"13908","","Niquet after Chevalier","Fedor Jvanovitz","Copper engraving","Paris, c. 1750","","","","","","Fedor I of Russia,  Fyodor I Ivanovich (31 May 1557 - 16/17 January (NS), 1598) was the last Rurikid Tsar of Russia (1584 - 1598), son of Ivan the Terrible and Anastasia Romanovna. He is known as Feodor the Bellringer in consequence of his inclination to travel the land and ring the bells at churches. He was born in Moscow and crowned Tsar and Autocrat of all Russia at Assumption Cathedral, Moscow, on 31 May 1584.","","","","Print","","","","","","","",""
"2746","","Alfred Hugh Fisher (1867-1945)","Christmas Greetings","Woodcut","","","","I 188 x 98 mm","","","Signed in ink 62/100An English etcher, engraver, illustrator and painter, Alfred Hugh Fisher was educated at the University College Schools, Lambeth School and South Kensington and then concluded his formal studies in Paris, under Laurens and Constant. Concentrating mostly upon original printmaking and illustration, Fisher was appointed as an artist to the Visual Instruction Committee of the Colonial Office, which gave him opportunity to travel extensively throughout the British Empire and elsewhere","150","£150","mounted","Print","20th Century","","","","","","",""
"2519","","August Louis-Lepere 1849-1914","Untitled","Etching","","","","I 120 x 167 mm S 153 x 197 mm","","","","100","£100","mounted","Print","20th Century","","","","","","",""
"7325","","Clarence E. Blackburn (b. 1914)","Work on the Farm","Etching and drypoint","c. 1935","","","I & Pl. 227 x 314 mm","","","","45","£45","unmounted","Print","20th Century","","","","","","",""
"7862","","David Donald","North Africa","Etching","Published 1923 by The Museum Galleries 25 Museum Street London, W.C. Copyright","","","Image 117 x 243 mm, Pl.125 x 247 mm","","","David Donald (Fl. c. 189501925) Painter of street scenes and figure subjects. Exhibited at the R.A.  Painted in Italy and Morocco. Lived at Streatham and later at Tilford.","120","£120","mounted","Print","20th Century","","","","","","",""
"2512","","Dorothy Marion Rushton","Ashford’s Warehouses, Saxmundham","soft-ground engraving with etching","1916","","","I 193 x 294 S 240 x 303 mm","Signed and titled in pencil","","Ex Col, Emmanuel","150","£150","mounted","Print","20th Century","","","","","","",""
"2552","","Douglas I. Smart (1879-1966)","Albi","Drypoint","","","","I 236 x 357 mm S 303 x 411 mm","","","Trial Proof, signed in pencil with artist’s notesEtcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.","170","£170","mounted","Print","20th Century","","","","","","",""
"2514","","Douglas I. Smart (1879-1966)","Arcades","Etching and Drypoint","circa 1908","","","I 165 x 132 mm S 220 x 180 mm","Trial Proof signed in pencil with title inscribed","","Ex. Col Frank EmmanuelPossibly the Place des VosgesEtcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.","120","£120","mounted","Print","20th Century","","","","","","",""
"2553","","Douglas I. Smart (1879-1966)","Banks of the Seine","Etching and drypoint","","","","I 150 x 200 mm S 205 x 235 mm","","","Trial Proof, signed in pencil with artist’s notesEtcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.","100","£100","mounted","Print","20th Century","","","","","","",""
"2551","","Douglas I. Smart (1879-1966)","Deoland (Rye)","Etching","","","","I 125 x 244 mm S 212 x 335 mm","","","Signed in pencil with artist’s notesEx Col Frank EmmanuelEtcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.","150","£150","mounted","Print","20th Century","","","","","","",""
"2554","","Douglas I. Smart (1879-1966)","Early Morning Durham","Etching ","","","","I 175 x 175 mm S 220 x 345 mm","","","Signed in pencil with title inscribedEtcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.","150","£150","mounted","Print","20th Century","","","","","","",""
"2687","","Douglas I. Smart (1879-1966)","Pont St. Esprit","Etching and drypoint","circa 1908","","","I 255 x 340 mm; S 315 x 400 mm","Signed and inscribed in pencil","","With a note that the male sitter in the picture is Charles Emmanuel. From the collection of Frank Emmanuel, Charles’s brother.Etcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short","250","£250","mounted","Print","20th Century","","","","","","",""
"2549","","Douglas I. Smart (1879-1966)","Seine Islands: Les Andeleus","Drypoint","","","","I 171 x 250 mm S 205 x 281 mm","","","Ex Col Frank EmmanuelEtcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.","120","£120","mounted","Print","20th Century","","","","","","",""
"2539","","Douglas I. Smart (1879-1966)","Sterling Castle from N.E. ","Etching","August 21, 1912","","","I 161 x 252 mm S 225 x 289 mm","Signed in Pencil with title inscribed ","","Ex. Col Frank EmmanuelEtcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short","150","£150","mounted","Print","20th Century","","","","","","",""
"2540","","Douglas I. Smart (1879-1966)","Toledo Bridge No. 5 ","Etching and drypoint","circa 1908","","","I 169 x 190 mm S 203 x 247 mm","Trial Proof signed in pencil with title inscribed","","Ex. Col Frank EmmanuelEtcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.","120","£120","mounted","Print","20th Century","","","","","","",""
"2541","","Douglas I. Smart (1879-1966)","Toledo Bridges No.3","Etching and drypoint","","","","I 147 x 240 mm S 195 x 290 mm","","","Ex Col Frank EmmanuelEtcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.","170","£170","mounted","Print","20th Century","","","","","","",""
"2547","","Douglas I. Smart (1879-1966)","Toledo Bridges No.6","Drypoint","1911","","","I 200 x 250 mm S 263 x 302 mm","","","Ex Col Frank EmmanuelEtcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.","150","£150","mounted","Print","20th Century","","","","","","",""
"2768","","Douglas I. Smart (1879-1966)","Toledo Bridges No.7 St Martins Bridge","Etching ","","","","I 282 x 353; S 337 x 450 mm","","","Ex Col Frank EmmanuelEtcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.","170","£170","mounted","Print","20th Century","","","","","","",""
"2548","","Douglas I. Smart (1879-1966)","The Way Farers","Etching","","","","I 217 x 257 mm  S 285 x 328 mm","","","Ex Col Frank EmmanuelEtcher and watercolourist of architectural subjects. Studied etching and engraving under Sir Frank Short.","150","£150","mounted","Print","20th Century","","","","","","",""
"2534","","E. Leigh-Pemberton","Landscape","","","","","I 190 x 162 mm; S 269 x 197 mm","","","Ex Col Frank Emmanuel","120","£120","mounted","Print","20th Century","","","","","","",""
"2511","","Edmund Blampied 1886-1966","The Fisherman’s Return","Drypoint","1922","","","I 170 x 232 mm S 260 x 400 mm","","","Early Proof signed in Pencil with artist’s noteEx. Col Frank EmmanuelA.47, C.D 70 there were 100 impressions published","450","£450","mounted","Print","20th Century","","","","","","",""
"2520","","F.G. Wilkinson","A Breton Market Day","Linocut in Colour","","","","I 142 x 185 mm S 170 x 202 mm","Signed and inscribed in Pencil","","Ex Col Frank Emmanuel","150","£150","mounted","Print","20th Century","","","","","","",""
"2677","","F. G. Wilkinson","A Ravine in San Remo","Linocut in colour","","","","I 117 x 163 mm; S 138 x 175 mm","","","Ex. Collection Frank Emmanuel","150","£150","mounted","Print","20th Century","","","","","","",""
"2749","","F. G. Wilkinson","Souvenir de Xauen, Morocco","Linocut","","","","I 185 x 137 mm; S 277 x 170 mm","","","Signed and Inscribed in pencilEx collection Frank Emmanuel","150","£150","mounted","Print","20th Century","","","","","","",""
"2743","","F. G. Wilkinson","A Street in Xauen (Morocco)","Linocut","","","","I 190 x 133 mm; S 217 x 160 mm","","","Signed and inscribed in pencilEx collection Frank Emmanuel","150","£150","mounted","Print","20th Century","","","","","","",""
"11128","","Frank Short","[Mount Vesuvius]","Mezzotint","Publsihed February 20th, 1895. by Robert Dunthorne, Vigo Street. London & Castle St Liverpool.","","","Image 256 x 421 mm, Sheet 346 x 536 mm","","","Printed on vellum.Condition.Crease across top right of image and right hand margin.Light Foxing","375","£375","unmounted","Print","20th Century","","","","","","",""
"2522","","Frank Short","The Silver Tide","Aquatint","[1912]","","","I 150 x 227 mm S 227 x 295 mm","Signed and Inscribed in Pencil","","Martin Hardie 162 High tide at the head of Bosham harbour","275","£275","mounted","Print","20th Century","","","","","","",""
"8114","","Fred Slocombe","[Two women walking in a winter landscape]","Etching","London, Published in 1911 by W.R. Howell & Co. The Gallery, Bedford Row Chambers, W.C., Copyright Registered","1911","1911","I. 512 x 327 mm","","","","500","£500","mounted","Print","20th Century","","","","","","",""
"3562","","Herbert Gordon Warlow","","Etching","","","","I 240 x 167 mm","","","","60","£60","mounted","Print","20th Century","","","","","","",""
"8269","","Herbert Gordon Warlow","Exeter Cathedral","Etching","c. 1925","","","Image and Plate 220 x 140 mm","","","Working proofHerbert Gordon Warlow (1885-1942) was born in Sheffield, England, where he later studied at the Sheffield School of Art. In 1916 he was admitted as an Associate of the Royal Society of Painter-Etchers and Engravers.Between 1916 and 1942 Warlow exhibited his watercolor paintings and etchings in the London area at venues such as Abbey Gallery, Fine Art Gallery, Walker Art Gallery,the Royal Academy and the Royal Society of Painter-Etchers and Engraver","100","£100","mounted","Print","20th Century","","","","","","",""
"2545","","J. F. Barry Pittar 1880-1948","The Turn of the Field","Soft-ground etching","","","","I 162 x 250 mm S 235 x 325 mm","Signed and inscribed in pencil 1/10","","Painter and etcher of architectural subjects and landscapes. He became the Chief Architectural Artist to Royal Doulton Potters in Lambeth and illustrated for The Graphic and the Illustrated London News.","120","£120","mounted","Print","20th Century","","","","","","",""
"2769","","John Charles Goodchild (1898-1980)","The Pool","Etching","","","","I 213 x 288 mm; S 265 x 352 mm","","","","150","£150","mounted","Print","20th Century","","","","","","",""
"2542","","John Henry Amshewitz R.B.A 1882-1942","The Farwell","Etching and aquatint","","","","I 240 x 203 mm S 276 x 235 mm","Signed and inscribed in pencil","","Portrait painter, mural painte, etcher, illustrator and cartoonist.","180","£180","mounted","Print","20th Century","","","","","","",""
"2771","","John Nicholson (1891-1951)","[Cow Eating]","Drypoint","1992","","","I 213 x 260 mm; S 232 x 284 mm","","","Nicholson was a friend of Edmund Blampied. Both were students at the London County Council Art School where they learned etching and engraving. Blampied shared a house with Nicholsonand his wife in south London for some considerable time and during this period the two artists worked closely together. They shared a common enthusiasm for horses and farm animals and they developed similar styles.","190","£190","mounted","Print","20th Century","","","","","","",""
"2517","","John Nicholson (1891-1951)","Horse Grazing","Drypoint","1992","","","I 150 x 200 mm S 174 x 255 mm","","","Nicholson was a friend of Edmund Blampied. Both were students at the London County Council Art School where they learned etching and engraving. Blampied shared a house with Nicholson and his wife in South London for some considerable time and during this period the two artists worked closely together. They shared a common enthusiasm for horses and farm animals and they developed similar styles.","200","£200","mounted","Print","20th Century","","","","","","",""
"2741","","John Robert Keitley Duff (1862-1938)","Follow my Leader (The Common Road)","Soft-ground etching","","","","I 225 x 150 mm","","","Signed in pencil and dedicated to Frank EmmanuelPlate 174 in Emmanuel’s Etching and EtchingsEx collection Frank EmmanuelLandscape and genre painter and etcher, specialising in sheep. Studied art under Legros at the Slade School","150","£150","mounted","Print","20th Century","","","","","","",""
"2653","","Leonard Russell Squirrell","A Bridge at Alnwick","Drypoint","1932","","","I 128 x 235 mm; S 187 x 288 mm","","","Signed and inscribed in pencil with a dedication to Frank EmmanuelEx Collection Frank Emmanuel","300","£300","mounted","Print","20th Century","","","","","","",""
"2521","","Martin Jones","Reclining Buddha - Pegu Burma","Etching","","","","I 205 x 123 mm","","","","100","£100","mounted","Print","20th Century","","","","","","",""
"2544","","Maxwell Lightfoot","[Mother and Child]","Chromolithograph","circa 1905","","","I 170 x 158 mm","","","Lightfoot was born in Liverpool and studied at the Chester Art School from 1902 to 1905. He was subsequently apprenticed as a chromolithographer and took evening classes at the Sandon Studios in Liverpool under Gerard Chowne and Merbert MacNair. He then studied at the Slade School from 1907 to 1909 and was a member of the  Camden Town Group but resigned  after their first show. He took his own life in 1911. Some critics thought he had a very promising future as an artist. ","30","£30","","Print","20th Century","","","","","","",""
"12885","","Norman Hirst","","Mezzotint","Copyright Published August 12 1924 by Vicars Brothers. 12 Old Bond St. London","","","Image 190 x 266 mm, Plate 200 x 275 mm","","","","","","unmounted","Print","20th Century","","","","","","",""
"2510","","P.G. Needle","Le Pont D’Avignon","Woodblock","1925","","","I 230 x 350 mm S 265 x 370 mm","4/40","","","120","£120","mounted","Print","20th Century","","","","","","",""
"2705","","Robert Sargent Austin (1875-1973)","Donkeys of Selva","Etching","1928","","","I 130 x 163 mm; S 186 x 215 mm","","","Signed and inscribed in pencil with artist’s notesC.D. 78 ii/ii  Proof of final state","300","£300","mounted","Print","20th Century","","","","","","",""
"3871","","Sarah Van Niekerk","A Frolic","Woodcut","","","","I 102 x 45 mm","","","","120","£120","framed","Print","20th Century","","","","","","",""
"2765","","Sir Lionel Arthur Lindsay (1874-1961)","Convent of Sta. Eufemia Antequira Spain","Etching","1929","","","I 340 x 252 mm","","","Signed, numbered and inscribed in pencil with a dedication to Frank EmmanuelAppears as plate 118 in Emmanuel’s Etching and EtchingsSir Lionel Lindsay started his career at the age of  15 when he worked as a pupil assistant at the Melbourne Observatory (1889-1892). He then completed his studies at the National Gallery School, Melbourne. From 1903 to 1926, Lindsay was employed as an illustrative artist for the ‘Sydney Evening News’. After that period his art had gained an international reputation and he travelled and worked in such locations as India, North Africa, Spain and England. His original wood engravings and etchings were often commissioned and exhibited by Colnaghi. Lionel  Lindsay’s first etching dates from 1895 but it wasn’t until 1907, however, that he began to devote much of his talents to both etching and wood engraving. During the following decades, Lindsay produced over 300 works of original art in these mediums and it was his wood engravings of Australian animals and birds that set his art at its highest level. Lionel Lindsay received a knighthood for his achievements in art.","350","£350","mounted","Print","20th Century","","","","","","",""
"2744","","Sir Lionel Arthur Lindsay (1874-1961)","Dancer","Wood engraving","","","","I 152 x 112 mm; Pl. 230 x 185 mm","","","Signed artist’s proofSir Lionel Lindsay started his career at the age of  15 when he worked as a pupil assistant at the Melbourne Observatory (1889-1892). He then completed his studies at the National Gallery School, Melbourne. From 1903 to 1926, Lindsay was employed as an illustrative artist for the ‘Sydney Evening News’. After that period his art had gained an international reputation and he travelled and worked in such locations as India, North Africa, Spain and England. His original wood engravings and etchings were often commissioned and exhibited by Colnaghi. Lionel  Lindsay’s first etching dates from 1895 but it wasn’t until 1907, however, that he began to devote much of his talents to both etching and wood engraving. During the following decades, Lindsay produced over 300 works of original art in these mediums and it was his wood engravings of Australian animals and birds that set his art at its highest level. Lionel Lindsay received a knighthood for his achievements in art.","280","£280","mounted","Print","20th Century","","","","","","",""
"2495","","Sir Lionel Arthur Lindsay (1874-1961)","Two Chickens in a Farmyard","Woodcut","circa 1937","","","I 113 x 152 mm","","","Sir Lionel Lindsay started his career at the age of  15 when he worked as a pupil assistant at the Melbourne Observatory (1889-1892). He then completed his studies at the National Gallery School, Melbourne. From 1903 to 1926, Lindsay was employed as an illustrative artist for the ‘Sydney Evening News’. After that period his art had gained an international reputation and he travelled and worked in such locations as India, North Africa, Spain and England. His original wood engravings and etchings were often commissioned and exhibited by Colnaghi. Lionel  Lindsay’s first etching dates from 1895 but it wasn’t until 1907, however, that he began to devote much of his talents to both etching and wood engraving. During the following decades, Lindsay produced over 300 works of original art in these mediums and it was his wood engravings of Australian animals and birds that set his art at its highest level. Lionel Lindsay received a knighthood for his achievements in art. ","250","£250","mounted","Print","20th Century","","","","","","",""
"2533","","Solomon Van Abbe (1883-1955)","The Statue","Drypoint","","","","I 265 x 184 mm S 307 x 232 mm","","","Ex Col Frank Emmanuel","130","£130","mounted","Print","20th Century","","","","","","",""
"5713","","Stanley Anderson","Place St. Gervaise, Falaise","Etching","1926","","","285mm x 220mm","","","","200","£200","framed","Print","20th Century","","","","","","",""
"8107","","Sydney Litton","[Farm yard and country scene]","Drypoint Etching","","","","I. 285 x 191 mm","","","","60","£60","mounted","Print","20th Century","","","","","","",""
"2770","","Sylvia Gosse (1881-1968)","Woman in an Interior","Lithograph","","","","I 293 x 217 mm; S 376 x 286 mm","","","Ex Collection Frank EmmanuelGosse, the daughter of Sir Edmund Gosse, the essayist, first came in to contact with Walter Sickert in 1910 and remained a close collaborator and supporter for the rest of his life. She printed a larg number of Sickert’s plates and helped to run the art school which he started. Much of what we know about Sickert comed from her memoirs and correspondence with the artist.","275","£275","mounted","Print","20th Century","","","","","","",""
"2527","","Terence H. Lambert","Portrait of a Man in a Forest","Etching","","","","I 215 x 113 mm S 264 x 150 mm","","","Ex Col Frank Emmanuel","60","£60","mounted","Print","20th Century","","","","","","",""
"2776","","Unknown","Tower Bridge, London","Etching","","","","I 292 x 350 mm; S 405 x 395 mm","Ex Collection Frank Emmanuel","","","200","£200","mounted","Print","20th Century","","","","","","",""
"9807","","William Strang","A Sale of Prints","Etching","1889","","","Image and Plate 300 x 390 mm","","","Signed in pencilFrom a limited edition of 60Binyon 143","950","£950","framed","Print","20th Century","","","","","","",""
"11403","","A.J.Wills","[Barn]","Drypoint","1933","","","Image & Plate 81 x 202 mm, Sheet 93 x 210 mm","","","Initialed & dated within the plateSigned & dated in pencil by the artits","100","£100","unmounted","Print","20th Century","A.J.Wills","","","","","",""
"9163","","Bernard Cecil Gotch","[King’s Gate. Winchester]","Linocut","c.1949","","","Image:164 x 164 mm","","","Signed in pencil.Bernard Cecil Gotch was born on 17th May 1876 at Chilcombe near Winchester.  He attended Winchester School of Art, first as a student and then later as teacher. By 1910, he had received his first notable commission illustrating A Shepherd's Life; by W.H. Hudson, published by Methuens. In 1914, he married Mary Fox, an accomplished violinist.  They settled in Winchester where he continued painting.  Gotch completed a series of watercolours in and around Winchester, characterised by his muted palette that was typical of his early works. Alongside painting, Bernard and Mary continued teaching in order to supplement their income.  Following the war they lived for a year on the edge of Dartmoor where Gotch painted several churches in the area as well as the surrounding moorland.Bernard and Mary Gotch moved to London, where Bernard had a studio near the Tate.  He had one-man shows in Lincolns Inn and the Fine Art Society.  It was whilst in London that Gotch was approached to illustrate a book on the Public Schools of England, a project eventually abandoned; however, some of these watercolours were exhibited at the Fine Art Society in 1927.  During his time in London Gotch was painting some of his best architectural work of buildings in London, but financial security was elusive, so Mary played the violin in hotels and theatres.In 1925, Gotch moved to Oxford eventually settling on Cumnor Hill in Patchway, a print of which is featured in this exhibition.  Working from his studio on the first floor of Patchway, he was soon busy taking commissions.  His works concentrated on the interiors and exteriors of colleges and were featured in regular one-man shows both in Oxford galleries and colleges, including an exhibition every 'Eights week' in Oriel College Lecture rooms.  Throughout this period his work was regularly exhibited at the Royal Academy.  In 1952, the University of Oxford made Gotch an Honorary M.A. After he died in 1963 a memorial service took place in Oriel College.  Shortly followed by his 'Memorial Exhibition' at our associated Bonfigioli Gallery in 1964.","250","£250","mounted","Print","20th Century","Bernard Cecil Gotch","","","","","",""
"9106","","Bernard Cecil Gotch","The Stoke Bridge Winchester","Linocut","c.1949","","","Image 182 x 153 mm","","","Signed in pencil Bernard Cecil Gotch was born on 17th May 1876 at Chilcombe near Winchester.  He attended Winchester School of Art, first as a student and then later as teacher. By 1910, he had received his first notable commission illustrating A Shepherd's Life; by W.H. Hudson, published by Methuens. In 1914, he married Mary Fox, an accomplished violinist.  They settled in Winchester where he continued painting.  Gotch completed a series of watercolours in and around Winchester, characterised by his muted palette that was typical of his early works. Alongside painting, Bernard and Mary continued teaching in order to supplement their income.  Following the war they lived for a year on the edge of Dartmoor where Gotch painted several churches in the area as well as the surrounding moorland.Bernard and Mary Gotch moved to London, where Bernard had a studio near the Tate.  He had one-man shows in Lincolns Inn and the Fine Art Society.  It was whilst in London that Gotch was approached to illustrate a book on the Public Schools of England, a project eventually abandoned; however, some of these watercolours were exhibited at the Fine Art Society in 1927.  During his time in London Gotch was painting some of his best architectural work of buildings in London, but financial security was elusive, so Mary played the violin in hotels and theatres.In 1925, Gotch moved to Oxford eventually settling on Cumnor Hill in Patchway, a print of which is featured in this exhibition.  Working from his studio on the first floor of Patchway, he was soon busy taking commissions.  His works concentrated on the interiors and exteriors of colleges and were featured in regular one-man shows both in Oxford galleries and colleges, including an exhibition every 'Eights week' in Oriel College Lecture rooms.  Throughout this period his work was regularly exhibited at the Royal Academy.  In 1952, the University of Oxford made Gotch an Honorary M.A. After he died in 1963 a memorial service took place in Oriel College.  Shortly followed by his 'Memorial Exhibition' at our associated Bonfigioli Gallery in 1964.","250","£250","mounted","Print","20th Century","Bernard Cecil Gotch","","","","","",""
"11383","","Charles W. Cain","[Driving elephants across a river]","Etching","[n.d c1925]","","","Image & Plate 107 x 215, Sheet 250 x 355 mm","","","Signed in pencil Charles W. CainCharles William Cain [1893-1962] A student of Camberwell School of Art and then an illustrator cartoonist for the Johannesburg Star until WWI when he joined the Border Regiment in India and Mesopotania until Armistance, and entered the Royal College of Art under Frank Short 1920-1. During the 1920's and 1930's Cain produced seventy-four original etchings and engravings, all published in London by Greatorex. The large majority of his prints deal with scenes in Iraq, Persia, Indian and Burma and Cain developed a strong reputation as a major Orientalist printmaker. ","250","£250","mounted","Print","20th Century","Charles W. Cain","","","","","",""
"10906","","Démétrius Emmanuel Galanis","And down he fell A monstorous Serpat onhis belly prone..","Woodcut on velum","London : Cresset Press, 1931. ","","","Image 247 x 189","","","An illustration to John Milton’s Paradise Lost Book X published by Cresset Press.  Presumably a surplus impression.  There were only six sets of Paradise Regain’d issued on vellum and ten of Paradise Lost by the Cresset Press. This is the final and the finest book issued by the Cresset Press, which operated between 1927 and 1931 under the direction of Dennis M. Cohen and A. I. Myers. The text used in the edition for which they are done for comes from the second edition of Paradise Lost, printed in 1674, and the first edition of Paradise Regain'd, printed in 1671.Demetrios Galanis (1882-1966) was a Greek illustrator, printmaker, and designer. . He studied under Nikiforos Lytras at the Higher School of Fine Arts in Athens and later under Fernand Cormon at the Ecole des Beaux-Arts in Paris. Galanis earned a number of important commissions as illustrator for private press books in France and elsewhere during the 1920s and 30s.","700","£700","unmounted","Print","20th Century","Démétrius Emmanuel Galanis","","","","","",""
"10900","","Démétrius Emmanuel Galanis","At last the Sacred Influence of Light Appears","Woodcut on velum","London : Cresset Press, 1931. ","","","Image 247 x 189","","","An illustration to John Milton’s Paradise Lost published by Cresset Press.  Presumably a surplus impression.  There were only six sets of Paradise Regain’d issued on vellum and ten of Paradise Lost by the Cresset Press.  This is the final and the finest book issued by the Cresset Press, which operated between 1927 and 1931 under the direction of Dennis M. Cohen and A. I. Myers. The text used in the edition for which they are done for comes from the second edition of Paradise Lost, printed in 1674, and the first edition of Paradise Regain'd, printed in 1671.Demetrios Galanis (1882-1966) was a Greek illustrator, printmaker, and designer. He studied under Nikiforos Lytras at the Higher School of Fine Arts in Athens and later under Fernand Cormon at the Ecole des Beaux-Arts in Paris. Galanis earned a number of important commissions as illustrator for private press books in France and elsewhere during the 1920s and 30s.","700","£700","unmounted","Print","20th Century","Démétrius Emmanuel Galanis","","","","","",""
"10901","","Démétrius Emmanuel Galanis","But when he Brings over Earth a Cloud","Woodcut on velum","London : Cresset Press, 1931. ","","","Image 247 x 189","","","An illustration to John Milton’s Paradise Lost published by Cresset Press.  Presumably a surplus impression.  There were only six sets of Paradise Regain’d issued on vellum and ten of Paradise Lost by the Cresset Press. This is the final and the finest book issued by the Cresset Press, which operated between 1927 and 1931 under the direction of Dennis M. Cohen and A. I. Myers. The text used in the edition for which they are done for comes from the second edition of Paradise Lost, printed in 1674, and the first edition of Paradise Regain'd, printed in 1671.Demetrios Galanis (1882-1966) was a Greek illustrator, printmaker, and designer.  He studied under Nikiforos Lytras at the Higher School of Fine Arts in Athens and later under Fernand Cormon at the Ecole des Beaux-Arts in Paris. Galanis earned a number of important commissions as illustrator for private press books in France and elsewhere during the 1920s and 30s.","700","£700","unmounted","Print","20th Century","Démétrius Emmanuel Galanis","","","","","",""
"11261","","Démétrius Emmanuel Galanis","Great and glorious Rome, Queen of Earth so far renown’d","Woodcut ","London : Cresset Press, 1931. ","","","Image 247 x 189","","","An illustration to John Milton’s Paradise Regain’d Book IV published by Cresset Press. This is the final and the finest book issued by the Cresset Press, which operated between 1927 and 1931 under the direction of Dennis M. Cohen and A. I. Myers. The text used in the edition for which they are done for comes from the second edition of Paradise Lost, printed in 1674, and the first edition of Paradise Regain'd, printed in 1671.Demetrios Galanis (1882-1966) was a Greek illustrator, printmaker, and designer.  He studied under Nikiforos Lytras at the Higher School of Fine Arts in Athens and later under Fernand Cormon at the Ecole des Beaux-Arts in Paris. Galanis earned a number of important commissions as illustrator for private press books in France and elsewhere during the 1920s and 30s.","700","£700","unmounted","Print","20th Century","Démétrius Emmanuel Galanis","","","","","",""
"10908","","Démétrius Emmanuel Galanis","He offered himself to die for man’s offence....","Woodcut on velum","London : Cresset Press, 1931. ","","","Image 247 x 189","","","An illustration to John Milton’s Paradise Lost published by Cresset Press.  Presumably a surplus impression.  There were only six sets of Paradise Regain’d issued on vellum and ten of Paradise Lost by the Cresset Press. This is the final and the finest book issued by the Cresset Press, which operated between 1927 and 1931 under the direction of Dennis M. Cohen and A. I. Myers. The text used in the edition for which they are done for comes from the second edition of Paradise Lost, printed in 1674, and the first edition of Paradise Regain'd, printed in 1671.Demetrios Galanis (1882-1966) was a Greek illustrator, printmaker, and designer. . He studied under Nikiforos Lytras at the Higher School of Fine Arts in Athens and later under Fernand Cormon at the Ecole des Beaux-Arts in Paris. Galanis earned a number of important commissions as illustrator for private press books in France and elsewhere during the 1920s and 30s.","700","£700","unmounted","Print","20th Century","Démétrius Emmanuel Galanis","","","","","",""
"10907","","Démétrius Emmanuel Galanis","Him there they Found Squat like a Toad","Woodcut on velum","London : Cresset Press, 1931. ","","","Image 247 x 189","","","An illustration to John Milton’s Paradise Lost published by Cresset Press.  Presumably a surplus impression.  There were only six sets of Paradise Regain’d issued on vellum and ten of Paradise Lost by the Cresset Press.  This is the final and the finest book issued by the Cresset Press, which operated between 1927 and 1931 under the direction of Dennis M. Cohen and A. I. Myers. The text used in the edition for which they are done for comes from the second edition of Paradise Lost, printed in 1674, and the first edition of Paradise Regain'd, printed in 1671. Demetrios Galanis (1882-1966) was a Greek illustrator, printmaker, and designer.  He studied under Nikiforos Lytras at the Higher School of Fine Arts in Athens and later under Fernand Cormon at the Ecole des Beaux-Arts in Paris. Galanis earned a number of important commissions as illustrator for private press books in France and elsewhere during the 1920s and 30s.","700","£700","unmounted","Print","20th Century","Démétrius Emmanuel Galanis","","","","","",""
"10905","","Démétrius Emmanuel Galanis","I followed her, she was what Honour Knew...","Woodcut on velum","London : Cresset Press, 1931. ","","","Image 247 x 189","","","An illustration to John Milton’s Paradise Lost published by Cresset Press.  Presumably a surplus impression. There were only six sets of Paradise Regain’d issued on vellum and ten of Paradise Lost by the Cresset Press. This is the final and the finest book issued by the Cresset Press, which operated between 1927 and 1931 under the direction of Dennis M. Cohen and A. I. Myers. The text used in the edition for which they are done for comes from the second edition of Paradise Lost, printed in 1674, and the first edition of Paradise Regain'd, printed in 1671.Demetrios Galanis (1882-1966) was a Greek illustrator, printmaker, and designer.  He studied under Nikiforos Lytras at the Higher School of Fine Arts in Athens and later under Fernand Cormon at the Ecole des Beaux-Arts in Paris. Galanis earned a number of important commissions as illustrator for private press books in France and elsewhere during the 1920s and 30s.","700","£700","unmounted","Print","20th Century","Démétrius Emmanuel Galanis","","","","","",""
"10909","","Démétrius Emmanuel Galanis","Nine Days they Fell, Confounded Chaos Roard....","Woodcut on velum","London : Cresset Press, 1931. ","","","Image 247 x 189","","","An illustration to John Milton’s Paradise Lost published by Cresset Press.  Presumably a surplus impression.  There were only six sets of Paradise Regain’d issued on vellum and ten of Paradise Lost by the Cresset Press.  This is the final and the finest book issued by the Cresset Press, which operated between 1927 and 1931 under the direction of Dennis M. Cohen and A. I. Myers. The text used in the edition for which they are done for comes from the second edition of Paradise Lost, printed in 1674, and the first edition of Paradise Regain'd, printed in 1671. Demetrios Galanis (1882-1966) was a Greek illustrator, printmaker, and designer.  He studied under Nikiforos Lytras at the Higher School of Fine Arts in Athens and later under Fernand Cormon at the Ecole des Beaux-Arts in Paris. Galanis earned a number of important commissions as illustrator for private press books in France and elsewhere during the 1920s and 30s.","700","£700","unmounted","Print","20th Century","Démétrius Emmanuel Galanis","","","","","",""
"10903","","Démétrius Emmanuel Galanis","One Shaped & Wing’d like on of those from Heav’n ....","Woodcut on velum","London : Cresset Press, 1931. ","","","Image 247 x 189","","","An illustration to John Milton’s Paradise Lost published by Cresset Press.  Presumably a surplus impression.  There were only six sets of Paradise Regain’d issued on vellum and ten of Paradise Lost by the Cresset Press. This is the final and the finest book issued by the Cresset Press, which operated between 1927 and 1931 under the direction of Dennis M. Cohen and A. I. Myers. The text used in the edition for which they are done for comes from the second edition of Paradise Lost, printed in 1674, and the first edition of Paradise Regain'd, printed in 1671. Demetrios Galanis (1882-1966) was a Greek illustrator, printmaker, and designer. He studied under Nikiforos Lytras at the Higher School of Fine Arts in Athens and later under Fernand Cormon at the Ecole des Beaux-Arts in Paris. Galanis earned a number of important commissions as illustrator for private press books in France and elsewhere during the 1920s and 30s.","700","£700","unmounted","Print","20th Century","Démétrius Emmanuel Galanis","","","","","",""
"10904","","Démétrius Emmanuel Galanis","A Table richly spred, ....","Woodcut on velum","London : Cresset Press, 1931. ","","","Image 247 x 189","","","An illustration to John Milton’s Paradise Regain’d published by Cresset Press.  Presumably a surplus impression.  There were only six sets of Paradise Regain’d issued on vellum and ten of Paradise Lost by the Cresset Press. This is the final and the finest book issued by the Cresset Press, which operated between 1927 and 1931 under the direction of Dennis M. Cohen and A. I. Myers. The text used in the edition for which they are done for comes from the second edition of Paradise Lost, printed in 1674, and the first edition of Paradise Regain'd, printed in 1671. Demetrios Galanis (1882-1966) was a Greek illustrator, printmaker, and designer.  He studied under Nikiforos Lytras at the Higher School of Fine Arts in Athens and later under Fernand Cormon at the Ecole des Beaux-Arts in Paris. Galanis earned a number of important commissions as illustrator for private press books in France and elsewhere during the 1920s and 30s.","700","£700","unmounted","Print","20th Century","Démétrius Emmanuel Galanis","","","","","",""
"10910","","Démétrius Emmanuel Galanis","Tempt not the Lord thy God, he said and stood. But Satan with amazement fell...","Woodcut on velum","London : Cresset Press, 1931. ","","","Image 247 x 189","","","An illustration to John Milton’s Paradise Regain’d Book IV published by Cresset Press.  Presumably a surplus impression.  There were only six sets of Paradise Regain’d issued on vellum and ten of Paradise Lost by the Cresset Press.  This is the final and the finest book issued by the Cresset Press, which operated between 1927 and 1931 under the direction of Dennis M. Cohen and A. I. Myers. The text used in the edition for which they are done for comes from the second edition of Paradise Lost, printed in 1674, and the first edition of Paradise Regain'd, printed in 1671.Demetrios Galanis (1882-1966) was a Greek illustrator, printmaker, and designer.  He studied under Nikiforos Lytras at the Higher School of Fine Arts in Athens and later under Fernand Cormon at the Ecole des Beaux-Arts in Paris. Galanis earned a number of important commissions as illustrator for private press books in France and elsewhere during the 1920s and 30s.","750","£750","framed","Print","20th Century","Démétrius Emmanuel Galanis","","","","","",""
"11262","","Démétrius Emmanuel Galanis","The World","Woodcut ","London : Cresset Press, 1931. ","","","Image 247 x 189","","","An illustration to John Milton’s Paradise Regain’d published by Cresset Press.  Presumably a surplus impression.  There were only six sets of Paradise Regain’d issued on vellum by the Cresset Press.  This is the final and the finest book issued by the Cresset Press, which operated between 1927 and 1931 under the direction of Dennis M. Cohen and A. I. Myers. The text used in the edition for which they are done for comes from the second edition of Paradise Lost, printed in 1674, and the first edition of Paradise Regain'd, printed in 1671.Demetrios Galanis (1882-1966) was a Greek illustrator, printmaker, and designer.  He studied under Nikiforos Lytras at the Higher School of Fine Arts in Athens and later under Fernand Cormon at the Ecole des Beaux-Arts in Paris. Galanis earned a number of important commissions as illustrator for private press books in France and elsewhere during the 1920s and 30s.","750","£750","framed","Print","20th Century","Démétrius Emmanuel Galanis","","","","","",""
"11488","","Elyse Ashe Lord","Badoura ","Drypoint printed in colour with tone.","c 1925","","","Image 145 x 159 mm, Sheet 200 x 200 mm.","","","Signed in top right hand corner of plate.Elyse Lord developed her artistic style around the oriental subject matter which she chose.  Her art was inspired by both Chinese art and various aspects of oriental culture.  Although Lord never actually travelled to China, she used Chinese paintings, embroideries and wall hangings as the sources for her images.  The style which she created reflects both this source material and the influences of Art Deco and early 1920’s fashion.Lord actively exhibited from 1915 through 1939 in London with the Lefevre Gallery, who with London dealer Alexander Reid published her work.  Her art was also shown at the Royal Academy of Arts, the RI, the Royal Scottish Academy, the Walker Art Gallery of Liverpool, and the Fine Art Society and Paris Salon, where she received a silver medal for color prints.  In addition, her work was published in Masters of the Colour Print, Volume 1, 1927, with an introduction by Malcolm C. Salaman.  In 1990 Cyril Gerber Fine Art of Glasgow held an exhibition of her work.  Lord lived in Bexley, Kent.","200","£200","mounted","Print","20th Century","Elyse A Lord","","","","","",""
"5935","","Ethelbert White","Morning","wood engraving","1921","","","I 140 x 175 mm","","","Signed in pencil, 23/50Ethelbert White (1891-1972) was a landscape painter in watercolour and oil, wood engraver, poster designer and book illustrator.  Born in Isleworth, he went on to study at St. John’s Wood School of Art under Leonard Walker.","300","£300","mounted","Print","20th Century","Ethelbert White","","","","","",""
"13078","","Ferdinand Giele","Bury St Edmund’s - Norman Gate","Etching","1919","","","Image & Plate 251 x 177 mm","","","Signed in pencil by the artist “to my friend R. Green...”","120","£120","mounted","Print","20th Century","Ferdinand Giele","","","","","",""
"9283","","Ferdinand Giele","Eton College","Etching","c.1918","","","Image and plate 253x 391 mm. Sheet 324 x 464mm","","","Edition 23/50Ferdinand Giele (1867-1929) was professor at the Louvain Art Academy. He resided in Great Britain during the First World War (from 1916 to 1919) where he worked e.g. with Frank Short.","275","£275","mounted","Print","20th Century","Ferdinand Giele","","","","","",""
"6246","","Hector Saunier ","Shishi","Etching","1984","","","Image: 195 x 245","","","Hector Saunier (b. 1936) is one of the world's leading artist in the field of modern intaglio colour printmaking. His works reflect his superb technical control and improvisational skill from 40 years experience in the medium of engraving, etching and soft ground.Hector is currently the Director of Contre-Point (Formally known as Atelier in Paris. He was born in Argentina in 1936 and studied architecture in Buenos Aires. Hector came to Europe in 1961. During that year, after seeing a print by S.W. Hayter at the Salon de Mai, he enrolled in a printmaking workshop founded by S.W. Hayter in 1927. He studied printmaking under Hayter fot two years. After Hayter’s death in1988, he took over the administration of the workshop and till today. Hector and his wife Hiroko are still managing it.","250","£250","mounted","Print","20th Century","Hector Saunier ","","","","","",""
"11402","","Herbert Cutner, SGA","[Windmill]","Etching and aquatint","1928","","","Image & Plate 209 x 145 mm, Sheet  318 x 234 mm","","","Signed in pencil and inscribed to J. Blampied Esq.Editon 3/50Herbert Cutner (1881- 1969) was an etcher and writer who was born in Hull.  he studied art at the L.C.C. Bolt Court School of Art and at the Central School of Arts and Crafts.  He primarily exhibited at the Society of Graphic Art and became a member in 1923.  Cutner wrote Teach Yourself Etching in 1947 and Teach Yourself Commercial Art.  He was a Malthusian and interested in the population question.  Cutner was an atheist and regularly wrote for The Freethinker.  Cutner lived in London and was married to fellow artist Effie Spring-Smith, R.B.A.   ","180","£180","mounted","Print","20th Century","Herbert Cutner","","","","","",""
"11229","","James Robert Granville Exley, R.E.","Bewilderment","Etching","1927","","","Image and Plate 88 x 188 mm","","","Signed in pencilJ.R.G. Exley (1878-1967) was a painter and etcher of figures, portraits and bird subjects especially poultry. He was born on 16th of May 1878 at Great Horton, Bradford and went on to study at the Skipton Science and Art Schools and at the Royal College of Art.  Exley received his diploma in 1907 and then went to work in Paris for a time.  He exhibited widely from 1906 and became a member of the  Royal Society of Painter-Etcher and Engravers in 1923.  He lived in London and later in Grasington in Yorkshire.  ","220","£220","framed","Print","20th Century","J.R.G. Exley","","","","","",""
"11795","","James Robert Granville Exley, R.E.","Bewilderment","Etching","1927","","","Image and Plate 88 x 188 mm","","","Signed in pencilJ.R.G. Exley (1878-1967) was a painter and etcher of figures, portraits and bird subjects especially poultry. He was born on 16th of May 1878 at Great Horton, Bradford and went on to study at the Skipton Science and Art Schools and at the Royal College of Art.  Exley received his diploma in 1907 and then went to work in Paris for a time.  He exhibited widely from 1906 and became a member of the  Royal Society of Painter-Etcher and Engravers in 1923.  He lived in London and later in Grasington in Yorkshire.  ","180","£180","mounted","Print","20th Century","J.R.G. Exley","","","","","",""
"11470","","James Robert Granville Exley, R.E.","Contentment","Etching","1911","","","Image and Plate 113 x 133 mm","","","Signed in pencilJ.R.G. Exley (1878-1967) was a painter and etcher of figures, portraits and bird subjects especially poultry.  He was born on 16th of May 1878 at Great Horton, Bradford and went on to study at the Skipton Science and Art Schools and at the Royal College of Art.  Exley received his diploma in 1907 and then went to work in Paris for a time.  He exhibited widely from 1906 and became a member of the  Royal Society of Painter-Etcher and Engravers in 1923.  He lived in London and later in Grasington in Yorkshire.  ","200","£200","mounted","Print","20th Century","J.R.G. Exley","","","","","",""
"11248","","James Robert Granville Exley, R.E.","Houdan Fowls","Etching","1905","","","Image & Plate 113 x 134 mm","","","Signed in pencilWith a note say that a proof this etching was submitted ti the Royal Society of Painter Etchers.J.R.G. Exley (1878-1967) was a painter and etcher of figures, portraits and bird subjects especially poultry.  He was born on 16th of May 1878 at Great Horton, Bradford and went on to study at the Skipton Science and Art Schools and at the Royal College of Art.  Exley received his diploma in 1907 and then went to work in Paris for a time.  He exhibited widely from 1906 and became a member of the  Royal Society of Painter-Etcher and Engravers in 1923.  He lived in London and later in Grasington in Yorkshire.  ","200","£200","mounted","Print","20th Century","J.R.G. Exley","","","","","",""
"11227","","James Robert Granville Exley, R.E.","Japanese Domestic Fowls Known Here as Yokohamas.","Etching","1911","","","Image and Plate 283 x 233 mm","","","Signed in pencilJ.R.G. Exley (1878-1967) was a painter and etcher of figures, portraits and bird subjects especially poultry.  He was born on 16th of May 1878 at Great Horton, Bradford and went on to study at the Skipton Science and Art Schools and at the Royal College of Art.  Exley received his diploma in 1907 and then went to work in Paris for a time.  He exhibited widely from 1906 and became a member of the  Royal Society of Painter-Etcher and Engravers in 1923.  He lived in London and later in Grasington in Yorkshire.  ","250","£250","mounted","Print","20th Century","J.R.G. Exley","","","","","",""
"11233","","James Robert Granville Exley, R.E.","A Match in Strength, in Courage, and in Age  ","Etching and aquatint","1929","","","Image and Plate 176 x 150 mm","","","Signed in pencilJ.R.G. Exley (1878-1967) was a painter and etcher of figures, portraits and bird subjects especially poultry. He was born on 16th of May 1878 at Great Horton, Bradford and went on to study at the Skipton Science and Art Schools and at the Royal College of Art.  Exley received his diploma in 1907 and then went to work in Paris for a time.  He exhibited widely from 1906 and became a member of the  Royal Society of Painter-Etcher and Engravers in 1923.  He lived in London and later in Grasington in Yorkshire.  ","150","£150","mounted","Print","20th Century","J.R.G. Exley","","","","","",""
"11235","","James Robert Granville Exley, R.E.","A Match in Strength, in Courage, and in Age  ","Etching and aquatint","1929","","","Image and Plate 176 x 150 mm","","","Signed in pencilProof before aquatintJ.R.G. Exley (1878-1967) was a painter and etcher of figures, portraits and bird subjects especially poultry. He was born on 16th of May 1878 at Great Horton, Bradford and went on to study at the Skipton Science and Art Schools and at the Royal College of Art.  Exley received his diploma in 1907 and then went to work in Paris for a time.  He exhibited widely from 1906 and became a member of the  Royal Society of Painter-Etcher and Engravers in 1923.  He lived in London and later in Grasington in Yorkshire.  ","150","£150","","Print","20th Century","J.R.G. Exley","","","","","",""
"11230","","James Robert Granville Exley, R.E.","Minikin Manikins","Etching","1925","","","Image and Plate 92 x 251 mm","","","Signed in pencilJ.R.G. Exley (1878-1967) was a painter and etcher of figures, portraits and bird subjects especially poultry.  He was born on 16th of May 1878 at Great Horton, Bradford and went on to study at the Skipton Science and Art Schools and at the Royal College of Art.  Exley received his diploma in 1907 and then went to work in Paris for a time.  He exhibited widely from 1906 and became a member of the  Royal Society of Painter-Etcher and Engravers in 1923.  He lived in London and later in Grasington in Yorkshire.  ","200","£200","mounted","Print","20th Century","J.R.G. Exley","","","","","",""
"11794","","James Robert Granville Exley, R.E.","Minikin Manikins","Etching","1925","","","Image and Plate 92 x 251 mm","","","Signed in pencilJ.R.G. Exley (1878-1967) was a painter and etcher of figures, portraits and bird subjects especially poultry.  He was born on 16th of May 1878 at Great Horton, Bradford and went on to study at the Skipton Science and Art Schools and at the Royal College of Art.  Exley received his diploma in 1907 and then went to work in Paris for a time.  He exhibited widely from 1906 and became a member of the  Royal Society of Painter-Etcher and Engravers in 1923.  He lived in London and later in Grasington in Yorkshire.  ","190","£190","unmounted","Print","20th Century","J.R.G. Exley","","","","","",""
"11231","","James Robert Granville Exley, R.E.","One Crowded Hour of Glorious Life","Etching and aquatint","1925","","","Image and Plate 176 x 150 mm","","","Signed in pencilJ.R.G. Exley (1878-1967) was a painter and etcher of figures, portraits and bird subjects especially poultry.   He was born on 16th of May 1878 at Great Horton, Bradford and went on to study at the Skipton Science and Art Schools and at the Royal College of Art.  Exley received his diploma in 1907 and then went to work in Paris for a time.  He exhibited widely from 1906 and became a member of the  Royal Society of Painter-Etcher and Engravers in 1923.  He lived in London and later in Grasington in Yorkshire.  ","150","£150","mounted","Print","20th Century","J.R.G. Exley","","","","","",""
"11236","","James Robert Granville Exley, R.E.","One Crowded Hour of Glorious Life","Etching and aquatint","1925","","","Image and Plate 176 x 150 mm","","","Signed in pencilProof before aquatintJ.R.G. Exley (1878-1967) was a painter and etcher of figures, portraits and bird subjects especially poultry.  He was born on 16th of May 1878 at Great Horton, Bradford and went on to study at the Skipton Science and Art Schools and at the Royal College of Art.  Exley received his diploma in 1907 and then went to work in Paris for a time.  He exhibited widely from 1906 and became a member of the  Royal Society of Painter-Etcher and Engravers in 1923.  He lived in London and later in Grasington in Yorkshire.  ","150","£150","","Print","20th Century","J.R.G. Exley","","","","","",""
"11228","","James Robert Granville Exley, R.E.","Peace and Plenty","Drypoint","1924","","","Image and Plate 207 x 167 mm","","","Signed in pencilJ.R.G. Exley (1878-1967) was a painter and etcher of figures, portraits and bird subjects especially poultry.. He was born on 16th of May 1878 at Great Horton, Bradford and went on to study at the Skipton Science and Art Schools and at the Royal College of Art.  Exley received his diploma in 1907 and then went to work in Paris for a time.  He exhibited widely from 1906 and became a member of the  Royal Society of Painter-Etcher and Engravers in 1923.  He lived in London and later in Grasington in Yorkshire.  ","200","£200","mounted","Print","20th Century","J.R.G. Exley","","","","","",""
"11793","","James Robert Granville Exley, R.E.","Peace and Plenty","Drypoint","1924","","","Image and Plate 207 x 167 mm","","","Signed in pencilJ.R.G. Exley (1878-1967) was a painter and etcher of figures, portraits and bird subjects especially poultry.. He was born on 16th of May 1878 at Great Horton, Bradford and went on to study at the Skipton Science and Art Schools and at the Royal College of Art.  Exley received his diploma in 1907 and then went to work in Paris for a time.  He exhibited widely from 1906 and became a member of the  Royal Society of Painter-Etcher and Engravers in 1923.  He lived in London and later in Grasington in Yorkshire.  ","190","£190","unmounted","Print","20th Century","J.R.G. Exley","","","","","",""
"11239","","James Robert Granville Exley, R.E.","Silver Duckwing-Grey Old Englsih Game Fowl.","Etching","1917","","","Image and Plate 178 x 127 mm","","","Signed in pencilJ.R.G. Exley (1878-1967) was a painter and etcher of figures, portraits and bird subjects especially poultry.  He was born on 16th of May 1878 at Great Horton, Bradford and went on to study at the Skipton Science and Art Schools and at the Royal College of Art.  Exley received his diploma in 1907 and then went to work in Paris for a time.  He exhibited widely from 1906 and became a member of the  Royal Society of Painter-Etcher and Engravers in 1923.  He lived in London and later in Grasington in Yorkshire.  Exley established a reputation for his skillful and carefully observed etchings of birds.  His precise and detailed etchings are almost photographic in their accuracy.  Exley adopted an extremely fine etching technique which he often combined with dypoint, aquatint and tonal printing.   ","150","£150","","Print","20th Century","J.R.G. Exley","","","","","",""
"11863","","James Alphege Brewer","[Continental Cathedral]","Etching and dry point","c1900","","","Image 500 x 292 mm","","","Signed in pencil.James Alphege Brewer lived in London. He was the son of the artist H W Brewer and brother of H C Brewer. He was a painter and etcher and exhibited at the R.A.,and the Paris Salon.Very good condition","250","£250","unmounted","Print","20th Century","James Alphege Brewer","","","","","",""
"12563","","Julian Trevelyan","Oxford","Etching and aquatint","1969","",""," Image and plate 34.5 x 47 cm","","","Signed and inscribed in pencilEdition 42/75","1200","£1,200","framed","Print","20th Century","Julian Trevelyan","","","","","",""
"11352","","Kenneth Hobson","[Cathedral, Belgium]","Etching","","","","Image & Plate 66 x 129 mm, Sheet 250 x 182 mm","","","Etching by Kenneth Hobson (born 1897). Painter, etcher and engraver.  Born in London on 2nd August 1897.  Studied art in London, Paris and Rome. Exhibited at the R.A.The etching is the header image to an invitation written to Frank.L.Emanuel, author of Etching and Etchings, from Hanslip Fletcher:Lying rumours of the disappearance of the ancient & Honourable Society of the Friends of the Etcher, having reached the ears of the Convener, you FRANK.L.EMANUEL are summoned to feast on Pudding + Ale at the Cheshire Cheese Fleet Street, EC. 7.15 for 7.30 pm - Friday 2 January 1925 and refule this base calumny.Reply to Hanslip Fletcher Convener47 Manchester Street. W. 1","100","£100","unmounted","Print","20th Century","Kenneth Hobson","","","","","",""
"10316","","Leslie C. Benenson","Kudu","Woodengraving","1971","","","Image 150 x 123 mm ","","","","100","£100","mounted","Print","20th Century","Leslie C. Benenson","","","","","",""
"13514","","Luigi Kasimir ","Ex Libris Ernst Klinger [ Ernst Klinger’s library bookplate]","Coloured Etching","c1920","","","Image 120 x 120 mm","","","Luigi Kasimir (1881-1962) was an Austrian-born etcher, painter, and landscape artist.Kasimir was born in 1881 in Pettau, a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under William Unger, who introduced him to the technique of the coloured etching.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch--usually in pastel. He then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate--all done by hand.Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape. He demonstrated a predisposition for monuments, street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the U.S. to do a series of etchings of famous sights ranging from urban landmarks such as New York skyscrapers to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings can be seen in many galleries and museums, from the New York Metropolitan Museum of Art to countless galleries and fine print collections around the world.He died in 1962 in Grinzing, a suburb of Vienna.","100","£100","unmounted","Print","20th Century","Luigi Kasimir ","","","","","",""
"9284","","Muirhead Bone","Oxford [from Ferry Hinksey]","Drypoint","1905","","","Image and plate 301 x 467 mm","","","Signed in pencilEx - collection of Francis DoddBone's view of Oxford, drawn from Hinksey was executed in 1905, thirty five years before he came to live in Oxford.  Featuring  the distant spires and domes of Oxford rising above a belt of trees, this fine drypoint is one of only thirty eight impressions.  Muirehead was a purist who would not steel face his plates for printing large editions.  ""Distant Oxford"" is a dry point, which wears very quickly under the pressure of printing, and like many of his other works makes Muirehead Bone's etchings and dry points very difficult to acquire.The son of a printer, Bone was born in Glasgow and trained initially as an architect, later going on to study art at Glasgow School of Art. He began printmaking in 1898, and although his first known print was a lithograph, he is better known for his etchings and drypoints. His subject matter was principally related to landscapes, architecture (which often focussed on urban construction and demolition sites) and industry.In 1901 he moved to London, where he met William Strang, Dugald MacColl and Alphonse Legros, and later became a member of the New English Art Club. After the outbreak of the First World War, Charles Masterman, head of the British War Propaganda Bureau and acting on the advice of William Rothenstein, appointed Bone as Britain's first official war artist in May 1916.Commissioned as an honorary Second Lieutenant, he arrived in France during the Battle of the Somme, serving with the Allied forces on the Western Front and also with the Royal Navy for a time. He produced 150 drawings of the war, returning to England in October of that year. Over the next few months Bone returned to his earlier subject matter, drawing pictures of shipyards and battleships. He visited France again in 1917 where he took particular interest in the ruined towns and villages.After the Armistice, Bone returned to the type of works he produced before the war, and was influential in promoting fellow war artists William Orpen and Wyndham Lewis. He began to undertake extensive foreign travels which increasingly influenced his work. In 1923 he produced three portraits of the novelist Joseph Conrad during an Atlantic crossing. In the inter-war period he exhibited extensively in London and New York, building up a considerable reputation. He received a knighthood in 1937, and served again as official war artist in the Second World War from 1940.Sir Muirhead Bone died in 1953 in Oxford.","950","£950","framed","Print","20th Century","Muirhead Bone","","","","","",""
"13094","","Norman Hirst","[windmill]","Mezzotint","Copyright Published November 1st 1926 by Vicars Brothers. 12 Old Bond St. London","","","Image 223 x 295 mm","","","","100","£100","mounted","Print","20th Century","Norman Hirst","","","","","",""
"11576","","Rodderick Barrett","Family of Chairs","Woodengraving","c. 1965","","","Image ","","","Signed and inscribed in pencilRodderick Westwood Barrett (1920-2000) painter. Born in Colchester, Barrett went on to study at the Central School for Arts and Crafts 1936-40 under Meninsky, Farleigh and William Roberts.  He exhibited at the R.A., R.B.A., L.G, abroad and started having one man shows in 1947.  He lived in Stanway, near Colchester, essex for some years ","250","£250","mounted","Print","20th Century","Rodderick Barrett","","","","","",""
"11468","","Sidney Tushingham","Portrait of Child","Drypoint","after 1928","","","Image 190 x 110 mm, Plate 247 x 193 mm","","","Not in James Connell & Son. CatalogueSidney Tushingham (1884-1968), was a painter and etcher who specialised in rustic scenes of villages and small town life.A distant relation of Arnold Bennet, Sidney Tushingham was born in Burslem, England, where he started his artistic career as a china painter. He attended Burslem School of Art and progressed to the Royal College of Art. He worked as a vase painter at Royal Doulton in 1922 as he established his career as a society painter. He also became known for his etchings of pre-war Britain, Italy and Spain.He died in Haywards Heath, West Sussex in 1968.","150","£150","unmounted","Print","20th Century","Sidney Tushingham","","","","","",""
"10365","","Sir David Young Cameron 1865 -1945","Stonehenge","Etching","","","","Image and plate 126 x 202mm","","","Signed and inscribed in pencilSir David Young Cameron was one of the biggest figures of the Etching Revival.   He was born in Glasgow on June 28, 1865 and studied at the local School of Art in the evenings.  In 1885, he entered the Royal Institution in Edinburgh as a full time student.  He lived in Glasgow until 1898, when he moved to Kippen, Sterlingshire.  Cameron worked extensively in Scotland and occasionally in England and on the Continent.  He was member of the Glasgow School and elected to the Royal Society of Painter-Etchers and Engravers in 1898, to the Royal Scottish Academy in 1919 and to the Royal Academy in 1920.  Cameron was knighted in 1924 and appointed King’s Painter and Limner in 1933 in Scotland. ","350","£350","framed","Print","20th Century","Sir David Young Cameron ","","","","","",""
"11247","","Stanley Angus","The Shipyard","Etching","1929","","","Image & Plate 320 x 426 mm","","","Signed and inscribed in pencilStanley Angus (Fl. 1932-38) Scottish etcher.  He worked in London and specialised in Scottish scenery.  He exhibited at the Royal Academy and the Fine Art Society.","150","£150","unmounted","Print","20th Century","Stanley Angus","","","","","",""
"5940","","W.T. Russell","Farm Road","Wood engraving","1949","","","I 152 x 205 mm","","","","150","£150","mounted","Print","20th Century","W.T. Russell","","","","","",""
"11514","","Wilfred Fairclough","Juditha Triumphans, Scuola Grande di San Rocco","Etching","July 1973","","","Image and Plate 245 x 310 mm","","","Signed and dated in pencilLowe 81Lowe records four impressions in three statesJuditha Triumphans is an oratorio written un 1716 by Vivaldi.  The Scuola Grande di San Rocco was a charitable confratenity dedicated to the relief of victims of the plague and dedicated to St. Roc or Roche  Best known for the decorations  Tintoretto in the Sala dell’Albergo, the Scuola as always been used as a concert venue.Born in Lancashire, he left school at fifteen and worked with a firm of accountants. In 1925 he attended evening classes at Blackburn School of Arts and Crafts. In 1930, after qualifying in art through evening classes, Fairclough began teaching part-time. Finding a copy of E.S.Lumsden’s ‘The Art of Etching’, he taught himself how to etch. He attended the Royal College of Art between the years 1931-34, when Austin, Osborne and Brockhurst among others, were teaching there. It was Prof. Malcolm Osborne who helped him get another grant for a year so he was able to complete his three year course. Without this grant Fairclough could not have continued at the college( Both his parents having died when he was young). In 1934 he was elected as an associate to The Royal Society of Painters-Etchers. He won the Rome Scholarship, after being recommended by Osborne and Austin. It was in the same year that one of his etchings appeared in the annual publication ‘Fine Prints of the Year’.Although there were no teachers, the facilities at the School in Rome were excellent and he worked hard; his application for another year was accepted. This time instead of working in Italy he travelled around Spain (1935-36). On his return to the British School at Rome, there he met Andrew Freeth, Cowern and Murray Todd. At the end of 1937, he found work teaching architectural drawing at London Northern Polytechnic and part time teaching at Kingston upon Thames Art School. In 1939 he was engaged by Palmer to contribute drawings for ‘Recording Britain’:he contributed a total of 58 drawings. By the early 1950’s he had almost stopped etching. However, in 1961 at the age of fifty-four, he received the Leverhulme Research Award and he returned to Italy for the eight week summer holiday break. In 1962 he became the Principal of Kingston College of Art and Assistant Director of the Kingston Polytechnic. He was made Head of the Division of Design in 1970, retiring two years later. He produced 140 plates in his lifetime. Being perhaps best known for his Venice carnival scenes","350","£350","mounted","Print","20th Century","Wilfred Fairclough","","","","","",""
"11515","","William Fairclough","I Virtuosi di Roma","Etching","July 1973","","","Image and Plate 255 x 280 mm","","","Signed and dated in pencilLowe 76Lowe records 6 impressions, three proofs in two statesBorn in Lancashire, he left school at fifteen and worked with a firm of accountants. In 1925 he attended evening classes at Blackburn School of Arts and Crafts. In 1930, after qualifying in art through evening classes, Fairclough began teaching part-time. After finding a copy of E.S.Lumsden’s ‘The Art of Etching’, he taught himself how to etch. He attended the Royal College of Art between the years 1931-34, when Austin, Osborne and Brockhurst among others, were teaching there. It was Prof. Malcolm Osborne who helped him get another grant for a year so he was able to complete his three year course. Without this grant Fairclough could not have continued at the college( Both his parents having died when he was young). In 1934, he was elected as an associate to The Royal Society of Painters-Etchers. He won the Rome Scholarship after being recommended by Osborne and Austin. It was in the same year that one of his etchings appeared in the annual publication ‘Fine Prints of the Year’.Although there were no teachers, the facilities at the School in Rome were excellent and he worked hard; his application for another year was accepted. This time instead of working in Italy he travelled around Spain (1935-36). On his return to the British School at Rome, there he met Andrew Freeth, Cowern and Murray Todd. At the end of 1937, he found work teaching architectural drawing at London Northern Polytechnic and part time teaching at Kingston upon Thames Art School. In 1939 he was engaged by Palmer to contribute drawings for ‘Recording Britain’:he contributed a total of 58 drawings.  By the early 1950’s he had almost stopped etching. However, in 1961 at the age of fifty-four, he received the Leverhulme Research Award and he returned to Italy for the eight week summer holiday break. In 1962 he became the Principal of Kingston College of Art and Assistant Director of the Kingston Polytechnic. He was made Head of the Division of Design in 1970, retiring two years later. He produced 140 plates in his lifetime. Being perhaps best known for his Venice carnival scenes","350","£350","mounted","Print","20th Century","Wilfred Fairclough","","","","","",""
"9179","","William Russell","[cottage]","Wood engraving","","","","Image 127 x 102 mm","","","Signed in pencil ","100","£100","mounted","Print","20th Century","William Russell","","","","","",""
"10382","","Albrizzi,Girolamo ","Carta Geografica Del Capo Di Buona Speranza","Copper engraved with hand colouring","1740","","","330 x 420 mm","","","A detailed map of the Cape of Good Hope from 'Atlante Novissimo che Contiene Tutte le Parti del Mondo'. Decorative cartouche shows an elephant and two species of rhinosaurus.","340","£340","unmounted","Map","Africa","","","","","","",""
"3574","","Bonne, M","Royaumes Etats et Pays de la Haute Guinee","Copper engraving","1780","","","342 x 235 mm","","","","45","£45","unmounted","Map","Africa","","","","","","",""
"4169","","Colton, J.H.","Africa North Western Sheet","Steel engraving with hand colouring","Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.","","","397 x 323 mm","Colton's Atlas Of  The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume","","","60","£60","unmounted","Map","Africa","","","","","","",""
"4105","","Colton, J.H.","Colton’s Africa (Southern Sheet)","Steel Engraved with hand colour","Published by J.H. Colton, 172 William St. New York. Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.","","","325 x 410 mm","Colton's Atlas Of The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume","","This atlas was the first world atlas produced by Colton, after many years of issuing pocket maps, wall maps, guides, and maps for books. The atlas was one of the finest and most accurate of the period","60","£60","unmounted","Map","Africa","","","","","","",""
"3572","","Hondius","Congi Regnu","Copper engraving with hand colouring","circa 1615","","","172 x 140 mm","","","","200","£200","mounted","Map","Africa","","","","","","",""
"2484",""," Janssonius, J. / Schenk, P. & Valk, G.","Guinea","Copper engravied with hand colouring","","","","38 x 51 cm","","","Decorative map of the western coast of Africa from Guinea to Nigeria. Published by Pieter Schenk and Gerard Valk from the plate by Joannes Janssonius ca. 1700 Cartouche with natives and monkeys, sailing ships, compass roses, two boys carrying a tusk (all uncoloured), the map in full contemporary colour. Excellent condition. ","300","£300","","Map","Africa","","","","","","",""
"3571","","Mannert","Africa - Mauritania","Copper engraving with hand colouring","1806","","","382 x 225 mm","","","","25","£25","mounted","Map","Africa","","","","","","",""
"3573","","Mathius Quad","Aphrica","Copper engraving","c. 1600","","","291 x 208 mm","","","","600","£600","mounted","Map","Africa","","","","","","",""
"3540","","Munster, Sebastian Prof.","Africa","Copper engraving","circa 1580","","","356 x 307 mm","","","Professor Sebastian Munster (14881552) b. Nieder-Ingelheim, near Mainz -","1000","£1,000","mounted","Map","Africa","","","","","","",""
"3576","","Rapkin, J","Natal and Kaffraria","Steel engraving with hand colouring","1851","","","344 x 244 mm","","","","70","£70","unmounted","Map","Africa","","","","","","",""
"3575","","Sanson Abbavillaeo, N","Africa","Copper engraving with hand colouring","1650","","","551 x 391 mm","","","","420","£420","mounted","Map","Africa","","","","","","",""
"3570","","Walker, J & C ","Africa","Steel engraved","Published by the Society for the Diffusion of Useful Knowledge 15th Sept. 1839","","","392 x 316 mm ","","","","75","£75","mounted","Map","Africa","","","","","","",""
"13794","","Arrowsmith, Samuel","Lower Eygpt","Copper engraved map with original colour","London, Published by Jany. 4 1828 by Saml. Arrowsmith No. 10 Soho Square","","","227 x 310 mm","","","","45","£45","unmounted","Map","Africa","Egypt","","","","","",""
"13777","","Arrowsmith, Samuel","Nubia","Copper engraved map with original colour","London, Published by Jany. 4 1828 by Saml. Arrowsmith No. 10 Soho Square","","","315 x 237 mm","","","","40","£40","unmounted","Map","Africa","Egypt","","","","","",""
"11201","","Unknown","Aegytvs Antiqva","Copper engraving","c. 1775","","","360 x 470 mm","","","Condition: FairCentral fold","150","£150","unmounted","Map","Africa","Egypt","","","","","",""
"13778","","Arrowsmith, Samuel","Abyssinia","Copper engraved map with original colour","London, Published by Jany. 4 1828 by Saml. Arrowsmith No. 10 Soho Square","","","302 x 224 mm","","","","45","£45","unmounted","Map","Africa","Ethiopia","","","","","",""
"11884","","Bertius, Petrus","Descriptio Abissinorvm","Copper engraved with hand colouring","1616","","","95 x 135 mm","","","","70","£70","mounted","Map","Africa","Ethiopia","","","","","",""
"12604","","Bertius, Pieter","Descriptio Insulae St Thomae","Copper engraving","c.1616","","","94 x 133 mm","","","","45","£45","unmounted","Map","Africa","Islands","","","","","",""
"13750","","Arrowsmith, Samuel","Cape of Good Hope","Copper engraved map with original colour","London, Published by Jany. 4 1828 by Saml. Arrowsmith No. 10 Soho Square","","","234 x 305 mm","","","","45","£45","unmounted","Map","Africa","South Africa","","","","","",""
"13729","","Bellin","Carte De La Coste Orientale D’Afrique...","Copper engraved","Paris c 1780","","","244 x 227 mm","","","","120","£120","unmounted","Map","Africa","South Africa","","","","","",""
"10400","","Schley, J.Y. after Bellin, Jacques N.","Le Pays Des Hottentots aux Environs du Cap De Bonne Esperance","Copper engraved","‘t Land der Hottentotten, om Streeks d Kaap de Goede Hoop, Geshikt op de Kaart van Kolbe, en op eenige Handschriften van de Bewaarplaatsfe der Aftekeningen des Zeevaards, door N. Bellin, Ingenieur des Fransfen Zeevaards.circa 1741","","","255 x 335 mm","","","","100","£100","unmounted","Map","Africa","South Africa","","","","","",""
"9325","","Albany E. Howarth","Cantubry Gate, Christ Church","Etching","c.1920","","","Image and plate 175 x 230 mm","","","Signed in pencil","150","£150","framed","Print","Artists","Albany E Howarth","","","","","",""
"1753","","Albany E. Howarth","Christ Church College","Etching","c.1920","","","Image and plate 275 x 150 mm","","","Signed in pencilAlbany E. Howarth was born in Watford in 1872 where he continued to reside for most of his life.   An early twentieth century English architectural and landscape etcher and water-colourist, Albany Howarth first worked as a drawing apprentice in the office of Armstrong, Whitworth. Beginning around 1905 he emerged as a major etcher and frequently exhibited at such major venues as the Fine Arts Society, the Royal Academy and with the Royal Engravers. Howarth was elected an Associate of the Royal Engravers in 1920.During his career Albany Howarth etched many great architectural views in England, Italy and France.  His views of the Oxford Colleges combine etching with dry point to achieve strong tonal effects.  Like William Nicholson, Howarth's works are not only concerned with the strong architectural features of his chosen subjects but also the play of light upon them.  Many of Howarth's etchings produced in the 1920's were published by the Fine Art Trade Guild, London, in editions of 150 signed impressions  Howarth died in Watford in 1936.","200","£200","framed","Print","Artists","Albany E Howarth","","","","","",""
"9327","","Albany E. Howarth","Gateway, New College","Etching","c 1925","","","Image and plate 154 x 254 mm","","","Signed in pencil ","150","£150","mounted","Print","Artists","Albany E Howarth","","","","","",""
"2952","","Albany E. Howarth","Trinity College","Etching","c.1920","","","Image and plate 230 x 175 mm","","","Signed in pencil ","150","£150","framed","Print","Artists","Albany E Howarth","","","","","",""
"8128","","Newnham","To the author of Elfrida & Caractacus. This Etching from a drawing of Paul Sandby is Inscribed by his affectionate Friend Newnham","Etching","","","","I 358 x 274 mm","","","","75","£75","mounted","Print","Artists","Artists Prints","","","","","",""
"9400","","Aubrey Beardsley","[Maitresse d’Orchestre]","Lithograph","1899","","","I 150 x 107 mm","","","Aubrey Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and the grotesque erotica, which themes he explored in his later work. His most famous erotic illustrations were on themes of history and mythology, including his illustrations for Lysistrata and Salomé.Beardsley was a close friend of Oscar Wilde and illustrated his play Salomé in 1893 for its French performance; it was performed in English the following year. He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines like The Savoy and The Studio. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser.Beardsley was also a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape, Mucha and Clarke.Beardsley was a public character as well as a private eccentric. He said, ""I have one aim - the grotesque. If I am not grotesque I am nothing."" Wilde said he had ""a face like a silver hatchet, and grass green hair.""Although Beardsley was aligned with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. Speculation about his sexuality include rumours of an incestuous relationship with his elder sister, Mabel, who may have borne his miscarried child.Beardsley died of tuberculosis in Menton, France at the age of 25 on March 16, 1898.","30","£30","mounted","Print","Artists","Aubrey Beardsley","","","","","",""
"9166","","Bernard Cecil Gotch","The Bastion, New College Garden. Oxford","Linocut","c.1951","","","Image 258 x 333 mm","","","Signed and inscribed in pencil.Originally a present to Anne and John 31st March 1951","300","£300","unmounted","Print","Artists","Bernard Cecil Gotch","","","","","",""
"9335","","Bernard Cecil Gotch","[Bursledon Bridge, Hampshire]","Linocut","c.1949","","","Image 350 x 235 mm","","","","190","£190","mounted","Print","Artists","Bernard Cecil Gotch","","","","","",""
"9151","","Bernard Cecil Gotch","The Curve of the High","Linocut","c.1949","","","Image108 x 148mm","","","Signed and inscribed in pencil","250","£250","framed","Print","Artists","Bernard Cecil Gotch","","","","","",""
"9116","","Bernard Cecil Gotch","The High","Linocut","c.1949","","","Image 196 x 133 mm","","","Titled and inscribed in pencil Originally prsented as a Christmas card sent by Mary and Bernard Gotch, handwritten on verso of image.","250","£250","framed","Print","Artists","Bernard Cecil Gotch","","","","","",""
"9152","","Bernard Cecil Gotch","Lenthaus","Linocut","c.1949","","","Image 153 x 111mm","","","Signed and inscribed in pencil","150","£150","unmounted","Print","Artists","Bernard Cecil Gotch","","","","","",""
"9154","","Bernard Cecil Gotch","New College Tower. Oxford","Linocut","c.1951","","","Image 98 x 150 mm","","","Signed and inscribed in pencil","220","£220","framed","Print","Artists","Bernard Cecil Gotch","","","","","",""
"9101","","Bernard Cecil Gotch","The Old Observatory, Oxford","Linocut","c.1949","","","Image 187 x 153mm ","","","Signed and inscribed in pencil Condition: Pen mark in sky","90","£90","unmounted","Print","Artists","Bernard Cecil Gotch","","","","","",""
"9107","","Bernard Cecil Gotch","An Oxford Skyline","Linocut","c.1949","","","Image 216 x 141mm","","","Signed and inscribed in pencil ","275","£275","framed","Print","Artists","Bernard Cecil Gotch","","","","","",""
"9117","","Bernard Cecil Gotch","Patchway","Linocut","c.1949","","","Image 189 x 125mm","","","Signed and inscibed in pencil Patchway was Mary and Bernard Gotch’s house on Cumnor Hill in Oxford and one of the last to be built before World War II","180","£180","mounted","Print","Artists","Bernard Cecil Gotch","","","","","",""
"9112","","Bernard Cecil Gotch","St.Mary The Virgin, Oxford","Linocut","c.1949","","","Image 127 x 180 mm","","","Signed and inscribed in pencil Originally prsented as a Christmas card sent by Mary and Bernard Gotch.","100","£100","mounted","Print","Artists","Bernard Cecil Gotch","","","","","",""
"9114","","Bernard Cecil Gotch","Tom Tower. Christ Church","Linocut","c.1949","","","Image 124 x 202 mm","","","Signed and inscribed in pencil ","250","£250","framed","Print","Artists","Bernard Cecil Gotch","","","","","",""
"1621","","David Roberts","Balbec from the Fountain, May 7th 1839","Lithograph with original hand colour","London: F.G. Moon. 1842-9 ","","","","","","Yesterday and Today: The Holy LandTrimmed as issued","100","£100","mounted","Print","Artists","David Roberts","","","","","",""
"9367","","Gaillard after Boucher","The Secret Message","Copper engraving","circa 1767","","","Image 500 x 375 mm","","","“proof”","250","£250","mounted","Print","Artists","Engravers A-K","","","","","",""
"9340","","Ferdinand Giele","All Souls & the Radcliffe Camera","Etching","c.1918","","","Image and plate 254 x 352 mm. ","","","Signed in pencil Edition 48/75Ferdinand Giele (1867-1929) was professor at the Louvain Art Academy. He resided in Great Britain during the First World War (from 1916 to 1919) where he worked e.g. with Frank Short.","300","£300","framed","Print","Artists","Ferdinand Giele","","","","","",""
"9372","","Ferdinand Giele","Oxford - Bath Place","Etching","c. 1918","","","Image and plate 377 x 230 mm","","","Signed and inscribed in pencil","300","£300","framed","Print","Artists","Ferdinand Giele","","","","","",""
"9383","","Ferdinand Giele","Oxford - Merton College","Etching and dry point","c. 1918","","","Image and plate 257 x 162 mm","","","Signed and inscribed in pencil","200","£200","mounted","Print","Artists","Ferdinand Giele","","","","","",""
"13814","","Ferdinand Giele","Oxford - New College Entrance","Etching ","c. 1918","","","Image and plate 280 x 200 mm","","","Signed and inscribed in pencil","200","£200","mounted","Print","Artists","Ferdinand Giele","","","","","",""
"13474","","Giovanni Battista Piranesi","Al Nobile Uomo il Sig. Giambattista Collicola Montioni Foriere Maggiore de Sagri Palazzi Apostolici amatore delle belle arti","Etching","Rome 1778","","","Image 670 x 420 mm","Vasi, Candelabri, Cippi, Sarcophagi, Tripodi Lucerne, et Ornamenti Antichi","","One of two identical altars dedicated to Apollo with Greek key motif around the rim and Medusa heads on the bowl, found in the Villa of Pompey the Great in Albano.Plate 95Wilton-Ely No. 990F703, C601Ex collection Sir Howard Colvin","1200","£1,200","framed","Print","Artists","Giovanni Battista Piranesi","","","","","",""
"13475","","Giovanni Battista Piranesi","Al Signor Carlo Morris, Cavaliere Inglese","Etching","Rome 1778","","","Image 695 x 350 mm","Vasi, Candelabri, Cippi, Sarcophagi, Tripodi Lucerne, et Ornamenti Antichi","","Perspective view of the Newdigate candelabrum with ram’s heads and elephant’s heads at the angles. One of two purchased by Sir Roger Newdigate now in the Ashmolean Museum, Oxford.Plate 97Wilton-Ely No. 992F705, C603Ex collection Sir Howard Colvin","1200","£1,200","framed","Print","Artists","Giovanni Battista Piranesi","","","","","",""
"13473","","Giovanni Battista Piranesi","Al Suo Carissimo Amico il Sig. Riccardo Hayward Scultore Inglese","Etching","Rome 1778","","","Image 670 x 420 mm","Vasi, Candelabri, Cippi, Sarcophagi, Tripodi Lucerne, et Ornamenti Antichi","","Marble vas ornamented with frieze of slaves and griffonsPlate 73Wilton-Ely No. 960F673, C579Ex collection Sir Howard Colvin","1200","£1,200","framed","Print","Artists","Giovanni Battista Piranesi","","","","","",""
"13476","","Giovanni Battista Piranesi","Al Suo Carrissimo Amico il Sig. Giacomo Byres Architetto Scozzese","Etching","Rome 1778","","","Image 675 x 420 mm","Vasi, Candelabri, Cippi, Sarcophagi, Tripodi Lucerne, et Ornamenti Antichi","","Marble vase with pedestal from Hadrian’s Villa, Tivoli. Now in the British Museum.Plate 59Wilton-Ely No. 942F655, C563Ex collection Sir Howard Colvin","1200","£1,200","framed","Print","Artists","Giovanni Battista Piranesi","","","","","",""
"13479","","Giovanni Battista Piranesi","A Sua Eccellenza il Sig Principe D.Abondio Rezzonico Senatore di Roma Amatore delle belle Arti","Etching","Rome 1778","","","Image 680 x 420 mm","Vasi, Candelabri, Cippi, Sarcophagi, Tripodi Lucerne, et Ornamenti Antichi","","Marble CandelabrumPlate 27Wilton-Ely No. 912F625, C533Ex collection Sir Howard Colvin","1000","£1,000","unmounted","Print","Artists","Giovanni Battista Piranesi","","","","","",""
"13477","","Giovanni Battista Piranesi","A Sua Eccellenza il Signor Hennry Hope Cav. Scozzese amatore delle Belle Arti.","Etching","Rome 1778","","","Image 445 x 700 mm","Vasi, Candelabri, Cippi, Sarcophagi, Tripodi Lucerne, et Ornamenti Antichi","","Group of caryatidsPlate 68Wilton-Ely No. 955F668, C574Ex collection Sir Howard Colvin","700","£700","unmounted","Print","Artists","Giovanni Battista Piranesi","","","","","",""
"12648","","Giovanni Battista Piranesi","Veduta del Monumento eretto dall’Imperador Tito Vespasiano per aver ristaurati gl’Aquedotti...The Porta Maggiore, Originally an Archway of the Aqua Claudia and the Anio Novus","Etching","Rome, 1775","","","480 x 695 mm","","","Original etching from the “Vedute di Roma”Hind i/iii","2000","£2,000","mounted","Print","Artists","Giovanni Battista Piranesi","","","","","",""
"12649","","Giovanni Battista Piranesi","Veduta del Ponte Molle sul Tevere due miglia lontan da Roma. [The Ponte Molle]","Etching","1st Paris, c. 1808","","","435 x 665 mm","","","Hind 64 ii/iv","1800","£1,800","unmounted","Print","Artists","Giovanni Battista Piranesi","","","","","",""
"13480","","Giovanni Battista Piranesi","Veduta di un Ingresso alla Stanza Superiorre dentro al Masso sepolcrale d’Elio Adriano Imp,","Etching","Rome,  Bouchard Gravier, 1761","","","Image 365 x 475 mm","Le Antichita Romane","","View of an entrance to teh upper room inside the Mausoleum of the Emperor Hadrian. Numbered X in the second edition.Plate XWilton-Ely No. 476F343, C179Ex collection Sir Howard Colvin","550","£550","unmounted","Print","Artists","Giovanni Battista Piranesi","","","","","",""
"13526","","Giovanni Battista Piranesi","Veduta interna della Basilica di S. Pietro in Vaticano vicino alla Tribuna","Etching","Paris, 1800","","","Image 482 x 670, Pl. 488 x 675 mm","","","Original etching from the “Vedute di Roma”Hind 102 ii/iii, WIlton-Ely 235","950","£950","framed","Print","Artists","Giovanni Battista Piranesi","","","","","",""
"9339","","H. J. F. Baddeley","An Oxford Garden","Etching","","","","Image 91x 149 mm","","","Signed in pencil by the artistSir Henry John Fanshawe Baddeley, R.E. was an etcher and line engraver of designs for emblems and shields.  He was born on 27th June 1874 at Elswick.  Baddeley went to school at Radley College and then on to Trinity College, Oxford.  He exhibted at the Royal Academy and the Royal Scoity of Painter-Etchers and Engravers.  He was elected A.R.E. in 1911, to the Royal Society of Painter-Etchers and Engravers in 1914 and was the Honorary Secretary of the R.E. from 1911-1921.  He was created C.B.E. in 1920 and K.C.B. in 1935.  He was in the Judicial Office of the House of Lords and from 1934 he was the Clerk of Parliments.  Baddely lived in London and died on 27th September 1951.  ","90","£90","mounted","Print","Artists","H. J. F. Baddeley","","","","","",""
"3996","","Hellmuth Weissenborn","Alphabet letter","Wood engraving","","","","I 50 x 75 mm","","","SignedHellmuth Weissenborn (1898 -1982) was born in Leipzig, Germany, his father was an art teacher. Weissenborn studied at the Academy for Graphic Art and Book Design, Leipzig from 1919 serving in WWI. In 1938 he emigrated to London as a freelance artist. He then went on to work as an illustrator for the Whittington Press and his first solo show was at Archer Gallery. In 1946 he and his wife took over the then defunct Acorn Press. He exhibited at the Victoria and Albert Museum, the London Group and at exhibitions in America and Australia.","150","£150","mounted","Print","Artists","Hellmuth Weissenborn","","","","","",""
"3555","","Hellmuth Weissenborn","‘B’","Woodcut","circa 1950","","","I 50 x 38 mm","","","Hellmuth Weissenborn (1898 -1982) was born in Leipzig, Germany, his father was an art teacher. Weissenborn studied at the Academy for Graphic Art and Book Design, Leipzig from 1919 serving in WWI. In 1938 he emigrated to London as a freelance artist. He then went on to work as an illustrator for the Whittington Press and his first solo show was at Archer Gallery. In 1946 he and his wife took over the then defunct Acorn Press. He exhibited at the Victoria and Albert Museum, the London Group and at exhibitions in America and Australia.","30","£30","mounted","Print","Artists","Hellmuth Weissenborn","","","","","",""
"6413","","Hellmuth Weissenborn","‘D’","Woodcut","","c. 1950","1950","I: 28 x 28 mm","","","Hellmuth Weissenborn (1898 -1982) was born in Leipzig, Germany, his father was an art teacher. Weissenborn studied at the Academy for Graphic Art and Book Design, Leipzig from 1919 serving in WWI. In 1938 he emigrated to London as a freelance artist. He then went on to work as an illustrator for the Whittington Press and his first solo show was at Archer Gallery. In 1946 he and his wife took over the then defunct Acorn Press. He exhibited at the Victoria and Albert Museum, the London Group and at exhibitions in America and Australia.","25","£25","mounted","Print","Artists","Hellmuth Weissenborn","","","","","",""
"8103","","Hellmuth Weissenborn","[Grasshoppers]","Woodcut","28th October 1981","","","Images 147 x 75 mm, Sheet 225 x 126 mm","","","Signed and inscribed in penProofsHellmuth Weissenborn (1898 -1982) was born in Leipzig, Germany, his father was an art teacher. Weissenborn studied at the Academy for Graphic Art and Book Design, Leipzig from 1919 serving in WWI. In 1938 he emigrated to London as a freelance artist. He then went on to work as an illustrator for the Whittington Press and his first solo show was at Archer Gallery. In 1946 he and his wife took over the then defunct Acorn Press. He exhibited at the Victoria and Albert Museum, the London Group and at exhibitions in America and Australia.","75","£75","mounted","Print","Artists","Hellmuth Weissenborn","","","","","",""
"3554","","Hellmuth Weissenborn","‘O’","Woodcut","circa 1950","","","I 50 x 38 mm","","","Hellmuth Weissenborn (1898 -1982) was born in Leipzig, Germany, his father was an art teacher. Weissenborn studied at the Academy for Graphic Art and Book Design, Leipzig from 1919 serving in WWI. In 1938 he emigrated to London as a freelance artist. He then went on to work as an illustrator for the Whittington Press and his first solo show was at Archer Gallery. In 1946 he and his wife took over the then defunct Acorn Press. He exhibited at the Victoria and Albert Museum, the London Group and at exhibitions in America and Australia.","30","£30","mounted","Print","Artists","Hellmuth Weissenborn","","","","","",""
"6418","","Hellmuth Weissenborn","‘Q’","Woodcut","","c. 1950","1950","I: 28 x 28 mm","","","Hellmuth Weissenborn (1898 -1982) was born in Leipzig, Germany, his father was an art teacher. Weissenborn studied at the Academy for Graphic Art and Book Design, Leipzig from 1919 serving in WWI. In 1938 he emigrated to London as a freelance artist. He then went on to work as an illustrator for the Whittington Press and his first solo show was at Archer Gallery. In 1946 he and his wife took over the then defunct Acorn Press. He exhibited at the Victoria and Albert Museum, the London Group and at exhibitions in America and Australia.","25","£25","mounted","Print","Artists","Hellmuth Weissenborn","","","","","",""
"6419","","Hellmuth Weissenborn","‘U’","Woodcut","","c. 1950","1950","I: 28 x 28 mm","","","Hellmuth Weissenborn (1898 -1982) was born in Leipzig, Germany, his father was an art teacher. Weissenborn studied at the Academy for Graphic Art and Book Design, Leipzig from 1919 serving in WWI. In 1938 he emigrated to London as a freelance artist. He then went on to work as an illustrator for the Whittington Press and his first solo show was at Archer Gallery. In 1946 he and his wife took over the then defunct Acorn Press. He exhibited at the Victoria and Albert Museum, the London Group and at exhibitions in America and Australia.","25","£25","mounted","Print","Artists","Hellmuth Weissenborn","","","","","",""
"5742","","Hellmuth Weissenborn","‘X’","Woodcut","circa 1950","","","I 50 x 38 mm","","","Hellmuth Weissenborn (1898 -1982) was born in Leipzig, Germany, his father was an art teacher. Weissenborn studied at the Academy for Graphic Art and Book Design, Leipzig from 1919 serving in WWI. In 1938 he emigrated to London as a freelance artist. He then went on to work as an illustrator for the Whittington Press and his first solo show was at Archer Gallery. In 1946 he and his wife took over the then defunct Acorn Press. He exhibited at the Victoria and Albert Museum, the London Group and at exhibitions in America and Australia.","25","£25","mounted","Print","Artists","Hellmuth Weissenborn","","","","","",""
"3558","","Hellmuth Weissenborn","‘Y’","Woodcut","circa 1950","","","I  50 x 38 mm","","","Hellmuth Weissenborn (1898 -1982) was born in Leipzig, Germany, his father was an art teacher. Weissenborn studied at the Academy for Graphic Art and Book Design, Leipzig from 1919 serving in WWI. In 1938 he emigrated to London as a freelance artist. He then went on to work as an illustrator for the Whittington Press and his first solo show was at Archer Gallery. In 1946 he and his wife took over the then defunct Acorn Press. He exhibited at the Victoria and Albert Museum, the London Group and at exhibitions in America and Australia.","25","£25","mounted","Print","Artists","Hellmuth Weissenborn","","","","","",""
"1740","","M. K. Hughes","The Gateway [Corpus Christi]","Etching","Published by W. H. Boyman & Co. Cheltenham c.1913","","","Image 245 x 170 mm","","","Myra Kathleen Hughes etcher of landscapes and architectural subjects.  She was the daughter of Sir Frederic Hughes of Rosslare Fort, County Wexford.  Hughes studied at the Westminster School under Mouat Loudan and the Royal College of Art under Frank Short and Constance Pott.  She exhibited at the Royal Academy, Royal Hibernian Academy, Royal Society of Painter-Etchers and Engravers and the Paris Salon.  Hughes worked in London, Dublin, Norway and Palestine.  She lived in Hindhead in Surrey and died on 21st August 1918.","65","£65","mounted","Print","Artists","M.K. Hughes","","","","","",""
"10586","","Richard Cooper","","Soft ground etching","Published May 30th 1799, by R.Cooper, Charles Street, St.James’s.","","","Image 211 x 257 mm Plate 230 x 273 mm","","","Early Proof.Trimmed just outside plate mark.Foxing over publication line.Liechtenstein Mount.","150","£150","mounted","Print","Artists","Richard Cooper","","","","","",""
"5521","","Sydney Carline","[Broad Street with Sheldonian Heads]","Etching","1910","","","Image and plate 162 x 135 mm","","","Signed in pencilSydney Carline (1888-1929) He was born in London. Both his brother, Richard, and his sister Hilda, were also artists, with his sister marrying the artist Stanley Spencer, who was a friend of Richard's. The three siblings were children of the artist, George Carline (1855-1920). They studied at the Slade School and in Paris under Tudor Hart. Sydney was an official war artist with the RAF during World War I. He exhibited with the London Group, becoming a member in 1924. From 1921 to 1929 he was Ruskin Master of Drawing at Oxford. He provided some illustrations for T. E. Lawrence's Revolt in the Desert. ","50","£50","mounted","Print","Artists","Sydney William Carline","","","","","",""
"1353","","Sydney Carline","[New College Lane]","Etching","1912","","","Image and plate 175 x 105 mm","","","Signed in pencilSydney Carline (1888-1929) He was born in London. Both his brother, Richard, and his sister Hilda, were also artists, with his sister marrying the artist Stanley Spencer, who was a friend of Richard's. The three siblings were children of the artist, George Carline (1855-1920). They studied at the Slade School and in Paris under Tudor Hart. Sydney was an official war artist with the RAF during World War I. He exhibited with the London Group, becoming a member in 1924. From 1921 to 1929 he was Ruskin Master of Drawing at Oxford. He provided some illustrations for T. E. Lawrence's Revolt in the Desert. ","40","£40","mounted","Print","Artists","Sydney William Carline","","","","","",""
"9391","","Sydney William Carline","[Bishop King’s Palace]","Etching","1912","","","Image and plate 175 x 136 mm","","","Signed in pencilSydney Carline (1888-1929) He was born in London. Both his brother, Richard, and his sister Hilda, were also artists, with his sister marrying the artist Stanley Spencer, who was a friend of Richard's. The three siblings were children of the artist, George Carline (1855-1920). They studied at the Slade School and in Paris under Tudor Hart. Sydney was an official war artist with the RAF during World War I. He exhibited with the London Group, becoming a member in 1924. From 1921 to 1929 he was Ruskin Master of Drawing at Oxford. He provided some illustrations for T. E. Lawrence's Revolt in the Desert. ","45","£45","mounted","Print","Artists","Sydney William Carline","","","","","",""
"1008","","Sydney William Carline","[Oxford from Hinskey]","Etching","1913","","","Image and plate 131 x 174 mm","","","Signed in pencil Sydney Carline (1888-1929) Born in London. Both his brother, Richard, and his sister Hilda, were also artists, with his sister marrying the artist Stanley Spencer, who was a friend of Richard's. The three siblings were children of the artist, George Carline (1855-1920). They studied at the Slade School and in Paris under Tudor Hart. Sydney was an official war artist with the RAF during World War I. He exhibited with the London Group, becoming a member in 1924. From 1921 to 1929 he was Ruskin Master of Drawing at Oxford. He provided some illustrations for T. E. Lawrence's Revolt in the Desert. ","70","£70","framed","Print","Artists","Sydney William Carline","","","","","",""
"13407","","Sydney William Carline","[Oxford from Hinskey]","Etching","1913","","","Image and plate 137 x 174 mm","","","Signed in pencil Sydney Carline (1888-1929) Born in London. Both his brother, Richard, and his sister Hilda, were also artists, with his sister marrying the artist Stanley Spencer, who was a friend of Richard's. The three siblings were children of the artist, George Carline (1855-1920). They studied at the Slade School and in Paris under Tudor Hart. Sydney was an official war artist with the RAF during World War I. He exhibited with the London Group, becoming a member in 1924. From 1921 to 1929 he was Ruskin Master of Drawing at Oxford. He provided some illustrations for T. E. Lawrence's Revolt in the Desert. ","50","£50","mounted","Print","Artists","Sydney William Carline","","","","","",""
"9281","","Sydney William Carline","[The Martyrs' Memorial.]","Etching","1911","","","Image and plate 139 x 176 mm ","","","Signed in pencilSydney Carline (1888-1929) He was born in London. Both his brother, Richard, and his sister Hilda, were also artists, with his sister marrying the artist Stanley Spencer, who was a friend of Richard's. The three siblings were children of the artist, George Carline (1855-1920). They studied at the Slade School and in Paris under Tudor Hart. Sydney was an official war artist with the RAF during World War I. He exhibited with the London Group, becoming a member in 1924. From 1921 to 1929 he was Ruskin Master of Drawing at Oxford. He provided some illustrations for T. E. Lawrence's Revolt in the Desert. ","40","£40","mounted","Print","Artists","Sydney William Carline","","","","","",""
"1736","","Sydney William Carline","[View looking down St. Aldates, Oxford]","Etching","1911","","","Image and plate 131 x 174 mm","","","Signed in pencilSydney Carline (1888-1929) He was born in London. Both his brother, Richard, and his sister Hilda, were also artists, with his sister marrying the artist Stanley Spencer, who was a friend of Richard's. The three siblings were children of the artist, George Carline (1855-1920). They studied at the Slade School and in Paris under Tudor Hart. Sydney was an official war artist with the RAF during World War I. He exhibited with the London Group, becoming a member in 1924. From 1921 to 1929 he was Ruskin Master of Drawing at Oxford. He provided some illustrations for T. E. Lawrence's Revolt in the Desert. ","45","£45","mounted","Print","Artists","Sydney William Carline","","","","","",""
"11154","","after Hogarth","Paul Before Felix In The Dutch Taste","Copper engraving","c. 1752","","","Image 235 x 337mm","","","","120","£120","unmounted","Print","Artists","William Hogarth","","","","","",""
"11393","","after William Hogarth","The Musical Group (A Chorus of Singers. Rehersal of th Oratorio of “Judith.”","Mezzotint","c.1733","","","Image 168 x 162 mm, Pl. 188 x 184 mm, Sheet 190 x 167 mm","","","A mezzotint copy, reversed, with variations from the orginal Hogarth etching   A Chorus of Singers. Ex. Col. Christopher Lennox-Boyd","300","£300","unmounted","Print","Artists","William Hogarth","","","","","",""
"12859","","Joseph Sympson Jr.","Ticket for James Figg","Copper engraving","c. 1733 but later impression","","","Image 180 x 130 mm ","","","Paulson 336","20","£20","unmounted","Print","Artists","William Hogarth","","","","","",""
"12656","","Thomas Cook after a design by W. Hogarth","Industry and Idleness - set of 12","Copper engraving","Published by T. Cook Islington and G.G. & J. Robinsons Pater-noster Row February 1st1796","","","Image 270 x 330 mm Plate 290 x 360 mm","","","Complete set of twelve engravings.The Industry and Idleness series, Hogarth writes in his autobiographical notes, was ‘calculated for the use & instruction of youth wherein everything necessary to be known was to be made as inteligible as possible and as fine engraving was not necessary to the main design provided that which is infinitely more material viz the characters and expressions were well preserved, the purchase of them became within the reach of those for whom they were chiefly intended’ ","400","£400","unmounted","Print","Artists","William Hogarth","","","","","",""
"7762","","William Hogarth","Decimation","Etching","","","","Image 32 x 70 mm, Pl. 45 x 80 mm","From Fouteen Illustraions for Beaver’s Roman Military Punishments, 1725","","Paulson 59No text on back","150","£150","mounted","Print","Artists","William Hogarth","","","","","",""
"13562","","William Hogarth","The Distressed Poet","Copper engraving","Invented Painted Engraved & Published  by Wm. Hogarth December.the 15th , 1740 According to Act of Parliment Price 3 Shillings","","","Image 313 x 387 mm, Pl. 357 x 408 mm","","","BM Sat. 2309, Paulson 145 iii/iiiAn excellent contemporary impression of the third state of this print with good wide margins, framed in a contemporary 18th century frame.","850","£850","framed","Print","Artists","William Hogarth","","","","","",""
"1602","","William Nicholson","The Arch Bishop of Canterbury","Lithograph","1899 (William Heinemann)","","","I 255 x 230 mm","Twelve Portraits ","","","90","£90","","Print","Artists","William Nicholson","","","","","",""
"10951","","William Nicholson","Archery (July)","Lithograph","Popular edition 1897 (post-dated 1898) William Heinemann","","","I 196 x 198 mm","Almanac of Twelve Sports","","","120","£120","mounted","Print","Artists","William Nicholson","","","","","",""
"1579","","William Nicholson","B for Beggar","Lithograph","1898  [William Heinemann]","","","I 247 x 197 mm","An Alphabet","","","130","£130","mounted","Print","Artists","William Nicholson","","","","","",""
"11046","","William Nicholson","Beef-eater (The Tower)","Lithograph","1898  [William Heinemann]","","","Image 255 x 230 mm","London Types","","","120","£120","mounted","Print","Artists","William Nicholson","","","","","",""
"11051","","William Nicholson","Bluecoat Boy (Newgate Street)","Lithograph","1898  [William Heinemann]","","","Image 255 x 230 mm","London Types","","","140","£140","mounted","Print","Artists","William Nicholson","","","","","",""
"1839","","William Nicholson","The Bodleian Library","Lithograph","1905","","","Image 355 x 280 mm","Oxford","","Signed, blindstamped and numberedCampbell 137Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).","150","£150","framed","Print","Artists","William Nicholson","","","","","",""
"12493","","William Nicholson","[Boxer]","Lithograph","Popular edition 1897 (post-dated 1898) William Heinemann","","","Image 195 x 195 mm","","","","100","£100","mounted","Print","Artists","William Nicholson","","","","","",""
"9679","","William Nicholson","Boxing","Lithograph","Popular edition 1897 (post-dated 1898) William Heinemann","","","I 196 x 198 mm","Almanac of Twelve Sports","","","100","£100","mounted","Print","Artists","William Nicholson","","","","","",""
"1610","","William Nicholson","Coursing (February) ","Lithograph","Popular edition 1897 (post-dated 1898) William Heinemann","","","Image 196 x 198 mm","Almanac of Twelve Sports","","","120","£120","mounted","Print","Artists","William Nicholson","","","","","",""
"1584","","William Nicholson","D is for Dandy","Lithograph","1898  [William Heinemann]","","","I 247 x 197 mm","An Alphabet","","","140","£140","mounted","Print","Artists","William Nicholson","","","","","",""
"1808","","William Nicholson","Doorway, the old Ashmolean","Lithograph","1905","","","Image 355 x 257 mm","Oxford","","Signed, numbered and blindstampedCampbell 137Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).","150","£150","framed","Print","Artists","William Nicholson","","","","","",""
"11052","","William Nicholson","Drum Major (Wimbledon Common)","Lithograph","1898  [William Heinemann]","","","Image 255 x 230 mm","London Types","","","140","£140","mounted","Print","Artists","William Nicholson","","","","","",""
"1590","","William Nicholson","Fishing (May)","Lithograph","Popular edition 1897 (post-dated 1898) William Heinemann","","","I 196 x 198 mm","Almanac of Twelve Sports","","","95","£95","mounted","Print","Artists","William Nicholson","","","","","",""
"11042","","William Nicholson","Flower Girl (any corner)","Lithograph","1898  [William Heinemann]","","","Image 255 x 230 mm","London Types","","","140","£140","mounted","Print","Artists","William Nicholson","","","","","",""
"6531","","William Nicholson","Golf (October)","Lithograph","Popular edition 1897 (post-dated 1898) William Heinemann","","","Image 196 x 198 mm","Almanac of Twelve Sports","","","135","£135","mounted","Print","Artists","William Nicholson","","","","","",""
"11045","","William Nicholson","Guardsman (The Horse Guards)","Lithograph","1898  [William Heinemann]","","","Image 255 x 230 mm","London Types","","","120","£120","mounted","Print","Artists","William Nicholson","","","","","",""
"11048","","William Nicholson","Hawker (Kensington)","Lithograph","1898  [William Heinemann]","","","Image 255 x 230 mm","London Types","","","120","£120","mounted","Print","Artists","William Nicholson","","","","","",""
"1608","","William Nicholson","Hunting (January)","Lithograph","Popular edition 1897 (post-dated 1898) William Heinemann","","","I 196 x 198 mm","Almanac of Twelve Sports","","","120","£120","mounted","Print","Artists","William Nicholson","","","","","",""
"1586","","William Nicholson","I for Idiot","Lithograph","1898  [William Heinemann]","","","I 247 x 197 mm","An Alphabet","","","150","£150","mounted","Print","Artists","William Nicholson","","","","","",""
"1571","","William Nicholson","K for Keeper","Lithograph","1898  [William Heinemann]","","","I 247 x 197 mm","An Alphabet","","","140","£140","mounted","Print","Artists","William Nicholson","","","","","",""
"1744","","William Nicholson","The Library, Christ Church","Lithograph","1905","","","Image 342 x 257 mm","Oxford ","","Signed, numbered and blindstampedCampbell 137 Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).","100","£100","mounted","Print","Artists","William Nicholson","","","","","",""
"1588","","William Nicholson","N for Nobleman","Lithograph","1898  [William Heinemann]","","","I 247 x 197 mm","An Alphabet","","","130","£130","mounted","Print","Artists","William Nicholson","","","","","",""
"11050","","William Nicholson","Newsboy (The City)","Lithograph","1898  [William Heinemann]","","","Image 255 x 230 mm","London Types","","","140","£140","mounted","Print","Artists","William Nicholson","","","","","",""
"1580","","William Nicholson","O for Ostler","Lithograph","1898  [William Heinemann]","","","I 247 x 197 mm","An Alphabet","","","140","£140","mounted","Print","Artists","William Nicholson","","","","","",""
"1729","","William Nicholson","Oriel College","Lithograph","1905","","","Image 360 x 291 mm","Oxford ","","Signed, numbered and blindstampedCampbell 137Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).","120","£120","mounted","Print","Artists","William Nicholson","","","","","",""
"11049","","William Nicholson","Policeman ( Constitution Hill)","Lithograph","1898  [William Heinemann]","","","Image 255 x 230 mm","London Types","","","150","£150","mounted","Print","Artists","William Nicholson","","","","","",""
"9080","","William Nicholson","Q for Quaker","Lithograph","1898  [William Heinemann]","","","I 247 x 197 mm","An Alphabet","","","130","£130","mounted","Print","Artists","William Nicholson","","","","","",""
"1581","","William Nicholson","R is for Robber","Lithograph","1898  [William Heinemann]","","","I 247 x 197 mm","An Alphabet","","","140","£140","mounted","Print","Artists","William Nicholson","","","","","",""
"11047","","William Nicholson","Sandwich - Man (Trafalgar Squar)","Lithograph","1898  [William Heinemann]","","","Image 255 x 230 mm","London Types","","","120","£120","mounted","Print","Artists","William Nicholson","","","","","",""
"1600","","William Nicholson","Sir Henry Hawkins","Lithograph","1899 (William Heinemann)","","","I 255 x 230 mm","Twelve Portraits ","","","150","£150","","Print","Artists","William Nicholson","","","","","",""
"12492","","William Nicholson","[Skater]","Lithograph","c.1898","","","Image 200 x 200 mm","","","","120","£120","mounted","Print","Artists","William Nicholson","","","","","",""
"1566","","William Nicholson","T For Trumpeter","Lithograph","1898  [William Heinemann]","","","I 247 x 197 mm","An Alphabet","","","150","£150","mounted","Print","Artists","William Nicholson","","","","","",""
"1567","","William Nicholson","W for Waitress","Lithograph","1898  [William Heinemann]","","","I 247 x 197 mm","An Alphabet","","","120","£120","mounted","Print","Artists","William Nicholson","","","","","",""
"9392","","William Nicholson","Wadham College ","Lithograph","Published 1905","","","Image 348 x 266 mm","Oxford","","Signed and blinstampedCampell 137Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).","150","£150","mounted","Print","Artists","William Nicholson","","","","","",""
"9177","","William Nicholson","Wadham College Chapel","Lithograph","1905","","","Image 350 x 285 mm","Oxford","","Signed and blindstampedCampbell 137Nicholson moved to Woodstock, Oxfordshire in 1898. After this time he became increasingly interested in historic architecture and, in 1902, began to make watercolour drawings of colleges and other buildings in nearby Oxford. The series was completed in 1903 and published the following year as a facsimile of 24 finely printed facsimiles, by the Stafford Gallery. “Unlike the artists who had worked on the many successors to Ackermann’s ‘History of Oxford’, Nicholson was as interested in the effects of light and shade on the fabric of the city’s architecture as he was in the buildings themselves.” (C. Cambell - William Nicholson, The Graphic Work).","120","£120","mounted","Print","Artists","William Nicholson","","","","","",""
"9084","","William Nicholson","Y is for Yokel","Lithograph","1898  [William Heinemann]","","","I 247 x 197 mm","An Alphabet","","","130","£130","mounted","Print","Artists","William Nicholson","","","","","",""
"9728","","","Hindostan or British India","Steel engraving with hand colouring","c. 1840","","","380 x 290 mm","","","","55","£55","unmounted","Map","Asia & Middle East","","","","","","",""
"4602","","Bellin, Jacques Nicolas","Suite de la Carte de L'Inde en deca du Gange II-e Feuille Comprenant La Presqu'Isle De L'Inde. Pour servir a l'Histoire Generale des Voyages","Copper engraving","Paris, c. 1752","","","218 x 244 mm ","","","","70","£70","unmounted","Map","Asia & Middle East","","","","","","",""
"1227","","Bowen, Thomas ","A Correct Map of the Ottoman Empire Including all the countries Possess’d by, or Tributary to the Turks, in Europe, Asia & Africa, with part of the Adjecent Territories, according ti the latest Observations","Copper engraved","Engraved for Bankes’s New System of Geography Published by Royal Authority, 1777","","","310 x 418 mm","","","","190","£190","unmounted","Map","Asia & Middle East","","","","","","",""
"9727","","Colton, J.H.","Hindostan or British India","Steel engraving with hand colouring","Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.","","","440 x 360 mm","Colton's Atlas Of  The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume","","","60","£60","unmounted","Map","Asia & Middle East","","","","","","",""
"4177","","Colton, J.H.","Turkey in Asia","Steel engraving with hand colouring","Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.","","","397 x 323 mm","Colton's Atlas Of  The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume","","","65","£65","unmounted","Map","Asia & Middle East","","","","","","",""
"4705","","Davies, B.R.","Constantinople Stambool","Copper engraving","Published by the Society for the Diffusion of Useful Knowledge, 59 Lincolns Inn Fields, Sep.r 1840","","","391 x 315 mm","","","","55","£55","unmounted","Map","Asia & Middle East","","","","","","",""
"1995","","Rapkin, J. ","Egypt and Arabia Petrea","Steel engraving","Tallis","","","I 335 x 244 mm","","","","60","£60","unmounted","Map","Asia & Middle East","","","","","","",""
"10376","","Ravenstene","The Countries Between British India and Russian Asia","Copper Engraved","The Illustrated London News, October 5, 1878. - 329","","","240 x 360 mm","","","","25","£25","unmounted","Map","Asia & Middle East","Afghanistan","","","","","",""
"12594","","Hall, Sidney","Hindustan with part of Caubul","Copper engraved with hand colouring","c. 1854","","","380 x 260 mm","","","","40","£40","unmounted","Map","Asia & Middle East","Asia","","","","","",""
"13776","","Arrowsmith, Samuel","China and the Birman Empire","Copper engraved map with original colour","London, Published by Jany. 4 1828 by Saml. Arrowsmith No. 10 Soho Square","","","305 x 230 mm","","","","45","£45","unmounted","Map","Asia & Middle East","China","","","","","",""
"9698","","","India","Steel engraved with hand colour","London. Published, By t.Tegg, Cheapside. c.1843","","","220 x 260 mm","","","","30","£30","unmounted","Map","Asia & Middle East","India","","","","","",""
"5666","","","A Plan of Fort St. George and the City of Madras","Copper engraved map","London, c. 1747","","","92 x 173 mm","From The London Magazine: Or, Gentleman’s Monthly Intelligencer","","","35","£35","mounted","Map","Asia & Middle East","India","","","","","",""
"10441","","Archer, J","India (Northern Part) & India (Southern Part)","Steel engraving with hand colouring","London Published by the Proprietor, James Gilbert, 49 Paternoster Row.c.1841","","","Northern Part 228 x 293 mm, Sothern Part 228 x 283 mm","","","Drawn and Engraved by J Archer, Pentonville, London","75","£75","unmounted","Map","Asia & Middle East","India","","","","","",""
"13774","","Arrowsmith, Samuel","India","Copper engraved map with original colour","London, Published by Jany. 4 1828 by Saml. Arrowsmith No. 10 Soho Square","","","308 x 250 mm","","","a map of India coloured to mark the areas which are either British territory, under British influence or independant states.","45","£45","unmounted","Map","Asia & Middle East","India","","","","","",""
"13790","","Arrowsmith, Samuel","Punjab","Copper engraved map with original colour","London, Published by Jany. 4 1828 by Saml. Arrowsmith No. 10 Soho Square","","","225 x 301 mm","","","","45","£45","unmounted","Map","Asia & Middle East","India","","","","","",""
"12583","","Bellin, Jacques Nicolas ","Suite de la Carte de l' Indoustan Ile. Feuille, Comprenant La Presqou' Isle de l' Inde","Copper engraved with later original colouring","","","","220 x 240 mm","Prevost's Histoire Generale des Voyages","","","50","£50","unmounted","Map","Asia & Middle East","India","","","","","",""
"5708","","Coronelli, Vincenso","Impero del Gran Mogol","Copper engraved ","Venice, c. 1690","","","443 x 601 mm","","","","450","£450","mounted","Map","Asia & Middle East","India","","","","","",""
"9502","","Dower, J","Central Germany","Steel engraved with hand colouring","London Published by Orr & Company, Amen-Corner, Patternoster-Row. 1850","","","210 x 260   mm","","","From:A Descriptive Atlas of Astronomy, and of Physical and Politival Geography.with descriptived letter-press, by The Rev, Thomas Milner, M.A, F.R.G.S, author of “The Gallery of Nature” etcThe maps of physical and political geography, constucted or carefully revised and corrected by Augustus Petermann, F.R.G.S. Honorary member of the Geographical Society of Berlin.","25","£25","mounted","Map","Asia & Middle East","India","","","","","",""
"12613","","Luffman","Mysore.","Copper engraved with original hand colouring","London. Engraved & Publishe’d Novr. 1 .1799, by Luffman, No 2, Inner Sweetings Alley, Royal Exchange.","","","156 x 129 mm","","","","30","£30","unmounted","Map","Asia & Middle East","India","","","","","",""
"13808","","Milton, W","Hindoostan or India","Copper engraved with hand colour","London; Published by J.Mc.Gowan. c1830","","","186 x 207 mm","","","","40","£40","unmounted","Map","Asia & Middle East","India","","","","","",""
"9699","","Rapkin. J","Northern India, including the Presidency Bengal","Steel engraved with hand colour","The London Printing and Publishing Company. c. 1855","","","320 x 245 mm","","","The illusrations by A.H. Wray & engraved by J.H.Kernot.","85","£85","unmounted","Map","Asia & Middle East","India","","","","","",""
"10431","","Rapkin, J","Overland Routes to India and China","Lithograph with hand colouring","c. 1851","","","330 mm x 245 mm","","","The Illustrations by H. Warren; & Engraved by J. H. KernotThe Illustrated Atlas, And Modern History Of The World Geographical, Political, Commercial & Statistical, Edited By R. Montgomery Martin, Esq. ... The Maps Drawn & Engraved By J. Rapkin. H. Warren. J. Rogers. J. & F. Tallis, London & New York.","125","£125","unmounted","Map","Asia & Middle East","India","","","","","",""
"9700","","Rapkin, J. ","Southern India, Including the Presidendies of Bombay & Madras","Steel engraved map with hand coulour","The London Printing and Publsihing Company. c.1851","","","323 x 230 mm","","","The illustrations by A.H.Wray & Engraved by J.H.Kernot","90","£90","unmounted","Map","Asia & Middle East","India","","","","","",""
"9697","","Russell. J","Hindoostan, or India. From the best Authorities","Copper engraved","c. 1810","","","191 x 230 mm","","","","35","£35","unmounted","Map","Asia & Middle East","India","","","","","",""
"6823","","","Het Joodsche Laqnd Onder De Twaalfstammen Verdeeld","Copper engraved ","1690-1700","","","127 x 175 mm","","","Dutch map of Isreal","75","£75","unmounted","Map","Asia & Middle East","Isreal","","","","","",""
"13673","","after Bellin","A Map and Chart of Arabia, the Red Sea, & Persian Gulf, drawn from the Chart of the Eastern Ocean","Copper engraved","Published in 1740, by order of ye Count de Maurepas.","","","216 x 250 mm","","","","120","£120","unmounted","Map","Asia & Middle East","Middle East","","","","","",""
"10435","","Davies, B.R.","Constantinople Stambool","Copper engraving with hand colouring","Published by the Society for the Diffusion of Useful Knowledge, 59 Lincolns Inn Fields, Sep.r 1840","","","315 x 391 mm","","","","90","£90","unmounted","Map","Asia & Middle East","Middle East","","","","","",""
"9488","","Dower, J","Iran or Persia","Steel engraved with hand colouring","London Published by Orr & Company, Amen-Corner, Patternoster-Row. 1850","","","210 x 260  mm","","","From:A Descriptive Atlas of Astronomy, and of Physical and Politival Geography.with descriptived letter-press, by The Rev, Thomas Milner, M.A, F.R.G.S, author of “The Gallery of Nature” etcThe maps of physical and political geography, constucted or carefully revised and corrected by Augustus Petermann, F.R.G.S. Honorary member of the Geographical Society of Berlin.","30","£30","mounted","Map","Asia & Middle East","Middle East","","","","","",""
"12574","","","Persia","Copper engraved with hand colouring","London. Published Nov 1828 by J, Souter, St. Pauls Ch. Yard ","","","200 x 230 mm","","","From Clark’s New School Maps","30","£30","unmounted","Map","Asia & Middle East","Persia","","","","","",""
"12566","","Moll, Herman","Persia agreable to modern history","Copper engraved with original hand colouring","c. 1754","","","240 x 260 mm","","","","60","£60","unmounted","Map","Asia & Middle East","Persia","","","","","",""
"12596","","Van Der Keele","Persia","Copper engraved with hand colouring","c. 1646","","","90 x 145 mm","","","","50","£50","unmounted","Map","Asia & Middle East","Persia","","","","","",""
"9487","","Dower, J","Russia in Asia","Steel engraved with hand colouring","London Published by Orr & Company, Amen-Corner, Patternoster-Row. 1850","",""," 210 x 260  mm","","","From:A Descriptive Atlas of Astronomy, and of Physical and Politival Geography.with descriptived letter-press, by The Rev, Thomas Milner, M.A, F.R.G.S, author of “The Gallery of Nature” etcThe maps of physical and political geography, constucted or carefully revised and corrected by Augustus Petermann, F.R.G.S. Honorary member of the Geographical Society of Berlin.","20","£20","mounted","Map","Asia & Middle East","Russia","","","","","",""
"10442","","Giraldon","Carte Des Pays Compris Entre La Mer Caspienne Et La Mer NoirePau P. Lapie, Capitaine au Corps Imperial des Ingenieurs Geographes.","Copper engraving with hand colouring","Grave par Chamouin Rue de la Harpe No.35 1810","","","379 x 502 mm","","","Trimmed close to the top right edge as issued.","80","£80","unmounted","Map","Asia & Middle East","Russia","","","","","",""
"13735","","Arrowsmith, Samuel","Ceylon","Copper engraved map with original colour","London, Published by Jany. 4 1828 by Saml. Arrowsmith No. 10 Soho Square","","","305 x 234 mm","","","","50","£50","unmounted","Map","Asia & Middle East","Sri Lanka","","","","","",""
"12078","","Rapkin, J.","Ceylon","Steel engraved map with original hand colour","New York: J. & F. Tallis","","","330 x 230 mm","","","Illustrations by H Winkles","125","£125","mounted","Map","Asia & Middle East","Sri Lanka","","","","","",""
"13669","","Tirion, Isaak","Nieuwe Kaart vant Eiland Ceilon [Sri Lanka]","Copper engraved with hand colour","uitgegeven te Amsterdam c 1750","","","282 x 366 mm","","","","250","£250","unmounted","Map","Asia & Middle East","Sri Lanka","","","","","",""
"13772","","Arrowsmith, Samuel","Syria","Copper engraved map with original colour","London, Published by Jany. 4 1828 by Saml. Arrowsmith No. 10 Soho Square","","","312 x 230 mm","","","","45","£45","unmounted","Map","Asia & Middle East","Syria","","","","","",""
"13761","","Arrowsmith, Samuel","Turkey in Europe","Copper engraved map with original colour","London, Published by Jany. 4 1828 by Saml. Arrowsmith No. 10 Soho Square","","","317 x 233 mm","","","","40","£40","unmounted","Map","Asia & Middle East","Turkey","","","","","",""
"4167","","Colton, J.H.","Turkey in Europe","Steel engraving with hand colouring","Entered according to Act of Congress in the Year 1855 by J.H. Colton & Co. in the Clerks Office of the District Court of the United States for the Southern District of New York.","","","397 x 323 mm","Colton's Atlas Of  The World, Illustrating Physical And Political Geography. By George W. Colton. Accompanied By Descriptions Geographical, Statistical, And Historical, By Richard Swainson Fisher, M.D. Complete In One Volume","","","35","£35","unmounted","Map","Asia & Middle East","Turkey","","","","","",""
"6517","","","Australia","Lithograph","1880","","","I. 287 x 234 mm","","","","20","£20","unmounted","Map","Australasia & Pacific","","","","","","",""
"6515","","Bartholomew,  John","Australia","Lithograph","1880","","","I. 413 x 307 mm","","","","40","£40","unmounted","Map","Australasia & Pacific","","","","","","",""
"9566","","J.Rapkin and J.B.Allen","New Zealand","Steel engraving with hand colouring","John Tallis & Company, London & New York, circa 1852","","","360 x 276 mm","","","Crease in the middle","275","£275","unmounted","Map","Australasia & Pacific","","","","","","",""
"4598","","Published by the superintendence of the Society for the Diffusion of Useful Knowledge","Australia in 1839","Steel engraved map","Published by the superintendence of the Society for the Diffusion of Useful Knowledge Feb 1st. 1840. ","","","Image: 396 x322. Sheet: 418 x 358","","","","100","£100","unmounted","Map","Australasia & Pacific","","","","","","",""
"7767","","Von Stulpnagel, F.","Australia","Copper engraving","","1850","1850","I. 405 x 310 mm","","","","150","£150","unmounted","Map","Australasia & Pacific","","","","","","",""
"6514","","W & A.K Johnston","Australia","Steel engraving","circa 1875","","","I 426 x 350 mm","","","","40","£40","unmounted","Map","Australasia & Pacific","","","","","","",""
"10429","","Findlay, Alexander","New South Wales.","Lithograph","London Published by Thomas Kelly, 17, Paternoster Row c.1820","","","247 mm x 192 mm","","","Slight watermarks on the left hand side","25","£25","unmounted","Map","Australasia & Pacific","Australia","","","","","",""
"12076","","Hall, Sidney","Australasia","Steel engraved with later hand colouring"," c.1854","","","255 x 375 mm","","","Sidney Hall: 1818-1860 engraver and cartographerHall was a prolific engraver who produced maps for many atlases and publishers. In particular, he engraved a set of lain, interesting county maps which were issued under several atlas titles. THese maps went through mant editions and show a series of revisions; it is common, for example, to find railway information up-dated by hand.","95","£95","mounted","Map","Australasia & Pacific","Australia","","","","","",""
"12079","","Rapkin, J. ","Victoria or Port Phillip.","Steel engraved map with original hand colouring","John Tallis and Comapny, London and New York. c.1855","","","260 x 325 mm","","","Illustrations by J Warren, Engraved by J. RogersTallis maps were highly valued for their accuracy, but perhaps more so for their charming vignettes and ornamentation. Engraved by John Rapkin, these maps were praised by the New York Sun as ""the most accurate and most splendid publication of the kind ever issued"". The Bristol Times observed that Mr. Tallis maps ""are not only critically correct, but are accompanied with elegant and appropriate engravings illustrative of the manners and costumes of the different countries.""","190","£190","unmounted","Map","Australasia & Pacific","Australia","","","","","",""
"12077","","","New Zealand (North Island)","Wood block","c.1890","","","265 x 200 mm","","","","20","£20","mounted","Map","Australasia & Pacific","New Zealand","","","","","",""
"10076","","J & C. Walker","The Islands of New Zealand","Steel engraved map with contemporary outline olouring","London, Charles Knight & Co. 22, Ludgate Street_ Corrected Octr. 1844 ","","","392 x 310 mm","","","","180","£180","unmounted","Map","Australasia & Pacific","New Zealand","","","","","",""
"13689","","Thomas Williamson after R.B. Harvaden","His Royal Highness The Duke of Gloucester, Chancellor of the University of Cambridge","Steel engraving","","","","Image 156 x 132 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","","","","","","",""
"13095","","G. Vertue","Canute","Copper engraving","","","","Image 280 x 183 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","Danish Line","","","","","",""
"13775","","George Vertue","King Canute The Great","Copper engraving","","","","Image149 x 94 mm","","","O’Donoghue 1Ex collection of Earl De GreyCanute the Great, also known as Cnut in the Anglo-Saxon Chronicles, or Knut (Old Norse: Knútr inn ríki, Norwegian: Knut den mektige, Swedish: Knut den Store, Danish: Knud den Store, Polish: Kanut Wielki) (died November 12, 1035) was a Viking king of England and Denmark, and Norway, and of some of Sweden[1] (such as the Sigtuna[2] Swedes). His successes as a statesman, politically and militarily, and his status among medieval Europe's magnates, shown by the concessions he won in diplomacy with the Pope and the Holy Roman Emperor, often lead modern historians to call him Emperor of the North,[3] although this is an unofficial title","15","£15","unmounted","Print","British Royalty Portraits","Danish Line","","","","","",""
"13533","","","Caroline Princess of Wales","Steel engraving","London Published as the Act Directs June 1795 by Colnaghi & Co No 132. Pall Mall","","","Image 230 x 197 mm, Plate 252 x 209 mm","","","","30","£30","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13600","","","George II","Copper engraving","c. 1760","","","Image 209 x 214 mm","","","From the Front Samuel Smith’s A Family Bible, or the Old and New Testament","40","£40","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13687","","","George IV","Stipple","Published August 1st 1821 for La Belle Assemblee No 151","","","Image 84 x 64 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13709","","","Her most Gracious Majesty the late Queen Charlotte","Stipple","Published by John Bell 1st Feb 1819","","","Image 145 x 104 mm","","","Queen Charlotte, (née Duchess Sophia Charlotte of Mecklenburg-Strelitz; 19 May 1744 – 17 November 1818) was the queen consort of George III of the United Kingdom (1738–1820).Queen Charlotte was a patroness of the arts, known to Johann Christian Bach and Wolfgang Amadeus Mozart, among others. She was also an amateur botanist who helped establish Kew Gardens. George III and Queen Charlotte had 15 children, 13 of whom survived to adulthood.","15","£15","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13123","","","His Royal Highness Duke William of Cumberland","Steel engraving","","","","Image 185 x 128 mm","","","","15","£15","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13134","","","His Royal Highness Duke William of Cumberland","Steel engraving","","","","Image 185 x 128 mm","","","","20","£20","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13663","","","His Royal Highness Prince William Henry","Copper engraving","London Magazine Jan 1, 1781","","","Image 120 x 98 mm, Plate 187 x 120 mm","","","William IV (William Henry; 21 August 1765 – 20 June 1837) was King of Hanover and of the United Kingdom of Great Britain and Ireland from 26 June 1830 until his death","15","£15","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13120","","","His Royal Highness the Late Duke of Cumberland","Steel engraving","Published by J.B.Bull & Co  Catherine Street Strand No 11807","","","Image 194 x 135 mm","","","","15","£15","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13115","","","His Royal Highness the Prince of Wales","Photograph","Photographed from life expressly for this work Julky 17th, 1876","","","Image 114 x 84 mm","","","","40","£40","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13117","","","The Modern Queen Badicea","Lithograph","Published by F. Glover, No 1 Water Lane, Fleet Street","","","Image 167 x 252 mm","","","","20","£20","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13110","","","Princess Charlotte of Wales and Prince Leopold of Coburg","Stipple and line engraving","London Published by Lewis & Oddy August 1816","","","Image 112 x 97 mm","","","Princess Charlotte Augusta of Wales (7 January 1796 – 6 November 1817) was the only child of the ill-fated marriage between George IV (at the time Prince of Wales) and Caroline of Brunswick. Had she lived, she would have been Queen regnant of the United Kingdom.","20","£20","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13118","","","The Queen Constitution & People","Lithograph","London, B.Williams 11 Paternoster Row & 170 Ct Dover Ro","","","Image 216 x 193 mm","","","","20","£20","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13125","","","Royal Visit to Astleys","Etching","","","","Image 197 x 230 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13527","","","Victoria","Lithograph","","","","Image 180 x 122 mm","","","","35","£35","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13658","","","William IV","Stipple","W.P.Chubb 48 Holywell Street, Strand London, c. 1830","","","Image 151 x 125 mm","","","","15","£15","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13116","","","William IV and Queen Adelaide","Mezzotint","","","","Image 164 x 243 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13710","","","William the Fourth","Steel engraving","","","","Image 87 x 92 mm","","","(William Henry; 21 August 1765 – 20 June 1837) was King of Hanover and of the United Kingdom of Great Britain and Ireland from 26 June 1830 until his death. William, the third son of George III and younger brother and successor to George IV, was the last king and penultimate monarch of the House of Hanover.","10","£10","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13124","","A.Maclure","“Leaders of Society” H.R.H Princess Mary Adelaide, Duchess of Teck","Lithograph","Maclure & Macdonald Lith. 24th February 1877","","","Image 280 x 190 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13594","","after Sir Godfrey Kneller","George II","Mezzotint","","","","Image and sheet 178 x 126 mm","","","Condition: Trimmed within the plate","45","£45","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13617","","after Thomas Frye","Charlotte, Queen of Great Britain, &c","Copper engraving","Engraved for the Universal Magazine 1762","","","Image 160 x 97 mm","","","Charlotte Sophia of Mecklenburg-Strelitz (1744-1818), Queen of George III ","15","£15","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13608","","Anthony Cardon after Andrew Robertson","The Princess Amelia ","Steel engraving","London Published June 1, 1810 by J. Ingleton, Charing Cross","","","Image 111 x 87 mm, Plate 242 x 103 mm","","","","30","£30","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"11107","","Anthony Cardon after H.Edridge","His Most Gracious Majesty George the Third.To the Queen’s most excellent Majesty This Print, from the origibal drawing in her majesty’s possesion, is (by permission) most respectfully Dedicated by her Majesty’s, Most dutiful, and obedient Servant Henry Edridge.","Stipple engraving","London, Published March 1812. by H.Edridge, Margaret Street Cavendish Square & colnaghi & Co Cockspur Str.-","","","Image 388 x 287 mm, Plate 433 x 312 mm, Sheet 451 x 323 mm","","","Condition. Tear to bottom margin and inside platemark. two foxing marks in left margin.","200","£200","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13129","","Digot","Landing of Queen Caroline at Dover","Copper engraving","","","","Image 127 x 88 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"7749","","E. Scriven","His Royal Highness the Prince of Wales","Stipple","London Dec. 1st 1806 sold by Bell and Co. No 254 High Holburn","1806","1806","I. 157 x 214 mm","","","","15","£15","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13612","","E. Scriven after Charles Boit ","His Royal Highness Frederick late Prince of Wales","Stipple and line engraving","Published by J.B. Bell Decacmp. N. 11 Catherine St. Strand, Decr. 1807","","","Image 191 x 136 mm, Plate 222 x 162 mm","","","Frederick Lewis, Prince of Wales (1707-1751), Son of George II; father of George III ","30","£30","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13839","","E. Scriven after Sir William Beechy","His Royal Highness the Duke of Gloucester","Stipple","Published by J.B.Bull & Co 11 Catherine STreet, Strand London July 1st 1807","","","Image 191 x 127 mm, Plate 227 x 160 mm","","","William Frederick, 2nd Duke of Gloucester (1776-1834), Field Marshal. Sitter associated with 14 portraits.","35","£35","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13840","","E. Scriven after Sir William Beechy","His Royal Highness the Duke of York","Stipple","Published by J.B.Bull & Co 11 Catherine STreet, Strand London July 1st 1807","","","Image 191 x 127 mm, Plate 227 x 160 mm","","","Frederick, Duke of York and Albany (1763-1827), Son of George III; Commander-in-Chief of the Army ","35","£35","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13841","","E. Scriven after Sir William Beechy","His Royal Highness the Late Duke of York","Stipple","Published by J.B.Bull & Co 11 Catherine STreet, Strand London July 1st 1807","","","Image 191 x 127 mm, Plate 227 x 160 mm","","","Edward Augustus, Duke of York and Albany (1739-1767), Son of Frederick, Prince of Wales","35","£35","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13615","","E. Scriven after Thomas Uwins ","His Most Gracious Majesty George III","Steel engraving","Published by J.B. Bell & Co. No. 11, Catherine Street Strand July 11th 1807","","","Image 116 x 94 mm, Plate 232 x 155 mm","","","","30","£30","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13845","","Edward Scriven after Sir William Beechy","His Royal Highness the Late Duke of Gloucester","Stipple","Published by J.B.Bull & Co 11 Catherine STreet, Strand London July 1st 1807","","","Image 191 x 127 mm, Plate 227 x 160 mm","","","William Henry, Duke of Gloucester (1743-1805), Son of Frederick, Prince of Wales ","35","£35","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"6626","","Engraved by J. Chapman","George II","Stipple ","Published as the act directs April 2 1798","1798","1798","I. 143 x 92 mm","","","","35","£35","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"6627","","Engraved by J. Chapman","George II","Stipple ","Published as the act directs Oct 1 1799","1798","1798","I. 143 x 92 mm","","","","15","£15","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"6620","","Engraved by J. Chapman","Queen Caroline","Stipple ","Published as the act directs March 1 1800","1800","1800","I. 140 x 93 mm","","","","15","£15","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"6931","","Eyre & Spottiswoods after S.P. Denning","Her Majesty the Queen when Princess Victoria Aged 4 years","Chromolithograph","c. 1900","","","I 252 x 195 mm","","","","20","£20","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13613","","Fenner Sears & Co ","George IV","Stipple","c. 1840","","","Image 104 x 111 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13136","","Francesco Bartolozzi","George III","Stipple","Published as the Act directs by F.Bartolozzi 1787","","","Image 208 x 176 mm, Plate 280 x 225 mm","","","","150","£150","","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13111","","Freeman after W.M Craig","[Augustus Frederick, Duke of Sussex]","Copper and Stipple engraving ","Published Jan.y, 4,1817, by Edwd. Orne, London","","","Image 129 x 101 mm, Plate 205 x 154 mm","","","Augustus Frederick, Duke of Sussex (1773-1843), Son of George IIIFrom 1786, when he entered the University of Göttingen, until 1804, he mostly resided abroad. As a young man, he suffered severely from asthma and was too delicate to join the Army or Navy. He supported many of the progressive political policies of his time including the abolition of the slave trade, Catholic emancipation, the abolition of the Corn Laws and parliamentary reform. His endorsement of these Whig principles often brought him into conflict with his elder brother George, the Prince Regent. He was interested in the advancement of art and science and lent his influence to promote many charitable schemes. He was elected President of the Society of Arts in 1816, and from 1830 to 1838 was President of the Royal Society","15","£15","","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13112","","Freeman after W.M Craig","[Lady Augusta Murray]","Copper and Stipple engraving ","Published Jan.y, 4,1817, by Edwd. Orne, London","","","Image 129 x 101 mm, Plate 205 x 154 mm","",""," Lady Augusta Murray  (1768 -1830)The daughter of John Murray, 4th Earl of Dunmore and Lady Charlotte Stewart.1 She married Augustus Frederick Hanover, Duke of Sussex, son of George III Hanover, King of Great Britain and Sophie Charlotte Herzogin von Mecklenburg-Strelitz, on 4 April 1793 at Hotel Sarmiento, Rome, Italy. Both marriage ceremonies were in contravention of the Royal Marriages Act 1772.1 Augusta and Augustus Frederick were remarried in a religious ceremony on 5 December 1793 at St. George's Church, St. George Street, Hanover Square, London, England. She died on 5 March 1830 at age 62 at East Cliff, Ramsgate, Kent, England.1 was born on 27 January 1768 at London, England.1 She was the daughter of John Murray, 4th Earl of Dunmore and Lady Charlotte Stewart.1 She married Augustus Frederick Hanover, Duke of Sussex, son of George III Hanover, King of Great Britain and Sophie Charlotte Herzogin von Mecklenburg-Strelitz, on 4 April 1793 at Hotel Sarmiento, Rome, Italy. Both marriage ceremonies were in contravention of the Royal Marriages Act 1772.1 Augusta and Augustus Frederick were remarried in a religious ceremony on 5 December 1793 at St. George's Church, St. George Street, Hanover Square, London, England.","15","£15","","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13235","","Goldar after G.Kneller","Her Royal Highness the Princess of Wales","Copper engraving","","","","Image 187 x 162 mm","","","","20","£20","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13280","","Henry Meyer after Alfred E. Chalon","Her Royal Highness Princess Charlotte of Wales","Stipple","Published Oct 22nd 1816 at R.Ackermann’s 101 Strand. London","","","Image 355 x 241 mm, Plate 403 x 250 mm","","","O’Donoghue 1Princess Charlotte Augusta of Wales (7 January 1796 – 6 November 1817) was the only child of the ill-fated marriage between George IV (at the time Prince of Wales) and Caroline of Brunswick. Had she lived, she would have been Queen regnant of the United Kingdom.","200","£200","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13130","","J.C.W","Her Majesty and the Duchess of Kent","Lithograph","","","","Image 187 x 244 mm","","","","15","£15","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13616","","J.Chapman","His Royal Highness the Duke of Clarence","Stipple","Published as the Act directs June 1st 1800","","","Image 122 x 95 mm, Plate 165 x 113 mm","","","King William IV (1765-1837), Reigned 1830-7","20","£20","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"9362","","J.Simon after E. Seeman","Her Royal Highness Princess Louisa, Fifth Daughter to His Majesty King George ye II.","Mezzotint","Published by J.Simon","","","Image 324 x 249 mm Plate 351 x 249 mm","","","CS 91 ii/iii","300","£300","","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13587","","James McArdell","His Royal Highness Prince Edward","Mezzotint","Sold by J.McArdell at the Golden Head Covent Garden, c. 1750","","","Image 282 x 229 mm, Pl. 325 x 225 mm","","","Prince Edward, Duke of York (Edward Augustus[1]; 25 March 1739 – 17 September 1767) was the younger brother of George III of the United Kingdom, the second son of Frederick, Prince of Wales and Augusta of Saxe-Gotha.CS 59 iii/iii O’Donoghue 12","180","£180","mounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13897","","James Posselwhite after H. E. Dawe","Her Most Gracious Majesty Victoria In the Royal Closet St George’s Chapel Windsor","Stipple","Published by H. E. Dawe 13 Bartholomew Place, Kentish Town Feb 10th 1840, Messers Ackermann & Co. Strand C. tilt Fleet St. W.H. Mason, 81 King’s Road Brighton and J.B. Brown, Windsor","","","Image 160 x 127 mm, Plate 329 x 253 mm","","","O’ Donoghue 115Condtion: Some creasing","45","£45","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13614","","James Thomson after AbrahamWivell","The Queen (Queen Victoria)","Stipple","London Published May 1, 1840 by Henry Brooks, 319 Regent Street, Portland, Place","","","Image 111 x 97 mm, Plate 257 x 202 mm","","","O’Donoghue 251","45","£45","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"12840","","John Smith, after Joseph Highmore","His Royal Highness William Augustus Duke of Cumberland Knight of the most Hon.ble order of the Bath &c.","Mezzotint","John Smith1729","","","Image 295 x 242 mm","","","trimmed slightly too closeO’ Donoghue 493, 4The Prince William Augustus, Duke of Cumberland (1721 – 1765) was a younger son of George II of Great Britain and Caroline of Ansbach, and a military leader.","50","£50","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13585","","John Smith after Sir Godfrey Kneller","Her Higness Princess Anne","Copper engraving","Sold by J.Smith at the Lyon and Crown","","","Image 177 x 145 mm, Sheet 195 x 145 mm","","","Anne, Princess of Orange (1709-1759), Daughter of King George II; wife of William Henry, Prince of Orange O’Donoghue 10Condition: trimmed to plate top and sides and inside plate along bottom. Tipped to an album page ","45","£45","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13113","","Joseph Collyer after J. Russel","Her most excellent Majesty, Charlotte, Queen of Great Britain, &c. &c.","Stipple","Published as the act directs, 4th June 1791, & Sold by W. Faden, Charing Cross, M Ryland, Bond Street & J. Collyer. Dorrington Street, Cold Bath fields","","","Image 280 x 217 mm, Plate 330 x 253 mm","","","Queen Charlotte, wife of the English King George III (1738-1820)descended from Margarita de Castro y Sousa, a black branch of the Portuguese Royal House.","40","£40","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13670","","Louis Charles Ruotte after BenjamineWest","Charlotte Queen of Great Britain","Stipple","Published by W.Humphrey 227 Strand","","","Image 120 x 95 mm, Plate 215 x 167 mm","","","Ex. Col Earl de Grey","40","£40","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13114","","M. Gauci","His most Gracious Majesty, William the Fourth","Lithograph","Published by Mori & Lavenu 38 New Bond St","","","Image 155 x 145 mm","","","","15","£15","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13672","","Maria Anne Bourlier","Her Royal Highness the Duchess of Brunswick","Stipple and Line Engraving","1808","","","Image 169 x 107 mm","","","Princess Augusta Charlotte, Duchess of Brunswick-Wolfenbüttell (1737-1813), Daughter of Frederick Prince of Wales, eldest sister of George III.","25","£25","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13677","","Maria Anne Bourlier","Her Royal Highness the Duchess of Brunswick","Stipple and Line Engraving","Engraved for La Belle Assemblee, No 44 May 1, 1813","","","Image 169 x 107 mm","","","Princess Augusta Charlotte, Duchess of Brunswick-Wolfenbüttell (1737-1813), Daughter of Frederick Prince of Wales, eldest sister of George III.Condition: crease in upper right","25","£25","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13296","","R.M. Meadows after William Grimaldi and Sir William Beechey R.A.","To The Queen’s Most Excellent Majesty this Print of The King ..... [George III]","Stipple printed in colours","London Published DEcember 1st, 1812 by James Dunford. Gt Newport St.","","","Image 232 x 211 mm, Pl. 333 x 275 mm","","","O’Donoghue 24","120","£120","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13662","","Richard Houston","Edward VI","Mezzotint","Printed for H. Parker & E. Bakewell, in Cornhill, London","","","Image 232 x 195 mm, Plate 264 x 197 mm","","","Condition: Some rubbing","40","£40","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13829","","Richard Houston after Thomas Worlidge","[King George II]","Mezzotint","published by Robert Sayer, and Thomas Jefferys, after Thomas Worlidgemezzotint, (circa 1753)","","","Image 347 x 278 mm","","","O’ Donoghue 46slightly worn condition with the text missing on the bottomKing George II (1683-1760), Reigned 1727-60Reigned 1727-60. The only son of George I: still a Hanoverian at heart, British affairs being guided mainly by Queen Caroline and Sir Robert Walpole and, later, by William Pitt the elder. An enthusiast for army dress and uniform; the last sovereign to command in the field, at Dettingen in 1743.","50","£50","mounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"10289","","S.W. Reynolds","The Kings most excellent Majesty George the Fourth","Mezzotint","London Published by Messres. Colnaghi & Co. June 14th 1821","","","Image 280 x 225 mm Plate 360 x 240 mm","","","O’Donoghue 129, Whitman 107Condition: Tipped to album page.  Some overall surface dirt.","40","£40","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13108","","S.W.Reynolds","Princess Augusta Sophia","Mezzotint","Published as the Act Directs March 8.1824 by S.W.Reynolds Bayswater","","","Image 270 x 217 mm","","","","25","£25","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13744","","Seriven after A.W.Beecher","Her Royal Highness the Princess of Wales","Stipple","Printed as the act directs for John Bell March 28 1806 Southampton Street Strand.","","","Image 169 x 128 mm","","","Caroline of Brandenburg-Ansbach (later Queen Caroline; Wilhelmina Charlotte Caroline; 1 March 1683 – 20 November 1737) was the queen consort of George II.","20","£20","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13338","","T.Woolnoth after H.Collen","Her Royal Highness the Duchess of Kent (Princess Victoria of Saxe-Coburg-Saalfeld)","Stipple","London published Feb 4. 1830, by Ackermann Strand","","","Image 116 x 96 mm, Plate 278 x 226 mm","","","Princess Victoria of Saxe-Coburg-Saalfeld (Mary Louise Victoria; 17 August 1786 – 16 March 1861), later HRH The Duchess of Kent, was the mother of Queen Victoria.","10","£10","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"7624","","Taylor after G. Kneller","George the First","Copper engraving","Published as the Act direce, July 18th 1788","1788","1788","I. 188 x 160 mm","","","","45","£45","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13625","","Thomas Williamson after J.J.Jenkins","Princess Augusta Sophia","Steel engraving","1831","","","Image 164 x 141 mm","","","","12","£12","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"7750","","Unknown","His Royal Highness the Duke of Kent","Stipple","Published by Bell and Co. No 254 High Holburn","1806","1806","I. 157 x 214 mm","","","","15","£15","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"4589","","Unknown printmaker","The Queen in 1887 [Seated Portrait of Queen Victoria at Her Desk] ","Chromolithograph","c. 1887","","","I 260 x 340 mm","","","","60","£60","mounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13834","","V. L. Bisch","[Queen Victoria]","Lithograph","Druck u. Verlag v. E . G. May & Wirsing in Frankfurt c. 1840","","","Image 285 x 223 mm","","","Queen Victoria (1819-1901), Reigned 1837-1901Queen Victoria succeeded to the throne shortly after her eighteenth birthday in July 1837. She was daughter of the Duke of Kent who was the fourth son of George III;. During her reign she influenced to a considerable extent the foreign and home policies of successive governments, and the attitudes and manners of her people. Her reign was the longest in British history. ","30","£30","mounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13109","","Vincent Brooks","The Prince of Wales","Lithograph","June 28th 1879","","","Image 306 x 202 mm","","","","40","£40","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13682","","William Alais","Queen Adelaide","Stipple","London Published August 21st 1830 by John Bell at the Weekly Messenger Office No63 Fleet Street","","","Image 171 x 166 mm, Plate 235 x 188 mm","","","Princess Adelaide of Saxe-Meiningen (baptised Adelheid Amalie Luise Theresa Carolin, later anglicised to Adelaide Louise Theresa Caroline Amelia; later Queen Adelaide; 13 August 1792 – 2 December 1849) was the queen consort of William IV. She was the last queen consort of the House of Hanover in Britain. The Australian city of Adelaide is named after her.","15","£15","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"13688","","William Holl after Sir Thomas Lawrence","George III","Steel engraving","Fisher, Son & co London 1830","","","Image 115 x 90 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","House Of Brunswick, Hanover Line","","","","","",""
"4844","","after P. Lely ","The Lady Mary Princess of Orange","Mezzotint","c. 1660","","","Image 91 x 110 mm oval","","","Queen Mary II (1662-1694), Reigned with William III 1689-94 O’Donoghue 16 Condition: Trimmed to image with caligraphy title below","15","£15","unmounted","Print","British Royalty Portraits","House of Orange and Stuart","","","","","",""
"13149","","Cornelis van Dalen","The high & mighty Monarch. Charles by ye grace of God king of Great Brittaine France & Ireland Defendor of the Fayth. etc.","Copper engraving","c. 1684","","","Image 280 x 209 mm","","","O’Donoghue 157Frontis to Nalson’s Journal of the Tryal of Charles I, 1684.Condition: Trimmed and tipped into and album page","90","£90","unmounted","Print","British Royalty Portraits","House of Orange and Stuart","","","","","",""
"12905","","D. Buizero","William III","Copper engraving","","","","Image 150 x 112 mm, Plate 270 x 113 mm","","","","120","£120","unmounted","Print","British Royalty Portraits","House of Orange and Stuart","","","","","",""
"6603","","Engaved by J. Chapman","William III","Colour Stipple","Published as the act directs June 11 1804 by J. Wilkes","1803","1803","80 x 134 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","House of Orange and Stuart","","","","","",""
"7383","","Gerard de Lairesse (1641-1711)","[William III]","Etching","circa 1689-1702","","","Image 220 x 158 mm, Pl. 236 x 163 mm","","","King William III (1650-1702)","150","£150","unmounted","Print","British Royalty Portraits","House of Orange and Stuart","","","","","",""
"13244","","Goldar after G.Kneller","Queen Mary","Copper engraving","Published as the act directs Jan. 8th 1785","","","Image 190 x 167 mm","","","O’Donoghue 33","20","£20","unmounted","Print","British Royalty Portraits","House of Orange and Stuart","","","","","",""
"13107","","J. Faber after G.Kneller","Serenifsima Maria D.G. Angl: Scot: Fran: et Hib: Regina","Mezzotint","","","","Image 448 x 303 mm","","","","150","£150","unmounted","Print","British Royalty Portraits","House of Orange and Stuart","","","","","",""
"7747","","James Caldawall","William III","Engraving","Published August 21 1790, by T. Cadell, and R. Baldwin","1790","1790","I. 110 x 173 mm","","","","5","£5","unmounted","Print","British Royalty Portraits","House of Orange and Stuart","","","","","",""
"13843","","John Faber Junior","Queen Mary","Mezzotint","Sold T. Bowles at the Black Horse,   Cornhill c.1750","","","Image 175 x 125 mm","","","O’ Donoghue Groups pg 65cut from John Faber Junior’s Kings and Queens of England - William I to George II  Set of 10 plates each containing four heads in niches with the names on tablets.Queen Mary II (1662-1694), Reigned with William III 1689-94Reigned 1689-94. The eldest daughter of James, Duke of York, later James II, and Anne Hyde, Mary married Prince William of Orange in 1677. In the dilemma of the 1688 Revolution she supported her husband and Protestantism rather than her Catholic father, and she was invited to return to England in 1689 to share the monarchy with William. She proved a wise and effective ruler, especially during William's absences at war, and her many charitable schemes included the William and Mary Missionary College, Williamsburg, Virginia.","70","£70","unmounted","Print","British Royalty Portraits","House of Orange and Stuart","","","","","",""
"13121","","Richard White","Maria D.G. Anglia Scotia Francia et Hibernia Regina","Copper engraving","London","","","Image 448 x 303 mm","","","Queen Mary II (1662-1694), Reigned with William III 1689-94Reigned 1689-94. The eldest daughter of James, Duke of York, later James II, and Anne Hyde, Mary married Prince William of Orange in 1677. In the dilemma of the 1688 Revolution she supported her husband and Protestantism rather than her Catholic father, and she was invited to return to England in 1689 to share the monarchy with William. She proved a wise and effective ruler, especially during William's absences at war, and her many charitable schemes included the William and Mary Missionary College, Williamsburg, Virginia.","150","£150","unmounted","Print","British Royalty Portraits","House of Orange and Stuart","","","","","",""
"13141","","","Visit of the Shah: Garden party at Chiswick, given by the Prince and Princess of wales","Lithograph","","","","Image 238 x 335 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","House of Saxe-Coburg-Gotha","","","","","",""
"6002","","Dolfino","S.A.R. Le Prince Albert de Saxe-Cobourg","Lithograph","","","","Image 200 x 130 mm","","","Ex. Col House of Savoy","35","£35","","Print","British Royalty Portraits","House of Saxe-Coburg-Gotha","","","","","",""
"13144","","J.H. Lynch","Albert Edward","Lithograph","","","","Image 419 x 324 mm","","","","40","£40","unmounted","Print","British Royalty Portraits","House of Saxe-Coburg-Gotha","","","","","",""
"13888","","","The Battle of Naisby","Copper engraving","sold by John Bowles at the Black Horse in Cornhill - by Whom Country Chapmen may be furnish’d wth all sorts of Prints & Maps at the best Hand.","","","Image 354 x 433 mm","","","The Battle of Naseby was the key battle of the first English Civil War. On June 14, 1645, the main army of King Charles I was destroyed by the Parliamentarian New Model Army under Sir Thomas Fairfax and Oliver Cromwell.","200","£200","mounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"13712","","","Charles by the grace of god prince of Wales, Duke of Cornwell (Charles I)","Copper engraving","c. 1800","","","Image 155 x 111 mm, Plate 195 x 141 mm","","","","15","£15","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"12940","","","Charles I","Copper engraving","","","","Image 128 x 94 mm","","","","20","£20","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"13887","","","Hull Summoned by the King 3d April 1642","Copper engraving","sold by John Bowles at the Black Horse in Cornhill - by Whom Country Chapmen may be furnish’d wth all sorts of Prints & Maps at the best Hand.","","","Image 370 x 440 mm","","","a scene depicting King Charles I on horseback at the gates of Hull, with the drawbridge being pulled back up as he is denied access. ","180","£180","mounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"11971","","","Jacobus Stuartus I [James I]","Copper engraving","17th century","","","Image 161 x 131 mm, Pl. 181 x 142 mm, Sheet 221 x 168 mm","","","O’Donoghue 92Ex. Col. Dr. Bent Juel-Jensen","100","£100","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"13824","","","King Charles I att Charing Cross,   King Charles II att the Entrance of Cornhill","Copper engraving","","","","Image 470 x 245 mm, Plate 482 x 255 mm","","","","100","£100","mounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"13192","","","The Marriage Wars Sufferings and death of the Royal Martyr King Charles the First","Copper engraving","Printed and sold by H.Overton & J.Hoole at the White Horse without Newgate London. circa 1715","","","Image 581 x 880 mm, Done on two plates each plate 595 x 444 mm","","","","800","£800","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"13212","","","Queen Anne","Mezzotint","","","","Image 180 x 128 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"13889","","","The Tryal of the King","Copper engraving","sold by John Bowles at the Black Horse in Cornhill - by Whom Country Chapmen may be furnish’d wth all sorts of Prints & Maps at the best Hand.","","","Image 354 x 433 mm","","","A scene depicting the trial of King Charles I for treason.  The trial began on 20 January 1649 and ended with the execution of the King a week later.","90","£90","mounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"13796","","after Reginold Elstrack (Elstracke)","James I","Copper engraving","1850","","","Image 150 x 111 mm","","","O’Donoghue 3","20","£20","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"13013","","after Sir Anthony Van Dyck","The High & Mighty Monarch Charles by the grace of God King of Great Brittaine France & Ireland Defender of the Faith","Copper engraving","c.1650","","","Image 170 x 130 mm","","","","100","£100","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"13007","","after Wenceslaus Hollar","The True Portraicture of the High Borne Princesse, Mary, Princesse of Orange etc married at White Hall London 23 May 1641, borne Ye 4, Nov, 1631","Copper engraving","Publish’d Oct 1st 1802 by Wm Richardson York House, 31, Strand","","","Image 168 x 119 mm","","","copy of the original","15","£15","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"13011","","Anon after Van Dyke","[Charles I]","Copper engraving","c. 1750","","","Image 115 x 88 mm, Plate 143 x 108 mm","","","","45","£45","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"13012","","Anon after Van Dyke","[Charles I]","Copper engraving","","","","Image 94 x 68 mm","","","Proof, printed at a skewed angle on the paper and not central","15","£15","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"13177","","Balthasar Moncornet","Frederius Rex Bohemia ; Elisabetha Regina Bohemia","Etching","c.1620, but 1800 impression","","","Image 71 x 128 mm, Plate 95 x 146 mm","","","Elizabeth, Queen of Bohemia (1596-1662), Daughter of James I. Frederick V, King of Bohemia (1596-1632), Calvinist son-in-law of James I.","15","£15","","Print","British Royalty Portraits","House of Stuart","","","","","",""
"7235","","C. Danck after A Van Dyck","Charles I","Engraving","","18th C.","18","I. 151 x 100 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"7732","","Charles Turner","Charles Prince of Wales","Mezzotint","","18th C. ","18","I. 231 x 303 mm","","","","25","£25","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"13846","","Charles Turner after Francis Delaram","Charles Prince of Wales","Mezzotint","Woodburn 1813","","","Image 231 x 303 mm","","","proofsO’ Donoghue 1","50","£50","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"11958","","Cornelis van Dalen the Younger after Simon Luttichuys","Prince Henry Duke of Gloucester","Copper engraving","published by Claes Claesz. (Nicolaes) Visscher II, c. 1660","","","Image 372 x 274 mm, Sheet 376 x 276 mm","","","Henry, Duke of Gloucester (1640-1660), Third son of Charles IO’Donoghue 1Ex. Col. Dr. Bent Juel-JensenConditon: Repaired upper left corner  and in left boarder.","150","£150","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"7242","","Engraved by G. P. Harding ","Charles the First","Stipple","Published by E. Evans 1 Great Queen Street","1806","1806","I. 161 x 104 mm","","","","20","£20","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"7234","","Engraved by H. Robinson","King Charles the First","Engraving","John Tallis & Company, London & New York","19th C. ","19","I. 191 x 160 mm","","","","5","£5","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"7608","","Engraved by R. Page ","Jeffery Hudson, Aged 30 year, 18 inches high. Dwarf to King Charles the First","Engraving","","","","I. 151 x 156 mm","","","","30","£30","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"7237","","George Vertue after Van Dyke","King Charles the First","Engraving","C18th","","","I. 284 x 183 mm","","","Condition: trimmed, small tear to bottom of sheet","10","£10","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"13310","","Isaac Beckett, after Sir Anthony Van Dyck","Carolus DG Ang: Sco: Fra: et Hib Rex","Mezzotint","Sold by J Smith at the Lyon & Crown in Russel Street Covent Garden 1681-1688","","","Image 338 x 251 mm","","","King Charles I (1600-1649), Reigned 1625-49CS 16 State iii/iv","200","£200","","Print","British Royalty Portraits","House of Stuart","","","","","",""
"13828","","Isaac Beckett, after Sir Anthony Van Dyck","Carolus DG Ang: Sco: Fra: et Hib Rex","Mezzotint","Sold by J Smith at the Lyon & Crown in Russel Street Covent Garden 1681-1688","","","Image 337 x 249 mm","","","King Charles I (1600-1649), Reigned 1625-49CS 16 ii/iii","225","£225","","Print","British Royalty Portraits","House of Stuart","","","","","",""
"7617","","J. Audran after Wander Werff","Henriette Anne D’Angletterre (Daughter of King Chalrles I)","Copper engraving","","","","I. 295 x 175 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"13857","","J. T. Smith","King James the Second","Etching and aquatint","Published May 13. 1791 by N.Smith no 18 Gt Mays Buildings","","","Image 193 x 167 mm","","","O’Donoghue 89","10","£10","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"13842","","Jacobus Houbraken after Cornelius Johnson","Anne of Denmark Queen of K. James I.","Copper engraving","Knapton c. 1755-1780","","","Image 354 x 220 mm, Plate 365 x 230 mm","From Thomas Birch’s Heads of Illustrious Persons of Great Britain","","O’ Donoghue 7Anne of Denmark (1574-1619), Queen of James IThe daughter of Frederick II of Denmark, Anne married James VI of Scotland in 1589, and bore seven children, three of whom survived to adulthood: Henry, Elizabeth and Charles. After James's succession to the English throne in 1603, Anne made an important contribution to the social and cultural life at court, particularly by commissioning and performing masques, which were elaborate entertainments involving acting, music and dance, performed by members of the royal family and courtiers. She became an avid collector of paintings, and, like her husband, enjoyed hunting.","70","£70","","Print","British Royalty Portraits","House of Stuart","","","","","",""
"13686","","James Neagle ","Prince George of Denmark","Copper engraving","Published according to Act of Parliment May 10th 1790,by T.Cadell & R.Baldwin","","","Image 177 x 114 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"13684","","James Neagle ","Queen Anne","Copper engraving","Published according to Act of Parliment May 10th 1790,by T.Cadell & R.Baldwin","","","Image 171 x 111 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"13122","","John Smith after P. Fruytiers","Carolus 1th","Mezzotint","John Smith in Russel Street","","","Image 308 x 231 mm, Plate 331 x 235 mm","","","O’ Donoghue 210","190","£190","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"13891","","John Smith after Sir Anthony Van Dyke","Jacobus I. D. G. Mag: Brit: Fra: et Hib. Rex","Mezzotint","John Smith 1721","","","Image 302 x 245, Plate 352 x 245 mm","","","CS 139 ii/iii O’ Donoghue 14Condition: Repaired tear in right. ","55","£55","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"12763","","John Smith after Sir Godfrey Kneller","Serenisima Anna D.G. Mag Brit Fran. et Hiber Regina & c Inaugurata XXIII die Aprilis Anno 1702","Mezzotint","","","","Image 172 x 146 mm","","","Anne (6 February 1665 – 1 August 1714) became Queen of England, Scotland and Ireland on 8 March 1702, succeeding William III of England and II of Scotland. Her Roman Catholic father, James II and VII, was forcibly deposed in 1688; her brother-in-law and her sister then became joint monarchs as William III and Mary II, the only such case in British history. After Mary's death in 1694, William continued as sole monarch until his own death in 1702.","40","£40","","Print","British Royalty Portraits","House of Stuart","","","","","",""
"13584","","John Sturt","Queen Anne","Copper engraving","","","","Image 229 x 187 mm","","","O’Donoghue 30","30","£30","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"13217","","Lermercier","Jeanne Gray","Lithograph","","","","Image 198 x 157 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"3967","","M. V. Gucht ","Charles II. Proclaimed King of Great Britain","Copper engraving","","","","Image 162 x 94 mm","","","","5","£5","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"13890","","P. Vanderbank & Michael Van der Gucht after Edward Lutterell","King James The Ist","Copper engraving","London 1706","","","Image 281 x 194 mm, Pl. 292 x 204 mm","From Kennets History of England","","O’ Donoghue 73","45","£45","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"12896","","Pieter de Jode II, after Sir Anthony Van Dyck","Mary, Princess of Orange","Steel engraving","c. 1650","","","170 x 125 mm","","","Mary, Princess of Orange (1631-1660), Daughter of Charles I; wife of William II of Orange-NassauO’Donoghue 18Condition: Slightly trimmed at bottom.","10","£10","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"13548",""," Pieter Stevens Van Gunst, after Adriaan Van der Werff","Elisabeth Reine De Boheme","","1697","","","Image 295 x 172 mm, Plate 318 x 185 mm","","","O’donoghue 7","50","£50","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"13524","","Pieter Stevens Van Gunst  after Sir Anthony Van Dyck","Charles the First King of Great Britain","Copper engraving","c. 1713-1715","","","Image 450 x 333 mm, Sheet 508 x 329 mm","","","Ex. Col. Earl de GreyCondition: Trimmed to plate and tipped onto an album page","200","£200","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"13523","","Pieter Stevens Van Gunst  after Sir Anthony Van Dyck","Henrieta Maria, Queen of Great Britain","Copper engraving","c. 1713-1715","","","Image 450 x 333 mm, Sheet 322 x 508 mm","","","Ex. Col. Earl de GreyCondition: Trimmed to plate and tipped onto an album page","200","£200","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"13528","","Robert Dunkarton after Simon de Passe","Henry Prince of Wales","Mezzotint","London: Pub by S. Woodburn No. 112 St. Martin’s Lane, 1816","","","Image 269 x 219 mm, Plate 355 x 266 mm","","","O’Donoghue 15","65","£65","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"12976","","Robert White after P. Fruytiers","Charles I","Copper engraving","1681","","","Image 150 x 97 mm","","","O’ Donoghue 209Frontis to Eikon Basilke","65","£65","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"13893","","Sir Godfrey Kneller after Sir Anthony Van Dyke","King James I of England and VI of Scotland; King Charles I; King Charles II; Queen Anne; King James II; William, Duke of Gloucester; Queen Mary II","Copper engraving","London Printed for John Ryall, & Robt. Withy at Hogarth’s Head in Fleet Street","","","Image 348 x 267 mm","","","","65","£65","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"12893","","Tweede","Betrothal of princess Mary of England and Prince William of Orange 1641","Copper engraving","","","","Image 266 x 364 mm, Plate 277 x 371 mm","","","O’Donoghue 5","100","£100","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"12916","","Tweede","Betrothal of princess Mary of England and Prince William of Orange 1641","Copper engraving","","","","Image 266 x 364 mm, Plate 277 x 371 mm","","","O’Donoghue 5","150","£150","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"7229","","Unknown","Charles I","Engraving","","19th C.","19","I. 197 x 130 mm","","","","5","£5","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"7233","","Unknown","Charles I","Engraving","","18th C. ","18","I. 222 x 182 mm","","","","40","£40","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"7629","","Unknown","Charles I","Engraving","","","","I. 107 x 175 mm","","","","25","£25","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"3968","","Unknown","Henrietta Maria “Mother Queene” ","Copper engraving","","","","I. 185 x 119 mm","","","(late)","5","£5","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"7324","","Unknown","James II","Copper engraving","","","","Image 90 x 135 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"7238","","Unknown","King Charles I. att Charing-Cross.","Engraving","","18th C. ","18","245 x 228 mm","","","","20","£20","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"7738","","W. Dobson","Charles I","Engraving","","","","I. 37 x 47 mm","","","","15","£15","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"7243","","W. Hulland after Paul De La Roche","Charles Last Interview with his Children","Steel engraving","","19th C. ","19","I. 160 113 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"8919","","Wenceslaus Hollar","Charles by the grace of God, Kinge of England, Scotland, France and Ireland, defendor of the faith, etc. Henrietta Maria by the Grace of God Queene of England, Scotland, France, and Ireland, etc.","Copper engraving","c. 1650","","","Ovals: 130 x 100 mm Sheets: 180 x 120 mm","","","These two portraits were originally on the same plate. The plate was later cut, and the print of Charles is found later by itself in “The true effigies of King Charles” 1641, with 1.-press on v. It is also found in an early ed. of the “Eikon Basilike” no. 25 in Madan’s “A new bibliography of the ‘Eikon Basilike’, 1950.”O’ Donoghue says that these two prints are from a painting once at Euston, of Charles and Henrietta holding a myrtle wreath.Reverse of Charles print features unidentified collectors mark. (R. Pennington, A descriptive catalogue of the etched work of WENCESLAUS HOLLAR 1607-1677, Cambridge University Press, 1982, p.248, P1433)","475","£475","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"13849","","William Sharp after Sir Anthony Van Dyke","Charles the First King of Great Britain &c. &c. &c.","Copper engraving","London Pubd. Novr. 1813 for the Select Work of Engravings intended to illustrate the Portraits and Ideal Characters of the Great Masters of the Various Schools of Painting. under the direction of Wm  Buchanan Esq. By Mr. Dixon Junr. at the Historic Gallery, 87, Pall Mall","","","Image 223 x 257 , Plate 470 x 368 mm","","","O’ Donoghue 88Head in three different positionsproof","60","£60","unmounted","Print","British Royalty Portraits","House of Stuart","","","","","",""
"12681","","","[Charles II]","Copper engraving","c1650","","","Image 124 x 75 mm","","","O’ Donoghue 163","25","£25","unmounted","Print","British Royalty Portraits","House of Stuart Restored","","","","","",""
"3981","","","Charles II. King of England, Scotland, France & Ireland. Defender of the Faith & c.","Copper engraving","","","","Image 181 x 278 mm","","","","20","£20","unmounted","Print","British Royalty Portraits","House of Stuart Restored","","","","","",""
"13714","","","Karel De II Koning van Engeland, Schotland, en Irland","Copper engraving","c. 1650","","","Image 257 x 179 mm","","","O’Donoghue 137","30","£30","unmounted","Print","British Royalty Portraits","House of Stuart Restored","","","","","",""
"12679","","","Natus May 29. Ano 1630. Etatis suce 19 [Charles II]","Copper engraving","c 1649","","","Image 98 x 73 mm","","","","30","£30","unmounted","Print","British Royalty Portraits","House of Stuart Restored","","","","","",""
"12913","","A. Hertochs","Charles II","Copper engraving","","","","Image 142 x 92 mm","","","O’Donoghue 119","50","£50","unmounted","Print","British Royalty Portraits","House of Stuart Restored","","","","","",""
"12914","","A. Hertochs","Charles II","Copper engraving","","","","Image 142 x 92 mm","","","O’Donoghue 119","30","£30","unmounted","Print","British Royalty Portraits","House of Stuart Restored","","","","","",""
"13119","","Abraham Aubry after John Philips Aubry","Carolus Secundus Dei gretia Magna Britania Franciaet et Hibernia Rex [Charles II]","Copper engraving","c. 1660","","","Image and sheet 360 x 263 mm","","","Rare unrecorded portrait.","150","£150","unmounted","Print","British Royalty Portraits","House of Stuart Restored","","","","","",""
"13711","","after Adriaen Hanneman","Carolvs II. Dei Gratia Magnae Britsnniae Franciae et Hiberniae Rex, etc (Charles II)","Copper engraving","","","","Image 143 x 112 mm, Plate 174 x 117 mm","","","","50","£50","unmounted","Print","British Royalty Portraits","House of Stuart Restored","","","","","",""
"13016","","after David Loggan","His Royal Highness James Duke of Yorke and Albany  Kt of the most noble order of the Garter, and Sole brother to his Sacred Ma.ty King Charles the 2nd & c.","Copper engraving","c. 1676","","","Image 236 x 150 mm","","","James II and VII (14 October 1633 – 16 September 1701)[2] was King of England, King of Scots,[1] and King of Ireland from 6 February 1685 to 11 December 1688. He was the last Roman Catholic monarch to reign over the Kingdoms of England, Scotland, and Ireland. Many of his subjects distrusted his religious policies and autocratic tendencies, leading a group of them to depose him in the Glorious Revolution in 1688. He was replaced not by his Roman Catholic son, James Francis Edward, but by his Protestant daughter and son-in-law, Mary II and William III, who became joint rulers in 1689. James made one serious attempt to recover his crowns, when he landed in Ireland in 1689. After his defeat at the Battle of the Boyne in the summer of 1690, James returned to France, living out the rest of his life under the protection of his cousin and ally, King Louis XIV.O’ Donoghue 28From Guillim’s Heraldry","75","£75","unmounted","Print","British Royalty Portraits","House of Stuart Restored","","","","","",""
"13713","","after Pieter Nason","Carolus Stuart de II de (Charles II)","Copper engraving","c. 1660","","","Image 198 x 153 mm, Sheet 201 x 155 mm","","","O’Donoghue 86","35","£35","unmounted","Print","British Royalty Portraits","House of Stuart Restored","","","","","",""
"13147","","copy of Wenceslaus Hollar after Anthony Van Dyke","Carolus D.G. Magnae Britanniae Fra et Hiberniae Rex etc.","Copper engraving","c. 1649","","","127 x 95 mm","","","Charles Icopy of P. 1432,  O’ Donoghue 91","60","£60","unmounted","Print","British Royalty Portraits","House of Stuart Restored","","","","","",""
"13145","","David Loggan","Serenissimus Princens Jacobus Dux Eboracensis & c (James II)","Copper engraving","","","","Image 425 x 266 mm","","","O’Donoghue 27","250","£250","unmounted","Print","British Royalty Portraits","House of Stuart Restored","","","","","",""
"7605","","Drawn and Engraved by T. Holloway after Sir Peter Lely","Charles II","Copper engraving","Published as the Act directs January 1st by T. Cadell. Strand","1788","1788","I. 178 x 111 mm","","","","20","£20","unmounted","Print","British Royalty Portraits","House of Stuart Restored","","","","","",""
"7221","","Engraved by Audviet","James II","Engraving","London, Published as the act directs, Aug. 10. 1793, by T. Cadell. Strand.","1793","1793","I. 110 x 68 mm","","","","5","£5","unmounted","Print","British Royalty Portraits","House of Stuart Restored","","","","","",""
"7225","","Engraved by F. H. Van Hove","James II","Engraving","","18th C.","18","I. 138 x 97 mm","","","","25","£25","unmounted","Print","British Royalty Portraits","House of Stuart Restored","","","","","",""
"3954","","Engraved by Hallett","Charles II. King of England, Scotland. France & Ireland. Defender of the Faith &c.","Engraving","From a Picture in Bridenwell Hall, London; the Original painting by Sir Peter Lely.","","","Image 179 x 278 mm","","","","35","£35","unmounted","Print","British Royalty Portraits","House of Stuart Restored","","","","","",""
"6617","","Engraved by J. Chapman","James II","Stipple ","Published as the act directs Feb 1 1800","1800","1800","I. 143 x 93 mm","","","","25","£25","unmounted","Print","British Royalty Portraits","House of Stuart Restored","","","","","",""
"12909","","F.H. Van Hove","Charles II","Copper engraving","","","","Image 159 x 99 mm, Plate 162 x 102 mm","","","O’Donoghue 121","35","£35","unmounted","Print","British Royalty Portraits","House of Stuart Restored","","","","","",""
"5320","","G. Tomlyn","Carolus Secundus Dei gretia Magna Britania Francue et Hibernia Rex [Charles II]","Engraving","","","","Image 155 x 290 mm","","","","65","£65","unmounted","Print","British Royalty Portraits","House of Stuart Restored","","","","","",""
"5319","","George Vertue after Peter Lely","Charles II","Engraving","","","","Image 101 x 165 mm","","","O’Donoghue 61Ex. Col. Earl de GreyCondition trimmed within the plate and tipped to an album page","25","£25","unmounted","Print","British Royalty Portraits","House of Stuart Restored","","","","","",""
"3969","","I. Friedlein","Carolus Secundus D.G. Angliae, Scotiae, Franciae et Hiberniae Rex ","Copper engraving","","","","171 x 129 mm","","","trimmed","15","£15","unmounted","Print","British Royalty Portraits","House of Stuart Restored","","","","","",""
"13148","","J. Sandrart","Carolus Secundus Dei gratia Magnae Britaniae Franciae et Hiberiae REx","Copper engraving","1660s-1670s","","","Image 311 x 215 mm","","","O’ Donoghue 85Charles II","75","£75","unmounted","Print","British Royalty Portraits","House of Stuart Restored","","","","","",""
"12884","","John Smith after G Kneller","Jacobus II [King James II]","Mezzotint","c1700","","","Image 176 x 146 mm, Sheet 201 x 147 mm","","","O’Donoghue 9, CS 142Condition: Trimmed within th eplate, pencil text above title, window mounted on album page.","30","£30","unmounted","Print","British Royalty Portraits","House of Stuart Restored","","","","","",""
"13895","","John Smith after Sir Godfrey Kneller","Jacobus Secundus Dei Gratia. Angliae, Scotiae, Franciae, et Hiberniae Rex & ct.","Mezzotint","Sold by Thomas Taylor at Ye Golden Lyon in Fleet Street London, c. 1697","","","Image 345 x 247 mm, Pl 342 x 245 mm","","","King James II (1633-1701), Reigned 1685-8CS 143 ii/v O’ Donoghue 42Unusal state with the above publication line cut out and glues over the J. Smitgh publication line recorded in Chaloner-Smith.Condition: Somewhat time toned.  Tipped into an album page. Centrefold crease","55","£55","unmounted","Print","British Royalty Portraits","House of Stuart Restored","","","","","",""
"12766","","P. Daret","Charles II","Copper engraving","A Paris chez Daret avec privil du Roy 1653","","","Image 156 x 126 mm","","","O’ Donoghue 401, 105Charles II: (1630 - 1685)a Portait of Charles when king","40","£40","unmounted","Print","British Royalty Portraits","House of Stuart Restored","","","","","",""
"12677","","Pieter de Jode II, after Sir Anthony Van Dyck","Charles II ","Copper engraving","1637-1638","","","Image 160 x 110 mm","","","O’ Donoghue 396, 11","30","£30","unmounted","Print","British Royalty Portraits","House of Stuart Restored","","","","","",""
"3982","","Robert White","Carlus II D.G. Mag: Brit: Fran: & Hiber: Rex. &. et","Copper engraving","1680","","","Image 271 x 450 mm","","","O’ Donoghue 25frontis to Moses Pitt’s English Atlas","200","£200","unmounted","Print","British Royalty Portraits","House of Stuart Restored","","","","","",""
"5314","","Robert White","Carolus II D.G Anglia Sctia Fran et Hiber REX etc.","Engraving","1683","","","I 106 x 163 mm","","","","20","£20","unmounted","Print","British Royalty Portraits","House of Stuart Restored","","","","","",""
"13683","","Robert White","James II","Copper engraving","Published by Samuel Lowndes c. 1700","","","Image 226 x 154 mm","","","O’Donoghue 82Ex. Col Earl de GreyCondition: timmed within plate and tipped to an albu, page","35","£35","unmounted","Print","British Royalty Portraits","House of Stuart Restored","","","","","",""
"13894","","Samuel Freeman after Peter Lely","[Catherine of Braganza]","Stipple","1826","","","Image 184 x 148 mm, 365 x 257 mm","from Lodge’s Portraits","","O’ Donoghue 11, proof before lettersCatherine of Braganza (1638-1705), Queen of Charles IIThe Roman Catholic queen of Charles II and daughter of John, Duke of Braganza, afterwards King of Portugal, Catherine came to England in 1662, bringing a dowry of Tangier, Bombay and £300,000. Shy, solemn and pious, she was devoted to Charles who, although he hurt her by his infidelities, was genuinely attached to her. ","60","£60","unmounted","Print","British Royalty Portraits","House of Stuart Restored","","","","","",""
"3978","","Unknown","Carolus de II, Koning van Engelandt, etc.","Copper engraving","","","","Image 113 x 146 mm","","","","20","£20","unmounted","Print","British Royalty Portraits","House of Stuart Restored","","","","","",""
"5316","","Unknown","Carolus Stuart de II Koninck van England, Scotland en Yrland.","Engraving","","","","I 155 x 198 mm","","","","80","£80","unmounted","Print","British Royalty Portraits","House of Stuart Restored","","","","","",""
"7323","","Unknown","James II","Copper engraving","For J. Hinton at the Kings Arms in Newgate Street","","","I. 98 x 163 mm","","","","5","£5","unmounted","Print","British Royalty Portraits","House of Stuart Restored","","","","","",""
"13308","","Vischer after Hondthorst","Carolus II. Mag. Brit. Fra. et Hiberniae Rex","Copper engraving","1650","","","Image 352 x 287 mm, Plate 415 x 307 mm","","","O’ Donoghue 46King Charles II (1630-1685), Reigned 1660-85 ","500","£500","mounted","Print","British Royalty Portraits","House of Stuart Restored","","","","","",""
"13716","","Wenceslaus Hollar after Sir Antony Van Dyke","Carolvs II. D.G: Magnae Britanniae FRA et Hibernia Rex etc. nalius Ao 1630","Copper engraving","W.Hollar fecir","","","Image 226 x 180 mm","","","P.1442 iii/viiSmall area torn off the bottom right hand corner, repaired 3cm tear in the top left hand corner","200","£200","unmounted","Print","British Royalty Portraits","House of Stuart Restored","","","","","",""
"12872","","Willem and Magdalena de Passe","James I","Copper engraving","c 1620","","","Image 200 x 128 mm","","","hind p291, iii plate 174trimmed a little close","40","£40","unmounted","Print","British Royalty Portraits","House of Stuart Restored","","","","","",""
"12958","","","Effigies Elizabetha Regina Anglia","Copper engraving","c. 1750","","","Image 120 x 78 mm","","","Elizabeth, Queen (1533 - 1603)late impression","35","£35","","Print","British Royalty Portraits","House of Tudor","","","","","",""
"13737","","","Elizabeth, Heiress of the House of York, and Queen of Henry VII","Copper engraving","Published 2 november 1792, by William Ellis","","","Image 163 x 130 mm, Plate 236 x 187 mm","","","","15","£15","unmounted","Print","British Royalty Portraits","House of Tudor","","","","","",""
"13223","","","Elizabeth I","Copper engraving","","","","Image 103 x 81 mm","","","","15","£15","unmounted","Print","British Royalty Portraits","House of Tudor","","","","","",""
"13803","","","Elizabeth I","Copper engraving","circa 1600","","","Image 174 x 122 mm","","","","80","£80","unmounted","Print","British Royalty Portraits","House of Tudor","","","","","",""
"13853","","","Elizabeth of York","Copper engraving","Impensis J&P Knapton London 1747","","","Image 360 x 220 mm, Plate 369 x 227 mm","","","","20","£20","unmounted","Print","British Royalty Portraits","House of Tudor","","","","","",""
"13530","","","Elizabetha Regina","Copper engraving","Are to be Sould bi Roger Daniell at the angell in Lumbard Street, c. 1830","","","Image 190 x 119 mm","","","19th century reprint of a 17th century print.","20","£20","unmounted","Print","British Royalty Portraits","House of Tudor","","","","","",""
"13848","","","King Edward VI","Copper engraving","","","","Image 33 x 28 mm","","","Ex collection of Earl De Grey","","","unmounted","Print","British Royalty Portraits","House of Tudor","","","","","",""
"12951","","","Q: Elizabeth","Copper engraving","1650","","","Image 92 x 70 mm","From S. Clarke’s Marrow of Ecclesiastical History","","O’ Donoghue 118Queen Elizabeth (1533 - 1603)","30","£30","unmounted","Print","British Royalty Portraits","House of Tudor","","","","","",""
"12957","","","Queen Elizabeth","Copper engraving","","","","Image 74 x 45 mm","","","Elizabeth, Queen (1533 - 1603)","10","£10","unmounted","Print","British Royalty Portraits","House of Tudor","","","","","",""
"12826","","","XXII Q. Mary 1","Copper engraving","","","","Image 40 x 35 mm","",""," the oval frame has been cut out of it’s original paper","5","£5","unmounted","Print","British Royalty Portraits","House of Tudor","","","","","",""
"7925","","A. Smith","Elizabeth","Copper engraving","Published as the act directs Dec. 1 1793 by T. Cadell Strand","18th century","18","Image 110 x 66 mm","","","","15","£15","unmounted","Print","British Royalty Portraits","House of Tudor","","","","","",""
"13173","","after Hans Holbein the Younger","Mariae, D.G. [Queen Mary I]","Copper engraving","","","","Image 105 x 79 mm, Sheet 125 x 80 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","House of Tudor","","","","","",""
"13023","","attributed to William Faithorne","Edward VI","Copper engraving","c. 1547","","","Image 76 x 57 mm","","","O’Donoghue 44","50","£50","unmounted","Print","British Royalty Portraits","House of Tudor","","","","","",""
"7756","","Boitard","Henry VII","Copper engraving","","","","I. 90 x 82 mm","","","","5","£5","unmounted","Print","British Royalty Portraits","House of Tudor","","","","","",""
"6667","","Engraved by J. Chapman","Henry VII","Stipple ","Published as the act directs Aug 1 1795","1795","1795","I. 140 x 95 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","House of Tudor","","","","","",""
"6619","","Engraved by J. Chapman","Queen Mary","Stipple ","Published as the act directs Feb 1 1800","1800","1800","I. 142 x 93 mm","","","","15","£15","unmounted","Print","British Royalty Portraits","House of Tudor","","","","","",""
"12651","","G. Vertue","K. Edward VI","Copper engraving with Stipple","London: Printed for John and Paul Knapton1745","","","Image 160 x 91 mm","Rapkin and Tindal’s History of England","","O’ Donoghue 126, 30Rev Nicholas Tindal: (1687 - 27 June 1774), was the translator and continuer of the History of England by Paul de Rapin. Very few comprehensive histories existed at the time and Tindal wrote a three volume 'Continuation', a history of the Kingdom from the reigns of James II to George II. George Vertue (1684 – July 24, 1756) was an English engraver and antiquary, whose notebooks on British art of the first half of the 18th century are a valuable source for the period.","20","£20","unmounted","Print","British Royalty Portraits","House of Tudor","","","","","",""
"13738","","George Vertue","King Henry VII","Copper engraving","","","","Image 278 x 178 mm, Plate 296 x 190 mm","","","O’Donoghue 1","15","£15","unmounted","Print","British Royalty Portraits","House of Tudor","","","","","",""
"12786","","George Vertue","Q. Mary I","Copper engraving with Stipple","1745","","","Image 160 x 91 mm","From Rapkin & Tindals History of England","","O’ Donoghue  26","20","£20","unmounted","Print","British Royalty Portraits","House of Tudor","","","","","",""
"13245","","J. Chapman","Queen Elizabeth","Stipple with hand colour","Published as the Act directs Feb 19. 1803","","","Image 113 x 89 mm","","","","20","£20","unmounted","Print","British Royalty Portraits","House of Tudor","","","","","",""
"13172","","J.Payne","Elizabeth Regina[Queen Elizabeth I ]","Copper engraving","c1800","","","Image 190 x 119 mm, Plate 218 x 150 mm, Sheet 250 x 200 mm","","","O’Donoghue 61Late impression ","50","£50","unmounted","Print","British Royalty Portraits","House of Tudor","","","","","",""
"13629","","John Goldar","Henry VII","Copper engraving","Published as the Act directs May 19 1787","","","Image 190 x 157 mm","","","","20","£20","unmounted","Print","British Royalty Portraits","House of Tudor","","","","","",""
"13586","","Josef Vazquez after Antony Mor","Mary I","Stipple engraving","Spain, 1793","","","Image 338 x 261 mm, Plate 450 x 350 mm","","","O’Donoghue 12","200","£200","framed","Print","British Royalty Portraits","House of Tudor","","","","","",""
"7920","","M. Vdi Gucho after Ant More","Elizabeth Queen of England & c.","Copper engraving","","18th Century","18","I. 94 x 163 mm","","","","15","£15","unmounted","Print","British Royalty Portraits","House of Tudor","","","","","",""
"7620","","P.a Gunft after Vander Warff","Marie","Copper engraved","","","","I. 296 x 175 mm","","","","35","£35","unmounted","Print","British Royalty Portraits","House of Tudor","","","","","",""
"13826","","Parker, after Sylvester Harding, after Jan Gossaert (Mabuse)","Earl of Richmond afterwards King Henry VII","Copper engraving","","","","Image 131 x 105 mm","","","Henry VII (January 28, 1457 – April 21, 1509), King of England, Lord of Ireland (August 22, 1485 – April 21, 1509), born Henry Tudor (Welsh Harri Tudur), was the first monarch of the Tudor dynasty.","15","£15","unmounted","Print","British Royalty Portraits","House of Tudor","","","","","",""
"12956","","probably by William Faithhorne","Elizabeth a D G Regina Ang Fran et Hib","Copper engraving","Robert Peak c.1640","","","Image 76 x 56 mm, Plate117 x 83 mm","","","late impressionQueen Elizabeth (1533 - 1603)","10","£10","unmounted","Print","British Royalty Portraits","House of Tudor","","","","","",""
"6632","","R. Houston","Edward VI. Anglie, Francice et Hiberniae, Rex & C.","Mezzotint","Painted for H. Parker & C. Bakewell, in Cornhill London","Circ 18th C.","18","I. 230 x 194 mm","","","","20","£20","unmounted","Print","British Royalty Portraits","House of Tudor","","","","","",""
"12787","","R. White","Hispania Regina Maria Anglia ( Mary I)","Copper engraving","R. Chiswell 1681","","","Image 233 x 152 mm","From Burnet’s History of the Reformation","","O’ Donoghue  21","50","£50","unmounted","Print","British Royalty Portraits","House of Tudor","","","","","",""
"13171","","Richard Gaywood","[Queen Elizabeth I Tomb]","Copper engraving","c 1655","","","Image & Plate 290 x 179 mm, Sheet 302 x 190 mm","","","","40","£40","unmounted","Print","British Royalty Portraits","House of Tudor","","","","","",""
"13770","","Robert White","Edward VI","Copper engraving","Printed for Richard Chirwell at the Rose and Crowne in St Pauls Churchyard","","","Image 235 x 153 mm","","","O’Donoghue 31Edward VI (12 October 1537 – 6 July 1553) became King of England and Ireland, on 28 January 1547, and was crowned on 20 February, at nine years of age. He also carried the English claim to the French throne, but he did not rule France. Edward, the son of Henry VIII and Jane Seymour, was the third monarch of the Tudor dynasty and England's first born Protestant ruler. Edward's entire rule was mediated through a council of regency, as he never reached maturity. The council was first led by his uncle, Edward Seymour, 1st Duke of Somerset (1547–1549), and then, after the Prayer Book Rebellion and Kett's Rebellion of 1549, by John Dudley, 1st Duke of Northumberland (1549–1553).","30","£30","unmounted","Print","British Royalty Portraits","House of Tudor","","","","","",""
"13771","","Robert White","Jane Seymour","Copper engraving","","","","Image 233 x 148 mm","","","Ex Collection of Earl De GreyJane Seymour (1508/1509–24 October 1537) was the third wife of Henry VIII. She died of postnatal complications following the birth of her only child, Edward VI.","45","£45","unmounted","Print","British Royalty Portraits","House of Tudor","","","","","",""
"7921",""," T. A. Prior","Elizabeth","Steel engraving","","19th century","19","I. 184 x 121 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","House of Tudor","","","","","",""
"6689","","Unknown","Cath. Parre Queen of Henry VIII","Engraving","Published by W. Richardson at the Antient & Modern Print Warehouse, Strand","","","I. 123 x 95 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","House of Tudor","","","","","",""
"7746","","Unknown","King Edward the Sixth","Steel engraving","The London Printing and Publishing Company Limited","19th C.","19","I. 90 x 118 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","House of Tudor","","","","","",""
"7751","","Unknown","King Henry the Seventh","Copper engraving","","18th C.","18","I. 158 x 232 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","House of Tudor","","","","","",""
"12944","","Wenceslaus Hollar after Holbein","Princeps Maria Henrici VIII, Regis Angliae Filia","Copper engraving","1647, but circa 1800","","","Image 102 x 206 mm","","","P.1465 iv/iv","25","£25","unmounted","Print","British Royalty Portraits","House of Tudor","","","","","",""
"12881","","Willem and Magdalena de Passe","Iana Graya [Lady Jane Dudley (nee Grey)]","Copper engraving","c1620","","","Image 134 x 113 mm, Sheet 163 x 116 mm","","","O’Donoghue 2, Franken 634Plate to Holland’s HerwologiaCondition: stuck onto album pageLady Jane Dudley (née Grey) (1537-1554), Proclaimed Queen 1553Protestant claimant to the throne. She was the grand-daughter of Henry VIII's sister Princess Mary, and in 1533 married Lord Guildford Dudley, son of the Duke of Northumberland. Under Northumberland's influence Edward VI willed her the crown. She was proclaimed queen at his death in 1533, and reigned for ten days until captured by supporters of Mary Tudor. She was executed in the aftermath of Wyatt's rebellion.","35","£35","unmounted","Print","British Royalty Portraits","House of Tudor","","","","","",""
"13736","","Worthington after Antonio More","Mary I","Engraving","Published by W.Pickering 57 Chancery Lane 1824","","","Image 105 x 83 mm, Plate 216 x 134 mm","","","Mary I (18 February 1516 – 17 November 1558), was Queen of England and Queen of Ireland from 19 July 1553 until her death. The fourth crowned monarch of the Tudor dynasty, she is remembered for restoring England to Roman Catholicism after succeeding her short-lived half brother, Edward VI, to the English throne. In the process, she had almost 300 religious dissenters burned at the stake in the Marian Persecutions, resulting in her being called Bloody Mary. Her re-establishment of Roman Catholicism was reversed by her successor and half-sister, Elizabeth I.","15","£15","unmounted","Print","British Royalty Portraits","House of Tudor","","","","","",""
"13099","","G.Vertue","Alfred the Great","Copper engraving","","","","Image 162 x 93 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","House of Wessex","","","","","",""
"13769","","George Vertue","King Egbert The Great","Copper engraving","","","","Image 160 x 93 mm","","","O’Donoghue 1Some foxing","15","£15","unmounted","Print","British Royalty Portraits","House of Wessex","","","","","",""
"13661","","Guillaume Philippe Benoist ","Alfred","Copper engraving","c. 1750","","","Image 87 x 78 mm, Plate 103 x 103 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","House of Wessex","","","","","",""
"13106","","","Edward VIII","Photolithograph","","","","Image 212 x 161 mm","",""," ","20","£20","unmounted","Print","British Royalty Portraits","House of Windsor","","","","","",""
"13275","","Attributed to W. Faithorne","Stephanus D.G. Rex Ang: Com: Bon: et Mor: etc","Copper engraving","","","","Image 80 x 61 mm","","","O’Donoghue 2","35","£35","unmounted","Print","British Royalty Portraits","Norman Line","","","","","",""
"13486","","C.Grignion after S.Wale","William II","Copper engraving","","","","Image 238 x 143 mm, Plate 250 x 164 mm","","","","15","£15","unmounted","Print","British Royalty Portraits","Norman Line","","","","","",""
"6628","","Engraved by G. Vertue","King Stephen","Engraving","","","","I. 182 x 280 mm","","","","15","£15","unmounted","Print","British Royalty Portraits","Norman Line","","","","","",""
"13742","","George Vertue","Henry I","Copper engraving","","","","Image 277 x 181 mm, Plate 290 x 195 mm","","","O’Donoghue 5","10","£10","unmounted","Print","British Royalty Portraits","Norman Line","","","","","",""
"8427","","Heath","Stephen","Copper engraving","Published as the Act directs, January 1st, 1788, by T . Cadell, The Strand.","1788","1788","I: 165 x 110 mm","","","","20","£20","unmounted","Print","British Royalty Portraits","Norman Line","","","","","",""
"6629","","J. Chapman","King Stephen","Engraving","Published as the acts directs 1798","1798","1798","I. 146 x 94 mm","","","","25","£25","mounted","Print","British Royalty Portraits","Norman Line","","","","","",""
"13844","","John Faber Junior","King William II","Mezzotint","Sold T. Bowles at the Black Horse,   Cornhill c.1750","","","Image 175 x 125 mm","","","O’ Donoghue Groups pg 65cut from John Faber Junior’s Kings and Queens of England - William I to George II  Set of 10 plates each containing four heads in niches with the names on tablets.King William II ('Rufus') (c.1060-1100), Reigned 1087-1100 ","55","£55","unmounted","Print","British Royalty Portraits","Norman Line","","","","","",""
"13740","","John Goldar","King William II. Surnamed Rufus","Copper engraving","Published as the Act directs August 12, 1786","","","Image 92 x 158 mm, Plate 283 x 193 mm","","","Top left corner torn off within the plate.William II (c. 1056 – 2 August 1100), the third son of William I of England (William the Conqueror),[1] was King of England from 1087 until 1100, with powers also over Normandy, and influence in Scotland. He was less successful in extending control into Wales. William is commonly known as 'William Rufus', perhaps because of his red-faced appearance.","20","£20","unmounted","Print","British Royalty Portraits","Norman Line","","","","","",""
"6631","","P. Vanderbanck after E. Lullerell","King Stephen","Engraving","","","","I. 281 x 192 mm","","","","15","£15","unmounted","Print","British Royalty Portraits","Norman Line","","","","","",""
"13634","","Worthington after George Vertue","Stephen","Steel engraving","c. 1790","","","Image 100 x 82 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","Norman Line","","","","","",""
"12878","","","King Edward III","Copper engraving","1688","","","Image 310 x 185 mm, Sheet 313 x 190 mm","","","Plate from Barnes’s History of Edward IIIO’Donoghue 19King Edward III (1312-1377), Reigned 1327-77The eldest son of Edward II and Isabella of France, Edward became king after his father was deposed by his mother and her lover Roger Mortimer and subsequently murdered. They retained power as regents until 1330 when Edward imprisoned Mortimer and imposed confinement on his mother. In 1340 he assumed the title of King of France thus starting the Hundred Years War. At home, Edward's reign was chiefly characterised by a serious outbreak of plague in which an estimated 200,000 people died. ","45","£45","unmounted","Print","British Royalty Portraits","Plantagenet, Angevin Line ","","","","","",""
"13146","","","Ricardus Secundus, Anglia etc: Rex","Copper engraving","c.1640","","","Image 125 x 77 mm","","","","40","£40","unmounted","Print","British Royalty Portraits","Plantagenet, Angevin Line ","","","","","",""
"13813","","","Richard II","Copper engraving printed in  sanguine","","","","Image 108 x 62 mm","","","","15","£15","unmounted","Print","British Royalty Portraits","Plantagenet, Angevin Line ","","","","","",""
"13022","","attributed to William Faithhorne","Edward I","Copper engraving","1640, but later impression","","","Image 81 x 58 mm","","","O’Donoghue 2Edward I (17 June 1239 – 7 July 1307), popularly known as Longshanks, achieved fame as the monarch who conquered Wales and almost succeeded in doing the same to Scotland. However, his death led to the inexperienced Edward II (Edward I's son) taking the throne and ultimately failing in his attempt to subjugate Scotland. He reigned from 1272 to 1307, ascending the throne of England on 20 November 1272 after the death of his father, King Henry III. His mother was queen consort Eleanor of Provence.","10","£10","unmounted","Print","British Royalty Portraits","Plantagenet, Angevin Line ","","","","","",""
"13024","","attributed to William Faithorne","Edward I","Copper engraving","c. 1640","","","Image 81 x 58 mm","","","O’Donoghue 2Edward I (17 June 1239 – 7 July 1307), popularly known as Longshanks, achieved fame as the monarch who conquered Wales and almost succeeded in doing the same to Scotland. However, his death led to the inexperienced Edward II (Edward I's son) taking the throne and ultimately failing in his attempt to subjugate Scotland. He reigned from 1272 to 1307, ascending the throne of England on 20 November 1272 after the death of his father, King Henry III. His mother was queen consort Eleanor of Provence.","30","£30","unmounted","Print","British Royalty Portraits","Plantagenet, Angevin Line ","","","","","",""
"6683","","C. Grignion after S. Wade","Edward II","Engraving","Engraved for Mortimer’s History of England","","","I. 230 x 146 mm","","","","15","£15","unmounted","Print","British Royalty Portraits","Plantagenet, Angevin Line ","","","","","",""
"6691","","C. Grignion after S. Wade","Edward III","Engraving","Engraved for Mortimer’s History of England","","","I. 231 x 146 mm","","","","15","£15","unmounted","Print","British Royalty Portraits","Plantagenet, Angevin Line ","","","","","",""
"6669","","C. Grignion after S. Wade","Richard II","Engraving","Engraved for Mortimer’s History of England","","","I. 232 x 142 mm","","","","15","£15","unmounted","Print","British Royalty Portraits","Plantagenet, Angevin Line ","","","","","",""
"6599","","Engaved by J. Chapman","Edward III","Colour Stipple","Published as the act directs Feb. 12th 1803","1803","1803","80 x 134 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","Plantagenet, Angevin Line ","","","","","",""
"6623","","Engraved by J. Chapman","Henry III","Stipple ","Published as the act directs Jan 19 1799","1799","1799","I. 143 x 92 mm","","","","25","£25","unmounted","Print","British Royalty Portraits","Plantagenet, Angevin Line ","","","","","",""
"6664","","Engraved by J. Chapman","Henry III","Stipple ","Published as the act directs Aug 1 1795","1795","1795","I. 140 x 95 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","Plantagenet, Angevin Line ","","","","","",""
"6615","","Engraved by J. Chapman","Richard II","Stipple ","Published as the act directs April 1 1799","1799","1799","I. 144 x 95 mm","","","","25","£25","unmounted","Print","British Royalty Portraits","Plantagenet, Angevin Line ","","","","","",""
"7729","","G. Vertue","Henry III","Engraving","","18th C. ","18","I. 181 x 279 mm","","","","15","£15","unmounted","Print","British Royalty Portraits","Plantagenet, Angevin Line ","","","","","",""
"13741","","George Vertue","Edward V","Copper engraving","","","","Image 282 x 181 mm","","","O’Donoghue 10","10","£10","unmounted","Print","British Royalty Portraits","Plantagenet, Angevin Line ","","","","","",""
"13766","","George Vertue","King John","Copper engraving","","","","Image 159 x 94 mm","","","","20","£20","unmounted","Print","British Royalty Portraits","Plantagenet, Angevin Line ","","","","","",""
"13836","","George Vertue","King John","Copper engraving","","","","Image 281 x 182 mm","","","John (24 December 1167 – 19 October 1216)[1][2] reigned as King of England from 6 April 1199, until his death. He succeeded to the throne as the younger brother of King Richard I (known in later times as ""Richard the Lionheart""). John acquired the nicknames of ""Lackland"" (French: Sans Terre) for his lack of an inheritance as the youngest son and for his loss of territory to France, and of ""Soft-sword"" for his alleged military ineptitude.[3] He was a Plantagenet or Angevin king.","20","£20","unmounted","Print","British Royalty Portraits","Plantagenet, Angevin Line ","","","","","",""
"13837","","George Vertue","King John","Copper engraving","","","","Image 280 x 183 mm","","","John (24 December 1167 – 19 October 1216) reigned as King of England from 6 April 1199, until his death. He succeeded to the throne as the younger brother of King Richard I (known in later times as ""Richard the Lionheart""). John acquired the nicknames of ""Lackland"" (French: Sans Terre) for his lack of an inheritance as the youngest son and for his loss of territory to France, and of ""Soft-sword"" for his alleged military ineptitude.He was a Plantagenet or Angevin king.As a historical figure, John is best known for acquiescing to the nobility and signing Magna Carta, a document that limited his power and that is popularly regarded as an early first step in the evolution of modern democracy. He has often appeared in historical fiction, particularly as an enemy of Robin Hood.","15","£15","unmounted","Print","British Royalty Portraits","Plantagenet, Angevin Line ","","","","","",""
"12785","","George Virtue","Edward, Prince of Wales (‘the Black Prince')","Copper engraving","1732","","","Image 280 x 180 mm","","","Edward IVNot in O’ Donoghue NPG Ref [D23706]","45","£45","unmounted","Print","British Royalty Portraits","Plantagenet, Angevin Line ","","","","","",""
"13589","","GeorgeVertue","Edward I","Line engraving","","","","Image 281 x 183 mm, Plate 288 x 197 mm","","","O’Donoghue 7","30","£30","unmounted","Print","British Royalty Portraits","Plantagenet, Angevin Line ","","","","","",""
"7726","","Guignion after Wale","Edward II","Engraving","","","","I. 230 x 156 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","Plantagenet, Angevin Line ","","","","","",""
"7743","","Heath","Edward II","Stipple","","18th C.","18","I. 104 x 85 mm","","","","5","£5","unmounted","Print","British Royalty Portraits","Plantagenet, Angevin Line ","","","","","",""
"13797","","Henry Roberts","King Henry III","Copper engraving","","","","Image 362 x 230 mm","","","O’Donoghue 10Henry III (1 October 1207 – 16 November 1272) was the son and successor of John ""Lackland"" as King of England, reigning for fifty-six years from 1216 to his death. His contemporaries knew him as Henry of Winchester. He was the first child king in England since the reign of Ethelred the Unready. Despite his long reign, his personal accomplishments were slim and he was a political and military failure. England, however, prospered during his century and his greatest monument is Westminster, which he made the seat of his government and where he expanded the abbey as a shrine to Edward the Confessor.","15","£15","unmounted","Print","British Royalty Portraits","Plantagenet, Angevin Line ","","","","","",""
"13830","","John Faber Junior","Kings and Queens of England - William I to George II  [King Edward I, King Edward II, King Edward III, King Richard II]","Mezzotint","Sold T. Bowles at the Black Horse, Cornhill c.1750","","","Image 352 x 250 mm","","","O’ Donoghue Groups pg 65Plate 5 from John Faber Junior’s Kings and Queens of England - William I to George II  Set of 10 plates each containing four heads in niches with the names on tablets.","180","£180","mounted","Print","British Royalty Portraits","Plantagenet, Angevin Line ","","","","","",""
"13627","","John Goldar","Edward II","Copper engraving","Published as the Act directs March 31 1787","","","Image 188 x 157 mm","","","","20","£20","unmounted","Print","British Royalty Portraits","Plantagenet, Angevin Line ","","","","","",""
"13802","","John Goldar","Edward III","Copper engraving","Published as the Act directs Dec 10th 1785","","","Image 194 x 161 mm, Plate 290 x 196 mm","","","Edward III (13 November 1312 – 21 June 1377) was one of the most successful English monarchs of the Middle Ages. Restoring royal authority after the disastrous reign of his father, Edward II, Edward III went on to transform the Kingdom of England into the most efficient military power in Europe. His reign saw vital developments in legislature and government—in particular the evolution of the English parliament—as well as the ravages of the Black Death. He remained on the throne for 50 years; no English monarch had reigned for as long since Henry III, and none would again until George III.","15","£15","unmounted","Print","British Royalty Portraits","Plantagenet, Angevin Line ","","","","","",""
"13628","","John Goldar","Edward King of England","Copper engraving","Published as the Act directs March 17. 1787","","","Image 188 x 156 mm, Pl. 293 x 194 mm","","","","20","£20","unmounted","Print","British Royalty Portraits","Plantagenet, Angevin Line ","","","","","",""
"13626","","John Goldar","Edward Prince of Wales","Copper engraving","Published as the Act directs Jan 2. 1786","","","Image 189 x 159 mm, Pl .294 x 207 mm","","","","15","£15","unmounted","Print","British Royalty Portraits","Plantagenet, Angevin Line ","","","","","",""
"13804","","John Goldar","King Edward IV","Copper engraving","Published as the Act directs Feb 19. 1785","","","Image 192 x 166 mm","","","","20","£20","unmounted","Print","British Royalty Portraits","Plantagenet, Angevin Line ","","","","","",""
"13631","","John Goldar after Holbien","Edward the Viking of England, France and Ireland &c","Copper engraving","Published as the Act directs July 24th 1784","","","Image 290 x 198 mm, Plate 307 x 200 mm","","","","20","£20","unmounted","Print","British Royalty Portraits","Plantagenet, Angevin Line ","","","","","",""
"13674","","Mackenzie","Edward III","Stipple","c. 1810","","","Image 153 x 115 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","Plantagenet, Angevin Line ","","","","","",""
"7428","","P. Vanderbanck after E. Lutterell","King Edward the III","Copper engraving","n.d. c. 1690","","","Image 245 x  154 mm","","","Conditon: trimmed to image","10","£10","unmounted","Print","British Royalty Portraits","Plantagenet, Angevin Line ","","","","","",""
"13806","","Trotter after De Bie","Blanch","Stipple","","","","Image 133 x 108 mm, Plate 188 x 140 mm","","","Neice of King John Plantagenet","10","£10","unmounted","Print","British Royalty Portraits","Plantagenet, Angevin Line ","","","","","",""
"6700","","Unknown ","Edward III","Engraving","","","","I. 73 x 65 mm","","","","5","£5","unmounted","Print","British Royalty Portraits","Plantagenet, Angevin Line ","","","","","",""
"7753","","Unknown","Edward the Second ","Copper engraving","","","","I. 175 x 127 mm","","","","25","£25","unmounted","Print","British Royalty Portraits","Plantagenet, Angevin Line ","","","","","",""
"7246","","Unknown","Richard II","Engraving","Pub.d. Oct 28 1791 by N. Smith Gt Mays Buildings","1791","1791","I. 169 x 97 mm","","","","30","£30","unmounted","Print","British Royalty Portraits","Plantagenet, Angevin Line ","","","","","",""
"13583","","W.Marshall","Edward Prince of Wales","Copper engraving","","","","Image 132 x 112 mm","","","O’Donoghue 4","30","£30","unmounted","Print","British Royalty Portraits","Plantagenet, Angevin Line ","","","","","",""
"13630","","William Ridley","Richard II","Stipple","","","","Image 86 x 68 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","Plantagenet, Angevin Line ","","","","","",""
"13588","","","John of Gaunt","Copper engraving","c1800","","","Image 181 x 115 mm","","","O’Donoghue 1Late impression c 1800","20","£20","mounted","Print","British Royalty Portraits","Plantagenet, Lancastrian Line","","","","","",""
"13186","","Attributed to Katsushika Hokusai (1760-1849)","Henricus V. D.G. Rex Ang: Fran: et Dom: Hib: (Henry V)","Copper engraving","","","","Image 77 x 58 mm","","","","45","£45","unmounted","Print","British Royalty Portraits","Plantagenet, Lancastrian Line","","","","","",""
"13214","","Barrett","Prince Arthur","Copper engraving","Published June 29.1795 by G.Barrett, Swinton Street, Grays Inn Road","","","Image 103 x 76 mm, Plate 200 x 150 mm","","","O’Donoghue 2","10","£10","unmounted","Print","British Royalty Portraits","Plantagenet, Lancastrian Line","","","","","",""
"13739","","Bromley after Boizet","Henry IV","Copper engraving","Published 30th July 1812, by I.Stockdale, Piccadilly","","","Image 135 x 95 mm","","","Henry IV (3 April 1367 – 20 March 1413) was the King of England and France and Lord of Ireland 1399–1413. He was born at Bolingbroke Castle in Lincolnshire, hence the other name by which he was known, Henry Bolingbroke. His father, John of Gaunt, was the third son of Edward III, and enjoyed a position of considerable influence during much of the reign of Richard II. Henry's mother was Blanche, heiress to the considerable Lancaster estates.","15","£15","unmounted","Print","British Royalty Portraits","Plantagenet, Lancastrian Line","","","","","",""
"6687","","C. Grignion after S. Wade","Henry IV","Engraving","Engraved for Mortimer’s History of England","","","I. 231 x 146 mm","","","","15","£15","unmounted","Print","British Royalty Portraits","Plantagenet, Lancastrian Line","","","","","",""
"6673","","Drawn by F. Harding","Margaret. Queen to King Henry the Sixth","Engraving","Pub. Feb 7 1792 by F. Harding Fleet St.","1792","1792","I. 123 x 101 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","Plantagenet, Lancastrian Line","","","","","",""
"6624","","Engraved by J. Chapman","Henry IV","Stipple ","Published as the act directs May 1 1799","1799","1799","I. 143 x 92 mm","","","","25","£25","unmounted","Print","British Royalty Portraits","Plantagenet, Lancastrian Line","","","","","",""
"6625","","Engraved by J. Chapman","Henry IV","Stipple ","Published as the act directs May 1 1799","1799","1799","I. 143 x 92 mm","","","","25","£25","unmounted","Print","British Royalty Portraits","Plantagenet, Lancastrian Line","","","","","",""
"6618","","Engraved by J. Chapman","Henry V","Stipple ","Published as the act directs Aug 1 1795","1795","1795","Image  132 x 83 mm","","","","20","£20","unmounted","Print","British Royalty Portraits","Plantagenet, Lancastrian Line","","","","","",""
"6621","","Engraved by J. Chapman","William Rufus","Stipple ","Published as the act directs May 1 1798","1799","1799","I. 143 x 92 mm","","","","28","£28","unmounted","Print","British Royalty Portraits","Plantagenet, Lancastrian Line","","","","","",""
"10820","","G.Vander","Chancellor Fortescue following King Henry’s Fortune and attending his Son Edward into France, wrote this book to recommend the Laws of England to the Esteem and Proctection of that Young Prince","Copper engraving","London: In the Savoy, Printed by E. and R.Nutt, 1737. Notes by John Selden.","","","image 190 x 140 mm  sheet 205 x 150 mm","","","Sir John Fortescue (1394-1476) Lord Chief Justice and Lord High Chancellor of EnglandCondition: Tipped onto album pageEx Collection of Earl De Gray","45","£45","","Print","British Royalty Portraits","Plantagenet, Lancastrian Line","","","","","",""
"13755","","George Vertue","King Henry V","Copper engraving","","","","Image 159 x 94 mm","","","","15","£15","unmounted","Print","British Royalty Portraits","Plantagenet, Lancastrian Line","","","","","",""
"13838","","Hall","Henry IV","Copper engraving","","","","Image 179 x 114 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","Plantagenet, Lancastrian Line","","","","","",""
"7625","","J. Chapman ","Henry V","Stipple","Published as the Act directs Aug. 1 1795","","","I. 104 x 83 mm","","","","5","£5","unmounted","Print","British Royalty Portraits","Plantagenet, Lancastrian Line","","","","","",""
"13667","","John Chapman","Henry VI","Stipple printed in colour","Published as the Act directs March 10 1804","","","Image 145 x 96 mm","","","","15","£15","unmounted","Print","British Royalty Portraits","Plantagenet, Lancastrian Line","","","","","",""
"13636","","John Goldar","John of Gaunt","Copper engraving","Published as the Act directs April 16 1785","","","Image 191 x 167 mm","","","","20","£20","unmounted","Print","British Royalty Portraits","Plantagenet, Lancastrian Line","","","","","",""
"13892","","P. Vanderbanck after Edward Lutterell","King Henry the VIth","Copper engraving","1706","","","Image 253 x 164 mm","From Kennet’s History of England","","O’ Donoghue 12","25","£25","","Print","British Royalty Portraits","Plantagenet, Lancastrian Line","","","","","",""
"12589","","Reginold Elstrack (Elstracke)","Henry VI","Copper engraving","Are to be sold by Compton Holland over against the Exchange c. 1618","","","Image 140 x 112 mm, Pl. 180 x 116 mm, Sheet 205 x 133 mm","","","Plate to Holland’s Baziliwlogia: A Book of KingsHind 15, O’Donoghue 13 state i/iiEx. Col Dr. Bent Juel-Jensen","40","£40","unmounted","Print","British Royalty Portraits","Plantagenet, Lancastrian Line","","","","","",""
"7757","","Unknown","Edward Prince of Wales","Engraving","","","","I. 71 x 88 mm","","","","5","£5","unmounted","Print","British Royalty Portraits","Plantagenet, Lancastrian Line","","","","","",""
"6699","","Unknown","King Henry IV","Engraving","","Circ 18th C. ","18","I. 155 x 90 mm","","","","5","£5","unmounted","Print","British Royalty Portraits","Plantagenet, Lancastrian Line","","","","","",""
"13822","","","Edward V","Line Engraving","London J.S.Virtue & Co Limited","","","Image 123 x 96 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","Plantagenet, Yorkist Line ","","","","","",""
"13174","","","Ricardus tertius, Angliae etc: Rex. [King Richard III]","Copper engraving","","","","Image 105 x 79 mm, Sheet 125 x 80 mm","","","Richard III was the last Plantagenet king of England. He was a staunch supporter of his elder brother Edward IV against the Lancastrians. However, after Edward's death he steadily assumed power during the minority of Edward V, and was crowned King in his place. He was killed at the battle of Bosworth Field by the army of Henry Tudor, later Henry VII. He was famously depicted by Shakespeare as 'Crookback' but contemporary evidence of his physic is not conclusive. ","35","£35","unmounted","Print","British Royalty Portraits","Plantagenet, Yorkist Line ","","","","","",""
"13126","","attributed toWilliam Faithorne","Edwardus IIII. D. G. Rex Ang: Fran: et. Hib:","Copper engraving","18th century","","","Image 75 x 60 mm, Plate 120 x 83 mm","","","Sold by Robert PeakKing Edward IV (1442-1483), Reigned 1461-70 and 1471-83","35","£35","unmounted","Print","British Royalty Portraits","Plantagenet, Yorkist Line ","","","","","",""
"6616","","Engraved by J. Chapman","Edward V","Stipple ","Published as the act directs July 1 1799","1799","1799","I. 143 x 95 mm","","","","15","£15","unmounted","Print","British Royalty Portraits","Plantagenet, Yorkist Line ","","","","","",""
"7724","","G. Vertue","Edward V","Engraving","","18 th C.","18","I. 181 x 281 mm","","","","15","£15","unmounted","Print","British Royalty Portraits","Plantagenet, Yorkist Line ","","","","","",""
"13900","","George Vertue","Edward IV. K. of England & France Lord of Ireland","Copper engraving","1732","","","Image 280 x 180 mm, Plate 290 x 195 mm","from Rapkin and Tindal’s History of England","","O’ Donoghue 14","15","£15","unmounted","Print","British Royalty Portraits","Plantagenet, Yorkist Line ","","","","","",""
"13666","","Goerge Vertue","Edward IV","Copper engraving","1732","","","Image 284 x 182 mm, Plate 291 x 193 mm","","","","30","£30","unmounted","Print","British Royalty Portraits","Plantagenet, Yorkist Line ","","","","","",""
"7744","","Heath","Edward IV","Stipple","","18th C.","18","I. 105 x 84 mm","","","","5","£5","unmounted","Print","British Royalty Portraits","Plantagenet, Yorkist Line ","","","","","",""
"7244","","S. Harding ","Edward V (the Original in Lambeth Library)","Stipple","","18th C. ","18","I. 117 x 93 mm","","","","15","£15","unmounted","Print","British Royalty Portraits","Plantagenet, Yorkist Line ","","","","","",""
"12750","","T. Cross","[Richard III]","Copper engraving","1647","","","Image 146 x 115 mm","From Bucks History of Richard III","","Frontispiece O’ Donoghue 570, 7","40","£40","unmounted","Print","British Royalty Portraits","Plantagenet, Yorkist Line ","","","","","",""
"13820","","Worthington","Edward V","Copper engraving","Oublished by W.Pickering 31 Lincolns Inn Fields 1822","","","Image 110 x 85 mm","","","Edward V (4 November 1470 – 1483?) was the King of England from 9 April 1483 until his deposition two months later. His reign was dominated by the influence of his uncle Richard, Duke of Gloucester, who succeeded him as Richard III. Along with his younger brother Richard of Shrewsbury, Edward was one of the Princes in the Tower, who were never seen alive after being sent (ostensibly for their own safety) to the Tower of London. Richard III has been widely blamed for their deaths, though it is not certain that he was responsible for them.","15","£15","unmounted","Print","British Royalty Portraits","Plantagenet, Yorkist Line ","","","","","",""
"13103","","","Fergusius II","Copper engraving","","","","Image 305 x 188 mm","","","","15","£15","unmounted","Print","British Royalty Portraits","Scottish and Irish Royalty","","","","","",""
"8370","","E. Hayez ","Maria Stuarda condotta al patibolo","Lithograph","Milano Presso Gio Ricordi","","","Image 529 x 390 mm","","","","200","£200","unmounted","Print","British Royalty Portraits","Scottish and Irish Royalty","","","","","",""
"7609","","Engraved by Bannerman","David Bruce II","Engraving","","","","I. 90 x 71 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","Scottish and Irish Royalty","","","","","",""
"6646","","Engraved by E. Harding ","David II Rex Scotorum MCCCXXX","Stipple","Pub 9th Nov 1797 by I. Herbert","1797","1797","Image. 138 x 106 mm","","","","15","£15","unmounted","Print","British Royalty Portraits","Scottish and Irish Royalty","","","","","",""
"8368","","Francis Legat after Gavinus Hamilton","Mary Queen of Scots Resigning her Crown at Lochleven Castle","Engraving","Published Jan. 2nd 1786 by John Boydell in Cheapside, London","1786","1786","Image 586 x 421 mm","","","black and white uncoloured version","100","£100","unmounted","Print","British Royalty Portraits","Scottish and Irish Royalty","","","","","",""
"8369","","Francis Legat after Gavinus Hamilton","Mary Queen of Scots Resigning her Crown at Lochleven Castle","Engraving","Published Jan. 2nd 1786 by John Boydell in Cheapside, London","1786","1786","I. 586 x 421 mm","","","coloured version","100","£100","unmounted","Print","British Royalty Portraits","Scottish and Irish Royalty","","","","","",""
"13851","","Gaugain after Stothard","Mary Queen of Scots recieving from Lord Buckhurst & Beale the ~Sentance of Death pronounced against her and ratified by parliment","Stipple","Published April 1788 by Jane White Tavistock Street, London","","","Image 365 x 440 mm, Plate 420 x 470 mm","","","Mary, Queen of Scots (1542-1587), Reigned 1542-67The daughter of James V of Scotland and Mary of Guise, Mary Stuart spent most of her childhood in France where she was raised as a Roman Catholic. She married Francis II in 1558, but following his early death she returned to Scotland, ruling for seven turbulent years. Her brief marriage to Lord Darnley produced her only child, later James I of England and VI of Scotland, but ended in Darnley's murder in 1567. Only months later Mary married the Earl of Bothwell who was implicated in Darnley's death. She was finally forced to abdicate in favour of her son and fled to England. As a focus for the Roman Catholic rebellion, she represented a continual threat to Queen Elizabeth', and she was executed in 1587. ","150","£150","unmounted","Print","British Royalty Portraits","Scottish and Irish Royalty","","","","","",""
"13773","","George Vertue","Mary Queen of Scots","Copper engraving","1729","","","Image 159 x 92 mm","","","Ex collection of Earl De Grey                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    O’Donoghue 17Mary I (popularly known as Mary, Queen of Scots) (8 December 1542 – 8 February 1587) was Queen of Scots (the monarch of the Kingdom of Scotland) from 14 December 1542 to 24 July 1567. She was also the queen consort of France from 10 July 1559 to 5 December 1560. After a long period of protective custody in England, she was tried and executed for treason following her involvement in three plots to assassinate Elizabeth I of England and place herself on the throne.","25","£25","unmounted","Print","British Royalty Portraits","Scottish and Irish Royalty","","","","","",""
"6697","","I. Taylor","Robert the Bruce","Engraving","","","","I. 86 x 70 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","Scottish and Irish Royalty","","","","","",""
"13676","","James Charles Armytage after H.Fredelle","Mary Queen of Scots and Chatelar","Steel engraving","c. 1860","","","Image 119 x 157 mm","","","","10","£10","unmounted","Print","British Royalty Portraits","Scottish and Irish Royalty","","","","","",""
"13854","","John Ogbourne after William Hamilton","The Magnamity of Mary Queen of Scots.","Stipple","London Published June 1. 1788, by the Proprietor, J. Thane, Rupert Street, Hay Market.","","","Image 377 x 320 mm","","","Mary, Queen of Scots (1542-1587), Reigned 1542-67The daughter of James V of Scotland and Mary of Guise, Mary Stuart spent most of her childhood in France where she was raised as a Roman Catholic. She married Francis II in 1558, but following his early death she returned to Scotland, ruling for seven turbulent years. Her brief marriage to Lord Darnley produced her only child, later James I of England and VI of Scotland, but ended in Darnley's murder in 1567. Only months later Mary married the Earl of Bothwell who was implicated in Darnley's death. She was finally forced to abdicate in favour of her son and fled to England. As a focus for the Roman Catholic rebellion, she represented a continual threat to Queen Elizabeth', and she was executed in 1587. ","70","£70","unmounted","Print","British Royalty Portraits","Scottish and Irish Royalty","","","","","",""
"12873","","R. Elstrack","[Mary Queen of Scots]","Copper engraving","1618","","","Image 186 x 146 mm, Plate 200 x 159 mm, Sheet 220 x 178 mm","","","Not in BMCondition: stuck to album page","50","£50","unmounted","Print","British Royalty Portraits","Scottish and Irish Royalty","","","","","",""
"13850","","Richard Read afterWilliam Hamilton","Mary Queen of Scots signs the paper by which she resigns her Crown to her Infant Son","Stipple","London Published May 1, 1787 by Ja Birchall No. 473 Strand","","","Image 310 x 310 mm","","","Mary, Queen of Scots (1542-1587), Reigned 1542-67The daughter of James V of Scotland and Mary of Guise, Mary Stuart spent most of her childhood in France where she was raised as a Roman Catholic. She married Francis II in 1558, but following his early death she returned to Scotland, ruling for seven turbulent years. Her brief marriage to Lord Darnley produced her only child, later James I of England and VI of Scotland, but ended in Darnley's murder in 1567. Only months later Mary married the Earl of Bothwell who was implicated in Darnley's death. She was finally forced to abdicate in favour of her son and fled to England. As a focus for the Roman Catholic rebellion, she represented a continual threat to Queen Elizabeth', and she was executed in 1587. ","60","£60","unmounted","Print","British Royalty Portraits","Scottish and Irish Royalty","","","","","",""
"13655","","Robert Sheppard after Isaac Oliver","Mary Queen of Scotland","Copper engraving","published 1733","","","Image 359 x 214 mm","","","O’Donoghue 79Condition: Trimmed into image","30","£30","unmounted","Print","British Royalty Portraits","Scottish and Irish Royalty","","","","","",""
"7611","","Unknown","Maria Stuart Scotia.","Copper engraving","","","","I. 99 x 65 mm","","","","25","£25","unmounted","Print","British Royalty Portraits","Scottish and Irish Royalty","","","","","",""
"7245","","Unknown","Mary Queen of Scots","Engraving","18th Century","","","Image 83 x 83 mm","","","","15","£15","unmounted","Print","British Royalty Portraits","Scottish and Irish Royalty","","","","","",""
"13246","","W.N. Gardiner after I.E. Rigaud","Mary Queen of Scots going to the place of execution","Stipple","Published as the Act directs April 20 1790 by T.monzan, No1 Duke Street, Grosvenor Square","","","Image 152 x 214 mm","","","","35","£35","mounted","Print","British Royalty Portraits","Scottish and Irish Royalty","","","","","",""
"13751","","Worthington","Mary Queen of Scots","Copper engraving","Published by W.Pickering 31 Lincolns Inn Fields 1822","","","Image 108 x 86 mm, Plate 212 x 139 mm","","","Mary I (popularly known as Mary, Queen of Scots) (8 December 1542 – 8 February 1587) was Queen of Scots (the monarch of the Kingdom of Scotland) from 14 December 1542 to 24 July 1567. She was also the queen consort of France from 10 July 1559 to 5 December 1560. After a long period of protective custody in England, she was tried and executed for treason following her involvement in three plots to assassinate Elizabeth I of England and place herself on the throne.","20","£20","unmounted","Print","British Royalty Portraits","Scottish and Irish Royalty","","","","","",""
"9449","","","Arms of  Queen’s College, Cambridge University","Chromolithograph","c.1920","","","I 60 x 70 mm","Wills’s Cigarette Cards","","","20","£20","mounted","Print","British Topography",""," ","","","","",""
"11526","","after Johannes Kip","Views of all the Cathedral Churches in England and Wales with the Collegiate Churches of Westminster Manchester and Southwell, and the Royal Chapel of St George at Windsor. with an account of the time when each church was founded, who was the first Bishop. The extent & Number of parifhes that each Bishoprick contains. The Arms of the several Sees and deanerys are placed under their retrospective Cathedrals.","Copper engraving","c.1715","","","Printed on two plates and disected into 4 sheets 555 x 500 mm each plate","","","Henry Overton commissioned an unknown artist to engrave these miniture versions of Kip’s cathedral churches from Britannia illustrata : or views of several of the Queen's palaces ... a series first published by David Mortier in 1707 and again by Henry Overton, c. 1714.  A rare print in this state. Individual churches from this series are often seen cut down and in scrap books","450","£450","unmounted","Print","British Topography","","","","","","",""
"8088","","","Woburn Abbey Bedfordshire","Lithograph with hand colouring","Pub.d by Dodd & Peeling Booksellers Woburn Circa 1830","","","I 340 x 235 mm","","","","200","£200","mounted","Print","British Topography","Bedfordshire","","","","","",""
"10021","","Charles Tomkins","Basledon. Berkshire","Aquatint","c.1805","","","Image: 173 x 242 mm","Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.","","","30","£30","mounted","Print","British Topography","Berkshire","","","","","",""
"10011","","Charles Tomkins","Beenham Church","Aquatint","London Published as the Act Directs 1794","","","Image: 156 x 233 mm","Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.","","","30","£30","mounted","Print","British Topography","Berkshire","","","","","",""
"10004","","Charles Tomkins","Blubury Church","Aquatint","c.1805","","","Image: 155 x 235 mm","Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.","","","30","£30","mounted","Print","British Topography","Berkshire","","","","","",""
"10003","","Charles Tomkins","Bucklebury Church","Aquatint","c.1805","","","Image: 155 x 232 mm","Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.","","","30","£30","mounted","Print","British Topography","Berkshire","","","","","",""
"9976","","Charles Tomkins","Caversham Church","Aquatint","London Published as the Act Directs 1794","","","Image 149 x 226 mm","Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.","","","30","£30","mounted","Print","British Topography","Berkshire","","","","","",""
"10009","","Charles Tomkins","Compton Church","Aquatint","c.1805","","","Image: 150 x 226 mm","Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.","","","30","£30","mounted","Print","British Topography","Berkshire","","","","","",""
"10015","","Charles Tomkins","Englefield Church","Aquatint","c.1805","","","Image: 152 x 228 mm","Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.","","","30","£30","mounted","Print","British Topography","Berkshire","","","","","",""
"10019","","Charles Tomkins","Greenham Chapel","Aquatint","c.1805","","","Image: 148 x 229 mm","Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.","","","30","£30","mounted","Print","British Topography","Berkshire","","","","","",""
"10007","","Charles Tomkins","Midgham Chapel","Aquatint","c.1805","","","Image: 152 x 230 mm","Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.","","","30","£30","mounted","Print","British Topography","Berkshire","","","","","",""
"10016","","Charles Tomkins","Moulsford Chapel","Aquatint","c.1805","","","Image: 150 x 230 mm","Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.","","","30","£30","mounted","Print","British Topography","Berkshire","","","","","",""
"10005","","Charles Tomkins","Pangbourn Church","Aquatint","London Published as the Act  Directs 1794","","","Image: 150 x 225 mm","Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.","","","30","£30","mounted","Print","British Topography","Berkshire","","","","","",""
"10002","","Charles Tomkins","Pangbourne Berkshire","Aquatint","c.1805","","","Image 170 x 240 mm","Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.","","","30","£30","mounted","Print","British Topography","Berkshire","","","","","",""
"10008","","Charles Tomkins","Purley Church","Aquatint","London Published as the Act  Directs 1794","","","Image: 150 x 226 mm","Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.","","","30","£30","mounted","Print","British Topography","Berkshire","","","","","",""
"10006","","Charles Tomkins","Sulham Church","Aquatint","London Published as the Act  Directs 1794","","","Image: 150 x 225 mm","Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.","","","30","£30","mounted","Print","British Topography","Berkshire","","","","","",""
"10014","","Charles Tomkins","Thatcham Church","Aquatint","c.1805","","","Image: 152 x 230 mm","Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.","","","30","£30","mounted","Print","British Topography","Berkshire","","","","","",""
"9979","","Charles Tomkins","Tidmarsh Church","Aquatint","London Published as the Act Directs 1794","","","Image 150 x 225 mm","Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.","","","30","£30","mounted","Print","British Topography","Berkshire","","","","","",""
"10017","","Charles Tomkins","Tilehurst Church","Aquatint","c.1805","","","Image: 150 x 230 mm","Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.","","","30","£30","mounted","Print","British Topography","Berkshire","","","","","",""
"10020","","Charles Tomkins","View of Caversham, through the Gateway.","Aquatint","c.1805","","","Image: 150 x 226mm","Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.","","","30","£30","mounted","Print","British Topography","Berkshire","","","","","",""
"9939","","Charles Tomkins","Warfield Church","Aquatint","c.1805","","","Image: 100 x 260 mm","Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.","","Playing cricket on lawn","30","£30","mounted","Print","British Topography","Berkshire","","","","","",""
"4768","","Chas Tomkins","Basledon Bershire","Aquatint with hand colouring","c. 1794","","","I 241 x 172 mm","","","","65","£65","mounted","Print","British Topography","Berkshire","","","","","",""
"4763","","Chas Tomkins","Thatcham Church","Aquatint with hand colouring","1794","","","I 230 x 155 mm","","","","60","£60","mounted","Print","British Topography","Berkshire","","","","","",""
"4536","","Clough Bromley","Boulters to London 501/2 Miles to Oxford 61 Miles","Etching","Published May 1, 1881 by Leggatt  Bros. 62, Cheapside London E.C.","","","I 456 x 305 mm","","","Near Maidenhead","180","£180","mounted","Print","British Topography","Berkshire","","","","","",""
"4788","","Cousen after Turner","Abingdon. Berkshire","Steel engraving","c. 1860","","","I 242 x 180 mm","","","","65","£65","mounted","Print","British Topography","Berkshire","","","","","",""
"4803","","Cousin after Turner","Abingdon. Berkshire","Steel engraving","c. 1840","","","I 244 x 180 mm","","","","65","£65","mounted","Print","British Topography","Berkshire","","","","","",""
"8517","","David Law","Bisham","Etching","1882","","","Image 90 x 150 mm","","","","45","£45","mounted","Print","British Topography","Berkshire","","","","","",""
"8516","","David Law","Sonning on Thames","Etching","1882","","","Image 90 x 150 mm","","","","35","£35","mounted","Print","British Topography","Berkshire","","","","","",""
"4762","","Engelmann","George the Fourth’s Gate","Lithograph with hand colouring","Engelmann Graf, Coindet & Co. 92 Dean Street Soho Oct. 1827","","","I 255 x 172 mm","","","","65","£65","mounted","Print","British Topography","Berkshire","","","","","",""
"4787","","Green after Wale delin","Eaton College","Copper engraving","c. 1790","","","I 139 x 81 mm","","","","40","£40","mounted","Print","British Topography","Berkshire","","","","","",""
"4427","","H. Winkles after Tombleson","Eton College ","Steel engraving","Published by Tombleson & Compy., 11 Paternoster Row, London, c. 1841","","","I 150 X 190 mm","Tombleson's Views of the Thames and Medway","","","25","£25","mounted","Print","British Topography","Berkshire","","","","","",""
"10099","","Hay after J.P. Neal","Henley on Thames","Copper engraving with hand colouring","London Published by John Harris St Pauls Church Yard Sept 1 1812","","","I 144 x 100 mm","Beauties of England and Wales","","","35","£35","mounted","Print","British Topography","Berkshire","","","","","",""
"1920","","I.C Varrall","Wantage, Berks","Copper engraving","Published for the Proprietors Sept 1 1816 by W Clarke New Bond Street","","","I 88 x 59 mm","","","","20","£20","unmounted","Print","British Topography","Berkshire","","","","","",""
"7890","","J.C. Bourne","View of the keep or Round Tower, Looking West Shewing the St. George’s Gate & the Statue of King Charles 2nd In the distance part of Queen Elizabeth’s buildings, the entrance down to the North Terrace & one of the towers of the Norman Gateway","Lithograph","John Williams Library of Science and Art 106 Gt. Russell St near the Museum Day & Haghe Lith.rs to the Queen Circa 1844 ","","","I 390 x 288 mm","Gandy and Baud’s Illustrations of Windsor Castle","","","60","£60","mounted","Print","British Topography","Berkshire","","","","","",""
"12507","","J.C. Stadler after J. Farington R.A. ","Great Marlow","Aquatint with hand colouring","Pub. June 1, 1793 by J & J Boydell Shakespeare Gallery Pall Mall & Cheapside","","","Image  210 x  317 mm","A History of the River Thames","","John Boydell (1719-1804) was a successful and influential printseller and engraver. Boydell's Shakespeare Gallery is credited with changing the course of English painting by creating a market for historical and literary works. He also encouraged the development of engraving in England with, among other things, his prints illustrating scenes from Shakespearean plays. In 1773, his nephew Josiah Boydell (1752-1817) became his business partner and later his successor, trading as J. & J. Boydell. ","150","£150","mounted","Print","British Topography","Berkshire","","","","","",""
"12506","","J.C. Stadler after J. Farington R.A. ","Windsor Bridge","Aquatint with hand colouring","Pub. June 1, 1793 by J & J Boydell Shakespeare Gallery Pall Mall & Cheapside","","","Image  212 x  317 mm","A History of the River Thames","","John Boydell (1719-1804) was a successful and influential printseller and engraver. Boydell's Shakespeare Gallery is credited with changing the course of English painting by creating a market for historical and literary works. He also encouraged the development of engraving in England with, among other things, his prints illustrating scenes from Shakespearean plays. In 1773, his nephew Josiah Boydell (1752-1817) became his business partner and later his successor, trading as J. & J. Boydell. ","150","£150","mounted","Print","British Topography","Berkshire","","","","","",""
"11722","","J.C Stadler after J. Farrington","Whitchurch.","Aquatint","Pub.d June 1 1793 by J & J Boydell at theShakespeare Gallery Pall Mall & No. 90 Cheapside London","","","Image 207 x 315 mm","","","John Boydell (1719-1804) was a successful and influential printseller and engraver. Boydell's Shakespeare Gallery is credited with changing the course of English painting by creating a market for historical and literary works. He also encouraged the development of engraving in England with, among other things, his prints illustrating scenes from Shakespearean plays. In 1773, his nephew Josiah Boydell (1752-1817) became his business partner and later his successor, trading as J. & J. Boydell. ","85","£85","mounted","Print","British Topography","Berkshire","","","","","",""
"13497","","John Fullwood","Sonning - On- Thames","Etching","c1910","","","Image & Plate 114 x 71 mm","","","Signed in the plate and in pencil outside the plate","75","£75","mounted","Print","British Topography","Berkshire","","","","","",""
"2285","","Nathaniel Buck","The South Prospect of Reading in the County of Berks","Copper engraving with hand colouring","1734","","","I 780 x 242 mm","","","","445","£445","mounted","Print","British Topography","Berkshire","","","","","",""
"6214","","Samuel Ireland","Eton College","Aquatint","Pub. for S. Ireland May 1 1799","","","I 110 x 165 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","25","£25","unmounted","Print","British Topography","Berkshire","","","","","",""
"6217","","Samuel Ireland","Hernes Oak, Windsor Park","Aquatint","Pub. for S. Ireland May 1 1799","","","I 110 x 165 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","20","£20","unmounted","Print","British Topography","Berkshire","","","","","",""
"6238","","Samuel Ireland","Maidenhead - bridge, Clifden -woods &c. ","Aquatint","Pub. for S. Ireland May 1 1799","","","I 110 x 165 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","20","£20","unmounted","Print","British Topography","Berkshire","","","","","",""
"6207","","Samuel Ireland","Sunning-bridge & C., Berks","Aquatint","Pub. for S. Ireland May 1 1799","","","I 110 x 165 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","20","£20","unmounted","Print","British Topography","Berkshire","","","","","",""
"11610","","T. Howard","Wallingford, Berks","Engraving with hand colouring","Tombleson & Co. 11, Paternoster Row c. 1840","","","Image 150 x 190 mm","","","Decorative border surrounding the image.","40","£40","mounted","Print","British Topography","Berkshire","","","","","",""
"11715","","T. Howard","Wallingford, Berks","Engraving with hand colouring","Tombleson & Co. 11, Paternoster Row c. 1830","","","Image 150 x 190 mm","","","Decorative border (without colour)surrounding the image.","40","£40","mounted","Print","British Topography","Berkshire","","","","","",""
"8529","","Tombleson","Lasy Place, Hurley, Berks","Steel engraving","London Published by Tombleson & Co. Paternoster Row, 1833-34","","","I 165 x 200 mm, Pl 175 x 225 mm, S 21 x 27 mm","Tombleson's Views of the Thames and Medway","","","35","£35","mounted","Print","British Topography","Berkshire","","","","","",""
"13089","","Tombleson after J. Rolph","Cookham, Berks.","Steel engraving","london, Published by Tombleson & co. 11 Paternoster Row c. 1830","","","Image 170 x 208 mm, Plate 178 x 228 mm","","","decorative border surrounding the image (included in measurements)","20","£20","unmounted","Print","British Topography","Berkshire","","","","","",""
"4764","","Unknown","The Royal Palace of Windsor, Le Palais Royale de Windsor","Copper engraving with hand colouring","c. 1780","","","I 262 x 152 mm","","","","70","£70","mounted","Print","British Topography","Berkshire","","","","","",""
"4774","","Unknown","View of Eaton College, in Buckinghamshire","Copper engraving with hand colouring","c. 1780","","","I 270 x 149 mm","","","","","","mounted","Print","British Topography","Berkshire","","","","","",""
"4765","","W. Lacey","Old Windsor Locks","Copper engraving","Tombleson & co. 11, Paternoster Row","","","I 143 x 110 mm","","","","45","£45","mounted","Print","British Topography","Berkshire","","","","","",""
"11354","","Wilfred Ball ","Above Hurley","Etching","c. 1898","","","Image 56 x 96 mm, Plate 56 x 96","","","Wilfred Ball (1853-1917) was a landscape etcher specialising in river scenes and on his larger plates he used tone to great affect.","75","£75","mounted","Print","British Topography","Berkshire","","","","","",""
"6304","","William Monk","[Eton College]","Etching","c1900","","","I: 175 x 250 mm","","","Painter and etcher of architectural subjects. Born at Chester. Studied at the Antwerp Academy. Exhibited at the R.A., R.E., I.S., and with the Society of Graver Printers in Colour. Electer A.R.E. 1894, R.E. 1899. Executed subjects in Venice and New York. Lived in London and died on 8th April 1937 aged 73.","75","£75","unmounted","Print","British Topography","Berkshire","","","","","",""
"6306","","William Monk","[Eton College]","Etching","c. 1900","","","I: 175 x 250 mm","","","Painter and etcher of architectural subjects. Born at Chester. Studied at the Antwerp Academy. Exhibited at the R.A., R.E., I.S., and with the Society of Graver Printers in Colour. Electer A.R.E. 1894, R.E. 1899. Executed subjects in Venice and New York. Lived in London and died on 8th April 1937 aged 73.","80","£80","unmounted","Print","British Topography","Berkshire","","","","","",""
"6307","","William Monk","[Eton College]","Etching","c. 1900","","","I: 175 x 250 mm","","","Painter and etcher of architectural subjects. Born at Chester. Studied at the Antwerp Academy. Exhibited at the R.A., R.E., I.S., and with the Society of Graver Printers in Colour. Electer A.R.E. 1894, R.E. 1899. Executed subjects in Venice and New York. Lived in London and died on 8th April 1937 aged 73.","75","£75","unmounted","Print","British Topography","Berkshire","","","","","",""
"6305","","William Monk","[Eton College Hall]","Etching","c 1900","","","I: 175 x 250 mm","","","Painter and etcher of architectural subjects. Born at Chester. Studied at the Antwerp Academy. Exhibited at the R.A., R.E., I.S., and with the Society of Graver Printers in Colour. Electer A.R.E. 1894, R.E. 1899. Executed subjects in Venice and New York. Lived in London and died on 8th April 1937 aged 73.","50","£50","unmounted","Print","British Topography","Berkshire","","","","","",""
"2979","","W. Gauci after N. De Garis Jun.r","Town of St. Helliers. Jersey","Lithograph with hand colouring","Pub.d by M. Moss Guernsey and C. Le Lievere Jersey. W Day Lith.r to the King 17, Gate St.","","","I 251 x 176 mm","","","","80","£80","unmounted","Print","British Topography","British Islands","","","","","",""
"2978","","William Gauci after J Neet.","St. Aubin’s from the road leading to St Peters. Jersey","Lithograph with hand colouring","Pub.d by M Mofs, Guernsey.Printed by C. Hullmandel","","","I 254 x 175 mm","","","","80","£80","unmounted","Print","British Topography","British Islands","","","","","",""
"5526","","","Taplow Lodge, B ucks_seat of J Frywe Esq","Engraving","late 18thC","","","I 28 x 60 mm","","","","25","£25","mounted","Print","British Topography","Buckinghamshire","","","","","",""
"4804","","Chas Tomkins","Pangbourn Church","Aquatint with hand colouring","1794","","","I 224 x 150 mm","","","","65","£65","mounted","Print","British Topography","Buckinghamshire","","","","","",""
"1878","","J. Storer","Stowe","Copper engraving","London Published by Vernor & Hood, Poultry July 1st 1801","","","I 153 x 98 mm","","","","30","£30","unmounted","Print","British Topography","Buckinghamshire","","","","","",""
"6223","","Samuel Ireland","Cliefden spring, Bucks","Aquatint","Pub. for S. Ireland May 1 1799","","","I 110 x 165 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","20","£20","unmounted","Print","British Topography","Buckinghamshire","","","","","",""
"6225","","Samuel Ireland","Marlow bridge &c. ","Aquatint","Pub. for S. Ireland May 1 1799","","","I 110 x 165 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","20","£20","unmounted","Print","British Topography","Buckinghamshire","","","","","",""
"4808","","Unknown","The Parish Church of st.Mary, Ayledbury","Lithograph with hand colouring","c. 1830-40","","","I 292 x 220 mm","","","","50","£50","mounted","Print","British Topography","Buckinghamshire","","","","","",""
"4805","","Unknown","View of Eaton - College, in Buckinghamshire","Copper engraving","c. 1780","","","I 261 x 178 mm","","","","60","£60","mounted","Print","British Topography","Buckinghamshire","","","","","",""
"4807","","Unknown","View of the Great Room & c. at Hall Barn, near Beconsfield in Buckinghamshire","Copper engraving","c. 1780","","","I 248 x 163 mm","","","","45","£45","mounted","Print","British Topography","Buckinghamshire","","","","","",""
"11242","","Wilfred Ball ","Near Medmenham","Etching","c. 1898","","","Image 55 x 96 mm, Plate 55 x 96, Sheet 104 x 145 mm","","","Condition: Image scuffed on right hand plate mark.Wilfred Ball (1853-1917) was a landscape etcher specialising in river scenes and on his larger plates he used tone to great affect.","60","£60","unmounted","Print","British Topography","Buckinghamshire","","","","","",""
"11244","","Wilfred Ball ","Near Medmenham","Etching","c. 1898","","","Image 55 x 96 mm, Plate 55 x 96, Sheet 104 x 145 mm","","","Wilfred Ball (1853-1917) was a landscape etcher specialising in river scenes and on his larger plates he used tone to great affect.","75","£75","mounted","Print","British Topography","Buckinghamshire","","","","","",""
"3281","","William Woollett","A View of the Great Room &c. at Hall-Barn near Beckonsfield in Buckinghamshire a Seat of Edmund Waller Esq.rVeue de la grande Sale &c. a Hall-Barn dans la Comte de Bucks, appertanant a Edmund Waller Ecuyer","Copper engraving","Printed for Carington Bowles in St Pauls Church Yard, John Bowles in Cornhil, Henry Parker in Cornhill, John Boydell in Cheapside, and Robert Sayer in Fleet Street, [1760]","","","I 506 x 330 mm; Pl. 539 x 375 mm","","","Fagan 37 iii/iv","500","£500","mounted","Print","British Topography","Buckinghamshire","","","","","",""
"6930","","","Carvings in Trinity College Library","Etching","London, 1880","","","","From Cambridge: Brief Historical & Descriptive Notes by J.E. Clarke, M.A","","","20","£20","unmounted","Print","British Topography","Cambridgeshire","","","","","",""
"5360","","","Degree Day 1860","photograph after an original antique print","circa 1930","","","I 90  x 140 mm","","","","25","£25","mounted","Print","British Topography","Cambridgeshire","","","","","",""
"6922","","A. Brunet -Debaines","The Cam Near Trinity College with the Tower of St. John’s Chapel","Etching","London, 1880","","","I 213 x 149 mm, Pl. 257 x 180 mm","From Cambridge: Brief Historical & Descriptive Notes by J.E. Clarke, M.A.","","","40","£40","unmounted","Print","British Topography","Cambridgeshire","","","","","",""
"6920","","A. Brunet -Debaines","The Senate House and University Library","Etching","London, 1880","","","I 213 x 149 mm, Pl. 257 x 180 mm","From Cambridge: Brief Historical & Descriptive Notes by J.E. Clarke, M.A.","","","40","£40","unmounted","Print","British Topography","Cambridgeshire","","","","","",""
"6348","","A. Brunet-Debaines","Corpus Christi","Etching","1879","","","I 208 x 152 mm","","","","40","£40","mounted","Print","British Topography","Cambridgeshire","","","","","",""
"4706","","After Loggan","A Perspective View of the New Building at Cambridge.","Copper engraving","c. 1720","","","I 115 x 111 mm","","","","35","£35","mounted","Print","British Topography","Cambridgeshire","","","","","",""
"4713","","After Loggan","St. Marys Church at Cambridge","Copper engraving","c. 1720","","","I 120 x 55 mm","","","","25","£25","mounted","Print","British Topography","Cambridgeshire","","","","","",""
"9238","","Agar after Uwins","Fellow Commoner of Emanuel College. Nobleman. Fellow Commoner of Trinity College","Copper engraving with hand colouring","May 1 1815 at Stand, for R. Ackermanns History of Cambridge","","","I 137 x 259 mm","","","","75","£75","","Print","British Topography","Cambridgeshire","","","","","",""
"6347","","H. Toussaint","Market Hill","Etching","1879","","","I 216 x 154 mm","","","","45","£45","mounted","Print","British Topography","Cambridgeshire","","","","","",""
"9011","","Harold Thornton","The Bridge of Sighs","Etching","c.1920","","","Image: 180 x 272mm","","","Harold Thornton (1892-1958) Studied at Burnley School of Art and R.C.A.Assistant master at Plymouth School of Art.Exhibited at Connell & Sons Gallery.","65","£65","mounted","Print","British Topography","Cambridgeshire","","","","","",""
"5908","","J.J. Stevenson","Cambridge University Library","Photolithograph","The Building News, June 26, 1885","","","I 277 x 383 mm, S 311 x 422 mm ","","","","35","£35","unmounted","Print","British Topography","Cambridgeshire","","","","","",""
"8063","","John Sunman Austin ","Brampton Park, Huntingdonshire, The Residence of the Right Honble. Lady Oliva Bernard Sparrow","Lithograph with tint stone","John Sunman Ausrin","","","Image 235 x 375 mm, Sheet 357 x 517 mm","","","","120","£120","mounted","Print","British Topography","Cambridgeshire","","","","","",""
"11682","","Le Keux after F. Mackenize","View of Cambridge from Castle Hill","Copper engraving with hand colouring","c. 1850","","","Image 145 x 88 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.","","","35","£35","mounted","Print","British Topography","Cambridgeshire","","","","","",""
"2270","","Le Keux after F. Mackenzie","Great St. Marys Church Exterior","Copper engraving with hand colouring","c. 1850","","","I 130 x 77 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.","","","15","£15","unmounted","Print","British Topography","Cambridgeshire","","","","","",""
"2227","","Le Keux after F. Mackenzie","The Market Place","Copper engraving with hand colouring","c. 1850","","","I 141 x 98 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.","","","25","£25","unmounted","Print","British Topography","Cambridgeshire","","","","","",""
"2217","","Le Keux after F. Mackenzie","Part ","Copper engraving with hand colouring","c. 1850","","","I 139 x 84 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.","","","25","£25","unmounted","Print","British Topography","Cambridgeshire","","","","","",""
"2242","","Le Keux after F. Mackenzie","St. Andrew’s Church The Old Church","Copper engraving with hand colouring","c. 1850","","","I 95 x 140 mm, S 138 x 189 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.","","","20","£20","unmounted","Print","British Topography","Cambridgeshire","","","","","",""
"2213","","Le Keux after Mackenzie","Addenbrooke’s Hospital.","Copper engraving with hand colouring","c. 1850","","","I 84 x 130 mm, S 139 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.","","","20","£20","","Print","British Topography","Cambridgeshire","","","","","",""
"2218","","Le Keux after Mackenzie","The Castle","Copper engraving with hand colouring","c. 1850","","","I 93 x 139 mm, S 151 x 210 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.","","","20","£20","unmounted","Print","British Topography","Cambridgeshire","","","","","",""
"2233","","Le Keux after Mackenzie","Great St. Mary’s Church Exterior","Copper engraving with hand colouring","c. 1850","","","I 100 x 140 mm, S 145 x 173 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.","","","20","£20","unmounted","Print","British Topography","Cambridgeshire","","","","","",""
"2269","","Le Keux after Mackenzie","St. Clements Church","Copper engraving","c. 1850","","","","","","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.","15","£15","","Print","British Topography","Cambridgeshire","","","","","",""
"2205","","Le Keux after Mackenzie","St. Michael’s Church","Copper engraving with hand colouring","c. 1850","","","I 134 x 97 mm, S 196 x 135 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.","","","30","£30","","Print","British Topography","Cambridgeshire","","","","","",""
"2268","","Le Keux after Mackenzie","St. Michaels Church","Copper engraving","c. 1850","","","I 133 x 99 mm, S 212 x 127 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.","","","15","£15","","Print","British Topography","Cambridgeshire","","","","","",""
"2216","","Le Keux after Mackenzie","Trinity Church","Copper engraving with hand colouring","c. 1850","","","I 143 x 103 mm, S 196 x 140 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.","","","20","£20","","Print","British Topography","Cambridgeshire","","","","","",""
"2228","","Le Keux after Mackenzie","View Showing All Saints Church &c.","Copper engraving with hand colouring","c. 1850","","","I 145 x 107 mm, S 197 x 132 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.","","","20","£20","","Print","British Topography","Cambridgeshire","","","","","",""
"8097","","Pieter Van der Aa after David Loggan","Vue exterieure du cote d’Occident de la Chaple du Roi.","Copper engraving","1707","","","I 122 x 157 mm","","","","45","£45","unmounted","Print","British Topography","Cambridgeshire","","","","","",""
"4707","","R. Farrell","[Person standing in an archway]","Etching","1885","","","I 77 x 111 mm","","","","40","£40","mounted","Print","British Topography","Cambridgeshire","","","","","",""
"6368","","Unknown","Fitzwilliam Museum","Photograph","Circa 1888/89","","","I 271 x 194 mm","","","","50","£50","unmounted","Print","British Topography","Cambridgeshire","","","","","",""
"6365","","unknown","The Observatory","Copper engraving","circa 1810","","","I 127 x 92 mm","","","","15","£15","unmounted","Print","British Topography","Cambridgeshire","","","","","",""
"6361","","Unknown","[Scene in Cambridge]","Photograph","by Special Appointment Hills and Saunders. Photographers to Her Majesty Kings Parade, Cambridge and at Oxford, Eton, Harrow and London Circa 1870","","","I 358 x 273 mm","","","","50","£50","unmounted","Print","British Topography","Cambridgeshire","","","","","",""
"6363","","Unknown","[Scene in Cambridge]","Photograph","by Special Appointment Hills and Saunders. Photographers to Her Majesty Kings Parade, Cambridge and at Oxford, Eton, Harrow and London Circa 1870","","","I 358 x 273 mm","","","","45","£45","unmounted","Print","British Topography","Cambridgeshire","","","","","",""
"6364","","Unknown","[The Cam]","Photograph","by Special Appointment Hills and Saunders. Photographers to Her Majesty Kings Parade, Cambridge and at Oxford, Eton, Harrow and London, c. 1870","","","I 358 x 273 mm","","","","55","£55","unmounted","Print","British Topography","Cambridgeshire","","","","","",""
"6357","","Unknown","[The Cam in Cambridge]","Photograph","by Special Appointment Hills and Saunders. Photographers to Her Majesty Kings Parade, Cambridge and at Oxford, Eton, Harrow and London Circa 1870","","","I 364 x 266 mm","","","","55","£55","unmounted","Print","British Topography","Cambridgeshire","","","","","",""
"4708","","Walker","New Market","Copper engraving","1801","","","I 165 x 109 mm","","","","40","£40","mounted","Print","British Topography","Cambridgeshire","","","","","",""
"4512","","","The Cathedral Church of Chester","Copper engraving","circa 1800","","","I 560 x 415 mm","","","","150","£150","mounted","Print","British Topography","Cheshire","","","","","",""
"2980","","Day & Son. Litho.s to the Queen","Watergate St. Chester. The motto on this old house is said to have been inscribed by the occupier as a grateful memorial, after escaping the plague, which had visited almost every other dwelling in the city. (Vide Chester Guide, page,33)","Lithograph","Published by T. Catherall, Eastgate Row, Chester & Bangor","","","I 283 x 187 mm","","","","40","£40","mounted","Print","British Topography","Cheshire","","","","","",""
"4726","","Walker after Harridan","St. Ives","Copper engraving","1802","","","I 165 x 111 mm","","","","35","£35","mounted","Print","British Topography","Cheshire","","","","","",""
"7887","","Day & Son Lith.rs to the Queen","St Michael’s Mount","Lithograph with hand colouring","Published by Edward Rowe Printer Bookseller and Stationer Market Place Penzance Circa 1845","","","I 426 x 288 mm","","","","175","£175","mounted","Print","British Topography","Cornwall","","","","","",""
"13604","","W.Payne","Mount Edgecombe","lithograph with tintstone","London Published Jany 1.1800 by T.Simpson, St Pauls Church Yard, and J.P.Thompson (late Darling & Thompson) Gt Newport Street","","","Image 157 x 214 ..","","","","30","£30","unmounted","Print","British Topography","Cornwall","","","","","",""
"9827","","W.R. Smith after J.M.W Turner","Long-ships Light House, Lands End.","Steel engraving","London, Published 1836, for the Proprietor by Longman & Co Paternoster Row","","","Image 166 x 252 mm, Pl. 255 x 330 mm","","","","40","£40","unmounted","Print","British Topography","Cornwall","","","","","",""
"4885","","William Daniell","Gorran haven, Cornwall","Aquatint","Published by W. Daniell, Russell Place, Fitzroy Square, London. May 20, 1825","","","I: 200 x 240 mm","","","From what is considered to be the most important 19th century colour plate book on English topography - ‘A Voyage round Great Britain undertaken in the summer of the year 1813, and commencing from the Land's-End, Cornwall, by Richard Atyon. With a series of Views Illustrative of the Character and Prominent Features of the Coast, Drawn and Engraved by William Daniell, A.R.A.’","100","£100","unmounted","Print","British Topography","Cornwall","","","","","",""
"4730","","After Ryland","A view of the City of Carlisle","Copper engraving","c. 1775","","","I 164 x 93 mm","","","","35","£35","mounted","Print","British Topography","Cumberland","","","","","",""
"4728","","Brandard after Bartlett","The Solway from Harrington Harbour","Aquatint","c. 1840","","","I 178 x 120 mm","","","","25","£25","mounted","Print","British Topography","Cumberland","","","","","",""
"7892","","C. Hullmandel","Carlisle","Lithograph","Circa 1822","","","I 384 x 265 mm","","","","200","£200","mounted","Print","British Topography","Cumberland","","","","","",""
"11603","","","Buxton","Copper engraving","London J&F Harwood, 26, Fenchurch Street c1800","","","Image 90 x 157 mm","","","","10","£10","unmounted","Print","British Topography","Derbyshire","","","","","",""
"12472","","","Chatsworth in Derbyshire The Seat of his Grace the Duke of Devonshire ","Copper engraving","Printed for J Hinton at the Kings Arms St Pauls Churchyard London 1748","","","Image 162 x 127 mm","Engraved for The Modern Universal Magazine","","","40","£40","mounted","Print","British Topography","Derbyshire","","","","","",""
"11602","","","Crescent, Buxton","Copper engraving","Pub.d by W, Roblins, Library, 3&4, Devonshire Colonnade, Buxton.","","","Image 70 x 92 mm","","","","15","£15","unmounted","Print","British Topography","Derbyshire","","","","","",""
"12470","","","View of Chatsworth House in the county of Derby, THe Seat of his Grace the Duke of Devonshire.","Copper engraving","c.1780","","","Image 156 x 270 mm","Engraved for The Modern Universal British Traveller","","","35","£35","mounted","Print","British Topography","Derbyshire","","","","","",""
"11604","","","View of the Crescent at Buxton from the South East","Lithograph","Pub by M Muirbead, 1 Aug, 1800","","","Image 175 x 280 mm","","","","40","£40","unmounted","Print","British Topography","Derbyshire","","","","","",""
"3046","","Day & Haghe after B. Bury","Breakfast Room at Drakelowe, The Seat of Lady Sophia des Vaux","Lithograph","Published by Day & Haghe c. 1844","","","I 185 x 370 mm; S 380 x 560 mm","","","","30","£30","mounted","Print","British Topography","Derbyshire","","","","","",""
"3047","","Day & Haghe after B. Bury","Drakelowe, The Seat of Lady Sophia des Vaux","Lithograph","Published by Day & Haghe c. 1844","","","I 260 x 365 mm; S 380 x 560 mm","","","now demolished","50","£50","mounted","Print","British Topography","Derbyshire","","","","","",""
"11601","","I. Landseer after J. Farington","Buxton","Steel engraving","Published May 15 1817. by T.Cadell & W. Davies, Strand London","","","Image 153 x 226 mm","","","","25","£25","unmounted","Print","British Topography","Derbyshire","","","","","",""
"3280","","J. Boydell","A View of Matlock Bath, in Derby Shire","Copper engraving","Published according to Act of Parliament  by J. Boydell Engraver 1749","","","I 443 x 290 mm; Pl. 456 x 311 mm  ","","","","350","£350","mounted","Print","British Topography","Derbyshire","","","","","",""
"6984","","John Harwood","Head of Dove Dale","Engraving","","","","I. 120 x 116 mm","","","","10","£10","unmounted","Print","British Topography","Derbyshire","","","","","",""
"11596","","Newman","Buxton","Copper engraving","Pub by J.C Bates Buxton, c1850","","","Image 73 x 92 mm","","","","5","£5","unmounted","Print","British Topography","Derbyshire","","","","","",""
"11592","","Newman","Buxton from Corber","Copper engraving","Pub by J.C Bates Brothers, Buxton, c1850","","","Image 75 x 100 mm","","","","5","£5","unmounted","Print","British Topography","Derbyshire","","","","","",""
"11595","","Newman","Cavendish Road. Buxton","Copper engraving","Pub by J.C Bates Buxton, c1850","","","Image 85 x 105 mm","","","","5","£5","unmounted","Print","British Topography","Derbyshire","","","","","",""
"11597","","Newman","Chee Tor, near Buxton","Copper engraving","Pub by J.C Bates Buxton, c1850","","","Image 73 x 96 mm","","","","5","£5","unmounted","Print","British Topography","Derbyshire","","","","","",""
"11590","","Newman","The Crescent Buxton","Copper engraving","Pub by J.C Bates Buxton, c1850","","","Image 50 x 95 mm","","","","5","£5","unmounted","Print","British Topography","Derbyshire","","","","","",""
"11594","","Newman","First Rustic Bridge. Serpentine Walks Buxton","Copper engraving","Pub by W, Robins, library, Dvenshire Colonnade, Buxton, c1850","","","Image 72 x 92 mm","","","","5","£5","unmounted","Print","British Topography","Derbyshire","","","","","",""
"11591","","Newman","The Lake in the Buxton Gardens","Copper engraving","Pub by J.C Bates Office, Buxton, c1850","","","Image 73 x 100 mm","","","","15","£15","unmounted","Print","British Topography","Derbyshire","","","","","",""
"11588","","Newman","The Old Hall. Buxton. Where Mary Queen of Scots resided.","Copper engraving","c1850","","","Image 60 x 95 mm","","","","10","£10","unmounted","Print","British Topography","Derbyshire","","","","","",""
"11593","","Newman","Third Rustic Bridge. Serpentine Walks Buxton","Copper engraving","Pub by J.C Bates, Buxton, c1850","","","Image 75 x 92 mm","","","","5","£5","unmounted","Print","British Topography","Derbyshire","","","","","",""
"11589","","Newman","Waterfall at Lovers Leap Buxton.","Copper engraving","Pub by J.C Bates Buxton, c1850","","","Image 83 x 82 mm","","","","10","£10","unmounted","Print","British Topography","Derbyshire","","","","","",""
"11598","","Rock & Co","Band Stand Pavilion Gardens, Buxton","Copper engraving","Pub by W.D. Sutton, 1 June 1872","","","Image 60 x 90 mm","","","","10","£10","unmounted","Print","British Topography","Derbyshire","","","","","",""
"11600","","Rock & Co","Broad Walk, from Pavilion Gardens, Buxton.","Copper engraving","Pub by W.D. Sutton, 10 June 1872","","","Image 60 x 90 mm","","","","10","£10","unmounted","Print","British Topography","Derbyshire","","","","","",""
"11599","","Rock & Co","Interior Poole’s Cavern. Buxton, Derbyshire","Copper engraving","Pub by W.D. Sutton, 2 April 1868","","","Image 65 x 95 mm","","","","10","£10","unmounted","Print","British Topography","Derbyshire","","","","","",""
"11587","","Rowe","The Cresecent Buxton","Lithograph","Published by H Adam Matlock","","","Image 93 x 150 mm","","","","20","£20","unmounted","Print","British Topography","Derbyshire","","","","","",""
"6983","","Unknown","A View of Thorpe -doud a Mountian in Derbyshire from the Garden of Geo. Port of Ham Esqr.","Engraving","","19th C.","19","I. 190 x 107 mm ","","","","25","£25","mounted","Print","British Topography","Derbyshire","","","","","",""
"4929","","","Breakwater & Menstone from Mount Edgecumbe","Lithograph with hand colouring","Published 1865 at Wood’s Fine Art Depot 22 George St. Plymouth","","","I: 270 x 377mm","","","","120","£120","unmounted","Print","British Topography","Devon","","","","","",""
"4955","","C Risdon after W Spreat","Ilfracombe, The Capstan Hill Parade","Lithograph with hand colouring","W Spreat at 263, High Street, Exester & Mefs.rs Ackermann & Co, 96 Strand London","","","I 295 x 187 mm","","","","70","£70","unmounted","Print","British Topography","Devon","","","","","",""
"5714","","Charles Purser and Louis Haghe","The Royal William Yard, Plymouth. To His most Gracious Majesty William the Fourth, This print of the Establishment for Victualling, His Majesty’s Navy, is with permission, most humbly dedicated, by Jis Majesty’s dutiful and very faithful servants G. and J. Rennie ","Lithograph with hand colouring","Day & Haghe lithrs to the King Gate St. Linc. Inn Fds.","","","I 260 x 550 mm, S 335 x 560 mm","","","Somers-Cocks 2204The Royal William Yard was originally conceived by Samuel Pepys, and eventually designed and built by Sir John Rennie between 1825 and 1835. Serviced by the sea, it was the victualling yard — the food and drink supply centre — for the Royal Navy. It was the largest government project of the decade, occupying 16 acres — of which six were reclaimed from the sea — employing convict labour and using Sir John’s newly designed diving bell.  The yard was closed in 1992 and has now been redeveloped into a mixture of flats, business space and leisure facilities.","600","£600","","Print","British Topography","Devon","","","","","",""
"4934","","D. Havell after H. Haseler","Ringmoor, on the River Teign ","Lithograph with hand colouring","Published by J. Wallis Marine Library, Sidmouth","","","I: 90 x 135 mm ","","","","45","£45","unmounted","Print","British Topography","Devon","","","","","",""
"4939","","D. Havell after H. Haseler","View of Torquay","Lithograph with hand colouring","Published by J. Wallis, Marine Library, Sidmouth","","","I: 86 x 137 mm","","","","45","£45","unmounted","Print","British Topography","Devon","","","","","",""
"9264","","G Rowe","Ansty’s Cove near Torquay","Lithograph","Exeter House, Cheltenham","","","I 201 x 293 mm","","","","25","£25","unmounted","Print","British Topography","Devon","","","","","",""
"4958","","G Rowe","Linton and Lynmouth","Lithograph with hand colouring","G Rowe, Exeter Hall, Grosvenor St, Cheltenham","","","I 250 x 195 mm","","","","70","£70","unmounted","Print","British Topography","Devon","","","","","",""
"4964","","G Rowe","Linton and Lynmouth. from the Summer House on Lyn Cliff","Lithograph with hand colouring","G. Rowe, Exeter","","","I 193 x 121 mm","","","","45","£45","unmounted","Print","British Topography","Devon","","","","","",""
"4965","","G Rowe","Lynmouth, Devon","Lithograph with hand colouring","G Rowe, 9 Clarence St. Cheltenham","","","I 275 x 185 mm","","","","70","£70","unmounted","Print","British Topography","Devon","","","","","",""
"4949","","G Rowe","Lynmouth from the pier","Lithograph with hand colouring","G. Rowe","","","I 190 x 120 mm","","","","45","£45","unmounted","Print","British Topography","Devon","","","","","",""
"4960","","G Rowe","Lynmouth, From the Pier","Lithograph with hand colouring","G Rowe, 9 Clarence Str. Chelt.","","","I 310 x 190 mm","","","","70","£70","unmounted","Print","British Topography","Devon","","","","","",""
"9268","","G Townsend ","Torquay. From the Pier","Copper engraving","Pubd by H Besley, Directory office South Street, Exeter","","","I 100 x 175 mm","","","","35","£35","unmounted","Print","British Topography","Devon","","","","","",""
"4950","","Geo Rowe","Clovelly. Devon","Lithograph with hand colouring","G Rowe, Mount Radford, Exeter","","","I 180 x 118 mm","","","","45","£45","unmounted","Print","British Topography","Devon","","","","","",""
"3038","","Geo. Rowe","Teignmouth from Torquay Road","Lithograph","Published by Geo. Rowe, 69 Georges Place, Cheltenham","","","I 150 x 265 mm; S 235 x 340 mm","","","DEVONb/a/p Geo Rowe Chelt* S.C. 2924, c. 1840","45","£45","mounted","Print","British Topography","Devon","","","","","",""
"9266","","George Cooke after J M W Tuner","Teignmouth.","Copper engraving","London, Virtue & co Limited","","","I 152 x 220 mm","","","","25","£25","unmounted","Print","British Topography","Devon","","","","","",""
"4906","","George Rowe","Barnstaple","Lithograph with hand colouring","Drawn from Nature & on Stone by Geo. Rowe.","","","I: 121 x 183 mm","","","","45","£45","unmounted","Print","British Topography","Devon","","","","","",""
"4905","","George Rowe","Entrance to Linton and Lynmouth","Lithograph with hand colouring","Drawn & Published by G. Rowe, Exeter.","","","I: 113 x 180mm","","","","45","£45","unmounted","Print","British Topography","Devon","","","","","",""
"4904","","George Rowe","Ilfracombe","Lithograph with hand colouring","Drawn & Published by George Rowe. Exeter","","","I: 113 x 174mm","","","","45","£45","unmounted","Print","British Topography","Devon","","","","","",""
"4911","","George Rowe","Ilfracombe from Capstone Hill","Lithograph with hand colouring","Published by G. Rowe, Exeter. Printed by Engelmann.","","","I: 122 x 180 mm","","","","40","£40","unmounted","Print","British Topography","Devon","","","","","",""
"4902","","George Rowe","The Lantern Hill, Ilfracombe","Lithograph with hand colouring","Published by Geo. Rowe, Mount Radford, Exeter 1829. Printed by Engelmann & Co.","","","I: 122 x180 mm","","","","45","£45","unmounted","Print","British Topography","Devon","","","","","",""
"4903","","George Rowe","Lynmouth, from the Valley of East Lyn. with the Residence of J. Scott. Esq.re","Lithograph with hand colouring","Drawn and Published by G. Rowe, Exeter. W. Day Lith. to the King, London. ","","","I: 148 x 215 mm","","","","45","£45","unmounted","Print","British Topography","Devon","","","","","",""
"3049","","Hibbert after C.W. Bampfield","Oakhampton Castle in Devonshire","Aquatint","Pub. As the Act directs 25th March 1791 by W. Hibbert","","","I 180 x 260 mm; Pl. 240 x 300 mm; S 260 x 320 mm","","","not in Somers Cocks. c.1790C.W. Bampfield (d.1791) a landagent and Lt. Col of the North Somerset Militia, is best known as a watercolourist: a few topographical etchings and book-illustrations are known.Hibbert/CWB for Hibbert Aq. Not in Somers Cocks. c. 1790. Copelstone Warre Bampfield (d.1791), a land-agent and Lt-Col of the North Somerset Militia, is best known as a watercolourist: a few topographical etchings and book-illustrations are known.","120","£120","mounted","Print","British Topography","Devon","","","","","",""
"4959","","Hullmandel & Walton after W Spreat","Teignmouth. The Den","Lithograph with hand colouring","W Spreat at No 263, High Street, Exeter, and Hamilton Adams & co Paternaster Row, London","","","I 286 x 185 mm","","","","70","£70","unmounted","Print","British Topography","Devon","","","","","",""
"4507","","J. F. Dessiou, R.N.","East View of Torquay, Taken from Ms Cowells Greenhouse in the Year 1819","Aquatint with engraving","London Published for the subscribers, by  I.F. Dessiou, June 1st 1820 ","","","I 298 x 473 mm; Pl. 360 x 525 mm; S 580 x 413 mm","","","Somers-Cocks 3255","200","£200","mounted","Print","British Topography","Devon","","","","","",""
"4506","","J. F. Dessiou, R.N. ","West View of Torquay, Taken from a House near the Bathing House in the Year 1819","Aquatint with engraving","London Published for the Subscribers, by I.F. Dessiou, June 1st 1820","","","I 298 x 473 mm; Pl. 360 x 525 mm; S. 580 x 413 mm","","","Somers-Cocks 3204","600","£600","mounted","Print","British Topography","Devon","","","","","",""
"9269","","J Jacottet after LE Reed","Daddy’s Hole, Torquay","Lithograph","Published by Ed: Croydon, Public Library","","","I 135 x 180 mm","","","","10","£10","unmounted","Print","British Topography","Devon","","","","","",""
"4952","","J Martin","Ilfracombe from Hillsborough","Lithograph with hand colouring","L Banfield, library, Ilfracombe","","","I 260 x 180 mm","","","","70","£70","unmounted","Print","British Topography","Devon","","","","","",""
"2888","","J. Martin after G. Titler","Clovelly - Devon","Lithograph","Published by J. Banfield, Ilfracombe circa 1838","","","I 304 x 184 mm","","","Project for monumental statue for King William IVNot in Somers-Cocks","80","£80","mounted","Print","British Topography","Devon","","","","","",""
"9274","","J.S. &Co","babbacome Bay, from the Beacon","Steel engraving","J.S. & Co  No 1789","","","Image: 95 x 75mm","","","","15","£15","unmounted","Print","British Topography","Devon","","","","","",""
"4968","","J. Salter","Hesketh crescent, Torquay","Lithograph with hand colouring","Day & son. Lithrs to the Queen c.1850","","","I 385 x 230 mm","","","","100","£100","unmounted","Print","British Topography","Devon","","","","","",""
"4972","","J. Salter","Jorquacy from Park Hill","Lithograph with hand colouring","Day & Son Lith to the Queen","","","I 370 x 250 mm","","","","100","£100","unmounted","Print","British Topography","Devon","","","","","",""
"3565","","Nathaniel Buck","The West Prospect of the City of Exeter","Copper engraving with hand colouring","1734","","","I 780 x 237 mm","","","","450","£450","mounted","Print","British Topography","Devon","","","","","",""
"5448","","Risdon after Spreat","Babbacombe","Lithograph","Spreat & Wallis","","","I 200 x 282 mm","","","","60","£60","unmounted","Print","British Topography","Devon","","","","","",""
"9270","","Rock & Co","Babbacombe Devon","Steel engraving with hand colouring","Rock & Co London No1012, c1850","","","I 55 x 90 mm","","","","30","£30","mounted","Print","British Topography","Devon","","","","","",""
"9271","","Rock & Co","Babbacombe Devon from Petit Tor","Steel engraving with hand colouring","Rock & Co London No1013","","","I 55 x 90 mm","","","","30","£30","mounted","Print","British Topography","Devon","","","","","",""
"4907","","S. W. Reynolds after J. M. W. Turner","Dartmouth on the River Dart","Engraving","London. Published June1 1825 by W. B. Cooke, 9, Soho Square.","","","I: 152 x 220 mm","Rivers of England. Plate 15. ","","","200","£200","mounted","Print","British Topography","Devon","","","","","",""
"9267","","T Higham after T H Williams","Babicome, near Torquay Devon","Copper engraving","","","","I 91 x 156 mm","","","","15","£15","unmounted","Print","British Topography","Devon","","","","","",""
"2973","","Thomas Hewitt Williams","Clovelly, North Devon","Lithograph","Published by Cole & Co. Exeter 1821.","","","I 256 x 180 mm","","","Printed by Rowney & Forster, London[Somers Cocks 369]","50","£50","mounted","Print","British Topography","Devon","","","","","",""
"9273","","Unknown","Torquay from the Beacon, Devon.","Lithograph","Pubd by G Rowe, 37 Paris Street, Exester, Jan 1st 1826","","","I 125 x 190 mm","","","","20","£20","unmounted","Print","British Topography","Devon","","","","","",""
"9272","","Unknown","Torquay from the Rock Walk","Aquatint","","","","I 186 x 260 mm","","","","75","£75","unmounted","Print","British Topography","Devon","","","","","",""
"5444","","W Gauci","Ilfracombe","Lithograph","J Banfield, Library, Ilfracombe","","","I 282 x 425 mm","","","Paddlesteamer in foreground","120","£120","unmounted","Print","British Topography","Devon","","","","","",""
"4948","","W Gauci","Ilfracombe harbour","Lithograph with hand colouring","J Banfield, Library Ilfracombe","","","I 190 x 121 mm","","","","65","£65","unmounted","Print","British Topography","Devon","","","","","",""
"4961","","W Gauci","Lynmouth from the Torris","Lithograph with hand colouring","J Banfield. Library. Ilfracombe","","","I 265 x 173 mm","","","","60","£60","unmounted","Print","British Topography","Devon","","","","","",""
"4953","","W Gauci after H Strong","Ilfracombe from the field above tor Cottages","Lithograph with hand colouring","J Banfield, Library, Ilfracombe","","","I 270 x 181 mm","","","","75","£75","unmounted","Print","British Topography","Devon","","","","","",""
"4954","","W Gauci after H Strong","Lynmouth, from near the pier","Lithograph with hand colouring","J Banfield, Library, Ilfracombe","","","I 262 x 180","","","","70","£70","unmounted","Print","British Topography","Devon","","","","","",""
"2989","","W. Gauci after T. C. Dibdin","Torbay, from Tor Abbey Sands","Lithograph","Printed by M & N Hanhart","","","I 300 x 200 mm","","","Gaucci/Dibdin/Vivian [Pub. by Cockrem, Elliot & Barrett of Torquay and R. Ackermann, as the 2nd pate of their series. Scenes of Torquay and Babicomb: S.C. 3284]","80","£80","mounted","Print","British Topography","Devon","","","","","",""
"2891","","W. Spreat","Lynmouth, from the Quay","Lithograph","Printed & Published at W. Spreats Lithographic Establishment, 229, High Street, Exeter. Circa 1850","","","","I 280 x 191 mm; S 382 x 285 mm","","S.C. 1614 c. 1850","80","£80","mounted","Print","British Topography","Devon","","","","","",""
"4897","","W. Spreat","Torquay, from Park Hill","Lithograph with hand colouring","Published by W. Spreat at No. 283, High Street, Exeter.","","","I: 220 x 315 mm","","","","120","£120","unmounted","Print","British Topography","Devon","","","","","",""
"4735","","Walker after Girtin","Totness","Copper engraving","1798","","","I 164 x 106 mm","","","","25","£25","unmounted","Print","British Topography","Devon","","","","","",""
"4184","","Wenceslaus Hollar","Torrensis olim Abbatiae in Com Devon: nunc in Ruinis prospectus [Torre Abbey]","Copper engraving","I 217 x 282 mm, ","","","","","","P 1067 State ii/ii from Monasticon, 1661 ","150","£150","unmounted","Print","British Topography","Devon","","","","","",""
"4852","","William Daniell","Near Combmartin on the coast of North Devon","Aquatint","Published by Messrs. Longman & Co. Paternoster Row  & W. Daniell 9 Cleveland St. Fitzroy Square London. May 1st 1814","","","I  165 mm x 235 mm","","","From what is considered to be the most important 19th century colour plate book on English topography - ‘A Voyage round Great Britain undertaken in the summer of the year 1813, and commencing from the Land's-End, Cornwall, by Richard Atyon. With a series of Views Illustrative of the Character and Prominent Features of the Coast, Drawn and Engraved by William Daniell, A.R.A.’","","","unmounted","Print","British Topography","Devon","","","","","",""
"4850","","William Daniell","View of Ilfracombe from Hilsborough","Aquatint","Published by Messrs. Longman & Co. Paternoster Row  & W. Daniell 9 Cleveland St. Fitzroy Square London. May 1st 1814. ","","","I  165 mm x 235 mm","","","From what is considered to be the most important 19th century colour plate book on English topography - ‘A Voyage round Great Britain undertaken in the summer of the year 1813, and commencing from the Land's-End, Cornwall, by Richard Atyon. With a series of Views Illustrative of the Character and Prominent Features of the Coast, Drawn and Engraved by William Daniell, A.R.A.’","100","£100","unmounted","Print","British Topography","Devon","","","","","",""
"4963","","William Gauci after Rev J. Bulwer","The Harbour of Ilfracombe","Lithograph with hand colouring","Englemann Graf, Coindet & co 92 Dean St.Sohe, & J Banfield, Library, Ilfracombe 1828","","","I 269 x 183 mm","","","","70","£70","unmounted","Print","British Topography","Devon","","","","","",""
"4981","","","Dorchester Abbey, Dorset","Etching","","","","I 162 x 99 mm","","","","25","£25","mounted","Print","British Topography","Dorset","","","","","",""
"4927","","","View of Lulworth Castle in the County of Dorset","Engraving","Engraved for England Displayed","","","135 x 245 mm","","","","30","£30","unmounted","Print","British Topography","Dorset","","","","","",""
"6243","","Edward Rooker","The North West View of Milton Abby the Seat of the Rt. Honble Josh. Earl of Dorchester","Copper engraving","","","","I 199 x 351, Pl. 238 x 378 mm","","","","50","£50","unmounted","Print","British Topography","Dorset","","","","","",""
"2990","","G. Tytler","William The Fourth Erected by Voluntary Subscription A.D. MDCCCXXXII","Lithograph","","","","I 273 x 221 mm","","","never built","50","£50","mounted","Print","British Topography","Dorset","","","","","",""
"4909","","J. Emes after J. Laporte ","Upway House in Dorsetshire. The Seat of George Gould Esq.","Engraving","Published as the Act directs July 1,1794, by J. Nichols, Red Lion Passage, London","","","I: 178 x 300 mm","","","","40","£40","unmounted","Print","British Topography","Dorset","","","","","",""
"4520","","John Bluck after John William Upham","Wyke and Portland","Aquatint","Published July 1821 by J.W. Upham, Weymouth","","","I 387 x 277 mm","","","Abbey Scenery 340, 9","320","£320","mounted","Print","British Topography","Dorset","","","","","",""
"11022","","P. Brannon","Bourne-mouth from the Water","Steel engraving","Published By Sydenham Poole","","","Image 114 x 177mm, Sheet 121 x 177mm","","","trimmed within the plate","20","£20","unmounted","Print","British Topography","Dorset","","","","","",""
"12805","","P.Brannon","Bourne-mouth, from the Water","Steel engraving","c1840","","","Image 110 x 170 mm","","","","75","£75","framed","Print","British Topography","Dorset","","","","","",""
"8095","","S. Alken after J. W. Upham","Bow and Arrow Castle in Portland Humbly Dedicated by Permission to her Royal Highness the Princess Augusta by her most devoted & Obedient humble Serv.t J.W. Upham","Aquatint","Published July 1st 1801 by J. W. Upham, Weymouth","","","I 369 x 295 mm; Pl. 430 x 373 mm","","","Abbey Scenery 340, 8","250","£250","mounted","Print","British Topography","Dorset","","","","","",""
"8094","","S. Alken after John William Upham","Sandsfoot Castle and Portland Humbly Dedicated by Permission to her Royal Highness the Princess Augusta by her most devoted and obedient humble Servt. J.W. Upham","Aquatint","Published July 1st 1801 by J. W. Upham, Weymouth","","","I 369 x 295 mm; Pl. 430 x 373 mm","","","Abbey Scenery 340, 4","250","£250","mounted","Print","British Topography","Dorset","","","","","",""
"8090","","S. Alken after John William Upham","Weymouth Bay Humbly Dedicated by Permission to her Royal Highness the Princess Augusta by her most devoted and obedient humble Servt. J.W. Upham","Aquatint","Published July 1st 1801 by J.W Upham Weymouth","","","I 366 x 297 mm; Pl. 370 x 430 mm; S 400 x 470 mm","","","Abbey Scenery 340, 18","350","£350","mounted","Print","British Topography","Dorset","","","","","",""
"4895","","V. M. Picot after B. Pryce","Fleet House in Dorsetshire, a Seat of George Gould Esq. To whom this Plate id dedicated by The Author.","Copper engraving","","","","I: 230 x 325 mm","","","","35","£35","unmounted","Print","British Topography","Dorset","","","","","",""
"4932","","W. B. Cooke after J. M. W. Turner R. A. ","Weymouth, Dorsetshire","Steel engraving","London: Published by John Murray, Albemarle Street Mar 1 1814","","","I: 146 x 215 mm","","","","40","£40","unmounted","Print","British Topography","Dorset","","","","","",""
"4928","","W. Watts after Lord Duncannon","Lulworth Castle in Dorsetshire, the Seat of Humphry Weld Esq. ","Engraving ","Published as the Act directs April 1st 1785 by W. Watts, Chelsea","","","I: 125 x 180 mm","","","","20","£20","unmounted","Print","British Topography","Dorset","","","","","",""
"4896","","W. Woolnoth after J. Buckler","Parnham Dorsetshire. The Seat of Sir William Oglander, Bart. ","Engraving","Published as the Act directs August 18th 1814, by Nichols Son & Bentley, Red Lion Passage, London.","","","I: 190 x 290 mm","","","","45","£45","unmounted","Print","British Topography","Dorset","","","","","",""
"11772","","","The South-West Prospect of the City of Durham","Copper engraving","Engraved for the Universal Magazine according to the Act of Parliment 1749 for J. Hinton ar tge Kings Arms in St. Paul’s Church Yard London.","","","Image 175 x 245 mm","","","","45","£45","mounted","Print","British Topography","Durham","","","","","",""
"12406","","I. Ryland","The South West View of Durham","Copper engraving","1764","","","Image 106 x 183 mm","","","","25","£25","mounted","Print","British Topography","Durham","","","","","",""
"12408","","I. Ryland","The South West View of Durham","Copper engraving","1764","","","Image 106 x 183 mm","","","","25","£25","mounted","Print","British Topography","Durham","","","","","",""
"8219","","J Fittle, ABA & J Skelton after G F Robson","Bernard Castle, Durham, The Birth Place of John Balliol, The Founder of Balliol College, Oxford","Copper engraving","Published 1st Feb 1829 for J Skelton, Magdalen Bridge, Oxford by J Parker, Broad Street","","","I197mm x 269mm","","","","45","£45","unmounted","Print","British Topography","Durham","","","","","",""
"8347","","J.H. Le Keux after J.W. Barnes","Durham from the Prior’s Path","Steel engraving","c. 1850","","","Image 180 x 248 mm, Pl. 300 x 400 mm","","","Proof. Signed in pencil by J.M. Barnes","150","£150","unmounted","Print","British Topography","Durham","","","","","",""
"3050","","Jukes & Sarjent after W. Brown","Durham, from the lower end of Framwell Gate","Aquatint","London Published May 3rd 1809, by Jukes & Sargent 57 Upper John Street Fitzroy Square","","","I 220 x 340 mm; Pl 270 x 365 mm : S 280 x 385 mm","","","","250","£250","mounted","Print","British Topography","Durham","","","","","",""
"11786","","S. Coleman","Durham","Etching","c. 1930","","","Image 113 x 196 mm, Pl. 124 x 200 mm","","","Signed in the plateSimon Coleman (b. 1916) Portrait and landscape painterEx. Col Frank Emmanuel","45","£45","mounted","Print","British Topography","Durham","","","","","",""
"12409","","Storer after E. Dayer","Durham","Copper engraving","Published Feb 1st by J.Walker N16 Rosemans Street, London","","","Image 111 x 168 mm","","","","35","£35","mounted","Print","British Topography","Durham","","","","","",""
"8349","","Susan F. Crawford","Durham Cathedral and Castle","Etching","","","","I & Pl. 150 x 245 mm","","","Signed in PencilSusan Fletcher Crawford (died 1919). Etcher. Born in Glasgow and studied at Glasgow School of Art under Newbery.  Exhibited at the R.A, Royal Society of Painter Etchers and others.","80","£80","unmounted","Print","British Topography","Durham","","","","","",""
"8350","","T.L. Busby","Durham from the Banks","Copper engraving","Pubd. by G. Andrews Durham 1817","","","Image 212 x 302 mm, Pl. 300 x 455 mm","","","Uncommon view published in Durham.T.L.Busby (fl.1804-1821)","200","£200","unmounted","Print","British Topography","Durham","","","","","",""
"8222","","W. Angus after E. Dayes","Lumley Castle in the county of Durham, the Seat of the Earl of Scarborough","Copper engraving","Published as the Act directs, Novr. 1st 1794 by W. Angus No. 4 Gwynne’s Buildings, Islington","","","Image 128 x 185 mm, Pl. 155 x 202 mm","","","","25","£25","unmounted","Print","British Topography","Durham","","","","","",""
"4910","","W. Byrne & S. Middiman after T. Hearne. The Figures by F. Bartolozzi. ","Lumley Castle","Copper engraving with hand colouring","London Published as ye act directs January 1st 1779 by T. Hearne & W. Byrne","","","I: 180 x 250 mm","","","","55","£55","unmounted","Print","British Topography","Durham","","","","","",""
"11527","","C Mosley after David Ogborne","An Exact Perspective View of Dunmow, late the Priory, in the County of Essex. With a representation of the ceremony, & Procession in the Mannor, on Thursdaythe 20 of  June 1751.","Copper engraving","Published according to the act of Parliment Jan.ry 1752","","","Image 280 x 527 mm, Plate 365 x 560 mm","","","Condition: Some overall surface dirt and some small tears on edges, one affecting upper right just into image.","300","£300","unmounted","Print","British Topography","Essex","","","","","",""
"6309","","E. Finden after H. Warren","Harwich, Essex","Steel engraving","","c. 1830","1830","I: 126 x 178 mm","","","","35","£35","mounted","Print","British Topography","Essex","","","","","",""
"6226","","Samuel Ireland","Tilbury Fort","Aquatint","Pub. for S. Ireland May 1 1799","","","I 110 x 165 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","10","£10","unmounted","Print","British Topography","Essex","","","","","",""
"10754","","","The Square - Stow-in-the-Wold","Etching","","","","Image and Plate 151 x 201 mm","","","","120","£120","mounted","Print","British Topography","Gloucestershire","","","","","",""
"6312","","C. Dickens","The Bell Hotel, Tewkesbury","Etching","","c 1880","1880","I: 88 x 139 mm","","","","40","£40","mounted","Print","British Topography","Gloucestershire","","","","","",""
"4736","","Day & Hague","The old Mansion Henbury","Lithograph","c. 1830","","","I 300 x 220 mm","","","","50","£50","mounted","Print","British Topography","Gloucestershire","","","","","",""
"6311","","Gerald.M. Burn","","Etching","c 1880","","","Image 100 x 130 mm","","","","40","£40","mounted","Print","British Topography","Gloucestershire","","","","","",""
"6313","","H. Bartlett after W. Mossman","Gloucester","Steel engraving","","c. 1840","1840","I: 118 x 181 mm","","","","35","£35","mounted","Print","British Topography","Gloucestershire","","","","","",""
"11584","","J.C Stadler","Cirencester.","Lithograph","Pub. June 1. 1798, by J &J Boydell, Shakspeare Gallery Pall Mall & No. 90 Cheapfide.","","","Image 195 x 302 mm","","","","195","£195","mounted","Print","British Topography","Gloucestershire","","","","","",""
"8079","","John Bluck","View near Washbourn, Gloucestershire","Aquatint","London Published May 10th 1802 by F. Jukes Howland Street","","","I 69 x 200 mm; Pl.290 x 221 mm","","","","45","£45","mounted","Print","British Topography","Gloucestershire","","","","","",""
"4737","","Rowe","St. Mary Church, Cheltenham","Lithograph with hand colouring","c. 1800","","","I 160 x 160 mm","","","","20","£20","mounted","Print","British Topography","Gloucestershire","","","","","",""
"6242","","Samuel and Nathaniel Buck","The South East View of Berkeley Castle, in the County of Gloucester","Copper engraving","1732","","","I 145 x 347 mm, Pl. 192 x 372 mm","","","","50","£50","unmounted","Print","British Topography","Gloucestershire","","","","","",""
"6215","","Samuel Ireland","Kempsford Church & C. Glocestershire","Aquatint","Pub. for S. Ireland May 1 1799","","","I 110 x 165 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","20","£20","unmounted","Print","British Topography","Gloucestershire","","","","","",""
"9748","","Samuel Ireland","St. John’s and the adjoinging bridge across the new cut, near Lechlade, Glocestershire","Aquatint","Pub. for S. Ireland May 1 1799","","","I 164 x 110 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","15","£15","unmounted","Print","British Topography","Gloucestershire","","","","","",""
"9647","","T.C. Dibdin","This View of Burton-on-the-Water, Gloucestershire, from Burton Hill, is most respectfully dedicated by Permission ro Lord Redesdale, D.C.L. by his Lordship’s most obedient & Obliged Serbant Edwin Ramsford","Lithograph with tint stone","Published by W.Sams 1, St. James Street [n.d. c. 1840]","","","Image 430 x 640 mm","","","Condition: small repaired tear in upper right ","550","£550","framed","Print","British Topography","Gloucestershire","","","","","",""
"4739","","Cousen","Winchester, from St Giles hill","Steel engraving with hand colouring","c. 1850","","","I 200 x 130 mm","","","","40","£40","mounted","Print","British Topography","Hampshire","","","","","",""
"2028","","David Loggan","Collegium B Mariae Winton","Copper engraving","1675","","","I 452 x 400 mm","Oxonia Illustrata 1675 First Edition","","The first Illustrated book on Oxford and one of the major works of the 17th century. The book was the product of several years of devoted and conscientious effort in which Loggan was assisted by his pupil Robert White. David Loggan was born in Danzig in 1635 and came to England around 1653. By 1665 he was living in Nuffield near Oxford and in 1669 was appointed engraver to the University. In 1675 he married and became a naturalised citizen. His Oxonia Illustrata was intended as a companion work to Historia Antiquitates Universitatis Oxoniensis by Anthony Woods, with whom Loggan had become acquainted some years earlier.","650","£650","mounted","Print","British Topography","Hampshire","","","","","",""
"6314","","E. Finden after T. Nash","Southampton","Steel engraving","","c. 1830","1830","I: 119 x 179 mm","","","","40","£40","mounted","Print","British Topography","Hampshire","","","","","",""
"10600","","Graf ","The Hook, The Seat of John Hornby, Esq.","Lithograph with hand colouring","1830","","","I 307 x 221 mm","","","","115","£115","unmounted","Print","British Topography","Hampshire","","","","","",""
"6315","","J. Walker","Southampton","Copper engraving","Published January 1st, 1795, by Walker, No. 16, Rosomans Street, London.","1795","1795","I: 108 x 168 mm","","","","45","£45","mounted","Print","British Topography","Hampshire","","","","","",""
"8235","","T. Bonner","Church of St. Cross, Near Winchester","Copper engraving","published the 26th of December 1783 by S. Hooper","","","I: 105 x 150 mm","","","","25","£25","unmounted","Print","British Topography","Hampshire","","","","","",""
"11356","","Wilfred Ball ","Below Hambledon","Etching","c. 1898","","","Image 56 x 94 mm, Plate 58 x 96","","","Wilfred Ball (1853-1917) was a landscape etcher specialising in river scenes and on his larger plates he used tone to great affect.","75","£75","mounted","Print","British Topography","Hampshire","","","","","",""
"8078","","C. Moody after I. Shaw ","Hereford Cathedral North-East View","Lithograph","Published by J. Head High Town Hereford","","","I 309 x 44 mm","","","","60","£60","mounted","Print","British Topography","Herefordshire","","","","","",""
"9830","","J. Le Keux after J.P. Neale","Leominster Church, (North Aisle Looking East) Herefordshire","Steel engraving","London Pub March 1,1824, by J.P. Neale, 16, Bennett St Blackfriars Road & J.Le Keux, Ash, near Farnham, Surrey","","","Image 115 x 90 mm Plate 167 x 125 mm","","","","25","£25","mounted","Print","British Topography","Herefordshire","","","","","",""
"6317","","James Ross after George Powle","East View of the City of Hereford, from the Hartford Shut.","Copper engraving","January 1 1778","1778","1778","I: 180 x 290 mm","","","","48","£48","mounted","Print","British Topography","Herefordshire","","","","","",""
"8934","","R.K.Thomas after G.R.Lewis","The Tower of the Ancient Church of Shobdon","Lithograph","London, Pelham, Richardson, 23, Cornhill. 1852. Day & Son, Lith.rs to the queen.","","","Image:172 x 269mm","","","","45","£45","unmounted","Print","British Topography","Herefordshire","","","","","",""
"7149","","","Cashiobury Park in Hertfordshire, the Seat of the Earl of Essex","Copper engraving","ca. 1780","","","Image 102 x 186 mm, Pl. 117 x 200 mm","","","","20","£20","unmounted","Print","British Topography","Hertfordshire","","","","","",""
"7151","","C. Pye after J.P. neale","Cashiobury, Hertfordshire","Copper engraving","London, Pub. Feby. 1818 by W.H. Reid, 32 Whitehall ","","","","From J.P. Neal’s Views of Seats","","","10","£10","unmounted","Print","British Topography","Hertfordshire","","","","","",""
"8527","","F. Calvert ","Waterdale Farm, near Watford","Lithograph with hand colouring","London, Pub. by Will & Cole 10 Newgate Sy. Augst. 1824","","","Image 190 x 345 mm","","","","30","£30","mounted","Print","British Topography","Hertfordshire","","","","","",""
"8275","","Francis Jukes","A View of Baldock in Hertfordshire","Aquatint","London, Pub: as the Act directs, May 1 1787 by F. Jukes Nos. Howland Street","","","Image 322 x 462 mm","","","","275","£275","mounted","Print","British Topography","Hertfordshire","","","","","",""
"8276","","Francis Jukes after Master Chapman","The Mill at Baldock in Herts","Aquatint","London, Pub: as the Act directs, May 1 1787 by F. Jukes Nos. Howland Street","","","Image 322 x 462 mm","","","","275","£275","mounted","Print","British Topography","Hertfordshire","","","","","",""
"6318","","J. Walker after Dayes","Hereford","Steel engraving","Published July 1st, 1795 by J. Walker, Rosomans Street, London","1795","1795","I: 110 x 165 mm","",""," Plate 85, Engraved by J. Walker from an Original Drawing by Dayes","45","£45","mounted","Print","British Topography","Hertfordshire","","","","","",""
"7152","","Pieter Van der Aa after Kip","Cashiobury in Hartfordshire","Copper engraving","1707","","","Image 122 x 156 mm, Pl. 128 x 163 mm","","","","25","£25","unmounted","Print","British Topography","Hertfordshire","","","","","",""
"12404","","J. Smith after A. Nicholl","Belfast","Steel engraving with hand colouring","1835","","","Image 101 x 166 mm","","","","35","£35","mounted","Print","British Topography","Ireland","","","","","",""
"13387","","Charles Tomkins","Spithead from Priory Rocks","Aquatint","Publish’d as the act Directs by C & G Kearsley, Fleet Street 1796","","","Image120 x 180 mm","","","","65","£65","mounted","Print","British Topography","Isle of Wight","","","","","",""
"9761","","","North Forland Lighthouse ","Pencil drawing","","","","Image 140 x 175 mm vignette, Sheet 185 x 230 mm","","","he North Foreland and South Foreland are two chalk headlands on the Kent coast of southern England located on St Margaret's Bay (named after the village of St Margaret-at-Cliffe). The North Foreland forms the eastern end of the Isle of Thanet, and the South Foreland is 5 km (3 miles) northeast of Dover, overlooking the Strait of Dover. ","75","£75","unmounted","Print","British Topography","Kent","","","","","",""
"2813","","F. J. Dela Cour ","Monument erected in 1835 upon Gad’s hill, near Rochester, a spot hallowed by the muse of Shakespeare ...","Lithograph","Day & Haghe Lith.rs to the King 1835","","","I 270 x 232; S 298 x 253 mm","","","Full title: This monument was erected in 1835 upon God’s hill, near Rochester, a spot hallowed by the muse of Shakespeare. Upon the column is the following inscription:-The friends of freedom in Kent, Erected this Monument to the Memory of CHARLES LARKIN, As a grateful testimony of his fearless and long-continued advocacy of Civil and Religiousliberty, And his zealous exertions in promoting the great and memorable measure of PARLIAMENTARY REFORM","50","£50","mounted","Print","British Topography","Kent","","","","","",""
"4519","","Francis Jukes","Dover. Shakespeare Cliff, Fort Amherst, from the Pier","Aquatint","London, Pub.d, Decr. 1801 by F. Jukes Howland Street","","","I 380 x 560 mm; Pl. 440 x 575 mm; S 465 x 610 mm","","","","400","£400","mounted","Print","British Topography","Kent","","","","","",""
"8089","","Francis Jukes ","Ramsgate","Aquatint","London Published June 21 1787 by F. Jukes Howland Street & I. Bryden Charing Cross","","","I 406 x 270 mm","","","","600","£600","mounted","Print","British Topography","Kent","","","","","",""
"2969","","J.C Stadler after Geo. Walker Esq.r","Ramsgate Pier, from the Bathing Sands","Aquatint","Pub.d by P. Burgess Library Ram--sgate July 1 1809","","","I 296 x 147 mm; Pl. 340 x 202 mm","","","","120","£120","unmounted","Print","British Topography","Kent","","","","","",""
"2967","","J. C. Stadler after Geo. Wather Esq.r","Ramsgate Town and Harbour, from the East Pier Head","Aquatint","Pub.d by P. Burgess Library Ramsgate July 1. 1809","","","I 297 x 142 mm; Pl. 342 x 218 mm","","","","120","£120","mounted","Print","British Topography","Kent","","","","","",""
"2886","","J.C. Stadler after J. Laport ","Margate, from Hazardous Row","Aquatint","Published by P. Burgess, Library, Ramsgate, July 1 1809","","","I 298 x 149 mm; S 387 x 248 mm","","","","120","£120","mounted","Print","British Topography","Kent","","","","","",""
"10424","","K.Vernon","Mercery Lane, Canterbury","Etching","c 1915","","","Image 250 x 100 mm","","","signed and inscribed in pencil by the artist","45","£45","mounted","Print","British Topography","Kent","","","","","",""
"8083","","Newton after Roe","South West Aspect of the Church of St Augustine Headon This plate was given to the Work by W. Constable of Burton Constable Esq. ","Aquatint","1784","","","I 458 x 284 mm","","","Engraved for Dades History and Antiquities of Holderness","200","£200","mounted","Print","British Topography","Kent","","","","","",""
"9765","","W. Finden after E.W. Cooke","Ramsgate","Steel engraving","Published c. 1840","","","Image 125 x 175 mm, Sheet 165 x 245 mm","From  Finden's Ports, Harbours and Watering Places. The Ports, Harbours, Watering-Places, And Picturesque Scenery of Great Britain. Illustrated by Views taken on the spor, by W. H. Barthlett, J. D. Harding, T. Creswick and others. With Descriptions, Historical and Topocraphical.","","Showing Ramsgate Lighthouse","40","£40","unmounted","Print","British Topography","Kent","","","","","",""
"6320","","W.H. Bartlett after J.C. Bentley","“The Westminster” and “Claudine,” Ashore Near Margate","Steel engraving","","c. 1840","1840","I: 120 x 180 mm","","","","15","£15","mounted","Print","British Topography","Kent","","","","","",""
"2982","","William Gauci after T. Maisey","On the Thames, at Northfleet","Lithograph","Printed by W. Gauci 9 North Cres.t Bedf.d Sq.re","","","I 405 x 285 mm","","","","90","£90","mounted","Print","British Topography","Kent","","","","","",""
"12421","","J.Le Keux after F. Mackenzie","The Library of Kings College","Steel engraving with hand colouring","1850","","","Image 96 x 150 mm","","","","30","£30","mounted","Print","British Topography","King’s College Cambridge","","","","","",""
"12415","","","View of Liverpool in Lancashire","Copper engraving","1778","","","Image 155 x 212 mm","","","","20","£20","mounted","Print","British Topography","Lancashire","","","","","",""
"2983","","A. Aglio after Rolston","Mr Hyde’s Shop Market Street","Lithograph","Published by D. & P. Jaksons, 1 Spring Gardens, Manchester","","","I 366 x 264 mm","","","","150","£150","mounted","Print","British Topography","Lancashire","","","","","",""
"5439","","Dixon after Jenkinson","View of the town and Hourbour of Liverpool","Copper engraving","1816","","","I 225 x 388 mm","","","","120","£120","unmounted","Print","British Topography","Lancashire","","","","","",""
"12398","","E. Benjamin","Manchester","Steel engraving with hand colouring","1829","","","Image 93 x 146 mm","","","","25","£25","mounted","Print","British Topography","Lancashire","","","","","",""
"12399","","E. Benjamin after W. Westall","Manchester","Steel engraving","1835","","","Image 94 x 145 mm","","","","30","£30","mounted","Print","British Topography","Lancashire","","","","","",""
"12397","","Edward Finden after W. Westall","Commercial Room, Manchester","Steel engraving with hand colouring","1840","","","Image 87 x 146 mm","","","","20","£20","mounted","Print","British Topography","Lancashire","","","","","",""
"12380","","Edward Finden after W. Westall","Goree Buildings, Liverpool","Steel engraving with hand colouring","1829","","","Image 93 x 145 mm","","","","25","£25","mounted","Print","British Topography","Lancashire","","","","","",""
"12413","","Edward Roberts","Victoria Bridge Manchester","Steel engraving with hand colouring","1840","","","Image 94 x 133 mm","","","","25","£25","mounted","Print","British Topography","Lancashire","","","","","",""
"12383","","F.Finden after W.Westall","Blackfriers Bridge, Manchester","Steel engraving with hand colouring","1829","","","Image 94 x 146 mm","","","","25","£25","mounted","Print","British Topography","Lancashire","","","","","",""
"5432","","Herdman","Castle Street","Lithograph with hand colouring","","","","I 100 x 160 mm","","","","10","£10","unmounted","Print","British Topography","Lancashire","","","","","",""
"12410","","J. Ryland","The South West View of Liverpool","Copper engraving","1764","","","Image 100 x 179 mm","","","","25","£25","mounted","Print","British Topography","Lancashire","","","","","",""
"12401","","J. Walker after T. Girtin","Manchester","Copper engraving","1800","","","Image 111 x 168 mm","","","","20","£20","mounted","Print","British Topography","Lancashire","","","","","",""
"5433","","Unknown","Liverpool Castle","Lithograph with hand colouring","","","","I 160 x 100mm","","","","10","£10","unmounted","Print","British Topography","Lancashire","","","","","",""
"12381","","W. Angus after Jenkinson","View of Liverpool, from the ferry, Lancashire","Steel engraving with hand colouring","1808","","","Image 100 x 157 mm","","","","25","£25","mounted","Print","British Topography","Lancashire","","","","","",""
"12412","","W.B.Scott after J.C. Browne","Liverpool from Seacombe","Steel engraving with hand colouring","1835","","","Image 106 x 177 mm","","","","30","£30","mounted","Print","British Topography","Lancashire","","","","","",""
"9863","","","Leicester from the Knighton Hills and Leicester from the Abbey Meadows","Lithograph with tint stone","Published by M. Webster Derby","","","Image 228 x 368 mm, Sheet 316 x 433 mm","","","A rare pair of prints of Leicester","400","£400","unmounted","Print","British Topography","Leicestershire","","","","","",""
"8093","","","Loughborough","Lithograph","Published by John Henry Grey Market Place Loughborough Circa 1830","","","I 300 x 218 mm","","","","100","£100","mounted","Print","British Topography","Leicestershire","","","","","",""
"2984","","W. Sims after J.B. Sedgwick","The House in which Richard III slept at Leicester, the night before the battle of Bosworth Field. Then known as the Blue Boar Inn at Leicester","Lithograph","London Marsh & Miller, 137 Oxford Street,1830Printed by Engelmann& Co.","","","I 232 x 164 mm","","","","50","£50","mounted","Print","British Topography","Leicestershire","","","","","",""
"8238","","J. Smith after J. Buckler","Lincoln Cathedral - West Front","Copper engraving","London Published by Vernor and Hood, Poultry, Feb. 1st, 1802","1802","1802","I: 100 x 140 mm","for the “Beauties of England & Wales”","","","10","£10","unmounted","Print","British Topography","Lincolnshire","","","","","",""
"8236","","J. Walker","Lincoln","Copper engraving","Published Feb. 1, 1797, by J. Walker, No. 16, Rosemans Street, London","1797","1797","I: 105 x 165 mm","","","","20","£20","unmounted","Print","British Topography","Lincolnshire","","","","","",""
"7289","","Pieter Van der Aa after Kip","Dodidington in the County of Lincolnshire","Copper engraving","1707","","","I 122 x 155 mm, Pl. 136 x 170 mm","","","","15","£15","unmounted","Print","British Topography","Lincolnshire","","","","","",""
"13724","","Richard Reeve after John Buckler","To William Brand Esq.r F.S.A. Collector of His Majesty’s Customs of the Port of Boston, Lincolnshire; This View of the Iron Bridge over the Witham is most respectfully inscribed by his much obliged and devoted Servant John Buckler.","Aquatint with original hand colouring","Published April 1808, by J. Buckler, Bermondsey, Surrety.","","","Image 396 x 556 mm, Sheet 457 x 590 mm","","","Conditon: Trimmed within plate.  Repaired tear in lower inscription space and some creasing in upper left. Somewhat faded.","375","£375","unmounted","Print","British Topography","Lincolnshire","","","","","",""
"6982","","Unknown","Burghley House","Lithograph","","19th C.","19","I. 190 x 125 mm","","","","10","£10","unmounted","Print","British Topography","Lincolnshire","","","","","",""
"8226","","W. Angus after A. Davis","Burghley House, in Northamptonshire, the Seat of the Earl of Exeter","Copper engraving","Published as the Act directs, SEptr 1 st  1780 by W. Angus No. 4 Gwynne’s Buildings, Islington","","","Image 128 x 185 mm, Pl. 155 x 202 mm","","","","25","£25","unmounted","Print","British Topography","Lincolnshire","","","","","",""
"8076","","","Charing Cross Bridge","Lithograph with tint stone","Printed and Published by G.J. Cox, Royal Polytechnic Institution, 309 Regent St.","","","Image 82 x 175 mm, Sheet 170 x 227 mm","","","Charing Cross Bridge known as the Hungerford Bridge was designed by Isambard Kingdom Brunel and opened in 1845 as a suspension footbridge. In 1859 it was bought by the railway company, to extend the South Eastern Railway into the newly opened Charing Cross railway station. The railway company replaced the suspension bridge with a structure designed by Sir John Hawkshaw.","45","£45","mounted","Print","British Topography","London","","","","","",""
"12494","","","The City Basin, Regents Canal","Aquatint with  original hand colouring","c.1812","","","Image 112 x 188 mm","","","","45","£45","mounted","Print","British Topography","London","","","","","",""
"8245","","","Inside of Westminster Abbey","Copper engraving","London: Published May 2nd, 1796, by C. Taylor, No. 10, Holborn","1796","1796","Pl: 193 x 155 mm","","","","15","£15","unmounted","Print","British Topography","London","","","","","",""
"7207","","","An Interior View of Crystal Palace","Lithograph with hand colouring","19th Century","","","I 335 x 482 mm","","","Ex. Col of Mrs Graham Greene","250","£250","unmounted","Print","British Topography","London","","","","","",""
"7277","","","Landsdowne House, Berkley Square","Copper engraving with hand colouring","No. 29 of Ackermann’s Repository of Arts &c. Pub May 1 1811 at 101 Strand, London","","","I 172 x 110 mm","","","","25","£25","mounted","Print","British Topography","London","","","","","",""
"4746","","","A Map of St. Gile’s Cripple Gate without with Large additions and Corrections","Copper engraving","Publish’d according toAct of Parliament 1755 for Stow’s Survey","","","355 x 280 mm","","","","40","£40","unmounted","Print","British Topography","London","","","","","",""
"7266","","","The South Front of Kensington Palace, as seen from the Verges of the great Walk","Copper engraving","London Printed for F. West 83 Fleet Street","","","I 259 x 149 mm","","","","45","£45","mounted","Print","British Topography","London","","","","","",""
"7268","","","Tempel Bar","Copper engraving","19th Century","","","I 140 x 90 mm","","","","40","£40","mounted","Print","British Topography","London","","","","","",""
"7188","","","[Tower of London]","Etching","Circa 1950","","","I 264 x 224 mm","","","","30","£30","unmounted","Print","British Topography","London","","","","","",""
"7209","","","Trafalgar Square March 7th 1863","Lithograph","19th Century","","","I 326 x 215 mm","","","","20","£20","unmounted","Print","British Topography","London","","","","","",""
"12513","","","The Victoria Tower, New Houses of Parliament.","Chromolithograph","c 1859","","","Image 317 x 215 mm","","","","35","£35","mounted","Print","British Topography","London","","","","","",""
"7267","","","View of Camberwell from the Grove","Copper engraving","Circa 1770","","","I 270 x 154 mm","","","","50","£50","mounted","Print","British Topography","London","","","","","",""
"12483","","","View of London","Copper engraving","c.1798","","","Image 180 x 252 mm","","","","45","£45","mounted","Print","British Topography","London","","","","","",""
"11275","","","A View of the House and part of the Garden of His Grace the Duke of Argyl at Whitton","Copper engraving","London, Printed for Robt. Sayer Map & Printseller in Fleet Street","","","Image 153 x 257 mm, Pl. 175 x 275 mm","","","In 1732, architect and builder Roger Morris was paid for a court of offices in the eastern quarter of the Whitton park where, by 1735, a Palladian villa was built to his design. This part of the estate came to be called Whitton Place","15","£15","unmounted","Print","British Topography","London","","","","","",""
"7273","","Ackermann","The New Street looking towards the Quadrant","Aquatint","No.84 of R. Ackermann’s Repository of Arts & c. Pub.d Dec.r 1 1822","","","I 192 x 121 mm","","","","30","£30","mounted","Print","British Topography","London","","","","","",""
"7208","","Aileen Mary Elliott","[Docklands, London]","Etching","20th Century","","","Image & Plate 212 x 300 mm, Sheet 240 x 325 mm","","","Miss Aileen Mary Elliott. Marine painter and etcher. Born in Southampton on 19th December 1896.  Exhibited at the R.A., other leading London galleries and in the provinces.  Principal works include The Thames, Limehouse: Unloading Grain and Sparl’s Wharf, Limehouse. Lived in London and later at Wokingham in Berkshire.Condition: good clean impression, Frank Emanuel’s hand-writting on verso.","85","£85","unmounted","Print","British Topography","London","","","","","",""
"5453","","B Cole","To the Rt. Honble Slingsby Bethell Esq. Lord Mayor. To the R Worshipful Court of Aldermen & Comon Counci; of y City of London; Thefe Designs for Building a Bridge with Stone to Crofs the River Thames from Balckfryers. London, to Southmark in Surry,...","Copper engraving","1756","","","I 325 x 400 mm","","","","50","£50","unmounted","Print","British Topography","London","","","","","",""
"7820","","C.J. Greenwood del. et lith","St Phillips Church, Dalston","Lithograph","Printed by C. Kellow, Hatton Gardens Published by George J. Pop Bookseller & Stationer, 12 Church Street Hackney","","","I 347 x 255 mm","","","","120","£120","mounted","Print","British Topography","London","","","","","",""
"10648","","Constable after Cousen","The Corn Field","Etching","1826","","","I 246 x 208 mm","","","","30","£30","unmounted","Print","British Topography","London","","","","","",""
"7332","","Cox","Coliseum, Regents Park","Steel engraving","Circa 1840","","","I 47 x 96 mm","","","","20","£20","unmounted","Print","British Topography","London","","","","","",""
"7823","","Day & Haghe","View of the Church now erecting in Charlotte Street, Fitzroy SquareSt Saviour Mission Church","Lithograph","Published by Day & Haghe","","","I 450 x 280 mm; S. 509 x 331 mm","","","Hugh Smith Architect","150","£150","mounted","Print","British Topography","London","","","","","",""
"9204","","Elliot after Wale","Bloomsbury","Copper engraving","London : R. & J. Dodsley, 1761","","","I 150 x 81 mm","",""," Engraved by William Elliott (1727-1766) from an original study by the painter and illustrator Samuel Wale, first Professor of Perspective at the Royal Academy. Originally produced for Robert Dodsley's part-work compilation, ""London and its Environs Described"" (London 1761). ","30","£30","unmounted","Print","British Topography","London","","","","","",""
"7262","","G.H. Adcock after Buss ","Examination of the Students of the University of London","Steel engraving","For Matriculation, July, 1842","","","I 184 x 102 mm","","","","40","£40","mounted","Print","British Topography","London","","","","","",""
"7821","","G. Hawkins","Exterior View of the Proposed New Church Kentish Town St. Pancras (St. John the Baptist)","Lithograph","Pubslihed by Day & Haghe","","","I 385 x 262 mm; S. 522 x 380 mm","","","","150","£150","mounted","Print","British Topography","London","","","","","",""
"7819","","G. Hawkins","Interior of the Proposed new Church kentish Town, St. Pancras from the Western Gallery (St. John the Baptist)","Lithograph","Published by Day & Haghe","","","I 280 x 233 mm; S. 495 x 324 mm","","","Built 1842-1845 Alfrd Bartholomew Esq.e F.S.A. Architect","100","£100","mounted","Print","British Topography","London","","","","","",""
"7822","","G. Hawkins","South West View of Wimbledon Church, Surrey","Lithograph","Day & Haghe","","","I 283 x 350 mm; S. 367 x 400 mm","","","Rebuilt in 1841 George Gilbert Scott & William Bonython Moffat Architects","150","£150","mounted","Print","British Topography","London","","","","","",""
"11612","","G. Hunt after James Pollard","Highgate Tunnel","Aquatint with hand colouring","London Published by J Moore, 1, West Street, upper St Martins Lane c.1820","","","Image 120 x 155 mm","","","A miniture version of the original","45","£45","mounted","Print","British Topography","London","","","","","",""
"7827","","George Isham Parkyns after John Charles Barrow FSA","Lewisham","Aquatint with hand colouring","Published 1 December by J.C. Barrow, No. 25 South Audley St. G.I. Parkyns Esq. Nottingham. Published Decr. 1st 1770","","","I 214 x 293 mm; Pl. 290 x 369 mm","","","","120","£120","mounted","Print","British Topography","London","","","","","",""
"7825","","Greenwood del et lith","St James’s Church, Clapton","Lithograph","Published by J. Gribble, Bookseller & Stationer, Lower Clapton","","","I 350 x 250 mm","","","Built 1841Edward Charles Hakewill (1812-1872), Architect","120","£120","mounted","Print","British Topography","London","","","","","",""
"5993","","H. Melville after L.L. Jewitt","The United Service Club. The Map Room","Steel engraving","London, Published for the Proprietors, by J. Mead, 10 Gough Square, Fleet Street","","","I 175 x 139 mm","","","","20","£20","unmounted","Print","British Topography","London","","","","","",""
"7275","","H. Melville after T.H. Shepherd","Kings College Distribution of the Prizes in the Theatre by the Archbishop of Canterbury","Steel engraving","Circa 1840","","","I 184 x 130 mm","","","","50","£50","mounted","Print","British Topography","London","","","","","",""
"7278","","H. Winkles after Tombleson","Lambeth Palace, Surry","Steel engraving","London Published by Tombleson & Co. 11 Paternoster Row Circa 1834","","","I 185 x 153 mm","","","","45","£45","mounted","Print","British Topography","London","","","","","",""
"4425","","H. Winkles after Tombleson","Vauxhall Bridge","Steel engraving","Published by Tombleson & Compy., 11 Paternoster Row, London, c. 1841","","","I 150 X 190 mm","Tombleson's Views of the Thames and Medway","","","25","£25","mounted","Print","British Topography","London","","","","","",""
"7280","","H. Winkles after W. Tombleson","Adelphi Terrace","Steel engraving","London Published by Tombleson & Co. 11 Paternoster Row Circa 1834","","","I 176 x 156 mm","","","","45","£45","mounted","Print","British Topography","London","","","","","",""
"7339","","I. Woods","Billingsgate","Steel engraving","London Pub.d July 1st 1837 by W. S Orr & Co. Amen Corner","","","I 145 x 104 mm","","","","20","£20","unmounted","Print","British Topography","London","","","","","",""
"7337","","I. Woods","Duke of York’s Column","Steel engraving","Circa 1840","","","I 145 x 104 mm","","","","20","£20","unmounted","Print","British Topography","London","","","","","",""
"7338","","I. Woods","Duke of York’s Column","Steel engraving","Circa 1840","","","I 145 x 104 mm","","","","20","£20","unmounted","Print","British Topography","London","","","","","",""
"7346","","I. Woods","Fishmonger’s Hall","Steel engraving","London Pub.d Aug 1837 by W.S. Orr & Co. Amen Corner","","","I 145 x 104 mm","","","","20","£20","unmounted","Print","British Topography","London","","","","","",""
"7352","","I. Woods","General Post OfficeSt Martin’s Le Grand","Steel engraving","London Pub.d by W.S. Orr & Co. Amen Corner Circa 1840","","","I 145 x 104 mm","","","","20","£20","unmounted","Print","British Topography","London","","","","","",""
"7349","","I. Woods","High Street Whitechapel","Steel engraving","London Pub.d by W.S. Orr & Co. Amen Corner Circa 1840","","","I 145 x 104 mm","","","","20","£20","unmounted","Print","British Topography","London","","","","","",""
"7336","","I. Woods","Horse Guards","Steel engraving","Circa 1840","","","I 145 x 104 mm","","","","20","£20","unmounted","Print","British Topography","London","","","","","",""
"7330","","I. Woods","King William Street","Steel engraving","Circa 1840","","","I 54 x 100 mm","","","","20","£20","unmounted","Print","British Topography","London","","","","","",""
"7340","","I. Woods","Limehouse Church","Steel engraving","Circa 1840","","","I 145 x 104 mm","","","","20","£20","unmounted","Print","British Topography","London","","","","","",""
"7334","","I. Woods","Mansion House","Steel engraving","London Published Sep.r 1 1837 by W.S. Orr & Co. Amen Corner","","","I 47 x 96 mm","","","","20","£20","unmounted","Print","British Topography","London","","","","","",""
"7353","","I. Woods","Quadrant Regent Street","Steel engraving","London Pub.d by W.S. Orr & Co. Amen Corner Circa 1840","","","I 145 x 104 mm","","","","20","£20","unmounted","Print","British Topography","London","","","","","",""
"7350","","I. Woods","Southwark Church & C.","Steel engraving","London Pub.d by W.S. Orr & Co. Amen Corner Circa 1840","","","I 145 x 104 mm","","","","20","£20","unmounted","Print","British Topography","London","","","","","",""
"7341","","I. Woods","View of St. James’s Park","Steel engraving","Circa 1840","","","I 145 x 104 mm","","","","20","£20","unmounted","Print","British Topography","London","","","","","",""
"7260","","J.C. Stadler","Leaden Hall Market","Aquatint","London Pub.d 1st Jan.y 1809 at R. Ackermann’s Repository of Arts 101 Strand","","","I 259 x 194 mm","","","","55","£55","mounted","Print","British Topography","London","","","","","",""
"7261","","J.C Stadler","Society of Agriculture","Aquatint","London Pub. June 1st 1809 at R. Ackermann’s Repository of Arts 101 Strand","","","260 x 197 mm","","","","85","£85","mounted","Print","British Topography","London","","","","","",""
"12509","","J.C. Stadler after J. Farington R.A. ","View of Chelsea & Battersea, from East Wandsworth","Aquatint with hand colouring","Pub. June 1, 1793 by J & J Boydell Shakespeare Gallery Pall Mall & Cheapside","","","Image 220 x  316 mm","A History of the River Thames","","John Boydell (1719-1804) was a successful and influential printseller and engraver. Boydell's Shakespeare Gallery is credited with changing the course of English painting by creating a market for historical and literary works. He also encouraged the development of engraving in England with, among other things, his prints illustrating scenes from Shakespearean plays. In 1773, his nephew Josiah Boydell (1752-1817) became his business partner and later his successor, trading as J. & J. Boydell. ","240","£240","mounted","Print","British Topography","London","","","","","",""
"4422","","J. Cox after Tombleson","View near Battersea","Steel engraving","Published by Tombleson & Compy., 11 Paternoster Row, London, c. 1841","","","I 150 X 190 mm","Tombleson's Views of the Thames and Medway","","","25","£25","mounted","Print","British Topography","London","","","","","",""
"7271","","J. Green","Admiralty","Copper engraving","Circa 1780","","","I 140 x 82 mm","","","","30","£30","mounted","Print","British Topography","London","","","","","",""
"7351","","J. Hopkins","Leadenhall Street","Steel engraving","London Pub.d by W.S. Orr & Co. Amen Corner Circa 1840","","","I 145 x 104 mm","","","","20","£20","unmounted","Print","British Topography","London","","","","","",""
"12439","","J.T. Woods","The Quadrant Regent Street","Steel engraving","London J.T.Wood, Hollywell St. c1840","","","Image 93 x 139 mm","","","","25","£25","mounted","Print","British Topography","London","","","","","",""
"7282","","J. Walker after Wm. Capon","Billings-Gate, London","Copper engraving","Publsihed July 1st 1801 by J. Walker No.16 Roseman Street, London","","","I 165 x 110 mm","","","","45","£45","mounted","Print","British Topography","London","","","","","",""
"7344","","J. Woods","Cheapside and Bow Church","Steel engraving","London Pub.d by W. S Orr & Co. Amen Corner circa 1840","","","I 145 x 104 mm","","","","20","£20","unmounted","Print","British Topography","London","","","","","",""
"7359","","J. Woods","Cumberland TerraceRegents Park","Steel engraving","London Pub.d by W.S. Orr & Co. Amen Corner Circa 1840","","","I 145 x 104 mm","","","","20","£20","unmounted","Print","British Topography","London","","","","","",""
"7333","","J. Woods","Custom House","Steel engraving","London Published Sep.r 1 1837 by W.S. Orr & Co. Amen Corner","","","I 47 x 96 mm","","","","20","£20","unmounted","Print","British Topography","London","","","","","",""
"1997","","J. Woods","Limehouse Church","Steel engraving","","","","I 146 x 107 mm","","","","10","£10","unmounted","Print","British Topography","London","","","","","",""
"7358","","J. Woods","Royal Exchange and Cornhill","Steel engraving","London Pub.d Jun 1st 1837 by W.S. Orr & Co. Amen Corner ","","","I 145 x 104 mm","","","","20","£20","unmounted","Print","British Topography","London","","","","","",""
"7357","","J. Woods","Royal ExchangeDestroyed by Fire Jan.y 10th 1838","Steel engraving","London Pub.d by W.S. Orr & Co. Amen Corner Circa 1840","","","I 145 x 104 mm","","","","20","£20","unmounted","Print","British Topography","London","","","","","",""
"7360","","J. Woods","The Upper Pool","Steel engraving","London Pub.d by W.S. Orr & Co. Amen Corner Circa 1840","","","I 145 x 104 mm","","","","20","£20","unmounted","Print","British Topography","London","","","","","",""
"7343","","J. Woods","View in Westminster Abbey","Steel engraving","London Pub.d by W. S Orr & Co. Amen Corner circa 1840","","","I 145 x 104 mm","","","","20","£20","unmounted","Print","British Topography","London","","","","","",""
"7342","","J. Woods","West India DockImport","Steel engraving","London Pub.d July 1st 1837 by W. S Orr & Co. Amen Corner","","","I 145 x 104 mm","","","","20","£20","unmounted","Print","British Topography","London","","","","","",""
"7361","","J. Woods","Wood’s Views in London Westminster and their vicinitiesMonument and St Magnus Church","Steel engraving","London Pub.d by W.S. Orr & Co. Amen Corner Circa 1840","","","I 145 x 104 mm","","","","20","£20","unmounted","Print","British Topography","London","","","","","",""
"13847","","James Collins after Kip, Johannes ","The North Prospect of Westminster Abbey ","Copper engraving","","","","Image 450 x 667 mm, Pl. 492 x 685 mm","","","A view of Westminster Abbey from the north, before the towers of the west front were built. Title along lower edge. Kip’s monumental six volume Nouveau Theatre de la Grand Bretagne was the definitive visual record of England of its time with its detailed depictions by the leading engravers of the day of castles, churches, universities, town views, and country estates.","480","£480","","Print","British Topography","London","","","","","",""
"12858","","Joseph O’Emmell","The Strand (London)","Etching","1890","","","Image 280 x 180 mm Sheet 360 x 260 mm","","","","40","£40","unmounted","Print","British Topography","London","","","","","",""
"7259","","Malton","North West View of Westminster Abbey","Aquatint","1793","","","I 304 x 215 mm","","","","200","£200","mounted","Print","British Topography","London","","","","","",""
"5992","","Melville after Gilbert","Buckingham Palace, -The Library","Steel engraving","London, Published for the Proprietors, by J. Mead, 10 Gough Square, Fleet Street","","","I 135 x 196 mm","","","","20","£20","unmounted","Print","British Topography","London","","","","","",""
"3283","","Paul Sandby after Thomas Sandby","View from the Northside of the Virginia River, near the Manour Lodge","Copper engraving","","","","I 309 x 562 mm; S 340 x 576 mm","","","","400","£400","mounted","Print","British Topography","London","","","","","",""
"7283","","Pugin","Banco Inglaterra","Aquatint","Circa 1815","","","I 184 x 106 mm","","","","25","£25","mounted","Print","British Topography","London","","","","","",""
"10706","","R. Martin","Blackfriars Bridge. Elevation of centre arch with the piers, column & parapets, in their present state.","Lithograph","124, High Holborn 1832","","","I 281 x 500 mm","","","Condition: Repaired tear.£200 for the pair","200","£200","unmounted","Print","British Topography","London","","","","","",""
"10707","","R Martin","Blackfriars Bridge. Elevation of centre arch with the piers, column & parapets, as proposed to be altered.","Lithograph","124, High Holborn 1832","","","I 281 x 500 mm","","","£200 for the pair.","200","£200","unmounted","Print","British Topography","London","","","","","",""
"7274","","S. Lacey after Tho.s H. Shepherd","Junction of the Regent’s Canal at Paddington","Copper engraving","Published May 24 1828 by Jones & Co. S. Acton Place Kingsland Road London","","","I 147 x 189 mm","","","","40","£40","mounted","Print","British Topography","London"," ","","","","",""
"6218","","Samuel Ireland","Chelsea","Aquatint","Pub. for S. Ireland May 1 1799","","","I 110 x 165 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","25","£25","unmounted","Print","British Topography","London","","","","","",""
"6216","","Samuel Ireland","Chelsea College & Ranelagh-house","Aquatint","Pub. for S. Ireland May 1 1799","","","I 110 x 165 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","20","£20","unmounted","Print","British Topography","London","","","","","",""
"6233","","Samuel Ireland","Design for a bridge near Somerset place by Thos.Sandby Esq,r, RA","Aquatint","Pub. for S. Ireland May 1 1799","","","I 110 x 165 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","20","£20","unmounted","Print","British Topography","London","","","","","",""
"6236","","Samuel Ireland","Greenwich Hospital","Aquatint","Pub. for S. Ireland May 1 1799","","","I 110 x 165 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","25","£25","unmounted","Print","British Topography","London","","","","","",""
"6230","","Samuel Ireland","Lambeth Palace, &c.","Aquatint","Pub. for S. Ireland May 1 1799","","","I 110 x 165 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","20","£20","unmounted","Print","British Topography","London","","","","","",""
"6229","","Samuel Ireland","London Bridge &c.","Aquatint","Pub. for S. Ireland May 1 1799","","","I 110 x 165 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","25","£25","unmounted","Print","British Topography","London","","","","","",""
"6235","","Samuel Ireland","Richmond Bridge","Aquatint","Pub. for S. Ireland May 1 1799","","","I 110 x 165 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","25","£25","unmounted","Print","British Topography","London","","","","","",""
"6227","","Samuel Ireland","Somerset Place","Aquatint","Pub. for S. Ireland May 1 1799","","","I 110 x 165 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","20","£20","unmounted","Print","British Topography","London","","","","","",""
"6237","","Samuel Ireland","Tower London","Aquatint","Pub. for S. Ireland May 1 1799","","","I 110 x 165 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","25","£25","unmounted","Print","British Topography","London","","","","","",""
"6228","","Samuel Ireland","Westminster - Bridge","Aquatint","Pub. for S. Ireland May 1 1799","","","I 110 x 165 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","25","£25","unmounted","Print","British Topography","London","","","","","",""
"1845","","Stow","Globe - Southwarke","Copper engraving","London, Published 8 May, 1812, by Robert Wilkinson, No 58, Cornhill","","","I 248 x 171 mm","","","","65","£65","unmounted","Print","British Topography","London","","","","","",""
"7206","","Sutton Nichols","Bow Church","Copper engraving","Published according to Act of Parliament 1754  fro Stowes Survey","","","I 445 x 335 mm","","","","100","£100","unmounted","Print","British Topography","London","","","","","",""
"13520","","T.A. Prior","The Suspension Bridge at Chelsea","Steel engraving","London Published November 18,1852 J. &W. Robins","","","Image 207 x 414 mm Pl. 255 x 465 mm","","","Proof before title","220","£220","mounted","Print","British Topography","London","","","","","",""
"7824","","T. Bury","The Church of the Holy trinity, Bishop’s Road Paddington","Lithograph","Published by Day & Haghe","","","I 320 x 387 mm; S. 376 x 465 mm","","","Built 1844-46Thomas Cundy H. Architect (1790-1867)","120","£120","mounted","Print","British Topography","London","","","","","",""
"7828","","T. Bury","S.E. View of St. James’ Church, Clapton","Lithograph","Published by Day & Haghe","","","I ","","","Built 1840-1Edward Charles Hakewill (1812-1872), Architect","50","£50","mounted","Print","British Topography","London","","","","","",""
"8077","","T. Bury","S.E. View of St James’ Church, Clapton","Lithograph","Published by Day & Haghe","","","I 92 x 58 mm","","","Architect Edward Charles Hakewill (1812-1872)","50","£50","mounted","Print","British Topography","London","","","","","",""
"8227","","T. Dale ","St. Pancras new Church","Copper engraving","Engraved for the Encyclopedia Londinensis, 1811","","","Image 227 x 182 mm, Pl. 265 x 201 mm","","","","20","£20","unmounted","Print","British Topography","London","","","","","",""
"7189","","T. Malton","The Admiralty","Aquatint","Published Feb 25 1795 by T. Malton","","","I 304 x 226 mm","A Picturesque Tour through London [by Thomas Malton]","","Abbey, 128; 18","120","£120","unmounted","Print","British Topography","London","","","","","",""
"7194","","T. Malton","Chelsea Hospital","Aquatint","Published Nov.r 15 1800 by T. Malton","","","I 304 x 226 mm","A Picturesque Tour through London [by Thomas Malton]","","Abbey, 129; 98","150","£150","unmounted","Print","British Topography","London","","","","","",""
"7205","","T. Malton","The Horse Guards","Aquatint","Published Sep.r 30 1794 by T. Malton","","","I 304 x 226 mm","A Picturesque Tour Through London [by Thomas Malton]","","Abbey,  128; 16","130","£130","unmounted","Print","British Topography","London","","","","","",""
"7199","","T. Malton","Inside of the Mews","Aquatint","Published Dec.r 30th 1794 by T. Malton","","","I 304 x 226 mm","A Picturesque Tour Through London [by Thomas Malton]","","Abbey,  128; 22","80","£80","unmounted","Print","British Topography","London","","","","","",""
"7200","","T. Malton","North Front of St. Martins Church","Aquatint","Published May 16 1796 by T. Malton","","","I 304 x 226 mm","A Picturesque Tour Through London [by Thomas Malton]","","Abbey,  128; 24","100","£100","unmounted","Print","British Topography","London","","","","","",""
"7186","","T. Malton","North Front of the Chapel and Hall of Greenwich Hospital","Aquatint","Published Sep.r 2nd 1799 by T. Malton","","","I 304 x 226 mm","A Picturesque Tour through London [by Thomas Malton]","","Abbey, 129; 79","150","£150","unmounted","Print","British Topography","London","","","","","",""
"7197","","T. Malton","North Front of Westminster Abbey","Aquatint","Published July 30 1793 by T. Malton","","","I 304 x 226 mm","A Picturesque Tour Through London [by Thomas Malton]","","Abbey,  128; 12","85","£85","unmounted","Print","British Topography","London","","","","","",""
"7203","","T. Malton","Northumberland House","Aquatint","Published May 30th 1795 by T. Malton","","","I 304 x 226 mm","A Picturesque Tour Through London [by Thomas Malton]","","Abbey,  128; 26","150","£150","unmounted","Print","British Topography","London","","","","","",""
"7196","","T. Malton","Part of the Sachristary leading to the Chapel of Hanry VII","Aquatint","Published July 30 1793 by T. Malton","","","I 304 x 226 mm","A Picturesque Tour Through London [by Thomas Malton]","","Abbey,  128; 10","80","£80","unmounted","Print","British Topography","London","","","","","",""
"7204","","T. Malton","Privy Garden","Aquatint","Published Oct.r 30 1794 by T. Malton","","","I 304 x 226 mm","A Picturesque Tour Through London [by Thomas Malton]","","Abbey,  128;14","150","£150","unmounted","Print","British Topography","London","","","","","",""
"7193","","T. Malton","St. Martins in the Fields","Aquatint","Published May 30th 1795 by T. Malton","","","I 304 x 226 mm","A Picturesque Tour Through London [by Thomas Malton]","","Abbey, 128; 23","50","£50","unmounted","Print","British Topography","London","","","","","",""
"7202","","T. Malton","St Martins in the Fields","Aquatint","Published May 30th 1795 by T. Malton","","","I 304 x 226 mm","A Picturesque Tour Through London [by Thomas Malton]","","Abbey,  128; 23","50","£50","unmounted","Print","British Topography","London","","","","","",""
"7187","","T. Malton","St. Paul’s Cathedral","Aquatint","Published May 22, 1798 by T. Malton 103 Long Acre","","","I 304 x 226 mm","A Picturesque Tour through London [by Thomas Malton]","","Abbey, 129; 53","100","£100","unmounted","Print","British Topography","London","","","","","",""
"7191","","T. Malton","St. Paul’s Cathedral from the West Entrance","Aquatint","Published Aug 21st 1797 by T. Malton","","","I 304 x 226 mm","A Picturesque Tour through London [by Thomas Malton]","","Abbey, 129; 52","95","£95","unmounted","Print","British Topography","London","","","","","",""
"7190","","T. Malton","Transept of St. Paul’s from the North Entrance","Aquatint","Published Sep.r 29th 1797 by T. Malton","","","I 304 x 226 mm","A Picturesque Tour through London [by Thomas Malton]","","Abbey, 129; 54","80","£80","unmounted","Print","British Topography","London","","","","","",""
"7198","","T. Malton","Transept of Westminster Abbey","Aquatint","Published Aug 1st 1793 by T. Malton","","","I 304 x 226 mm","A Picturesque Tour Through London [by Thomas Malton]","","Abbey,  128; 9","80","£80","unmounted","Print","British Topography","London","","","","","",""
"7195","","T. Malton","West Front of the Mansion House","Aquatint","Published Jan.y 1st 1798 by T. Malton","","","I 304 x 226 mm","A Picturesque Tour Through London [by Thomas Malton]","","Abbey,  129, 60","150","£150","unmounted","Print","British Topography","London","","","","","",""
"7272","","Tho.s Dale after Tho.s H. Shepherd","Surrey Theatre, Blackfriars Road","Steel engraving with hand colouring","Published Feb.y 16 1828 by Jones & Co. 3 ActonPlace Kingsland Road London","","","I 145 x 92 mm","","","","45","£45","mounted","Print","British Topography","London","","","","","",""
"5429","","Unknown","A perspective View of the Bank of England","Copper engraving","18th Century","","","I 340 x 220","","","","50","£50","unmounted","Print","British Topography","London","","","","","",""
"9190","","Unknown","Pond Street_Hampstead","Steel engraving","","","","I 95 x 61 mm","","","","20","£20","mounted","Print","British Topography","London","","","","","",""
"5427","","Unknown","The Royal Exchange (London)","Copper engraving","Herrmann J Meyer 8 North William-Street New York","","","I 105 x 153 mm","","","","10","£10","unmounted","Print","British Topography","London","","","","","",""
"7355","","W.E. Albutt","Somerset HouseStrand","Steel engraving","London Pub.d by W.S. Orr & Co. Amen Corner Circa 1840","","","I 145 x 104 mm","","","","20","£20","unmounted","Print","British Topography","London","","","","","",""
"8212","","W. Hodsdon","View of Old Smithfield Market, June 1855.","Lithograph with tint stone","Published by W. Hodsdon, 68 St. John St. Smithfield","","","Image 281 x 434 mm","","","","450","£450","framed","Print","British Topography","London","","","","","",""
"13512","","W.J.Welch","Guy’s Hospital","Woodcut","c1890","","","Image104 x 142 mm","","","","20","£20","mounted","Print","British Topography","London","","","","","",""
"13513","","W.P","The Middlesex Hospital","Woodcut","c1890","","","Image104 x 142 mm","","","","20","£20","mounted","Print","British Topography","London","","","","","",""
"7291","","W. Tombleson","Albany Cottage, Regents Park","Copper engraving with hand colouring","1829","","","I 144 x 91 mm","","","","45","£45","mounted","Print","British Topography","London","","","","","",""
"7263","","W. Tombleson","Westminster Bridge","Steel engraving","Published by W. Tombleson & Co. 11 Paternoster Row. Circa 1834","","","I 180 x 140 mm","","","","50","£50","mounted","Print","British Topography","London","","","","","",""
"7276","","W. Wallis after Tho.s H. Shepherd","One of the New Lodges, Hyde Park","Steel engraving with hand colouring","Published Sep 28 1828 by James & Co. Temple of the Muses Finsbury Square, London","","","I 150 x 90 mm","","","","45","£45","mounted","Print","British Topography","London","","","","","",""
"7818","","Waterlow & Sons","New Free Chapel About the be erected in Church St. Deptford in Connexion with the London Diocesan Home Mission, Rev.d J.P. Courtenay, Minister (All Saints)","Lithograph","Drawn on Stone and printed by Waterlowe & Sons, London Circa 1910","","","I 248 x 200 mm; S. 323 x 255 mm","","","","100","£100","mounted","Print","British Topography","London","","","","","",""
"11358","","Wilfred Ball ","Chiswick","Etching","c. 1898","","","Image 58 x 95 mm, Plate 60 x 97","","","Wilfred Ball (1853-1917) was a landscape etcher specialising in river scenes and on his larger plates he used tone to great affect.","75","£75","mounted","Print","British Topography","London","","","","","",""
"11361","","Wilfred Ball ","Off Woolwich","Etching","c. 1898","","","Image 56 x 96 mm, Plate 58 x 98","","","Wilfred Ball (1853-1917) was a landscape etcher specialising in river scenes and on his larger plates he used tone to great affect.","75","£75","mounted","Print","British Topography","London","","","","","",""
"11357","","Wilfred Ball ","Stratford Church","Etching","c. 1898","","","Image 56 x 92 mm, Plate 74 x 98","","","Wilfred Ball (1853-1917) was a landscape etcher specialising in river scenes and on his larger plates he used tone to great affect.","75","£75","mounted","Print","British Topography","London","","","","","",""
"8134","","William Cooke Junior after T. Barrett","Somerset House, London","Copper engraving on india laid paper"," Published August 1, 1823 bt T. Boys, Ludgate Hill","","","Image 72 x 123 mm, Pl. 157 x 247 mm","","","","10","£10","unmounted","Print","British Topography","London","","","","","",""
"7826","","J. Needham ","Berry Mead Priory, Acton, Middlesex","Lithograph","Published by Day & Son, Lithographers to the Queen (1856)","","","I 181 x 285 mm; S 241 x 319 mm","","","Demolished 1985 and was just behind the Municipal Buildings in Acton","90","£90","mounted","Print","British Topography","Middlesex","","","","","",""
"7942","","William Daniel","Yarmouth, from Garlstone","Aquatint with hand colouring","Published by W. Daniell, Cleve","","","Image 205 x 280 mm","","","","70","£70","mounted","Print","British Topography","Norfolk","","","","","",""
"8237","","","Burleigh House in Northamptonshire, the Seat of the Earl of Exeter","Copper engraving","","","","I: 110 x 190 mm","","","","10","£10","unmounted","Print","British Topography","Northamptonshire","","","","","",""
"7799","","Henry Burn","Northampton from Huntsbury Hill","Lithograph","Printed by R.B. Moody & Co. Litho Office 12 Cannor St. Birmingham","","","I  300 x 480 mm; S 380 x 535 mm","","","","250","£250","mounted","Print","British Topography","Northamptonshire","","","","","",""
"8239","","W. Watts after A. Devis","West-Front of Burghley -House in Northamptonshire, the Seat of the Earl of Exeter","Copper engraving","Published as the Act directs, May 1st 1782, by W. Watts, Chelsea.","1782","1782","I: 125 x 180 mm","","","","20","£20","unmounted","Print","British Topography","Northamptonshire","","","","","",""
"12482","","","The Holborn Viaduct","Lithograph","c.1890","","","Image 129 x 198 mm","Cassell’s Old and new London","","Plate 4","25","£25","mounted","Print","British Topography","Northumberland","","","","","",""
"8087","","M. Dubourg","Plan and Elevation of the Patent Iron Bar Bridge over the River Tweed near Berwick","Aquatint","London Published by J. Taylor at the Architectural Library High Holborn 1823","","","I 600 x 248 mm Pl. 665 x 303 mm","","","Matthew Dubourg, fl 1786--1846, engraver on copper and occasional painter.","600","£600","mounted","Print","British Topography","Northumberland","","","","","",""
"12387","","T. Lmaberts","High Level Bridge, Newcastle upon Tyne","Steel engraving","1850","","","Image 97 x 176 mm","","","","30","£30","mounted","Print","British Topography","Northumberland","","","","","",""
"8225","","W. Angus after Arnold","Chillingham Castle in Northumberland, the Seat of the Earl of Tankerville","Copper engraving","Published as the Act directs, December 1 st  1815 by W. Angus No. 4 Gwynne’s Buildings, Islington","","","Image 128 x 185 mm, Pl. 155 x 202 mm","","","","20","£20","unmounted","Print","British Topography","Northumberland","","","","","",""
"7286","","W. Collard after John Dobson","Vegetable Market","Copper engraving","Published by R. Currie, Newcastle, c. 1835","","","","","","Grainger Market, Newcastle.","25","£25","mounted","Print","British Topography","Northumberland","","","","","",""
"9842","","A. Friedel after F.A.Fracrisli","Mr B. Heldenmaier’s Pestalozzian Institution, Workshop, Nottinghamshire. Dedicated by Permission to W Champion Esq","Lithograph","252, Tottenham Court Road, London","","","Image 125 x 215 mm Plate 165 x 240 mm","","","","60","£60","unmounted","Print","British Topography","Nottinghamshire","","","","","",""
"12424","","F.Finden after W.Westall","Nottingham Castle","Steel engraving with hand colouring","1829","","","Image 93 x 145 mm","","","","25","£25","mounted","Print","British Topography","Nottinghamshire","","","","","",""
"9013","","J & E Harwood","Newstead Abbey","Steel engraving","London:J & E Harwood, 26, Fenchurch Street. c.1840","","","Image: 150 x 110 mm","","","","20","£20","mounted","Print","British Topography","Nottinghamshire","","","","","",""
"12422","","J. Noble after E.Goodwin","Newark Castle & Bridge, nottinghamshire","Steel engraving with hand colouring","1802","","","Image 99 x 154 mm","","","","30","£30","mounted","Print","British Topography","Nottinghamshire","","","","","",""
"12427","","J.Ryland","The South View of Nottingham","Copper engraving","1780","","","Image 101 x 179 mm","","","","25","£25","mounted","Print","British Topography","Nottinghamshire","","","","","",""
"12426","","J.Walker after W. Jurner","Nottingham","Copper engraving","1794","","","Image 111 x 167 mm","","","","40","£40","mounted","Print","British Topography","Nottinghamshire","","","","","",""
"3279","","James Mason after Thomas Smith","A View in Newstead Park, belonging to the Rr. Hon.ble the Lord Byron; to whom this Plate is inscribed by his Lordship most obed.t Serv.t ","Copper engraving","Published Oct.r 1764","","","I 533 x 356 mm","","","Thomas Smith of Derby (c. 1720-1767) was a landscape painter, the father of John Raphael Smith and grandfather of John Rubens Smith.","400","£400","mounted","Print","British Topography","Nottinghamshire","","","","","",""
"12449","","T.A.Prior after K.Johnson","Nottingham.","Steel engraving with hand colouring","c 1870","","","Image 138 x 196 mm","","","","40","£40","mounted","Print","British Topography","Nottinghamshire","","","","","",""
"4209","","","Blenheim, Oxfordshire","Copper engraving","Published by J & J Cund, 1814","","","","","","","25","£25","mounted","Print","British Topography","Oxfordshire","","","","","",""
"11820","","","Enysham","Chalk Pastel","September 1987","","","I","","","","","","framed","Print","British Topography","Oxfordshire","","","","","",""
"1913","","","Henley, Oxon","Steel engraving","London Published by Tombleson & Co. 11 Paternoster Row [circa 1830]","","","I 150 x 105 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"8648","","","Newington House Oxfordshire, The seat of George White Esq with a View of the Church","Copper engraving","","","","I 83 x 155 mm","","","","15","£15","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"10812","","","Parsonage House, Stanton Harcourt","Photolithograph","c1900","","","Image 83 x 134mm","","","","5","£5","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7005","","","Porch of the Church and Manor-House of Pirton","Copper engraving","Circa 1760","","","I 86 x 56 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1914","","","Ryecot House, Oxfordshire","Copper engraving","Publisjed by J. Sewell Decr. 1 1799","","","I 148 x 95 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7009","","","Standlake Church","Copper engraving with hand colouring","Circa 1760","","","I 86 x 56 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"11523","","","Tournament at Wormsley, Oxfordshire, 6th August 1840","Lithograph with hand colouring","Hullmandel, c. 1840","","","Image 168 x 510 mm, Sheet 229 x 522 mm","","","Condition: Large repaired tear in right","120","£120","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1851","","","The Town Hall at Abingdon","Steel engraving","London Published by Verner & Hood Poultry Lane 1805","","","I 152 x 104 mm","","","","30","£30","mounted","Print","British Topography","Oxfordshire","","","","","",""
"5914","","","Veue Septentrionalle de la Maison et du Parc de Blenheim dans le Conte d’Oxford qui est une des Chateaux de plaisance du Duc de Marlborough avec le momument qui fut erige en memore du Defunt Duc.","Copper engraving with hand colouring","A Paris chez Basset rue S. Jacques a Se. Genevieve. [n.d. c. 1750]","","","I 195 x 395 mm","","","","120","£120","mounted","Print","British Topography","Oxfordshire","","","","","",""
"7001","","","Vicarage-House of Banbury","Copper engraving","Circa 1760","","","I 86 x 56 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"9754","","","View of Minster Lovel Priory in the County of Oxford.","Copper engraving","London: Published by Alexr. Hogg at the Kings Arms No. 16 Paternoster Row","","","Image 110 x 243 mm, Pl. 178 x 254 mm","","","","20","£20","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"13560","","after Colen Campbell","The Fore Front of Blenheim House towards the Gardens","Copper engraving","c. 1750","","","Image 235 x 910 mm on two sheets","","","A copy of the view first issued in Colen Campbell’s Vitruvius Britannicus, or the British Architect... c. 1715-1725.  This print was issued c. 1750 by Henry Overton","750","£750","framed","Print","British Topography","Oxfordshire","","","","","",""
"13557","","after Colen Campbell","The Front of Blenheim House towards the Gardens","Copper engraving","c. 1750","","","Image 305 x 910 mm on two sheets","","","A copy of the view first issued in Colen Campbell’s Vitruvius Britannicus, or the British Architect... c. 1715-1725.  This print was issued c. 1750 by Henry Overton","1000","£1,000","framed","Print","British Topography","Oxfordshire","","","","","",""
"1922","","Angus","North View of Blenheim the Seat of the Duke of Marlborough","Copper engraving","Published as the Act directs by Harrison & Co. Aug 1 1783","","","I 168 x 90 mm","","","","40","£40","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"13333","","B. Death","The County Hall & Market Place Abingdon","Copper engraving","Published by Parsons Book r & c Reading Room, Bridge St. Market Place Abingdon","","","Image 95 x 160 mm","","","","30","£30","mounted","Print","British Topography","Oxfordshire","","","","","",""
"1900","","B. Howlett","St Marys Church, Iffley","Copper engraving","London, Published by Vernor & Hood Poultry Nov 1 1803","","","I 162 x 98 mm","","","","15","£15","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1902","","Birrel","Horden House in Oxfordshire the seat of Mrs Harwood","Copper engraving","","","","I 164 x 103 mm","","","","15","£15","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1862","","C. Davies","Grand Entrance Hall Blenheim","Copper engraving","Pubd by Henry Slatter, Oxford","","","I 128 x 92 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"5152","","C. Davies after W.A. Delamotte","West View of Blenheim The Seat of his Grace the Duke of Marlborough","Etching","Pub.d by Henry Slatter, Oxford  circa 1850","","","I 140 x 84 mm","","","","45","£45","mounted","Print","British Topography","Oxfordshire","","","","","",""
"6997","","C.J Greenwood","Banbury, from the South Entrance, Oxfordshire","Lithograph","Published by Wm Potts. Banbury Circa 1850","","","I 357 x 252 mm","","","","175","£175","mounted","Print","British Topography","Oxfordshire","","","","","",""
"7016","","C.W. Radclyffe","Bladon from the Gardens","Lithograph","Day & Haghe Lith.r to the Queen Circa 1844","","","I 383 x 266 mm","","","","125","£125","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7021","","C.W. Radclyffe","Home Lodge","Lithograph","Day & Haghe Lith.rs to the Queen 1844","","","I 370 x 271 mm","","","","45","£45","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7022","","C.W. Radclyffe","Monument & Rosamond’s Well","Lithograph","1844","","","I 385 x 256 mm","","","","135","£135","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7029","","C.W. Radclyffe","The Palace of Blenheim (cover sheet)","Lithograph","Day & Haghe Lith.rs to the Queen Circa 1884","","","I 361 x 268 mm","","","","125","£125","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7027","","C.W. Radclyffe","South View (Blenheim)","Lithograph","Day & Haghe Lith.rs to the Queen Circa 1884","","","I 361 x 268 mm","","","","125","£125","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7018","","Cha. Tomkins","Wargrave Church","Aquatint","","","","I 230 x 155 mm","","","","35","£35","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"4778","","Charles Tomkins","Ambrosden Parsonage Oxfordshire.","Aquatint with hand colouring","c. 1793","","","I 206 x 132 mm","","","","70","£70","mounted","Print","British Topography","Oxfordshire","","","","","",""
"10012","","Charles Tomkins","Stanton Harcourt - Oxen","Aquatint","c.1805","","","Image: 156 x 233 mm","Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.","","","30","£30","mounted","Print","British Topography","Oxfordshire","","","","","",""
"10010","","Charles Tomkins","Whitchurch Bridge","Aquatint","c.1805","","","Image: 156 x 233 mm","Views of Reading Abbey, and of the principal churches depending on, and originally connected with it, in Berkshire, and other counties / drawn and engraved by C. Tomkins, with observations on their original and present state, and a general plan of the ruins of the abbey. 1805-1810.","","","30","£30","mounted","Print","British Topography","Oxfordshire","","","","","",""
"4470","","D. Havell after Robert Havell","Abingdon Bridge and Church","Aquatint","1812","","","I: 13 7/8” x 19 1/2”","A Series of Picturesque Views of the River Thames","","","550","£550","framed","Print","British Topography","Oxfordshire","","","","","",""
"4782","","Du Basc after Benoist","The Battle of Blenheim in the Year 1704","Copper engraving with hand colouring","1735","","","I 202 x 270 mm","","","","75","£75","mounted","Print","British Topography","Oxfordshire","","","","","",""
"1875","","Eastgate","Stanton Harcourt, Oxfordshire","Copper engraving","","","","I 162 x 100 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1973","","Eastgate","Stanton Harcourt, Oxfordshire","Copper engraving","","","","I 162 x 95 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"8645","","Ellis after Mety","Thame Park, in Oxfordshire the seat of Lord Wenman","Copper engraving","Published Dec 1st 1795 by HD Symonds No. 20 Allen & West No.15 Paternaster Row, & T conder Bucklersbury london","","","I 100 x 162 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7493","","F. Mackenzie","Ancient Part of the Mansion in Thame Park","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7516","","F. Mackenzie","Ancient Sculpture in Bicester Church","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7511","","F. Mackenzie","Ancient Stone in Sandford Church","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7509","","F. Mackenzie","Architectural fragments taken from the former Church of Banbury","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7476","","F. Mackenzie","Barn on the Site of the Priory, Dorchester","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7510","","F. Mackenzie","Calthorpe House","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7524","","F. Mackenzie","Capital of a Pillar in Bloxham Church","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7513","","F. Mackenzie","Church &c. of Forest Hill","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"6999","","F. Mackenzie","The Church, etc of Chastleton","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 57 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7477","","F. Mackenzie","The Church of Clifton, Near Dorchester","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7003","","F. Mackenzie","The Church of Shipton Upon Cherwell","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7473","","F. Mackenzie","The Church of Shipton Upon Cherwell","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7010","","F. Mackenzie","The Church of Shipton-Under-Whichwood","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 85 x 57 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7472","","F. Mackenzie","Cover of an Ancient Chimney on the Manor-House at Old Woodstock","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7504","","F. Mackenzie","Daubyngne’s Effigy","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 85 x 57 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7527","","F. Mackenzie","Demolished Church of Bladon","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","Image 86 x 56 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7495","","F. Mackenzie","The Demolished Church of Churchill","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7520","","F. Mackenzie","Distant View of Shiplake","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7487","","F. Mackenzie","Door head in the Chancel of Bloxham Church","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7518","","F. Mackenzie","Doorcase on the North Side of Newton-Purcell Church","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7490","","F. Mackenzie","Effigies on the South Wall of Wigginton Church","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7489","","F. Mackenzie","Entrance of the Dining Room in Broughton Castle","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7488","","F. Mackenzie","Entrance Tower etc at Broughton Castle","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7480","","F. Mackenzie","Font in Chalgrove Church","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7501","","F. Mackenzie","Font in Taynton Church","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 85 x 57 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7484","","F. Mackenzie","Font in Warborough Church","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7498","","F. Mackenzie","The Former Church of Sarsden","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 57 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7482","","F. Mackenzie","Free School at Ewelme","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7522","","F. Mackenzie","Goring Church","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7000","","F. Mackenzie","Hanwell Church and Castle-Tower","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7474","","F. Mackenzie","In the garden of the Vicarage at Ensham","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7004","","F. Mackenzie","North-West View of the Church of Banbury","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7499","","F. Mackenzie","Parsonage House at Northmoor","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 57 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7471","","F. Mackenzie","Part of a Monument in Stanton Harcourt Church","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7528","","F. Mackenzie","Paten in Cassington Church","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7483","","F. Mackenzie","Porch and Tower of Ewelme Church","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7519","","F. Mackenzie","Porch of the Church and Manor-House of Pirton","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7491","","F. Mackenzie","Prebendal House of Thame","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7481","","F. Mackenzie","Quadrangle of the Hospital at Ewelme","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7506","","F. Mackenzie","Remains of Bampton Castle","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 85 x 57 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7521","","F. Mackenzie","Remains of Former Buildings at Greys-Court","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7485","","F. Mackenzie","The Rollright Stones","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7517","","F. Mackenzie","S. Entrance to Fritwell Church","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7500","","F. Mackenzie","South Door of the Church of Great Rollright","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 57 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7496","","F. Mackenzie","South Entrance to the Church of Chipping Norton","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7475","","F. Mackenzie","South Porch & of Dorchester Church","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7503","","F. Mackenzie","Standlake Church","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 85 x 57 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7526","","F. Mackenzie","Steeple Barton Manor-House","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7469","","F. Mackenzie","Stone Pulpit Etc. in Combe Church","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7502","","F. Mackenzie","Stone Vessel Found at Upper Milton","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 85 x 57 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7512","","F. Mackenzie","Studley Priory","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7492","","F. Mackenzie","The Tomb of Quatremaine in Thame Church","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7508","","F. Mackenzie","Vicarage-House of Banbury","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 85 x 57 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7478","","F. Mackenzie","View of the Jesse window, Etc. Dorchester Church","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7002","","F. Mackenzie","West End of Cogges Church","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7479","","F. Mackenzie","West View of the North Aisle in Dorchester Church","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 86 x 56 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7507","","F. Mackenzie","Witney from the Market Cross","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 85 x 57 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","15","£15","mounted","Print","British Topography","Oxfordshire","","","","","",""
"4780","","Fittler","View of the New Church at Nuneham in Oxfordshire","Copper engraving","G. Kearsly No. 46 Fleet Street. March 1st 1780","","","I 185 x 132 mm","","","","35","£35","mounted","Print","British Topography","Oxfordshire","","","","","",""
"11681","","Fittler","View of the New Church at Nuneham in Oxfordshire","Copper engraving with hand colouring","G. Kearsly No. 46 Fleet Street. March 1st 1780","","","Image 132 x 185 mm","","","","45","£45","mounted","Print","British Topography","Oxfordshire","","","","","",""
"13330","","G. Hollis","Headington Cross Oxfordshire","Copper engraving","1813","","","Image179 x 119 mm","","","","40","£40","mounted","Print","British Topography","Oxfordshire","","","","","",""
"1915","","G. Hollis","St Bartholomews Hospital, Oxford","Steel engraving","Gent. Mag June 1833 ","","","I 151 x 86 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"6991","","George Cooke","The Druid’s Altar at Park Place, Henley","Copper engraving","London Published Jan. 1. 1817 by W. B Cooke 12 York Place, Pentonville","","","I 209 x 125 mm"," ","","","20","£20","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"9750","","George Hollis","New Bridge, Dorchester, Oxon.","Copper engraving","Gentleman’s Magzine October 1816","","","Image 115 x 192 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1865","","Godfrey","Banbury Church","Copper engraving","Pub. 7 March 1785 by S. Hooper","","","I 153 x 110 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1857","","Godfrey","Chapel at Stanton Harcourt, Oxfordshire","Copper engraving","Pub. 7. March 1785 by S Hooper","","","I 152 x 110 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"6993","","Hawkins","Friar bacon’s Study at Oxford","Copper engraving","Published according to Act to Parliament by Alex.r hogg No. 6 Paternoster Row","","","I 182 x 126 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"6990","","Hawkins","Godstow Nunnery in Oxfordshire","Copper engraving","Published according to Act of Parliament by Alex.r Hogg No.46 Paternoster Row Circa 1780","","","I 184 x 126 mm","","","","15","£15","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1879","","Hay after J.P. Neal","Henley on Thames","Copper engraving","London Published by John Harris St Pauls Church Yard Sept 1 1812","","","I 144 x 100 mm","Beauties of England and Wales","","","35","£35","mounted","Print","British Topography","Oxfordshire","","","","","",""
"1881","","Hay after J.P.Neale","Henley Bridge ","Copper engraving with hand colouring","London Published by John Harris St Pauls Church Yard August 1st 1813","","","I 145 x 100 mm","","","","30","£30","mounted","Print","British Topography","Oxfordshire","","","","","",""
"1854","","Heath","Rycot, the Seat of the Earl of Abingdon","Copper engraving","c 1800","","","Image 164 x 98 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"10811","","J.C.Buckler","Cross at Marston, Oxfordshire.","Copper engraving","Gentleman’s Magzine 1816, pt. 2, p. 577 ","","","Image 113 x 178 mm","","","","15","£15","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"13385","","J. C. Smith after H. Neil","St Nicholas Church and the Abbey Gateway, at Abingdon Berkshire","Copper engraving","London Published June 24, 1805, by Longman, Hurst, Rees & Ord, Paternoster Row; J. Taylor, High Holborn & J Britton","","","Image 139 x 195 mm","","","","40","£40","mounted","Print","British Topography","Oxfordshire","","","","","",""
"10740","","J. C. Stadler after J. Faringdon","Blenheim","Aquatint with hand colouring","Published June 1 1793 by J. Boydell Shakespear Gallery Pall Mall and No 90 Cheapside","","","Image 210 x 320mm","A History of the River Thames","","John Boydell (1719-1804) was a successful and influential printseller and engraver. Boydell's Shakespeare Gallery is credited with changing the course of English painting by creating a market for historical and literary works. He also encouraged the development of engraving in England with, among other things, his prints illustrating scenes from Shakespearean plays. In 1773, his nephew Josiah Boydell (1752-1817) became his business partner and later his successor, trading as J. & J. Boydell. ","200","£200","framed","Print","British Topography","Oxfordshire","","","","","",""
"12504","","J. C. Stadler after J. Faringdon","Blenheim","Aquatint with hand colouring","Published June 1 1793 by J. Boydell Shakespear Gallery Pall Mall and No 90 Cheapside","","","Image 210 x 320mm","A History of the River Thames","","John Boydell (1719-1804) was a successful and influential printseller and engraver. Boydell's Shakespeare Gallery is credited with changing the course of English painting by creating a market for historical and literary works. He also encouraged the development of engraving in England with, among other things, his prints illustrating scenes from Shakespearean plays. In 1773, his nephew Josiah Boydell (1752-1817) became his business partner and later his successor, trading as J. & J. Boydell. ","150","£150","mounted","Print","British Topography","Oxfordshire","","","","","",""
"2085","","J.C. Stadler after J. Faringdon","Stanton Harcourt","Aquatint with hand colouring","Pub. June 1 1793 by J & J Boydell Shakespeare Gallery Pall Mall & No. 90 Cheapside","","","","A History of the River Thames","","John Boydell (1719-1804) was a successful and influential printseller and engraver. Boydell's Shakespeare Gallery is credited with changing the course of English painting by creating a market for historical and literary works. He also encouraged the development of engraving in England with, among other things, his prints illustrating scenes from Shakespearean plays. In 1773, his nephew Josiah Boydell (1752-1817) became his business partner and later his successor, trading as J. & J. Boydell. ","100","£100","","Print","British Topography","Oxfordshire","","","","","",""
"12505","","J.C. Stadler after J. Farington R.A. ","Hedsor Lodge looking towards Maidenhead","Aquatint with hand colouring","Pub. June 1, 1793 by J & J Boydell Shakespeare Gallery Pall Mall & Cheapside","","","Image  210 x  320 mm","A History of the River Thames","","John Boydell (1719-1804) was a successful and influential printseller and engraver. Boydell's Shakespeare Gallery is credited with changing the course of English painting by creating a market for historical and literary works. He also encouraged the development of engraving in England with, among other things, his prints illustrating scenes from Shakespearean plays. In 1773, his nephew Josiah Boydell (1752-1817) became his business partner and later his successor, trading as J. & J. Boydell. ","150","£150","mounted","Print","British Topography","Oxfordshire","","","","","",""
"11724","","J.C Stadler after J. Farrington","Scene at Park Place including the Druids Temple.","Aquatint","Pub.d June 1 1793 by J & J Boydell at theShakespeare Gallery Pall Mall & No. 90 Cheapside London","","","Image 209 x 315 mm","","","John Boydell (1719-1804) was a successful and influential printseller and engraver. Boydell's Shakespeare Gallery is credited with changing the course of English painting by creating a market for historical and literary works. He also encouraged the development of engraving in England with, among other things, his prints illustrating scenes from Shakespearean plays. In 1773, his nephew Josiah Boydell (1752-1817) became his business partner and later his successor, trading as J. & J. Boydell. ","85","£85","mounted","Print","British Topography","Oxfordshire","","","","","",""
"5155","","J.C Stadler after J. Farrington","View at Blenheim","Aquatint","Pub.d June 1 1793 by J & J Boydell Shakspear","","","Image 219 x 309 mm","","","","150","£150","mounted","Print","British Topography","Oxfordshire","","","","","",""
"1979","","J Fittler A.R.A and J. Skelton","North East View of Broughton Castle, Oxon","Copper engraving","Published as the Act directs, Decr. 1 1825 by J. Skelton, Magdalen Bridge, Oxford","","","Image 275 x 201 mm","","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"9924","","J Fittler A.R.A and J. Skelton","North East View of Broughton Castle, Oxon","Copper engraving with hand colouring","Published as the Act directs, Decr. 1 1825 by J. Skelton, Magdalen Bridge, Oxford","","","Image 275 x 201 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","30","£30","mounted","Print","British Topography","Oxfordshire","","","","","",""
"10156","","J.Fittler and J.Skelton after F. Mackozie and J.Willis","South Front Of Broughton Castle","Copper engraving with hand colouring","Published as the Act directs 1 October 1826 by J.Skelton, Magdalen Bridge, Oxford","","","Image 185 x 265 mm","From Joseph Skelton’s Antiquities of Oxfordshire 1823","","","45","£45","mounted","Print","British Topography","Oxfordshire","","","","","",""
"12461","","J.Fittler and J.Skelton after F. Mackozie and J.Willis","South Front Of Broughton Castle","Copper engraving","Published as the Act directs 1 October 1826 by J.Skelton, Magdalen Bridge, Oxford","","","Image 185 x 265 mm","","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"10145","","J.Fittler & J. Skelton after F.Mackenzie & J.Willis","Shipton Court, the Seat of Sir John Reade, Bart","Copper engraving with hand colouring","Published as the Act directs 1st July1826 By J. Skelton, Magdalen Bridge, Oxford","","","Image 215 x 285 mm","From Joseph Skelton’s Antiquities of Oxfordshire 1823","","","45","£45","mounted","Print","British Topography","Oxfordshire","","","","","",""
"6151","","J. Shury","Witney Church, Oxfordshire. (South View) ","Copper engraving with hand colouring","c. 1810","","","I 110 x 151 mm","From The Beauties of England and Wales","","","25","£25","mounted","Print","British Topography","Oxfordshire","","","","","",""
"7575","","J. Skelton","Ancient Entrance Hall of Shirburn Castle","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","Image 281 x 221 mm","","","","25","£25","mounted","Print","British Topography","Oxfordshire","","","","","",""
"7564","","J. Skelton","The Belfry of Burford Church Oxon","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 650 x 224 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7551","","J. Skelton","The Broughton Monument in Broughton Church","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 650 x 224 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7565","","J. Skelton","Burford Priory Oxon","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 650 x 224 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7539","","J. Skelton","Canopied Stalls &c. in Dorchester Church Oxon","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7556","","J. Skelton","Chapel of the Abbey in Thame Park, Oxon","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","Image 211 x 275 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7562","","J. Skelton","Chastleton The seat of Arthur Jones Esq","Copper engraving","Published as the Act directs 1st Feb 1827 By J. Skelton, Magdalen Bridge, Oxford","","","Image 212 x 274 mm","","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7543","","J. Skelton","The Chaucer and Suffolk Monuments & c. in Ewelme Church","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 650 x 224 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7534","","J. Skelton","Church and Rectory House of Combe Oxon","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","Image 211 x 271mm","","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7576","","J. Skelton","Church Etc of Henley on Thames","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","Image 211 x 275 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7533","","J. Skelton","Details in Stanton Harcourt Church, Oxon","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 670 x 225 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7540","","J. Skelton","East end of Dorchester Church Oxon","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","Image 190 x 275 mm","","","","25","£25","mounted","Print","British Topography","Oxfordshire","","","","","",""
"7566","","J. Skelton","East End of the North Aisle in Ducklington Church","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","Image 278 x 212 mm","","","","25","£25","mounted","Print","British Topography","Oxfordshire","","","","","",""
"7537","","J. Skelton","Effigies &c. in Dorchester Church Oxon","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 650 x 224 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7542","","J. Skelton","Font Etc in Ewelm Church, Oxon","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 650 x 224 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7568","","J. Skelton","The Former Church of Banbury, Oxon","Copper engraving","Published as the Act directs 1st June 1825 By J. Skelton, Magdalen Bridge, Oxford","","","Image 207 x 288mm","","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"12516","","J. Skelton","The Former Church of Banbury, Oxon","Copper engraving","Published as the Act directs 1st June 1825 By J. Skelton, Magdalen Bridge, Oxford","","","Image 207 x 288mm","","","","30","£30","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7553","","J. Skelton","Frontispiece to Skelton’s Illustrations of the Antiquities of Oxfordshire","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 650 x 224 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7550","","J. Skelton","Hanwell Castle in its former state","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","Image 205 x 270 mm","","","","25","£25","mounted","Print","British Topography","Oxfordshire","","","","","",""
"7578","","J. Skelton","Hardwicke House, The Seat of Philip Lybbe Powys, Esq.","Copper engraving ","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","Image 212 x 278 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7577","","J. Skelton","The Market Place of Watlington, Oxon","Copper engraving ","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","Image 285 x 210 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","40","£40","mounted","Print","British Topography","Oxfordshire","","","","","",""
"7573","","J. Skelton","Middleton-Stoney Church, Oxon","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","Image 215 x 271mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","45","£45","mounted","Print","British Topography","Oxfordshire","","","","","",""
"12433","","J. Skelton","Middleton-Stoney Church, Oxon","Copper engraving","Published as the Act directs Nov 1st 1827 By J. Skelton, Magdalen Bridge, Oxford","","","Image 215 x 271mm","","","","30","£30","mounted","Print","British Topography","Oxfordshire","","","","","",""
"7560","","J. Skelton","Minster Lovel Church, Oxon","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 650 x 224 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7561","","J. Skelton","Monuments in the Chancel of Swinbrook Church, Oxon","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 650 x 224 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7544","","J. Skelton","North East View of Adderbury Church","Copper engraving","Published as the Act directs 1st Nov 1824 By J. Skelton, Magdalen Bridge, Oxford","","","Image 212 x 285 mm","","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"12429","","J. Skelton","North East View of Adderbury Church","Copper engraving","Published as the Act directs 1st Nov 1824 By J. Skelton, Magdalen Bridge, Oxford","","","Image 212 x 285 mm","","","","30","£30","mounted","Print","British Topography","Oxfordshire","","","","","",""
"7567","","J. Skelton","North Transept of Witney Church Oxon","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","Image  280 x 212 mm","","","","25","£25","mounted","Print","British Topography","Oxfordshire","","","","","",""
"9925","","J. Skelton","North Transept of Witney Church Oxon","Copper engraving with hand colouring","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","Image 300 x 212 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","50","£50","mounted","Print","British Topography","Oxfordshire","","","","","",""
"7529","","J. Skelton","Plan of the Roman Villa, discovered in the parish of Northleigh, Oxon in the years 1813, 1814, 1815 & 1816","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 650 x 224 mm","Skelton’s Antiquities of Oxfordshire 1823","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7555","","J. Skelton","Ricot Chapel and Remains of the Mansion","Copper engraving","Published as the Act directs 1st Oct 1826 By J. Skelton, Magdalen Bridge, Oxford","","","Image 213 x 276 mm","","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7541","","J. Skelton","Roman Intrenchment near Dorchester. Oxon","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","Image 224 x 212  mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7536","","J. Skelton","Rousham the Seat of Lady Cotterell","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 650 x 224 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"9938","","J. Skelton","Ruins of Minster Lovel Priory, Oxon","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 650 x 224 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","25","£25","mounted","Print","British Topography","Oxfordshire","","","","","",""
"7558","","J. Skelton","Shipton Court, the Seat of Sir John Reade, Bart","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 650 x 224 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7574","","J. Skelton","Shirburn Castle, Oxfordshire","Copper engraving","Published as the Act directs Nov 1 1824 By J. Skelton, Magdalen Bridge, Oxford","","","Image 207 x 277 mm","","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7557","","J. Skelton","South East View of Chipping Norton Church","Copper engraving ","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 650 x 224 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7538","","J. Skelton","South East View of Dorchester Church","Copper engraving","Published as the Act directs Jan 1st J1825 By J. Skelton, Magdalen Bridge, Oxford","","","Image 213 x 276 mm","","","","30","£30","mounted","Print","British Topography","Oxfordshire","","","","","",""
"12464","","J. Skelton","South East View of Dorchester Church","Copper engraving","Published as the Act directs Jan 1st J1825 By J. Skelton, Magdalen Bridge, Oxford","","","Image 213 x 276 mm","","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7554","","J. Skelton","South East View of Thame Church Oxon","Copper engraving ","Published as the Act directs 1st March 1826 By J. Skelton, Magdalen Bridge, Oxford","","","Image 211 x 275 mm","","","","40","£40","mounted","Print","British Topography","Oxfordshire","","","","","",""
"12467","","J. Skelton","South East View of Thame Church Oxon","Copper engraving ","Published as the Act directs 1st March 1826 By J. Skelton, Magdalen Bridge, Oxford","","","Image 211 x 275 mm","","","","35","£35","mounted","Print","British Topography","Oxfordshire","","","","","",""
"7563","","J. Skelton","South Entrance & c. of Burford Church","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 650 x 224 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7572","","J. Skelton","South Entrance of Ifley Church","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 650 x 224 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7548","","J. Skelton","South View of Broughton Castle","Copper engraving","Published as the Act directs 1st Oct 1826By J. Skelton, Magdalen Bridge, Oxford","","","Image 208  x 284 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7569","","J. Skelton","South West View of Bampton Church","Copper engraving","Published as the Act directs Aug 1st 1827 By J. Skelton, Magdalen Bridge, Oxford","","","Image 279 x 210 mm","","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7579","","J. Skelton","South West View of Chinnnor Church","Copper engraving with hand colouring","Published as the Act directs March 1st 1827 By J. Skelton, Magdalen Bridge, Oxford","","","Image: 215 x 285mm","","","","45","£45","mounted","Print","British Topography","Oxfordshire","","","","","",""
"12428","","J. Skelton","South West View of Chinnnor Church","Copper engraving","Published as the Act directs March 1st 1827 By J. Skelton, Magdalen Bridge, Oxford","","","Image 212 x 270mm","","","","30","£30","mounted","Print","British Topography","Oxfordshire","","","","","",""
"7531","","J. Skelton","Stanton Harcourt Church, with Pope’s Tower and Ancient Kitchen","Copper engraving","Published as the Act directs Dec 1st 1823 By J. Skelton, Magdalen Bridge, Oxford","","","Image 216 x 268 mm","","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7549","","J. Skelton","View from the Chancel of Broughton Castle","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 650 x 224 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7019","","J. Skelton","View of Ifley Church from the East End","Copper engraving","Published as the Act directs June 1st 1825 by J. Skelton Magdalen Bridge Oxford","","","I 290 x 219 mm","","","","35","£35","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7546","","J. Skelton","West End of Bloxham Church","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 650 x 224 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7545","","J. Skelton","West Entrance of Bloxham Church","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 650 x 224 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7530","","J. Skelton","The Wilcotes Effigies in Northleigh Church","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 650 x 224 mm","","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7532","","J. Skelton","The Wilcotes Effigies in Northleigh Church","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 650 x 224 mm","","","","15","£15","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"12425","","J. Skelton after F.Mackenzie","Chapel of the Abbey in Thame Park, Oxon","Copper engraving","Published as the Act directs 1st Sept 1825 By J. Skelton, Magdalen Bridge, Oxford","","","Image 212 x 278 mm","","","","30","£30","mounted","Print","British Topography","Oxfordshire","","","","","",""
"12423","","J. Skelton & H. WInkles after F.Mackwnzie & J.Willis","Ricot Chapel and Remains of the Mansion","Copper engraving","Published as the Act directs 1st Oct 1826 By J. Skelton, Magdalen Bridge, Oxford","","","Image 212 x 275 mm","","","","30","£30","mounted","Print","British Topography","Oxfordshire","","","","","",""
"10148","","J. Skelton & I. Fittler after F.Mackenzie","Shirburn Castle, Oxfordshire","Copper engraving with hand colouring","Published as the Act directs Nov 1st 1824 By J. Skelton, Magdalen Bridge, Oxford","","","I 215 x 285mm","From Joseph Skelton’s Antiquities of Oxfordshire 1823","","","45","£45","mounted","Print","British Topography","Oxfordshire","","","","","",""
"12430","","J. Skelton & I. Fittler after F.Mackenzie","Shirburn Castle, Oxfordshire","Copper engraving ","Published as the Act directs Nov 1st 1824 By J. Skelton, Magdalen Bridge, Oxford","","","Image 208 x 278 mm","","","","30","£30","mounted","Print","British Topography","Oxfordshire","","","","","",""
"10050","","J. Skelton & Winkle after F.Mackenzie","West End of Bloxham Church","Copper engraving with hand colouring","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","Image: 295 x 210mm","","","","35","£35","mounted","Print","British Topography","Oxfordshire","","","","","",""
"13401","","J. Stone","West View of the Town of Faringdon in Berkshire.","Copper engraving","1793","","","Image 97 x 163 mm","","","","50","£50","mounted","Print","British Topography","Oxfordshire","","","","","",""
"13088","","J. Storer","Abingdon Abbey & the Mulberry Tree Planted by Garrick","Copper engraving","Pub.d by J. Cole Scarborough","","","Image 65 x 94 mm","","","","15","£15","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"9565","","J. Vairrall after G. Shippherd","Burford, Oxfordshire","Copper engraving","Published for the Proprietors, Sept. 1 1816, by W. Clarke, New Bond Street","","","Image 55 x 90 mm","","","","25","£25","mounted","Print","British Topography","Oxfordshire","","","","","",""
"13468","","J Walker after Harradon","Abingdon","Copper engraving","Published Sept 1st 1801 by Walker N16 Resomans Street London","","","Image 101 x 161 mm","","","","40","£40","mounted","Print","British Topography","Oxfordshire","","","","","",""
"6998","","John Austin","Corn Exchange, Cornhill Banbury","Lithograph","Published by G. Walford Advertiser Office, Banbury December 1857","","","I 459 x 324 mm","","","","260","£260","mounted","Print","British Topography","Oxfordshire","","","","","",""
"4546","","John Boydell","A North East View of Blenheim House and Park in the County of Oxford","Copper engraving with hand colouring","Publish’d according to Act of Parliament by John Boydell Engraver at the Unicorn, the corner of Queen Street, in Cheapside, London Price 1, 1750","","","I 425 x 239 mm","","","","275","£275","mounted","Print","British Topography","Oxfordshire","","","","","",""
"9732","","John Boydell","A North East View of Blenheim House and Park in the County of Oxford","Copper engraving","Publish’d according to Act of Parliament by John Boydell Engraver at the Unicorn, the corner of Queen Street, in Cheapside, London Price 1, 1752","","","Image 425 x 239 mm","","","","275","£275","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"11562","","John Boydell","A North View of Blenheim House and Park in the County of Oxford, one of the seats of the Duke of Marlborough n.th y, Monument which was erected in Memory of the late Duke","Copper engraving","Publish’d according to Act of Parliament by John Boydell Engraver at the Unicorn, the corner of Queen Street, in Cheapside, London Price 1, 1752","","","Image 419 x 239 mm","","","","275","£275","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"11561","","John Boydell","A North West View of Blenheim House and Park in the County of Oxford, with Woodstock in the Distance.","Copper engraving","Publish’d according to Act of Parliament by John Boydell Engraver at the Unicorn, the corner of Queen Street, in Cheapside, London Price 1, 1752","","","Image 419 x 239 mm","","","","275","£275","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"9730","","John Boydell","A View of the High Lodge in Blenheim Park, in the County of Oxford formerly one of the seats of the Earl of Rochester","Copper engraving with hand colouring","Publish’d according to Act of Parliament by John Boydell Engraver at the Unicorn, the corner of Queen Street, in Cheapside, London Price 1, 1750","","","I 425 x 239 mm","","","","250","£250","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"11564","","John Boydell","A View of the High Lodge in Blenheim House and Park in the County of Oxford Formerly one of the seats of the Earl of Rochester.","Copper engraving","Publish’d according to Act of Parliament by John Boydell Engraver at the Unicorn, the corner of Queen Street, in Cheapside, London Price 1, 1752","","","Image 419 x 239 mm","","","","275","£275","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"5070","","John Fulwood","Henley","Etching","Published 1889 by J.S. Virtue and Co.","","","I 250 x 176 mm","","","As published in Fifty Choice Examples of Modern Etchings, 1889 ","90","£90","mounted","Print","British Topography","Oxfordshire","","","","","",""
"12049","","John Sunman Austin","The Cross and Horse Fair, Banbury, Oxon.","Lithograph with tint stine","Printed by M. Billing, Birmingham, 1860 ","","","","","","A very scarce large lithograph in excellent condition of Banbury by John Sunman Austin (1807 -1860).  Austin spent much of his life in Bedford. Born in London, Austin came to Bedford in 1832 and lived in the town for more than 20 years.   Few Victorian artists were as well acquainted with the institutions of Bedford as Austin.  Not only did he paint their exteriors, but he also spent noteable time inside them.  He was incarcerated in Bedford Prision for debt on two different ocassions and received treatment for monomania in Bedford Lunatic Asylum in 1848.  Austin persued a number of occupations as well as his art including carpentry, building and lithography, though his claims of architectural work have not been substantiated.  Austin left Bedford in 1853 moving to Oxford where he produced further lithographs in the same style as those he produced in Bedford.  He died in 1860.","950","£950","framed","Print","British Topography","Oxfordshire","","","","","",""
"6906","","John Sunman Austin","High Street & Market Place, Chipping Norton","Lithograph","John Sunman Austin, Architect, Oxford 1861","","","","","","A very scarce large lithograph in excellent condition of Chipping Norton by John Sunman Austin (1807 -1860).  Austin spent much of his life in Bedford. Born in London, Austin came to Bedford in 1832 and lived in the town for more than 20 years.   Few Victorian artists were as well acquainted with the institutions of Bedford as Austin.  Not only did he paint their exteriors, but he also spent noteable time inside them.  He was incarcerated in Bedford Prision for debt on two different ocassions and received treatment for monomania in Bedford Lunatic Asylum in 1848.  Austin persued a number of occupations as well as his art including carpentry, building and lithography, though his claims of architectural work have not been substantiated.  Austin left Bedford in 1853 moving to Oxford where he produced further lithographs in the same style as those he produced in Bedford.  He died in 1860.","1250","£1,250","framed","Print","British Topography","Oxfordshire","","","","","",""
"10150","","Joseph Skelton","Church and Rectory House of Combe Oxon","Copper engraving with hand colouring","Published as the Act directs Aug 1st 1827By J. Skelton, Magdalen Bridge, Oxford","","","Image 215 x 285mm","From Joseph Skelton’s Antiquities of Oxfordshire 1823","","","45","£45","mounted","Print","British Topography","Oxfordshire","","","","","",""
"10197","","Joseph Skelton","Church and Rectory House of Combe Oxon","Copper engraving with hancolour","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","Image 650 x 224 mm","From Joseph Skelton’s Antiquities of Oxfordshire 1823","","","45","£45","mounted","Print","British Topography","Oxfordshire","","","","","",""
"6987","","Joseph Skelton","The Grammar School of Thame","Copper engraving","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 140 x 91 mm","Skelton’s Antiquities of Oxfordshire 1823","","","15","£15","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"10198","","Joseph Skelton","Hardwicke House, The Seat of Philip Lybbe Powys, Esq.","Copper engraving ","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","Image 212 x 278 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","45","£45","mounted","Print","British Topography","Oxfordshire","","","","","",""
"10196","","Joseph Skelton","The Market Place of Watlington, Oxon","Copper engraving with hancolor","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","Image 285 x 210 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","45","£45","mounted","Print","British Topography","Oxfordshire","","","","","",""
"10161","","Joseph Skelton","Middleton-Stoney Church, Oxon","Copper engraving with hand colour","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 650 x 224 mm","From Joseph Skelton’s Antiquities of Oxfordshire 1823","","","45","£45","mounted","Print","British Topography","Oxfordshire","","","","","",""
"10160","","Joseph Skelton","South East View of Chipping Norton Church","Copper engraving with handcolour","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 650 x 224 mm","From Joseph Skelton’s Antiquities of Oxfordshire 1823","","","45","£45","mounted","Print","British Topography","Oxfordshire","","","","","",""
"10163","","Joseph Skelton","South East View of Thame Church Oxon","Copper engraving with hand colouring","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","Image 211 x 275 mm","From Joseph Skelton’s Antiquities of Oxfordshire 1823","","","45","£45","mounted","Print","British Topography","Oxfordshire","","","","","",""
"10162","","Joseph Skelton","South West View of Chinnor Church","Copper engraving with hand colouring","Published as the Act directs March 1st 1827 By J. Skelton, Magdalen Bridge, Oxford","","","Image: 215 x 285mm","From Joseph Skelton’s Antiquities of Oxfordshire 1823","","","45","£45","mounted","Print","British Topography","Oxfordshire","","","","","",""
"9926","","Joseph Skelton","Stanton Harcourt Church, with Pope’s Tower and Ancient Kitchen","Copper engraving with hand colouring","Published as the Act directs 1st June 1823 By J. Skelton, Magdalen Bridge, Oxford","","","I 670 x 225 mm","Joseph Skelton’s Antiquities of Oxfordshire 1823","","","45","£45","mounted","Print","British Topography","Oxfordshire","","","","","",""
"1860","","Matthews","Greys Court, Oxfordshire","Copper engraving","London, Published John Harris, St Pauls ChurchYard Oct 1 1813 ","","","I 150 x 102 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"9729","","Maurice B. Adams","Burford Priory Oxon","Copper engraving","James Akerman, 6 Queens Square, W.C. 1885","","","I 180 x 280 mm","","","","30","£30","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1901","","Metcalf","Broughton Castle","Copper engraving","","","","I 102 x 92 mm","","","","15","£15","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1899","","Middiman","Heythorpe, in Oxfordshire, the seat of the Earl of Shrewsbury","Copper engraving","Published as the Act directs, June 1 1787 by Harrison & Co. No. 18 Paternoster Row London","","","I 169 x 103 mm","","","","15","£15","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"2373","","Middiman","Heythorpe, in Oxfordshire, the Seat of the Earl of Shrewsbury","Copper engraving","Published as the Act directs June 1st 1787 by Harrison & Co. No.18 Paternoster Row, London","","","I 163 x 103 mm","","","","30","£30","mounted","Print","British Topography","Oxfordshire","","","","","",""
"9386","","N.Whittock","Cumner Place, Berks","Lithograph with colouring","","","","I 193 x 138 mm","","","2433/24","20","£20","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7028","","Noble","The Chapel at Stanton Harcourt in Oxfordshire","Copper engraving","Published according to Act of Parliament by Alex Hogg No. 16 Paternoster Row Circa 1750","","","I 185 x 140 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7024","","Noble","The Old Kitchen at Stanton Harcourt in Oxfordshire","Copper engraving","Published according to Act of Parliament by Alex Hogg No. 16 Paternoster Row Circa 1750","","","I 185 x 140 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1923","","Owen after Wilson","Blenheim Castle, Oxford the Seat of His Grace the Duke of Marlborough","Copper engraving","","","","I 149 x 101 mm","the Beauties of England and Wales","","","40","£40","mounted","Print","British Topography","Oxfordshire","","","","","",""
"1861","","Owen after Wilson","Nuneham Courtenay","Copper engraving with hand colouring","London Published by Vernor Hood & Sharpe, Poultry 1 Oct. 1811","","","I 150 x 100 mm","","","","25","£25","mounted","Print","British Topography","Oxfordshire","","","","","",""
"1863","","P. Rawle","East View of Blenheim","Copper engraving","Published by H Slatter, Herald Office, Oxford","","","I 155 x 90 mm","","","","20","£20","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"6499","","Peter Brook","Wytham","Lithograph with hand colouring","1974","","","I 300 x 456 mm","","","","40","£40","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"2051","","Pieter van der Aa after David Loggan","Rycott in the County of Oxford","Copper engraving","1707","","","I 121 x 157 mm","La Delices de la Grande Bretagne et de L’Irlande","","La Delices de la Grande Bretagne et de L’Irlande was first published in 1707 in eight volumnes of which single volumes were devoted to Oxford and Cambridge.  The plates were copied and reduced directly from David Loggan’s Oxonia Illustrata of 1675.  Pieter van der Aa was a Leiden bookseller and publisher. ","40","£40","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"5149","","Pigot, James","Oxfordshire.","Steel engraving with hand colouring","Published by Pigot & Co. 17 Basing Lane London & 18 Fountain St. Manchester, 1831 ","","","352 x 220 mm ","From Pigot & Co’s British Atlas","","Pigot & Son produced a very finely engraved series of oblong county maps for theur various National Commercial Directoris and these were issued  collectively as Pigot & Co’s British Atlas in 1831","150","£150","framed","Print","British Topography","Oxfordshire","","","","","",""
"5153","","Prattent","Blenheim House. Built at the expence of the Public and Settled on the Duke of Marlborough and his Posterity","Copper engraving","circa 1790","","","I 166 x 92 mm","","","","55","£55","mounted","Print","British Topography","Oxfordshire","","","","","",""
"5156","","Prattent","Blenheim House Built at the Expence of the Public and Settled on the Duke of Marlborough & His Posterity","Copper engraving","Engraved for Harrisons Edition of Tindals Continuation of Rapins History of England circa 1800","","","I 390 x 216 mm","","","","120","£120","mounted","Print","British Topography","Oxfordshire","","","","","",""
"12514","","R.Godfrey after P Sandby","Woodstock.","Copper engraving","Published by F.Blyth May 1st 1777","","","Image 152 x 224 mm","","","","65","£65","mounted","Print","British Topography","Oxfordshire","","","","","",""
"13087","","R. Rosse after G. Shepherd","The Town Hall &c , At Abingdon","Copper engraving","London Published by Vernor and Hood, Poultry , June 1805","","","Image 103 x 152 mm","The Beauties of England and Wales","","after a sketch by J. P. Malcolm","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7020","","Rawlinson","Ecclesia D.A. Egridji in fuburbijs Civitatis Oxon","Copper engraving","1754","","","I 312 x 210 mm","","","","45","£45","mounted","Print","British Topography","Oxfordshire","","","","","",""
"4742","","Roberts","Waterpery House, in Oxfordshire, the seat of John Barnard Curzon, Efq.","Copper engraving","1787","","","I 160 x 101 mm","","","","45","£45","mounted","Print","British Topography","Oxfordshire","","","","","",""
"6992","","S. Hooper","Minster Lovell Priory, Oxfordshire","Copper engraving","Published 20 Nov.r 1785 by S. Hooper","","","I 154 x 104 mm","","","","20","£20","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"9753","","Samuel and Nathaniel Buck","The South-West View of Clattercote-Priory, in the County of Oxford.","Copper engraving","c. 1729","","","I 347 x 195 mm","","","","20","£20","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"6995","","Samuel and Nathaniel Buck","The West View of Godstow Nunnery Near Oxford","Copper engraving","1729","","","I 350 x 195 mm","","","","50","£50","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"4771","","Samuel Ireland","Caversham- bridge. Oxfordshire","Aquatint","Pub. for S. Ireland May 1 1799","","","I 164 x 110 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","40","£40","mounted","Print","British Topography","Oxfordshire","","","","","",""
"9747","","Samuel Ireland","Caversham- bridge. Oxfordshire","Aquatint","Pub. for S. Ireland May 1 1799","","","I 164 x 110 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","28","£28","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"6220","","Samuel Ireland","Clifton, Oxfordshire","Aquatint","Pub. for S. Ireland May 1 1799","","","I 110 x 165 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","20","£20","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"6241","","Samuel Ireland","Culham - bridge neat Abingdon","Aquatint","Pub. for S. Ireland May 1 1799","","","I 110 x 165 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","20","£20","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"4745","","Samuel Ireland","Earl Harcourts at Nuneham- Courtnay, Oxon","Aquatint","Pub. for S. Ireland May 1 1799","","","I 165 x 105 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","35","£35","mounted","Print","British Topography","Oxfordshire","","","","","",""
"3885","","Samuel Ireland","Goreing, Oxfordshire","Chromolithograph","Pub. for S. Ireland May 1 1799","","","I 110 x 163 mm, S 227 x 335 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","25","£25","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"4770","","Samuel Ireland","Henley- bridge Oxon ","Aquatint","Pub. for S. Ireland May 1 1799","","","I 164 x 110 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","45","£45","mounted","Print","British Topography","Oxfordshire","","","","","",""
"4777","","Samuel Ireland","New-Bridge, Oxfordshire.","Aquatint","Pub. for S. Ireland May 1 1799","","","I 165 x 110 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","40","£40","mounted","Print","British Topography","Oxfordshire","","","","","",""
"4800","","Samuel Ireland","Radcote- bridge, Farringdon- bills. &c.","Aquatint","Pub. for S. Ireland May 1 1799","","","I 164 x 111 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","40","£40","mounted","Print","British Topography","Oxfordshire","","","","","",""
"4801","","Samuel Ireland ","Remains of Henry the 2. Palace as it stood in Woodstock park in 1714","Aquatint","Pub. for S. Ireland May 1 1799","","","I 165 x 111 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","40","£40","mounted","Print","British Topography","Oxfordshire","","","","","",""
"6206","","Samuel Ireland","Shillingford Bridge, Berks.","Aquatint","Pub. for S. Ireland May 1 1799","","","I 110 x 165 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","20","£20","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7015","","Samuel & Nathaniel Buck","The South East View of Ewelm-Palace in the County of Oxford","Copper engraving","1729","","","I 346 x 190 mm","","","","45","£45","mounted","Print","British Topography","Oxfordshire","","","","","",""
"11716","","Sands after Tombleson","Henley, Oxon","Steel engraving with hand colouring","London Published by Tombleson & Co. 11 Paternoster Row  Germany, Creuzbauer, Carlsruhe[circa 1830]","","","Image157 x 202 mm","","","Decorative border surrounding the image","40","£40","mounted","Print","British Topography","Oxfordshire","","","","","",""
"1859","","Sparrow","Beaumont Palace, Oxfordshire","Copper engraving","Pub. 7. March 1785 by S. Hooper","","","I 151 x 106 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"4781","","Stadler after Faringdon","View towards Bassilden, from Streatley Hill.","Aquatint with hand colouring","June 1. 1793, by J. E Boydell","","","I 320 x 209 mm","","","","100","£100","mounted","Print","British Topography","Oxfordshire","","","","","",""
"4791","","Stadler after Farington","Court Garden and great Marlow","Aquatint with hand colouring","June 1, 1793, by J&J, Boydell. Shakspeare","","","I 321 x 209 mm","","","","120","£120","mounted","Print","British Topography","Oxfordshire","","","","","",""
"13086","","Stadler after Farington","Court Garden and great Marlow","Aquatint with hand colouring","June 1, 1793, by J&J, Boydell. Shakspeare","","","Image 321 x 209 mm","","","","110","£110","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1876","","Stannard & Dixon","Broughton Castle","Lithograph","","","","I 173 x 108 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"4785","","Stradler","View from Nuneham toward’s Oxford","Aquatint with hand colouring","1793","","","I 317 x 210 mm","","","","165","£165","mounted","Print","British Topography","Oxfordshire","","","","","",""
"9752","","T. Matthews after J.P. Neale","Cokethorpe Park, Oxfordshire.","Copper engraving","London Pub. Jan 1, 1810, by J.P. Neale 16 Bennett St. Blackfriars Road & Sherwood, Neely & Jones_Paternoster Row","","","Image 84 x 126 mm, Pl.142 x 232 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1940","","T Medland","South East or Garden Front of Stowe House ","Copper engraving","Published July 17 1797 by J Seely Buckingham","","","I 206 x 137 mm","","","","40","£40","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7030","","T. Mynde","Blenheim House Built at the Expense of the Publick and Settled on the Duke of Malborough and His Posterity","Copper engraving","Circa 1750For Mr Tyndals combination of Rapins History of England","","","I 391 x 213 mm","","","","100","£100","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"9749","","T. Tagg after William Turner","Wallingford","Copper engraving","c. 1820","","","Image 67 x 112 mm, Pl. ","","","","10","£10","","Print","British Topography","Oxfordshire","","","","","",""
"4740","","Unknown","Blenheim House, Oxfordshire. The seat pf his Grace the Duke of Marlboro","Copper engraving","1840","","","Image 130 x 820 mm","","","","35","£35","mounted","Print","British Topography","Oxfordshire","","","","","",""
"4743","","Unknown","Blenheim House, Oxfordshire. The Seat of his Grace the Duke of Marlboro","Steel engraving","c.1850","","","I 131 x 84 mm","","","","35","£35","mounted","Print","British Topography","Oxfordshire","","","","","",""
"4790","","Unknown","Ditchley the Seat of the Earl of Litchfield near Woodstock in Oxfordshire","Copper engraving","c. 1750","","","I 269 x 163 mm","","","","35","£35","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"6988","","Unknown","Grammar School at Abingdon Berkshire","Copper engraving","circa 1800","","","I 140 x 91 mm","","","","15","£15","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"6986","","Unknown","Grammar School at Adderbury Oxfordshire","Copper engraving","circa 1800","","","I 140 x 91 mm","","","","15","£15","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"6985","","Unknown","Grammar School at Dorcester, Oxfordshire","Copper engraving with hand colouring","circa 1800","","","I 140 x 91 mm","","","","15","£15","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"6989","","Unknown","Grammar School at Ewelm Oxfordshire","Copper engraving","circa 1800","","","I 140 x 91 mm","","","","15","£15","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"4741","","Unknown","Market House, Thame, Oxfordshire","Copper engraving","1850","","","I 100 x 60 mm","","","","30","£30","mounted","Print","British Topography","Oxfordshire","","","","","",""
"8965","","Unknown. from The Illustrated London News","The Inundation at Oxford","Woodcut","The  Illustrated London News. Dec. 4, 1852.","","","Image: 349 x 225mm","","","","75","£75","mounted","Print","British Topography","Oxfordshire","","","","","",""
"1910","","W. Cooke","Nuneham Courtenay, Earl Harcourt","Copper engraving","","","","I 195 x 114 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"8436","","W.H. Hooper after C.M. Gere, boarder by William Morris","[Kelmscott Manor]","Copper engraving","1890","","","Image 183 x 134 mm","","","The frontispiece to News from Nowhere by William Morris","200","£200","mounted","Print","British Topography","Oxfordshire","","","","","",""
"8446","","W. Wilkinson ","Bignell House, Oxon","Lithograph","c. 1875","","","Image 157 x 230 mm, Sheet 260 x 330 mm","","","The house itself was built for the Misses Tyrwhitt-Drake family, five-generation descendants of the famous naval hero. Designed by architect William Wilkinson it took six years to construct and was completed in 1866 at a cost of £5,500. Wilkinson also designed the Randolph Hotel in Oxford.But only the nursery wing, which was added to main house in 1892, remains today because the rest was demolished in 1953-54.","55","£55","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1856","","Walker","Whitefield, Oxfordshire","Copper engraving","Published September 1st 1794 by J. Walker  No. 16 Rosomans Street London","","","I 162 x 104 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"4772","","Wallis after Turner","On the Thames","Steel engraving","c. 1870","","","I 275 x 165 mm","","","","45","£45","","Print","British Topography","Oxfordshire","","","","","",""
"1886","","Wise","Nuneham Church & Cross","Copper engraving","London Published by John Harris St Pauls Church Yard Oct 3 1814","","","","","","","30","£30","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"2394","","Wise after J.P. Neale","Ensham Church & Cross, Oxfordshire","Copper engraving with hand colouring","c. 1814","","","I 162 x 120 mm","","","","25","£25","mounted","Print","British Topography","Oxfordshire","","","","","",""
"1971","","Wm. Byrne after T Hearne","The North Side of Wallingford Bridge","Copper engraving","","","","I 217 x 152 mm","","","","30","£30","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"7011","","Wm. Woolnorth","Uffington Church, Berkshire","Copper engraving","London Published by Vernor Hood 7 Sharpe Poultry Feb.r 1st 1807","","","I 152 x 98 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1858","","Woolnoth","Blandford House","Copper engraving","London Published John Harris .St Pauls Church Yard Dec  1 1814","","","I 150 x 100 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"1874","","Woolnoth","Shiplake Church & Parsonage","Copper engraving","London Published by John Harris St Pauls Church Yard Feb 1 1813","","","I 149 x 105 mm","","","","10","£10","unmounted","Print","British Topography","Oxfordshire","","","","","",""
"13653","","George Vertue","Edward Prince of Wales","Copper engraving","1745","","","Image 158 x 94 mm, Plate 168 x 106 mm","","","","15","£15","unmounted","Print","British Topography","Plantagenet, Angevin Line ","","","","","",""
"13491","","","1. The Chapel Looking East. - 2. The South Side of the College and the Chapel - 3. The Front of the College from the Lakes.   Speech - Day at Wellington College","Woodcut","","","","Image 198 x 225 mm","","","","5","£5","unmounted","Print","British Topography","Public Schools","","","","","",""
"5072","","","Eton College","Copper engraving","circa 1750","","","I 190 x 104 mm","","","","35","£35","mounted","Print","British Topography","Public Schools","","","","","",""
"13483","","C. W. Radcliffe","Memorials of Ruby Part 3","Lithograph","1841 -1843 Day & Haghe","","","","","","","80","£80","","Book","British Topography","Public Schools","","","","","",""
"13493","","C. W Radcliffe","Part of the Cloisters, with the Hall Steps [Eton]","Lithograph","Published by T. Ingalton & Son, Eton, Augst. 1st.1844","","","Image 210 x 288 mm","","","","25","£25","unmounted","Print","British Topography","Public Schools","","","","","",""
"13487","","C. W Radclyffe","Ante - Chapel [Eton College]","Lithograph","Day & Haghe","",""," Image 265 x 220 mm","","","closely trimmmed and glued to backing paper","10","£10","","Print","British Topography","Public Schools","","","","","",""
"13490","","C. W Radclyffe","Ante - Chapel [Eton College]","Lithograph","Day & Haghe","",""," Image 265 x 220 mm","","","","25","£25","unmounted","Print","British Topography","Public Schools","","","","","",""
"8762","","C.W Radclyffe del & Lith.","The Library","","Published by D Nutt. Winchester","","","Image 286 x 220 mm, Sheet 419 x 358 mm","","","Winchester College, Chantry Chapel","45","£45","unmounted","Print","British Topography","Public Schools","","","","","",""
"5562","","Edward Burrow","Duck’s Bridge Marlboro College","Etching","Published by W.H. Beynon & Co. Chelsea, 1895","","","I 262 x 187 mm, Pl. 277 x 201 mm","","","Burrow was a topographical etcher specialising in schools and colleges for Beynon of Cheltenham","50","£50","unmounted","Print","British Topography","Public Schools","","","","","",""
"13494","","Edward Burrow","Pump & Hall steps, South Cloisters.  Sheeps Bridge, Eton","Etching","Published by W. H Beynon & Co. Cheltenham c. 1895","","","Image 213 x 161 mm","","","slight scratch mark throgh the centre of image","35","£35","unmounted","Print","British Topography","Public Schools","","","","","",""
"13488","","H. J. Paull","High School for Girls at Plymouth","Lithograph","Feb 22nd, 1878","","","Image 197 x 285 mm","From The British Architect and Northern Engineer","","","15","£15","unmounted","Print","British Topography","Public Schools","","","","","",""
"13492","","H. J. Paull","High School for Girls at Plymouth","Lithograph","Feb 22nd, 1878","","","Image 197 x 285 mm","From The British Architect and Northern Engineer","","","15","£15","unmounted","Print","British Topography","Public Schools","","","","","",""
"8073","","H. Jamyn Brooks","[Eton]","Etching","","","","I 495 x 325 mm","","","","60","£60","mounted","Print","British Topography","Public Schools","","","","","",""
"13489","","Hanslip Fletcher","Merchant Taylors School","Lithograph with Pen & Ink","12 May 1914","","","Image 151 x 203 mm, Plate 190 x 203 mm","","","","10","£10","unmounted","Print","British Topography","Public Schools","","","","","",""
"8072","","Tom Henry after G. Wooliscroft Rhear","[Eton]","Etching","","","","I 519 x 354 mm","","","","60","£60","mounted","Print","British Topography","Public Schools","","","","","",""
"13510","","Wallace Hester","Great Gate Wellington College","Etching","c 1900","","","Image 160 x 250 mm","","","Artists Signed proof","100","£100","mounted","Print","British Topography","Public Schools","","","","","",""
"8576","","","Balmoral Castle","Copper engraving","William MacKenzie Glasgow Edinburgh & London Circa 1830","","","I 188 x 128 mm","","","","10","£10","unmounted","Print","British Topography","Scotland","","","","","",""
"8586","","","Broomielaw Bridge, Glasgow","Steel engraving","Banks & Co. Edinburgh Circa 1860 ","","","I 125 x 85 mm","","","","20","£20","unmounted","Print","British Topography","Scotland","","","","","",""
"9844","","","Elevation of the Ligh House Erected on the Bell Rock","Copper engraving","Sold by Patrick Wilson, Bookseller Arboath c. 1820","","","Image 165 x 95 mm, Sheet 219 x 176 mm","","","","20","£20","unmounted","Print","British Topography","Scotland","","","","","",""
"8570","","","Glasgow Cathedral","Copper engraving","Circa 1840","","","I 120 x 90 mm","","","","15","£15","unmounted","Print","British Topography","Scotland","","","","","",""
"8587","","","Glasgow Cathedral","Steel engraving","Banks & Co. Edin. Circa 1860","","","I 120 x 85 mm","","","","20","£20","unmounted","Print","British Topography","Scotland","","","","","",""
"8588","","","Glasgow Cathedral (front)","Steel engraving","Banks & Co. Edin. Circa 1860","","","I 120 x 85 mm","","","","20","£20","unmounted","Print","British Topography","Scotland","","","","","",""
"8585","","","Glasgow (from the Clyde)","Steel engraving","Banks & Co. Edinburgh Circa 1860 ","","","I 125 x 85 mm","","","","20","£20","unmounted","Print","British Topography","Scotland","","","","","",""
"7839","","","The High School, Edinburgh, looking West","Steel engraving","Banks & Co. Edinburgh Circa 1830","","","I 120 x 90 mm","","","Built 1825-29Thomas Hamilton Architect","40","£40","mounted","Print","British Topography","Scotland","","","","","",""
"7843","","","The New Post Office","Woodcut","","","","I 188 x 120 mm","","","","35","£35","unmounted","Print","British Topography","Scotland","","","","","",""
"10819","","","Queen Mary’s Tower Holyrood Palace containing her private Apartments in which Rizzio was Murdered","Lithograph with tint stone and hand colouring","1887","","","image 410 x 300 mm","","","","100","£100","unmounted","Print","British Topography","Scotland","","","","","",""
"7842","","","The West Bow, Edinburgh","Lithograph","Published by Hugh Paton, Her Majesty’s Carver & Gilder Edinburgh","","","I 252 x 210 mm","","","","120","£120","unmounted","Print","British Topography","Scotland","","","","","",""
"8566","","A. Ritchie","MacDonald of the Isles","Lithograph with hand colouring","Circa 1860","","","I 268 x 232 mm","","","","10","£10","unmounted","Print","British Topography","Scotland","","","","","",""
"7845","","after William Turner","View of the Great Fire at Edinburgh taken on the 16th day of November 1824","Lithograph","Published at Ballentine 18th Nov.r 1834 20 Greenside Place Edinburgh","","","I 232 x 369 mm; S 270 x 392 mm","","","","125","£125","mounted","Print","British Topography","Scotland","","","","","",""
"7846","","after William Turner","View of the Great Fire at Edinburgh","Lithograph","Published at Ballentine 18th Nov.r 1834 20 Greenside Place Edinburgh","","","I 232 x 369 mm; S 270 x 392 mm","","","","125","£125","mounted","Print","British Topography","Scotland","","","","","",""
"9737","","Alexander Hogg","View of St. Andrews in the County of Fife","Copper engraving with hand colouring","c.1790","","","Image: 335 x 210 mm","","","Alexander Hogg of Paternoster Row London was a successful publisher in 18th Century London. His work included geographical and historical publications. florished circa 1780","150","£150","mounted","Print","British Topography","Scotland","","","","","",""
"8577","","Barclay","Braemar Castle in Aberdeenshire","Copper engraving","Published according to Act of Parliament by Alex.r Hogg No. 16 Paternoster Row","","","I 180 x 128 mm","","","","10","£10","unmounted","Print","British Topography","Scotland","","","","","",""
"8578","","Barrett after Reid","Luss, Dunbartonshire","Copper engraving","Published April 1st 1793 by Harrison & Co. No. 18 Paternoster Row London","","","I 165 x 110 mm; Pl. 200 x 152 mm","","","","20","£20","unmounted","Print","British Topography","Scotland","","","","","",""
"7841","","E. Goodall","Edinburgh The New Royal High Street","Steel engraving","London Published Jan.y 1 1831 by Moon, Boys & Graves, Printsellers to the King, 6 Pall Mall","","","I 230 x 153 mm","","","","20","£20","unmounted","Print","British Topography","Scotland","","","","","",""
"8579","","Eastgate","Dryburgh Abbey, in Berwickshire","Copper engraving","Published according to Act of Parliament by Alex.r Hogg, No. 16 Paternoster Row","","","I 182 x 130 mm","","","","5","£5","unmounted","Print","British Topography","Scotland","","","","","",""
"7829","","J. Faribairn","Calton Hill, Edinburgh","Copper engraving","Circa 1800","","","I 104 x 81 mm","","","","15","£15","unmounted","Print","British Topography","Scotland","","","","","",""
"7832","","J. Gellatly","Edinburgh from Calton Hill","Steel engraving","Published by J. Menzies 61 Princes St. Edin.r Circa 1830","","","I 110 x 72 mm","","","","20","£20","unmounted","Print","British Topography","Scotland","","","","","",""
"7833","","J. Gellatly","St. John’s Chapel, Edinburgh","Steel engraving","Pub.d by J. Menzies, 61 Prince’s St. Edin.r Circa 1830","","","I 110 x 86 mm","","","","15","£15","unmounted","Print","British Topography","Scotland","","","","","",""
"7830","","J. Gellaty","Edinburgh Castle & Royal Institution","Steel engraving","Published by J. Menzies 61 Prince’s St. Edin.r Circa 1830","","","I 100 x 71 mm","","","","15","£15","unmounted","Print","British Topography","Scotland","","","","","",""
"8573","","J.H. Kernot after J.S. Cotman","Glen Coe","Copper engraving","London Published 1834 by Charles Tilt Fleet Street","","","I 122 x 84 mm","","","","10","£10","unmounted","Print","British Topography","Scotland","","","","","",""
"8248","","J. Storer after Dixon","Palace of Holyrood","Copper engraving","","","","I: 110 x 180 mm","","","","15","£15","unmounted","Print","British Topography","Scotland","","","","","",""
"8568","","J. Walker after T. Girten","Abernethy Tower","Copper engraving","Published May 1st 1802 by J. Walker No. 16 Rosemans Street London","","","I 168 x 115 mm; Pl. 202 x 152 mm","","","","20","£20","unmounted","Print","British Topography","Scotland","","","","","",""
"8565","","Johann Slezar","Latus Insula Bassae Orientale. The East syde of the Bass","Copper engraving","1693 Theatrum Scotiae","","","I 423 x 235 mm; Pl. 435 x 280 mm","","","","50","£50","unmounted","Print","British Topography","Scotland","","","","","",""
"7889","","John Vardy","To His Most Sacred Majesty King George the II.d This Perspective View of the Magnificent Gothick Hall at Hampton CourtBuilt by K. Henry the VIIIth Ano. 1532 for the purpose of receiving Foreign Ambassadors in the Manner here Expressed, From a Design of Mr Kent.Is with all Humility Dedicated by His Majesty’s most faithful and Devoted subject and Servant John Vardy.","Copper engraving","According to Act of Parliament 1749","","","I 320 x 455 mm; Pl. 350 x 520 mm; S440 x 590 mm","","","","200","£200","mounted","Print","British Topography","Scotland","","","","","",""
"8567","","Kay","The Scottish Patriot","Copper engraving","1792","","","I 150 x 95 mm","","","","10","£10","unmounted","Print","British Topography","Scotland","","","","","",""
"8974","","M.Griffith","St.Andrews","Copper engraving","c.1770","","","Image: 203 x 153 mm","","","","50","£50","mounted","Print","British Topography","Scotland","","","","","",""
"10157","","M. Griffiths","Cathedral & Chapel of St. Regulus at St. Andrews","Steel engraving","","","","Image: 170 x 225mm","","","","30","£30","mounted","Print","British Topography","Scotland","","","","","",""
"13728","","Maclure & Macdonald after Sam. Bough","Duart Castle, Mull.","Lithograph","c 1860 ","","","Image 108 x 173 mm","","","","5","£5","unmounted","Print","British Topography","Scotland","","","","","",""
"10068","","P. Mazell after M. Griffiths","Cathedral & Chapel of St. Regulus at St. Andrews","Copper engraving","c. 1800","","","Image 145 x 200 mm, Pl. 162 x 220 mm","","","","30","£30","mounted","Print","British Topography","Scotland","","","","","",""
"8247","","Pickett after A. Campbell","Ruins of the Chapel of Holy-rood House","Aquatint","London: Published March 1st, 1802, by M. Longman & Rees, Paternoster Row","1802","1802","I: 110 x 190 mm","","","","15","£15","unmounted","Print","British Topography","Scotland","","","","","",""
"8574","","S. Lacy after Tho.s H. Shepherd","North Bridge, Calton hill &c. From the Bank of Scotland, Edinburgh","Copper engraving","Circa 1830","","","I 148 x 95 mm ","","","","5","£5","unmounted","Print","British Topography","Scotland","","","","","",""
"8246","","Sparrow","Abbey & Palace of Holyrood House","Copper engraving","Published Feb 2nd, 1789, by J. Hooper","1789","1789","I: 125 x 175 mm","","","","10","£10","unmounted","Print","British Topography","Scotland","","","","","",""
"8244","","Sparrow","Roslin Chapel & Castle","Copper engraving","Published Jan. 9th 1789 by J. Hooper","1789","1789","I: 125 x 175 mm","","","","20","£20","unmounted","Print","British Topography","Scotland","","","","","",""
"9189","","Storer","Charlotte Square","Copper engraving","Pub by J&H,S Storer, Chapel Street Pentonville, Sep 1 1820","","","I 101 x 72 mm","","","","35","£35","mounted","Print","British Topography","Scotland","","","","","",""
"8584","","T. Barber after J.P. Neale","Dalkeith Palace, Mid. Lothian","Steel engraving","London Published July 1st 1828 by J.P. Neale 16 Bennett Street Blackfriars Road","","","I 125 x 87 mm; Pl. 160 x 127 mm","","","","5","£5","unmounted","Print","British Topography","Scotland","","","","","",""
"7838","","Unknown","High Street, Edinburg, Schottland","Steel engraving","Circa 1840","","","I 155 x 94 mm","","","","28","£28","unmounted","Print","British Topography","Scotland","","","","","",""
"7836","","Van der Aa","Vue d’Edinbourg du cote de Dean","Copper engraving","1727","","","I 158 x 125 mm","","","","40","£40","unmounted","Print","British Topography","Scotland","","","","","",""
"8569","","Van Der Aa","Vue de la Ville de Kelso","Copper engraving","1727","","","I 160 x 126 mm","","","","20","£20","unmounted","Print","British Topography","Scotland","","","","","",""
"8580","","Van der Aa","Vue des masures de l’Abbaye de Melross","Copper engraving","1727","","","I 160 x 125 mm","","","","20","£20","unmounted","Print","British Topography","Scotland","","","","","",""
"7837","","Van der Aa","Vue du Chateau d’Edinburg du cote du midi","Copper engraving","1727","","","I 158 x 125 mm","","","","40","£40","unmounted","Print","British Topography","Scotland","","","","","",""
"8589","","W. Banks","Princes St. Scott Mt. & School of Design, Edinburgh","Steel engraving","Drawn & Eng.d by W.Banks & Son. Edin. Circa 1860","","","I 195 x 115 mm","","","","5","£5","unmounted","Print","British Topography","Scotland","","","","","",""
"7840","","W. Deeble","The Royal Institution, Edinburgh","Steel engraving","Circa 1850","","","I 176 x 118 mm","","","","15","£15","unmounted","Print","British Topography","Scotland","","","","","",""
"8582","","W.H. Lizars","Abbotsford","Steel engraving","Published by W.H. Lizars Edinburgh Circa 1860","","","I 180 x 105 mm","","","","15","£15","unmounted","Print","British Topography","Scotland","","","","","",""
"8583","","W.H. Lizars","Greenock","Steel engraving","Published by W.H. Lizars Edinburgh Circa 1860","","","I 180 x 105 mm","","","","15","£15","unmounted","Print","British Topography","Scotland","","","","","",""
"8581","","W.H. Lizars","Paisley","Steel engraving","Published by W.H. Lizars Edinburgh Circa 1860","","","I 180 x 105 mm","","","","15","£15","unmounted","Print","British Topography","Scotland","","","","","",""
"8571","","W. Tombleson after Tho. H. Shepherd","East End of the Bridewell, and Jail Governor’s House, Edinburgh","Copper engraving","Circa 1830","","","I 160 x 102 mm","","","","10","£10","unmounted","Print","British Topography","Scotland","","","","","",""
"7834","","W. Wallis","The Stone Quarries, Craigleith, near Edinburgh from which the new town was built","Steel engraving","Published Jan 31 1829 by Jones & Co. Temple of the Muses, Finsbury Square, London","","","I 160 x 117 mm","","","","5","£5","unmounted","Print","British Topography","Scotland","","","","","",""
"11683","","Capone after Browne","Shrewsbury from Coton Hill","Steel engraving","London  J & E Harwood, 26 Fenchurch Street  c.1830","","","Image 95 x 155 mm Vignette","","","","45","£45","mounted","Print","British Topography","Shropshire","","","","","",""
"4865","","P Browne","Shrewbury with the English and Coleham Bridges","Steel engraving","","","","I 167 x 127 mm","","","","35","£35","mounted","Print","British Topography","Shropshire","","","","","",""
"6316","","W. Gauci","Newport","Lithograph","Published by T. Gregory for the Shropshire Gazetteer.","c.1840","1840","I: 110 x 178 mm","","","","25","£25","mounted","Print","British Topography","Shropshire","","","","","",""
"12468","","","[Stonehenge]","Copper engraving with original hand colouring","c.1652","","","Image 189 x 241 mm","","","","40","£40","mounted","Print","British Topography","Somersetshire","","","","","",""
"8085","","Augustino Aglio","Halswell House Seat of C.K. Kemey’s Tynte Esq. M.P.","Lithograph","Published by T. Smyth, Taunton Circa 1830","","","I 451 x 255 mm","","","Augustino Aglio (1777-1857) Draughtsman and lithographer","200","£200","mounted","Print","British Topography","Somersetshire","","","","","",""
"8973","","E.Francis after W.Westall","Bristol from the Bath Road","Steel engraving","Great Britain Illustrated, 1830.","","","Image: 144 x 96 mm","","","","30","£30","mounted","Print","British Topography","Somersetshire","","","","","",""
"8975","","E.T.Dolby","Wells Cathedral, South East View","Lithograph","Published by S.Backhouse, Wells. Day & Son. c.1850","","","Image: 291 x 248 mm","","","","60","£60","mounted","Print","British Topography","Somersetshire","","","","","",""
"4912","","G. Cooke after J. M. W. Turner ","Watchet","Engraving","D. Appleton & Co. New York","","","I: 153 x 235 mm","","","","40","£40","unmounted","Print","British Topography","Somersetshire","","","","","",""
"4866","","J Ryland","The South East View of Bath.","Copper engraving","","","","I 171 x 98 mm","","","","40","£40","mounted","Print","British Topography","Somersetshire","","","","","",""
"4868","","Kalsell after J. Walker","Bath.","Copper engraving","1795","","","I 167 x 110 mm","","","","45","£45","mounted","Print","British Topography","Somersetshire","","","","","",""
"7386","","Kershaw & Son","Stonehenge","Steel engraving with hand colouring","Kershaw & Son, London c.1840","","","I 120 x 75 mm","","","","35","£35","mounted","Print","British Topography","Somersetshire","","","","","",""
"11931","","Kip","The Cathedral Church at Wells","Copper engraving"," 1707","","","Image 425 x 570 mm","","","From Kip’s cathedral churches from Britannia illustrata, published by David Mortier in 1707","160","£160","mounted","Print","British Topography","Somersetshire","","","","","",""
"4864","","T Syer","The Abbey Church, Cheap fr & c. from th Orange Grove, Bath.","Steel engraving","c.1840","","","I 158 x 119 mm","","","","45","£45","mounted","Print","British Topography","Somersetshire","","","","","",""
"4863","","Unknown","Gresham Church, Norfolk","Copper engraving","","","","I 61 x 44 mm","","","","15","£15","mounted","Print","British Topography","Somersetshire","","","","","",""
"7387","","Van der Aa","Vue de Stonehenge du Cote d’OccidentVue de Stone-Henge de Cote du Midi","Copper engraving","1707","","","I 160 x 130 mm","","","","45","£45","mounted","Print","British Topography","Somersetshire","","","","","",""
"10231","","Van der Aa","Vue de Stonehenge du Cote d’OccidentVue de Stone-Henge de Cote du Midi","Copper engraving","1707","","","I 160 x 130 mm","","","","45","£45","mounted","Print","British Topography","Somersetshire","","","","","",""
"8224","","W. Angus after Smith","Nettlecombe Court in Somersetshire, the SEat of Sr. John Trevelyan Bart.","Copper engraving","Published as the Act directs, June 1 st  1793 by W. Angus No. 4 Gwynne’s Buildings, Islington","","","Image 128 x 185 mm, Pl. 155 x 202 mm","","","","20","£20","unmounted","Print","British Topography","Somersetshire","","","","","",""
"11680","","W. Walker after A Crocker","Perspective View of Ilminster Church, Somersetshire","Copper engraving","1782","","","Image 135 x 183 mm","","","","35","£35","mounted","Print","British Topography","Somersetshire","","","","","",""
"7797","","Day & Son lith to the Queen after I. Shaw","The Cathedral Church and Close of Lichfield","Lithograph","Published by T.G. Lomax, The Johnson’s Head","","","I 294 x 430 mm; S. 437 x 562 mm","","","","150","£150","mounted","Print","British Topography","Staffordshire","","","","","",""
"4878","","J Ryland","The South West View of Litchfield","Copper engraving","c.1765","","","I 173 x 100 mm","","","","30","£30","mounted","Print","British Topography","Staffordshire","","","","","",""
"8255","","J. Walker after G. Walton","Lichfield Cathedral","Copper engraving","Published October 1st 1801 by J. Walker, No. 16, Rosemans Street, London.","1801","1801","I: 110 x 165 mm","","","","20","£20","unmounted","Print","British Topography","Staffordshire","","","","","",""
"4872","","Tombleson after Bobson","The City of Lichfield.","Copper engraving","J Britton, Burton Street Aug. 1 1826","","","I 212 x 137 mm","","","","30","£30","mounted","Print","British Topography","Staffordshire","","","","","",""
"4877","","Walker","Wolverhampton","Copper engraving","1796","","","I 163 x 105 mm","","","","35","£35","mounted","Print","British Topography","Staffordshire","","","","","",""
"12453","","Wenceslaus Hollar","The Prospect of Tamworth ","Copper engraving","1730","","","Image 143 x 158 mm","","","P. 1066","45","£45","mounted","Print","British Topography","Staffordshire","","","","","",""
"3040","","Edward Morton after John Constable","Cottage adjoining ...","Lithograph","London, Published J. Dickenson","","","I 140 x 195 mm; S 210 x 255 mm ","The birthplace of late John Constable Esq. R.A. from a sketch by himself, taken in 1836.","","","25","£25","mounted","Print","British Topography","Suffolk","","","","","",""
"3292","","Edward Morton after John Constable","Cottage adjoining. The Birthplace of the late John Constable Esq.R.A. from a Sketch by himself, taken in 1836 On Stone by Edward Morton","Lithograph","London Published by J. Dickenson, 114 New Bond St.  ","","","I 140 x 195 mm; S 210 x 255 mm","","","","25","£25","mounted","Print","British Topography","Suffolk","","","","","",""
"8970","","T.Higham","Bungay Castle, Suffolk","Steel engraving","Published for the proprietors, May 1.1816, by W.Clarke, New Bond Street","","","Image: 82 x 71 mm","","","","15","£15","mounted","Print","British Topography","Suffolk","","","","","",""
"4884","","","Chertsey Bridge.","Steel engraving","","","","I 232 x 183 mm","","","","40","£40","mounted","Print","British Topography","Surrey","","","","","",""
"8962","","H.J. Ormsby after Seymor","Thames Ditton","Copper engraving","","","","Image 67 x 103 mm","","","","30","£30","mounted","Print","British Topography","Surrey","","","","","",""
"4419","","H. Winkles after Tombleson","View from Richmond Hill","Steel engraving","Published by Tombleson & Compy., 11 Paternoster Row, London, c. 1841","","","I 150 X 190 mm","Tombleson's Views of the Thames and Medway","","","25","£25","mounted","Print","British Topography","Surrey","","","","","",""
"12481","","J. Cox after Tombleson","View near Battersea","Steel engraving","London Published by Tombleson & Co 11 Paternoster Rowc.1834","","","Image 173 x 203 mm","Tombleson's Views of the Thames and Medway","","decorative border surrounding the image (included in measurements)","25","£25","mounted","Print","British Topography","Surrey","","","","","",""
"12462","","J. Rogers after J. Fletcher","Dorking, Surrey","Steel engraving with later hand colouring","c.1835","","","Image 87 x 150 mm","","","","35","£35","mounted","Print","British Topography","Surrey","","","","","",""
"12459","","J. Shury after C.Pyne","Guildford","Steel engraving with later hand colouring","c.1841","","","Image108 x 182 mm","","","","40","£40","mounted","Print","British Topography","Surrey","","","","","",""
"8922","","J. Shury after N. Whittock","Guildford","Steel engraving","Published 1829","","","Image: 120 x 175 mm Sheet: 240 x 280 mm","","","","45","£45","mounted","Print","British Topography","Surrey","","","","","",""
"10126","","John Fullwood","The Thames at Laleham- Sundown","Drypoint","","","","Image and Plate 212 x 192 mm","","","Signed and inscribed in pencil and Fine Art Trade Guild BlindstampJohn Fullwood (died 1931) Landscape painter and etcher. Studied art in Birmingham, Newlyn, and Paris. Exhibited at the Royal Birmingham Society of Artists from 1874 and at the RA from 1891.","120","£120","mounted","Print","British Topography","Surrey","","","","","",""
"3282","","Paul Sandby after Thomas Sandby","The Great Bridge over the Virginia River","Copper engraving","Published March the 2.d 1772 by John Boydell","","","I 313 x 564 mm; Pl. 345 x 581; S 562 x 587 mm","","","Virginia Water, Windsor Great Park","400","£400","mounted","Print","British Topography","Surrey","","","","","",""
"6201","","Samuel Ireland","Chertsey bridge, & C.","Aquatint","Pub. for S. Ireland May 1 1799","","","I 110 x 163 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","20","£20","unmounted","Print","British Topography","Surrey","","","","","",""
"6203","","Samuel Ireland","East View of Staines-bridge","Aquatint","Pub. for S. Ireland May 1 1799","","","I 110 x 165 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","20","£20","unmounted","Print","British Topography","Surrey","","","","","",""
"6219","","Samuel Ireland","Hampton Court - bridge &c. ","Aquatint","Pub. for S. Ireland May 1 1799","","","I 110 x 165 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","20","£20","unmounted","Print","British Topography","Surrey","","","","","",""
"6222","","Samuel Ireland","New Stains Bridge","Aquatint","Pub. for S. Ireland May 1 1799","","","I 110 x 165 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","20","£20","unmounted","Print","British Topography","Surrey","","","","","",""
"6231","","Samuel Ireland","Strawberry Hill","Aquatint","Pub. for S. Ireland May 1 1799","","","I 110 x 165 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","20","£20","unmounted","Print","British Topography","Surrey","","","","","",""
"6224","","Samuel Ireland","Walton - bridgem Surry","Aquatint","Pub. for S. Ireland May 1 1799","","","I 110 x 165 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","20","£20","unmounted","Print","British Topography","Surrey","","","","","",""
"12460","","Shury after G. S. Shepherd","Abbots Hospital, Guildford","Steel engraving with later hand colouring","c.1844","","","Image 103 x 171 mm","Engraved for Brayleys History of Surrey","","","30","£30","mounted","Print","British Topography","Surrey","","","","","",""
"4889","","W Watts","The Seat of Sir Charles Afgill Bar.t near Richomond un Surry.","Copper engraving","1781 W Watts Chelsea","","","I 182 x 125 mm","","","","40","£40","mounted","Print","British Topography","Surrey","","","","","",""
"12446","","","Chain Pier__Brighton","Steel engraving","1841","","","Image 95 x 132 mm","","","","25","£25","mounted","Print","British Topography","Sussex","","","","","",""
"4891","","","Grand Parade, East Boundary St. Leonards.","Lithograph with hand colouring","C Graf, 1 Great Castle St. Regent St. London","","","I 200  x 262 mm","","","","60","£60","mounted","Print","British Topography","Sussex","","","","","",""
"11319","","","Perspective View of the City of Chichester, in the County of Sussex.","Copper engraving","Engraved for the Complete English Traveller. c.1760","","","I 276 x 155 mm","","","","50","£50","mounted","Print","British Topography","Sussex","","","","","",""
"12451","","C.J. Smith after C. Scott","Brighton East","Steel engraving with hand colouring","1840","","","Image 96 x 154 mm","","","","30","£30","mounted","Print","British Topography","Sussex","","","","","",""
"12447","","C.J. Smith after C.Scott","Brighton West","Steel engraving with hand colouring","1840","","","Image 97 x 153 mm","","","","30","£30","mounted","Print","British Topography","Sussex","","","","","",""
"12452","","C.J. Smith after C.Scott","New Entrance, Pavilion Brighton","Steel engraving with hand colouring","1830","","","Image 126 x 103 mm","","","","30","£30","mounted","Print","British Topography","Sussex","","","","","",""
"12450","","Edward Finden after W.Westall","Brunswick Terrace, Brighton","Steel engraving with hand colouring","1829","","","Image 86 x 145 mm","","","","25","£25","mounted","Print","British Topography","Sussex","","","","","",""
"12456","","Francis after W. Westall","The Pavilion, Brighton","engraving with later hand colouring","c.1829","","","Image 90 x 143 mm","","","","30","£30","mounted","Print","British Topography","Sussex","","","","","",""
"12469","","G. Rowe","Hastings, from the East Hill.","Lithograph","c.1840","","","Image 206 x .325 mm","","","","90","£90","mounted","Print","British Topography","Sussex","","","","","",""
"2988","","H. Winkles after Augustus Pugin","Pavilion North & South Galleries, Chamber Floor.","Aquatint","London Published June 2 1823 by John Nash Esqr. & Sold by R. Ackermann, 101 Strand","","","I 210 x 305 mm, Pl 333 x 380 mm, S 365 x 540 mm","Illustrations of Her Majesty's palace at Brighton; formerly the Pavilion: : executed by the command of King George the Fourth, under the superintendence of John Nash, ... To which is prefixed, a history of the palace, by Edward Wedlake Brayley, 1838 ","","","100","£100","mounted","Print","British Topography","Sussex","","","","","",""
"11583","","J Newman","Kemp Town, Brighton","Copper engraving with hand colouring","J Smith Pool Valley Brighton. C.1850","","","Image 95 x 155 mm","","","","35","£35","mounted","Print","British Topography","Sussex","","","","","",""
"4893","","J Ryland ","The North East View of Salisbury","Copper engraving","","","","I 173 x 97 mm","","","","35","£35","mounted","Print","British Topography","Sussex","","","","","",""
"2885","","R.Wallis after J.M.W Turner","Hastings. To Charles Sackville Bale Esq. This Engraving  from the Original Drawing  in his Collection, is respectfully dedicated by his obliged humble servants, E. Gambert & Co.","Steel engraving","London published Nov.r 1851 by E. Gambert & Co. 25 Berners Street, Oxford Street, 1851","","","I 588 x 397 mm; S 640 x 498 mm","","","Rawlinson 665 iv/iv , but vi/vi","350","£350","mounted","Print","British Topography","Sussex","","","","","",""
"4882","","Rock","Paint Leonards on the Sea","Steel engraving","Rock & co. 1860","","","I 159 x 107 mm","","","","35","£35","mounted","Print","British Topography","Sussex","","","","","",""
"2986","","T. Sutherland after Augustus Pugin","Pavilion, Centre Part of the Front Towards the Steine, John Nash Esq. Archt. & Invent.","Aquatint","London Published   1824 by John Nash Esqr. & Sold by R. Ackermann, 101 Strand","","","I 258 x 213 mm, Pl 385 x 330 mm, S 365 x 540 mm","Illustrations of Her Majesty's palace at Brighton; formerly the Pavilion: : executed by the command of King George the Fourth, under the superintendence of John Nash, ... To which is prefixed, a history of the palace, by Edward Wedlake Brayley, 1838 ","","","150","£150","mounted","Print","British Topography","Sussex","","","","","",""
"4888","","Thomas Turner","Fairlight Church.","Lithograph with hand colouring","Harris Brothers’ 5 Queen st Cheapside London","","","I 260 x 176 mm","","","","40","£40","mounted","Print","British Topography","Sussex","","","","","",""
"9186","","Unknown","Heatherly’s Library, East Bourne","Steel engraving","c 1830","","","I 53 x 51 mm","","","Possibly printed as a book plate","15","£15","mounted","Print","British Topography","Sussex","","","","","",""
"2993","","W. J. Bennett  after Augustus Pugin","Pavilion, Gallery, in its present state, looking towards the Music Room","Aquatint","London Published July1823 by John Nash Esqr. & Sold by R. Ackermann, 101 Strand","","","I 210 x 305 mm, Pl 333 x 380 mm, S 365 x 540 mm","Illustrations of Her Majesty's palace at Brighton; formerly the Pavilion: : executed by the command of King George the Fourth, under the superintendence of John Nash, ... To which is prefixed, a history of the palace, by Edward Wedlake Brayley, 1838 ","","","100","£100","mounted","Print","British Topography","Sussex","","","","","",""
"2992","","W. J. Bennett  after Augustus Pugin","Pavilion, Saloon","Aquatint","London Published July1823 by John Nash Esqr. & Sold by R. Ackermann, 101 Strand","","","I 210 x 305 mm, Pl 333 x 380 mm, S 365 x 540 mm","Illustrations of Her Majesty's palace at Brighton; formerly the Pavilion: : executed by the command of King George the Fourth, under the superintendence of John Nash, ... To which is prefixed, a history of the palace, by Edward Wedlake Brayley, 1838 ","","","100","£100","mounted","Print","British Topography","Sussex","","","","","",""
"13417","","W.Westall","The Chain Pier, Brighton, from the Pier-head","Aquatint and etching","London, Published by J.Dickenson. Bond Street. 1833","","","Image 168 x 261 mm","","","","100","£100","mounted","Print","British Topography","Sussex","","","","","",""
"11582","","Wolstenholm after Henwood","East View of Brighton from Kemp Town","Lithograph","Gad & Co. Printers London.","","","Images 131 x 203 mm","","","","50","£50","mounted","Print","British Topography","Sussex","","","","","",""
"11337","","J Baldrey after Henry William Banbury","Peasants of the Vale of  Llangollen.","Stipple engraving","London, Published Nov 25, 1783 by W.Dickinson Engraver & Printseller No.158 New Bond Street.","","","Image 236 x 236 mm, Plate 280 x 275 mm, Sheet 303 x 305 mm","","","Condition: sheet folded on all sides 10mm from sheet edge.","250","£250","unmounted","Print","British Topography","Wales","","","","","",""
"9770","","J.J. Hinchchife after W.H. Bartlett","Bridge to the South Stack Lighthouse (near Holyhead)","Steel engraving with handcolour","","","","Image 120 x 181 mm, Sheet 207 x 265 mm","","","Condtion: Laiddown with some light staining","15","£15","unmounted","Print","British Topography","Wales","","","","","",""
"9037","","J. Lavars","St. Donat’s Castle, Glamorganshire.","Lithograph with tint stone","Published by P. Thomas; St. Athan Glanmorganshire","","","Image 267 x 453 mm, Sheet 475 x 595 mm","","","Condition: some repaired tears in upper margin.  An acrease in the left of the image.","225","£225","","Print","British Topography","Wales","","","","","",""
"9387","","P. Sandby","Carey Castle in Pembrokeshire","Aquatint","Published Sept. 1775 by J.Boydell in Cheapside","","","Image 240 x 310 mm","","","PAUL SANDBY (1725-1809), English water-colour painter, was born at Nottingham in 1725. In 1746 he was appointed by the duke of Cumberland draughtsman to the survey of the Highlands. In 1752 he quitted this post and retired to Windsor, where he occupied himself with the production of water-colour drawings of scenery and architecture. Sir Joseph Banks commissioned him to bring out in aquatint (a method of engraving then peculiar to Sandby) forty-eight plates drawn during a tour in Wales. Sandby displayed considerable power as a caricaturist in his attempt to ridicule the opposition of Hogarth to the plan for creating a public academy for the arts. In 1768 he was chosen a foundation-member of the Royal Academy and appointed chief drawing-master to the Royal Military Academy at Woolwich. He held this situation till 1799. Sandby is best remembered, however, by his water-colour paintings. They are topographical in character, and, while they want the richness and brilliancy of modern water-colour, he nevertheless impressed upon them the originality of his mind. His etchings, such as the Cries of London and the illustrations to Ramsay's Gentle Shepherd;  and his plates, such as those to Tasso's Jerusalem Delivered,.  are numerous and carefully executed. He died in London on the 9th of November 1809.","200","£200","unmounted","Print","British Topography","Wales","","","","","",""
"11506","","Paul Sandby","Conway in the County of Caernarvon.","Aquatint","Published according to Act of Parlaiment by P.Sandby St.Georges Row. Sep 1st 1776","","","Image 215 x 294 mm, Plate 240 x 315 mm","","","PAUL SANDBY (1725-1809), English water-colour painter, was born at Nottingham in 1725. In 1746 he was appointed by the duke of Cumberland draughtsman to the survey of the Highlands. In 1752 he quitted this post and retired to Windsor, where he occupied himself with the production of water-colour drawings of scenery and architecture. Sir Joseph Banks commissioned him to bring out in aquatint (a method of engraving then peculiar to Sandby) forty-eight plates drawn during a tour in Wales. Sandby displayed considerable power as a caricaturist in his attempt to ridicule the opposition of Hogarth to the plan for creating a public academy for the arts. In 1768 he was chosen a foundation-member of the Royal Academy and appointed chief drawing-master to the Royal Military Academy at Woolwich. He held this situation till 1799. Sandby is best remembered, however, by his water-colour paintings. They are topographical in character, and, while they want the richness and brilliancy of modern water-colour, he nevertheless impressed upon them the originality of his mind. His etchings, such as the Cries of London and the illustrations to Ramsay's Gentle Shepherd;  and his plates, such as those to Tasso's Jerusalem Delivered,.  are numerous and carefully executed. He died in London on the 9th of November 1809.","160","£160","mounted","Print","British Topography","Wales","","","","","",""
"11505","","Paul Sandby","Wynnstay, Seat of Sir Watkin Williams Wynn Bar,t from a cottage above the New Bridge over the River DEE, Denbigh Shire","Aquatint","Published according to Act of Parlaiment by P.Sandby St.Georges Row. Sep 1st 1776","","","Image 210 x 299 mm, Plate 240 x 315 mm","","","PAUL SANDBY (1725-1809), English water-colour painter, was born at Nottingham in 1725. In 1746 he was appointed by the duke of Cumberland draughtsman to the survey of the Highlands. In 1752 he quitted this post and retired to Windsor, where he occupied himself with the production of water-colour drawings of scenery and architecture. Sir Joseph Banks commissioned him to bring out in aquatint (a method of engraving then peculiar to Sandby) forty-eight plates drawn during a tour in Wales. Sandby displayed considerable power as a caricaturist in his attempt to ridicule the opposition of Hogarth to the plan for creating a public academy for the arts. In 1768 he was chosen a foundation-member of the Royal Academy and appointed chief drawing-master to the Royal Military Academy at Woolwich. He held this situation till 1799. Sandby is best remembered, however, by his water-colour paintings. They are topographical in character, and, while they want the richness and brilliancy of modern water-colour, he nevertheless impressed upon them the originality of his mind. His etchings, such as the Cries of London and the illustrations to Ramsay's Gentle Shepherd;  and his plates, such as those to Tasso's Jerusalem Delivered,.  are numerous and carefully executed. He died in London on the 9th of November 1809.","160","£160","mounted","Print","British Topography","Wales","","","","","",""
"13607","","W.Payne","On the River Usk, Monmouthshire","lithograph with tintstone","London Published Jany 1.1800 by T.Simpson, St Pauls Church Yard, and J.P.Thompson (late Darling & Thompson) Gt Newport Street","","","Image 157 x 214 mm","","","","30","£30","unmounted","Print","British Topography","Wales","","","","","",""
"12445","","","Bath Street [Lemington]","Steel engraving","Published by C.Elston c 1860","","","Image 101 x 135 mm","","","","35","£35","mounted","Print","British Topography","Warwickshire","","","","","",""
"12417","","","Birmingham in England","Steel engraving with hand colouring","1850","","","Image 104 x 150 mm","","","","30","£30","mounted","Print","British Topography","Warwickshire","","","","","",""
"12431","","","The Birth - Place of Shakespear","Steel engraving with hand colouring","1870","","","Image 111 x 149 mm","","","","30","£30","mounted","Print","British Topography","Warwickshire","","","","","",""
"8086","","","Pinfold Street","Lithograph","Printed and Published by Thomas Underwood Castle St, High St. Birmingham 1865","","","I 665 x 233 mm","","","","60","£60","mounted","Print","British Topography","Warwickshire","","","","","",""
"12163","","","Warwick Castle and St.Mary’s Tower","Copper engraved","c1790","","","Image 170 x 238 mm, Sheet 223 x 278 mm","","","","25","£25","unmounted","Print","British Topography","Warwickshire","","","","","",""
"12435","","C.Fenn","Birmingham Municipal Buildings.","Steel engraving","c 1880","","","Image 139 x 215 mm","","","","25","£25","mounted","Print","British Topography","Warwickshire","","","","","",""
"12448","","C.Fenn after H.Warren","Birmingham Town Hall.","Steel engraving with later hand colouring","c1865","","","Image 148 x 202 mm","","","","35","£35","mounted","Print","British Topography","Warwickshire","","","","","",""
"1904","","F. Vivares","Kenilworth Castle","Copper engraving with hand colouring","18th century","","","I 525 x 360 mm","","","","150","£150","unmounted","Print","British Topography","Warwickshire","","","","","",""
"4568","","F. Vivares after T. Smith","Kenilworth Castle from the South Situate between Warwick and Coventry belongs to the Rt. Hon. the Earl of Clarendon & Rochester. To Whom this plate is inscribed by his Lordships most hum serv.t T. Smith","Copper engraving","Published 1769 by J. Boydell Engraver in Cheapside No. 90 J. Bowles in Cornhill No.13 & H. Parker No. 82 in Cornhill, London","","","I 525 x 360 mm; Pl. 542 x 390 mm; S 630 x 470 mm","","","","250","£250","mounted","Print","British Topography","Warwickshire","","","","","",""
"12167","","Frederick Albert Slocombe","Warwick Castle","Etching","London, Published Nov 1st 1887 by The Fine Art Society (limited) 148 New Bond street W","","","image 405 x 610 mm, Sheet 515 x 624 mm","","","(1847-c. 1920) Painter and etcher of landscapes and genre. Exhibited at the Royal Academy from 1886, also at Suffolk Street.  He was also a member of the Royal Society for Painter-Etchers and Engravers 1881-1920.","60","£60","mounted","Print","British Topography","Warwickshire","","","","","",""
"12165","","G.Hawkins after J.G.Hawkins","Entrance Gateway, with Towers_ Warwick Castle","Lithograph with tint stone","Published by Henry T.Cooke Warwick. c 1850","","","Image 277 x 416, Sheet 440 x 597","","","","45","£45","unmounted","Print","British Topography","Warwickshire","","","","","",""
"12166","","G.Hawkins after J.G.Hawkins","South Front feom the Banks of the Avon) Warwick Castle","Lithograph with tint stone","Published by Henry T.Cooke Warwick. c 1850","","","Image 278 x 419mm, Sheet 436 x 597mm","","","","60","£60","unmounted","Print","British Topography","Warwickshire","","","","","",""
"12839","","George Bailey","Shakespeares tomb, Holy Trinity Church","Steel engraving","","","","Image 250 x 180 mm Plate 300 x 220 mm","","","","50","£50","unmounted","Print","British Topography","Warwickshire","","","","","",""
"3290","","J. Brandard","The Chancel of the Parish Church, Stratford Upon Avon. In which are interred the remains of SHAKESPEARE. Whose monument (next the door) & Tombleson on the steps below are seen in this view. ","Lithograph","Leamington , Published by C. Elston Stationer & Publisher of Local Views, 12 Lower Union Parade","","","I 268 x 188 mm","","","","35","£35","mounted","Print","British Topography","Warwickshire","","","","","",""
"12161","","J.Brandard","Warwick Castle.","Lithograph","Leamington Published by C.Elston Stationer and Publisher of Local Views No12, Lower Union Parade.","","","Image 150 x 200 mm, Sheet 242 x 311 mm","","","","35","£35","unmounted","Print","British Topography","Warwickshire","","","","","",""
"12160","","J.D Harding","Warwick Castle, Warwickshire.","Lithograph with hand colouring","Published by Chapman & Hall. London, Sepr 1st. 1844","","","Image 176 x 260 mm, Sheet 225 x 308 mm","","","","40","£40","unmounted","Print","British Topography","Warwickshire","","","","","",""
"12443","","J. Ryland","The East View of Birmingham","Copper engraving","1780","","","Image 101 x 176 mm","","","","30","£30","mounted","Print","British Topography","Warwickshire","","","","","",""
"12162","","J.Walker after Dayes","Warwick Castle.","Copper engraved","Published October 2nd 1797, by J.Walker No16 Rosomans Street, London","","","Image 110 x 170 mm, Sheet 283 x 271 mm","","","","25","£25","unmounted","Print","British Topography","Warwickshire","","","","","",""
"3291","","M & N Hanhart after J. Brandard","The Interior of Beauchamp Chapel, St Mary’s Church Warwick containing the Tombs of Richard de Beauchamp, E of Warwick (Founder of the Chapel) Ambrose Dudley E. of Warwick","Lithograph","Leamington Published by C. Elston, 12 Lower Union Parade.","","","I 285 x 196 mm","","","","35","£35","mounted","Print","British Topography","Warwickshire","","","","","",""
"7798","","N. Whittock","Kenilworth Castle","Lithograph","Printed by Reaman, London Circa 1821","","","I 430 x 295 mm; S 560 x 415 mm","","","","250","£250","mounted","Print","British Topography","Warwickshire","","","","","",""
"9397","","Reginald Green","Anne Hathaways Cottage Nr. Stratford-upon-Avon","Etching","c.1920","","","Image 190 x 105 mm","","","Etcher of landscapesand architectural subjects. Exhibited at the R.A., R.E., R.W.A. and elected A.R.E. 1918.","40","£40","mounted","Print","British Topography","Warwickshire","","","","","",""
"10973","","S. Fisher after J.M.W. Turner","Coventry. Warwickshire.","Steel engraving","London, Published 1833, for the Proprietor, By Moon, Boys & Graves, 6 Pall Mall.","","","Image 164 x 245 mm","","","","45","£45","mounted","Print","British Topography","Warwickshire","","","","","",""
"12164","","Samuel & Nathaniel Buck","The South East View of Warwick Castle","Copper engraving","1729","","","Image 190 x 350 mm, Sheet 232 x 393 mm","","","","45","£45","unmounted","Print","British Topography","Warwickshire","","","","","",""
"10443","","Starling, T","Warwickshire","Steel engraving","Drawn and Engraved for Lewis’ Topographical Dictionary c.1840","","","230 mm x 173 mm","Lewis’ Topographical Dictionary","","Drawn by R. Creighton.Very light foxing on the bottom left.","30","£30","unmounted","Print","British Topography","Warwickshire","","","","","",""
"12442","","T.A Prior after W.Harvey","Birmingham. From the South","Steel engraving with hand colouring","c 1848","","","Image 138 x 194 mm","","","","40","£40","mounted","Print","British Topography","Warwickshire","","","","","",""
"7250","","Unknown","Bull St. Corner of Crooked Lane  [Birmingham]","Lithograph with tint stone","Printed and Published By Thomas Underwood, Castle St. High St. Brimingham, 1865","","","I 210 x 270 mm","","","","30","£30","mounted","Print","British Topography","Warwickshire","","","","","",""
"7252","","Unknown","New St. & Corner of Worcester St. [Birmingham]","Lithograph with tint stone","Printed and Published By Thomas Underwood, Castle St. High St. Brimingham, 1865","","","I 210 x 270 mm","","","","30","£30","mounted","Print","British Topography","Warwickshire","","","","","",""
"12624","","W. Hollar","The Pospect of Warwick [&] The Ground plott of Warwick","Copper engraving","c.1730","","","Prospect: Image 140 x 295 mm, Plate 145 x 300,Ground Plot: Image 177 x 220, Plate 180 x 225 mm, Sheet: 382 x 402 mm","","","","160","£160","unmounted","Print","British Topography","Warwickshire","","","","","",""
"12463","","W. Hollar","The Prospect of Bermingham, from Ravenhurst (neere London road) on the South - east part of the towne","Copper engraving","c.1730","","","Image 94 x 187","","","","40","£40","mounted","Print","British Topography","Warwickshire","","","","","",""
"8251","","","[Fonthill]","Steel engraving","","","","I: 95 x 125 mm","","","","15","£15","unmounted","Print","British Topography","Wiltshire","","","","","",""
"12897","","","Fonthill","Lithograph","","","","190 x 170 mm","","","","25","£25","unmounted","Print","British Topography","Wiltshire","","","","","",""
"12440","","","An Inward View of Stonehenge from behind the High Altar","Copper engraving","1770","","","Image 199  x 193","","","","30","£30","mounted","Print","British Topography","Wiltshire","","","","","",""
"8240","","","South View of Long Seate in Wiltshire, the Seat of the Rt. Hon. Lord Weymouth","Copper engraving","","","","I: 145 x 275 mm","","","","20","£20","unmounted","Print","British Topography","Wiltshire","","","","","",""
"9045","","","A South View of Stone-Henge,on Salisbury Plain, in the County of Wilts.","Copper engraving","London, c. 1779","","","Image 160 x 283 mm, Pl. 195 x 313 mm","From The Modern Universal British Traveller","","","80","£80","mounted","Print","British Topography","Wiltshire","","","","","",""
"6907","","Francis after W. Westall ","Stone Henge","Copper engraving","Circa 1800","","","I 142 x 81 mm","","","","45","£45","mounted","Print","British Topography","Wiltshire","","","","","",""
"8250","","H. Winkles after G. Cattermole","Fonthill Abbey, S.W. View","Copper engraving","London, Published by the Author, April 1, 1823","1823","1823","I: 140 x 195 mm","","","","20","£20","unmounted","Print","British Topography","Wiltshire","","","","","",""
"12416","","Peltro","Stone Henge in Wiltshire","Copper engraving","1785","","","Image 125 x 186 mm","","","","20","£20","mounted","Print","British Topography","Wiltshire","","","","","",""
"8138","","S. Sparrow after F. MacKenzie","Longford Castle, Wiltshire.","Copper engraving","London, Published Octr. 1, 1808 by Longman & Co. Paternoster Row & J. Taylor High Holborn","","","Image 144 x 204, Sheet 225 x 284 mm","","","","20","£20","unmounted","Print","British Topography","Wiltshire","","","","","",""
"6208","","Samuel Ireland","Eisey-bridge","Aquatint","Pub. for S. Ireland May 1 1799","","","I 110 x 165 mm","From Picturesque Views on the River Thames from its source in Gloucestershire to the Nore by Samuel Ireland","","","20","£20","unmounted","Print","British Topography","Wiltshire","","","","","",""
"8137","","W. Angus after Claude Nattes","Longford in Wiltshire the Seat of the Earl of Radnor","Copper engraving","Published as the Act directs April 1, 1788, by W. Angus, No. 4 Gwynnes Buildings Islington","","","Image 128 x 186 mm, Pl. 156 x 203 mm","","","","25","£25","unmounted","Print","British Topography","Wiltshire","","","","","",""
"7807","","Newman & Co.","Great Malvern","Lithograph with hand colouring","Published by Henry Manning, Great Malvern 48 Watling St. 19th Century","","","I 381 x 250 mm","","","","200","£200","mounted","Print","British Topography","Worcestershire","","","","","",""
"8863","","Day & Haghe after Richarason","The North Transept and Organ screen of York Cathedral","Lithograph","York, Published by R Sunter, July 1 1844","","","I 320 x 430 mm","","","","70","£70","unmounted","Print","British Topography","Yorkshire","","","","","",""
"8831","","Groom after Shaw","Leeds Parish Church from the West","Lithograph","Published by R Slocombe, Bookseller&c, Leeds","","","I 350 x 260 mm","","","","50","£50","unmounted","Print","British Topography","Yorkshire","","","","","",""
"3042","","J. Fallowfield Masser after Robert Bownas","Wakefield","Lithograph","Published by J. Fallowfield Masser, 25, Boar Lane Leeds 1865","","","Pl. 215 x 352 mm;  S 340 x 472 mm","","","","180","£180","mounted","Print","British Topography","Yorkshire","","","","","",""
"10704","","Linesey","The Old Chaim House, South-end","Etching","Published by J. Greenwood, Hull","","","I 70 x 110 mm","","","","15","£15","unmounted","Print","British Topography","Yorkshire","","","","","",""
"12441","","Wells after F W","Bridlington Bay, Eastern Coast of Yorkshire","Lithograph with hand colouring","Published 31 Augt 1804 by J.Gold, 103 Shoe Lane","","","Image 125 x 205 mm","","","","25","£25","mounted","Print","British Topography","Yorkshire","","","","","",""
"13470","","Wenceslaus Hollar","The Towne of Hull","Copper engraving","c. 1795","","","Image 260 x 300 mm, Pl. 269 x 310 mm","","","P 984 Condition: Some browning in centrefold","40","£40","unmounted","Print","British Topography","Yorkshire","","","","","",""
"8084","","William Monkhouse after W. Bevan","St George’s Church, Doncaster as it appeared before the fire by which it was destroyed, February 28th 1853. This view is respectfully dedicated to the Rev. John Sharpe D.D. Vicar by his obliged Servant, Robert Hartley","Lithograph","Doncaster Published by Robert Hartley Circa 1860 ","","","I 356 x 262 mm","","","William Monkhouse was the leading lithographer in York and made the city a centre for lithographic printing.","60","£60","mounted","Print","British Topography","Yorkshire","","","","","",""
"8889","","","Arms of  Gonville & Caius College, Cambridge University","Chromolithograph","c.1920","","","I 60 x 70 mm","Wills’s Cigarette Cards","","","20","£20","mounted","Print"," Cambridge","Caius College Cambridge"," ","","","","",""
"11209","","J. Stadler after F. Mackenzie","Chapel of Caius College.","Aquatint","London. Pub.Oct.r 1, 1815, at 101 Strand for R Ackermanns History of Cambridge.","","","Image 245 x 213 mm","From Ackermann’s History of the University of Cambridge","","","100","£100","mounted","Print"," Cambridge","Caius College Cambridge","","","","","",""
"2261","","Le Keux after F. Mackenzie","Caius College","Copper engraving with hand colouring","c. 1850","","","I 137 x 104 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.","","","25","£25","unmounted","Print"," Cambridge","Caius College Cambridge","","","","","",""
"2232","","Le Keux after F. Mackenzie","Fellows Garden, Caius College","Copper engraving with hand colouring","c. 1850","","","I 129 x 87 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.","","","25","£25","unmounted","Print"," Cambridge","Caius College Cambridge","","","","","",""
"2182","","Le Keux after F. Mackenzie","Gate of Honour & Senate House, Caius College","Copper engraving with hand colouring","c. 1850","","","I 85 x 133 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.","","","25","£25","unmounted","Print"," Cambridge","Caius College Cambridge","","","","","",""
"2274","","Le Keux after F. Mackenzie","Interior of the Chapel Cius College","Copper engraving with hand colouring","c. 1850","","","I 145 x 96 mm, S 148 x 177 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.","","","15","£15","unmounted","Print"," Cambridge","Caius College Cambridge","","","","","",""
"2184","","Le Keux after J.A Bell","Caius College","Copper engraving with hand colouring","c. 1850","","","I 137 x 94 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.","","","25","£25","unmounted","Print"," Cambridge","Caius College Cambridge","","","","","",""
"11556","","Cooke after Showbridge","The Cam","Lithograph with hand colouring","London Published Aug 1, 1838, By J.W Parker, West Strand","","","Image 130 x 235 mm","","","","75","£75","mounted","Print"," Cambridge","Cambridge General Views","","","","","",""
"10188","","Elizabeth Byrne after R.B. Harraden","Great St. Mary’s, The University Church.","Copper engraving ","Published Jan 20. 1809 by R. Harraden & Son Cambridge & by R. Cribb & Son 288 Holborn, London","","","Image 120 x 121 mm, Pl. 164 x 175 mm","","","From Cantabrigia Depicta: A Series of Engravings Representing The most Picturesque and Interesting Edifices in the University of Cambridge with an Historical and Descriptive account of each. ","20","£20","unmounted","Print"," Cambridge","Cambridge General Views","","","","","",""
"2248","","Le Keux after F. Mackenize","View of Cambridge from Castle Hill","Copper engraving with hand colouring","c. 1850","","","I 146 x 88 mm, S 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.","","","25","£25","unmounted","Print"," Cambridge","Cambridge General Views","","","","","",""
"12210","","Le Keux after F. Mackenzie","Interior of St.Peter’s Church","Steel engraving","c. 1850","","","Image 136 x 102 mm, Sheet 138 x 191 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.","","","15","£15","mounted","Print"," Cambridge","Cambridge General Views","","","","","",""
"2204","","Le Keux after F. Mackenzie","View of Cambridge","Copper engraving with hand colouring","c. 1850","","","Image 92 x 145 mm","From Le Keux's Memorials of Cambridge, A series of views of the Colleges, Halls, and Public Buildings, engraved by J. Le Keux; with historical and descriptive arrounts by Thomas Wright and H. Longueville.","","","35","£35","mounted","Print"," Cambridge","Cambridge General Views","","","","","",""
"10180","","Lettica Byrne after R.B. Harraden","Cambridge","Copper engraving ","Published Jan 20, 1809, by R. Harraden & Son Cambridge & by R. Cribb & Son 288 Holborn, London","","","Image 128 x 207 mm, Pl. 182 x 252 mm","","","From Cantabrigia Depicta: A Series of Engravings Representing The most Picturesque and Interesting Edifices in the University of Cambridge with an Historical and Descriptive account of each. ","75","£75","unmounted","Print"," Cambridge","Cambridge General Views","","","","","",""
"4709","","Rock & co.","The Meeting on the Cam, of the Cambridge Boat Club","Steel engraving","c. 1850","","","I 145 x 110 mm","","","","45","£45","mounted","Print"," Cambridge","Cambridge General Views","","","","","",""
"4712","","Unknown","[A Canal in Cambridge]","Engraving","c. 1910","","","I 163 x 117 mm","","","","25","£25","mounted","Print"," Cambridge","Cambridge General Vi