imagined by Brewer.	325	£325		Print	Oxford	General Views						
6980		David Loggan	Aula Glocestrensis [Worcester College]	Copper engraving	Oxford, 1675			I 295 x 422 mm	From David Loggan’s Oxonia Illustrata		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	280	£280	unmounted	Print	Oxford	Worcester College						
6982		Unknown	Burghley House	Lithograph		19th C.	19	I. 190 x 125 mm				10	£10	unmounted	Print	British Topography	Lincolnshire						
6983		Unknown	A View of Thorpe -doud a Mountian in Derbyshire from the Garden of Geo. Port of Ham Esqr.	Engraving		19th C.	19	I. 190 x 107 mm 				24	£24	mounted	Print	British Topography	Derbyshire						
6984		John Harwood	Head of Dove Dale	Engraving				I. 120 x 116 mm				7	£7	unmounted	Print	British Topography	Derbyshire						
6985		Unknown	Grammar School at Dorcester, Oxfordshire	Copper engraving with hand colouring	circa 1800			I 140 x 91 mm				12	£12	unmounted	Print	British Topography	Oxfordshire						
6986		Unknown	Grammar School at Adderbury Oxfordshire	Copper engraving	circa 1800			I 140 x 91 mm				12	£12	unmounted	Print	British Topography	Oxfordshire						
6987		Joseph Skelton	The Grammar School of Thame	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 140 x 91 mm	Skelton’s Antiquities of Oxfordshire 1823			12	£12	unmounted	Print	British Topography	Oxfordshire						
6988		Unknown	Grammar School at Abingdon Berkshire	Copper engraving	circa 1800			I 140 x 91 mm				15	£15	unmounted	Print	British Topography	Oxfordshire						
6989		Unknown	Grammar School at Ewelm Oxfordshire	Copper engraving	circa 1800			I 140 x 91 mm				12	£12	unmounted	Print	British Topography	Oxfordshire						
6990		Hawkins	Godstow Nunnery in Oxfordshire	Copper engraving	Published according to Act of Parliament by Alex.r Hogg No.46 Paternoster Row Circa 1780			I 184 x 126 mm				15	£15	unmounted	Print	British Topography	Oxfordshire						
6991		George Cooke	The Druid’s Altar at Park Place, Henley	Copper engraving	London Published Jan. 1. 1817 by W. B Cooke 12 York Place, Pentonville			I 209 x 125 mm	 			20	£20	unmounted	Print	British Topography	Oxfordshire						
6992		S. Hooper	Minster Lovell Priory, Oxfordshire	Copper engraving	Published 20 Nov.r 1785 by S. Hooper			I 154 x 104 mm				20	£20	unmounted	Print	British Topography	Oxfordshire						
6993		Hawkins	Friar bacon’s Study at Oxford	Copper engraving	Published according to Act to Parliament by Alex.r hogg No. 6 Paternoster Row			I 182 x 126 mm				10	£10	unmounted	Print	British Topography	Oxfordshire						
6995		Samuel and Nathaniel Buck	The West View of Godstow Nunnery Near Oxford	Copper engraving	1729			I 350 x 195 mm				50	£50	unmounted	Print	British Topography	Oxfordshire						
6997		C.J Greenwood	Banbury, from the South Entrance, Oxfordshire	Lithograph	Published by Wm Potts. Banbury Circa 1850			I 357 x 252 mm				175	£175	mounted	Print	British Topography	Oxfordshire						
6998		John Austin	Corn Exchange, Cornhill Banbury	Lithograph	Published by G. Walford Advertiser Office, Banbury December 1857			I 459 x 324 mm				260	£260	mounted	Print	British Topography	Oxfordshire						
6999		F. Mackenzie	The Church, etc of Chastleton	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 57 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7000		F. Mackenzie	Hanwell Church and Castle-Tower	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7001			Vicarage-House of Banbury	Copper engraving	Circa 1760			I 86 x 56 mm				10	£10	unmounted	Print	British Topography	Oxfordshire						
7002		F. Mackenzie	West End of Cogges Church	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7003		F. Mackenzie	The Church of Shipton Upon Cherwell	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7004		F. Mackenzie	North-West View of the Church of Banbury	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7005			Porch of the Church and Manor-House of Pirton	Copper engraving	Circa 1760			I 86 x 56 mm				10	£10	unmounted	Print	British Topography	Oxfordshire						
7009			Standlake Church	Copper engraving with hand colouring	Circa 1760			I 86 x 56 mm				10	£10	unmounted	Print	British Topography	Oxfordshire						
7010		F. Mackenzie	The Church of Shipton-Under-Whichwood	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 85 x 57 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7011		Wm. Woolnorth	Uffington Church, Berkshire	Copper engraving	London Published by Vernor Hood 7 Sharpe Poultry Feb.r 1st 1807			I 152 x 98 mm				10	£10	unmounted	Print	British Topography	Oxfordshire						
7015		Samuel & Nathaniel Buck	The South East View of Ewelm-Palace in the County of Oxford	Copper engraving	1729			I 346 x 190 mm				45	£45	mounted	Print	British Topography	Oxfordshire						
7016		C.W. Radclyffe	Bladon from the Gardens	Lithograph	Day & Haghe Lith.r to the Queen Circa 1844			I 383 x 266 mm				125	£125	unmounted	Print	British Topography	Oxfordshire						
7017		C.W. Radclyffe	High Lodge and Cascade (Blenheim)	Lithograph	Day & Haghe Lith.rs to the Queen circa 1844			each I 251 x 167 mm				45	£45	unmounted	Print	British Topography	Oxfordshire						
7018		Cha. Tomkins	Wargrave Church	Aquatint				I 230 x 155 mm				35	£35	unmounted	Print	British Topography	Oxfordshire						
7019		J. Skelton	View of Ifley Church from the East End	Copper engraving	Published as the Act directs June 1st 1825 by J. Skelton Magdalen Bridge Oxford			I 290 x 219 mm				35	£35	unmounted	Print	British Topography	Oxfordshire						
7020		Rawlinson	Ecclesia D.A. Egridji in fuburbijs Civitatis Oxon	Copper engraving	1754			I 312 x 210 mm				45	£45	mounted	Print	British Topography	Oxfordshire						
7021		C.W. Radclyffe	Home Lodge	Lithograph	Day & Haghe Lith.rs to the Queen 1844			I 370 x 271 mm				45	£45	unmounted	Print	British Topography	Oxfordshire						
7022		C.W. Radclyffe	Monument & Rosamond’s Well	Lithograph	1844			I 385 x 256 mm				135	£135	unmounted	Print	British Topography	Oxfordshire						
7024		Noble	The Old Kitchen at Stanton Harcourt in Oxfordshire	Copper engraving	Published according to Act of Parliament by Alex Hogg No. 16 Paternoster Row Circa 1750			I 185 x 140 mm				10	£10	unmounted	Print	British Topography	Oxfordshire						
7027		C.W. Radclyffe	South View (Blenheim)	Lithograph	Day & Haghe Lith.rs to the Queen Circa 1884			I 361 x 268 mm				125	£125	unmounted	Print	British Topography	Oxfordshire						
7028		Noble	The Chapel at Stanton Harcourt in Oxfordshire	Copper engraving	Published according to Act of Parliament by Alex Hogg No. 16 Paternoster Row Circa 1750			I 185 x 140 mm				10	£10	unmounted	Print	British Topography	Oxfordshire						
7029		C.W. Radclyffe	The Palace of Blenheim (cover sheet)	Lithograph	Day & Haghe Lith.rs to the Queen Circa 1884			I 361 x 268 mm				125	£125	unmounted	Print	British Topography	Oxfordshire						
7030		T. Mynde	Blenheim House Built at the Expense of the Publick and Settled on the Duke of Malborough and His Posterity	Copper engraving	Circa 1750For Mr Tyndals combination of Rapins History of England			I 391 x 213 mm				100	£100	unmounted	Print	British Topography	Oxfordshire						
7031		Owen and Bowan	The Road from Huntingdon to Ipswich	Copper engraving		c. 1720	1720	I: 182 x 115 mm				25.00	£25	mounted	Map	Maps Over More Than One County							
7033		Owen and Bowan	The Roads from Oxford to Salisbury	Copper engraving		c. 1720	1720	I: 180 x 115 mm				75.00	£75	mounted	Map	Maps Over More Than One County							
7035		Moule	Huntingdonshire	Steel engraving		c. 1840	1840	A: 270 x 200 mm				40.00	£40	mounted	Map	English Counties	Huntingdonshire						
7038		J. Needham	The Valley of Baidar	Lithograph with hand colouring	Day & Son. Lithr.s to the Queen Circa 1846			I 465 x 274 mm				40	£40	unmounted	Print	Foreign Topography	Russia						
7040		J. Sutcliffe 	Valley of the Tychernaya and Ruins of Inkermann	Lithograph	Printed at 70 St Martin’s Lane Circa 1850 			I 410 x 268 mm				120	£120	mounted	Print	Foreign Topography	Russia						
7041			Smolensko	Aquatint	Published by R. Bowyer, Pall Mall 1814			I 317 x 220 mm				135	£135	unmounted	Print	Foreign Topography	Russia						
7044		R. M. Bryson	Bay of Kertch. From the Road to Fort Paul	Lithograph	London Published Feb.y 2nd 1857 by Day & Son Lithographers to the Queen , Gate Street, Lincolns Inn Fields			I 410 x 160 mm 				180	£180	mounted	Print	Foreign Topography	Russia						
7045		P. Santini	Partie Meridionale des Etats de Castille	Copper engraving with hand colouring	A Venise 1775			I 547 x 470 mm				150	£150	unmounted	Map	Europe	Spain and Portugal						
7149			Cashiobury Park in Hertfordshire, the Seat of the Earl of Essex	Copper engraving	ca. 1780			Image 102 x 186 mm, Pl. 117 x 200 mm				20	£20	unmounted	Print	British Topography	Hertfordshire						
7151		C. Pye after J.P. neale	Cashiobury, Hertfordshire	Copper engraving	London, Pub. Feby. 1818 by W.H. Reid, 32 Whitehall 				From J.P. Neal’s Views of Seats			8	£8	unmounted	Print	British Topography	Hertfordshire						
7152		Pieter Van der Aa after Kip	Cashiobury in Hartfordshire	Copper engraving	1707			Image 122 x 156 mm, Pl. 128 x 163 mm				25	£25	unmounted	Print	British Topography	Hertfordshire						
7153		Samuel Cousins, A.R.A. after George Richmond	John Keble, M.A.	Mezzotint	Published for George Richmond ESqr. Septr. 1 1845			Image 470 x 310 mm, Pl. 580 x 395			A wonderful scarce portrait of Kebel in excellent condition.Ex. Col.  Lady Coleridge and by descent to Lady Norton	550	£550	unmounted	Print	Oxford	Oxford Portraits						
7154		Scherer, Heinrich	Repræsentatio Geographica Itineris Maritimi Navis Victoria in Qua Ex Personis ....	Copper engraved	ca. 1710			220 x 345 mm	From Scherer’s Atlas Novus			780	£780	mounted	Map	World Maps & Sea Charts							
7155		Scherer, Heinrich	Imago Totiud Orbis Terraquei Cum Suo Apparatu Ab Actore Natura In Suas Partes Distributi Geographica Exhibita	Copper engraved	ca. 1710			220 x 345 mm	From Scherer’s Atlas Novus			780	£780	mounted	Map	World Maps & Sea Charts							
7156		Scherer, Heinrich	Regionum Circum Polarium Lappnoniae Island rt Grienlandiae Nova et Veteris Nova Descriptio Geographica	Copper engraved	ca. 1710			220 x 345 mm	From Scherer’s Atlas Novus			780	£780	mounted	Map	World Maps & Sea Charts							
7157		W.L.Walton	Kertch, Seen from the High Road to Yenikale	Lithograph	London Published July 8th 1856 by Day & Son, Lithographers to the Queen, Gate Street, Lincoln’s Inn Field			I 339 x 250 mm				50	£50	unmounted	Print	Foreign Topography	Russia						
7158			Le Champ de bataille et les deux monuments pres de Culin	Aquatint	Chez Helm et Spengler a Teplitz			I 150 x 95 mm				50	£50	mounted	Print	Foreign Topography	Eastern Europe						
7159			Le monument pres de Culin, erige le 29 Septbr. 1835 	Aquatint	Chez Helm et Spengler a Teplitz			I 150 x 95 mm				50	£50	mounted	Print	Foreign Topography	Eastern Europe						
7160		A.F. Seifert	Die Kettenbrucke in Elbogen [Czech Republic] 	Lithograph	Steindruckerei v. C. Henrig Prag. & Berlin			I 173 x 122 mm				50	£50	mounted	Print	Foreign Topography	Eastern Europe						
7161			Der Ferdinandsbrunnen Bei Marienbad	Copper engraving with hand colouring				I 141 x 93 mm				20	£20	mounted	Print	Foreign Topography	Eastern Europe						
7162		Willi Horn	Maehrische VolkstrachtenOllmutzer KreisHerrschaft Tobitschau, Ehepaar(Hannaken)	Lithograph with hand colouring				I 310 x 230 mm				110	£110	unmounted	Print	Foreign Topography	Eastern Europe						
7163		E. Brandard	Belgrade	Steel engraving	Circa 1850			I 186 x 122 mm				25	£25	unmounted	Print	Foreign Topography	Eastern Europe						
7164		J.C. Armytage	The Plains of Lower Wallachia (Romania)	Copper engraving with hand colouring	London James S. Virtue Circa 1850			I 177 x 116 mm				5	£5	unmounted	Print	Foreign Topography	Eastern Europe						
7165		Wilh. Horn	Maehrische VolkstrachtenPrerauer-KreisHerrschaft Wallach, Meseritsch, EhepaarWallachen	Lithograph with hand colouring	19th Century			I 260 x 222 mm				110	£110	unmounted	Print	Foreign Topography	Eastern Europe						
7166		Wilh. Horn	Maehrische VolkstrachtenBrunner KreisHerrschaft Panlowitz PaarAltdeudche Tracht	Lithograph with hand colouring	19th Century			I 260 x 222 mm				110	£110	unmounted	Print	Foreign Topography	Eastern Europe						
7167		Deroy	Eglise St. Barbara a Kuttenberg	Lithograph with hand colouring	London lub. by Gambart Junin & Co. 25 Berners St Oxf. St. Berlin Verlag von I. Sachse et Cie. 19th Century			I 375 x 280 mm				35	£35	unmounted	Print	Foreign Topography	Eastern Europe						
7169		Wilh. Horn	Maehrische VolkstrachtenPrerauer-KreisHerrschaft Wallach, Meseritsch, EhepaarWallachen	Lithograph with hand colouring	19th Century			I 260 x 222 mm				110	£110	unmounted	Print	Foreign Topography	Eastern Europe						
7170		Apostool	Gimies	Lithograph	Published as the Act directs May 1 1795 by A. Beaumont			I 305 x 202 mm				100	£100	unmounted	Print	Foreign Topography	Eastern Europe						
7171		Apostool	Town and Fort of Saorgio	Lithograph	Published as the Act directs May 1 1795 by A. Beaumont			I 305 x 202 mm				100	£100	unmounted	Print	Foreign Topography	Eastern Europe						
7172		Apostool	Surbia	Lithograph	Published as the Act directs May 1 1795 by A. Beaumont			I 305 x 202 mm				100	£100	unmounted	Print	Foreign Topography	Eastern Europe						
7173		Wilh. Horn	Maehrische VolkstrachtenOllmutzer KreisHerrschaft Trubau, Ehepaar	Lithograph with hand colouring	19th Century			I 260 x 222 mm				110	£110	unmounted	Print	Foreign Topography	Eastern Europe						
7174		Wilh. Horn	Maehrische VolkstrachtenJglauer KreisHerrschaft Rezinka, lediges Paar	Lithograph with hand colouring	19th Century			I 260 x 222 mm				110	£110	unmounted	Print	Foreign Topography	Eastern Europe						
7175		Leclere	Le Chateau de Zator dans l’ancien Palatinat de Krakovie	Copper engraving	19th Century			I 202 x 160 mm				10	£10	unmounted	Print	Foreign Topography	Eastern Europe						
7176		Joh. Poppet	Brunn	Steel engraving	Circa 1850			I 162 x 112 mm				15	£15	unmounted	Print	Foreign Topography	Eastern Europe						
7177		W. Mossman	The Nuns Tower - Castle Theben	Steel engraving	Circa 1850			I 179 x 118 mm				10	£10	unmounted	Print	Foreign Topography	Eastern Europe						
7178		H. Adland	Rutzschuk	Steel engraving	Circa 1850			I 189 x 128 mm				12	£12	unmounted	Print	Foreign Topography	Turkey						
7179			Der nuhl Neu und Theresien Brunnen in Carlsbad	Lithograph	19th Century			I 169 x 124 mm				30	£30	unmounted	Print	Foreign Topography	Eastern Europe						
7180		Leclere	Eglise et Couvent de Czenstochowa	Wood engraving	19th Century			I 190 x 122 mm				12	£12	unmounted	Print	Foreign Topography	Eastern Europe						
7181			Le Chateau de Luck en Wolynie [Poland]	Steel engraving	19th Century			I 197 x 136 mm				10	£10	unmounted	Print	Foreign Topography	Eastern Europe						
7182		Ales	Eglise Cathedrale de Gnezne	Copper engraving	19th Century			I 196 x 130 mm				10	£10	unmounted	Print	Foreign Topography	Eastern Europe						
7183		W.H. Bartlett	Babacai	Steel Engraving	19th Century			I 180 x 122 mm				8	£8	unmounted	Print	Foreign Topography	Eastern Europe						
7184			Les Environs du Fort de Modlin	Lithograph	19th Century			I 202 x 135 mm				12	£12	unmounted	Print	Foreign Topography	Eastern Europe						
7185		Ales	Le Chateau d’Olesko ou naquit Jean Sobieska	Copper Engraving	19th century			I 220 x 155 mm				10	£10	unmounted	Print	Foreign Topography	Eastern Europe						
7186		T. Malton	North Front of the Chapel and Hall of Greenwich Hospital	Aquatint	Published Sep.r 2nd 1799 by T. Malton			I 304 x 226 mm	A Picturesque Tour through London [by Thomas Malton]		Abbey, 129; 79	150	£150	unmounted	Print	British Topography	London						
7187		T. Malton	St. Paul’s Cathedral	Aquatint	Published May 22, 1798 by T. Malton 103 Long Acre			I 304 x 226 mm	A Picturesque Tour through London [by Thomas Malton]		Abbey, 129; 53	100	£100	unmounted	Print	British Topography	London						
7188			[Tower of London]	Etching	Circa 1950			I 264 x 224 mm				30	£30	unmounted	Print	British Topography	London						
7189		T. Malton	The Admiralty	Aquatint	Published Feb 25 1795 by T. Malton			I 304 x 226 mm	A Picturesque Tour through London [by Thomas Malton]		Abbey, 128; 18	120	£120	unmounted	Print	British Topography	London						
7190		T. Malton	Transept of St. Paul’s from the North Entrance	Aquatint	Published Sep.r 29th 1797 by T. Malton			I 304 x 226 mm	A Picturesque Tour through London [by Thomas Malton]		Abbey, 129; 54	80	£80	unmounted	Print	British Topography	London						
7191		T. Malton	St. Paul’s Cathedral from the West Entrance	Aquatint	Published Aug 21st 1797 by T. Malton			I 304 x 226 mm	A Picturesque Tour through London [by Thomas Malton]		Abbey, 129; 52	95	£95	unmounted	Print	British Topography	London						
7193		T. Malton	St. Martins in the Fields	Aquatint	Published May 30th 1795 by T. Malton			I 304 x 226 mm	A Picturesque Tour Through London [by Thomas Malton]		Abbey, 128; 23	50	£50	unmounted	Print	British Topography	London						
7194		T. Malton	Chelsea Hospital	Aquatint	Published Nov.r 15 1800 by T. Malton			I 304 x 226 mm	A Picturesque Tour through London [by Thomas Malton]		Abbey, 129; 98	150	£150	unmounted	Print	British Topography	London						
7195		T. Malton	West Front of the Mansion House	Aquatint	Published Jan.y 1st 1798 by T. Malton			I 304 x 226 mm	A Picturesque Tour Through London [by Thomas Malton]		Abbey,  129, 60	150	£150	unmounted	Print	British Topography	London						
7196		T. Malton	Part of the Sachristary leading to the Chapel of Hanry VII	Aquatint	Published July 30 1793 by T. Malton			I 304 x 226 mm	A Picturesque Tour Through London [by Thomas Malton]		Abbey,  128; 10	80	£80	unmounted	Print	British Topography	London						
7197		T. Malton	North Front of Westminster Abbey	Aquatint	Published July 30 1793 by T. Malton			I 304 x 226 mm	A Picturesque Tour Through London [by Thomas Malton]		Abbey,  128; 12	85	£85	unmounted	Print	British Topography	London						
7198		T. Malton	Transept of Westminster Abbey	Aquatint	Published Aug 1st 1793 by T. Malton			I 304 x 226 mm	A Picturesque Tour Through London [by Thomas Malton]		Abbey,  128; 9	80	£80	unmounted	Print	British Topography	London						
7199		T. Malton	Inside of the Mews	Aquatint	Published Dec.r 30th 1794 by T. Malton			I 304 x 226 mm	A Picturesque Tour Through London [by Thomas Malton]		Abbey,  128; 22	80	£80	unmounted	Print	British Topography	London						
7200		T. Malton	North Front of St. Martins Church	Aquatint	Published May 16 1796 by T. Malton			I 304 x 226 mm	A Picturesque Tour Through London [by Thomas Malton]		Abbey,  128; 24	100	£100	unmounted	Print	British Topography	London						
7202		T. Malton	St Martins in the Fields	Aquatint	Published May 30th 1795 by T. Malton			I 304 x 226 mm	A Picturesque Tour Through London [by Thomas Malton]		Abbey,  128; 23	50	£50	unmounted	Print	British Topography	London						
7203		T. Malton	Northumberland House	Aquatint	Published May 30th 1795 by T. Malton			I 304 x 226 mm	A Picturesque Tour Through London [by Thomas Malton]		Abbey,  128; 26	150	£150	unmounted	Print	British Topography	London						
7204		T. Malton	Privy Garden	Aquatint	Published Oct.r 30 1794 by T. Malton			I 304 x 226 mm	A Picturesque Tour Through London [by Thomas Malton]		Abbey,  128;14	150	£150	unmounted	Print	British Topography	London						
7205		T. Malton	The Horse Guards	Aquatint	Published Sep.r 30 1794 by T. Malton			I 304 x 226 mm	A Picturesque Tour Through London [by Thomas Malton]		Abbey,  128; 16	130	£130	unmounted	Print	British Topography	London						
7206		Sutton Nichols	Bow Church	Copper engraving	Published according to Act of Parliament 1754  fro Stowes Survey			I 445 x 335 mm				100	£100	unmounted	Print	British Topography	London						
7207			An Interior View of Crystal Palace	Lithograph with hand colouring	19th Century			I 335 x 482 mm			Ex. Col of Mrs Graham Greene	250	£250	unmounted	Print	British Topography	London						
7208		Aileen Mary Elliott	[Docklands, London]	Etching	20th Century			Image & Plate 212 x 300 mm, Sheet 240 x 325 mm			Miss Aileen Mary Elliott. Marine painter and etcher. Born in Southampton on 19th December 1896.  Exhibited at the R.A., other leading London galleries and in the provinces.  Principal works include The Thames, Limehouse: Unloading Grain and Sparl’s Wharf, Limehouse. Lived in London and later at Wokingham in Berkshire.Condition: good clean impression, Frank Emanuel’s hand-writting on verso.	85	£85	unmounted	Print	British Topography	London						
7209			Trafalgar Square March 7th 1863	Lithograph	19th Century			I 326 x 215 mm				20	£20	unmounted	Print	British Topography	London						
7210		Richard Dighton	My Ass in a Band Box.	Etching with original hand colour				Image 155 x 155 mm, Pl. 200 x 155 mm				70	£70	unmounted	Print	General Interest	Caricatures						
7211		Dighton	A View from Magdalen College, Cambridge.	Etching with original hand colouring	Drawn Etchd & Pubd. Dighton Charg Cross, June 1809			Image 250 x 200 mm, Pl. 270 x 200 mm			A portrait of Dr. William Gretton	55	£55	unmounted	Print	General Interest	Caricatures						
7213		Robert Dighton	The Late Right Revd. Dr. Samuel Horsley Lord Bishop of St. Asaph	Etching with original hand colour	Drawn from Life & Pubd. by Dighton 4 Spring Gardens, Charing Cross Decr. 109			Image 250 x 200 mm, Pl. 270 x 200 mm			Samuel Horsley (1733-1806), Bishop of St Asaph; Secretary of the Royal Society.	35	£35	unmounted	Print	General Interest	Caricatures						
7214		Newman & Co.	High Tor Tunnel, Matlock Bath	Engraving	Pubd. by Benrose & Son Matlock Bath, c. 1850			Image 75 x 95 mm vignette			On the Manchester, Buxton and Midlands Junction Railway	20	£20	unmounted	Print	General Interest	Railway Prints						
7215		Engraved by B. Baker after a Survey by James Sherriff	A Plan of the Proposed Line of Navigable Canal from Warwick to Birmingham Surveyd by Jas. Sherriff 1792	Copper engraving	London, c. 1792			295 x 940 mm			Condition: Creases along folds as issued and some over all light foxing	250	£250	unmounted	Map	Maps Over More Than One County	Canal Maps						
7216		Engraved by B. Baker after a survey by Richard Godson	A Plan of the proposed Line of the Navigable Canal from the Warwick and Braunston Canal at the Foss Road in the Parish of Offchurch to the Oxford Canal in the Parish of Napton in the County of Warwick.	Copper engraved mwith original outline colour				300 x 930 mm			Condition: Trtimmed to plate mark, creases as issued, otherwise a clean good impression	250	£250	unmounted	Map	Maps Over More Than One County	Canal Maps						
7218		Heath	James I	Copper engraving	Published as the Act directs Jan. 1st 1788 by T. Cadell Strand	1788	1788	I. 168 x 113 mm				10	£10	unmounted	Print	Portraits	British Royalty						
7219		Engraved by Thomas	James I	Copper engraving		18 th C. 	18	I. 128 x 79 mm				12	£12	unmounted	Print	Portraits	British Royalty						
7221		Engraved by Audviet	James II	Engraving	London, Published as the act directs, Aug. 10. 1793, by T. Cadell. Strand.	1793	1793	I. 110 x 68 mm				5	£5	unmounted	Print	Portraits	British Royalty						
7222			Carte du Plan de Venise, L’Etat de sa Noblesse, et ses differens degrez quelques autres remarques curieuses sur cette superbe ville	Copper engraving	Early 18th Century			I 390 x 475 mm; S 440 x 530 mm				450	£450	mounted	Print	Foreign Topography	Italy						
7223		By and after Wilfred Ball	An Autumn Evening - Venice	Etching	London Published May 1911 by Leggart Brothers, 62 Cheapside, EC			I 400 x 220 mm			Ex. Coll Liechtenstein	400	£400	mounted	Print	Foreign Topography	Italy						
7225		Engraved by F. H. Van Hove	James II	Engraving		18th C.	18	I. 138 x 97 mm				25	£25	unmounted	Print	Portraits	British Royalty						
7226		Unknown	James II. From a Painting by Sir Godfrey Kneller 1688	Engraving		19th C.	19	I. 220 x 149 mm				12	£12	unmounted	Print	Portraits	British Royalty						
7229		Unknown	Charles I	Engraving		19th C.	19	I. 197 x 130 mm				5	£5	unmounted	Print	Portraits	British Royalty						
7233		Unknown	Charles I	Engraving		18th C. 	18	I. 222 x 182 mm				40	£40	unmounted	Print	Portraits	British Royalty						
7234		Engraved by H. Robinson	King Charles the First	Engraving	John Tallis & Company, London & New York	19th C. 	19	I. 191 x 160 mm				5	£5	unmounted	Print	Portraits	British Royalty						
7235		C. Danck after A Van Dyck	Charles I	Engraving		18th C.	18	I. 151 x 100 mm				10	£10	unmounted	Print	Portraits	British Royalty						
7237		George Vertue after Van Dyke	King Charles the First	Engraving		18th C. 	18	I. 284 x 183 mm				10	£10	unmounted	Print	Portraits	British Royalty						
7238		Unknown	King Charles I. att Charing-Cross.	Engraving		18th C. 	18	245 x 228 mm				16	£16	unmounted	Print	Portraits	British Royalty						
7239		Unknown	Karel Stuard Koning Van Groot Brittanien. Binnen London Onthalst, Den 13. van Januart 1649	Engraving		!8th C. 	8	I. 170 x 133 mm				20	£20	unmounted	Print	Portraits	British Royalty						
7242		Engraved by G. P. Harding 	Charles the First	Stipple	Published by E. Evans 1 Great Queen Street	1806	1806	I. 161 x 104 mm				20	£20	unmounted	Print	Portraits	British Royalty						
7243		W. Hulland after Paul De La Roche	Charles Last Interview with his Children	Steel engraving		19th C. 	19	I. 160 113 mm				10	£10	unmounted	Print	Portraits	British Royalty						
7244		S. Harding 	Edward V (the Original in Lambeth Library)	Stipple		18th C. 	18	I. 117 x 93 mm				15	£15	unmounted	Print	Portraits	British Royalty						
7245		Unknown	Mary Queen of Scots	Engraving		18th C.	18	I. 83 x 83 mm				15	£15	unmounted	Print	Portraits	British Royalty						
7246		Unknown	Richard II	Engraving	Pub.d. Oct 28 1791 by N. Smith Gt Mays Buildings	1791	1791	I. 169 x 97 mm				30	£30	unmounted	Print	Portraits	British Royalty						
7250		Unknown	Bull St. Corner of Crooked Lane  [Birmingham]	Lithograph with tint stone	Printed and Published By Thomas Underwood, Castle St. High St. Brimingham, 1865			I 210 x 270 mm				30	£30	mounted	Print	British Topography	Warwickshire						
7252		Unknown	New St. & Corner of Worcester St. [Birmingham]	Lithograph with tint stone	Printed and Published By Thomas Underwood, Castle St. High St. Brimingham, 1865			I 210 x 270 mm				30	£30	mounted	Print	British Topography	Warwickshire						
7253			The Market Girl	Aquatint with original hand colouring				Image 255 x 205 mm, Pl. 287 x 223 mm				45	£45	unmounted	Print	General Interest	Trades						
7254		Unknown	Old Mrs.Quaites Making Lace when 90 years old Stormington, Sussex	Watercolour				181 x 247 mm			A charming watercolour.	80	£80		Print	General Interest	Trades						
7255			The Dairy Maid	Copper engraving	London Published July 1, 1826 by W.B. Cooke, 9, Soho Square			I 135 x 100 mm vignette			A composite portrait.	60	£60	mounted	Print	General Interest	Trades						
7256			The Grocer	Copper engraving	London Published July 1, 1826 by W.B. Cooke, 9, Soho Square			I 135 x 100 mm vignette			A composite portrait.	60	£60	mounted	Print	General Interest	Trades						
7257		Sears after Mercer	The Ballad Singers	Aquatint with hand colouring				Image 205 x 213 mm			Trimmed inside plate	40	£40	mounted	Print	General Interest	Trades						
7259		Malton	North West View of Westminster Abbey	Aquatint	1793			I 304 x 215 mm				200	£200	mounted	Print	British Topography	London						
7260		J.C. Stadler	Leaden Hall Market	Aquatint	London Pub.d 1st Jan.y 1809 at R. Ackermann’s Repository of Arts 101 Strand			I 259 x 194 mm				55	£55	mounted	Print	British Topography	London						
7261		J.C Stadler	Society of Agriculture	Aquatint	London Pub. June 1st 1809 at R. Ackermann’s Repository of Arts 101 Strand			260 x 197 mm				85	£85	mounted	Print	British Topography	London						
7262		G.H. Adcock after Buss 	Examination of the Students of the University of London	Steel engraving	For Matriculation, July, 1842			I 184 x 102 mm				40	£40	mounted	Print	British Topography	London						
7263		W. Tombleson	Westminster Bridge	Steel engraving	Published by W. Tombleson & Co. 11 Paternoster Row. Circa 1834			I 180 x 140 mm				50	£50	mounted	Print	British Topography	London						
7266			The South Front of Kensington Palace, as seen from the Verges of the great Walk	Copper engraving	London Printed for F. West 83 Fleet Street			I 259 x 149 mm				45	£45	mounted	Print	British Topography	London						
7267			View of Camberwell from the Grove	Copper engraving	Circa 1770			I 270 x 154 mm				50	£50	mounted	Print	British Topography	London						
7268			Tempel Bar	Copper engraving	19th Century			I 140 x 90 mm				38	£38	mounted	Print	British Topography	London						
7270		J. How after Tombleson	Hungerford New Market	Steel engraving	London Published by Tombleson & Co. 11 Paternoster Row Circa 1834			I 185 x 153 mm				40	£40	mounted	Print	British Topography	London						
7271		J. Green	Admiralty	Copper engraving	Circa 1780			I 140 x 82 mm				30	£30	mounted	Print	British Topography	London						
7272		Tho.s Dale after Tho.s H. Shepherd	Surrey Theatre, Blackfriars Road	Steel engraving with hand colouring	Published Feb.y 16 1828 by Jones & Co. 3 ActonPlace Kingsland Road London			I 145 x 92 mm				45	£45	mounted	Print	British Topography	London						
7273		Ackermann	The New Street looking towards the Quadrant	Aquatint	No.84 of R. Ackermann’s Repository of Arts & c. Pub.d Dec.r 1 1822			I 192 x 121 mm				30	£30	mounted	Print	British Topography	London						
7274		S. Lacey after Tho.s H. Shepherd	Junction of the Regent’s Canal at Paddington	Copper engraving	Published May 24 1828 by Jones & Co. S. Acton Place Kingsland Road London			I 147 x 189 mm				36	£36	mounted	Print	British Topography	London	 					
7275		H. Melville after T.H. Shepherd	Kings College Distribution of the Prizes in the Theatre by the Archbishop of Canterbury	Steel engraving	Circa 1840			I 184 x 130 mm				46	£46	mounted	Print	British Topography	London						
7276		W. Wallis after Tho.s H. Shepherd	One of the New Lodges, Hyde Park	Steel engraving with hand colouring	Published Sep 28 1828 by James & Co. Temple of the Muses Finsbury Square, London			I 150 x 90 mm				45	£45	mounted	Print	British Topography	London						
7277			Landsdowne House, Berkley Square	Copper engraving with hand colouring	No. 29 of Ackermann’s Repository of Arts &c. Pub May 1 1811 at 101 Strand, London			I 172 x 110 mm				25	£25	mounted	Print	British Topography	London						
7278		H. Winkles after Tombleson	Lambeth Palace, Surry	Steel engraving	London Published by Tombleson & Co. 11 Paternoster Row Circa 1834			I 185 x 153 mm				45	£45	mounted	Print	British Topography	London						
7280		H. Winkles after W. Tombleson	Adelphi Terrace	Steel engraving	London Published by Tombleson & Co. 11 Paternoster Row Circa 1834			I 176 x 156 mm				45	£45	mounted	Print	British Topography	London						
7282		J. Walker after Wm. Capon	Billings-Gate, London	Copper engraving	Publsihed July 1st 1801 by J. Walker No.16 Roseman Street, London			I 165 x 110 mm				45	£45	mounted	Print	British Topography	London						
7283		Pugin	Banco Inglaterra	Aquatint	Circa 1815			I 184 x 106 mm				25	£25	mounted	Print	British Topography	London						
7286		W. Collard after John Dobson	Vegetable Market	Copper engraving	Published by R. Currie, Newcastle, c. 1835						Grainger Market, Newcastle.	25	£25	mounted	Print	British Topography	Northumberland						
7289		Pieter Van der Aa after Kip	Dodidington in the County of Lincolnshire	Copper engraving	1707			I 122 x 155 mm, Pl. 136 x 170 mm				15	£15	unmounted	Print	British Topography	Lincolnshire						
7291		W. Tombleson	Albany Cottage, Regents Park	Copper engraving with hand colouring	1829			I 144 x 91 mm				45	£45	mounted	Print	British Topography	London						
7292		John Raphael Smith after John Opie	Almeria	Mezzotint	London Published May 12th 1787 by J.R. Smith  No. 31 King St. Covent Garden			I 270 x 220 mm, Pl. 380 x 275 mm			CS 104 ii/ii, Frankau 237 ii/ii, O’Donoghue 231,Elizabeth Meymot nee Bunn	125	£125	unmounted	Print	Portraits	18th Century English						
7293		John Keyse Sherwin after Sir Joshua Reynolds	Roxalana	Stipple	Lonbdon, Published Feby 1, 1791 by J. Thane, Rupert Street, Hay Market			Image 225 x 185 mm Pl. 284 mm x 210 mm			Frances Abington (1737-1815) as Roxalana	60	£60	unmounted	Print	Portraits	Performing Arts						
7294		Hubert	Hony Soit Qui Mal y Pense.  Dedié et presenté a S.A.S. Monseigneur le Duc des Chartres Par son très Obeissaant Serviteur Hubert	Copper engraving	Se Vende A Parischez l’Auteur ; Rue d’Escosse vis-à-vis la petite Porte de St. Hilaire, 1775			I 410 x 280 mm				300	£300	mounted	Print	General Interest	Erotica						
7296		Ben George after A.M. Gauci	Devon Heifer. Fed on Food Seasoned with Thorley’s Condiment. Age, 3 Years, 2 Months, 1 Week. __ Exhibitor, Richd. Burton Esq. Place Barton, Broadclyst, Devon. Breeder, Geo. Gibbs, esqr. Bishop’s Lydeard, Somerset. 1st Prize at Bingly Hall, 1867_& 1st 	Lithograph	A.M. Gauci Animal painter 24 Spencer St. Tottenham Court Rd London 			Image 327 x 505 mm			Not in Rothampstead collection.  Prints advertising Thorley’s condiment, a ‘spice’ designed to make bulk, like saw dust palatable, were among the earliest prints made as advertisements.	850	£850	mounted	Print	General Interest	Prize Cattle						
7301		Vertue	The Oxford Almanack for the year of our Lord God MDCCXXXIX [Exeter College]	Copper engraving	1739			I 496 x 432mm				55	£55	unmounted	Print	Oxford	Exeter College						
7302		Vertue	The Oxford Almanack for the Year of our Lord God, MDCCXLIX [Magdalen Hall]	Copper engraving	1749			I 494 x 445 mm				45	£45	unmounted	Print	Oxford	Hertford College						
7305		Vertue	[The opening of the Radcliffe Library]	Copper engraving	1751			I 485 x 443 mm				100	£100	unmounted	Print	Oxford	Radcliffe Camera						
7307		Unknown	Mary, Queen of Scots	Steel engraving		19th C.	19	I. 97 x 95 mm				12	£12	unmounted	Print	Portraits	British Royalty						
7308		Lith. de Delpech	Marie Stuart	Lithograph				I. 93 x 81 mm				12	£12	unmounted	Print	Portraits	British Royalty						
7309		Engraved by Mackenzie	Mary Queen of Scots	Stipple		18th C.	18	I. 148 x 100 mm				15	£15	unmounted	Print	Portraits	British Royalty						
7310		J. M. Wright	Mary Queen of Scots recieving her Death Warrants	Steel engraving		19th C.	19	I. 151 x 105 mm				10	£10	unmounted	Print	Portraits	British Royalty						
7311		Richard Gaywood	Mary Stuart Queen of Scotland	Etching		Circ. 1660	1660	I. 185 x 138 mm				75	£75	unmounted	Print	Portraits	British Royalty						
7312		Leomard Squirrell	Wolvercote Paper Mill	Lithograph with hand colouring	1948			I 301 x 461 mm				45	£45	unmounted	Print	Oxford	General Views						
7313		Peter Greenham	Oxford from the Radcliffe Camera	Lithograph with hand colouring				I 314 x 444 mm				45	£45	unmounted	Print	Oxford	General Views						
7314		Robert Parkinson	Exeter College Chapel form Broad Street (1962)	Lithograph with hand colouring	1962			I 310 x 425 mm				60	£60	unmounted	Print	Oxford	Exeter College						
7318		Christian Frietzsch	Johannes, Dux Marlburii, S.R.I. 	Copper engraving	n.d. [C. 1730]			Image 152 x 110 mm, Sheet 183 x 112 mm			John Churchill, 1st Duke of Marlborough (1650–1722).0Condition: Trimmed with in plate and laid on to an album page	35	£35	unmounted	Print	Portraits	British Nobility						
7319		Adam Smith	A View of the Marble Bridge at Florence over the Arno	Copper engraving	n.d. [c. 1750]			I 147 x 200 mm, Pl. 175 x 230 mm				25	£25	unmounted	Print	Foreign Topography	Italy						
7320		James Ross after Peter Lely	Samuel Butler Esqr.	Copper engraving				I 225 x 175 mm			Samuel Butler (1612-1680), Author of 'Hudibras	20	£20	unmounted	Print	Portraits	Literary and Poetic						
7322			Mayd that lived at Muers in Cleveland without food aetat 40.  The Portrayture of Eua Fliegen the Miraculous	Copper engraving	17th century			I 175 x 110 mm			Eve Fliegen (1575-1615)Condition: Nice impression, trimmed to image	50	£50	unmounted	Print	General Interest	Loose Prints and Curiosities						
7323		Unknown	James II	Copper engraving	For J. Hinton at the Kings Arms in Newgate Street			I. 98 x 163 mm				5	£5	unmounted	Print	Portraits	British Royalty						
7324		Unknown	James II	Copper engraving				I. 90 x 135 mm				8	£8	unmounted	Print	Portraits	British Royalty						
7325		Clarence E. Blackburn (b. 1914)	Work on the Farm	Etching and drypoint	c. 1935			I & Pl. 227 x 314 mm				45	£45	unmounted	Print	20th Century							
7329		M. Vander after G. Kneller 	King James the II	Copper engraving		17th C	17	I. 194 x 282 mm				35	£35	unmounted	Print	Portraits	British Royalty						
7330		I. Woods	King William Street	Steel engraving	Circa 1840			I 54 x 100 mm				20	£20	unmounted	Print	British Topography	London						
7332		Cox	Coliseum, Regents Park	Steel engraving	Circa 1840			I 47 x 96 mm				20	£20	unmounted	Print	British Topography	London						
7333		J. Woods	Custom House	Steel engraving	London Published Sep.r 1 1837 by W.S. Orr & Co. Amen Corner			I 47 x 96 mm				20	£20	unmounted	Print	British Topography	London						
7334		I. Woods	Mansion House	Steel engraving	London Published Sep.r 1 1837 by W.S. Orr & Co. Amen Corner			I 47 x 96 mm				20	£20	unmounted	Print	British Topography	London						
7336		I. Woods	Horse Guards	Steel engraving	Circa 1840			I 145 x 104 mm				20	£20	unmounted	Print	British Topography	London						
7337		I. Woods	Duke of York’s Column	Steel engraving	Circa 1840			I 145 x 104 mm				20	£20	unmounted	Print	British Topography	London						
7338		I. Woods	Duke of York’s Column	Steel engraving	Circa 1840			I 145 x 104 mm				20	£20	unmounted	Print	British Topography	London						
7339		I. Woods	Billingsgate	Steel engraving	London Pub.d July 1st 1837 by W. S Orr & Co. Amen Corner			I 145 x 104 mm				20	£20	unmounted	Print	British Topography	London						
7340		I. Woods	Limehouse Church	Steel engraving	Circa 1840			I 145 x 104 mm				20	£20	unmounted	Print	British Topography	London						
7341		I. Woods	View of St. James’s Park	Steel engraving	Circa 1840			I 145 x 104 mm				20	£20	unmounted	Print	British Topography	London						
7342		J. Woods	West India DockImport	Steel engraving	London Pub.d July 1st 1837 by W. S Orr & Co. Amen Corner			I 145 x 104 mm				20	£20	unmounted	Print	British Topography	London						
7343		J. Woods	View in Westminster Abbey	Steel engraving	London Pub.d by W. S Orr & Co. Amen Corner circa 1840			I 145 x 104 mm				20	£20	unmounted	Print	British Topography	London						
7344		J. Woods	Cheapside and Bow Church	Steel engraving	London Pub.d by W. S Orr & Co. Amen Corner circa 1840			I 145 x 104 mm				20	£20	unmounted	Print	British Topography	London						
7346		I. Woods	Fishmonger’s Hall	Steel engraving	London Pub.d Aug 1837 by W.S. Orr & Co. Amen Corner			I 145 x 104 mm				20	£20	unmounted	Print	British Topography	London						
7349		I. Woods	High Street Whitechapel	Steel engraving	London Pub.d by W.S. Orr & Co. Amen Corner Circa 1840			I 145 x 104 mm				20	£20	unmounted	Print	British Topography	London						
7350		I. Woods	Southwark Church & C.	Steel engraving	London Pub.d by W.S. Orr & Co. Amen Corner Circa 1840			I 145 x 104 mm				20	£20	unmounted	Print	British Topography	London						
7351		J. Hopkins	Leadenhall Street	Steel engraving	London Pub.d by W.S. Orr & Co. Amen Corner Circa 1840			I 145 x 104 mm				20	£20	unmounted	Print	British Topography	London						
7352		I. Woods	General Post OfficeSt Martin’s Le Grand	Steel engraving	London Pub.d by W.S. Orr & Co. Amen Corner Circa 1840			I 145 x 104 mm				20	£20	unmounted	Print	British Topography	London						
7353		I. Woods	Quadrant Regent Street	Steel engraving	London Pub.d by W.S. Orr & Co. Amen Corner Circa 1840			I 145 x 104 mm				20	£20	unmounted	Print	British Topography	London						
7355		W.E. Albutt	Somerset HouseStrand	Steel engraving	London Pub.d by W.S. Orr & Co. Amen Corner Circa 1840			I 145 x 104 mm				20	£20	unmounted	Print	British Topography	London						
7356		W. Holl after Sir Joshua Reynolds	Samuel Johnson, L.L. D.	Stipple	Published by Longman & Co. Augt. 1 1814			I 170 x 130 mm, Sheet 280 x 210 mm				45	£45	unmounted	Print	Portraits	Literary and Poetic						
7357		J. Woods	Royal ExchangeDestroyed by Fire Jan.y 10th 1838	Steel engraving	London Pub.d by W.S. Orr & Co. Amen Corner Circa 1840			I 145 x 104 mm				20	£20	unmounted	Print	British Topography	London						
7358		J. Woods	Royal Exchange and Cornhill	Steel engraving	London Pub.d Jun 1st 1837 by W.S. Orr & Co. Amen Corner 			I 145 x 104 mm				20	£20	unmounted	Print	British Topography	London						
7359		J. Woods	Cumberland TerraceRegents Park	Steel engraving	London Pub.d by W.S. Orr & Co. Amen Corner Circa 1840			I 145 x 104 mm				20	£20	unmounted	Print	British Topography	London						
7360		J. Woods	The Upper Pool	Steel engraving	London Pub.d by W.S. Orr & Co. Amen Corner Circa 1840			I 145 x 104 mm				20	£20	unmounted	Print	British Topography	London						
7361		J. Woods	Wood’s Views in London Westminster and their vicinitiesMonument and St Magnus Church	Steel engraving	London Pub.d by W.S. Orr & Co. Amen Corner Circa 1840			I 145 x 104 mm				20	£20	unmounted	Print	British Topography	London						
7362		J. Singleton	William Beckford Esqr. of Fonthill	Stipple 							William Beckford (1760-1844).	15	£15	unmounted	Print	Portraits	Literary and Poetic						
7363		Freeman after J. Wright	Sir Robert Ker Porter	stipple				I 84 x 68 mm (oval)			Sir Robert Ker Porter (1777-1842), Painter and traveller 	15	£15	unmounted	Print	Portraits	Artists Portraits						
7364		Hopwood 	Mrs. M.A. Clarke	Stipple engraving	Published April 4th 1809 by T. Gillet London			I 110 x 85 mm vignette,  Pl. 195 x 128 mm			Mary Anne Clarke (née Thompson) (1776-1852), Mistress of the Duke of York 	40	£40	unmounted	Print	Portraits	Mistresses, Courtiers and Socialites						
7365		unknown	[Mrs. M.A. Clarke]	Stipple	c. 1809			I 110 x 95 mm vignette, Pl. 210 x 130 mm 			Mary Anne Clarke (née Thompson) (1776-1852), Mistress of the Duke of York 	40	£40	unmounted	Print	Portraits	Mistresses, Courtiers and Socialites	Mistresses					
7366		R. Cooper	The Right Hobble. Countess of Harrington	Stipple	October 1 1808						Jane (Fleming), Countess of Harrington (died 1824), Wife of 3rd Earl of Harrington 	12	£12	unmounted	Print	Portraits	British Nobility						
7367			The Right Honble. Lady Thurlow	Stipple	Published John Bell, Clare Court, DRuary Lane, London June 1, 1814			I 125 x 95 mm, Pl 235 x 145 mm				12	£12	unmounted	Print	Portraits	British Nobility						
7368		Michael Van der Gucht (1660-1725) 	Admodum Reverendus Joannes Moore STP Episcopus Eliensis	Copper engraving	n.d. [c. 1700]			Image 155 x 95 mm			John Moore (1646-1714), Bishop of Ely.Condition: Trimmed to image and laid to an album page	10	£10	unmounted	Print	Portraits	Religious and Clerical						
7371		T. Ryder after William Hogarth	Lady Pembroke	Stipple engraving	Pub. for S. Ireland May 1, 1799			I 120 x 112 mm, S 153 x 115 mm			Mary Fitzwilliam, wife of the 9th Earl of Pembroke.  The orginal sketch is in the Tate	40	£40	unmounted	Print	Portraits	British Nobility						
7373		Harding after Lady Malden	Mary Clara, Viscount Bolingbroke	Stipple	Pubd. April 1, 1795 by H & S. Harding, Pall Mall			Image 85 x 65 mm oval, Sheet 188 x 135 mm 			Marie Clare (née Des Champs de Maresilly), Viscountess Bolingbroke (died 1750), 2nd wife of Henry St John, 1st Viscount Bolingbroke	10	£10	unmounted	Print	Portraits	British Nobility						
7374		R. Cooper 	Lady Langham	Stipple				Image 110 x 95 mm, Sheet 163 x 100 mm				10	£10	unmounted	Print	Portraits	British Nobility						
7375		J. Conde after A. Pope	John Boydell Lord Mayor of London 1791	Stipple	n.d. [c. 1791]			I 135 x 107 mm				10	£10	unmounted	Print	Portraits	British Political						
7376		Ridley after Drummond	Mr. D’Israeli	Stipple	Pubd. for the Proprietors of the Monthy Mirroe, Jany. 1, 1797 by T. Bellamy  King Street Covent Garden 			Image 91 x 78 mm, Plate 150 x 114 mm			Isaac D'Israeli (1766 - 1848) author and father of Benjamin Disraeli	10	£10	unmounted	Print	Portraits	Literary and Poetic						
7377		P. Vanderbank after Sir John Baptist De Medina Medina	Archibaldus Comes Argathelliæ Dominis Kintire Campbell et Lorne hereditarius Justitiarus Generalis S.D.N.R.	Copper engraving	n.d.						Archibald Campbell, 1st Duke of Argyll and 10th Earl of Argyll (July 25, 1658–September 25, 1703)	100	£100	mounted	Print	Portraits	British Nobility	 					
7381			Graf Elliot, Gower & Commandeur von Gilbralter geborn 1725	Copper engraving	c. 1725			Image 155 x 111 mm				40	£40	unmounted	Print	Portraits	Military and Naval						
7382			Proposed Church of St. Matthias Stoke Newington, South West View	Aquatint				Image 117 x 150 mm			The church was completed in 1853 to the designs of William Butterfield, services previously being held in a local school.	10	£10	unmounted	Print	British Topography	London						
7383		Gerard de Lairesse (1641-1711)	[William III]	Etching	circa 1689-1702			Image 220 x 158 mm, Pl. 236 x 163 mm			King William III (1650-1702)	150	£150	unmounted	Print	Portraits	British Royalty						
7386		Kershaw & Son	Stonehenge	Steel engraving with hand colouring	Kershaw & Son, London c.1840			I 120 x 75 mm				35	£35	mounted	Print	British Topography	Somersetshire						
7387		Van der Aa	Vue de Stonehenge du Cote d’OccidentVue de Stone-Henge de Cote du Midi	Copper engraving	1707			I 160 x 130 mm				45	£45	mounted	Print	British Topography	Somersetshire						
7388		Randolph Caldecott	One said it was a bull calf an another he said “Nay; It’s just a painted jackass, that has never learnt to bray.” The three Jovial Huntsman	Chromolithograph	circa 1875			I 130 x 80 mm				15	£15	mounted	Print	General Interest	Childrens Prints						
7389		Randolph Caldecott	“Pray, Miss Mouse, will you give us some beer? For Froggy and I are fond of good cheer”.A Frog he would a wooing go. 	Chromolithograph	circa 1875			I 130 x 80 mm				15	£15	mounted	Print	General Interest	Childrens Prints						
7391		Giuseppe Vasi after Vincenzo Re	Prospetto dell’ Apparato nella Real Sala per la Prima Festa del Ballo di Parata	Copper engraving	c. 1749							250	£250	unmounted	Print	Foreign Topography	Italy						
7392		Randolph Caldecott	Then Pass around the can, my boys; For we must homeward go-The fox jumps over the parson’s gate	Chromolithograph	circa 1875			I 130 x 80 mm				15	£15	mounted	Print	General Interest	Childrens Prints						
7393		Randolph Caldecott	Shall I go with you my pretty maid?The Milkmaid	Chromolithograph	circa 1875			I 130 x 80 mm				15	£15	mounted	Print	General Interest	Childrens Prints						
7396		Randolph Caldecott	[Childrens Prints]	Chromolithograph	circa 1875			I 200 x 170 mm				20	£20	mounted	Print	General Interest	Childrens Prints						
7397		Randolph Caldecott	[Childrens Prints]	Chromolithograph	circa 1875			I 200 x 170 mm				20	£20	mounted	Print	General Interest	Childrens Prints						
7398		Randolph Caldecott	[Childrens Prints]	Chromolithograph	circa 1875			I 200 x 170 mm				20	£20	mounted	Print	General Interest	Childrens Prints						
7399		Randolph Caldecott	[Childrens Prints]	Chromolithograph	circa 1875			I 200 x 170 mm				20	£20	mounted	Print	General Interest	Childrens Prints						
7400		Randolph Caldecott	The Mare broke her knees and the farmer his crown- A farmer went trottin upon his grey mare	Chromolithograph	circa 1875			I 130 x 80 mm				15	£15	mounted	Print	General Interest	Childrens Prints						
7401		Randolph Caldecott	Bye Baby Bunting	Chromolithograph	circa 1875			I 130 x 80 mm				15	£15	mounted	Print	General Interest	Childrens Prints						
7402		Randolph Caldecott	One said it was a boggart, an another he said “Nay”; Its just a ge-man farmer, that has gone and lost his way- The Three jovial huntsman	Chromolithograph	circa 1875			I 130 x 80 mm				15	£15	mounted	Print	General Interest	Childrens Prints						
7403		Randolph Caldecott	“Then I can’t marry you my pretty maid”- The Milkmaid	Chromolithograph	circa 1875			I 130 x 80 mm				15	£15	mounted	Print	General Interest	Childrens Prints						
7404		Randolph Caldecott	[Childrens Prints]	Chromolithograph	circa 1875			I 200 x 170 mm				20	£20	mounted	Print	General Interest	Childrens Prints						
7405		Randolph Caldecott	[Childrens Prints]	Chromolithograph	circa 1875			I 200 x 170 mm				20	£20	mounted	Print	General Interest	Childrens Prints						
7406		Randolph Caldecott	[Childrens Prints]	Chromolithograph	circa 1875			I 200 x 170 mm				20	£20	mounted	Print	General Interest	Childrens Prints						
7407		Randolph Caldecott	[Childrens Prints]	Chromolithograph	circa 1875			I 200 x 170 mm				20	£20	mounted	Print	General Interest	Childrens Prints						
7408		Randolph Caldecott	[Childrens Prints]	Chromolithograph	circa 1875			I 200 x 170 mm				20	£20	mounted	Print	General Interest	Childrens Prints						
7409		Randolph Caldecott	[Childrens Prints]	Chromolithograph	circa 1875			I 200 x 170 mm				20	£20	mounted	Print	General Interest	Childrens Prints						
7410		Randolph Caldecott	[Childrens Prints]	Chromolithograph	circa 1875			I 200 x 170 mm				20	£20	mounted	Print	General Interest	Childrens Prints						
7411		Randolph Caldecott	[Childrens Prints]	Chromolithograph	circa 1875			I 200 x 170 mm				20	£20	mounted	Print	General Interest	Childrens Prints						
7412		Randolph Caldecott	[Childrens Prints]	Chromolithograph	circa 1875			I 200 x 170 mm				20	£20	mounted	Print	General Interest	Childrens Prints						
7420		George vertue	The Oxford Alamanack For the Year of our Lord God, MDCCXLVI [St. Mary Hall]	Copper engraving	Oxford 1746						Condition: a good clean copy with some minor defects in the margins.	90	£90	unmounted	Print	Oxford	Oriel College						
7422		R. White after G. Kneller	Sr. Cgreswell Levinz Knt. Late one of the Judges of the Court of Comon Pleas	Copper engraving	Printed for S. Kebel, D. Browne, T Benskins & I. Walthoe			Image 227 x 140 mm, Pl. 234 x 146 mm, S 247 x 155 mm			Sir Creswell Levinz (1627-1701), Judge 	20	£20	unmounted	Print	Portraits	Legal						
7423		Robert White	The Right Honble Edward Lord Littleton Baron Mounslow, Ld. Keeper of ye Great Seale of England, & one of his Maties most Honble Privy Council	Copper engraving	c. 1660			I 215 x 150			Edward Littleton, Baron Littleton (1589-1645), Judge and politician 	60	£60		Print	Portraits	Legal						
7424		Unknown	Johannes Guilielmus Episcopus Lincolniensis Magni Sig. Angl.custos Consil Reg	Copper engraving with hand colouring	c. 1621-1625			Image132 x 100 mm			John Williams (1582–1650) was a British clergyman and political advisor to King James I. He served as Bishop of Lincoln 1621-1641, Keeper of the Great Seal also known as Lord Keeper or Lord Chancellor 1621-1625, and Archbishop of York 1641-1650.	10	£10		Print	Portraits	Religious and Clerical						
7425			Eudoxia, Wife of Peter the Great Emperor of Russia	Copper engraving	Engraved for the Universal Magazine and Printed for J. Hinton at the KIngs Arms in Paternoster Row			Image 140 x 93 mm, Pl. 167 x 110 mm			Tsarina Evdokiya Feodorovna Lopukhina (Julian calendar, July 30, 1669 - August 27, 1731)/(Gregorian calendar, August 9, 1669 – September 7, 1731) was the first wife of Peter I of Russia. They married in 1689 but divorced in 1698. She is also the mother of Tsarevich Alexei Petrovich and the paternal grandmother of Peter II of Russia.	15	£15	unmounted	Print	Portraits	Foreign Royalty	Russia					
7426		Anthony Walker	Peter the Great Czar of Muscovy	Copper engraving	Published according to Act of Parlimet at the KIngs Arms in St. Pauls Church Yard 1751			Image 160 x 95 mm, Pl. 195 x 115 mm			Condition: Some overall time staining	15	£15	unmounted	Print	Portraits	Foreign Royalty	Russia					
7427			Gervase Babington	Copper engraving	c. 1620			Image 133 x 103 mm			Gervase Babington (1549-1610),was the Bishop of Worcester from 1597 - 1610.Conditon: trimes to image, small worm hole in inscription space	10	£10		Print	Portraits	Religious and Clerical						
7428		P. Vanderbanck after E. Lutterell	King Edward the IIIrd	Copper engraving	n.d. c. 1690			Image 245 x  154 mm			Conditon: trimmed to image	10	£10	unmounted	Print	Portraits	British Royalty						
7432			The Gemmi	Lithograph with tint stone	n.d. c. 1945			Image 362 x 258 mm			The Gemmi Pass 	95.00	£95	mounted	Print	Foreign Topography	Switzerland						
7434		J. Drayton after George Gilbert Scott	The New Chapel of St. John’s College, Cambridge (South-East View)	Lithograph	n.d. c.1866			I 255 x 340 mm				60	£60	unmounted	Print	 Cambridge	St. John’s College Cambridge						
7435		J. Drayton Wyatt and George Gilbert Scott	The New Chapel of St. John’s College, Cambridge 	Lithograph	n.d. c. 1866			Image 350 x 260 mm				60	£60	unmounted	Print	 Cambridge	St. John’s College Cambridge						
7436			The Cloister Front of the New Buildings St. John’s College, Cambridge	Lithograph on india laid paper	Printed by C. Hullmandel			Image 200 x 430 mm, Sheet 380 x 560 mm			Rickman & Hutchinson, ArchitectsA scarce print of the new buildings at St. John’s Cambridge in excellent condition.	250	£250	mounted	Print	 Cambridge	St. John’s College Cambridge						
7438		Robert William Siever after Sir Thomas Lawrence, R.A.	Eward Lord Ellenborough	Engraving	London Published JUne 4, 1819 by R. Cribb No. 288 Holborn			Image 420 x 335 mm, PL. 535 x 410 mm			Edward Law, 1st Baron Ellenborough (1750-1818), Lord Chief JusticeCondition: Some overall time staining 	100	£100	unmounted	Print	Portraits	Legal						
7439		Henry Landseer after John Downman	[Anna Seward]	Stipple	c. 1809			Image 100 x 100 mm, Pl. 205 x 130 mm			Anna Seward (1742-1809), Writer and poet Condition: Full margins, some light foxing	30	£30	unmounted	Print	Portraits	Literary and Poetic						
7440		J. Jenkins after Lonsdale	Sir Humphrey Davy, Bart. P.R.S.	Engraving	Fisher, Son & Co. London & Paris			Image 111 x 90 mm, Sheet 211 x 130 mm			Sir Humphry Davy, Bt (1778-1829), chemist and inventor	10	£10		Print	Portraits	Scientific, Industrial & Medical						
7441			S.E. Guillaume, Cardinal du Bois	Copper engraving	a Paris chez Crepy rue St. Jaques n.d. c. 1723			Image 150 x 100, Pl.153 x 107 mm			Guillaume Dubois (September 6, 1656 – August 10, 1723) was a French cardinal and statesman.	10	£10	unmounted	Print	Portraits	Religious and Clerical						
7442		T. Holloway	Erasmus	Copper engraving	n.d. c. 1800			I 240 x 200 mm			Conditon: some light foxing	25	£25	unmounted	Print	Portraits	Philosophers						
7443		Trzel after Holbein	Didier Erasme [Erasmus]	Copper engraving	c. 1820			Image 93 x 88 mm				10	£10	unmounted	Print	Portraits	Philosophers						
7444		Ridley after Sir Joshua Reynolds	Adam Fergusson LLD & FRS	Stipple	Published by Vernor & Hood. 31 Poultry Augt. 1st 1799			I 83 x 75 mm oval			Adam Ferguson (1723-1816), Philosopher and writer Condition: some waterstaining in the margins not affecting image.	12	£12	unmounted	Print	Portraits	Philosophers						
7445		W. Ridley	Right Honble Edmund Burke	Stipple	n.d. c. 1799			Image 85 x 69 mm oval				10	£10	unmounted	Print	Portraits	British Political						
7446			Philipus IIII Dux Brab Hisp II Rex:	Copper engraving	16th century			Image 128 x 90 mm 			Philip II of  Spain (May 21, 1527 – September 13, 1598) Condition: Trimmed to image. Small loss to top right.  Overall a great impression	45	£45	unmounted	Print	Portraits	Foreign Royalty						
7447		Edward Harding	Charles Earl of Egremont	Stipple	Published 1 May 1799 by Eward Harding 98 Pall Mall			Image 150 x 125 mm oval, Pl. 210 x 160 mm			Charles Wyndham, 2nd Earl of Egremont PC (1710 – 21 August 1763), 	20	£20	unmounted	Print	Portraits	British Political						
7451		Thomas Sutherland after John Frederick Herring 	Jack Spigot, The Winner of the Great St. Leger at Doncaster, 1821	Aquatint with hand colouring	London, Pubd. by S & J Fuller, at their Sporting Gallery 34 Rathbone Place n.d. [1843]			Image 310 x 410 mm				750	£750	mounted	Print	Sports	Horse Racing	Racing					
7452		Thomas Sutherland after John Frederick Herring 	Theodore, the Winner of the Great St. Leger at Doncaster. 1822	Aquatint with hand colouring	London, Pubd. by S & J Fuller, at their Sporting Gallery 34 Rathbone Place n.d. [1843]			Image 112 x 425 mm				750	£750	mounted	Print	Sports	Horse Racing	Racing					
7453		Randolph Caldecott	The Mare broke her knees and the farmer his crown -A farmer went trotting upon his grey mare	Chromolithograph	circa 1875			I 130 x 80 mm				15	£15	mounted	Print	General Interest	Childrens Prints						
7454		Randolph Caldecott	Shall I go with you my pretty maid?	Chromolithograph	circa 1875			I 130 x 80 mm				15	£15	mounted	Print	General Interest	Childrens Prints						
7455		Randolph Caldecott	Then I can’t marry you my pretty maid!	Chromolithograph	circa 1875			I 130 x 80 mm				15	£15	mounted	Print	General Interest	Childrens Prints						
7456		Randolph Caldecott	Then pass arounfd the can my boys. For we must homeward go -The Fox jumps over the Parsons gate	Chromolithograph	circa 1875			I 130 x 80 mm				15	£15	mounted	Print	General Interest	Childrens Prints						
7463		Emeik & Ringer	Standards of Old England	Chromolithograph	15 Holborn Viaduct E.C Circa 1920			I 266 x 170 mm				50	£50	mounted	Print	General Interest	Military						
7464			Merton College, from the fields	Pencil drawing	Circa 1880							40	£40	mounted	Print	Oxford	Merton College						
7466		J. Roper after G. Cole	Oxfordshire	Copper engraving with hand colouring	London; Published for the Proprietors, by Vernor & Hood, Poultry; Oct.1st, 1807.			I: 175 x 224 mm				40.00	£40	mounted	Map	English Counties	Oxfordshire						
7469		F. Mackenzie	Stone Pulpit Etc. in Combe Church	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7470		F. Mackenzie	Rectorial Farmhouse and Church of Deddington	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7471		F. Mackenzie	Part of a Monument in Stanton Harcourt Church	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7472		F. Mackenzie	Cover of an Ancient Chimney on the Manor-House at Old Woodstock	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7473		F. Mackenzie	The Church of Shipton Upon Cherwell	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7474		F. Mackenzie	In the garden of the Vicarage at Ensham	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7475		F. Mackenzie	South Porch & of Dorchester Church	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7476		F. Mackenzie	Barn on the Site of the Priory, Dorchester	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7477		F. Mackenzie	The Church of Clifton, Near Dorchester	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7478		F. Mackenzie	View of the Jesse window, Etc. Dorchester Church	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7479		F. Mackenzie	West View of the North Aisle in Dorchester Church	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7480		F. Mackenzie	Font in Chalgrove Church	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7481		F. Mackenzie	Quadrangle of the Hospital at Ewelme	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7482		F. Mackenzie	Free School at Ewelme	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7483		F. Mackenzie	Porch and Tower of Ewelme Church	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7484		F. Mackenzie	Font in Warborough Church	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7485		F. Mackenzie	The Rollright Stones	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7487		F. Mackenzie	Door head in the Chancel of Bloxham Church	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7488		F. Mackenzie	Entrance Tower etc at Broughton Castle	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7489		F. Mackenzie	Entrance of the Dining Room in Broughton Castle	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7490		F. Mackenzie	Effigies on the South Wall of Wigginton Church	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7491		F. Mackenzie	Prebendal House of Thame	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7492		F. Mackenzie	The Tomb of Quatremaine in Thame Church	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7493		F. Mackenzie	Ancient Part of the Mansion in Thame Park	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7495		F. Mackenzie	The Demolished Church of Churchill	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7496		F. Mackenzie	South Entrance to the Church of Chipping Norton	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7498		F. Mackenzie	The Former Church of Sarsden	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 57 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7499		F. Mackenzie	Parsonage House at Northmoor	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 57 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7500		F. Mackenzie	South Door of the Church of Great Rollright	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 57 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7501		F. Mackenzie	Font in Taynton Church	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 85 x 57 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7502		F. Mackenzie	Stone Vessel Found at Upper Milton	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 85 x 57 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7503		F. Mackenzie	Standlake Church	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 85 x 57 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7504		F. Mackenzie	Daubyngne’s Effigy	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 85 x 57 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7506		F. Mackenzie	Remains of Bampton Castle	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 85 x 57 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7507		F. Mackenzie	Witney from the Market Cross	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 85 x 57 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			15	£15	mounted	Print	British Topography	Oxfordshire						
7508		F. Mackenzie	Vicarage-House of Banbury	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 85 x 57 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7509		F. Mackenzie	Architectural fragments taken from the former Church of Banbury	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7510		F. Mackenzie	Calthorpe House	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7511		F. Mackenzie	Ancient Stone in Sandford Church	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7512		F. Mackenzie	Studley Priory	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7513		F. Mackenzie	Church &c. of Forest Hill	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7516		F. Mackenzie	Ancient Sculpture in Bicester Church	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7517		F. Mackenzie	S. Entrance to Fritwell Church	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7518		F. Mackenzie	Doorcase on the North Side of Newton-Purcell Church	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7519		F. Mackenzie	Porch of the Church and Manor-House of Pirton	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7520		F. Mackenzie	Distant View of Shiplake	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7521		F. Mackenzie	Remains of Former Buildings at Greys-Court	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7522		F. Mackenzie	Goring Church	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			10	£10	unmounted	Print	British Topography	Oxfordshire						
7524		F. Mackenzie	Capital of a Pillar in Bloxham Church	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm				10	£10	unmounted	Print	British Topography	Oxfordshire						
7526		F. Mackenzie	Steeple Barton Manor-House	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm				10	£10	unmounted	Print	British Topography	Oxfordshire						
7527		F. Mackenzie	Demolished Church of Bladon	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			Image 86 x 56 mm				10	£10	unmounted	Print	British Topography	Oxfordshire						
7528		F. Mackenzie	Paten in Cassington Church	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 86 x 56 mm				10	£10	unmounted	Print	British Topography	Oxfordshire						
7529		J. Skelton	Plan of the Roman Villa, discovered in the parish of Northleigh, Oxon in the years 1813, 1814, 1815 & 1816	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 650 x 224 mm	Skelton’s Antiquities of Oxfordshire 1823			25	£25	unmounted	Print	British Topography	Oxfordshire						
7530		J. Skelton	The Wilcotes Effigies in Northleigh Church	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 650 x 224 mm				25	£25	unmounted	Print	British Topography	Oxfordshire						
7531		J. Skelton	Stanton Harcourt Church, with Pope’s Tower and Ancient Kitchen	Copper engraving	Published as the Act directs Dec 1st 1823 By J. Skelton, Magdalen Bridge, Oxford			Image 216 x 268 mm				25	£25	unmounted	Print	British Topography	Oxfordshire						
7532		J. Skelton	The Wilcotes Effigies in Northleigh Church	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 650 x 224 mm				15	£15	unmounted	Print	British Topography	Oxfordshire						
7533		J. Skelton	Details in Stanton Harcourt Church, Oxon	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 670 x 225 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			25	£25	unmounted	Print	British Topography	Oxfordshire						
7534		J. Skelton	Church and Rectory House of Combe Oxon	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			Image 211 x 271mm				25	£25	unmounted	Print	British Topography	Oxfordshire						
7536		J. Skelton	Rousham the Seat of Lady Cotterell	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 650 x 224 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			25	£25	unmounted	Print	British Topography	Oxfordshire						
7537		J. Skelton	Effigies &c. in Dorchester Church Oxon	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 650 x 224 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			25	£25	unmounted	Print	British Topography	Oxfordshire						
7538		J. Skelton	South East View of Dorchester Church	Copper engraving	Published as the Act directs Jan 1st J1825 By J. Skelton, Magdalen Bridge, Oxford			Image 213 x 276 mm				30	£30	mounted	Print	British Topography	Oxfordshire						
7539		J. Skelton	Canopied Stalls &c. in Dorchester Church Oxon	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford				Joseph Skelton’s Antiquities of Oxfordshire 1823			25	£25	unmounted	Print	British Topography	Oxfordshire						
7540		J. Skelton	East end of Dorchester Church Oxon	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			Image 190 x 275 mm				25	£25	mounted	Print	British Topography	Oxfordshire						
7541		J. Skelton	Roman Intrenchment near Dorchester. Oxon	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			Image 224 x 212  mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			25	£25	unmounted	Print	British Topography	Oxfordshire						
7542		J. Skelton	Font Etc in Ewelm Church, Oxon	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 650 x 224 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			25	£25	unmounted	Print	British Topography	Oxfordshire						
7543		J. Skelton	The Chaucer and Suffolk Monuments & c. in Ewelme Church	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 650 x 224 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			25	£25	unmounted	Print	British Topography	Oxfordshire						
7544		J. Skelton	North East View of Adderbury Church	Copper engraving	Published as the Act directs 1st Nov 1824 By J. Skelton, Magdalen Bridge, Oxford			Image 212 x 285 mm				25	£25	unmounted	Print	British Topography	Oxfordshire						
7545		J. Skelton	West Entrance of Bloxham Church	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 650 x 224 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			25	£25	unmounted	Print	British Topography	Oxfordshire						
7546		J. Skelton	West End of Bloxham Church	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 650 x 224 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			25	£25	unmounted	Print	British Topography	Oxfordshire						
7548		J. Skelton	South View of Broughton Castle	Copper engraving	Published as the Act directs 1st Oct 1826By J. Skelton, Magdalen Bridge, Oxford			Image 208  x 284 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			25	£25	unmounted	Print	British Topography	Oxfordshire						
7549		J. Skelton	View from the Chancel of Broughton Castle	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 650 x 224 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			25	£25	unmounted	Print	British Topography	Oxfordshire						
7550		J. Skelton	Hanwell Castle in its former state	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			Image 205 x 270 mm				25	£25	mounted	Print	British Topography	Oxfordshire						
7551		J. Skelton	The Broughton Monument in Broughton Church	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 650 x 224 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			25	£25	unmounted	Print	British Topography	Oxfordshire						
7553		J. Skelton	Frontispiece to Skelton’s Illustrations of the Antiquities of Oxfordshire	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 650 x 224 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			25	£25	unmounted	Print	British Topography	Oxfordshire						
7554		J. Skelton	South East View of Thame Church Oxon	Copper engraving 	Published as the Act directs 1st March 1826 By J. Skelton, Magdalen Bridge, Oxford			Image 211 x 275 mm				40	£40	mounted	Print	British Topography	Oxfordshire						
7555		J. Skelton	Ricot Chapel and Remains of the Mansion	Copper engraving	Published as the Act directs 1st Oct 1826 By J. Skelton, Magdalen Bridge, Oxford			Image 213 x 276 mm				25	£25	unmounted	Print	British Topography	Oxfordshire						
7556		J. Skelton	Chapel of the Abbey in Thame Park, Oxon	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			Image 211 x 275 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			25	£25	unmounted	Print	British Topography	Oxfordshire						
7557		J. Skelton	South East View of Chipping Norton Church	Copper engraving 	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 650 x 224 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			25	£25	unmounted	Print	British Topography	Oxfordshire						
7558		J. Skelton	Shipton Court, the Seat of Sir John Reade, Bart	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 650 x 224 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			25	£25	unmounted	Print	British Topography	Oxfordshire						
7560		J. Skelton	Minster Lovel Church, Oxon	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 650 x 224 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			25	£25	unmounted	Print	British Topography	Oxfordshire						
7561		J. Skelton	Monuments in the Chancel of Swinbrook Church, Oxon	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 650 x 224 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			25	£25	unmounted	Print	British Topography	Oxfordshire						
7562		J. Skelton	Chastleton The seat of Arthur Jones Esq	Copper engraving	Published as the Act directs 1st Feb 1827 By J. Skelton, Magdalen Bridge, Oxford			Image 212 x 274 mm				25	£25	unmounted	Print	British Topography	Oxfordshire						
7563		J. Skelton	South Entrance & c. of Burford Church	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 650 x 224 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			25	£25	unmounted	Print	British Topography	Oxfordshire						
7564		J. Skelton	The Belfry of Burford Church Oxon	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 650 x 224 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			25	£25	unmounted	Print	British Topography	Oxfordshire						
7565		J. Skelton	Burford Priory Oxon	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 650 x 224 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			25	£25	unmounted	Print	British Topography	Oxfordshire						
7566		J. Skelton	East End of the North Aisle in Ducklington Church	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			Image 278 x 212 mm				25	£25	mounted	Print	British Topography	Oxfordshire						
7567		J. Skelton	North Transept of Witney Church Oxon	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			Image  280 x 212 mm				25	£25	mounted	Print	British Topography	Oxfordshire						
7568		J. Skelton	The Former Church of Banbury, Oxon	Copper engraving	Published as the Act directs 1st June 1825 By J. Skelton, Magdalen Bridge, Oxford			Image 207 x 288mm				25	£25	unmounted	Print	British Topography	Oxfordshire						
7569		J. Skelton	South West View of Bampton Church	Copper engraving	Published as the Act directs Aug 1st 1827 By J. Skelton, Magdalen Bridge, Oxford			Image 279 x 210 mm				25	£25	unmounted	Print	British Topography	Oxfordshire						
7571		J. Skelton	View of Ifley Church from the East End	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 650 x 224 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			25	£25	unmounted	Print	British Topography	Oxfordshire						
7572		J. Skelton	South Entrance of Ifley Church	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 650 x 224 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			25	£25	unmounted	Print	British Topography	Oxfordshire						
7573		J. Skelton	Middleton-Stoney Church, Oxon	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			Image 215 x 271mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			45	£45	mounted	Print	British Topography	Oxfordshire						
7574		J. Skelton	Shirburn Castle, Oxfordshire	Copper engraving	Published as the Act directs Nov 1 1824 By J. Skelton, Magdalen Bridge, Oxford			Image 207 x 277 mm				25	£25	unmounted	Print	British Topography	Oxfordshire						
7575		J. Skelton	Ancient Entrance Hall of Shirburn Castle	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			Image 281 x 221 mm				25	£25	mounted	Print	British Topography	Oxfordshire						
7576		J. Skelton	Church Etc of Henley on Thames	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			Image 211 x 275 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			25	£25	unmounted	Print	British Topography	Oxfordshire						
7577		J. Skelton	The Market Place of Watlington, Oxon	Copper engraving 	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			Image 285 x 210 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			40	£40	mounted	Print	British Topography	Oxfordshire						
7578		J. Skelton	Hardwicke House, The Seat of Philip Lybbe Powys, Esq.	Copper engraving 	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			Image 212 x 278 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			25	£25	unmounted	Print	British Topography	Oxfordshire						
7579		J. Skelton	South West View of Chinnnor Church	Copper engraving with hand colouring	Published as the Act directs March 1st 1827 By J. Skelton, Magdalen Bridge, Oxford			Image: 215 x 285mm				45.00	£45	mounted	Print	British Topography	Oxfordshire						
7582		F. Mackenzie	Hithe Bridge &c.	Copper engraving with handcolour	c. 1821			I 161 x 220 mm				80	£80	mounted	Print	Oxford	General Views						
7585		Randolph Caldecott	[Childrens Prints]	Chromolithograph	circa 1875			I 200 x 170 mm				15	£15	mounted	Print	General Interest	Childrens Prints						
7586			A Coalition betwixt The Fox & the Badger or the Honey Moon of their happy Union	Etching	Pubd. according to act by W. Humphry No. 227 Strand, 6th March 1783			Image 208 x 329 mm, Pl. 250 x 348 mm, S 276 x 400 mm			BM Satire 6186Fox North Coaltition	150	£150		Print	General Interest	Caricatures						
7587		Lionel Percy Smythe, R.A.	[Shrimpers]	Etching				Image 175 x 290 mm, Pl. 205 x 310 mm 			Signed and inscribed in pencilTo W.F. Mills with kindest regardsThe half-brother of W L Wyllie, Lionel Percy Smythe was born on 4 September 1839. He was educated in Paris and London, at King’s College School and Heatherley’s School of Art. He was a friend of John William North, and can be associated with him and other English ‘Idyllist’ painters in his delicate approach to painting. However, he spent much of his life from his childhood onwards at Wimereux in Normandy, and he often painted the landscape and life of the area. Between 1879 and 1882, he and his family occupied a Napoleonic fortress on the dunes near Boulogne, a building which was eventually engulfed by the sea. They then moved to the Chateau d’Honvault, on a hill between Wimereux and Ambleteuse, which then remained the principal home. Smythe had begun to exhibit his work in 1860, at leading London and provincial venues, including the Royal Academy. He was elected to the membership of the Royal Institute of Painters in Water-colours (1880), the Royal Society of Painters in Oils (1883), the Royal Society of Painters in Water-Colours (ARWS 1892, RWS 1894) and the Royal Academy (ARA 1898, RA 1911). He died on 10 July 1918.	400	£400	framed	Print	Victorian							
7594		Kono Bairei (1844-1895)	Rika [Pear Blossom] from Sôka [kusabana] hyaku shu (One Hundred Varieties of Flowering Plants)	Woodblock print	Date [Western]: 1901. Date [Japanese]: Meiji 34. Publisher: Yamada Unsodo.			Single sheet. 180 x 127 mm	Fourth Volume 		Edited posthumously by Kono Seiko. See Kenji Toda, ‘The Ryerson Collection of Japanese and Chinese Illustrated Books (Chicago: 1931). 	45	£45	mounted	Print	Japanese	Kacho-e						
7598		Kono Bairei (1844-1895)	From Sôka [kusabana] hyaku shu (One Hundred Varieties of Flowering Plants)	Woodblock print	Date [Western]: 1901. Date [Japanese]: Meiji 34. Publisher: Yamada Unsodo.			Diptych. 180 x 127 mm	Fourth Volume 		Edited posthumously by Kono Seiko. See Kenji Toda, ‘The Ryerson Collection of Japanese and Chinese Illustrated Books (Chicago: 1931). 	60	£60	mounted	Print	Japanese	Kacho-e						
7603		after Thomas Hudson	Admiral Sir Charles Hardy	Copper engraving	Published as the Act Directs by Fielding & Walker Decr 1, 1779			Image 155 x 97 mm, Pl. 175 x 115 mm			Sir Charles Hardy (c.1714 – May 18, 1780) born Portsmouth, England, was a British naval officer and colonial governor.	40	£40	unmounted	Print	Portraits	Military and Naval						
7604		Ravenet	Cromwell, [Oliver]	Copper engraving				Image 84 mm circular, Pl. 98 x 98 mm				12	£12	unmounted	Print	Portraits	British Political						
7605		Drawn and Engraved by T. Holloway after Sir Peter Lely	Charles II	Copper engraving	Published as the Act directs January 1st by T. Cadell. Strand	1788	1788	I. 178 x 111 mm				20	£20	unmounted	Print	Portraits	British Royalty						
7606		W & J Walker after J. Walker	John Throsby	Copper engraving	Published by J. Throsby, Leicester SEp 17th 1791 & Sold by J. Walker No 16 Rosoman’s St. London			Pl. 200 x 163 mm				20	£20	unmounted	Print	Portraits	Historians						
7607		J. Drapentier	Effigies Johannis Todd A.M. Ano Aetatis suae 25 Aug; 28 1691	Copper engraving	n.d. c. 1691			Image 247 x 170 mm, Pl. 255 x 175 mm				25	£25	unmounted	Print	Portraits	Religious and Clerical						
7608		Engraved by R. Page 	Jeffery Hudson, Aged 30 year, 18 inches high. Dwarf to King Charles the First	Engraving				I. 151 x 156 mm				30	£30	unmounted	Print	Portraits	British Royalty						
7609		Engraved by Bannerman	David Bruce II	Engraving				I. 90 x 71 mm				10	£10	unmounted	Print	Portraits	British Royalty						
7610			Mary Tofts [Toft] of Godalmin the Pretended Rabbit Breeder	Copper engraving	Published Jany 1st 1810 by Wm. Richardson Junr., 31 Strand						O’DMary Tofts (c. 1701-1763) was a maidservant from Godalming, England who in 1726 became the subject of considerable controversy when she hoaxed doctors into believing that she had given birth to at least sixteen rabbits.	30	£30	unmounted	Print	Portraits	Curiosities						
7611		Unknown	Maria Stuart Scotia.	Copper engraving				I. 99 x 65 mm				25	£25	unmounted	Print	Portraits	British Royalty						
7613		Engraved by Neagle	Queen Mary	Engraving	Published 31st July 1812 by I. Stockdale Piccadilly	1812	1812	I. 101 x 85 mm				5	£5	unmounted	Print	Portraits	British Royalty						
7614		R. Houston	Henry VIII	Mezzotint	Printed for E. Bakewell & H. Parker, in Cornhill London			I. 200 x 226 mm				50	£50	unmounted	Print	Portraits	British Royalty						
7615		Engraved A. De Blois	Charles II	Engraving				I. 285 x 180 mm				40	£40	unmounted	Print	Portraits	British Royalty						
7617		J. Audran after Wander Werff	Henriette Anne D’Angletterre (Daughter of King Chalrles I)	Copper engraving				I. 295 x 175 mm				10	£10	unmounted	Print	Portraits	British Royalty						
7618			The Rt. Hon. Sarah Sophia Countess of Jersey	Copper engraving	Published by G.B. Whittaker for La Belle Assemblee No 15 New Series March 1, 1826			Image 145 x 122 mm			Sarah Sophia, Countess of Jersey (1785-1867), Wife of 5th Earl of Jersey 	10	£10		Print	Portraits	British Nobility						
7619		R. Page	Shakespeare	Stipple				Image 70 x 48 mm				5	£5	unmounted	Print	Portraits	Literary and Poetic						
7620		P.a Gunft after Vander Warff	Marie	Copper engraved				I. 296 x 175 mm				35 	£35	unmounted	Print	Portraits	British Royalty						
7621			Shakespeare Stratford upon Avon	Copper engraving				Image 190 x 63 mm				5	£5	unmounted	Print	Portraits	Literary and Poetic						
7622			Shakespeare	Stipple				image 60 x 60 mm vignette				5	£5	unmounted	Print	Portraits	Literary and Poetic						
7623		B. Holl after G. Vertue	Queen Mary	Engraving				I. 108 x 89 mm				5	£5	unmounted	Print	Portraits	British Royalty						
7624		Taylor after G. Kneller	George the First	Copper engraving	Published as the Act direce, July 18th 1788	1788	1788	I. 188 x 160 mm				45	£45	unmounted	Print	Portraits	British Royalty						
7625		J. Chapman 	Henry V	Stipple	Published as the Act directs Aug. 1 1795			I. 104 x 83 mm				5	£5	unmounted	Print	Portraits	British Royalty						
7627		Dupin after Desrais	George III	Engraving				I. 110 x 159 mm				75	£75	unmounted	Print	Portraits	British Royalty						
7629		Unknown	Charles I	Engraving				I. 107 x 175 mm				25	£25	unmounted	Print	Portraits	British Royalty						
7630		I. Cochran after F.W. Wilkin	The Rt. Hon Harriet Charlotte Beaujolois Viscountess Tullamore	Copper engraving	Published by G.B. Whittaker for La Belle Assemblee NO. 11 New Series May 1, 1826			I 153 x 125 mm			Harriet Charlotte Beaujolois (Campbell), Countess of Charleville (died 1848), Wife of Charles William Bury, 2nd Earl of Charleville 	10	£10	unmounted	Print	Portraits	British Nobility						
7632		J. Le Keux after F. Mackenzie	The Clarendon Building and Broad Street	Steel engraving with hand colouring	Published Feb 1st 1837 by J.H Parker OxfordC. Tilt Fleet St London & J Le Keux Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40	mounted	Print	Oxford	Broad Street Views						
7633		C. Knight after George Romney	Bacchante.	Stipple engraving printed in colour	London: Pub. by C. Knight at Mr. Bradshaw’s Brewer Street JUn e17th 1797.			Image 321 x 266 mm, Pl. 380 x 305 mm			Horne 45, iii/iiiEmma Hart, later Lady Hamilton (1765-1815), Mistress of Lord NelsonGeorge Romney (1734-1802), the celebrated portrait painter was obsessed with Emma Hart. 	700	£700	framed	Print	Portraits	Mistresses, Courtiers and Socialites						
7634		J. Le Keux after F. Mackenzie	The Interior of the Cathedral (The organ screen & Seats Removed)	Steel engraving	Published Feb. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 133 x 105 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35	£35	mounted	Print	Oxford	Christ Church College						
7635		J. Le Keux after F. Mackenzie	Merton College Chapel from the S.W. 	Steel engraving	Published Feb. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 133 x 105 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35	£35	mounted	Print	Oxford	Merton College						
7636		James Godby after Giovanni Battista Cipriani	Locke.	Stipple	Published & Sold Augt. 1 1815 by Edwrd. Orme Bond St. corner of Brook St. London			Image 333 x 245 mm vignette, Sheet 455 x 280 mm			John Locke (1632-1704)Condtion: Centrefold crease	45	£45	unmounted	Print	Portraits	Philosophers						
7637		J. Greig	St Mary’s Church	Copper engraving	Published by Cook & Parker, Oxford  - Longman, Hurst, Rees and Orme London March 1 1810			I 112 x 80 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			30	£30	unmounted	Print	Oxford	Oxford Churches						
7638		J. Greig	The School’s Tower	Copper engraving	Published by Cook & Parker, Oxford  - Longman, Hurst, Rees and Orme London March 1 1810			I 112 x 80 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			30	£30	mounted	Print	Oxford	Examination School						
7639		J. Greig	Hertford Coll. Chapel & Radcliffe’s Library	Copper engraving	Published by Cook & Parker, Oxford  - Longman, Hurst, Rees and Orme London March 1 1810			I 112 x 80 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			30	£30	mounted	Print	Oxford	Hertford College						
7640		J. Greig	Worcester College	Copper engraving	Published by Cook & Parker, Oxford  - Longman, Hurst, Rees and Orme London March 1 1810			I 112 x 80 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			30	£30	mounted	Print	Oxford	Worcester College						
7641		James Godby after Giovanni Battista Cipriani	Sir Christopher Wren	Stipple	Published & Sold Augt. 1, 1815 by Edward Orme Bond St., corner of Brook St. London			Image Sheet 374 mm x 257 mm			Condition: Centrefold crease and some light foxing	50	£50	unmounted	Print	Portraits	Architetcts						
7643		J. Greig	Wadham College Chapel	Copper engraving	Published by Cook & Parker, Oxford  - Longman, Hurst, Rees and Orme London March 1 1810			I 112 x 80 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			30	£30	mounted	Print	Oxford	Wadham College						
7644		J. Greig	Jesus College	Copper engraving	Published by Cook & Parker, Oxford  - Longman, Hurst, Rees and Orme London March 1 1810			I 112 x 80 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			30	£30	mounted	Print	Oxford	Jesus College						
7645		J. Greig	St John’s College 	Copper engraving	Published by Cook & Parker, Oxford  - Longman, Hurst, Rees and Orme London March 1 1810			I 112 x 80 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			30	£30	mounted	Print	Oxford	St. John’s College						
7646		J. Greig	Trinity College from the Garden	Copper engraving	Published by Cook & Parker, Oxford  - Longman, Hurst, Rees and Orme London March 1 1810			I 112 x 80 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			30	£30	mounted	Print	Oxford	Trinity College						
7647		J. Greig	Part of Peckwater Square	Copper engraving	Published by Cook & Parker, Oxford  - Longman, Hurst, Rees and Orme London March 1 1810			I 112 x 80 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			30	£30	mounted	Print	Oxford	Christ Church College						
7648		J. Greig	Hall of Christ Church College	Copper engraving	Published by Cook & Parker, Oxford  - Longman, Hurst, Rees and Orme London March 1 1810			I 112 x 80 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			30	£30	mounted	Print	Oxford	Christ Church College						
7649		J. Greig	The Cathedral	Copper engraving	Published by Cook & Parker, Oxford  - Longman, Hurst, Rees and Orme London March 1 1810			I 112 x 80 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			30	£30	mounted	Print	Oxford	Christ Church College						
7650		J. Greig	Front of Corpus Christi College	Copper engraving	Published by Cook & Parker, Oxford  - Longman, Hurst, Rees and Orme London March 1 1810			I 112 x 80 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			30	£30	mounted	Print	Oxford	Corpus Christi College						
7651		J. Greig	Brase Nose College	Copper engraving	Published by Cook & Parker, Oxford  - Longman, Hurst, Rees and Orme London March 1 1810			I 112 x 80 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			30	£30	mounted	Print	Oxford	Brasenose College						
7652		J. Greig	Front of Brasenose College	Copper engraving	Published by Cook & Parker, Oxford  - Longman, Hurst, Rees and Orme London March 1 1810			I 112 x 80 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			30	£30	mounted	Print	Oxford	Brasenose College						
7653		J. Greig	The Old Gate Magdalen College	Copper engraving	Published by Cook & Parker, Oxford  - Longman, Hurst, Rees and Orme London March 1 1810			I 112 x 80 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			30	£30	mounted	Print	Oxford	Magdalen College						
7654		J. Greig	Magdalen College Chapel	Copper engraving	Published by Cook & Parker, Oxford  - Longman, Hurst, Rees and Orme London March 1 1810			I 112 x 80 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			30	£30	mounted	Print	Oxford	Magdalen College						
7655		J. Greig	All Souls College	Copper engraving	Published by Cook & Parker, Oxford  - Longman, Hurst, Rees and Orme London March 1 1810			I 112 x 80 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			30	£30	mounted	Print	Oxford	All Souls College						
7657		J. Greig	New College Hall & Chapel	Copper engraving	Published by Cook & Parker, Oxford  - Longman, Hurst, Rees and Orme London March 1 1810			I 112 x 80 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			30	£30	mounted	Print	Oxford	New College						
7660		J. Greig	Oriel College	Copper engraving	Published by Cook & Parker, Oxford  - Longman, Hurst, Rees and Orme London March 1 1810			I 112 x 80 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			30	£30	mounted	Print	Oxford	Oriel College						
7661		J. Greig	Part of Exeter College	Copper engraving	Published by Cook & Parker, Oxford  - Longman, Hurst, Rees and Orme London March 1 1810			I 112 x 80 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			30	£30	mounted	Print	Oxford	Exeter College						
7662		J. Greig	Front of Balliol College	Copper engraving	Published by Cook & Parker, Oxford  - Longman, Hurst, Rees and Orme London March 1 1810			I 112 x 80 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			30	£30	mounted	Print	Oxford	Balliol College						
7663		J. Greig	Part of University College	Copper engraving	Published by Cook & Parker, Oxford  - Longman, Hurst, Rees and Orme London March 1 1810			I 112 x 80 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			30	£30	mounted	Print	Oxford	University College						
7664		J. Greig	Merton College Chapel	Copper engraving	Published by Cook & Parker, Oxford  - Longman, Hurst, Rees and Orme London March 1 1810			I 112 x 80 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			30	£30	mounted	Print	Oxford	Merton College						
7665		J. Greig	Merton College inner quadrangle	Copper engraving	Published by Cook & Parker, Oxford  - Longman, Hurst, Rees and Orme London March 1 1810			I 112 x 80 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			30	£30	mounted	Print	Oxford	Merton College						
7667		J. Greig	Front of Corpus Christi	Copper engraving	Published by Cook & Parker, Oxford  - Longman, Hurst, Rees and Orme London March 1 1810			I 112 x 80 mm	A History of the Colleges, Halls and Public Buildings attached to the Lives of the Founders by Alex Chalmers, F.S.A Illustrated by a series of engravers			30	£30	mounted	Print	Oxford	Corpus Christi College						
7668		O.Jewitt	The Rectory House (Iffley)	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 100 x 77 mm	From the book by Ingram (James) and Le Keux (John) 1834 - 1837 Memorials of Oxford. Plan of Oxford, 100 Steel engravings, by John Le Keux after Fredeirck Mackenzie and 212 Wood-engravings in the text			12	£12	mounted	Print	Oxford	Oxford Churches						
7669		O. Jewitt	General View of the Church from the N.E. 	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Oxford Churches						
7670		O. Jewitt	Binsey Church	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Oxford Churches						
7671		O. Jewitt	Ruins of Rewley Abbey	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Oxford Churches						
7673		O. Jewitt	The Old Church (St Clement’s)	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Oxford Churches						
7674		O. Jewitt	East View of the Church and Manor House (Holywell)	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford		Holywell Music Room	15	£15	mounted	Print	Oxford	General Views						
7675		O. Jewitt	The North Aisle (St Giles’s Church)	Wood engraving	circa 1830			I 110 x 80 mm	Ingrams’ Memorials of Oxford			25	£25	mounted	Print	Oxford	Oxford Churches						
7677		O. Jewitt	Kettel Hall; Built in 1615 (St Mary Magdalene)	Wood engraving	circa 1830			I 110 x 80 mm	Ingrams’ Memorials of Oxford			25	£25	mounted	Print	Oxford	Magdalen College						
7679		O. Jewitt	Tomb of John Noble, 1522 (St Aldate’s)	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Oxford Churches						
7680		O. Jewitt	Old Buildings in the High Street, 1834	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	High Street Views						
7682		O. Jewitt	South View of Bocardo 1770, after Malchair	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	General Views						
7683		Jewitt	New Building; 1835 	Wood engraving	John Parker, H. Slatter and W. Graham. 1870			I 170 x 115 mm	Memorials of Oxford			25	£25	mounted	Print	Oxford	Botanic Garden						
7684		O. Jewitt	Plan of the Garden, from Loggan; 1675	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Botanic Garden						
7685		O. Jewitt	The Anatomy	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	General Views						
7688		O. Jewitt	The New University Printing-House	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			12	£12	mounted	Print	Oxford	General Views						
7690		O. Jewitt	East End of the Cathedral, Christ Church	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			Image 100 x 62 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Christ Church College						
7691		O. Jewitt	Part of the South Transept and Cloister, with the Entrance to the Chapter- House	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Christ Church College						
7692		O. Jewitt	The “Fayre-Gate,” or Entrance to the Great Quadrangle, Commonly called Tom-Gate	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			12	£12	mounted	Print	Oxford	Christ Church College						
7693		O. Jewitt	Canterbury-Gate; Rebuilt 1778 (Christchurch)	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Christ Church College						
7694		O. Jewitt	The Old Library in its Present State, 1833 (Christchurch)	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			Image 100 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Christ Church College						
7695		O. Jewitt	The Hall - University College	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			Image 98 x 77 mm	Memorials of Oxford			12	£12	mounted	Print	Oxford	University College						
7696		O. Jewitt	Gateway of the smaller Quadrangle (University College)	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			12	£12	mounted	Print	Oxford	University College						
7697		Jewitt	Entrance to the Chapel - Balliol College	Wood engraving	John Parker, H. Slatter and W. Graham. 1870			I 170 x 115 mm	Memorials of Oxford			25	£25	mounted	Print	Oxford	Balliol College						
7698		O. Jewitt	Entrance Gateway - Merton College	Wood engraving	circa 1830			I 110 x 80 mm	Memorials of Oxford			10	£10	mounted	Print	Oxford	Merton College						
7699		O. Jewitt	Merton College - The Treasury	Wood engraving	circa 1830			I 110 x 80 mm				10	£10	mounted	Print	Oxford	Merton College						
7700		O. Jewitt	View from the Turl in 1832, Exeter College	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Exeter College						
7701		O. Jewitt	Old Gateways; Palmers Tower, &c. [Exeter College]	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Exeter College						
7702		O.Jewitt	The Chapel - Oriel College	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 84 x 64 mm	From the book by Ingram (James) and Le Keux (John) 1834 - 1837 Memorials of Oxford. Plan of Oxford, 100 Steel engravings, by John Le Keux after Fredeirck Mackenzie and 212 Wood-engravings in the text			40	£40	framed	Print	Oxford	Oriel College						
7703		O.Jewitt	The Library- Oriel College	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 84 x 64 mm	From the book by Ingram (James) and Le Keux (John) 1834 - 1837 Memorials of Oxford. Plan of Oxford, 100 Steel engravings, by John Le Keux after Fredeirck Mackenzie and 212 Wood-engravings in the text			40	£40	framed	Print	Oxford	Oriel College						
7704		O. Jewitt	Window of the Old Chapel - Queen’s College	Wood engraving	circa 1830			I 110 x 80 mm	Ingrams’ Memorials of Oxford			25	£25	mounted	Print	Oxford	Queen’s College						
7706		O. Jewitt	New College - Interior of the Cloisters	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	New College						
7707		O. Jewitt	West End of the Library -All Souls College	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			Image 50 x 67mm	Memorials of Oxford			12	£12	mounted	Print	Oxford	All Souls College						
7708		O. Jewitt	Tower Gateway from the Old Quadrangle- All Souls College	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			12	£12	mounted	Print	Oxford	All Souls College						
7709		O. Jewitt	The Chapel from the Garden - Lincoln College	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 100 x 77 mm	From the book by Ingram (James) and Le Keux (John) 1834 - 1837 Memorials of Oxford. Plan of Oxford, 100 Steel engravings, by John Le Keux after Fredeirck Mackenzie and 212 Wood-engravings in the text			40	£40	framed	Print	Oxford	Lincoln College						
7711		O. Jewitt	New College - The Antechapel	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	New College						
7712		O. Jewitt	New College - The West Door of the Chapel	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	New College						
7713		J. Le Keux after F. Mackenzie	The Library, Christchurch	Steel engraving	Published Feb. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 133 x 105 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35	£35	mounted	Print	Oxford	Christ Church College						
7714		J. Le Keux after F. Mackenzie	Magdalen Church, From Broad Street	Steel engraving	Published April. 1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 143 x 92mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	30	£30	mounted	Print	Oxford	Oxford Churches						
7715		O. Jewitt	The Great Gate of the Schools; 1619	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			Image 95 x 87 mm	Memorials of Oxford			12	£12	mounted	Print	Oxford	Bodleian Library						
7716		O. Jewitt	Part of the Warden’s lodgings - Merton College	Wood engraving	circa 1830			I 110 x 80 mm				10	£10	mounted	Print	Oxford	Merton College						
7717		O. Jewitt	The Present Hall &c. Begun 1729- All Souls College	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			12	£12	mounted	Print	Oxford	All Souls College						
7718		O. Jewitt	Neele’s View of University College in 1566	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 84 x 64 mm	From the book by Ingram (James) and Le Keux (John) 1834 - 1837 Memorials of Oxford. Plan of Oxford, 100 Steel engravings, by John Le Keux after Fredeirck Mackenzie and 212 Wood-engravings in the text			40	£40	framed	Print	Oxford	University College						
7719		O. Jewitt	Fascimile of Neele’s drawing 1566 from the Original in the Bodleian Library	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Christ Church College						
7720		O. Jewitt	The “Fayre Gate” or entrance ot the Great Quadrangle, commonly called Tom -Gate	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Christ Church College						
7721		O. Jewitt	Part of the South Transept and Cloister with the entrance to the Chapter House	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Christ Church College						
7722		O. Jewitt	The Pomfret Gallery	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Divinity School						
7723		O. Jewitt	Duke Humphrey’s Library 1566 - Bodleian Library	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 53 x 74 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Bodleian Library						
7724		G. Vertue	Edward V	Engraving		18 th C.	18	I. 181 x 281 mm				15	£15	unmounted	Print	Portraits	British Royalty						
7726		Guignion after Wale	Edward II	Engraving				I. 230 x 156 mm				6	£6	unmounted	Print	Portraits	British Royalty						
7727		O. Jewitt	New Inn Hall - Old Buildings; Reduced from Loggan	Wood engraving	circa 1830			I 110 x 80 mm	Ingrams’ Memorials of Oxford			12	£12	mounted	Print	Oxford	New College						
7728		O. Jewitt	Magdalene Hall -Stone House Near the Old Hall	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			25	£25	mounted	Print	Oxford	Merton College						
7729		G. Vertue	Henry III	Engraving		18th C. 	18	I. 181 x 279 mm				15	£15	unmounted	Print	Portraits	British Royalty						
7730		O. Jewitt	Magdalene Hall - Front of Old Magdalene Hall	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			25	£25	mounted	Print	Oxford	Merton College						
7731		O. Jewitt	St Mary Hall - New Front of the Principal’s Lodgings	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Oriel College						
7732		Charles Turner	Charles Prince of Wales	Mezzotint		18th C. 	18	I. 231 x 303 mm				25	£25	unmounted	Print	Portraits	British Royalty						
7733		O. Jewitt	Worcester College - Archway leading to the Garden	Wood engraving	circa 1830			I 110 x 80 mm	Ingram’s Memorials of Oxford			15	£15	mounted	Print	Oxford	Worcester College						
7734		O. Jewitt	St Mary Hall - Hall, Chapel on the site of Bedell Hall	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Oriel College						
7735		O. Jewitt	Worcester College - Front of the College	Wood engraving	circa 1830			I 110 x 80 mm	Ingram’s Memorials of Oxford			15	£15	mounted	Print	Oxford	Worcester College						
7738		W. Dobson	Charles I	Engraving				I. 37 x 47 mm				15	£15	unmounted	Print	Portraits	British Royalty						
7740		O. Jewitt	Chapel - Brasenose College	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			15	£15	mounted	Print	Oxford	Brasenose College						
7741		O. Jewitt	Entrance Gateway Erected in 1635 - Magdalene College	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			25	£25	mounted	Print	Oxford	Magdalen College						
7742		Unknown	James Duke of Berwick (Son of James II)		printed for J. Hinton at the Kings Arms in Paternoster Row	18th C. 	18	I. 148 x 95 mm				5	£5	unmounted	Print	Portraits	British Royalty						
7743		Heath	Edward II	Stipple		18th C.	18	I. 104 x 85 mm				5	£5	unmounted	Print	Portraits	British Royalty						
7744		Heath	Edward IV	Stipple		18th C.	18	I. 105 x 84 mm				5	£5	unmounted	Print	Portraits	British Royalty						
7746		Unknown	King Edward the Sixth	Steel engraving	The London Printing and Publishing Company Limited	19th C.	19	I. 90 x 118 mm				8	£8	unmounted	Print	Portraits	British Royalty						
7747		James Caldawall	William III	Engraving	Published August 21 1790, by T. Cadell, and R. Baldwin	1790	1790	I. 110 x 173 mm				5	£5	unmounted	Print	Portraits	British Royalty						
7749		E. Scriven	His Royal Highness the Prince of Wales	Stipple	London Dec. 1st 1806 sold by Bell and Co. No 254 High Holburn	1806	1806	I. 157 x 214 mm				15	£15	unmounted	Print	Portraits	British Royalty						
7750		Unknown	His Royal Highness the Duke of Kent	Stipple	Published by Bell and Co. No 254 High Holburn	1806	1806	I. 157 x 214 mm				12	£12	unmounted	Print	Portraits	British Royalty						
7751		Unknown	King Henry the Seventh	Copper engraving		18th C.	18	I. 158 x 232 mm				10	£10	unmounted	Print	Portraits	British Royalty						
7753		Unknown	Edward the Second 	Copper engraving				I. 175 x 127 mm				25	£25	unmounted	Print	Portraits	British Royalty						
7756		Boitard	Henry VII	Copper engraving				I. 90 x 82 mm				5	£5	unmounted	Print	Portraits	British Royalty						
7757		Unknown	Edward Prince of Wales	Engraving				I. 71 x 88 mm				3	£3	unmounted	Print	Portraits	British Royalty						
7758		Dixon	Richard III	Copper engraving				I. 88 x 79 mm				5	£5	unmounted	Print	Portraits	British Royalty						
7762		William Hogarth	Decimation	Etching				Image 32 x 70 mm, Pl. 45 x 80 mm	From Fouteen Illustraions for Beaver’s Roman Military Punishments, 1725		Paulson 59No text on back	150	£150	mounted	Print	General Interest	Hogarth						
7764		Moule, Thomas 	City and University of Oxford	Copper engraved map with later hand colour	c. 1840			257 x 184 mm			Originally a writer on Heraldry and general antiquities, Moule was born in Marylebone, London. From around 1816 to 1823 he was a Bookseller, his shop was in Grosvenor Square, London. He then became an inspector of letters in the General Post Office, where his responsibilities included trying to 'read' illegible hand writing! His highly decorative series of county maps were first published in separate issues for each county between 1830 and 1832. In 1836 these were brought together in one work, by George Virtue & Co. They continued to appear in Rev. Barclay's Dictionary into the 1840's.	90	£90	mounted	Map	Oxford	Oxford Maps						
7767		Von Stulpnagel, F.	Australia	Copper engraving		1850	1850	I. 405 x 310 mm				150	£150	unmounted	Map	Australasia & Pacific							
7770		Hall, Sidney	England and Wales	Steel engraved map with hand colour	London, Longman & Co.			505 x 410 mm				100	£100	unmounted	Map	England & the British Isles	England						
7776		Valk	Regnum Scotiae, seu pars septent: Magnae Britanniae, divisa in Scotiam septent: et australem…	Copper engraved with hand colouring	1705			460 x 580 mm				520	£520	unmounted	Map	Scotland, Ireland & Wales	Scotland						
7778		Unknown	The Jacobite Journal	Woodcut				I. 184 x 111 mm				10	£10	unmounted	Print	General Interest	Jacobite						
7793		James Ward	Portrait of a Shorn Ewe of the New Liecestershire Stock   Fed by his grace Duke of Bedford & produced at the Grand Show of Cattle in Smithfield on Sarturdat 14 Dec. 1799	Aquatint		1799	1799	I. 351 x 266 mm			Francau, Boalch 146James Ward, R.A. 1769-1859 Painter and engraver	1400	£1,400	framed	Print	General Interest	Farm Animals						
7794		John Raphael Smith after William Lawranson	Palemon and Lavinia	Mezzotint	Publish’d 10 Nov.r 1780 by Ja. s Birchall N. 473 Strand, & J. R. Smith, No. 10 Batemans Buildings , Soho Square	1780	1780	I. 458 x 353 mm Pl. 504 x 354 mm 			C. S. 184, Francau 264, D’Oench 164William Lawrenson (17?) was an Irish genre painter	850	£850	framed	Print	Fine Prints	18th Century 						
7796		Henry Meyer after Alfred E. Chalon R.A.	His Serene Highness Leopold George, Christian, Frederick, Duke of Saxon Prince of Saxe Coburg Saalfeld	Stipple	Published July 20th 1816 at R. Ackermann’s 101 Strand. London	1816	1816	I. 355 x 241 mm Pl. 403 x 250 mm			Prince Leopold of Saxe-Sallfield-Coburg, (1790-1865), married Princess Charlotte of Wales in 1817. In 1831, he was elected King of the Belgians.Ex. Col Vivian Greene	400	£400	framed	Print	Portraits	British Royalty						
7797		Day & Son lith to the Queen after I. Shaw	The Cathedral Church and Close of Lichfield	Lithograph	Published by T.G. Lomax, The Johnson’s Head			I 294 x 430 mm; S. 437 x 562 mm				150	£150	mounted	Print	British Topography	Staffordshire						
7798		N. Whittock	Kenilworth Castle	Lithograph	Printed by Reaman, London Circa 1821			I 430 x 295 mm; S 560 x 415 mm				250	£250	mounted	Print	British Topography	Warwickshire						
7799		Henry Burn	Northampton from Huntsbury Hill	Lithograph	Printed by R.B. Moody & Co. Litho Office 12 Cannor St. Birmingham			I  300 x 480 mm; S 380 x 535 mm				250	£250	mounted	Print	British Topography	Northamptonshire						
7800		Engelmann	Suisse _ Jeux et l’sagesInterior d’un chalet fabrication du fromage et du beurre	Lithograph	Circa 1826			I 250 x 182 mm				60	£60	mounted	Print	Foreign Topography	Switzerland						
7801		Engelmann	Suisse _ Costumes modernesCanton de Berne	Lithograph	Circa 1826			I 250 x 182 mm				60	£60	mounted	Print	Foreign Topography	Switzerland						
7802		Engelmann	Suisse _ Jeune Fille de la villeCanton de Berne	Lithograph	Circa 1826			I 250 x 182 mm				60	£60	mounted	Print	Foreign Topography	Switzerland						
7803		Engelmann	Suisse _ Costumes ModernesCanton de Schwyz	Lithograph	Circa 1826			I 250 x 182 mm				60	£60	mounted	Print	Foreign Topography	Switzerland						
7807		Newman & Co.	Great Malvern	Lithograph with hand colouring	Published by Henry Manning, Great Malvern 48 Watling St. 19th Century			I 381 x 250 mm				200	£200	mounted	Print	British Topography	Worcestershire						
7809		Haller after Konig	Berne: Berere d’Oberhasli	Lithograph with hand colouring	Published by F.N. Konig, Berne Sept. 1822			I 180 x 130 mm; S 270 x 210 mm	From a suite of prints Nouvelle Collection de Costumes			120	£120	mounted	Print	Foreign Topography	Switzerland						
7810		Haller after Konig	Jean Roth, Chasseux aux Chamois a Grindelwald	Lithograph with hand colouring	Published by F.N. Konig, Berne Sept. 1822			I 180 x 130 mm; S 270 x 210 mm	From a suite of prints Nouvelle Collection de Costumes			120	£120	mounted	Print	Foreign Topography	Switzerland						
7811		Haller after Konig	Lucerne	Lithograph with hand colouring	Published by F.N. Konig, Berne Sept. 1822			I 180 x 130 mm; S 270 x 210 mm	From a suite of prints Nouvelle Collection de Costumes			120	£120	mounted	Print	Foreign Topography	Switzerland						
7812		Haller after Konig	Unterwalden	Lithograph with hand colouring	Published by F.N. Konig, Berne Sept. 1822			I 180 x 130 mm; S 270 x 210 mm	From a suite of prints Nouvelle Collection de Costumes			120	£120	mounted	Print	Foreign Topography	Switzerland						
7813		Haller after Konig	Laitiere bernoise	Lithograph with hand colouring	Published by F.N. Konig, Berne Sept. 1822			I 180 x 130 mm; S 270 x 210 mm	From a suite of prints Nouvelle Collection de Costumes			120	£120	mounted	Print	Foreign Topography	Switzerland						
7814		Haller after Konig	Lucerne: Paysau de l’Eutlibuch	Lithograph with hand colouring	Published by F.N. Konig, Berne Sept. 1822			I 180 x 130 mm; S 270 x 210 mm	From a suite of prints Nouvelle Collection de Costumes			120	£120	mounted	Print	Foreign Topography	Switzerland						
7815		unknown	Maison de Paisan a Meyringen	Aquatint	a Zurich chez H.F. Leuthold, Editeur 			I 108 x 74 mm				75	£75	mounted	Print	Foreign Topography	Switzerland						
7817		Haller after Konig	Entlibuch	Lithograph with hand colouring	Published by F.N. Konig, Berne Sept. 1822			I 180 x 130 mm; S 270 x 210 mm	From a suite of prints Nouvelle Collection de Costumes Suisses			120	£120	mounted	Print	Foreign Topography	Switzerland						
7818		Waterlow & Sons	New Free Chapel About the be erected in Church St. Deptford in Connexion with the London Diocesan Home Mission, Rev.d J.P. Courtenay, Minister (All Saints)	Lithograph	Drawn on Stone and printed by Waterlowe & Sons, London Circa 1910			I 248 x 200 mm; S. 323 x 255 mm				100	£100	mounted	Print	British Topography	London						
7819		G. Hawkins	Interior of the Proposed new Church kentish Town, St. Pancras from the Western Gallery (St. John the Baptist)	Lithograph	Published by Day & Haghe			I 280 x 233 mm; S. 495 x 324 mm			Built 1842-1845 Alfrd Bartholomew Esq.e F.S.A. Architect	100	£100	mounted	Print	British Topography	London						
7820		C.J. Greenwood del. et lith	St Phillips Church, Dalston	Lithograph	Printed by C. Kellow, Hatton Gardens Published by George J. Pop Bookseller & Stationer, 12 Church Street Hackney			I 347 x 255 mm				120	£120	mounted	Print	British Topography	London						
7821		G. Hawkins	Exterior View of the Proposed New Church Kentish Town St. Pancras (St. John the Baptist)	Lithograph	Pubslihed by Day & Haghe			I 385 x 262 mm; S. 522 x 380 mm				150	£150	mounted	Print	British Topography	London						
7822		G. Hawkins	South West View of Wimbledon Church, Surrey	Lithograph	Day & Haghe			I 283 x 350 mm; S. 367 x 400 mm			Rebuilt in 1841 George Gilbert Scott & William Bonython Moffat Architects	150	£150	mounted	Print	British Topography	London						
7823		Day & Haghe	View of the Church now erecting in Charlotte Street, Fitzroy SquareSt Saviour Mission Church	Lithograph	Published by Day & Haghe			I 450 x 280 mm; S. 509 x 331 mm			Hugh Smith Architect	150	£150	mounted	Print	British Topography	London						
7824		T. Bury	The Church of the Holy trinity, Bishop’s Road Paddington	Lithograph	Published by Day & Haghe			I 320 x 387 mm; S. 376 x 465 mm			Built 1844-46Thomas Cundy H. Architect (1790-1867)	120	£120	mounted	Print	British Topography	London						
7825		Greenwood del et lith	St James’s Church, Clapton	Lithograph	Published by J. Gribble, Bookseller & Stationer, Lower Clapton			I 350 x 250 mm			Built 1841Edward Charles Hakewill (1812-1872), Architect	120	£120	mounted	Print	British Topography	London						
7826		J. Needham 	Berry Mead Priory, Acton, Middlesex	Lithograph	Published by Day & Son, Lithographers to the Queen (1856)			I 181 x 285 mm; S 241 x 319 mm			Demolished 1985 and was just behind the Municipal Buildings in Acton	90	£90	mounted	Print	British Topography	Middlesex						
7827		George Isham Parkyns after John Charles Barrow FSA	Lewisham	Aquatint with hand colouring	Published 1 December by J.C. Barrow, No. 25 South Audley St. G.I. Parkyns Esq. Nottingham. Published Decr. 1st 1770			I 214 x 293 mm; Pl. 290 x 369 mm				120	£120	mounted	Print	British Topography	London						
7828		T. Bury	S.E. View of St. James’ Church, Clapton	Lithograph	Published by Day & Haghe			I 			Built 1840-1Edward Charles Hakewill (1812-1872), Architect	50	£50	mounted	Print	British Topography	London						
7829		J. Faribairn	Calton Hill, Edinburgh	Copper engraving	Circa 1800			I 104 x 81 mm				15	£15	unmounted	Print	British Topography	Scotland						
7830		J. Gellaty	Edinburgh Castle & Royal Institution	Steel engraving	Published by J. Menzies 61 Prince’s St. Edin.r Circa 1830			I 100 x 71 mm				15	£15	unmounted	Print	British Topography	Scotland						
7832		J. Gellatly	Edinburgh from Calton Hill	Steel engraving	Published by J. Menzies 61 Princes St. Edin.r Circa 1830			I 110 x 72 mm				20	£20	unmounted	Print	British Topography	Scotland						
7833		J. Gellatly	St. John’s Chapel, Edinburgh	Steel engraving	Pub.d by J. Menzies, 61 Prince’s St. Edin.r Circa 1830			I 110 x 86 mm				15	£15	unmounted	Print	British Topography	Scotland						
7834		W. Wallis	The Stone Quarries, Craigleith, near Edinburgh from which the new town was built	Steel engraving	Published Jan 31 1829 by Jones & Co. Temple of the Muses, Finsbury Square, London			I 160 x 117 mm				5	£5	unmounted	Print	British Topography	Scotland						
7836		Van der Aa	Vue d’Edinbourg du cote de Dean	Copper engraving	1727			I 158 x 125 mm				40	£40	unmounted	Print	British Topography	Scotland						
7837		Van der Aa	Vue du Chateau d’Edinburg du cote du midi	Copper engraving	1727			I 158 x 125 mm				40	£40	unmounted	Print	British Topography	Scotland						
7838		Unknown	High Street, Edinburg, Schottland	Steel engraving	Circa 1840			I 155 x 94 mm				28	£28	unmounted	Print	British Topography	Scotland						
7839			The High School, Edinburgh, looking West	Steel engraving	Banks & Co. Edinburgh Circa 1830			I 120 x 90 mm			Built 1825-29Thomas Hamilton Architect	40	£40	mounted	Print	British Topography	Scotland						
7840		W. Deeble	The Royal Institution, Edinburgh	Steel engraving	Circa 1850			I 176 x 118 mm				15	£15	unmounted	Print	British Topography	Scotland						
7841		E. Goodall	Edinburgh The New Royal High Street	Steel engraving	London Published Jan.y 1 1831 by Moon, Boys & Graves, Printsellers to the King, 6 Pall Mall			I 230 x 153 mm				20	£20	unmounted	Print	British Topography	Scotland						
7842			The West Bow, Edinburgh	Lithograph	Published by Hugh Paton, Her Majesty’s Carver & Gilder Edinburgh			I 252 x 210 mm				120	£120	unmounted	Print	British Topography	Scotland						
7843			The New Post Office	Woodcut				I 188 x 120 mm				35	£35	unmounted	Print	British Topography	Scotland						
7845		after William Turner	View of the Great Fire at Edinburgh taken on the 16th day of November 1824	Lithograph	Published at Ballentine 18th Nov.r 1834 20 Greenside Place Edinburgh			I 232 x 369 mm; S 270 x 392 mm				125	£125	mounted	Print	British Topography	Scotland						
7846		after William Turner	View of the Great Fire at Edinburgh	Lithograph	Published at Ballentine 18th Nov.r 1834 20 Greenside Place Edinburgh			I 232 x 369 mm; S 270 x 392 mm				125	£125	mounted	Print	British Topography	Scotland						
7848		By and after John Cooke Bourne	 Entrance to Birmingham Station, L & B.R.	Lithograph with tint stone and excellent later hand colour	Published 1839 Ackerman & Co. and John Cooke Bourne			I 218 x 321, Pl > 245 x 321 mm			Plate 37 of Bourne’s Drawings of the London & Birmingham Railway, London, Bourne et al., 1839 (Abbey Life 401). Curzon Street Station. 	300	£300	unmounted	Print	General Interest	Railway Prints						
7852		By and after John Cooke Bourne	Canal Bridge - Pitstone Bucks	Lithograph with tint stone and excellent later colour	Published 1839 Ackerman & Co. and John Cooke Bourne			I 180 x 268, Pl > 180 x 268 mm			Plate 20 of Bourne’s Drawings of the London & Birmingham Railway, London, Bourne et al., 1839 (Abbey Life 401). The Canal Bridge was the scene of excitement and sabotage on Christmas Eve and New Year’s Eve 1834. 	150	£150	unmounted	Print	General Interest	Railway Prints						
7853		By and after John Cooke Bourne	View from above Kilsby Tunnel	Lithograph with tint stone and excellent later colour	Published 1839 Ackerman & Co. and John Cooke Bourne			I 223 x 335, Pl > 250 x 335 mm			Plate 32 of Bourne’s Drawings of the London & Birmingham Railway, London, Bourne et al., 1839 (Abbey Life 401). Showing a temporary railway ascending the hill to give access to the builders of the ventilation works. The one mile long Kilsby tunnel was the only one on the northern section of the line and was built because the Northamptonshire hills formed a barrier across almost all conceivable routes. 	280	£280	unmounted	Print	General Interest	Railway Prints						
7854		By and after John Cooke Bourne	Viaduct over the River Blythe	Lithograph with tint stone and excellent later colour	Published 1839 Ackerman & Co. and John Cooke Bourne			I 227 x 343, Pl > 256 x 343 mm			Plate 36 of Bourne’s Drawings of the London & Birmingham Railway, London, Bourne et al., 1839 (Abbey Life 401). An evocative and allegorical view at Bradnocks Marsh on the road between Hampton-in-Arden and Braston-on-the-Hill near Solihull. On the right is the late mediaeval pack-horse bridge, abandoned with the coming of wheeled traffic and in the centre is the ford soon to be replaced by the railway seen on the left. In 1838, Francis Cohnlan commented in his The Iron Road Book and RailwayCompanion, “the contrast between old and new times is no where more evident between London and Birmingham.” In December 1843, the two days of the Smithfield Show brought 1085 Oxen and 1420 sheep over this viaduct. 	300	£300	unmounted	Print	General Interest	Railway Prints						
7855		By and after John Cooke Bourne	Blisworth Cutting	Lithograph with tint stone and excellent later colour	Published 1839 Ackerman & Co. and John Cooke Bourne			I 172 x 261, Pl > 172 x 261 mm			Plate 26 of Bourne’s Drawings of the London & Birmingham Railway, London, Bourne et al., 1839 (Abbey Life 401). View from above with a bridge in the middle distance, track curving to left. 	120	£120	unmounted	Print	General Interest	Railway Prints						
7857		Arthur Ditchfield	Hastings	Etching	1876			107 x 157 mm, Pl. 121 x 157 mm			Intialed in pencilArthur Ditchfield (1842-1888) is now almost entirely forgotten, his etchings largely undocumented. One of the things to note about him is his sketching trip with Ruskin and Hercules Brabazon to Amiens in 1880. He was obviously a conscientious craftsman, for he noted on many of his works who had printed them. It is worth comparing impressions by Goulding, Holdgate or Ditchfield himself. He made at least 77 etchings, a set of which were presented to the British Museum by his sister, Mrs J.L. Roget, with a manuscript listing. His training is unknown - his drawings are not of  “The English School”. It was probably Parisian, for the influence of Applan is evident and to a lesser extent that of Lalanne.	65	£65	mounted	Print	Victorian							
7858		Arthur Ditchfield	Poole	Etching	January 1878			I 130 x 262, Pl. 140 x 270 mm			Arthur Ditchfield (1842-1888) is now almost entirely forgotten, his etchings largely undocumented. One of the things to note about him is his sketching trip with Ruskin and Hercules Brabazon to Amiens in 1880. He was obviously a conscientious craftsman, for he noted on many of his works who had printed them. It is worth comparing impressions by Goulding, Holdgate or Ditchfield himself. He made at least 77 etchings, a set of which were presented to the British Museum by his sister, Mrs J.L. Roget, with a manuscript listing. His training is unknown - his drawings are not of  “The English School”. It was probably Parisian, for the influence of Applan is evident and to a lesser extent that of Lalanne.	100	£100	mounted	Print	Victorian							
7859		Alexander Pyle	Cornish Cottages	Etching				Image and plate 62 x 100 mm				50	£50	mounted	Print	Victorian							
7860		Alexander Pyle	Pilchard Boats	Etching				Image and plate 62 x 100 mm				50	£50	mounted	Print	Victorian							
7862		David Donald	North Africa	Etching	Published 1923 by The Museum Galleries 25 Museum Street London, W.C. Copyright			Image 117 x 243 mm, Pl.125 x 247 mm			David Donald (Fl. c. 189501925) Painter of street scenes and figure subjects. Exhibited at the R.A.  Painted in Italy and Morocco. Lived at Streatham and later at Tilford.	120	£120	mounted	Print	20th Century							
7863		John Fullwood	The Thames above Staines	Etching	Caxton Publishing Company Limited London			Image and Plate 250 x 350 mm			Signed in pencilJohn Fullwood, R.B.A., R.B.S.A. (d. 1931) Landscape painter and etcher. Studied art in Birmingham, Newlyn, and Paris.  Exhibited at the R.S.B.A. from 1874 and at the R.A. from 1881.	200	£200	mounted	Print	Victorian							
7865		T. Wedgewood	Eastern or London Entrance in Oxford	Copper engraving	18th Century			I 140 x 78 mm				40	£40	mounted	Print	Oxford	Magdalen College						
7869		Giles	[Cats]	Lithograph with hand colouring	Printed & Published by Engelmann Graf Coindel & Co. 92 Dean Street Soho Nov 23 1827			I 155 x 96 mm				45	£45	mounted	Print	General Interest	Cats and Dogs						
7872		Samuel Ireland	Course of the River Thames from its source to Maidenhead 	Copper engraving	Pub. for S. Ireland May 1 1799			I 110 x 165 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			55	£55	mounted	Map	Maps Over More Than One County							
7874		J. Bluck after A. Pugin	Christ College from the Street	Aquatint with hand colouring	London, Pubd. Feby. 1 1814, at 101 Strand, for R. Ackermann’s History of Oxford			I 265 x 215 mm, Pl. 290 x 245 mm	Ackermann, Rudolph. History of Cambridge			200	£200	mounted	Print	 Cambridge	Christ’s College Cambridge						
7875		Unknown	[The North View of Oxford Castle]	Copper engraving	1780’s			I 138 x 74 mm				35	£35	mounted	Print	Oxford	Oxford Castle						
7878		W. Gauci after Delamotte	High Street	Lithograph with hand colouring	Published 1841			I 345 x 255 mm	Original Views of Oxford, its Colleges, Chapels and Gardens from drawings expressly for this work by William Alfred Delamotte. Executed in Lithography by William Gauci, with Historical and Descrpitive notices by Charles Ollier. London: Thomas Boy. 1843			250	£250	mounted	Print	Oxford	High Street Views						
7880		Vincent de Ginville	Les Costes aux Environs de la Riviere de Misisipi Decouvertes par Mr. de la Salle en 1683 et reconnes par Mr le Chevallier d’Aberville en1698 et 1699 par N. de Fer Geographe de Monseigneur le Dauphin 1705	Copper engraving with hand colouring	1705			I 332 x 212 mm				250	£250	mounted	Map	North and South America							
7882		Hole, William	Scotia Regnum	Copper engraved with hand colouring	1637			I 308 x 260 mm				450	£450	mounted	Map	Scotland, Ireland & Wales	Scotland						
7883		Malton	The Cathedral of Christchurch	Aquatint	Published June 30 1802 by T. Malton			I 303 x 227 mm				135	£135	mounted	Print	Oxford	Christ Church College						
7884		Joseph Skelton	St. Frideswide’s Shrine, in Christ-Church Cathedral	Copper engraving	1815			I 455 x 320 mm				55	£55	unmounted	Print	Oxford	Christ Church College						
7885		James Basire	[Christchurch]	Copper engraving with hand colouring	1798			I 442 x 300 mm				20	£20	unmounted	Print	Oxford	Christ Church College						
7886		J. Skelton	South East View of the Cathedral and Chapter House of Christchurch	Copper engraving	Published as the Act directs June 1st 1819 by J. Skelton, St. Aldates, Oxford			I 240 x 161 mm				70	£70	mounted	Print	Oxford	Christ Church College						
7887		Day & Son Lith.rs to the Queen	St Michael’s Mount	Lithograph with hand colouring	Published by Edward Rowe Printer Bookseller and Stationer Market Place Penzance Circa 1845			I 426 x 288 mm				175	£175	mounted	Print	British Topography	Cornwall						
7889		John Vardy	To His Most Sacred Majesty King George the II.d This Perspective View of the Magnificent Gothick Hall at Hampton CourtBuilt by K. Henry the VIIIth Ano. 1532 for the purpose of receiving Foreign Ambassadors in the Manner here Expressed, From a Design of Mr Kent.Is with all Humility Dedicated by His Majesty’s most faithful and Devoted subject and Servant John Vardy.	Copper engraving	According to Act of Parliament 1749			I 320 x 455 mm; Pl. 350 x 520 mm; S440 x 590 mm				200	£200	mounted	Print	British Topography	Scotland						
7890		J.C. Bourne	View of the keep or Round Tower, Looking West Shewing the St. George’s Gate & the Statue of King Charles 2nd In the distance part of Queen Elizabeth’s buildings, the entrance down to the North Terrace & one of the towers of the Norman Gateway	Lithograph	John Williams Library of Science and Art 106 Gt. Russell St near the Museum Day & Haghe Lith.rs to the Queen Circa 1844 			I 390 x 288 mm	Gandy and Baud’s Illustrations of Windsor Castle			60	£60	mounted	Print	British Topography	Berkshire						
7891			The Wonderful Strong and Surprizing Persian Dwarf...	Copper engraving	n.d. c. 1750			Image and Sheet 228 x 179 mm				350	£350	mounted	Print	Portraits	Curiosities						
7892		C. Hullmandel	Carlisle	Lithograph	Circa 1822			I 384 x 265 mm				200	£200	mounted	Print	British Topography	Cumberland						
7893		[Charles Williams]	NapOmnipotent or the Acme of Arrogance and Presumption	Etching with original handcolour	Pubd. May 1813 by Thos. Tegg 111 Cheapside			Image 217 x 325 mm			BM Satires 12048	380	£380	mounted	Print	General Interest	Caricatures						
7895		Alexander Orlowski	Un Cocher er un Mougique Russes	Lithograph	Publisher [not ascertained] 1826			I 305 x 225 mm				100	£100	mounted	Print	Foreign Topography	Russia						
7896		Joseph Skelton after C Wild	Library of All Souls College	Copper engraving	circa 1829			I 445 x 317 mm			An Oxford Almanack top from 1829.	120	£120	mounted	Print	Oxford	All Souls College						
7898		By and after John Cooke Bourne	 Basildon Bridge, over the Thames	Lithograph with tint-stone and hand colour				I 274 x 403, 303 x 519 mm printed			Plate 11 of Bourne’s The History and Description of the Great Western Railway, London, Bourne & D. Bogue, 1846 (Abbey Life 399).	150	£150		Print	General Interest	Railway Prints						
7900		Alexander Orlowski	Une Nourrice et un Soldat Russes	Lithograph	Published [not ascertained] 1826			I 295 x 205 mm				110	£110	mounted	Print	Foreign Topography	Russia						
7902		Unknown	Burmeestra Poslt Schotkee Vkuragye	Engraving	Published [not ascertained] 1844			Pl. 320 x 290 mm				300	£300	mounted	Print	Foreign Topography	Russia						
7904		Alexander Orlowski	Marchande de Carottes a St Petersbourg	Lithograph	Published [not ascertained] 1825			I 290 x 240 mm				120	£120	mounted	Print	Foreign Topography	Russia						
7905		Alexander Orlowski	Marchand de Melons et d’autres fruits	Lithograph	Published [not ascertained] 1825			I 290 x 240 mm				80	£80	mounted	Print	Foreign Topography	Russia						
7907		Alexander Ossipowits Orlowski	Self-Portrait of Alexander Orlowski	Lithograph	Natus Varsaviae anno 1777 Aetatis 43 Seipsum Fecit  			I 415 x 323 mm			Collectors Stamp lower rightSinger 69003Alexander Ossipowits Orlowski (1777-1832)	1750	£1,750	mounted	Print	Portraits	Artists Portraits						
7909		Robert Bryden	Victor Hugo	Woodcut	London J.M. Dent & Co. Aldine House 29 & 30 Bedford Street 1899			I 453 x 305 mm	Men of Letters		Victor Marie Hugo (1802-1885), Writer. 	60	£60	mounted	Print	Portraits	Literary and Poetic						
7911		W. Holl after W. Behnes	James Bindley Esq.r M.A.F.A.S	Stipple	Published Feb.y 1st 1819 by Alexander Boswell Esq.r M.P.			I 108 x 90 mm; Pl. 380 x 265 mm			O’D 1 William Holl (c.1800-1884)Sir Alexander Boswell of Auchinleck (1775-1840) was the son of Johnson’s biographerJames Bindley, print and book collector	25	£25	unmounted	Print	Portraits	Literary and Poetic						
7912		Sam.l Cecil	ShakespeareFrom the Statue by Roubilliac in the Possession of the late David Garrick Esq.r at Hampton, bequeathed by him, to the Trustees of the British Museum 	Stipple	London, Published Nov.r 1823 for the Proprietor by R. Ackermann 101 Strand			I 481 x 379 mm			O’D 179 after RoubilliacLouis Francois Roubilliac Sculptor	95	£95	unmounted	Print	Portraits	Literary and Poetic						
7913		George Vertue after G. Honthorst	Benjaminus Jonson 	Copper engraving	Published 1730			I 355 x 240 mm; Pl. 374 x 256 mm			O’D 1Benjamin Jonson (c. 1665-1742) was an the poet and dramatist.George Vertue1684-1756 Engraver & antiquary	60	£60	unmounted	Print	Portraits	Literary and Poetic						
7914		J. Smith	W. Wycherley _ Quantum mutatus ab illo. Virg.	Mezzotint	1703			I 229 x 191 mm			CS 284 ii/ii after Sir Peter lely (1618-1680)William Wycherley (1640-1716), Dramatist. John Smith (1652-1743), Engraver. 	125	£125	mounted	Print	Portraits	Literary and Poetic						
7915		Paton Thomson after Alexander Nasmyth	Robert Burns	Stipple	Published as the Act directs June 1805 by T. Preston. Strand London & G. Thomson, Edinburgh and re-engraved for the New Edition 1817			I 220 x 165 mm			Robert Burns (1759-1796), Poet. O’D 21Paton Thomas	160	£160	mounted	Print	Portraits	Literary and Poetic						
7916		Riddle & Couchman Lith	James Russell Lowell Born 1819 : Died 1891	Lithograph	Masterpiece Library July 1895 			I 283 x 205 mm			James Russell Lowell (1819-1891), Statesman and author. Harry Furniss (1854-1925), Caricaturist	10	£10	unmounted	Print	Portraits	Literary and Poetic						
7919		C. Picart	William Roscoe, EsqEngraved by C. Picart from an original Picture by M. Haughton, in the possession of Mr J. McCreery	Stipple	Published Jan 11. 1813 by T. Cadell & W. Davies, Strand, London			I 260 x 220 mm 			O’D 6 William Roscoe, Historian & patron of the arts (1753-1831)C. Picart after M. HaughtonMatthew Haughton (c.1766-1851)	40	£40	mounted	Print	Portraits	Literary and Poetic						
7920		M. Vdi Gucho after Ant More	Elizabeth Queen of England & c.	Copper engraving		18th Century	18	I. 94 x 163 mm				12	£12	unmounted	Print	Portraits	British Royalty						
7921		 T. A. Prior	Elizabeth	Steel engraving		19th century	19	I. 184 x 121 mm				10	£10	unmounted	Print	Portraits	British Royalty						
7922		J. F. Bause 	I.B. Basedow	Copper engraving	zu finden by J.F. Bause in Leipzig  Circa 1775			I 172 x 121 mm; Pl. 206 x 140 mm			Keil	15	£15	mounted	Print	Portraits	Literary and Poetic						
7925		A. Smith	Elizabeth	Copper engraving	Published as the act directs Dec. 1 1793 by T. Cadell Strand	18th century	18	I. 110 x 66 mm				12	£12	unmounted	Print	Portraits	British Royalty						
7928		W.T. Fry after Ab.m. WivellEngraved by W. T. Fry after a Drawing by Abm. WivellFrom the Original Bust by Joseph Nollekens Esq.r R.A. 	Samuel Johnson, L.L.D	Stipple	London Published June 26. 1815 by A. Wivell 57 Gt. Portland Str.t			I 180 x 107 mm			O’D 8Samuel Johnson (1709-1784), Poet, critic and lexicographer.Abraham Wivell, portrait draughtsmen (1786-1849)William Thomas Fry )1789-1846)	70	£70	mounted	Print	Portraits	Literary and Poetic						
7930		after Rev.d H.H.Arnold	Samuel Parr L.L.D Obit 26 Mar 1825 At. suce 78From a pen and ink sketch by his esteemed friend Revd. H.H. Arnold 	Copper engraving	Circa 			I 135 x 98 mm			Samuel Parr (1747-1825), Pedagogue and Whig pamphleteernot in BM catalogue	20	£20	mounted	Print	Portraits	Literary and Poetic						
7934		J. Dalton	Robt. BurnsFrom the celebrated Picture by Alex.r Nasmyth Painted in 1787	Mezzotint	Engraved and Published by Hen.y S. Sadd, 395 Greenwich St. New York, 1847			I 394 x 310 mm; Pl. 490 x 380 mm			Robert Burns (1759-1796), Poet.Alexander Nasmyth painter & engineer (1758-1840)not in BM catalogue	300	£300	mounted	Print	Portraits	Literary and Poetic						
7935		T.W. Crane after W. Jones	Mr Jonathan WilcoxonAETAT. 74	Lithograph	Lithog; by T & W Crane, Chester, 1834			I 290 x 216 mm			not in BM catalogue	30	£30	mounted	Print	Portraits	Literary and Poetic						
7936		S. Freeman after T. Lawrence Esq. R.A. 	Thomas Campbell, Esq	Stipple engraving	Published Dec 17 1812 by T. Cadell & W. Davies. Strand, London			I 160 x 190 mm; Pl.378 x 232 mm			O’D Thomas Campbell (1777-1844), Poet.Samuel Freeman (1773/4-1857)Sir Thomas Lawrence (1769-1830)	10	£10	mounted	Print	Portraits	Literary and Poetic						
7937		J. Graf	Very Faithfully yours Winthrop M. Praed	Lithograph	London Pub. June 1st 1857 by Thos. McLean Haymarket Printed by J. Graf			I 187 x 137 mm			Winthrop Mackworth Praed (1802-1839), Poet.O’D 1	10	£10	mounted	Print	Portraits	Literary and Poetic						
7940		F. Barltolozzi after G.B. Cipriani	The Heroism of Prince Edward son of Henry VI The Young Prince being brought into the presence of Edward IV, appeared before him with an Undaunted Countenance and being asked by the King how he came to be so rashas to enter his Kingdom. Replayed to recove on his own inheritance which had been unjustly upsurped.	Stipple	London Published June 4 1789 by J.a Birchall No. 473 Strand			I 370 x 270 mm; Pl. 400 x 332 mm			De V 524 iv/iv	95	£95	mounted	Print	Portraits	Literary and Poetic						
7941		F. Bartolozzi after I.F. Rigaud	Edward Prince of Wales presenting the Captive King John of France & his Son to his Father Edward the 3rd after the Battle of PoitiersDedicated by Permission to the Queen by her Majesty’s most dutiful and most obedient humble servant	Stipple	London Published June 4 1789 by J			I 370 x 270 mm; Pl. 400 x 332 mm				95	£95	mounted	Print	Portraits	British Royalty						
7942		William Daniel	Yarmouth, from Garlstone	Aquatint with hand colouring	Published by W. Daniell, Cleve			Image 205 x 280 mm				70	£70	mounted	Print	British Topography	Norfolk						
7943		F. Barltolozzi after G.B. Cipriani	Jane of Flanders Countess of Mountford assembling the inhabitants of Rennes carrying her Infant Son in her arms deploring to them the calamity of their Sovereign; they were moved tby her affecting appearance & vowed to live & die with her in defending her rights. Dedicated by Permission to the Queen, by her Majesty’s most dutiful and most obedient Humble servant. W. Palmer	Stipple	London Published 2 March 1789 by Wm. Palmer Printseller to her Majesty No. 163 Strand			I 370 x 270 mm; Pl. 400 x 332 mm			De V 519 iv/iv	100	£100	mounted	Print	Portraits	Literary and Poetic						
7944		F. Barltolozzi after G.B. Cipriani	Edward Prince of Wales presenting the Captive King John of France & his Son to his Father Edward the 3rd after the Battle of Poictiers. Dedicated by Permission to the Queen by her Majesty’s most dutiful and most obedient humble servant. W. Palmer	Stipple	London Published 14th Feb.y 1788 by Wm. Palmer Printseller to her Majesty No. 163 Strand			I 370 x 270 mm; Pl. 400 x 332 mm			De. V. 520 v/v 	100	£100	mounted	Print	Portraits	Literary and Poetic						
7945		F. Barltolozzi after G.B. Cipriani	The Empress Matilda refusing the proposals of the Queen of Stephen for the release of the King, with great hautiness forbidding the Queen ever to come into her presence again. Dedicated by permission to the Queen, by her Majesty’s most dutiful and most dutiful and most obedient Humble Servant. W. Palmer	Stipple	London Published 2 March 1789 by Wm. Palmer Printseller to her Majesty No. 163 Strand			I 370 x 270 mm; Pl. 400 x 332 mm			De V. 514 iv/v	100	£100	mounted	Print	Portraits	Literary and Poetic						
7948		J.A. Heath after J.R. Smith	Frederick Reynolds Esq.	Stipple	Published Jan.y 1 1804 by J. Heath, 15 Russell Place, Fitzroy Square & I.P Thompson, Newport Street, Long Acre			I 120 x 100 mm; Pl 264 x 215 mm			O’DJohn Raphael Smith, mezzotint engraver who turned to portraiture in old ageFrederick Reynolds, Dramatist (1764-1841)	40	£40	mounted	Print	Portraits	Literary and Poetic						
7950		By and after William Bell Scott	The Norns Watering the Tree of Life	Etching	1877			Image 249 x  164 mm, PL. 263 x 200 mm			Signed in ink by William B. Scott and dedicated to Alice BoydThe painting was sold by Christies in 1993.	500	£500	mounted	Print	Victorian	William Bell Scott						
7953		after Francis Cotes, RA	Maria Countess of Coventry: June	Etching	Printed for Robt. Sayer in Fleet Street, n.d.  [c. 1755]			Image 48 mm circular, Pl. 51 x 55 mm, Sheet 175 x 132 mm			Maria (Gunning), Countess of Coventry (1733-1760), Famous beauty; 1st wife of George Coventry, 6th Earl of Coventry 	60	£60	mounted	Print	General Interest	Loose Prints and Curiosities						
7954		Caroline Watson (engraver to her Majesty) from the Original pictures (by Romney) 	Three Portraits of Romney by himself at different periods of his life in Oil in Water colours and in crayons, all painted at Eartham	Stipple	Published April 14th 1809 by Thomas Payne Pall Mall			Pl. 270 x 195 mm			George Romney (1734-1802), Portrait painter.O’D 3. Caroline Watson 17** - 1*** stipple engraver, daughter of **** Watson the mezzotinter	40	£40	mounted	Print	Portraits	Artists Portraits						
7955		Thomas Orde-Powlette	Sir William Browne	Etching	1771			Image 205 x 110 mm, Sheet 227 x 144 mm			Sir William Browne (1692-1774), Physician who was satrised by Samuel Foote in his “The Devil on two Sticks.” Brown was so amused by the farce that he gave Samuel Foote his wig and stick to make the role better.Thomas Orde-Powlett, 1st Baron Bolton (1746-1807), Politician and amateur engraver.	80	£80	mounted	Print	Portraits	Medical						
7956		R.W. Sievier after D.R. Murphy	The the Norwich Society of Artists this Portrait of his late father their President Is dedicated by their sincere Friend and well wisher. John Berney Crome. 	Stipple	Published Oct.r 1821 by J. and W Freeman, Norwich			I 344 x 262 mm; Pl. 357 x 277 mm			John Bernay Crome (1794-1842), Landscape painter. O’D 1 Robert William Sievier (1794-1865)John Bernay painter was John Crome’s sonD.R. Murphy is Dennis Brownell Murphy (d.1842) the father of Mrs Jameson, the art-historian & iconographer	30	£30	mounted	Print	Portraits	Artists Portraits						
7957		Francois Vivares and James Caldwall	Fran.s Vivares Natus in Pago Sti Johannes de Bruel in Rouergue 14 Julii 1709 Genevam Missus 1741 Unde Angliam petit An; oct; 18 et Londini Artem oeneis excudendi tabulis didicit	Line engraving	Published by Vivares according to Act of Parliam.t April 4 1776			I 192 x 152 mm			O’D 1François Vivares (1709-1782), Landscape-engraver. James Caldwall (born 1739-floruit 1789)..	100	£100	mounted	Print	Portraits	Artists Portraits						
7959		J.K. Sherwin	Wm. Woollett Engraver to his Majesty	Copper engraving	Publish’d Aug.t 12th 1784 by J.K Sherwin No. 28 St James’s Street & by W. Hinton Sweetings Alley Royal Exchange			I 268 x 229 mm; Pl. 305 x 252 mm			O’D 2William Woollett (1735-1785), Engraver. John Keyse Sherwin (1751-1790), Draughtsman and engraver. 	85	£85	mounted	Print	Portraits	Artists Portraits						
7961		Turner after F. Countz	The Presentation of Colours to the Kensington Volunteers. Dedicated to Major John Samuel Torriano, Commanding Officer of the Corps. By his most obliged & obedient Servant, Frederick Countz, Member of the Corps. 	Mezzotint printed in colours	Published 21st of February by Countz, No 6 High Street Kensington	1801	1801	I. 536 x 642 mm Pl. 587 x 657 mm				4500	£4,500	framed	Print	General Interest	Military						
7962		J. Houbraken 	Jacobus Houbrakken Gebooren te Dordrecht den 25 December 1698 	Copper engraving	1770			I 183 x 130 mm; Pl. 198 x 147 mm				130	£130	mounted	Print	Portraits	Artists Portraits						
7964		P.C. Canot after W. V. Vander Veld	Six Sea Views  (No. 1)	Etching	Published London Nov. 1 1773 by J. Boydell, Engraver No. 90 Cheapside	1773	1773	I. 188 x 247 mm Pl. 225 x 254 mm F. 323 x 358 mm			Based on pictures in the collections of Thomas Pratt and Duke of Montagne	300	£300	framed	Print	General Interest	Maritime						
7966		P.C. Canot after W. V. Vander Veld	Six Sea Views  (No. 3)	Etching	Published London Nov. 1 1773 by J. Boydell, Engraver No. 90 Cheapside	1773	1773	I. 188 x 247 mm Pl. 225 x 254 mm F. 323 x 358 mm			Based on pictures in the collections of Thomas Pratt and Duke of Montagne	300	£300	framed	Print	General Interest	Maritime						
7968		Morden, Robert	Devonshire	Copper engraved with hand colouring	1695						Robert Morden : d. 1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson's revised edition of 'Camden's Brittannia' engraved by Sutton Nichols. William Camden (1551-1623) was a historian and antiquary whose works were reprinted and published over a period of 200 years. The original Latin text was first translated by Gibson in 1695. Morden was employed to replace the outdated maps by Saxton, engraved by Kip and Hole. He based his maps on manuscript sources plus the surveys of Ogilby and Morgan, seller, Palmer and the coastal charts of Cpt. Greenville Collins. One of his original contributions to cartography was the showing of longitudes measured from the meridian of St. Paul's Cathedral given in the form of time in minutes at the top of the map in Roman numerals and at the bottom in degrees. This was done to clarify local times that were taken from the sun as there was no national standard time. These maps were the first to show the roads based on Ogilby's earlier work of 1675, and included 3 scales to cover the various scales used in different parts of the country. 	200	£200	unmounted	Map	English Counties	Devon						
7969		William Daniell after George Dance 	Benj. West R.A.	soft-ground etching	Published by Will.m Daniell No.9 Cleveland Street Fitzroy Square, London Sept.r 15 1809			Pl. 272 x 205 mm			O’D 3 Benjamin West (1738-1820), History painter and President of the Royal Academy.George Dance (1741-1825), Architect and portrait draughtsman. William Daniell (Topographical and portrait painter,1769-1837).	40	£40	mounted	Print	Portraits	Artists Portraits						
7970		D.P. Pariset after Pierre Etienne Falconet	Benjamin West	Stipple	Sold by P. Falconet the corner of Panton Street, Hay Market & Ryland & Bryer, Cornhill piece 21768			I 177 x 125mm; Pl. 218 x 148 mm			O’D 4 Benjamin West (1738-1820), History painter and President of the Royal Academy. Pierre Etienne Falconet (1741-1791). D.P. Pariset (born 1740). 	200	£200	mounted	Print	Portraits	Artists Portraits						
7972		D.P. Pariset after Pierre Etienne Falconet	Francis Cotes	Stipple engraving	Sold by P. Falconet the Corner of Panton Street , Hay Market & Ryland & Bryer Cornhill Pr.2 1768			I 175 x 126 mm; Pl. 216 x 148 mm			O’D 1 i/iiFrancis Cotes (1726-1770), Portrait painter. Pierre Etienne Falconet (1741-1791). D.P. Pariset (born 1740). 	120	£120	mounted	Print	Portraits	Artists Portraits						
7973		William Daniell after George Dance	John Zoffany R.A.	soft-ground etching	Published by Will.m Daniell No. 9 Cleveland Street, Fitzroy Square, London April 2 1814			Pl. 270 x 200 mm			O’D 1Johan Zoffany (1733-1810), Painter of portraits and conversation pieces. George Dance (1741-1825) Architect and portrait draughtsman. William Daniell (1769-1837). 	30	£30	mounted	Print	Portraits	Artists Portraits						
7974		Jonathan Richardson [self portrait]	Me, as you find my soul, neglect or Love, and show by Virtue Virtue you approve	Etching	1738			Pl. 166 x 110 mm	From an album of Artists Portraits compiled by William Bell Scott		Jonathan Richardson (1667-1745), Portrait painter. 	150	£150	mounted	Print	Portraits	Artists Portraits						
7976		Smith after Kneller	Godfridus Kneller EquesGuilielmui & Mariae Britanniae Regis & Reginae Pictorum Princeps[Sir Godfrey Kneller, Bt]	Mezzotint	1694			I 317 x 266 mm; Pl. 356 x 267 mm			CS 150 ii/iiiSir Godfrey Kneller, Bt (1646-1723), Portrait painter. John Smith (1652-1743), Engraver.	380	£380	mounted	Print	Portraits	Artists Portraits						
7977		G. White after I. Vanderbank Pinx	Carolus Christinus ReisenusLapidum Sculptor Sigillarium Celeberrimus	Mezzotint	Printed for T. Jefferys in the Strand and W. Herbert on London Bridgedate?			I 328 x 363 mm; Pl. 370 x 264 mm			CS 38 iv/ivCharles Christian Reisen. Gem engraver (c.1679-1825)George White (c.1684-1732)John Vanderbanck (1694-1739) 	35	£35	mounted	Print	Portraits	Artists Portraits						
7980		Hopwood	[G. Smith]	Stipple	?			I 86 x 70 mm; Pl. 178 x 112 mm			O’D 1 after William Pether George Smith (1713-1776)Landscape painter, one of the Smiths of Chichester	25	£25	mounted	Print	Portraits	Artists Portraits						
7981		Petrus Lellij Eques	Petrus Lellij Eques Pictor Caroli 2di Magna Britanniae Franciae & Hiberniae Regis	Mezzotint	Sold by I. Smith at ye Lyon & Crown in Russell Street Covent Garden			I 206 x 242 mm; Pl. 338 x 242 mm			O’D 1 Slater T=B CS 63: Russell iii/ivby Miss Sarah Singelton. ‘Sarah Macklarinan Singleton, the miniaturist was the sister who kept house for Henry Singleton the History painterPhillipe-Jacques de Loutherbourg (1740-1812) landscape and scene painter	110	£110	mounted	Print	Portraits	Artists Portraits						
7982		William Daniell after George Dance	Sir William Chambers	soft-ground etching	Published by Will.m Daniell No. 9 Cleveland Street, Fitzroy Square, London, Feb.y 1st 1809			Pl. 280 x 200 mm 			O’D 1 Sir William Chambers (1722-1796), Architect. George Dance (1741-1825), Architect and portrait draughtsman. William Daniell (1769-1837). 	25	£25	mounted	Print	Portraits	Artists Portraits						
7983		George Francois Blondell	A View of a Prison of the Composition of Mr. Blondel done at Rome. To the Rt. Hon. George Simon Harcourt Vicount Newham. This plate is most Humbly Dedicated by his Lordships most humble serv. G. F. Blondel	Mezzotint	c. 1765	1765 - 1774	1765	I. 440 x 535 mm F. 513 x 670 mm			C.D. 2 ii/iii, an impression citedProvenance Lady LucasGeorges-François Blondel (French, 1730–after 1791)	3200	£3,200	framed	Print	Fine Prints	Engravers A-K						
7984		Thomas Oldham Barlow	Augustus Leopold Egg, R.A. 	Engraving	London March 14th 1865 by T. Oldham Barlow Victoria Road Kensington			I 298 x 246 mm			O’Donoghue 2  ii/iiAugustus Leopold Egg R.A (1816-1863)Thomas Oldham Barlow (1824-1889), Mezzotint engraver. SAfter john “Spanish” Phillip 	400	£400	mounted	Print	Portraits	Artists Portraits						
7985		C. Van Dalen after Titian	Sebastiano del Piombo	Engraving	Published by F. de WittDate?			Pl. 420 x 300 mm			Italian Renaissance-Mannerist painter of the early 16th Century famous for his combination of the colours of Venetian school and the monumental forms of the Roman school. 	100	£100	mounted	Print	Portraits	Artists Portraits						
7986		William Daniell after George Dance	James Barry	Lithograph	Published by Will.m Daniell No.09 Cleveland Street Fitzroy Square, London July 1 1809 			I 273 x 205 mm			O’D 6James Barry (1741-1806), Painter. George Dance (1741-1825), Architect and portrait draughtsman. William Daniell (1769-1837). 	35	£35	mounted	Print	Portraits	Artists Portraits						
7987		Woolnoth after Wageman	Walter Fawkes, Patron of Turner	Lithograph	Date ?			Pl. 315 x 240 mm			O’D 2 DNB (Sheepshanks)Inscribed to John SheepshanksWalter Ramsden Hawkesworth Fawkes (1769-1825)WagemanThomas Woolnorth	200	£200	mounted	Print	Portraits	Artists Portraits						
7988		George White after William Dobson	William Dobson 	Mezzotint	Sold by T. Jefferys and W. Herbert 1827			I & Pl. 347 x 246 mm			CS 16 i/ii: R iii/iiiWilliam Dobson (1611-1646), Portrait painter.  George White (1684?-1732).  	125	£125	mounted	Print	Portraits	Artists Portraits						
7989		John Faber Jr after Sir Godfrey Kneller	St Godfrey Kneller Bar & Kn.t of ye Roman EmpirePrincipal Painter to K. Charles 2d. James 2d. William 3d. Ann & King George 1st 	Mezzotint	1735			I 303 x 251 mm; Pl. 355 x 253 mm 			CS John Faber Jr (1684-1756). Sir Godfrey Kneller, Bt (1646-1723), Portrait painter.	150	£150	mounted	Print	Portraits	Artists Portraits						
7990		Gainsborough Dupont after Thomas Gainsborough R.A.	King George III 	Mezzotint	Published Dec. 30 1790 by Gainsborough Dupont No. 87 Pall Mall	1790	1790	I. 375 x 613 mm F. 504 x 750 mm	Pair with Queen Charlotte #8189		CS 6 i/iii, Horne 35 i/iii	1800	£1,800	framed	Print	Portraits	British Royalty						
7991		Jonathan Richardson	[Self Portrait]	Etching	1771			I 142 x 93 mm			O’D Jonathan Richardson junior Portrait painter (1674-1777).	40	£40	mounted	Print	Portraits	Artists Portraits						
7993		William Daniell after George Dance	Dominic Serres	soft-ground etching	[11 March 1793]			I 266 x 200 mm	1st state before all letters		Dominic Serres (1722-1793), Marine painter. George Dance (1741-1825), Architect and portrait draughtsman. William Daniell (1769-1837). Not in BM catalogue	30	£30	mounted	Print	Portraits	Artists Portraits						
7995		R. Earlom after Rigaud	Giovan Battista Cipriani, Esqr. R.A	Stipple	Published Sep.r 29th 1789 by John & Josiah Boydell Cheapside & at the Shakespeare Gallery Pall Mall London			I 133 x 107 mm; Pl. 205 x 160 mm			O’DRichard Earlom (1743-1822)Jean-Francois Rigaud (1742-1810)Giovanni Battista Cipriani (1727-1785), Painter and engraver. 	45	£45	mounted	Print	Portraits	Artists Portraits						
7996		A. Meyer after H. Edridge	Sir Richard Colt Hoare, Bar.t or Stourhead Wilts.	Engraving	Engraved by H. Meyer 3 Red Lion Square Circa 1820			I 237 x 187 mm; Pl.			Sir Richard Colt Hoare, 2nd Bt (1758-1838), Historian.	35	£35	mounted	Print	Portraits	Historians						
7998			The Tyrolese Minstrels The Rainer Family	Lithograph with hand colouring	n.d. c. 1827			Image 200 x 230 mm, Sheet 242 x 280 mm				120	£120	mounted	Print	Portraits	Performing Arts						
7999		I. Coeemansl	P. Veronensis Sese Sic Pinxit	Copper engraving	1701			I 222 x 176 mm; S. 240 x 179 mm			Paolo Veronese [sitter and original artist]Ex. Col. Sir E. Astley	40	£40	mounted	Print	Portraits	Artists Portraits						
8000		L. Buchhorn after F. Lieder	C.F.F. von Nagler Koniglich Preasfifcher General Postmeister und ausferordentlicher Gefandter und bevollmachtigter Minister am Bundestage	Copper engraving	???			I 170 x 164 mm; Pl.262 x 200 mm			SingerThe celebrated print collector and author. He was postmaster general of Prussia.	250	£250	mounted	Print	Portraits	Artists Portraits						
8001		Araud (Arend) van Halen (Aquila) after Rembrandt	Jeremias de Dekker	Mezzotint	1847			I & Pl. 184 x 139 mm			Charrington 20 (not seen, noted in a sale in Vienna in 1912)Provenance: Bindon Blood, his inscription (Lugt 3011)Jeremias de Dekker or Decker (1610 - November 1666) was a Dutch poet.The painting is Bode xvi Klass; der Kunst 526	40	£40	mounted	Print	Portraits	Literary and Poetic						
8004		Unknown	Curiose Jaegereyen / Das Fuchs - brellen.	Copper engraving with original hand colour	c. 1750			Image 210 x 340 mm, Pl. 245 x 360 mm			A pair	500	£500	mounted	Print	General Interest	Loose Prints and Curiosities						
8005		Zincke after Schoeller	Der Diamant des Geisterkonigs  Fauberspiel von Riamund	Engraving with hand colouring	Gallarie drolliger Scene 4 Lieferung n.d. {c. 1824)			Image 160 x 245 mm, Pl. 217 x 275 mm			A scene from a play produced in 1824 produced by Ferdinand Raimund (1790-1836).	120	£120	mounted	Print	Portraits	Performing Arts						
8007		George White after Godfrey Kneller	Jean Baptiste Monoyer Peintre en Fleurs	Mezzotint	Printed for & Sold by Henry Overton at the White House without Newgate London circa 1730			I 290 x 242 mm; Pl. 340 x 244 mm			1635-1699 French Fruit and Flower PainterCS 27 ii/ii: Rv/v i.e. vii/viiGeorge White (c.1684-1732)Sir Godfrey Kneller (1646-1723)	100	£100	mounted	Print	Portraits	Artists Portraits						
8009		William Daniell after George Dance	Francis Milner Newton Esq. R.A Late Secretary to the Royal Academy	Soft-ground etching	Published as the Act directs for Geo. Dance Esq. R.A. Upper Gower STreet, April 1 1803			I 195 x 150 mm; Pl. 274 x 200 mm			O’D 1 Francis Milner Newton (1720-1794), Portrait painter. George Dance (1741-1825), Architect and portrait draughtsman. William Daniell (1769-1837). 	10	£10	mounted	Print	Portraits	Artists Portraits						
8010		William Daniell after George Dance	John Inigo Richards	Soft-ground etching	[11 March 1793]			I 180 x 135 mm; Pl. 278 x 200 mm			O’D 1John Inigo Richards (1731-1810), Landscape and scene painter. George Dance (1741-1825), Architect and portrait draughtsman. William Daniell (1769-1837). not in BM catalogue	15	£15	mounted	Print	Portraits	Artists Portraits						
8013		D.P. Pariset after Pierre Etienne Falconet	O.s Humphry Miniat.ae Pictor	Soft-ground etching	Sold by P. Falconet the Corner of Panton Street, Hay Market & Ryland & Bryer, Cornhill Pr. 2 			I 176 x 126 mm; Pl. 217 x 150 mm			Osias Humphrey, Miniaturist (1742-1810)O’D 2Pierre Etienne Falconet (1714-1791)	120	£120	mounted	Print	Portraits	Artists Portraits						
8014		Robert Thew	R. Crosse, Esq.rPainter in Enamel to His Majesty	Stipple	London Published Sept.r 1st 1792 by Tristram B. Freeman & Co. Printers in colours to the Prince of Wales and Carvers Gilders & Printsellers to the Duke of York, Corner Beaufort Buildings, Strand 			I 103 x 82 mm; Pl. 246 x 184 mm			O’D1 ii/iiiRobert Thew (1758-1802) after Crosse Richard Crosse, Miniaturist (1742-1810)	120	£120	mounted	Print	Portraits	Artists Portraits						
8016		Robert Pollard 	Paul Sandby	Stipple	London Published Nov. 14 1780 by W. Humphrey No. 227 Strand & R. Pollad. No.9 Staple Inn Buildings, Holborn			I 86 x 86 mm; Pl. 130 x 112 mm			O’D 11Paul Sandby (1730-1809), Watercolour painter and engraver. William Humphrey (born circa 1740-died circa 1810). Robert Pollard (1755-1838), Painter and engraver. 	50	£50	mounted	Print	Portraits	Artists Portraits						
8017		William Hogarth	Hesiod	Copper engraving	London, 1728			Image 137 x 60 mm, Pl. 175 x 118 mm			From the frontispiece for The works of Hesiod : translated from the Greek / by Mr. Cooke (London : printed by N. Blandford, for T. Green, 1728) 	15	£15	unmounted	Print	Portraits	Literary and Poetic						
8019		Meno Haas after Cornel Hoyer	Lorenz Spengler	Mezzotint	Copenhagen 1776			I 196 x 136 mm			Singer 86478 Meno Haas, Cornel HoyerLorenz Spengler (1720-1807)The ivory turner Lorenz Spengler, who was from Schaffhausen in Switzerland, arrived in Copenhagen in 1743. He was made court turner and taught most of the Royal family, among them Christian VI and later Frederick V, in the art of turning. Some of Spengler’s best work is preserved in Rosenborg, among them cups of ostrich egg, ivory and amber. The principal work is a chandlier of amber made from a drawing by Marchus Tuscher. The chandelier is made as a crystal chandelier and indicates that the iuse of amber was continued at the Danish Court long after it went out of fashion at other European courts.From 1771 until his death, Spengler was manager of the Chamber of Curiosities , a position later taken over by his son. As a natural scientist he became a member of the Society of Sciences. Parts of his large collection of conch shells, art materials and painting were later taken over by the state. 	30	£30	mounted	Print	Portraits	Artists Portraits						
8020		Matthius Darly	M. Darly P.O.A.G.B 	Engraving	1776			I 156 x 116 mm; Pl. 178 x 130 mm			O’D 1: BMSatMatthew or Matthias Darly (c.1720-1778), Engraver. 	100	£100	mounted	Print	Portraits	Artists Portraits						
8021		William Daniell after George Dance	Will.m Sharp	Soft-ground etching	Published by Will.m Daniell No. 9 Cleveland Street, Fitzroy Square, London, June 1 1811			I 210 x 160 mm			O’D 2	25	£25	mounted	Print	Portraits	Scientific, Industrial & Medical						
8022		D.P. Pariset	Guil.us Wynne Ryland	Stipple	Circa 1768-1769			I 174 x 126 mm			O’D 1(1732-1783)Engraver - Executed for Forgery 	80	£80	mounted	Print	Portraits	Artists Portraits						
8026		William Daniel after George Dance	John Hoppner R.A.	soft-ground etching	Published by Will.m Daniell No.9 Cleveland Street, Fitzroy Square, London, March 15 1810			I 200 x 140 mm; Pl.274 x 200 mm			O’D 1John Hoppner (1758-1810), Painter. George Dance (1741-1825), Architect and portrait draughtsman. William Daniell (1769-1837).  	35	£35	mounted	Print	Portraits	Artists Portraits						
8027		Rock & Co.	View from Bushnell Place & Avenham Walk, Presto	Engraving	Rock & Co. London and Worthig & Co. Preston 15 JUne 1854			Image 65 x 85 mm				10	£10	mounted	Print	General Interest	Railway Prints						
8028		W.H. Lizars	Railway Station Liverpool	Engraving	Published by George Philip, South Castle Street, n.d [c. 1850]			Image 87 x 150 mm				15	£15	unmounted	Print	General Interest	Railway Prints						
8030		Newman & Co.	The Britannia Tubular Bridge Over the Menai Straits	Engraving	Published by J. Ambrose Bangor			Image 70 x 100 mm				12	£12	mounted	Print	General Interest	Railway Prints						
8032		J. Harris & W. Summers after J.F. Herring	Sow and Pigs.	Aquatint with hand colouring	London. Published Jany. 18th 1855; by Messrs. Fores: 41 Piccadilly				from Fore’s series The Mothers 		In excellent condition.Muir p. 57	350	£350	framed	Print	General Interest	Farm Animals						
8033		after Mr. Rossi	Diana and Endymion from the bass relievo of Mr. Rossi exhibited at the Royal Academy 1785.	Stipple	c. 1785			Image 86 x 118 mm oval, Sheet 110 x 147 mm 			John Charles Frederick Rossi (1762-1839) Carver and modeler.	65	£65	mounted	Print	Fine Prints	Stipple						
8036		Philip Pinlott	Great Court , Trinity College, Cambridge	Etching	Published by the British Art Co., 1912			Image 80 x 144 mm, Pl.174 x 251 mm				45	£45	unmounted	Print	 Cambridge	Trinity College Cambridge						
8038		G & A Falkner	Map of the Liverpool, Manchester and Newcastle-upon-Tyne Junction Railway Shewing Its connection with existing Railways, and with those in course of construction, or for which Acts of Parliment Have Been Obtained	Lithograph	G & A Falkner, Lithographers 28 Brown Street Manchester			372 x 403 mm				50	£50	unmounted	Map	Maps Over More Than One County	Railway Map						
8051		Kono Bairei (1844-1895)	from Sôka [kusabana] hyaku shu (One Hundred Varieties of Flowering Plants)	Woodblock print	Date [Western]: 1901. Date [Japanese]: Meiji 34. Publisher: Yamada Unsodo.			Single sheet. 180 x 127 mm	Fourth Volume 		Edited posthumously by Kono Seiko. See Kenji Toda, ‘The Ryerson Collection of Japanese and Chinese Illustrated Books (Chicago: 1931). 	45	£45	mounted	Print	Japanese							
8057		Kono Bairei (1844-1895)	from Sôka [kusabana] hyaku shu (One Hundred Varieties of Flowering Plants)	Woodblock print	Date [Western]: 1901. Date [Japanese]: Meiji 34. Publisher: Yamada Unsodo.			Single sheet. 180 x 127 mm	Fourth Volume 		Edited posthumously by Kono Seiko. See Kenji Toda, ‘The Ryerson Collection of Japanese and Chinese Illustrated Books (Chicago: 1931). 	45	£45	mounted	Print	Japanese							
8058		Kono Bairei (1844-1895)	from Sôka [kusabana] hyaku shu (One Hundred Varieties of Flowering Plants)	Woodblock print	Date [Western]: 1901. Date [Japanese]: Meiji 34. Publisher: Yamada Unsodo.			Single sheet. 180 x 127 mm	Fourth Volume 		Edited posthumously by Kono Seiko. See Kenji Toda, ‘The Ryerson Collection of Japanese and Chinese Illustrated Books (Chicago: 1931). 	45	£45	mounted	Print	Japanese							
8059		Kono Bairei (1844-1895)	from Sôka [kusabana] hyaku shu (One Hundred Varieties of Flowering Plants)	Woodblock print	Date [Western]: 1901. Date [Japanese]: Meiji 34. Publisher: Yamada Unsodo.			Single sheet. 180 x 127 mm	Fourth Volume 		Edited posthumously by Kono Seiko. See Kenji Toda, ‘The Ryerson Collection of Japanese and Chinese Illustrated Books (Chicago: 1931). 	45	£45	mounted	Print	Japanese							
8061		Kono Bairei (1844-1895)	from Sôka [kusabana] hyaku shu (One Hundred Varieties of Flowering Plants)	Woodblock print	Date [Western]: 1901. Date [Japanese]: Meiji 34. Publisher: Yamada Unsodo.			Single sheet. 180 x 127 mm	Fourth Volume 		Edited posthumously by Kono Seiko. See Kenji Toda, ‘The Ryerson Collection of Japanese and Chinese Illustrated Books (Chicago: 1931). 	45	£45	mounted	Print	Japanese							
8062		Samuel Ireland	Course of the River Thames from Maidenhead bridge to the Nore	Copper engraving	Pub. for S. Ireland May 1 1799			I 110 x 165 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			55	£55	mounted	Map	Maps Over More Than One County	Thames Map						
8063		John Sunman Austin 	Brampton Park, Huntingdonshire, The Residence of the Right Honble. Lady Oliva Bernard Sparrow	Lithograph with tint stone	John Sunman Ausrin			Image 235 x 375 mm, Sheet 357 x 517 mm				120	£120	mounted	Print	British Topography	Cambridgeshire						
8064		Dunkerton after Hoffman	Linnaeus in His Lapland Dress.	Mezzotint	London, Published by Dr. Thornton June 1, 1805			Image 487 x 350 mm, Pl. 353 x 507 mm			CS 8 iii/iiiIn excellent condition with full margins Carolus Linnaeus (May 23, 1707[1] – January 10, 1778), 	1500	£1,500	mounted	Print	Portraits	Scientific, Industrial & Medical						
8065		James Ward	Joseph Wright Esqr. From a Picture painted by himself in the possession of James Cade Esqr.	Mezzotint	London. Published by Messrs. Colnaghi & Co. Cockspur Street, Charing Cross. Febr.1 1807.			Image 345 x 3275 mm, Pl. 380 x 275			In excellent condition with full marginsCS 36 i - ii/iii, Russel ii/iv, Frankau 82James Ward, engraver & painter (1769-1859)	1200	£1,200	mounted	Print	Portraits	Artists Portraits						
8066		Sir George Hayter	James Northcote	Etching	1813			I 202 x 148 mm			James Northcote (1746-1831), Painter; pupil and biographer of Sir Joshua Reynolds.Sir George Hayter (1792-1871)	250	£250	mounted	Print	Portraits	Artists Portraits						
8067		C. Turner after Alfred Count D’Orsay	Joseph Mallord William Turner	pencil?	Published 1852			I 329 x 220 mm			Joseph Mallord William Turner (1775-1851), Landscape painter.Alfred, Count D'Orsay (1801-1852), Amateur artist and man of fashion. Charles Turner (1773-1857), Engraver. 	400	£400	mounted	Print	Portraits	Artists Portraits						
8068		William Daniell after Geroge Dance	Jeremiah Meyer	soft-ground etching	Published 1768			I 175 x 95 mm			Jeremiah Meyer (1735-1789), Miniature painter. George Dance (1741-1825), Architect and portrait draughtsman. William Daniell (1769-1837)	25	£25	mounted	Print	Portraits	Artists Portraits						
8069		J & H.S Storer	Hall (All Souls College)	Copper engraving	London Pubd. Nov 1 1811 by Sherwood, Neely & Jones			I 105 x 70 mm	Lascelles’ The University and City of Oxford: Displayed in a Series of Seventy-two Views Drawn and Engraved by J. and H.S. Storer accompanied with a Dialogue, after the manner of Castiglione.			35	£35	unmounted	Print	Oxford	All Souls College						
8070		Joseph Skelton	Founders and Benefactors &c. of All Souls College	Copper engraving	Published as the Act directs Dec. 2nd 18221 by J. Skelton St. Magdalen Bridge, Oxford			I 165 x 210 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	35	£35	unmounted	Print	Oxford	All Souls College						
8071		J. Bluck after A. Pugin	All Souls, taken from the top of the Radcliffe Library	Aquatint	Published London, by J. Harrison and J. C. Leigh for R. Ackermann. 1814.			I 290 x 210	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			35	£35	unmounted	Print	Oxford	All Souls College						
8072		Tom Henry after G. Wooliscroft Rhear	[Eton]	Etching				I 519 x 354 mm				60	£60	mounted	Print	British Topography	Public Schools						
8073		H. Jamyn Brooks	[Eton]	Etching				I 495 x 325 mm				60	£60	mounted	Print	British Topography	Public Schools						
8076			Charing Cross Bridge	Lithograph with tint stone	Printed and Published by G.J. Cox, Royal Polytechnic Institution, 309 Regent St.			Image 82 x 175 mm, Sheet 170 x 227 mm			Charing Cross Bridge known as the Hungerford Bridge was designed by Isambard Kingdom Brunel and opened in 1845 as a suspension footbridge. In 1859 it was bought by the railway company, to extend the South Eastern Railway into the newly opened Charing Cross railway station. The railway company replaced the suspension bridge with a structure designed by Sir John Hawkshaw.	45	£45	mounted	Print	British Topography	London						
8077		T. Bury	S.E. View of St James’ Church, Clapton	Lithograph	Published by Day & Haghe			I 92 x 58 mm			Architect Edward Charles Hakewill (1812-1872)	50	£50	mounted	Print	British Topography	London						
8078		C. Moody after I. Shaw 	Hereford Cathedral North-East View	Lithograph	Published by J. Head High Town Hereford			I 309 x 44 mm				60	£60	mounted	Print	British Topography	Herefordshire						
8079		John Bluck	View near Washbourn, Gloucestershire	Aquatint	London Published May 10th 1802 by F. Jukes Howland Street			I 69 x 200 mm; Pl.290 x 221 mm				45	£45	mounted	Print	British Topography	Gloucestershire						
8083		Newton after Roe	South West Aspect of the Church of St Augustine Headon This plate was given to the Work by W. Constable of Burton Constable Esq. 	Aquatint	1784			I 458 x 284 mm			Engraved for Dades History and Antiquities of Holderness	200	£200	mounted	Print	British Topography	Kent						
8084		William Monkhouse after W. Bevan	St George’s Church, Doncaster as it appeared before the fire by which it was destroyed, February 28th 1853. This view is respectfully dedicated to the Rev. John Sharpe D.D. Vicar by his obliged Servant, Robert Hartley	Lithograph	Doncaster Published by Robert Hartley Circa 1860 			I 356 x 262 mm			William Monkhouse was the leading lithographer in York and made the city a centre for lithographic printing.	60	£60	mounted	Print	British Topography	Yorkshire						
8085		Augustino Aglio	Halswell House Seat of C.K. Kemey’s Tynte Esq. M.P.	Lithograph	Published by T. Smyth, Taunton Circa 1830			I 451 x 255 mm			Augustino Aglio (1777-1857) Draughtsman and lithographer	200	£200	mounted	Print	British Topography	Somersetshire						
8086			Pinfold Street	Lithograph	Printed and Published by Thomas Underwood Castle St, High St. Birmingham 1865			I 665 x 233 mm				60	£60	mounted	Print	British Topography	Warwickshire						
8087		M. Dubourg	Plan and Elevation of the Patent Iron Bar Bridge over the River Tweed near Berwick	Aquatint	London Published by J. Taylor at the Architectural Library High Holborn 1823			I 600 x 248 mm Pl. 665 x 303 mm			Matthew Dubourg, fl 1786--1846, engraver on copper and occasional painter.	600	£600	mounted	Print	British Topography	Northumberland						
8088			Woburn Abbey Bedfordshire	Lithograph with hand colouring	Pub.d by Dodd & Peeling Booksellers Woburn Circa 1830			I 340 x 235 mm				200	£200	mounted	Print	British Topography	Bedfordshire						
8089		Francis Jukes 	Ramsgate	Aquatint	London Published June 21 1787 by F. Jukes Howland Street & I. Bryden Charing Cross			I 406 x 270 mm				600	£600	mounted	Print	British Topography	Kent						
8090		S. Alken after John William Upham	Weymouth Bay Humbly Dedicated by Permission to her Royal Highness the Princess Augusta by her most devoted and obedient humble Servt. J.W. Upham	Aquatint	Published July 1st 1801 by J.W Upham Weymouth			I 366 x 297 mm; Pl. 370 x 430 mm; S 400 x 470 mm			Abbey Scenery 340, 18	350	£350	mounted	Print	British Topography	Dorset						
8093			Loughborough	Lithograph	Published by John Henry Grey Market Place Loughborough Circa 1830			I 300 x 218 mm				100	£100	mounted	Print	British Topography	Leicestershire						
8094		S. Alken after John William Upham	Sandsfoot Castle and Portland Humbly Dedicated by Permission to her Royal Highness the Princess Augusta by her most devoted and obedient humble Servt. J.W. Upham	Aquatint	Published July 1st 1801 by J. W. Upham, Weymouth			I 369 x 295 mm; Pl. 430 x 373 mm			Abbey Scenery 340, 4	250	£250	mounted	Print	British Topography	Dorset						
8095		S. Alken after J. W. Upham	Bow and Arrow Castle in Portland Humbly Dedicated by Permission to her Royal Highness the Princess Augusta by her most devoted & Obedient humble Serv.t J.W. Upham	Aquatint	Published July 1st 1801 by J. W. Upham, Weymouth			I 369 x 295 mm; Pl. 430 x 373 mm			Abbey Scenery 340, 8	250	£250	mounted	Print	British Topography	Dorset						
8096		Pieter Van der Aa after David Loggan	La Cour de Nevill dans le College de Trinite	Copper engraving	1707			I 123 x 158 mm				40	£40	unmounted	Print	 Cambridge	Trinity College Cambridge						
8097		Pieter Van der Aa after David Loggan	Vue exterieure du cote d’Occident de la Chaple du Roi.	Copper engraving	1707			I 122 x 157 mm				45	£45	unmounted	Print	British Topography	Cambridgeshire						
8100		Alfred Brunet-Debaines after John Constable	The Valley Farm	Etching	Published by Goupil			I. 498 x 428 Pl. 629 x 507 mm			Beraldi 39: IFF 18	400	£400	mounted	Print	Victorian							
8101		Axel Haig	Windsor Castle: The Round Tower	Etching	Published 1 June 1887 by Dunthorne	1887	1887	I. 259 x 176 mm Pl. 353 x 256 mm 			Impression signed by HaigLennox-Boyd 70	375	£375	mounted	Print	Victorian	Axel Haig						
8103		Hellmuth Weissenborn	[Grasshoppers]	Woodcut	28th October 1981			Images 147 x 75 mm, Sheet 225 x 126 mm			Signed and inscribed in penProofsHellmuth Weissenborn (1898 -1982) was born in Leipzig, Germany, his father was an art teacher. Weissenborn studied at the Academy for Graphic Art and Book Design, Leipzig from 1919 serving in WWI. In 1938 he emigrated to London as a freelance artist. He then went on to work as an illustrator for the Whittington Press and his first solo show was at Archer Gallery. In 1946 he and his wife took over the then defunct Acorn Press. He exhibited at the Victoria and Albert Museum, the London Group and at exhibitions in America and Australia.	75	£75	mounted	Print	Artists	Hellmuth Weissenborn						
8107		Sydney Litton	[Farm yard and country scene]	Drypoint Etching				I. 285 x 191 mm				60	£60	mounted	Print	20th Century							
8109		Cooper	Oxfordshire 	Copper engraved with contemporary hand colouring	London Published January 1, 1808 by R. Philipps, Bridge Street, Blackfriars			176 x 103 mm				30	£30	mounted	Map	English Counties	Oxfordshire						
8113		Robert Walker Macbeth	[Landscape with people and animals]	Etching				I. 523 x 305 mm Pl. 537 x 328 mm				500	£500	mounted	Print	Victorian							
8114		Fred Slocombe	[Two women walking in a winter landscape]	Etching	London, Published in 1911 by W.R. Howell & Co. The Gallery, Bedford Row Chambers, W.C., Copyright Registered	1911	1911	I. 512 x 327 mm				500	£500	mounted	Print	20th Century							
8115		Hole, William	Hiberniae  Ireland	Copper engraved map with hand colouring	1637			263 x 337 mm				640	£640	mounted	Map	Scotland, Ireland & Wales	Ireland						
8121		Badeslade, T. and W.H. Toms	A Map of Oxfordshire	Copper engraved 	Published by the Proprietors T. Badeslade & W.H. Toms Septr. 29th 1741			143 x 147			Early state	50	£50		Map	English Counties	Oxfordshire						
8122		Badeslade, T. and W.H. Toms	A Map of Devonshire	Copper engraved 	Published by the Proprietors T. Badeslade & W.H. Toms Septr. 29th 1741			143 x 147			Early state	60	£60	unmounted	Map	English Counties	Devon						
8124		H.D. Manning after Fanny Palmer 	A Midnight Race on the Mississippi	Lithograph with orginal handcolour	New York, Published by Currier and Ives 152 Nassau St., 1860 			Image 455 x 750 mm, Sheet 605 x 840 mm			HTP 1359	5000	£5,000	framed	Print	Foreign Topography	North America						
8125		Alexander Lacauchie	Mme. Anna-Thillon	Lithograph	Paris Publie par Marchaus			Image 197 x 117 mm			Anna Thillon (1813-1903) the English soprano who studied with Bordogni, Tadolini & Claude Thomas Thillon (conductor of the Havre Philharmonic Society), whom she later married	75	£75	mounted	Print	Portraits	Performing Arts						
8126			“ North Berwick” (Mr. R Maxwell)	Lithograph	Benrose Dalziel Ltd. Watford & London			I 325 x 199 mm	Vanity Fair			400	£400	mounted	Print	Portraits	Vanity Fair						
8127		Benjamin Wilson	Sr. Watkin Williams Wynn Bar.t 	Drypoint	1761 From a Painting at Chester			I 400 x 285 mm			Sir Watkin was the eldest son and heir of Sir William Williams, Bart, of Llanforda near Oswestry; his mother, Jane Thelwall, was a descendant of the antiquary, Sir John Wynn of Gwydir, Caernarfonshire. The name "Watkin Williams-Wynn" was common to several of the later baronets. There is a Welsh folk song named after the best-known of these.	450	£450	mounted	Print	Portraits	Artists Prints						
8128		Newnham	To the author of Elfrida & Caractacus. This Etching from a drawing of Paul Sandby is Inscribed by his affectionate Friend Newnham	Etching				I 358 x 274 mm				75	£75	mounted	Print	Artists	Artists Prints						
8129		John Smith	His Royal Highness George Prince of Denmark: Lord High Admiral of England, General of Her Majesties forces & Lord Warden of the Cinq Ports & C. 	Mezzotint	Published by John Smith c. 1704			Pl. 350 x 253 mm			CS 971; Russell 9; Wessely 101Ex Col. Museum of Leipzig	120	£120	mounted	Print	Portraits	British Nobility						
8130		John Smith [possibly after Friedrich Wilhelm Weidemann]	The most Illustrious Princess Sophia Electrice Dowager of Brunswick...	Mezzotint	Pubslihed 1706 by John Smith			Pl. 346 x 250 mm			CS 237 ii/ii; Wessely 241	100	£100	mounted	Print	Portraits	Foreign Royalty	Germany					
8131		James McArdell after Joshua Reynolds	Elizabeth Countess of Berkley	Mezzotint	Published according to an Act of Parliament 1757 & Sold at the Golden Head in Covent Garden			I 275 x 225 mm; Pl. 330 x 225 mm; S 377 x 265 mm				55	£55	mounted	Print	Portraits	British Nobility						
8132		Charles Turner after T. Lawrence Esq.	Thomas Erskine	Mezzotint	London Published Nov.r 06 1806 by the Proprietor			I 300 x 250 mm; Pl. 354 x 255 mml S 410 x 333 mm				400	£400	mounted	Print	Portraits	British Nobility						
8133		G. Kneller	The most Honoble, Thomas Lord marquis of Wharton Lord Privy Seal	Mezzotint	Published by John Smith			I 310 x 250 mm; Pl. 355 x 252 mm; S 361 x 260 mm			CS267	120	£120	mounted	Print	Portraits	British Nobility						
8134		William Cooke Junior after T. Barrett	Somerset House, London	Copper engraving on india laid paper	 Published August 1, 1823 bt T. Boys, Ludgate Hill			Image 72 x 123 mm, Pl. 157 x 247 mm				10	£10	unmounted	Print	British Topography	London						
8135		Unknown	A View of Paris, taken from the middle of Pont Neuf, towards Pont Royal.	Copper engraving	c. 1790			Image 143 x 211 mm, Pl. 163 x 225 mm 				25	£25	unmounted	Print	Foreign Topography	France						
8136		Unknown	View of the Square Court of the Temple of the Sun at Balbec	Copper engraving	c. 1790			Image 105 x 220 mm 				20	£20	unmounted	Print	Foreign Topography	Middle East						
8137		W. Angus after Claude Nattes	Longford in Wiltshire the Seat of the Earl of Radnor	Copper engraving	Published as the Act directs April 1, 1788, by W. Angus, No. 4 Gwynnes Buildings Islington			Image 128 x 186 mm, Pl. 156 x 203 mm				25	£25	unmounted	Print	British Topography	Wiltshire						
8138		S. Sparrow after F. MacKenzie	Longford Castle, Wiltshire.	Copper engraving	London, Published Octr. 1, 1808 by Longman & Co. Paternoster Row & J. Taylor High Holborn			Image 144 x 204, Sheet 225 x 284 mm				20	£20	unmounted	Print	British Topography	Wiltshire						
8140		Vincent Brooks	Sultan Fowls	Chromolithograph	circa 1880			I 244 x 180 mm				65	£65	mounted	Print	General Interest	Farm Animals						
8156		J. Storer	All Souls Collegge	Copper engraving	Published by Cook & Parker, Oxford-Longman, Hurst, Rees & Orme, London. March 1 1818			I 113 x 81 mm				35	£35	unmounted	Print	Oxford	All Souls College						
8158		Vincent Brooks	White-Faced Black SpanishCups of Chickens at Bristol 1872	Chromolithograph	Circa 1880			I 244 x 180 mm				65	£65	mounted	Print	General Interest	Farm Animals						
8162		J Skelton	East front of All Souls College	Copper engraving	Published as the Act directs. June 2nd 1817 by J skelton, St Aldates, Oxford			I 158 x 230 mm			This view was attached to the Oxford Almanack, 1769	50	£50	unmounted	Print	Oxford	All Souls College						
8172		Vincent Brooks	Mrs Woodcock’s Japanese Bantams First Prize at Crystal Palace 1872Mr E. Cambridge’s Black Bantams Cup at Bristol 1873Mr H.B Smith’s Pekin Bantams First Prize at Wolverhampton 1873	Chromolithograph	Circa 1880			I 244 x 180 mm				65	£65	mounted	Print	General Interest	Farm Animals						
8177		J Skelton & H Winkles after J Willis	Tomb of Archbishop chuchele, in Canterbury cathedral	Copper engraving	Published as the act directs 1st June 1830, by J Skelton, Magdalen Bridge, Oxford			I 187 x 263 mm				40	£40	unmounted	Print	Oxford	All Souls College						
8178		Unknown	Henry Chichely, Archbishop of Canterbury, Founder of All Souls College, from the Picture in the Bodleian Gallery.	Copper engraving with hand colouring	London Pubd for R.Ackermann’s History of Oxford, at 101 strand			I 165 x 145 mm	From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			20	£20	unmounted	Print	Oxford	All Souls College						
8180		John Leech	After a Long and Exciting struggle   /   However, in much less time than it has taken to make this imperfect sketch	etching with contemporary colour	London Published by Bradbury and Evans, 11 Bouverier Street, Fleet Street [n.d. c. 1860]			Image 233 x 330 mm, Sheet 325 x 465 mm	Mr. Briggs and his doings. Fishing. A series of twelve coloured plates, enlarged from Mr. Leech’s original drawings. 			50	£50	mounted	Print	Sports	Fishing	Fishing					
8181		Andrew Miller after Issac Oliver 	Elizabetha D.G. Angliae, Franciae et Hiberniae	Mezzotint	Sold by Andrew Miller and Paul Smith 1744	1744	1744	I. 345 x 250 mm Pl. 350 x 251 mm			CS 16 i/I	450	£450	framed	Print	Portraits	British Royalty						
8182		John Leech	On arriving at “Hell’s Hole” Mr. B is detained for three quaters of an hour while the Fish sulks at the Bottom.	etching with contemporary colour	London Published by Bradbury and Evans, 11 Bouverier Street, Fleet Street [n.d. c. 1860]			Image 233 x 330 mm, Sheet 325 x 465 mm	Mr. Briggs and his doings. Fishing. A series of twelve coloured plates, enlarged from Mr. Leech’s original drawings. 			50	£50	mounted	Print	Sports	Fishing	Fishing					
8183		John Leech	Mr. Briggs, through the influence of a friend, has a days spring fishing, wind, north east.	etching with contemporary colour	London Published by Bradbury and Evans, 11 Bouverier Street, Fleet Street [n.d. c. 1860]			Image 330 x 233 mm, Sheet 465 x 325 mm	Mr. Briggs and his doings. Fishing. A series of twelve coloured plates, enlarged from Mr. Leech’s original drawings. 			50	£50	mounted	Print	Sports	Fishing	Fishing					
8186		John Leech	Mr. Briggs contemplates a day’s Fishing, and practices with his running tackle.	etching with contemporary colour	London Published by Bradbury and Evans, 11 Bouverier Street, Fleet Street [n.d. c. 1860]			Image 233 x 330 mm, Sheet 325 x 465 mm	Mr. Briggs and his doings. Fishing. A series of twelve coloured plates, enlarged from Mr. Leech’s original drawings. 			50	£50	mounted	Print	Sports	Fishing	Fishing					
8187		J. R. Smith after Giovanni Francesco Rigaud	Fransescho Bartolozzi	Mezzotint	London, Published March 5th 1778, by W. Humphrey, No 70 St Martin’s Lane & J. R. Smith, No 10 Bateman’s Buildings, Soho Square	1778	1778	I. 501 x 407 mm				1800	£1,800	framed	Print	Portraits	Artists Portraits						
8188		Taylor, John 	A New and Correct Map of France with the Roads and Departments as laid down by the Order of the National - Assembly	Copper engraved map with orginal outline colour	Published by William Allen, 32 Dame Street, Dublin, 1802			614 x 600 mm			William Allen was the most important printseller in late Georgian Dublin. Begining in the 1770’s he issued Irish views, portraits, copies of prints issued in London, the occasional map and later, satires.  By 1827, the firm was known as M.H, & J.W. Allen, having occasionally been Allen & Sons. William Allen traded from No. 88 and later No. 32 Dame Street. 	300	£300	mounted	Map	Europe	France						
8189		Gainsborough Dupont after Thomas Gainsborough R.A.	Queen Charlotte 	Mezzotint	Published Dec. 30 1790 by Gainsborough Dupont No. 87 Pall Mall	1790	1790	I. 375 x 613 mm F. 504 x 750 mm	Pair with King George III #7990		CS 2 i/iii, Horne 17 i/iii	1800	£1,800	framed	Print	Portraits	British Royalty						
8192		Benjamin Green after George Stubbs	The Lion and Horse	Mezzotint	Published 1 March 1791 by Robert Sayer No. 53 Fleet Street London			Image 416 x 553, Pl. 453 x 557 mm			State v/vHuber 1787 p. 690; Nagler, Stubbs; Gilbey no. 29; Siltzer p. 269; Lennox-Boyd 7	3000	£3,000	framed	Print	Fine Prints	After George Stubbs						
8209		Katsushika Hokusai (1760-1849) 	Suit of Armour	Woodblock surimono with extremely fine karazuri [gauffrage] and detailing in gold [rich bronze] and silver. 	Some water-staining bottom right. Date: ca. 1805. 			Shikishiban [20 x 18 cm]			Kyôka poem by Kusabana-en Takekyû. 	370	£370	mounted	Print	Japanese	Surimono						
8210			A Courtesan Reading	Woodblock surimono with decorative detailing in gold [rich bronze] and silver. 				Shikishiban [20 x 18 cm]	Setsu Gekka			290	£290	unmounted	Print	Japanese	Surimono						
8211		J. Bluck after A. Pugin	Library of All Souls College	Aquatint with hand colouring	London Pubd. 1 June 1814 at 101 Strand for R. Ackermann’s History of Oxford			I 200 mm x  264 mm	From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			75.00	£75	mounted	Print	Oxford	All Souls College						
8212		W. Hodsdon	View of Old Smithfield Market, June 1855.	Lithograph with tint stone	Published by W. Hodsdon, 68 St. John St. Smithfield			Image 281 x 434 mm				450	£450	framed	Print	British Topography	London						
8213		O. Jewitt	Library, &c from New College Lane, All Souls College	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			12	£12	mounted	Print	Oxford	All Souls College						
8214		O. Jewitt	The Hall, All Souls College	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			12	£12	mounted	Print	Oxford	All Souls College						
8215		O. Jewitt	The Warden’s Lodgings, All Souls College	Wood engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			I 68 x 80 mm	Memorials of Oxford			12	£12	mounted	Print	Oxford	All Souls College						
8216		Unknown	Luadrangle & Library, All Souls College	Lithograph with hand colouring				I160 mm x 150 mm Vignette				15	£15	unmounted	Print	Oxford	All Souls College						
8217		Unknown	Balliol College	Lithograph with hand colouring				I115 mm x 180 mm Vignette				15	£15	unmounted	Print	Oxford	Balliol College						
8218		Joseph Skelton after G. Vertue	Founders and Benefactors of Balliol  College, with the design for the New Buildings	Steel engraving	Published as the Act directs June 1 1819 by J. Skelton St Aldates, Oxford			I 185 x 232 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	50	£50	mounted	Print	Oxford	Balliol College						
8219		J Fittle, ABA & J Skelton after G F Robson	Bernard Castle, Durham, The Birth Place of John Balliol, The Founder of Balliol College, Oxford	Copper engraving	Published 1st Feb 1829 for J Skelton, Magdalen Bridge, Oxford by J Parker, Broad Street			I197mm x 269mm				45	£45	unmounted	Print	British Topography	Durham						
8220		Unknown	Devorguilla Balliol. Cofounder with John Baliol, of Baliol College. From a Picture in the Bodleian, Gallery	Copper engraving with hand colouring	London Pubd for R.Ackermann’s History of Oxford, at 101 strand			I 172 x 151 mm	From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			20	£20	unmounted	Print	Oxford	Balliol College						
8221		Unknown	John Baliol. Cofounder with Devorguilla his Wife, of Baliol College. From a Picture in the Bodleian, Gallery	Copper engraving with hand colouring	London Pubd for R.Ackermann’s History of Oxford, at 101 strand			I 180 x 155 mm	From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			20	£20	unmounted	Print	Oxford	Balliol College						
8222		W. Angus after E. Dayes	Lumley Castle in the county of Durham, the Seat of the Earl of Scarborough	Copper engraving	Published as the Act directs, Novr. 1st 1794 by W. Angus No. 4 Gwynne’s Buildings, Islington			Image 128 x 185 mm, Pl. 155 x 202 mm				25	£25	unmounted	Print	British Topography	Durham						
8224		W. Angus after Smith	Nettlecombe Court in Somersetshire, the SEat of Sr. John Trevelyan Bart.	Copper engraving	Published as the Act directs, June 1 st  1793 by W. Angus No. 4 Gwynne’s Buildings, Islington			Image 128 x 185 mm, Pl. 155 x 202 mm				18	£18	unmounted	Print	British Topography	Somersetshire						
8225		W. Angus after Arnold	Chillingham Castle in Northumberland, the Seat of the Earl of Tankerville	Copper engraving	Published as the Act directs, December 1 st  1815 by W. Angus No. 4 Gwynne’s Buildings, Islington			Image 128 x 185 mm, Pl. 155 x 202 mm				20	£20	unmounted	Print	British Topography	Northumberland						
8226		W. Angus after A. Davis	Burghley House, in Northamptonshire, the Seat of the Earl of Exeter	Copper engraving	Published as the Act directs, SEptr 1 st  1780 by W. Angus No. 4 Gwynne’s Buildings, Islington			Image 128 x 185 mm, Pl. 155 x 202 mm				25	£25	unmounted	Print	British Topography	Lincolnshire						
8227		T. Dale 	St. Pancras new Church	Copper engraving	Engraved for the Encyclopedia Londinensis, 1811			Image 227 x 182 mm, Pl. 265 x 201 mm				20	£20	unmounted	Print	British Topography	London						
8228			A View of the Dome of Florence call’d the Madona of the Market	Copper engraving and etching	n.d. c. 1740			Image 95 x 180 mmm				25	£25	unmounted	Print	Foreign Topography	Italy						
8229		O. Jewitt	The New Building - Balliol College	Wood engraving	circa 1830			I 67 x 87 mm	Ingrams’ Memorials of Oxford			15	£15	unmounted	Print	Oxford	Balliol College						
8230			A Perspective View of Marcellus’s Theatre &c. at Rome	Copper engraving	n.d. c. 1750			Image 162 x 265 mm, Pl. 187 x 280 mm				30	£30	unmounted	Print	Foreign Topography	Italy						
8232		O. Jewitt	The Entrance Gateway- Tower - Balliol College	Wood engraving	circa 1830			I 67 x 87 mm	Ingrams’ Memorials of Oxford			15	£15	unmounted	Print	Oxford	Balliol College						
8233		O. Jewitt	Gateway of the Smaller Quadrangle - Balliol College	Wood engraving	circa 1830			I 100 x 73 mm vignette	Ingrams’ Memorials of Oxford			15	£15	unmounted	Print	Oxford	Balliol College						
8234		O. Jewitt	The Chapel - Balliol College	Wood engraving	circa 1830			I 73 x 60 mm vignette	Ingrams’ Memorials of Oxford			15	£15	unmounted	Print	Oxford	Balliol College						
8235		T. Bonner	Church of St. Cross, Near Winchester	Copper engraving	published the 26th of December 1783 by S. Hooper			I: 105 x 150 mm						unmounted	Print	British Topography	Hampshire						
8236		J. Walker	Lincoln	Copper engraving	Published Feb. 1, 1797, by J. Walker, No. 16, Rosemans Street, London	1797	1797	I: 105 x 165 mm				18.00	£18	unmounted	Print	British Topography	Lincolnshire						
8237			Burleigh House in Northamptonshire, the Seat of the Earl of Exeter	Copper engraving				I: 110 x 190 mm				10.00	£10	unmounted	Print	British Topography	Northamptonshire						
8238		J. Smith after J. Buckler	Lincoln Cathedral - West Front	Copper engraving	London Published by Vernor and Hood, Poultry, Feb. 1st, 1802	1802	1802	I: 100 x 140 mm	for the “Beauties of England & Wales”			10.00	£10	unmounted	Print	British Topography	Lincolnshire						
8239		W. Watts after A. Devis	West-Front of Burghley -House in Northamptonshire, the Seat of the Earl of Exeter	Copper engraving	Published as the Act directs, May 1st 1782, by W. Watts, Chelsea.	1782	1782	I: 125 x 180 mm				20.00	£20	unmounted	Print	British Topography	Northamptonshire						
8240			South View of Long Seate in Wiltshire, the Seat of the Rt. Hon. Lord Weymouth	Copper engraving				I: 145 x 275 mm				18.00	£18	unmounted	Print	British Topography	Wiltshire						
8244		Sparrow	Roslin Chapel & Castle	Copper engraving	Published Jan. 9th 1789 by J. Hooper	1789	1789	I: 125 x 175 mm				20.00	£20	unmounted	Print	British Topography	Scotland						
8245			Inside of Westminster Abbey	Copper engraving	London: Published May 2nd, 1796, by C. Taylor, No. 10, Holborn	1796	1796	Pl: 193 x 155 mm				15.00	£15	unmounted	Print	British Topography	London						
8246		Sparrow	Abbey & Palace of Holyrood House	Copper engraving	Published Feb 2nd, 1789, by J. Hooper	1789	1789	I: 125 x 175 mm				10.00	£10	unmounted	Print	British Topography	Scotland						
8247		Pickett after A. Campbell	Ruins of the Chapel of Holy-rood House	Aquatint	London: Published March 1st, 1802, by M. Longman & Rees, Paternoster Row	1802	1802	I: 110 x 190 mm				12.00	£12	unmounted	Print	British Topography	Scotland						
8248		J. Storer after Dixon	Palace of Holyrood	Copper engraving				I: 110 x 180 mm				12.00	£12	unmounted	Print	British Topography	Scotland						
8249			Fonthill					I: 190 x 165 mm				25.00	£25	unmounted	Print	British Topography	Wiltshire						
8250		H. Winkles after G. Cattermole	Fonthill Abbey, S.W. View	Copper engraving	London, Published by the Author, April 1, 1823	1823	1823	I: 140 x 195 mm				20.00	£20	unmounted	Print	British Topography	Wiltshire						
8251			[Fonthill]	Steel engraving				I: 95 x 125 mm				15.00	£15	unmounted	Print	British Topography	Wiltshire						
8252		T. Medland	Caen	Aquatint	Published, April 19th, by J. Johnson, St. Pauls Church Yard, London	1803	1803	I: 135 x 200 mm				12.00	£12	unmounted	Print	Foreign Topography	France						
8253		G. Corbould after G. Lewis	The Abbey of St. Stephen, Caen	Copper engraving	London, Published for the Rev. T.F. Dibden, April 1821	1821	1821	I: 125 x 210 mm				10.00	£10	unmounted	Print	Foreign Topography	France						
8254		Milton	A View of the Church of Batalha	Copper engraving	Published May 1, 1795 by Cadell and Davies _ Strand	1795	1795	I: 190 x 140 mm				12.00	£12	unmounted	Print	Foreign Topography	Portugal						
8255		J. Walker after G. Walton	Lichfield Cathedral	Copper engraving	Published October 1st 1801 by J. Walker, No. 16, Rosemans Street, London.	1801	1801	I: 110 x 165 mm				20.00	£20	unmounted	Print	British Topography	Staffordshire						
8257		Joseph Skelton after G. Vertue	Founders and Benefactors of Brasen Nose College, with a design for the New Buildings	Steel engraving	Published as the Act directs Nov 2 1818 by J. Skelton St Aldates, Oxford			I 185 x 232 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	50	£50	mounted	Print	Oxford	Brasenose College						
8258		Unknown	Richard Sutton KNt. Cofounder of Brazen Nose College From a Picture in the Bodleian, Gallery	Copper engraving with hand colouring	London Pubd for R.Ackermann’s History of Oxford, at 101 strand			I 168 x 145 mm	From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			20	£20	unmounted	Print	Oxford	Brasenose College						
8259		Unknown	William Smith Cofounder with Rich Lutton, of Brazen Nose College From a Picture in the Bodleian, Gallery	Copper engraving with hand colouring	London Pubd for R.Ackermann’s History of Oxford, at 101 strand			I 168 x 145 mm	From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			20	£20	unmounted	Print	Oxford	Brasenose College						
8261		J Skelton & H Winkles after J Willis	Nave of Lincoln Cathedral, The Burial-place of Bishop smith, The Co-Founder of Brasen Nose College, Oxford	Copper engraving	Published 1st June 1829, by J Skelton, Magdalen Bridge, by J Parker, Broad Street			I 187 x 263 mm				40	£40	unmounted	Print	Oxford	Brasenose College						
8262		Utagawa Kunikazu (fl. ca.1849-1867) 	Boats on the Yodogawa	Woodblock print	Publisher: Ishiwa. Date: Late 1850s and 1860s. 			Chûban.	From the series “Naniwa hyakkei” ("One Hundred Views of Ôsaka")		Additional designs for this series are known by Yoshiyuki (1835-1879; published by Goryoken) and Yoshitaki (published by Ishiwa). During the same period,. Kunikazu contributed to a related series entitled Miyako hyakkei ("One Hundred Views of Kyoto"), also published by Ishiwa and  involving the artists Umekawa Tokyo (active circa mid 1850-early 1860s), Gyokuen (active circa 1830s-early 1860s), and Hokusui (active circa mid to late 1850s). Kunikazu also designed ôban landscape prints derivative of Hiroshige for a series issued circa 1847-1852 that was titled Tôto meisho ("Famous Views of the Eastern Capital").	200	£200	framed	Print	Japanese	Landscape and Famous Places						
8263		Umegawa Tokyo (1828-1869)  	Mizoroke	Woodblock	Publisher: Ishiwa. Date: Late 1850s and 1860s. 			Chûban. 	Miyako hyakkei (One Hundred Views of Kyôtô)			190	£190	framed	Print	Japanese	Landscape and Famous Places						
8264		Andô Hiroshige (1797-1858)	Kameido Fuji no Hana [Wisteria at Kameido]	Woodblock Print	Publisher: Sano-ya Kihei [Kikakudo/ Sanoki]. Date:1833-1843.			Ôban yoko-e [15 x 10 inches]	Tôto meisho [Famous Views of the Eastern Capital]		References: Memorial Catalogue, Strange (Chapter 7, Catalogue), Stewart. Late impression. 	250	£250	unmounted	Print	Japanese	Landscape and Famous Places						
8269		Herbert Gordon Warlow	Exeter Cathedral	Etching	c. 1925			Image and Plate 220 x 140 mm			Working proofHerbert Gordon Warlow (1885-1942) was born in Sheffield, England, where he later studied at the Sheffield School of Art. In 1916 he was admitted as an Associate of the Royal Society of Painter-Etchers and Engravers.Between 1916 and 1942 Warlow exhibited his watercolor paintings and etchings in the London area at venues such as Abbey Gallery, Fine Art Gallery, Walker Art Gallery,the Royal Academy and the Royal Society of Painter-Etchers and Engraver	100	£100	mounted	Print	20th Century							
8270		Seale, R.W.	A Map of England and Wales from the latest and best Observations	Copper engraved	c. 1745			407 x 308	For Mr. Tindal’s Continuation of Mr. Rapin’s History			120	£120	unmounted	Map	England & the British Isles	England						
8275		Francis Jukes	A View of Baldock in Hertfordshire	Aquatint	London, Pub: as the Act directs, May 1 1787 by F. Jukes Nos. Howland Street			Image 322 x 462 mm				275	£275	mounted	Print	British Topography	Hertfordshire						
8276		Francis Jukes after Master Chapman	The Mill at Baldock in Herts	Aquatint	London, Pub: as the Act directs, May 1 1787 by F. Jukes Nos. Howland Street			Image 322 x 462 mm				275	£275	mounted	Print	British Topography	Hertfordshire						
8278		Shijo surimono	Tenchi niki inoshishdoshi 	Woodblock 				180 mm x 240 mm			A surimono celebrating the Year of the Boar. 	50	£50	mounted	Print	Japanese	New Year [Shôgatsu]						
8281			Silk Weaving	Woodblock	Late Edo period. 						From an ehon	40	£40	mounted	Print	Japanese	Customs & Scenes of Everyday Life						
8282		Ikkei Shosai (ca.1870s)	From Thirty-Six Views of the Capital	Woodblock with aniline colouring.	ca. 1870			[160 x 230 mm]			Ikkei Shosai was a pupil of Hiroshige III. Laurance P. Roberts characterizes his prints poignantly as "comic scenes of Edo life in the early Meiji era"	80	£80	mounted	Print	Japanese	Landscape and Famous Places						
8283		Badeslade, T. and W.H. Toms	A Chart showing the Sea coast of England & Wales with ye Fortifications Royal Docks, Harbours, Sands &c. 	Copper engraved	Published by the Proprietors T. Badeslade & W.H. Toms Septr. 29th 1741			142 x 150 mm				25	£25	mounted	Map	England & the British Isles							
8285		Joseph Skelton 	Founders and Benefactors of Christ Church with a “bride eye” View of the College &c. 	Steel engraving	Published as the Act directs March 1 1817 by J. Skelton St Aldates, Oxford			I 185 x 232 mm	Oxford Almanack 1724		Skelton began publishing parts to this work from 1817 but it was not until 1820 that the project was completed.	50	£50	mounted	Print	Oxford	Christ Church College						
8286		Joseph Skelton after Mackenzie	Monuments in the Cathedral of Christ Church	Copper engraving	1820			I 260 x 190 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	65	£65	mounted	Print	Oxford	Christ Church College						
8287		Skelton, Joseph  after Agas	Skelton’s reduced engraving of the Origianl Plan of Oxford taken by Ralph Agas in the Year 1578	Copper engraved with  handcolour	Published as the Act directs Jany. 1st 1823 by J. Skelton Magdalen Bridge Oxford 			495 x 477 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton’s detailed and acurate engraving of Agas 1578 plan of the City.	450	£450	mounted	Print	Oxford	Oxford Maps						
8288		W. Sharp after R. Cosway	[The Hon.ble Tho.s Erskine]	Engraving	Published London May 2nd 1791 by W Sharp No. 8 Charles Street			I 99 x 87 mm; Pl 241 x 166 mm			Price is for the pair	100	£100	mounted	Print	Portraits	British Political						
8289		Samuel Cousins after Sir Thomas Lawrence	Charles 2nd Earl Grey	Mezzotint	London Published for the Proprietor Sir Tho.s Lawrence May 1829			I 335 x 230 mm:; Pl. 410 x 			Charles Grey, 2nd Earl Grey (1764-1845), Prime Minister.	100	£100	mounted	Print	Portraits	British Political						
8290		Js McArdell	The Right Honourable Henry Fox Esq [1st Baron Holland]Secretary of Statefrom an Original in the possession of the Hon.ble Horace Walpole	Mezzotint	1734			I 310 x 250 mm; Pl. 355 x 250 mm			Henry Fox, 1st Baron Holland (1705-1774), Whig statesman	100	£100	mounted	Print	Portraits	British Political						
8291		John Storey	Wentworth Blackett Beaumont, Esquire, Born April 11th 1829Majority Celebrated at Bywell Hall, July 12th 1850	Lithograph	Printed by W. Monkhouse, York 1851			I 351 x 250 mm; Pl. 378 x 306 mm			Price for the pair	220	£220	mounted	Print	Portraits	British Political						
8292		I. Burrows after A.Van Afsen	Crowning the Bust of Lord Heathfield	Lithograph	Circa 			I 127 x 98 mm				50	£50	mounted	Print	Portraits	British Political						
8293		C. Gringnion after S. Wate	The Marquis of Dorchester addressing the Militia of Nottinghamshire at Newark	Copper engraving	Circa 			I 85 x 76 mm; Pl. 95 x 82 mm				30	£30	mounted	Print	Portraits	British Political						
8294		W. Ward A.R.A. engraver to His Majesty & H.R.H the Duke of York after John Jackson Esq.r R.A	The Hon.ble George Agas Miller M.P &c. &c. &c. [1st Baron of Dover]	Mezzotint	Published March 1st 1825 by Colnaghi & Co. 23 Cockspur Street London			I 305 x 251 mm; Pl. 358 x 255 mm			George Agar-Ellis, 1st Baron Dover (1797-1833), A founder of the National Gallery	30	£30	mounted	Print	Portraits	British Political						
8295			Sr. Edward Hawke	Copper engraving	16th Century			I 159 x 105 mm			Edward Hawke, 1st Baron Hawke (1705-1781), Admiral	20	£20	mounted	Print	Portraits	British Political						
8296			[Parliamentary figure]	Aquatint	Published by William Miller Abermarle Street Jan.y 1 1805			I 240 x 226 mm				35	£35	mounted	Print	Portraits	British Political						
8297			[Parliamentary figure]	Aquatint	Published by William Miller Abermarle Street Jan.y 1 1805			I 240 x 226 mm				35	£35	mounted	Print	Portraits	British Political						
8298			[Speaker of the House of Commons]	Aquatint	Published by William Miller Abermarle Street Jan.y 1 1805			I 240 x 226 mm				35	£35	mounted	Print	Portraits	British Political						
8299		J. Smith after G Kneller	Anthony Henley Esq	Mezzotint	Circa 1690			I 349 x 252 mm; Pl 350 x 253 mm			Anthony Henley (died 1711), Whig politician and wit.Laid down on paper from an album.CS i/ii; R i/ii	180	£180	mounted	Print	Portraits	British Political						
8301		G. Vertue	Sr. William TrumbellPrincipal Secretary of Stat to King William the Third of Glorious Memory	Copper engraving	1724			I 268 x 199 mm				180	£180	mounted	Print	Portraits	British Political						
8303		Faber after I Highmore	Anthony Sayer Gent. Grand Master of the Masons	Mezzotint	Published 			I 302 x 245 mm			Probably 3rd State Anthony Sayer, Grand Master of Freemasons.	50	£50	mounted	Print	Portraits	British Political						
8304		Thomas Rowlandson	Heres your Potatoes four full Pound for two pence and Buy my Moss Roses or dainty sweet briar	Etching with original handcolour	1811			Sheet 176 x 262			Two of the four images from the one plate.  Condition: Timmed to image on top and sides.  Tipped into an album page.	80	£80	unmounted	Print	General Interest	Caricatures						
8305		Merke after Thomas Rowlandson	Cries of London No. 6 All a growing, a growing here Flowers for your Gardens.	Etching and aquatint with original handcolour	London Pub. Mar. 1, 1799 at R. Ackermann’s 101 Strand			Sheet 325 x 265 mm			Condition: Trimmed within platemark. Centrefold crease. Tipped into album page.  Some light offsetting in sky. Otherwise a lovely impression with wonderful contemporary colour.	280	£280	unmounted	Print	General Interest	Caricatures						
8306		Aug. St. Aubin after C. Cochin	L’Honourable, Monsieur, Thomas WalpoleMembre du parlement d’Angleterre & & &c. 	Line engraving	1764			I 175 x 123 mm; Pl. 197 x 136 mm				20	£20	mounted	Print	Portraits	British Political						
8307		James Wilson after Robert Edge Pine	John Wilkes Esq.rMember of Parliament for the County of Middlesex Friend to Liberty a Lover of his King opposer of Ministerial Tyranny & Defender of his Country	Mezzotint	Published purfuant to Act of Parliament May 23rd 1768 by M. Darly in the Strand No. 39			I 460 x 354 mm			John Wilkes (1727-1797), Politician and agitator	300	£300	unmounted	Print	Portraits	British Political						
8309		after Rob. White	Anthony Earl of ShaftesburyFrom an Original drawn from the life by Rob. White	Copper engraving	Circa 1680			I 115 x 90 mm; Pl. 194 x 115 mm			Anthony Ashley-Cooper, 1st Earl of Shaftesbury (1621-1683), Statesman.	10	£10	unmounted	Print	Portraits	British Political						
8310		W. Angur	Henry Gratta Esq.r M.P.	Copper engraving	Published Aug 1, 1782 by J. Fielding, Paternoster Row. J. Sewell Cornhill & J. Debrett Piccadilly 			I 150 x 88 mm; Pl. 176 x 104 mm				10	£10	unmounted	Print	Portraits	British Political						
8313		Benoist after Zoust	Hyde Earl of Clarendon	Copper engraving	16th Century			I 87 x 87 mm				5	£5	unmounted	Print	Portraits	British Political						
8315		Robert White after Sir Anthony Van Dyck	Thomas Earle of Strafforde[Thomas Wentworth 1st Earl of Strafford]	Line engraving	Published 1680  (circa 1636)			I 151 x 127 mm				25	£25	unmounted	Print	Portraits	British Political						
8316		Pitaut after Alexander Werff	Cromwell Vicegerent[Thomas Cromwell, Earl of Essex]	Copper engraving	16th Century			I 208 x 170 mm; Pl. 317 x 190 mm			Very rare	20	£20	unmounted	Print	Portraits	British Political						
8317			Sir Robert Viner	Stipple	Pub. 1 Dec 1746 by E & S Harding Pall Mall			I 202 x 151 mm				20	£20	unmounted	Print	Portraits	British Political						
8318			The Earl of Beaconsfield Prime Minister of England 	Lithograph	Maclure & Macdonald Lith.rs London Circa 1900			I 180 x 150 mm				40	£40	unmounted	Print	Portraits	British Political						
8319		G.B. Shaw 	George Villiers Duke of Buckingham	Stipple	R. Cadell, Edinburgh			I 130 x 105 mm				10	£10	unmounted	Print	Portraits	British Political						
8320			W. Cecil Baron v. Burleigh	Aquatint	Wein bei H.F. Muller 			I 175 x 115 mm				15	£15	unmounted	Print	Portraits	British Political						
8321			Sir Frances Burdett	Stipple	Nule’s Sc13 Newcastle Street, Strand			I 95 x 66 mm				10	£10	unmounted	Print	Portraits	British Political						
8322			Sir Henry Unton	Copper engraving	Pub.d Dec. 1st 1779 by Rich.d Godfrey No. 120 Long Acre			I 128 x 100 mm				10	£10	unmounted	Print	Portraits	British Political						
8323			Duke of Wellington	Steel engraving	Published Aug.t 2 1823 by G. Smeeton, Arcade, Pall Mall			I 82 x 66 mm				5	£5	unmounted	Print	Portraits	British Political						
8324			Rt. Hon.ble Arthur Onslow Esq.r Speaker of the House of Commonssince 1727	Copper engraving	17th Century			I 158 x 106 mm				10	£10	unmounted	Print	Portraits	British Political						
8325		J.J. Van den Berghe	Roger Palmer, Earl of Castlemaine	Stipple	Circa 1780			I 111 x 87 mm				6	£6	unmounted	Print	Portraits	British Political						
8326		W.C. Edwards	Thomas Flatman From an Original Drawing by Sir Peter Lely in Posession of the Published 	Copper engraving	Published by John Major 50 Fleet Street May 15th 1827			I 115 x 94 mm				5	£5	unmounted	Print	Portraits	British Political						
8329		G.B. Shaw after Sir Peter Lely	John Graham of Claverhouse, Viscount Dundee	Stipple	18th Century			I 133 x 105 mm				10	£10	unmounted	Print	Portraits	British Political						
8330		John Ryall and Rob.t Withy	The Rt. Hon.ble ye Lord Marquess of MontroseThe Rt Hon.ble James, Earl of Derby	Copper engraving	Publish’d accoring to Act of Parliam.t 1757 Hogarths Head, Fleet Street			I 323 x 315 mm				50	£50	unmounted	Print	Portraits	British Political						
8331		John Ryall & Rob.t Withy	William Laud Archbishop of CanterburyWilliam Juxon Archbishop of Canterbury	Copper engraving	Published according to an Act of Parliament 1757 London at Hogarths head in Fleet Street 			I 323 x 214 mm				50	£50	unmounted	Print	Portraits	British Political						
8332		G. Adcock after Sir Thomas Lawrence R.A.	Richard Wellesley, Marquis Wellesley K.G. 	Stipple	Fisher Son & Co. London 1829			I 114 x 88 mm				10	£10	unmounted	Print	Portraits	British Political						
8333		Willem and Magdalena de Passe	William Cecil, 1st Baron Burghley	line engraving	Published 1620			I 140 x 120 mm				80	£80	unmounted	Print	Portraits	British Political						
8334		John Faber Jr. after Sir Godfrey Kneller, Bt	Arthur Maynwaring	Mezzotint	1733			I 320 x 250 mm			Arthur Maynwaring (1668-1712), Politician and journalist. 	10	£10	unmounted	Print	Portraits	British Political						
8335		I. Abfelam after Holben	Thomas Cromwell Earl of Essex	Copper engraving	Published as the Act directs July 26 1784			I 192 x 170 mm; Pl. 305 x 210 mm	London Engraved for Harrison’s Edition of Rapkins History of England		Thomas Cromwell, Earl of Essex (circa 1485-1540), Statesman.	10	£10	unmounted	Print	Portraits	British Political						
8337		Holben after J. Houbraskeri	Thomas Cromwell Earl of Essex	Copper engraving	Impensis J. & P. Knapton Londini 1739			I 357 x 324 mm				20	£20	unmounted	Print	Portraits	British Political						
8338		Merke after Thomas Rowlandson	Cries of London No. 4 Do you want any brickdust	Etching and aquatint with original handcolour	London Pub. Mar. 1, 1799 at R. Ackermann’s 101 Strand			Sheet 294 x 214 mm			Condition: Trimmed to image boarder. Centrefold crease. Tipped into album page.  	180	£180	unmounted	Print	General Interest	Caricatures						
8339		Merke after Thomas Rowlandson	Cries of London No. 5 Water Cresses, come buy any Water Cresses	Etching and aquatint with original handcolour	London Pub. Mar. 1, 1799 at R. Ackermann’s 101 Strand			Sheet 295 x 225 mm			Condition: Trimmed to image boarder. Centrefold crease. Tipped into album page.  	180	£180	unmounted	Print	General Interest	Caricatures						
8340			John Fletcher	Copper engraving	18th Century			I 140 x 113 mm				1	£1	unmounted	Print	Portraits	British Political						
8342		C. Grignion	Sir William Wallworth	Copper engraving	16th Century			I 108 x 86 mm				10	£10	unmounted	Print	Portraits	British Political						
8343		J. Houbraken after Holben	Sr. Thomas Smyth	Copper engraving	Impensis J & P Knapton Londini 1744			I 360 x 226 mm; Pl. 374 x 235 mm				10	£10	unmounted	Print	Portraits	British Political						
8344		J. Houbraken	George Savile Marquis of Halifax	Copper engraving	Impensis I & P Knapton Londini 1740 			I 358 x 223 mm ; Pl. 372 x 235 mm				15	£15	unmounted	Print	Portraits	British Political						
8345		J. Houbraken	Thomas Lord Coventry Lord Keeper	Copper engraving	Impensis I & P Knapton Londini 1740 			I 358 x 223 mm ; Pl. 372 x 235 mm			In the Possession of William Cooper Esq.r 	15	£15	unmounted	Print	Portraits	British Political						
8346		Blaeu, Johannes	Penbrochia Comitatus et Comitatus Caermaridunum.[Pembrokeshire] 	Copper engraved with hand colouring	Amsterdam, 1645.			410 x 540mm				460	£460	framed	Map	Scotland, Ireland & Wales	Wales						
8347		J.H. Le Keux after J.W. Barnes	Durham from the Prior’s Path	Steel engraving	c. 1850			Image 180 x 248 mm, Pl. 300 x 400 mm			Proof. Signed in pencil by J.M. Barnes	150	£150	unmounted	Print	British Topography	Durham						
8349		Susan F. Crawford	Durham Cathedral and Castle	Etching				I & Pl. 150 x 245 mm			Signed in PencilSusan Fletcher Crawford (died 1919). Etcher. Born in Glasgow and studied at Glasgow School of Art under Newbery.  Exhibited at the R.A, Royal Society of Painter Etchers and others.	80	£80	unmounted	Print	British Topography	Durham						
8350		T.L. Busby	Durham from the Banks	Copper engraving	Pubd. by G. Andrews Durham 1817			Image 212 x 302 mm, Pl. 300 x 455 mm			Uncommon view published in Durham.T.L.Busby (fl.1804-1821)	200	£200	unmounted	Print	British Topography	Durham						
8351		SW Reynolds after W. Owen	Earl FitzwilliamFrom the Original Picture in the Posession of Earl Grey to whom this Plate is respectfully dedicated by his Lordships obliged and obedient humble servant	Mezzotint	Engraved and published by SW Reynolds Bayswater June 1818			I 400 x 320 mm; Pl. 432 x 330 mm			W90 ii/iii 	70	£70	unmounted	Print	Portraits	British Political						
8353		Godfrey Kneller	The Right Hon.ble Sidney Earl of Godolphin Viscount Rialton & Lord Godolphin of Rialton, Lord High Treasurer of England Lord Lieutenant of the County of Cornwall, One of the Lords of Her Maj.ties most Honble Privy Councill & Knight of the most Noble Order of ye Garter	Mezzotint	1707			I 345 x 250 mm			Trimmed within the plate mark and slight hole on bottom right hand cornerCollectors stamp E.M.H.	80	£80	unmounted	Print	Portraits	British Political						
8356		J. Houbraken	Sidney Earl of Godolphin Lord High Treasurer	Copper engraving	18th Century			I 360 x 222 mm; Pl.362 x 235 mm			Slight foxing on left hand side in the margin - image not really affected	10	£10	unmounted	Print	Portraits	British Political						
8357		J. Houbraken	Francis Lord CottingtonIn the possession of Francis Cottington Esq.r	Copper engraving	Impensis J & P Knapton Londini 1744			I 360 x 227 mm; Pl. 375 x 323 mm				10	£10	unmounted	Print	Portraits	British Political						
8358		G. Vertue	Sr. Harry Slingsby	Copper engraving	1735			I 107 x 93 mm				15	£15	unmounted	Print	Portraits	British Political						
8361			His Excellency Pungearon Niaparia Ambassador Extraordinary from the KIng of Bantam to his Ma.tie of Greate Brittain in the year 1682	Copper engraving	Sold by Rob. Walton at the Globe on the north side of St. Pauls Church at the end towards Ludgate			Image and sheet 258 x 120 mm				60	£60	mounted	Print	Portraits	Foreign Political						
8362		Archer, J.	Isle of Wight	Steel engraved with hand colouring	Drawn and Engraved by J. Archer, Pentonville, London. c 1840			190 x 240				55	£55	mounted	Map	English Counties	Hampshire						
8364		Archer, J.	Norfolk	Steel engraved with hand colouring	Drawn and Engraved by J. Archer, Pentonville, London. c 1840			190 x 240	Curiosities of Great Britain. England & Wales delineared historical, entertaining & Commercial.  			55	£55	mounted	Map	English Counties	Norfolk						
8365		Angelica Kauffman	Johann Friedrich Reiffenstein	Etching	1763			Image 81 x 113 mm, Sheet 92 x 114 mm			Andresen 2 ii/iii, Boener NL 70 (1797), 10,  Baumgartel 15, Andresen mistakenly calls this a protrait of Winkelmann 	1200	£1,200	mounted	Print	Fine Prints	Engravers A-K						
8368		Francis Legat after Gavinus Hamilton	Mary Queen of Scots Resigning her Crown at Lochleven Castle	Engraving	Published Jan. 2nd 1786 by John Boydell in Cheapside, London	1786	1786	I. 586 x 421 mm			black and white uncoloured version	100	£100	unmounted	Print	Portraits	British Royalty						
8369		Francis Legat after Gavinus Hamilton	Mary Queen of Scots Resigning her Crown at Lochleven Castle	Engraving	Published Jan. 2nd 1786 by John Boydell in Cheapside, London	1786	1786	I. 586 x 421 mm			coloured version	100	£100	unmounted	Print	Portraits	British Royalty						
8370		E. Hayez 	Maria Stuarda condotta al patibolo	Lithograph	Milano Presso Gio Ricordi			I. 529 x 390 mm				200	£200	unmounted	Print	Portraits	British Royalty						
8371		Thomas Rowlandson after Woodward	Off She Goes.	Etching with original handcolour	Pubd. Decr. 24 1808 by Thos. Tegg No. 11 Cheapside			Image 295 x 222 mm, Sheet 334 x 246 mm			Condition: timmed within plate mark and laid onto an album page.	200	£200		Print	General Interest	Caricatures						
8372		Thomas Rowlandson after Woodward	The Bull and the Mouth.	Etching with original handcolour	Pubd. Decr. 24 1808 by Thos. Tegg No. 11 Cheapside			Image 302 x 225 mm, Sheet 345 x 247 mm			Condition: timmed within plate mark, some wrinkling and light rubbing to colours and laid onto an album page	180	£180		Print	General Interest	Caricatures						
8375		Fullarton	Cornwall	Copper engraving	Published by Arch.d Fullarton & Co. Glasgow			I 231 x 186 mm				55	£55	mounted	Map	English Counties	Cornwall						
8378		Thomas Watson after D. Gardener	Miss Elizabeth Ann Cooper & Master Frderick Grey Cooper. Children of Grey Cooper Esqr.	Mezzotint	Published March 20th 1775 for W. Shropshire No. 158 and T. Watson No. 142 New Bond Street							250	£250	unmounted	Print	Fine Prints	Engravers S-Z						
8380		James Wilson after Robert Edge Pine	John Wilkes	Mezzotint	published pursuant to Act of Parliament May 23rd 1768 by M. Darly in the Strand No. 39			I 460 x 354 mm				300	£300	unmounted	Print	Portraits	British Political						
8409		Gueneux Nantes after Ch. Leduc	Sauvetage du Ballon le Tricolore, Monte per Monsieur et Madame Doruof naufages sur les cotes d’Angleterree, et recueillis par le Patron William Oxley et son Second du Port de Grimsby, le 1er Septembre 1847	Lithograph				I. 501 x 327 mm				450	£450	mounted	Print	General Interest	Transport						
8410		Unknown	The Giant Balloon Finally arrested in its course at the Extremity of  the forest of Nienburg.	Woodcut	Illustrated London News	Nov 14th 1863	1418	I. 320 x 222 mm				15	£15	unmounted	Print	General Interest	Transport						
8413		Cary, John	Somersetshire	Copper engraved with hand colouring	London Published May 1814 by J. Cary Engraver No.181 Strand			I 145 x 90 mm 	Cary’s Traveller’s Companion or a Delineation of the Turnpike Roads of England and Wales shewing the immediate Route to every Market and Borough Town throughout the Kingdom			30	£30	mounted	Map	English Counties	Somersetshire						
8415		Lewis after Nash	Choir of the Cathedral 	Aquatint	London Pub.d 1st Oct.r 1813 at 101 Strand, for R. Ackermann’s History of Oxford			I 273 x 202 mm				80	£80	mounted	Print	Oxford	Christ Church College						
8416		Nathaniel Whittock	Christ Church Cathedral	Lithograph	c. 1830			I 185 x 240 mm	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford			45	£45	unmounted	Print	Oxford	Christ Church College						
8417		G. Spratt	The Fruiterer	Lithograph with original hand colour	Pubd. by Chas. Tilt, Fleet St.			Image 185 x 190 mm vignette, Sheet 274 x 223 mm			George Spratt (b 1784), was a member of the Royal College of Surgeon and active in the Medico-Botanical Society of London.  He was known for his illustrations of botanical books, including a two volumn Flora Medica (1829-1830) and wall charts of poisonous plants.  At least 16 composites in his series were issued in 1830 and 1831, and probably more. No complete set is known, and they are not catalogued together anywhere.  An advertisement showed subjects ranged from greengrocer to an antiquarian and rhw price at 1s. 6d. each	180	£180	unmounted	Print	General Interest	Trades						
8421		G. Spratt	The Mineralogist	Lithograph with original hand colour	Pubd. by Chas. Tilt, Fleet St., Jany 1830			Image 163 x 165 mm vignette, Sheet 280 x 224 mm			George Spratt (b 1784), was a member of the Royal College of Surgeon and active in the Medico-Botanical Society of London.  He was known for his illustrations of botanical books, including a two volumn Flora Medica (1829-1830) and wall charts of poisonous plants.  At least 16 composites in his series were issued in 1830 and 1831, and probably more. No complete set is known, and they are not catalogued together anywhere.  An advertisement showed subjects ranged from greengrocer to an antiquarian and rhw price at 1s. 6d. each	200	£200	unmounted	Print	General Interest	Trades						
8422		G. Spratt	The Conchologist	Lithograph with original hand colour	Pubd. by Chas. Tilt, Fleet St., Jany.1830			Image 160 x 170 mm vignette, Sheet 280 x 224 mm			George Spratt (b 1784), was a member of the Royal College of Surgeon and active in the Medico-Botanical Society of London.  He was known for his illustrations of botanical books, including a two volumn Flora Medica (1829-1830) and wall charts of poisonous plants.  At least 16 composites in his series were issued in 1830 and 1831, and probably more. No complete set is known, and they are not catalogued together anywhere.  An advertisement showed subjects ranged from greengrocer to an antiquarian and rhw price at 1s. 6d. each	200	£200	unmounted	Print	General Interest	Trades						
8425		Ridley after Drummond	Reverend Thomas Maurice	Lithograph	Published by J. Sewell, Cornhill Jan 1, 1801.	1801	1801	I: 95 x 78 mm				5.00	£5	unmounted	Print	Portraits	Religious and Clerical						
8426		R. Scott after Skirving	Gavin Hamilton	Lithograph				I: 105 x 85 mm				8.00	£8	unmounted	Print	Portraits	Artists Portraits						
8427		Heath	Stephen	Copper engraving	Published as the Act directs, January 1st, 1788, by T . Cadell, The Strand.	1788	1788	I: 165 x 110 mm				18.00	£18	unmounted	Print	Portraits	British Royalty						
8428			Volcanoes.	Woodcut.	Bentley and Co., Printers, Bangor House, Shoe Lane.			Image 155 x 220 mm, Sheet 340 x 257 mm			A seperatly published informative sheet on volcanoes.	35	£35	unmounted	Print	General Interest	Science						
8429		J. Burche	Sir William Dugdale 	Lithograph				I: 180 x 145 mm			English Antiquary; Garter Principal King of Arms (1605-1686).	18.00	£18	unmounted	Print	Portraits	Historians, Academics & Philiosophers						
8430		Cooper	Richard Boyle	Lithograph				I: 170 x 115 mm				15.00	£15	unmounted	Print	Portraits	British Nobility						
8431			The R.R. John Alcock	Stipple	London. Published Nov. 16, 1821, by G Keating & R Brown, Duke Street, Grosvenor Square.	1821	1821	I: 140 x 85 mm			Condition: trimmed; some foxing.	5.00	£5	unmounted	Print	Portraits	Religious and Clerical						
8432			More Arms and Devices Used by Our Public Schools	Chromolithograph	The Boy’s Own Paper, 4 Bouverie Street, London, E.C.			Image 255 x 385 mm, Sheet 280 x 420 mm				80	£80	unmounted	Print	General Interest	Heraldry						
8433		W. Evans	Alexander Pope	Stipple	Published by Cadell & Davies, Strand, and the other Proprietors, May 1, 1807.	1807	1807	I: 95 x 80 mm				12.00	£12	unmounted	Print	Portraits	Literary and Poetic						
8434		M. van der Gacht	The Rt Hon Sr Francis Bacon, Knt. Lord Keeper of the Gr. Seal of England, &c.					I: 165 x 95 mm				12.00	£12	unmounted	Print	Portraits	Historians, Academics & Philiosophers						
8435		O. Picart	Sir George Brown. The Sir Plume of the Rape of the Lock. 	Stipple	Published by Cadell & Davies, Strand, and the other Proprietors, May 1, 1807.	1807	1807	I: 102 x 82 mm				12.00	£12	unmounted	Print	Portraits	British Nobility						
8436		W.H. Hooper after C.M. Gere, boarder by William Morris	[Kelmscott Manor]	Copper engraving	1890			Image 183 x 134 mm			The frontispiece to News from Nowhere by William Morris	200	£200	mounted	Print	British Topography	Oxfordshire						
8437		T. Chambars after G. Kneller	Grinling Gibbons	Copper engraving				I: 145 x 120 mm				25.00	£25	unmounted	Print	Portraits	Artists Portraits						
8438		A. Bannerman	James Gibbs	Copper engraving				I: 158 x 135 mm			Condition: trimmed; some foxing.Stored in the Portraits: Artists and Sculptors folder.	20.00	£20	unmounted	Print	Portraits	Artists Portraits						
8439		F. Bartolozzi	Joannes Evelyn	Copper engraving		1776	1776	I: 233 x 168 mm			Condition: some soiling in upper-righthand and lefthand corners.	18.00	£18	unmounted	Print	Portraits	Historians, Academics & Philiosophers						
8440		Lizars	Pallas	Stipple	Engraved for the Naturalist’s Library			I: 85 x 73 mm			Condition: mild foxing in lower righthand corner.	6.00	£6	unmounted	Print	Portraits	Exploration, Military & Naval						
8441			Richard Porson A.M., late Professor of the Greek Language in the University of Cambridge	Engraving	Published by J. Asperne at the Bible, Crown, & Constitution, Cornhill, January 1st, 1809.	1809	1809	I: 95 x 60 mm				8.00	£8	unmounted	Print	Portraits	Historians, Academics & Philiosophers						
8443		C. Taylor after S. Shelley	Health	Stipple				Image 100 x 80 mm, Pl. 94 x 124 mm				30	£30	unmounted	Print	Fine Prints	Stipple						
8444		J. Pass	Granville Sharp	Copper engraving	Engraved for the Encyclopedia Londinensis, 1827			Image 107 x 95 mm oval, Pl. 185 x 140 mm, 				60	£60	unmounted	Print	Portraits	British Political						
8445		J. Collyer after Stothard	Brirtannia seated in a triumphant Car with Neptune, supports a Medallion of King Geo. III. Attendant Sea Nymphys bear portraits of some of the most eminent Naval Commanders in the glorious War of 1756.	Copper engraving	Published March 18th, 1780 by J. Bew, Paternoster Row, London.			Image 86 x 134 mm, Sheet 105 x 140 mm				20	£20	unmounted	Print	General Interest	Military and Naval						
8446		W. Wilkinson 	Bignell House, Oxon	Lithograph	c. 1875			Image 157 x 230 mm, Sheet 260 x 330 mm			The house itself was built for the Misses Tyrwhitt-Drake family, five-generation descendants of the famous naval hero. Designed by architect William Wilkinson it took six years to construct and was completed in 1866 at a cost of £5,500. Wilkinson also designed the Randolph Hotel in Oxford.But only the nursery wing, which was added to main house in 1892, remains today because the rest was demolished in 1953-54.	55	£55	unmounted	Print	British Topography	Oxfordshire						
8447		after P. Lely	Eleanor Guynne	Lithograph	London: Printed & Published by Engelmann, Graf, Coindet & Co. 14 Newman Street, May 1830.	1830	1830	I: 185 x 170 mm 			Condition: trimmed; some soiling around edges.	25.00	£25	unmounted	Print	Portraits	Mistresses, Courtiers and Socialites						
8448		J. Chapman	General Berthier	Stipple	Published as the Act directs July 20th 1800	1800	1800	Pl: 163 x 114 mm				35.00	£35	unmounted	Print	Portraits	Exploration, Military & Naval						
8449		J. Chapman	Leonard Euler	Stipple	London, Published as the Act directs, Oct. 13th, 1804, by J. Wilkes	1804	1804	Pl: 161 x 111 mm				45.00	£45	unmounted	Print	Portraits	Historians, Academics & Philiosophers						
8450		J. Chapman	Herman Boerhaave, M.D.	Stipple	London, published as the Act directs, December 8th 1798 by J. Wilkes	1798	1798	Pl: 163 x 114 mm				35.00	£35	unmounted	Print	Portraits	Scientific, Industrial & Medical						
8451		after Buck	Mrs. Humphries	Stipple				I: 227 x 138 mm				25.00	£25	unmounted	Print	Portraits	Mistresses, Courtiers and Socialites						
8452		Delpech	Le Cardinal de Richelieu	Lithograph with hand colouring				I: 186 x 133 mm				25.00	£25	unmounted	Print	Portraits	Religious and Clerical						
8453		S.W. Reynolds after J. Jackson	Beatrice	Mezzotint	London, Published March 20th 1831 by Colnaghi Son & Co. Pall Mall East			Image 255 x  180 mm, Pl. 360 x 255 mm			Condition: Some loss to India laid paper in upper right corner.	50	£50	unmounted	Print	Portraits	Mistresses, Courtiers and Socialites						
8454		Tardieu after Champagne	Richelieu	Copper engraving				I: 203 x 142 mm				25.00	£25	unmounted	Print	Portraits	Religious and Clerical						
8455		W. Bond after Sir G. Kneller	Sarah Jennnings, Duchess of Marlborough	Stipple	Published by Longman Hurst Rees, Orne and Brown, London, March 1 1817.	1817	1817	I: 122 x 103 mm				12.00	£12	unmounted	Print	Portraits	British Nobility						
8456		John Sartain after Sir Thomas Lawrence 	Mrs. Robert Gilmor of Baltimore	Mezzotint				Image 234 x 192 mm			Sarah Reeve Ladson (1790 - 1866) wife of Robert Gilmor a wealthy merchant and art collector.	50	£50	unmounted	Print	Portraits	Mistresses, Courtiers and Socialites						
8458		F. Bartolozzi after Harding and Lely	Miss Price [Lady Price]	Stipple	London, Pub. Octr. 6 1792 by E & S. Harding Pall Mall			Image 117 x 96 mm, Sheet 205 x 190 mm				10	£10	unmounted	Print	Portraits	British Nobility						
8459		Richard Earlom	Robert Cecil Earl of Salisbury	Mezzotint	London Published by S. Woodburn, 1811			Image 105 x 82 mm oval, Pl. 160 x 110 mm			Robert Cecil, 1st Earl of Salisbury (1563-1612), Statesman. The son of William Cecil, Lord Burghley, Robert Cecil was Secretary of State (1596-1608), and secured the succession of James VI of Scotland to the English throne. Created Baron, Viscount and Earl in three years (1603-5), he built Hatfield House, and died deeply in debt. 	20	£20	unmounted	Print	Portraits	British Nobility						
8460		R. Dunkarton after van Dyck	Montagu Earl of Lindsey	Mezzotint	London Published by S. Woodburn, 1812			Image 110 x 86 mm, Pl. 160 x 108 mm			Montagu Bertie, 2nd Earl of Lindsey KG (1608–25 July 1666) was the only son of Robert Bertie, 1st Earl of Lindsey and his wife Elizabeth Montagu, daughter of Edward Montagu, 1st Lord of Boughton).	20	£20	unmounted	Print	Portraits	British Nobility						
8461		S. W. Reynolds after Sir Joshua Reynolds	Lady Catherine Clinton (Viscountess Folkestone.)	Mezzotint	London, 1837, Hodgson & Graves, 6 Pall Mall			Image 143 x 114 mm, Pl. 230 x 160 mm				35	£35	unmounted	Print	Portraits	British Nobility						
8462		O. Picart	Dr. Swift	Stipple	Published by Cadell & Davies, Strand, and the other Proprieters, May 1, 1807.	1807	1807	I: 100 x 81 mm				12.00	£12	unmounted	Print	Portraits	Literary and Poetic						
8463		W & F. Holl after John Hayter	Lady Georgina Toler	Steel engraving	c. 1840			Image 300 x 230 mm			Lady Georgina Rebow (née Toler) (died 1870), Daughter of Hector Graham-Toler, 2nd Earl of Norbury; wife of Gurdon Rebow, MP 	35	£35	unmounted	Print	Portraits	British Nobility						
8464		L. Schiavonetti after Harding after Holbein	Edward Stafford Duke of Buckingham Hereditary High Constable of England	Stipple	London Published April 26, 1792 by E.H. harding Fleet Street			Image 127 x 110 mm, Pl. 195 x 144 mm			Edward Stafford, 3rd Duke of Buckingham (February 3, 1478 – May 17, 1521) 	18	£18		Print	Portraits	British Nobility						
8466		R. Dunkarton after Cooper	William Duke of Hamilton	Mezzotint	London Published by S. Woodburn, 1815			Image 121 x 90 mm			William Hamilton, 2nd Duke of Hamilton (1616-1651)	15	£15	unmounted	Print	Portraits	British Nobility						
8467		Richard Earlom afetr Van Dyke	Robert Rich, Earl of Warwick	Mezzotint	London Published by S. Woodburn 1810.			Image 130 x 105 mm, Pl. 160 x 110 mm			Robert Rich, 2nd Earl of Warwick (1587-1658), Lord High Admiral.  Naval commander whose privateering ventures helped to estrange him from the court of Charles I; involved in the colonisation of America; associated with the foundation of New Plymouth, Massachusetts, Connecticut, and later of Rhode Island (1644); raised forces for Parliament and was appointed Lord High Admiral (1643); ejected from office by the independents and subsequently took no part in Commonwealth affairs.	20	£20	unmounted	Print	Portraits	British Nobility						
8468		J & H.S Storer	Part of Pembroke College	Copper engraving	London Pubd. June 1 1821 by Dherwood, Neely & Jones			I 97 x 79 mm	Lascelles’ The University and City of Oxford: Displayed in a Series of Seventy-two Views Drawn and Engraved by J. and H.S. Storer accompanied with a Dialogue, after the manner of Castiglione.			25	£25	mounted	Print	Oxford	Pembroke College						
8469		Cary, John	Staffordshire	Copper engraving with hand colouring	London Published May 1814 by J. Cary Engraver No.181 Strand			I 145 x 90 mm 	Cary’s Traveller’s Companion or a Delineation of the Turnpike Roads of England and Wales shewing the immediate Route to every Market and Borough Town throughout the Kingdom			30	£30	mounted	Map	English Counties	Staffordshire						
8471		Cary, John	South Wales	Copper engraving with hand colouring	London Published May 1814 by J. Cary Engraver No.181 Strand			I 145 x 90 mm 	Cary’s Traveller’s Companion or a Delineation of the Turnpike Roads of England and Wales shewing the immediate Route to every Market and Borough Town throughout the Kingdom			40	£40	mounted	Map	English Counties	Wales						
8475		Cary, John	Sussex	Copper engraving with hand colouring	London Published May 1814 by J. Cary Engraver No.181 Strand			I 145 x 90 mm 	Cary’s Traveller’s Companion or a Delineation of the Turnpike Roads of England and Wales shewing the immediate Route to every Market and Borough Town throughout the Kingdom			30	£30	mounted	Map	English Counties	Sussex						
8476		Cary, John	Warwickshire	Copper engraving with hand colouring	London Published May 1814 by J. Cary Engraver No.181 Strand			I 145 x 90 mm 	Cary’s Traveller’s Companion or a Delineation of the Turnpike Roads of England and Wales shewing the immediate Route to every Market and Borough Town throughout the Kingdom			40	£40	mounted	Map	English Counties	Warwickshire						
8479		Cary, John	Northamptonshire	Copper engraving with hand colouring	London Published May 1814 by J. Cary Engraver No.181 Strand			I 145 x 90 mm 	Cary’s Traveller’s Companion or a Delineation of the Turnpike Roads of England and Wales shewing the immediate Route to every Market and Borough Town throughout the Kingdom			30	£30	mounted	Map	English Counties	Northamptonshire						
8481		Cary, John	Durham	Copper engraving with hand colouring	London Published May 1814 by J. Cary Engraver No.181 Strand			I 145 x 90 mm 	Cary’s Traveller’s Companion or a Delineation of the Turnpike Roads of England and Wales shewing the immediate Route to every Market and Borough Town throughout the Kingdom			40	£40	mounted	Map	English Counties	Durham						
8482		Cary, John	Devonshire	Copper engraving with hand colouring	London Published May 1814 by J. Cary Engraver No.181 Strand			I 145 x 90 mm 	Cary’s Traveller’s Companion or a Delineation of the Turnpike Roads of England and Wales shewing the immediate Route to every Market and Borough Town throughout the Kingdom			40	£40	mounted	Map	English Counties	Devon						
8484		Cary, John	Gloucestershire	Copper engraving with hand colouring	London Published May 1814 by J. Cary Engraver No.181 Strand			I 145 x 90 mm 	Cary’s Traveller’s Companion or a Delineation of the Turnpike Roads of England and Wales shewing the immediate Route to every Market and Borough Town throughout the Kingdom			40	£40	mounted	Map	English Counties	Gloucestershire						
8485		Cary, John	Shropshire	Copper engraving with original hand colouring	London Published Jan 1st 1793 by J. Cary Engraver & Map seller Strand			260 x 210 mm 				40	£40	mounted	Map	English Counties	Shropshire						
8487		Cary, John	Herefordshire	Copper engraving with hand colouring	London Published May 1814 by J. Cary Engraver No.181 Strand			I 145 x 90 mm 	Cary’s Traveller’s Companion or a Delineation of the Turnpike Roads of England and Wales shewing the immediate Route to every Market and Borough Town throughout the Kingdom			30	£30	mounted	Map	English Counties	Herefordshire						
8489		Cary, John	Huntingdonshire	Copper engraving with hand colouring	London Published May 1814 by J. Cary Engraver No.181 Strand			I 145 x 90 mm 	Cary’s Traveller’s Companion or a Delineation of the Turnpike Roads of England and Wales shewing the immediate Route to every Market and Borough Town throughout the Kingdom			30	£30	mounted	Map	English Counties	Huntingdonshire						
8490		Cary, John	Buckinghamshire	Copper engraving with hand colouring	London Published May 1814 by J. Cary Engraver No.181 Strand			I 145 x 90 mm 	Cary’s Traveller’s Companion or a Delineation of the Turnpike Roads of England and Wales shewing the immediate Route to every Market and Borough Town throughout the Kingdom			30	£30	mounted	Map	English Counties	Buckinghamshire						
8491		Cary, John	Berkshire	Copper engraving with hand colouring	London Published May 1814 by J. Cary Engraver No.181 Strand			I 145 x 90 mm 	Cary’s Traveller’s Companion or a Delineation of the Turnpike Roads of England and Wales shewing the immediate Route to every Market and Borough Town throughout the Kingdom			40	£40	mounted	Map	English Counties	Berkshire						
8494		Cary, John	Dorsetshire	Copper engraving with hand colouring	London Published May 1814 by J. Cary Engraver No.181 Strand			I 145 x 90 mm 	Cary’s Traveller’s Companion or a Delineation of the Turnpike Roads of England and Wales shewing the immediate Route to every Market and Borough Town throughout the Kingdom			30	£30	mounted	Map	English Counties	Dorset						
8495		Cary, John	Derbyshire	Copper engraving with hand colouring	London Published May 1814 by J. Cary Engraver No.181 Strand			I 145 x 90 mm 	Cary’s Traveller’s Companion or a Delineation of the Turnpike Roads of England and Wales shewing the immediate Route to every Market and Borough Town throughout the Kingdom			30	£30	mounted	Map	English Counties	Derbyshire						
8498		Cary, John	Kent	Copper engraving with hand colouring	London Published May 1814 by J. Cary Engraver No.181 Strand			I 145 x 90 mm 	Cary’s Traveller’s Companion or a Delineation of the Turnpike Roads of England and Wales shewing the immediate Route to every Market and Borough Town throughout the Kingdom			30	£30	mounted	Map	English Counties	Kent						
8499		Cary, John	Leicestershire	Copper engraving with hand colouring	London Published May 1814 by J. Cary Engraver No.181 Strand			I 145 x 90 mm 	Cary’s Traveller’s Companion or a Delineation of the Turnpike Roads of England and Wales shewing the immediate Route to every Market and Borough Town throughout the Kingdom			30	£30	mounted	Map	English Counties	Leicestershire						
8502		Cary, John	Monmouthshire	Copper engraving with hand colouring	London Published May 1814 by J. Cary Engraver No.181 Strand			I 145 x 90 mm 	Cary’s Traveller’s Companion or a Delineation of the Turnpike Roads of England and Wales shewing the immediate Route to every Market and Borough Town throughout the Kingdom			30	£30	mounted	Map	English Counties	Wales						
8505		Cary, John	Cambridgeshire	Copper engraving with hand colouring	London Published May 1814 by J. Cary Engraver No.181 Strand			I 145 x 90 mm 	Cary’s Traveller’s Companion or a Delineation of the Turnpike Roads of England and Wales shewing the immediate Route to every Market and Borough Town throughout the Kingdom			40	£40	mounted	Map	English Counties	Cambridgeshire						
8506		Cary, John	Wiltshire	Copper engraving with hand colouring	London Published May 1814 by J. Cary Engraver No.181 Strand			I 145 x 90 mm 	Cary’s Traveller’s Companion or a Delineation of the Turnpike Roads of England and Wales shewing the immediate Route to every Market and Borough Town throughout the Kingdom			40	£40	mounted	Map	English Counties	Wiltshire						
8512		J. Storer	Front of Balliol College	Copper engraving	Published by Cook and Parker Oxford_ Longman Hurst Rees and Orme, London March 1. 1810			I 97 x 79 mm	Lascelles’ The University and City of Oxford: Displayed in a Series of Seventy-two Views Drawn and Engraved by J. and H.S. Storer accompanied with a Dialogue, after the manner of Castiglione.			35	£35	mounted	Print	Oxford	Balliol College	  					
8515		J. Whessell	Christ Church Walk	Copper engraving	Oxford, Published by I. Whessell and T. Bartlett, 1832			I 146 x 106 mm				40	£40	mounted	Print	Oxford	Christ Church College						
8516		David Law	Sonning on Thames	Etching	1882			Image 90 x 150 mm				35	£35	mounted	Print	British Topography	Berkshire						
8517		David Law	Bisham	Etching	1882			Image 90 x 150 mm				45	£45	mounted	Print	British Topography	Berkshire						
8518		John Seago	To the Worth Inhabitants of Chipping Wycombe, in the County of Bucks, These Views of their Parish Church dedicated All Saints is Humbly inscribed by their most Obedient Servant John Seago 	Copper engraving	Published 13th June 1786 According to Act of Parliment by J. Seagon Printseller High Street St. Giles London, Price 2 s			Image 210 x 300 mm			Condition trimmed into image, on fold and minor foxing.	60	£60	mounted	Print	British Topography	Buckinghamshire						
8525		Barlow	Scotland	Copper engraving	1807			I 220 x 185 mm				60	£60	mounted	Map	Scotland, Ireland & Wales	Scotland						
8527		F. Calvert 	Waterdale Farm, near Watford	Lithograph with hand colouring	London, Pub. by Will & Cole 10 Newgate Sy. Augst. 1824			Image 190 x 345 mm				30	£30	mounted	Print	British Topography	Hertfordshire						
8529		Tombleson	Lasy Place, Hurley, Berks	Steel engraving	London Published by Tombleson & Co. Paternoster Row, 1833-34			I 165 x 200 mm, Pl 175 x 225 mm, S 21 x 27 mm	Tombleson's Views of the Thames and Medway			34	£34	mounted	Print	British Topography	Berkshire						
8532		J. Newman	S.E. View of Oxford	Steel engraving	Pub by J. Newman London, [c. 1850]			I 55 x 112 mm				35	£35	mounted	Print	Oxford	General Views						
8533		Paul Haase	[Ram]	Lithograph	1907			I 38 x 40 mm; Frame 195 x 170 mm				12	£12	framed	Print	General Interest	Animals						
8534		Paul Haase	[Monkey]	Lithograph	1907			I 38 x 40 mm; Frame 195 x 170 mm				12	£12	framed	Print	General Interest	Animals						
8537		J Skelton	Seal of Canterbury College, Oxford,Views of Christ Church the Lower Subject was Drawn by Loggan in 1673	Copper engraving	Published as the Art directs March 1 1819, by J Skelton St Aldates, Oxford			I 100 x 199 mm, 136 x 112 mm			Three prints on same sheet.	10.00	£10	unmounted	Print	Oxford	Christ Church College						
8538		J. Skelton	Old Stables of Christ Church and Remains of the Austin Friary	Copper engraving	Published as the Act directs June 1, 1821, by J. Skelton, Magdalen Bridge, Oxford.			i.130 x 775mm x2.			Two images on same sheet.	5.00	£5	unmounted	Print	Oxford	Christ Church College						
8540		J. Skelton J.C Buckler 	Interior and Exterior Views of the Alms House opposite Christ Church	Copper engraving	Published as the Act directs, March 1, 1819 by J.Skelton. St Aldates, Oxford.			I .135 x 107mm, 104 x 196mm			Two prints on one sheet.	10.00	£10	unmounted	Print	Oxford	Christ Church College						
8541		J. Skelton, M.A. Rooker	Old Canterbury Gate, Ch, Ch, taken down 1775 and New Canterbury Gate, Ch, Ch, erected 1778.	Copper engraving	Published as the Act directs, June 1, 1820, by J. Skelton, St Aldates, Oxford.			I 110 x 70mm, 120 x 176mm			Two etchings on one sheet.	10.00	£10	unmounted	Print	Oxford	Christ Church College						
8542		John Wilson	Christchurch, Oxford	Woodcut	circa 1900			I 200 x 135 mm				15	£15	unmounted	Print	Oxford	Christ Church College						
8547			The Arms of the Great Schools of England	Chromolithograph	Emrik & Binger, Chromolithograph. 15 Holborn Viaduct E.C., c. 1880			I 170 x 265 mm, S 207 x 265 mm	Boy’s Own Paper			35	£35	unmounted	Print	General Interest	Heraldry						
8548			Famous English Football Players - 1881.	Chromolithograph	Grover & Black, Lithos Nottm., 1882			Image 242 x 380 mm, Sheet 290 x 415 mm	Boy’s Own Paper			225	£225	unmounted	Print	Sports	Football	Football					
8549			The Arms of the Great Schools of England Second Series	Chromolithograph	Emrik & Binger, Chromolithograph. 15 Holborn Viaduct E.C., c. 1880			I 170 x 265 mm, S 207 x 265 mm	Boy’s Own Paper			35	£35	unmounted	Print	General Interest	Heraldry						
8553		John Chester Buttre	Brig, Gen. Michael Corcoran. U.S.V.	Engraving	C.1850			Image 165mm x 115mm			Irish-American General 1827-63condition: general foxing	10.00	£10	unmounted	Print	Portraits	Military and Naval						
8554		Edward Scriven after Sir Joshua Reynolds	Lord Rodney	stipple and  line engraving	c.1805			Image 173 x 114mm				10.00	£10	unmounted	Print	Portraits	Military and Naval						
8555		Thomas Woolnoth, from a miniature in the possession of La Perouse’s niece at st.Alby	La Perouse	Engraving	William Mackenzie. Glasgow. Edinburgh London & New York. C.1810			Image 168 x 105mm			Born Jean-François de Galaup  La Pérouse was the name of a family property that he added to his name. French explorer in the Pacific.	10.00	£10	unmounted	Print	Portraits	Military and Naval						
8556		August Bry after Valerio	Joachim Haspinger, Tyrol	Lithograph	c.1840			Image 253 x 190mm			Condition	20.00	£20	unmounted	Print	Portraits	Military and Naval						
8557		Joseph Collyer after T Lawrence	Sir Charles Grey K.B	Engraving	Aug 1, 1797 by Darling & Thompson, Great Newport Street, and T. Simpson St. Pauls Church Yard.			Image 406mm x 300mm, Sheet 420 x 302mm				65.00	£65	unmounted	Print	Portraits	Military and Naval						
8558		J Chapman	General Ginckle	Stipple	Published as the Arts directs 1 May 1799			Image 135 x 93mm . Plate 166 x 116mm. Sheet.  296 x 235 mm			Condition: foxing on outer margins, does not affect image.	22.00	£22	unmounted	Print	Portraits	Military and Naval						
8559		Jacobus Houbraken after Sir Godfrey Kneller	Edward Russel Earl of Orford	Copper engraving	Impensis J & P.Knapton Londini 1742			Image 372 x 208 mm			Edward Russell, 1st Earl of Orford PC (1653–1727) was the First Lord of the Admiralty under King William III	25.00	£25	unmounted	Print	Portraits	Military and Naval						
8560		Ben Pritchard	Martha’s Dilemma	Lino cut	2003			I 500 x 215 mm				180	£180	mounted	Print	Contemporary Oxford Printmakers	Ben Pritchard						
8564			A Regular Muff	Etching with hand colouring	London, Published by J.L.Marks 17.Artillery St,Bishopsgate. c.1830			Image220 x 160mm				180.00	£180	mounted	Print	General Interest	Caricatures						
8565		Johann Slezar	Latus Insula Bassae Orientale. The East syde of the Bass	Copper engraving	1693 Theatrum Scotiae			I 423 x 235 mm; Pl. 435 x 280 mm				50	£50	unmounted	Print	British Topography	Scotland						
8566		A. Ritchie	MacDonald of the Isles	Lithograph with hand colouring	Circa 1860			I 268 x 232 mm				10	£10	unmounted	Print	British Topography	Scotland						
8567		Kay	The Scottish Patriot	Copper engraving	1792			I 150 x 95 mm				10	£10	unmounted	Print	British Topography	Scotland						
8568		J. Walker after T. Girten	Abernethy Tower	Copper engraving	Published May 1st 1802 by J. Walker No. 16 Rosemans Street London			I 168 x 115 mm; Pl. 202 x 152 mm				20	£20	unmounted	Print	British Topography	Scotland						
8569		Van Der Aa	Vue de la Ville de Kelso	Copper engraving	1727			I 160 x 126 mm				20	£20	unmounted	Print	British Topography	Scotland						
8570			Glasgow Cathedral	Copper engraving	Circa 1840			I 120 x 90 mm				12	£12	unmounted	Print	British Topography	Scotland						
8571		W. Tombleson after Tho. H. Shepherd	East End of the Bridewell, and Jail Governor’s House, Edinburgh	Copper engraving	Circa 1830			I 160 x 102 mm				10	£10	unmounted	Print	British Topography	Scotland						
8572		S. Fisher after T. Allom	Ben Nevis and Entrance to the Caledonian Canal (Inverness-shire)	Copper engraving	Circa 1830			I 177 x 120 mm				12	£12	unmounted	Print	British Topography	Scotland						
8573		J.H. Kernot after J.S. Cotman	Glen Coe	Copper engraving	London Published 1834 by Charles Tilt Fleet Street			I 122 x 84 mm				10	£10	unmounted	Print	British Topography	Scotland						
8574		S. Lacy after Tho.s H. Shepherd	North Bridge, Calton hill &c. From the Bank of Scotland, Edinburgh	Copper engraving	Circa 1830			I 148 x 95 mm 				5	£5	unmounted	Print	British Topography	Scotland						
8576			Balmoral Castle	Copper engraving	William MacKenzie Glasgow Edinburgh & London Circa 1830			I 188 x 128 mm				10	£10	unmounted	Print	British Topography	Scotland						
8577		Barclay	Braemar Castle in Aberdeenshire	Copper engraving	Published according to Act of Parliament by Alex.r Hogg No. 16 Paternoster Row			I 180 x 128 mm				10	£10	unmounted	Print	British Topography	Scotland						
8578		Barrett after Reid	Luss, Dunbartonshire	Copper engraving	Published April 1st 1793 by Harrison & Co. No. 18 Paternoster Row London			I 165 x 110 mm; Pl. 200 x 152 mm				20	£20	unmounted	Print	British Topography	Scotland						
8579		Eastgate	Dryburgh Abbey, in Berwickshire	Copper engraving	Published according to Act of Parliament by Alex.r Hogg, No. 16 Paternoster Row			I 182 x 130 mm				5	£5	unmounted	Print	British Topography	Scotland						
8580		Van der Aa	Vue des masures de l’Abbaye de Melross	Copper engraving	1727			I 160 x 125 mm				20	£20	unmounted	Print	British Topography	Scotland						
8581		W.H. Lizars	Paisley	Steel engraving	Published by W.H. Lizars Edinburgh Circa 1860			I 180 x 105 mm				15	£15	unmounted	Print	British Topography	Scotland						
8582		W.H. Lizars	Abbotsford	Steel engraving	Published by W.H. Lizars Edinburgh Circa 1860			I 180 x 105 mm				15	£15	unmounted	Print	British Topography	Scotland						
8583		W.H. Lizars	Greenock	Steel engraving	Published by W.H. Lizars Edinburgh Circa 1860			I 180 x 105 mm				15	£15	unmounted	Print	British Topography	Scotland						
8584		T. Barber after J.P. Neale	Dalkeith Palace, Mid. Lothian	Steel engraving	London Published July 1st 1828 by J.P. Neale 16 Bennett Street Blackfriars Road			I 125 x 87 mm; Pl. 160 x 127 mm				5	£5	unmounted	Print	British Topography	Scotland						
8585			Glasgow (from the Clyde)	Steel engraving	Banks & Co. Edinburgh Circa 1860 			I 125 x 85 mm				20	£20	unmounted	Print	British Topography	Scotland						
8586			Broomielaw Bridge, Glasgow	Steel engraving	Banks & Co. Edinburgh Circa 1860 			I 125 x 85 mm				20	£20	unmounted	Print	British Topography	Scotland						
8587			Glasgow Cathedral	Steel engraving	Banks & Co. Edin. Circa 1860			I 120 x 85 mm				20	£20	unmounted	Print	British Topography	Scotland						
8588			Glasgow Cathedral (front)	Steel engraving	Banks & Co. Edin. Circa 1860			I 120 x 85 mm				20	£20	unmounted	Print	British Topography	Scotland						
8589		W. Banks	Princes St. Scott Mt. & School of Design, Edinburgh	Steel engraving	Drawn & Eng.d by W.Banks & Son. Edin. Circa 1860			I 195 x 115 mm				5	£5	unmounted	Print	British Topography	Scotland						
8592		G. Hollis after J. C. Buckler	The Front of Exeter College, Oxford	Engraving	Published by James Ryman, High Street, Oxford 1835			I 200 x 293 mm				120.00	£120	mounted	Print	Oxford	Exeter College						
8594			Trinity Church, Exteriorin the Rev.d C. Simmons time	Copper engraving	Circa 1840			I 120 x 97 mm				5	£5	unmounted	Print	 Cambridge	Trinity College Cambridge						
8597		E.Mackenzie after C.W. Peale	Richard Montgomery	Stipple	1856			Image 159 x 95mm			Richard Montgomery (December 2, 1736 – December 31, 1775) was an Irish-American soldier who served as a major general in the Continental Army during the Revolutionary War.	10.00	£10	unmounted	Print	Portraits	Military and Naval						
8598		J. Chapman	General Hoche	Stipple	Published as the Act directs Jan.15.1799			Image 144 x 94 mm. Plate:163 x 112 mm				30.00	£30	unmounted	Print	Portraits	Military and Naval						
8600		J. Chapman	General Burgoyne.	Stipple	Published as the Act directs March. 1. 1801			Image 144 x 94 mm. Plate:163 x 112 mm				12.00	£12	unmounted	Print	Portraits	Military and Naval						
8601		J. Chapman	General Amherst	Stipple	Published as the Act directsOct. 1. 1800			Image 144 x 94 mm. Plate:163 x 112 mm				12.00	£12	unmounted	Print	Portraits	Military and Naval						
8602		Roberts	Untitled	Lithograph	1977			I 303 x 120 mm				50	£50	mounted	Print	General Interest	Decorative						
8604			Edward Vernon Esqr. Vice Admiral of the Blue 1739. With Six Ships Only.	Copper engraving	Printed by Thos. Eillson, in Whites Ally Chancery Lane. c.1740			Image: 116 x 95mm. Plate: 132 x 108 mm. Sheet: 140 x 114 mm				60.00	£60	mounted	Print	Portraits	Military and Naval						
8605		Joseph Skelton 	Demolished Buildings of Merton College	Copper engraving	Published at the Act directs, June 1 1821, by J. Skelton, Magdalen Bridge, Oxford			I 165 x 227 mm, Pl 210 x 280 mm			A reduciotn of the Almanck for 1807.	65.00	£65	mounted	Print	Oxford	Merton College						
8607		John Smith after J.Clossterman	Thomas Maxwell Esq.r Major General of the Army, and Commander of the Dragoons in Irealand.	Mezzotint	Published by John Smith 1692			Image: 212 x 247mm. Plate: 340 x 246mm. Sheet: 350 x 257mm.				120.00	£120	mounted	Print	Portraits	Military and Naval						
8608		Joseph Skelton after Vertue	Founders and Benefactors of Merton College, with Loggans View of the Buildings	Copper engraving	Published as the Act directs Mar. 2nd 1818 by J. Skelton St. Aldates, Oxford			I 200 x 250 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	45	£45	mounted	Print	Oxford	Merton College						
8609		Joseph Skelton after G Vertue	Founders and Benefactors of St Alban Hall	Copper engraving	Published as the Act directs Mar. 2nd 1818 by J. Skelton St. Aldates, Oxford			I 200 x 250 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	45	£45	mounted	Print	Oxford	Merton College						
8610			Henry Brougham	Stipple	c. 1830			Image 100 x 75 mm vignette, Sheet 171 x 111 mm			Henry Brougham, 1st Baron Brougham and Vaux (1778-1868), Lord Chancellor 	5	£5	unmounted	Print	Portraits	British Political						
8611		Conde	Mr James Brindley	Stipple	European magazine c. 1803 			Image 95 x 75 mm oval, Sheet 140 x 103 mm			James Brindley (1716-1772), Engineer (scientific, industrial, medical)	5	£5	unmounted	Print	Portraits	Scientific, Industrial & Medical						
8612		John Horsburgh	His grace the Duke of Northumberland, K.G.	Steel engraving	face vol. 2 p.1039 c. 1850			plate 181 x 121 mm, sheet  238 x 138 mm			Hugh Percy, 3rd Duke of Northumberland (1785-1847), Lord-Lieutenant of Ireland	8	£8	unmounted	Print	Portraits	British Nobility						
8614		T. Holloway Delin	Charles Earl Camden	Copper engraving	c. 1760			84 x 65 mm oval, sheet 131 x 94 mm			Charles Pratt, 1st Earl Camden (1714-1794), Lord Chancellor	5	£5	unmounted	Print	Portraits	British Nobility						
8616			William Pendrill	Copper engraved	Aetatis 84 c. 1850			Image: oval 104 x 84 mm, sheet 138 x 102mm			William Pendrill was the tenant of Boscobel who gave aid to Charles II, hiding him both in the house and in the celebrated oak tree. He was assisted by his five brothers George, William, Richard, Humphrey and John.	15	£15	unmounted	Print	Portraits	British Nobility						
8618		Benoist	Daniel Earl of Nottingham	Copper engraved	c. 1750			oval, 87 x 72 mm, plate 155 x 112 mm, sheet, 212 x 141 mm			Daniel Finch, 2nd Earl of Nottingham and 7th Earl of Winchilsea	5	£5	unmounted	Print	Portraits	British Nobility						
8619			James Duke of Ormond	Copper engraved	Univerfal Magazine c. 1700			Image: 158 x 100mm, plate 185 x 115, sheet, 205 x 130mm			James Butler, 2nd Duke of Ormonde	5	£5	unmounted	Print	Portraits	British Nobility						
8620		Ravenet	Robert Harley, Earl of Oxford	Copper engraved	c. 1700			Image: Oval, 93 x 93mm, plate, 115 x 107mm, sheet 218 x 137mm			Robert Harley, 1st Earl of Oxford	5	£5	unmounted	Print	Portraits	British Nobility						
8623		Leon David	[St John’s College]	Engraving	c 1900			I 235 x 287 mm			“Leon David: During the early twentieth century many artists in France devoted their energies to the art of the etching and aquatint printed in colours.”	120	£120	mounted	Print	Oxford	St. John’s College						
8626		Harrison, John 	A New accurate & correct Map of Essex, Engraved from an actual Survey with other Improvements.	Copper engraved with later handcolour	London, Engrav’d for J.Harrison, No. 115 Newgate Street, April 5th 1787			350 x 433 mm	Maps of the English Counties			75	£75	unmounted	Map	English Counties	Essex						
8627			The right honourable the Lord Willoughby of Parham etc	Copper engraving				Image 82 x 65mm, sheet 102 x 82mm 				1.00	£1	unmounted	Print	Portraits	British Nobility						
8628			The Illustrious Prince James Duke of Ormond	Copper engraving				Image: 165 x 95mm, sheet 170 x 102mm			James Butler, 1st Duke of Ormonde	10	£10	unmounted	Print	Portraits	British Nobility						
8629		Chambars	Russel Earl of Orford	Copper engraving				Oval: 92 x 82mm , sheet 200 x 116mm			Edward Russell, Earl of Orford (1653-1727), Admiral 	5	£5	unmounted	Print	Portraits	British Nobility						
8631			Thomas Romney Esq.	Lithograph				Image: 303 x 251mm, Sheet 352 x 251mm			Small tear to left hand sleeve.	100.00	£100	unmounted	Print	Portraits	British Political						
8635			Henry Kirke White 	Stipple	c. 1805			Image 92 x 60 mm Sheet 180 x 104 mm			Henry Kirke White (1785-1806), Poet 	5	£5	unmounted	Print	Portraits	Literary and Poetic						
8636		James Stow	John Ireland, D.D.	Copper engraving	1823			Image: 133 x 112 mm Sheet: 240 x 142 mm			John Ireland (1761-1842), Dean of Westminster 	5.00	£5	unmounted	Print	Portraits	Religious and Clerical						
8637		David Loggan	Habitus Academici In Universitate Oxoniensi, Pro Sortis Gradus	Copper engraving	Oxonia Illustrata, Overton Edition, 1705			Image: 505 x 370 mm Sheet: 530 x 450 mm	Oxonia Illustrata		Overton Edition, from the first illustrated book on Oxford, one of the major works of the seventeenth century. The plates in this edition are easily recognised by the addition of a plate number in the bottom right-hand corner.	150.00	£150	unmounted	Print	Oxford	Academic Dress						
8640		Emery Walker after Edmund Hort New	St. Emund Hall, Oxford	Photo engraved	Published by Emund Hort New: 17 Worcester Place, Oxford: AD 1920			Image 340 x 300 mm, Plate 380 x 323 mm			Edmund Hort New, known as E.H. new was born in Evesham in 1871. He was the son of an important lawyer. He attended the Birmingham Municipal School of Art. He began painting landscape and later he devoted himself to illustration.  Early in his career he worked with Ruskin and other associated Arts and Crafts artists.  He latter went on to work for William Morris's Kelmscott Press. The influence of these experiences is evident in his prints - the decorative boarders, armorials, etc.   Over a period of years New did a series of prints of the Oxford Colleges based on the David Loggan's 1675 aerial perspectives.  New took Loggan's format and enriched his prints with many fine details of and abut the colleges and they are valued today by many collectors because of the high level of detail and the fact that they represent the colleges in their present state. These prints were made through a relatively new process at the time - photo engraving.  Like photogravures the print is made by transferring a photo to a copper plate and then printing it.  With the E.H. New prints, a contact print of New's pen and ink drawing was made and the large negative attached to a plate which was then exposed in an acid bath, the acid only biting where the negative was clear; thus, creating and engraved plate of New's drawing.  The prints were available separately at shops in Oxford such as Ryman's in the early part of the 20th century. 	350	£350	framed	Print	Oxford	St. Edmund Hall						
8641		Jonathan Brett	Black Hole Sun	Giclee print	2006							125	£125	framed	Print	Contemporary Oxford Printmakers	Jonathan Brett						
8642		Fred Miller	Madgdalen College	Etching	London Published Decr. 8th 1886 by Sidney Redrup, 175 New Bond Street W.			I 130 x 148 mm, Pl. 178 x 174 mm			Signed in pencil	75	£75	framed	Print	Oxford	Magdalen College						
8643		Merigot after Pugin	Theatre Printing Office	Aquatint	Published by Albion Press, c. 1810			I 270 x 380 mm				100	£100	mounted	Print	Oxford	Clarendon Press						
8645		Ellis after Mety	Thame Park, in Oxfordshire the seat of Lord Wenman	Copper engraving	Published Dec 1st 1795 by HD Symonds No. 20 Allen & West No.15 Paternaster Row, & T conder Bucklersbury london			I 100 x 162 mm				8	£8	unmounted	Print	British Topography	Oxfordshire						
8646		Cooke after Owen	Junction of the Thame & Isis	Copper engraving	London, Published Aug 1st 1810 by Vernor Hood & Shatpe, Poultry & W Cooke 12 York Place, Pentonville			I 114 x 191 mm				12	£12	unmounted	Print	British Topography	Oxfordshire						
8648			Newington House Oxfordshire, The seat of George White Esq with a View of the Church	Copper engraving				I 83 x 155 mm				12	£12	unmounted	Print	British Topography	Oxfordshire						
8650		Tagg after Catton 	Celebrated Cottage at NunehamCourtenay the seat of the Earl of Harcourt 	Steel engraving	c 1800			I 74 x 114 mm				8	£8	unmounted	Print	British Topography	Oxfordshire						
8651		Radclyffe after Shepherd	Hunterian Museum	Steel engraving	London published for the Proprietor by J Mead, 10 Gough Square, Fleet Square			I 181 x 138 mm				20	£20	unmounted	Print	British Topography	Scotland						
8652		Sands after Stanfield	Janghera, or the Fakeers’ Rock, on the Ganges	Steel engraving	Fisher, son & co London & Paris 1841			I 126 x 194 mm				20	£20	unmounted	Print	Foreign Topography	India						
8653		Hamilton after Boys	Ruins South Side of old Delhi	Steel engraving				I 187 x 115 mm				20	£20	unmounted	Print	Foreign Topography	India						
8654		Allen after Turner	Mussooree and the Dhoon, from Landour	Steel engraving	Fisher, son & co London & Paris, 1845			I 204 x 126 mm				20	£20	unmounted	Print	Foreign Topography	India						
8655		Redaway after Stanfield	View near Deobun	Steel engraving	Fisher, sone & co London & Paris 1845			I 204 x 139 mm				20	£20	unmounted	Print	Foreign Topography	India						
8656		Taylor after Cox	Grass Rope Bridge at three- Gurwall	Steel engraving	Fisher, son & co London 1844			I 185 x 118 mm				20	£20	unmounted	Print	Foreign Topography	India						
8657		Petit after Westall	Fortress of Bowrie, in Rajpootana	Steel engraving	Fisher, sone & co London 1835			I 186 x 125 mm				20	£20	unmounted	Print	Foreign Topography	India						
8659		Floyd after Turner	Valley of the Dhoon. Himalaya Mountains	Steel engraving	Fisher, son & co London & Paris 1841			I 203 x 137 mm				20	£20	unmounted	Print	Foreign Topography	India						
8660		Benjamin after Melville	Mountain Temples, lake of Aboo	Steel engraving	Fisher, son & Co  London & Paris			I 152 x 103 mm				20	£20	unmounted	Print	Foreign Topography	India						
8661		Redaway after Grindlay	A Suttee	Steel engraving	Fisher, son & co London 1835			I 187 x 121 mm				20	£20	unmounted	Print	Foreign Topography	India						
8662		Goodall after Turner	Scene at colgong on the Ganges	Steel engraving	Fisher, son & co London & Paris 1846			I 208 x 131 mm				20	£20	unmounted	Print	Foreign Topography	India						
8663		Goodall after Stanfield	Bombay Harbour:- Fishing Boats, in the Monsoon	Steel engraving	Fisher, son & co London 1844			I 185 x 120 mm				20	£20	unmounted	Print	Foreign Topography	India						
8664		Woolnoth after Catternole	Rameswur, - Caves of Ellora	Steel engraving				I 175 x 115 mm				10	£10	unmounted	Print	Foreign Topography	India						
8666		Sands after Prout	Front view of the Kylas, Caves of Ellora	Steel engraving				I 180 x 115 mm				8	£8	unmounted	Print	Foreign Topography	India						
8668		Tingle after Stanfield	The Choor Mountains	Steel engraving	Fisher, son & co London & Paris 1845			I 212 x 141 mm				20	£20	mounted	Print	Foreign Topography	India						
8670		Barber after Vickers	Temple of Juggernaut	Steel engraving	Fisher, son & co London & Paris			I 158 x 106 mm				20	£20	unmounted	Print	Foreign Topography	India						
8671		French after Roberts 	Tomb Tionpoor, Giabmal Tionpoor 	Steel engraving	Published for the Proprietors by AH Payne Dresden & Leipzig			I 169 x 113 mm				20	£20	unmounted	Print	Foreign Topography	India						
8673		R Elliot	Entrance to the cave of Elephanta	Steel engraving				I1 79 x 114 mm				20	£20	unmounted	Print	Foreign Topography	India						
8674		Cousen after Allom Madras 	Madras	Steel engraving				I180 x 100 mm				20	£20	unmounted	Print	Foreign Topography	India						
8676		unknown	Capture of a Gun at Banda	Steel engraving	The London printing and Publishing company limited			I180 x 123 mm				8	£8	unmounted	Print	General Interest	Military						
8677		Unknown	The Dewas Khan, or hall of Audience_ Palace of Delhi	Steel engraving				I 193 x 135 mm				8	£8	unmounted	Print	Foreign Topography	India						
8680		Fullarton	Map of the Places where The Gospel was first Preached	Lithograph	Fullarton & Co. London, Edinburgh & Dublin, c. 1880			270 x 400 mm				25	£25	unmounted	Map	World Maps & Sea Charts							
8681		Thomas Kitchin	A New Map of England Divided into its Counties, from the latest Surveys	Copper engraved	c. 1783			375 x 335 mm	From Barnard’s New Complete & Authentic History of England			80	£80	unmounted	Map	England & the British Isles	England						
8682		Richard Earlon after Francis Cotes	Thomas Pownall Esqr Member of parliament,	Mezzotint	Published by Robert Sayer and John Bennett, Thursday 20th of March 1777			Image: 395 x 278 mm. Plate:395 x 278 mm.			Thomas Pownall Esqr Member of parliament, Late Govenor Captain General and Commander in Chief and Vice Admiral of His Majesty’s Provinces Massachusettes Bay and South Carolina.	1750.00	£1,750	mounted	Print	Portraits	Military and Naval						
8683		T.Ryley	The Hon.ble William Blankeney Esq,r	Mezzotint	Printed for John Bowles & Son, at the Black Horse in Cornhill.			Image: 300 x 250 mm. Plate: 352 x 251mm. Sheet: 448 x 299mm			The Hon.ble William Blankeney Esq,r Lieutenant General of His Majesty’s Iniskillin Regim.t of Foot & Lietenant Govenor of MINORCA.	200.00	£200	mounted	Print	Portraits	Military and Naval						
8684		F.G.Lewis after Sir T.Lawrence	Admiral Sir George Martin G.C.B. Vice Admiral of the United Kingdom	Mezzotint	Published in London, April 1836			Image: 273 x 229 mm. Plate: 381 x 308 mm. Sheet: 521 x 400 mm			O’DState 1: with artists names onlyState 2: fully lettered impression	100	£100	mounted	Print	Portraits	Military and Naval						
8685		W.Faithorne after I.Closterman	Sir Richard Haddock Kt.Comptroler of his Majesty’s Navy	Mezzotint	Sold by E.Cooper at ye 3 Pidgeons in Bedford Street.			Image: 206 x174 mm. Sheet: 262 x188 mm				220	£220	mounted	Print	Portraits	Military and Naval						
8687		W.Ward after J.Jackson	Admiral Sir Richard Goodwin Keats, G.C.B Govenor of the Royal Hospital Greenwich	Mezzotint	Published August the 1st 1825 by W.SAMS. Book & Print Sellers to the Royal Family.London			Image: 244 x 203 mm . Plate:356 x252 mm. Sheet: 589 x 436.				120	£120	mounted	Print	Portraits	Military and Naval						
8691		Mohammed Bushara	Untitled	Etching and aquatint with sugarlift	 2005			Image 250 x 245 mm			2/20	130	£130	mounted	Print	Contemporary Oxford Printmakers	Mohammed Bushara						
8698		Jane Peart	Penguin Paddy	Etching/Aquatint	2007			Image 330 x 223 mm, Plate 375 x 250 mm			Number in Editon 5035 Available	130	£130	mounted	Print	Contemporary Oxford Printmakers	Jane Peart						
8701		Jane Peart	Running Wild	Etching/ Chine Colle/ Embossing	2007			Image 470 x 317 mm			3/50	160	£160	mounted	Print	Contemporary Oxford Printmakers	Jane Peart						
8704		Suzette Broad	Planning the Revolution	Aquating Etching	2007			I 360 x 265 mm				80	£80	mounted	Print	Contemporary Oxford Printmakers	Suzette Broad						
8719		Peter Lawrence	Way out West	Woodcut	2007			I 405 x 255 mm				110	£110	mounted	Print	Contemporary Oxford Printmakers	Peter Lawrence						
8729		Heather Power	Cow Parsley 1,2 & 3	Screen print	2007			I 477 x 145 mm				75	£75	mounted	Print	Contemporary Oxford Printmakers	Heather Power						
8738		Morna Rhys	Venetian Light	Etching	2007			I 400 x 265 mm				130	£130	mounted	Print	Contemporary Oxford Printmakers	Morna Rhys						
8739		Elaine Williams	Sleeping Gondolas, Venice	Etching	2007			Image 407 x 200 mm				80	£80	mounted	Print	Contemporary Oxford Printmakers	Elaine Williams						
8749		S.W. reynolds after Sir Joshua Reynolds	Dr. Johnson	Mezzotint	c. 1756			Image: 98 x 82 mm Sheet: 275 x 182 mm			Samuel Johnson was a wit, an essayist and a critic; his most celebrated work was his Dictionary of the English Language (1755). His other works include an edition of Shakespeare, 1765, his Journey to the Western Isles of Scotland, 1775, and Lives of the Poets, 1779-81. His circle of friends included Charles Burney, Sir Joshua Reynolds, Oliver Goldsmith, Hester Thrale and James Boswell.	45.00	£45	unmounted	Print	Portraits	Literary and Poetic						
8750		Samuel Cousins after William Boxall	John Hothersall Pinder	Mezzotint	c. 1840			Image: 450 x 350 mm Sheet: 580 x 440 mm			John Hothersall Pinder M.A. 1794-1868. Canon of Wells.[Proof before title]	120.00	£120	unmounted	Print	Portraits	Religious and Clerical						
8751		S.W. Reynolds after Sir Joshua Reynolds	Hon. George Seymour Conway	Mezzotint	c. 1836			Image: 108 x 80 mm Sheet: 403 x 260 mm			Lord George Seymour Conway (1763-1848), Son of Francis Seymour Conway, 1st Marquess of Hertford. Sitter in 1 portrait.	40.00	£40	unmounted	Print	Portraits	British Nobility						
8752		Elis Herham after J. Guerin	Ferino	Stipple	c. 1780			Oval: 215 x 190 mm Plate: 330 x 245 mm Sheet: 418 x 277 mm			Pierre Marie Bart Ferino., Ct. : French General., 1747 - 1816	30.00	£30	unmounted	Print	Portraits	Military						
8753		Sir Godfrey Kneller	William III	Mezzotint	c. 1695			Oval: 172 x 143 mm Plate: 194 x 150 mm Sheet: 230 x 166 mm			Reigned 1689-1702. The posthumous son of the Stadholder William II of Holland and Mary, daughter of Charles I, William married his cousin Mary, daughter of James II and Anne Hyde in 1677. In 1688 he accepted an invitation by a group of leading statesmen to land in Britain with an armed force; after the flight of James II he was crowned king, jointly with his wife, in 1689. William's life-long devotion to the fight against French expansionism benefited from additional resources after he became King. Although he lacked warmth and physical presence he showed considerable political, diplomatic and military ability. Unknown collector’s seal on reverse of print.	100.00	£100	unmounted	Print	Portraits	British Royalty						
8754		J. Porter	Marie Amelie Queen of the French	Mezzotint	c. 1800			Image: 150 x 122 mm Sheet: 187 x 150 mm			Marie Amelie (1782-1866), Queen of France, wife of Louis Philippe 	25	£25	unmounted	Print	Portraits	Forgein Nobility						
8757		J. Green	A Prospect towards the East from the Lodgings of the Rev.d D. Barton, Canon of Christchurch Oxford To whom the plate is inscribed by his Obedient Humble Servant	Copper engraving	1754			Image 745 x 520 mm				1200	£1,200	mounted	Print	Oxford	Christ Church College						
8762		C.W Radclyffe del & Lith.	The Library		Published by D Nutt. Winchester			Image 286 x 220 mm, Sheet 419 x 358 mm			Winchester College, Chantry Chapel	45	£45	unmounted	Print	British Topography	Public Schools						
8765		Wilkinson, Robert	Peloponnesus Exhibiting the Travels of Anacharsis between the Years CCC.LXIII & CCC.LVI Before Christ	Copper engraved with hand colouring	London. Published June 4th 1805 by R. Wilkinson No. 58 Cornhill			295 x 430 mm				40	£40	unmounted	Map	Europe	Greece						
8769		 Domenico Lovisa 	Veduta dell’Isola di S. Michele di Murano	Copper engraving	Venice, 1720			Image 308 x 458 mm, Pl. 330 x 465 mm, Sheet 396 x 533 mm	Mallet's Description De L'Univers			400	£400	unmounted	Print	Foreign Topography	Italy						
8771			William Houlbrook Blacksmith of Marlborough	Copper engraving				Image 125 x 70 mm, Sheet 130 x 75 mm			Ex. Col Norman Blackburn	30	£30	unmounted	Print	Portraits	Industrial						
8772			Robert Davies who Nobly Sacrificed Private Interest to Public Duty, by Voting for the Liberal Cause at the Election for the Borough of Wakefield . July 26, 1837	Lithograph	R. Narin & Co. Lithogr. 26 Long Acre.London 1837			Image 387 x 285 mm, S 461 x 300 mm			Ex. Col. Norman BlackburnCondition: some repaired tears in the inscription space.	120	£120	unmounted	Print	Portraits	Industrial						
8773		J. Sartain after G.S. Newton	Washington Irving 	Mezzotint	c. 1824			Image: 140 x 115 mm Sheet: 240 x 150 mm			Washington Irving (1783-1859), American biographer and novelist 	20	£20	unmounted	Print	Portraits	Literary and Poetic						
8774		R. Earlom	The Marquess De Vieuville	Mezzotint	Sept 18th 1643			Oval 115 x 87 mm Sheet 160 x 100 mm				20.00	£20	unmounted	Print	Portraits	Forgein Nobility						
8775		Thomas Major after David Teniers	Le Chirgien de Campagne (The Country Surgeon)	Copper engraving	A Paris chez l’Autour rue St. Jacques vis-a-vis les Charniers de S. Benoist1747			Image 332 x 475 mm, Sheet 382 x 492 mm			Ex. Col. Norman BlackburnCondition: Some overall time staining, trimmed to image and laid to another sheet of paper.	150	£150		Print	General Interest	Medical						
8777		Ridely after Spencer Smith	Selim II late Emperor of the Turks	Stipple	c. 1807			Image: 90 x 72 mm Sheet: 210 x 115 mm			Selim II (Selim the Drunkard), c.1524–1574, Ottoman sultan (1566–74), son and successor of Sulayman I. During his reign the Ottoman Empire (Turkey) was dominated by Sokolli, his grand vizier (chief executive officer). Although the Turks conquered Cyprus from Venice and recovered Tunis from Spain, the Ottoman Empire received its first severe setback by Christians during Selim's reign in the naval defeat at Lepanto in 1571. He was succeeded by his son Murad III.	10.00	£10	unmounted	Print	Portraits	Forgein Nobility	Turkey					
8778		W.Edwards 	Sultan Abdul Medschid Chan	Steel engraving	c. 1840			Image: 114 x 105 mm Sheet: 253 x 160 mm			"Sultan Abdul Medschid Chan" of Turkey, steel engraving by W.Edwards published in Beauties of the Bosphorus, 1840.	12.00	£12	unmounted	Print	Portraits	Forgein Nobility	Turkey					
8779		John Lucas after Sir Thomas Lawrence	Donna Maria, Queen of Portugal	Mezzotint	c. 1820			Image: 220 x 168 mm Sheet: 350 x 270 mm				25	£25	unmounted	Print	Portraits	Foreign Royalty	Portugal					
8784		C E Wagstaff	The Cardinal Gonsalvi	Mezzotint	1840			Image: 324 x 212 mm Sheet: 432 x 294 mm			His Excellency Cardinal Gonsalvi, secretary of state of His Holiness.	25	£25	unmounted	Print	Portraits	Religious and Clerical						
8787		J H Lorimer	Coaching the Eights, Oxford	photogravuer	1892			Image: 178 x 250mm				150	£150	framed	Print	General Interest	Rowing						
8788		after Rev. Tatton Winter	Scene On The River. A Race Night	Lithograph	punlished by J.Ryman, High St Oxford. c.1830			Image: 300 x 383 mm			published in Oxford after drawings by the Rev. Tatton Winter of scenes of student life at Oxford and Eton	225.00	£225	mounted	Print	General Interest	Rowing						
8790		Faure	Mappe-Monde	Copper engraving with hand colouring	circa 1793			I 190 x 150 mm				100	£100	mounted	Map	World Maps & Sea Charts							
8791		Darena	Mappe-Monde ou Description de Globe Terrestre	Copper engraving with hand colouring	Circa 1793			I 235 x 187 mm				110	£110	mounted	Map	World Maps & Sea Charts							
8795			The SunRoyal Observatory, Greenwich July 8 1892	Lithograph	Cassell & Company Limited Lith, London Circa 1840			I 110 x 110 mm				12	£12	unmounted	Print	General Interest	Science						
8797			The Moon(from a Photograph by L.M. Rutherford)A Normal Lunar Crater (After Nasmyth)	Lithograph	Cassell & Company Limited Lith, London Circa 1840			I 178 x 1136 mm			The London Geographical Institute	12	£12	unmounted	Print	General Interest	Science						
8798			Saturn July 2nd 1894	Lithograph	Cassell & Company Limited Lith, London Circa 1840			I 178 x 1136 mm			The London Geographical Institute	12	£12	unmounted	Print	General Interest	Science						
8800			The Moon	Lithograph	Cassell & Company Limited Lith, London Circa 1840			I 146 x 95 mm			The London Geographical Institute	8	£8	unmounted	Print	General Interest	Science						
8801		George Philip	Saturn July 2nd 1894	Lithograph	Cassell & Company Limited Lith, London Circa 1840 The London Geographical Institute			I 178 x 131 mm	Ball’s Popular Guide to the Heavens			12	£12	unmounted	Print	General Interest	Science						
8803		George Philip	Comet of Donati Oct.r 5th 1858	Lithograph	Cassell & Company Limited Lith, London Circa 1840 The London Geographical Institute			I 178 x 131 mm	Ball’s Atlas of Astronomy			12	£12	unmounted	Print	General Interest	Science						
8804			6th Day	Lithograph	Cassell & Company Limited Lith, London Circa 1840			I 146 x 95 mm			The London Geographical Institute	12	£12	unmounted	Print	General Interest	Science						
8805			3rd Day	Lithograph	Cassell & Company Limited Lith, London Circa 1840			I 146 x 95 mm			The London Geographical Institute	12	£12	unmounted	Print	General Interest	Science						
8806			4th Day	Lithograph	Cassell & Company Limited Lith, London Circa 1840			I 146 x 95 mm			The London Geographical Institute	12	£12	unmounted	Print	General Interest	Science						
8807			5th Day	Lithograph	Cassell & Company Limited Lith, London Circa 1840			I 146 x 95 mm			The London Geographical Institute	12	£12	unmounted	Print	General Interest	Science						
8808			Comet of Coggia 1874	Lithograph	Cassell & Company Limited Lith, London Circa 1840			I 146 x 95 mm			The London Geographical Institute	12	£12	unmounted	Print	General Interest	Science						
8809			Astronomy The Full Moon - Eclipses of the Moon - the Lunar Orbit	Lithograph	Cassell & Company Limited Lith, London Circa 1840			I 146 x 95 mm			The London Geographical Institute	12	£12	unmounted	Print	General Interest	Science						
8810			Astronomy [Saturn]	Lithograph	Cassell & Company Limited Lith, London Circa 1840			I 146 x 95 mm			The London Geographical Institute	12	£12	unmounted	Print	General Interest	Science						
8811		John Emslie	Telescopic Appearance of The Moon	Lithograph	Circa 1840			I 				60	£60	unmounted	Print	General Interest	Science						
8812			The Planet Saturn	Lithograph	1897 Cassell & Company Limited Lith, London			I 				8	£8	unmounted	Print	General Interest	Science						
8813			The Planet Jupiter	Lithograph	Circa 1897 Cassell & Company Limited Lith, London			I 				8	£8	unmounted	Print	General Interest	Science						
8814			Transparent Diagram of The Phases of the Moon	Lithograph	London Published by James Reynolds 174 Strand Circa 1880			I 250 x 148 mm				50	£50	unmounted	Print	General Interest	Science						
8815			Diagram Illustrating The Theory of the Seasons	Lithograph	London J. Reynolds 174 Strand Ackermann & Co. Strand, Reeves & Son, Cheapside Circa 1880			I 282 x 170 mm				50	£50	unmounted	Print	General Interest	Science						
8817		Ant Cardon after J. Guerin	Andreossy	Stipple	Published 1803			Oval: 110 x 90 mm Sheet: 300 x 220 mm			The Ambasador from France to His Britannic Majesty	15	£15	unmounted	Print	Portraits	Foreign Political						
8819		C. Turner after Van Dycke	Henry Rich Earl of Holland	Mezzotint	Published 1810			Oval: 115 x 90 mm Sheet: 322 x 250 mm			Henry Rich Earl of Holland, taken from life size original by Van Dycke. Formerly in the profession of Lenthall, Speaker of the House of Commons.	20	£20	unmounted	Print	Portraits	British Nobility						
8820		R. Dunkarton after J. Briot	The most high puissant and excellent Prince Henry the great	Mezzotint				Image: 255 x 220 mm Sheet: 365 x 270 mm			The most high puissant and excellent Prince Henry the great, King of France and Navarre, as he lay in state after his murder, anno 1610.	25 	£25	unmounted	Print	Portraits	Foreign Royalty						
8822		F. Bartolozzi	Jane Shore	Stipple	Published 1970			Image: 185 x 140 mm Sheet: 345 x 260 mm			Mistress of Edward IV 	20.00	£20	unmounted	Print	Portraits	Mistresses, Courtiers and Socialites						
8823		H. Meyer after J. Wright	George John, Earl Spencer	Stipple	Published 1809			Image: 200 x 165 Sheet: 320 x 220 mm				20	£20	unmounted	Print	Portraits	British Nobility						
8824		C. Turner after Mignard	Henrietta Dutchess of Orleans	Mezzotint	Published 1812			Image: 155 x 110mm Sheet: 340 x 260 mm			Henrietta Dutchess of Orleans, daughter of Charles I. Obit 1670	25	£25	unmounted	Print	Portraits	British Royalty						
8827		Joseph Skelton after E & M Rooker	Oxford from the North	Copper engraving	Published as the Act directs Nov 2nd 1818 by J.Skelton. St Aldates, Oxford			Image:  166 x 235 mm				100	£100	mounted	Print	Oxford	General Views						
8829		after Titian	Venus A La Coquille	Steel engraving	c.1830			Image 70 x55 mm Sheet: 280 x 212mm			from,  Titian, Venus Anadyomene, c1520-25or Venus Rising from the Sea	10	£10	unmounted	Print	General Interest	Mythology						
8831		Groom after Shaw	Leeds Parish Church from the West	Lithograph	Published by R Slocombe, Bookseller&c, Leeds			I 350 x 260 mm				50	£50	unmounted	Print	British Topography	Yorkshire						
8832		after Titian	Diana & Acteon	Steel engraving	c. 1830			Image: 101 x 106 mm Sheet: 285 x 215 mm			after Titian’s ,The Death of Actaeon (1562), now in the National Gallery, London.	8	£8	unmounted	Print	General Interest	Mythology						
8833		Tomlinson	Various Portraits of Alexander the Great	Copper engraving	c. 1790			Image: 191 x 133mm. Plate: 204 x 140mm. Sheet: 278 x 208mm				10	£10	unmounted	Print	General Interest	Mythology						
8834		After Piranesi	The Interior of the Pantheon, or Rotunda	Steel engraving	c 1800			I 267 x 215 mm			Is a building in Rome which was originally built as a temple to the seven deities of the seven planets in the state religion of Ancient Rome.	50	£50	unmounted	Print	Foreign Topography	Italy						
8835		After Piranesi	Outside View of the Pantheon, or Rotunda	Steel engraving	c 1800			I 312 x 201 mm			Is a building in Rome which was originally built as a temple to the seven deities of the seven planets in the state religion of Ancient Rome.	50	£50	unmounted	Print	Foreign Topography	Italy						
8838		J.C.Armytage after J.M.W.Turner	Dutch Boats in a Gale	Steel engraving	London:Virtue & Co Limited. c.1865			Image: 182 x 262 mm				45	£45	unmounted	Print	General Interest	Maritime						
8839		J.Cousen after J.M.W.Turner	Fishing Boats. a coast scene	Steel engraving	London:Virtue & Co Limited. c.1865			Image: 182 x 262 mm				40	£40	unmounted	Print	General Interest	Maritime						
8840		H. Meyer after J. Jackson	Robert, Earl Grosvenor	Stipple	Published 7th Feb 1811			Image: 220 x 162 mm Sheet: 400 x 320 mm				25.00	£25	unmounted	Print	Portraits	British Nobility						
8843		Cha Picart after J. Jackson	Miss Wilson	Stipple	Published 14th April 1821			Image: 322 x 245 mm Sheet: 510 x 340 mm				25.00	£25	unmounted	Print	Portraits	Religious and Clerical						
8844		W. Ward after J. Graham	John Burns, D.D.	Mezzotint	Published March 1831			Image: 445 x 350 mm Sheet: 555 x 415 mm				40	£40	unmounted	Print	Portraits	British Nobility						
8845		William Walker	Sir Henry Raeburn R.A.	Stipple	Published 1st Jan 1826			Image 332 x 262 mm, Sheet 470 x 340 mm				40.00	£40	unmounted	Print	Portraits	Artists Portraits						
8846		Turner after Rembrandt	Rembrant	Mezzotint				Image: 425 x 365 mm Sheet: 510 x 415 mm				75.00	£75	unmounted	Print	Portraits	Artists Portraits						
8859		J. Harris after H. Martens	The Grenadier Guards	Aquatint with original hand colouring	Published 7th August 1858			Image: 365 x 240 mm Sheet: 525 x 390 mm	The New Series of Ackermann’s Costumes of the British Army 			300	£300	mounted	Print	General Interest	Military						
8861		Unknown	[Ruins in Palmira]	Copper engraving	c 1750			I 720 x 275 mm			Condition: trimmed 	100	£100	unmounted	Print	Foreign Topography	Middle East						
8863		Day & Haghe after Richarason	The North Transept and Organ screen of York Cathedral	Lithograph	York, Published by R Sunter, July 1 1844			I 320 x 430 mm				70	£70	unmounted	Print	British Topography	Yorkshire						
8865		J. Fisher 	The Mitre Inn, Oxford	Steel engraving	Published by H. Slatter			Image: 95 x 150 mm Sheet: 240 x 275				30	£30	mounted	Print	Oxford	High Street Views						
8870		Day & Son after J. Absolon	The Volunteer 1860	Lithograph with original hand colouring	Published 1st November 			Image: 365 x 270 mm Sheet: 530 x 425 mm				175	£175	mounted	Print	General Interest	Military						
8871			Arms of Wadham College, Oxford University	Chromolithograph	c.1920			I 60 x 70 mm	Wills’s Cigarette Cards			20	£20	mounted	Print	Oxford	Wadham College						
8876			Arms of St. John’s College, Oxford University	Chromolithograph	c.1920			I 60 x 70 mm	Wills’s Cigarette Cards			20	£20	mounted	Print	Oxford	St. John’s College						
8877			Arms of Hertford College, Oxford University	Chromolithograph	c.1920			I 60 x 70 mm	Wills’s Cigarette Cards			20	£20	mounted	Print	Oxford	Hertford College						
8882			Arms of  Lincoln College, Oxford University	Chromolithograph	c.1920			I 60 x 70 mm	Wills’s Cigarette Cards			20	£20	mounted	Print	Oxford	Lincoln College	 					
8883			Arms of  All Souls College, Oxford University	Chromolithograph	c.1920			I 60 x 70 mm	Wills’s Cigarette Cards			20	£20	mounted	Print	Oxford	All Souls College	 					
8885			Arms of  Emmanuel College, Cambridge University	Chromolithograph	c.1920			I 60 x 70 mm	Wills’s Cigarette Cards			20	£20	mounted	Print	 Cambridge	Emmanuel College Cambridge	 					
8886			Arms of  Peterhouse or St. Peter’s College, Cambridge University	Chromolithograph	c.1920			I 60 x 70 mm	Wills’s Cigarette Cards			20	£20	mounted	Print	 Cambridge	Peterhouse	 					
8888		Various	Sales Prints	Various	A Large Selection Of Sale Prints With Prices Ranging Between one and five pounds									unmounted	Print	General Interest	Sales Prints	 					
8889			Arms of  Gonville & Caius College, Cambridge University	Chromolithograph	c.1920			I 60 x 70 mm	Wills’s Cigarette Cards			20	£20	mounted	Print	 Cambridge	Caius College Cambridge	 					
8890			Arms of  King’s College, Cambridge University	Chromolithograph	c.1920			I 60 x 70 mm	Wills’s Cigarette Cards			20	£20	mounted	Print	 Cambridge	King’s College Cambridge	 					
8894			Arms of  St. Katherine’s, Cambridge University	Chromolithograph	c.1920			I 60 x 70 mm	Wills’s Cigarette Cards			20	£20	mounted	Print	 Cambridge	St. Katherines College Cambridge	 					
8898			Arms of  Pembroke College, Cambridge University	Chromolithograph	c.1920			I 60 x 70 mm	Wills’s Cigarette Cards			20	£20	mounted	Print	 Cambridge	Pembroke College Cambridge	 					
8901			Arms of  Sydney Sussex College, Cambridge University	Chromolithograph	c.1920			I 60 x 70 mm	Wills’s Cigarette Cards			20	£20	mounted	Print	 Cambridge	Sydney Sussex College Cambridge	 					
8902			Arms of  Clare College, Cambridge University	Chromolithograph	c.1920			I 60 x 70 mm	Wills’s Cigarette Cards			20	£20	mounted	Print	 Cambridge	Clare College Cambridge	 					
8907			Arms of  University of Bristol	Chromolithograph	c.1920			I 60 x 70 mm	Wills’s Cigarette Cards			20	£20	mounted	Print	General Interest	Heraldry	 					
8908			Arms of  University of London	Chromolithograph	c.1920			I 60 x 70 mm	Wills’s Cigarette Cards			20	£20	mounted	Print	General Interest	Heraldry	 					
8909		Benjamin Fawcett after Alexander Francis Lydon	Great Lake Trout	Chromolithograph	London: William Mackenzie, 69, Ludgate Hill E.C.  Edinburgh and Dublin. 1879			Image: 190 x 270 mm	British Fresh-Water Fishes		From “British Fresh Water Fish”Rev. W. Houghton (author)Alexander Francis Lydon (1836-1917) (artist)Benjamin Fawcett (1808-1893) (printer)British Fresh-Water FishesWilliam MacKenzie, London: 1879 (first edition)Renowned color-plate study of British fresh water fish in two volumes. The 41 exceptional color plates generally show one, two, or a few fish lying on the banks of their natural habitat or superimposed over a landscape view.  Sometimes they are depicted naturalistically, swimming in an underwater setting.  The books also contain 38 engraved heading views of regions where the fish are found and numerous diagrams.  Extensive text discusses the characteristics of the species and their habitats.  The volumes are bound in decorative embossed pictorial covers with a central gilt pictorial vignette of an angler holding a fish and decorative freshwater fish motifs in each corner.According to the title page of British Fresh-Water Fishes, the author, Rev. W. Houghton, served as rector of Preston-on-the-Weald Moors, Shropshire.  At the same time, he was a serious naturalist who had previously authored Sea-side Walks of a Naturalist, and was a Fellow of the Linnaean Society of London, a scientific society for the study of biology founded in 1788.  For this work, Houghton studied the specimens in the collection of the British Museum.  British Fresh-Water Fishes was originally printed in 2 volumes in 1879, and was notable for its incorporation of the naturalistic backgrounds of the fish habitats.  The fact that this work has been reprinted in subsequent editions from the 19th century through the 1980s attests to the quality and interest of the descriptions and illustrations, even though taxonomists have since revised some of the classifications.Benjamin Fawcett was a printer in Diffield, Yorkshire, England, noted for his mastery of color woodblock printing.  Alexander Francis Lydon was a painter and draftsman who began as Fawcett’s apprentice and became his frequent collaborator.  Together they produced the plates for many illustrated natural history and topographic works, including a number of works by Francis Orpen Morris, such as A History of British Birds (1851-1857) and Picturesque Views of Seats of Noblemen and Gentlemen of Great Britain and Ireland (1880).  They also contributed illustrations to natural history books by other authors, such as William Thomas Greene's three-volume Parrots in Captivity (1882-87).	100	£100	mounted	Print	General Interest	Fish						
8910		Benjamin Fawcett after Alexander Francis Lydon	Short-Headed Salmon, Silvery Salmon	Chromolithograph	London: William Mackenzie, 69, Ludgate Hill E.C.  Edinburgh and Dublin. 1879			Image: 190 x 270 mm	British Fresh-Water Fishes		From “British Fresh Water Fish”Rev. W. Houghton (author)Alexander Francis Lydon (1836-1917) (artist)Benjamin Fawcett (1808-1893) (printer)British Fresh-Water FishesWilliam MacKenzie, London: 1879 (first edition)Renowned color-plate study of British fresh water fish in two volumes. The 41 exceptional color plates generally show one, two, or a few fish lying on the banks of their natural habitat or superimposed over a landscape view.  Sometimes they are depicted naturalistically, swimming in an underwater setting.  The books also contain 38 engraved heading views of regions where the fish are found and numerous diagrams.  Extensive text discusses the characteristics of the species and their habitats.  The volumes are bound in decorative embossed pictorial covers with a central gilt pictorial vignette of an angler holding a fish and decorative freshwater fish motifs in each corner.According to the title page of British Fresh-Water Fishes, the author, Rev. W. Houghton, served as rector of Preston-on-the-Weald Moors, Shropshire.  At the same time, he was a serious naturalist who had previously authored Sea-side Walks of a Naturalist, and was a Fellow of the Linnaean Society of London, a scientific society for the study of biology founded in 1788.  For this work, Houghton studied the specimens in the collection of the British Museum.  British Fresh-Water Fishes was originally printed in 2 volumes in 1879, and was notable for its incorporation of the naturalistic backgrounds of the fish habitats.  The fact that this work has been reprinted in subsequent editions from the 19th century through the 1980s attests to the quality and interest of the descriptions and illustrations, even though taxonomists have since revised some of the classifications.Benjamin Fawcett was a printer in Diffield, Yorkshire, England, noted for his mastery of color woodblock printing.  Alexander Francis Lydon was a painter and draftsman who began as Fawcett’s apprentice and became his frequent collaborator.  Together they produced the plates for many illustrated natural history and topographic works, including a number of works by Francis Orpen Morris, such as A History of British Birds (1851-1857) and Picturesque Views of Seats of Noblemen and Gentlemen of Great Britain and Ireland (1880).  They also contributed illustrations to natural history books by other authors, such as William Thomas Greene's three-volume Parrots in Captivity (1882-87).	100	£100	mounted	Print	General Interest	Fish						
8912		Jean Francois Rigands	The attack of two bastions, the breaches being made by the miner	Copper engraving with hand colouring	c. 1732			Image: 235 x 415 mm Sheet: 340 x 460 mm			Used in Britain to show a siege-in-form or the normal way to conduct a siege. Set in Slefia Barcelona.	150	£150	unmounted	Print	General Interest	Military						
8913		Jean Francois Rigands	An attack and lodgement on the covert way	Copper engraving with hand colouring	c. 1732			Image: 235 x 415 mm Sheet: 340 x 460 mm			Used in Britain to show a siege-in-form or the normal way to conduct a siege. Set in Slefia Barcelona.	150	£150	unmounted	Print	General Interest	Military						
8914		Benjamin Fawcett after Alexander Francis Lydon	Black - Finned Trout	Chromolithograph	London: William Mackenzie, 69, Ludgate Hill E.C.  Edinburgh and Dublin. 1879			Image: 190 x 270 mm	British Fresh-Water Fishes		From “British Fresh Water Fish”Rev. W. Houghton (author)Alexander Francis Lydon (1836-1917) (artist)Benjamin Fawcett (1808-1893) (printer)British Fresh-Water FishesWilliam MacKenzie, London: 1879 (first edition)Renowned color-plate study of British fresh water fish in two volumes. The 41 exceptional color plates generally show one, two, or a few fish lying on the banks of their natural habitat or superimposed over a landscape view.  Sometimes they are depicted naturalistically, swimming in an underwater setting.  The books also contain 38 engraved heading views of regions where the fish are found and numerous diagrams.  Extensive text discusses the characteristics of the species and their habitats.  The volumes are bound in decorative embossed pictorial covers with a central gilt pictorial vignette of an angler holding a fish and decorative freshwater fish motifs in each corner.According to the title page of British Fresh-Water Fishes, the author, Rev. W. Houghton, served as rector of Preston-on-the-Weald Moors, Shropshire.  At the same time, he was a serious naturalist who had previously authored Sea-side Walks of a Naturalist, and was a Fellow of the Linnaean Society of London, a scientific society for the study of biology founded in 1788.  For this work, Houghton studied the specimens in the collection of the British Museum.  British Fresh-Water Fishes was originally printed in 2 volumes in 1879, and was notable for its incorporation of the naturalistic backgrounds of the fish habitats.  The fact that this work has been reprinted in subsequent editions from the 19th century through the 1980s attests to the quality and interest of the descriptions and illustrations, even though taxonomists have since revised some of the classifications.Benjamin Fawcett was a printer in Diffield, Yorkshire, England, noted for his mastery of color woodblock printing.  Alexander Francis Lydon was a painter and draftsman who began as Fawcett’s apprentice and became his frequent collaborator.  Together they produced the plates for many illustrated natural history and topographic works, including a number of works by Francis Orpen Morris, such as A History of British Birds (1851-1857) and Picturesque Views of Seats of Noblemen and Gentlemen of Great Britain and Ireland (1880).  They also contributed illustrations to natural history books by other authors, such as William Thomas Greene's three-volume Parrots in Captivity (1882-87).	100	£100	mounted	Print	General Interest	Fish						
8916		Benjamin Fawcett after Alexander Francis Lydon	Lochleven Trout	Chromolithograph	London: William Mackenzie, 69, Ludgate Hill E.C.  Edinburgh and Dublin. 1879			Image: 190 x 270 mm	British Fresh-Water Fishes		From “British Fresh Water Fish”Rev. W. Houghton (author)Alexander Francis Lydon (1836-1917) (artist)Benjamin Fawcett (1808-1893) (printer)British Fresh-Water FishesWilliam MacKenzie, London: 1879 (first edition)Renowned color-plate study of British fresh water fish in two volumes. The 41 exceptional color plates generally show one, two, or a few fish lying on the banks of their natural habitat or superimposed over a landscape view.  Sometimes they are depicted naturalistically, swimming in an underwater setting.  The books also contain 38 engraved heading views of regions where the fish are found and numerous diagrams.  Extensive text discusses the characteristics of the species and their habitats.  The volumes are bound in decorative embossed pictorial covers with a central gilt pictorial vignette of an angler holding a fish and decorative freshwater fish motifs in each corner.According to the title page of British Fresh-Water Fishes, the author, Rev. W. Houghton, served as rector of Preston-on-the-Weald Moors, Shropshire.  At the same time, he was a serious naturalist who had previously authored Sea-side Walks of a Naturalist, and was a Fellow of the Linnaean Society of London, a scientific society for the study of biology founded in 1788.  For this work, Houghton studied the specimens in the collection of the British Museum.  British Fresh-Water Fishes was originally printed in 2 volumes in 1879, and was notable for its incorporation of the naturalistic backgrounds of the fish habitats.  The fact that this work has been reprinted in subsequent editions from the 19th century through the 1980s attests to the quality and interest of the descriptions and illustrations, even though taxonomists have since revised some of the classifications.Benjamin Fawcett was a printer in Diffield, Yorkshire, England, noted for his mastery of color woodblock printing.  Alexander Francis Lydon was a painter and draftsman who began as Fawcett’s apprentice and became his frequent collaborator.  Together they produced the plates for many illustrated natural history and topographic works, including a number of works by Francis Orpen Morris, such as A History of British Birds (1851-1857) and Picturesque Views of Seats of Noblemen and Gentlemen of Great Britain and Ireland (1880).  They also contributed illustrations to natural history books by other authors, such as William Thomas Greene's three-volume Parrots in Captivity (1882-87).	100	£100	mounted	Print	General Interest	Fish						
8917		Benjamin Fawcett after Alexander Francis Lydon	Gillaroo Trout	Chromolithograph	London: William Mackenzie, 69, Ludgate Hill E.C.  Edinburgh and Dublin. 1879			Image: 190 x 270 mm	British Fresh-Water Fishes		From “British Fresh Water Fish”Rev. W. Houghton (author)Alexander Francis Lydon (1836-1917) (artist)Benjamin Fawcett (1808-1893) (printer)British Fresh-Water FishesWilliam MacKenzie, London: 1879 (first edition)Renowned color-plate study of British fresh water fish in two volumes. The 41 exceptional color plates generally show one, two, or a few fish lying on the banks of their natural habitat or superimposed over a landscape view.  Sometimes they are depicted naturalistically, swimming in an underwater setting.  The books also contain 38 engraved heading views of regions where the fish are found and numerous diagrams.  Extensive text discusses the characteristics of the species and their habitats.  The volumes are bound in decorative embossed pictorial covers with a central gilt pictorial vignette of an angler holding a fish and decorative freshwater fish motifs in each corner.According to the title page of British Fresh-Water Fishes, the author, Rev. W. Houghton, served as rector of Preston-on-the-Weald Moors, Shropshire.  At the same time, he was a serious naturalist who had previously authored Sea-side Walks of a Naturalist, and was a Fellow of the Linnaean Society of London, a scientific society for the study of biology founded in 1788.  For this work, Houghton studied the specimens in the collection of the British Museum.  British Fresh-Water Fishes was originally printed in 2 volumes in 1879, and was notable for its incorporation of the naturalistic backgrounds of the fish habitats.  The fact that this work has been reprinted in subsequent editions from the 19th century through the 1980s attests to the quality and interest of the descriptions and illustrations, even though taxonomists have since revised some of the classifications.Benjamin Fawcett was a printer in Diffield, Yorkshire, England, noted for his mastery of color woodblock printing.  Alexander Francis Lydon was a painter and draftsman who began as Fawcett’s apprentice and became his frequent collaborator.  Together they produced the plates for many illustrated natural history and topographic works, including a number of works by Francis Orpen Morris, such as A History of British Birds (1851-1857) and Picturesque Views of Seats of Noblemen and Gentlemen of Great Britain and Ireland (1880).  They also contributed illustrations to natural history books by other authors, such as William Thomas Greene's three-volume Parrots in Captivity (1882-87).	100	£100	mounted	Print	General Interest	Fish						
8918		Benjamin Fawcett after Alexander Francis Lydon	Young Trout, Salmon Parr, Smelt	Chromolithograph	London: William Mackenzie, 69, Ludgate Hill E.C.  Edinburgh and Dublin. 1879			Image: 190 x 270 mm	British Fresh-Water Fishes		From “British Fresh Water Fish”Rev. W. Houghton (author)Alexander Francis Lydon (1836-1917) (artist)Benjamin Fawcett (1808-1893) (printer)British Fresh-Water FishesWilliam MacKenzie, London: 1879 (first edition)Renowned color-plate study of British fresh water fish in two volumes. The 41 exceptional color plates generally show one, two, or a few fish lying on the banks of their natural habitat or superimposed over a landscape view.  Sometimes they are depicted naturalistically, swimming in an underwater setting.  The books also contain 38 engraved heading views of regions where the fish are found and numerous diagrams.  Extensive text discusses the characteristics of the species and their habitats.  The volumes are bound in decorative embossed pictorial covers with a central gilt pictorial vignette of an angler holding a fish and decorative freshwater fish motifs in each corner.According to the title page of British Fresh-Water Fishes, the author, Rev. W. Houghton, served as rector of Preston-on-the-Weald Moors, Shropshire.  At the same time, he was a serious naturalist who had previously authored Sea-side Walks of a Naturalist, and was a Fellow of the Linnaean Society of London, a scientific society for the study of biology founded in 1788.  For this work, Houghton studied the specimens in the collection of the British Museum.  British Fresh-Water Fishes was originally printed in 2 volumes in 1879, and was notable for its incorporation of the naturalistic backgrounds of the fish habitats.  The fact that this work has been reprinted in subsequent editions from the 19th century through the 1980s attests to the quality and interest of the descriptions and illustrations, even though taxonomists have since revised some of the classifications.Benjamin Fawcett was a printer in Diffield, Yorkshire, England, noted for his mastery of color woodblock printing.  Alexander Francis Lydon was a painter and draftsman who began as Fawcett’s apprentice and became his frequent collaborator.  Together they produced the plates for many illustrated natural history and topographic works, including a number of works by Francis Orpen Morris, such as A History of British Birds (1851-1857) and Picturesque Views of Seats of Noblemen and Gentlemen of Great Britain and Ireland (1880).  They also contributed illustrations to natural history books by other authors, such as William Thomas Greene's three-volume Parrots in Captivity (1882-87).	100	£100	mounted	Print	General Interest	Fish						
8919		Wenceslaus Hollar	Charles by the grace of God, Kinge of England, Scotland, France and Ireland, defendor of the faith, etc. Henrietta Maria by the Grace of God Queene of England, Scotland, France, and Ireland, etc.	Copper engraving	c. 1650			Ovals: 130 x 100 mm Sheets: 180 x 120 mm			These two portraits were originally on the same plate. The plate was later cut, and the print of Charles is found later by itself in “The true effigies of King Charles” 1641, with 1.-press on v. It is also found in an early ed. of the “Eikon Basilike” no. 25 in Madan’s “A new bibliography of the ‘Eikon Basilike’, 1950.”O’ Donoghue says that these two prints are from a painting once at Euston, of Charles and Henrietta holding a myrtle wreath.Reverse of Charles print features unidentified collectors mark. (R. Pennington, A descriptive catalogue of the etched work of WENCESLAUS HOLLAR 1607-1677, Cambridge University Press, 1982, p.248, P1433)	475	£475	unmounted	Print	Portraits	British Royalty						
8920		Benjamin Fawcett after Alexander Francis Lydon	Bull Trout	Chromolithograph	London: William Mackenzie, 69, Ludgate Hill E.C.  Edinburgh and Dublin. 1879			Image: 190 x 270 mm	British Fresh-Water Fishes		From “British Fresh Water Fish”Rev. W. Houghton (author)Alexander Francis Lydon (1836-1917) (artist)Benjamin Fawcett (1808-1893) (printer)British Fresh-Water FishesWilliam MacKenzie, London: 1879 (first edition)Renowned color-plate study of British fresh water fish in two volumes. The 41 exceptional color plates generally show one, two, or a few fish lying on the banks of their natural habitat or superimposed over a landscape view.  Sometimes they are depicted naturalistically, swimming in an underwater setting.  The books also contain 38 engraved heading views of regions where the fish are found and numerous diagrams.  Extensive text discusses the characteristics of the species and their habitats.  The volumes are bound in decorative embossed pictorial covers with a central gilt pictorial vignette of an angler holding a fish and decorative freshwater fish motifs in each corner.According to the title page of British Fresh-Water Fishes, the author, Rev. W. Houghton, served as rector of Preston-on-the-Weald Moors, Shropshire.  At the same time, he was a serious naturalist who had previously authored Sea-side Walks of a Naturalist, and was a Fellow of the Linnaean Society of London, a scientific society for the study of biology founded in 1788.  For this work, Houghton studied the specimens in the collection of the British Museum.  British Fresh-Water Fishes was originally printed in 2 volumes in 1879, and was notable for its incorporation of the naturalistic backgrounds of the fish habitats.  The fact that this work has been reprinted in subsequent editions from the 19th century through the 1980s attests to the quality and interest of the descriptions and illustrations, even though taxonomists have since revised some of the classifications.Benjamin Fawcett was a printer in Diffield, Yorkshire, England, noted for his mastery of color woodblock printing.  Alexander Francis Lydon was a painter and draftsman who began as Fawcett’s apprentice and became his frequent collaborator.  Together they produced the plates for many illustrated natural history and topographic works, including a number of works by Francis Orpen Morris, such as A History of British Birds (1851-1857) and Picturesque Views of Seats of Noblemen and Gentlemen of Great Britain and Ireland (1880).  They also contributed illustrations to natural history books by other authors, such as William Thomas Greene's three-volume Parrots in Captivity (1882-87).	100	£100	mounted	Print	General Interest	Fish						
8922		J. Shury after N. Whittock	Guildford	Steel engraving	Published 1829			Image: 120 x 175 mm Sheet: 240 x 280 mm				45	£45	mounted	Print	British Topography	Surrey						
8926		F. Marks	Horse Guards Blue	Copper engraving with hand colouring	Published 5th May 1831			Image: 215 x 180 mm				120	£120	unmounted	Print	General Interest	Military						
8927		F. Marks	Enniskillen or 6th	Copper engraving with hand colouring	Published 5th May 1831			Image: 205 x 185 mm				75	£75	unmounted	Print	General Interest	Military						
8929			1st Life Guards, Riding master and rough riders	Lithograph	Published March 1829			Image: 300 x 200 mm				30	£30	unmounted	Print	General Interest	Military						
8930		T. Blood after S. Drummond	Mr James Asperne	Stipple				Image: 240 x 200 mm Sheet: 285 x 215			Past master of the foundation lodge No. 96 And St. Peter’s No. 249 P.S.D of the Lodge of Antiquity No.1 And Grand Steward for 1814Free Mason, sat in Free Masons chair.	40	£40		Print	Portraits	Trades						
8933		Day & Haghe after Lieu Kuallette	New Uniform of the Militia	Lithograph with hand colouring				Image: 215 x 170 mm Sheet: 305 x 245 mm				45	£45	unmounted	Print	General Interest	Military						
8934		R.K.Thomas after G.R.Lewis	The Tower of the Ancient Church of Shobdon	Lithograph	London, Pelham, Richardson, 23, Cornhill. 1852. Day & Son, Lith.rs to the queen.			Image:172 x 269mm				45	£45	unmounted	Print	British Topography	Herefordshire						
8935		Terry. G	Europe. drawn from the latest and best Authorities	Copper engraving with hand colouring	Engraved for John Harrison 115 Newgate Street Aug. 1. 1787			Image 336 x 393mm, Plate 350 x 405mm, Sheet 383 x 443mm				120	£120	unmounted	Map	Europe	Europe						
8937		Homann, Johann Baptist	Polentissimae Helvetiorum Reipublicae Cantones Tredecim [Switzerland]	Copper engraving with hand colouring	1732			Image:486 x 575 mm				375	£375	unmounted	Map	Europe	Switzerland						
8938		Speed, John	Cambridge	Copper engraving with hand colouring	1627. John Sudbury and George Humble			Image: 383 x 520mm. Plate: 387 x 528mm. Sheet:396 x 547			Speed (1552-1629) is the most famous of all English cartographers primarily as a result of The Theatre of the Empire of Great Britaine, the first atlas of the British Isles. The maps from this atlas are the best known and most sought-after of all county maps. The maps were derived mainly from the earlier prototypes of Christopher Saxton and Robert Norden but with notable improvements including parish "Hundreds" and county boundaries, town plans and embellishments such as the coats of arms of local Earls, Dukes, and the Royal Household. The maps are famed for their borders consisting of local inhabitants in national costume and panoramic vignette views of major cities and towns. An added feature is that regular atlas copies have English text printed on the reverse, giving a charming description of life in the early seventeenth century of the region. The overall effect produced very decorative, attractive and informative maps. For the publication of this prestigious atlas Speed turned to the most successful London print-sellers of the day, John Sudbury and George Humble. William Camden introduced the leading Flemish engraver, Jodocus Hondius Sr. to John Speed in 1607 because first choice engraver William Rogers had died a few years earlier. Work commenced with the printed proofs being sent back and forth between London and Amsterdam for correction and was finally sent to London in 1611 for publication. The work was an immediate success and the maps themselves being printed for the next 150 years. Speed was born in 1552 at Farndon, Cheshire. Like his father before him he was a tailor by trade, but around 1582 he moved to London. During his spare time Speed pursued his interests of history and cartography and in 1595 his first map of Canaan was published in the "Biblical Times". This raised his profile and he soon came to the attention of poet and dramatist Sir Fulke Greville a prominent figure in the court of Queen Elizabeth. Greville as Treasurer of the Royal Navy gave Speed an appointment in the Customs Service giving him a steady income and time to pursue cartography.  Through his work he became a member of such learned societies as the Society of Antiquaries and associated with the likes of William Camden Robert Cotton and William Lambarde. He died in 1629 at the age of seventy-seven.	2400	£2,400	unmounted	Map	English Counties	Cambridgeshire						
8939		Blaeu, Johannes	The Westriding of Yorkshire	Copper engraved with hand colouring	circa 1645 - 1648			493 x 382 mm			Blaeu, Doctor Johannes (c.1599-1673) Born and died in Amsterdam. Collaborated with his father Willem Janszoon and with his brother Cornelis, and ran the business after the death of Willwm. Appointed official cartographer to the East India Company (VOC) in 1638 in sucession to his father. What was left of the company after the fire of 1672 and the deah of Joan in 1673 passed to his son Joan (III), who sold the globemaking part of the business to J. van Keulen. Worked in partnership with his father on Appendix Theatri Ortelii et Atlantis G. Mercatoris, 1631 and Nouvus Atlas, 1634; Wall maps, 1647-1649; Tooneel der Steden van der Vereenighde Nederlanden (Town books of the Netherlands) 1649-1653 Theatrum Orbis Terrarum, publishing six volumes  up to 1655; Atlas Major (11 volumes, known as the Grand Atlas), 1662-1672 in editions with French, Latin, Dutch and Spanish text (often described as the most magnificent work of its kind ever produced); Town plans of Italy 1663. 	650	£650	unmounted	Map	English Counties	Yorkshire						
8940		unknown engraver	Sweden, Denmark, Norway and Finland	Copper engraving with hand colouring	c.1760			Image:224 x181mm				80	£80	unmounted	Map	Europe	Scandinavia						
8941		unknown engraver	Koppenhaven [copenhagen]	Copper engraving	1705			Image:188 x 270mm				40	£40	unmounted	Print	Foreign Topography	Scandinavia						
8943		Unknown engraver	Carte De La Suede et De La Norwege	Copper engraving with hand colouring	c.1785			229 x 265 mm				65	£65	unmounted	Map	Europe	Sweden and Norway						
8945		J. Lambert after Nathaniel Whittock	Balliol & Trinity Colleges	Copper engraving	c.1830			I 142 x 83 mm				40	£40	mounted	Print	Oxford	Balliol College						
8947		William Willis	The Radcliffe Library, All Souls College &c	Steel engraving with hand colour	Published by Henry Slatter. Oxford.			I 117 x 77 mm				45	£45	framed	Print	Oxford	Radcliffe Camera						
8949		J & H.S Storer	Merton Tower and Corpus Christi College	Copper engraving	1821			Image: 115 x 95 mm Sheet: 220 x 190 mm				40	£40	mounted	Print	Oxford	Corpus Christi College						
8950		J. Cousen after W.Brockedon	Ancona	Steel engraving	c.1835			Image: 180 x 235 mm Sheet: 345 x 385 mm				50	£50	mounted	Print	Foreign Topography	Italy						
8954		Blaeu, Johannes	Cornwallia [cornwall]	Copper engraving with hand colouring	circa 1645 - 1648			I 494 x 387 mm			Blaeu, Doctor Johannes (c.1599-1673) Born and died in Amsterdam. Collaborated with his father Willem Janszoon and with his brother Cornelis, and ran the business after the death of Willwm. Appointed official cartographer to the East India Company (VOC) in 1638 in sucession to his father. What was left of the company after the fire of 1672 and the deah of Joan in 1673 passed to his son Joan (III), who sold the globemaking part of the business to J. van Keulen. Worked in partnership with his father on Appendix Theatri Ortelii et Atlantis G. Mercatoris, 1631 and Nouvus Atlas, 1634; Wall maps, 1647-1649; Tooneel der Steden van der Vereenighde Nederlanden (Town books of the Netherlands) 1649-1653 Theatrum Orbis Terrarum, publishing six volumes  up to 1655; Atlas Major (11 volumes, known as the Grand Atlas), 1662-1672 in editions with French, Latin, Dutch and Spanish text (often described as the most magnificent work of its kind ever produced); Town plans of Italy 1663. 	650	£650	framed	Map	English Counties	Cornwall						
8955		Parr after Zochi	A View on the side of teh Arno , and of Trinity Bridge at Florence	Copper engraving with hand colouring	Published according to the Act of Parlaiment, January 31, 1750.			Image 444 x 290 mm				375	£375	mounted	Print	Foreign Topography	Italy						
8958		Francesco Bartolozzi after J.F. Rigaud	The Three Favorite Aerial Travellers. Vincent Lunardi Esqr. first Aeronaut in England, George Biggin Esqr.,  and Mrs. Sage first English Female Aerial Traveller	Stipple and copper engraving	Published June 25th, 1785 by E Wyatt next door to the Pantheon, Oxford Street			Image and plate 335 x 255 mm				750	£750	mounted	Print	Portraits	Science						
8962		H.J. Ormsby after Seymor	Thames Ditton	Copper engraving				Image 67 x 103 mm				30	£30	mounted	Print	British Topography	Surrey						
8965		Unknown. from The Illustrated London News	The Inundation at Oxford	Woodcut	The  Illustrated London News. Dec. 4, 1852.			Image: 349 x 225mm				75	£75	mounted	Print	British Topography	Oxfordshire						
8970		T.Higham	Bungay Castle, Suffolk	Steel engraving	Published for the proprietors, May 1.1816, by W.Clarke, New Bond Street			Image: 82 x 71 mm				15	£15	mounted	Print	British Topography	Suffolk						
8973		E.Francis after W.Westall	Bristol from the Bath Road	Steel engraving	Great Britain Illustrated, 1830.			Image: 144 x 96 mm				30	£30	mounted	Print	British Topography	Somersetshire						
8974		M.Griffith	St.Andrews	Copper engraving	c.1770			Image: 203 x 153 mm				50	£50	mounted	Print	British Topography	Scotland						
8975		E.T.Dolby	Wells Cathedral, South East View	Lithograph	Published by S.Backhouse, Wells. Day & Son. c.1850			Image: 291 x 248 mm				60	£60	mounted	Print	British Topography	Somersetshire						
8976		Unknown	Chasseur De Vincennes	Lithograph with hand colouring	19th Century			Image: 88 x 141 mm				25	£25	mounted	Print	General Interest	Military						
8978		Joseph Skelton after G. Vertue	Founders and Benefactors of St.Edmund Hall	Steel engraving	Published as the Act directs June 1 1821 by J. Skelton, Magdalen Bridge. Oxford			Image: 166 x 178 mm				50	£50	mounted	Print	Oxford	St. Edmund Hall						
8979		Kunisada School	Shunga	Woodblock with gauffrage	c. 1850			90 x 120 mm				80	£80	mounted	Print	Japanese	Shunga						
8980		David Loggan	Hortus Botanicus, The Phisick Garden in Oxon [Botanical Gardens]	Copper engraving	1675			I 405 x 495	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	425	£425	framed	Print	Oxford	Botanic Garden						
8982		Attributed to Kip	Oxoniae Prospectis, a Prospect of the University and City of Oxford	Copper engraving	1705			I 890 x 530 mm, Fr. 1140 x 820 mm	Britannia Illustrata		Johannes Kip (1653-1722) was a draughtsman and engraver, who worked first in his native Amsterdam before moving to London at the end of the seventeenth century. He did portraits, views, and book illustrations. His most important work was this lovely and informative series of bird's-eye views of English country seats. Kip originally collaborated on this project with a fellow Dutch artist, Leonard Knyff, Knyff doing the drawings and Kip the etchings. But as the project developed, Kip created his own drawings as well as doing the etchings. The set of five volumes is celebrated for its survey of the country house during the Augustinian age, as recorded in the series of plates engraved by Kip himself. This 'flourishing period of restoration, expansion and reconstruction of the seats of the English nobility was the immediate outcome of a great increase in mercantile prosperity.' Other engravers contributed to produce some outstanding plates that show the royal palaces, naval towns, cathedrals, the colleges of Oxford and Cambridge and large panoramic views of London, Westminster and Cambridge	2000	£2,000	framed	Print	Oxford	General Views						
8984		H. Alken	Ideas	Aquatint	1827			Image: 425 x 385 mm				400	£400	framed	Print	General Interest	Hunting & Shooting						
8985		G. Biurman	Charta Ofwer Nerike	Copper engraving with hand colouring	c. 1715			Image: 540 x 640 mm				450	£450	unmounted	Map	Europe	Sweden and Norway						
8986		Pugin & Mackenzie	Gothic Architecture of Oxford		1821							250	£250		Book	General Interest	Architecture						
8987		Etheld Parkinson	[Children]	Chromolithograph	c. 1900			Image and Sheet 265 x 264 mm				45	£45	unmounted	Print	General Interest	Childrens Prints						
8988		Hasegawa, Keika	Chrysanthemum	Woodblock print	Kyoto: Tanaka Jihei and Yamada Naosaburo, July & December 1893			Image 353 x 281 mm, Mount 509 x 417 mm	From One Hundred Chrysanthemums		Caligraphy by Yusaku.	85	£85	mounted	Print	Japanese	Kacho-e						
8994		Morna Rhys	Lightening over Wytham	Etching	2007			Image: 120 x 57 mm				40.00	£40	mounted	Print	Contemporary Oxford Printmakers	Morna Rhys						
8996		Morna Rhys	dusk	Etching	2007			Image: 90 x 75 mm				35	£35	mounted	Print	Contemporary Oxford Printmakers	Morna Rhys						
8998		Morna Rhys	Oxford Dreamin	Etching	2007			Image: 300 x 100 mm				65.00	£65	mounted	Print	Contemporary Oxford Printmakers	Morna Rhys						
9001		Percy Macquard	Aquatics at the Universities	Woodcut	The Graphic. London, March 20, 1875. 15 1/4 x 23 1/2			Image: 395 x 600 mm				200	£200	mounted	Print	Sports	Rowing	Rowing					
9003		J. Whessell	Magdalen College	Copper engraving	Published by J. Whessell & T. Bartlett, 1832			Image 198 x 128 mm, Pl. 225 x 135 mm				120	£120	mounted	Print	Oxford	Magdalen College						
9005		Moule, Thomas 	Oxfordshire	Copper engraved map	c. 1840			257 x 184 mm			Originally a writer on Heraldry and general antiquities, Moule was born in Marylebone, London. From around 1816 to 1823 he was a Bookseller, his shop was in Grosvenor Square, London. He then became an inspector of letters in the General Post Office, where his responsibilities included trying to 'read' illegible hand writing! His highly decorative series of county maps were first published in separate issues for each county between 1830 and 1832. In 1836 these were brought together in one work, by George Virtue & Co. They continued to appear in Rev. Barclay's Dictionary into the 1840's.	95	£95	mounted	Map	English Counties	Oxfordshire						
9006		After Delamotte	Merton College from the Fields	Lithograph 	Published c. 1840			I 350 x 250 mm				150	£150	mounted	Print	Oxford	Merton College						
9007		After Delamotte	Magdalen College from the High Street	Lithograph 	Published c. 1840			I 350 x 250 mm				200	£200	mounted	Print	Oxford	Magdalen College						
9010		Henry Le Keux after f. Mackenzie	The New Front of Pembroke College	Steel engraving	Published by J. Parker Oxford November 1, 1837			Image 220 x 315 mm	Oxford Alamanck		The Oxford Almanack for 1838, this view shows the gate-tower and adjoining facade which were refaced in 1830.  The building beyon is part of Wolsey’s almshouse which belonged to Christ Church.  They were restored in 1834 and quired by Pembroke College in 1888.  They became the Master’s Lodgings in 1927. 	250	£250	mounted	Print	Oxford	Pembroke College						
9011		Harold Thornton	The Bridge of Sighs	Etching	c.1920			Image: 180 x 272mm			Harold Thornton (1892-1958) Studied at Burnley School of Art and R.C.A.Assistant master at Plymouth School of Art.Exhibited at Connell & Sons Gallery.	65	£65	mounted	Print	British Topography	Cambridgeshire						
9012		Unknown	[Book Illustration]	Woodcut	c.1840			Image: 139 x 185 mm				48	£48	mounted	Print	Japanese							
9013		J & E Harwood	Newstead Abbey	Steel engraving	London:J & E Harwood, 26, Fenchurch Street. c.1840			Image: 150 x 110 mm				20	£20	mounted	Print	British Topography	Nottinghamshire						
9014		C.Cousen after J.Nash	The May-Pole	Steel engraving	c.1840			Image: 204 x 260 mm				45	£45	mounted	Print	General Interest	Historical						
9015		Jansson, Jan	Glocestria Sucatus, ci, Monume Thensi Comitatu Gloucestershire & Monmouthshire	Copper engraved map with original handcolour	Amsterdam, c. 1645			405 x 510 mm			Latin Text on verso	520	£520		Map	English Counties	Gloucestershire						
9017		James Millingen	Painted Greek Vases	Aquatint	1822			Image: 155 x 185				50	£50	mounted	Print	General Interest	Mythology						
9018		James Millingen	Painted Greek Vases	Aquatint	1822			Image: 205 x 225 mm				80	£80	mounted	Print	General Interest	Mythology						
9020		James Millingen	Painted Greek Vases	Aquatint	1822			Image: 165 x 205 mm				40	£40	mounted	Print	General Interest	Mythology						
9022		James Millingen	Painted Greek Vases	Aquatint	1822			Image: 205 x 300 mm				75	£75	mounted	Print	General Interest	Mythology						
9023		James Millingen	Painted Greek Vases	Aquatint	1822			Image: 150 x 455 mm				100	£100	mounted	Print	General Interest	Mythology						
9024		James Millingen	Painted Greek Vases	Aquatint	1822			Image: 85 x 325 mm				100	£100	mounted	Print	General Interest	Mythology						
9025		James Millingen	Painted Greek Vases	Aquatint	1822			Image: 155 x 385 mm				200	£200	mounted	Print	General Interest	Mythology						
9037		J. Lavars	St. Donat’s Castle, Glamorganshire.	Lithograph with tint stone	Published by P. Thomas; St. Athan Glanmorganshire			Image 267 x 453 mm, Sheet 475 x 595 mm			Condition: some repaired tears in upper margin.  An acrease in the left of the image.	225	£225		Print	British Topography	Wales						
9039		C & E Layton 	Exeter College Chapel	Steel engraving	Slatter and Rose, Oxford. c.1835			Image: 80 x150mm				35	£35	mounted	Print	Oxford	Exeter College						
9040		after Robert White	[John Bunyan]	Copper engraving	c. 1679			Image and sheet 315 x 185 mm			Condition: Trimmed to image 	75	£75	unmounted	Print	Portraits	Literary and Poetic						
9043		James Fittler 	William Crotch	Copper engraving	London, Publish’d according to Act of Parliment May 12th, 1779, by Mrs Crotch, near St. James’s Street Piccadilly			Image 315 x 228 mm, Sheet 408 x 252 mm				250	£250	mounted	Print	Portraits	Performing Arts						
9044		James Fittler 	William Crotch	Copper engraving	London, Publish’d according to Act of Parliment May 12th, 1779, by Mrs Crotch, near St. James’s Street Piccadilly			Image 315 x 228 mm, Sheet 408 x 252 mm				250	£250	mounted	Print	Portraits	Performing Arts						
9045			A South View of Stone-Henge,on Salisbury Plain, in the County of Wilts.	Copper engraving	London, c. 1779			Image 160 x 283 mm, Pl. 195 x 313 mm	From The Modern Universal British Traveller			80	£80	mounted	Print	British Topography	Wiltshire						
9046		Giovanni Battista Cipriani	O Fair Britannia Hail 	Copper engraving	c. 1760			Image 270 x 213 mm, Pl. 305 x 224 mm				65	£65	mounted	Print	General Interest	Classical and Mythological						
9047		Skelton, J	Plan of the lines around Oxford, when defended by K. Charles, I.	Copper engraving	1st June 1817			Image: 230 x 300 mm				40	£40	mounted	Map	Oxford	Oxford Maps						
9049		Kip, William and J. Norden	Essexia [Essex]	Copper engraving with hand colouring	c.1607			285mm x 380mm			William Camden's great historical description of the British Isles, "Britannia", first appeared in 1586. Originally lacking any maps it was decided that, for the edition of 1607, maps, copied mainly from Christopher Saxton's and John Norden's recent work, would be re-engraved by William Kip and William Hole. Saxton's atlas of 1579 had been the first to show English and Welsh county maps, but had shown many of the counties grouped together. The maps for "Britannia" are well engraved, clearly detailed, and, with elegant flourishes to the typography, constitute the first series to show each county of England and Wales separately.	420	£420	mounted	Map	English Counties	Essex						
9050		William Miller	Student in Civil Law costume	Aquatint with hand colouring	January 1st 1805			Image 310 x 260 mm	The Costume of Great Britain			100	£100	mounted	Print	Oxford	Academic Dress						
9051		J Jackson	1.- From the Thames, Near Binsley-Green	Woodblock	c. 1870			I 145 x 205 mm				40	£40	mounted	Print	Oxford	General Views						
9057		E. Goodall	Ascent of Mount Vesuvius	Steel engraving	c. 1850			Image: 72 x 110 mm				30	£30	mounted	Print	Foreign Topography	Italy						
9060		J.T. Wilmore	Lord Byron Contemplating the Ruins of Rome	Steel engraving	c.1850			Image: 115 x 175 mm				50	£50	mounted	Print	Portraits	Literary and Poetic						
9062		J. Grozer after C.R. Ryley	Daniel Mendoza & Richard Humphreys	Stipple	Pub. Sept.29th 1790 by W.Richardson York House No.31 Strand.			Image: 220 x 315 mm			This boxing match took place at Doncaster September 29th 1790 on a twenty four foot stage and was the third public contest between those two pugilists. It lasted for about an ‘Hour & five minutes and was decisive in favour of Mendoza.	200	£200	unmounted	Print	Sports	Boxing						
9063		J. Grozer after C. Metz	Thomas Johnson & Isaac Perrins	Stipple	Pub.Nov.5th 1789 by W.Richardson York House No.31 Strand			Image: 205 x 305 mm			These two champions fought at Banbury on 22nd October 1789 on a forty foot Turf stage, after a contest of an hour and a quarter the skills and activity of Johnson prevailed over the bulk and strength of Perrins. The match was for four hundred Guineas.	200	£200	unmounted	Print	General Interest	Sport						
9064		Hinton, John	A  Map of the British and French Settlements in North America	Copper engraved with hand colouring	Univ.Mag. J.Hinton Newgate Street. 1755			Image:375 x 273 mm. Sheet: 406 x 332 mm			From the Universal magazine of Knowledge and Pleasure. v. 17, Oct. 1755, p. 144-145.	450	£450	unmounted	Map	North and South America	North America						
9068		Jefferys, Thomas	A Map of Thrace and Greece	Copper engraved with Hand Colouring				Image:398 x 292 mm. Plate: 443 x 298mm. Sheet: 446 x 409 mm				275	£275	unmounted	Map	Europe	Greece						
9070		Saxton, Christopher - Hole, William	Glamorgan Comitatus, qui olium pars Silurum	Copper engraved map with later hand colour	1610			235 x 325 mm			Saxton, Christopher (c.1543-1610/1611) b. near Dunningley, West Yorkshire. Estate Surveyor and Draughtsmen, apprenticed to the cleric and cartographer John Rudd. Under his tutelage Saxton developed the skills to become the man now klnown as ‘the father of English cartography’. Saxton carried out an extensive topographical survey of England and Wales, 1573-1578 under the patronage of Thomas Seckford. 34 county maps based on the surveys were engraved between 1574 and 1578 by Remy Hogenberg, Lenaert Terwoort, Cornelis de Hooghe, Augustine Ryther, Francis Scatte, and Nicholas Reynolds, forming the first atlas of England and Wales. The work was the basis for many later maps.This map is from the series of maps included William Camden’s Britannia.  First pulished in 1586 with only a general map, the later editions of Camden’s Britannia included maps engraved by William Kip and William Hole.  These maps were reduced copies of the maps by Saxton and Norden.  The sixth edition of Camden’s Britiannia, published in 1607 contained these maps.  This atlas pre-dated Speed’s folio atlas and with the exception of the very rare 1590’s playing card maps conatined the first seperate representations of many counties.	200	£200	unmounted	Map	Scotland, Ireland & Wales	Wales						
9071		Saxton, Christopher - Kip, William	Denbigh Comitatus par Olim Ordovicum	Copper engraved map with later hand colour	1610			265 x 320 mm			Saxton, Christopher (c.1543-1610/1611) b. near Dunningley, West Yorkshire. Estate Surveyor and Draughtsmen, apprenticed to the cleric and cartographer John Rudd. Under his tutelage Saxton developed the skills to become the man now klnown as ‘the father of English cartography’. Saxton carried out an extensive topographical survey of England and Wales, 1573-1578 under the patronage of Thomas Seckford. 34 county maps based on the surveys were engraved between 1574 and 1578 by Remy Hogenberg, Lenaert Terwoort, Cornelis de Hooghe, Augustine Ryther, Francis Scatte, and Nicholas Reynolds, forming the first atlas of England and Wales. The work was the basis for many later maps.This map is from the series of maps included William Camden’s Britannia.  First pulished in 1586 with only a general map, the later editions of Camden’s Britannia included maps engraved by William Kip and William Hole.  These maps were reduced copies of the maps by Saxton and Norden.  The sixth edition of Camden’s Britiannia, published in 1607 contained these maps.  This atlas pre-dated Speed’s folio atlas and with the exception of the very rare 1590’s playing card maps conatined the first seperate representations of many counties.	200	£200	unmounted	Map	Scotland, Ireland & Wales	Wales						
9073		Saxton, Christopher - Kip, William	Flint comitatus quem: ordovices olim Incoluerunt	Copper engraved map with later hand colour	1610			265 x 320 mm			Saxton, Christopher (c.1543-1610/1611) b. near Dunningley, West Yorkshire. Estate Surveyor and Draughtsmen, apprenticed to the cleric and cartographer John Rudd. Under his tutelage Saxton developed the skills to become the man now klnown as ‘the father of English cartography’. Saxton carried out an extensive topographical survey of England and Wales, 1573-1578 under the patronage of Thomas Seckford. 34 county maps based on the surveys were engraved between 1574 and 1578 by Remy Hogenberg, Lenaert Terwoort, Cornelis de Hooghe, Augustine Ryther, Francis Scatte, and Nicholas Reynolds, forming the first atlas of England and Wales. The work was the basis for many later maps.This map is from the series of maps included William Camden’s Britannia.  First pulished in 1586 with only a general map, the later editions of Camden’s Britannia included maps engraved by William Kip and William Hole.  These maps were reduced copies of the maps by Saxton and Norden.  The sixth edition of Camden’s Britiannia, published in 1607 contained these maps.  This atlas pre-dated Speed’s folio atlas and with the exception of the very rare 1590’s playing card maps conatined the first seperate representations of many counties.	180	£180	unmounted	Map	Scotland, Ireland & Wales	Wales						
9074		Saxton, Christopher - Kip, William	Merioneth Comitatus olim pars Ordovicum	Copper engraved map with later hand colour	1610			265 x 320 mm			Saxton, Christopher (c.1543-1610/1611) b. near Dunningley, West Yorkshire. Estate Surveyor and Draughtsmen, apprenticed to the cleric and cartographer John Rudd. Under his tutelage Saxton developed the skills to become the man now klnown as ‘the father of English cartography’. Saxton carried out an extensive topographical survey of England and Wales, 1573-1578 under the patronage of Thomas Seckford. 34 county maps based on the surveys were engraved between 1574 and 1578 by Remy Hogenberg, Lenaert Terwoort, Cornelis de Hooghe, Augustine Ryther, Francis Scatte, and Nicholas Reynolds, forming the first atlas of England and Wales. The work was the basis for many later maps.This map is from the series of maps included William Camden’s Britannia.  First pulished in 1586 with only a general map, the later editions of Camden’s Britannia included maps engraved by William Kip and William Hole.  These maps were reduced copies of the maps by Saxton and Norden.  The sixth edition of Camden’s Britiannia, published in 1607 contained these maps.  This atlas pre-dated Speed’s folio atlas and with the exception of the very rare 1590’s playing card maps conatined the first seperate representations of many counties.	190	£190	unmounted	Map	Scotland, Ireland & Wales	Wales						
9075		W.H. Toms after Sir James Burrough	Aulae Sctae Trinitatis Cantab: ab Occidente. The West Front of Trinity Hall in Cambridge.	Copper engraving	1743			Image 322 x 600 mm, Pl 360 x 620 mm			A lovely scarce aerial perspective of Trinity Hall.Condition: Some creases where it had once been folded into a book	400	£400	unmounted	Print	British Topography	Cambridgeshire						
9077		William Nicholson	M is for Milkmaid	Lithograph	1898  [William Heinemann]			I 247 x 197 mm	An Alphabet			130	£130	mounted	Print	Artists	William Nicholson						
9080		William Nicholson	Q for Quaker	Lithograph	1898  [William Heinemann]			I 247 x 197 mm	An Alphabet			130	£130	mounted	Print	Artists	William Nicholson						
9084		William Nicholson	Y is for Yokel	Lithograph	1898  [William Heinemann]			I 247 x 197 mm	An Alphabet			130	£130	mounted	Print	Artists	William Nicholson						
9087		Ortelius, Abraham after Henneberg	Prvssiae [Prussia]	Copper engraving with hand colouring	1602			Image: 365 x 465 mm				475	£475	unmounted	Map	Europe	Germany						
9088			The Crimea and adjacent coasts. Illustrated London News	Woodcut	April 14th 1855			Image: 500 x 760 mm				50	£50	unmounted	Map	Europe	Russia						
9090			The Oxford Times: Sunshine and Shadow. The Turl.	Photograph	1936			Image: 570 x 430 mm				50	£50	unmounted	Print	Oxford	Lincoln College						
9092		Bernard Cecil Gotch	The Old Ashmolean. Oxford	Linocut	c.1949			Image 128 x 184 mm			Signed and inscribed in pencil 	120.00	£120	mounted	Print	Oxford	Ashmolean						
9094		Kunisada Utagawa 1786-1864	Sumo wrestler Azumazeki Katsugoro	Woodblock	Yamaguchi-ya Tobei, c. 1830			10 x 15 inches. Ôban tate-e single sheet			Condition: very good, some light wrinklingHighest Rank: Maegashira 1Birth Date: 1790Shusshin (Birth Place):   Tochigi-ken, Sano-shiHeya  (Sumo stable):  IsenoumiShikona  (Fighter’s Name):  Yotsuguruma Katsugoro - Azumazeki Katsugoro - Azumazeki ShosukeHatsu Dohyo (Debut as a wrestler) : 1812.11 (Shinjo)Intai (Retirement) :   1833.02	675	£675	mounted	Print	Japanese	Sumo						
9096		Jane Peart	‘Ellie’	Etching				Image: 290 x 315 mm				140.00	£140	mounted	Print	Contemporary Oxford Printmakers	Jane Peart						
9101		Bernard Cecil Gotch	The Old Observatory, Oxford	Linocut	c.1949			Image 187 x 153mm 			Signed and inscribed in pencil Condition: Pen mark in sky	90	£90	unmounted	Print	Artists	Bernard Cecil Gotch						
9106		Bernard Cecil Gotch	The Stoke Bridge Winchester	Linocut	c.1949			Image 182 x 153 mm			Signed in pencil Bernard Cecil Gotch was born on 17th May 1876 at Chilcombe near Winchester.  He attended Winchester School of Art, first as a student and then later as teacher. By 1910, he had received his first notable commission illustrating A Shepherd's Life; by W.H. Hudson, published by Methuens. In 1914, he married Mary Fox, an accomplished violinist.  They settled in Winchester where he continued painting.  Gotch completed a series of watercolours in and around Winchester, characterised by his muted palette that was typical of his early works. Alongside painting, Bernard and Mary continued teaching in order to supplement their income.  Following the war they lived for a year on the edge of Dartmoor where Gotch painted several churches in the area as well as the surrounding moorland.Bernard and Mary Gotch moved to London, where Bernard had a studio near the Tate.  He had one-man shows in Lincolns Inn and the Fine Art Society.  It was whilst in London that Gotch was approached to illustrate a book on the Public Schools of England, a project eventually abandoned; however, some of these watercolours were exhibited at the Fine Art Society in 1927.  During his time in London Gotch was painting some of his best architectural work of buildings in London, but financial security was elusive, so Mary played the violin in hotels and theatres.In 1925, Gotch moved to Oxford eventually settling on Cumnor Hill in Patchway, a print of which is featured in this exhibition.  Working from his studio on the first floor of Patchway, he was soon busy taking commissions.  His works concentrated on the interiors and exteriors of colleges and were featured in regular one-man shows both in Oxford galleries and colleges, including an exhibition every 'Eights week' in Oriel College Lecture rooms.  Throughout this period his work was regularly exhibited at the Royal Academy.  In 1952, the University of Oxford made Gotch an Honorary M.A. After he died in 1963 a memorial service took place in Oriel College.  Shortly followed by his 'Memorial Exhibition' at our associated Bonfigioli Gallery in 1964.	250	£250	mounted	Print	20th Century	Bernard Cecil Gotch						
9107		Bernard Cecil Gotch	An Oxford Skyline	Linocut	c.1949			Image 216 x 141mm			Signed and inscribed in pencil 	275	£275	framed	Print	Artists	Bernard Cecil Gotch						
9108		Bernard Cecil Gotch	St Johns College. Oxford	Linocut	c.1949			Image 129 x 179mm			Signed and inscribed in pencil Originally prsented as a Christmas card sent by Mary and Bernard Gotch.	120	£120	mounted	Print	Oxford	St. John’s College						
9109		Bernard Cecil Gotch	The Queens College	Linocut	c.1949			Image 127 x 216mm			Signed and inscribed in pencilOriginally prsented as a Christmas card sent by Mary and Bernard Gotch.	220	£220	framed	Print	Oxford	Queen’s College						
9112		Bernard Cecil Gotch	St.Mary The Virgin, Oxford	Linocut	c.1949			Image 127 x 180 mm			Signed and inscribed in pencil Originally prsented as a Christmas card sent by Mary and Bernard Gotch.	100	£100	mounted	Print	Artists	Bernard Cecil Gotch						
9113		J. Conde	John Henderson A.M. of Oxford	Stipple engraving	Published by J. Sewell, 32 Cornhill May 1, 1792			Image 120 x 95 mm oval	from the European Magazine 1792		John Henderson (1757-1788) eccentric student.	15	£15	unmounted	Print	Oxford	Oxford Portraits						
9116		Bernard Cecil Gotch	The High	Linocut	c.1949			Image 196 x 133 mm			Titled and inscribed in pencil Originally prsented as a Christmas card sent by Mary and Bernard Gotch, handwritten on verso of image.	250	£250	framed	Print	Artists	Bernard Cecil Gotch						
9117		Bernard Cecil Gotch	Patchway	Linocut	c.1949			Image 189 x 125mm			Signed and inscibed in pencil Patchway was Mary and Bernard Gotch’s house on Cumnor Hill in Oxford and one of the last to be built before World War II	180	£180	mounted	Print	Artists	Bernard Cecil Gotch						
9120		Edwards and Michael Rooker	[The south front Queen’s College]	Copper engraving	Oxford, 1775			I 305 x 443 mm, Pl. 500 x 470 mm	Oxford Almanack			275	£275	framed	Print	Oxford	Queen’s College						
9121		Carl Rundt	Oxford.	Lithograph	Berlin, c. 1846			I 355 x 520	From Views of the most picturesque Colleges in the University of Oxford.			850	£850	framed	Print	Oxford	General Views						
9122		Ben Pritchard	Almost High Noon, North Parade	Lino cut	2006			I 320 x 420 mm				140	£140	unmounted	Print	Contemporary Oxford Printmakers	Ben Pritchard						
9124		Kershaw & Son 	Oxford	Steel engraving	c. 1841			I 89 x 65 mm				30	£30	mounted	Print	Oxford	General Views						
9125		Kershaw & Son 	New Gateway, Magdalen College. Oxford	Steel engraving	c. 1841			I 89 x 65 mm				30	£30	mounted	Print	Oxford	Magdalen College						
9127		Kershaw & Son 	Exeter College, Oxford	Steel engraving	c. 1841			I 89 x 65 mm				30	£30	mounted	Print	Oxford	Exeter College						
9129		Kershaw & Son 	Wadham College. Oxford	Steel engraving	c. 1841			I 89 x 65 mm				30	£30	mounted	Print	Oxford	Wadham College						
9130		Kershaw & Son 	St. John’s College Oxford	Steel engraving	c. 1841			I 89 x 65 mm				30	£30	mounted	Print	Oxford	St. John’s College						
9131		Kershaw & Son 	Brazennose College Oxford	Steel engraving	c. 1841			I 89 x 65 mm				30	£30	mounted	Print	Oxford	Brasenose College						
9132		Kershaw & Son 	Oriel College Oxford	Steel engraving	c. 1841			I 89 x 65 mm				30	£30	mounted	Print	Oxford	Oriel College						
9133		J. Storer	Front of Corpus Christi College	Copper engraving	Published by Cook & Parker, Oxford			I 115 x 82 mm				35.00	£35	mounted	Print	Oxford	Corpus Christi College						
9134		Kershaw & Son 	Christ College Oxford	Steel engraving	c. 1841			I 89 x 65 mm				30	£30	mounted	Print	Oxford	Christ Church College						
9136		Kershaw & Son 	University College. Oxford	Steel engraving	c. 1841			I 89 x 65 mm				30	£30	mounted	Print	Oxford	University College						
9137		Kershaw & Son 	New College. Oxford	Steel engraving	c. 1841			I 89 x 65 mm				30	£30	mounted	Print	Oxford	New College						
9138		Kershaw & Son 	Magdalen College. Oxford	Steel engraving	c. 1841			I 89 x 65 mm				30	£30	mounted	Print	Oxford	Magdalen College						
9145		Bowles and Carver	The Little Carpenter	Etching	Feb 3rd 1806			Image 155 x 210 				25	£25	unmounted	Print	General Interest	Caricatures						
9146		Greenwood & Co.	Shropshire	Copper engraved	1826			570 x 670 mm				250	£250	unmounted	Map	English Counties	Shropshire						
9147		Grignion after Taylor	Artium Baccalaureus Caputo indutus	Copper engraving	c. 1770			Image 122 x 72 mm, Pl.134 x 82 mm				65	£65	framed	Print	Oxford	Academic Dress						
9149			Captain MacBride in the Aryois, taking teo Dutch Privateers on the Dogger Bank	Copper engraving	Published as the Act directs 19 May 1783, for Carrington Bowles			Image 150 x 260 mm, Pl. 175 x 275 mm				120	£120	framed	Print	General Interest	Maritime						
9151		Bernard Cecil Gotch	The Curve of the High	Linocut	c.1949			Image108 x 148mm			Signed and inscribed in pencil	250	£250	framed	Print	Artists	Bernard Cecil Gotch						
9152		Bernard Cecil Gotch	Lenthaus	Linocut	c.1949			Image 153 x 111mm			Signed and inscribed in pencil	150	£150	unmounted	Print	Artists	Bernard Cecil Gotch						
9154		Bernard Cecil Gotch	New College Tower. Oxford	Linocut	c.1951			Image 98 x 150 mm			Signed and inscribed in pencil	220	£220	framed	Print	Artists	Bernard Cecil Gotch						
9159		Bernard Cecil Gotch	From the Studio Window	Linocut	c.1949			Image 176 x 127mm			Signed and inscribed in pencil A view from Bernard Gotch’s studio on the first floor of Patchway.	150	£150	unmounted	Print	Oxford	General Views						
9160		Bernard Cecil Gotch	Oriel College.Oxford	Linocut	c.1949			Image113 x 183mm			Signed and inscribed in pencil	170	£170	mounted	Print	Oxford	Oriel College						
9161		Bernard Cecil Gotch	Merton Tower	Linocut	c.1949			Image141 x 177mm			Signed and inscribed in pencil	180	£180	mounted	Print	Oxford	Merton College						
9163		Bernard Cecil Gotch	[King’s Gate. Winchester]	Linocut	c.1949			Image:164 x 164 mm			Signed in pencil.Bernard Cecil Gotch was born on 17th May 1876 at Chilcombe near Winchester.  He attended Winchester School of Art, first as a student and then later as teacher. By 1910, he had received his first notable commission illustrating A Shepherd's Life; by W.H. Hudson, published by Methuens. In 1914, he married Mary Fox, an accomplished violinist.  They settled in Winchester where he continued painting.  Gotch completed a series of watercolours in and around Winchester, characterised by his muted palette that was typical of his early works. Alongside painting, Bernard and Mary continued teaching in order to supplement their income.  Following the war they lived for a year on the edge of Dartmoor where Gotch painted several churches in the area as well as the surrounding moorland.Bernard and Mary Gotch moved to London, where Bernard had a studio near the Tate.  He had one-man shows in Lincolns Inn and the Fine Art Society.  It was whilst in London that Gotch was approached to illustrate a book on the Public Schools of England, a project eventually abandoned; however, some of these watercolours were exhibited at the Fine Art Society in 1927.  During his time in London Gotch was painting some of his best architectural work of buildings in London, but financial security was elusive, so Mary played the violin in hotels and theatres.In 1925, Gotch moved to Oxford eventually settling on Cumnor Hill in Patchway, a print of which is featured in this exhibition.  Working from his studio on the first floor of Patchway, he was soon busy taking commissions.  His works concentrated on the interiors and exteriors of colleges and were featured in regular one-man shows both in Oxford galleries and colleges, including an exhibition every 'Eights week' in Oriel College Lecture rooms.  Throughout this period his work was regularly exhibited at the Royal Academy.  In 1952, the University of Oxford made Gotch an Honorary M.A. After he died in 1963 a memorial service took place in Oriel College.  Shortly followed by his 'Memorial Exhibition' at our associated Bonfigioli Gallery in 1964.	250	£250	mounted	Print	20th Century	Bernard Cecil Gotch						
9164		Sydney R. Jones	Entrance to Queens College	Etching	c.1925			Image: 224 x 327 mm			Signed in pencil. Edition 100Sydney Robert Jones (1881-1961) - A notable watercolourist and etcher, particularly of architectural views. He studied at the Birmingham School of Fine Art and  also wrote several books on the English countryside.	200	£200	mounted	Print	Oxford	Queen’s College						
9166		Bernard Cecil Gotch	The Bastion, New College Garden. Oxford	Linocut	c.1951			Image 258 x 333 mm			Signed and inscribed in pencil.Originally a present to Anne and John 31st March 1951	300	£300	unmounted	Print	Artists	Bernard Cecil Gotch						
9167		Bernard Cecil Gotch	The Broad. Oxford	Linocut	c.1949			Image 254 x 350 mm			Signed and inscribed in pencil.	350	£350	framed	Print	Oxford	General Views						
9168		Bernard Cecil Gotch	Open Air Pulpit. Magdalen College	Linocut	c.1949			Image 227 x 333 mm			Signed and inscribed in pencil 	220	£220	mounted	Print	Oxford	Magdalen College						
9173		William Nicholson	St. John’s College, Garden Front	Lithograph	1905			Image 350 x 285 mm	Oxford		Signed, numbered and blindstampedCampbell 137Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).	90	£90		Print	Oxford	St. John’s College						
9174		William Nicholson	Exeter Hall	Lithograph	1905			Image 328 x 291 mm	Oxford 		Signed, blindstamped and numberedCampbell 137Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).	110	£110	mounted	Print	Oxford	Exeter College						
9177		William Nicholson	Wadham College Chapel	Lithograph	1905			Image 350 x 285 mm	Oxford		Signed and blindstampedCampbell 137Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).	120	£120	mounted	Print	Artists	William Nicholson						
9179		William Russell	[cottage]	Wood engraving				Image 127 x 102 mm			Signed in pencil 	100	£100	mounted	Print	20th Century	William Russell						
9180		William Russell	New College Lane	Wood engraving				Image 126 x 203 mm			Signed and inscribed in pencil 	125	£125	mounted	Print	Oxford	New College						
9181		Mallet	Face du Louve	Copper engraving	1683-1685			I 135 x 97 mm				15	£15	unmounted	Print	Foreign Topography	France						
9184		J. T. Willmore after J.M.W. Turner R.A.	Ancient Rome	Steel Engraving	c 1830			I 200 x 270 mm				120	£120	mounted	Print	Foreign Topography	Italy						
9185		J Cousen after C Stanfield	Venice	Steel engraving				I 165 x 253 mm				120	£120	mounted	Print	Foreign Topography	Italy						
9186		Unknown	Heatherly’s Library, East Bourne	Steel engraving	c 1830			I 53 x 51 mm			Possibly printed as a book plate	12	£12	mounted	Print	British Topography	Sussex						
9187		Guite after Huguit	Piarra del Duomo di Pisa	Copper engraving				I 67 x 105 mm				25	£25	mounted	Print	Foreign Topography	Italy						
9188		G Ciuti de Incise	Torre della Primariale di Pisa	Copper engraving				I 140 x 100 mm				25	£25	mounted	Print	Foreign Topography	Italy						
9189		Storer	Charlotte Square	Copper engraving	Pub by J&H,S Storer, Chapel Street Pentonville, Sep 1 1820			I 101 x 72 mm				35	£35	mounted	Print	British Topography	Scotland						
9190		Unknown	Pond Street_Hampstead	Steel engraving				I 95 x 61 mm				20	£20	mounted	Print	British Topography	London						
9191		Bois 	A view of the SALFATARA a remarkable mountain near NAPLES which continually fends forth streams of smoke, and where Sulphur and Allum is made of the Earth	Copper engraving	c1700			I 240 x 180 mm				50	£50	mounted	Print	Foreign Topography	Italy						
9192		Bonles after Battia Falla	The Church of St Mary in Portico, in Campitelli, with the Colledge of the Fathers of that church.	Copper engraving	London Printed for John Bonles & Jon, at the Black Horse, in Cornhil, c 1665			I 240 x 176 mm				75	£75	mounted	Print	Foreign Topography	Italy						
9193		Jane Peart	‘Earwigging’	Etching / Aquatint	 2007			Image: 165 x 205 mm			7/50	50	£50	mounted	Print	Contemporary Oxford Printmakers	Jane Peart						
9194		Jane Peart	Spoilt for Choice	Etching / Aquatint	 2007			Image: 500 x 340 mm			22/50	165	£165	mounted	Print	Contemporary Oxford Printmakers	Jane Peart						
9195		Jane Peart	Alhambra III	Etching / Aquatint	 2007			Image: 400 x 450 mm			6/5040 Available	150	£150	mounted	Print	Contemporary Oxford Printmakers	Jane Peart						
9198		Francis Kelly	St John’s College, Gate to the Fellows’ Garden	Etching	1965			I 467 x 380 mm				45	£45	mounted	Print	Oxford	St. John’s College						
9201		after Hugh Casson	St Hilda’s College		1992			I 450 x 325 mm				45	£45	unmounted	Print	Oxford	St Hilda						
9203		Rooker	[Christ Church Almanack]	Copper engraving	1776			I 440 x 300 mm				40	£40	unmounted	Print	Oxford	Christ Church College						
9204		Elliot after Wale	Bloomsbury	Copper engraving	London : R. & J. Dodsley, 1761			I 150 x 81 mm			 Engraved by William Elliott (1727-1766) from an original study by the painter and illustrator Samuel Wale, first Professor of Perspective at the Royal Academy. Originally produced for Robert Dodsley's part-work compilation, "London and its Environs Described" (London 1761). 	30	£30	unmounted	Print	British Topography	London						
9208		Moll, H	The West Riding of York Shire	Copper engraved	c 1724			190 x 310				195	£195	unmounted	Map	English Counties	Yorkshire						
9209		Kitchin, T	An Accurate Map of Yorkshire Drawn from an Actual Survey by T. Kitchin Geog	Copper engraved	1786			162 x 220 mm				80	£80	unmounted	Map	English Counties	Yorkshire						
9211		Bartholomew, J	Leeds from Ordnance & Actual Survey	Copper engraving with hand colouring	A Fullarton & Co London & Edinburgh			235 x 315  mm				20	£20	unmounted	Map	English Counties	Yorkshire						
9216		H. Garnier after Schopin	Paul Abandonne	Mezzotint	Paris Chez Francois Delarue Bulla freres & Jouy, Editeurs  London Published by E. gambart & Co 25 Berners St. Oxford St. 			Image 605 x 467 mm Sheet 723 x 513 			Condition some short tears in margins one affect image in right.  Some overall rubbing.From Journey to Mauritiusby Bernardin de Saint-Pierre Paul et Virginie (1787), an adolescent love story set in an exotic Indian Ocean island, was one of the literary sensations of the age. Telling of a passion both chaste and doomed, the novel combined fashionable sentimentality with an evocatively tropical setting. It was a huge critical and commercial success in France and abroad, a precursor of the Romantic movement.The novel's author, Jacques-Henri Bernardin de Saint-Pierre, had previously spent 28 months in the French colony of Ile de France (now Mauritius) in 1778-80. This extended exposure to the island not only inspired Paul et Virginie, but also led to one of the period's fullest and most fascinating accounts of a colonial society and its daily life. First published in 1773, Voyage a L'Isle de France is now available in this newly translated and annotated edition-Journey to Mauritius.Structured into a series of letters, Bernardin's survey of Mauritius includes a detailed description of the island's geography, flora and fauna. Describing the closed nature of colonial society, he also provides a chilling picture of the cruelties of plantation life and slavery. Mixing indignation with a keen appreciation of the island's beauty, Bernardin provides us with one of the earliest examples of a walking guide as he details Mauritius' sights and landscapes. From the disappearance of the dodo to the mosaic of multiracial Port Louis little escapes the author's curious gaze. His journal also includes detailed descriptions of Reunion and the Dutch-controlled Cape Colony, which he visited on his return to France.An introduction sets this travel account in its historical context, discussing Bernardin's life and ideas as well as the hostility the book provoked when first published. It also explores its contribution to travel writing and its relevance to modern-day Mauritius. Incorporating the story La Chaumière Indienne (The Indian Shack) that Bernardin wanted too include in a never-published second edition and illustrated with period engravings, Journey to Mauritius will be of interest to those visiting the island as well as students of the anti-slavery movement, colonialism and travel writing.A friend and disciple of Rousseau, BERNARDIN DE SAINT-PIERRE was a naturalist and influential social critic as well as a successful author. A military engineer by training, he was instrumental in popularizing pastoral fiction with Paul et Virginie. JASON WILSON, Professor of Latin American literature at University College, London, was born in Mauritius and is the author of books on Alexander von Humboldt, Octavio Paz and Buenos Aires (Signal, 1999).The most remarkable parts of the book are Bernadin's descriptions of the island's slaves, brought from Madagascar to work the sugar-cane fields. Bernadin was one of the first to denounce slavery having witnessed it...a fascinating record of eighteenth century colonial life and an inspiring example of independent thought The TabletBernardin de Saint-Pierre's classic French novel, Paul & Virginie, published in 1788, was inspired by the sinking of the Saint-Géran near Mauritius in 1744. Through the innocents Paul and Virginie, Saint-Pierre presented his notion of an ideal society, tempered with disillusionment based on Jean-Jacques Rousseau's idea that man starts out with an inherent goodness that is warped by society. Raised as brother and sister on Mauritius, Paul and Virginie are torn apart when a rich relative in France sends for Virginie in order to educate her and bring her up as a lady. Virginie refuses to marry a wealthy suitor, and is sent back to Mauritius during the cyclone season. Her ship, the Saint-Géran, sinks, taking Virginie with it, as modesty will not allow her to remove her clothing in order to swim to shore. Heart-broken, Paul dies not long afterwards.Bernardin de Saint-Pierre (1737-1814) was sent to Mauritius in 1768 by the French East India Company as chief engineer of island fortifications. It was 24 years after the Saint-Géran had sunk, and it would be another 20 before he wrote his romantic novel. In 1770, Saint-Pierre returned to France where he became a disciple of the Romantic philosopher and writer Jean-Jacques Rousseau. Paul & Virginie characterises the pre-Romanticism that heralded the Romantic period of French literature during the mid-1800s.	400	£400	unmounted	Print	General Interest	Literary						
9217		Ben Pritchard	Emperor’s head III	Lino cut	2007			Image: 200 x 160 mm				65.00	£65	unmounted	Print	Contemporary Oxford Printmakers	Ben Pritchard						
9218		Ben Pritchard	Emperor’s head I	Lino cut	2007			Image: 200 x 160 mm				65.00	£65	unmounted	Print	Contemporary Oxford Printmakers	Ben Pritchard						
9219		Ben Pritchard	Emperor’s head II	Lino cut	2007			Image: 200 x 160 mm				65.00	£65	unmounted	Print	Contemporary Oxford Printmakers	Ben Pritchard						
9220		Ben Pritchard	Oxford Violins	Lino cut	2007			Image: 300 x 550 mm				175	£175	unmounted	Print	Contemporary Oxford Printmakers	Ben Pritchard						
9221		Newman & Co.	Crumlin Viaduct	Lithograph with original hand colouring	c. 1850			Image: 260 x 450 mm			On the Newport, Abergavenny & Hereford Railway extension to Taff Vale.Length of Viaduct, 1670 feet; Height, 215 feet, Span 150 feet.	500	£500		Print	General Interest	Railway Prints						
9223		Unknown	King Alfred. Founder of University College from the Picture in the Bodleian Gallery.	Copper engraving with hand colouring	London Pubd for R.Ackermann’s History of Oxford, at 101 strand			I 168 x 145 mm	From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			20	£20	unmounted	Print	Oxford	University College						
9224		Unknown	Richd. Wightwick S.T.B. Cofounder of Pembroke College from the Picture in the Bodleian Gallery.	Copper engraving with hand colouring	London Pubd for R.Ackermann’s History of Oxford, at 101 strand			I 168 x 145 mm	From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			20	£20	unmounted	Print	Oxford	Pembroke College						
9225		Unknown	Robert Egglesfield. Founder of Queen’ s College. from the Picture in the Bodleian Gallery.	Copper engraving with hand colouring	London Pubd for R.Ackermann’s History of Oxford, at 101 strand			I 168 x 145 mm	From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			20	£20	unmounted	Print	Oxford	Queen’s College						
9226		Unknown	Dr Richard Newton. Founder of Hertford College. from the Picture in the Hertford College.	Copper engraving with hand colouring	London Pubd for R.Ackermann’s History of Oxford, at 101 strand			I 168 x 145 mm	From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			20	£20	unmounted	Print	Oxford	Hertford College						
9227		Unknown	Sir Thomas Cookes. Founder of Worcester College. from the Picture in the Bodleian Gallery.	Copper engraving with hand colouring	London Pubd for R.Ackermann’s History of Oxford, at 101 strand			I 168 x 145 mm	From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			20	£20	unmounted	Print	Oxford	Worcester College						
9228		Unknown	Thomas Tesdale. Cofounder of Pembroke College. from the Picture in the Bodleian Gallery.	Copper engraving with hand colouring	London Pubd for R.Ackermann’s History of Oxford, at 101 strand			I 168 x 145 mm	From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			20	£20	unmounted	Print	Oxford	Pembroke College						
9229		Unknown	Willm. Patten. Of Wainfleet. Bishop of WInchester. Founder of Magdalen College. from the Picture in the Bodleian Gallery.	Copper engraving with hand colouring	London Pubd for R.Ackermann’s History of Oxford, at 101 strand			I 168 x 145 mm	From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			20	£20	unmounted	Print	Oxford	Magdalen College						
9230		Unknown	Gilbert Sheldon, Archbishop of Canterbury. Founder of the Theatre, from the Picture in the Bodleian Gallery.	Copper engraving with hand colouring	London Pubd for R.Ackermann’s History of Oxford, at 101 strand			I 168 x 145 mm	From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			20	£20	unmounted	Print	Oxford	Sheldonian Theatre						
9233		Unknown	Dr. Radcliffe. Founder of the Radclivian Library, from the Picture in the Bodleian Gallery.	Copper engraving with hand colouring	London Pubd for R.Ackermann’s History of Oxford, at 101 strand			I 168 x 145 mm	From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			20	£20	unmounted	Print	Oxford	Radcliffe Camera						
9234		Unknown	Sr. Thomas Pope Knt. Founder of Trinity College, from the Picture in the Bodleian Gallery.	Copper engraving with hand colouring	London Pubd for R.Ackermann’s History of Oxford, at 101 strand			I 168 x 145 mm	From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			20	£20	unmounted	Print	Oxford	Trinity College						
9235		Unknown	King Edward IInd Founder of Oriel College, from the Picture in the Bodleian Gallery.	Copper engraving with hand colouring	London Pubd for R.Ackermann’s History of Oxford, at 101 strand			I 168 x 145 mm	From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			20	£20	unmounted	Print	Oxford	Oriel College						
9236		Unknown	Sir Joseph Williamson Knt. Founder of the present Edifice of Queen’s College, from the Picture in the Bodleian Gallery.	Copper engraving with hand colouring	London Pubd for R.Ackermann’s History of Oxford, at 101 strand			I 168 x 145 mm	From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			20	£20	unmounted	Print	Oxford	Queen’s College						
9237		Unknown	Cardfinal Wolsey. Founder of Christ Church College, from the Picture in the Bodleian Gallery.	Copper engraving with hand colouring	London Pubd for R.Ackermann’s History of Oxford, at 101 strand			I 168 x 145 mm	From Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			20	£20	unmounted	Print	Oxford	Christ Church College						
9238		Agar after Uwins	Fellow Commoner of Emanuel College. Nobleman. Fellow Commoner of Trinity College	Copper engraving with hand colouring	May 1 1815 at Stand, for R. Ackermanns History of Cambridge			I 137 x 259 mm				75	£75		Print	British Topography	Cambridgeshire						
9239		J A Gresse	Aventinus	Copper engraving	c 1790			I 140 x 92 mm				15	£15	unmounted	Print	General Interest	Classical and Mythological						
9240		J A Gresse	Apollonius Tyanaus	Copper engraving	c 1790			I 140 x 75 mm				15	£15	unmounted	Print	General Interest	Classical and Mythological						
9245		J A Gresse	Alcibiades	Copper engraving	c 1790			I 140 x 90 mm				15	£15	unmounted	Print	General Interest	Classical and Mythological						
9246		J A Gresse	Cassandra	Copper engraving	c 1790			I 140 x 90 mm				15	£15	unmounted	Print	General Interest	Classical and Mythological						
9247		J A Gresse	Lucan	Copper engraving	c 1790			I 140 x 65 mm				15	£15	unmounted	Print	General Interest	Classical and Mythological						
9249		J A Gresse	Artemis	Copper engraving	c 1790			I 150 x 95 mm				15	£15	unmounted	Print	General Interest	Classical and Mythological						
9250		J A Gresse	Julius Casar	Copper engraving	c 1790			I 140 x 90 mm				20	£20	unmounted	Print	General Interest	Classical and Mythological						
9251		J A Gresse	Marcus Brutus	Copper engraving	c 1790			I 140 x 90 mm				20	£20	unmounted	Print	General Interest	Classical and Mythological						
9253		J A Gresse	Bacchus	Copper engraving	c 1790			I 165 x 55 mm				20	£20	unmounted	Print	General Interest	Classical and Mythological						
9254		J A Gresse	Semiramus	Copper engraving	c 1790			I 140 x 90 mm				15	£15	unmounted	Print	General Interest	Classical and Mythological						
9255		J A Gresse	Faunus	Copper engraving	c 1790			I 180 x 70 mm				15	£15	unmounted	Print	General Interest	Classical and Mythological						
9256		J A Gresse	Marcus Antonius	Copper engraving	c 1790			I 165 x 95 mm				15	£15	unmounted	Print	General Interest	Classical and Mythological						
9257		J A Gresse	Hercules	Copper engraving	c 1790			I 210 x 100 mm				20	£20	unmounted	Print	General Interest	Classical and Mythological						
9258		J A Gresse	Nero	Copper engraving	c 1790			I 150 x 100 mm				20	£20	unmounted	Print	General Interest	Classical and Mythological						
9259		J A Gresse	Meleager	Copper engraving	c 1790			I 150 x 100 mm				15	£15	unmounted	Print	General Interest	Classical and Mythological						
9261		J A Gresse	Fauna & Child	Copper engraving	c 1790			I 170 x 120 mm				20	£20	unmounted	Print	General Interest	Classical and Mythological						
9262		J A Gresse	Curtius	Copper engraving	c 1790			I 150 x 150 mm				25	£25	unmounted	Print	General Interest	Classical and Mythological						
9263		J A Gresse	Hercules & Agle	Copper engraving	c 1790			I 120 x 160 mm				20	£20	unmounted	Print	General Interest	Classical and Mythological						
9264		G Rowe	Ansty’s Cove near Torquay	Lithograph	Exeter House, Cheltenham			I 201 x 293 mm				22	£22	unmounted	Print	British Topography	Devon						
9265		Bentley after Allom	Teignmouth from the Ness	Copper engraving	Fisher & Son & Co London, 1844			I 96 x 155 mm				12	£12	unmounted	Print	British Topography	Devon						
9266		George Cooke after J M W Tuner	Teignmouth.	Copper engraving	London, Virtue & co Limited			I 152 x 220 mm				25	£25	unmounted	Print	British Topography	Devon						
9267		T Higham after T H Williams	Babicome, near Torquay Devon	Copper engraving				I 91 x 156 mm				15	£15	unmounted	Print	British Topography	Devon						
9268		G Townsend 	Torquay. From the Pier	Copper engraving	Pubd by H Besley, Directory office South Street, Exeter			I 100 x 175 mm				32	£32	unmounted	Print	British Topography	Devon						
9269		J Jacottet after LE Reed	Daddy’s Hole, Torquay	Lithograph	Published by Ed: Croydon, Public Library			I 135 x 180 mm				10	£10	unmounted	Print	British Topography	Devon						
9270		Rock & Co	Babbacombe Devon	Steel engraving with hand colouring	Rock & Co London No1012, c1850			I 55 x 90 mm				30	£30	mounted	Print	British Topography	Devon						
9271		Rock & Co	Babbacombe Devon from Petit Tor	Steel engraving with hand colouring	Rock & Co London No1013			I 55 x 90 mm				30	£30	mounted	Print	British Topography	Devon						
9272		Unknown	Torquay from the Rock Walk	Aquatint				I 186 x 260 mm				75	£75	unmounted	Print	British Topography	Devon						
9273		Unknown	Torquay from the Beacon, Devon.	Lithograph	Pubd by G Rowe, 37 Paris Street, Exester, Jan 1st 1826			I 125 x 190 mm				20	£20	unmounted	Print	British Topography	Devon						
9274		J.S. &Co	babbacome Bay, from the Beacon	Steel engraving	J.S. & Co  No 1789			Image: 95 x 75mm				15	£15	unmounted	Print	British Topography	Devon						
9275		Utagawa Kunisada [Utagawa Toyokuni III] (1786-1864)	 Fireflies (Hotaru): Chapter 25 of Genji monogatari (The Tale of Genji)	Nishiki-e woodblock	Tsutaya Kichizo, 1857 [Ansei 4]			15 x 10 inches. Ôban tate-e single sheet.	Murasaki Shikibu Genji Karuta [Cards of The Tale of Genji by Murasaki Shikibu]		Series Number: 25Signature: Baichôrô Kunisada-gaCensor seal:  aratame [examined] Date Seal: Snake Eleven [Hebi jûichi]The ôban tate-e woodblock series Murasaki Shikibu Genji Karuta is considered to be Kunisada II's finest and most lavishly printed set of works. Each print illustrates a different scene from the Genji monogatari [The Tale of Genji], an eleventh-century courtly romance considered one of the earliest and most important novels in world history. Written around 1011 by an aristocratic female writer, Murasaki Shikibu, the daughter of a regional governor, it traces, through a series of loosely connected stories, the tangled private life of the son of an emperor, Hikaru Genji, and his progeny. As Lady Murasaki's original holograph of the story is no longer extant, the text accepted as the most complete is the Kamakura-period Aobyôshibon (Blue-covered book) transcribed by Fujiwara no Teika (1162-1241). By Teika's time the novel's present form of 54 titled chapters was set. The tale has been not only the most quoted piece of Japanese literature but has also served as an inexhaustible source of inspiration for pictorial artists from soon after its completion. While the novel ostensibly deals with the tangled round of Genji's life and love affairs at court, its principle underlying theme is the notion of the transience of life and the temporal fragility of the love, pleasure and beauty that informs the protagonist's daily existence. As such, it exemplifies the central Japanese concept of mono no aware, or the "awareness of the sadness of things", a tenet founded in Buddhist philosophy. Interwoven with this melancholy apprehension of evanescence, is the aesthetic miyabi - a concept with no specific English equivalent, but meaning something like beauty and the refinement of one's taste in art and etiquette.The highest value in the court culture of Genji, it not only applies to Genji's glorious physical form (and others in the court), but to everything aspect of a courtier's personality and its expression. More than anything else, miyabi refers to the exquisite pleasure that an aesthetically educated person takes in seemingly insignificant and usually transient instances of beauty, such as fading cherry blossom, falling leaves or the cries of autumn geese. 	220	£220	mounted	Print	Japanese	Genji-e						
9276		J A Gresse	Metellus	Copper engraving	c 1790			I 120 x 160 mm				15	£15	unmounted	Print	General Interest	Classical and Mythological						
9277		J A Gresse	Apollo	Copper engraving	c 1790			I 140 x 75 mm				15	£15	unmounted	Print	General Interest	Classical and Mythological						
9279		J A Gresse	Saturn	Copper engraving	c 1790			I 140 x 75 mm				15	£15	unmounted	Print	General Interest	Classical and Mythological						
9281		Sydney William Carline	[The Martyrs' Memorial.]	Etching	1911			Image and plate 139 x 176 mm 			Signed in pencilSydney Carline (1888-1929) He was born in London. Both his brother, Richard, and his sister Hilda, were also artists, with his sister marrying the artist Stanley Spencer, who was a friend of Richard's. The three siblings were children of the artist, George Carline (1855-1920). They studied at the Slade School and in Paris under Tudor Hart. Sydney was an official war artist with the RAF during World War I. He exhibited with the London Group, becoming a member in 1924. From 1921 to 1929 he was Ruskin Master of Drawing at Oxford. He provided some illustrations for T. E. Lawrence's Revolt in the Desert. 	40	£40	mounted	Print	Artists	Sydney William Carline						
9282		William Nicholson	Worcester College	Lithograph	1905			Image  318 x 267 mm	Oxford		Campbell 137Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).	100	£100	mounted	Print	Oxford	Worcester College						
9283		Ferdinand Giele	Eton College	Etching	c.1918			Image and plate 253x 391 mm. Sheet 324 x 464mm			Edition 23/50Ferdinand Giele (1867-1929) was professor at the Louvain Art Academy. He resided in Great Britain during the First World War (from 1916 to 1919) where he worked e.g. with Frank Short.	275	£275	mounted	Print	20th Century	Ferdinand Giele						
9284		Muirhead Bone	Oxford [from Ferry Hinksey]	Drypoint	1905			Image and plate 301 x 467 mm			Signed in pencilEx - collection of Francis DoddBone's view of Oxford, drawn from Hinksey was executed in 1905, thirty five years before he came to live in Oxford.  Featuring  the distant spires and domes of Oxford rising above a belt of trees, this fine drypoint is one of only thirty eight impressions.  Muirehead was a purist who would not steel face his plates for printing large editions.  "Distant Oxford" is a dry point, which wears very quickly under the pressure of printing, and like many of his other works makes Muirehead Bone's etchings and dry points very difficult to acquire.The son of a printer, Bone was born in Glasgow and trained initially as an architect, later going on to study art at Glasgow School of Art. He began printmaking in 1898, and although his first known print was a lithograph, he is better known for his etchings and drypoints. His subject matter was principally related to landscapes, architecture (which often focussed on urban construction and demolition sites) and industry.In 1901 he moved to London, where he met William Strang, Dugald MacColl and Alphonse Legros, and later became a member of the New English Art Club. After the outbreak of the First World War, Charles Masterman, head of the British War Propaganda Bureau and acting on the advice of William Rothenstein, appointed Bone as Britain's first official war artist in May 1916.Commissioned as an honorary Second Lieutenant, he arrived in France during the Battle of the Somme, serving with the Allied forces on the Western Front and also with the Royal Navy for a time. He produced 150 drawings of the war, returning to England in October of that year. Over the next few months Bone returned to his earlier subject matter, drawing pictures of shipyards and battleships. He visited France again in 1917 where he took particular interest in the ruined towns and villages.After the Armistice, Bone returned to the type of works he produced before the war, and was influential in promoting fellow war artists William Orpen and Wyndham Lewis. He began to undertake extensive foreign travels which increasingly influenced his work. In 1923 he produced three portraits of the novelist Joseph Conrad during an Atlantic crossing. In the inter-war period he exhibited extensively in London and New York, building up a considerable reputation. He received a knighthood in 1937, and served again as official war artist in the Second World War from 1940.Sir Muirhead Bone died in 1953 in Oxford.	950	£950	framed	Print	20th Century	Muirhead Bone						
9285		Joseph Skelton after E & M Rooker	Oxford from the North	Copper engraving with hand colour	Published as the Act directs Nov 2nd 1818 by J.Skelton. St Aldates, Oxford			Image:  166 x 235 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	150	£150	framed	Print	Oxford	General Views						
9286		Joseph Skelton after J. Malchair	South west view of Oxford	Copper engraving with hand colour	Published by J. Skelton St. Aldates, Oxford c. 1820			I 165 x 230 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	120	£120	mounted	Print	Oxford	General Views						
9288		Unknown	Wadham College, 1613	Woodcut	c 1880			105 x 79 mm				30	£30	mounted	Print	Oxford	Wadham College						
9290		Unknown	University College, 1280	Woodcut	c 1880			105 x 79 mm				30	£30	mounted	Print	Oxford	University College						
9291		Unknown	New College, 1386	Woodcut	c 1880			105 x 79 mm				30	£30	mounted	Print	Oxford	New College						
9292		Unknown	Corpus Christi College, 1516	Woodcut	c 1880			105 x 79 mm				30	£30	mounted	Print	Oxford	Corpus Christi College						
9293		Unknown	Exeter College, 1314	Woodcut	c 1880			105 x 79 mm				30	£30	mounted	Print	Oxford	Exeter College	 					
9296		Unknown	Brazen Nose College, 1509	Woodcut	c 1880			105 x 79 mm				30	£30	mounted	Print	Oxford	Brasenose College	 					
9298		Unknown	Jesus College, 1571	Woodcut	c 1880			105 x 79 mm				35	£35	mounted	Print	Oxford	Jesus College	 					
9300		J Skelton	The Radcliffe Infirmary, &c	Copper engraving	1820			I 163 x 213 mm	Oxonia Antiqua Restaurata		Complete sets of Skelton’s Oxonia Antiqua Restaurata in original parts are extremely rare. Skelton began publishing the parts in 1818 but was not until 1820 that the project was completed.This print is a rengraving of the Almanack top for 1760.  In the tradition of the allegorical Oxford Almanack, in the foreground Dr. Radcliffe is conducted from the temple of Aesculapius by Genius of Physic who recommends the sick  to his care.   The new Radcliffe Infirmary is in the background.  	75	£75		Print	Oxford	General Views						
9301		Le Keux after Mackenzie	The University Galleries and Taylor Building	Steel engraving	J H Parker, Oxford, 1848			I 101 x 150mm				30	£30	mounted	Print	Oxford	Oxford Museums						
9303		J Whessell	The back of New Coll, with part of the City Wall	Copper engraving	J Whessell and T Bartlott, Oxford 1832			Image 101 x 81 mm				35	£35	mounted	Print	Oxford	New College						
9305		Moule, Thomas 	Gloucestershire	Steel engraving with hand colouring	c. 1840			255 x 205 mm			Originally a writer on Heraldry and general antiquities, Moule was born in Marylebone, London. From around 1816 to 1823 he was a Bookseller, his shop was in Grosvenor Square, London. He then became an inspector of letters in the General Post Office, where his responsibilities included trying to 'read' illegible hand writing! His highly decorative series of county maps were first published in separate issues for each county between 1830 and 1832. In 1836 these were brought together in one work, by George Virtue & Co. They continued to appear in Rev. Barclay's Dictionary into the 1840's.	75	£75	mounted	Map	English Counties	Gloucestershire						
9306		Allen after Stanfield	Venice, The Rialto	Steel engraving	1833			I 120 x 90mm				40	£40	mounted	Print	Foreign Topography	Italy						
9307		Finden after Prout	The Rialto	Steel engraving	1836			I 93 x 146 mm				40	£40	mounted	Print	Foreign Topography	Italy						
9309			The New Schools	Copper engraving	c1880			I 97 x 125 mm				25	£25	mounted	Print	Oxford	General Views						
9313		Johnson, John	The Lord Mayor’s View of the Thames	Woodcut with latter hand colouring	August 15, 1846			360 x 180 mm				120	£120	framed	Map	English Counties	Oxfordshire						
9325		Albany E. Howarth	Cantubry Gate, Christ Church	Etching	c.1920			Image and plate 175 x 230 mm			Signed in pencil	150	£150	framed	Print	Artists	Albany E Howarth						
9327		Albany E. Howarth	Gateway, New College	Etching	c 1925			Image and plate 154 x 254 mm			Signed in pencil 	150	£150	mounted	Print	Artists	Albany E Howarth						
9330		Albany E. Howarth	Magdalen College	Etching	c 1925			Image and plate 250 x 200 mm			Signed in pencil	190	£190	framed	Print	Oxford	Magdalen College						
9335		Bernard Cecil Gotch	[Bursledon Bridge, Hampshire]	Linocut	c.1949			Image 350 x 235 mm				190	£190	mounted	Print	Artists	Bernard Cecil Gotch						
9336		Mortimer Luddington Menpes	[Merton Old Gate]	Etching				Image 200 x 388 mm			Born: February 22, 1860; Port Adelaide, AustraliaDied: April 1, 1938; Pangbourne, EnglandNationality: BritishA British painter and printmaker of Australian birth, Mortimer Menpes studied at the Adelaide School of Design with John Hood. In 1875, his family moved to London and he married. Three years later, he enrolled at the South Kensington School of Design, studying with Edward John Poynter.In 1880, Menpes went on a sketching tour of Brittany and later that year met Whistler. He left art school to study informally with Whistler, learning much from him about composition and etching technique. He became Whistler's chief studio assistant and avid artistic follower.Menpes' own reputation was soon established. He regularly exhibited at the Royal Academy, was elected to the Royal Society of Painters and Etchers in 1881 and became a member of the Society of British Artists in 1885.Menpes later went to produce some of the most comprehensive body of etchings ever completed by a European in the East. Like his mentor, Menpes was influenced by the art of Japan, especially its wood block prints. In 1887, he began an extended journey to Japan. When he returned, his Japanese paintings formed the first of many successful one-man exhibitions; the exhibition was held at Dowdeswell, London. He later traveled to South Africa, where he made illustrations of the Boer War in 1900.Menpes mainly painted landscapes and portraits. His early work is very much in the Whistler manner: open noctournal skies, seascapes and rustic urban scenes are the predominant features of his etchings. His later style was to become more linear and detailed. The break with Whistler came when his master accused him of plagiarism. This propelled Menpes to follow his own career as a travel artist, using the techniques that he had learned from his master. Much of his work covered the same subjects as Whistler, (the Themes, Chelsea, Brittany and Venice). However, his travels also took him further afield and the collection includes views of Mexico, the Middle East, India, Burma, China and Japan. He wrote Whistler As I Knew Him in 1904, and illustrated numerous books, including his own War Impressions (1901) and several travel books by his daughter, Dorothy Menpes.Centaurgalleries website, 19/09/2007.http://www.centaurgalleries.com/Artists/Artist.cfm?ArtistID=00332	280	£280	mounted	Print	Oxford	Merton College						
9339		H. J. F. Baddeley	An Oxford Garden	Etching				Image 91x 149 mm			Signed in pencil by the artistSir Henry John Fanshawe Baddeley, R.E. was an etcher and line engraver of designs for emblems and shields.  He was born on 27th June 1874 at Elswick.  Baddeley went to school at Radley College and then on to Trinity College, Oxford.  He exhibted at the Royal Academy and the Royal Scoity of Painter-Etchers and Engravers.  He was elected A.R.E. in 1911, to the Royal Society of Painter-Etchers and Engravers in 1914 and was the Honorary Secretary of the R.E. from 1911-1921.  He was created C.B.E. in 1920 and K.C.B. in 1935.  He was in the Judicial Office of the House of Lords and from 1934 he was the Clerk of Parliments.  Baddely lived in London and died on 27th September 1951.  	90	£90	mounted	Print	Artists	H. J. F. Baddeley						
9340		Ferdinand Giele	All Souls & the Radcliffe Camera	Etching	c.1918			Image and plate 254 x 352 mm. 			Signed in pencil Edition 48/75Ferdinand Giele (1867-1929) was professor at the Louvain Art Academy. He resided in Great Britain during the First World War (from 1916 to 1919) where he worked e.g. with Frank Short.	300	£300	framed	Print	Artists	Ferdinand Giele						
9341			Perspective View of St Mary’s Church, All Souls, University and Queen’s Colleges in Oxford	Copper engraving	The Modern Universal British Traveller, [n.d.] c. 1760			Image 157 x 277 mm				160	£160	framed	Print	Oxford	High Street Views						
9342		Joseph Skelton after George Virtue	Founders & Benefactors of Lincon College with a birds eye view of the building	Copper engraving	Published as the Act directs, March 2. 1818 by J.Skelton. St. Aldates, Oxford	1818	1818	Image 200 x 250 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed	45	£45	mounted	Print	Oxford	Lincoln College						
9343		Visto after Oudart	Champignons, Bolet comestible. ( Boletus edulis, Bull.) grand. moyenne	Stipple with original hand colour	1870			215 x 120 mm				45	£45	mounted	Print	General Interest	Mushrooms 						
9344		Pierre Bulliard	L’Agaric Verruqueux	Copper engraving with hand colouring	Histoire des champignons de la France, ou, Traite? e?le?mentaire, renfermant dans un ordre me?thodique les figures des champignons qui croissent naturellement en France. / [by Bulliard, Pierre]. 1798.			Image 240 x 180 mm			Jean Baptiste François Pierre Bulliard (also Pierre Bulliard, ca. 1742 in Aubepierre EN Barrois, strike Marne - 26 September 1793 in Paris) was a French physician and botanist.Bulliard studied in Langres, afterwards in Clairvaux and in Paris. There he also practiced as a physician.Bulliard’s Dictionnaire Elémentaire de Botanique (1783) contributed to the spreading and consolidation of botanical terminology and the Linné system. It was especially important in the area of the mycology, containing descriptions of 393 out of 602 board mushrooms.	100	£100		Print	General Interest	Mushrooms 						
9345		Pierre Bulliard	L’Agaric Pileolaire	Copper engraving with hand colouring	Histoire des champignons de la France, ou, Traite? e?le?mentaire, renfermant dans un ordre me?thodique les figures des champignons qui croissent naturellement en France. / [by Bulliard, Pierre]. 1798.			Image 240 x 180 mm			Jean Baptiste François Pierre Bulliard (also Pierre Bulliard, ca. 1742 in Aubepierre EN Barrois, strike Marne - 26 September 1793 in Paris) was a French physician and botanist.Bulliard studied in Langres, afterwards in Clairvaux and in Paris. There he also practiced as a physician.Bulliard’s Dictionnaire Elémentaire de Botanique (1783) contributed to the spreading and consolidation of botanical terminology and the Linné system. It was especially important in the area of the mycology, containing descriptions of 393 out of 602 board mushrooms.	100	£100		Print	General Interest	Mushrooms 						
9346		Visto after Oudart	Champignons , Bolet groupe (Boletus circinans, pers. ) de grand. nat.	Stipple with original hand colouring	1870			Image 220 x 120 mm				45	£45		Print	General Interest	Mushrooms 						
9348		James Basire after J.M.W. Turner	View of Oxford from the South Side of Headington Hill	Copper engraving with later handcolour	Oxford, 1808			I: 518 x 453 mm				350	£350	framed	Print	Oxford	General Views						
9349			Worcester College, 1714	Woodcut	c. 1880			Image 80 x 110 mm				30	£30	mounted	Print	Oxford	Worcester College						
9350			Merton College, 1264.	Woodcut	c. 1880			Image 60 x 80 mm				25	£25	mounted	Print	Oxford	Merton College						
9351		Rock & Co. London	Entrance Gateway, St. John’s College	Engraving	c. 1856			Image 104 x 143 mm				35	£35	mounted	Print	 Cambridge	St. John’s College Cambridge						
9352		Moule, Thomas	Staffordshire	Steel engraved map with later handcolour	c. 1840			258 x 193 mm			Originally a writer on Heraldry and general antiquities, Moule was born in Marylebone, London. From around 1816 to 1823 he was a Bookseller, his shop was in Grosvenor Square, London. He then became an inspector of letters in the General Post Office, where his responsibilities included trying to 'read' illegible hand writing! His highly decorative series of county maps were first published in separate issues for each county between 1830 and 1832. In 1836 these were brought together in one work, by George Virtue & Co. They continued to appear in Rev. Barclay's Dictionary into the 1840's.	80	£80	mounted	Map	English Counties	Staffordshire						
9353			Baliol College, 1282	Woodcut	c. 1880			Image 47 x 77 mm				20	£20	mounted	Print	Oxford	Balliol College						
9356			A New Map of the Rivers & Sea Coasts of England	Copper engraved map	c. 1701			285 x 285 mm			Cartographer not identified for this map but it often attributed to Herman Moll. One of four maps supplementing Robert Morden's New Description of England(1701), Reprinted 1720-31 as Magna Britannia et Hibernia, Antiqua & Nova or, A New Survey of Great Britain, printed by Eliz. Nutt.	120	£120	mounted	Map	England & the British Isles	England						
9357		H.W. Brewer	A General Bird’s-eye View of Rome and the Surrounding Country	Woodcut	 c. 1880			Image 252 x 580 mm				100	£100	mounted	Print	Foreign Topography	Italy						
9359		after Markham	Miss Flora Macdonald	Mezzotint	Published According to Act of Parliamt 6th June1747			Image 270 x 228mm,  Pl. 323 x 229 mm			Sharp 519, O’D 2, C.S. 64 anon	300	£300	mounted	Print	General Interest	Jacobite						
9360		Robert Laurie after Douglas Hamilton	Mrs. Frederick	Mezzotint	Published 10th November 1777 by Robert Sayer and John Bennett			Image 322 x 250 mm Plate 354 x 251 mm			CS 19	350	£350		Print	Portraits	Mistresses, Courtiers and Socialites						
9361		James McArdell after Vectri 	Villiers Clara Pitt		Sold by Edward Fisher and Ryland & Bryer			Image 267 x 225 mm Plate 328 x 225 mm			Clara Pitt daughter of Robert Pitt, of Boconnock, and his wife Harriet Villiers; second sister of the Earl of Chatham; married John Hannam, died 1770. Han five daughters and two sons	300	£300		Print	Portraits	British Political						
9362		J.Simon after E. Seeman	Her Royal Highness Princess Louisa, Fifth Daughter to His Majesty King George ye II.	Mezzotint	Published by J.Simon			Image 324 x 249 mm Plate 351 x 249 mm			CS 91 ii/iii	300.00	£300		Print	Portraits	British Royalty						
9363		J.R. Smith after Joshua Reynolds	Mrs Musters	Mezzotint	London Published as the Act directs April 27th; 1779 by J.R. Smith, N10, Batemans Buildings, Soho Square						Portrait of Mrs Sophia MustersCS 120 ii/ii, R120 ii/ii, Hamilton p122 ii/ii D’OENCH 135	1500	£1,500	mounted	Print	General Interest	After Reynolds						
9364		Ferdinand Giele	Eton College - Chapel	Etching	c. 1918			Image and plate 390 x 250 mm			Signed and inscribed in pencilEdition 19/50	250	£250	mounted	Print	Oxford	Public Schools						
9367		Gaillard after Boucher	The Secret Message	Copper engraving	circa 1767			Image 500 x 375 mm			“proof”	250	£250	mounted	Print	Artists	Engravers A-K						
9368		Landerkin & Brown after Thomas Davidsom	Nelson’s Last Signal At Trafalgar “England expects that every man will do his duty”	photograveur	Published December 1912						Condition; some creasing and slight abraiding on the left, and slight stain in the inscription space	250.00	£250	framed	Print	General Interest	Maritime						
9369		W. Gauci after Delamotte	Queens College	Lithograph	Published c. 1843			I 260 x 365 mm	Original Views of Oxford, its Colleges, Chapels and Gardens from drawings expressly for this work by William Alfred Delamotte. Executed in Lithography by William Gauci, with Historical and Descrpitive notices by Charles Ollier. London: Thomas Boy. 1843		.	275	£275	framed	Print	Oxford	Queen’s College						
9370		Fred Taylor (1875-1963)	Oxford	Lithograph in colours	Printed by Jordison & Co., Ltd			20 x 50 inches, 102 x 127 cm			The story of railways in Britain is reflected in the development of the railway poster. This commercial art form illustrates the major changes that have occurred in British society over the years and captures the spirit and character of British life. They are social documents of British culture, illustrating the changing styles of art, patterns of holidaymaking, urban and rural landscapes, architecture and fashion. They also reflect the development of railway companies and their design and advertising standards. It is hardly surprising that the "Golden Age" of British railway posters coincided with the quarter-century following the amalgamation in 1923 of almost all of the numerous small independent companies into what came to be known as the "Big Four"railways: the Great Western (GWR); the London, Midland, and Scottish (LMS); the London and North East (LNER); and the Southern (SR). The end of the Great War saw Britain with a public eager to travel - and possessing a well-developed taste for the poster as a medium of advertising. In the latter case the war itself provided continuity for initiatives that began in peacetime, for the recruiting and saving and funding campaigns needed to vanquish the Hun were waged largely on the hoardings.Nor is it surprising that the main visual thrust of the railway poster campaigns during these years was directed towards the anticipated delights of journey's end, and copies of posters were routinely offered to - and eagerly purchased by - the public, some of whom might indeed have to settle more often for an idyllic image of Britain's coasts or mountains in their rooms than for the real thing. Fred Taylor was born in London on March 22 1875, the son of William Taylor. Taylor studied briefly at Goldsmith's College, London, where he won a gold medal for his posters, and a travelling scholarship to study in Italy. At some point working in the Waring and Gillow Studio, Taylor was a poster artist, illustrator, decorator and a watercolourist. Particularly noted as a poster artist from 1908 to the 1940s, and was regularly commissioned by the LNER, EMB and shipping companies. Taylor also exhibited regularly at the Royal Academy, and other provincial societies. Taylor's designs frequently referred to architectural subjects.During the Second World War, Taylor was employed on naval camouflage. He also executed commissions for London Transport, including 'Back Room Boys', where the underlying concept and use of central image with a surrounding border were probably taken from A S Hartrick's series of lithographs on war work called Playing the Game, 1918, although 'their finely balanced colouring and their superb draughtsmanship are peculiar to Taylor at his best'. Married to Florence R Sarg, with a son and a daughter, Taylor is also remembered for his decorating work, most notably for ceilings for the former Underwriter's Room at Lloyds of London, and murals for Austin Reed's red laquer room in 1930. He was also the author of a number of publications.Information taken from: Livingston, A. and Livingston, I., Dictionary of Graphic Design and Designers, 1992, p.187, London Transport Museum Database, February 2000, quoting Riddell, 1994, Darracott, J. and Loftus, B., Second World War Posters, 1981 (1972), p.55	1500	£1,500	unmounted	Print	Oxford	General Views						
9372		Ferdinand Giele	Oxford - Bath Place	Etching	c. 1918			Image and plate 377 x 230 mm			Signed and inscribed in pencil	300	£300	framed	Print	Artists	Ferdinand Giele						
9375		L. Marinfeule after Le Prince	The Pleasures of Solitude	Stipple with colour	To be fold at F.Vivares in great Newport Street London							400.00	£400	framed	Print	Fine Prints	Stipple						
9376		W.Ward after I. Hopper	Daughters of Sir Thomas Frankland Bart	Mezzotint	Published March 1. 1797 by W.Ward, Delaneey Place, Hampstead Road			Image 590 x 460 mm  Plate 598 x 475 mm			CS: 38. III; F: 125. III.Sir Thomas Frankland had seven Daughters although it is not known which of the daughters portrayed in this picture.	1350	£1,350	framed	Print	Portraits	18th Century 						
9377		Bowen, Emmanual 	And accurate Map of Buckinghamshire Divided into Hundreds Drawn from the best Authorities assisted by the most approved Modern Maps with various Improvements Illustrated with Historical Extracts reletive to Natural History, Produce, Trade and Manufactures and the present State of the principal Towns	Copper Engraved with original outline colour	Printed for R. Sayer at the Golden Buck, in Fleet Street, John Bowels at the Black Horse In Cornhill, and Carrington Bowels in St. Bowels Churchyard circa 1785			525 x 690 mm	The Large English Atlas			500.00	£500	framed	Map	English Counties	Buckinghamshire						
9380		Grignion after Huddesford	Baronettus	Copper engraving	c. 1790			I 145 x 95 mm				60.00	£60	framed	Print	Oxford	Academic Dress						
9381		Grignion after Huddesford	Baccalaureus in Musica	Copper engraving	c; 1790			I 145 x 95 mm				60.00	£60	framed	Print	Oxford	Academic Dress						
9383		Ferdinand Giele	Oxford - Merton College	Etching and dry point	c. 1918			Image and plate 257 x 162 mm			Signed and inscribed in pencil	200	£200	mounted	Print	Artists	Ferdinand Giele						
9386		N.Whittock	Cumner Place, Berks	Lithograph with colouring				I 193 x 138 mm			2433/24	20.00	£20	unmounted	Print	British Topography	Oxfordshire						
9387		P. Sandby	Carey Castle in Pembrokeshire	Aquatint	Published Sept. 1775 by J.Boydell in Cheapside			Image 240 x 310 mm			PAUL SANDBY (1725-1809), English water-colour painter, was born at Nottingham in 1725. In 1746 he was appointed by the duke of Cumberland draughtsman to the survey of the Highlands. In 1752 he quitted this post and retired to Windsor, where he occupied himself with the production of water-colour drawings of scenery and architecture. Sir Joseph Banks commissioned him to bring out in aquatint (a method of engraving then peculiar to Sandby) forty-eight plates drawn during a tour in Wales. Sandby displayed considerable power as a caricaturist in his attempt to ridicule the opposition of Hogarth to the plan for creating a public academy for the arts. In 1768 he was chosen a foundation-member of the Royal Academy and appointed chief drawing-master to the Royal Military Academy at Woolwich. He held this situation till 1799. Sandby is best remembered, however, by his water-colour paintings. They are topographical in character, and, while they want the richness and brilliancy of modern water-colour, he nevertheless impressed upon them the originality of his mind. His etchings, such as the Cries of London and the illustrations to Ramsay's Gentle Shepherd;  and his plates, such as those to Tasso's Jerusalem Delivered,.  are numerous and carefully executed. He died in London on the 9th of November 1809.	200.00	£200	unmounted	Print	British Topography	Wales						
9389		J.C. Stadler after J. Farington R.A. 	View of the High Street	Aquatint with hand colouring	Pub. June 1, 1793 by J & J Boydell Shakespeare Gallery Pall Mall & Cheapside			I 223 x 322 mm, S 315 x 415 mm	A History of the River Thames		John Boydell (1719-1804) was a successful and influential printseller and engraver. Boydell's Shakespeare Gallery is credited with changing the course of English painting by creating a market for historical and literary works. He also encouraged the development of engraving in England with, among other things, his prints illustrating scenes from Shakespearean plays. In 1773, his nephew Josiah Boydell (1752-1817) became his business partner and later his successor, trading as J. & J. Boydell. 	325	£325	framed	Print	Oxford	High Street Views						
9390		William Ward after Henry Fuseli	The Death Of Oedipus	Mezzotint with hand colouring	London published August 26th 1785. By J R Smith N83 Oxford Street			I 450 x 550 mm			Fuseli took the subject of  The Death of Oedipus from the play Oedipus at Colonus, the second of the three so-called Theban plays of Sophocles. Oedipus, King of Thebes, blinded himself when he discovered that, in fulfillment of a prophecy, he had unwittingly killed his own father Laius and married his mother Jocasta, acts which had brought a curse upon the realm of Thebes. The old man, now banished from his own kingdom, but accompanied by his two daughters, Antigone and Ismene, recognises the portents of his death:Oedipus:    'The gods themselves are heralds of my fate    Of their appointed warnings nothing fails…    This thunder, peal on peal, this lightning hurled    Flash upon flash, from the unconquered hand…'Later, a messenger describes the scene as the thunder pealed:    '…the maids    Shivered, and crouching at their father’s knees    Wept, beat their breast and uttered a long wail…'The works of Sophocles, written in the second half of the fifth century B.C., are now regarded as among the masterpieces of Greek theatre, but in late eighteenth-century Britain they were still relatively little-known. Fuseli’s choice of Oedipus at Colonus as the source for this painting tapped into a growing interest in Greek plays and reflects Fuseli’s classical education and his craving for exciting subjects.	1750.00	£1,750	framed	Print	Fine Prints	Engravers S-Z						
9391		Sydney William Carline	[Bishop King’s Palace]	Etching	1912			Image and plate 175 x 136 mm			Signed in pencilSydney Carline (1888-1929) He was born in London. Both his brother, Richard, and his sister Hilda, were also artists, with his sister marrying the artist Stanley Spencer, who was a friend of Richard's. The three siblings were children of the artist, George Carline (1855-1920). They studied at the Slade School and in Paris under Tudor Hart. Sydney was an official war artist with the RAF during World War I. He exhibited with the London Group, becoming a member in 1924. From 1921 to 1929 he was Ruskin Master of Drawing at Oxford. He provided some illustrations for T. E. Lawrence's Revolt in the Desert. 	45	£45	mounted	Print	Artists	Sydney William Carline						
9392		William Nicholson	Wadham College 	Lithograph	Published 1905			Image 348 x 266 mm	Oxford		Signed and blinstampedCampell 137Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).	150	£150	mounted	Print	Artists	William Nicholson						
9393		Giles after Daubrawa	4th Royal Irish Dragoon Guards	Lithograph with hand colouring	London Published by Rudolph Ackermann Eclipse Sporting Gallery 191 Regent Street November 1841			Image 430 x 235 mm				230	£230	mounted	Print	General Interest	Military						
9397		Reginald Green	Anne Hathaways Cottage Nr. Stratford-upon-Avon	Etching	c.1920			Image 190 x 105 mm			Etcher of landscapesand architectural subjects. Exhibited at the R.A., R.E., R.W.A. and elected A.R.E. 1918.	40	£40	mounted	Print	British Topography	Warwickshire						
9398		Cecil Aldin	The Golden Cross, Oxford	Lithograph				Image 140 x 170			Inscribed in pencil	40	£40	mounted	Print	Oxford	General Views						
9400		Aubrey Beardsley	[Maitresse d’Orchestre]	Lithograph	1899			I 150 x 107 mm			Aubrey Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and the grotesque erotica, which themes he explored in his later work. His most famous erotic illustrations were on themes of history and mythology, including his illustrations for Lysistrata and Salomé.Beardsley was a close friend of Oscar Wilde and illustrated his play Salomé in 1893 for its French performance; it was performed in English the following year. He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines like The Savoy and The Studio. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser.Beardsley was also a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape, Mucha and Clarke.Beardsley was a public character as well as a private eccentric. He said, "I have one aim - the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair."Although Beardsley was aligned with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. Speculation about his sexuality include rumours of an incestuous relationship with his elder sister, Mabel, who may have borne his miscarried child.Beardsley died of tuberculosis in Menton, France at the age of 25 on March 16, 1898.	30	£30	mounted	Print	Artists	Aubrey Beardsley						
9404		Nathaniel Whittock	To his Grace the Duke of Wellington. Chancellor The Revd. Vice Chancellor and Members of the University of Oxford. This bird’s-eye View of the University and City of Oxford is most gratefully inscribed by their obedient humble Servat James Ryman	Aquatint	Published as rhe Act directs by James Ryman, High St. Oxford, c. 1848			I 290 x 485 mm			One of the most detailed of the airel plans of Oxford, taken from the improbable location above the Cherwell and Christ Church Meadow	1500	£1,500	framed	Print	Oxford	General Views						
9406		Cottafavi after Marchi	Fontana di Trevi	Copper engraving	(Rome: Tommaso Cuccioni, 1837)			Image 165 x 242 mm, Pl 210 x 273 mm			sixth plate in the book, Raccolta delle principali vedute di Roma e suoi contorni 	70	£70		Print	Foreign Topography	Italy						
9407		Cottafavi 	Piazza di Spagna	Copper engraving	(Rome: Tommaso Cuccioni, 1837)			Image 166 x 238 mm, Pl 212 x 277 mm			a plate in the book, Raccolta delle principali vedute di Roma e suoi contorni 	70	£70		Print	Foreign Topography	Italy						
9408		Unknown engraver	View of New College Chapel, &c. the Turrets of All Souls, the spire of St. Marys Church, the Dome of Radcliffe Library, and the Tower upon the Schools of Oxford	Copper engraving	c. 1780			I 165 x 265 mm	Engraved for the Modern Universal British Traveller			100	£100	mounted	Print	Oxford	General Views						
9409			Evening Dress	Etching with hand colouring	c.1810			S. 231 x 145 mm	R.Ackermann’s Repository of Arts & c.		These plates are from Rudolph Ackermann's Repository of Arts, a periodical which he published from 1809-1827, and which featured, among many other subjects, costume plates such as these. The costume plates were also issued in yearly collections--sort of a fashion annual. The present plates came from such a gathering, entitled ACKERMANN'S LADIES' FASHION PLATES: 110 Coloured Costumes including Mourning, Walking, Carriage, Evening, Opera, and Ball Dresses--all from the 1822 issues of the Repository of the Arts	30.00	£30	mounted	Print	General Interest	Fashion						
9410			Evening Dress	Etching with hand colouring	c. 1810			S 231 x 145	R.Ackermann’s Repository of Arts & c.		These plates are from Rudolph Ackermann's Repository of Arts, a periodical which he published from 1809-1827, and which featured, among many other subjects, costume plates such as these. The costume plates were also issued in yearly collections--sort of a fashion annual. The present plates came from such a gathering, entitled ACKERMANN'S LADIES' FASHION PLATES: 110 Coloured Costumes including Mourning, Walking, Carriage, Evening, Opera, and Ball Dresses--all from the 1822 issues of the Repository of the Arts	30.00	£30	mounted	Print	General Interest	Fashion						
9411			Evening Dress	Etching with hand colouring	c. 1810			S 231 x 145	R.Ackermann’s Repository of Arts & c.		These plates are from Rudolph Ackermann's Repository of Arts, a periodical which he published from 1809-1827, and which featured, among many other subjects, costume plates such as these. The costume plates were also issued in yearly collections--sort of a fashion annual. The present plates came from such a gathering, entitled ACKERMANN'S LADIES' FASHION PLATES: 110 Coloured Costumes including Mourning, Walking, Carriage, Evening, Opera, and Ball Dresses--all from the 1822 issues of the Repository of the Arts	30.00	£30	mounted	Print	General Interest	Fashion						
9412			Evening Dress	Etching with hand colouring	c. 1810			S 231 x 145	R.Ackermann’s Repository of Arts & c.		These plates are from Rudolph Ackermann's Repository of Arts, a periodical which he published from 1809-1827, and which featured, among many other subjects, costume plates such as these. The costume plates were also issued in yearly collections--sort of a fashion annual. The present plates came from such a gathering, entitled ACKERMANN'S LADIES' FASHION PLATES: 110 Coloured Costumes including Mourning, Walking, Carriage, Evening, Opera, and Ball Dresses--all from the 1822 issues of the Repository of the Arts	30.00	£30	mounted	Print	General Interest	Fashion						
9413			Full Dress	Etching with hand colouring	c. 1810			S 231 x 145	R.Ackermann’s Repository of Arts & c.		These plates are from Rudolph Ackermann's Repository of Arts, a periodical which he published from 1809-1827, and which featured, among many other subjects, costume plates such as these. The costume plates were also issued in yearly collections--sort of a fashion annual. The present plates came from such a gathering, entitled ACKERMANN'S LADIES' FASHION PLATES: 110 Coloured Costumes including Mourning, Walking, Carriage, Evening, Opera, and Ball Dresses--all from the 1822 issues of the Repository of the Arts	30.00	£30	mounted	Print	General Interest	Fashion						
9414			Promenade Dress	Etching with hand colouring	c. 1810			S 231 x 145	R.Ackermann’s Repository of Arts & c.		These plates are from Rudolph Ackermann's Repository of Arts, a periodical which he published from 1809-1827, and which featured, among many other subjects, costume plates such as these. The costume plates were also issued in yearly collections--sort of a fashion annual. The present plates came from such a gathering, entitled ACKERMANN'S LADIES' FASHION PLATES: 110 Coloured Costumes including Mourning, Walking, Carriage, Evening, Opera, and Ball Dresses--all from the 1822 issues of the Repository of the Arts	30.00	£30	mounted	Print	General Interest	Fashion						
9415			Walking Dress	Etching with hand colouring	c. 1810			S 231 x 145	R.Ackermann’s Repository of Arts & c.		These plates are from Rudolph Ackermann's Repository of Arts, a periodical which he published from 1809-1827, and which featured, among many other subjects, costume plates such as these. The costume plates were also issued in yearly collections--sort of a fashion annual. The present plates came from such a gathering, entitled ACKERMANN'S LADIES' FASHION PLATES: 110 Coloured Costumes including Mourning, Walking, Carriage, Evening, Opera, and Ball Dresses--all from the 1822 issues of the Repository of the Arts	30.00	£30	unmounted	Print	General Interest	Fashion						
9416			Walking Dress	Etching with hand colouring	c. 1810			S 231 x 145	R.Ackermann’s Repository of Arts & c.		These plates are from Rudolph Ackermann's Repository of Arts, a periodical which he published from 1809-1827, and which featured, among many other subjects, costume plates such as these. The costume plates were also issued in yearly collections--sort of a fashion annual. The present plates came from such a gathering, entitled ACKERMANN'S LADIES' FASHION PLATES: 110 Coloured Costumes including Mourning, Walking, Carriage, Evening, Opera, and Ball Dresses--all from the 1822 issues of the Repository of the Arts	30.00	£30	unmounted	Print	General Interest	Fashion						
9417			Walking Dress	Etching with hand colouring	c. 1810			S 231 x 145	R.Ackermann’s Repository of Arts & c.		These plates are from Rudolph Ackermann's Repository of Arts, a periodical which he published from 1809-1827, and which featured, among many other subjects, costume plates such as these. The costume plates were also issued in yearly collections--sort of a fashion annual. The present plates came from such a gathering, entitled ACKERMANN'S LADIES' FASHION PLATES: 110 Coloured Costumes including Mourning, Walking, Carriage, Evening, Opera, and Ball Dresses--all from the 1822 issues of the Repository of the Arts	30.00	£30	unmounted	Print	General Interest	Fashion						
9418			Evening Dress	Etching with hand colouring	June 1, 1822			S 231 x 145	R.Ackermann’s Repository of Arts & c.		These plates are from Rudolph Ackermann's Repository of Arts, a periodical which he published from 1809-1827, and which featured, among many other subjects, costume plates such as these. The costume plates were also issued in yearly collections--sort of a fashion annual. The present plates came from such a gathering, entitled ACKERMANN'S LADIES' FASHION PLATES: 110 Coloured Costumes including Mourning, Walking, Carriage, Evening, Opera, and Ball Dresses	30.00	£30	mounted	Print	General Interest	Fashion						
9419			Evening Dress	Etching with hand colouring	Aug, 1, 1820			S 231 x 145	R.Ackermann’s Repository of Arts & c.		These plates are from Rudolph Ackermann's Repository of Arts, a periodical which he published from 1809-1827, and which featured, among many other subjects, costume plates such as these. The costume plates were also issued in yearly collections--sort of a fashion annual. The present plates came from such a gathering, entitled ACKERMANN'S LADIES' FASHION PLATES: 110 Coloured Costumes including Mourning, Walking, Carriage, Evening, Opera, and Ball Dresses	30.00	£30	mounted	Print	General Interest	Fashion						
9420			Evening Dress	Etching with hand colouring	June 1, 1821			S 231 x 145	R.Ackermann’s Repository of Arts & c.		These plates are from Rudolph Ackermann's Repository of Arts, a periodical which he published from 1809-1827, and which featured, among many other subjects, costume plates such as these. The costume plates were also issued in yearly collections--sort of a fashion annual. The present plates came from such a gathering, entitled ACKERMANN'S LADIES' FASHION PLATES: 110 Coloured Costumes including Mourning, Walking, Carriage, Evening, Opera, and Ball Dresses	30.00	£30	mounted	Print	General Interest	Fashion						
9422			Evening Dress	Etching with hand colouring	Jany 1, 1820			S 231 x 145	R.Ackermann’s Repository of Arts & c.		These plates are from Rudolph Ackermann's Repository of Arts, a periodical which he published from 1809-1827, and which featured, among many other subjects, costume plates such as these. The costume plates were also issued in yearly collections--sort of a fashion annual. The present plates came from such a gathering, entitled ACKERMANN'S LADIES' FASHION PLATES: 110 Coloured Costumes including Mourning, Walking, Carriage, Evening, Opera, and Ball Dresses	30.00	£30	mounted	Print	General Interest	Fashion						
9424			Morning Dress	Etching with hand colouring	May 1, 1822			S 231 x 145	R.Ackermann’s Repository of Arts & c.		These plates are from Rudolph Ackermann's Repository of Arts, a periodical which he published from 1809-1827, and which featured, among many other subjects, costume plates such as these. The costume plates were also issued in yearly collections--sort of a fashion annual. The present plates came from such a gathering, entitled ACKERMANN'S LADIES' FASHION PLATES: 110 Coloured Costumes including Mourning, Walking, Carriage, Evening, Opera, and Ball Dresses--all from the 1822 issues of the Repository of the Arts	30.00	£30	mounted	Print	General Interest	Fashion						
9425			Ball Dress	Etching with hand colouring	July 1, 1823			S 231 x 145	R.Ackermann’s Repository of Arts & c.		These plates are from Rudolph Ackermann's Repository of Arts, a periodical which he published from 1809-1827, and which featured, among many other subjects, costume plates such as these. The costume plates were also issued in yearly collections--sort of a fashion annual. The present plates came from such a gathering, entitled ACKERMANN'S LADIES' FASHION PLATES: 110 Coloured Costumes including Mourning, Walking, Carriage, Evening, Opera, and Ball Dresses.	30.00	£30	mounted	Print	General Interest	Fashion						
9426			Ball Dress	Etching with hand colouring	Octr. 1 , 1823			S 231 x 145	R.Ackermann’s Repository of Arts & c.		These plates are from Rudolph Ackermann's Repository of Arts, a periodical which he published from 1809-1827, and which featured, among many other subjects, costume plates such as these. The costume plates were also issued in yearly collections--sort of a fashion annual. The present plates came from such a gathering, entitled ACKERMANN'S LADIES' FASHION PLATES: 110 Coloured Costumes including Mourning, Walking, Carriage, Evening, Opera, and Ball Dresses	30.00	£30	mounted	Print	General Interest	Fashion						
9427			Court Dress	Etching with hand colouring	June 1 , 1822			S 231 x 145	R.Ackermann’s Repository of Arts & c.		These plates are from Rudolph Ackermann's Repository of Arts, a periodical which he published from 1809-1827, and which featured, among many other subjects, costume plates such as these. The costume plates were also issued in yearly collections--sort of a fashion annual. The present plates came from such a gathering, entitled ACKERMANN'S LADIES' FASHION PLATES: 110 Coloured Costumes including Mourning, Walking, Carriage, Evening, Opera, and Ball Dresses	30.00	£30	mounted	Print	General Interest	Fashion						
9428			Full Dress	Etching with hand colouring	Decr. 1, 1821			S 231 x 145	R.Ackermann’s Repository of Arts & c.		These plates are from Rudolph Ackermann's Repository of Arts, a periodical which he published from 1809-1827, and which featured, among many other subjects, costume plates such as these. The costume plates were also issued in yearly collections--sort of a fashion annual. The present plates came from such a gathering, entitled ACKERMANN'S LADIES' FASHION PLATES: 110 Coloured Costumes including Mourning, Walking, Carriage, Evening, Opera, and Ball Dresses	30.00	£30	mounted	Print	General Interest	Fashion						
9429			Promenade Dress	Etching with hand colouring	c. 1810			S 231 x 145	R.Ackermann’s Repository of Arts & c.		These plates are from Rudolph Ackermann's Repository of Arts, a periodical which he published from 1809-1827, and which featured, among many other subjects, costume plates such as these. The costume plates were also issued in yearly collections--sort of a fashion annual. The present plates came from such a gathering, entitled ACKERMANN'S LADIES' FASHION PLATES: 110 Coloured Costumes including Mourning, Walking, Carriage, Evening, Opera, and Ball Dresses--all from the 1822 issues of the Repository of the Arts	30.00	£30	unmounted	Print	General Interest	Fashion						
9430			Bulletin des Modes de la Societe Philanthropique, No 97	Lithograph with hand colouring	Ce Tableau est la propriete de la societe Philanthropique. Il ne peut etre cede a aucun confrere etranger a la societe, Titre X des Statuts (dessin & dispsition deposes, Reproduction interdire)							150.00	£150	unmounted	Print	General Interest	Fashion						
9431			Bulletin des Modes de la Societe Philanthropique, No 92	Lithograph with hand colouring	Ce Tableau est la propriete de la societe Philanthropique. Il ne peut etre cede a aucun confrere etranger a la societe, Titre X des Statuts (dessin & dispsition deposes, Reproduction interdire)							150.00	£150	unmounted	Print	General Interest	Fashion						
9432			Bulletin des Modes de la Societe Philanthropique, No 102	Lithograph with hand colouring	Ce Tableau est la propriete de la societe Philanthropique. Il ne peut etre cede a aucun confrere etranger a la societe, Titre X des Statuts (dessin & dispsition deposes, Reproduction interdire)							150.00	£150	unmounted	Print	General Interest	Fashion						
9433			Bulletin des Modes de la Societe Philanthropique, No 100	Lithograph with hand colouring	Ce Tableau est la propriete de la societe Philanthropique. Il ne peut etre cede a aucun confrere etranger a la societe, Titre X des Statuts (dessin & dispsition deposes, Reproduction interdire)							150.00	£150	unmounted	Print	General Interest	Fashion						
9434			Societe Philanthropique des Maitres Tailleurs de Paris	Lithograph with hand colouring	Saison D’ete 1902							150.00	£150	unmounted	Print	General Interest	Fashion						
9435		T.G.Dutton after O.W.Brierley	H.M.S. “St Jean D’Acre”, 101 Guns	Lithograph with hand colouring	London, Published Feb 13th, 1854, by Ackermann & Co 96 Strand.			Image: 625 x 470mm			PROOFH.M.S. “St Jean D’Acre”, 101 Guns,joining the fleet at Cork.To Captain the Honourable Henry KeppllThis print from the original drawing in his possession, is with permission respectfully dedicated by His obliged and very faithful Servant	1200	£1,200	framed	Print	General Interest	Maritime						
9439		Capper, Benjamin Pitts 	Cheshire	Steel engraved	Published January 1, 1808, By R.Phillips, Bridge Street Blackfriars London			105 x 180mm			  Published in 'A Topographical Dictionary of the United Kingdom ... accompanied by forty-six maps, drawn purposely for this work, on an original plan. By Benjamin Pitts Capper, Esq. London: Printed for Richard Phillips, Bridge Street, Blackfriars ... 1808.'The atlas size is 5 1/4 x 8 1/2 ins.	25	£25	mounted	Map	English Counties	Cheshire						
9442		Capper, Benjamin Pitts 	Oxofordshire	Steel engraved	Published January 1, 1808, By R.Phillips, Bridge Street Blackfriars London			105 x 180mm			  Published in 'A Topographical Dictionary of the United Kingdom ... accompanied by forty-six maps, drawn purposely for this work, on an original plan. By Benjamin Pitts Capper, Esq. London: Printed for Richard Phillips, Bridge Street, Blackfriars ... 1808.'The atlas size is 5 1/4 x 8 1/2 ins.	25	£25	mounted	Map	English Counties	Oxfordshire						
9444		Capper, Benjamin Pitts 	Dorsetshire	Steel engraved	Published January 1, 1808, By R.Phillips, Bridge Street Blackfriars London			105 x 180mm			  Published in 'A Topographical Dictionary of the United Kingdom ... accompanied by forty-six maps, drawn purposely for this work, on an original plan. By Benjamin Pitts Capper, Esq. London: Printed for Richard Phillips, Bridge Street, Blackfriars ... 1808.'The atlas size is 5 1/4 x 8 1/2 ins.	25	£25	mounted	Map	English Counties	Dorset						
9445		Capper, Benjamin Pitts 	Devonshire	Steel engraved	Published January 1, 1808, By R.Phillips, Bridge Street Blackfriars London			105 x 180mm			  Published in 'A Topographical Dictionary of the United Kingdom ... accompanied by forty-six maps, drawn purposely for this work, on an original plan. By Benjamin Pitts Capper, Esq. London: Printed for Richard Phillips, Bridge Street, Blackfriars ... 1808.'The atlas size is 5 1/4 x 8 1/2 ins.	25	£25	mounted	Map	English Counties	Devon						
9449			Arms of  Queen’s College, Cambridge University	Chromolithograph	c.1920			I 60 x 70 mm	Wills’s Cigarette Cards			20	£20	mounted	Print	British Topography		 					
9451		Vincent Brooks	White-Faced Black SpanishCups of Chickens at Bristol 1872	Chromolithograph	Circa 1880			I 244 x 180 mm	cassell’s poultry book			65	£65	mounted	Print	General Interest	Farm Animals						
9453		Vincent Brooks	Mr A.G.Pitts pair of Minorcas	Chromolithograph	circa 1880			I 244 x 180 mm	cassell’s poultry book			65	£65	mounted	Print	General Interest	Farm Animals						
9457		Vincent Brooks	Pair of Silkies	Chromolithograph	circa 1880			I 244 x 180 mm	cassell’s poultry book			65	£65	mounted	Print	General Interest	Farm Animals						
9458		Vincent Brooks	Sultan Fowls	Chromolithograph	circa 1880			I 244 x 180 mm	cassell’s poultry book			65	£65	mounted	Print	General Interest	Farm Animals						
9459		Vincent Brooks	Japanese Bantams, Black Bantams, Pekin Bantams	Chromolithograph	circa 1880			I 244 x 180 mm	cassell’s poultry book			65	£65	mounted	Print	General Interest	Farm Animals						
9462		Vincent Brooks	Plymouth Rocks	Chromolithograph	circa 1880			I 244 x 180 mm	cassell’s poultry book			65	£65	mounted	Print	General Interest	Farm Animals						
9464		Vincent Brooks	The Revd. W. Serjeantson’s Pair of Black HamburghsCock or Hen First Prizes at Birmingham, Edinburgh & Manchester 1871 and Bristol 1872	Chromolithograph	circa 1880			I 244 x 180 mm	From Cassell’s poultry book			65	£65	mounted	Print	General Interest	Farm Animals						
9465		Vincent Brooks	Gold & Silver-Laced Bantams	Chromolithograph	circa 1880			I 244 x 180 mm	cassell’s poultry book			65	£65	mounted	Print	General Interest	Farm Animals						
9469		Vincent Brooks	Pair of Creve-Coeures	Chromolithograph	circa 1880			I 244 x 180 mm	cassell’s poultry book			65	£65	mounted	Print	General Interest	Farm Animals						
9470		Vincent Brooks	Pair of La Fleche	Chromolithograph	circa 1880			I 244 x 180 mm	cassell’s poultry book			65	£65	mounted	Print	General Interest	Farm Animals						
9471		Vincent Brooks	Mr L. Wright’s Dark Brahma Pullet “Psyche”	Chromolithograph	circa 1880			I 244 x 180 mm	cassell’s poultry book			65	£65	mounted	Print	General Interest	Farm Animals						
9472		Vincent Brooks	Pair of Silver Spangled Polsih	Chromolithograph	circa 1880			I 244 x 180 mm	cassell’s poultry book			65	£65	mounted	Print	General Interest	Farm Animals						
9476		Vincent Brooks	Pair of  Andalusians	Chromolithograph	circa 1880			I 244 x 180 mm	cassell’s poultry book			65	£65	mounted	Print	General Interest	Farm Animals						
9478		Vincent Brooks	Pair of Golden Spandgled Hamburghs	Chromolithograph	circa 1880			I 244 x 180 mm	cassell’s poultry book			65	£65	mounted	Print	General Interest	Farm Animals						
9487		Dower, J	Russia in Asia	Steel engraved with hand colouring	London Published by Orr & Company, Amen-Corner, Patternoster-Row. 1850			 210 x 260  mm			From:A Descriptive Atlas of Astronomy, and of Physical and Politival Geography.with descriptived letter-press, by The Rev, Thomas Milner, M.A, F.R.G.S, author of “The Gallery of Nature” etcThe maps of physical and political geography, constucted or carefully revised and corrected by Augustus Petermann, F.R.G.S. Honorary member of the Geographical Society of Berlin.	20	£20	mounted	Map	Asia & Middle East	Russia						
9488		Dower, J	Iran or Persia	Steel engraved with hand colouring	London Published by Orr & Company, Amen-Corner, Patternoster-Row. 1850			210 x 260  mm			From:A Descriptive Atlas of Astronomy, and of Physical and Politival Geography.with descriptived letter-press, by The Rev, Thomas Milner, M.A, F.R.G.S, author of “The Gallery of Nature” etcThe maps of physical and political geography, constucted or carefully revised and corrected by Augustus Petermann, F.R.G.S. Honorary member of the Geographical Society of Berlin.	30	£30	mounted	Map	Asia & Middle East	Middle East						
9491		Dower, J	Russia in Europe	Steel engraved with hand colouring	London Published by Orr & Company, Amen-Corner, Patternoster-Row. 1850			260 x 210  mm			From:A Descriptive Atlas of Astronomy, and of Physical and Politival Geography.with descriptived letter-press, by The Rev, Thomas Milner, M.A, F.R.G.S, author of “The Gallery of Nature” etcThe maps of physical and political geography, constucted or carefully revised and corrected by Augustus Petermann, F.R.G.S. Honorary member of the Geographical Society of Berlin.	35	£35	mounted	Map	Europe	Russia						
9492		Dower, J	Sweden and Norway	Steel engraved with hand colouring	London Published by Orr & Company, Amen-Corner, Patternoster-Row. 1850			260 x 210  mm			From:A Descriptive Atlas of Astronomy, and of Physical and Politival Geography.with descriptived letter-press, by The Rev, Thomas Milner, M.A, F.R.G.S, author of “The Gallery of Nature” etcThe maps of physical and political geography, constucted or carefully revised and corrected by Augustus Petermann, F.R.G.S. Honorary member of the Geographical Society of Berlin.	30	£30	mounted	Map	Europe	Scandinavia						
9494		Dower, J	Spain and Portugal	Steel engraved with hand colouring	London Published by Orr & Company, Amen-Corner, Patternoster-Row. 1850			210 x 260   mm			From:A Descriptive Atlas of Astronomy, and of Physical and Politival Geography.with descriptived letter-press, by The Rev, Thomas Milner, M.A, F.R.G.S, author of “The Gallery of Nature” etcThe maps of physical and political geography, constucted or carefully revised and corrected by Augustus Petermann, F.R.G.S. Honorary member of the Geographical Society of Berlin.	30	£30	mounted	Map	Europe	Spain and Portugal						
9495		Dower, J	Northern Italy	Steel engraved with hand colouring	London Published by Orr & Company, Amen-Corner, Patternoster-Row. 1850			210 x 260   mm			From:A Descriptive Atlas of Astronomy, and of Physical and Politival Geography.with descriptived letter-press, by The Rev, Thomas Milner, M.A, F.R.G.S, author of “The Gallery of Nature” etcThe maps of physical and political geography, constucted or carefully revised and corrected by Augustus Petermann, F.R.G.S. Honorary member of the Geographical Society of Berlin.	30	£30	mounted	Map	Europe	Italy						
9496		Dower, J	South Italy	Steel engraved with hand colouring	London Published by Orr & Company, Amen-Corner, Patternoster-Row. 1850			 210 x 260   mm			From:A Descriptive Atlas of Astronomy, and of Physical and Politival Geography.with descriptived letter-press, by The Rev, Thomas Milner, M.A, F.R.G.S, author of “The Gallery of Nature” etcThe maps of physical and political geography, constucted or carefully revised and corrected by Augustus Petermann, F.R.G.S. Honorary member of the Geographical Society of Berlin.	30	£30	mounted	Map	Europe	Italy						
9498		Dower, J	Belgium	Steel engraved with hand colouring	London Published by Orr & Company, Amen-Corner, Patternoster-Row. 1850			210 x 260   mm			From:A Descriptive Atlas of Astronomy, and of Physical and Politival Geography.with descriptived letter-press, by The Rev, Thomas Milner, M.A, F.R.G.S, author of “The Gallery of Nature” etcThe maps of physical and political geography, constucted or carefully revised and corrected by Augustus Petermann, F.R.G.S. Honorary member of the Geographical Society of Berlin.	20	£20	mounted	Map	Europe	Belgium						
9499		Dower, J	Northern Germany	Steel engraved with hand colouring	London Published by Orr & Company, Amen-Corner, Patternoster-Row. 1850			210 x 260   mm			From:A Descriptive Atlas of Astronomy, and of Physical and Politival Geography.with descriptived letter-press, by The Rev, Thomas Milner, M.A, F.R.G.S, author of “The Gallery of Nature” etcThe maps of physical and political geography, constucted or carefully revised and corrected by Augustus Petermann, F.R.G.S. Honorary member of the Geographical Society of Berlin.	25	£25	mounted	Map	Europe	Germany						
9500		Dower, J	Germany	Steel engraved with hand colouring	London Published by Orr & Company, Amen-Corner, Patternoster-Row. 1850			 210 x 260   mm			From:A Descriptive Atlas of Astronomy, and of Physical and Politival Geography.with descriptived letter-press, by The Rev, Thomas Milner, M.A, F.R.G.S, author of “The Gallery of Nature” etcThe maps of physical and political geography, constucted or carefully revised and corrected by Augustus Petermann, F.R.G.S. Honorary member of the Geographical Society of Berlin.	30	£30	mounted	Map	Europe	Germany						
9501		Dower, J	Southern Germany	Steel engraved with hand colouring	London Published by Orr & Company, Amen-Corner, Patternoster-Row. 1850			 210 x 260   mm			From:A Descriptive Atlas of Astronomy, and of Physical and Politival Geography.with descriptived letter-press, by The Rev, Thomas Milner, M.A, F.R.G.S, author of “The Gallery of Nature” etcThe maps of physical and political geography, constucted or carefully revised and corrected by Augustus Petermann, F.R.G.S. Honorary member of the Geographical Society of Berlin.	25	£25	mounted	Map	Europe	Germany						
9502		Dower, J	Central Germany	Steel engraved with hand colouring	London Published by Orr & Company, Amen-Corner, Patternoster-Row. 1850			210 x 260   mm			From:A Descriptive Atlas of Astronomy, and of Physical and Politival Geography.with descriptived letter-press, by The Rev, Thomas Milner, M.A, F.R.G.S, author of “The Gallery of Nature” etcThe maps of physical and political geography, constucted or carefully revised and corrected by Augustus Petermann, F.R.G.S. Honorary member of the Geographical Society of Berlin.	25	£25	mounted	Map	Asia & Middle East	India						
9503		Dower, J	Prussia	Steel engraved with hand colouring	London Published by Orr & Company, Amen-Corner, Patternoster-Row. 1850			210 x 260   mm			From:A Descriptive Atlas of Astronomy, and of Physical and Politival Geography.with descriptived letter-press, by The Rev, Thomas Milner, M.A, F.R.G.S, author of “The Gallery of Nature” etcThe maps of physical and political geography, constucted or carefully revised and corrected by Augustus Petermann, F.R.G.S. Honorary member of the Geographical Society of Berlin.	20	£20	mounted	Map	Europe	Prussia						
9511		Dower, J	Peru and Bolivia	Steel engraved with hand colouring	London Published by Orr & Company, Amen-Corner, Patternoster-Row. 1850			210 x 260 mm			From:A Descriptive Atlas of Astronomy, and of Physical and Politival Geography.with descriptived letter-press, by The Rev, Thomas Milner, M.A, F.R.G.S, author of “The Gallery of Nature” etcThe maps of physical and political geography, constucted or carefully revised and corrected by Augustus Petermann, F.R.G.S. Honorary member of the Geographical Society of Berlin.	25	£25	mounted	Map	North and South America	South America						
9513		Dower, J	Australia	Steel engraved with hand colouring	London Published by Orr & Company, Amen-Corner, Patternoster-Row. 1850			 210 x 260 mm			From:A Descriptive Atlas of Astronomy, and of Physical and Politival Geography.with descriptived letter-press, by The Rev, Thomas Milner, M.A, F.R.G.S, author of “The Gallery of Nature” etcThe maps of physical and political geography, constucted or carefully revised and corrected by Augustus Petermann, F.R.G.S. Honorary member of the Geographical Society of Berlin.	50	£50	mounted	Map	Australasia & Pacific	Australia						
9515		Dower, J	The Countries of the Nile and part of Arabia	Steel engraved with hand colouring	London Published by Orr & Company, Amen-Corner, Patternoster-Row. 1850			260 x 210 mm			From:A Descriptive Atlas of Astronomy, and of Physical and Politival Geography.with descriptived letter-press, by The Rev, Thomas Milner, M.A, F.R.G.S, author of “The Gallery of Nature” etcThe maps of physical and political geography, constucted or carefully revised and corrected by Augustus Petermann, F.R.G.S. Honorary member of the Geographical Society of Berlin.	35	£35	mounted	Map	Asia & Middle East	Middle East						
9518		Dower, J	Brazil	Steel engraved with hand colouring	London Published by Orr & Company, Amen-Corner, Patternoster-Row. 1850			260 x 210 mm			From:A Descriptive Atlas of Astronomy, and of Physical and Politival Geography.with descriptived letter-press, by The Rev, Thomas Milner, M.A, F.R.G.S, author of “The Gallery of Nature” etcThe maps of physical and political geography, constucted or carefully revised and corrected by Augustus Petermann, F.R.G.S. Honorary member of the Geographical Society of Berlin.	30	£30	mounted	Map	North and South America	South America						
9520		Dower, J	Colombia	Steel engraved with hand colouring	London Published by Orr & Company, Amen-Corner, Patternoster-Row. 1850			210 x 260 mm			From:A Descriptive Atlas of Astronomy, and of Physical and Politival Geography.with descriptived letter-press, by The Rev, Thomas Milner, M.A, F.R.G.S, author of “The Gallery of Nature” etcThe maps of physical and political geography, constucted or carefully revised and corrected by Augustus Petermann, F.R.G.S. Honorary member of the Geographical Society of Berlin.	25	£25	mounted	Map	North and South America	South America						
9523		Dower, J	United States	Steel engraved with hand colouring	London Published by Orr & Company, Amen-Corner, Patternoster-Row. 1850			 260 x 210 mm			From:A Descriptive Atlas of Astronomy, and of Physical and Politival Geography.with descriptived letter-press, by The Rev, Thomas Milner, M.A, F.R.G.S, author of “The Gallery of Nature” etcThe maps of physical and political geography, constucted or carefully revised and corrected by Augustus Petermann, F.R.G.S. Honorary member of the Geographical Society of Berlin.	50	£50	mounted	Map	North and South America	North America						
9528		Shuntei Miyagawa, 1873-1914	Bijin Juni-ka-getsu, Twelve Months of Beatuies -August	Woodblock	c. 1898			Ôban tate-e triptych [Each sheet 14 x 9 1/2 inches] 			Shuntei Miyagawa was born in Aichi prefectur. His original name was Watanabe Morikichi. . He was a student of Tomioka Eisen and Watanabe Shoka. As most of his generation of print artists, he worked as a book and newspaper illustrator. Shuntei Miyagawa is known for his genre print subjects of women and playing children.	475	£475	framed	Print	Japanese	Bijin-ga						
9532		Shirô Kasamatsu (1898-1992)	Akirimachi, Itoigawa	Woodblock	Showa 23, 1948			15 x 10 inches. Ôban tate-e single sheet			Signature: Shiro, also pencil signed Shiro Kasamatsu Shiro Kasamatsu was a student of Kaburagi Kiyokata. He started creating woodblock prints for the publisher Watanabe in 1919. Until the late 1940s he had designed more than 50 prints for Watanabe. In the 1950s he published bird and animal prints, landscapes and "famous views" with the publisher Unsodo - alltogether more than 100. Shiro Kasamatsu worked in Shin Hanga and Sosaku Hanga style.	450	£450	mounted	Print	Japanese	Landscape and Famous Places						
9533		Bowen, Emmanuel	A New and Accurate Map of all the Known World Drawn from the latest & most Authentic Surveys assisted by the best & most approved Modern Maps Charts & C. Where in all the late Discoveries & Improvements are carefully Delineated.  The whole being Regulated by Astronomical Observations	Copper engraved map with handcolour	London, 1752			27 x 52 cm. 			From A complete atlas, or distinct view of the known world by Emanuel Bowen 	1200	£1,200	framed	Map	World Maps & Sea Charts	World Maps						
9534		John Boydell	A West Prospect of the City of Oxford	Copper engraving with handcolour	Published According to act of parliament by John Boydell engraver at the Unicorn the corner of Queen Street Cheapside London 1751. Price 1 shilling.			I. 244 x 415 mm, Pl 255 x 425 mm				550	£550	framed	Print	Oxford	General Views						
9539		Vincent Brooks	Retrievers	Chromolithograph	Day & Sons 1880			I: 8.5 x 6.5 inches	Cassell’s Illustrated Book of the Dog			50.00	£50	mounted	Print	General Interest	Cats and Dogs						
9540		Vincent Brooks	Deerhound	Chromolithograph	Day & Son 1881			I: 8.6 x 6.5 inches				60	£60	mounted	Print	General Interest	Cats and Dogs						
9542		Vincent Brooks	Greyhound	Chromolithograph	Day & Son 1881			I: 8.6 x 6.5 inches				60	£60	mounted	Print	General Interest	Cats and Dogs						
9543		Nelson & Son	Queen’s College, Oxford	Chromolithograph	c. 1850			Image 74 x 124 mm				30	£30	mounted	Print	Oxford	Queen’s College						
9544		Vincent Brooks	Yorkshire Terrier.  Italian Greyhound.  Pug.	Chromolithograph	Day & Son 1881			I: 8.6 x 6.5 inches				60	£60	mounted	Print	General Interest	Cats and Dogs						
9546		Vincent Brooks	Skye Terriers	Chromolithograph	Day & Son 1881			I: 8.6 x 6.5 inches				60	£60	mounted	Print	General Interest	Cats and Dogs						
9547		Vincent Brooks	Irish Setter	Chromolithograph	Day & Son, Ltd. 1881			I: 8.6 x 6.5 inches				60	£60	mounted	Print	General Interest	Cats and Dogs						
9550		Vincent Brooks	Bull Dogs	Chromolithograph	Day & Son 1881			I: 8.6 x 6.5 inches				60	£60	mounted	Print	General Interest	Cats and Dogs						
9551		Vincent Brooks	Dachshunds	Chromolithograph	Day & Son 1881			I: 8.6 x 6.5 inches				55	£55	mounted	Print	General Interest	Cats and Dogs						
9552		Vincent Brooks	Fox Terriers	Chromolithograph	Day & Son 1881			I: 8.6 x 6.5 inches				55	£55	mounted	Print	General Interest	Cats and Dogs						
9553		Vincent Brooks	Fox Terriers	Chromolithograph	Day & Son 1881			I: 8.6 x 6.5 inches				55	£55	mounted	Print	General Interest	Cats and Dogs						
9558		J. Le Keux after F. Mackenzie	New Inn Hall	Steel engraving with handcolour	Published July. 1st 1836 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	30	£30	mounted	Print	Oxford	St. Peter’s College						
9559		Vincent Brooks	Gordon Setter. “Blossom”.	Chromolithograph	Day & Son 1881			Image: 163 x 218 mm	Cassell’s Illustrated Book of the Dog			50.00	£50	mounted	Print	General Interest	Cats and Dogs						
9561		Vincent Brooks	Bull Terrier “Champion Tarquin” / Dalmation “ Captain”	Chromolithograph	Day & Son 1881			Image: 163 x 218 mm	Cassell’s Illustrated Book of the Dog			45	£45	mounted	Print	General Interest	Cats and Dogs						
9562		Vincent Brooks	Mr. R.T. Lloyd Price’s Poitner Wagg.	Chromolithograph	Day & Son 1881			Image: 163 x 218 mm	Cassell’s Illustrated Book of the Dog			45	£45	mounted	Print	General Interest	Cats and Dogs						
9563		Vincent Brooks	Irish Water Spaniel “Captain.”	Chromolithograph	Day & Son 1881			Image: 163 x 218 mm	Cassell’s Illustrated Book of the Dog			45	£45	mounted	Print	General Interest	Cats and Dogs						
9565		J. Vairrall after G. Shippherd	Burford, Oxfordshire	Copper engraving	Published for the Proprietors, Sept. 1 1816, by W. Clarke, New Bond Street			Image 55 x 90 mm				25	£25	mounted	Print	British Topography	Oxfordshire						
9566		J.Rapkin and J.B.Allen	New Zealand	Steel engraving with hand colouring	John Tallis & Company, London & New York, circa 1852			360 x 276 mm			Crease in the middle	275.00	£275	unmounted	Map	Australasia & Pacific							
9567		Nelson & Son	Pembroke College, Oxford.	Chromolithograph	c. 1860			Image 75 x 124 mm				40	£40	mounted	Print	Oxford	Pembroke College						
9568		W. Richardson after T. Creswick, ARA	Oxford	Steel engraving	c. 1860			I 85 x 116 mm				40	£40	mounted	Print	Oxford	General Views						
9569			The great quadrangle Christ Church.	Lithograph with tint stone	c. 1840			Image 92 x 142 mm				30	£30	mounted	Print	Oxford	Christ Church College						
9570			Brasenose College.	Lithograph with tint stone	c. 1840			Image 93 x 142 mm				40	£40	mounted	Print	Oxford	Brasenose College						
9571			Merton College Oxford.	Lithograph with tint stone	c. 1840			Image 93 x 142 mm				35	£35	mounted	Print	Oxford	Merton College						
9576		J. Le Keux after F. Mackenzie	The Radcliffe Infirmary	Steel engraving with handcolour	Published March 1 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 91 x 145 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40.00	£40	mounted	Print	Oxford	General Views						
9577		J. Le Keux after F. Mackenzie	The Botanic Garden	Steel engraving with hand colour	Published April. 1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 143 x 92mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35	£35	mounted	Print	Oxford	Botanic Garden						
9580			The University Galleries (Oxford) [The Ashmolean]	Lithograph with tint stone	c. 1840			Image 92 x 142 mm				25	£25	mounted	Print	Oxford	Oxford Museums						
9583		Rosi	Imago Dn Mariaee Virginis Quae est in Basilica Liberiana	Lithograph	Published by Canterani, Rome			Sheet 480 x 350				120	£120	mounted	Print	General Interest	Religion						
9584		Williams	Implements Animated Pl. 1 Dedicated to the Carpenters and Gardeners of Great Britain	Etchong with handcolour	Pubd. Septr 1811 by Thos. Tegg, 111 Cheapside London			Image 205 x 322 mm				280	£280	mounted	Print	General Interest	Caricatures						
9586		Kitchin, Thomas	A New Map of Berkshire Drawn from the best Authorities	Copper engraving	1764			193 x 256 mm	Kitchin’s English Atlas... or England illustrated			70.00	£70	mounted	Map	English Counties	Berkshire						
9589		Joseph Skelton after J.B. Malchair	South view of Bocardo or North Gate	Copper engraving with hand colour	Published as the Act Direct Decr. 1, 1819, by J. Skelton St. Aldates Oxford			I 169 x 210 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	70	£70	mounted	Print	Oxford	General Views						
9592		Joseph Skelton after E & M Rooker	Oxford from the North	Copper engraving	Published as the Act directs Nov 2nd 1818 by J.Skelton. St Aldates, Oxford			Image:  166 x 235 mm				110	£110	mounted	Print	Oxford	General Views						
9598		Joseph Skelton	Hithe Bridge, &c.	Copper engraving with hand colour	Published as the Acts Septr. 1st 1817 by J. Skelton St. Aldates, Oxford			I 166 x 232 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	80	£80	mounted	Print	Oxford	General Views						
9604		Joseph Skelton after a drawing by J. Malchair	Broad Street Oxford, in its old state.	Engraving with hand colouring	Published as the Act directs Aug 1st , 1818 by J. Skelton, St. Aldates, Oxford			Image 180 x 246 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed	100	£100	mounted	Print	Oxford	Broad Street Views						
9605		Joseph Skelton after Dayes	Magdalen Tower & Bridge, &c.	Copper engraving with hand colouring	Published as the Act directs, Septr 1, 1819 J. Skelton, St. Aldates, Oxford			Image 167 x 230 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed	110	£110	mounted	Print	Oxford	Magdalen College						
9607		Joseph Skelton 	South Front of the Sheldonian Theatre.	Copper Engraving	Published as the Act direct Sept 1, 1817, J. Skelton, St. Aldates, Oxford			I 182 x 237 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed	80	£80	mounted	Print	Oxford	Sheldonian Theatre						
9611		Mallet	Dannois	Copper engraving	1685			Image: 100 x 145 mm. Sheet: 130 x 200 mm			Danish National Costume	25	£25	unmounted	Print	Foreign Topography	Scandinavia						
9612		Mallet	Suodois	Copper engraving	1685			Image: 100 x 145 mm. Sheet: 130 x 200 mm			Sweedish National Costume	25	£25	unmounted	Print	Foreign Topography	Scandinavia						
9613		Mallet	Yacobdal	Copper engraving	1685			Image: 100 x 145 mm. Sheet: 130 x 200 mm			The famous royal fortress of  Jakobstal in Sweden. 	25	£25	unmounted	Print	Foreign Topography	Scandinavia						
9615		Joseph Skelton after Edward and Michael Rooker	Clarendon Printing Office &c.	Copper engraving with hand colouring	Published c. 1820 by J. Skelton, St. Aldates, Oxford			Image 165 x 233 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	100	£100	framed	Print	Oxford	Clarendon Press						
9617		Joseph Skelton	Friar Bacon’s Study & C.	Copper engraving with hand colour	Published as the Act Directs March 1 1817 by J. Skelton, St. Aldates Oxford			I 163 x 237 mm	Oxonia Antiqua Restaurata by Joseph Skelton		A reduction of the 1780 Almanack.Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed	100	£100	framed	Print	Oxford	General Views						
9620		Joseph Skelton after by E. Dayes	Merton College from the Fields.	Copper engraving with hand colouring	Published as the Act directs, c. 1820, St. Aldates, Oxford.			Image 169 x 234 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed	140	£140	framed	Print	Oxford	Merton College						
9621		Joseph Skelton after by E. Dayes	Theater, Printing House &c.	Copper engraving with hand colouring	Published as the Act directs, Augst. 1, 1820, St. Aldates, Oxford.			Image 169 x 233 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed	120	£120	framed	Print	Oxford	Broad Street Views						
9627		Joseph Skelton after Malchair	Merton College from the banks of the Cherwell	Engraving with hand colouring	Published as the Act directs, c. 1820, by J. Skelton, St. Aldates, Oxford			Image 170 x 240 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	140	£140	framed	Print	Oxford	Merton College						
9628		Joseph Skelton after Dayes	Magdalen Tower & Bridge, &c.	Copper engraving with hand colouring	Published as the Act directs, Septr 1, 1819 J. Skelton, St. Aldates, Oxford			Image 167 x 230 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed	150	£150	framed	Print	Oxford	Magdalen College						
9631		Joseph Skelton after JMW Turner	Front of Worcester College	Engraving	Published as the Act directs Augt. 1st, 1820 by J. Skelton, St Aldates, Oxford.			Image 173 x 238 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed	120	£120	mounted	Print	Oxford	Worcester College						
9632		Joseph Skelton	Friar Bacon’s Study & C.	Copper engraving with hand colour	Published as the Act Directs March 1 1817 by J. Skelton, St. Aldates Oxford			I 163 x 237 mm	Oxonia Antiqua Restaurata by Joseph Skelton		A reduction of the 1780 Almanack.Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed	75	£75	mounted	Print	Oxford	General Views						
9633		Joseph Skelton after M.A. Rooker	St. Giles’s with part of St. John’s College	Copper engraving with hand colouring	Published c. 1820			Image 187 x 247 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	75	£75	mounted	Print	Oxford	St. John’s College						
9634		Joseph Skelton 	Magdalen College with the Old Bridge.	Copper engraving with hand colouring	Published as the Act directs, c.1820, St. Aldates, Oxford.			Image 167 x 242 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed	110	£110	mounted	Print	Oxford	Magdalen College						
9638		Joseph Skelton after J. Malchair	Magdalen Bridge in its old state	Copper engraving	Published by J. Skelton St. Aldates, Oxford c. 1820			I 165 x 230 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	150	£150	mounted	Print	Oxford	Magdalen College						
9639		Joseph Skelton after Michael Rooker	East End of Merton College Chapel	Copper engraving with hand colouring	Published as the Act directs Augt. 1, 1818, by J. Skelton, St. Aldates, Oxford			Image 170 x 230 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	95	£95	mounted	Print	Oxford	Merton College						
9640		Joseph Skelton after D. Harris	Western View of of All Souls &c.	Copper engraving with hand colouring	Published as the Act directs Feby 1, 1820 by |J. Skelton St. Aldates, Oxford 			I 150 x 235 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	65	£65	mounted	Print	Oxford	All Souls College						
9641		Joseph Skelton 	The Radcliffe Library &c.	Copper engraving with hand colouring	Published as the Acts Decr. 1 1821 by J. Skelton, Magdalen Bridge, Oxford			Image 186 x 240	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	75	£75	mounted	Print	Oxford	Radcliffe Camera						
9642		Joseph Skelton after M.A. Rooker	Magdalen College from the Grove.	Copper engraving with hand colouring	Published as the Act June 1, 1818 by J. Skelton, St. Aldates, Oxford			Image 164 x 240 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	75	£75	mounted	Print	Oxford	Magdalen College						
9644		Laurie, Robert and James Whittle	Oxfordshire	Copper engraved with original hand colour	Published October 13th 1806, by Laurie & Whittle, No. 53 Fleet Street, London.			222 x 177 mm				90	£90	mounted	Map	English Counties	Oxfordshire						
9646		Jansson, Jan	Anglia Regnum	Copper engraved map with hand colour	Amsterdam, c. 1645			500 x 391 mm			Latin text on versoAs with most maps of Great Britain and Ireland Jansson relied heavily on the Blaeu firm for his information. Two items that separate this map from the Blaeu version is the Jansson signature and the Irish Coat of Arms located in the middle of Ireland. A well engraved map with a wealth of detail of Stuart England. 	575	£575	mounted	Map	England & the British Isles	England						
9647		T.C. Dibdin	This View of Burton-on-the-Water, Gloucestershire, from Burton Hill, is most respectfully dedicated by Permission ro Lord Redesdale, D.C.L. by his Lordship’s most obedient & Obliged Serbant Edwin Ramsford	Lithograph with tint stone	Published by W.Sams 1, St. James Street [n.d. c. 1840]			Image 430 x 640 mm			Condition: small repaired tear in upper right 	550	£550	framed	Print	British Topography	Gloucestershire						
9648		James Basire after J.M.W. Turner	View of Oxford from the South Side of Heddington Hill	Copper engraving	Oxford, 1808			Image 518 x 453 mm				275	£275	framed	Print	Oxford	General Views						
9649		Takahashi Hiroaki (Shotei) 1871-1944	Moon Rising at Nogizaki	Woodblock	1924			Mitsugiri-ban				300	£300	mounted	Print	Japanese	Landscape and Famous Places						
9651		Yoshikazu Utagawa fl. ca. 1850-1870	Chuko Adauchi Kagami: Mirror of Fidelity in Revenge	Woodblock	1858			Ôban tate-e triptych [Each sheet 14 x 9 1/2 inches] 			Description of print: Tamiya Botaro (young boy) and Moriguchi Gentazaemon from revenge at Ueno (right sheet), Karaki Mataemon, Sawai Matagoro and others from revenge at Iga Ueno and Takahashi Gappo and Saegusa Daigokunosuke from revenge at Gappo-ga-tsujiYoshikazu Utagawa was born in Edo (Tokyo) where he stayed for the rest of his life. He started as a pupil of Kuniyoshi Utagawa. Yoshikazu is a major printmaker of the Yokohama school. His favorite subjects were foreigners and foreign manners. He often signed his prints with Ichikawa Yoshikazu. 	400	£400	mounted	Print	Japanese	History and Legends						
9656		Capper, Benjamin Pitts 	Wales	Steel engraved with hand colour	Published January 1, 1808, By R.Phillips, Bridge Street Blackfriars London			180 x 215mm			 Published in 'A Topographical Dictionary of the United Kingdom ... accompanied by forty-six maps, drawn purposely for this work, on an original plan. By Benjamin Pitts Capper, Esq. London: Printed for Richard Phillips, Bridge Street, Blackfriars ... 1808.'	35	£35	mounted	Map	England & the British Isles	Wales						
9658		Morden, Robert	Surrey	Copper engraved with hand colour	1708			212 x 174mm	From Fifty six new and accurate maps of Great Britain, Ireland and Wales .... Begun by Mr. Morden: perfected, corrected and enlarged by Mr. Moll		Second state with roads and compass	160	£160	mounted	Map	English Counties	Surrey						
9659		Becker F.P	Scotland	Steel engraved with hand colour	Engraved by the Omnigraph F.P.Becker & Co. c.1860			200 x 255mm				40	£40	mounted	Map	England & the British Isles	Scotland						
9660		Skelton. J	A Map of Oxfordshire to accompany Skelton’s Engraved Illustrations, of the Antiquities, in the Country.	Steel engraved with hand colour	Published as the Act directs Nov 1st. 1827: by J.Skelton, Magdalen Bridge Oxford.			195 x 255 mm			Included in Oxonia Antiqua Restaurata by Joseph Skelton	45	£45	mounted	Map	English Counties	Oxfordshire						
9664		Bickam, George	A map of Cambridgeshire North from London Humbly Inscribed to the Right Honourable Earl of Lincoln Lord Lieutenant of ye County	Copper engraved with hand colour	According to Act of Parliament by G. Bickham 1752			145 x 250mm			First state.One of a unique and extraordinary series of maps designed by George Bickham for the elegant Georgian atlas, "The British Monarchy ...". Renowned for this publication and "The Universal Penman ...", the work demonstrates the calligraphic skills for which father and son Bickham, both named George, were acclaimed. Each engraving shows a pictorial representation of the county, with placenames superimposed, and is decorated with classical and rustic vignettes typifying that county. The atlas was begun as a part-work publication with each plate dated when published, but was not offered complete until 1755. The first state of the maps has a date engraved whereas the second edition of 1796 lacks both this date and the text below.	350	£350	mounted	Map	English Counties	Cambridgeshire						
9670		Seller, John and  Grose, Francis	Oxfordshire	Copper engraved	1787			170 x 120 mm				75	£75	mounted	Map	English Counties	Oxfordshire						
9671		Cary, John 	Oxfordshire	Copper engraving with contempory hand colouring	London: Published as the Act directs September 1st 1787 by J. Cary, Engraver, Map & Printseller, No. 188 the corner of Arundel Street Strand.			262 x 211 mm				90	£90	mounted	Map	English Counties	Oxfordshire						
9675		E. Finden after C. Stanfield and W. Page Esq.	The Areopagus or Mars Hill, with the Temple of Theseus Athens	Steel engraving	Published 1838			Image 98 x 148 mm				40	£40	mounted	Print	Foreign Topography	Greece						
9676		Moule, Thomas 	Lancashire	Steel engraved with hand colour	c. 1845			262 x 195 mm				80	£80	mounted	Map	English Counties	Lancashire						
9677			Essex	Copper engraved map with hand colour	Published by Archd. Fullarton & Co. Glasgow C. 1830			185 x 236 mm				30	£30	mounted	Map	English Counties	Essex						
9678		Langley, Edward	Langley’s New Map of Oxfordshire	Copper engraved map with hand colour	c. 1818			254 x 170 mm	From Langley’s new county atlas of England and Wales			60	£60	mounted	Map	English Counties	Oxfordshire						
9679		William Nicholson	Boxing	Lithograph	Popular edition 1897 (post-dated 1898) William Heinemann			I 196 x 198 mm	Almanac of Twelve Sports			100	£100	mounted	Print	Artists	William Nicholson						
9681		Leigh.S	Oxfordshire	Copper engraved with hand colour	London, Published by C.Hinton, 1 Ivy La. Paternoster Row, & J.Walis Berwick Street Soho. c.1820			67 x 105mm				45	£45	mounted	Map	English Counties	Oxfordshire						
9683		Cruikshank	The Polite Preacher	Etching with hand colouring	London by Allen & West. 15 Paternoster Row. Jan 1st. 1814			I 255 x 190 mm				80.00	£80	mounted	Print	General Interest	Caricatures						
9684		Cruikshank		Etching with hand colouring	London by Allen & West. 15 Paternoster Row. Nov 19. 1796			I 245 x 190 mm				130.00	£130	mounted	Print	General Interest	Caricatures						
9686		Pigot & Son	Nottinghamshire	Steel engraved	Published by Pigot & Co 24 Basing Lane, London & 18 Fountain St.Manchester. 1832			220 x 355mm				65	£65	mounted	Map	English Counties	Nottinghamshire						
9687		Visscher, Nicholaus	Exactiffima totius Archipelagi nec non Greaciae Tabula in qua omnes fubjacentes Regiones et Infulae diftincte oftenduntur per Nicolaum Visscher		1680			560 x 460 mm				500	£500	mounted	Map	Europe	Greece						
9688		Robert de Vaugondy, Gilles; Robert de Vaugondy, Didier	Les Isles Britanniques qui comprennent les Royaumes d'Angleterre, d'Ecosse et d'Irlande; par le Sr. Robert Geographe Ordinaire du Roi. Avec Privilege, 1754	Copper engraved with hand colour	Published in: Atlas Universel, 1754			585 x 480 mm			 Engraver: Dussy, E. ; Haussard, ElisabethOrnamental cartouche by Haussard. Full Title: Les Isles Britanniques qui comprennent les Royaumes d'Angleterre, d'Ecosse et d'Irlande; par le Sr. Robert Geographe Ordinaire du Roi. Avec Privilege, 1754. Grave par E. Dussy. (Elisabeth?) Haussard Sc. (with inset) Supplement pour les Isles Orcades, Schetland, et Fero.  	450	£450		Map	England & the British Isles	British Isles						
9689		Horsley. Johanne	Britanniae Antiquae Tabula Geographica ex Aevi Romani Monumentis	Copper engraved with hand colour	Published 12th Mat, 1794. by Laurie & Whittle, No 53 Fleet Street, London.						Roman Britain historical map of England divided into its Roman regions dated 12 May 1821. Extending North to Sterling and displaying East coast of Ireland	150	£150	mounted	Map	England & the British Isles	England						
9690		Neele, Samuel John	England	Copper engraved map with original colour	Drawn & Engraved for Thomson’s New General Atlas Septr. 16, 1814.			590 x 497 mm				180	£180	mounted	Map	England & the British Isles	England						
9691		R.M. Meadows after George Morland	Pigs by Morland	Stipple engraving				Image 263 x 312 mm			Condition: Some surface damage	275	£275	framed	Print	General Interest	Farm Animals						
9694		William Dickinson after Antoine-Jean Gros	Napol‚on Bonaparte. Premier Consul de la R‚publique Francaise	Mezzotint				Image 425 x 630 mm			Ex. Colllection of: Hon Christopher Lennox-Boyd	1000	£1,000	framed	Print	Portraits	Foreign Political						
9697		Russell. J	Hindoostan, or India. From the best Authorities	Copper engraved	c. 1810			191 x 230 mm				35	£35	unmounted	Map	Asia & Middle East	India						
9698			India	Steel engraved with hand colour	London. Published, By t.Tegg, Cheapside. c.1843			220 x 260 mm				30	£30	unmounted	Map	Asia & Middle East	India						
9699		Rapkin. J	Northern India, including the Presidency Bengal	Steel engraved with hand colour	The London Printing and Publishing Company. c. 1855			320 x 245 mm			The illusrations by A.H. Wray & engraved by J.H.Kernot.	85	£85	unmounted	Map	Asia & Middle East	India						
9700		Rapkin, J. 	Southern India, Including the Presidendies of Bombay & Madras	Steel engraved map with hand coulour	The London Printing and Publsihing Company. c.1851			323 x 230 mm			The illustrations by A.H.Wray & Engraved by J.H.Kernot	90	£90	unmounted	Map	Asia & Middle East	India						
9712		J. Le Keux after F. Mckenzie	View of Oxford, from the Meadows near the Gas-Works.	Steel engraving with hand colouring	Published Novr. 1st 1835 by J.H. Parker Oxford, C. Tilt Fleet St. London & J. Le Keux Hammondsworth.			Image 96 x 166 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	70	£70	framed	Print	Oxford	General Views						
9713		J. Le Keux after F. Mackenzie	New College Chapel	Steel engraving	Published May 1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	60	£60	framed	Print	Oxford	New College						
9718		Pieter van der Aa after David Loggan	Le Jardin de Medecine a Oxford [Oxford Botanical Gardens]	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge. The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	65	£65	framed	Print	Oxford	Botanic Garden						
9719		Pieter van der Aa after David Loggan	Vue d’Oxford en Perspective du cote de L’Orient	Copper engraving	1707			I 107 x 158 mm, Pl 127 x 165 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	100	£100	framed	Print	Oxford	General Views						
9723		Morden, Robert 	Oxford Shire	Copper engraved with hand colour	1722			415 x 355 mm			Robert Morden : d. 1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson's revised edition of 'Camden's Brittannia' engraved by Sutton Nichols. William Camden (1551-1623) was a historian and antiquary whose works were reprinted and published over a period of 200 years. The original Latin text was first translated by Gibson in 1695. Morden was employed to replace the outdated maps by Saxton, engraved by Kip and Hole. He based his maps on manuscript sources plus the surveys of Ogilby and Morgan, seller, Palmer and the coastal charts of Cpt. Greenville Collins. One of his original contributions to cartography was the showing of longitudes measured from the meridian of St. Paul's Cathedral given in the form of time in minutes at the top of the map in Roman numerals and at the bottom in degrees. This was done to clarify local times that were taken from the sun as there was no national standard time. These maps were the first to show the roads based on Ogilby's earlier work of 1675, and included 3 scales to cover the various scales used in different parts of the country. On the 1695 edition of this map the village of Forrest Hill is spelt Forris Hill  and is then corrected to Forrest Hill in 1722, but you can still vaguely see the dot of the erased i.	280	£280	framed	Map	English Counties	Oxfordshire						
9724			Bird’s-Eye View of Exeter College, Oxford University	Woodcut				I 355 x 239 mm	London Illustrated News			50	£50	mounted	Print	Oxford	Exeter College						
9725			Bird’s-Eye View of Exeter College, Oxford University	Woodcut				I 355 x 239 mm	London Illustrated News			50	£50	mounted	Print	Oxford	Exeter College						
9727		Colton, J.H.	Hindostan or British India	Steel engraving with hand colouring	Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.			440 x 360 mm	Colton's Atlas Of  The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume			60	£60	unmounted	Map	Asia & Middle East							
9728			Hindostan or British India	Steel engraving with hand colouring	c. 1840			380 x 290 mm				55	£55	unmounted	Map	Asia & Middle East							
9729		Maurice B. Adams	Burford Priory Oxon	Copper engraving	James Akerman, 6 Queens Square, W.C. 1885			I 180 x 280 mm				30	£30	unmounted	Print	British Topography							
9730		John Boydell	A View of the High Lodge in Blenheim Park, in the County of Oxford formerly one of the seats of the Earl of Rochester	Copper engraving with hand colouring	Publish’d according to Act of Parliament by John Boydell Engraver at the Unicorn, the corner of Queen Street, in Cheapside, London Price 1, 1750			I 425 x 239 mm				250	£250	unmounted	Print	British Topography	Oxfordshire						
9732		John Boydell	A North East View of Blenheim House and Park in the County of Oxford	Copper engraving	Publish’d according to Act of Parliament by John Boydell Engraver at the Unicorn, the corner of Queen Street, in Cheapside, London Price 1, 1752			Image 425 x 239 mm				275	£275	unmounted	Print	British Topography	Oxfordshire						
9734		C.Adrien after H. le Robillard	Ducornet. (ne sans bras.)	Lithograph	Album Cosmopolite.19 mai 1838			I 330 x 245mm			Louis Joseph César Ducornet (born January 10, 1806 in Lille; died April 27, 1856 in Paris) was a French painter.Ducornet was born without arms; he painted with his foot. He studied under François Louis Joseph Watteau and Guillaume Guillon-Lethière. He painted biblical and historical scenes, as well as portraits.45mm tear 50mm from the top on the right hand side, 10mm tear 120mm from the bottom of right hand side, and diagonally upward tear 145mm long starting 115mm from top on the left hand side and finishing 45mm from the top and 120mm in from the left hand side.	50.00	£50		Print	Portraits	Artists Portraits						
9736		M.M.Parker	The Monument	Woodcut	c.1920			Image: 160 x 280 mm			14/25Signed and numbered in pencil by the artist	120	£120	mounted	Print	British Topography	London						
9737		Alexander Hogg	View of St. Andrews in the County of Fife	Copper engraving with hand colouring	c.1790			Image: 335 x 210 mm			Alexander Hogg of Paternoster Row London was a successful publisher in 18th Century London. His work included geographical and historical publications. florished circa 1780	150	£150	mounted	Print	British Topography	Scotland						
9738		unknown	[High Street]	Photograph	c.1870			Image: 200 x 150mm				80	£80		Print	Oxford	High Street Views						
9740		Thomas Landseer 	Tigress after Nature	Copper engraving	c.1853			Image: 220 x 1450, Plate: 222 x 167mm			Engravings of lions, tigers, panthers, leopards, dogs, &c., chiefly after the designs of Sir Edwin Landseer, by his brother, Thomas Landseer. Printed from the original plates, pub. between 1823 and 1828. (published 1853)	50	£50	mounted	Print	General Interest	Mammals						
9741			St. Helena. The Shade of Napoleon Visiting His Tomb	Lithograph	Published by S.Knights, Sweetings Ally & King Street, Holborn, Day & Haghe Lithers to the King 17 Gate Street			I 165 x 220 mm				75.00	£75		Print	Portraits	Foreign Political						
9743		Leigh.S	Essex	Copper engraved with hand colour	c.1820			105 x 67mm				45	£45	mounted	Map	English Counties	Essex						
9745		A.H.Payne after Courtray	Napoleon in Spain	Steel engraving	c.1840			Image: 123 x 163mm				45	£45	mounted	Print	Portraits	Foreign Political						
9746		George Vertue after Michael Dahl	The Right Honourable Edward Harley, Earl of Oxford and Earl Mortimer, Son of Robert Harley, Earl of Oxford and Earl Mortimer, Lord High Treasurer of Great Britian &c.	Copper engraving				Image 341 x 215 mm, Sheet 361 x 226 mm			Edward Harley, 2nd Earl of Oxford (1689-1741), Patron of letters and collectorCondition: trimmed within plate mark	40	£40		Print	Portraits	British Nobility						
9747		Samuel Ireland	Caversham- bridge. Oxfordshire	Aquatint	Pub. for S. Ireland May 1 1799			I 164 x 110 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			28	£28	unmounted	Print	British Topography	Oxfordshire						
9748		Samuel Ireland	St. John’s and the adjoinging bridge across the new cut, near Lechlade, Glocestershire	Aquatint	Pub. for S. Ireland May 1 1799			I 164 x 110 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			15	£15	unmounted	Print	British Topography	Gloucestershire						
9749		T. Tagg after William Turner	Wallingford	Copper engraving	c. 1820			Image 67 x 112 mm, Pl. 				10	£10		Print	British Topography	Oxfordshire						
9750		George Hollis	New Bridge, Dorchester, Oxon.	Copper engraving	Gentleman’s Magzine October 1816			Image 115 x 192 mm				10	£10	unmounted	Print	British Topography	Oxfordshire						
9751		Augustin Edouart	Renowned Vice Master of Trinity	Collarge	circa 1828			I 275 x 165 mm			John Henry Renouard was born in 1758. He as admitted to Trinity from Eton in 1776 and elected a Scholar in 1778. He graduated BA in 1781 as 5th Wrangler - that is the man placed fifth in the Senate House Examination - and became a Fellow of Trinity two years later. He was Vice-Master from 1806 to his death in 1830.His step-brother was Professor of Arabic in the University.Augustin Edouart, served under Napoleon, and was decorated. He married Mademoiselle Vital, and during the political crisis came to England where he initially made a living teaching French and makeing portraits out of hair, before moving into silhoutte making. He cut sillhouttes in doubled black paper;he stayed in the large towns in England and elsewhere on the continent. He kept his duplicates in books which contained upwards of 100,000 portraits. These included the French Royal Family taken at Holyrood hundreds of the gentry and nobility of Great Britain, professional men, statesmen, politicians, and almost every man and woman of note in his time.He wrote a treatise on silhouettes, a demy octavo volume with many illustrations, which is now very rare. When he was about fifty years of age, Edouart went to America, and while there he cut the portraits of presidents, soldiers, sailors, senators, and famous men and women in the States. In 1849 the ship Oneida, on which the artist returned, was wrecked, and many of his valuable volumes of duplicates were lost, some 9,000 portraits. However 14 volumes were saved and form a remarkable collection of the celebrities of his dayInformation sources - www.papercutters.info, and Jonathan Smith archavist atTrinity College Library	150.00	£150	unmounted	Print	 Cambridge	Trinity College Cambridge						
9752		T. Matthews after J.P. Neale	Cokethorpe Park, Oxfordshire.	Copper engraving	London Pub. Jan 1, 1810, by J.P. Neale 16 Bennett St. Blackfriars Road & Sherwood, Neely & Jones_Paternoster Row			Image 84 x 126 mm, Pl.142 x 232 mm				10	£10	unmounted	Print	British Topography	Oxfordshire						
9753		Samuel and Nathaniel Buck	The South-West View of Clattercote-Priory, in the County of Oxford.	Copper engraving	c. 1729			I 347 x 195 mm				20	£20	unmounted	Print	British Topography	Oxfordshire						
9754			View of Minster Lovel Priory in the County of Oxford.	Copper engraving	London: Published by Alexr. Hogg at the Kings Arms No. 16 Paternoster Row			Image 110 x 243 mm, Pl. 178 x 254 mm				20	£20	unmounted	Print	British Topography	Oxfordshire						
9755		L.Sailliar, “Josiah Boydell delin.t” after Gerard Honthurst	In his Majesty’s Collection, at the Royal Palace, Windsor./William II of Nassau Stadtholder of the United States of Holland	Line and Stipple engraving	John Boydell excudit 1781. Publish’d Oct.r 1.st 1781 by John Boydell Engraver in Cheapside London			Image: 377 x 575 mm. Plate: 393 x 585mm				350	£350	mounted	Print	Portraits	British Royalty						
9756		Carrington Bowles	A Man of War in disress lying too under a ballance mizen Stay-sail, in a STORM at Sunset.	Copper engraving	Published as the Act directs, 19 May 1783. No. 69 in St. Pauls Church Yard London			Image 151 x 262 mm, Pl. 175 x 277 mm				60	£60	unmounted	Print	General Interest	Maritime						
9757		Carrington Bowles	A View of the Texel, a Dutch Sea Port on the Coast of Holland, with a Ship on Fire by Night	Copper engraving	Published as the Act directs, 19 May 1783. No. 69 in St. Pauls Church Yard London			Image 151 x 262 mm, Pl. 175 x 277 mm				60	£60	unmounted	Print	General Interest	Maritime						
9759		Carrington Bowles	Landing Necessaries on a Raft, in a Calm after a Storm, from a Wreck left on a Rock at Low water.	Copper engraving	Published as the Act directs, 19 May 1783. No. 69 in St. Pauls Church Yard London			Image 151 x 262 mm, Pl. 175 x 277 mm				60	£60	unmounted	Print	General Interest	Maritime						
9760		A.Bouillet	Fac-simile d'un dessin de girodet-Trioson, Inscrit au Catalogue de sa vente sous le No 230	Lithograph	Chez Caillou-Pobelle, Rue St Honoie			I 270 x 210 mm				30.00	£30	unmounted	Print	General Interest	Decorative						
9761			North Forland Lighthouse 	Pencil drawing				Image 140 x 175 mm vignette, Sheet 185 x 230 mm			he North Foreland and South Foreland are two chalk headlands on the Kent coast of southern England located on St Margaret's Bay (named after the village of St Margaret-at-Cliffe). The North Foreland forms the eastern end of the Isle of Thanet, and the South Foreland is 5 km (3 miles) northeast of Dover, overlooking the Strait of Dover. 	75	£75	unmounted	Print	British Topography	Kent						
9762		Girodei Pinat	Odalisque	Lithograph	A paris, chez f.que Noel et Cie editeurs Rue des deux portes ecole de medecine, No 7			I 175 x 150 mm				30.00	£30	unmounted	Print	General Interest	Decorative						
9764		Schenkersculp	Le Don Ce Plaire	Lithograph	Public’par Bance de Aument de Paris Depose a la Direction			Image 90 x 80 mm vignette plate 140 x 110 mm				30.00	£30	unmounted	Print	General Interest	Decorative						
9765		W. Finden after E.W. Cooke	Ramsgate	Steel engraving	Published c. 1840			Image 125 x 175 mm, Sheet 165 x 245 mm	From  Finden's Ports, Harbours and Watering Places. The Ports, Harbours, Watering-Places, And Picturesque Scenery of Great Britain. Illustrated by Views taken on the spor, by W. H. Barthlett, J. D. Harding, T. Creswick and others. With Descriptions, Historical and Topocraphical.		Showing Ramsgate Lighthouse	40	£40	unmounted	Print	British Topography	Kent						
9766		Negelindel	Le Matin	Lithograph	Public’par Bance de Aument de Paris Depose a la Direction			Image 90 x 80 mm vignette plate 140 x 110 mm				30.00	£30	unmounted	Print	General Interest	Decorative						
9767		Negelindel	Le Petite Maitresse	Lithograph	Public’par CH Bance de Aument de Paris 			Image 90 x 80 mm vignette plate 140 x 110 mm				30.00	£30	unmounted	Print	General Interest	Decorative						
9768		Negelindel	Le Midi	Lithograph	Public’par Bance de Aument de Paris Depose a la Direction			Image 90 x 80 mm vignette plate 140 x 110 mm				30.00	£30	unmounted	Print	General Interest	Decorative						
9769		Caudnis	Le Constante Amitie	Lithograph	A Paris, chez Tessari et Co. Quai des Augustins No 25 Depose			Image 90 x 80 mm vignette plate 140 x 110 mm				30.00	£30	unmounted	Print	General Interest	Decorative						
9770		J.J. Hinchchife after W.H. Bartlett	Bridge to the South Stack Lighthouse (near Holyhead)	Steel engraving with handcolour				Image 120 x 181 mm, Sheet 207 x 265 mm			Condtion: Laiddown with some light staining	15	£15	unmounted	Print	British Topography	Wales						
9771		W.J. White	John Cushing and Thomas Walton, with a View of the Custom House, from West Lynn.	Copper engraving	Published March 25.th 1819 by W.J. White'			Image 128mm x 89mm Plate 132mm x 93mm			 'John Cushing and Thomas Walton, with a View of the Custom House, from West Lynn' by W.J. White, etching on paper, 1819; signed in plate lower right of subject 'W. J. White, del et Sc.'; in plate lower centre of subject 'JOHN CUSHING, / and / THOMAS WALTON, / with a view of / The Custom House [ampersand]c. / from West Lynn. / NWHCM : 1954.138, Todd 18, Freebridge, 143a : F 	40	£40	unmounted	Print	Portraits	Scientific, Industrial & Medical						
9772		H. Robinson after Sir Thos Lawrence, P.R.A	Samuel Lysons, ESQ. V.P.R.S.-F.S.A	Steel engraving with Stipple	Fisher, Son & Co. London, 1833			Image 114mm x 92mm Plate 229mm x 146mm			English antiquary and topographerSitter in 7 portraits.	15	£15	unmounted	Print	Portraits	Historians, Academics & Philiosophers						
9773		F.Holl after JAs. Fisher	The Flower of Dunblane	Stipple	Published October 1st 1860; by Lloyd Brothers & Co. Publishers to Her Majesty, 96 Gracechurch Street, London. H. A. Brown 7 Co. Hanover Street boston, U.S.			Image 170mm x 120mm			Crease at the top of the paper, slight stain over the image.	25	£25	unmounted	Print	Portraits	Literary and Poetic						
9774		H.B. Hall after Sir T. Lawrence	A. R. Dottin. Esq. M. P	Steel engraving with Stipple	Pub. 1838 by the proprietors R.Riley & Co. 8 regent Street. also by J. Fraser. 215. Regent St.& F.C. Moon. Threadneedle St.			Image 238mm x 185mm			Patron of  Hants Picture Galleryslight perferation of the paper around the face aswell as some light foxing. 	35	£35	unmounted	Print	Portraits	British Nobility						
9775		Capewell and Kimmel. Sc	Empress Eugine and Her Maids of  Honour.	Steel engraving with Stipple	Engraved Expressly for MME. Demorest’s Mirror of Fashions c1860			Image 221mm x 311mm			Glue staining in the cornersThe Grouping from Winterhalters. Great Picture.	30	£30	unmounted	Print	Portraits	Foreign Royalty						
9776		Schenck & MacFarlane	Hungarian Heroes In Chains	Lithograph	Respectfully Dedicated to Mrs Charles Souchay, Manchester by the Publisher J. Constantin Kastner			Image 287 x 385 mm 				60.00	£60	mounted	Print	General Interest	Military						
9777		E.Scriven after J. Lucas	The Viscountess Mahon	Steel engraving with Stipple	c.1840			Image 161mm x 122 mm, Plate 254mm x 175mm 				15	£15	unmounted	Print	Portraits	British Nobility						
9778		H.Robinson after W. Robinson	Thomas Philip Weddell Robinson, Earl de Grey	Steel engraving with Stipple	c.1830			Image 121mm x 92mm			Facsimilie signature	10	£10	unmounted	Print	Portraits	British Nobility						
9779		W.H Egleton after W. Fisher	Hon. Mrs Henry Baillie	Steel engraving with Stipple	c.1840			Image 151mm x 112mm, Plate 262mm x 180mm				10	£10	unmounted	Print	Portraits	British Nobility						
9782		W. H Mote after R. Thorburn	The Countess of Craven	Steel engraving with Stipple	c.1840			Image 191mm x 127mm, Plate 264mm x 176mm				15	£15	unmounted	Print	Portraits	British Nobility						
9783		W. H.  Egleton after A. E. Chalon R. A	The Lady Fanny Conper	Steel engraving with Stipple	 c. 1840			Image 172mm x 123mm, Plate 260mm x 177mm				10	£10	unmounted	Print	Portraits	British Nobility						
9784		W. Knight after A.E Chalon, R. A	The Lady Bulkeley Phillips	Steel engraving with Stipple	c.1840			Image 163mm x 125mm, Plate 260mm x 175mm				10	£10	unmounted	Print	Portraits	British Nobility						
9786		J. Le Keux after F. Mackenzie	Brazen Nose College Chapel	Steel engraving with hand colouring	Published April. 1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 143 x 92mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35	£35	mounted	Print	Oxford	Brasenose College						
9789		J. Le Keux after F. Mackenzie	The Quadrangle of Jesus College	Steel engraving with hand colouring	Published Feb. 1st 1836 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40	mounted	Print	Oxford	Jesus College						
9791		J. Le Keux after F. Mackenzie	St Aldates Church	Steel engraving with hand colouring	Published Sept. 1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet St. & J. Le Keux, Harmondsworth			I 140 x 95 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40	mounted	Print	Oxford	Oxford Churches						
9793		David Loggan	Collegium Reginale Cantb.	Copper engraving	c. 1690			Image 320 x 437 mm, Pl. 350 x 445 mm			Loggan's great works are his Oxford views and his much rarer Cambridge engravings. The extraordinary amount of accurate detail in both implies considerable time spent on the study of the buildings and on the preparation of the plates. The Oxford views, as the Introduction tells us, had been 'long expected, and begun several years before' [diu expectatum Opus, annis abhinc aliquot susceptum']. Wood refers to the plates as early as 1665, which is the date that Loggan lived at Nuffield in Oxfordshire, and the probable date that he started work on the views. He mentions them again in 1669, when Loggan was able to exhibit many of the plates as finished. Wood clearly expected that the sheets would have been ready in 1674 to be bound with his Historia et Antiquitates, by those that wished it. He both disclaimed responsibility for the captions to the plates in his introduction to the reader, and several times elsewhere referred to them as 'the cuts belonging to my book'. This, and the fact that Loggan's Index refers to Wood, relating the illustration to the place where a history of the building can be found, provides clear evidence of an intention that Wood's history and Loggan's views should appear together. Why they didn't is unclear, because it seems that they were ready. Fell had written, on Jan. 19th, 1674/5, that the plates were 'in a manner quite finished'. It may be that the tensions which had arisen between Fell and Wood over the editing of Historia et Antiquitates hold the key to this puzzle. The plates were not printed at the Sheldonian, but at Leonard Lichfield's house in Holywell, where it is presumed that the rolling press was housed. (Madan.) Loggan's Cambridge views have been much less reviewed by bibliographers. The best piece still, although discursive, is the introduction and the captions to each plate by J.W. Clark in the Macmillan and Bowes reprint of 1905. In the year following the publication of 'Oxonia Illustrata' Loggan was in Cambridge printing Wren's design for the Library of Trinity. This employment may have prompted him to turn his attention to Cambridge. Clark thought it 'not difficult to prove that 'Cantabrigia Illustrata' was definitely begun in 1678 or 1679, if not earlier, and that it could not have been published before 1690'. The former proposition he demonstrates by internal evidence. He shows that it was published by 1690 using entries in the account books of at least two colleges. Wing records an edition of 1688 (Wing L2836), with four UK locations, and one US. We have only been able to check the copies in the Library of King's College, Cambridge, and that at Chatsworth, both of which proved to have undated title-pages identical with the majority of copies. This, allied to the fact that Clark makes no mention of a 1688 edition, leads us to suspect that this particular Wing entry may prove to be a 'ghost'. Naturally we are unable to state this categorically without a reliable report on the remaining three copies. One of these, originally part of the of Norwich City Library, was present in the 1732 catalogue, but not in the Kitton 1883 catalogue, nor in the list of strong room books lost in the recent fire. The library, however, did lose all the local history folios so it may have gone then. To quote a Millenium Library source, 'the fate of this volume may well remain a mystery'. Where Wing picked up a reference to it is also a puzzle. 'The beauty of Loggan's views of the colleges has long been accepted ... Their fidelity can be realised by anyone who will take the trouble to study even a single plate minutely. Would any artist have invented the details which abound in his engravings - the variety, the small differences in the arrangement of doors and windows - the laying out of the courts, the gardens with their flower-beds and summer-houses, the bowling-greens, the tennis-courts - and, in a word, the domestic matters which speak eloquently of the time when a college was the home of its inmates, who found within the precincts all things needful for their daily life, in study, exercise, and diversion?'Condition: Excellent	600	£600	unmounted	Print	 Cambridge	Queens’ College Cambridge						
9795		J. Le Keux after F. Mackenzie	Interior of New College Chapel	Steel engraving with hand colouring	Published June 1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40	mounted	Print	Oxford	New College						
9796		Richard Simkin	The Highland Regiments of the British Army	Chromolithograph	c. 1885			116 x 157 mm			A set of five Christmas cards of Highland Regiments including: The Princess Louise’s Argyll and Sutherland Highlanders, Seaforth Highlanders (Ross-shire Buffs, The Duke of Albany’s), The Gordon Highlanders, The Queen’s Own Cameron Highlanders, and the Highland Light Infantry with wrappers.Condition: Some light soiling but generally in good conition.	100	£100	unmounted	Print	General Interest	Military						
9797		Jno. Lodge	A Plan of Charles Town the Capital of South Carolina, with the Harbour, Islands, and Forts; the Attack on Fort Sulivan by His Majesty’s Ships under Sir Peter Parker in 1776; the Position of the Land Forces under General Clinton, and the Rebel Camp and Intrenchments, exactly delineated	Copper engraved map	Political M137agzine London, c. 1780			137 x 285 mm			 Fascinating Revolutionary War battle plan shows the British attack on Charleston that occurred June 28, 1776. The British fleet under Admiral Peter Parker bombarded Fort Sullivan, but were unable to destroy it and in fact were forced to retreat and withdraw to New York under heavy fire. The map locates the British 1st and 2nd brigades on Long Island, and shows the British fleet firing on Camp Sullivan while the 'Rebel Ships' are located off of Charlestown Neck. The 'Rebel Camp and Intrenchments' are located as well.	400	£400	unmounted	Map	North and South America	South Carolina						
9798			View of the First Conservative Fete and Regatta at Nuneham August 13th, 1839, Respectfully dedicated to Donald MacClean Esqr. M.P. at whose suggestion and under whose auspice the fete and Regatta were under taken	Lithograph	Plowman’s Oxford, c. 1839			Image 264 x 370 mm, Sheet 298 x 387 mm			A rare print.Condition: Some light overall soiling and a small repaired hole.	400	£400	unmounted	Print	Sports	Rowing						
9801		J. Le Keux after F. Mackenzie	Front of St John’s College	Steel engraving with hand colour	Published Jany. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40	mounted	Print	Oxford	St. John’s College						
9803		J. Bluck after W. Westall	View of Oxford taken from New College Tower	Aquatint with hand colouring	London Pubd. Sept. 1st 1814 at 101 Strand for R. Ackermann’s History of Oxford			I 210 x 282 mm, Pl. 253 x 300 mm	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			200	£200	mounted	Print	Oxford	General Views						
9804		J. Bluck after A. Pugin	Cloister of Magdalen College	Aquatint with hand colouring	Published London, Feb. 1 1814, at 101 Strand, for R. Ackermann’s History of Oxford.			I 265 x 205	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.		Ackermann’s History of Oxford complimented his works on London, Cambridge and the Public Schools to form a magnificent set of colour-plate books.  The finest artists were employed and the work was rightly celebrated as a major contribution to early nineteenth-century English topography.	140	£140	mounted	Print	Oxford	Magdalen College						
9806		W. Radclyffe after F. Mackenzie	Old Approach to Magdalen College.	Steel engraving	Published by J.H. Parker, Oxford, Novemner 1, 1846.			Image 222 x 303 mm			This print was done for the Oxford Almanack for 1847	100	£100	mounted	Print	Oxford	Magdalen College						
9807		William Strang	A Sale of Prints	Etching	1889			Image and Plate 300 x 390 mm			Signed in pencilFrom a limited edition of 60Binyon 143	950	£950	framed	Print	20th Century							
9810		Engelmans 	Sir Walter Scotts Vision of Lord Byron “The individual, of whom I speak saw light before him and in a standing posture the exact representation of his departed friend. Sensible however of the delusion he felt no sentiment save that of wonder at the extraordinary accuracy of the resemblance and stepped onwards towards the figure, which resolved itself, as he approached into the various materials of which it was composed” - see page 59. Letters on Demonology	Lithograph	Published January 3rd 1832, By W Spooner, 259 Regent St			Image 135 x 175 mm				75.00	£75	unmounted	Print	Portraits	Literary and Poetic						
9813		Joseph Pennell	[St John’s]	Etching				I 242 x 181 mm				50	£50	mounted	Print	Oxford	St. John’s College						
9814		Benjamin Fawcett after Alexander Francis Lydon	Crucian Carp. Prussian Carp	Chromolithograph	London: William Mackenzie, 69, Ludgate Hill E.C.  Edinburgh and Dublin. 1879			Image: 210 x 298 mm	British Fresh-Water Fishes		From “British Fresh Water Fish”Rev. W. Houghton (author)Alexander Francis Lydon (1836-1917) (artist)Benjamin Fawcett (1808-1893) (printer)British Fresh-Water FishesWilliam MacKenzie, London: 1879 (first edition)Renowned color-plate study of British fresh water fish in two volumes. The 41 exceptional color plates generally show one, two, or a few fish lying on the banks of their natural habitat or superimposed over a landscape view.  Sometimes they are depicted naturalistically, swimming in an underwater setting.  The books also contain 38 engraved heading views of regions where the fish are found and numerous diagrams.  Extensive text discusses the characteristics of the species and their habitats.  The volumes are bound in decorative embossed pictorial covers with a central gilt pictorial vignette of an angler holding a fish and decorative freshwater fish motifs in each corner.According to the title page of British Fresh-Water Fishes, the author, Rev. W. Houghton, served as rector of Preston-on-the-Weald Moors, Shropshire.  At the same time, he was a serious naturalist who had previously authored Sea-side Walks of a Naturalist, and was a Fellow of the Linnaean Society of London, a scientific society for the study of biology founded in 1788.  For this work, Houghton studied the specimens in the collection of the British Museum.  British Fresh-Water Fishes was originally printed in 2 volumes in 1879, and was notable for its incorporation of the naturalistic backgrounds of the fish habitats.  The fact that this work has been reprinted in subsequent editions from the 19th century through the 1980s attests to the quality and interest of the descriptions and illustrations, even though taxonomists have since revised some of the classifications.Benjamin Fawcett was a printer in Diffield, Yorkshire, England, noted for his mastery of color woodblock printing.  Alexander Francis Lydon was a painter and draftsman who began as Fawcett’s apprentice and became his frequent collaborator.  Together they produced the plates for many illustrated natural history and topographic works, including a number of works by Francis Orpen Morris, such as A History of British Birds (1851-1857) and Picturesque Views of Seats of Noblemen and Gentlemen of Great Britain and Ireland (1880).  They also contributed illustrations to natural history books by other authors, such as William Thomas Greene's three-volume Parrots in Captivity (1882-87).	100	£100	mounted	Print	General Interest	Fish						
9816		J & H Storer	Worcester College (from High Bridge)	Copper engraving with hand colouring	London Pubd. June 1 1821 by Dherwood, Neely & Jones			 Image 101 x 70 mm	Lascelles’ The University and City of Oxford: Displayed in a Series of Seventy-two Views Drawn and Engraved by J. and H.S. Storer accompanied with a Dialogue, after the manner of Castiglione.			45	£45	mounted	Print	Oxford	Worcester College						
9818		J & H.S Storer	Merton College (from Christchurch Walk)	Copper engraving with hand colouring	London Pubd. June1 1821 by Sherwood, Neely & Jones			Image 70 x 105 mm	Lascelles’ The University and City of Oxford: Displayed in a Series of Seventy-two Views Drawn and Engraved by J. and H.S. Storer accompanied with a Dialogue, after the manner of Castiglione.			45	£45	mounted	Print	Oxford	Merton College						
9819		J & H.S Storer	Chapel (Lincoln College)	Copper engraving with hand colouring	London Pubd.Sep 1 1821 by Sherwood, Neely & Jones			Image 70 x 101 mm	Lascelles’ The University and City of Oxford: Displayed in a Series of Seventy-two Views Drawn and Engraved by J. and H.S. Storer accompanied with a Dialogue, after the manner of Castiglione.			45	£45	mounted	Print	Oxford	Lincoln College						
9820		J & H.S Storer	S.W. View of Oxford	Copper engraving with hand colouring	London Pubd. Nov 1 1821 by Sherwood, Neely & Jones			Image 68 x 110 mm	Lascelles’ The University and City of Oxford: Displayed in a Series of Seventy-two Views Drawn and Engraved by J. and H.S. Storer accompanied with a Dialogue, after the manner of Castiglione.			45	£45	mounted	Print	Oxford	General Views						
9821		J. Whessell	The Observatory from the Parks	Copper engraving	Published by I. Whessell circa 1810			Image 58 x 84 mm				45	£45	mounted	Print	Oxford	General Views						
9822		Ja. Carter after S.Prout	The Library of St Mark, St Mark’s Place, Venice.	Steel engraving	Fisher, Son & Co. London & Paris, 1836			Image 96 x 147 mm				40	£40	mounted	Print	Foreign Topography	Italy						
9823		Woolnoth after J.P. Neale	The Tower of Magdalen College Oxford	Copper engraving with hand colouring	London Published by John Harris, St Pauls Church Yard, May 1, 1813			Image 151 x 102 mm	from the Beauties of England and Wales			35	£35	mounted	Print	Oxford	Magdalen College						
9825		J. Whessell	Astronomical Observatory	Copper engraving	Oxford Published by I Whessell & T Bartlett 1832			Image 58 x 84 mm				30	£30	mounted	Print	Oxford	Green College						
9826		W. S. Coleman	Oxford, from near Binsey	Copper engraving	Butterworth and Heath 1880			Image 43 x 85 mm				25	£25	mounted	Print	Oxford	General Views						
9827		W.R. Smith after J.M.W Turner	Long-ships Light House, Lands End.	Steel engraving	London, Published 1836, for the Proprietor by Longman & Co Paternoster Row			Image 166 x 252 mm, Pl. 255 x 330 mm				40	£40	unmounted	Print	British Topography	Cornwall						
9829		J. Lewis after S.Prout	The Campanile, Venice 	Steel engraving	c.1840			Image 149 x 96 mm				35	£35	mounted	Print	Foreign Topography	Italy						
9830		J. Le Keux after J.P. Neale	Leominster Church, (North Aisle Looking East) Herefordshire	Steel engraving	London Pub March 1,1824, by J.P. Neale, 16, Bennett St Blackfriars Road & J.Le Keux, Ash, near Farnham, Surrey			Image 115 x 90 mm Plate 167 x 125 mm				25	£25	mounted	Print	British Topography	Herefordshire						
9831		J. Bluck after W. Westall	View of Oxford taken from New College Tower	Aquatint with hand colouring	London Pubd. Sept. 1st 1814 at 101 Strand for R. Ackermann’s History of Oxford			I 210 x 282 mm, Pl. 253 x 300 mm	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			250.00	£250	framed	Print	Oxford	New College						
9834		Elizabeth Byrne after J.P Neale	Oxford	Copper engraving with hand colouring	c. 1810    			Image 100 x 152 mm	for The Beauties of England and Wales			40	£40	mounted	Print	Oxford	Magdalen College						
9836		Rock & Co.	Brasenose College, Oxford	Engraving	c. 1860			Image 70 x 98 mm				35	£35	mounted	Print	Oxford	Brasenose College						
9837		J Whessell	Entrance to New College ( The Wardens Lodgings)	Copper engraving	Published by J Whessell and T Bartlett, Oxford 1832 			Image 96 x 72 mm, Plate 114 x 82 mm				30	£30	mounted	Print	Oxford	New College	96					
9842		A. Friedel after F.A.Fracrisli	Mr B. Heldenmaier’s Pestalozzian Institution, Workshop, Nottinghamshire. Dedicated by Permission to W Champion Esq	Lithograph	252, Tottenham Court Road, London			Image 125 x 215 mm Plate 165 x 240 mm				60.00	£60	unmounted	Print	British Topography	Nottinghamshire						
9843		N. Currier	Entered according to Act of Congress in the year 1847 by N.Currier, in the  Clerk’s office of the District Court of the Southern District of New York. The Magnificent O’CONNELL Funeral Car, Passing The Park In New-York City, On Wednesday, September 22nd 1847, The Car was drawn by 12 grey horses, richly Caparisoned with Ostrich Plumes, & Cloth of black, trimmed with Silver, bearing a shield with the Irish Harp, Length 16 feet - Width 8 feet - Height 17 feet 535 The Car was designed & built by John G. Taylor 58 Prince ST. N.Y.	Lithograph	152 Nassau St. Corner of Spruce N.Y.circa 1847			Image 200 x 325mm Plate 250 x 365 mm			 	220.00	£220	unmounted	Print	Foreign Topography	North America						
9844			Elevation of the Ligh House Erected on the Bell Rock	Copper engraving	Sold by Patrick Wilson, Bookseller Arboath c. 1820			Image 165 x 95 mm, Sheet 219 x 176 mm				20	£20	unmounted	Print	British Topography	Scotland						
9845		Blome, Richard	A Mapp of the Parish of St. Pauls Covent Garden taken from the last Survey	Copper engraved map	c. 1720			304 x 178 mm			 Originally produced by Richard Blome in the late seventeenth century, the map remained unpublished until the present version appeared with the 1720 edition of John Stow's "Survey of London". 	100	£100	mounted	Map	English Counties	London						
9846		Blome, Richard	Billingsgate Ward and Bridge Ward within its Division into Parishes taken from the last Survey	Copper engraved map	c. 1720			304 x 178 mm			 Originally produced by Richard Blome in the late seventeenth century, the map remained unpublished until the present version appeared with the 1720 edition of John Stow's "Survey of London". 	100	£100	mounted	Map	English Counties	London						
9847		Carl Brodtmann	Omai	Lithograph	The Natural History of Mammals 1827			Image 170 x 165 mm			Omai was a young Tahitian man who in August 1773 embarked on the British ship HMS Adventure, commanded by Commander Tobias Furneaux, which had touched at Tahiti as part of James Cook's second voyage of discovery in the Pacific. Omai travelled to Europe on Adventure, arriving at London in October 1774 where he was introduced into society by the naturalist Sir Joseph Banks.His portrait was painted by Sir Joshua Reynolds among others, and his journey to England and subsequent return to Tahiti with Cook on his third voyage in 1776 became the subject of a theatrical production, written and directed by the dramatist John O'Keefe, entitled Omai – A Voyage ‘round the World that was performed during the 1785 Christmas season at London’s Theatre Royal in Covent Garden.Omai served as an interpreter to Cook on both his second and third voyages.	60.00	£60	unmounted	Print	Portraits	Foreign Political						
9848		Cole, Benjamin	Bishops-Gate Ward within and without According to a New Survey	Copper engraved	Published in 'Maitland's History' 1755			222 x 367 mm				90	£90	mounted	Map	English Counties	London						
9849		Cole, Benjamin	Aldgate Ward with its Divisions into Precincts & Parishes according to a New Survey	Copper engraved	Published in 'Maitland's History' 1755			222 x 367 mm				65	£65	mounted	Map	English Counties	London						
9851		Carl Brodtmann	Ein tatuirter Mann aus Nukahiwa	Lithograph	The Natural History of Mammals 1827			Image 210 x 170 mm				50.00	£50	unmounted	Print	Portraits	Foreign Political						
9852		Carl Brodtmann	Maxuruna	Lithograph	The Natural History of Mammals 1827			Image 160 x 165 mm			Peruvian Mayan Indian Maxuruna	50.00	£50	unmounted	Print	Portraits	Foreign Political						
9853		Carl Brodtmann	Feodor Jwanowitsch	Lithograph	The Natural History of Mammals 1827			Image 160 x 140 mm				50.00	£50	unmounted	Print	Portraits	Foreign Political						
9855		Carl Brodtmann	Tayadaneega	Lithograph	The Natural History of Mammals 1827			Image 220 x 150 mm			Native American Cheif who was a loyalist in the American Revolution	50.00	£50	unmounted	Print	Portraits	Foreign Political						
9856		Cole, Benjamin	Farringdon Ward without with its Division into Parishes according to a New Survey	Copper engraved	Published in 'Maitland's History' 1755			354 x 474 mm				110	£110	mounted	Map	English Counties	London						
9857		Cole, Benjamin	Baynards Castle Ward and Farringdon Ward within with their Divisions into Parishes according to a new Survey	Copper engraved	Published in 'Maitland's History' 1755			354 x 474 mm				250	£250	mounted	Map	English Counties	London						
9858		Blome, Richard	A Mapp of the Parishes of St. Saviours Southwark and St. Georges Taken from ye last Survey with Corrections	Copper engraved 	London, 1720			288 x 357 mm			 Originally produced by Richard Blome in the late seventeenth century, the map remained unpublished until the present version appeared with the 1720 edition of John Stow's "Survey of London".	100	£100	mounted	Map	English Counties	London						
9859		Blome, Richard	The Wards of Farrington within and Baynards Castle with its Divisions into Parishes taken from the last Survey with Corrections	Copper engraved 	London, 1755			294 x 349 mm			 Originally produced by Richard Blome in the late seventeenth century, the map remained unpublished until the present version appeared with the 1755 edition of John Stow's "Survey of London".	250	£250	mounted	Map	English Counties	London						
9860		Blome, Richard	Bishopsgate Street Ward. Taken from the last Survey and Corrected	Copper engraved 	London, 1720			303 x 178 mm			 Originally produced by Richard Blome in the late seventeenth century, the map remained unpublished until the present version appeared with the 1720 edition of John Stow's "Survey of London".	90	£90	mounted	Map	English Counties	London						
9861		Blome, Richard	Aldate Ward with its Division into Parishes. Taken from the last Survey, with Corrections & Addtions	Copper engraved 	London, 1720			303 x 178 mm			 Originally produced by Richard Blome in the late seventeenth century, the map remained unpublished until the present version appeared with the 1720 edition of John Stow's "Survey of London".	65	£65	mounted	Map	English Counties	London						
9862		W. Marshall, W. Simpson, P. Holmes, Francis Quarles	Various emblems from the book entitled “The Emblems”	Copper engraving	Published in 1635			Approx 115 x 70 mm			Image Shows 10 of the 30 emblems we possess please e-mail for further enquiries.  The price is for individual prints not the set.Francis Quarles (1592 - September 8, 1644), English poet, was born at Romford, London Borough of Havering, and baptized there on May 8 1592.His father, James Quarles, held several places under Elizabeth, and traced his ancestry to a family settled in England before the Conquest. He was entered at Christ's College, Cambridge, in 1608, and subsequently at Lincoln's Inn. He was made cupbearer to the Princess Elizabeth, in 1613, remaining abroad for some years; and before 1629 he was appointed secretary to Ussher, the primate of Ireland.About 1633 he returned to England, and spent the next two years in the preparation of his Emblems. In 1639 he was made city chronologer, a post in which Ben Jonson and Thomas Middleton had preceded him. At the outbreak of the Civil War he took the Royalist side, drawing up three pamphlets in 1644 in support of the king's cause. It is said that his house was searched and his papers destroyed by the Parliamentarians in consequence of these publications.Quarles married in 1618 Ursula Woodgate, by whom he had eighteen children. His son, John Quarles (1624-1665), was exiled to Flanders for his Royalist sympathies and was the author of Fons Lachrymarum (1648) and other poems.The work by which Quarles is best known, the Emblems, was originally published in 1635, with grotesque illustrations engraved by William Marshall and others. The forty-five prints in the last three books are borrowed from the Pia Desideria (Antwerp, 1624) of Herman Hugo. Each "emblem" consists of a paraphrase from a passage of Scripture, expressed in ornate and metaphorical language, followed by passages from the Christian Fathers, and concluding with an epigram of four lines. The Emblems was immensely popular with the vulgar, but the critics of the 17th and 18th centuries had no mercy on Quarles. Sir John Suckling in his Sessions of the Poets disrespectfully alluded to him as he "that makes God speak so big in's poetry." Pope in the Dunciad spoke of the Emblems, "Where the pictures for the page atone And Quarles is saved by beauties not his own."William Marshall (flourished 1617-1649) was a seventeenth century British engraver and illustrator, best known for his print depicting "Charles the Martyr", a symbolic portrayal of King Charles I of England as a Christian martyr.	15	£15		Print	General Interest	Religion						
9863			Leicester from the Knighton Hills and Leicester from the Abbey Meadows	Lithograph with tint stone	Published by M. Webster Derby			Image 228 x 368 mm, Sheet 316 x 433 mm			A rare pair of prints of Leicester	400	£400	unmounted	Print	British Topography	Leicestershire						
9867		Hasegawa, Keika	Chrysanthemum	Woodblock print	Kyoto: Tanaka Jihei and Yamada Naosaburo, July & December 1893			Image 292 x 203, Mount 443 x 328 mm	From One Hundred Chrysanthemums		Caligraphy by Yusaku.	80.00	£80	mounted	Print	Japanese	Kacho-e						
9868		Hasegawa, Keika	Chrysanthemum	Woodblock print	Kyoto: Tanaka Jihei and Yamada Naosaburo, July & December 1893			Image 272 x 173, Mount 443 x 328 mm	From One Hundred Chrysanthemums		Caligraphy by Yusaku.	80.00	£80	mounted	Print	Japanese	Kacho-e						
9870		Hasegawa, Keika	Chrysanthemum	Woodblock print	Kyoto: Tanaka Jihei and Yamada Naosaburo, July & December 1893			Image 274 x 200, Mount 443 x 328 mm	From One Hundred Chrysanthemums		Caligraphy by Yusaku.Others available please email for images.	80.00	£80	mounted	Print	Japanese	Kacho-e						
9871		Hasegawa, Keika	Chrysanthemum	Woodblock print	Kyoto: Tanaka Jihei and Yamada Naosaburo, July & December 1893			Image 270 x 145, Mount 443 x 328 mm	From One Hundred Chrysanthemums		Caligraphy by Yusaku.Others available please email for images.	80.00	£80	mounted	Print	Japanese	Kacho-e						
9873		Hasegawa, Keika	Chrysanthemum	Woodblock print	Kyoto: Tanaka Jihei and Yamada Naosaburo, July & December 1893			Image 274 x 180 mm, Mount 443 x 328 mm	From One Hundred Chrysanthemums		Caligraphy by Yusaku.	80.00	£80	mounted	Print	Japanese	Kacho-e						
9876		Hasegawa, Keika	Chrysanthemum	Woodblock print	Kyoto: Tanaka Jihei and Yamada Naosaburo, July & December 1893			Image 265 x 184 mm, Mount 443 x 328 mm	From One Hundred Chrysanthemums		Caligraphy by Yusaku.	80.00	£80	mounted	Print	Japanese	Kacho-e						
9881		Hasegawa, Keika	Chrysanthemum	Woodblock print	Kyoto: Tanaka Jihei and Yamada Naosaburo, July & December 1893			Image 263 x 149 mm, Mount 443 x 328 mm	From One Hundred Chrysanthemums		Caligraphy by Yusaku.	80.00	£80	mounted	Print	Japanese	Kacho-e						
9882		Hasegawa, Keika	Chrysanthemum	Woodblock print	Kyoto: Tanaka Jihei and Yamada Naosaburo, July & December 1893			Image 270 x 193 mm, Mount 443 x 328 mm	From One Hundred Chrysanthemums		Caligraphy by Yusaku.	80.00	£80	mounted	Print	Japanese	Kacho-e						
9883		Hasegawa, Keika	Chrysanthemum	Woodblock print	Kyoto: Tanaka Jihei and Yamada Naosaburo, July & December 1893			Image 267 x 180 mm, Mount 443 x 328 mm	From One Hundred Chrysanthemums		Caligraphy by Yusaku.	80.00	£80	mounted	Print	Japanese	Kacho-e						
9888		Hasegawa, Keika	Chrysanthemum	Woodblock print	Kyoto: Tanaka Jihei and Yamada Naosaburo, July & December 1893			Image 260 x 176 mm, Mount 443 x 328 mm	From One Hundred Chrysanthemums		Caligraphy by Yusaku.	80.00	£80	mounted	Print	Japanese	Kacho-e						
9892		Hasegawa, Keika	Chrysanthemum	Woodblock print	Kyoto: Tanaka Jihei and Yamada Naosaburo, July & December 1893			Image 290 x 150 mm, Mount 443 x 328 mm	From One Hundred Chrysanthemums		Caligraphy by Yusaku.	80.00	£80	mounted	Print	Japanese	Kacho-e						
9893		Hasegawa, Keika	Chrysanthemum	Woodblock print	Kyoto: Tanaka Jihei and Yamada Naosaburo, July & December 1893			Image 275 x 165 mm, Mount 443 x 328 mm	From One Hundred Chrysanthemums		Caligraphy by Yusaku.	80.00	£80	mounted	Print	Japanese	Kacho-e						
9894		Hasegawa, Keika	Chrysanthemum	Woodblock print	Kyoto: Tanaka Jihei and Yamada Naosaburo, July & December 1893			Image 278 x 170 mm, Mount 443 x 328 mm	From One Hundred Chrysanthemums		Caligraphy by Yusaku.	80.00	£80	mounted	Print	Japanese	Kacho-e						
9897		Hasegawa, Keika	Chrysanthemum	Woodblock print	Kyoto: Tanaka Jihei and Yamada Naosaburo, July & December 1893			Image 290 x 175 mm, Mount 443 x 328 mm	From One Hundred Chrysanthemums		Caligraphy by Yusaku.	80.00	£80	mounted	Print	Japanese	Kacho-e						
9898		Hasegawa, Keika	Chrysanthemum	Woodblock print	Kyoto: Tanaka Jihei and Yamada Naosaburo, July & December 1893			Image 280 x 150, Mount 443 x 328 mm	From One Hundred Chrysanthemums		Caligraphy by Yusaku.	80.00	£80	mounted	Print	Japanese	Kacho-e						
9899		James Scott after Sir George Hayter	Duke of Wellington visiting the Effigy and Personal Relics of  Napoleon	Mezzotint	Published by H.Graves & Co. Wednesday 29 November 1854			Image:541 x 716 mm. Plate: 684 x 801 mm			Ex-collection of Christopher Lennox-BoydPrintsellers’ Association Index 411 Engen 37The Duke of Wellington visiting Madame Tussaud’s wax worksArtists Proof before letters	500	£500	framed	Print	Portraits	Military and Naval						
9901		C. Hullmandel after William Westall	High Bridge, Oxford.	Lithograph	London. Published by Rodwell & Martin. 40 Argyll St. & 46 New Bond St. Mar. 20, 1822 			I 187 x 320 mm, S 308 x 417 mm	Westall's Thirty-five views on the Thames at Richmond, Eaton, Windsor and Oxford, published bewtween 1821 and 1823		Hythe Bridge	200	£200	framed	Print	Oxford	General Views						
9902		C. Hullmandel after William Westall	Mill at Ifley	Lithograph with hand colouring	London. Published by Rodwell & Martin. 40 Argyll St. & 46 New Bond St. Mar. 20, 1822 			I 187 x 320 mm, S 308 x 417 mm	Westall's Thirty-five views on the Thames at Richmond, Eaton, Windsor and Oxford, published bewtween 1821 and 1823		Iffley Mill	180.00	£180	framed	Print	Oxford	General Views						
9904		C. Hullmandel after William Westall	Oxford from Godstow Lock	Lithograph with hand colouring	London. Published by Rodwell & Martin. 40 Argyll St. & 46 New Bond St. Mar. 20, 1822 			I 187 x 320 mm, S 308 x 417 mm	Westall's Thirty-five views on the Thames at Richmond, Eaton, Windsor and Oxford, published bewtween 1821 and 1823			320	£320	framed	Print	Oxford	General Views						
9907		T.Wedgewood after G.Cooper	West Front of Christ Church	Steel engraving				Image 73 x 145mm				35.00	£35	mounted	Print	Oxford	Christ Church College						
9910		Whiteman & Bass	The Presbytery Of St. Aloysius, Oxford. - Mr. Wilkinson, Architect.	Photolithograph	Wyman & Sons, Printers. Gt Queens ST.			Image 175 x 260 mm				30.00	£30	mounted	Print	Oxford	Oxford Churches						
9911		Joseph Rimin	Exeter	Engraving				Image 177 x 125 mm 				40.00	£40	mounted	Print	Oxford	Exeter College						
9916		van den Keere, Pieter	Oxfordshire	Copper engraved with hand colour	c. 1627			83 x 126 mm			Pieter van den Keere came to England in 1584, as a Protestant refugee from his home town of Ghent with his sister Colette, who married Jodocus H ondius, in 1587. It was probably from Hondius that Keere learned to engrave.  Both engravers left London in 1593 to settle in Amsterdam.Keere began to engrave a series of miniature maps in 1599 in preperation for a small atlas of the British Isles.  The maps were first published  in 1617 by William Blaeu with plate numbers and Latin text.  They then passed to George Humble, who publised them in 1619 and then again in 1627.	250	£250	framed	Map	English Counties	Oxfordshire						
9917		Blaeu, G	Magnae Britanniae Et Hiberniae Tabula	Copper engraved with hand colour	c.1647			385 x 498 mm			Blaeu's attractive map of the British Isles. The carefully engraved outline is surrounded by a decorative title cartouche and mileage scale, sailing ships, a sea monster and an elegant compass rose. An inset map of the Orkneys appears in the upper right corner. A good, strong impression, with colour added.Damage to top centre fold.	750	£750	framed	Map	England & the British Isles	British Isles						
9918		Kobayashi Kiyochika  (1847 - 1915)	Bunka no koro: A Bijin of the Bunka Era (1804-1818)	Woodblock	1896 			Ôban tate-e triptych [Each sheet 14 x 9 1/2 inches] 	Hana-moyo: Flower Patterns		Signature: Kiyochika Publisher:  Kokkeido (= Akiyama Buemon) Son of a military retainer of the Tokugawa family. Studied briefly with Kawanabe Gyosai and Shibara Zeshin; may have acquired an attention to the effect of light from the photographer Shimooka Renjo in Yokihama. May also have known the Western painter Charles Wirgman. Best-known prints, 1876-1881, depict scenes of the assimilation of Western influences -- often dramatically lit by the moon, fire, or fireworks. From the early 1880s he turned to political and social satire. Worked for a number of comic journals and newspapers, among them Marumaru chinbun for which he made cartoons for 18 years. Also made woodblock illustrations and landscape prints. Working for 6 different publishers, designed ca. 80 battle triptychs during the Sino-Japanese War. Also designed a few prints of the Russo-Japanese War.	600	£600	framed	Print	Japanese 	Bijin-ga						
9919		HB	New West-India Dance, to the tune of 20 Millions	Lithograph	Published by Thos. Mc Lean 26 Haymarket June 18th 1833			Image 275 x 410 mm, Sheet 298 x 438 mm				90	£90	unmounted	Print	General Interest	Caricatures						
9922		Attributed to Taunt	Magdelen tower from the bridge	Albumen photograph				Image 200x170mm				65	£65	mounted	Print	Oxford	General Views						
9923		Lit. Rollit. after George Moreland	L’Africain Hospitalier and Trait des Negres	Stipple engraving printed in colours	France c. 1800			Image 340 x 443 mm, Sheet 395 x 483 mm 			A pair of French stipple engravings after George Moreland.Condition: trimmed within platemark and some sureface damage in surrounding paper not affecting the image	600	£600	framed	Print	General Interest	Historical						
9924		J Fittler A.R.A and J. Skelton	North East View of Broughton Castle, Oxon	Copper engraving with hand colouring	Published as the Act directs, Decr. 1 1825 by J. Skelton, Magdalen Bridge, Oxford			Image 275 x 201 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			30	£30	mounted	Print	British Topography	Oxfordshire						
9925		J. Skelton	North Transept of Witney Church Oxon	Copper engraving with hand colouring	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			Image 300 x 212 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			50	£50	mounted	Print	British Topography	Oxfordshire						
9926		Joseph Skelton	Stanton Harcourt Church, with Pope’s Tower and Ancient Kitchen	Copper engraving with hand colouring	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 670 x 225 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			45	£45	mounted	Print	British Topography	Oxfordshire						
9927		Thomas Tagg after James Ward	[Pair of cows]	Steel engraving	PublishedApril 1st 1807 by Messers Boydells & Co. No. 90 Cheapside, London			Image 360x280 mm vignette				100	£100	mounted	Print	General Interest	Farm Animals						
9928		Fullarton, Archibald	Oxfordshire.	Copper engraved with later hand colouring	Pub.d by Archd. Fullarton & Co. Glasgow circa 1830			240 x 187 mm				55.00	£55	mounted	Map	English Counties	Oxfordshire						
9929		J. Reeves after F. Mackenzie	Gate of Christ Church -- From Pembroke College	Aquatint	London, Published May 1, 1814 at 101 Strand for R. Ackermann’s History of Oxford			I 205 x 275 mm, 295 x 245 mm				200	£200	mounted	Print	Oxford	Christ Church College						
9930		H. Alken	Ideas	Aquatint	1827			Image: 425 x 385 mm				350	£350	mounted	Print	General Interest	Hunting & Shooting						
9931		J. C. Stadler after F. Mackenzie	Library of Christ Church	Aquatint with hand colouring	London Pub. Decr. 1 1814 at 1010 Strand for R. Ackermann’s History of Oxford			I 205 x 265	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.			100	£100	mounted	Print	Oxford	Christ Church College						
9934		Herbert Herkomer	unknown	Etching	c. 1884			I: 160x185			Herkomer (1849-1914) was German born but spent most of his working life in England. He was an Idyllist to some extent, but as he saw the distress caused by the agricultural slump he reflected a gloomier picture. Primarily a painter he took up etching briefly in the 1880s and wrote polemical books on “true” and “false” etching. He later turned to lithography.	150	£150	mounted	Print	Victorian							
9936		Walker, C. & J.	Oxfordshire	Steel engraving with hand colouring	Drawn and Engraved for Boundaries Commision			210 x 260				35	£35	mounted	Map	English Counties	Oxfordshire						
9938		J. Skelton	Ruins of Minster Lovel Priory, Oxon	Copper engraving	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 650 x 224 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			25	£25	mounted	Print	British Topography	Oxfordshire						
9939		Charles Tomkins	Warfield Church	Aquatint	c.1805			Image: 100 x 260 mm	Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.		Playing cricket on lawn	30	£30	mounted	Print	British Topography	Berkshire						
9940		Hawkins	Friar Bacon’s Study, at Oxford	Copper engraving with hand colouring	Published according to Act of Parliment by Alexr Hogg No 16 Paternoster Row c. 1780 			I 131 x 183 mm			From Henry Boswell’s The Antiquities of England and Wales	35	£35	mounted	Print	Oxford	General Views						
9941		Joseph Skelton after W. Lowry	Astronomical Observatory.	Copper engraving with hand colouring	Published as the Act directs, c. 1820, by J. Skelton, St. Aldates, Oxford.			Image 164 x 244 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed	80	£80	mounted	Print	Oxford	Green College						
9942			The Dodo	Woodblock print	London, June 1. 1833			Image 118 x 147 mm 			The Penny Magazine, published every Saturday from 31 March 1832 to 31 October 1845, was an illustrated British magazine aimed at the working class. Charles Knight created it for the Society for the Diffusion of Useful Knowledge in response to Chambers' Edinburgh Journal, which started two months earlier. Sold for only a penny and illustrated with woodcuts, it was an expensive enterprise that could only be supported by very large circulation. Though initially very successful—with a circulation of 200,000 in the first year—it proved too dry and too Whiggish to appeal to the working class audience it needed to be financially viable. Its competitor grew more slowly, but lasted much longer.	80.00	£80	unmounted	Print	General Interest	Birds						
9944		F.P. Nodder	The Dodo	Copper engraving with hand colouring	London, Published December 1st 1792, by F.P. Nodder & Co, Number 15 Brewer Street						Mint Condition with text in English and Latin	250.00	£250	unmounted	Print	General Interest	Birds						
9945		Walker after Buss	The Vice Chancellor Conferring The Degree Of Bachelor Of Arts, At Oxford, 1842	Lithograph	From “The English Universities from the German of V.A. Huber, An Abridged Translation, edited by Francis Newman.”  London: W. Pickering. Manchester: Simms & Dinham. 1843			Image 107 x 165 mm			Printed by Day & Haghe	40.00	£40	mounted	Print	Oxford	Student Life						
9946		Walker after Buss	A Student Signing His Name In The Matriculation Book, Before The Vice Chancellor At Oxford, 1842	Lithograph	From “The English Universities from the German of V.A. Huber, An Abridged Translation, edited by Francis Newman.”  London: W. Pickering. Manchester: Simms & Dinham. 1843			Image 107 x 165 mm			Printed by Day & Haghe	40.00	£40	mounted	Print	Oxford	Student Life						
9947		Walker after Buss	The Vice Chancellor Conferring the Degree Of Master Of Arts, Oxford, April 1842	Lithograph	From “The English Universities from the German of V.A. Huber, An Abridged Translation, edited by Francis Newman.”  London: W. Pickering. Manchester: Simms & Dinham. 1843			Image 107 x 165 mm			Printed by Day & Haghe	40.00	£40	mounted	Print	Oxford	Student Life						
9949		Walker after Buss	Christ Church Chapel, Oxford.	Lithograph	From “The English Universities from the German of V.A. Huber, An Abridged Translation, edited by Francis Newman.”  London: W. Pickering. Manchester: Simms & Dinham. 1843			Image 107 x 165 mm			Printed by Day & Haghe	40.00	£40	mounted	Print	Oxford	Student Life						
9950		Walker after Buss	Oxford University Students, Driving Tandem, 1842.	Lithograph	From “The English Universities from the German of V.A. Huber, An Abridged Translation, edited by Francis Newman.”  London: W. Pickering. Manchester: Simms & Dinham. 1843			Image 107 x 165 mm			Printed by Day & Haghe	40.00	£40	mounted	Print	Oxford	Student Life						
9951		Walker after Buss	Examination Of Candidates For The Degree Of Batchelor Of Arts. Oxford April 1842	Lithograph with hand colouring	From “The English Universities from the German of V.A. Huber, An Abridged Translation, edited by Francis Newman.”  London: W. Pickering. Manchester: Simms & Dinham. 1843			Image 107 x 190 mm			Printed by Day & Haghe	60.00	£60	mounted	Print	Oxford	Student Life						
9952		Morna Rhys	Misty Dawn	Etching	2007			Image: 130 x 360 mm				100.00	£100	mounted	Print	Contemporary Oxford Printmakers	Morna Rhys						
9955		Flora McLaclan	Moonrise	Etching	2007			Image: 245 x 275 mm				125.00	£125	mounted	Print	Contemporary Oxford Printmakers	Flora McLachlan						
9957		J. Le Keux after F. Mackenzie	West Front of Christ Church	Steel engraving with hand colouring	Published Feb. 1,1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 150 x 112 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	50.00	£50	mounted	Print	Oxford	Christ Church College						
9959		J. Bluck after A. Pugin	Hall of Christ Church.	Aquatint with hand colouring	London, Pubd. Augt 1, 1814, at 101 Strand, from R. Ackermann’s History of Oxford.			Image 213 x 267 mm	Ackermann, Rudolph. A History of the University of Oxford, its Colleges, Halls and Public Buildings.		Ackermann’s History of Oxford complimented his works on London, Cambridge and the Public Schools to form a magnificent set of colour-plate books.  The finest artists were employed and the work was rightly celebrated as a major contribution to early nineteenth-century English topography.	150	£150	mounted	Print	Oxford	Christ Church College						
9960		After E. Rooker	A View of the City of Oxford	Copper engraving	Published c.1773						Oxford from behind Wadham college, with New college chapel and tower, the turrets of all souls, the spire of St. Mary’s Church, the dome of the Radcliffe Library, and the tower of the schools.	50	£50	mounted	Print	Oxford	General Views						
9962			Merton College, in Oxford, seen from the Meadows	Copper engraving	c. 1770			Image: 120 x 200 mm Sheet: 240 x 280 mm				40	£40	mounted	Print	Oxford	Merton College						
9964		A. Lepretre	Les tulipes	Etching	2007			Image 295 x 270 mm				70.00	£70	mounted	Print	Contemporary Oxford Printmakers	A. Lepretre						
9965		A. Lepretre	Pissenlits	Etching	2007			Image 195 x 150 mm				45.00	£45	mounted	Print	Contemporary Oxford Printmakers	A. Lepretre						
9967		A. Lepretre	Les insectes	Etching	2006			Image 145 x 160 mm				60.00	£60	mounted	Print	Contemporary Oxford Printmakers	A. Lepretre						
9973		Javier Periz	About Weissenborn					Image 150 x 200 mm				75.00	£75	mounted	Print	Contemporary Oxford Printmakers	Javier Periz						
9975		Morna Rhys	Weeping Beech	Etching	2007			Image: 380 x 460 mm				135	£135	mounted	Print	Contemporary Oxford Printmakers	Morna Rhys						
9976		Charles Tomkins	Caversham Church	Aquatint	London Published as the Act Directs 1794			Image 149 x 226 mm	Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.			30	£30	mounted	Print	British Topography	Berkshire						
9977		William Lionel Wyllie, R.A. (1851-1931)	Escape of H.M.S. Calliope from Apia harbour Samoa on the 16th of March . 1889.	Etching	Published by the Art Union of London, 112 Strand, London, 1892. Copyright Registered			Image 455 x 600				1200	£1,200	framed	Print	General Interest	Maritime						
9979		Charles Tomkins	Tidmarsh Church	Aquatint	London Published as the Act Directs 1794			Image 150 x 225 mm	Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.			30	£30	mounted	Print	British Topography	Berkshire						
9980		W. Lacey after Tombleson	Oxford.	Steel engraving with hand colour	London Published by Tombleson & Co. Paternoster Row, 1833-34			I 165 x 200 mm, Pl 175 x 225 mm, S 21 x 27 mm	Tombleson's Views of the Thames and Medway			45.00	£45	mounted	Print	Oxford	General Views						
9983		Samuel Ireland 	Christ Church College & South-bridge Oxford	Aquatint	Pub. for S. Ireland May 1 1799			I 165 x 111 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			45	£45	mounted	Print	Oxford	Christ Church College						
9984		O . Jewit after W. A Delamotte	Oxford	Wood Engraving	John Parker, H. Slatter and W. Graham. 1834- 1837			 Image 66 x 82 mm				35	£35	mounted	Print	Oxford	General Views						
9985		Pieter van der Aa after David Loggan	Habits ordinaires des personnes qui composent l’Universite d’Oxford	Copper engraving	1707			Image 350 x 127 mm. Plate 370 x 140mm	La Delices de la Grande Bretagne et de L’Irlande		Diagram showing 36 different styles of dress. La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	80	£80	mounted	Print	Oxford	Academic Dress						
9986		Teesdale, Henry	Oxfordshire	Copper engraved with hand colouring	London. Published by Henry Teesdale & Co. 302 Holborn. c. 1830			410 x 340 mm	From A New Travelling Atlas		Teesdale is best known for his many re- issues of the finely engraved, large detailed and interesting maps of Robert Rowe.  These maps, which are usually found with original wash colouring, were later published from c.1848 by Henri George Collins.  Teesdale also produced a plain  set of small maps in his A New Traveling Atlas in 1830.Although rarely found with the original Teesdale inprint, they are in plentiful supply with the later inprints of Collins and Orr.	100	£100	mounted	Map	English Counties	Oxfordshire						
9987		Benjamin Fawcett after Alexander Francis Lydon	Salmon Trout	Chromolithograph	London: William Mackenzie, 69, Ludgate Hill E.C.  Edinburgh and Dublin. 1879			Image: 190 x 270 mm	British Fresh-Water Fishes		From “British Fresh Water Fish”Rev. W. Houghton (author)Alexander Francis Lydon (1836-1917) (artist)Benjamin Fawcett (1808-1893) (printer)British Fresh-Water FishesWilliam MacKenzie, London: 1879 (first edition)Renowned color-plate study of British fresh water fish in two volumes. The 41 exceptional color plates generally show one, two, or a few fish lying on the banks of their natural habitat or superimposed over a landscape view.  Sometimes they are depicted naturalistically, swimming in an underwater setting.  The books also contain 38 engraved heading views of regions where the fish are found and numerous diagrams.  Extensive text discusses the characteristics of the species and their habitats.  The volumes are bound in decorative embossed pictorial covers with a central gilt pictorial vignette of an angler holding a fish and decorative freshwater fish motifs in each corner.According to the title page of British Fresh-Water Fishes, the author, Rev. W. Houghton, served as rector of Preston-on-the-Weald Moors, Shropshire.  At the same time, he was a serious naturalist who had previously authored Sea-side Walks of a Naturalist, and was a Fellow of the Linnaean Society of London, a scientific society for the study of biology founded in 1788.  For this work, Houghton studied the specimens in the collection of the British Museum.  British Fresh-Water Fishes was originally printed in 2 volumes in 1879, and was notable for its incorporation of the naturalistic backgrounds of the fish habitats.  The fact that this work has been reprinted in subsequent editions from the 19th century through the 1980s attests to the quality and interest of the descriptions and illustrations, even though taxonomists have since revised some of the classifications.Benjamin Fawcett was a printer in Diffield, Yorkshire, England, noted for his mastery of color woodblock printing.  Alexander Francis Lydon was a painter and draftsman who began as Fawcett’s apprentice and became his frequent collaborator.  Together they produced the plates for many illustrated natural history and topographic works, including a number of works by Francis Orpen Morris, such as A History of British Birds (1851-1857) and Picturesque Views of Seats of Noblemen and Gentlemen of Great Britain and Ireland (1880).  They also contributed illustrations to natural history books by other authors, such as William Thomas Greene's three-volume Parrots in Captivity (1882-87).	100	£100	mounted	Print	General Interest	Fish						
9988		Samuel Ireland	Magdalen College & Bridge Oxford	Aquatint 	Pub. for S. Ireland May 1 1799			I 110 x 165 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			55	£55	mounted	Print	Oxford	Magdalen College						
9989		Samuel Ireland	Magdalen College & Bridge Oxford	Aquatint with hand colouring	Pub. for S. Ireland May 1 1799			I 110 x 165 mm	From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland			55	£55	mounted	Print	Oxford	Magdalen College						
9994		Walker after Buss	Proctors Walking, On The Presentation Of A Suplicat For A Degree, Oxford, April, 1842	Lithograph	  London: W. Pickering. Manchester: Simms & Dinham. 1843			Image 107 x 190 mm	From “The English Universities from the German of V.A. Huber, An Abridged Translation, edited by Francis Newman.”		Printed by Day & Haghe	40.00	£40	mounted	Print	Oxford	Student Life						
9996		Vera Dawson		Aquatint and Engraving	c.1950			Image 337 x 242 mm Plate 347 x 252 mm				175	£175	mounted	Print	Oxford	Magdalen College						
9998			Union Society, Oxford, Writing Room.	Photograph	Mills and Saunders			76 x 127 mm				30	£30	mounted	Print	Oxford	General Views						
9999		J. Le Keux after F. Mackenzie	The Clarendon Building and Broad Street	Steel engraving with hand colouring	Published Feb 1st 1837 by J.H Parker OxfordC. Tilt Fleet St London & J Le Keux Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	45	£45	mounted	Print	Oxford	Broad Street Views						
10000		J.Whessell	View From The Physic Gardens	Steel engraving with hand colouring	c.1810			Image 98 x 127 mm				35	£35	mounted	Print	Oxford	Botanic Garden						
10002		Charles Tomkins	Pangbourne Berkshire	Aquatint	c.1805			Image 170 x 240 mm	Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.			30	£30	mounted	Print	British Topography	Berkshire						
10003		Charles Tomkins	Bucklebury Church	Aquatint	c.1805			Image: 155 x 232 mm	Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.			30	£30	mounted	Print	British Topography	Berkshire						
10004		Charles Tomkins	Blubury Church	Aquatint	c.1805			Image: 155 x 235 mm	Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.			30	£30	mounted	Print	British Topography	Berkshire						
10005		Charles Tomkins	Pangbourn Church	Aquatint	London Published as the Act  Directs 1794			Image: 150 x 225 mm	Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.			30	£30	mounted	Print	British Topography	Berkshire						
10006		Charles Tomkins	Sulham Church	Aquatint	London Published as the Act  Directs 1794			Image: 150 x 225 mm	Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.			30	£30	mounted	Print	British Topography	Berkshire						
10007		Charles Tomkins	Midgham Chapel	Aquatint	c.1805			Image: 152 x 230 mm	Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.			30	£30	mounted	Print	British Topography	Berkshire						
10008		Charles Tomkins	Purley Church	Aquatint	London Published as the Act  Directs 1794			Image: 150 x 226 mm	Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.			30	£30	mounted	Print	British Topography	Berkshire						
10009		Charles Tomkins	Compton Church	Aquatint	c.1805			Image: 150 x 226 mm	Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.			30	£30	mounted	Print	British Topography	Berkshire						
10010		Charles Tomkins	Whitchurch Bridge	Aquatint	c.1805			Image: 156 x 233 mm	Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.			30	£30	mounted	Print	British Topography	Oxfordshire						
10011		Charles Tomkins	Beenham Church	Aquatint	London Published as the Act Directs 1794			Image: 156 x 233 mm	Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.			30	£30	mounted	Print	British Topography	Berkshire						
10012		Charles Tomkins	Stanton Harcourt - Oxen	Aquatint	c.1805			Image: 156 x 233 mm	Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.			30	£30	mounted	Print	British Topography	Oxfordshire						
10013		Charles Tomkins	Sulhamstead Abbots Church	Aquatint	c.1805			Image: 154 x 231 mm	Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.			30	£30	mounted	Print	British Topography	Berkshire						
10014		Charles Tomkins	Thatcham Church	Aquatint	c.1805			Image: 152 x 230 mm	Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.			30	£30	mounted	Print	British Topography	Berkshire						
10015		Charles Tomkins	Englefield Church	Aquatint	c.1805			Image: 152 x 228 mm	Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.			30	£30	mounted	Print	British Topography	Berkshire						
10016		Charles Tomkins	Moulsford Chapel	Aquatint	c.1805			Image: 150 x 230 mm	Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.			30	£30	mounted	Print	British Topography	Berkshire						
10017		Charles Tomkins	Tilehurst Church	Aquatint	c.1805			Image: 150 x 230 mm	Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.			30	£30	mounted	Print	British Topography	Berkshire						
10019		Charles Tomkins	Greenham Chapel	Aquatint	c.1805			Image: 148 x 229 mm	Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.			30	£30	mounted	Print	British Topography	Berkshire						
10020		Charles Tomkins	View of Caversham, through the Gateway.	Aquatint	c.1805			Image: 150 x 226mm	Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.			30	£30	mounted	Print	British Topography	Berkshire						
10021		Charles Tomkins	Basledon. Berkshire	Aquatint	c.1805			Image: 173 x 242 mm	Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.			30	£30	mounted	Print	British Topography	Berkshire						
10022		S.Sparrow after J.Burford	St. Johns College	Copper engraving with hand colouring	Cambridge University Almanack 1819			Image 270 x 430 mm				230.00	£230	unmounted	Print	 Cambridge	St. John’s College Cambridge						
10023		S.Sparrow after J.Burford	St. Johns College Bridge & c	Copper engraving with hand colouring	University Almanack			Image 270 x 430 mm			Proof before letters	230.00	£230	unmounted	Print	 Cambridge	St. John’s College Cambridge						
10024		E.Challis after B.Rudge	St. Johns College Entance Gateway	Steel engraving with hand colouring	Cambridge University Almanack 1851			Image 270 x 430 mm				230.00	£230	unmounted	Print	 Cambridge	St. John’s College Cambridge						
10025		R.W. Smart after R.B. Harraden	The Cloister Front of the New Building St. Johns College	Steel engraving with hand colouring	Published by R.B. Harraden Cambridge 1829			Image 130 x 205 mm, Plate 175 x 243 mm				120.00	£120	unmounted	Print	 Cambridge	St. John’s College Cambridge						
10026		J.Smith after G.Kneller	Frederick Duke Of Schonberg, Marquis of Harwich, Earle of Bransford, Baron of Tays, General of all his Majesties Forces, Master General of his Majesties Ordnance,One of his Majesties most honourable Privy Council, Knight of ye most noble Order of the Garter, Count of ye Holy Empire, & Meriola Grandee of Portugal, General of ye Elector of Brandenburgs Forces, Stadtholder of Prufsia &c	Mezzotint	[published by] John Smith 			Image 385 x 260 mm 			CS i/iii, O’Donoghue 3,  second state	150.00	£150	mounted	Print	Portraits	British Nobility						
10027		J. Le Keux after F. Mackenzie	Brazen Nose College 	Steel engraving with hand colour	Published April. 1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 143 x 92mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	45	£45	mounted	Print	Oxford	Brasenose College						
10029		unknown	Part of University College	Steel engraving with hand colouring	c1840			I 112 x 80 mm				30	£30	mounted	Print	Oxford	University College						
10031		Walker, J & C 	Sussex	Copper engraved map with hancolour	c. 1830			174 x 235 mm				30	£30	mounted	Map	English Counties	Sussex						
10033		Kitchin, Thomas	An Accurate Map of Sussex Drawn from the Best Surveys & Intelligences Divided into its Hundreds Shewing the Several Roads & Measured Distances between Town and Town Also the Rectories,Vicarages & Currencies, the Parks & Seats of the Nobility & Gentry with other usefull Particulars	Copper engraved map with handcolour	Lodon printed for Robt. Sayer & John Bennett, No. 5 Fleet Street, John Bowles No. 13 Cornhill & Carrington Bowles No. 69, St. Paul’s Church Yard as the Act directs 1st of June 1777.			410 x 500 mm	From The royal English Atlas		Smith 16 Second state	500	£500	unmounted	Map	English Counties	Sussex						
10034		Speed, John	Worcestershire Described	Copper engraving with early hand colouring	London 1627			385 x 510.mm			Condition some minor defectsSpeed (1552-1629) is the most famous of all English cartographers primarily as a result of The Theatre of the Empire of Great Britaine, the first atlas of the British Isles. The maps from this atlas are the best known and most sought-after of all county maps. The maps were derived mainly from the earlier prototypes of Christopher Saxton and Robert Norden but with notable improvements including parish "Hundreds" and county boundaries, town plans and embellishments such as the coats of arms of local Earls, Dukes, and the Royal Household. The maps are famed for their borders consisting of local inhabitants in national costume and panoramic vignette views of major cities and towns. An added feature is that regular atlas copies have English text printed on the reverse, giving a charming description of life in the early seventeenth century of the region. The overall effect produced very decorative, attractive and informative maps. For the publication of this prestigious atlas Speed turned to the most successful London print-sellers of the day, John Sudbury and George Humble. William Camden introduced the leading Flemish engraver, Jodocus Hondius Sr. to John Speed in 1607 because first choice engraver William Rogers had died a few years earlier. Work commenced with the printed proofs being sent back and forth between London and Amsterdam for correction and was finally sent to London in 1611 for publication. The work was an immediate success and the maps themselves being printed for the next 150 years. Speed was born in 1552 at Farndon, Cheshire. Like his father before him he was a tailor by trade, but around 1582 he moved to London. During his spare time Speed pursued his interests of history and cartography and in 1595 his first map of Canaan was published in the "Biblical Times". This raised his profile and he soon came to the attention of poet and dramatist Sir Fulke Greville a prominent figure in the court of Queen Elizabeth. Greville as Treasurer of the Royal Navy gave Speed an appointment in the Customs Service giving him a steady income and time to pursue cartography.  Through his work he became a member of such learned societies as the Society of Antiquaries and associated with the likes of William Camden Robert Cotton and William Lambarde. He died in 1629 at the age of seventy-seven.	650.00	£650	unmounted	Map	English Counties	Worcestershire						
10035		R. Laurie after J. Collett	Lion and Horse	Mezzotint	London Printed for Robt. Sayer Bennett Print & Mapseller No. 53 in Fleet Street as the Act directs 1st July 1774			Image 427 x 551, Plate 455 x 551			Proof state, artists’ names in scratched letters Condition: Trimmed to plate	900	£900	unmounted	Print	Fine Prints	Engravers S-Z						
10036		after W.A.Delamotte	Magdalen Bridge and the Tower of Magdalen College	Woodcut	c.1860			Image: 219 x 150mm				40	£40	mounted	Print	Oxford	Magdalen College						
10037		unknown	St.Mary’s Church, Oxford	Woodcut	c1805			Image: 199 x 125 mm				30	£30	mounted	Print	Oxford	Oxford Churches						
10041		unknown	The Theatre & Clarendon printing office, Oxford.	Lithograph	c.1850			Image:103 x 159 mm				30	£30	mounted	Print	Oxford	Sheldonian Theatre						
10043		Rossini	Veduta di fianco del Panteon preso nel vicolo del Grottino	Copper engraving	Roma 1822			I 594 x 425 mm	From Le Antichita Romane, ossia Raccolta della piu interessante Vedute di Roma Antica. Rome: 1821			550	£550	mounted	Print	Foreign Topography	Italy						
10046		J.Wessell	Magdalen from Marston Fields.	Etching	Oxford, 1831				From Oxford Delineated or A Sketch of the History and Antiquities and a General Topographical Description of that celebrated University and City Illustrated by A Series of Views		Published before Ingram’s Memorials of Oxford it is a less ambitious production with just one page or so of text devoted to the history of each college. 	50	£50	mounted	Print	Oxford	Magdalen College						
10047		unknown	Oxford. High Street. 201	Albumen photograph	c.1860			Image: 205 x 160mm				55	£55	mounted	Print	Oxford	High Street Views						
10048		unknown	[Magdalen old gate]	Albumen photograph	c.1860			Image: 205 x 160mm				50	£50	mounted	Print	Oxford	Magdalen College						
10050		J. Skelton & Winkle after F.Mackenzie	West End of Bloxham Church	Copper engraving with hand colouring	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			Image: 295 x 210mm				35	£35	mounted	Print	British Topography	Oxfordshire						
10058		Petermann, Augustus	Map of the World showing the distribution of Active Volcanoes and the Regions visited by Earthquakes.	Steel engraved with hand colouring	London: Published By Orr and Company Amen Corner, Paternoster Row.c.1850			207 x 275 mm	From the Descrpriptive Atlas of Astronomy, and of Physical and Political Geography.  with descriptive Letterpress, By the Rev. Thomas Milner, M. A, F.R.G.S			55	£55	mounted	Map	World Maps & Sea Charts	World Maps						
10060		G.H. Adcock after Buss 	Examination of the Students of the University of Durham	Steel engraving	For Matriculation, July, 1842			I 184 x 102 mm				40	£40	mounted	Print	British Topography	Durham						
10061		HB [John Doyle]	Two Bright Constellations Seen through an Opera Glass	Lithograph	Published by Thomas Mclean, 26 Haymarket July 27th 1833			Image 120 x 197 mm				45	£45	mounted	Print	General Interest	Caricatures						
10063		Owen and Bowen	Hertfordshire	Copper engraving with hand colouring	c. 1720			116 x 117	From Britannia Depicta or Ogilby improv’d...			70	£70	mounted	Map	English Counties	Herefordshire						
10064		attributed to Gillman and Soames	The Isis	Photograph	c. 1896			285 x 365 mm			An exceptional photograph of the Isis.	200	£200	mounted	Print	Oxford	General Views						
10065		attributed to Gillman and Soames	University College	Photograph	c. 1896			285 x 365 mm			An exceptional photograph of theUniversity College	200	£200	mounted	Print	Oxford	University College						
10066		attributed to Gillman and Soames	Trinity College	Photograph	c. 1896			285 x 365 mm			An exceptional photograph of theTrinity College.	200	£200	mounted	Print	Oxford	Trinity College						
10067		C. Hullmandel after William Westall	High Bridge, Oxford.	Lithograph	London. Published by Rodwell & Martin. 40 Argyll St. & 46 New Bond St. Mar. 20, 1822 			I 187 x 320 mm, S 308 x 417 mm	Westall's Thirty-five views on the Thames at Richmond, Eaton, Windsor and Oxford, published bewtween 1821 and 1823		Hythe Bridge	200	£200	mounted	Print	Oxford	General Views						
10068		P. Mazell after M. Griffiths	Cathedral & Chapel of St. Regulus at St. Andrews	Copper engraving	c. 1800			Image 145 x 200 mm, Pl. 162 x 220 mm				30	£30	mounted	Print	British Topography	Scotland						
10069		Kitchin, Thomas	A New Map of Oxford Shire Drawn from the best Authorities	Copper engraved with hand colouring	c. 1760			247 x 187 mm			 	80	£80	mounted	Map	English Counties	Oxfordshire						
10072		R.J. Lane A.R.A	Sir Thomas Lawrence	Lithograph with tint stone	London Published Feburary 16th 1830, by J. Dickinson 114, New Bond Street.			Image 292 x 230 mm			Published with the concurrence of the familyFrom a Drawing made by Himself in the Year 1812Printed by C. Hullmandel	15	£15	unmounted	Print	Portraits	Artists Portraits						
10075		Edward and Michael Rooker	Oriel College with Canterbury College on the left and St. Mary’s Spire in the background	Copper engraving	1770			453 x 459 mm	Oxford Almanack 1770		Canterbury College was demolished in 1773. It belonged to Christ Church and Canterbury Quad was built in its place in 1773-8.	200	£200	mounted	Print	Oxford	Oriel College						
10076		J & C. Walker	The Islands of New Zealand	Steel engraved map with contemporary outline olouring	London, Charles Knight & Co. 22, Ludgate Street_ Corrected Octr. 1844 			392 x 310 mm				180	£180	unmounted	Map	Australasia & Pacific	New Zealand						
10077		CIPRIANI, Giovanni Battista	Roma Veduta Per Profilo Dal Monte Mario	Copper engraving	Rome, 1797			Image 82 x 448 mm, Plate 108 x 465 mm	From Vedute principali e piu interessanti di Roma		Conditon: Centrefold as issued	120	£120	unmounted	Print	Foreign Topography	Italy						
10079		Le Veau, Jean Jacques, 1729-1785.	Pirogue de Guerre de la Nouvelle Zeland	Copper engraving	Paris, 1796			Image 194 x 334 mm, Pl. 237 x 358 mm			From a French edition of Cook’s Voyages	150	£150	unmounted	Print	Foreign Topography	New Zealand						
10080		Elizabeth Byrne after R.B. Harraden	Clare Hall	Copper engraving	Published Jany. 20, 1809 by R. Harraden & Son Cambridge, & by R. Cribb & Son, 288 Holborn London			Image 125 x 202 mm, Pl. 180 x 256 mm			From Cantabrigia Depicta: A Series of Engravings Representing The most Picturesque and Interesting Edifices in the University of Cambridge with an Historical and Descriptive account of each. 	60	£60	unmounted	Print	 Cambridge	Clare College Cambridge						
10081		Elizabeth Byrne after R.B. Harraden	St. Peters College.	Copper engraving	Published Sepr 1, 1809 by R. Harraden & Son Cambridge, & by R. Cribb & Son, 288 Holborn London			Image 132 x 207 mm, Pl. 182 x 246 mm			From Cantabrigia Depicta: A Series of Engravings Representing The most Picturesque and Interesting Edifices in the University of Cambridge with an Historical and Descriptive account of each. 	60	£60	unmounted	Print	 Cambridge	Peterhouse						
10082		Elizabeth Byrne after R. Harraden Junr	King’s College, Cambridge.	Copper engraving	Published Jany 1, 1809 by R. Harraden & Son Cambridge, & by R. Cribb & Son, 288 Holborn London			Image 132 x 207 mm, Pl. 182 x 246 mm			From Cantabrigia Depicta: A Series of Engravings Representing The most Picturesque and Interesting Edifices in the University of Cambridge with an Historical and Descriptive account of each. 	65	£65	unmounted	Print	 Cambridge	King’s College Cambridge						
10083		Elizabeth Byrne after R. B. Harraden 	Corpus Christi or Bene’t College.	Copper engraving	Published Jany 1, 1809 by R. Harraden & Son Cambridge, & by R. Cribb & Son, 288 Holborn London			Image 124 x 200 mm, Pl. 182 x 246 mm			From Cantabrigia Depicta: A Series of Engravings Representing The most Picturesque and Interesting Edifices in the University of Cambridge with an Historical and Descriptive account of each. 	60	£60	unmounted	Print	 Cambridge	Corpus Christi College Cambridge						
10084		Elizabeth Byrne after R.B. Harraden 	Trinity Hall.	Copper engraving	Published August 1, 1810 by R. Harraden & Son Cambridge, & by R. Cribb & Son, 288 Holborn London			Image 125 x 206 mm, Pl. 182 x 251 mm			From Cantabrigia Depicta: A Series of Engravings Representing The most Picturesque and Interesting Edifices in the University of Cambridge with an Historical and Descriptive account of each. 	60	£60	unmounted	Print	 Cambridge	Trinity Hall Cambridge						
10086		Elizabteh Byrne after R.B. Harraden	Catherine Hall	Copper engraving 	Published Jany. 20 1810 by R. Harraden & Son Cambridge & by R. Cribb & Son 288 Holborn, London			Image 120 x 200 mm, Pl. 180 x 250 mm			From Cantabrigia Depicta: A Series of Engravings Representing The most Picturesque and Interesting Edifices in the University of Cambridge with an Historical and Descriptive account of each. 	60	£60	framed	Print	 Cambridge	St. Catherine’s College Cambridge						
10088		Elizabteh Byrne after R.B. Harraden	Magdalen College	Copper engraving 	Published April 2nd 1810 by R. Harraden & Son Cambridge & by R. Cribb & Son 288 Holborn, London			Image 125 x 204 mm, Pl. 187 x 250 mm			From Cantabrigia Depicta: A Series of Engravings Representing The most Picturesque and Interesting Edifices in the University of Cambridge with an Historical and Descriptive account of each. 	50	£50	framed	Print	 Cambridge	Magdalen College Cambridge						
10089		Elizabteh Byrne after R.B. Harraden	Great Court, St. John’s College.	Copper engraving 	Published Octr. 28 1810 by R. Harraden & Son Cambridge & by R. Cribb & Son 288 Holborn, London			Image 125 x 204 mm, Pl. 187 x 250 mm			From Cantabrigia Depicta: A Series of Engravings Representing The most Picturesque and Interesting Edifices in the University of Cambridge with an Historical and Descriptive account of each. 	65	£65	framed	Print	 Cambridge	St. John’s College Cambridge						
10090		J. Le Keux after F. Mackenzie	The Castle.	Steel engraving with hand colouring	Published January 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 93 x 157 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	30.00	£30	mounted	Print	Oxford	Oxford Castle						
10091		J. Le Keux after F. Mackenzie	Merton College Chapel from the Quadrangle	Steel engraving with hand colouring	Published Feb. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 133 x 105 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35	£35	mounted	Print	Oxford	Merton College						
10092		Speed, John 	The Invasions of England and Ireland with al their Civil Wars since the Conquest	Copper engraved map with hand colouring	London, Thomas Bassett & Richard Chiswell, 1676.			380 x 510	The Theater 		Speed (1552-1629) is the most famous of all English cartographers primarily as a result of The Theatre of the Empire of Great Britaine, the first atlas of the British Isles. The maps from this atlas are the best known and most sought-after of all county maps. The maps were derived mainly from the earlier prototypes of Christopher Saxton and Robert Norden but with notable improvements including parish "Hundreds" and county boundaries, town plans and embellishments such as the coats of arms of local Earls, Dukes, and the Royal Household. The maps are famed for their borders consisting of local inhabitants in national costume and panoramic vignette views of major cities and towns. An added feature is that regular atlas copies have English text printed on the reverse, giving a charming description of life in the early seventeenth century of the region. The overall effect produced very decorative, attractive and informative maps. For the publication of this prestigious atlas Speed turned to the most successful London print-sellers of the day, John Sudbury and George Humble. William Camden introduced the leading Flemish engraver, Jodocus Hondius Sr. to John Speed in 1607 because first choice engraver William Rogers had died a few years earlier. Work commenced with the printed proofs being sent back and forth between London and Amsterdam for correction and was finally sent to London in 1611 for publication. The work was an immediate success and the maps themselves being printed for the next 150 years. Speed was born in 1552 at Farndon, Cheshire. Like his father before him he was a tailor by trade, but around 1582 he moved to London. During his spare time Speed pursued his interests of history and cartography and in 1595 his first map of Canaan was published in the "Biblical Times". This raised his profile and he soon came to the attention of poet and dramatist Sir Fulke Greville a prominent figure in the court of Queen Elizabeth. Greville as Treasurer of the Royal Navy gave Speed an appointment in the Customs Service giving him a steady income and time to pursue cartography.  Through his work he became a member of such learned societies as the Society of Antiquaries and associated with the likes of William Camden Robert Cotton and William Lambarde. He died in 1629 at the age of seventy-seven.This decorative map illustrates the invasions and internal strife in the British Isles from 1066-1588, culminating with the Spanish Armada, which fills the English Channel but gradually diminishes to mastless wrecks to the north of Ireland. 	2600	£2,600	framed	Map	England & the British Isles	British Isles						
10093		J. & H.S. Storer	New Inn Hall	Steel engraving with hand colouring	London Published December 1st 1821 by Sherwood, Neely & Jones							30.00	£30	mounted	Print	Oxford	General Views						
10096		J. Le Keux after F. Mackenzie	Tower & Spire of Saint Mary’s Church	Steel engraving with hand colouring	Published June. 1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 142 x 102 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	35.00	£35	mounted	Print	Oxford	Oxford Churches						
10097		J. Le Keux after F. Mackenzie	Front of University College	Steel engraving with hand colouring	Published July. 1st 1833 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			158 x 95 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	50	£50	mounted	Print	Oxford	University College						
10099		Hay after J.P. Neal	Henley on Thames	Copper engraving with hand colouring	London Published by John Harris St Pauls Church Yard Sept 1 1812			I 144 x 100 mm	Beauties of England and Wales			35	£35	mounted	Print	British Topography	Berkshire						
10100		J & S.H. Storer	View from Christ Church Walk	Steel engraving with hand colouring	London Published July 1st. 1821 bu Sherwood, Neely and Jones			Image 70 x 100 mm				40.00	£40	mounted	Print	Oxford	Christ Church College						
10102		J & H.S Storer	St Mary’s Church (with part of Oriel College)	Steel engraving with hand colouring	London Pubd. June 1 1821 by Sherwood, Neely & Jones			I 95 x 80 mm				45	£45	mounted	Print	Oxford	Oxford Churches						
10104		Ben Pritchard	Emperor’s head VI	Lino cut	2007			Image: 200 x 160 mm				65.00	£65	unmounted	Print	Contemporary Oxford Printmakers	Ben Pritchard						
10105		Ben Pritchard	Emperor’s head V	Lino cut	2007			Image: 200 x 160 mm				65.00	£65	unmounted	Print	Contemporary Oxford Printmakers	Ben Pritchard						
10106		Ben Pritchard	Emperor’s head IV	Lino cut	2007			Image: 200 x 160 mm				65.00	£65	unmounted	Print	Contemporary Oxford Printmakers	Ben Pritchard						
10107		Ben Pritchard	Lady Margaret Hall (from the garden)	Lino cut	2006			Image: 305 x 430 mm				140.00	£140	unmounted	Print	Contemporary Oxford Printmakers	Ben Pritchard						
10108		J. Le Keux after F. Mackenzie	View of Pembroke College	Steel engraving	Published May 1st 1836 by J.H Parker OxfordC. Tilt Fleet St London & J Le Keux Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40.00	£40	mounted	Print	Oxford	Pembroke College						
10109		Ben Pritchard	Port Mahon	Lino cut	2007			Image: 380 x 500 mm				185.00	£185	unmounted	Print	Contemporary Oxford Printmakers	Ben Pritchard						
10110		Ben Pritchard	Incident in Mansfield Road	Lino cut	2007			Image: 390 x 600 mm				190.00	£190	unmounted	Print	Contemporary Oxford Printmakers	Ben Pritchard						
10116		J. Le Keux after F. Mackenzie	St. Giles Church	Steel engraving with hand colouring	Published Feb. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 144 x 94 mm	From Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40	mounted	Print	Oxford	Oxford Churches						
10117		J. Le Keux after F. Mackenzie	Magdalen Church, From Broad Street	Steel engraving with hand colouring	Published April. 1st 1834 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 143 x 92mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	30	£30	mounted	Print	Oxford	Oxford Churches						
10118		J.Redaway after J. Harding	The Bridge of Santa Trinita. Italy	Steel engraving	Fisher son & Co London & Paris, 1846			Image: 100 x 144mm				40	£40	mounted	Print	Foreign Topography	Italy						
10125		G.H. Adcock after Buss 	Annual Examination in Trinity College, Cambridge	Steel engraving	For Matriculation, July, 1842			Image: 105 x 174 mm				40	£40	mounted	Print	 Cambridge	Trinity College Cambridge						
10126		John Fullwood	The Thames at Laleham- Sundown	Drypoint				Image and Plate 212 x 192 mm			Signed and inscribed in pencil and Fine Art Trade Guild BlindstampJohn Fullwood (died 1931) Landscape painter and etcher. Studied art in Birmingham, Newlyn, and Paris. Exhibited at the Royal Birmingham Society of Artists from 1874 and at the RA from 1891.	120	£120	mounted	Print	British Topography	Surrey						
10136		A.E. Greenway 	Avro Lancaster	Watercolour and gauche on simile parchment	c. 1942			Image 324 x 205 mm			An original watercolour drawing.	500	£500	framed	Print	General Interest	Transport						
10138		Jonathan Brett	Keeper of Secrets	Giclee print	2006							120.00	£120	framed	Print	Contemporary Oxford Printmakers	Jonathan Brett						
10140		Moule, Thomas 	Oxfordshire	Steel engraving with hand colouring	c. 1840			Image: 250 x 190mm			Originally a writer on Heraldry and general antiquities, Moule was born in Marylebone, London. From around 1816 to 1823 he was a Bookseller, his shop was in Grosvenor Square, London. He then became an inspector of letters in the General Post Office, where his responsibilities included trying to 'read' illegible hand writing! His highly decorative series of county maps were first published in separate issues for each county between 1830 and 1832. In 1836 these were brought together in one work, by George Virtue & Co. They continued to appear in Rev. Barclay's Dictionary into the 1840's.	95	£95	mounted	Map	English Counties	Oxfordshire						
10141		Kitchin, Thomas 	Sussex drawn from an actual survey and regulated by astronomical observatory	Copper engraving with hand colouring	For the London Magazine, c. 1750			160 x 245 mm				80	£80	mounted	Map	English Counties	Sussex						
10142		David Law	Westminster	Etching	London, c. 1880			Image 245 x 174 mm				75	£75	mounted	Print	British Topography	London						
10143		Kitchin, Thomas 	Sussex drawn from an actual survey and regulated by astronomical observatory	Copper engraving with hand colouring	For the London Magazine, c. 1750			160 x 245 mm				80	£80	mounted	Map	English Counties	Sussex						
10144		R.W. Buss	Presentation of the Senior Wrangler to the Vice Chancellor	Lithograph with original handcolour				Image 100 x 187 mm 	From “The English Universities from the German of V.A. Huber, An Abridged Translation, edited by Francis Newman.”  London: W. Pickering. Manchester: Simms & Dinham. 1843		Printed by Day & Haghe	65	£65	mounted	Print	Oxford	Student Life						
10145		J.Fittler & J. Skelton after F.Mackenzie & J.Willis	Shipton Court, the Seat of Sir John Reade, Bart	Copper engraving with hand colouring	Published as the Act directs 1st July1826 By J. Skelton, Magdalen Bridge, Oxford			Image 215 x 285 mm	From Joseph Skelton’s Antiquities of Oxfordshire 1823			45	£45	mounted	Print	British Topography	Oxfordshire						
10147		J. Skelton & H.Winkles after F.Mackenzie	South East View of Dorchester Church	Copper engraving with hand colouring	Published as the Act directs Jan 1st 1825 By J. Skelton, Magdalen Bridge, Oxford			Image: 215 x 285mm	From Joseph Skelton’s Antiquities of Oxfordshire 1823			45	£45	mounted	Print	British Topography	Oxfordshire						
10148		J. Skelton & I. Fittler after F.Mackenzie	Shirburn Castle, Oxfordshire	Copper engraving with hand colouring	Published as the Act directs Nov 1st 1824 By J. Skelton, Magdalen Bridge, Oxford			I 215 x 285mm	From Joseph Skelton’s Antiquities of Oxfordshire 1823			45	£45	mounted	Print	British Topography	Oxfordshire						
10149		Buss del Picken	Trinity College Library, Cambridge, with the bust of Dr. Bentley	Lithograph				Image 120 x 185mm	From “The English Universities from the German of V.A. Huber, An Abridged Translation, edited by Francis Newman.”  London: W. Pickering. Manchester: Simms & Dinham. 1843			30	£30	mounted	Print	 Cambridge	Trinity College Cambridge						
10150		Joseph Skelton	Church and Rectory House of Combe Oxon	Copper engraving with hand colouring	Published as the Act directs Aug 1st 1827By J. Skelton, Magdalen Bridge, Oxford			Image 215 x 285mm	From Joseph Skelton’s Antiquities of Oxfordshire 1823			45.00	£45	mounted	Print	British Topography	Oxfordshire						
10151		G. Scharf	Cambridge Geological Museum, 1842	Lithograph	London, 1843			Image130 x 190mm	From “The English Universities from the German of V.A. Huber, An Abridged Translation, edited by Francis Newman.”  London: W. Pickering. Manchester: Simms & Dinham. 1843			30	£30	mounted	Print	 Cambridge	Fitzwilliam Museum						
10152		Howitt	Pig with chickens	Etching				Image 120 x 170 mm				45	£45	mounted	Print	General Interest	Farm Animals						
10156		J.Fittler and J.Skelton after F. Mackozie and J.Willis	South Front Of Broughton Castle	Copper engraving with hand colouring	Published as the Act directs 1 October 1826 by J.Skelton, Magdalen Bridge, Oxford			Image 185 x 265 mm	From Joseph Skelton’s Antiquities of Oxfordshire 1823			45.00	£45	mounted	Print	British Topography	Oxfordshire						
10157		M. Griffiths	Cathedral & Chapel of St. Regulus at St. Andrews	Steel engraving				Image: 170 x 225mm				30	£30	mounted	Print	British Topography	Scotland						
10159		Speed, John	Oxfordshire	Copper engraving with hand colouring	Bassett & Chiswell, London, 1676			I 502 x 374 mm  	From Speed’s ‘Theatre of the Empire of Great Britaine’		Speed (1552-1629) is the most famous of all English cartographers primarily as a result of The Theatre of the Empire of Great Britaine, the first atlas of the British Isles. The maps from this atlas are the best known and most sought-after of all county maps. The maps were derived mainly from the earlier prototypes of Christopher Saxton and Robert Norden but with notable improvements including parish "Hundreds" and county boundaries, town plans and embellishments such as the coats of arms of local Earls, Dukes, and the Royal Household. The maps are famed for their borders consisting of local inhabitants in national costume and panoramic vignette views of major cities and towns. An added feature is that regular atlas copies have English text printed on the reverse, giving a charming description of life in the early seventeenth century of the region. The overall effect produced very decorative, attractive and informative maps. For the publication of this prestigious atlas Speed turned to the most successful London print-sellers of the day, John Sudbury and George Humble. William Camden introduced the leading Flemish engraver, Jodocus Hondius Sr. to John Speed in 1607 because first choice engraver William Rogers had died a few years earlier. Work commenced with the printed proofs being sent back and forth between London and Amsterdam for correction and was finally sent to London in 1611 for publication. The work was an immediate success and the maps themselves being printed for the next 150 years. Speed was born in 1552 at Farndon, Cheshire. Like his father before him he was a tailor by trade, but around 1582 he moved to London. During his spare time Speed pursued his interests of history and cartography and in 1595 his first map of Canaan was published in the "Biblical Times". This raised his profile and he soon came to the attention of poet and dramatist Sir Fulke Greville a prominent figure in the court of Queen Elizabeth. Greville as Treasurer of the Royal Navy gave Speed an appointment in the Customs Service giving him a steady income and time to pursue cartography.  Through his work he became a member of such learned societies as the Society of Antiquaries and associated with the likes of William Camden Robert Cotton and William Lambarde. He died in 1629 at the age of seventy-seven.	1600	£1,600	framed	Map	English Counties	Oxfordshire						
10160		Joseph Skelton	South East View of Chipping Norton Church	Copper engraving with handcolour	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 650 x 224 mm	From Joseph Skelton’s Antiquities of Oxfordshire 1823			45	£45	mounted	Print	British Topography	Oxfordshire						
10161		Joseph Skelton	Middleton-Stoney Church, Oxon	Copper engraving with hand colour	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			I 650 x 224 mm	From Joseph Skelton’s Antiquities of Oxfordshire 1823			45	£45	mounted	Print	British Topography	Oxfordshire						
10162		Joseph Skelton	South West View of Chinnor Church	Copper engraving with hand colouring	Published as the Act directs March 1st 1827 By J. Skelton, Magdalen Bridge, Oxford			Image: 215 x 285mm	From Joseph Skelton’s Antiquities of Oxfordshire 1823			45	£45	mounted	Print	British Topography	Oxfordshire						
10163		Joseph Skelton	South East View of Thame Church Oxon	Copper engraving with hand colouring	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			Image 211 x 275 mm	From Joseph Skelton’s Antiquities of Oxfordshire 1823			45	£45	mounted	Print	British Topography	Oxfordshire						
10165		V. Brookes Day & Son	Field Spaniels	Lithograph				Image: 185 x 230	Casell’s Illustrated Book of the Dog			40	£40	mounted	Print	General Interest	Cats and Dogs						
10167		G. H. Adcock after Buss	General Meeting of the British Association For The Advancement of Science	Steel engraving	June 23. 1842			Image: 120 x 195 mm				40	£40	mounted	Print	General Interest	Science						
10173		James Basire after E. Dayes	Magdalen Tower & Bridge, &c.	Copper engraving with hand colouring	Published 1797			I 440 x 305 mm	From the 1797 ‘Oxford Almanack’.			350	£350	mounted	Print	Oxford	Magdalen College						
10175		Elizabteh Byrne after R.B. Harraden	Queens College	Copper engraving 	Published March 1, 1810 by R. Harraden & Son Cambridge & by R. Cribb & Son 288 Holborn, London			Image 122 x 203 mm, Pl. 187 x 250 mm			From Cantabrigia Depicta: A Series of Engravings Representing The most Picturesque and Interesting Edifices in the University of Cambridge with an Historical and Descriptive account of each. 	65	£65	unmounted	Print	 Cambridge	Queens’ College Cambridge						
10176		Elizabteh Byrne after R.B. Harraden	St. Johns College from the walks.	Copper engraving 	Published Nov 1. 1809 by R. Harraden & Son Cambridge & by R. Cribb & Son 288 Holborn, London			Image 127 x 204 mm, Pl. 190 x 250 mm			From Cantabrigia Depicta: A Series of Engravings Representing The most Picturesque and Interesting Edifices in the University of Cambridge with an Historical and Descriptive account of each. 	65	£65	unmounted	Print	 Cambridge	St. John’s College Cambridge						
10177		Elizabteh Byrne after R.B. Harraden	St. Johns College 	Copper engraving 	Published Jan 20th 1809 by R. Harraden & Son Cambridge & by R. Cribb & Son 288 Holborn, London			Image 130 x 202 mm, Pl. 184 x 252 mm			From Cantabrigia Depicta: A Series of Engravings Representing The most Picturesque and Interesting Edifices in the University of Cambridge with an Historical and Descriptive account of each. 	65	£65	unmounted	Print	 Cambridge	St. John’s College Cambridge						
10179		Elizabteh Byrne after R.B. Harraden	Jesus College.	Copper engraving 	Published Nov 1, 1809, by R. Harraden & Son Cambridge & by R. Cribb & Son 288 Holborn, London			Image 134 x 204 mm, Pl. 188 x 250 mm			From Cantabrigia Depicta: A Series of Engravings Representing The most Picturesque and Interesting Edifices in the University of Cambridge with an Historical and Descriptive account of each. 	65	£65	unmounted	Print	 Cambridge	Jesus College Cambridge						
10180		Lettica Byrne after R.B. Harraden	Cambridge	Copper engraving 	Published Jan 20, 1809, by R. Harraden & Son Cambridge & by R. Cribb & Son 288 Holborn, London			Image 128 x 207 mm, Pl. 182 x 252 mm			From Cantabrigia Depicta: A Series of Engravings Representing The most Picturesque and Interesting Edifices in the University of Cambridge with an Historical and Descriptive account of each. 	75	£75	unmounted	Print	 Cambridge	Cambridge General Views						
10181		Elizabteh Byrne after R.B. Harraden	Emanuel College.	Copper engraving 	Published Jan 20, 1809, by R. Harraden & Son Cambridge & by R. Cribb & Son 288 Holborn, London			Image 125 x 204 mm, Pl. 183 x 252 mm			From Cantabrigia Depicta: A Series of Engravings Representing The most Picturesque and Interesting Edifices in the University of Cambridge with an Historical and Descriptive account of each. 	65	£65	unmounted	Print	 Cambridge	Emmanuel College Cambridge						
10184		Elizabteh Byrne after R.B. Harraden	Sidney - Sussex College	Copper engraving 	Published April 2. 1810, by R. Harraden & Son Cambridge & by R. Cribb & Son 288 Holborn, London			Image 122 x 201 mm, Pl. 183 x 250 mm			From Cantabrigia Depicta: A Series of Engravings Representing The most Picturesque and Interesting Edifices in the University of Cambridge with an Historical and Descriptive account of each. 	50	£50	unmounted	Print	 Cambridge	Sidney Sussex College Cambridge						
10185		Joseph Skelton after R.B. Harraden	Pythagoras’s School	Copper engraving 	Published June, 1809, by R. Harraden & Son Cambridge & by R. Cribb & Son 288 Holborn, London			Image 122 x 154 mm, Pl. 162 x 175 mm			From Cantabrigia Depicta: A Series of Engravings Representing The most Picturesque and Interesting Edifices in the University of Cambridge with an Historical and Descriptive account of each. 	20	£20	unmounted	Print	 Cambridge	Pythagoras School						
10186		Elizabeth Byrne after R.B. Harraden	Cycloidal Bridge, Trin. College.	Copper engraving 	Published Oct, 28. 1810 by R. Harraden & Son Cambridge & by R. Cribb & Son 288 Holborn, London			Image 122 x 193 mm, Pl. 162 x 227 mm			From Cantabrigia Depicta: A Series of Engravings Representing The most Picturesque and Interesting Edifices in the University of Cambridge with an Historical and Descriptive account of each. 	25	£25	unmounted	Print	 Cambridge	Trinity College Cambridge						
10187		J. Skelton after R.B. Harraden	King’s College Chapel.	Copper engraving 	Published Aug 1. 1810 by R. Harraden & Son Cambridge & by R. Cribb & Son 288 Holborn, London			Image 203 x 155 mm, Pl. 233 x 187 mm			From Cantabrigia Depicta: A Series of Engravings Representing The most Picturesque and Interesting Edifices in the University of Cambridge with an Historical and Descriptive account of each. 	40	£40	unmounted	Print	 Cambridge	King’s College Cambridge						
10188		Elizabeth Byrne after R.B. Harraden	Great St. Mary’s, The University Church.	Copper engraving 	Published Jan 20. 1809 by R. Harraden & Son Cambridge & by R. Cribb & Son 288 Holborn, London			Image 120 x 121 mm, Pl. 164 x 175 mm			From Cantabrigia Depicta: A Series of Engravings Representing The most Picturesque and Interesting Edifices in the University of Cambridge with an Historical and Descriptive account of each. 	20	£20	unmounted	Print	 Cambridge	General Views						
10189		Joseph Skelton after R.B. Harraden	Senate House. 	Copper engraving 	Published March 1. 1810 by R. Harraden & Son Cambridge & by R. Cribb & Son 288 Holborn, London			Image 136 x 206 mm, Pl. 160 x 247 mm			From Cantabrigia Depicta: A Series of Engravings Representing The most Picturesque and Interesting Edifices in the University of Cambridge with an Historical and Descriptive account of each. 	40	£40	unmounted	Print	 Cambridge	King’s College Cambridge						
10190		Elizabeth Byrne after R.B. Harraden	Kings Coll. Chapel, Public Library, & Senate House, Cambridge.	Copper engraving 	Published Jan 1, 1809, by R. Harraden & Son Cambridge & by R. Cribb & Son 288 Holborn, London			Image 128 x 209 mm, Pl. 179 x 250 mm			From Cantabrigia Depicta: A Series of Engravings Representing The most Picturesque and Interesting Edifices in the University of Cambridge with an Historical and Descriptive account of each. 	65	£65	unmounted	Print	 Cambridge	King’s College Cambridge						
10191		Braun and Hogenberg	Oxonium & Vindesorum	Copper engraving with hand colouring	c. 1572			Image and plate175 x 477 mm			From Civitates orbis terrarum.  In excellent condition with later hand colour.Between 1572 and 1617 Georg Braun (1541-1622) and Frans Hogenberg (1535-1590) published six volumes, containing about 530 maps of mostly European cities. Georg Braun was the editor of this series, and Frans Hogenberg was the most important engraver. They relied mainly on existing maps, but also on maps made by drawings made by the Antwerp artist Joris Hoefnagel (1542-1600), who had travelled through most of Western Europe. After Joris Hoefnagel's death his son Jakob continued the work for the Civitates. 	950	£950	framed	Print	Oxford	General Views						
10194		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50	£50	mounted	Print	Japanese	Landscape and Famous Places						
10195		William Ward after Mather Brown	Monsieur de St. GeorgeFrom an original picture at Mr. H. Angelo’s Academy	 Mezzotint 	London Published April 4th 1788 by Bradshaw No. 4 Coventry Street			I 334 x 273 mm Pl. 378 x 272 mm			CS 70, Russell 70 ii/iii, Frankau - William Ward 251ii/iii Joseph Boulogne, the Chevalier de Saint-Georges (sometimes spelled Saint-George) (December 25, 1739 – June 10, 1799)The life of Joseph de Saint-George was so incredible it seems almost fictitious. Born in 1739 to an African-born enslaved mother oil the island of Guadeloupe, Saint George grew up to become one of Europe's top swordsmen, musicians and military leaders. Known in some circles as "Black Mozart" and in other circles as the "Black Don Juan," Saint-George experienced great highs and, toward the end of his life, humbling lows. Through it all, Saint George remained a man of principle, believing firmly in the right of all men to be free.http://findarticles.com/p/articles/mi_m0HST/is_3_6/ai_n6028151	650	£650	unmounted	Print	Portraits	18th Century Mezzotint Portraits						
10196		Joseph Skelton	The Market Place of Watlington, Oxon	Copper engraving with hancolor	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			Image 285 x 210 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			45	£45	mounted	Print	British Topography	Oxfordshire						
10197		Joseph Skelton	Church and Rectory House of Combe Oxon	Copper engraving with hancolour	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			Image 650 x 224 mm	From Joseph Skelton’s Antiquities of Oxfordshire 1823			45	£45	mounted	Print	British Topography	Oxfordshire						
10198		Joseph Skelton	Hardwicke House, The Seat of Philip Lybbe Powys, Esq.	Copper engraving 	Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford			Image 212 x 278 mm	Joseph Skelton’s Antiquities of Oxfordshire 1823			45	£45	mounted	Print	British Topography	Oxfordshire						
10202		Pieter van der Aa after David Loggan	Vue du Theatre de Sheldon à Oxford du cote du Midi [Oxford Sheldonian Theatre]	Copper engraving	1707			I 130 x 165 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	40.00	£40	mounted	Print	Oxford	Sheldonian Theatre						
10207		Pieter van der Aa after David Loggan	Le College de la Trinite	Copper engraving	1707			159 x 123 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45.00	£45	mounted	Print	Oxford	Trinity College						
10209		Pieter van der Aa after David Loggan	Vue interieure du College Neuf du cote du Nord [New College]	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	mounted	Print	Oxford	New College						
10210		Pieter van der Aa after David Loggan	Le College de Bailleul	Copper engraving	1707			I 130 x 165 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	mounted	Print	Oxford	Balliol College						
10224		Pieter van der Aa after David Loggan	Le College de Merton [Merton College]	Copper engraving	1707			I 121 x 157 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	mounted	Print	Oxford	Merton College						
10225		Pieter van der Aa after David Loggan	Le College du Nez de Bronze	Copper engraving	1707			I 130 x 165 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	45	£45	mounted	Print	Oxford	Brasenose College						
10227			Tombleson’s Panoramic Map of the Thames and Medway.	Steel engraving with orginial hand colour	London Published by J. Reynolds, 174 Strand, c. 1876			1245 x 280 mm				1200	£1,200	framed	Map	Maps Over More Than One County	Thames Map						
10231		Van der Aa	Vue de Stonehenge du Cote d’OccidentVue de Stone-Henge de Cote du Midi	Copper engraving	1707			I 160 x 130 mm				45	£45	mounted	Print	British Topography	Somersetshire						
10234		Hiroshige II Utagawa 1829-1869	Mimesaka, Yamabushi-dami	Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50	£50	mounted	Print	Japanese	Landscape and Famous Places						
10235		Hiroshige II Utagawa 1829-1869	Iwai Valley in Tajima in the rain.	Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50	£50	mounted	Print	Japanese	Landscape and Famous Places						
10237		Hiroshige II Utagawa 1829-1869	Izumo Hirose	Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50	£50	mounted	Print	Japanese	Landscape and Famous Places						
10238		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50	£50	mounted	Print	Japanese	Landscape and Famous Places						
10239		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50	£50	mounted	Print	Japanese	Landscape and Famous Places						
10240		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50	£50	mounted	Print	Japanese	Landscape and Famous Places						
10241		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50	£50	mounted	Print	Japanese	Landscape and Famous Places						
10242		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50	£50	mounted	Print	Japanese	Landscape and Famous Places						
10243		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50	£50	mounted	Print	Japanese	Landscape and Famous Places	#					
10244		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50	£50	mounted	Print	Japanese	Landscape and Famous Places						
10245		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50	£50	mounted	Print	Japanese	Landscape and Famous Places						
10246		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50	£50	mounted	Print	Japanese	Landscape and Famous Places						
10247		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50	£50	mounted	Print	Japanese	Landscape and Famous Places						
10248		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50	£50	mounted	Print	Japanese	Landscape and Famous Places						
10249		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50	£50	mounted	Print	Japanese	Landscape and Famous Places						
10250		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50	£50	mounted	Print	Japanese	Landscape and Famous Places						
10251		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50	£50	mounted	Print	Japanese	Landscape and Famous Places						
10252		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50	£50	mounted	Print	Japanese	Landscape and Famous Places						
10253		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50	£50	mounted	Print	Japanese	Landscape and Famous Places						
10254		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50 	£50	mounted	Print	Japanese	Landscape and Famous Places						
10255		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50 	£50	mounted	Print	Japanese	Landscape and Famous Places						
10256		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50 	£50	mounted	Print	Japanese	Landscape and Famous Places						
10257		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50 	£50	mounted	Print	Japanese	Landscape and Famous Places						
10258		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50 	£50	mounted	Print	Japanese	Landscape and Famous Places						
10259		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50 	£50	mounted	Print	Japanese	Landscape and Famous Places						
10260		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50 	£50	mounted	Print	Japanese	Landscape and Famous Places						
10262		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50 	£50	mounted	Print	Japanese	Landscape and Famous Places						
10263		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50 	£50	mounted	Print	Japanese	Landscape and Famous Places						
10264		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50 	£50	mounted	Print	Japanese	Landscape and Famous Places						
10265		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50 	£50	mounted	Print	Japanese	Landscape and Famous Places						
10267		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50 	£50	mounted	Print	Japanese	Landscape and Famous Places						
10270		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50 	£50	mounted	Print	Japanese	Landscape and Famous Places						
10271		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50 	£50	mounted	Print	Japanese	Landscape and Famous Places						
10272		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50 	£50	mounted	Print	Japanese	Landscape and Famous Places						
10273		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50 	£50	mounted	Print	Japanese	Landscape and Famous Places						
10274		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50 	£50	mounted	Print	Japanese	Landscape and Famous Places						
10276		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50 	£50	mounted	Print	Japanese	Landscape and Famous Places						
10277		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50 	£50	mounted	Print	Japanese	Landscape and Famous Places						
10278		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50 	£50	mounted	Print	Japanese	Landscape and Famous Places						
10279		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50 	£50	mounted	Print	Japanese	Landscape and Famous Places						
10280		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50 	£50	mounted	Print	Japanese	Landscape and Famous Places						
10282		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50 	£50	mounted	Print	Japanese	Landscape and Famous Places						
10283		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50 	£50	mounted	Print	Japanese	Landscape and Famous Places						
10284		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50 	£50	mounted	Print	Japanese	Landscape and Famous Places						
10286		Hiroshige II Utagawa 1829-1869		Woodblock print	1862			Chuban 9.8 x 7.1 inches	From Shokoku Rokuju Hakkei Sixty-Eight Views of Various Provinces		Signature: HiroshigePublisher: TsutakichiUtagawa Hiroshige II continued the work of the great ukiyo-e master Ando Hiroshige and created several series of landscape prints.Shigenobu IchirysaiThe original name of Hiroshige II was Chinpei Suzuki. According to tradition his master, Ando Hiroshige, gave him an artist name - usually derived from the first or last part of the master's name. Hiroshige I gave his gifted pupil the name Shigenobu.Shigenobu was integrated into the family and was adopted by the great master when his own son had died in 1845. After the master's death, Shigenobu married Otatsu, an adopted daughter of Hiroshige I. Hiroshige died in 1858 and Shigenobu took his master's go calling himself Hiroshige Ichirysai. In the literature he is generally referred as Utagawa Hiroshige II. Unfortunately the marriage with his master's daughter was not a happy one. Around 1865 the couple was divorced and the unfortunate ex-husband moved to Yokohama. He then used the name Ryusho, but also his original name Shigenobu. But he was not doing so well any more. Literature sources report that he had to earn his living by painting tea boxes and lanterns for export and that he died in complete poverty four years after his divorce.Otatsu, his divorced wife, remarried - another pupil of her father, namely Shigemasa. Shigemasa from then on called himself Hiroshige III.Hiroshige II continued the landscape style of his master without adding much creativity of his own. He tried to continue the formula of success by publishing more "Famous Views of ..." landscape series.    * One Hundred Views of Famous Places in Various Provinces (1859-1861)    * Forty-Eight Views of Famous Places of Edo (1860-1865)    * The Eight Scenic Views of the Sumida River (1861)    * Thirty-Six Views of Eastern Capital (1861-1862)    * Thirty-Six Flowers of Famous Places in Tokyo (1866	50 	£50	mounted	Print	Japanese	Landscape and Famous Places						
10287		Samuel William Reynolds, after Sir Joshua Reynolds	Dr Thomas Bishop of Rochester	Mezzotint	1836			Image 130 x 105 mm Plate 225 x 160 mm			Professor of science	25	£25	unmounted	Print	Portraits	British Nobility						
10289		Unknown	The Kings most excellent Majesty George the Fourth	Mezzotint	June 14th 1821			Image 280 x 225 mm Plate 360 x 240 mm				30	£30	unmounted	Print	Portraits	British Royalty						
10290		Richard Earlom	His Imperial Majesty, Charles the Fifth, Emperor of Germany	Mezzotint				Image 390 x 240 mm			Painting originally painted by Titian	35	£35	unmounted	Print	Portraits	Foreign Royalty						
10291		Spy	Men of the Day	Lithograph	April 5, 1873			Image 310 x 195 mm			Anthony Trollope	70	£70	unmounted	Print	Portraits	Literary and Poetic						
10292		C Turner	William Marquis of Newcastle	Mezzotint	London published by S.Woodburn,1811			Image 160 x 105 mm				25	£25	unmounted	Print	Portraits	British Nobility						
10293		R. Earlom	Anne Dutchess of Albermarle	Mezzotint	London published by S.Woodburn,1811			Image 105 x 80 mm Plate 160 x 105				25	£25	unmounted	Print	Portraits	British Nobility						
10294		C. Turner	George Villers Duke of Buckingham	Mezzotint	London published by S.Woodburn, 1810			Image 160 x 105 mm				25	£25	unmounted	Print	Portraits	British Nobility						
10295		Thomas Hodgetts	James West	Mezzotint	London published June 1 1819			Image 250 x 160 mm				25	£25	unmounted	Print	Portraits	Scientific, Industrial & Medical						
10296		Visscher, Nicholas and Daniel Stoopendaal (*1672 - †1726)	Werelt Caert	Copper engraved with hand colour	Keur Family, Amsterdam, c. 1680			305 x 425 mm			A fine decoartive map in excellent condition based on Visscher’s 1663 world map.  This map was originally included in a Dutch Bible.  With decorative boarders showing animals and allegorical representations of the Continents, this map features California as an island and Hollandia Nova (Australia) does not have completely defined borders. Two diagrams depicting the Ptolemaic and Copernican theories of the solar system are tucked between the hemispheres. Dutch text on verson.[Shirley The Mapping of the World 498]	2200	£2,200	framed	Map	World Maps & Sea Charts	World Maps						
10297		Dean after Holmes	Marie Therese, Princess Esterhazy	Steel engraving	Fisher Son & co London 1835			Image 80 x 110 mm Plate 180 x 240 mm				25	£25	unmounted	Print	Portraits	Foreign Royalty						
10298		G. H. Phillips after Sir Thomas Lawrence P.R.A	Francis 1st Emperor of Austria	Mezzotint	London published June 1 1837			Image 320 x 210 mm			Water mark in bottom right corner, does not touch image.	40	£40	unmounted	Print	Portraits	Forgein Nobility						
10299		Thomas Landseer 	A British Boar	Copper engraving	British Farmer’s Magazine, Feb 1, 1827			Image 100 x 120 mm				60	£60	mounted	Print	General Interest	Farm Animals						
10301		E. Hacker	A Suffolk Boar	Steel engraving	London, Published by Rogerson & Tuxford, 246, Strand, 1863			Image 140 x 190 mm				65	£65	mounted	Print	General Interest	Farm Animals						
10304		E. Hacker	A Pen of Pigs of the small breed	Steel engraving	London, Published by Rogerson & Tuxford, 246, Strand, 1855			Image 140 x 200 mm				65	£65	mounted	Print	General Interest	Farm Animals						
10306		Cloppenberg, Jan	Anglia Scotia et Hibernia	Copper engraved with handcolour	Amsterdam c. 1630-1674			185 x 225 mm			This attractive map is a late printing of the reduced-size revision of Mercator's atlas map. Jan Cloppenburg first published this version, engraved by Pieter Van Den Keere, in 1630.[Shirley 412]	300	£300	framed	Map	England & the British Isles	British Isles						
10311		H.Bibby after W.H. Wilson	Veiw Of Sydney	Steel engraving				Image 123 x 173 mm				55.00	£55	mounted	Print	Foreign Topography	Australia						
10312		C.Hullmandel after Harraden	Admission of the Senior Wrangler “ad respondendum Quaestioni” in the Senate House Cambridge (1842)	Lithograph	c.1843			Image 106 x 191 mm				45	£45	mounted	Print	 Cambridge	Student Life						
10313		E. Challis after W.H. Bartlett	The Parthenon at Athens	Steel engraving				Image 123 x 178 mm				45.00	£45	mounted	Print	Foreign Topography	Greece						
10314		J. Redaway after J.M.W Turner	Christ Church College, Oxford	Steel engraving with hand colouring	London Published 1834 by Moon, Boys & Graves, 6 Pall Mall			Image 160 x 226 mm				90	£90	mounted	Print	Oxford	Christ Church College						
10315		A. Willmou	Ancient Rome From the Capitoline Hills. Looking Over The Forum	Steel engraving				Image 130 x 190 mm				45.00	£45	mounted	Print	Foreign Topography	Italy						
10316		Leslie C. Benenson	Kudu	Woodengraving	1971			Image 150 x 123 mm 				100.00	£100	mounted	Print	20th Century	Leslie C. Benenson						
10317		Speed, John	Cornwall	Copper engraving with hand colouring	Bassett & Chiswell, London, 1676			380 x 512 mm  	From Speed’s ‘Theatre of the Empire of Great Britaine’		Speed (1552-1629) is the most famous of all English cartographers primarily as a result of The Theatre of the Empire of Great Britaine, the first atlas of the British Isles. The maps from this atlas are the best known and most sought-after of all county maps. The maps were derived mainly from the earlier prototypes of Christopher Saxton and Robert Norden but with notable improvements including parish "Hundreds" and county boundaries, town plans and embellishments such as the coats of arms of local Earls, Dukes, and the Royal Household. The maps are famed for their borders consisting of local inhabitants in national costume and panoramic vignette views of major cities and towns. An added feature is that regular atlas copies have English text printed on the reverse, giving a charming description of life in the early seventeenth century of the region. The overall effect produced very decorative, attractive and informative maps. For the publication of this prestigious atlas Speed turned to the most successful London print-sellers of the day, John Sudbury and George Humble. William Camden introduced the leading Flemish engraver, Jodocus Hondius Sr. to John Speed in 1607 because first choice engraver William Rogers had died a few years earlier. Work commenced with the printed proofs being sent back and forth between London and Amsterdam for correction and was finally sent to London in 1611 for publication. The work was an immediate success and the maps themselves being printed for the next 150 years. Speed was born in 1552 at Farndon, Cheshire. Like his father before him he was a tailor by trade, but around 1582 he moved to London. During his spare time Speed pursued his interests of history and cartography and in 1595 his first map of Canaan was published in the "Biblical Times". This raised his profile and he soon came to the attention of poet and dramatist Sir Fulke Greville a prominent figure in the court of Queen Elizabeth. Greville as Treasurer of the Royal Navy gave Speed an appointment in the Customs Service giving him a steady income and time to pursue cartography.  Through his work he became a member of such learned societies as the Society of Antiquaries and associated with the likes of William Camden Robert Cotton and William Lambarde. He died in 1629 at the age of seventy-seven.	2200	£2,200	framed	Map	English Counties	Cornwall						
10319		unknown	Das Bibliothek Gebaude auf der Universitaet zu Oxfort      |       L’Edifice de la Bibliotheque d’Universite a Oxfort	Copper engraving with hand colouring	Se vend a Augsbourg au negace conain de l’academie Imperiale d’Empire des arts libereaux avec Privilege de sa Majeste Imperiale et avec Defense de n’en faire copie. [n.d. c1750]			Image 275 x 395 mm				300	£300	framed	Print	Oxford	Radcliffe Camera						
10321		W.Ward after G.Morland	Girl and Pigs	Mezzotint	London published December 3, 1797, by Collins & Morgan Bolsover Street Cavendish Square and Moore & Kirton Great Portland Street 			Image 350 x 450 mm			Trimmed to platemark	500	£500	framed	Print	General Interest	Farm Animals						
10323		Moll, Herman	Oxford Shire	Copper Engraved with hand colour	c. 1724				From A new description of England and Wales, with the adjacent islands. Wherein contained, diverse useful observations and discoveries in respect to natural history, antiquities, customs, honors, privileges, etc....		Herman Moll was born in Germany and came to England in the 1670s.  He worked as an independant cartographer and geographer and traded as a map publisher and seller for two years and then worked for other publishers.  Moll established his own business and eventually dominated the early eighteenth century map trade.  He produced many maps and atlases of England, Wales,  Scotland and Ireland.  His county maps were all boldly engraved in a heavy style. 	250	£250	framed	Map	English Counties	Oxfordshire						
10324		Samuel Cousins after Margaret Carpenter	The most reverend John Bird Sumner	Mezzotint	c. 1848			Image 430 x 340 mm			Sumner was the elder brother of Bishop Charles Sumner. He was born at Kenilworth, Warwickshire and educated at Eton College and Cambridge University. In 1802 he became a master at Eton and was ordained the following year. He was elected a fellow of Eton in 1817 and in 1818 the school presented him to the living of Maple Durham, Oxfordshire. After being a prebendary of the Durham diocese for some years, he was consecrated Bishop of Chester in 1828. During his episcopate many churches and schools were built in the diocese.	45	£45	unmounted	Print	Portraits	Religious and Clerical						
10325		R. A. Artlett after George Reid	George McDonald	Mezzotint	London published May 10th 1869 by Henry Graves & Co			Image 220 x 170 mm			Proof before lettersThough no longer well known, his works (particularly his fairy tales and fantasy novels) have inspired admiration in such notables as W. H. Auden, J. R. R. Tolkien, and Madeleine L'Engle. C. S. Lewis wrote that he regarded MacDonald as his "master". 	60	£60	unmounted	Print	Portraits	Literary and Poetic						
10326		S.W. Reynolds after Sir Joshua Reynolds	Lady Cath.e Manners	Mezzotint	c. 1850			Image 90 x 80 mm			Proof in fine conditionLady Katherine Mary Manners Born 29 April 177 Died 1 May 1829 London, Belgrave Sq Married 16 June 1800 Cecil Weld Forester, 1st Baron Forester, of Willey Park, son of Cecil Forester and Anne Townshend baptised 7 April 1767 St.Chad's, SalopDied 23 May 1828 London, Belgrave Sq	35	£35	unmounted	Print	Portraits	British Nobility						
10327		John Richardson Jackson, after John Prescott Knight	George Lock, rector of Lee, Kent	Mezzotint	c. 1850			Image 310 x 240 mm			George Lock (1771-1864), Rector	40	£40	unmounted	Print	Portraits	Religious and Clerical						
10328		William Brett, after Sir Thomas Lawrence	George Agar-Ellis, 1st Baron Dover	Mezzotint	1827			Image 195 x 155			George James Welbore Agar-Ellis, Baron Dover (14 January 1797 – 10 July 1833), English man of letters, was the only son of the 2nd Viscount Clifden. He was educated at Westminster School and at Christ Church, Oxford.In 1818 he was returned to Parliament as member for Heytesbury. He afterwards represented Seaford (1820), Ludgershall (1826) and Okehampton (1830). He seconded Canning's motion in 1822 for a bill to relieve the disabilities of Roman Catholic peers, and consistently supported liberal principles. In party politics, however, he took little interest, but he zealously advocated in parliament and elsewhere that state encouragement should be given to the cause of literature and the fine arts.	45	£45	unmounted	Print	Portraits	British Nobility						
10330		W. Sharp after Vandyck	Thomas Howard Earl of Arundel	Mezzotint	London 1st July 1823			Image 260 x 210 mm			Thomas Howard, 21st Earl of Arundel, 4th Earl of Surrey and 1st Earl of Norfolk (7 July 1585–4 October 1646) was a prominent English courtier during the reigns of King James I and King Charles I, but he made his name as an art collector rather than as a politician. When he died he possessed 700 paintings, along with large collections of sculpture, books, prints, drawings, and antique jewellery. His collection of marble carvings, known as the Arundelian Marbles, was left to the University of Oxford.	50	£50	unmounted	Print	Portraits	British Nobility						
10332		John Burnet after William Allan	Sir Walter Scott	Mezzotint	c. 1850			Image 430 x 330 mm			Sir Walter Scott, 1st Baronet (15 August 1771 – 21 September 1832) was a prolific Scottish historical novelist and poet popular throughout Europe during his time.In some ways Scott was the first author to have a truly international career in his lifetime, with many contemporary readers all over Europe, Australia, and North America. His novels and poetry are still read, and many of his works remain classics of both English-language literature and specifically, of Scottish literature. Famous titles include Ivanhoe, Rob Roy, The Lady of the Lake, Waverley and The Heart of Midlothian.	65	£65	unmounted	Print	Portraits	Literary and Poetic						
10333		Ben Pritchard	Emperor’s head III	Lino cut	2007			Image: 200 x 160 mm				75.00	£75	mounted	Print	Contemporary Oxford Printmakers	Ben Pritchard						
10335		Ben Pritchard	Emperor’s head I	Lino cut	2007			Image: 200 x 160 mm				75.00	£75	mounted	Print	Contemporary Oxford Printmakers	Ben Pritchard						
10337		Ben Pritchard	Emperor’s head VI	Lino cut	2007			Image: 200 x 160 mm				75.00	£75	mounted	Print	Contemporary Oxford Printmakers	Ben Pritchard						
10339		Ben Pritchard	Emperor’s head IV	Lino cut	2007			Image: 200 x 160 mm				75.00	£75	mounted	Print	Contemporary Oxford Printmakers	Ben Pritchard						
10341		Ben Pritchard	Emperor’s head II	Lino cut	2007			Image: 200 x 160 mm				75.00	£75	mounted	Print	Contemporary Oxford Printmakers	Ben Pritchard						
10343		Ben Pritchard	Emperor’s head V	Lino cut	2007			Image: 200 x 160 mm				75.00	£75	mounted	Print	Contemporary Oxford Printmakers	Ben Pritchard						
10345		Jonathan Brett	Shadows Fall	Giclee print	2006							90.00	£90	mounted	Print	Contemporary Oxford Printmakers	Jonathan Brett						
10347		Jonathan Brett	Dark Rising	Giclee print	2006							90.00	£90	mounted	Print	Contemporary Oxford Printmakers	Jonathan Brett						
10348		Jonathan Brett	Black Hole Sun	Giclee print	2006							90.00	£90	framed	Print	Contemporary Oxford Printmakers	Jonathan Brett						
10349		Ben Pritchard	Browns	Lino cut	2005			410mm x 295mm				150.00	£150	mounted	Print	Contemporary Oxford Printmakers	Ben Pritchard						
10350		Ben Pritchard	Taylors	Lino Cut	2005			I 402 x 305 mm				140.00	£140	mounted	Print	Contemporary Oxford Printmakers	Ben Pritchard						
10351		Ben Pritchard	Port Mahon	Lino cut	2007			Image: 380 x 500 mm				290.00	£290	framed	Print	Contemporary Oxford Printmakers	Ben Pritchard						
10352		Samuel Bellin, after Philip Westcott	Robert Vaughan	Mezzotint	1850			Image 400 x 330 mm			Robert Vaughan (1795 - 1868) was a minister of the Congregationalist communion, Professor of History in the University of London, 1830-43, and President of the Independent College, Manchester, 1843-57. He founded, and for a time edited the British Quarterly. He wrote, among various other works, A History of England under the Stuarts, Revolutions of History, and a Life of Wycliffe.	65	£65	unmounted	Print	Portraits	Religious and Clerical						
10353		F. Bartolozzi after J. Harding 	Earl of Essex	Stipple	Pub. March 1. 1791 by E. Harding 			Image 190 x 140 mm			Condition: good	15	£15	unmounted	Print	Portraits	British Nobility						
10354		Thomas G. Appleton after Sir Joshua Reynolds	Mary Amelia, Marchioness of Salisbury	Mezzotint	c. 1850			Image 610 x 370 mm			Condition: Good			unmounted	Print	Portraits	British Nobility						
10355		Samuel William Reynolds, and Samuel Cousins	Edward Copleston, Provost of Oriel College	Mezzotint	Published by James Wyatt, after Thomas Phillips October 1822			Image 510 x 350 mm			Edward Copleston (1776-1849), English bishop, was born at Offwell in Devonshire, and educated at Oxford University.He was elected to a tutorship at Oriel College in 1797, and in 1800 was appointed to St Mary Hall, Oxford. As Oxford Professor of Poetry (1802-1812) he gained a considerable reputation by his clever literary criticism and sound latinity.After holding the office of dean at Oriel for some years, he succeeded to the provostship in 1814, and owing largely to his influence the college reached a remarkable degree of prosperity during the first quarter of the 19th century. He was thus influential in the choice of Fellows who were in due course to become prominent during the Oxford Movement though he himself was of a more rationalist cast of mind and belonged to a group of so-called 'Noetics'.Condition: Good	150	£150	unmounted	Print	Portraits	Academics						
10356		WilliamWalker after Thomas Woolmoth	Mr. Alderman Wilson	Mezzotint	London on 12th September 1850			Image 430 x 340, Pl. 429 x337 mm			Colonel Samuel Wilson Alderman of Castle Baynard Ward 1831, Sherriff 1833, Lord Mayor of London 1838 Private plate	60	£60	unmounted	Print	Portraits	British Political						
10357		John Richardson Jackson, after Sir Thomas Lawrence	Sir Samuel Shepherd	Mezzotint	Published 1846			Image 220 x 170 mm			 Shepherd, Sir Samuel (1760–1840), lawyer and politician  Proof before lettersCondition: some overall dust [does affect image]	50	£50	unmounted	Print	Portraits	British Political						
10359		Richard Earlom after Domenichino	The Infant Jesus	Mezzotint	Published April 20th 1772			Image 250 x 300 mm			Condition: Repair under plate mark and some time staining			unmounted	Print	General Interest	Religion						
10360		H. Meyer after J. Jackson	Frederick Earl of Carlisle	Stipple	Published March 12, 1814 			Image 380 x 330 mm			Frederick Howard, 5th Earl of Carlisle, KG, KT, PC (May 28, 1748 – September 4, 1825), was an English diplomat and the son of Henry Howard, 4th Earl of Carlisle and his second wife Isabella Byron.His mother was a daughter of William Byron, 4th Baron Byron and his wife Hon. Frances Berkeley, a descendant of John Berkeley, 1st Baron Berkeley of Stratton. She was also a sister of William Byron, 5th Baron Byron and a great-aunt of George Gordon Byron, 6th Baron Byron, the poet. In 1798, Carlisle was appointed guardian to George Gordon Byron who lampooned him in English Bards and Scotch Reviewers.	65	£65	unmounted	Print	Portraits	British Nobility						
10365		Sir David Young Cameron 1865 -1945	Stonehenge	Etching				Image and plate 126 x 202mm			Signed and inscribed in pencilSir David Young Cameron was one of the biggest figures of the Etching Revival.   He was born in Glasgow on June 28, 1865 and studied at the local School of Art in the evenings.  In 1885, he entered the Royal Institution in Edinburgh as a full time student.  He lived in Glasgow until 1898, when he moved to Kippen, Sterlingshire.  Cameron worked extensively in Scotland and occasionally in England and on the Continent.  He was member of the Glasgow School and elected to the Royal Society of Painter-Etchers and Engravers in 1898, to the Royal Scottish Academy in 1919 and to the Royal Academy in 1920.  Cameron was knighted in 1924 and appointed King’s Painter and Limner in 1933 in Scotland. 	350	£350	framed	Print	20th Century	Sir David Young Cameron 						
10366		Cecil Aldin	The Golden Cross, Oxford	Lithograph	Printed and Published by Eyre & Spottiswoode Ltd. East Harding St, London, E.C. c 1930			Image 380 x 330 mm			Signed in pencil, blind stamped.Cecil Charles Windsor Aldin (April 28, 1870 - January 6, 1935) was a British artist and illustrator best known for his paintings of animals and rural life.Born in Slough, he was educated at Eastbourne College and Solihull Grammar School. He studied anatomy at South Kensington, and animal painting under W. Frank Calderon.His first drawings were published in Graphic in 1891.His illustrations include the original 1893 magazine publications of Rudyard Kipling's The Jungle Book, and the 1910 edition of Charles Dickens' The Pickwick Papers.	750	£750	mounted	Print	Oxford	General Views						
10367		Cole, Benjamin	Langborn Ward and Candlewick Ward with their divisions into Parishes according to a New Survey	Copper engraved	Published in 'Maitland's History' 1755			356 x 464 mm				90	£90	mounted	Map	English Counties	London						
10368		Robert Pollard & Francis Jukes	The Chase 	Aquatint with hand colouring	Published. Nov. 8 1806 by R. Pollard Braynes Row, Spitfield London.			I  385 x 510 mm			Plate 2 of 4Good impression of a very rare hunting print.Francis Jukes was a prolific engraver who was chiefly known for his topographical prints, the bulk of which he executed in aquatint. He contributed numerous plates to various publications including Walmsley's Views in North Wales (1792-4) and Campbell's A Journey in Scotland (1802) and collaborated on several projects with the engraver and publisher Robert Pollard. Robert Pollard and Francis Jukes produced many prints together with Pollard doing the etching and Jukes the aquatinting.Francis Jukes (1745-1812) Francis Jukes was born in Martley in 1745. He became famous for his, engraving and aquatint work, particularly using a new technique he developed with Sandby from 1774 onwards.He was based at 3 Hosier Lane in London, between Holborn and The City, insuring his premises for £50. One of his earlier engravings can be found in Sandby's A New Drawing Book, published in 1779. In 1780 he produced illustrations of  A Country Racecourse. Thereafter he produced a prolific number of engravings and aquatint work, of ten collaborating with others such as Gilpin, Rowlandson and Pollard.In 1785 he produced a fine engraving of Vauxhall (outer London). This was followed by more classic work with St. Preux and Julia, Henry and Jessy  and The Attempt to Assassinate the King, all in 1786. Courtship  and Matrimony followed in 1787. He then produced a particularly fine set ofLondon Squares including a highly collectable View of Hanover Square. From 1788 he began to develop much wider themes, illustrating  Views in the Pacific, based on sketches from Captain Cook's Third Voyage. He also worked on illustrations of Mount Vernon in Virginia (home of George Washington) and of New York. Also in the same year (1788) his engravings of Higflyer (a racehorse ) and Foxhound Modish and Pointer Dash were produced as part of his continuing work with rural themes. In 1780 he produced a series of eight plates called The Pytchley Hunt  showing horses in full flight which, if seen today, would either make us put a significant bet on them or ask for a Steward's doping enquiry!1794 saw two nostalgic engravings, A Visit to the Uncle and A Visit to the Aunt. At the turn of the century Francis Jukes was fully engaged with rural themes, illustrating Dawyes' Views on The Wye  in 1797, Nicholson's Views of England  and  Views of Ireland  (1800-1), a View of Brielle (in Holland),and working on Campbell's A Journey to Scotland in 1802, the same year he produced a pair of high quality engravings of  A Two Year Old Ram and A Two Year Old Ewe of the New Leicestershire Breed.Francis Jukes died in 1812, having worked with engraving and aquatint along side the great illustrators of the late eighteenth century.	450	£450	framed	Print	General Interest	Hunting & Shooting						
10371		Walker, J & C	Islands In The Atlantic	Steel engraved	Published By Baldwin & Cradock 47 Paternoster Row June 1st 1836. For the Society for the Diffusion of Useful Knowledge			395 x 330 mm				35.00	£35	unmounted	Map	North and South America	Islands						
10372		Kitchin,Thomas after Danville	Greece with the Northern Provinces near the Danube, Made for Rollin’s History, By Mr. Danville 1740.	Copper engraved	circa 1768			247 x 210 mm				50.00	£50	unmounted	Map	Europe	Greece						
10373			A Map Of Spain	Copper engraved	1756			210 x 280 mm				50.00	£50	unmounted	Map	Europe	Spain						
10374		Kitchin, Thomas	Map of European Russia. 	Copper engraved with hand colour	Published March 26, 1784 according to Act of Parliment by T.Cadell in the Strand			495 x 390 mm				75.00	£75	unmounted	Map	Europe	Russia						
10375		T. Wootnoth after Angelica Kauffmann	Angelica Kauffmann	Stipple	c. 1778			Image135 x 90 mm			The Swiss-born Angelica Kauffmann was an artist of international training and reputation. She was escorted by her artist-father to study the Old Masters in all the major Italian cities. Time spent with the English community in Rome convinced her to come to London in 1766 where she joined Sir Joshua Reynolds's social circle. Her reputation for portraiture and history painting led to her becoming a founder member of the Royal Academy in 1768. Excluded from the life class, Kauffmann developed her own brand of history painting which focused on female subjects from classical history and mythology. 	10	£10	unmounted	Print	Portraits	Artists Portraits						
10376		Ravenstene	The Countries Between British India and Russian Asia	Copper Engraved	The Illustrated London News, October 5, 1878. - 329			240 x 360 mm				25.00	£25	unmounted	Map	Asia & Middle East	Afghanistan						
10378		Morden, Robert 	Nottinghamshire	Copper engraved with hand colouring	1695			From Camden's Britannia			Robert Morden : d. 1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson's revised edition of 'Camden's Brittannia' engraved by Sutton Nichols. William Camden (1551-1623) was a historian and antiquary whose works were reprinted and published over a period of 200 years. The original Latin text was first translated by Gibson in 1695. Morden was employed to replace the outdated maps by Saxton, engraved by Kip and Hole. He based his maps on manuscript sources plus the surveys of Ogilby and Morgan, seller, Palmer and the coastal charts of Cpt. Greenville Collins. One of his original contributions to cartography was the showing of longitudes measured from the meridian of St. Paul's Cathedral given in the form of time in minutes at the top of the map in Roman numerals and at the bottom in degrees. This was done to clarify local times that were taken from the sun as there was no national standard time. These maps were the first to show the roads based on Ogilby's earlier work of 1675, and included 3 scales to cover the various scales used in different parts of the country. 	75.00	£75	unmounted	Map	English Counties	Nottinghamshire						
10379		A. Bannerman after Kneller	Sir Christopher Wren	Steel engraving	c. 1710			Image 170 x 130 mm			Architect and scientist. After the Great Fire of 1666, he rebuilt St Paul's Cathedral and many of the City churches; his other work includes the Sheldonian Theatre in Oxford (1664-9), Trinity College Library in Cambridge (1674-84), Chelsea Hospital and Greenwich Hospital (from 1696). He was Professor of Astronomy at Oxford and later President of the Royal Society.	35	£35	unmounted	Print	Portraits	Architetcts						
10382		Albrizzi,Girolamo 	Carta Geografica Del Capo Di Buona Speranza	Copper engraved with hand colouring	1740			330 x 420 mm			A detailed map of the Cape of Good Hope from 'Atlante Novissimo che Contiene Tutte le Parti del Mondo'. Decorative cartouche shows an elephant and two species of rhinosaurus.	340.00	£340	unmounted	Map	Africa							
10383		B. Hiboust	Imperator Marcus Aurelius	Copper engraving				Image 200 x 145 mm			Marcus Aurelius Antoninus Augustus (Rome, April 26, 121[2] – Vindobona or Sirmium, March 17, 180) was Roman Emperor from 161 to his death in 180. He was the last of the "Five Good Emperors", and is also considered one of the most important stoic philosophers.	40	£40	unmounted	Print	Portraits	Philosophers						
10384		C. Turner	Miss Brook afterwards Lady Denham	Mezzotint	Published by S.Woodburn 1811			Image 150 x 100 mm			Margaret (Brooke), Lady Denham (1646-1667), 2nd wife of Sir John Denham.	25	£25	unmounted	Print	Portraits	British Nobility						
10385		Cary, John	A New Map Of Devonshire, Divided Into Hundreds. Exhibiting Its Roads, Rivers, Parks &c	Copper engraved with hand colouring	London: Published by J.Cary, Engraver & Map-seller, No181 Strand, Janurary.1.1818			485 x 545mm				150.00	£150	unmounted	Map	English Counties	Devon						
10387		Cary, John	A New Map Of Derbyshire, Divided Into Hundreds. Exhibiting Its Roads, Rivers, Parks &c	Copper engraved with hand colouring	London: Published by J.Cary, Engraver & Map-seller, No181 Strand, Janurary.1.1818			545 x 485mm	Cary's English Atlas (1809)			110.00	£110	unmounted	Map	English Counties	Derbyshire						
10388		Cary, John	A New Map Of England. From The Latest Authorites	Copper engraved with hand colouring	London: Published by J.Cary, Engraver & Map-seller, No181 Strand, June 1.1809			545 x 485mm	Cary's English Atlas (1809)			175.00	£175	unmounted	Map	England & the British Isles	England						
10389		John Smith after Sir Godfrey Kneller 	King William III	Mezzotint	1702			Image 169 x 141 mm, Sheet 190 x 147 mm			King William III (1650-1702), Reigned 1689-1702Given by the daughter of compiler William Fleming MD, Mary Elizabeth Stopford, 1931-06-25.Condition: Trimmed within plate mark on the bottom and trimmed to plate on top and sidesCollectors stamp on verso	100	£100	unmounted	Print	Portraits	British Royalty						
10391		Ben Pritchard	The Kings Arms	Lino cut	2007			Image 330 x 240 mm				150.00	£150	unmounted	Print	Contemporary Oxford Printmakers	Ben Pritchard						
10392		C.Dubosc after L.Laguerre	The Pursuit of the Enemy after the Battle of Ramillies, Exercitus Faseratus hostem Sugientem Post Pralium Ramilliense persequens, La Poursuite apres la Bataille de Ramillies	Etching	Printed and Sold by Tho. Bowles, next to the Chapter House, St.Pauls Church Yard. c 1725			Image 480 x 717 mm  Plate  545 x 723 mm Sheet 625 x 802 mm				550	£550	mounted	Print	General Interest	Military						
10393		Reynolds	Surrey and Sussex	Steel engraved with hand colouring	1860			170 x 230 mm				40.00	£40	unmounted	Map	English Counties	Surrey						
10394		William Henry Simmons, after Sir Thomas Lawrence	Charles William Vane-Stewart, 3rd Marquess of Londonderry	Mezzotint	Published 1841			Image 200 x 155 mm			Charles William Vane-Stewart, 3rd Marquess of Londonderry (1778-1854), Soldier and diplomat.	40	£40	unmounted	Print	Portraits	British Nobility						
10395		Robert Dunkarton, after Van Dyck	Charles Stanley, 8th Earl of Derby	Mezzotint	Published 1812			Image 115 x 90 mm			Charles Stanley, 8th Earl of Derby (1628-1672), Royalist.	25	£25	unmounted	Print	Portraits	British Nobility						
10396		Charles Turner, after Unknown artist	Elizabeth Cromwell (née Steward)	Mezzotint	Published 1810			Image 155 x 105 mm			Elizabeth Cromwell (née Steward) (died 1654), Mother of Oliver Cromwell 			unmounted	Print	Portraits	British Nobility						
10398		C.Dubosc after L.Laguerre	The Taking of Marshall Tallard and Pushing of 4000 Horse into the Danube at the Danube at the Battle of Blenheim, Marescallus Tallardus Captus, et Equitum quatuor millia in Danubium pulsa in pralio Blenheimiensi, Luatre mille Chevaux pouses le Danube avec la Prise de Monsieur le Marschall de Tallard a la Bataille de Blenheim.	Etching	Printed and Sold by Tho. Bowles, next to the Chapter House, St.Pauls Church Yard. c 1725			Image 480 x 717 mm  Plate  545 x 723 mm Sheet 625 x 802 mm				400	£400	unmounted	Print	General Interest	Military						
10399		C.Dubosc after L.Laguerre	The Battle of Ramillies in the Year MDCCVI, Praelium Ramilliense Anno MDCCVI, La Bataille de Ramillies L’Annee MDCCVI,	Etching	Printed and Sold by Tho. Bowles, next to the Chapter House, St.Pauls Church Yard. c 1725			Image 474 x 717 mm  Plate  548 x 729 mm Sheet 627 x 815 mm				550	£550	mounted	Print	General Interest	Military						
10400		Schley, J.Y. after Bellin, Jacques N.	Le Pays Des Hottentots aux Environs du Cap De Bonne Esperance	Copper engraved	‘t Land der Hottentotten, om Streeks d Kaap de Goede Hoop, Geshikt op de Kaart van Kolbe, en op eenige Handschriften van de Bewaarplaatsfe der Aftekeningen des Zeevaards, door N. Bellin, Ingenieur des Fransfen Zeevaards.circa 1741			255 x 335 mm				100.00	£100	unmounted	Map	Africa	South Africa						
10403		Hondius, H and Janson	Hassia Landgraviatus	Copper engraved with early hand colouring	Amsterdam [1629-1636]			430 x 560 mm				220	£220	unmounted	Map	Europe	Germany						
10404		van den Keere, Pieter	Hebrides Insulae que et Haebudes Beda Mevanias vocat.	Copper engraved 	c. 1627			83 x 126 mm			Pieter van den Keere came to England in 1584, as a Protestant refugee from his home town of Ghent with his sister Colette, who married Jodocus H ondius, in 1587. It was probably from Hondius that Keere learned to engrave.  Both engravers left London in 1593 to settle in Amsterdam.Keere began to engrave a series of miniature maps in 1599 in preperation for a small atlas of the British Isles.  The maps were first published  in 1617 by William Blaeu with plate numbers and Latin text.  They then passed to George Humble, who publised them in 1619 and then again in 1627.	80	£80	framed	Map	Scotland, Ireland & Wales	Scotland						
10407		van den Keere, Pieter 	The Kingdome of England	Copper engraved with hand colour	c. 1627			83 x 126 mm			Pieter van den Keere came to England in 1584, as a Protestant refugee from his home town of Ghent with his sister Colette, who married Jodocus H ondius, in 1587. It was probably from Hondius that Keere learned to engrave.  Both engravers left London in 1593 to settle in Amsterdam.Keere began to engrave a series of miniature maps in 1599 in preperation for a small atlas of the British Isles.  The maps were first published  in 1617 by William Blaeu with plate numbers and Latin text.  They then passed to George Humble, who publised them in 1619 and then again in 1627.	140	£140	framed	Map	England & the British Isles	England						
10408		Allard, Carel	Regni Angliae et Walliae Principatus Tabula divisa in LII Regiones, Anglice Shire dictas....	Copper engraved with hand colouring	J. Covens and C. Mortier, Amsterdam c. 1721			495 x 580 mm			This map shows the countries earlier in the reign of the Hanover Kings, but the elaborate title cartouche celebrates the Glorious Revolution of 1688-89. Britannia sits in the lower right and on the left stands an imposing military figure representing King William. Besides Royal crests and numerous putti, the English lion and Welsh unicorn surmount the impressively engraved cartouche. The map itself is filled with excellent detail of towns, roads, rivers, and with each county colored in a contrasting pastel shade.Covens and Mortier was an Amsterdam firm formed in 1721 by Johannes Covens in partnership with the heirs of Pierre Mortier.  Mortier, a Frenchman, had established a publishing house in Amsterdam by around 1685 and published or reissued maps by some of the great French and Dutch mapmakers of the late 17th and early 18th centuries, including Guillaume de L’Isle, Carel Allard and Jan Jansson.  After Mortier’s death in 1711, the family continued the business and then joined with Covens.  Covens and Mortier issued several atlases, including its major work Atlas Nouveau, published in nine folio volumes between 1711 and 1760.  The firm also issued world and continent maps.  Regni Angliae et Walliae… is variously credited by different sources as being after de L’Isle or Allard. 	550	£550		Map	England & the British Isles	England and Wales						
10409		William Ward after Henry Bernard Chalon	Selim	Mezzotint	London Published 2nd. Decr. 1809 by C. Random D.B. Sporting Gallery 5 Hart Street Bloomsbury 			Image 405 x 554 mm, Plate 470 x 580 mm			Frankau - William Ward 296, Siltzer 93Proof before all letters, with cleaned inscription spaceEx Col. Hon Christopher Lennox-BoydChestnut 1802. Bred by General Sparrow; purchased as a three year old by the Prince of Wales. "So full of quality, and so majestic altogether that no one would have suspected him to be the workman he was at all distances," turf observer The Druid noted. His dam, weedy as a youngster, was given away; a costly error for her owner, the Duke of Queensberry, for she foaled the "wonderful leash of brothers," Selim, Castrel (1801) and Rubens(1805), and Oaks winner Bronze (1803). Selim ran between 1806 and 1808, winning the Oatlands at Newmarket twice, and the Craven Stakes at Newmarket in 1807. He bested the mare Lydia in a 200 guineas match in 1808, but failed to win thereafter; his final race was a match at Newmarket that year, where he was beaten by the top racemare Violante. Retired to the Duke of Cumberland's stud, he was given to Colonel Leigh when it was dispersed. Sired Langar, Fandago and Sultan (sire of Glencoe), and daughters Medora (Family 4), sisters Scratch and Scandal (Family 11), sisters Quadrille and Varennes (Family 22).	1000	£1,000	framed	Print	Sports	Horse Racing						
10410		Mercator, Gerard	Anglia Regnum	Copper engraved with hand colour	Amsterdam, 1636			350 x 470 mm			Shirley Early Printed Maps of the British Isles 463	750	£750	framed	Map	England & the British Isles	England and Wales						
10411		Richard Josey after Lady Butler	After the Battle, Tel-el-Kebir	Mezzotint with hand colour	London Published May 1st 1888 Henry Graves & Co the Proprietors, Publishers to HM the Queen and TRH the Prince of Wales 6 Pall Mall Copyright Registered			Image 183 x 483 mm, Pl. 560 x 1051 mm			Printsellers ‘ Association Index 4The Battle of Tel al-Kebir was the decisive battle of the Urabi Revolt. After discontented Egyptian officers under Ahmed Urabi rebelled in 1882, Great Britain reacted to protect its interests in the country, and in particular the Suez Canal.	450	£450	framed	Print	General Interest	Military						
10412		Oswald W BRIERLY	Naval Review at Spithead. Her Majesty The Queen Reviewing the Fleet in Action	Lithograph with tint stone and hand colour	London, Published Nov.r 1.st 1853, By Ackermann & C.o 96 Strand, By Appointment/ To H.M. The Queem, H.R.H. Prince Albert, H.R.H. The Duchess OF Kent &c. &c.							850	£850	framed	Print	General Interest	Naval						
10421		J & H Storer	University College	Copper engraving with hand colouring	London Pubd. Nov 1 1821 by Sherwood, Neely & Jones			I 105 x 70 mm	Lascelles’ The University and City of Oxford: Displayed in a Series of Seventy-two Views Drawn and Engraved by J. and H.S. Storer accompanied with a Dialogue, after the manner of Castiglione.			45	£45	mounted	Print	Oxford	University College						
10422		Dawe after Mills	City of Oxford	Steel engraving with hand colouring	c 1840			I 132 x 83 mm				35	£35	mounted	Print	Oxford	General Views						
10423		J. Storer	Part of Peckwater Square	Copper engraving	Published by Cook & Parker, Oxford_ Longman, Hurst Rees & Orme, London. March 1 . 1810			I 120 x 160 mm				30	£30	mounted	Print	Oxford	Christ Church College						
10424		K.Vernon	Mercery Lane, Canterbury	Etching	c 1915			Image 250 x 100 mm			signed and inscribed in pencil by the artist	45	£45	mounted	Print	British Topography	Kent						
10427		Ettling, T	Rome (Modern) Drawn from the latest authentic Documents.	Lithograph	From Weekly Dispatch Atlas,139, Fleet Street 1858			 307 mm x 430 mm				35	£35	unmounted	Map	Europe	Italy						
10428		Morden, Robert	Essex	Copper engraved with hand colouring	London 1695 Sold by Abel Swale, A. Churchill & Partner			340 x 410 mm			Robert Morden : d. 1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson's revised edition of 'Camden's Brittannia' engraved by Sutton Nichols. William Camden (1551-1623) was a historian and antiquary whose works were reprinted and published over a period of 200 years. The original Latin text was first translated by Gibson in 1695. Morden was employed to replace the outdated maps by Saxton, engraved by Kip and Hole. He based his maps on manuscript sources plus the surveys of Ogilby and Morgan, seller, Palmer and the coastal charts of Cpt. Greenville Collins. One of his original contributions to cartography was the showing of longitudes measured from the meridian of St. Paul's Cathedral given in the form of time in minutes at the top of the map in Roman numerals and at the bottom in degrees. This was done to clarify local times that were taken from the sun as there was no national standard time. These maps were the first to show the roads based on Ogilby's earlier work of 1675, and included 3 scales to cover the various scales used in different parts of the country. 	190	£190	unmounted	Map	English Counties	Essex						
10429		Findlay, Alexander	New South Wales.	Lithograph	London Published by Thomas Kelly, 17, Paternoster Row c.1820			247 mm x 192 mm			Slight watermarks on the left hand side	25	£25	unmounted	Map	Australasia & Pacific	Australia						
10431		Rapkin, J	Overland Routes to India and China	Lithograph with hand colouring	c. 1851			330 mm x 245 mm			The Illustrations by H. Warren; & Engraved by J. H. KernotThe Illustrated Atlas, And Modern History Of The World Geographical, Political, Commercial & Statistical, Edited By R. Montgomery Martin, Esq. ... The Maps Drawn & Engraved By J. Rapkin. H. Warren. J. Rogers. J. & F. Tallis, London & New York.	125	£125	unmounted	Map	Asia & Middle East	India						
10433		Unknown	[Floating Torii at Itsukushima Shrine, Miyajima, Japan]	Woodblock 	c 1900			Image 63 x 88 Sheet 67 x 91 mm				80	£80	mounted	Print	Japanese	Landscape and Famous Places						
10434		Roper, J	Coventry	Copper engraving	London; Published  for the Proprietors, by Vernor, Hood & Sharpe, Poultry, May 1st 1807			176 mm x 230 mm			To accompany the Beauties of  England and WalesFrom a Drawing by Thomas Sharp	35	£35	unmounted	Map	English Counties	Warwickshire						
10435		Davies, B.R.	Constantinople Stambool	Copper engraving with hand colouring	Published by the Society for the Diffusion of Useful Knowledge, 59 Lincolns Inn Fields, Sep.r 1840			315 x 391 mm				90	£90	unmounted	Map	Asia & Middle East	Middle East						
10436		Bartholomew, John	Geological Features	Chromolithograph	c. 1898			423 mm x 319 mm			From the Royal Atlas of England and Wales	45	£45	unmounted	Map	England & the British Isles	England and Wales						
10437		Nathaniel Whittock	Pembroke College	Lithograph	1829			Image 205 x 155 mm	The Microcosm of Oxford Containing A series of Views of the Churches, Colleges, Halls & other Public Buildings of the University and City of Oxford		Can also be from A Topographical and Historical Description of the University and City of Oxford also by Whittock.	45	£45	mounted	Print	Oxford	Pembroke College						
10440		Archer, J	Buckinghamshire	Steel engraving with hand colouring	Drawn and Engraved for Dugdales England & Wales, Delineated 1843			 234 x 175 mm				10.00	£10	unmounted	Map	English Counties	Buckinghamshire						
10441		Archer, J	India (Northern Part) & India (Southern Part)	Steel engraving with hand colouring	London Published by the Proprietor, James Gilbert, 49 Paternoster Row.c.1841			Northern Part 228 x 293 mm, Sothern Part 228 x 283 mm			Drawn and Engraved by J Archer, Pentonville, London	75	£75	unmounted	Map	Asia & Middle East	India						
10442		Giraldon	Carte Des Pays Compris Entre La Mer Caspienne Et La Mer NoirePau P. Lapie, Capitaine au Corps Imperial des Ingenieurs Geographes.	Copper engraving with hand colouring	Grave par Chamouin Rue de la Harpe No.35 1810			379 x 502 mm			Trimmed close to the top right edge as issued.	80	£80	unmounted	Map	Asia & Middle East	Russia						
10443		Starling, T	Warwickshire	Steel engraving	Drawn and Engraved for Lewis’ Topographical Dictionary c.1840			230 mm x 173 mm	Lewis’ Topographical Dictionary		Drawn by R. Creighton.Very light foxing on the bottom left.	30	£30	unmounted	Print	British Topography	Warwickshire						
10444		Vaugondy, Robert	Cercle De Souabe dans lequel sont distingues les principaux Etats, et les Enclaves De La Maison D' Autriche Par Le Sr Robert Geographe	Engraving with hand colouring	A Venise Par P. Santini 1778			476 x 515 mm				150	£150	unmounted	Map	Europe	Germany						
10445		Vaugondy, Robert	Cercle De Franconie qui comprend Les Eveches De Wurtzbourg, De Bamberg Et D’ Aichstet, Les Marquisats De Culmbach Et D’ Anspach, Et Les Comtes D’ Henneberg, D’ Hohenlohe, De Vertheim, De Reineck, D’ Erpach & c.Par Le Sr Robert Geographe ord. du Roy	Engraving with hand colouring	A Venise Par P. Santini 1778			478 x 550 mm				135	£135	unmounted	Map	Europe	Germany						
10446		J. Le Keux after Fisher	Plan of the University and City of Oxford	Steel engraving with hand colour	Published July. 1st 1836 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			188 x 147 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40	unmounted	Map	Oxford	Town Plans						
10447		Vaugondy, Robert	Partie Meridionale Du Cercle De Haute Saxe ou sont Le Duche De Saxe, Le Marquisat De Misne, Le Landgraviat De Thuringe, et autres Etats et Principautes. Par Le Sr Robert.	Engraving with hand colouring	A Venise Par P. Santini 1778			483 x 540 mm				190	£190	unmounted	Map	Europe	Germany						
10448		Vaugondy, Robert	Le Cercle De Baviere qui Comprend. Le Haut Palatinat, Les duches De Haute Et Basse Baviere Et De Neuburg, L’Archeveche De Salzburg, Les Eveches De Ratisbonne, De Freisingen, De Passau et la Prevote de Berchtolsgaden.Par Le Sr Robert. Geog. ord. du Roy	Engraving with hand colouring	A Venise Par P. Santini 1778			480 x 535 mm				190	£190	unmounted	Map	Europe	Germany						
10449		Roper, J	Canterbury	Copper engraving	London; Published  for the Proprietors, by Vernor, Hood & Sharpe, Poultry, Dec1st 1806			180 mm x 234 mm			To accompany the Beauties of  England and WalesFrom a Drawing by G. Cole	45	£45	mounted	Map	English Counties	Kent						
10450		Roper, J	Northampton	Copper engraving	London; Published  for the Proprietors, by Vernor, Hood & Sharpe, Poultry, Aug1st 1807			237 mm x 176 mm			To accompany the Beauties of  England and WalesFrom a Drawing by G. Cole	45	£45	mounted	Map	English Counties	Northamptonshire						
10451		Rapkin, J	Sheffield	Steel engraving	The London Printing And Publishing Company_ Limited c.1850			320 x 230 mm			The Illustrations Drawn and engraved by H. Winkles	75	£75	unmounted	Map	English Counties	Yorkshire						
10452			Loughborough	Photozincograph with colour	Plans and Published at the Ordinance Survey Office, Southhampton 1887			301 x 460 mm			Surveyed in 1882 - 83	55	£55	unmounted	Map	English Counties	Town Plans						
10453			Cotes	Photozincograph with colour	Plans and Published at the Ordinance Survey Office, Southhampton 1887			306 x 460 mm			Surveyed in 1883	55	£55	unmounted	Map	English Counties	Leicestershire						
10454		JohnWhessell	Eagle brother to Spread Eagle	Line and Stipple engraving	London Published Aug. 13 1805 by John Harris / Sweeting’s Alley. Cornhill. & 8 Old Broad Street			Image 370 x 485 mm, Plate 406 x 507 mm			Siltzer (not recorded)Ex Col. Christopher Lennox-Boyd	1250	£1,250	framed	Print	Sports	Horse Racing						
10455		Roper, J	Warwickshire	Copper engraving with hand colouring	London Published for the Proprietors. by Vernor, Hood and Sharpe, Poultry, March 1st 1807.			232 x 172 mm			to accompany the Beauties of England and WalesFrom a Drawing by G. Cole 	35	£35	unmounted	Map	English Counties	Warwickshire						
10456		Starling, T	Berkshire	Steel engraving	Drawn and Engraved for Lewis’ Topographical Dictionary c.1840			176 mm x 232 mm	Lewis’ Topographical Dictionary		Drawn by R. Creighton.	30	£30	unmounted	Map	English Counties	Berkshire						
10457		Walker, J. & C.	Berkshire	Steel engraving	Drawn and Engraved for Lewis’ Topographical Dictionary c.1840			232 mm x 175 mm	Lewis’ Topographical Dictionary		Drawn by R. Creighton.	30	£30	unmounted	Map	English Counties	Berkshire						
10458		Roper, J	Buckinghamshire	Copper engraving with hand colouring	London Published for the Proprietors. by Vernor, Hood and Sharpe, Poultry, March 1st 1807.			232 x 172 mm			to accompany the Beauties of England and WalesFrom a Drawing by G. Cole 	35	£35	unmounted	Map	English Counties	Buckinghamshire						
10459		Laguillermie & Rainaud	Dept. De La Gironde.	Steel engraving with hand colouring	a Paris Chez l’Editeur, rue St Jacques No 43.c. 1849						From the Atlas National Illustre by V. Levasseur				Map	Europe	France						
10460		Kitchin, Thomas	Wiltshire Drawn from the best Authorities and Regulated by Aston Observations.	Copper engraving with hand colouring	c.1786			217 x 167 mm				60	£60	unmounted	Map	English Counties	Wiltshire						
10463		Morden, Robert	Buckinghamshire	Copper engraving with hand colouring	1722			418 x 344 mm			Robert Morden : d. 1703. Morden was a bookseller and publisher as well as an accomplished geographer and cartographer. He is best known for his maps issued in 1695 in Gibson's revised edition of 'Camden's Brittannia' engraved by Sutton Nichols. William Camden (1551-1623) was a historian and antiquary whose works were reprinted and published over a period of 200 years. The original Latin text was first translated by Gibson in 1695. Morden was employed to replace the outdated maps by Saxton, engraved by Kip and Hole. He based his maps on manuscript sources plus the surveys of Ogilby and Morgan, seller, Palmer and the coastal charts of Cpt. Greenville Collins. One of his original contributions to cartography was the showing of longitudes measured from the meridian of St. Paul's Cathedral given in the form of time in minutes at the top of the map in Roman numerals and at the bottom in degrees. This was done to clarify local times that were taken from the sun as there was no national standard time. These maps were the first to show the roads based on Ogilby's earlier work of 1675, and included 3 scales to cover the various scales used in different parts of the country. 	150	£150	mounted	Map	English Counties	Buckinghamshire						
10465		Suzette Broad	Waters Edge	Etching	c. 2007			Image 127 x 130 mm, Plate 127 x 130 mm, 				55	£55	mounted	Print	Contemporary Oxford Printmakers	Suzette Broad						
10469		Flora McLachlan	Mare’s Nest	Drypoint	2007			Image 130 x 135 mm, Plate 130 x 135 mm, Sheet 375 x 283 mm			Number in Edition 4/2010 Available	48	£48	unmounted	Print	Contemporary Oxford Printmakers	Flora McLachlan						
10492		Morna Rhys	Venetian Light	Etching	2007			Image and Plate 403 x 266				135	£135	mounted	Print	Contemporary Oxford Printmakers	Morna Rhys						
10496		Rachel Edgar	Knight Diva, Knight Fever	Contact Print, Etching, Aquatint, Letterpress Stamping & Handcolouring	2007			Image 265 x 230			Number in Edition 1210 Available	95	£95	mounted	Print	Contemporary Oxford Printmakers	Rachel Edgar						
10497		Jane Peart	Polar Pair	Etching / Aquatint	 2007			Image: 463 x 318 mm			Number in Editiom  5048 Available	150	£150	mounted	Print	Contemporary Oxford Printmakers	Jane Peart						
10505		Peter Lawrence	Round Midnight	Wood Engraving	2007			Image 125 x 175			Number in Edition 751 Available-	70	£70	mounted	Print	Contemporary Oxford Printmakers	Peter Lawrence						
10506		Peter Lawrence	Out and About	Wood Engraving	2007			Image 100 x 126			Number in Edition 5010 Available	70	£70	mounted	Print	Contemporary Oxford Printmakers	Peter Lawrence						
10516		Peter Lawrence	New Cross	Wood Engraving	2007			Image 155 x 205				80	£80	mounted	Print	Contemporary Oxford Printmakers	Peter Lawrence						
10517		Peter Lawrence	Take Four	Wood Engraving	2007			Image 151 x 151 mm				90	£90	mounted	Print	Contemporary Oxford Printmakers	Peter Lawrence						
10521		Caroline Maas	Waves	Etching	2007			Image 315 x 530 mm				130	£130	mounted	Print	Contemporary Oxford Printmakers	Caroline Maas						
10525		Manja Scott	Dark Landscape	Linocut	2007			Image 296 x 296 mm, Sheet 495 x 570 mm			2/25	145	£145	mounted	Print	Contemporary Oxford Printmakers	Manja Scott						
10526		Manja Scott	Two Trees	Linocut	2007			Image 298 x 296 mm, Sheet 495 x 570 mm			2/17	145	£145	mounted	Print	Contemporary Oxford Printmakers	Manja Scott						
10533		TM 	Coll Jesu apud Cantabrigienses	Mezzotint				195 x 331 mm			A very  rare aerial perspective from almost the same angle as Loggan.  Cut to plate and mounted on album page repaired tear lower left corner.  Phillips 1271 ex collection.	200	£200	unmounted	Print	 Cambridge	Jesus College Cambridge						
10538		Flora Mclachlan	Under the Sheltering Trees	Monotype	2007			Image 500 x 633 mm				260	£260	mounted	Print	Contemporary Oxford Printmakers	Flora Mclachlan						
10547		Jane Peart	Sheep on the Dales	Etching	2007			Image 145 x 190			A/P	55	£55	mounted	Print	Contemporary Oxford Printmakers	Jane Peart						
10554		Peter Lawrence	Transform	Wood Engraving	2006			Image 295 x 320 mm			50 in Edition15 Available	180	£180	framed	Print	Contemporary Oxford Printmakers	Peter Lawrence						
10558		Flora McLachlan	The Wood-Pool	Etching and aquatint	2006			Image 242 x 270 mm			29/50	135	£135	unmounted	Print	Contemporary Oxford Printmakers	Flora McLachlan						
10566		Rachel Edgar	Brazilian Tanager	Etching, Aquatint, Leterpress Stamping  & Hand Colouring	2007			Image 140 x 130 mm, Plate 145 x 145 			4/20	70	£70	mounted	Print	Contemporary Oxford Printmakers	Rachel Edgar						
10582		Francis Barlow	Illus i Rissimus et Potentissimus Princeps Jacobus Dux De Monmouth & Bucclugh, Comes de Doncaster & Dalkeith & Baro de Tindall Whitchester, et Ashdale, et Eques Nobolissimi Ordinis	Copper engraving				Sheet 340 mm x 258 mm			James Scott, Duke of Monmouth and Buccleuch (1649-1685), Son of Charles II by Lucy Walter.	150	£150	unmounted	Print	Portraits	British Nobility						
10583		Thomas Bewick	[Monkey]	Wood engraving 				Image 128 x 133 vignette	Possibly from Pennant’s Zoology			20	£20	unmounted	Print	General Interest	Mammals						
10584		Morna Rhys	Stolen Roses	Etching	2007			Image: 300 x 425 mm				110.00	£110	mounted	Print	Contemporary Oxford Printmakers	Morna Rhys						
10585		Morna Rhys	Across the Valley	Etching	2007			Image 127 x 127 mm			20/50	65	£65	mounted	Print	Contemporary Oxford Printmakers	Morna Rhys						
10586		Richard Cooper		Soft ground etching	Published May 30th 1799, by R.Cooper, Charles Street, St.James’s.			Image 211 x 257 mm Plate 230 x 273 mm			Early Proof.Trimmed just outside plate mark.Foxing over publication line.Liechtenstein Mount.	150	£150	mounted	Print	Artists	Richard Cooper						
10587		Dareis after Boizot	La Nature	Stipple	Se vend a Paris chez Depeuille, Rue Franciade, Section de Bon Conseil			image 78 x 78 mm				50.00	£50	mounted	Print	General Interest	Loose Prints and Curiosities						
10588			View Of The Building For The Great Exhibition, New York, 1852	Aquatint	London, G.Berger, Holywell St. Strand			image 160 x 260 mm				50.00	£50	unmounted	Print	Foreign Topography	North America						
10589			Fasti Della Chiesa cattolica apostolica Romana. cionologicamente esposti dal  R.J.F. Milano 1853											unmounted	Print	General Interest	Religion						
10591		S. Okey Fecit	The Revd. M Thos. Hiscox late Pastor of the Baptist Church in Westerly. Taken from an Original Picture Painted by M. Feke	Mezzotint	Published by Reak & Okey  Printsellers & Stationers on the Parade Newport Road Island October 25 1778			Image 172 x 145 mm, Plate 200 x 145 mm			Heavy foxing and some surface abrasion.	40	£40	unmounted	Print	Portraits	Religious and Clerical						
10592		Unknown	The River, Autumn 1943	Lithograph	Printed at the University Press, Oxford, by John Johnson Printer to the University and published by Humphrey Milford to the University, Oxford University Press, Amen House, London, E.C.4, 1944			I 465 x 300 mm	The Oxford Almanack for the Year of our Lord God 1977			60	£60	unmounted	Print	Oxford	Oxford Almanacks						
10593		Peter Greenham	Oxford from the South West	Watercolour	Printed at the University Press, Oxford, by Vivian Ridler Printer to the University and published by Humphrey Milford to the University, Oxford University Press, Ely House, London, W.1 1969			I 440 x 300 mm	The Oxford Almanack for the Year of our Lord God 1977			60	£60	unmounted	Print	Oxford	Oxford Almanacks						
10594		P F Millard	The Codrington Library, All Souls	Lithograph with hand colouring	Printed at the University Press, Oxford, by Charles Batey. Printer to the University and published by Geoffrey Cumberlege, Publisher to the University, Oxford University Press, Amen House, London, E.C,4 1954			I 440 x 300 mm	The Oxford Almanack for the Year of our Lord God 1977			60	£60	unmounted	Print	Oxford	Oxford Almanacks						
10595		Paul Hogarth	St Peter’s College	Lithograph	Printed at the University Press, Oxford, by Eric Buckley,. Printer to the University and published by the Oxford University Press, Walton Street, Oxford OX2 6 DP 1982			I 415 x 330 mm	The Oxford Almanack for the Year of our Lord God 1977			60	£60	unmounted	Print	Oxford	St. Peter’s College						
10596		Clare Roberts	The Botanic Gardens	Lithograph with hand colouring	Printed at the University Press, Oxford, by Eric Buckley,. Printer to the University and published by the Oxford University Press, Walton Street, Oxford OX2 6 DP 1979			I 400 x 290 mm	The Oxford Almanack for the Year of our Lord God 1977			60	£60	unmounted	Print	Oxford	Oxford Almanacks						
10597		Eleanor Partridge	Green College	Etching	Printed at the University Press, Oxford, by Eric Buckley,. Printer to the University and published by the Oxford University Press, Walton Street, Oxford OX2 6 DP 1983			I 440 x 325 mm	The Oxford Almanack for the Year of our Lord God 1977			60	£60	unmounted	Print	Oxford	Green College						
10598		Christopher Hall	St Hugh College	Lithograph with hand colouring	Printed at the University Press, Oxford, by Eric Buckley,. Printer to the University and published by the Oxford University Press, Walton Street, Oxford OX2 6 DP 1986			I 330 x 446 mm	The Oxford Almanack for the Year of our Lord God 1977			60	£60	unmounted	Print	Oxford	St. Hugh’s College						
10599		Owen/Bowen	A Map of Rutlandshire	Copper engraving	1720			I 190 x 126 mm				75	£75	unmounted	Map	English Counties	Leicestershire						
10600		Graf 	The Hook, The Seat of John Hornby, Esq.	Lithograph with hand colouring	1830			I 307 x 221 mm				115	£115	unmounted	Print	British Topography	Hampshire						
10606		Unknown	Nixon’s School, in the Town Hall Yard	Etching	Printed at the Clarendin Press, and published by Henry Frowde, Oxford University Press, Amen House, London. 1884			I 340 x 230 mm	The Oxford Almanack for the Year of our Lord God 1884			60	£60	unmounted	Print	Oxford	Oxford Almanacks						
10607		Joseph Skelton after Mackenzie	Hall &c of Pembrook College	Copper engraving	1824			I 462 x 340 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	60	£60	unmounted	Print	Oxford	Pembroke College						
10608		G Vertue	The Oxford Almanack for the Year of Our Lord God, MDCCXLVI [Oriel College]	Copper engraving	1746			I 405 x 445 mm			Some creases on the edges	60	£60	unmounted	Print	Oxford	Oriel College						
10610		G Vertue	The Oxford Almanack for the Year of Our Lord God, MDCCXL [Jesus College]	Copper engraving	1740			I 400 x 430 mm				60	£60	unmounted	Print	Oxford	Jesus College						
10611		James McArdell after Philip Mercier	[Boy with a spinning-top]	Mezzotint	1756			I 287 x 225 mm, Pl 328 x 225 mm			Sitter Name: Philip Mercierrom the album “The Catalogue of the Free Society of Artists”, vol. 1	220	£220	unmounted	Print	Fine Prints	Early Mezzotint Portraits						
10612		James McArdell after Thomas Hudson	Robert Lord Henley Baron of Grainge, C.S.	Mezzotint	Sold at the Golden Head in Covent Garden			I 358 x 275mm, Pl 395 x 276mm			Cut inside platemark.CS only state R ii/iii; G ii/iii	180	£180	unmounted	Print	Portraits	British Political						
10614		William Dunkarton Junr after Raphael	Saint John the Evangelist	Mezzotint	London Published by Robert John Thornton March 1, 1809			I 382 x 255 mm, Pl 406 x 259 mm			Cut inside platemark.	180	£180	unmounted	Print	Portraits	Religious and Clerical						
10616		Valentine Green after Lemuel Francis Abbott	The Right Honourable Alexander Lord Bridport. K:B: Admiral of White and Vice Admiral of England	Mezzotint	London Publicated by L.E Abbott Caroline Street, Bedford Square March 16th 1796			I 468 x 382 mm x Pl 508 x 382 mm			Impression cut to platemark.CS ii/ii; W ii/ii.	240	£240	unmounted	Print	Portraits	Military and Naval						
10618		Falconer after A. Chaillot	Revue De La Mode Gazette de la Famille No. 471	Steel engraving with hand colouring	10e Annee_1881 Paris			Image 254 x 211 mm				45	£45	mounted	Print	General Interest	Fashion						
10619		Falconer 	Revue De La Mode Gazette de la Famille No. 479	Steel engraving with hand colouring	10e Annee_1881 Paris			Image 245 x 220 mm				30	£30	mounted	Print	General Interest	Fashion						
10620		Falconer 	Revue De La Mode Gazette de la Famille No. 509	Steel engraving with hand colouring	10e Annee_1881 Paris			Image 250 x 210 mm				45	£45	mounted	Print	General Interest	Fashion						
10621		Falconer after A. Chaillot	Revue De La Mode Gazette de la Famille No. 494	Steel engraving with hand colouring	10e Annee_1881 Paris			Image 245 x 205 mm				40	£40	mounted	Print	General Interest	Fashion						
10622		Falconer after A. Chaillot	Revue De La Mode Gazette de la Famille No. 499	Steel engraving with hand colouring	10e Annee_1881 Paris			Image 240 x 205 mm				40	£40	mounted	Print	General Interest	Fashion						
10623		Falconer after S. Defennerily	Revue De La Mode Gazette de la Famille No. 506	Steel engraving with hand colouring	10e Annee_1881 Paris			Image 240 x 187 mm				40	£40	mounted	Print	General Interest	Fashion						
10624		Falconer after E. Cheffery	Revue De La Mode Gazette de la Famille No. 466	Steel engraving with hand colouring	9e Annee_1880 Paris			Image 240 x 187 mm				40	£40	mounted	Print	General Interest	Fashion						
10625		Falconer 	Revue De La Mode Gazette de la Famille No. 496	Steel engraving with hand colouring	10 Annee_1881 Paris			Image 250 x 215 mm				40	£40	mounted	Print	General Interest	Fashion						
10626			Dolant Nouveaute de Paris	Steel engraving with hand colouring	La Grande Couture 82 -84 Rue Richelieu Paris c. 1880			Image 325 x 185 mm			L. Michau (Editor)Slight tear in the top right corner and a very small tear towards the bottom right edge	20	£20		Print	General Interest	Fashion						
10627		John Smith after Sir Godfrey Kneller	M.r Alexander Pope Ets. 28	Mezzotint	G. Kneller S.R Imp. et Mag. Brit. Baronet. Pinx 1716			I 317 x 245 mm, Pl 343 x 246 mm				210	£210	unmounted	Print	Portraits	Philosophers						
10628			Latest Paris Fashions Presented to the subscribers to the Queen. The Lady’s Newspaper and court chronicle	Steel engraving with hand colouring	June 7th 1879			Image 250 x 215 mm				25	£25	mounted	Print	General Interest	Fashion						
10629			Latest Paris Fashions Presented to the subscribers to the Queen. The Lady’s Newspaper and court chronicle	Steel engraving with hand colouring	September 6th 1879			Image 247 x 210 mm				25	£25	mounted	Print	General Interest	Fashion						
10630			Latest Paris Fashions Presented to the subscribers to the Queen. The Lady’s Newspaper and court chronicle	Steel engraving with hand colouring	August 2nd 1879			Image 255 x 230 mm				25	£25	mounted	Print	General Interest	Fashion						
10631			Latest Paris Fashions 	Steel engraving with hand colouring	October 2 1880			Image 200 x 316 mm				30	£30	mounted	Print	General Interest	Fashion						
10632			Latest Paris Fashions 	Steel engraving with hand colouring	September 4 1880			Image 215 x 325 mm				25	£25	mounted	Print	General Interest	Fashion						
10633			Latest Paris Fashions Presented to the subscribers to the Queen the Lady’s Newspaper and court chronicle	Steel engraving with hand colouring	December 13 1879			Image 195 x 305 mm				35	£35	mounted	Print	General Interest	Fashion						
10634		Samuel William Reynolds after Sir Robert Ker Porter	[The Right Honorable W.m Pitt First Lord of the Treasury]	Mezzotint	London, Published 1 Sept 1799, by Jeffryes & Co. Ludgate Hill			I 606 x 382 mm, Pl 634 x 383 mm			William Pitt  the Younger (1759-1806), Prime Minister Trimmed to platemark, some short repaired tearsWhitman - SW Reynolds 239, O’Donoghue 52	400	£400	unmounted	Print	Portraits	British Political						
10635			Latest Paris Fashions 	Steel engraving with hand colouring	June 5 1880			Image 215 x 320 mm				30	£30	mounted	Print	General Interest	Fashion						
10636			Latest Paris Fashions 	Steel engraving with hand colouring	June 12 1880			Image 210x 332 mm				30	£30	mounted	Print	General Interest	Fashion						
10637			Childrens Fancy Costumes Presented to the subscribers to the Queen. The Lady’s Newspaper and court chronicle	Steel engraving with hand colouring	May 24 1879			Image 190x 295 mm				45	£45	mounted	Print	General Interest	Fashion						
10638			Modebilder zur Theaterzetung (Aus Paris) No. 774	Steel engraving with hand colouring	Wien im Bureau der Theaterzeitung Rauhensteingafe No 926 c.1857			Image 183 x 270 mm				55	£55	mounted	Print	General Interest	Fashion						
10639		Richard Houston after William Hoare	The Right Honorable William Pitt Esqr. One of His Majesty's Most Hon.ble Privy Council.	Mezzotint	London: Printed for Robert Sayer, Map & Printseller, at the Goldern Buck near Serjeant’s Inn, Fleet Street. Published according to the Act of Parliment April 20 1766			I 555 x 429 mm, Pl 623 x 431 mm			Statesman and Prime Minister. Forced by opinion on George II to save the nation in 1756, Pitt led the House of Commons and organised the victories of 1759 over France which consolidated British sea power and brought territorial gains in India and Canada. In 1761 he resigned. He returned to office as Prime Minister in 1766, accepting an earldom, only to fall ill and retire. Although suffering from manic-depression, Pitt left his sick bed in 1778 to plead for a tolerant attitude to the British colonists in America. He was the father of William Pitt the younger.Condition: Trimmed within plate and tipped onto an album pageCS 94, O’Donoghue 20	400	£400	unmounted	Print	Portraits	British Political						
10640		Obediah Frizzle after Jan Steen	[The Contented Dutchman]	Mezzotint	1773			I 261 x 210 mm, Pl 278 x 211 mm			A hole in the left of the image has been restored.	110	£110	unmounted	Print	Fine Prints	Early Mezzotint Portraits						
10641			Costumes Parisiens	Steel engraving with hand colouring	1828			Image 162 x 110 mm				40	£40	mounted	Print	General Interest	Fashion						
10642			Evening Dress	Etching with hand colouring	c.1810			Image 158 x 110	R.Ackermann’s Repository of Arts & c.		These plates are from Rudolph Ackermann's Repository of Arts, a periodical which he published from 1809-1827, and which featured, among many other subjects, costume plates such as these. The costume plates were also issued in yearly collections--sort of a fashion annual. The present plates came from such a gathering, entitled ACKERMANN'S LADIES' FASHION PLATES: 110 Coloured Costumes including Mourning, Walking, Carriage, Evening, Opera, and Ball Dresses--all from the 1822 issues of the Repository of the Arts	25	£25	mounted	Print	General Interest	Fashion						
10643		John Young after John Hopkins	A Tribute to the Memory of the late Vice Admiral Lord Viscount Nelson.	Mezzotint	London, June 4th 1806, published by Boydell & Compy. No. 90 Cheapside.			I 592 x 491 mm, Pl 640 x 491 mm			Conditon: Laid down to a thin sheet of card and some loss to top right corner.Russell 57b i/i, O’Donoghue 79	400	£400	unmounted	Print	Portraits	Military and Naval						
10644		James Basire after Wm. Turner	A View of the Chapel and Hall of Oriel College, &c.	Copper engraving with hand colouring	Published 1801			Image 320 x 440 mm	Oxford Almanack 1801			180	£180	mounted	Print	Oxford	Oriel College						
10646		James Watson after Rubens Pinxit	Lady Sitting in a Chair. In the Gallery at Haughton	Mezzotint	Published Decr. 1st 1778 by John Boydell Engraver in Cheapside London.			Image 405 x 305 mm, Plate 458 x 306 mm			Condition: some surface rubbingCS 167 ii/ii, Goodwin - James Watson 182 ii/ii	200	£200	unmounted	Print	Fine Prints	Engravers S-Z						
10647		Armytage after Turner	The Sun Rising in a Mist	Engraving	c 1870			I 200 x 260 mm				45	£45	unmounted	Print	General Interest	Maritime						
10648		Constable after Cousen	The Corn Field	Etching	1826			I 246 x 208 mm				30	£30	unmounted	Print	British Topography	London						
10649		William Bromley and Blackberd after Thomas Stothard	The Death of Captain Faulknor.	Stipple engraving	Published by R. Bowyer, Historic Gallery, Pall Mall 1801 Proprietor of the Splendid Edition of Humes History of England			Image 615 x 459 mm, Sheet 720 x 498			Condition: Some creasing and foxing in the margins not affecting image	1500	£1,500	framed	Print	Portraits	Military and Naval						
10650			Le Bon Ton. Journal des Modes.	Engraving with hand colouring	A Londres Edward Bull Librarie 19 Holles Street Cavendish Square 1838			Image 168 x 150 mm				55	£55	mounted	Print	General Interest	Fashion						
10651		G. R. Ward	Charles Thorp Warden	Mezzotint	Published Nov. 2nd 1846			Image 435 x 335 mm Plate 515 x 380 mm			Charles Thorp (1784 - 1862) was rector of the parish of Ryton and, later, Archdeacon of Durham and the Virtual Founder and first warden of the University of Durham.Thorp became rector of Ryton in 1811, joining a prestigious group with previous rectors including Thomas Secker, later Archbishop of Canterbury.After his time as rector at Ryton, Thorp became Archdeacon of Durham in 1831 and, a year later, became the first warden of the University of Durham. Thorp remained heavily involved with the university, also being the first master, the most senior person in the SCR, of University College. This was a position he held until his death in 1862.[Facsimily signature]	120	£120	unmounted	Print	Portraits	Religious and Clerical						
10652		C. Turner after E. J. Parris	Reverend John J. Watson	Mezzotint	c. 1825			Image 390 x 310 mm Plate 510 x 355 mm			 Reverend John Watson was born before 1831. He married Anne Trevor-Roper, daughter of Charles Blayney Trevor-Roper and Mary Knight, on 24 June 1847. He died on 3 April 1867.     Reverend John Watson lived at Lutterworth, Leicestershire, England.[Proof before all letter]	80	£80	unmounted	Print	Portraits	Religious and Clerical						
10653			Modes de Paris.	Engraving with hand colouring	1842			Image 140 x 203 mm				38	£38	mounted	Print	General Interest	Fashion						
10654		R. Dunkarton after S. Woodford	William Prynne	Mezzotint	Published 1811			Image 115 x 90 mm Plate 160 x 105 mm			William Prynne (1600-1669), Puritan pamphleteer.	10	£10	unmounted	Print	Portraits	Religious and Clerical						
10655			Modes de Paris. Petit Courrier des Dames.	Engraving with hand colouring	Mess. S&J Fuller, 34, Rathbone Place London 31 Mars 1841			Image 160 x 150 mm				65	£65	mounted	Print	General Interest	Fashion						
10656			Le Bon Ton. Journal des Modes.	Engraving with hand colouring	1837			Image 170 x 150 mm				55	£55	mounted	Print	General Interest	Fashion						
10657			Costumes Parisiens	Engraving with hand colouring	1818			Image 145 x 92 mm				55	£55	mounted	Print	General Interest	Fashion						
10658			Gentleman’s Magazine.	Engraving with hand colouring	November 1854			Image 215 x 170 mm			Plate 1	30	£30	mounted	Print	General Interest	Fashion						
10659			Gentleman’s Magazine.	Engraving with hand colouring	April 1854			Image 210 x 160 mm			Plate 2	30 	£30	mounted	Print	General Interest	Fashion						
10661			Gentleman’s Magazine.	Engraving with hand colouring	November 1854			Image 215 x 170 mm			Plate 2	30 	£30	mounted	Print	General Interest	Fashion						
10662			Gentleman’s Magazine.	Engraving with hand colouring	April 1854			Image 210 x 170 mm			Plate 3	30 	£30	mounted	Print	General Interest	Fashion						
10663			Gentleman’s Magazine.	Engraving with hand colouring	November 1854			Image 210 x 170 mm			Plate 3	30 	£30	mounted	Print	General Interest	Fashion						
10665		F. Bromley after Sir Joshua Reynolds	Captain Winter	Mezzotint	Published 1864			Image150 x 180 mm Plate 230 x 240 mm			From the original picture in the possession of Mrs Welch	20	£20	unmounted	Print	Portraits	Military						
10666		Masson	Carolus Patinus	Copper engraving	c. 1700			Image 320 x 190 mm 			Carolus Patinus Doctor Medicus Parisiensis, Notis & Numismatibus illustravit (Basel, 1675),	40	£40	unmounted	Print	Portraits	Scientific, Industrial & Medical						
10667			Costumes Parisiens (2583)	Engraving with hand colouring	1828			Image 165 x 110 mm				40	£40	mounted	Print	General Interest	Fashion						
10668			Costumes Parisiens (2591)	Engraving with hand colouring	1828			Image 162 x 110 mm				40	£40	mounted	Print	General Interest	Fashion						
10669		Falconer after A. Chaillot	Revue De La Mode Gazette de la Famille No. 461	Steel engraving with hand colouring	9e Annee_1880 Paris			Image 275 x 200 mm				25	£25	mounted	Print	General Interest	Fashion						
10670		Falconer 	Revue De La Mode Gazette de la Famille No. 501	Steel engraving with hand colouring	10e Annee_1881 Paris			Image 255 x 195 mm				25	£25	mounted	Print	General Interest	Fashion						
10671		Falconer 	Revue De La Mode Gazette de la Famille No. 507	Steel engraving with hand colouring	10e Annee_1881 Paris			Image 232 x 180 mm				45	£45	mounted	Print	General Interest	Fashion						
10672		Falconer 	Revue De La Mode Gazette de la Famille No. 486	Steel engraving with hand colouring	10e Annee_1881 Paris			Image 250 x 208 mm				45	£45	mounted	Print	General Interest	Fashion						
10673		Thomas Williamson	His Grace Charles Duke of Norfolk, F.R & A.S	Stipple	Published 1813			Image 285 x 220 mm 			Charles Howard, 11th Duke of Norfolk (1746-1815), Connoisseur and collector.	12	£12	unmounted	Print	Portraits	British Nobility						
10674		after Van Dyck	Antoine Van Dyck	Copper engraving	c. 1700			Image 180 x 135 mm			Sold with his wife as a pair	20	£20	unmounted	Print	Portraits	Artists Portraits						
10675		after Van Dyck	Marie Ruten	Copper engraving	c. 1700			Image 180 x 135 mm			Sold with husband as a pair	20	£20	unmounted	Print	Portraits	Artists Portraits						
10676		Caroline Watson after Sir Joshua Reynolds	Sir Joshua Reynolds	Mezzotint	Published 1786			Image 170 x 115 mm			Reynolds led the eighteenth-century art world as first President of the Royal Academy as a Britain's leading portrait painter. In his attempt to raise the status of portraiture, he created the 'Grand Manner' which borrowed from classical antiquity and the Old Masters to fill his portraits with moral and heroic symbolism. An incredible socialite, social climber and self-promoter, Reynolds used his contacts to advance himself. Appointed President of the newly established Royal Academy in 1768, his annual lectures - or Discourses on Art - had a lasting impact on the contemporary theory of art and practice. 	5	£5		Print	Portraits	Artists Portraits						
10677		Mecou	Esculape	Stipple	c. 1700			Image 245 x 200 mm			Taken from the ancient statue deposited in the museum at Paris and brought from Albania by Napoleon	15	£15	unmounted	Print	General Interest	Classical and Mythological						
10678		John Linnel	Robert Peel	Mezzotint	Published 1838			Image 400 x 325 mm Plate 505 x 405 mm			Sir Robert Peel, 1st Bt (1750-1830), Politician and father of the Prime Minister 	120	£120	unmounted	Print	Portraits	British Political						
10679			The Angelic Angler	Mezzotint with later hand colour	London printed for Robert Sayer, Map & printseller, No 53, Fleet Street as the act directs, 17 Jan, 1787			Image 355 x 250 mm Plate 360 x 250 mm Frame 450 x 345 mm			Ex Col Lennox-Boyd,state iii/ii Republished with the publication line altered and the series number 181 added, with the title, flanked by the verses, Published 17 January 1787, with the addres of R. Sayer and J. Bennett in engraved letters	600	£600	framed	Print	Sports	Fishing						
10680		Saxton, Christopher and William Kip	Penbrok comitatus olim Pars Demetarum [Pembrokshire]	Copper engraved with hand colouring	1610			277 x 335 mm			Saxton, Christopher (c.1543-1610/1611) b. near Dunningley, West Yorkshire. Estate Surveyor and Draughtsmen, apprenticed to the cleric and cartographer John Rudd. Under his tutelage Saxton developed the skills to become the man now klnown as ‘the father of English cartography’. Saxton carried out an extensive topographical survey of England and Wales, 1573-1578 under the patronage of Thomas Seckford. 34 county maps based on the surveys were engraved between 1574 and 1578 by Remy Hogenberg, Lenaert Terwoort, Cornelis de Hooghe, Augustine Ryther, Francis Scatte, and Nicholas Reynolds, forming the first atlas of England and Wales. The work was the basis for many later maps. The maps were issued by Saxton in untitled volumes from 1579, subsequently resissued as The Shires of England and Wales, William Web 1645, Philip Lea 1693 (with added maps), French edition Atlas Anglois, philip Lea 1693, as the Shires of England and Wales, G. Willdey 1732, T Jefferys 1749, and finally in an untitled version by C. Dicey c. 1770 wall map of England and Wales (20 sheets)	250	£250	mounted	Map	Scotland, Ireland & Wales	Wales						
10681			The English Frenchifyed Macaroney, his Lady & french Footman Coming from Church	Copper engraving	c. 1770			Image 92 x 159 mm			Condition: tipped into an album page	35	£35	unmounted	Print	General Interest	Caricatures						
10682			The Parricide. A Sketch of Modern Patriotism	Copper engraving	c.1776			Image 105 x 159 mm			Britannia is the central figure, stripped to the waist. Augustus Henry Fitzroy, 3rd Earl of Grafton and Alderman Hayley are holding her down. American Indian Princess is preparing to attack her under the direction of John Wilkes. From behind Britannia is under attack by a lion guided by Judge Camden. Behind the judge stands a man on crutches, presumably the Earle of Chatham. Among the many witnesses is Charles Fox in a fox costume. The medallion below Britannia depicts a pelican shedding her own blood to feed her young. On the far left is a man with serpent hair and flames. It is believed he represents Discord or Faction.http://independence.nyhistory.org/museum2/index.cgi2?a=document&item_id=4927&show1=1&show2=1	20	£20	unmounted	Print	General Interest	Caricatures						
10683			Mr Banks presenting Omiah the native of  Otaheite to her Majesty	Copper engraving	1774			Image 97 x 116 mm				25	£25	unmounted	Print	General Interest	Historical						
10684			Robinson Crusoe Passing the great Chinese Wall.	Copper engraving	Published as the Act directs June 10, 1790 by William Lane, Leadenhall Street			Image 127 x 70 mm, Sheet 150 x 89 mm 				12	£12	unmounted	Print	General Interest	Literary						
10685			Robinson Crusoe Viewing Will Atkins’s Basket House	Copper engraving	Published as the Act directs June 10, 1790 by William Lane, Leadenhall Street			Image 133 x 85 mm, Sheet 162 x 98 mm 				12	£12	unmounted	Print	General Interest	Literary						
10687		Thomas Watson after Francois Hubert Drouais	Madame de Barré	Mezzotint	Published as the Act directs May 25th 1771 for W. Shropshire in the New Bond Street S.Hooper No.25 Ludgate Hill and H.Paker No.82 in Cornhill			Image 344 x 283 mm, Pl 393 x 285 mm			Jeanne Bécu, Comtesse du Barry (Marie-Jeanne, Comtesse du Barry) (August 19, 1743 - December 8, 1793) was a French courtesan who became the mistress of Louis XV of France and is one of the most famous victims of the Reign of Terror.Tipped onto a piece of card.CS 13 ii/ii; Goodwin - Thomas Watson 9 ii/ii	150	£150	unmounted	Print	Portraits	Mistresses, Courtiers and Socialites						
10689		J.R.Smith after W. Beechy	Clarissa Harlowe & Solmes	Stipple	London Publish’d April 19 1780 by I.R Smith,No.83 Oxford Street			I 240 x 200 mm; Pl 292 x 235 mm			Frankau 83An illustration from volume II, page 218  to Samuel Richardson's Clarissa, or, the History of a Young Lady.  Richardson’s epistolary novel, published in 1748, tells the tragic story of a heroine whose quest for virtue is continually thwarted by her family. It is commonly cited as the longest novel in the English language.	200	£200	mounted	Print	Fine Prints	Stipple						
10690		Turner after Walton	The Right Honble. the Earl of Orford. This Print is Dedicated by Permission to the Rt Honble Lady Katherine Walpole.	Mezzotint	London Published May 1st 1806 for the Proprietor by R Cribb, No. 286 Holborn			Image 304 x 248 mm Plate 356 x 254 mm			Horatio Walpole Orford 1st Earl (of the second creation) (1723-1809) Whig politicianWhitman - C. Turner 411 i/ii, O’Donoghue 378/1	200	£200	mounted	Print	Portraits	British Political						
10692		Unknown	Portraits of Five Noble Admirals, who have so gloriously distinguished themselves, during the present War.	Mezzotint	Published Sept.r 18th 1799 by LAURIE & WHITTLE, No. 53, Fleet Street, London.			I 325 x 249 mm; Pl 351 x 250 mm			Condition: Trimmed to the plate, several creases.Russell ENA III 1 a O’Donoghue & Hake (Vol.V, Groups) Ri/i	200	£200	mounted	Print	Portraits	Military and Naval						
10693		William Barnard after Lemuel Francis Abbott	Baron Nelson, of the Nile, and of Burnham Thrope, in the County of Norfolk K.B	Mezzotint	Published 1st Nov.r 1798, by W. Barnard, No, 18, London Street, Fitzroy Square			I 447 x 351 mm, Pl 505 x 352 mm			Chaloner Smith 9, only state O’Donoghue.Slightly creased lower right of the print, otherwise a fabulous impression with the battle of the Nile in the background.	575	£575	unmounted	Print	Portraits	Military and Naval						
10694		John Smith after Sir Godfrey Kneller	Johannes Smith	Mezzotint	1696			I 302 x 255 mm; Pl 341 x 257 mm			CS 232 ii/ii	200	£200	mounted	Print	Portraits	Artists Portraits						
10695		John Raphael Smith after Gabriel Stuart	The Earl of S.t Vincent	Mezzotint	London Published Sept: 5, 1797, by I.R. Smith, King Street, Covent Garden.			I 605 x 455 mm; Pl 661 x 460 mm			John Jervis, 1st Earl of St Vincent [1735–1823] entered the navy in 1749. He reached the rank of Lieutenant in 1755 and took part in the conquest of Quebec in 1759. In 1760, he was promoted to Post-Captain, and commanded various ships in the Mediterranean. John Jervis was Commander-in-Chief of the British Mediterranean Fleet from 1796 to 1799. One of his chief duties was to watch the Spanish fleet at Cadiz. He defeated the Spanish fleet at the Battle of Cape St Vincent. For this victory he was created Baron Jervis, of Meaford in the County of Stafford, and Earl of St Vincent. Retired from the Navy in 1811. Chaloner Smith 146, Russell 146 ii/v, Frankau- J.R. Smith 304 ii/iii, D’Oench 342 O’Donoghue 15	600	£600	mounted	Print	Portraits	Military and Naval						
10696		Samuel William Reynolds after James Northcote	Sir Tho.s Graves, K.B Rear Admiral of the White, &c. &c.	Mezzotint	London, Published May 26, 1802, by John Jeffryes, Clapham Road			I 622 x 384 mm; Pl 645 x 387 mm			Sir Thomas Graves [1747?-1814] entered the navy at a very early age, and served during the seven years' war with his uncle Samuel on board the Scorpion, Duke, and Venus. In 1770 he was lieutenant of the Arethusa, and in 1773 was appointed to the Racehorse with Captain Phipps for the voyage of discovery in the Arctic Seas. In 1779, he was promoted to the command of the Savage Sloop on the West Indian and North American stations, and in May 1781 he was advanced to post rank. Due to bad health Sir Thomas Graves retired from active service in 1801.Condition: light crease across left of imageWhitman- S.W. Reynolds 122 ii/ii, O’Donoghue 375/1 ii/ii	450	£450	mounted	Print	Portraits	Military and Naval						
10697		George Dawe after Sir Henry Raeburn	Captain George Duff	Mezzotint	May 1. 1806. Publish’d by P. Garof, Printseller, Edin.			I 439 x 350 mm; Pl 502 x 350 mm			Captain George Duff [1764 -1805] he was a British naval officer during the American War of Independence, the French Revolutionary Wars and the Napoleonic Wars, whose career was cut short when he was killed by a cannon ball at the battle of Trafalgar.Chaloner Smith 3, Russell 3 ii/ii, O’Donoghue 1	400	£400	mounted	Print	Portraits	Military and Naval						
10698		William Say after Sir William Beechey	Sir Charles Morice Pole, Bar.t K,,G,,C,,B,, Admiral of the Red	Mezzotint	92. Norton Street. Fitzroy Square. 1820			I 326 x 252 mm; Pl 394 x 285 mm			Sir Charles Morice Pole [1757-1830] entered the Royal Academy in 1770 and served in the East Indies. He had also participated in the siege of Pondicherry and at the occupation of Toulon in 1793. Pole was promoted rear-admiral in 1795 and served in the West Indies. He was promoted captain of the fleet in 1797. In 1802 he was returned to parliament as a member for Newark and in 1806 to 1818 he was M.P for Plymouth.O’Donoghue 482/1	200	£200	mounted	Print	Portraits	Military and Naval						
10699		Charles Turner after George Watson	William Johnstone Hope Esq.r M.P. for Dumfriesshire	Mezzotint	Edinburgh Published July 24, 1812, by John Steel Carver & Printseller No. 2, Low Terrace, Leith Street.			I 302 x 250 mm; Pl 356 x 253 mm			Sir William Johnstone Hope [1766-1831] is the third son of John Hope and the first cousin of Admiral Sir Henry Hope. He joined the navy in January 1777 and he was promoted in 1782 to be a lieutenant of the Daedalus and continue to be in the navy until 1801. In 1800 until 1830 he had been elected as member of parliament for the Dumfries boroughs.Condition: Some water damagedWhitman- C.Turner 266 O’Donoghue 560/1W unnumbered	175	£175	mounted	Print	Portraits	Military and Naval						
10700		Haveill Gillbank after Thomas Brown	Lord Nelson, Mortally Wounded at the Glorious Victory off Trafalgar, Oct,,r 21,,st	Mezzotint	London, Publish’d march 15th. 1806, by J. Gillbank, 46, Upper Rathbone Place.			I 330 x 407 mm; Pl 370 x 415 mm			Condition: Top left corner missing, four worm holes in right margin not affecting image and trimmed to plate on bottom.	300	£300	mounted	Print	Portraits	Military and Naval						
10701		John Henry Robinson after Sir Thomas Lawrence	Sir Walter Scott, Bart.	Mezzotint	London Published Octr. 2, 1833, By moon, Boys & Graves, Printsellers to the King, 6, Pall mall			I 295 x 242 mm; Pl 425 x 341 mm			Condition: Some foxing on margins.	100	£100	unmounted	Print	Portraits	Literary and Poetic						
10702		John Raphael Smith after William Lawrenson	Palemon and Lavinia	Mezzotint	London Publish’d 10 Novr. 1780 by Js. Birchall No,, 473 Strand & J R Smith No 10 Batemans Buildings Soho Square.			I 460 x 335 mm; Pl 505 x 356 mm			Condition: Trimmed closely the image top and right of the print.Chaloner Smith 184 Frankau -J.R. Smith 264 D’Oench 162CS only state; F only state	400	£400	unmounted	Print	Fine Prints	Engravers S-Z						
10703		Samuel William Reynolds after Albert Cuyp	The Trooper (Gems of Art. Plate 11)	Mezzotint	London, Published April 1, 1824; by W.B. Cooke, 9 Soho Square			Image 158 x 195 mm, Pl. 199 x 238 mm			Whitman - S.W. reynolds 351 iii/iii	45	£45	unmounted	Print	Sports	Riding						
10704		Linesey	The Old Chaim House, South-end	Etching	Published by J. Greenwood, Hull			I 70 x 110 mm				15	£15	unmounted	Print	British Topography	Yorkshire						
10705		George Dawe	The Life of a Nobleman. Scene the first. The Inheritance.	Aquatint	London Geo Henderson, 2, Old Bailey c. 1800			Image 185 x 155 mm, Pl. 280 x 220 mm				40	£40	unmounted	Print	General Interest	Genre Scenes						
10706		R. Martin	Blackfriars Bridge. Elevation of centre arch with the piers, column & parapets, in their present state.	Lithograph	124, High Holborn 1832			I 281 x 500 mm			Condition: Repaired tear.£200 for the pair	200	£200	unmounted	Print	British Topography	London						
10707		R Martin	Blackfriars Bridge. Elevation of centre arch with the piers, column & parapets, as proposed to be altered.	Lithograph	124, High Holborn 1832			I 281 x 500 mm			£200 for the pair.	200	£200	unmounted	Print	British Topography	London						
10708		Francesco Bartolozzi  after Hans Holbien	Edward Stanley Earle of Darbey. In His Majesty’s Collection	Stipple	Published as the Act directs Novr. 1 1793, by I Chamberlaine.			268 x 199 mm				50	£50	unmounted	Print	Portraits	British Nobility						
10709		Francesco Bartolozzi  after Hans Holbien	Harry Guldeford Knight. In His Majesty’s Collection	Stipple	Published as the Act directs by I Chamberlaine Decembr. 1 1792			380 x 290 mm			Condition: Placed on paper.	100	£100	unmounted	Print	Portraits	British Nobility						
10710		J. Le Keux after F. Mackenzie	The Clarendon Building and Broad Street	Steel engraving	Published Nov 1st 1833 by J.H Parker OxfordC. Tilt Fleet St London & J Le Keux Harmondsworth			I 105 x 153mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40	£40	unmounted	Print	Oxford	Broad Street Views						
10711		Joseph Skelton 	Founders and Benefactors of Worcester College, with the Plan of the New Buildings	Steel engraving	Published as the Act directs Decr. 1817 by J. Skelton St Aldates, Oxford			I 185 x 228mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	45	£45	unmounted	Print	Oxford	Worcester College						
10712		Reynolds after Wilson	Morning from a picture in the possession of Frederick Perkins Esq	Aquatint	Gems of Art Plate 19 Published July 1. 1824 by WB Cooke 9 Soho Square			I 131 x 190 mm				40	£40	unmounted	Print	Fine Prints	Engravers L-R						
10713		Bosselman after Sebastien le Ray	Pierre Le Grand Devant La Statue de Richelieu	Lithograph				I 236 x 318mm			Peter the Great at the unvailing of a statue of Richelieu	40	£40	unmounted	Print	Portraits	Foreign Royalty						
10714		F.A David	[Untitled Greek. Number 29]	Copper engraving with hand colouring	Paris, 1785			I 80 x 120 mm	Antiquites Etrusques Grecques et Romaines			75	£75	framed	Print	General Interest	Classical and Mythological						
10715		F.A David	[Untitled Greek. Number 60]	Copper engraving with hand colouring	Paris, 1785			I 97 x 145 mm	Antiquites Etrusques Grecques et Romaines			75	£75	framed	Print	General Interest	Classical and Mythological						
10716		F.A David	[Untitled Greek. Number 24]	Copper engraving with hand colouring	Paris, 1785			I 80 x 125 mm	Antiquites Etrusques Grecques et Romaines			75	£75	framed	Print	General Interest	Classical and Mythological						
10717		F.A David	[Untitled Greek. Number 68]	Copper engraving with hand colouring	Paris, 1785			I 90 x 140 mm	Antiquites Etrusques Grecques et Romaines			75	£75	framed	Print	General Interest	Classical and Mythological						
10718			Peace	Aquatint printed in blue	c. 1770			I 150 x 115 mm oval				200	£200	framed	Print	General Interest	Classical and Mythological						
10719		F.A David	[Untitled Greek. Number 19]	Copper engraving with hand colouring	Paris, 1785			I 79 x 96 mm	Antiquites Etrusques Grecques et Romaines			35	£35	unmounted	Print	General Interest	Classical and Mythological						
10720		F.A David	[Untitled Greek. Number 63]	Copper engraving with hand colouring	Paris, 1785			I 92 x 142 mm	Antiquites Etrusques Grecques et Romaines			36	£36	unmounted	Print	General Interest	Classical and Mythological						
10721		F.A David	[Untitled Greek. Number 29]	Copper engraving with hand colouring	Paris, 1785			I 60 x 130 mm	Antiquites Etrusques Grecques et Romaines			36	£36	unmounted	Print	General Interest	Classical and Mythological						
10722		F.A David	[Untitled Greek. Number 37]	Copper engraving with hand colouring	Paris, 1785			I 72 x 130 mm	Antiquites Etrusques Grecques et Romaines			36	£36	unmounted	Print	General Interest	Classical and Mythological						
10723		F.A David	[Untitled Greek. Number 65]	Copper engraving with hand colouring	Paris, 1785			I 95 x 122 mm	Antiquites Etrusques Grecques et Romaines			36	£36	unmounted	Print	General Interest	Classical and Mythological						
10724		F.A David	[Untitled Greek. Number 47]	Copper engraving with hand colouring	Paris, 1785			I 90 x 101 mm	Antiquites Etrusques Grecques et Romaines			35	£35	unmounted	Print	General Interest	Classical and Mythological						
10725		F.A David	[Untitled Greek. Number 31]	Copper engraving with hand colouring	Paris, 1785			I 95 x 100 mm	Antiquites Etrusques Grecques et Romaines			36	£36	unmounted	Print	General Interest	Classical and Mythological						
10726		F.A David	[Untitled Greek. Number 54]	Copper engraving with hand colouring	Paris, 1785			I 80 x 110 mm	Antiquites Etrusques Grecques et Romaines			36	£36	unmounted	Print	General Interest	Classical and Mythological						
10727		F.A David	[Untitled Greek. Number 1]	Copper engraving with hand colouring	Paris, 1785			I 75 x 110 mm	Antiquites Etrusques Grecques et Romaines			35	£35	unmounted	Print	General Interest	Classical and Mythological						
10728		F.A David	[Untitled Greek. Number 40]	Copper engraving with hand colouring	Paris, 1785			I 75 x 120 mm	Antiquites Etrusques Grecques et Romaines			36	£36	unmounted	Print	General Interest	Classical and Mythological						
10729		F.A David	Antiquites Etrusques	Copper engraving with hand colouring	Paris, 1785			I 143 x 95 mm	Antiquites Etrusques Grecques et Romaines		Frontis piece to Antiquites Etrusques Grecques et Romaines	36	£36	unmounted	Print	General Interest	Classical and Mythological						
10730		R.S. Groom	Games with the Ball,- Tennis. The Court at LORD’S	Lithograph with hand colouring	London: Henry Lea & Co, 125, Fleet Street.			I 165 x 250 mm			A lovely print illustrating real tennis.	200	£200	mounted	Print	Sports	Tennis						
10732			Night Amusement	Mezzotint	Printed for BOWLES and CARVER Map & Printsellers, No69 in St.Paul’s Church Yard, LONDON.			Image 316 x 251 mm. Plate 354 x 253 mm, Sheet 412 x 279 mm			Chanoler Smith 1761, BM Satires 4506, Carington Bowles Catalogue, 1784 112/288, Carrington Bowles Catalogue, 1790 102/303   Revelry at the Queen's Arms Tavern in St. Paul's Churchyard.“Night Amusement” is the companion to “Mirth and Friendship” [B.M. Satires, 4506].  In his 1784 catalogue Bowles advertised impressions under the category “Humorous, Historical, and Miscellaneous Designs”, for 1s plain or 2s coloured. The print was listed again in Bowles 1790 catalogue at the same price.Re- published state by Bowles & Carver, series number “169” added bottom left inscription space.Ex. Col. Hon Christopher Lennox-BoydCondition: scuff mark to top right of image, water mark on bottom margin below plate mark.	350	£350	unmounted	Print	General Interest	Caricatures						
10735		George Louis Le Clerc, Count of Buffon,	1. The Black & Yellow Creeper.  2.  The Brown & White Creeper.  3.  The Cayenne Creeper.  4.  Dodo  5.  Purre or Slint.	Copper engraving with hand colouring	London Thomas Kelly & Co. c. 1830			Image 220 x 180 mm			From  "A Natural History, General and Particular; containing the History and Theory of the Earth, a General History of Man, The Brute Creation, Vegetables, Minerals, etc., etc."Translated by William Smellie.	100	£100	unmounted	Print	General Interest	Birds						
10736		Moule, Thomas 	Hampshire	Copper engraving with hand colouring	circa 1840			200 x 259 mm				85	£85	mounted	Map	English Counties	Hampshire						
10738		Paas.C	Map of the World from the best Authorities	Copper engraved with hand colour	C. Paas 53 Holborn. 1789			180 x 354 mm				185	£185	mounted	Map	World Maps & Sea Charts	World Maps						
10740		J. C. Stadler after J. Faringdon	Blenheim	Aquatint with hand colouring	Published June 1 1793 by J. Boydell Shakespear Gallery Pall Mall and No 90 Cheapside			Image 210 x 320mm	A History of the River Thames		John Boydell (1719-1804) was a successful and influential printseller and engraver. Boydell's Shakespeare Gallery is credited with changing the course of English painting by creating a market for historical and literary works. He also encouraged the development of engraving in England with, among other things, his prints illustrating scenes from Shakespearean plays. In 1773, his nephew Josiah Boydell (1752-1817) became his business partner and later his successor, trading as J. & J. Boydell. 	200	£200	framed	Print	British Topography	Oxfordshire						
10741		J.W.Edy after R.Harraden	Christ’s College, Cambridge	Lithograph	c 1810			Image 143 x 207 mm				35	£35	unmounted	Print	 Cambridge	Christ’s College Cambridge						
10742		Pieter van der Aa after David Loggan	Le College de Christ	Copper engraving	1707			Image125 x 160 mm	La Delices de la Grande Bretagne et de L’Irlande		La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. 	30	£30	unmounted	Print	 Cambridge	Christ’s College Cambridge						
10743		J & H S Storer	Tree Court Christ College	Copper engraving	Published by W Mason Cambridge c1820			Image 103 x 137 mm				30	£30	unmounted	Print	 Cambridge	Christ’s College Cambridge						
10744		J & H S Storer	Christ College	Copper engraving	Published by W Mason Cambridge c1820			Image 130 x 115 mm				25	£25	unmounted	Print	 Cambridge	Christ’s College Cambridge						
10745			Christ College	Copper engraving	c1800			Image 78 x 90 mm				35	£35	mounted	Print	 Cambridge	Christ’s College Cambridge						
10746		C. Mayer	Trappen	Lithograph with original hand colour	Germany 1833-45			I 296 x 242 mm	From Lorenz Okens Allgemaine Naturgeschichte VII Zoologie			275	£275	unmounted	Print	General Interest	Birds						
10747			D [Dodo]	Woodcut	c. 1850			I 35 x 38 mm			Cut from a French book	50	£50	mounted	Print	General Interest	Birds						
10748			Margarita Parmae et Plac Dux Car. V. Fil  Belgii Gubernatrix	Copper engraving	c. 1600			Sheet 111 x 61 mm			Margaret, Duchess of Parma (28 December 1522 – 18 January 1586) governor of the Netherlands from 1559 to 1567, was the illegitimate daughter of Charles V.Condition: Trimmed to image	10	£10	unmounted	Print	Portraits	Forgein Royalty						
10749			Johann VI König von Portugal	Copper engraving				Image 70 x 52 vignette, Sheet 215 x 120 mm			Condition: some overall foxing	5	£5	unmounted	Print	Portraits	Foreign Royalty						
10750		Mallet, Allain Manesson	P R. de Portugal	Copper engraving	c. 1683			Image 142 x 99 mm, Pl. 146 x 102 mm	From Mallet's Description De L'Universe		Decorative scene showing the king, Johannes V., of Portugal with his royal troops in the background.	20	£20		Print	Portraits	Foreign Royalty						
10751		Claude Gillot	[Birds]	Etching	17th-18th Century			Image 73 x 91 mm				40	£40	unmounted	Print	General Interest	Old Masters						
10753		Ben Pritchard	The Old Magician	Linocut	2002			Image 328 x 237 mm, Sheet 465 x 330 mm			Edition number:18/40	110	£110	unmounted	Print	Contemporary Oxford Printmakers	Ben Pritchard						
10754			The Square - Stow-in-the-Wold	Etching				Image and Plate 151 x 201 mm				120	£120	mounted	Print	British Topography	Gloucestershire						
10755		James Basire after E.Dayes	South East View of Christ Church Cathedral	Copper engraving	c 1800			Image 331x 448 mm				65	£65	unmounted	Print	Oxford	Christ Church College						
10765		John Cooke Bourne	Building the Stationary Enginehouse, Camden Town,April 18th 1837	Lithograph with tint-stone and excellent later hand colour	Published by Ackermann & Co and John Cooke Bourne			I 290 x 436, Pl > 305 x 436			Plate eight of Bourne's Drawings of the London & Birmingham Railway, London, Bourne et al., 1839 (Abbey Life 401). This print shows Primrose Hill when it was suburban. The incline from King's Cross to Primrose Hill was considered too steep for an engine to pull a train, so a stationary engine was initially used and housed in the this vast building. 	300	£300	unmounted	Print	General Interest	Railway Prints						
10766		John Cooke Bourne	Nash Mill Bridge, near King’s Langley, Herts	Lithograph with tint-stone and excellent later colour	Published Dec.1839 Ackermann & Co. and John Bourne			I 244 x 340, Pl > 259 x 340 mm			Plate 15 of Bourne’s Drawings of the London & Birmingham Railway, London, Bourne et al., 1839 (Abbey Life 401). 	280	£280	unmounted	Print	General Interest	Railway Prints						
10767		John Cooke Bourne	Tring Cutting, June 17th 1837	Lithograph with tint stone and excellent later colour	Published 1839 Ackerman & Co. and John Cooke Bourne			I 235 x 352, Pl > 252 x 352 mm			Plate 19 of Bourne’s Drawings of the London & Birmingham Railway, London, Bourne et al., 1839 (Abbey Life 401). This print shows the numerous barrow runs built on the side to assist the navvies remove earth. 	200	£200	unmounted	Print	General Interest	Railway Prints						
10768		By and after John Cooke Bourne	Head Gear, Great Shaft, Kilsby Tunnel	Lithograph with tint stone	London, Published Decr. 1838, by the Proprietor J. C. Bourne, 19 Lamb’s Conduit Street & Ackermann & Co. Strand 			Image 252 x 373 mm, Sheet 366 x 545 mm			A plate from Bourne’s Drawings of the London & Birmingham Railway, London, Bourne et al., 1839 (Abbey Life 401)	250	£250	unmounted	Print	General Interest	Railway Prints						
10769		By and after John Cooke Bourne	 Entrance to Birmingham Station, L & B.R.	Lithograph with tint stone	London, Published Decr. 1838, by the Proprietor J. C. Bourne, 19 Lamb’s Conduit Street & Ackermann & Co. Strand 			I 218 x 321, Pl > 245 x 321 mm			Plate 37 of Bourne’s Drawings of the London & Birmingham Railway, London, Bourne et al., 1839 (Abbey Life 401). Curzon Street Station. 	250	£250	unmounted	Print	General Interest	Railway Prints						
10770		John Cooke Bourne	Watford Tunnel Face. June 6th 1837	Lithograph with tint-stone	London, Published Decr. 1838, by the Proprietor J. C. Bourne, 19 Lamb’s Conduit Street & Ackermann & Co. Strand 			I 254 x 378mm			A plate from Bourne's Drawings of the London & Birmingham Railway, London, Bourne et al., 1839 (Abbey Life 401). 	250	£250	unmounted	Print	General Interest	Railway Prints						
10772		John Cooke Bourne	Box-Moor Embankment. June 11th 1837	Lithograph with tint-stone	London, Published Decr. 1838, by the Proprietor J. C. Bourne, 19 Lamb’s Conduit Street & Ackermann & Co. Strand 			Image 265x 388mm			A plate from Bourne’s Drawings of the London & Birmingham Railway, London, Bourne et al., 1839 (Abbey Life 401)	250	£250	unmounted	Print	General Interest	Railway Prints						
10775		John Cooke Bourne	Slough and Windsor Station._ Royal Hotel	Lithograph with tint-stone	London, Bourne & D. Bogue, 1846			Image 290 x 427mm			A plate Bourne’s The History and Description of the Great Western Railway, London, Bourne & D. Bogue, 1846	200	£200	unmounted	Print	General Interest	Railway Prints						
10776		By and after John Cooke Bourne	Railway Bridge_Rugby, Sherbourne Viaduct, Near Coventry	Lithograph with tint stone	London, Published Decr. 1838, by the Proprietor J. C. Bourne, 19 Lamb’s Conduit Street & Ackermann & Co. Strand 			I 180 x 275 each, Sheet 545 x 367 mm			Plate 33 and Plate 35 from Bourne’s Drawings of the London & Birmingham Railway, London, Bourne et al., 1839 (Abbey Life 401)	300	£300	unmounted	Print	General Interest	Railway Prints						
10777		John Cooke Bourne	Blisworth Cutting	Lithograph with tint-stone	London, Published Decr. 1838, by the Proprietor J. C. Bourne, 19 Lamb’s Conduit Street & Ackermann & Co. Strand 			Image 244 x 361mm			A plate from Bourne’s Drawings of the London & Birmingham Railway, London, Bourne et al., 1839 (Abbey Life 401)	200	£200	unmounted	Print	General Interest	Railway Prints						
10778		John Cooke Bourne	Avon Viaduct _ Wolston. Warwickshire	Lithograph with tint-stone	London, Published July 1838 by J.C. Bourne 19 Lamb’s Conduit St. & Ackermann & Co. Strand			Image 225 x 335mm			A plate from Bourne’s Drawings of the London & Birmingham Railway, London, Bourne et al., 1839 (Abbey Life 401)	250	£250	unmounted	Print	General Interest	Railway Prints						
10779		John Cooke Bourne	Avon and Railway, Fox’s Wood.   East Entrance to Lonc Tunnel, Foxs Wood	Lithograph with tint stone	London, Bourne & D. Bogue, 1846 			Image 167 x 299 mm.  Image 209 x 295 mm, Sheet 496 x 360 mm			Double plate from Bourne’s The History and Description of the Great Western Railway, London, Bourne & D. Bogue, 1846 (Abbey Life 399).	250	£250	unmounted	Print	General Interest	Railway Prints						
10780		John Cooke Bourne	Railway and Avon. _ Near Bath.    Sydney Gardens, _ Bath.	Lithograph with tint stone	London, Bourne & D. Bogue, 1846 			Image 185 x 267 mm.  Image 182 x 269mm, Sheet 538 x 361 mm			Double plate from Bourne’s The History and Description of the Great Western Railway, London, Bourne & D. Bogue, 1846 (Abbey Life 399).	225	£225	unmounted	Print	General Interest	Railway Prints						
10781		John Cooke Bourne	Blisworth Cutting.    Weedon Viaduct.	Lithograph with tint stone	Published 1839 Ackerman & Co. and John Cooke Bourne			Image 171 x 260 mm.  Image 172 x 260mm, Sheet 545 x 366 mm			A double plate from Bourne’s Drawings of the London & Birmingham Railway, London, Bourne et al., 1839 (Abbey Life 401)	225	£225	unmounted	Print	General Interest	Railway Prints						
10782		John Cooke Bourne	Canal Bridge_Pitstone. Bucks.    Jackdaw-Hill_Linslade_Bucks.	Lithograph with tint stone	Published 1839 Ackerman & Co. and John Cooke Bourne			Image 180 x 265 mm.  Image 180 x 267mm, Sheet 544 x 365 mm			A double plate from Bourne’s Drawings of the London & Birmingham Railway, London, Bourne et al., 1839 (Abbey Life 401)	225	£225	unmounted	Print	General Interest	Railway Prints						
10783		after John Cooke Bourne	Sdliche Portal des Tunnels bei Watford, in Hertfordshire auf der London Birmingham Bahn. [Watford Tunnel Face.] 	Lithograph with tint-stone	Carlsruhe, Druck & Verlag v J.Veith c1865			Image 250 x 376 mm				150	£150	unmounted	Print	General Interest	Railway Prints						
10784		Valentine Green after Lemuel Francis Abbott, Gainsborough Dupont, Richard Morton Paye and Francis Cotes	The British Naval Victors.	Mezzotint printed in colours	Published & Sold by V. Green, No 2, New Road, Opposite Fitzroy Square, London Feby. 11th 1799. 			Image 594 x 484, Plate 629 x 503			CS 12, Whitman 143	4500	£4,500	framed	Print	Portraits	Military and Naval						
10786		Ben Pritchard	The Art of Fugue, Holywell Music Room	Etching and Aquatint	2007			Image and Plate 249 x 494 mm			Edition: 5/24 and 6/24	170	£170	unmounted	Print	Contemporary Oxford Printmakers	Ben Pritchard						
10787		A. Laby esq. after A. F. De Prades esq.	An Episode At The Battle Of The Alma, 20th September 1854, Lieutenents Lindsay and Thistlethwayte of The Scots Fusilier Guards.Having with there sergeants become separated from their battalion bravely defended their colours from an attack by a body of Russians but being ably assisted by Captain Drummond, whose horse was at that moment shot under him, the galliant bearers or the standards succeeded in planting their colors on the heights of Alma	Lithograph with original hand colouring	London. January 23rd 1855 Published by J.S. Welsh 24 St. James’s Street			Image 350 x 530 mm			Of the party, Lieutenant Lindsay, Sergeants McKechnie and Knox and Private Reynolds were awarded the Victoria Cross.  The Queen's Colour received 24 bullet holes and the staff was shot in half.	460	£460	framed	Print	General Interest	Military						
10789			Sir Isaac Newton.	Copper engraving	Published as the act directs 1. Dec 1788 by C. Forsler No 41 Poultry			Image 95 x 78 mm				15	£15	unmounted	Print	Portraits	Scientific, Industrial & Medical						
10790		Walker, J & C after Creighton, R.	A Plan of London and its Environs	Steel engraved	1831			470 x 353 mm				290	£290	unmounted	Map	English Counties	Town Plans						
10792			Alardus Amstler Edamus Belga Philosophus Nascitur An Obyt Lovany An 1541		c.1541			Image 137 x 105 mm, Sheet 141 x 109 mm			Alardus Almstler was a Belgian author of nature literature.			unmounted	Print	Portraits	Literary						
10793		F. Thompson after Wivell from a bust by Nollekins	The Revd. Charles Burney, D.D.	Stipple	London, Published for the European Magazine by J. Asperne 32 Cornhill1st April 1819			Image 131 x 100 mm			Charles Parr Burney D.D. (December 4, 1757 - December 28, 1817) was an English classical scholar and clergyman.			unmounted	Print	Portraits	Religious and Clerical						
10794		W. Sharp after G.Kneller	Sr. Isaac Newton.	Copper engraving	Published by G. Kearsly, No. 46 Fleet Street c.1744			Image188 x 135 mm			O’Donoghue 329 , 7			unmounted	Print	Portraits	Scientific, Industrial & Medical						
10795		anonomous after P. Lely	Samuel Butler	Copper engraving	Printed for J. Hinton, at the Kings Arms, in Newgate Street.c.1750			Image 157 x 94 mm, Plate 182 x 114 mm 			Engraved for the Universal Magazine Samuel Butler (poet) (1612–1680), author of HudibrasO’ Donoghue 308, 2 			unmounted	Print	Portraits	Literary and Poetic						
10796		Hopwood after J.Opie 	Samuel Whiltread, Esq. MP	Stipple	Published July 1. 1805, By H.D.Symonds.			Image 83 x 67 mm, Plate 180 x 114 mm			Politician and Brewer			unmounted	Print	Portraits	Legal						
10797		Woodman Junr.	Otway.	Stipple	c.1808			Image 144 x 95 mm			Thomas Otway (March 3, 1652 – April 14, 1685) was an English dramatist of the Restoration periodO’ Donaghue 385, 4			unmounted	Print	Portraits	Theatre						
10798		Ridley	Lieut Gent. Sir John Morre KB.	Stipple	Published by J.Asperne at the Bible Crown & Constitution. Cornhill 1 March 1809			Image  90 x 76 mm, Plate160 x 110						unmounted	Print	Portraits	Military and Naval						
10799			[Three drinkers]	Etching	c.1895			Image 158 x 195 mm				30	£30	mounted	Print	General Interest	Genre Scenes						
10800		Blaeu, Johannes	Oxonium Comitatus, Vulgo Oxfordshire	Copper engraved with hand colouring	circa 1645 - 1648			493 x 390 mm			Blaeu, Doctor Johannes (c.1599-1673) Born and died in Amsterdam. Collaborated with his father Willem Janszoon and with his brother Cornelis, and ran the business after the death of Willwm. Appointed official cartographer to the East India Company (VOC) in 1638 in sucession to his father. What was left of the company after the fire of 1672 and the deah of Joan in 1673 passed to his son Joan (III), who sold the globemaking part of the business to J. van Keulen. Worked in partnership with his father on Appendix Theatri Ortelii et Atlantis G. Mercatoris, 1631 and Nouvus Atlas, 1634; Wall maps, 1647-1649; Tooneel der Steden van der Vereenighde Nederlanden (Town books of the Netherlands) 1649-1653 Theatrum Orbis Terrarum, publishing six volumes  up to 1655; Atlas Major (11 volumes, known as the Grand Atlas), 1662-1672 in editions with French, Latin, Dutch and Spanish text (often described as the most magnificent work of its kind ever produced); Town plans of Italy 1663. 	750	£750	mounted	Map	English Counties	Oxfordshire						
10802		van den Keere, Pieter	Oxfordshire	Copper engraved with hand colour	c. 1627			83 x 126 mm			Pieter van den Keere came to England in 1584, as a Protestant refugee from his home town of Ghent with his sister Colette, who married Jodocus H ondius, in 1587. It was probably from Hondius that Keere learned to engrave.  Both engravers left London in 1593 to settle in Amsterdam.Keere began to engrave a series of miniature maps in 1599 in preperation for a small atlas of the British Isles.  The maps were first published  in 1617 by William Blaeu with plate numbers and Latin text.  They then passed to George Humble, who publised them in 1619 and then again in 1627.	250	£250	framed	Map	English Counties	Oxfordshire						
10803		Edouard De Montule	Vue prise dans l'interieur de st Domingue  	Lithograph	Paris, 1821			Image 159 x 239 mm, Sheet 234 x 311 mm			A Voyage to North America, and The West Indies, in 1817. London: Sir Richard Phillips and Co., 1821.drawn by Edouard de Montule when he visited  America in 1817. The prints are similar in concept and appearance to Alexander Wilson's, but are based on first-hand renderings.Condition, General foxing.	25	£25	unmounted	Print	Foreign Topography	West Indies						
10804		Edouard De Montule	Entreedu port de St Domingo	Lithograph	Paris, 1821			Image 159 x 239 mm, Sheet 234 x 311 mm			A Voyage to North America, and The West Indies, in 1817. London: Sir Richard Phillips and Co., 1821.drawn by Edouard de Montule when he visited  America in 1817. The prints are similar in concept and appearance to Alexander Wilson's, but are based on first-hand renderings.Condition, General foxing.	25	£25	unmounted	Print	Foreign Topography	West Indies						
10805		C.Neale	The Irish Widow	Copper engraving	Published by R.Marshall (according to act of parlaiment October 2. 1777) at No4 Aldermary Ch						Laid down onto album page, trimmed under publication line, damage to right hand side of image.	40	£40	unmounted	Print	General Interest	Caricatures						
10806			Habits et Maisons des Floridiens.	Copper engraving	c1700			Image 186 x 136 mm, Plate 206 x 187 mm, Sheet 228 x 199 mm				60	£60	unmounted	Print	Foreign Topography	North America						
10807		R E	Haleakala	Lithograph with tint stone	Hullmandel & Walton,. London: Hurst & Blackett, Great Marlborough Street. 1854			Image 112 x 182mm			Condition, Foxing and dirt to edges of sheet.Haleakala- or East Maui Volcano is a massive shield volcano that forms more than 75% of the Hawaiian Island of Maui.Early Hawaiians applied the name Haleakala- ("house of the sun") to the summit area only, most likely due to the fact that from the west side of the island, the sun could be seen rising up over the eastern side of the mountain. In Hawaiian folklore, the depression at the summit of Haleakala- was home to the grandmother of the demigod Ma-ui. According to the legend, Maui's grandmother helped him capture the Sun and force it to slow its journey across the sky in order to lengthen the day. In modern times, Haleakala- has become synonymous with the entire East Maui volcano.	40	£40	unmounted	Print	Foreign Topography	Pacific ocean						
10808		R E	Paulo Affonso	Lithograph with tint stone	Hullmandel & Walton,. London: Hurst & Blackett, Great Marlborough Street. 1854			Image 112 x 182mm			Condition, Foxing and dirt to edges of sheet.	20	£20	unmounted	Print	Foreign Topography	South America						
10809		R E	Forest in the Organ Mountains	Lithograph with tint stone	Hullmandel & Walton,. London: Hurst & Blackett, Great Marlborough Street. 1854			Image 112 x 182mm			Condition, Foxing and dirt to edges of sheet.	20	£20	unmounted	Print	Foreign Topography	South America						
10810		R E	Uspallata	Lithograph with tint stone	Hullmandel & Walton,. London: Hurst & Blackett, Great Marlborough Street. 1854			Image 112 x 182mm			Condition, Foxing and dirt to edges of sheet.Uspallata is a village, and an administrative district, in Argentina in a scenic location on the road which crosses the Andes between Mendoza and Santiago in Chile. It is located about 100 kilometers west of Mendoza and was once served by the now disused Transandine Railway which passed through the town on its way from Mendoza to Los Andes in Chile.	20	£20	unmounted	Print	Foreign Topography	South America						
10811		J.C.Buckler	Cross at Marston, Oxfordshire.	Copper engraving	Gentleman’s Magzine 1816, pt. 2, p. 577 			Image 113 x 178 mm				15	£15	unmounted	Print	British Topography	Oxfordshire						
10812			Parsonage House, Stanton Harcourt	Photolithograph	c1900			Image 83 x 134mm				5	£5	unmounted	Print	British Topography	Oxfordshire						
10813		 Joss Walker	The Cause of Eclipses and the Motion of the Earth Delineated.	Copper engraving	Engraved for the Universal Magazine, for J Hinton at the Kings Arms in St Pauls Church Yard London. 1748			Image 188 x 226 mm			The Eclipse of the sun as it will appear at London on July, 14, 1748.  By Joss Walker	50	£50	unmounted	Print	General Interest	Science						
10814		E.Walker after W.A.Nesfield 	Isle of Staffa	Lithograph with tint stone.	London, Day & Son _ Glasgow, R.Griffin & Co. c1855			Image 134 x 205mm				30	£30	unmounted	Print	British Topography	Scotland						
10815		Bayot after Lauvergne	Scene de Danse, aux Iles Sandwich	Colour Lithograph	Paris. Arthus-Bertrand,editeur. London.Ackermann et Co 96 Strand. 1841-1852			Image 200 x 321mm, Sheet 266 x 404mm			Voyage De La Bonite plate 42Published for Vaillant's "Voyage autour du Monde executé pendant les années 1836 et 1837 sur la Corvette la Bonite" (Paris 1841-52) 	50	£50		Print	Foreign Topography	Pacific ocean						
10816		E.Walker after G.H. Thomas	Parade Of The Scots Fusileer Guards At Buckingham Palace, (Before Her Majesty The Queen, & His Royal Highness The Prince.) on the morning of their departure for the Seat of War, March 2nd 1854	Lithograph with hand colouring	Published June 21st 1854 by Paul & Dominic Colnaghi & Co 13 & 14. Pall Mall East Publishers to Her Majesty			Image 340 x 485 mm				480	£480	framed	Print	General Interest	Military						
10819			Queen Mary’s Tower Holyrood Palace containing her private Apartments in which Rizzio was Murdered	Lithograph with tint stone and hand colouring	1887			image 410 x 300 mm				100	£100	unmounted	Print	British Topography	Scotland						
10822		H. Richter	John Thelwall	Stipple	Published Dec. 1794. by H. Richter. Gt. Newport Street			Image 115 x 95mm, Plate 225 x 190mm, Sheet 245 x 200 mm			O’Donoghue 2 John Thelwall, the son of a silk mercer, was born in 1764. He first became involved in politics when he campaigned on behalf of John Horne Tooke in the in the 1790 Westminster election. He also joined Tooke's Society for Constitutional Information. Two years later Thelwall helped Thomas Hardy to form the London Corresponding Society.	35	£35		Print	Portraits	British Political						
10823			The Rt. Honble. James Earl of Charlemount. Commander in Chief of the Volunteer Forces of Ireland.	Copper engraving	1799			Image 151 x 91 mm, Plate 178 x 114 mm			1728 - James Caulfeild, 4th Viscount and 1st Earl of Charlemont; soldier and nationalist, is born in DublinFrom the European MagazineSitter in 8 portraits			unmounted	Print	Portraits	British Nobility						
10825		de Wit, Frederick de (1630-1706)	Novae Hispaniae, Chili, Peruviae, et Guatimalae Littorae	Copper engraved with original hand colouring	Amsterdam, c. 1675			490 x 565 mm			The map covers the Pacific Coast from Xalisco, Mexico to Puerta Bairres and Rio Cachapool in Chile, covering over two thirds of the Chilean Coast. In the Caribbean, all of the Yucatan and parts of Cuba and Hispaniola are shown, along with all of Jamaica and the Caymans. Nice detail throughout Central America. Columbia is shown in its entirety, along with a small piece of Venezuela. Includes well over 100 place names in classic Portolano style, along with gorgeous allegorical cartouche, 8 sailing ships and two compass roses.Condition: backed with Japanese tissue.	750	£750	unmounted	Map	North and South America	South America						
10826		B. Reading	John Harrison Esq. Inventor of the Time Keeper.	Copper engraving	Published by John Sewell No32 Cornhill 1st Septr.1788			Image 122 x 97 mm, Plate 178 x 115 mm			From the European MagazineJohn Harrison (24 March 1693 – 24 March 1776) was an English clockmaker who revolutionised and extended the possibility of safe long distance sea travel by inventing a key piece in the problem of accurately establishing the East-West position, or longitude, of a ship at sea.  O’Donaghue 453,2			unmounted	Print	Portraits	Trades						
10828			Benjamin Martin, Optician; From an Original portrait	Copper engraving	Gentelman’s Magazine August, 1785			Image 135 x 110, Plate 182 x 127 mm			Benjamin Martin (1704- 1782) mathematician, instrument maker and general compilerO’Donoghue 174,1	25	£25	unmounted	Print	Portraits	Scientific, Industrial & Medical						
10830		J Thompson after J Hopper	Peter Dollond Esq.	Stipple	London, Published for the european Magazine by J Asperne, 32 Cornhill 1st September 1820			Image 113 x 97 mm, Plate 200 x 140 mm			Peter Dollond (1730-1820)O’ Donaghue 68, 1	25	£25	unmounted	Print	Portraits	Scientific, Industrial & Medical						
10831		M.Burghers	H.S.E. Antonius Wood Antiquarius	Copper engraving	c. 1695			Image 162 x 100 mm			Anthony Wood (1632-1695) antiquary and biographerO’Donoghue 532,1	20	£20	unmounted	Print	Portraits	Literary						
10832		Blaeu, William after Mercator	Argow cum parte merid. ZVRICHGOW	Copper engraved 	Amsterdam, c.1650			390 x 500 mm			Dutch text on VersoBlaeu, Doctor Johannes (c.1599-1673) Born and died in Amsterdam. Collaborated with his father Willem Janszoon and with his brother Cornelis, and ran the business after the death of Willem. Appointed official cartographer to the East India Company (VOC) in 1638 in sucession to his father. What was left of the company after the fire of 1672 and the deah of Joan in 1673 passed to his son Joan (III), who sold the globemaking part of the business to J. van Keulen. Worked in partnership with his father on Appendix Theatri Ortelii et Atlantis G. Mercatoris, 1631 and Nouvus Atlas, 1634; Wall maps, 1647-1649; Tooneel der Steden van der Vereenighde Nederlanden (Town books of the Netherlands) 1649-1653 Theatrum Orbis Terrarum, publishing six volumes  up to 1655; Atlas Major (11 volumes, known as the Grand Atlas), 1662-1672 in editions with French, Latin, Dutch and Spanish text (often described as the most magnificent work of its kind ever produced); Town plans of Italy 1663. 	350	£350	unmounted	Map	Europe	Switzerland						
10833		Anon after Allan Ramsey	Richard Mead M. D	Copper engraving	for J. Hinton at the Kings Arms, Newgate Street. c. 1750			Image 158 x 98 mm, Sheet 187 x 110 mm			Richard Mead  born Aug. 11, 1673, London, died Feb. 16, 1754, Londonwas a leading 18th-century British physician who contributed to the study of preventive medicine.	25	£25	unmounted	Print	Portraits	Scientific, Industrial & Medical						
10834		Jansson, Jan	Cornubia sive Cornwallia	Copper engraved with original hand colouring	Amsterdam, Pieter Schenk and Gerard Valk c. 1681			385 x 500mm			Condition: Backed with Japanese tissue paper to strengthen cracks in paper caused by original colouring. 	500	£500	unmounted	Map	English Counties	Cornwall						
10835		T.Illman	M. Wood Esq.r M.P	Copper engraving and Stipple	London Engraved & Pub.d Octr. 4th 1820 by T. Illman 427 Oxford st			Image 93 x 94 mm, Sheet 136 x 101 mm			Sir Matthew Wood, 1st Bt (1768-1843), MP, alderman of London,  Lord Mayor of London 1816-1817, and reformerPrint also bears the text: “ Diogenes his lanthorn needs no more, An honest man is found, his search is o’er”	12	£12	unmounted	Print	Portraits	British Political						
10836		after a photograph by John Jabez Edwin	David Livingstone, The African Explorer.	Steel engraving	c.1870			Image 166 x 127 mm, Sheet 256 x 170 mm			David Livingstone (19 March 1813 – 1 May 1873) was a Scottish Presbyterian pioneer medical missionary with the London Missionary Society and explorer in central Africa. He was the first European to see Mosi-oa-Tunya (Victoria Falls), to which he gave the English name in honor of his monarch, Queen Victoria. He is the subject of the meeting with H. M. Stanley, which gave rise to the popular quotation, "Dr Livingstone, I presume?"	50	£50	unmounted	Print	Portraits	Explorers						
10837		George Vertue 	Mr John Fletcher	Copper engraving	c.1729			Image 164 x 100 mm, Sheet 180 x 111 mm			O’Donoghue 226,(1579 – 1625)	20	£20	unmounted	Print	Portraits	Literary and Poetic						
10839			Sr William Johnson Bart. Major General of the English Forces in North America.	Copper engraving	Printed for R. Baldwin in Pater Noster Row 1756, for the London Magazine			Image159 x 96 mm, Sheet 202 x 120 mm			Sir William Johnson (1715-1774)Super intendent of Indian affairs in North America Condition: cut just over the edge of the image in the bottom left hand corner	10	£10	unmounted	Print	Portraits	Military and Naval						
10840		B.Picart	Jean Wiclef  [John Wycliffe]	Copper engraving	1713			Image 190 x 140 mm, Plate 210 x 150 mm			Rector of  Lutterworth; Religious religious reformer; 1324 ? - 1384O’Donoghue 554,2	15	£15	unmounted	Print	Portraits	Religious and Clerical						
10841		R. Houston & John Faber	Martinus Bucerus Natus Ao 1491 Obijt Ao 1551 Feb 27	Mezzotint	Printed for E Bakenwell & H. Parker, in Cornhill London.c.1759			Image 228 x 200 mm, Plate 262 x 200 mm 			Martin Bucer (or Butzer, Latin Martinus Buccer, Martinus Bucerus) (November 11, 1491 – February 28, 1551) was a German Protestant reformer.CS 58 ii/ii O’Donoghue 270, 5	40	£40	unmounted	Print	Portraits	Religious and Clerical						
10844		I. Sawthem	April Fools	Mezzotint	Published for the Auther by W.J.White 14 Brownlow Street. Holborn			Image 90 x 250 mm, Plate 120 x 270 mm, Sheet 150 x 295 mm			The group sing from a sheet titled, "On Sunday April 1821 to be sung by a select Band had down from London a Fine Coronation Anthem improved from Handel by J. Crammer."  Handel composed 4 anthems for the coronation of George II .	250	£250	framed	Print	General Interest	Music						
10846		Ape [Carlo Pellegrini]	“ The Standard”	Lithograph	Vincent Brookes, Day & Son, Lith. Feb 14th 1874			Image 304 x 185 mm, Sheet 399 x 275 mm			Vanity Fair			unmounted	Print	Portraits	Caricatures						
10847		Ape [Carlo Pellegrini]	“Chemistry”	Lithograph	Vincent Brookes, Day & Son, Lith. Feb 20th 1875			Image 312 x 185 mm, Sheet 383 x 265 mm			Vanity Fair			unmounted	Print	Portraits	Caricatures						
10848		Spy  [Leslie Ward]	“Chemistry & Optics”	Lithograph	Vincent Brookes, Day & Son, Lith. Nov 14th 1891			Image 317 x 190 mm, Sheet 385 x 2514 mm			Vanity Fair			unmounted	Print	Portraits	Caricatures						
10849		John Faber Jnr after William Verelst	Tomo Chachi Mico or King of Yamacraw, and his Newphew, Son to the Mico of the Etchitas	Mezzotint	c.1744			Image 322 x 250, Plate 351 x 252 mm			some of the text at the bottom right is wearing away			unmounted	Print	Portraits	Foreign Royalty						
10850		John Payne	Prudens Qui Patiens.	Copper engraving	Anno 1629			Image155 x 128 mm, Plate197 x 133 mm			Sir Edward Coke (1552-1634), Lawyer, legal writer and politician. Lord Chief Justice of England; 1552-1634O’Donoghue 461, 9Prudens qui Patiens (prudence through patience)			unmounted	Print	Portraits	Legal						
10854		Axel Haig	An Old Swedish Church	Etching	1881			Image 252 x 175mm,  Plate 300 x 220mm			Lennox- Boyd 33 State ii/iiEx Col. Christopher Lennox-Boyd	295	£295	mounted	Print	Victorian	Axel Haig						
10855		Axel Haig	An Old Hanse Town	Etching	1883			Image 260 x 177mm, Plate 390 x 280mm			Lennox-Boyd 45, proof i/iiEx Collection of Christopher Lennox Boyd	350	£350	unmounted	Print	Victorian	Axel Haig						
10856		Axel Haig	Uppsala Cathedral: Design for the Completion of the interior	Etching	1884			Image 567 x 352 mm, Plate 600 x 380 mm			Lennox-Boyd 47Ex Collection of Christopher Lennox Boyd	650	£650	mounted	Print	Victorian	Axel Haig						
10857		Axel Haig	Wispy: The Walk By the Shore	Aquatint	1889			Image and Plate 318 x 204mm			Lennox-Boyd 88Ex Collection of Christopher Lennox Boyd	350	£350	mounted	Print	Victorian	Axel Haig						
10858		Axel Haig	Rouen:St Ouen - A Cavalcade	Etching	1877			Image 249 x 180 mm Plate 259 x 190mm			Signed in pencilLennox-Boyd 6Ex Collection of Christopher Lennox Boyd	350	£350	mounted	Print	Victorian	Axel Haig						
10859		Axel Haig	Mont St Michel	Etching	1882			Image 130 x 90mm, Plate 152 x 101 mm			Lennox-Boyd 39Ex Collection of Christopher Lennox Boyd	250	£250	mounted	Print	Victorian	Axel Haig						
10860		Axel Haig	Uppsala: Design for the Restoration of the Cathedral	Etching	1881			Image 569 x 354mm, Plate 			Lennox-Boyd 32Ex Collection of Christopher Lennox Boyd	650	£650	unmounted	Print	Victorian	Axel Haig						
10861		Axel Haig	At Haddon Hall	Etching	1880			Image 260 x 180mm, Plate 280 x 195mm			Lennox-Boyd 28Ex Collection of Christopher Lennox Boyd	250	£250	mounted	Print	Victorian	Axel Haig						
10862		Axel Haig	Chartes Cathedral: Under The Great North Porch	Etching	1882			Image 572 x 435mm, Plate 606 x  461mm			Lennox-Boyd 36Ex Collection of Christopher Lennox Boyd	800	£800	mounted	Print	Victorian	Axel Haig						
10863		Axel Haig	Private View Invitation	Etching	1887			Image 72 x 111mm, Plate 82 x 117			Inscribed to W. Derry Esq. to see the new etchin th The Cathedral of Saint George Limburgh on the Lahn at The Cabinet of Fine Arts 28 Castle Street Liverpool	350	£350	mounted	Print	Victorian	Axel Haig						
10864			[Magdalen College]	Watercolour	c. 1890-1900						Alexander Macdonald? or by a pupil?Condition: Repaired tear	400	£400	unmounted	Print	Oxford	Magdalen College						
10865		Axel Haig	Barcelona:Santa Maria del Mar	Etching	1889			Image 409 x 272mm, Plate 421 x 280mm			Ex Collection of Christopher Lennox Boyd	500	£500	unmounted	Print	Victorian	Axel Haig						
10866		E.Hrbeck 	The bridge-towers at Mala Strana.	Wood engraving	Published by Karel Mrazek / Prague c1922			Image 70 x 48 mm	The Gothic and Baroque Style in Old Prague			20	£20	unmounted	Print	Foreign Topography	Eastern Europe						
10867		Axel Haig	Schloss Zwingenburg, on the Neckar	Etching	1886			Image and Plate 395 x 267mm			Lennox-Boyd 65Ex Collection of Christopher Lennox boyd	500	£500	mounted	Print	Victorian	Axel Haig						
10868		J.Horn	Palace of Portheim at Smichov.	Wood engraving	Published by Karel Mrazek / Prague c1922			Image 70 x 48 mm	The Gothic and Baroque Style in Old Prague			20	£20	unmounted	Print	Foreign Topography	Eastern Europe						
10869		J.Horn	St. Lawrence’s Church at the hill of Petrin.	Wood engraving	Published by Karel Mrazek / Prague c1922			Image 70 x 48 mm	The Gothic and Baroque Style in Old Prague			20	£20	unmounted	Print	Foreign Topography	Eastern Europe						
10870		E.Hrbek	National Theater [Prague]	Wood engraving	Published by Karel Mrazek / Prague c1922			Image 70 x 48 mm	The Gothic and Baroque Style in Old Prague			20	£20	unmounted	Print	Foreign Topography							
10871		E.Hrbek	The jewish town-hall.	Wood engraving	Published by Karel Mrazek / Prague c1922			Image 70 x 48 mm	The Gothic and Baroque Style in Old Prague			20	£20	unmounted	Print	Foreign Topography	Eastern Europe						
10872		J.Horn	St. Nicholas’church on Staromestske namesti	Wood engraving	Published by Karel Mrazek / Prague c1922			Image 70 x 48 mm	The Gothic and Baroque Style in Old Prague			15	£15	unmounted	Print	Foreign Topography	Eastern Europe						
10873		E.Hrbek	The monument of Fr.Palacky and the church of Emaus.	Wood engraving	Published by Karel Mrazek / Prague c1922			Image 70 x 48 mm	The Gothic and Baroque Style in Old Prague			20	£20	unmounted	Print	Foreign Topography	Eastern Europe						
10874		J.Horn	St.Margaret’s church at Brevnov	Wood engraving	Published by Karel Mrazek / Prague c1922			Image 70 x 48 mm	The Gothic and Baroque Style in Old Prague			15	£15	unmounted	Print	Foreign Topography	Eastern Europe						
10875		J.Horn	Loreta at Hradcany	Wood engraving	Published by Karel Mrazek / Prague c1922			Image 70 x 48 mm	The Gothic and Baroque Style in Old Prague			20	£20	unmounted	Print	Foreign Topography	Eastern Europe						
10876		J.Horn	The country-seat,,Amerika’’	Wood engraving	Published by Karel Mrazek / Prague c1922			Image 70 x 48 mm	The Gothic and Baroque Style in Old Prague			15	£15	unmounted	Print	Foreign Topography	Eastern Europe						
10877		E.Hrbek	The church of Karlov	Wood engraving	Published by Karel Mrazek / Prague c1922			Image 70 x 48 mm	The Gothic and Baroque Style in Old Prague			15	£15	unmounted	Print	Foreign Topography							
10878		Axel Haig	Caen: Tower of St Pierre	Etching	1879			Image 368 x 183mm, Plate 396 x 202mm			1st state No4Lennox-Boyd 20Ex Collection of Christopher Lennox-Boyd	300	£300	mounted	Print	Victorian	Axel Haig						
10879		J.Horn	[Dome of Church of St. Francis Seraphinus]	Wood engraving	Published by Karel Mrazek / Prague c1922			Image 70 x 48 mm	The Gothic and Baroque Style in Old Prague			20	£20	unmounted	Print	Foreign Topography	Eastern Europe						
10880		Beerbohm, Max	Zuleika Dobson or an Oxford love story		William Heinmann Ltd, London, 1947 						Blue cloth, gilt title on spine, clean copy with colour frontis. 252 pp.Condition: Very good. 	5	£5		Book	Oxford	Oxford Related Fiction						
10881		Green, David	Sarah Duchess of Marlborogh		Collins, London, 1967						Hardback in green, black (label) and gilt to spine, with printed endpapers, in two-colour jacket. Some repairs to  dust jacket and minor rubbing. 352 pp. plus 32 pages of b/w pictures and a had written note from the author dated 1968. 	10	£10		Book	General Interest							
10882		Cordrey, Edwards	Bygone Days at Iffley		The Pica Press, 1981.						12mo Paperback. Illus. 62 pp. Condition: Very good	8	£8		Book	Oxford	Oxford History						
10883		Dixey, Roger	Reccollctions		Oxford University Press, 1967/						Privately printed. Blue cloth, gilt lettering on front cover 59 pp.Condition: Good	15	£15		Print	Oxford	Oxford History						
10884		Bailey, Cyril	A Short History of the Oxford Bach Choir		Hall The Printer Ltd, Oxford, 1948						Pamphlet with light brown card covers, bound with two staples. 28ppCondition: Some foxing on covers and throughout	12	£12		Book	Oxford	Oxford History						
10885		Lang, Andrew	Oxford		Seelwy Service & Co.London, 1906						Hardcover, cloth, 223 pp	10	£10		Book	Oxford	Oxford History						
10886		Murray, Rhoda	The Making of Oxford: A Popular Account of the Growth of the City		B.H. Blackwell, Oxford, 1912 						Paper covers. Small black and white drawings. Index. 114 ppConditon: Repaired paper cover, cellotape staines 	10	£10		Book	Oxford	Oxford History						
10887		Downs, Brian W.	Cambridge Past and Present 		Methun & Co. Ltd, 1926						258p 16 col ill. + map. Excellent condition. Hbk. Bookseller	5	£5		Book	General Interest							
10889		Farrar, Frederic W.	Julian Home: A Take of College Life		Adam & Charles Black, 1895						Decorative Cloth. No Jacket. Stanley Berkeley (illustrator). 14th Edition. 12mo - over 6¾" - 7¾" tall. 1895 Fourteenth Edition. Dark Blue cloth decorated with a gilt etched picture of two college pupils against the background of the college buildings.Dark blue endpapers. All page edges are gilt. 431 pages, 10 full page illustrations.				Book	Oxford	Oxford Related Fiction						
10890		Falkner, J. Meade	A History of Oxfordshire		Elliot Stock, Paternoster Row, London, 1906.						Red Cloth with Gilt. Book Condition:  Good. No Jacket. Cheap Edition. 8vo - 7¾ in tall. Minor bumps to spine ends. No names or inscriptions. Pages tanned. 327pp	15	£15		Book	Oxford	Oxfordshire History						
10891		Young, Edward	The Shilling Guide to Oxfordshire		Shell-Mex & B.P., 1963.						21.5 x 14cm., 20pp., plain photographic illustrations, map, Walter Hoyle designed cover, very good, wrappers.  With a letter from Alan J. Kennard, Director of Publications at George Rainbird Limited, thanking Miss M C Stanley-Smith at the Oxfordshire County Library for her help in producing the guide.	5	£5		Book	Oxford	Oxfordshire 						
10892		Axel Haig	Lourdes - The Pilgrimage Church	Etching	1915			Image 325 x 243mm Plate 336 x 253mm			Lennox-Boyd 256Ex Collection of Christopher Lennox-Boyd	400	£400	unmounted	Print	Victorian	Axel Haig						
10893		Axel Haig	Grim Toledo - A Street	Aquatint	1889			Image 482 x 310mm Plate 495 x 319mm			Lennox-Boyd 85Ex collection of Christopher Lennox-Boyd	650	£650	unmounted	Print	Victorian	Axel Haig						
10894		Axel Haig	Washerwomen at Chartres	Etching	1887			Image 261 x 182mm, Plate 270 x 191mm			Lennox-Boyd 71Ex collection of Christopher Lennox-Boyd	300	£300	unmounted	Print	Victorian	Axel Haig						
10895		Axel Haig	Westminster Abbey: A Dark Corner	Etching	1886			Image 328 x 187mm, Plate 345 x 207mm			Lennox-Boyd 58Ex Collection of Christopher Lennox-Boyd	300	£300		Print	Victorian	Axel Haig						
10896		Axel Haig	Busaco, Portugal	Etching	1906			Image 403 x 285mm, Plate 408 x 291mm			Lennox-Boyd 204Ex collection of Christopher Lennox-Boyd	450	£450	unmounted	Print	Victorian	Axel Haig						
10897		Axel Haig	Entrance to the Cloisters, Burgos - A Carved Baptism over the Door	Etching	1907			Image 471 x 334mm, Plate 482 x 344mm			Lennox-Boyd 210Ex collection of Christopher Lennox-Boyd	450	£450	unmounted	Print	Victorian	Axel Haig						
10898		W. R. Smith after J. M. W. Turner	Richmond Hill and Bridge, Surrey	Steel engraving on india laid paper				Image 162 x 230mm, Plate 236 x 306 mm			R i/iv, iv/viiiProof before Title.	250	£250	mounted	Print	General Interest	After Old Masters						
10899		W. R. Smith after J. M. W. Turner	Richmond Terrace	Steel engarving on india laid paper				Image 165 x 250mm, Plate 242 x 319 mm			R 303 i/iii, iii/viiProof before Title.Condition: some foxing on top right cornor near the plate mark	250	£250	mounted	Print	General Interest	After Old Masters						
10900		Démétrius Emmanuel Galanis	At last the Sacred Influence of Light Appears	Woodcut on velum	London : Cresset Press, 1931. 			Image 247 x 189			An illustration to John Milton’s Paradise Lost published by Cresset Press.  Presumably a surplus impression.  There were only six sets of Paradise Regain’d issued on vellum and ten of Paradise Lost by the Cresset Press.  This is the final and the finest book issued by the Cresset Press, which operated between 1927 and 1931 under the direction of Dennis M. Cohen and A. I. Myers. The text used in the edition for which they are done for comes from the second edition of Paradise Lost, printed in 1674, and the first edition of Paradise Regain'd, printed in 1671.Demetrios Galanis (1882-1966) was a Greek illustrator, printmaker, and designer. He studied under Nikiforos Lytras at the Higher School of Fine Arts in Athens and later under Fernand Cormon at the Ecole des Beaux-Arts in Paris. Galanis earned a number of important commissions as illustrator for private press books in France and elsewhere during the 1920s and 30s.	700	£700	unmounted	Print	20th Century	Démétrius Emmanuel Galanis						
10901		Démétrius Emmanuel Galanis	But when he Brings over Earth a Cloud	Woodcut on velum	London : Cresset Press, 1931. 			Image 247 x 189			An illustration to John Milton’s Paradise Lost published by Cresset Press.  Presumably a surplus impression.  There were only six sets of Paradise Regain’d issued on vellum and ten of Paradise Lost by the Cresset Press. This is the final and the finest book issued by the Cresset Press, which operated between 1927 and 1931 under the direction of Dennis M. Cohen and A. I. Myers. The text used in the edition for which they are done for comes from the second edition of Paradise Lost, printed in 1674, and the first edition of Paradise Regain'd, printed in 1671.Demetrios Galanis (1882-1966) was a Greek illustrator, printmaker, and designer.  He studied under Nikiforos Lytras at the Higher School of Fine Arts in Athens and later under Fernand Cormon at the Ecole des Beaux-Arts in Paris. Galanis earned a number of important commissions as illustrator for private press books in France and elsewhere during the 1920s and 30s.	700	£700	unmounted	Print	20th Century	Démétrius Emmanuel Galanis						
10903		Démétrius Emmanuel Galanis	One Shaped & Wing’d like on of those from Heav’n ....	Woodcut on velum	London : Cresset Press, 1931. 			Image 247 x 189			An illustration to John Milton’s Paradise Lost published by Cresset Press.  Presumably a surplus impression.  There were only six sets of Paradise Regain’d issued on vellum and ten of Paradise Lost by the Cresset Press. This is the final and the finest book issued by the Cresset Press, which operated between 1927 and 1931 under the direction of Dennis M. Cohen and A. I. Myers. The text used in the edition for which they are done for comes from the second edition of Paradise Lost, printed in 1674, and the first edition of Paradise Regain'd, printed in 1671. Demetrios Galanis (1882-1966) was a Greek illustrator, printmaker, and designer. He studied under Nikiforos Lytras at the Higher School of Fine Arts in Athens and later under Fernand Cormon at the Ecole des Beaux-Arts in Paris. Galanis earned a number of important commissions as illustrator for private press books in France and elsewhere during the 1920s and 30s.	700	£700	unmounted	Print	20th Century	Démétrius Emmanuel Galanis						
10904		Démétrius Emmanuel Galanis	A Table richly spred, ....	Woodcut on velum	London : Cresset Press, 1931. 			Image 247 x 189			An illustration to John Milton’s Paradise Regain’d published by Cresset Press.  Presumably a surplus impression.  There were only six sets of Paradise Regain’d issued on vellum and ten of Paradise Lost by the Cresset Press. This is the final and the finest book issued by the Cresset Press, which operated between 1927 and 1931 under the direction of Dennis M. Cohen and A. I. Myers. The text used in the edition for which they are done for comes from the second edition of Paradise Lost, printed in 1674, and the first edition of Paradise Regain'd, printed in 1671. Demetrios Galanis (1882-1966) was a Greek illustrator, printmaker, and designer.  He studied under Nikiforos Lytras at the Higher School of Fine Arts in Athens and later under Fernand Cormon at the Ecole des Beaux-Arts in Paris. Galanis earned a number of important commissions as illustrator for private press books in France and elsewhere during the 1920s and 30s.	700	£700	unmounted	Print	20th Century	Démétrius Emmanuel Galanis						
10905		Démétrius Emmanuel Galanis	I followed her, she was what Honour Knew...	Woodcut on velum	London : Cresset Press, 1931. 			Image 247 x 189			An illustration to John Milton’s Paradise Lost published by Cresset Press.  Presumably a surplus impression. There were only six sets of Paradise Regain’d issued on vellum and ten of Paradise Lost by the Cresset Press. This is the final and the finest book issued by the Cresset Press, which operated between 1927 and 1931 under the direction of Dennis M. Cohen and A. I. Myers. The text used in the edition for which they are done for comes from the second edition of Paradise Lost, printed in 1674, and the first edition of Paradise Regain'd, printed in 1671.Demetrios Galanis (1882-1966) was a Greek illustrator, printmaker, and designer.  He studied under Nikiforos Lytras at the Higher School of Fine Arts in Athens and later under Fernand Cormon at the Ecole des Beaux-Arts in Paris. Galanis earned a number of important commissions as illustrator for private press books in France and elsewhere during the 1920s and 30s.	700	£700	unmounted	Print	20th Century	Démétrius Emmanuel Galanis						
10906		Démétrius Emmanuel Galanis	And down he fell A monstorous Serpat onhis belly prone..	Woodcut on velum	London : Cresset Press, 1931. 			Image 247 x 189			An illustration to John Milton’s Paradise Lost Book X published by Cresset Press.  Presumably a surplus impression.  There were only six sets of Paradise Regain’d issued on vellum and ten of Paradise Lost by the Cresset Press. This is the final and the finest book issued by the Cresset Press, which operated between 1927 and 1931 under the direction of Dennis M. Cohen and A. I. Myers. The text used in the edition for which they are done for comes from the second edition of Paradise Lost, printed in 1674, and the first edition of Paradise Regain'd, printed in 1671.Demetrios Galanis (1882-1966) was a Greek illustrator, printmaker, and designer. . He studied under Nikiforos Lytras at the Higher School of Fine Arts in Athens and later under Fernand Cormon at the Ecole des Beaux-Arts in Paris. Galanis earned a number of important commissions as illustrator for private press books in France and elsewhere during the 1920s and 30s.	700	£700	unmounted	Print	20th Century	Démétrius Emmanuel Galanis						
10907		Démétrius Emmanuel Galanis	Him there they Found Squat like a Toad	Woodcut on velum	London : Cresset Press, 1931. 			Image 247 x 189			An illustration to John Milton’s Paradise Lost published by Cresset Press.  Presumably a surplus impression.  There were only six sets of Paradise Regain’d issued on vellum and ten of Paradise Lost by the Cresset Press.  This is the final and the finest book issued by the Cresset Press, which operated between 1927 and 1931 under the direction of Dennis M. Cohen and A. I. Myers. The text used in the edition for which they are done for comes from the second edition of Paradise Lost, printed in 1674, and the first edition of Paradise Regain'd, printed in 1671. Demetrios Galanis (1882-1966) was a Greek illustrator, printmaker, and designer.  He studied under Nikiforos Lytras at the Higher School of Fine Arts in Athens and later under Fernand Cormon at the Ecole des Beaux-Arts in Paris. Galanis earned a number of important commissions as illustrator for private press books in France and elsewhere during the 1920s and 30s.	700	£700	unmounted	Print	20th Century	Démétrius Emmanuel Galanis						
10908		Démétrius Emmanuel Galanis	He offered himself to die for man’s offence....	Woodcut on velum	London : Cresset Press, 1931. 			Image 247 x 189			An illustration to John Milton’s Paradise Lost published by Cresset Press.  Presumably a surplus impression.  There were only six sets of Paradise Regain’d issued on vellum and ten of Paradise Lost by the Cresset Press. This is the final and the finest book issued by the Cresset Press, which operated between 1927 and 1931 under the direction of Dennis M. Cohen and A. I. Myers. The text used in the edition for which they are done for comes from the second edition of Paradise Lost, printed in 1674, and the first edition of Paradise Regain'd, printed in 1671.Demetrios Galanis (1882-1966) was a Greek illustrator, printmaker, and designer. . He studied under Nikiforos Lytras at the Higher School of Fine Arts in Athens and later under Fernand Cormon at the Ecole des Beaux-Arts in Paris. Galanis earned a number of important commissions as illustrator for private press books in France and elsewhere during the 1920s and 30s.	700	£700	unmounted	Print	20th Century	Démétrius Emmanuel Galanis						
10909		Démétrius Emmanuel Galanis	Nine Days they Fell, Confounded Chaos Roard....	Woodcut on velum	London : Cresset Press, 1931. 			Image 247 x 189			An illustration to John Milton’s Paradise Lost published by Cresset Press.  Presumably a surplus impression.  There were only six sets of Paradise Regain’d issued on vellum and ten of Paradise Lost by the Cresset Press.  This is the final and the finest book issued by the Cresset Press, which operated between 1927 and 1931 under the direction of Dennis M. Cohen and A. I. Myers. The text used in the edition for which they are done for comes from the second edition of Paradise Lost, printed in 1674, and the first edition of Paradise Regain'd, printed in 1671. Demetrios Galanis (1882-1966) was a Greek illustrator, printmaker, and designer.  He studied under Nikiforos Lytras at the Higher School of Fine Arts in Athens and later under Fernand Cormon at the Ecole des Beaux-Arts in Paris. Galanis earned a number of important commissions as illustrator for private press books in France and elsewhere during the 1920s and 30s.	700	£700	unmounted	Print	20th Century	Démétrius Emmanuel Galanis						
10910		Démétrius Emmanuel Galanis	Tempt not the Lord thy God, he said and stood. But Satan with amazement fell...	Woodcut on velum	London : Cresset Press, 1931. 			Image 247 x 189			An illustration to John Milton’s Paradise Regain’d Book IV published by Cresset Press.  Presumably a surplus impression.  There were only six sets of Paradise Regain’d issued on vellum and ten of Paradise Lost by the Cresset Press.  This is the final and the finest book issued by the Cresset Press, which operated between 1927 and 1931 under the direction of Dennis M. Cohen and A. I. Myers. The text used in the edition for which they are done for comes from the second edition of Paradise Lost, printed in 1674, and the first edition of Paradise Regain'd, printed in 1671.Demetrios Galanis (1882-1966) was a Greek illustrator, printmaker, and designer.  He studied under Nikiforos Lytras at the Higher School of Fine Arts in Athens and later under Fernand Cormon at the Ecole des Beaux-Arts in Paris. Galanis earned a number of important commissions as illustrator for private press books in France and elsewhere during the 1920s and 30s.	750	£750	framed	Print	20th Century	Démétrius Emmanuel Galanis						
10911		Axel Haig	The Chateau De Vitre	Etching	1907			Image 749 x 256			Lennox-Boyd 209Ex Collection of Christopher Lennox-Boyd	800	£800	unmounted	Print	Victorian	Axel Haig						
10912		Axel Haig	Canterbury - Tower Through Trees	Etching	1912			image 444 x 308mm			Lennox-Boyd 238Ex Collection of Christopher Lennox-Boyd	800	£800	unmounted	Print	Victorian	Axel Haig						
10913		Axel Haig	Christ Church, Boston	Etching	1912, Published by Iconographic Society of Boston, Series II, No 4			Image & Pl. 144 x 112 mm			Signe and inscribed in pencilLennox-Boyd 241Ex Collection of Christopher Lennox-Boyd	400	£400	mounted	Print	Victorian	Axel Haig						
10914		Axel Haig	Niedpath Castle, Scotland	Etching	1912			Image 358 x 257 mm, Pl. 367 x 265 mm			Signed in pencilLennox-Boyd 242Ex Collection of Christopher Lennox-Boyd	450	£450	mounted	Print	Victorian	Axel Haig						
10915		Axel Haig	An Old German Mill	Etching	1880			Image 257 x 176 mm			ProofLennox-Boyd 26Ex collection of Christopher Lennox-Boyd	300	£300	unmounted	Print	Victorian	Axel Haig						
10916		Axel Haig	In Toledo - The Cathedral	Drypoint	1884			Image 232 x 130mm			Lennox-Boyd 49Ex Collection of Christopher Lennox-Boyd	300	£300	unmounted	Print	Victorian	Axel Haig						
10917		Axel Haig	St Ours, loches	Drypoint	1912			Image 245 x 170mm			Lennox-Boyd 239Ex Collection of Christopher Lennox-Boyd	350	£350	unmounted	Print	Victorian	Axel Haig						
10918		Axel Haig	Belfry of Bruges	Etching	1913			Image 547 x 338mm			Lennox-Boyd 243Ex Collection of Christopher Lennox-Boyd	900	£900	unmounted	Print	Victorian	Axel Haig						
10919		Axel Haig	A Street In Seville(Canceled Plate)	Etching	1883			Image 703 x 356 mm			Lennox-Boyd 41Ex Collection of Christopher Lennox-Boyd	950	£950	unmounted	Print	Victorian	Axel Haig						
10921		Axel Haig	A Hill Town in Navarre	Etching	1888			Image 454 x 307mm			Lennox-Boyd 75Ex Collection of Christopher Lennox-Boyd	750	£750	unmounted	Print	Victorian	Axel Haig						
10922		Axel Haig	Angeles	Etching with Aquatint	1906			Image 272 x 368mm			Lennox-Boyd 201Ex Collection of Christopher Lennox-Boyd	450	£450	unmounted	Print	Victorian	Axel Haig						
10923		Axel Haig	Campanile, Venice	Drypoint	1914			Image 533 x 372mm			Lennox-Boyd 249Ex Collection of Christopher Lennox-Boyd	800	£800	unmounted	Print	Victorian	Axel Haig						
10924		Axel Haig	Segovia - Women by a Fountain	Drypoint	1916			Image 454 x 306mm			Lennox-Boyd 258Ex Collection of Christopher Lennox-Boyd	500	£500	unmounted	Print	Victorian	Axel Haig						
10925		J. Le Keux after F. Mackenzie	Front of Saint John’s College	Steel engraving with hand colour	Published Jany. 1st 1835 by J.H. Parker, Oxford: C. Tilt, Fleet Stt. London & J. Le Keux, Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	45	£45	mounted	Print	Oxford	St. John’s College						
10926		J. Le Keux after F. Mackenzie	View of Pembroke College	Steel engraving with hand colouring	Published May 1st 1836 by J.H Parker OxfordC. Tilt Fleet St London & J Le Keux Harmondsworth			I 95 x 137 mm	Memorials of Oxford. Historical and Descriptive Accounts of the Colleges, Halls, Churches and other Public Buildings. by James Ingram and John Le Keux		John Le Keux was an engraver who was involved in several topographical books including the companion work Memorials of Cambridge, whilst the artist Frederick Mackenzie was a watercolour painter and architectural draughtsman who made drawings for Ackermann’s University of Oxford and Public Schools, and twenty-four of the Oxford Almnanacks between 1821-1853. 	40.00	£40	mounted	Print	Oxford	Pembroke College						
10927		Axel Haig	Ballater, Scotland	Drypoint	1918			Image 311 x 511mm			Lennox-Boyd 268Ex Collection of Christopher Lennox-Boyd	350	£350	unmounted	Print	Victorian	Axel Haig						
10930		Axel Haig	Confidences - At the Fountain, Seville	Etching	1916			Image 591 x 366mm			Lennox-Boyd 259Ex Collection by Christopher Lenox-Boyd	450	£450	unmounted	Print	Victorian	Axel Haig						
10932		Axel Haig	Alhambra, Spain	Drypoint	1917			Image 243 x 333mm			Lennox-Boyd 264Ex Collection of Christopher Lennox-Boyd	300	£300	unmounted	Print	Victorian	Axel Haig						
10933		Ferdinand Giele	Oxford - Bath Place	Etching	c. 1918			Image and plate 377 x 230 mm			Signed and inscribed in pencil	250	£250	mounted	Print	Oxford	General Views						
10934		Axel Haig	Citadel and Tombs of the Mamelukes	Drypoint	1914			Image 267 x 383 mm			Lennox-Boyd 251Ex Collection of Christopher Lennox-Boyd	350	£350	unmounted	Print	Victorian	Axel Haig						
10937		William Gauci after William Alfred Delamotte	Magdalen College from the High Street	Lithograph with handcolour	London, Thomas Boys, 1843.			I 350 x 250 mm	From Original Views of Oxford, its Colleges, Chapels and Gardens from drawings expressly for this work by William Alfred Delamotte. Executed in Lithography by William Gauci, with Historical and Descrpitive notices by Charles Ollier. London: Thomas Boy. 1843		Condtion: trimmed to the image with minor damage to lower right corner.	180	£180	mounted	Print	Oxford	Magdalen College						
10938		Axel Haig	The Cloisters, St Trophimus, Arles	Etching	1916			Image 425 x 312mm			Lennox-Boyd 263Ex Collection of Christopher Lennox-Boyd	450	£450	unmounted	Print	Victorian	Axel Haig						
10939		William Gauci after William Delamotte	Broad Walk, Oxford	Lithograph with hand colouring	London: Thomas Boy. 1843			I 345 x 255 mm	From Original Views of Oxford, its Colleges, Chapels and Gardens from drawings expressly for this work by William Alfred Delamotte. Executed in Lithography by William Gauci, with Historical and Descrpitive notices by Charles Ollier. London: Thomas Boy. 1843		Condition: Trimmed to the image	80	£80	mounted	Print	Oxford	Christ Church College						
10941		Axel Haig	Zaragoza	Drypoint	1916			Image 254 x 421mm			Lennox-Boyd 261Ex Collection of Christopher Lennox-Boyd	450	£450	unmounted	Print	Victorian	Axel Haig						
10943		Charles Oliver Murray	[St. John’s]	Etching	c. 1896			Image 172 x 249 mm, Pl. 200 x 272 mm			Charles Oliver Murray, R.E. (1842-1923) Etcher of landscapes, figures and architectural subjects.  Born at Denholm in Roxburghshire, he studied at the Edinburgh School of Design, and at the Royal Scottish Academy Schools where he received the Keith Prize.  Murray exhibited at the principal London galleries from 1872, mainly the Royal Academy and the  Royal Society for Painter-Etchers and Engravers.  He received awards at international exhibitions in London in 1884, in Munich in 1893 and a gold medal in Paris in 1900.  Murray lived in South Croydon.	75	£75	mounted	Print	Oxford	St. John’s College						
10944		Charles Oliver Murray	[Oriel College]	Etching	c. 1896			Image 175 x 250 mm, Pl. 202 x 272 mm			Charles Oliver Murray, R.E. (1842-1923) Etcher of landscapes, figures and architectural subjects.  Born at Denholm in Roxburghshire, he studied at the Edinburgh School of Design, and at the Royal Scottish Academy Schools where he received the Keith Prize.  Murray exhibited at the principal London galleries from 1872, mainly the Royal Academy and the  Royal Society for Painter-Etchers and Engravers.  He received awards at international exhibitions in London in 1884, in Munich in 1893 and a gold medal in Paris in 1900.  Murray lived in South Croydon.	75	£75	mounted	Print	Oxford	Oriel College						
10945		Charles Oliver Murray	[Magdalen College Tower]	Etching	c. 1896			Image 237 x 179 mm, Pl. 260 x 204 mm			Charles Oliver Murray, R.E. (1842-1923) Etcher of landscapes, figures and architectural subjects.  Born at Denholm in Roxburghshire, he studied at the Edinburgh School of Design, and at the Royal Scottish Academy Schools where he received the Keith Prize.  Murray exhibited at the principal London galleries from 1872, mainly the Royal Academy and the  Royal Society for Painter-Etchers and Engravers.  He received awards at international exhibitions in London in 1884, in Munich in 1893 and a gold medal in Paris in 1900.  Murray lived in South Croydon.	90	£90	mounted	Print	Oxford	Magdalen College						
10947		Axel Haig	Lisieux Cathedral	Etching	1916			Image 448 x 295mm			Lennox-Boyd 262Ex Collection of Christopher Lennox-Boyd	500	£500	unmounted	Print	Victorian	Axel Haig						
10948		Charles Oliver Murray	[Magdalen College]	Etching	c. 1896			Image 265 x 182 mm, Pl. 290 x 205 mm			Charles Oliver Murray, R.E. (1842-1923) Etcher of landscapes, figures and architectural subjects.  Born at Denholm in Roxburghshire, he studied at the Edinburgh School of Design, and at the Royal Scottish Academy Schools where he received the Keith Prize.  Murray exhibited at the principal London galleries from 1872, mainly the Royal Academy and the  Royal Society for Painter-Etchers and Engravers.  He received awards at international exhibitions in London in 1884, in Munich in 1893 and a gold medal in Paris in 1900.  Murray lived in South Croydon.	90	£90	mounted	Print	Oxford	Magdalen College						
10949		Axel Haig	The Cloisters, St Trophimus, Arles	Etching	1916			Image 425 x 312mm				500	£500	unmounted	Print	Victorian	Axel Haig						
10950		Charles Oliver Murray	[The Schools Tower]	Etching	c. 1896			Image 239 x 177 mm, Pl. 270 x 203 mm			Charles Oliver Murray, R.E. (1842-1923) Etcher of landscapes, figures and architectural subjects.  Born at Denholm in Roxburghshire, he studied at the Edinburgh School of Design, and at the Royal Scottish Academy Schools where he received the Keith Prize.  Murray exhibited at the principal London galleries from 1872, mainly the Royal Academy and the  Royal Society for Painter-Etchers and Engravers.  He received awards at international exhibitions in London in 1884, in Munich in 1893 and a gold medal in Paris in 1900.  Murray lived in South Croydon.	90	£90	mounted	Print	Oxford	Bodleian Library						
10951		William Nicholson	Archery (July)	Lithograph	Popular edition 1897 (post-dated 1898) William Heinemann			I 196 x 198 mm	Almanac of Twelve Sports			120	£120	mounted	Print	Artists	William Nicholson						
10952		R. Kent Thomas	Magdalen College Cloisters Tower	Etching	c. 1890			Image 211 x 163 mm, Pl. 225 x 175 mm				50	£50	mounted	Print	Oxford	Magdalen College						
10953			[Magdalen College Tower]	Etching	c. 1890			Image & Pl. 229 x 152 mm				70	£70	mounted	Print	Oxford	Magdalen College						
10954		Axel Haig	Peterbough Cathedral	Etching	1883			Image 278 x 208 mm, Pl. 324 x 245 mm			A rare smaller version Lennox-Boyd 42. Printed on india laid paperEx. Col. Christopher Lennox- Boyd	250	£250	unmounted	Print	Victorian	Axel Haig						
10955		Blome, Richard	A General Mapp of The County of Oxford. With its Hundreds.	Copper engraved with hand colour				I 215 x 182 mm			From the First Edition of the "Britannia", Blome's larger series of county maps, decorated with cartouches around the title and dedication, based on Speed's map.Blome was one of the most active map-publishers of his day, working between about 1667 and 1705.  His principal publications are the 'Geographical Description of the World', and two county atlases, the 'Britannia', published in 1673, and 'Speed's Maps Epitomiz'd', published in 1681. Blome first began engraving maps for his Geographical Description Of The Four Parts Of The World in 1667. The completed volume was in small folio, and contained 24 maps (plus one duplicated), engraved by Francis Lamb, Thomas Burnford and Wenceslas HollarBlome has been heavily criticised as a plagiarist, but he lacked the capital to be innovative (as indeed did virtually all his contemporaries), and his output filled an important gap in the market.  The 'Geographical Description' was the first new, and uniformly assembled, folio world atlas to be published in London since 1627, while the next folio world atlases appeared in the decade 1710-1720  	250	£250	mounted	Map	English Counties	Oxfordshire						
10956		Axel Haig	In the Aisles: Amiens Cathedral	Etching	1897			Image 278 x 369mm			Lennox-Boyd 148	400	£400	unmounted	Print	Victorian	Axel Haig						
10957		Blome, Richard	A General Mapp of The County of Oxford. With its Hundreds.	Copper engraved with hand colour	London, 1673			I 215 x 182 mm			From the First Edition of the "Britannia", Blome's larger series of county maps, decorated with cartouches around the title and dedication, based on Speed's map.Blome was one of the most active map-publishers of his day, working between about 1667 and 1705.  His principal publications are the 'Geographical Description of the World', and two county atlases, the 'Britannia', published in 1673, and 'Speed's Maps Epitomiz'd', published in 1681. Blome first began engraving maps for his Geographical Description Of The Four Parts Of The World in 1667. The completed volume was in small folio, and contained 24 maps (plus one duplicated), engraved by Francis Lamb, Thomas Burnford and Wenceslas HollarBlome has been heavily criticised as a plagiarist, but he lacked the capital to be innovative (as indeed did virtually all his contemporaries), and his output filled an important gap in the market.  The 'Geographical Description' was the first new, and uniformly assembled, folio world atlas to be published in London since 1627, while the next folio world atlases appeared in the decade 1710-1720  	250	£250	mounted	Map	English Counties	Oxfordshire						
10958		Axel Haig	On His Rounds	Etching	1878			Image 76 x 197 mm			Lennox-Boyd 14Impression given to F. GouldingEx Collection of Christopher Lennox-Boyd	300	£300	unmounted	Print	Victorian	Axel Haig						
10959		William Bernard Cooke	Cricklade, taken from Eisy Chapel	Etching	London: for Vernor, Hood and Sharpe, 1811			Image 115 x 191 mm, Pl. 153 x 240 mm	From The Thames: or Graphic Illustrationsof Seats, Villas, Public Buildings, and Picturesque Scenery on the Banks of that Nobel River			30	£30	mounted	Print	British Topography	Wiltshire						
10961		Cary, John 	Oxfordshire	Copper engraving with contempory hand colouring	London: Published as the Act directs Jan. 1st 1793, by J. Cary, Engraver, Mapseller Stand			262 x 211 mm			Cary, John (1755-1835) English cartographer, engraver, globe maker and publisher. Worked with his brother George. Apprenticed to his William Palmer 1770; surveyor of roads to the general post office , 1794. Best known for his english county atlases. Amongst others - Cary’s New and Correct English Atlas  1787-1789; engraved the plates for Robert Gough’s edition of Camden’s Britannia, 1789, 1806	90	£90	mounted	Map	English Counties	Oxfordshire						
10962		H. Toussaint	St. John’s College	Etching	London, c. 1880			Image 185 x 140 mm, P. 210 x 155 mm				45	£45	mounted	Print	Oxford	St. John’s College						
10963		Cary, John	Berkshire.	Copper engraved map with original colour	London: Published as the Act directs 1st January 1793 by J. Cary, Engraver & Mapseller No. 181 Strand			212 x 261 mm	for Cary’s new and correct English atlas		Cary, John (1755-1835) English cartographer, engraver, globe maker and publisher. Worked with his brother George. Apprenticed to his William Palmer 1770; surveyor of roads to the general post office , 1794. Best known for his english county atlases. Amongst others - Cary’s New and Correct English Atlas  1787-1789; engraved the plates for Robert Gough’s edition of Camden’s Britannia, 1789, 1806	75	£75	mounted	Map	English Counties	Berkshire						
10964		Richard J. Lane after G. Hayter	Lord Alexander George Russel, Dedicated by Permission. To Her Grace The Duchess Of Bedford	Lithograph	Printed by C.Hullmand			Image 132 x 170mm				50.00	£50	Unmounted	Print	Portraits	British Nobility						
10967		Samuel Howitt	Jackdaw and Ram.	Etching	Published Jany 2, 1809 by Ed. Orme, London				From A New Work of Animals: Principally Designed from the Fables of Aesop, Gay, and Phaedrus.		Samuel Howitt (1756-1822), born in Nottinghamshire, England, is regarded as one of England's most gifted sporting artists.  He began painting as a hobby. He enjoyed hunting and racing, mimicking this interest in his work. When the family fortune dwindled Howitt move to London were he would make a career out of his talent, flourishing as a professional artist.   Samuel Howitt first exhibited at the Royal Academy in 1785, and went on to establish a formidable reputation, perhaps second only to George Stubbs, for his accurate and lively depictions of natural history and sporting subjects.   His superior watercolors and aquatints depict dramatic racing and hunting scenes as well as an array of conventional and exotic animals. He was the brother-in-law of Thomas Rowlandson, and although he was largely self-taught in his profession, he belonged to the artistic circles of the day.   Howitt used a lightness of touch and fine draftsmanship that lends a delicacy to his images.  His work is included in the Mellon Collection, which possesses no fewer than 160 of his watercolors, and many of his aquatints.  As well as being a most accomplished painter, he was also a master etcher and he personally executed the finely worked plates for this and his many other publications. He was published often in “The Sporting Magazine,” and went on to illustrate various books. Howitt is best known for his lively and exotic sporting scenes.  Samuel Howitt drew for several published works, such as Etchings of Animals (1803), Oriental Field Sports (1805 and later), A New work of Animals: ..Fables of Aesop (1809 and later) and notably for the British Sportsman.   	65	£65	mounted	Print	General Interest	Farm Animals						
10968		A.Collins	Napoleon, Marie Louise	Steel engraving	Tresor de Numismatique et de Glyptique. Rue Du Colombier, 30. Rittner et Goupil, Boulevart Montmartre, 15			Image 145 x 145mm				30	£30	unmounted	Print	Portraits	Foreign Political						
10969		Charles Oliver Murray	[Christ Church College]	Etching	c. 1896			Image 212 x 256 mm, Pl. 238 x 277 mm			Charles Oliver Murray, R.E. (1842-1923) Etcher of landscapes, figures and architectural subjects.  Born at Denholm in Roxburghshire, he studied at the Edinburgh School of Design, and at the Royal Scottish Academy Schools where he received the Keith Prize.  Murray exhibited at the principal London galleries from 1872, mainly the Royal Academy and the  Royal Society for Painter-Etchers and Engravers.  He received awards at international exhibitions in London in 1884, in Munich in 1893 and a gold medal in Paris in 1900.  Murray lived in South Croydon.	100	£100	mounted	Print	Oxford	Christ Church College						
10970		Charles Oliver Murray	[Christ Church College Hall]	Etching	c. 1896			Image 170 x 241 mm, Pl. 210 x 277 mm			Charles Oliver Murray, R.E. (1842-1923) Etcher of landscapes, figures and architectural subjects.  Born at Denholm in Roxburghshire, he studied at the Edinburgh School of Design, and at the Royal Scottish Academy Schools where he received the Keith Prize.  Murray exhibited at the principal London galleries from 1872, mainly the Royal Academy and the  Royal Society for Painter-Etchers and Engravers.  He received awards at international exhibitions in London in 1884, in Munich in 1893 and a gold medal in Paris in 1900.  Murray lived in South Croydon.	75	£75	mounted	Print	Oxford	Christ Church College						
10971		H. Toussaint	Brasenose College	Etching	London, 1890			Image 174 x 238 mm				50	£50	mounted	Print	Oxford	Brasenose College						
10972		Joseph Skelton	South Front of Friar Bacon’s Study	Copper engraving with handcolour	Published as the Act directs Sept. 1st 1819 by J. Skelton St. Aldates Oxford			I 270 x 185 mm Pl. 295 x 232 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	45	£45	mounted	Print	Oxford	General Views						
10973		S. Fisher after J.M.W. Turner	Coventry. Warwickshire.	Steel engraving	London, Published 1833, for the Proprietor, By Moon, Boys & Graves, 6 Pall Mall.			Image 164 x 245 mm				45	£45	mounted	Print	British Topography	Warwickshire						
10974		Saxton, Christopher and William Kip	Sussexua Siue Southsex, olim pars Regnorum	Copper engraved with hand colouring	1637			220 x 380 mm			Condition: Some loss on right and leftSaxton, Christopher (c.1543-1610/1611) b. near Dunningley, West Yorkshire. Estate Surveyor and Draughtsmen, apprenticed to the cleric and cartographer John Rudd. Under his tutelage Saxton developed the skills to become the man now klnown as ‘the father of English cartography’. Saxton carried out an extensive topographical survey of England and Wales, 1573-1578 under the patronage of Thomas Seckford. 34 county maps based on the surveys were engraved between 1574 and 1578 by Remy Hogenberg, Lenaert Terwoort, Cornelis de Hooghe, Augustine Ryther, Francis Scatte, and Nicholas Reynolds, forming the first atlas of England and Wales. The work was the basis for many later maps. The maps were issued by Saxton in untitled volumes from 1579, subsequently resissued as The Shires of England and Wales, William Web 1645, Philip Lea 1693 (with added maps), French edition Atlas Anglois, philip Lea 1693, as the Shires of England and Wales, G. Willdey 1732, T Jefferys 1749, and finally in an untitled version by C. Dicey c. 1770 wall map of England and Wales (20 sheets)	250	£250	mounted	Map	English Counties	Sussex						
10975		J.Heath after John Opie	William Henry West Betty	Steel engraving	Published by W.H. Betty, June 4th 1807			Image 512 x 337 mm, Plate 575 x 361 mm			O’Donoghue p182, 7.As Young Norval in Home’s Douglas.Condition, folding to top right corner, tear along top plate mark, rubbing over title and publication line.	40	£40	mounted	Print	Portraits	Performing Arts						
10976		J.Heath after John Opie	William Henry West Betty	Steel engraving	c 1830			Image 512 x 337 mm.			As Young Norval in Home’s Douglas.Printed on india laid paper	40	£40	mounted	Print	Portraits	Performing Arts						
10977		E. Walker	The Victory Of The Alma, Carrying The Batteries, And Planting The Standard	Lithograph	London Published October 23rd 1854 by Lloyd Brothers & Co 22 Ludgate Hill			Image 315 x 500mm			The Battle of Alma, fought on the 20th September 1854, the first of the Crimean War, was an outstanding Franco-British victory. General St Arnault for the French and Lord Raglan for the English defeated General Menchikov's Russian troops, who lost about 6,000 men that day. This victory created an opening which allowed the French and British forces to advance to Sebastopol and their next engagement.	350	£350		Print	General Interest	Military						
10980			The Brow-Beater	Copper engraving	c. 1790									unmounted	Print	General Interest	Caricatures						
10982		Warren after De Wild	Thomas Cribb, The Champion Of England 1811	Copper engraving	Published Janurary 1st 1812 by J.K. Nettleship 99 Arandel Street, Strand			Image 136 x 112mm, Plate 227 x 146mm			From Wikipedia, the free encyclopedia Tom Cribb (1781-11 May 1848) was an English bare-knuckle boxer of the 19th century, so successful that he became world champion. He is a member of the International Boxing Hall of Fame.Born in Wick which is near the Hanham area of Bristol, Cribb moved to London at the age of 13 and after working as a bell-hanger got work as a coal porter in Wapping.His first fight was on 7 January 1805 at Wood Green in north London. Victory here, followed by another a month later, persuaded him to become a professional pugilist, under the supervision of Captain Robert Barclay. In 1810, Cribb was awarded the British title. He then fought a black American, former slave Tom Molineaux, to become world champion – a victory he repeated in 1811 at Thistleton Gap before a large crowd.In 1812, aged 31, he retired to become a coal merchant (and part-time boxing trainer). Later he became a publican, running the Union Arms, Panton Street, close to Haymarket in central London.In 1839 he retired to Woolwich in south-east London where he died in 1848, aged 67. He was buried in the churchyard of St Mary's and St Andrew's, Woolwich – where a monument to his memory was erected. A road in the former Royal Arsenal has also been named in his honour.	400	£400	unmounted	Print	Sports	Boxing						
10983		C.Turner after Rembrant	Rembrant’s Mill. The Picture in the possessien of the Marques of Lansdowne	Steel engraving	Gems Of Art Plate 4			Image 136 x 176mm, Plate 178 x 206mm			The Mill is one of those few paintings that are significant not only because they are beautiful but because they have profoundly influenced the history of taste. As part of important eighteenth- and nineteenth-century collections, The Mill was well known to connoisseurs and artists who valued it as one of Rembrandt's greatest creations.*contains windmill	40	£40	unmounted	Print	General Interest	After Old Masters						
10985		C.Cousen after W.H. Bartlett	Light-Tower near Colwig	Steel engraving	London Published for the Proprietors by Geo:Virtue, 26, Ivy Lane 1841			Image 125 x 183mm				30	£30	unmounted	Print	General Interest	Maritime						
10986		Williams, Williams	Nova & Accuratissima Celeberrimae Universitatis Civitatisque Oxoniensis Ichnographia MDCCXXXIII	Copper engraved	1773			450 x 533 mm			Williams was an architectural draughtsman and this is reflected in the title page and in the formality of many of the engravings in his Oxonia Depicta. The contents of the work are similar to those in Loggan’s Oxonia Illustrata published over 50 years earlier, commencing with a double-prospect of the city of Oxford each containing a numbered key, a plan of the city after Agas’ plan of 1588. There is a double prospect of the interior of the Bodleian Library after Loggan and a number of architectural plans of the colleges. More importantly the work includes 10 fine large engravings of the colleges of Magdalen, Corpus, Wadham, St. Johns, Queens, New, Oriel, Trinity, Pembroke and Brasenose showing how they were at the beginning of the 18th Century. They are in fact, in many instances the only visual records of the buildings at tis time in their history. The most impressive plate is the large folding-plate depicting a composite view of the Clarendon Building, the Schools Building and the Sheldonian Theatre, accompanied by figures in University dress and flanked by the front elevations of several other university buildings. 	750	£750	framed	Map	Oxford	Oxford Maps						
11022		P. Brannon	Bourne-mouth from the Water	Steel engraving	Published By Sydenham Poole			Image 114 x 177mm, Sheet 121 x 177mm			trimmed within the plate	20.00	£20	unmounted	Print	British Topography	Dorset						
11023		Sly Cock	a (GUY)__Fox detected	Etching				Image 172 x 139mm, Sheet 221 x 172				30	£30	unmounted	Print	General Interest	Caricatures						
11024		Sly Dick	Digging for Crabs. Help, Help ! I am sinking in the quicksand. (Child) O! my Spade______my Spade______give me my Spade	Etching				Image 160 x 135mm, Sheet 227 x 176mm				30	£30	unmounted	Print	General Interest	Caricatures						
11026		August Johann Rösel von Rosenhof 	Classis II Papilionum Diurnorum, Tab XLVI	Copper engraving with hand colouring	1740			Plate 182 x 145 mm	Der Insecten Belusrigung		August Johann Rösel von Rosenhof (March 30, 1705 in Augustenburg near Arnstadt – March 27, 1759 in Nuremberg) was a German miniature painter, naturalist and entomologist. With his accurate, heavily detailed images of insects he was recognised as an important figure in modern entomology.His detailed observations, more useful by being accompnied by very beautiful illustrations, were published in two large books. The first, Insecten-Belustigung, appeared in 1740 and was devoted to the insects and other invertebrates like the sea anemones. His classification of the insects followed a natural system and he is regarded as one of the fathers of German entomology. 	85	£85	mounted	Print	General Interest	Insects						
11027		August Johann Rösel von Rosenhof 	Insectorum Aquatilium Classis II, Tab X	Copper engraving with hand colouring	1740			Plate 182 x 145 mm	Der Insecten Belusrigung		August Johann Rösel von Rosenhof (March 30, 1705 in Augustenburg near Arnstadt – March 27, 1759 in Nuremberg) was a German miniature painter, naturalist and entomologist. With his accurate, heavily detailed images of insects he was recognised as an important figure in modern entomology.His detailed observations, more useful by being accompnied by very beautiful illustrations, were published in two large books. The first, Insecten-Belustigung, appeared in 1740 and was devoted to the insects and other invertebrates like the sea anemones. His classification of the insects followed a natural system and he is regarded as one of the fathers of German entomology. 	70	£70	mounted	Print	General Interest	Insects						
11028		August Johann Rösel von Rosenhof 	Classis II Palilionum Nocturnorum, Tab XLVIL	Copper engraving with hand colouring	1740			Plate 182 x 145 mm	Der Insecten Belusrigung		August Johann Rösel von Rosenhof (March 30, 1705 in Augustenburg near Arnstadt – March 27, 1759 in Nuremberg) was a German miniature painter, naturalist and entomologist. With his accurate, heavily detailed images of insects he was recognised as an important figure in modern entomology.His detailed observations, more useful by being accompnied by very beautiful illustrations, were published in two large books. The first, Insecten-Belustigung, appeared in 1740 and was devoted to the insects and other invertebrates like the sea anemones. His classification of the insects followed a natural system and he is regarded as one of the fathers of German entomology. 	55	£55	mounted	Print	General Interest	Insects						
11029		August Johann Rösel von Rosenhof 	Classis I Palilionum Diurnorum, Tab X	Copper engraving with hand colouring	1740			Plate 182 x 145 mm	Der Insecten Belusrigung		August Johann Rösel von Rosenhof (March 30, 1705 in Augustenburg near Arnstadt – March 27, 1759 in Nuremberg) was a German miniature painter, naturalist and entomologist. With his accurate, heavily detailed images of insects he was recognised as an important figure in modern entomology.His detailed observations, more useful by being accompnied by very beautiful illustrations, were published in two large books. The first, Insecten-Belustigung, appeared in 1740 and was devoted to the insects and other invertebrates like the sea anemones. His classification of the insects followed a natural system and he is regarded as one of the fathers of German entomology. 	80	£80	mounted	Print	General Interest	Insects						
11030		August Johann Rösel von Rosenhof 	Classis I Palilionum Diurnorum, Tab VI	Copper engraving with hand colouring	1740			Plate 182 x 145 mm	Der Insecten Belusrigung		August Johann Rösel von Rosenhof (March 30, 1705 in Augustenburg near Arnstadt – March 27, 1759 in Nuremberg) was a German miniature painter, naturalist and entomologist. With his accurate, heavily detailed images of insects he was recognised as an important figure in modern entomology.His detailed observations, more useful by being accompnied by very beautiful illustrations, were published in two large books. The first, Insecten-Belustigung, appeared in 1740 and was devoted to the insects and other invertebrates like the sea anemones. His classification of the insects followed a natural system and he is regarded as one of the fathers of German entomology. 	80	£80	mounted	Print	General Interest	Insects						
11031		August Johann Rösel von Rosenhof 	Classis II Palilionum Diurnorum, Tab III	Copper engraving with hand colouring	1740			Plate 182 x 145 mm	Der Insecten Belusrigung		August Johann Rösel von Rosenhof (March 30, 1705 in Augustenburg near Arnstadt – March 27, 1759 in Nuremberg) was a German miniature painter, naturalist and entomologist. With his accurate, heavily detailed images of insects he was recognised as an important figure in modern entomology.His detailed observations, more useful by being accompnied by very beautiful illustrations, were published in two large books. The first, Insecten-Belustigung, appeared in 1740 and was devoted to the insects and other invertebrates like the sea anemones. His classification of the insects followed a natural system and he is regarded as one of the fathers of German entomology. 	60	£60	mounted	Print	General Interest	Insects						
11032		August Johann Rösel von Rosenhof 	Insectorum Aquatilium Classis II, Tab VI	Copper engraving with hand colouring	1740			Plate 182 x 145 mm	Der Insecten Belusrigung		August Johann Rösel von Rosenhof (March 30, 1705 in Augustenburg near Arnstadt – March 27, 1759 in Nuremberg) was a German miniature painter, naturalist and entomologist. With his accurate, heavily detailed images of insects he was recognised as an important figure in modern entomology.His detailed observations, more useful by being accompnied by very beautiful illustrations, were published in two large books. The first, Insecten-Belustigung, appeared in 1740 and was devoted to the insects and other invertebrates like the sea anemones. His classification of the insects followed a natural system and he is regarded as one of the fathers of German entomology. 	60	£60	mounted	Print	General Interest	Insects						
11033		August Johann Rösel von Rosenhof 	Classis II Papilionum Diurnorum, Tab IV	Copper engraving with hand colouring	1740			Plate 182 x 145 mm	Der Insecten Belusrigung		August Johann Rösel von Rosenhof (March 30, 1705 in Augustenburg near Arnstadt – March 27, 1759 in Nuremberg) was a German miniature painter, naturalist and entomologist. With his accurate, heavily detailed images of insects he was recognised as an important figure in modern entomology.His detailed observations, more useful by being accompnied by very beautiful illustrations, were published in two large books. The first, Insecten-Belustigung, appeared in 1740 and was devoted to the insects and other invertebrates like the sea anemones. His classification of the insects followed a natural system and he is regarded as one of the fathers of German entomology. 	60	£60	mounted	Print	General Interest	Insects						
11034		August Johann Rösel von Rosenhof 	Insectorum Aquatilium Classis II, Tab IX	Copper engraving with hand colouring	1740			Plate 182 x 145 mm	Der Insecten Belusrigung		August Johann Rösel von Rosenhof (March 30, 1705 in Augustenburg near Arnstadt – March 27, 1759 in Nuremberg) was a German miniature painter, naturalist and entomologist. With his accurate, heavily detailed images of insects he was recognised as an important figure in modern entomology.His detailed observations, more useful by being accompnied by very beautiful illustrations, were published in two large books. The first, Insecten-Belustigung, appeared in 1740 and was devoted to the insects and other invertebrates like the sea anemones. His classification of the insects followed a natural system and he is regarded as one of the fathers of German entomology. 	65	£65	mounted	Print	General Interest	Insects						
11036		August Johann Rösel von Rosenhof 	Classis I Papilionum Diurnorum, Tab II	Copper engraving with hand colouring	1740			Plate 182 x 145 mm	Der Insecten Belusrigung		August Johann Rösel von Rosenhof (March 30, 1705 in Augustenburg near Arnstadt – March 27, 1759 in Nuremberg) was a German miniature painter, naturalist and entomologist. With his accurate, heavily detailed images of insects he was recognised as an important figure in modern entomology.His detailed observations, more useful by being accompnied by very beautiful illustrations, were published in two large books. The first, Insecten-Belustigung, appeared in 1740 and was devoted to the insects and other invertebrates like the sea anemones. His classification of the insects followed a natural system and he is regarded as one of the fathers of German entomology. 	80	£80	mounted	Print	General Interest	Insects						
11037		August Johann Rösel von Rosenhof 	Classis II Papilionum Diurnorum, Tab XLV	Copper engraving with hand colouring	1740			Plate 182 x 145 mm	Der Insecten Belusrigung		August Johann Rösel von Rosenhof (March 30, 1705 in Augustenburg near Arnstadt – March 27, 1759 in Nuremberg) was a German miniature painter, naturalist and entomologist. With his accurate, heavily detailed images of insects he was recognised as an important figure in modern entomology.His detailed observations, more useful by being accompnied by very beautiful illustrations, were published in two large books. The first, Insecten-Belustigung, appeared in 1740 and was devoted to the insects and other invertebrates like the sea anemones. His classification of the insects followed a natural system and he is regarded as one of the fathers of German entomology. 	85	£85	mounted	Print	General Interest	Insects						
11038		August Johann Rösel von Rosenhof 	Classis I Papilionum Diurnorum, Tab III	Copper engraving with hand colouring	1740			Plate 182 x 145 mm	Der Insecten Belusrigung		August Johann Rösel von Rosenhof (March 30, 1705 in Augustenburg near Arnstadt – March 27, 1759 in Nuremberg) was a German miniature painter, naturalist and entomologist. With his accurate, heavily detailed images of insects he was recognised as an important figure in modern entomology.His detailed observations, more useful by being accompnied by very beautiful illustrations, were published in two large books. The first, Insecten-Belustigung, appeared in 1740 and was devoted to the insects and other invertebrates like the sea anemones. His classification of the insects followed a natural system and he is regarded as one of the fathers of German entomology. 	70	£70	mounted	Print	General Interest	Insects						
11039		August Johann Rösel von Rosenhof 	Classis II Papilionum Diurnorum, Tab II	Copper engraving with hand colouring	1740			Plate 182 x 145 mm	Der Insecten Belusrigung		August Johann Rösel von Rosenhof (March 30, 1705 in Augustenburg near Arnstadt – March 27, 1759 in Nuremberg) was a German miniature painter, naturalist and entomologist. With his accurate, heavily detailed images of insects he was recognised as an important figure in modern entomology.His detailed observations, more useful by being accompnied by very beautiful illustrations, were published in two large books. The first, Insecten-Belustigung, appeared in 1740 and was devoted to the insects and other invertebrates like the sea anemones. His classification of the insects followed a natural system and he is regarded as one of the fathers of German entomology. 	80	£80	mounted	Print	General Interest	Insects						
11040		August Johann Rösel von Rosenhof 	Classis I Papilionum Diurnorum, Tab IV	Copper engraving with hand colouring	1740			Plate 182 x 145 mm	Der Insecten Belusrigung		August Johann Rösel von Rosenhof (March 30, 1705 in Augustenburg near Arnstadt – March 27, 1759 in Nuremberg) was a German miniature painter, naturalist and entomologist. With his accurate, heavily detailed images of insects he was recognised as an important figure in modern entomology.His detailed observations, more useful by being accompnied by very beautiful illustrations, were published in two large books. The first, Insecten-Belustigung, appeared in 1740 and was devoted to the insects and other invertebrates like the sea anemones. His classification of the insects followed a natural system and he is regarded as one of the fathers of German entomology. 	65	£65	mounted	Print	General Interest	Insects						
11042		William Nicholson	Flower Girl (any corner)	Lithograph	1898  [William Heinemann]			Image 255 x 230 mm	London Types			140	£140	mounted	Print	Artists	William Nicholson						
11044		William Nicholson	Lady (Rotten Row)	Lithograph	1898  [William Heinemann]			Image 255 x 230 mm	London Types			140	£140	mounted	Print	Artists	William Nicholson						
11045		William Nicholson	Guardsman (The Horse Guards)	Lithograph	1898  [William Heinemann]			Image 255 x 230 mm	London Types			120	£120	mounted	Print	Artists	William Nicholson						
11046		William Nicholson	Beef-eater (The Tower)	Lithograph	1898  [William Heinemann]			Image 255 x 230 mm	London Types			120	£120	mounted	Print	Artists	William Nicholson						
11047		William Nicholson	Sandwich - Man (Trafalgar Squar)	Lithograph	1898  [William Heinemann]			Image 255 x 230 mm	London Types			120	£120	mounted	Print	Artists	William Nicholson						
11048		William Nicholson	Hawker (Kensington)	Lithograph	1898  [William Heinemann]			Image 255 x 230 mm	London Types			120	£120	mounted	Print	Artists	William Nicholson						
11049		William Nicholson	Policeman ( Constitution Hill)	Lithograph	1898  [William Heinemann]			Image 255 x 230 mm	London Types			150	£150	mounted	Print	Artists	William Nicholson						
11050		William Nicholson	Newsboy (The City)	Lithograph	1898  [William Heinemann]			Image 255 x 230 mm	London Types			140	£140	mounted	Print	Artists	William Nicholson						
11051		William Nicholson	Bluecoat Boy (Newgate Street)	Lithograph	1898  [William Heinemann]			Image 255 x 230 mm	London Types			140	£140	mounted	Print	Artists	William Nicholson						
11052		William Nicholson	Drum Major (Wimbledon Common)	Lithograph	1898  [William Heinemann]			Image 255 x 230 mm	London Types			140	£140	mounted	Print	Artists	William Nicholson						
11053		Axel Haig	Antwerp, Place St Nicholas	Drypoint	1910			Image 276 x 197 mm, Pl. 283 x 203 mm			Signed in pencilLennox-Boyd 232Ex Collection of Christopher Lennox-Boyd	300	£300	unmounted	Print	Victorian	Axel Haig						
11054		Axel Haig	Linlithgow - seen across the Lake	Drypoint	1901			Image 177 x 256 mm, Pl 275 x 380 mm			Signed in pencilLennox-Boyd 173, state i/iiEx Collection of Christopher Lennox-Boyd	300	£300	unmounted	Print	Victorian	Axel Haig						
11056		Axel Haig	Windsor Castle	Drypoint	Copyright 1900, Published by H. Virtue and Company Limited, London			Image 178 x 253 mm, Pl. 277 x 380 mm			Signed in pencilLennox-Boyd 165Ex Collection of Christopher Lennox-Boyd	300	£300	unmounted	Print	Victorian	Axel Haig						
11058		Axel Haig	Balmoral	Drypoint	1901			Image 175 x 253 mm, Pl. 275 x 380 mm			Signed in pencilLennox-Boyd 170Ex Collection of Christopher Lennox-Boyd	300	£300	unmounted	Print	Victorian	Axel Haig						
11059		Axel Haig	Buckingham Palace	Drypoint	1901			Image 176 x 253 mm, Pl. 275 x 380 mm			Signed in pencilLennox-Boyd 172Ex Collection of Christopher Lennox-Boyd	300	£300	unmounted	Print	Victorian	Axel Haig						
11060		Axel Haig	Stockholm, Tug at Dawn	Drypoint	1892			Image 193 x 286mm			Lennox-Boyd 114Ex Collection of Christopher Lennox-BoydSigned in Pencil	500	£500	mounted	Print	Victorian	Axel Haig						
11061		Axel Haig	Castle Nowhere (possibly Castle Neuschwanstein)	Drypoint	1892			Image 156 x 200mm			Lennox-Boyd 113Ex Collection of Christopher Lennox-Boydsigned and insribed in pencil to Harold Child	350	£350	mounted	Print	Victorian	Axel Haig						
11062		Axel Haig	Stockholm Harbour - The Quays, Six Ships Tied Up to the Point	Drypoint	1891			Image 156 x 235 mm, Pl. 160 x 240 mm			Signed and insribed in pencil to Mr and Mrs InceLennox-Boyd 108Ex Collection of Christopher Lennox-Boyd	350	£350	unmounted	Print	Victorian	Axel Haig						
11063		Christopher Saxton and William Hole	Oxoniensis	Copper engraved with hand colouring	1637			227 x 318 mm			Saxton, Christopher (c.1543-1610/1611) b. near Dunningley, West Yorkshire. Estate Surveyor and Draughtsmen, apprenticed to the cleric and cartographer John Rudd. Under his tutelage Saxton developed the skills to become the man now klnown as ‘the father of English cartography’. Saxton carried out an extensive topographical survey of England and Wales, 1573-1578 under the patronage of Thomas Seckford. 34 county maps based on the surveys were engraved between 1574 and 1578 by Remy Hogenberg, Lenaert Terwoort, Cornelis de Hooghe, Augustine Ryther, Francis Scatte, and Nicholas Reynolds, forming the first atlas of England and Wales. The work was the basis for many later maps. The maps were issued by Saxton in untitled volumes from 1579, subsequently resissued as The Shires of England and Wales, William Web 1645, Philip Lea 1693 (with added maps), French edition Atlas Anglois, philip Lea 1693, as the Shires of England and Wales, G. Willdey 1732, T Jefferys 1749, and finally in an untitled version by C. Dicey c. 1770 wall map of England and Wales (20 sheets)	350	£350	mounted	Map	English Counties	Oxfordshire						
11064		Skelton, Joseph  after Agas	Skelton’s reduced engraving of the Origianl Plan of Oxford taken by Ralph Agas in the Year 1578	Copper engraved with  handcolour	Published as the Act directs Jany. 1st 1823 by J. Skelton Magdalen Bridge Oxford 			495 x 477 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton’s detailed and acurate engraving of Agas 1578 plan of the City.	450	£450	mounted	Print	Oxford	Oxford Maps						
11065		Skelton, Joseph  after Agas	Skelton’s reduced engraving of the Origianl Plan of Oxford taken by Ralph Agas in the Year 1578	Copper engraved with  handcolour	Published as the Act directs Jany. 1st 1823 by J. Skelton Magdalen Bridge Oxford 			495 x 477 mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton’s detailed and acurate engraving of Agas 1578 plan of the City.	450	£450	mounted	Print	Oxford	Oxford Maps						
11067		Axel Haig	The Chapel of St. Clement, St. Mark’s	Drypoint	London Published November 20th 1899 by Rick Dunthorne 5 Vigo Street, London W			Image 281 x 353mm			Lennox-Boyd 161Ex Collection of Christopher Lennox-BoydSigned in Pencil	300	£300	unmounted	Print	Victorian	Axel Haig						
11068		Axel Haig	Burgos: View from the South	Drypoint	1896			Image 240 x 393 mm, Pl. 257 x 405 mm			Signed in pencilLennox-Boyd 144Ex Collection of Christopher Lennox-Boyd	400	£400	unmounted	Print	Victorian	Axel Haig						
11069		Henry Le Keux after P.Dewint	The Hythe Bridge with Tower of the Castle	Copper engraving with hand colouring	Published by J.Parker, Oxford November 1 1834			Image 222 x 358 mm				120	£120	mounted	Print	Oxford	General Views						
11070		Axel Haig	Stockholm, Tug at Dawn	Drypoint with Aquatint	1892			Image 193 x 286mm			Lennox-Boyd 114Ex Collection of Christopher Lennox-BoydSigned in pencil	320	£320	mounted	Print	Victorian	Axel Haig						
11071		Axel Haig	In the Rhineland	Etching	1890			Image 298 x 153 mm, Plate 310 x 164 mm			Signed in pencilLennox-Boyd 99Ex Collection of Christopher Lennox-Boyd	250	£250	unmounted	Print	Victorian	Axel Haig						
11072		Charles Oliver Murray	[Christ Church College Staircase]	Etching	c. 1896			Image 251 x 180mm, Pl. 280 x 204 mm			Charles Oliver Murray, R.E. (1842-1923) Etcher of landscapes, figures and architectural subjects.  Born at Denholm in Roxburghshire, he studied at the Edinburgh School of Design, and at the Royal Scottish Academy Schools where he received the Keith Prize.  Murray exhibited at the principal London galleries from 1872, mainly the Royal Academy and the  Royal Society for Painter-Etchers and Engravers.  He received awards at international exhibitions in London in 1884, in Munich in 1893 and a gold medal in Paris in 1900.  Murray lived in South Croydon.	75	£75	mounted	Print	Oxford	Christ Church College						
11074		Axel Haig	Vespers	Drrypoint	1891			Image 450 x 298mm			Lennox-Boyd 103Ex collection of Christopher Lennox-BoydSigned in pencil	450	£450	unmounted	Print	Victorian	Axel Haig						
11075			Oxford	Aquatint	c1880, art union			Image 170 x 223 mm, Plate 220 x 263 mm				50	£50	mounted	Print	Oxford	General Views						
11076		Axel Haig	Entrance to the mosque of Mohammed Bey, Cairo	Etching	1890			Image 382 x 153 mm			Signed in pencilLennox-Boyd 97Ex collection of Christopher Lennox-Boyd	450	£450	unmounted	Print	Victorian	Axel Haig						
11077		A.Fonbonne	VueD’Optique Representant, Omnium Sanctrum Basilica, in Universitate urbis Oxfordiae, L’Eglise de tous les Saints dans L’Universite d’Oxford	Copper engraving with hand colouring	A Paris chez Daumont rue St.Martin, c 1770			Image 260 x 415 mm				275	£275	framed	Print	Oxford	High Street Views						
11078		Axel Haig	A Little “Fellah” creature	Etching	1890/1901			Image 144 x 94 mm, Pl. 148 x 100 mm 			Signed and inscribed in pencil, with a note by Haig saying “Fellah” = Egyptian or arab.Possibley state 2 of 2Ex Collection of Christopher Lennox-Boyd	200	£200	unmounted	Print	Victorian	Axel Haig						
11079		David Loggan	Bibliotheca Publica Bodleiana & Scholae sive Auditorium Artium Liberalium ut ad Austrum Spectantur [Aerial view of the Bodleian Library]	Copper engraving with hand colouring	1675			Image 296 x 400 mm, Plate 297 x 405 mm	Oxonia Illustrata 1675 First Edition		The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.	320	£320	framed	Print	Oxford	Bodleian Library						
11080		W.Miller after C.Stanfield	The Battle of Trafalgar. To the United Service Club, This engraving is by Special Permission. Most respectfully dedicated by their obliged Servants. E & W Finden	Steel engraving	London. Published November 1, 1839, By the proprietors Nos 18 & 19, Southampton Place, Euston Square, Sold also by F.G.Moon. 20, Threadneedle Street & Ackermann & Co Strand			image 287 x 425 mm				400	£400	framed	Print	General Interest	Maritime						
11081		Axel Haig	Ca’d’oro, Venice	Drypoint with Aquatint	1898			Image 294 x 391 mm			Lennox-Boyd 153Ex collection of Christopher Lennox-Boydsigned in pencil	400	£400	mounted	Print	Victorian	Axel Haig						
11082		B. Green	The Oxford Almanack for the Year of our Lord God, MDCCLXII [Queens College]	Copper engraving	1762			Image 478 x 447mm, Plate 495 x 465 mm			A full sheet Oxford Almanack for the year 1762On the left Sir Joseph Williamson and Dr. Lancaster consult about a plan for rebuilding the Queen’s College; beside them are Bishop Barlow and Dr. Halton looking at the elevation of the library. In the background is a view of the College from the south.Condition. two small clusters of brown markings to centre of image	350	£350	mounted	Print	Oxford	Queen’s College						
11083		Vertue	Ichnographica Delineatio Situs Bibliothecae Radcliffianae	Copper engraving	c 1740			Image 490 x 305 mm				100	£100	mounted	Print	Oxford	Radcliffe Camera						
11084		Axel Haig	Cologne: A Street Scence	Woodblock print	1891			Image 253 x 173 mm, Pl 375 x 270 mm			Proof for the published editionLennox-Boyd 105Ex collection of Cristopher Lennox-Boyd	300	£300	unmounted	Print	Victorian	Axel Haig						
11085		Axel Haig	“La Langja” Valencia	Lithograph	1895			Image 445 x 305mm			Ex Collection of Christopher Lennox-Boydsigned in pencil	250	£250	unmounted	Print	Victorian	Axel Haig						
11086		Norden. John /  Kip. William	Sussexia siue Southsex olim pars regnorum	Copper engraved with hand colour	London, George Bishop and John Norton, 1610.			393 x 222 mm			iii/iiiFrom Camden’s BritanniaBritain, or a chorographicall description of the most flourishing kingdomes, England, Scotland, and Ireland....beautified with mappes of the several shires of England: written first in Latine by William Camden.....Translated newly into English by Philemon Holland....Condition. Right hand margin missing, torn on edges	275	£275	mounted	Map	English Counties	Sussex						
11088		William Dunkarton after Pether	The Snowdrop	Mezzotint, Aquatint and Etching with hand colouring	London. Publsihed by D.Thornton, Sept 1st.1811			Image 245x 187, Sheet 368 x 280 mm	Temple of Flora, or, Garden of the botanist, poet, painter, and philosopher.		Ex Collection Christopher Lennox-BoydTemple of Flora. Designed as a grand tribute to the Swedish botanist, Linnaeus, Thornton’s opus is considered by many to be the most magnificent botanical work ever produced. The images, which were drawn by a number of artists, have a bold and unique dramatic impact, partly from the elaborate process by which they were made and partly from the use of ‘classical’ landscapes in the backgrounds. Thornton’s prints were first issued in a large folio size around the turn of the century, and then in 1812 Thornton issued a more affordable quarto edition. Though smaller in size, the quarto prints still have the dramatic scenes and much of the visual impact of their larger siblings. With their varied and striking backgrounds, rich texture and color and fascinating compositions, these are botanicals unlike any others.	750	£750	unmounted	Print	General Interest	Flora						
11089		G. Volmar	Laysanne du Gouggisberg	Aquatint and Etching with hand colouring	Se vend chez J.J. Bourgdorfer a’ Berne. c 1805			Image 199 x 142 mm, Sheet 243 x 165mm				100	£100	unmounted	Print	Foreign Topography	Switzerland						
11090		G. L	Laysanne de Meyringuen, dans la valee d’Oberhasli	Aquatint and Etching with hand colouring	Se vend chez J.J. Bourgdorfer a’ Berne. 1805			Image 201 x 144 mm, Sheet 235 x 167 mm				130	£130	unmounted	Print	Foreign Topography	Switzerland						
11091		G. Volmar	Berger d’Oberhasli, tenant la trompedes Alpes.	Aquatint and Etching with hand colouring	Se vend chez J.J. Bourgdorfer a’ Berne. 1805			Image 201 x 144 mm, Sheet 241 x 167 mm				110	£110	unmounted	Print	Foreign Topography	Switzerland						
11092		G. Volmar	Paysanne du Canton de Soleur	Aquatint and Etching with hand colouring	Se vend chez J.J. Bourgdorfer a’ Berne. c 1805			Image 199 x 141 mm, Sheet 233 x 165 mm			Georg (Johann G.) Volmar  ( 1770-1831) 	100	£100	unmounted	Print	Foreign Topography	Switzerland						
11093		Axel Haig	Palencia: Trascoro	Etching	1896			Image 604 x 401 mm			Lennox-Boyd 143Ex Collection of Christopher Lennox-Boydsigned in pencil	800	£800	mounted	Print	Victorian	Axel Haig						
11094		Axel Haig	Goslar - The Kaiserworth on the Left	Drypoint	1893			Image 526 x 274 mm			Lennox-Boyd 120Ex Collection of Christopher Lennox-BoydSigned in pencil	700	£700		Print	Victorian	Axel Haig						
11096		G. Volmar	Laysane de Morat, des environs de la ville	Aquatint and Etching with hand colouring	Se vend chez J.J. Bourgdorfer a’ Berne. c 1805			Image 200x 142 mm, Sheet 243 x 167 mm				130	£130	unmounted	Print	Foreign Topography	Switzerland						
11097		Jules Arnout after Deroy	Paris, Vue des Champs - Elysees et du Palais de L’Industrie.	Lithograph with hand colouring	Paris E.Morier, 5 rue du Pont de Lodi. c1860			Image 129 x 225 mm, Sheet 210 x 303 mm	France En Miniature			50	£50	unmounted	Print	Foreign Topography	France						
11098		Jules Arnout after Deroy	Paris, Vue des Champs - Elysees et entrr du Palais de Industrie	Lithograph with hand colouring	Paris E.Morier, 5 rue du Pont de Lodi. c1860			Image 129 x 215 mm, Sheet 210 x 303 mm	France En Miniature			50	£50	unmounted	Print	Foreign Topography	France						
11099		Jules Arnout	Arc De Triomphe de Carrousel	Lithograph with hand colouring	Paris, Daziaro Boul des Itahens, 15. Imp Lemercier, r.de Seine 57, Paris. c 1840			Image 125 x 190 mm. Sheet 220 x 290 mm				45	£45	unmounted	Print	Foreign Topography	France						
11101		Jules Arnout	St.Sulpice	Lithograph with hand colouring	Paris, Daziaro Boul des Itahens, 15. Imp Lemercier, r.de Seine 57, Paris. c 1840			Image 125 x 190 mm. Sheet 215 x 300 mm				40	£40	unmounted	Print	Foreign Topography	France						
11102		Jules Arnout	Corps Legislatif	Lithograph with hand colouring	Paris, Daziaro Boul des Itahens, 15. Imp Lemercier, r.de Seine 57, Paris. c 1840			Image 124 x 188 mm. Sheet 170 x 227 mm				40	£40	unmounted	Print	Foreign Topography	France						
11103		William Daniell after G.Dance	George Steevens, F.R.S. & A.S.S.	Lithograph	Published by William Daniell No 9 Cleveland Street, Fitzroy Square London, Nov 1st 1808.			Image 211 x 174 mm, Plate 271 x 205, Sheet 292 x 228 mm						unmounted	Print	Portraits	Literary and Poetic						
11104		Joseph Winkelman	Stable	Etching and aquatint	1984			Image and Pl. 200 x 195 mm			Signed and inscribed in pencilEdition 10/100	200	£200	framed	Print	Contemporary Oxford Printmakers	Joseph Winkelman						
11105		Joseph Winkelman	Churchyard	Etching and aquatint	1985			Image and Pl. 175 x 90 mm			St Andrews Church in Headington, OxfordSigned and inscribed in pencilEditon 71/150	190	£190	framed	Print	Contemporary Oxford Printmakers	Joseph Winkelman						
11106		Joseph Winkelman	The High	linoleum cut	1987			Image 380 x 505 mm			Signed and inscribed in pencilEditon AP/C	325	£325	framed	Print	Contemporary Oxford Printmakers	Joseph Winkelman						
11107		Anthony Cardon after H.Edridge	His Most Gracious Majesty George the Third.To the Queen’s most excellent Majesty This Print, from the origibal drawing in her majesty’s possesion, is (by permission) most respectfully Dedicated by her Majesty’s, Most dutiful, and obedient Servant Henry Edridge.	Stipple engraving	London, Published March 1812. by H.Edridge, Margaret Street Cavendish Square & colnaghi & Co Cockspur Str.-			Image 388 x 287 mm, Plate 433 x 312 mm, Sheet 451 x 323 mm			Condition. Tear to bottom margin and inside platemark. two foxing marks in left margin.	200	£200	unmounted	Print	Portraits	British Royalty						
11108		Joseph Winkelman	Sheldonian	wood cut	1984			Image 455 x 605 mm			Signed and inscribed in pencilEditon 3/150	325	£325	framed	Print	Contemporary Oxford Printmakers	Joseph Winkelman						
11109		Joseph Winkelman	Balliol College, Broad Street	Etching and aquatint	1995			Image & Pl. 145 x 215 mm			Signed and inscribed Edition AP	200	£200	framed	Print	Contemporary Oxford Printmakers	Joseph Winkelman						
11110		Joseph Winkelman	Tom Tower, South	Etching and aquatint	1989			Image & Pl. 286 x 210 mm			Signed and inscribed in pencilEdition 8/250	200	£200	framed	Print	Contemporary Oxford Printmakers	Joseph Winkelman						
11111		Joseph Winkelman	Tom Tower, West	Etching and aquatint	1990			Image & Pl. 300 x 200 mm			Signed and inscribed in pencilEdition 8/250	200	£200	framed	Print	Contemporary Oxford Printmakers	Joseph Winkelman						
11112		Joseph Winkelman	Approaching St. Kilda	Aquatint	2008			Image & Pl. 375 x 545 mm			Signed and inscribed in pencilEdition 35/150	425	£425	framed	Print	Contemporary Oxford Printmakers	Joseph Winkelman						
11113		John Wilson	Merton College, Oxford	Woodcut	circa 1900			I 200 x 135 mm				20	£20	unmounted	Print	Oxford	Merton College						
11114		Joseph Winkelman	In Charlbury	Engraving	1979			Image & Pl. 275 x 340 mm			Signed and inscribed in pencilEdition 7/50	100	£100	unmounted	Print	Contemporary Oxford Printmakers	Joseph Winkelman						
11115		Joseph Winkelman	Last Snow	Etching and aquatint	1982			Image & Pl. 270 x 345 mm, 			Signed and inscribed in pencilEdition 71/150	125	£125	unmounted	Print	Contemporary Oxford Printmakers	Joseph Winkelman						
11116		Joseph Winkelman	Approaching St. Kilda	Aquatint	2003			Image & Pl. 378 x 543 mm			Signed and inscribed in pencilEdition 38/150	300	£300	unmounted	Print	Contemporary Oxford Printmakers	Joseph Winkelman						
11117		Joseph Winkelman	Fingals Cave	Etching and aquatint	1984			Image & Pl. 450 x 600 mm			Signed and inscribed in pencilEdition 9/100	300	£300	unmounted	Print	Contemporary Oxford Printmakers	Joseph Winkelman						
11118		Joseph Winkelman	Sheldonian	Woodcut	1984			Image & Pl. 455 x 605 mm			Signed and inscribed in pencilEdition 18/150	225	£225	unmounted	Print	Contemporary Oxford Printmakers	Joseph Winkelman						
11119		Joseph Winkelman	The New Globe	Etching and aquatint	1994			Image 523 x 340 mm, Plate 543 x 347			Signed and inscribed in pencilEdition 5/100	225	£225	unmounted	Print	Contemporary Oxford Printmakers	Joseph Winkelman						
11120		Joseph Winkelman	Fir & Yew	Etching	1998			Image & Pl. 487 x 545 mm			Signed and inscribed in pencilEdition 21/100	250	£250	unmounted	Print	Contemporary Oxford Printmakers	Joseph Winkelman						
11121		Joseph Winkelman	The Bliss Tweed Mill	Etching and aquatint	1979			Image & Pl. 347 x 542 mm			Signed and inscribed in pencilEdition 30/50	300	£300	unmounted	Print	Contemporary Oxford Printmakers	Joseph Winkelman						
11122		Joseph Winkelman	Sea Squall	Etching and aquatint	2003			Image & Pl.373 x 602 mm			Signed and inscribed in pencilEdition 21/150	300	£300	unmounted	Print	Contemporary Oxford Printmakers	Joseph Winkelman						
11123		J.Wells	[Flag Ships of the Admirals Visc. Duncan & Sr. Rich Onslow Bart]To the Right Hon, the Lords Commissioners of the Admiralty. this representation of the Dutch Prizes (taken on the spot) with the Flag Ships of the Admirals Viscount Duncan & Sir Richard Onslow, Bart. as stationed in the River Medway previous to the intended Royal Review. Is most respectfully inscribed by their Lordships’ obedient, honorable servant. J .Wells	Etching and Aquatint with hand colouring	Printed Dec. 29th, 1798 by R. Pollard Spa Fields			Image 450 x 580 mm				850	£850	framed	Print	General Interest	Maritime						
11124		after Edmund . G. Fuller	The Poetry of Motoring. Plate. 1 & 2	Lithograph	Copyright 1903, b Landeker & Brown. London.England			2 x 193 x 270 mm, Sheet 350 x 750 mm			£500 for the pair	500	£500	framed	Print	General Interest	Caricatures						
11125			The Private Correspondence or Betty in the Secret.	Mezzotint with hand colouring	London, Printed for R.Sayer and J.Bennett, Chart & Printsellers, No 53, Fleet Street, as the Act directs, 5, Sep, 1782.			Image 325 x 249, Plate 350 x 250,			Ex Collection Christopher Lennox-Boyd	450	£450	framed	Print	General Interest	Caricatures						
11126		John Pye after J.M.W. Turner	A View of Oxford from the Abingdon Road	Copper engraving	Published February 13th 1818. By James Wyatt Carver and Gilder, High Street, Oxford. as the Act directs.			Image 400 x 600 mm, Plate 495 x 650 mm			Condition. Fold across top left corner, image scuffed at the centre of right hand edge.	1100	£1,100	framed	Print	Oxford	General Views						
11128		Frank Short	[Mount Vesuvius]	Mezzotint	Publsihed February 20th, 1895. by Robert Dunthorne, Vigo Street. London & Castle St Liverpool.			Image 256 x 421 mm, Sheet 346 x 536 mm			Printed on vellum.Condition.Crease across top right of image and right hand margin.Light Foxing	375	£375	unmounted	Print	20th Century							
11129		W.H. Wheeler	[Magadalen College Tower]	Permenant photograph on glass	W.H. Wheeler’s 106 High Street Oxford, c. 1871 - 1880			74 x 64 cm			A superb original and one of a kind photograph of Magdalen College.  The process for the permanent photograph on glass was patented by William Robert Ake in April 1871.  The photograph would be taken in the usual way by photosensitizing a glass plate with a bromide colloidon.  The plate was then put into a silver bath and exposed to light.  The plate would then be put into a bath of pyrogallic acid or proto-sulphate, fixed by cyanide of potassium  or hyposulphate of soda, wash and dried. To stain the picture permanently on glass the print is then placed in an airtight kiln until every part of the photo becomes dark brown.  It  is then cooled and washed. From Patents for Inventions Abridgments or Specifications relating to Photography, London, 1880.W.H. Wheeler work with Henry Taunt at 106 High Street from at least 1861  when it was Wheeler James.  By 1866, the firm was known as Wheeler & Day and becomes W.H. Wheeler in 1872.  	750	£750	framed	Print	Oxford	Magdalen College						
11130		Axel Haig	The Legend of the Bells	Etching	1895			Image 613 x 423mm			Lennox-Boyd 141Ex Collection of Christopher Lennox-BoydSigned in Pencil	1000	£1,000	unmounted	Print	Victorian	Axel Haig						
11131		Axel Haig	York Minster	Etching	1905			Image 586 x 385mm			Lennox-Boyd 191Ex Collection of Christopher Lennox-BoydSigned in pencil	850	£850		Print	Victorian	Axel Haig						
11132		John Smith, after Joseph Highmore	His Royal Highness William Augustus Duke of Cumberland Knight of the most Hon:ble order of the bath & c.	Mezzotint	Published by John Smith 1729			Image 300 x 243 mm			William Augustus, Duke of Cumberland (1721-1765), General; third son of George II 			unmounted	Print	Portraits	British Royalty						
11133		J. Chantry	Charles Ye 2d by the Grace of God King of England Scotland France & Ireland Defender of Ye Faith Began his Reign over his Subjects the 30 of January 1648 at the which time the bloody Regicides so barbarously murdered his father	Copper engraving	c.1660			Image 270 x 147 mm			King Charles II (1630-1685), Reigned 1660-85.			unmounted	Print	Portraits	British Royalty						
11134		Cornelis Galle the Elder, after, Anthony van Dyck	Artus Wolfart Pictor Humanarum Figurarum Antuerpiae	Copper engraving	c.1650			Image 230 x 161 mm			Artus Wolfart, Painter (1581 -1641)			unmounted	Print	Portraits	Artists Portraits						
11135		I.G. Pintz	PSAL. CXL. V.4. Venenum fub afpidis labiis	Copper engraving	Published in Augsburg by the royal copper etcher, Johann Andreas Pfeffel in 1731			Image 294 x 200mm			The Old Testament sources are given under each print in Latin and German with a phrase of descriptionThe print is titles Psalms chapter 140 verse 4, however we belive it to be chapter 140 verse 3140:3 They have sharpened their tongues like a serpent; adders' poison is under their lips. Selah.	180	£180	unmounted	Print	General Interest	Reptiles						
11136		I.A.Friderich	GENESIS Cap.I.V.24.25. Opus fextae Diei	Copper engraving	Published in Augsburg by the royal copper etcher, Johann Andreas Pfeffel in 1731			Image 294 x 200mm			The Old Testament sources are given under each print in Latin and German with a phrase of descriptionGenesis 1 24 And God said, Let the earth bring forth the living creature after his kind, cattle, and creeping thing, and beast of the earth after his kind: and it was so. 25 And God made the beast of the earth after his kind, and cattle after their kind, and every thing that creepeth upon the earth after his kind: and God saw that it was good. 	180	£180	unmounted	Print	General Interest	Mammals						
11137		I.G. Pintz	LEVITICI Cap.XI.V.29. Muftela, Talpa, Mus, Glis	Copper engraving	Published in Augsburg by the royal copper etcher, Johann Andreas Pfeffel in 1731			Image 294 x 200mm			The Old Testament sources are given under each print in Latin and German with a phrase of description11:29  These are they which are unclean to you among the creeping things that creep on the earth: the weasel, the rat, any kind of great lizard	180	£180	unmounted	Print	General Interest	Mammals						
11138		I.G. Pintz	LEVITICI Cap.XI.V.30. Erinac. Stellio, Viverr. Chamael. Salamandra	Copper engraving	Published in Augsburg by the royal copper etcher, Johann Andreas Pfeffel in 1731			Image 294 x 200mm			The Old Testament sources are given under each print in Latin and German with a phrase of description11:30  the gecko, and the monitor lizard, the wall lizard, the skink, and the chameleon. 	180	£180	unmounted	Print	General Interest	Reptiles						
11139		I.G. Pintz	LEVITICI Cap.XI.V.26.27.28. Canis, Leo, Felis, Simia	Copper engraving	Published in Augsburg by the royal copper etcher, Johann Andreas Pfeffel in 1731			Image 294 x 200mm			The Old Testament sources are given under each print in Latin and German with a phrase of description11:26  Every animal which parts the hoof, and is not cloven-footed, nor chews the cud, is unclean to you. Everyone who touches them shall be unclean.11:27  Whatever goes on its paws, among all animals that go on all fours, they are unclean to you. Whoever touches their carcass shall be unclean until the evening.11:28  He who carries their carcass shall wash his clothes, and be unclean until the evening. They are unclean to you. 	180	£180	unmounted	Print	General Interest	Mammals						
11140		I.G. Pintz	LEVITICI Cap.XI.V.29. Scincus, Testudo, Bufo, Rana.	Copper engraving	Published in Augsburg by the royal copper etcher, Johann Andreas Pfeffel in 1731			Image 294 x 200mm			The Old Testament sources are given under each print in Latin and German with a phrase of description11:29  These are they which are unclean to you among the creeping things that creep on the earth: the weasel, the rat, any kind of great lizard, 	180	£180	unmounted	Print	General Interest	Reptiles						
11141		I.G. Pintz	PSAL.CIV.V. 25-30. Testacea et crustacea	Copper engraving	Published in Augsburg by the royal copper etcher, Johann Andreas Pfeffel in 1731			Image 294 x 200mm			The Old Testament sources are given under each print in Latin and German with a phrase of descriptionPsalms 140 25 So is this great and wide sea, wherein are things creeping innumerable, both small and great beasts. 26 There go the ships: there is that leviathan, whom thou hast made to play therein. 27 These wait all upon thee; that thou mayest give them their meat in due season. 28 That thou givest them they gather: thou openest thine hand, they are filled with good. 29 Thou hidest thy face, they are troubled: thou takest away their breath, they die, and return to their dust. 30 Thou sendest forth thy spirit, they are created: and thou renewest the face of the earth. 	180	£180	unmounted	Print	General Interest	Fish						
11142		I.G. Pintz	PSAL.CIV.V. 25-30. Omnia ex te pendent	Copper engraving	Published in Augsburg by the royal copper etcher, Johann Andreas Pfeffel in 1731			Image 294 x 200mm			The Old Testament sources are given under each print in Latin and German with a phrase of descriptionPsalms 140 25 So is this great and wide sea, wherein are things creeping innumerable, both small and great beasts. 26 There go the ships: there is that leviathan, whom thou hast made to play therein. 27 These wait all upon thee; that thou mayest give them their meat in due season. 28 That thou givest them they gather: thou openest thine hand, they are filled with good. 29 Thou hidest thy face, they are troubled: thou takest away their breath, they die, and return to their dust. 30 Thou sendest forth thy spirit, they are created: and thou renewest the face of the earth. 	180	£180	unmounted	Print	General Interest	Fish						
11143		I.G. Pintz	LEVITICI Cap. XI.V.40.41 Insecta, reptilia immunda	Copper engraving	Published in Augsburg by the royal copper etcher, Johann Andreas Pfeffel in 1731			Image 294 x 200mm			The Old Testament sources are given under each print in Latin and German with a phrase of description11:40  He who eats of its carcass shall wash his clothes, and be unclean until the evening. He also who carries its carcass shall wash his clothes, and be unclean until the evening.11:41  Every creeping thing that creeps on the earth is an abomination. It shall not be eaten. 	180	£180	unmounted	Print	General Interest	Reptiles						
11144		I.G. Pintz	LEVITICI Cap. XI.V.30. Cordylus, Lacerta, Caecilia	Copper engraving	Published in Augsburg by the royal copper etcher, Johann Andreas Pfeffel in 1731			Image 294 x 200mm			The Old Testament sources are given under each print in Latin and German with a phrase of description11:30  the gecko, and the monitor lizard, the wall lizard, the skink, and the chameleon. 	180	£180	unmounted	Print	General Interest	Reptiles						
11145		M. Tyroff	LEVITICI Cap. XI.V.4. Camelus	Copper engraving	Published in Augsburg by the royal copper etcher, Johann Andreas Pfeffel in 1731			Image 294 x 200mm			The Old Testament sources are given under each print in Latin and German with a phrase of description11:4  Nevertheless these you shall not eat of those that chew the cud, or of those who part the hoof: the camel, because he chews the cud but doesn't have a parted hoof, he is unclean to you. 	180	£180	unmounted	Print	General Interest	Mammals						
11146		I.G. Pintz	NUMER.Cap.XI.V.4.5. Cepa, Allium	Copper engraving	Published in Augsburg by the royal copper etcher, Johann Andreas Pfeffel in 1731			Image 294 x 200mm			The Old Testament sources are given under each print in Latin and German with a phrase of descriptionNumbers 114 And the mixt multitude that was among them fell a lusting: and the children of Israel also wept again, and said, Who shall give us flesh to eat? 5 We remember the fish, which we did eat in Egypt freely; the cucumbers, and the melons, and the leeks, and the onions, and the garlick: 	180	£180	unmounted	Print	General Interest	Flora						
11147		M. Tyroff	NUMER.Cap.XI.V.6.9. Placenta ex Manna contrita	Copper engraving	Published in Augsburg by the royal copper etcher, Johann Andreas Pfeffel in 1731			Image 294 x 200mm			The Old Testament sources are given under each print in Latin and German with a phrase of descriptionNumbers 11 6 But now our soul is dried away: there is nothing at all, beside this manna, before our eyes. 9 And when the dew fell upon the camp in the night, the manna fell upon it.	180	£180	unmounted	Print	General Interest	Religion						
11148		Catha. Spertingen	LEVITICI Cap.XI.V. Arnebeth, Lepus	Copper engraving	Published in Augsburg by the royal copper etcher, Johann Andreas Pfeffel in 1731			Image 294 x 200mm			The Old Testament sources are given under each print in Latin and German with a phrase of description11:6  The hare, because she chews the cud but doesn't part the hoof, she is unclean to you. 	180	£180	unmounted	Print	General Interest	Mammals						
11149		M. Tyroff	LEVITICI Cap.XI.V.3. Omasus et gula	Copper engraving	Published in Augsburg by the royal copper etcher, Johann Andreas Pfeffel in 1731			Image 294 x 200mm			The Old Testament sources are given under each print in Latin and German with a phrase of description11:3  Whatever parts the hoof, and is cloven-footed, and chews the cud among the animals, that you may eat	180	£180	unmounted	Print	General Interest	Mammals						
11150		M. Tyroff	LEVITICI Cap.XI.V.5. Cuniculus, mus alpinus	Copper engraving	Published in Augsburg by the royal copper etcher, Johann Andreas Pfeffel in 1731			Image 294 x 200mm			The Old Testament sources are given under each print in Latin and German with a phrase of description11:5  The coney, because he chews the cud but doesn't have a parted hoof, he is unclean to you. 	180	£180	unmounted	Print	General Interest	Mammals						
11151		I.G. Pintz	PSAL.CVII.V.3. Plagae Mundi.	Copper engraving	Published in Augsburg by the royal copper etcher, Johann Andreas Pfeffel in 1731			Image 294 x 200mm			The Old Testament sources are given under each print in Latin and German with a phrase of descriptionPsalms 1403 And gathered them out of the lands, from the east, and from the west, from the north, and from the south.	180	£180	unmounted	Map	World Maps & Sea Charts	World Maps	 					
11152		I.G. Pintz	GENESIS Cap.I.V.3.4.5. Opus primae Diei	Copper engraving	Published in Augsburg by the royal copper etcher, Johann Andreas Pfeffel in 1731			Image 260 x 157mm			The Old Testament sources are given under each print in Latin and German with a phrase of descriptionGenesis 1 3 And God said, Let there be light: and there was light. 4 And God saw the light, that it was good: and God divided the light from the darkness. 5 And God called the light Day, and the darkness he called Night. And the evening and the morning were the first day. 	180	£180	unmounted	Print	General Interest	Religion	 					
11153		I. A. Friderich	GENESIS Cap.I.V.1. Creatio Universi	Copper engraving	Published in Augsburg by the royal copper etcher, Johann Andreas Pfeffel in 1731			Image 290 x 385mm			The Old Testament sources are given under each print in Latin and German with a phrase of descriptionGenesis 1 1 In the beginning God created the heaven and the earth.	250	£250	unmounted	Map	World Maps & Sea Charts	World Maps	 					
11154		after Hogarth	Paul Before Felix In The Dutch Taste	Copper engraving	c. 1752			Image 235 x 337mm				120	£120	unmounted	Print	General Interest	Hogarth						
11158		Emmanuel Sweert and Jan Jansson	1. Fraxinella alba, 2. Fraxinella alba sub Cerulea 3 Anthyrrhinum albu 4. Anthrrhinu Suaue Rubens [Gas Plant or Dittany and snapdragons]	Copper engraving with hand colouring	Amsterdam, 1647 			Image 340 x 211, Pl. 349 x 218 mm	Florilegium Amplissimum et Selectissimum		Emanuel Sweert was prefect of the gardens of the Emperor Rudolf II in Prague. His Florilegium was first printed in Frankfurt by Kempner in 1612 -1614. It was originally a sales catalogue for plants and bulbs from Sweert's gardens, to be sold at fairs in Frankfurt and Amsterdam, but now these very attractive engravings are regarded as fine examples of 17th century botanical illustration and are much collected	250	£250	mounted	Print	General Interest	Flora						
11159		Emmanuel Sweert and Jan Jansson	Martagon Config and Martagon Config Serotinum [Turk’s Cap Lilly]	Copper engraving with hand colouring	Amsterdam, 1647 			Image 340 x 211, Pl. 349 x 218 mm	Florilegium Amplissimum et Selectissimum		Emanuel Sweert was prefect of the gardens of the Emperor Rudolf II in Prague. His Florilegium was first printed in Frankfurt by Kempner in 1612 -1614. It was originally a sales catalogue for plants and bulbs from Sweert's gardens, to be sold at fairs in Frankfurt and Amsterdam, but now these very attractive engravings are regarded as fine examples of 17th century botanical illustration and are much collected	450	£450	mounted	Print	General Interest	Flora						
11160		Emmanuel Sweert and Jan Jansson	1. Sysirichium minus 2. Sysirichium mai Flore ceruleo 3. Satyron e Guinea [Iris and Ragwort]	Copper engraving with hand colouring	Amsterdam, 1647 			Image 340 x 211, Pl. 349 x 218 mm	Florilegium Amplissimum et Selectissimum		Emanuel Sweert was prefect of the gardens of the Emperor Rudolf II in Prague. His Florilegium was first printed in Frankfurt by Kempner in 1612 -1614. It was originally a sales catalogue for plants and bulbs from Sweert's gardens, to be sold at fairs in Frankfurt and Amsterdam, but now these very attractive engravings are regarded as fine examples of 17th century botanical illustration and are much collected	350	£350	mounted	Print	General Interest	Flora						
11161		Emmanuel Sweert and Jan Jansson	[Eight varieties of crocus]	Copper engraving with hand colouring	Amsterdam, 1647 			Image 340 x 211, Pl. 349 x 218 mm	Florilegium Amplissimum et Selectissimum		Emanuel Sweert was prefect of the gardens of the Emperor Rudolf II in Prague. His Florilegium was first printed in Frankfurt by Kempner in 1612 -1614. It was originally a sales catalogue for plants and bulbs from Sweert's gardens, to be sold at fairs in Frankfurt and Amsterdam, but now these very attractive engravings are regarded as fine examples of 17th century botanical illustration and are much collected	300	£300	mounted	Print	General Interest	Flora						
11162		Emmanuel Sweert and Jan Jansson	Hya: Peruan, flo. Ceruleomusfifor, Hyae: Peruan Carnei Coloe [Hyacinths]	Copper engraving with hand colouring	Amsterdam, 1647 			Image 340 x 211, Pl. 349 x 218 mm	Florilegium Amplissimum et Selectissimum		Emanuel Sweert was prefect of the gardens of the Emperor Rudolf II in Prague. His Florilegium was first printed in Frankfurt by Kempner in 1612 -1614. It was originally a sales catalogue for plants and bulbs from Sweert's gardens, to be sold at fairs in Frankfurt and Amsterdam, but now these very attractive engravings are regarded as fine examples of 17th century botanical illustration and are much collected	300	£300	mounted	Print	General Interest	Flora						
11163		Joseph Winkelman	Slow	Etching	1987			Image 41 x 41 mm			Signed and inscribed in pencilEdition 21/150	120	£120	framed	Print	Contemporary Oxford Printmakers	Joseph Winkelman						
11164		Emmanuel Sweert and Jan Jansson	Hya: maior Indie, tuberosa Radico non descriptus. Hya: Indie minim, orienta dict. Swertius, Hya: munor Indico Tuberosa Radice, albus [Hyacinths]	Copper engraving with hand colouring	Amsterdam, 1647 			Image 340 x 211, Pl. 349 x 218 mm	Florilegium Amplissimum et Selectissimum		Emanuel Sweert was prefect of the gardens of the Emperor Rudolf II in Prague. His Florilegium was first printed in Frankfurt by Kempner in 1612 -1614. It was originally a sales catalogue for plants and bulbs from Sweert's gardens, to be sold at fairs in Frankfurt and Amsterdam, but now these very attractive engravings are regarded as fine examples of 17th century botanical illustration and are much collected	300	£300	mounted	Print	General Interest	Flora						
11165		Emmanuel Sweert and Jan Jansson	1. Cyclamima Romana, 2. Cyclamina francica folio hederaceo, 3. Cylamnen vernale flo. albo, 4. Cyclamina Germa [Cyclamen]	Copper engraving with hand colouring	Amsterdam, 1647 			Image 340 x 211, Pl. 349 x 218 mm	Florilegium Amplissimum et Selectissimum		Emanuel Sweert was prefect of the gardens of the Emperor Rudolf II in Prague. His Florilegium was first printed in Frankfurt by Kempner in 1612 -1614. It was originally a sales catalogue for plants and bulbs from Sweert's gardens, to be sold at fairs in Frankfurt and Amsterdam, but now these very attractive engravings are regarded as fine examples of 17th century botanical illustration and are much collected	250	£250	mounted	Print	General Interest	Flora						
11166		Emmanuel Sweert and Jan Jansson	1.Sesamoides magnu Cordi flo Virid. Color 2. Heleborusniger.flo.albo. 3. Calceolus Marieflo. flavo 3. Helebor niger feruleceus flo Luteo. [three varieties of hellebore and a ladies slipper]	Copper engraving with hand colouring	Amsterdam, 1647 			Image 340 x 211, Pl. 349 x 218 mm	Florilegium Amplissimum et Selectissimum		Emanuel Sweert was prefect of the gardens of the Emperor Rudolf II in Prague. His Florilegium was first printed in Frankfurt by Kempner in 1612 -1614. It was originally a sales catalogue for plants and bulbs from Sweert's gardens, to be sold at fairs in Frankfurt and Amsterdam, but now these very attractive engravings are regarded as fine examples of 17th century botanical illustration and are much collected	300	£300	mounted	Print	General Interest	Flora						
11167		Emmanuel Sweert and Jan Jansson	Lilium flo. Alba, Lilium bisantinum [Scarlet turk's cap or Chalcedon lily]	Copper engraving with hand colouring	Amsterdam, 1647 			Image 340 x 211, Pl. 349 x 218 mm	Florilegium Amplissimum et Selectissimum		Emanuel Sweert was prefect of the gardens of the Emperor Rudolf II in Prague. His Florilegium was first printed in Frankfurt by Kempner in 1612 -1614. It was originally a sales catalogue for plants and bulbs from Sweert's gardens, to be sold at fairs in Frankfurt and Amsterdam, but now these very attractive engravings are regarded as fine examples of 17th century botanical illustration and are much collected	350	£350	mounted	Print	General Interest	Flora						
11168		Emmanuel Sweert and Jan Jansson	Martagon pompony praecox multiflorum, Martagon Calce donicum paucioribus floribus [Turk’s Cap Lilly]	Copper engraving with hand colouring	Amsterdam, 1647 			Image 340 x 211, Pl. 349 x 218 mm	Florilegium Amplissimum et Selectissimum		Emanuel Sweert was prefect of the gardens of the Emperor Rudolf II in Prague. His Florilegium was first printed in Frankfurt by Kempner in 1612 -1614. It was originally a sales catalogue for plants and bulbs from Sweert's gardens, to be sold at fairs in Frankfurt and Amsterdam, but now these very attractive engravings are regarded as fine examples of 17th century botanical illustration and are much collected	450	£450	mounted	Print	General Interest	Flora						
11169		Joseph Winkelman	Tom Quad	Etching	1990			Image 68 x 46 mm			Signed and inscribed in pencilEdition 21/150	120	£120	framed	Print	Contemporary Oxford Printmakers	Joseph Winkelman						
11170		Emmanuel Sweert and Jan Jansson	Corona Imperialis alta Rubicunda, and Corona Imperialis Coronata flavo flore	Copper engraving with hand colouring	Amsterdam, 1647 			Image 340 x 211, Pl. 349 x 218 mm	Florilegium Amplissimum et Selectissimum		Emanuel Sweert was prefect of the gardens of the Emperor Rudolf II in Prague. His Florilegium was first printed in Frankfurt by Kempner in 1612 -1614. It was originally a sales catalogue for plants and bulbs from Sweert's gardens, to be sold at fairs in Frankfurt and Amsterdam, but now these very attractive engravings are regarded as fine examples of 17th century botanical illustration and are much collected	350	£350	mounted	Print	General Interest	Flora						
11171		Emmanuel Sweert and Jan Jansson	Bulbus ruber Promont. bonae ad huc incognitus squammosus - Radix tuber faciae 	Copper engraving with hand colouring	Amsterdam, 1647 			Image 340 x 211, Pl. 349 x 218 mm	Florilegium Amplissimum et Selectissimum		Emanuel Sweert was prefect of the gardens of the Emperor Rudolf II in Prague. His Florilegium was first printed in Frankfurt by Kempner in 1612 -1614. It was originally a sales catalogue for plants and bulbs from Sweert's gardens, to be sold at fairs in Frankfurt and Amsterdam, but now these very attractive engravings are regarded as fine examples of 17th century botanical illustration and are much collected	350	£350	mounted	Print	General Interest	Flora						
11172		Emmanuel Sweert and Jan Jansson	Martagon multis et magnis foriba luteis alios superans. Martagon flavio sub viridi color.	Copper engraving with hand colouring	Amsterdam, 1647 			Image 340 x 211, Pl. 349 x 218 mm	Florilegium Amplissimum et Selectissimum		Emanuel Sweert was prefect of the gardens of the Emperor Rudolf II in Prague. His Florilegium was first printed in Frankfurt by Kempner in 1612 -1614. It was originally a sales catalogue for plants and bulbs from Sweert's gardens, to be sold at fairs in Frankfurt and Amsterdam, but now these very attractive engravings are regarded as fine examples of 17th century botanical illustration and are much collected	350	£350	mounted	Print	General Interest	Flora						
11173		Emmanuel Sweert and Jan Jansson	Lilium flavum rubens. Lilium flore flavo. Lilium rubrum bulbiferum.	Copper engraving with hand colouring	Amsterdam, 1647 			Image 340 x 211, Pl. 349 x 218 mm	Florilegium Amplissimum et Selectissimum		Emanuel Sweert was prefect of the gardens of the Emperor Rudolf II in Prague. His Florilegium was first printed in Frankfurt by Kempner in 1612 -1614. It was originally a sales catalogue for plants and bulbs from Sweert's gardens, to be sold at fairs in Frankfurt and Amsterdam, but now these very attractive engravings are regarded as fine examples of 17th century botanical illustration and are much collected	450	£450	mounted	Print	General Interest	Flora						
11174		Emmanuel Sweert and Jan Jansson	Frittilla Aquitanica flo.luteo Virescnte.  rittillaria Hispanica Umbellifera ...	Copper engraving with hand colouring	Amsterdam, 1647 			Image 340 x 211, Pl. 349 x 218 mm	Florilegium Amplissimum et Selectissimum		Emanuel Sweert was prefect of the gardens of the Emperor Rudolf II in Prague. His Florilegium was first printed in Frankfurt by Kempner in 1612 -1614. It was originally a sales catalogue for plants and bulbs from Sweert's gardens, to be sold at fairs in Frankfurt and Amsterdam, but now these very attractive engravings are regarded as fine examples of 17th century botanical illustration and are much collected	450	£450	mounted	Print	General Interest	Flora						
11175		Emmanuel Sweert and Jan Jansson	Ornithogalu flo. albo multifl. Viridique linea in dorso praeditum... 	Copper engraving with hand colouring	Amsterdam, 1647 			Image 340 x 211, Pl. 349 x 218 mm	Florilegium Amplissimum et Selectissimum		Emanuel Sweert was prefect of the gardens of the Emperor Rudolf II in Prague. His Florilegium was first printed in Frankfurt by Kempner in 1612 -1614. It was originally a sales catalogue for plants and bulbs from Sweert's gardens, to be sold at fairs in Frankfurt and Amsterdam, but now these very attractive engravings are regarded as fine examples of 17th century botanical illustration and are much collected	350	£350	mounted	Print	General Interest	Flora						
11177		Emmanuel Sweert and Jan Jansson	1. Ornithogalu flrabieu multi floru album umbilico Interiore nigro 2. Ornithogalu Neolilanu flor Intra Candidi extrea einerace [Star of Bethlehem]	Copper engraving with hand colouring	Amsterdam, 1647 			Image 340 x 211, Pl. 349 x 218 mm	Florilegium Amplissimum et Selectissimum		Emanuel Sweert was prefect of the gardens of the Emperor Rudolf II in Prague. His Florilegium was first printed in Frankfurt by Kempner in 1612 -1614. It was originally a sales catalogue for plants and bulbs from Sweert's gardens, to be sold at fairs in Frankfurt and Amsterdam, but now these very attractive engravings are regarded as fine examples of 17th century botanical illustration and are much collected	350	£350	mounted	Print	General Interest	Flora						
11178		Emmanuel Sweert and Jan Jansson	Canna Indica flore Luteo, Canna Indica flore Rubro [Canna Lillies]	Copper engraving with hand colouring	Amsterdam, 1647 			Image 340 x 211, Pl. 349 x 218 mm	Florilegium Amplissimum et Selectissimum		Emanuel Sweert was prefect of the gardens of the Emperor Rudolf II in Prague. His Florilegium was first printed in Frankfurt by Kempner in 1612 -1614. It was originally a sales catalogue for plants and bulbs from Sweert's gardens, to be sold at fairs in Frankfurt and Amsterdam, but now these very attractive engravings are regarded as fine examples of 17th century botanical illustration and are much collected	450	£450	mounted	Print	General Interest	Flora						
11179		Emmanuel Sweert and Jan Jansson	[Nine varieties of crocus]	Copper engraving with hand colouring	Amsterdam, 1647 			Image 340 x 211, Pl. 349 x 218 mm	Florilegium Amplissimum et Selectissimum		Emanuel Sweert was prefect of the gardens of the Emperor Rudolf II in Prague. His Florilegium was first printed in Frankfurt by Kempner in 1612 -1614. It was originally a sales catalogue for plants and bulbs from Sweert's gardens, to be sold at fairs in Frankfurt and Amsterdam, but now these very attractive engravings are regarded as fine examples of 17th century botanical illustration and are much collected	300	£300	mounted	Print	General Interest	Flora						
11180		Emmanuel Sweert and Jan Jansson	Solis Flos Periuianus, Solis Flos minor [Sunflower]	Copper engraving with hand colouring	Amsterdam, 1647 			Image 340 x 211, Pl. 349 x 218 mm	Florilegium Amplissimum et Selectissimum		Emanuel Sweert was prefect of the gardens of the Emperor Rudolf II in Prague. His Florilegium was first printed in Frankfurt by Kempner in 1612 -1614. It was originally a sales catalogue for plants and bulbs from Sweert's gardens, to be sold at fairs in Frankfurt and Amsterdam, but now these very attractive engravings are regarded as fine examples of 17th century botanical illustration and are much collected	1000	£1,000	mounted	Print	General Interest	Flora						
11181		Emmanuel Sweert and Jan Jansson	1. Delphiniuelati, albo pleno flore, 2. Delphiniuelali, pleno Veriegaium, 3. Delphiniuelati, purpuneo Violae, 4. Delphiniuelali elatius flore Incarniato [Delphiniums]	Copper engraving with hand colouring	Amsterdam, 1647 			Image 340 x 211, Pl. 349 x 218 mm	Florilegium Amplissimum et Selectissimum		Emanuel Sweert was prefect of the gardens of the Emperor Rudolf II in Prague. His Florilegium was first printed in Frankfurt by Kempner in 1612 -1614. It was originally a sales catalogue for plants and bulbs from Sweert's gardens, to be sold at fairs in Frankfurt and Amsterdam, but now these very attractive engravings are regarded as fine examples of 17th century botanical illustration and are much collected	275	£275	mounted	Print	General Interest	Flora						
11183		Emmanuel Sweert and Jan Jansson	1. Narciss, Juneifolius circinato, 2. Narciss Juncifolius alb, autunalis medio obsolet .... [Six varieties of daffodils]	Copper engraving with hand colouring	Amsterdam, 1647 			Image 340 x 211, Pl. 349 x 218 mm	Florilegium Amplissimum et Selectissimum		Emanuel Sweert was prefect of the gardens of the Emperor Rudolf II in Prague. His Florilegium was first printed in Frankfurt by Kempner in 1612 -1614. It was originally a sales catalogue for plants and bulbs from Sweert's gardens, to be sold at fairs in Frankfurt and Amsterdam, but now these very attractive engravings are regarded as fine examples of 17th century botanical illustration and are much collected	300	£300	mounted	Print	General Interest	Flora						
11185		Joseph Winkelman	Braeriach	Etching and aquatint	1996			Image and Plate 300 x 450 mm			Signed and inscribed in pencilEdition 9/150	390	£390	framed	Print	Contemporary Oxford Printmakers	Joseph Winkelman						
11186		Joseph Winkelman	Cannon Street Bridge	Etching 	2002			Image and Plate 300 x 605 mm			Signed and inscribed in pencilEdition 9/150	350	£350	framed	Print	Contemporary Oxford Printmakers	Joseph Winkelman						
11187		Joseph Winkelman	Kleinersolstein	Aquatint	1998			Image and Plate 540 x 500 mm			Signed and inscribed in pencilEdition 38/150	425	£425	framed	Print	Contemporary Oxford Printmakers	Joseph Winkelman						
11188		Joseph Winkelman	London Bridge	Etching and aquatint	2001			Image and Plate 540 x 405 mm			Signed and inscribed in pencilEdition 14/100	325	£325	framed	Print	Contemporary Oxford Printmakers	Joseph Winkelman						
11189		H.J. Fleuss	Charles, Marquis of Ailesbury .K.T. 1845.	Lithograph	1845			Image 293 x 244 mm, Sheet 395 x 322 mm			Ernest Augustus Charles Brudenell-Bruce III Marquess of Ailesbury, (January 8, 1811 – October 18, 1886) was an English nobleman. He was the second son of Charles Brudenell-Bruce, 1st Marquess of Ailesbury, and was known as Lord Ernest Brudenell-Bruce from 1821 until 1878, when he succeeded his brother.Lord Bruce was educated at Eton College and Trinity College, Cambridge. He was a MP for Marlborough from 1832–1878, and also held several official posts, becoming Lord of the Bedchamber (1834–1835), a Privy Counsellor in 1841, Vice-Chamberlain of the Household (1841–1846, 1852–1858) and Lord Lieutenant of Berkshire (1884–1886).Condition: Some browning on paper edges not affecting the image	70	£70	unmounted	Print	Portraits	British Political						
11191		Axel Haig 	Private View Invitation 	Etching	Sat 26th Feby. 1887			Image 72 x 111mm, Plate 82 x 117			Inscribed to CT Dent	350	£350	mounted	Print	Victorian	Axel Haig						
11192		Axel Haig	A Room In Cardiff Castle	Lithograph	Printed by Sprague & Co 22 Martins Lane, Cannon St. EC. The Architect August 16th 1879			Image 239 x 177			Ex Collection of Christopher Lennox-Boyd	150	£150	mounted	Print	Victorian	Axel Haig						
11193		Axel Haig	River Scene, Spire over Trees	Drypoint	1883			Image 184 x 286mm			Lennox-Boyd 43Ex Collection of Christopher Lennox-Boyd	350	£350	mounted	Print	Victorian	Axel Haig						
11194		Ortelius, Abraham	Belgii Veteris	Copper engraved with hand colouring	c. 1694			160 x 210 mm			Belgium and the NetherlandsCluver edition	100	£100	unmounted	Map	Europe	Belgium						
11195		Mercator, Gerard and Jodocus, Hondius	Warwickum, Northampton, Huntingdon, Cantabr, etc.	Copper engraved	Amsterdam 1609			140 x 180 mm	Atlas Minor		South East England . 1609.  Gerard Mercator/Jodocus Hondius in "Atlas Minor"	85	£85	unmounted	Map	England & the British Isles	Anglia						
11196		Blaeu, William  after Mercator	Zurichgow et Basiliensis provincia	Copper engraved	Amsterdam, 1649-50			383 x 502 mm 			Map of northern Switzerland, including Zurich and Basel, based on the cartography of Gerard Mercator, but with the scale and attractive outline color associated with Blaeu maps. Latin text on verso provides history and description of the region beginning with the Roman period. 	500	£500	unmounted	Map	Europe	Switzerland						
11197		Blaue, Joan	Somerset:tensis Comitatus. Somersetshire.	Copper engraved with hand colouring	Amsterdam c. 1648			381 x 492 mm			Handsome map of Somerset with ornate title cartouche to upper left corner and vignette illustrations surrounding distance scale to lower right corner. Panel with eight shields, of which six bear family coats of arms and two are blank. Manuscript number at upper margin. Blank on verso. Three small sections at lower edge sometime reinforced on verso. Small tear without loss to centre of lower edge. Two light brown marks, one to the lower edge and the other to the centre of the image. Overall, a very handsome map with attractive colouring. Koeman, Vol II, 5235:2.	450	£450	unmounted	Map	English Counties	Somersetshire						
11198		Harris, John 	The East Part if the River Thames, The West Part of the River Thames	Copper engraved	1720 			220 x 380 mm			John Harris (fl. 1685-c1720) was an English engraver at Bulls Head Court, Newgate Street and Black and White Court  in the Old Baily, London.  Harris engraved this map in 1720 for Robert Morden’s The New State and Description of England.  	275.00	£275	mounted	Map	Maps Over More Than One County	Thames Map						
11199		M. Oliver Rae	New College Gateway, Oxford	Etching	c. 1920			Image 113 x 80 mm			Signed and inscribed in pencilLight foxing on the left hand side	50	£50	mounted	Print	Oxford	New College						
11200		Unknown	Britannia provincia romanorum	Copper engraved	c. 1775			360 x 470 mm			Condition: FairCentral fold	50	£50	unmounted	Map	England & the British Isles	British Isles						
11201		Unknown	Aegytvs Antiqva	Copper engraving	c. 1775			360 x 470 mm			Condition: FairCentral fold	150	£150	unmounted	Map	Africa	Egypt						
11202		Galle, P	Veronensis Ager (Verona)	Copper engraved	1598 			75 x 105 mm	Epitome du Theatre		A fine miniature map from "Epitome du Theatre" published in Antwerp in 1598 with french text on verso.	100	£100	unmounted	Map	Europe	Italy						
11203		Whessell, J. and Bartlett, T. 	Oxonia Antiqua Instaurata, Sive Urbis & Academiae Oxoniensis Topographica delineatio olim a Radulpho Agas impressa A.D. 1578 nunc denuo oeri incisa AD MDCCXXVIII. Huic in Margine acceste Cod: MS Bodl: Collegiorum & Scholaram Scenographia anplior & accuratior a Th. Neal STB descripta AD 1566	Copper engraved with hand colouring	Engraved and Published by J . Whessell and T. Bartlett 1831, for Oxford Delinated			155 x 233	for Oxford Delineated		Fold  in the centre and creased as issued	110.00	£110	mounted	Map	Oxford	Oxford Maps						
11205		Charles O. Murray	In St Mary Quad	Etching	Published by W H Beynon & Co. Cheltnam			Image 232 x 172 mm, Plate 255 x 190 mm			Charles Oliver Murray, R.E. (1842-1923) Etcher of landscapes, figures and architectural subjects.  Born at Denholm in Roxburghshire, he studied at the Edinburgh School of Design, and at the Royal Scottish Academy Schools where he received the Keith Prize.  Murray exhibited at the principal London galleries from 1872, mainly the Royal Academy and the  Royal Society for Painter-Etchers and Engravers.  He received awards at international exhibitions in London in 1884, in Munich in 1893 and a gold medal in Paris in 1900.  Murray lived in South Croydon.Signed in Pencil.	50	£50	mounted	Print	Oxford	Oriel College						
11206		Charles O. Murray	The Hall.	Etching	Published by W H Beynon & Co. Cheltnam			Image 168 x 235 mm, Plate 190 x 252 mm			Charles Oliver Murray, R.E. (1842-1923) Etcher of landscapes, figures and architectural subjects.  Born at Denholm in Roxburghshire, he studied at the Edinburgh School of Design, and at the Royal Scottish Academy Schools where he received the Keith Prize.  Murray exhibited at the principal London galleries from 1872, mainly the Royal Academy and the  Royal Society for Painter-Etchers and Engravers.  He received awards at international exhibitions in London in 1884, in Munich in 1893 and a gold medal in Paris in 1900.  Murray lived in South Croydon.Signed in Pencil.	40	£40	mounted	Print	Oxford	Oriel College						
11207		Cary, John	Oxfordshire	Copper engraved with hand colouring	London Published July 1809 by J. Cary Engraver & Map Seller No 181 Strand			260 x 210 mm			Cary, John (1755-1835) English cartographer, engraver, globe maker and publisher. Worked with his brother George. Apprenticed to his William Palmer 1770; surveyor of roads to the general post office , 1794. Best known for his english county atlases. Amongst others - Cary’s New and Correct English Atlas  1787-1789; engraved the plates for Robert Gough’s edition of Camden’s Britannia, 1789, 1806	90	£90	mounted	Map	English Counties	Oxfordshire						
11208			Oxford College Series. No. 168 - Manchester College.	Photolithograph	Sprague & Co. Ltd. 69 & 70, Dean St., Soho, W c. 1900			177 x 251 mm				40	£40	mounted	Print	Oxford	Manchester College						
11209		J. Stadler after F. Mackenzie	Chapel of Caius College.	Aquatint	London. Pub.Oct.r 1, 1815, at 101 Strand for R Ackermanns History of Cambridge.			Image 245 x 213 mm	From Ackermann’s History of the University of Cambridge			100	£100	mounted	Print	 Cambridge	Caius College Cambridge						
11210		Ortelius, Abraham	FORVM IVLII	Copper engraved with hand colouring	1585				Theatri Orteliani		This is a coloured copper engraving map, published by Abraham Ortelius. The map shows the region Friuli-Venezia Giulia, with the most of the important cities of this area like Trieste, and a part of Istria.  Abraham Ortelius (1527-1598)Ortelius was a cartographer and geographer, generally recognised as the creator of the first modern atlas. He was born in Antwerp, what now belongs to Belgium.On May 20, 1570 Ortelius’ “Theatrum Orbis Terrarum”, the "first modern atlas", was issued by Gilles Coppens de Diest at Antwerp. Three Latin editions of this (besides a Dutch, a French and a German edition) appeared before the end of 1572; twenty-five editions came out before Ortelius' death in 1598; and several others were published subsequently till about 1612.	50	£50	unmounted	Map	Europe	Italy						
11211		Axel Haig	Limburg on the Lahn	Etching	1886			Image 878 x 626 mm			Lennox-Boyd 62Ex collection of Christopher Lennox-BoydSigned in PencilSome foxing	1200	£1,200	mounted	Print	Victorian	Axel Haig						
11212		Axel Haig	South Aisle, Burgos	Etching	1907			Image 688 x 453 mm			Lennox-Boyd 211Ex Collection of Christopher Lennox-BoydSigned in pencil	900	£900	unmounted	Print	Victorian	Axel Haig						
11213		Axel Haig	Toledo Interior - A Procession Approaching	Etching	1908			Image 594 x 399 mm			Lennox-Boyd 214Ex collection of Christopher Lennox-BoydSigned in pencil	1000	£1,000		Print	Victorian	Axel Haig						
11214		Axel Haig	St. Jerome Cloister, Belem, Lisbon	Etching	1906			Image 676 x 456 mm			Lennox-Boyd 200Ex collection of Christopher Lennox-BoydSigned in pencil	1000	£1,000		Print	Victorian	Axel Haig						
11215		Axel Haig	St Marks, Venice: Interior	Etching	1897			Image 623 x 436 mm			Lennox-Boyd 147Ex collection of Christopher Lennox-BoydSigned in pencil	800	£800	mounted	Print	Victorian	Axel Haig						
11216		Axel Haig	Hoar Cross, Chapel of the Holy Trinity	Etching	1908			Image 596 x 396 mm			Lennox-Boyd 217Ex collection of Christopher Lennox-BoydSigned in pencil	700	£700	mounted	Print	Victorian	Axel Haig						
11217		Axel Haig	North Chancel, Amiens	Etching	1908			Image 596 x 403 mm			Lennox-Boyd 218Ex collection of Christopher Lennox-BoydSigned in pencil	700	£700	unmounted	Print	Victorian	Axel Haig						
11218		Axel Haig	Canterbury Cathedral: Ruined Refectory in Front	Etching	1894			Image 459 x 325mm			Lennox-Boyd 131Ex collection of Christopher Lennox-BoydSigned in pencil	400	£400	mounted	Print	Victorian	Axel Haig						
11219		Axel Haig	Portico del Gloria, Santiago de Campostella	Etching	1905			Image 676 x 453			Lennox-Boyd 195Ex collection of Christopher Lennox-BoydSigned in pencil	850	£850		Print	Victorian	Axel Haig						
11220		Axel Haig	Cologne Cathedral: Interior	Etching	1913			Image 517 x 371 mm			Lennox-Boyd 244Ex collection of Christopher Lennox-BoydSigned in pencil	800	£800	unmounted	Print	Victorian	Axel Haig						
11222		J.R. Smith after G. Carter	The Old Ballad - Singer	Mezzotint	Printed for Carington Bowles at his Map & Print Warehouse No. 69 in St. Pauls Church Yard, London. Publish'd as the Act directs, 18 Jany 1775			Image 326 x 251 mm, Plate 355 x 251 mm, Sheet 412 x 276 mm			D'Oench p. 194Publication date rubbed out	450	£450	unmounted	Print	General Interest	Caricatures						
11223		M. Oliver Rae	Magdalen Tower, Oxford	Etching	c. 1920			Image 113 x 80 mm			Signed and inscribed in pencil	50	£50	mounted	Print	Oxford	Magdalen College						
11224		W. Gauci after W.A. Delamotte	New College Chapel	Lithograph with hand colouring	1843			Image 348 x 253 mm	From Original Views of Oxford, its Colleges, Chapels and Gardens from drawings expressly for this work by William Alfred Delamotte. Executed in Lithography by William Gauci, with Historical and Descrpitive notices by Charles Ollier. London: Thomas Boy. 1843. Folio includes 25 tinted Lithographs.			120	£120	mounted	Print	Oxford	New College						
11225		Axel Haig	Ulm Cathedral	Etching	1902			Image 555 x 369mm			Lennox-Boyd 177Ex collection of Christopher Lennox-BoydSigned in pencil	400	£400	unmounted	Print	Victorian	Axel Haig						
11226		Axel Haig	St Etienne Cathedral, Bourges	Etching	1911			Image 417 x 571 mm			Lennox-Boyd 236Ex collection of Christopher Lennox-BoydSigned in pencilLayed on board	400	£400	unmounted	Print	Victorian	Axel Haig						
11227		James Robert Granville Exley, R.E.	Japanese Domestic Fowls Known Here as Yokohamas.	Etching	1911			Image and Plate 283 x 233 mm			Signed in pencilJ.R.G. Exley (1878-1967) was a painter and etcher of figures, portraits and bird subjects especially poultry.  He was born on 16th of May 1878 at Great Horton, Bradford and went on to study at the Skipton Science and Art Schools and at the Royal College of Art.  Exley received his diploma in 1907 and then went to work in Paris for a time.  He exhibited widely from 1906 and became a member of the  Royal Society of Painter-Etcher and Engravers in 1923.  He lived in London and later in Grasington in Yorkshire.  	250	£250	mounted	Print	20th Century	J.R.G. Exley						
11228		James Robert Granville Exley, R.E.	Peace and Plenty	Drypoint	1924			Image and Plate 207 x 167 mm			Signed in pencilJ.R.G. Exley (1878-1967) was a painter and etcher of figures, portraits and bird subjects especially poultry.. He was born on 16th of May 1878 at Great Horton, Bradford and went on to study at the Skipton Science and Art Schools and at the Royal College of Art.  Exley received his diploma in 1907 and then went to work in Paris for a time.  He exhibited widely from 1906 and became a member of the  Royal Society of Painter-Etcher and Engravers in 1923.  He lived in London and later in Grasington in Yorkshire.  	200	£200	mounted	Print	20th Century	J.R.G. Exley						
11229		James Robert Granville Exley, R.E.	Bewilderment	Etching	1927			Image and Plate 88 x 188 mm			Signed in pencilJ.R.G. Exley (1878-1967) was a painter and etcher of figures, portraits and bird subjects especially poultry. He was born on 16th of May 1878 at Great Horton, Bradford and went on to study at the Skipton Science and Art Schools and at the Royal College of Art.  Exley received his diploma in 1907 and then went to work in Paris for a time.  He exhibited widely from 1906 and became a member of the  Royal Society of Painter-Etcher and Engravers in 1923.  He lived in London and later in Grasington in Yorkshire.  	220	£220	framed	Print	20th Century	J.R.G. Exley						
11230		James Robert Granville Exley, R.E.	Minikin Manikins	Etching	1925			Image and Plate 92 x 251 mm			Signed in pencilJ.R.G. Exley (1878-1967) was a painter and etcher of figures, portraits and bird subjects especially poultry.  He was born on 16th of May 1878 at Great Horton, Bradford and went on to study at the Skipton Science and Art Schools and at the Royal College of Art.  Exley received his diploma in 1907 and then went to work in Paris for a time.  He exhibited widely from 1906 and became a member of the  Royal Society of Painter-Etcher and Engravers in 1923.  He lived in London and later in Grasington in Yorkshire.  	200	£200	mounted	Print	20th Century	J.R.G. Exley						
11231		James Robert Granville Exley, R.E.	One Crowded Hour of Glorious Life	Etching and aquatint	1925			Image and Plate 176 x 150 mm			Signed in pencilJ.R.G. Exley (1878-1967) was a painter and etcher of figures, portraits and bird subjects especially poultry.   He was born on 16th of May 1878 at Great Horton, Bradford and went on to study at the Skipton Science and Art Schools and at the Royal College of Art.  Exley received his diploma in 1907 and then went to work in Paris for a time.  He exhibited widely from 1906 and became a member of the  Royal Society of Painter-Etcher and Engravers in 1923.  He lived in London and later in Grasington in Yorkshire.  	150	£150	mounted	Print	20th Century	J.R.G. Exley						
11232		Axel Haig	Ely Cathedral: Interior	Etching	1914			Image 651 x 413 mm			Lennox-Boyd 250Ex collection of Christopher Lennox-BoydSigned in pencil	700	£700	unmounted	Print	Victorian	Axel Haig						
11233		James Robert Granville Exley, R.E.	A Match in Strength, in Courage, and in Age  	Etching and aquatint	1929			Image and Plate 176 x 150 mm			Signed in pencilJ.R.G. Exley (1878-1967) was a painter and etcher of figures, portraits and bird subjects especially poultry. He was born on 16th of May 1878 at Great Horton, Bradford and went on to study at the Skipton Science and Art Schools and at the Royal College of Art.  Exley received his diploma in 1907 and then went to work in Paris for a time.  He exhibited widely from 1906 and became a member of the  Royal Society of Painter-Etcher and Engravers in 1923.  He lived in London and later in Grasington in Yorkshire.  	150	£150	mounted	Print	20th Century	J.R.G. Exley						
11234		Axel Haig	A Corner of Seville Cathedral	Etching	1884			Image 702 x 353 mm			Lennox-Boyd 46Ex Collection of Christopher Lennox-BoydSigned in pencil	500	£500		Print	Victorian	Axel Haig						
11235		James Robert Granville Exley, R.E.	A Match in Strength, in Courage, and in Age  	Etching and aquatint	1929			Image and Plate 176 x 150 mm			Signed in pencilProof before aquatintJ.R.G. Exley (1878-1967) was a painter and etcher of figures, portraits and bird subjects especially poultry. He was born on 16th of May 1878 at Great Horton, Bradford and went on to study at the Skipton Science and Art Schools and at the Royal College of Art.  Exley received his diploma in 1907 and then went to work in Paris for a time.  He exhibited widely from 1906 and became a member of the  Royal Society of Painter-Etcher and Engravers in 1923.  He lived in London and later in Grasington in Yorkshire.  	150	£150		Print	20th Century	J.R.G. Exley						
11236		James Robert Granville Exley, R.E.	One Crowded Hour of Glorious Life	Etching and aquatint	1925			Image and Plate 176 x 150 mm			Signed in pencilProof before aquatintJ.R.G. Exley (1878-1967) was a painter and etcher of figures, portraits and bird subjects especially poultry.  He was born on 16th of May 1878 at Great Horton, Bradford and went on to study at the Skipton Science and Art Schools and at the Royal College of Art.  Exley received his diploma in 1907 and then went to work in Paris for a time.  He exhibited widely from 1906 and became a member of the  Royal Society of Painter-Etcher and Engravers in 1923.  He lived in London and later in Grasington in Yorkshire.  	150	£150		Print	20th Century	J.R.G. Exley						
11238		Axel Haig	A Street in Seville	Etching	1883			Image 703 x 356 mm			Lennox-Boyd 41Ex collection of Christopher Lennox-BoydSigned in Pencil	400	£400	unmounted	Print	Victorian	Axel Haig						
11239		James Robert Granville Exley, R.E.	Silver Duckwing-Grey Old Englsih Game Fowl.	Etching	1917			Image and Plate 178 x 127 mm			Signed in pencilJ.R.G. Exley (1878-1967) was a painter and etcher of figures, portraits and bird subjects especially poultry.  He was born on 16th of May 1878 at Great Horton, Bradford and went on to study at the Skipton Science and Art Schools and at the Royal College of Art.  Exley received his diploma in 1907 and then went to work in Paris for a time.  He exhibited widely from 1906 and became a member of the  Royal Society of Painter-Etcher and Engravers in 1923.  He lived in London and later in Grasington in Yorkshire.  Exley established a reputation for his skillful and carefully observed etchings of birds.  His precise and detailed etchings are almost photographic in their accuracy.  Exley adopted an extremely fine etching technique which he often combined with dypoint, aquatint and tonal printing.   	150	£150		Print	20th Century	J.R.G. Exley						
11240		Axel Haig	Toledo, View of the South Aisle	Etching	1910			Image 715 x 487 mm			Lennox-Boyd 233Ex collection of Christopher Lennox-BoydSigned in pencil	800	£800		Print	Victorian	Axel Haig						
11241		George Keating after George Morland	A Party Angling	Mezzotint	London Published November 28, 1789 by R.Smith, No 31 King Street, Covent Garden.			Image 435 x 555 mm, Sheet 478 x 573 mm			Condition: good impression, inscription space and bottom margin replaced.	600	£600	unmounted	Print	Sports	Fishing						
11242		Wilfred Ball 	Near Medmenham	Etching	c. 1898			Image 55 x 96 mm, Plate 55 x 96, Sheet 104 x 145 mm			Condition: Image scuffed on right hand plate mark.Wilfred Ball (1853-1917) was a landscape etcher specialising in river scenes and on his larger plates he used tone to great affect.	60	£60	unmounted	Print	British Topography	Buckinghamshire						
11243		James Robert Granville Exley, R.E.	St. Hugh’s Oxford 1886 - 1936	Etching	c. 1920			Image and Plate 118 x 97 mm			Signed in pencilJ.R.G. Exley (1878-1967) was a painter and etcher of figures, portraits and bird subjects especially poultry.   He was born on 16th of May 1878 at Great Horton, Bradford and went on to study at the Skipton Science and Art Schools and at the Royal College of Art.  Exley received his diploma in 1907 and then went to work in Paris for a time.  He exhibited widely from 1906 and became a member of the  Royal Society of Painter-Etcher and Engravers in 1923.  He lived in London and later in Grasington in Yorkshire.  Exley established a reputation for his skillful and carefully observed etchings of birds.  His precise and detailed etchings are almost photographic in their accuracy.  Exley adopted an extremely fine etching technique which he often combined with dypoint, aquatint and tonal printing.   	100	£100	mounted	Print	Oxford	St. Hugh’s College						
11244		Wilfred Ball 	Near Medmenham	Etching	c. 1898			Image 55 x 96 mm, Plate 55 x 96, Sheet 104 x 145 mm			Wilfred Ball (1853-1917) was a landscape etcher specialising in river scenes and on his larger plates he used tone to great affect.	75	£75	mounted	Print	British Topography	Buckinghamshire						
11245		Charles Meryon	Tourelle, Rue de La Tixandérie	Etching	c. 1852			Image and Plate 248 x 131 mm			Schneiderman 24 v/vCharles Méryon (November 23, 1821-February 13, 1868), was a French artist, who worked almost entirely in etching, as he suffered from colour-blindness. He is generally recognised as the most significant etcher of 19th century France. He also suffered from mental illness, dying in an asylum. His most famous work is a series of views of Paris.Designed for his series of etchings entitled Eaux-fortes sur Paris. This print depicts a building at the angle of Rue du Coq, which was demolished in 1852.  Obessed with early architecture, which he regarded as possessed with the spirits of the past, Meryon was determined to preserve these buildings through a series of etchings.  He introduced mediaeval characters to the scenes he engraved.  From Meryon’s own descriptions, it is clear that he really believed these characters to exist and depicted them as he saw them in his mind’s eye. 	1000	£1,000	mounted	Print	Victorian	Charles Meryon						
11246		Axel Haig	South Aisle Looking West, Burgos Cathedral	Etching	1910			Image 716 x 488mm			Lennox-Boyd 230 Ex collectiopn of Christopher Lennox-BoydSigned in pencil	800	£800		Print	Victorian	Axel Haig						
11247		Stanley Angus	The Shipyard	Etching	1929			Image & Plate 320 x 426 mm			Signed and inscribed in pencilStanley Angus (Fl. 1932-38) Scottish etcher.  He worked in London and specialised in Scottish scenery.  He exhibited at the Royal Academy and the Fine Art Society.	150	£150	unmounted	Print	20th Century	Stanley Angus						
11248		James Robert Granville Exley, R.E.	Houdan Fowls	Etching	1905			Image & Plate 113 x 134 mm			Signed in pencilWith a note say that a proof this etching was submitted ti the Royal Society of Painter Etchers.J.R.G. Exley (1878-1967) was a painter and etcher of figures, portraits and bird subjects especially poultry.  He was born on 16th of May 1878 at Great Horton, Bradford and went on to study at the Skipton Science and Art Schools and at the Royal College of Art.  Exley received his diploma in 1907 and then went to work in Paris for a time.  He exhibited widely from 1906 and became a member of the  Royal Society of Painter-Etcher and Engravers in 1923.  He lived in London and later in Grasington in Yorkshire.  	200	£200	mounted	Print	20th Century	J.R.G. Exley						
11249		Axel Haig	Pulpit, Palma	Etching	1909			Image 393 x 541mm			Lennox-Boyd 226Ex collection of Christopher Lennox-BoydSigned in pencil	400	£400	unmounted	Print	Victorian	Axel Haig						
11250		Backhouse, James	A Narrative of a Visit to the Mauritius and South Africa		London: Hamilton, Adams, and Co. , 1844						First edition., 1844. 8vo [23 x 15 cm]; xvi, 648, lvi pp, 2 fldg maps, 16 etched plates with tissue guards including frontis, 28 other engraved illus. orig cloth, gilt spine title lettering, recased, corners worn, lightly foxed on some leaves, else very good.The book begins with his three month stay in Mauritius. A good description of the peoples, activities, productions, nature, flora, etc, in all the places he visited. The folding maps are of South Africa and Mauritius.	400	£400		Book	General Interest	Travel						
11252		Axel Haig	Verona: Ponte S. Pietro	Etching	1879			Image 127 x 199 mm			Signed in pencilLennox-Boyd 19Ex collection on Christopher Lennox-Boyd	200	£200	unmounted	Print	Victorian	Axel Haig						
11254		Axel Haig	South Doorway, Jedburgh Abby	Etching	1879			Image 254 x 200 mm			Signed in pencilLennox-Boyd 21Ex collection of Christopher Lennox-Boyd	300	£300		Print	Victorian	Axel Haig						
11255		Axel Haig	Cintra - Seen from the Hills	Drypoint	1916			Image 195 x 245 mm, Pl. 204 x 250 mm			Signed in pencilLennox-Boyd  260Ex collection of Christopher Lennox-Boyd	350	£350	unmounted	Print	Victorian	Axel Haig						
11256		Axel Haig	Holyrood South Aisle	Etching	1877			Image 256 x 182 mm, Pl. 294 x 230 mm			Signed in pencilLennox-Boyd 8Ex collection of Chistopher Lennox-Boyd	300	£300	unmounted	Print	Victorian	Axel Haig						
11257		Axel Haig	West Doorway Holyrood	Etching	1878			Image 279 x 204 mm, Pl 296 x 227 mm			Signed in pencilLennox-Boyd 12Ex collection of Christopher Lennox-Boyd	300	£300	unmounted	Print	Victorian	Axel Haig						
11258		Axel Haig	An Old German Mill	Etching	1880			Image 258 x 174 mm			Lennox-Boyd 26, proof before titleEx collection of Christopher Lennox-BoydCondition: Laid on board	100	£100	unmounted	Print	Victorian	Axel Haig						
11259		Axel Haig	Dalhem, Gotland, Sweden	Drypoint	1897			Image 272 x 346			Signed in pencilLennox-Boyd 149Ex collection of Christopher Lennox-Boyd	300	£300	unmounted	Print	Victorian	Axel Haig						
11261		Démétrius Emmanuel Galanis	Great and glorious Rome, Queen of Earth so far renown’d	Woodcut 	London : Cresset Press, 1931. 			Image 247 x 189			An illustration to John Milton’s Paradise Regain’d Book IV published by Cresset Press. This is the final and the finest book issued by the Cresset Press, which operated between 1927 and 1931 under the direction of Dennis M. Cohen and A. I. Myers. The text used in the edition for which they are done for comes from the second edition of Paradise Lost, printed in 1674, and the first edition of Paradise Regain'd, printed in 1671.Demetrios Galanis (1882-1966) was a Greek illustrator, printmaker, and designer.  He studied under Nikiforos Lytras at the Higher School of Fine Arts in Athens and later under Fernand Cormon at the Ecole des Beaux-Arts in Paris. Galanis earned a number of important commissions as illustrator for private press books in France and elsewhere during the 1920s and 30s.	700	£700	unmounted	Print	20th Century	Démétrius Emmanuel Galanis						
11262		Démétrius Emmanuel Galanis	The World	Woodcut 	London : Cresset Press, 1931. 			Image 247 x 189			An illustration to John Milton’s Paradise Regain’d published by Cresset Press.  Presumably a surplus impression.  There were only six sets of Paradise Regain’d issued on vellum by the Cresset Press.  This is the final and the finest book issued by the Cresset Press, which operated between 1927 and 1931 under the direction of Dennis M. Cohen and A. I. Myers. The text used in the edition for which they are done for comes from the second edition of Paradise Lost, printed in 1674, and the first edition of Paradise Regain'd, printed in 1671.Demetrios Galanis (1882-1966) was a Greek illustrator, printmaker, and designer.  He studied under Nikiforos Lytras at the Higher School of Fine Arts in Athens and later under Fernand Cormon at the Ecole des Beaux-Arts in Paris. Galanis earned a number of important commissions as illustrator for private press books in France and elsewhere during the 1920s and 30s.	750	£750	framed	Print	20th Century	Démétrius Emmanuel Galanis						
11263		W.A.Cox after A.H.Wardlow	Eton- “The 4th of June.Procession of the Boats”	Etching	London Published Dec. 2nd 1889 by Messers Dickinson and Foster...			Image 343 x 518 mm				500	£500	mounted	Print	Sports	Rowing						
11264		Johann Friedrich Bause after Balthas, Denner	Michel Ehrlich	Mezzotint	Das Original Gemahlde, ist in der Sammlung des Herrn Thomas Richter in Leipzig 1771			Image 227 x 177 mm, Plate 251 x 177 mm			Keil 30 ii/ii, Briete 178 M, Stichhohe 227 M 	175	£175	unmounted	Print	Fine Prints	Engravers A-K						
11265		Thomas Watson after Sir Joshua Reynolds	St  Cecilia.	Stipple engraving	London Pubd. April.3.1794. by Anth.y Molteno Printseller to her Royal Highness the Dutchess of York No 76 St James St.			Image 317 x 255, Plate 385 x 295 mm			Elizabeth Ann Sheridan (née Linley) (1754-1792), Singer; first wife of Richard Brinsley Sheridan Reynolds’ image of Mrs. Sheridan as St. Cecilia was one the publishing successes of the late 18th century, though not as successful as M.W. Peter’s Resurrection of a Pious Family.It was first engraved in mezzotint by William Dickinson and published by Dickinson & Watson in 1776.  The plate sold well but needed retouching. Thomas Watson engraved this stipple plate in 1779 rather than retouching the original as he could get more prints of a new plate, making more financial success.In May 1794, Dickinson sold the plates. Colnaghi purchased  the Dickinson plate for £2/2/- [3rd day lot 65] and Anthony Molteno the Watson plate for the above print for £8/15/- [3rd day lot 447] .  Subsequently, Molteno added his publication line to plateMolteno had the plate re-engraved with closed letters and again in 1802 as the print was selling so well.  In 1823, having finally retired, Molteno sold the plate and his stock of prints.   The plate and 68 impressions of it sold for £4/-, not an inconsiderable sum.  Among the prints of this later plate there were 8 printed in colour, evidence that the plate had become extremely worn.It appears that our copy is an unrecorded state.	450	£450	unmounted	Print	Portraits	Performing Arts						
11266		Axel Haig	Durham	Lithograph	1894			Image 255 x 151 mm			Signed in pencilEx collection of Christopher Lennox-Boyd	275	£275	unmounted	Print	Victorian	Axel Haig						
11267		John Faber Jnr. after Philip Mercier	Rural Life. or  The House-wife’s Employment.	Mezzotint	London, Printed for Rob.t Sayer, Map and Printseller near Serjeants Inn Fleet Street.			Image 288 x 226, Plate 327 x 226 mm			CS 405 fLennox-Boyd State ii/iii reworked. Incription erased and re-engraved to read Th House-wife’s Emplyment and publication line changed  Ex. Col. Christopher Lennox-Boyd	350	£350	unmounted	Print	Fine Prints	Engravers A-K						
11269			The Thames from its source to Windsor	Lithograph	London J.S.Virtue & Co Limited c1860			195 x 256 mm				40	£40	mounted	Map	Maps Over More Than One County	Thames Map						
11270		J Wooding after [John] Boyne	Muck - Worm.	Copper engraving	Pubd. April 1st 1803 by S.W Fores 50. Piccadilly			Image 322 x 196, Plate 380 x 234 mm			BM Satires 10204A Muck-worm, a grub, or a dung beetle was a rude description of a miser	100	£100	unmounted	Print	General Interest	Caricatures						
11271			The Thames from Windsor to the Nore	Lithograph	London J.S.Virtue & Co Limited c1860			195 x 256 mm				40	£40	mounted	Map	Maps Over More Than One County	Thames Map						
11272		M. Oliver Rae	St . Edmund Hall, Oxford	Etching	c. 1920			Image 115 x 81 mm			Signed and inscribed in pencil	45	£45	mounted	Print	Oxford	St. Edmund Hall						
11273		Philip Dawe after Henry Morland	Ladys Maid Soaping Linnen	Mezzotint	London Published as the Act directs printed for Carington bowles No. 69 in st Pauls Church Yard 			Image 316 x 247, Plate 350 x 250 mm			Carington Bowles Catalogue, 1784 107/158 (7), Carrington Bowles Catalogue 1790 97/161 (7)State ii/ii with further scraping of light on left sleeve so that they are more than one tne, with Molrand and Dawe’s names, the title, series number 158	350	£350	unmounted	Print	General Interest	Trades						
11274		John Donowell	A View of Queen’s College, University College, All Souls College, The Steeple of St.Mary’s Church, & c, in the University of Oxford	Copper engraving with hand colouring	Published according to Act of Parliment Feb. 1755 & Sold by John Finney at the Golden Lion in Fleet Street, London			Image 262 x 420 mm			John Donowell was a little known, 18th century British architect and engraver, most notable for his architectural work at West Wycombe Park in Buckinghamshire, where he appears to have been influenced by the works of Colen Campbell. He is considered to be the equivalent of Thomas Sandby and Thomas Malton as one of the principal architect-draughtsmen in the third quarter of the 18th century [1].He drew a number of topographical drawings, mostly views of London. His work was exhibited at the Royal Academy in the 1770s and 1780s, and also published as prints during this period.	220	£220	mounted	Print	Oxford	High Street Views						
11275			A View of the House and part of the Garden of His Grace the Duke of Argyl at Whitton	Copper engraving	London, Printed for Robt. Sayer Map & Printseller in Fleet Street			Image 153 x 257 mm, Pl. 175 x 275 mm			In 1732, architect and builder Roger Morris was paid for a court of offices in the eastern quarter of the Whitton park where, by 1735, a Palladian villa was built to his design. This part of the estate came to be called Whitton Place	15	£15	unmounted	Print	British Topography	London						
11276		after Alfred Ryder	Notes of Dr. Livingstone’s Travels	Wood cut with handcolur	The Graphic April 25, 1874						A sheet showing four scenes from “ A Popular Account of Missionary Travels and Researches in South Africa” by David Livingston	25	£25	unmounted	Print	Portraits	Explorers						
11278		William Ridgway after Holman Hunt	The Light of the World	Engraving	Published 12 May 1863 by Gambart & Co.			Image 304 x 152; Pl. 442 x 254 mm			Probably ii/iii a lettered proof on of 100 impressions at £1/1	700	£700	unmounted	Print	Victorian	after Holman Hunt						
11279		Emmanuel Sweert and Jan Jansson	Martagon sive Hemorocallis flo. Albicante. Martagon sive Hemorocallis sa flo. Rubente	Copper engraving with hand colouring	Amsterdam, 1647 			Image 340 x 211, Pl. 349 x 218 mm	Florilegium Amplissimum et Selectissimum		Emanuel Sweert was prefect of the gardens of the Emperor Rudolf II in Prague. His Florilegium was first printed in Frankfurt by Kempner in 1612 -1614. It was originally a sales catalogue for plants and bulbs from Sweert's gardens, to be sold at fairs in Frankfurt and Amsterdam, but now these very attractive engravings are regarded as fine examples of 17th century botanical illustration and are much collected	450	£450	mounted	Print	General Interest	Flora						
11280		Emmanuel Sweert and Jan Jansson	Martagon sive Hemorocallis flo. Albicante. Martagon sive Hemorocallis sa flo. Rubente	Copper engraving with hand colouring	Amsterdam, 1647 			Image 340 x 211, Pl. 349 x 218 mm	Florilegium Amplissimum et Selectissimum		Emanuel Sweert was prefect of the gardens of the Emperor Rudolf II in Prague. His Florilegium was first printed in Frankfurt by Kempner in 1612 -1614. It was originally a sales catalogue for plants and bulbs from Sweert's gardens, to be sold at fairs in Frankfurt and Amsterdam, but now these very attractive engravings are regarded as fine examples of 17th century botanical illustration and are much collected	450	£450	mounted	Print	General Interest	Flora						
11281		Emmanuel Sweert and Jan Jansson	Martagon Imperial fl.niueo sibe maculis.  Martagon sive Hemorocallis griseo colore.	Copper engraving with hand colouring	Amsterdam, 1647 			Image 340 x 211, Pl. 349 x 218 mm	Florilegium Amplissimum et Selectissimum		Emanuel Sweert was prefect of the gardens of the Emperor Rudolf II in Prague. His Florilegium was first printed in Frankfurt by Kempner in 1612 -1614. It was originally a sales catalogue for plants and bulbs from Sweert's gardens, to be sold at fairs in Frankfurt and Amsterdam, but now these very attractive engravings are regarded as fine examples of 17th century botanical illustration and are much collected	450	£450	mounted	Print	General Interest	Flora						
11282		Henry Taunt	Oxford [Magdalen College from the fields]	Albumen Photograph	c.1883			I 210 x 130 mm			Henry William Taunt, 1842-1922, was an Oxford-based professional photographer. He photographed mainly in Oxford, Oxfordshire and the River Thames, though surrounding counties are also well represented. His subjects were mostly tourist views, though he also recorded architecture and social history.	70	£70	framed	Print	Oxford	Magdalen College						
11285		after G. Howse	The Race	Chromolithograph	Published by Ryman, Oxford, c. 1855			I 275 x 468 mm, S 342 x 537 mm			Scarce Print	500	£500	framed	Print	Sports	Rowing						
11286		Joseph Skelton after G Vertue	Founders and Benefactors of Queen’s College with the design for the present buildings	Copper engraving	Published as the Act directs Mar. 2nd 1818 by J. Skelton St. Aldates, Oxford			I mage 250 x 155mm	Oxonia Antiqua Restaurata by Joseph Skelton		Skelton began publishing parts to this work from 1818 but it was not until 1820 that the project was completed.	45	£45	mounted	Print	Oxford	Queen’s College						
11287		Frederick Charles Lewis after F. Nash	Oriel College	Aquatint with hand colouring	c.1813			Image 210 x 270 mm			Condition: hand colouring faded	150	£150	mounted	Print	Oxford	Oriel College						
11290			Oxford College Series. No. 169 - Manchester College: Quadrangle	Photolithograph	Sprague & Co. Ltd. 69 & 70, Dean St., Soho, W c. 1900			177 x 251 mm				40	£40	mounted	Print	Oxford	Manchester College						
11291		H.B.Wilson	Final. For the “London” Coat. Off. The Crab Tree. - The London Club House. “The Thames Club” - Thames - Senior Fours	Lithograph	c.1870			Image 349 x 241 mm				175	£175	mounted	Print	Sports	Rowing						
11292		H.B.Wilson	Green & Spencer. Barnes. Bridge, Cambridge Crew Landing at Messenger’s.Kingston. Oxford at Maidenhead	Lithograph	c.1870			Image 330 x 238 mm				175	£175	mounted	Print	Sports	Rowing						
11293		H.B.Wilson	“The Bells” Putney.. Tricketts HeadQuarters, Barnes -Hanlan’s Location, The Race Hammersmith.	Lithograph	c.1870			Image 242 x 350 mm				225	£225	mounted	Print	Sports	Rowing						
11295		Unknown	Fisher Row, Oxford [Tidmarsh Lane] 	Watercolour	c1800			Image 135 x 205 mm				100	£100	mounted	Print	Oxford	General Views						
11296		after H.M.Bateman	The Cox Who Failed to Notice the Bump 	Chromolithograph	Punch, 16th June1924			Image 227 x 390 mm				60	£60	framed	Print	Sports	Rowing						
11297		Henry Taunt	[Oxford From Magdalen College Tower]	Photograph	c 1885			Image 150 x 205 mm			Henry William Taunt, 1842-1922, was an Oxford-based professional photographer. He photographed mainly in Oxford, Oxfordshire and the River Thames, though surrounding counties are also well represented. His subjects were mostly tourist views, though he also recorded architecture and social history.	100	£100	framed	Print	Oxford	General Views						
11298		J. C Dollman	“Are you Ready?”	Woodcut	Supplement to The Graphic, April 5, 1879			Image 340 x 1008 mm				450	£450	framed	Print	Sports	Rowing						
11299		R.How after F.Sartorius	Bay Malton, beating King Herod, Turf, & Askam, a Sweepstakes of 500 Gs each, wt. 8 st, 7lb, over the Beacon Course at Newmarket, April 21st, 1767.	Mezzotint	London, Printed for Robert Sayer, No 53 in Fleet Street, Published as the Act Directs 3d, May.1769.			Image 292 x 450, Plate 335 x 450 mm			Siltzer p. 422Ex collection of Christopher Lennox-BoydFramed in a rosewood frame	650	£650	framed	Print	Sports	Horse Racing						
11302		Joseph Winkelman	Winches	Etching and aquatint	2000			Image 42 & 50 mm			Signed and inscribed in pencilEdition: 54/150	110	£110	framed	Print	Contemporary Oxford Printmakers	Joseph Winkelman						
11303		Joseph Winkelman	Southwark	Etching 	1986			Image 42 & 50 mm			Signed and inscribed in pencilEdition: 73/100	125	£125	framed	Print	Contemporary Oxford Printmakers	Joseph Winkelman						
11305		PeltroWilliams Tomkins after Henry Fuseli	Prince Arthurs Vision.	Stipple	London Publish’d April 4, 1788 by Thos. Macklin No. 39 Fleet Street			Image 455 x 355 mm, Pl. 535 x 415 mm	For the Poet’s Gallery 		Le Blanc 43An excellent impression	1000	£1,000	framed	Print	Fine Prints	Engravers S-Z						
11306		Frank Paton	E E Leggatt. From Messrs Agnew & Sons, Fine Art Galleries.	Etching	1884			Image 176 x 233 mm, Plate 189 x 255 mm, Sheet 216 x 280 mm			Probably a Christmas  Card, with old-father-time visiting the gallery with others..E.E.Leggatt, formerly with Agnews, set up his gallery at 62 Cheapside, London.  Later trading as Leggatt Bros & Leggatt Galleres, the buisness, which latterly traded from St James’s Street, closed in about 2000.  Frank Paton, 1856 - 1909 was a genre and animal painter.  Exhibited at the principal London galleries from 1872, frequently exhibited at the Royal Academy.Frank Paton was born at Gravesend in Kent, and spent most of his working life between London and Kent. He established himself as an animal and genre painter, and his paintings are characterised by both their great attention to detail and their humorous content.Many of Frank Paton's paintings were subsequently engraved and amongst these engravings were a series of etchings surrounded by humorous vignettes, illustrating sporting or social preoccupations. Many of his animal portraits were also engraved..	250	£250	framed	Print	Victorian	Frank Paton						
11311		Rev. Edward Pryce Owen, (1788-1863)                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                  	[Bridge House]	Etching	1820			Image 135 x 114 mm, Plate 150 x 129 mm, Sheet 233 x 187 mm			Signed dated in the plateProbably for Owen’s Ancient Buildings in Shrewsbury. This etching is not in the British Library copies from this set.  Owen advertised that there were three more parts of four etchings each on the front of cover of Part 2 for this series.	100	£100	unmounted	Print	Fine Prints	Artists Prints						
11312		Joseph Winkelman	Churchyard	Etching and aquatint	1985			Image and Pl. 175 x 90 mm			St Andrews Church in Headington, OxfordSigned and inscribed in pencilEditon 133/150	110	£110	mounted	Print	Contemporary Oxford Printmakers	Joseph Winkelman						
11313		Joseph Winkelman	Balliol College, Broad Street	Etching and aquatint	1994			Image & Pl. 145 x 215 mm			Signed and inscribed Edition AP	125	£125	mounted	Print	Contemporary Oxford Printmakers	Joseph Winkelman						
11314		Joseph Winkelman	Tom Tower, West	Etching and aquatint	1990			Image & Pl. 300 x 200 mm			Signed and inscribed in pencilEdition 21/250	125	£125	mounted	Print	Contemporary Oxford Printmakers	Joseph Winkelman						
11315		Joseph Winkelman	Tom Tower, South	Etching and aquatint	1989			Image & Pl. 286 x 210 mm			Signed and inscribed in pencilEdition 1/250	125	£125	mounted	Print	Contemporary Oxford Printmakers	Joseph Winkelman						
11316		Joseph Winkelman	Stable	Etching and aquatint	1984			Image and Pl. 200 x 195 mm			Signed and inscribed in pencilEdition 49/100	125	£125	mounted	Print	Contemporary Oxford Printmakers	Joseph Winkelman						
11317		Joseph Winkelman	St.Anthony’s college, Oxford	Etching	1993			Image and Plate. 165 x 405 mm			Signed and inscribed in pencilArtists proof.	125	£125	mounted	Print	Contemporary Oxford Printmakers	Joseph Winkelman						
11318		Joseph Winkelman	Liberty Horses	Etching and aquatint	1979			Image and Plate. 138 x 197 mm			Signed and inscribed in pencil36/50	125	£125	mounted	Print	Contemporary Oxford Printmakers	Joseph Winkelman						
11319			Perspective View of the City of Chichester, in the County of Sussex.	Copper engraving	Engraved for the Complete English Traveller. c.1760			I 276 x 155 mm				50	£50	mounted	Print	British Topography	Sussex						
11320			The Rev. Edward Irving A.M	Lithograph on india laid paper	London published by R.Ackermann 101 Strand August 21st 1823			Image 128 x 112 mm vignette			Edward Irving (August 4, 1792 – December 7, 1834), Scottish clergyman, generally regarded as the main figure behind the foundation of the Catholic Apostolic Church, was born at Annan, Annandale.Not in O’Donoghue	45	£45	unmounted	Print	Portraits	Religious and Clerical						
11321		John Wilson	Worcester College, Oxford	Lithograph	circa 1900			Image 200 x 145 mm				25	£25	mounted	Print	Oxford	Worcester College						
11322			Oriel College	Chromolithograph	circa 1920			Image 77 x 130 mm				25	£25	mounted	Print	Oxford	Oriel College						
11323		G. Volmar	Paysanne Freibourgeoise, de la parlie romande du Canton	Aquatint and Etching with hand colouring	Se vend chez J.J. Bourgdorfer a’ Berne. c 1805			Image 204 x 150 mm, Sheet 247 x 173 mm			Georg (Johann G.) Volmar (1770-1831) 	130	£130	unmounted	Print	Foreign Topography	Switzerland						
11324		Georg Volmar	Costumes du Gouggisberg	Aquatint and Etching with hand colouring	Se vend chez J.J. Bourgdorfer a’ Berne. c 1805			Image 203 x 145 mm, Sheet 249 x 169 mm			Georg (Johann G.) Volmar (1770-1831) 	130	£130	unmounted	Print	Foreign Topography	Switzerland						
11325		G. Volmar	Servante Paysanne a Berne	Aquatint and Etching with hand colouring	Se vend chez J.J. Bourgdorfer a’ Berne. c 1805			Image 203 x 149 mm, Sheet 237 x 174 mm			Georg (Johann G.) Volmar (1770-1831) 	150	£150	unmounted	Print	Foreign Topography	Switzerland						
11326		G. Volmar	Paysanne Freibourgeoise, de la partie allemande du Canton.	Aquatint and Etching with hand colouring	Se vend chez J.J. Bourgdorfer a’ Berne. c 1805			Image 203 x 149 mm, Sheet 240 x 173 mm			Georg (Johann G.) Volmar (1770-1831) 	130	£130	unmounted	Print	Foreign Topography	Switzerland						
11327		G. Volmar	Paysanne du Canton de Basle.	Aquatint and Etching with hand colouring	Se vend chez J.J. Bourgdorfer a’ Berne. c 1805			Image 202 x 149 mm, Sheet 235 x 173 mm			Georg (Johann G.) Volmar (1770-1831) 	130	£130	unmounted	Print	Foreign Topography	Switzerland						
11328		G. Volmar	Paysanne du Canton de Luccrne.	Aquatint and Etching with hand colouring	Se vend chez J.J. Bourgdorfer a’ Berne. c 1805			Image 201 x 144 mm, Sheet 247 x 170 mm			Georg (Johann G.) Volmar (1770-1831) 	130	£130	unmounted	Print	Foreign Topography	Switzerland						
11329		Axel Haig	Lubeck: The Sailors Guild	Etching	1890			Image 456 x 305 mm, Plate 468 x 316 mm			Signed in pencilLennox-Boyd 96Ex collection of Christopher Lennox-Boyd	450	£450	mounted	Print	Victorian	Axel Haig						
11330		Axel Haig	Stockholm: The Floating Market	Etching	1888			Image 604 x 398 mm, Plate 616 x  413 mm			Signed in pencilLennox-Boyd 74Ex collection of Christopher Lennox-Boyd	800	£800	unmounted	Print	Victorian	Axel Haig						
11331		Axel Haig	The Legend of the Bells 	Etching	Christmas 1894			Image 153 x 98 mm, Plate 164 x  109 mm			Signed and inscribed in pencilLennox-Boyd 136A Christmas card version of the larger version with the words On Earth Peace, Good Eill Towards Men in the plate. Ex collection of Christopher Lennox-Boyd	400	£400	mounted	Print	Victorian	Axel Haig						
11333		G.L	Bergere des montagnes d’Oberhasle	Aquatint and Etching with hand colouring	Se vend chez J.J. Bourgdorfer a’ Berne. 1805			Image 201 x 144 mm, Sheet 247 x 170 mm				130	£130	unmounted	Print	Foreign Topography	Switzerland						
11334		G.Volmar	Paysan Freybourgois, de la partie allemande du Canton.	Aquatint and Etching with hand colouring	Se vend chez J.J. Bourgdorfer a’ Berne. 1805			Image 198 x 148 mm, Sheet 236 x 173 mm			Georg (Johann G.) Volmar (1770-1831) Condition: worm holes on left hand margin of sheet.	130	£130	unmounted	Print	Foreign Topography	Switzerland						
11335		G.Volmar	Paysan bernois des environs de la ville	Aquatint and Etching with hand colouring	Se vend chez J.J. Bourgdorfer a’ Berne. 1805			Image 201x 140 mm, Sheet 242 x 163 mm			Georg (Johann G.) Volmar (1770-1831) 	130	£130	unmounted	Print	Foreign Topography	Switzerland						
11336		Van Braam after Samuel Williams Reynolds	The Woodman	Mezzotint with stipple engraving	London Published by Thomas Tegg Cheapside. n.d.			Image 244 x 197 mm, Plate 256 x 199 mm, Sheet 339 x 278 mm			Condition: sheet folded 15mm from plate edge on all sides	250	£250	mounted	Print	General Interest	Trades						
11337		J Baldrey after Henry William Banbury	Peasants of the Vale of  Llangollen.	Stipple engraving	London, Published Nov 25, 1783 by W.Dickinson Engraver & Printseller No.158 New Bond Street.			Image 236 x 236 mm, Plate 280 x 275 mm, Sheet 303 x 305 mm			Condition: sheet folded on all sides 10mm from sheet edge.	250	£250	unmounted	Print	British Topography	Wales						
11338		Rothwell  after Stothard RA	But the Greatest of these is Charity.	Steel engraving on India laid paper	c 1830			Image 116 x 128 mm, Plate 276 x 218 mm, Sheet 346 x 272 mm			Title from , I Corinthians 13 : 13“And now abideth faith, hope, charity, these three; but the greates of these is charity”Condition: stain to top centre within plate mark, top margin creased	45	£45	unmounted	Print	General Interest	Religion						
11339		Axel Haig	A well at Verona	Etching	1878			Image 261 x 175 mm, Plate 280 x 192 mm			Signed and inscribed in pencilLennox-Boyd 17Ex collection of Christopher Lennox-Boyd	350	£350		Print	Victorian	Axel Haig						
11340			The Remains of the Great Temple in Palmira seen from the West.Les Ruins du Grand Temple dans Palmira du coté del'Occident.	Copper engraving with contemporary hand colouring	Printed for T. Bowles in St. Paul’s Church Yard, John Bowles & Son at Black Horse in Cornhil & R. sayer oppisite Fetter Lane in Fleet Street c. 1750			Image 255 x 380 mm, Pl. 282 x 392 mm, Sheet 310 x 443 mm				220	£220	mounted	Print	Foreign Topography	Syria						
11341		Axel Haig	In Church - Four Worshippers	Aquatint	1888			Image 197 x 151 mm, Plate 205 x 158 mm			Signed in pencilLennox-Boyd 76Ex Collection of Christopher Lennox-Boyd	300	£300		Print	Victorian	Axel Haig						
11342		W. Mathews		Stipple & Line engraving	W. Mathews, Oxford			Image 80 x 58 mm, Plate 81 x 60 mm, Sheet 102 x 79 mm			Condition: stained on left hand side of image and right hand margin.	100	£100	unmounted	Print	General Interest	Curiosities						
11343		Axel Haig	Lisieux - A Street Scene	Drypoint	1917, Published by W.R.Howell			Image 454 x 307 mm, Plate 461 x 314			Signed in pencilLennox-Boyd 266Ex collection of Christopher Lennox-Boyd	450	£450	unmounted	Print	Victorian	Axel Haig						
11345		Axel Haig	On the Regent’s Canal	Etching	1887			Image 202 x 261 mm, Plate 215 x 278 mm			Signed in pencilLennox-Boyd 69Ex collection of Christopher Lennox-Boyd	400	£400	unmounted	Print	Victorian	Axel Haig						
11346		H.B. Ker	Wimbledon Parke	Etching	c. 1830			Image 100 x 145 mm, Pl. 105 x 152 mm			Charles Henry Bellen-Kerr (1785-1871) a lawyer and amateur etcher.	150	£150	unmounted	Print	Fine Prints	Artists Prints						
11347		James Bretherton	Water Inn	Etching				Image 120 x 135 mm, Pl. 120 x 154 mm			In ink on verso Decr. 12, 86, 13642Condition: Tear to plate not affecting image	120	£120		Print	Fine Prints	Artists Prints						
11348		James Minasi after Giovanni Battista Cipriani 	Hope and Fortune.	Stipple engraving	London Published May 1, 1801 by Mno Bovi No 12 Piccadilly			Image 318 x 276 mm, Pl, 405 x >305 mm			With Bovi’s shop stamp on verso - Mariano Bovi Not Lugt 287	300	£300	mounted	Print	Fine Prints	Stipple						
11349		Anton van Assen after John Hamilton Mortimer 	John Hamilton Mortimer	Etching	J. Parry 1810			Image 230 x 182 mm oval, Sheet 267 x 197 mm			O’Donoghue 3 Proof before letters	180	£180	unmounted	Print	Portraits	Artists Portraits						
11350		William Daniell after George Dance	The Extinguisher	Aquatint				Image 242 x 200 mm, Sheet 287 x 230mm				250	£250	framed	Print	General Interest	Caricatures						
11352		Kenneth Hobson	[Cathedral, Belgium]	Etching				Image & Plate 66 x 129 mm, Sheet 250 x 182 mm			Etching by Kenneth Hobson (born 1897). Painter, etcher and engraver.  Born in London on 2nd August 1897.  Studied art in London, Paris and Rome. Exhibited at the R.A.The etching is the header image to an invitation written to Frank.L.Emanuel, author of Etching and Etchings, from Hanslip Fletcher:Lying rumours of the disappearance of the ancient & Honourable Society of the Friends of the Etcher, having reached the ears of the Convener, you FRANK.L.EMANUEL are summoned to feast on Pudding + Ale at the Cheshire Cheese Fleet Street, EC. 7.15 for 7.30 pm - Friday 2 January 1925 and refule this base calumny.Reply to Hanslip Fletcher Convener47 Manchester Street. W. 1	100	£100	unmounted	Print	20th Century	Kenneth Hobson						
11354		Wilfred Ball 	Above Hurley	Etching	c. 1898			Image 56 x 96 mm, Plate 56 x 96			Wilfred Ball (1853-1917) was a landscape etcher specialising in river scenes and on his larger plates he used tone to great affect.	75	£75	mounted	Print	British Topography	Berkshire						
11356		Wilfred Ball 	Below Hambledon	Etching	c. 1898			Image 56 x 94 mm, Plate 58 x 96			Wilfred Ball (1853-1917) was a landscape etcher specialising in river scenes and on his larger plates he used tone to great affect.	75	£75	mounted	Print	British Topography	Hampshire						
11357		Wilfred Ball 	Stratford Church	Etching	c. 1898			Image 56 x 92 mm, Plate 74 x 98			Wilfred Ball (1853-1917) was a landscape etcher specialising in river scenes and on his larger plates he used tone to great affect.	75	£75	mounted	Print	British Topography	London						
11358		Wilfred Ball 	Chiswick	Etching	c. 1898			Image 58 x 95 mm, Plate 60 x 97			Wilfred Ball (1853-1917) was a landscape etcher specialising in river scenes and on his larger plates he used tone to great affect.	75	£75	mounted	Print	British Topography	London						
11361		Wilfred Ball 	Off Woolwich	Etching	c. 1898			Image 56 x 96 mm, Plate 58 x 98			Wilfred Ball (1853-1917) was a landscape etcher specialising in river scenes and on his larger plates he used tone to great affect.	75	£75	mounted	Print	British Topography	London						
11364		David Charles Read	The Cross Trees	Etching				Image 141 x 205 mm, Plate 141 x 205 mm			Read 126, 1st state|David Charles Read (1790-1851) was the finest etcher in England in the second quater of the 19th Century.  Primarily a landscape artist, Read was bornin Hampshire and apprenticed to the engraver John Scott (1774-1828). Read lived and worked in Salisbury for most of his life.  He was a friend of Goethe and etched his portrait.  The majority of Read’s works depicted the Avon Valley outside Salisbury and the New Forrest.Originally a protege of John Constable, their relationship soured after Read began to show his oil paintings in London. Perhaps it is for this reason that Read turned his attention from painting to etching in the mid 1820’s.Read printed his etchings and drypoints in small groups between 1828 and 1845.  Two volumes of proof were presented to the British Museum by the artist as a reference collection of his work.   	200	£200	mounted	Print	Fine Prints	Engravers L-R						
11366		C.W.Sharpe after A.D’Orsay	J M W Turner, R.A.	Stipple engraving	c.1854			Image 95 x 80 mm, Plate 286 x 201 mm, Sheet 332 x 239 mm			O’Donoghue 313	70	£70	unmounted	Print	Portraits	Artists Portraits						
11368		David Charles Read	Swanage Cottage	Etching				Image 120 x 162 mm, Plate 120 x 162 mm			Read 204David Charles Read (1790-1851) was the finest etcher in England in the second quater of the 19th Century.  Primarily a landscape artist, Read was bornin Hampshire and apprenticed to the engraver John Scott (1774-1828). Read lived and worked in Salisbury for most of his life.  He was a friend of Goethe and etched his portrait.  The majority of Read’s works depicted the Avon Valley outside Salisbury and the New Forrest.Originally a protege of John Constable, their relationship soured after Read began to show his oil paintings in London. Perhaps it is for this reason that Read turned his attention from painting to etching in the mid 1820’s.Read printed his etchings and drypoints in small groups between 1828 and 1845.  Two volumes of proof were presented to the British Museum by the artist as a reference collection of his work.   	200	£200	mounted	Print	Fine Prints	Engravers L-R						
11372		John Jones after William Lawranson	Signora Sestini	Mezzotint	London Published as the Act directs April 19th. 1780. by Robert Wilkinson No 58 Cornhill			Image 214 x 188 mm, Plate 259 x 190 mm			CS 68 ii/iiGiovanna Sestini (floruit 1774-1791), Singer 	300	£300	unmounted	Print	Portraits	Performing Arts						
11373			Commemoration of Handel.	Woodcut	n.d. 1784			Image 171 x 124 mm, Sheet 184 x 130 mm			O’Donoghue 36The Handel festival or ‘Commemoration’ took place in Westminster Abbey in 1784, to commemorate the twenty-fifth anniversary of the death of George Frideric Handel in 1759.The commemoration was organized by John Montagu, 4th Earl of Sandwich[1] and the Concert of Antient Music and took the form of a series of concerts of Handel’s music, given in the Abbey by vast numbers of singers and instrumentalists.Above Handel's own monument in the Abbey, there is a small additional tablet to record the commemoration. An account of the commemoration was published by Charles Burney in the following year (1785).	150	£150	unmounted	Print	Portraits	Performing Arts						
11374		J. C Dollman	“Are you Ready?”	Colour Woodcut	Supplement to The Graphic, April 5, 1879			Image 340 x 1008 mm				500	£500	framed	Print	Sports	Rowing						
11377		James McArdell after J.Butler	Ester Hammerton Late Sexton of Kingston upon ThamesN.B. She was miraculously preserved under the Ruins of the Church, which fell down as she was digging a Grave there, in the year 1731.  And notwithstanding she lay cover’d 7 Hours yet she surviv’d the Misfortune 15 years.	Mezzotint	[n.d. 1740]			Image 310 x 252 mm, Plate 354 x 252, Sheet 358 x 255 mm			Esther Hammerton (1711-1773), Femal SextonCS 98, only state, Goodwin-McArdell 69, only state, O’Donoghue 1Ex collection Christopher Lennox-Boyd.Condition: Trimmed inside plate mark, window mounted onto album page, crease to top left of sheet, light crease in bottom right corner of image.	290	£290		Print	Portraits	Trades						
11378		Charles J. Watson, R.E.	St. Jacques, Dieppe, 1906	Etching	1906			Image and Plate 227 x 204 mm			Signed in pencilWatson 158One of 200 impressionsCharles John Watson, R.E. (1846-1927) Painter and etcher of landscapes and architectural subjects. He exhibted at leading London Galleries from 1872, including the R.A. R.B.A., R.E., R.I. and was elected to the R.E. in 1881.  He worked extensivly in Norfolk, also in Italy and France.  He lived in Norwich and later in London.  He was married to artist Minna Bollingbroke. 	200	£200	unmounted	Print	Victorian	Charles J. Watson						
11379			Agriculture	Stipple engraving printed in colours	n.d. c. 1800			Image 108 x 165 mm vignette			This is a sample sheet for a furniture print possibly by J.S. Agar after E.F.Burney	140	£140	unmounted	Print	General Interest	Ephemera						
11380		Axel Haig	Morning;a Lake or River and a Twin-spired Cathedral in the distance	Drypoint	Undated			Image 169 x 218 mm, Plate 177 x 226 mm			Signed in pencil and inscribed to James Howard InceLennox-Boyd 278Ex collection of Christopher Lennox-Boyd	500	£500	unmounted	Print	Victorian	Axel Haig						
11381		C. Callon Jr.	[A Lion and a Tiger fighting over a native]	Etching and aquatint	Pub.by R. Pollard Spa fields London [n.d. 1785]			Image 275 x 345 mm, Sheet 290 x 358 mm			A proof engraving.	100	£100	unmounted	Print	General Interest	Fauna						
11382		George Bickham after Antoine Coypel	Democritus; Or, the Laughing Philosopher.This Ancient Censor, with a Comic Sneer, Laughed at the Follies which did Then appear. Nothing displeased; No Object raised his Spleen; His Life was Continued Merry Scene: But had he flourished in the Present Age, Our Modern Crime had turned his Mirth to RAGE.	Copper engraving				Image 193 x 158 mm			Trimmed within plate	80	£80	unmounted	Print	Portraits	Philosophers						
11383		Charles W. Cain	[Driving elephants across a river]	Etching	[n.d c1925]			Image & Plate 107 x 215, Sheet 250 x 355 mm			Signed in pencil Charles W. CainCharles William Cain [1893-1962] A student of Camberwell School of Art and then an illustrator cartoonist for the Johannesburg Star until WWI when he joined the Border Regiment in India and Mesopotania until Armistance, and entered the Royal College of Art under Frank Short 1920-1. During the 1920's and 1930's Cain produced seventy-four original etchings and engravings, all published in London by Greatorex. The large majority of his prints deal with scenes in Iraq, Persia, Indian and Burma and Cain developed a strong reputation as a major Orientalist printmaker. 	250	£250	mounted	Print	20th Century	Charles W. Cain						
11384		William Bell Scott	The Rending of the Veil 	Etching	n.d. c. 1889			Image 169 x 212 mm			Proof - unfinished written in inscription space in pencilThe subject of Bell Scott’s paint from which he did this etching is taken from St Matthew's Gospel chapter 27 verse 51, “And, behold, the veil of the temple was rent in twain from the top to the bottom and the earth did quake, and the rocks rent.” Interestingly Bell Scott does not follow the direction of the tear in the veil indicated in the biblical text, which reveals a supernatural agency. In the rest of the painting his antiquarian and archaeological interests are clear. The high priest's garments and the accessories of the Temple follow the descriptions in Leviticus. The religious meaning of the painting should be understood in terms of typological symbolism, which George P Landow has analysed in the context of Holman Hunt's painting.(1) Typological symbolism does not involve personification or allegory but rather real persons or events in the Pre-Christian era, which anticipate or foreshadow the coming of Christ.Bell Scott sent a pen and ink drawing of this subject to James Leathart, the Newcastle Pre-Raphaelite patron, in the autumn of 1861. Scott advised Leathart that the colour of the painting would be “as intense as possible” with “golden columns and the whole interior with the vails or curtains crimson, blue, the floor marble.” Scott did not complete this watercolour until the winter of 1861 and Leathart agreed to buy it in 1870, the year after its exhibition in the Royal Academy. However he never paid for it and Scott demanded its return and found another purchaser, Edward Backhouse, a Sunderland banker and philanthropist.In a letter to Leathart, Bell Scott had described the work as his “best watercolour”, an opinion shared by Algernon Swinburne. In a letter to Alice Boyd of March 1891, he wrote: “I am very glad to hear that he made an etching from the Rending of the Veil, and I look forward eagerly to the chance of receiving a copy. As my verses may show, I always thought it the most sublime and nobly imaginative of all his designs known to me.” The “verses” which Swinburne refers to were published in the Athenaeum shortly after Scott's death on 22 November 1890: the relevant passage is:Elate with sense of a sterner timeHis hand's flight climbed as a bird's might climbCalvary: dark in the darkling airThat shrank for fear of a crowning crimeThree crosses rose on the hillside bareShewn scarce by grace of the lighting's glareThat clove the veil of the temple throughAnd smote the priest on the threshold thereWilliam Bell Scott, painter and poet, was associated with the Pre-Raphaelite movement from its beginning through his friendship with Rossetti. He produced oils and watercolours of Biblical and historical scenes, and also landscape paintings in the Pre-Raphaelite style.Bell Scott was born in Edinburgh where he received his art education. His father was an engineer and his brother was the historical painter David Scott. He exhibited in Edinburgh and published poetry in the 1830's. In 1837 he moved to London where he associated with the genre painters of the Clique, who included Augustus Egg, Richard Dadd, John Phillip, Henry Nelson O'Neil and William Powell Frith. In London, Bell Scott exhibited in the British Institution from 1841 and the Royal Academy from 1842. On his failure to achieve success in the Westminster Hall cartoon competition in 1843 he took up the mastership of the School of Design in Newcastle, where he remained for the next twenty years, later providing an important link between the Pre-Raphaelites and their patrons in the north east of England.In 1846 Dante Gabriel Rossetti wrote to Scott to express admiration for Scott's new poem The Year of the World, initiating a friendship between the two poet-painters. Scott contributed to the Pre-Raphaelite magazine The Germ, and adopted a Pre-Raphaelite style in his painting. Scott's most impressive works are a series of eight scenes from Northumbrian history painted between 1856 and 1861 as mural decorations for the Trevelyan's home, Wallington, Northumberland (now National Trust). The last, `Iron and Coal', has become famous as one of the few Victorian paintings of modern industry. Scott returned to London in 1864 and began to exhibit at the Dudley Gallery the following year. In 1870 he became a near neighbour of Dante Gabriel Rossetti in Chelsea. His posthumous Autobiographical Notes (1892) are a valuable source of information for Rossetti's life as well as his own, despite their rather embittered tone.1. G P Landow, William Holman Hunt and Typological Symbolism, Yale University Press, New Haven & London 1979	600	£600	mounted	Print	Victorian	William Bell Scott						
11385		Unknown	Truimph des Jahres 1813. Den Deutschen zum Neuenjahr	Stipple	c. 1813			Image 100 x 55 mm vignette			A satire on the defeat of Napoleon Bonaparte during the German War of Liberation, with a map of his defeats in 1813.	100	£100	unmounted	Print	General Interest	Caricatures						
11386		George Cuitt	Chester	Etching	1814			Image 187 x 130 mm, Sheet 187 x 130 mm			Signed and dated inside the plate, top left corner.George Cuitt II (1779-1854) showed a talent for drawing at an eraly age and he was helped by Sir Laurence Dundas of Aske, who sent him to Rome, where he studied for six years. On his return he settled at Richmond, where he painted both landscapes and portraits but settled later in Chester. He etched old buildings esp castles and abbeys in Yorkshire, Chester and North Wales. Cuitt studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and with the ruins covered with thick vegetation. He etched several series of studies in the early 19th century.	100	£100	unmounted	Print	Fine Prints	Engravers A-K						
11387		Charles J. Watson	Portail St. Wulfram, Abbevill	Etching	[Dunthorne c. 1906]			Image & Plate 138 x 118 mm			Signed in pencilWatson 154One of 100 impressionsCharles John Watson, R.E. (1846-1927) Painter and etcher of landscapes and architectural subjects. He exhibted at leading London Galleries from 1872, including the R.A. R.B.A., R.E., R.I. and was elected to the R.E. in 1881.  He worked extensivly in Norfolk, also in Italy and France.  He lived in Norwich and later in London.  He was married to artist Minna Bollingbroke. 	150	£150	unmounted	Print	Victorian	Charles J. Watson						
11388		William Sharp after Domenichino	[St. Cecilia] Subscribers Ticket to the Second Series of the Select work of Engravings Under the Direction of William Buchanan Esqr. 	Copper engraving on india laid paper	London 1 Feby. 1 1814, Pubd. by Ar. Stone 87 Pall Mall			Image 150 x 113 mm, Pl.180 x 140 mm, Sheet 210 x 175 mm			Baker 16 ii/iiNumbered  in pencil No. 111	100	£100	unmounted	Print	General Interest	Ephemera						
11391		George Wetherbee	Harvest Song	Mezzotint	London Published 1st Nov 1888, by Robert Dunthorne at the Remberant Head in Viago Street.W.			Image 334 x 507 mm, Sheet 419 x 578 mm			One of 200 signed impressions on Japanese paper	200	£200	unmounted	Print	Victorian	George Wetherbee						
11392		W.H.Holbrooks after Henry MacManus	The